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Russian art ‘Disaster paintings’ | Victorian drawings of Russia’s decorative arts | Kandinsky and Formalism Tintoretto 500 in Venice | Adriaen Brouwer in Oudenaarde | Judson Dance Theater in New York

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CEEH Doctoral Scholarship in Spanish Art-Historical Studies at The Courtauld Institute, London The Courtauld is delighted to announce the creation of a fullyfunded doctoral scholarship in Spanish art-historical studies, commencing at The Courtauld in October 2019. The scholarship will cover The Courtauld’s Home/EU/International tuition fees for three years (or four if required), together with an annual stipend of £12,000 for living costs and travel. Applicants are advised to send prospective supervisors a 300-word proposal, CV, and sample of written work in English well before the application deadline of 11 January 2019. They must demonstrate that Spanish art, architecture or visual culture forms the focus of their proposed research topic, which should also fall within the proposed supervisor’s areas of research expertise. Applicants should submit The Courtauld Scholarship application form together with their PhD application. See http://courtauld.ac.uk/study/phd-research for further information. This scholarship has been created through the generosity of CEEH (Centro de Estudios Europa Hispánica), in association with ARTES, the Iberian and Latin-American Visual Arts Group.

King’s College, Cambridge announces the Nigel Glendinning Doctoral Studentship in Spanish Studies: Art and Literature of 17th and 18th century Spain. Funding is available for a three- to four- year course of study, commencing in academic year 2019/2020. Candidates must apply to the University of Cambridge to study either at the Department of History of Art, the Department of Spanish and Portuguese (Faculty of Modern and Medieval Languages), or the Faculty of History and must put King’s College, Cambridge as their first-choice college. The successful candidate will be selected by the College. Candidates are encouraged to apply to the appropriate department or faculty by 8 February 2019. Funding will be sufficient to cover tuition, fees and maintenance costs, plus an annual allowance for research and travel. In addition, funding is available for a conference, hosted at King’s College, in Year 3. For more information, please visit the graduate studies section of the College website, www.kings.cam.ac.uk The Nigel Glendinning Studentship is made possible through the generosity of the Centro de Estudios Europa Hispánica (CEEH), in association with ARTES.

Rosemarie Mulcahy Scholarship for the Study of Spanish Art

Zurbarán Doctoral Scholarship for the Study of Spanish Art

Trinity College Dublin and the Centro de Estudios Europa Hispánica are delighted to announce the creation of a Doctoral Scholarship for the Study of Spanish Art in memory of Rosemarie Mulcahy (19422012), whose teaching and research career focused on Renaissance Spain, and who wrote the catalogue of Spanish Paintings in the National Gallery of Ireland (1988).

The Zurbarán Centre for Spanish and Latin American Art is pleased to invite applications for a fully funded doctoral scholarship in Spanish art-historical studies, commencing at Durham University in the academic year 2019/20. The scholarship will be devoted to art-historical projects on Spanish art of the Golden Age and/or its legacy in Britain and/or Europe up to the 19th century. It is tenable for three years full-time or five years part-time. The successful candidate will enjoy privileged access to the Spanish Gallery at The Auckland Project in Bishop Auckland, which houses one of the most remarkable collections of Spanish art in the UK.

Fully funded by the CEEH, the Scholarship will be tenable for a maximum of four years full-time from the academic year 2019-20. Applicants should demonstrate that the art of Spain 1450-1750 is central to their proposed research, which will be supervised by members of staff in the Department of History of Art and Architecture of Trinity College Dublin. Ideally, the research project should involve study of the collections of Spanish art held in the National Gallery of Ireland. The application deadline is 31 March 2019. For application requirements and further information, please visit http://www.tcd.ie/History_of_Art/research/ This scholarship has been created through the generosity of CEEH (Centro de Estudios Europa Hispánica) in association with ARTES, the Iberian and Latin-American Visual Arts Group.

Nigel Glendinning Doctoral Studentship in Spanish Studies

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Applicants are advised to contact the administration of the Zurbarán Centre (zurbaran.centre@durham.ac.uk) to discuss research proposals before the application deadline of 31 March 2019. Candidates should apply to Durham University’s PhD programme in the History of Art and Architecture, following the process outlined at www.dur.ac.uk/zurbaran. This scholarship has been created thanks to the generous support of CEEH (Centro de Estudios Europa Hispánica), in association with ARTES and The Auckland Project.

