Modern Art & Design no.656 – Design by Bukowskis

656 | DESIGN | BUKOWSKIS | MAY 21–22, 2024

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FOR INQUIRIES PLEASE CONTACT

Head of Design/Specialist Modern & Contemporary Decorative Art & Design

Camilla Behrer, +46 708 92 19 77 camilla.behrer@bukowskis.com

Head Specialist Contemporary & Modern Design

Jonatan Jahn, +46 703 92 88 60 jonatan.jahn@bukowskis.com

Chief Specialist Modern & Contemporary Decorative Art & Design

Eva Seeman, +46 708 92 19 69 eva.seeman@bukowskis.com

Specialist Modern & Contemporary Decorative Art & Design

Karl Green, +46 70 007 94 25 karl.green@bukowskis.com

Head Specialist Carpets, Textiles & Islamic Works of Art Christopher Stålhandske, +46 708 19 12 58 christopher.stalhandske@bukowskis.com

Head Specialist Silver Lisa Gartz +46 709 17 99 93 lisa.gartz@bukowskis.com

Head Specialist Jewellery Cecilia Andrén +46 790 78 03 20 cecilia.andren@bukowskis.com

Specialist Jewellery Fredrik Karlsson +46 (0)767 81 06 06 fredrik.karlsson@bukowskis.com

COVER: 141. Firma Svenskt Tenn, a rare camphor veneered table, Sweden early 1930s. 140. Tyra Lundgren, a rare pewter bowl, Firma Svenskt Tenn, Stockholm 1931. BACK: 384. Otto Schulz, a carpet, ‘Knut-Bo matta’ flossa, c 500 x 301 cm, Bo-textiles, Boet, Gothenburg. 298. Otto Schulz, one of a pair of stools, Boet, Gothenburg 1930s. 297. Otto Schulz, a bar cabinet, Boet, Gothenburg 1930s. 805. Asger Jorn “Myg”. 39. Wilhelm Kåge, a stoneware dragon sculpture, Gustavsberg, Sweden 1939. 77. Ewald Dahlskog, a faience vase “Kulvasen” (one of a set of two), Bobergs Fajansfabrik, Gefle, Sweden. 1930-1943. 327. Hans Bergström, a rare ceiling lamp model “5A”, ateljé Lyktan, Åhus 1940s. 301. Otto Schulz, an armchair (one of a pair), Boet, Gothenburg 1930s-40s. 302. Otto Schulz, a Swedish Modern coffee table, Boet, Gothenburg 1940s.

Live auction May 21–22 Tuesday May 21, from 10 am (CEST)

Wednesday May 22, from 10 am (CEST)

Lot.no Glass 1 – 31 Ceramics 32 – 121 100 years with Svenskt Tenn 122 – 202 Furniture and Works of Art 203 – 366 Carpets and Textiles 367 – 432

Lot.no Silver 433 – 469 Jewellery 470 – 546

Lot.no Art 547 – 878 Contemporary! – art from a private collection 879 – 906 Prints 907 – 964

Wednesday May 22, from 1 pm (CEST)

5. Edvin Öhrström , an ariel glass vase, Orrefors, Sweden 1950.

GLASS

1. Karl Lindeberg (Sweden, 1877–1931) a cameo glass bowl, Kosta, Sweden, Art Nouveau, 1910s, model 107.

Etched decoration of apple blossoms in pink against a frosted, colourless background, signed Kosta K. Lindeberg and marked Kosta in the cameo. Height 13.7 cm, diameter 29.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

2. Fritz Blomqvist (Sweden, 1870–1970) a cameo glass vase, Orrefors, Sweden, Art Nouveau, 1915–17.

Decorated with etched flowers and leaves in green against a matte marbled background in yellow, green, and pink, signed ORREFORS FB. Height 23.8 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

3. Vicke Lindstrand (Sweden, 1904–1983) a sandblasted glass vase, Orrefors 1930s.

Spherical, brown-tinted with one blasted side, signed Of Lu 163. Height 15 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

4. Edward Hald (Sweden, 1883–1980) a “slipgraal” glass bowl, Orrefors, Sweden ca 1955.

Decoration of ovals against a rose-toned background, signed Graal glass - Orrefors Edward Hald and with a gift inscription dated 1955. Height 11 cm, diameter 25 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

5. Edvin Öhrström (Sweden, 1906–1994) an ariel glass vase, Orrefors, Sweden 1950.

Decoration of a seated female figure among floating heart formations in aubergine-purple and white against clear glass, signed ORREFORS SWEDEN ARIEL 695E E. Öhrström.