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Simiolus has become a journal of record for studies in Netherlandish dish art. O er the past decades, we have had the privilege of publishing many of Ov th he most influential and exciting papers in the field, and our ambition bition to coontinue doing so remains undiminished. W Wee are therefore interested ested in alll original contributions on the history of Dutch and Flemish artt especiiallyy, and if accepted, offer to pay for the cost of translation into English of manuscripts submitted in Dutch, German or French. We are currently publishing volume 40 (2018), (2018) the first issue of which coontained an important paper on Provoost’s Annunciation altarpiece ece and th he patronage of the Sauli familyy,, as well as an in-depth study with th a recoonstruction of the spectacular collection of Pieter de Smeth van Alphen, auuctioned in 1810. In the next (double) issue, now about to appear ar, there arre articles by Jeroen Stumpel, Frits Scholten, Philip Sohm and others thers on O age creativity, dealing with the late work of artists as diverse aas Dürer Old an nd Hokusai, as well as an essay on Houbraken and what he had to saayy ab bout seventeenth-century Dutch artists in their old age. Volumes l up to and d including vol.l 37 can be b accessed d through h h jstor o . Later ones will be added in due course. In nstitutional subscriptions cost € 100 a year, individual subscriptions ions € 60, and European students pay € 30. If you take out a subscription sttarting with volume 40 (2018) now, you can choose to receive a free f coopy of Tijana Zakula’s Reforming Dutch art: Gerard de Lairesse on Beautyy,, M rals and Class (special edition published with vol. 37 in 2014) or Mor o the isssue dedicated to the print publisher Hieronymus Cock (vol. 39-3, -3, 2017).

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Contents

Volume 160 | Number 1389 | December 2018

Review article 1024 Coming of age: Jacopo Tintoretto by tom nichols

Exhibitions

Editorial 995 The Turner Prize

Articles 996 Russia, Rome and the tricky business of disaster painting by rosalind p. blakesley 1006 The ‘Martinoff Drawings’: a quest for Russian art at the South Kensington Museum by louise hardiman 1016 Vasily Kandinsky and the Formal method by john e. bowlt 1030 The predella of the Oddi Altarpiece in S. Agostino, Perugia by clara menganna and luca pesante

1038 Mantegna and Bellini by keith christiansen 1042 The Birth of Gothic Sculpture: Saint-Denis, Paris, Chartres 1135–1150 by neil stratford 1045 Resplendent Illuminations: Books of Hours from the 13th to the 16th Century in Quebec Collections by nicholas herman 1047 Gothic: Paderborn Cathedral and 13th-Century Architecture in Europe by alexandra gajewski 1049 Bruegel by elizabeth alice honig 1052 Adriaen Brouwer: Master of Emotions by luuk pijl 1055 Siah Armajani: Follow This Line by robert silberman 1058 Judson Dance Theater: The Work Is Never Done by lucy bradnock 1060 Space Shifters by anna campbell 1063 Mika Rottenberg by martin caiger-smith Top left Bust of an angel. France, c.1250–1300 (p.1048). Below Detail of The morning of the execution of the Streltsy, by Vasily Surikov. 1881. (p.1004). Top right Dictionary for building: the garden gate, by Siah Armajani. 1982–83. (p.1057).

Books 1066 Apogeo e fine del Medioevo (La Pittura Medievale a Roma, 312–1431. Corpus VI), S. Romano by julian gardner 1067 Die Zisterzienser: das Europa der Klöster G. Uelsberg, L. Altringer, G. Mölich, N. Nussbaum and H. Wolter-von dem Knesebeck, eds. by karen stöber 1068 The Sobieski Hours: A Most Beautiful Manuscript from the British Royal Collection, J. Stratford and J. Roberts by frederica law-turner 1070 On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court, E. Griffey by karen serres 1072 Pittura di marmo: Storia e fortuna delle pale d’altare a rilievo nella Roma di Bernini, S. Pierguidi by jennifer montagu 1072 Dans l’œil du connaisseur: Pierre-Jean Mariette (1694–1774) et la construction des savoirs en histoire de l’art, V. Kobi by christoph vogtherr 1073 Windows for the World: Nineteenth- Century Stained Glass and the Inter national Exhibitions, 1851–1900, J. Allen by martin harrison 1074 Shadow-Makers: A Cultural History of Shadows in Architecture, S. Kite by owen hopkins 1075 The Militant Muse: Love, War and the Women of Surrealism, W. Chadwick by matthew cheale 1076 Avant-garde Art and Criticism in Francoist Spain, P. Barreiro López by genoveva tusell 1076 short reviews