Height 16.2 cm.

Provenance: Bukowskis Moderna, Spring sale 441 in 1986, catalogue no 765.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

6. Edvin Öhrström (Sweden, 1906–1994) an ariel glass vase, Orrefors, Sweden 1948, no. 556.

Spotted decoration in blue and black metallic, signed Orrefors Sweden ariel no: 556 E. Öhrström. Height 11.8 cm, diameter 10.5 cm.

Provenance: Birgitta Crafoord Collection, Stockholms Auktionsverk, 5 September 2010, No. 164.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580 (d)

7. Edvin Öhrström (Sweden, 1906–1994) an “Assyrisk Prinsessa” (Assyrian Princess) ariel glass vase, Orrefors, Sweden 1965.

Cylindrical with a decoration of a face in profile in blue against a light amber background, signed ORREFORS Ariel No. 968 O Edvin Öhrström. Height 17.3 cm, diameter 13.5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

8. Ingeborg Lundin (Sweden, 1921–1992) a “Melon” glass vase, Orrefors, Sweden 1950s.

Brown and green underlay, signed ORREFORS Expo D 9–59

Ingeborg Lundin. Height 29 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

8A. Ingeborg Lundin (Sweden, 1921–1992) an “Äpplet” (The Apple) glass vase, Orrefors, Sweden, post 1957. Green underlay, signed ORREFORS Expo Du 32-57 Ingeborg Lundin, Height 35.5 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 220 – 2 660

9. Ingeborg Lundin (Sweden, 1921–1992) an “Ansikten” (Faces) ariel glass vase, Orrefors, Sweden 1975. Four-sided base, round mouth, decorated with faces in green hues against clear glass, signed Orrefors Ariel Nr 346-E5 Ingeborg Lundin. Height 18 cm.

Estimate: SEK 15 000 – 18 000 / EUR 1 290 – 1 550

10. Ingeborg Lundin (Sweden, 1921–1992) an “Ansikten” (Faces) ariel glass vase, Orrefors, Sweden 1979.

Four-sided with a round mouth, decoration of faces in emerald green and black against clear glass, signed ORREFORS Ariel No. 206-E9 Ingeborg Lundin. Height 17.3 cm.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

11. John Selbing (Sweden, 1908–2001) a “Klot över kon” (Sphere over cone) glass sculpture, Orrefors, Sweden ca 1954. Clear glass, height 53.3 cm.

Provenance: Received as a 40th birthday present in 1960, thence by descent. Bought at Bukowskis Modern Art + Design, auction 632, spring 2021, catalog no. 11.

Literature: Kerstin Wickman (ed.), “Orrefors, One Hundred Years of Swedish Glass Art”, the model depicted, (photo by John Selbing), page 76, these three sculptures with the greatest height of 45.8 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

12. Eva Englund (Sweden, 1937–1998) a graal glass bowl, Orrefors, Sweden 1987.

Multi-colored decoration of three faces, signed Eva Englund Orrefors Graal 1987, height 10.5 cm, diameter 31.5 cm.

Provenance: Purchased from Knutssons Antik, Vänersborg in 1989.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

13. Eva Englund (Sweden, 1937–1998) a “Prinsessan” (Princess) graal glass vase, Orrefors, Sweden 1988.

Multi-coloured and metallic green decoration of a riding princess, a face, a bird and more, signed Orrefors 976630 Eva Englund EA 1–88 and labelled, height 30 cm.

Provenance: Purchased from Knutssons Antik, Vänersborg in 1989.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

14. Eva Englund (Sweden, 1937–1998) a graal glass vase, Muraya, Orrefors Gallery 1988.

Multicoloured motif featuring Adam and Eve with the snake and the apple, signed Orrefors Gallery -88 968930 Eva Englund 3–25, personally “Eva Englund Muraya” and label marked. Height 26 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

15. Bertil Vallien (Sweden, 1938–) “Precious Cargo”, a unique sand cast glass sculpture of a boat, Kosta Boda, Sweden 1987.

Sand-cast bow and stern, blown central section in clear glass with air spiral and orange serpentine, signed 305870075 KOSTA BODA B. Vallien. Length 62 cm, on a blackened iron stand with spikes, height 17 cm, width 20.5 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450 (d)

16. Bertil Vallien (Sweden, 1938–) a unique sand cast glass sculpture, Kosta Boda, Sweden.

Interior and exterior decoration of faces, engraved signature B. Vallien 7186206

KOSTA BODA UNIQUE. Height 22.5 cm, length 25 cm, width 13.5 cm, total height including tall base on iron plate 145 cm.

Provenance: Leif Holmer Gallery AB, Ekerum Art Gallery, Öland.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

17. Bertil Vallien (Sweden, 1938–) a unique “Resting Head” sand cast glass sculpture, Kosta Boda, Sweden.

Pedestal, signed KOSTA BODA UNIQUE 8BVAUN 989214. Height ca 35 cm, width ca 18 cm, depth ca 27 cm, total height including tall grey-painted wooden pedestal ca 175 cm, on iron plate 35 x 35 cm.

Provenance: The Swedish History Museum, Stockholm. Private collection, Stockholm. Acquired from the above in 1998.

Exhibitions: The Swedish History Museum, Stockholm, “Archetypes”, spring 1998.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880 (d)

18. Bertil Vallien (Sweden, 1938–) a unique cast glass sculpture, head on stand, Kosta Boda, Sweden.

Blue glass, matte surface, polished forehead and nose, internal decoration, signed KOSTA BODA 8BVAUN 959124 UNIQUE, height 21 cm, width approx. 12 cm, depth 50 cm, total height including stone stand approx. 184 cm, square iron base plate, 35 x 35 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

19. Ulrica Hydman-Vallien (Sweden, 1938–2018) “Hon och Han”, (Her and Him), a unique painted glass sculpture, 1992.

Green-tinted glass block from Emmaboda Glasverk, painted decoration of faces, snakes, and flowers, signed Ulrica HV Unique. Dimensions 15 x 11 cm, height 21.7 cm.

Exhibitions: Art Fair, Sollentuna 1992.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

20. Emile Gallé (France, 1846–1904) an Art Nouveau cameo glass vase, Nancy, France, ca 1900.

Decorated with blue bell-shaped flowers with green foliage against a matteyellow background, signed Gallé on the body. Height 36.5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

21. Emile Gallé (France, 1846–1904) a pair of Art Nouveau cameo glass wall lights, Nancy, France, early 1900s.

Frame of patinated bronze and white metal, glass shades with etched decoration of flowering branches in brown and blue against a yellow frosted background, signed Gallé, height 28 cm, width 19.5 cm, depth approx. 8 cm.

Provenance: Ingemar Dahlberg Collection, Bukowskis Modern Art + Design sale 640, Spring 2022, lot 45.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

22. Daum Frères (France) a “Pluvoise” Art Nouveau glass vase, Nancy, France, ca. 1900.

Etched enamel-painted decoration of trees in rain and wind, signed DAUM NANCY with the Cross of Lorraine, height 12.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

23. Amalric Walter (France, 1870–1959) a pâte de verre dish, Nancy, France 1920s.

Relief decoration of an insect in turquoise, green, and aubergine, signed A. WALTER NANCY. Diameter 10.2 cm, height 2.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

24. René Lalique (France, 1860–1945) a “Dahlias” cast glass ceiling light, France 1920s-30s.

Marked to the interior R LALIQUE, diameter 30.5 cm, bowl’s height 15 cm.

Literature: Félix Marcilhac, “René Lalique 1860–1945 Master Glassmaker: Analysis of the Work and Catalogue Raisonné”, Les éditions de l’Amateur, Paris, 1994, see p. 592, catalogue no 2011.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

25. Gio Ponti (Italy, 1891–1979) an “A Canne” glass vase, Venini, Murano, Italy 1950s–1960s, model no. 3702.

Slightly asymmetrical shape, vertical stripes in colours, acid etched signature Venini Murano ITALIA. Height 16.7 cm, diameter ca 13.5 cm.