CONTENTS_DEC18.indd 9

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Editor Michael Hall Reviews Editor Alexandra Gajewski Digital Editor and Commissioning Editor, Modern & Contemporary Art Martha Barratt Assistant Articles Editor Sarah Bolwell Assistant Reviews Editor Lisa Stein Art Editor Tzortzis Rallis

14–16 Duke’s Road, London wc1h 9sz Tel: 020–7388 1228 Fax: 020–7388 1229 Email: burlington@burlington.org.uk Editorial Tel: 020–7388 8157

Managing Director Dylan Armbrust Advertising & Development Director Mark Scott Head of Commercial Design & Production Chris Hall Marketing & Circulation Manager Hannah Daldry

Marketing & Production Executive Sarah Clifford Office Administrator Chelsey Randall-Wright

among this month’s contributors Rosalind P. Blakesley is Professor of Russian and European Art and Head of the Department of History of Art at the University of Cambridge.

Keith Christiansen is Chairman of the Elizabeth Alice Honig is Professor of European Department of European Paintings at The Art History at the University of California, Metropolitan Museum of Art, New York. He Berkeley. Her book Pieter Bruegel and the Idea is researching images of the poor in 17th- and of Human Nature will be published in 2019. 18th-century Catholic Europe. John E. Bowlt is Professor Emeritus at Owen Hopkins is Senior Curator of the University of Southern California, Julian Gardner is Professor Emeritus Exhibitions and Education at the Sir Los Angeles, and director of the Institute of History of Art at the University of John Soane’s Museum, London. of Modern Russian Culture. Warwick. He is writing a book about Cardinal Giacomo Stefaneschi and Giotto. Frederica Law-Turner Lucy Bradnock is Assistant Professor of Hisworks for the National Gallery tory of Art at the University of Nottingham. Louise Hardiman is an independent art Collections Information Project. historian specialising in nineteenth- and Martin Caiger-Smith is curator of the twentieth-century Russian art. She is Clara Menganna is a specialist in forthcoming exhibition ‘Antony Gormley’ working on a monograph The Firebird’s archival sources related to the history of at the Royal Academy of Arts, London. Flight: Russian Art in Britain, 1851–1917. art in Umbria in the sixteenth century. Anna Campbell is Senior Writer and Researcher in the Department of Post-War and Contemporary Art, Christie’s, London. Matthew Cheale is preparing for publication the digital Henry Moore catalogue raisonné, and is a scholar in the history of Surrealist art.

Martin Harrison is is editor of the series ‘Francis Bacon Studies’. He is writing Alchemy: Stained Glass and Modernism (forthcoming, 2019).

Jennifer Montagu is former Curator of the Photographic Collection at the Warburg Institute, University of London, where she is an Honorary Fellow.

Nicholas Herman is Curator of Manuscripts at the Schoenberg Institute for Manuscript Studies at the University of Pennsylvania.

Tom Nichols teaches art history at the University of Glasgow, and is the author of Tintoretto, Tradition and Identity (2015).

Luca Pesante is a scholar of decorative arts in Rome and Lazio in the modern period. Luuk Pijl is an independent art historian. Karen Serres is Curator of Paintings at the Courtauld Gallery, London. Robert Silberman is Professor of Art History at the University of Minnesota. Karen Stöber is a lecturer in medieval history at the University of Lleida. Neil Stratford is Keeper Emeritus of Medieval and Later Antiquities at the British Museum, London. Genoveva Tusell is Ph.D. Associate Professor in Contemporary Art at the National University of Distance Education, Madrid. Christoph Vogtherr is Director of the Hamburger Kunsthalle.

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CATALOGUE DESIGN AND PRODUCTION for Private Galleries, Art Fairs and Museums Page 1 06/11/2018 16:17 Page 1

MALCOLM FAIRLEY JAPANESE WORKS OF ART

Monumental Sculpture SLADMORE

To discuss your requirements and for a free quote please contact Chris Hall, Head of Commercial Design & Production or Mark Scott, Advertising & Development Director Tel: +44 (0)20 7388 1228 Email: hall@burlington.org.uk or scott@burlington.org.uk

burlington.org.uk

dec18tomasso.qxp_Agnews 16/11/2018 09:23 Page 1

TOMASSO BROTHERS F I N E A RT

European Sculpture Thursday 29th November to Friday 7th December Monday to Friday 10am to 6pm Saturday and Sunday 11am to 6pm

Giovanni Bonazza (1654–1736) Allegory of Winter, circa 1710 Terracotta 33.5 cm (13¼ in.) high 20 cm (7¾ in.) wide PROVENANCE:

Private collection, Rome Private collection, Padua

info@tomassobrothers.co.uk