Estimate: SEK 6 000 – 10 000 / EUR 520 – 860

26. Ludovico Diaz De Santillana (Italy, 1931–1989) a “murrine” glass egg sculpture, Venini, Murano 1960s.

Murrine decoration in red and black, engraved signature venini italia. Height 16.5 cm including blackened wooden base.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

27. Alessandro Pianon (Italy, 1931–1984) a “Pulcino” glass sculpture of a bird, Vistosi, Murano, Italy 1960s. Orange, eyes of murrine, legs of copper, paper label. Height ca 22 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 010 – 3 440

28. Kaj Franck (Finland, 1911–1989) a glass sculpture, “Crucian carp”, model KF 226, Nuutajärvi Notsjö, Finland 1956.

In the shape of a fish, green-tinted glass with air bubbles, signed K. Franck Nuutajärvi Notsjö -56. Height 11 cm, length 21 cm.

Literature: Kaj Kalin (et al.), “Kaj Franck, formgivare”, Werner Söderström Osakeyhtiö 1997, see the model ill. p. 151.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

29. Kaj Franck (Finland, 1911–1989) a glass decanter, “The bells of Kremlin”, Nuutajärvi Notsjö, Finland 1976-78.

Two parts executed in smoke coloured glass, finial of red glass, the larger decanter signed K. Franck Nuutajärvi Notsjö -61. Total height ca 35 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

30. Oiva Toikka (Finland, 1931–2019) “Kiikkuri”, a glass sculpture of a bird , Nuutajärvi Notsjö, Finland.

Free blown glass in red and green with applications, signed Oiva Toikka Nuutajärvi Notsjö and labeled, height 29.8 cm, length 44.5 cm.

Literature: Literature: Marg Cousens, “Toikka’s glass birds”, Helsinki 2024, model depicted pp. 15-16.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

31. Oiva Toikka (Finland, 1931–2019) a cast glass sculpture, Nuutajärvi Notsjö, Finland, ca 1991.

Obelisk-shaped in grey marbled glass mass, signed Oiva Toikka Nuutajärvi Notsjö. Height 70.5 cm, excluding square stand of red granite.

Literature: Jack Dawson, “Oiva Toikka, Glass and Design”, Werner Söderström Corporation, Helsinki 2007, compare a group of similar sculptures “Rug”, depicted on p. 133.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290 (d)

83. Hertha Hillfon, a monumental glazed ceramic sculpture, own studio, Sweden.

CERAMICS

32. Nils Emil Lundström (Sweden, 1865–1960) an Art Nouveau glazed ceramic lidded jar, Rörstrand, Sweden, early 20th century.

Pierced branchwork with three handles, the lid with a twig, glaze in yellow and brown hues, signed Rörstrand NLE. Height 43 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

33. Anders & Bess Wissler (Sweden) a glazed stoneware vase, Ateljé Solklinten, Mariefred, Sweden 1915.

Glazed in black, blue, and some brown, signed with a ladder ABW 1915 B 1–125. Height 14.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

34. Anders & Bess Wissler (Sweden) a stoneware pot with cover, Ateljé Solklinten, Mariefred, Sweden 1919.

Glossy glaze in brown, green, and blue-violet, signed with ladder ABW 1919 1–10.5, height 11.5 cm.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

35. Stig Lindberg & Wilhelm Kåge, a faience vase, Gustavsberg, Sweden 1938.

Painted polychrome decoration of three different musicians, signed GUSTAVSBERG with anchor mark KÅGE STIG L. H 17. and impressed stamps. Height 17.3 cm, diameter 14.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

36. Wilhelm Kåge (Sweden, 1889–1960) an “Argenta” creamware box with cover, Gustavsberg, Sweden 1938.

Brown spotted glaze with painted silver decoration of a smoking female figure, signed GUSTAVSBERG, anchor H KÅGE 915, E and W. Height 11.5 cm, diameter 10.3 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

37. Wilhelm Kåge (Sweden, 1889–1960) an “Argenta” stoneware vase, Gustavsberg, Sweden 1938.

Green glaze with painted silver decoration of a zig-zag pattern, signed HANDDREJAD ARGENTA 1042 III, anchor mark GUSTAVSBERG KÅGE H and T, height 20.5 cm, diameter 21 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

38. Wilhelm Kåge (Sweden, 1889–1960) an “Argenta” stoneware figure of a dragon puppy, Gustavsberg, Sweden ca 1940.

Green-glazed, decorated with silver, stamped with the maker’s mark KÅGE 3. Length 20 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

39. Wilhelm Kåge (Sweden, 1889–1960) a stoneware dragon sculpture, Gustavsberg, Sweden 1939.

Stoneware, glaze in brownish-yellow tones, stamped with date and anchor mark KÅGE GUSTAVSBERG 1939. Length 24.5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

41. Wilhelm Kåge , a grand “Farsta” stoneware vase, Gustavsberg Studio, Sweden 1950s.

40. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware vase, Gustavsberg Studio, Sweden 1950s.

Square shape, glazed in yellow-brown, incised decoration, signed KÅGE GUSTAVSBERG, studio mark FARSTA, and in ink 180. Height 17.5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

41. Wilhelm Kåge (Sweden, 1889–1960) a grand “Farsta” stoneware vase, Gustavsberg Studio, Sweden 1950s.

Glazed in turquoise, green, and brown hues. Stamped with the studio mark, GUSTAVSBERG, and inscribed KÅGE FARSTA. Height 38 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880 (d)

42. Wilhelm Kåge (Sweden, 1889–1960) a square “Farsta” stoneware bowl, Gustavsberg Studio, Sweden 1958.

Horizontal bulges and partially scratched decoration, glazed in turquoise and green hues, signed with maker’s marks KÅGE FARSTA Ö and fragments of a paper label. Height 6.5 cm, 12.5 x 12.3 cm.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430 (d)

43. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware sculpture of a dragonfish, Gustavsberg Studio, Sweden 1953.

Partially pierced, scratched and pressed decoration, glaze in brown and beige hues, signed with the studio mark GUSTAVSBERG KÅGE FARSTA .X.

Length 61 cm.

Literature: Nils Palmgren, “Wilhelm Kåge Konstnär och Hantverkare,, Nordisk Rotogravyr, Stockholm 1953. Compare image on page 223. In 1953, the Nationalmuseum organized a retrospective exhibition of Kåge’s work, where, among other things, various dragonfish sculptures were displayed. The exhibition was mentioned by Gotthard Johansson in Svenska Dagbladet on April 18, 1953, as “an immensely rich and versatile artistic achievement, equally significant for utility goods as for free creation and the unique object”.

Estimate: SEK 80 000 – 100 000 / EUR 6 880 – 8 600 (d)

44. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware footed bowl, Gustavsberg studio, Sweden 1954.

Round bowl on feet, scratched decoration with glazes in various hues of brown and yellow, signed FARSTA studio hand GUSTAVSBERG KÅGE Y.

Diameter 22.3 cm, height 5.3 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

45. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware vase, Gustavsberg studio, Sweden 1957.

Cylindrical shape on three feet, incised decoration, brown glaze, signed FARSTA KÅGE Å with studio stamp, height 28.5 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

46. Wilhelm Kåge (Sweden, 1889–1960) a set of two bone china “Cintra” vases, Gustavsberg Studio, Sweden 1954.

One with glaze in celadon green hues, decorated in pencil gray, the other in a beige-toned glaze with vertical decoration of chain links, signed with the studio hand CINTRA KÅGE Y. Height 10 cm and 10.2 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

48. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1954.

Four-sided with grey-blue rabbit’s fur glaze, signed Friberg with the studio mark and year letter Y. Height 24 cm.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720 (d)

47. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1966.

Grey-green and brown rabbit’s fur glaze, signed Friberg with the studio mark and year letter H. Height 26.2 cm, diameter 28.5 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

345. Hans J. Wegner, a sideboard model “RY-26”, RY-Møbler, Denmark, 1960s.

55. Berndt Friberg, a stoneware vase, Gustavsberg studio 1965.

50. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1968.

56. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1959.

49. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1944–47.

Rabbit’s fur glaze in blue and brown, signed BF and with studio stamp.

Height 33.8 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

50. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1968.

Blue rabbit’s fur glaze, signed Friberg with the studio mark and year letter J, height 40.4 cm, diameter ca 28 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880 (d)

51. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1951.

Yellow rabbit’s fur glaze, signed Friberg with the studio mark and year letter U. Height 33 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

52. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1976.

Yellow rabbit’s fur glaze, signed Friberg with the studio mark and year 1976. Height 24.5 cm, diameter ca. 23 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

53. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1969.

Light brown rabbit’s fur glaze, signed Friberg with the studio mark and year letter K. Height 16.4 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

54. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1976.

Spherical with yellow rabbit’s fur glaze, signed Friberg with the studio mark 1976. Height 17.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

55. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio 1965.

Yellow rabbit’s fur glaze, signed Friberg with the studio mark and the year letter g, height 19 cm, diameter 27.5 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

56. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1959.

Blue rabbit’s fur glaze, signed Friberg with the studio mark and year letter a, height 52.4 cm.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600 (d)

57. Berndt Friberg (Sweden, 1899–1981) a set of four stoneware vases, Gustavsberg studio, Sweden 1958–63. Rabbit’s fur glazes in beige, brown, and blue, signed Friberg with the studio hand and various year letters ö, a, b, and E, height 9.5–13.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

58. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1974.

Aniara glaze, signed Friberg with the studio mark 1974. Height 27.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290 (d)

59. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1966.

Glossy glaze in blue, green, and burgundy, signed Friberg with the studio mark and the year letter H. Height 27 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

60. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1968.

Sang-de-boeuf glaze, signed Friberg with the studio mark and year letter J. Height 25.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

62. Berndt Friberg (Sweden, 1899–1981) a group of 17 stoneware miniature vases and bowls, Gustavsberg studio 1970s.

Comprising 13 vases and 4 bowls of various models, glossy glazes in burgundy, green, and aniara, signed Friberg with the studio mark and various year letters. Height 2.3–12.5 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580 (d)

61. Berndt Friberg (Sweden, 1899–1981) a set of five stoneware vases, one with lid, Gustavsberg studio, Sweden 1967–70. Glossy glazes in burgundy, green, and aniara, signed Friberg with the studio mark and the year letters I, J, K, and L (the smallest without a year letter), height 5.2–11 cm, the largest diameter 15 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

63. Stig Lindberg (Sweden, 1916–1982) a chamotte stoneware sculpture of a reclining woman, Gustavsberg studio, Sweden mid-20th century.

Partially glazed, painted pattern on the skirt, signed GUSTAVSBERG Stig L and the studio mark. Height 14.5 cm, length 36 cm, width ca 14 cm. Accompanied by a wooden stand.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

64. Stig Lindberg (Sweden, 1916–1982) a stoneware sculpture, “Fountain”, a prototype of the Fountain at Umeå City Hall, Gustavsberg studio, 1950–60s.

Assembled green-glazed parts, some of which are loose, on iron rods. Total height including oak board mounting 54,5 cm.

Compare Stig Lindberg’s large fountain sculpture from Centrumhuset in Umeå. In connection with a renovation in the 1970s, the sculpture was donated and moved to Umeå City Hall, where it stood for many years on the second floor in the staircase. Today, the sculpture is demounted and archived.

Estimate: SEK 30 000 –40 000 / EUR 2 660 – 3 550 (d)

65. Stig Lindberg (Sweden, 1916–1982) two conjoined stoneware vases, Gustavsberg studio, Sweden 1979. Oval shape, glossy burgundy glaze, signed Stig L with the studio mark. Height 43.2 cm.

Literature: Gisela Eronn, “Tusenkonstnären Stig Lindberg”, Prisma 2003, depicted on p. 114.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

66. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1967.

Pressed decoration, glazed in brown and green, signed Stig L with the studio mark and labelled with a sticker. Height 24.8 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

Umeå City Hall.

67. Stig Lindberg (Sweden, 1916–1982) a turquoise glazed stoneware vase, Gustavsberg studio, Sweden 1964.

Spherical to the top above a tall base with geometric decoration, glazed in turquoise and pencil-grey shades, signed with the studio hand Stig L GUSTAVSBERG. Height 17.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

68. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1969.

Cylindrical in shape with a short neck and straight opening, glazed in turquoise and pencil grey with a geometric decoration, signed with the studio mark Stig L. Height 19.5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

69. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1963.

Geometric decoration, glazed in turquoise, green, and beige, signed Stig L with the studio mark, height 12.2 cm, diameter ca. 15 cm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520 (d)

70. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1961.

Pressed geometric decoration, glaze in turquoise, blue, and beige, signed Stig L with the studio mark. Height 34.2 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

70A. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1953.

Narrow neck with relief decoration, blue glaze, signed Stig L with the studio mark and year letter Y. Height 32.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 706 (d)

71. Anders Bruno Liljefors (Sweden, 1923–1970) a stoneware vase, Gustavsberg studio, Sweden 1940s-50s.

Partially glazed in beige and brown, incised with vertical decoration, signed A.B.L with the studio mark and stamped GUSTAVSBERG. Height 12.5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520 (d)

72. Mari Simmulson (Sweden, 1911–2000) a chamotte stoneware sculpture, Gustavsberg studio, Sweden 1947. Female figure with crossed arms, partially glazed in green, signed Mari Simmulson 1947 with factory mark and studio stamp.

Height 36.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

73. Bengt Berglund (Sweden, 1936–) a stoneware sculpture of a standing figure, Gustavsberg, Sweden 1960s.

Pressed decoration, glaze in brown and turquoise, monogram signed BB, underneath stamped signature and factory mark, height 43.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

74. Lisa Larson (Sweden, 1931–2024) a bronze sculpture, “Myran”, Scandia Present, circa 1978, no 362.

Signed Lisa Larson No 362. Height 11 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 010 – 3 440 (d)

75. Carl-Harry Stålhane (Sweden, 1920–1990) a stoneware vase, Rörstrand, Sweden 1950s.

Spotted eggshell white glaze, signed R SWEDEN CHS. Height 51 cm.

Literature: Petter Eklund, “Stålhane”, Carlssons 2006, see a similar vase of the same model (SDA) depicted from Rörstrand’s art pottery exhibition in Gothenburg, probably spring 1954, p. 80.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

76. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1947.

Relief decoration of vertical stripes, glazed in shades of yellow and cognac brown, signed “R 47 Stålhane”, height 20.7 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

77. Ewald Dahlskog (Sweden, 1894–1950) two glazed faience vases “Kulvasen”, Bobergs Fajansfabrik, Gefle, Sweden 1930–1943. Glazed with so-called “Lava” glaze in grey hues, one signed BO ED D9/22, painted 539. Height 19 cm. The other signed BO /ED and painted D9/1–539. Height 17 cm.

Exhibitions: The model “Kulvas” was displayed at the Stockholm Exhibition in 1930. Literature: Birgitta Lundblad, “Bo Fajans keramiktillverkning i Gävle 1874-1967”, Länsmuseet Gävleborg, 1996, the model “Kulvas” is depicted on the book’s cover and pp 57, 94-95. Otto Schulz, ed, “BOET, Månadsskrift för Hemkultur, Hantverk och Konstindustri’, (“Monthly Magazine for Home Culture, Craftsmanship and Art Industry”) Elanders Boktryckeri AB, Gothenburg 1930, the model depicted on pp 162 and 166.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

78. Erich & Ingrid Triller (Sweden, 1898–1972) a stoneware vase, Tobo, Sweden.

Urn-shaped with a short neck, glazed in blue, signed Triller Tobo. Height 26 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290 (d)

79. Dagmar Norell (Sweden, 1917–1996) “Ymnighet V”, a red-fired chamotte ceramic vessel, own studio, 1962.

Hand-built on rings, incised decoration, turquoise-glazed interior, signed 1962 DN. Height 26.3 cm.

Exhibitions: Liljevalchs, Stockholm, “Form Fantasi” 1964, compare “Ymnighet” vessel exhibited.

Literature: Dagmar Norell, “Från ögonspegel till lera”, Kalejdoskop Publishing, Kristianstad 1987, compare similar “Ymnighet” vessels ill. p. 124.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

80. Åke Holm (Sweden, 1900–1980) a stoneware sculpture of “Mose med kopparormen” (Moses and the Copper Serpent), Höganäs, Sweden 1950s.

Glazed in brown and beige hues, incised signature ÅKE Holm.

Height 49 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

81. Åke Holm (Sweden, 1900–1980) a “Saul och David” (Saul and David) stoneware sculpture, Höganäs, Sweden 1960s.

Brown glaze, signed ÅKE Holm and on the reverse marked with a silver plaque, stamped 1964 and marked “Arbetet, 2/10 1965”.

Height 41 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

82. Åke Holm (Sweden, 1900–1980) a stoneware “Aron med staven” (Aaron’s rod) sculpture, Höganäs, Sweden 1950–60s.

Spotted brown-beige glaze, signed ÅKE Holm 3–30. Height 32 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

83. Hertha Hillfon (Sweden, 1921–2013) a monumental glazed ceramic sculpture, own studio, Sweden.

Faces, black and blue glaze. Total height 178 cm including tall iron stand, width 145 cm, depth 55 cm. On display at Bukowskis, Västberga Allé 3, Hägersten.

Literature: “Hertha Hillfon, 1959–1989”, see the sculpture depicted in the catalogue, designed by Gösta Hillfon, Ljungföretagen, 1989.

Provenance: McDonald’s Swedish Corp., Stockholm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

84. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an apple, Biot, France.

Faience, red and orange speckled glaze, signed Hhg, height 12.5 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

86. Hans Hedberg (Sweden, 1917–2007) a faience dish, Biot, France.

Turquoise and green speckled glaze, signed HHg, 43.5 x 31.5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

85. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of a sea urchin, Biot, France.

Turquoise speckled glaze, signed HHg, height ca 9.5 cm, diameter 11 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

87. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of a pear, Biot, France.

Spotted glaze in red, orange, yellow, and green, signed HHg. Height 19.5 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 010 – 3 440 (d)

88. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an apple, Biot, France.

Green glaze, signed HHg. Height 12 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

89. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an apple, Biot, France.

Glazed in red and green hues, signed Hhg. Height 12.5 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580 (d)

90. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an orange, Biot, France.

Orange glaze, signed HHg. Height 12.5 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

91. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an apple, Biot, France.

Spotted glaze in red and green à craquelé , signed HHg, height 12.5 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580 (d)

92. Tyra Lundgren (Sweden, 1897–1979) a chamotte stoneware sculpture of a pigeon, Sweden mid 20th century.

Glazed in eggshell white with hints of brown, blue, and some yellow, signed with a seal and T.L. Length 20 cm, height 17 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

93. Tyra Lundgren (Sweden, 1897–1979) a chamotte stoneware sculpture of a bird, own studio, 1960.

Partially glazed, signed TL -60. Height 24.5, length 29 cm, width ca 20 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

94. Tyra Lundgren (Sweden, 1897–1979) a stoneware wall relief, birds, own studio, Sweden.

Partially glazed, stamped with the artist’s seal. 33 x 38 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

96. Hans Hedberg (Sweden, 1917–2007) a set of two faience lidded jars and a vase, Biot, France.

Oval jars with speckled glaze in green and yellow, and a pear-shaped vase in green, brown, and beige, signed HHg, height 7.5 and 12 cm.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520 (d)

95. Hans Hedberg (Sweden, 1917–2007) a set of two faience boxes, Biot, France.

One rectangular and one three-part round box, speckled glaze in orange and green, the other one red, yellow, and green, both signed HHg, 12.5 x 8.5, height 10.2 cm, the other one height 11, diameter 8.2 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

97. Hans Hedberg (Sweden, 1917–2007) a faience vase, Biot, France.

Mottled glaze in green and yellow hues, signed HHg, height 17.3 cm, diameter 33.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290 (d)

106. Birger Kaipiainen, a large stoneware dish, Arabia, Finland.

98. Ulla & Gustav Kraitz (Sweden) a stoneware sculpture of a bull, Förslöv, Sweden, on a diabase pedestal.

Sang-de-boeuf glaze, length approximately 95 cm, width approx. 31 cm, height approx. 42 cm, total height including base approx. 120 cm, length 102 cm, width 48 cm.

Provenance: McDonald’s Swedish Corp., Stockholm.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

99. Michael Schilkin (Finland, 1900–1962) a stoneware sculpture of a foal, Arabia, Finland, 1946.

Glazed in different beige and brown hues, signed M. Schilkin ARABIA - 46. Length 33 cm.

Provenance: Kurt Ekholm (1907-1975). Ekholm was the artistic director at Arabia from 1932 to 1948. After moving to Sweden he became a teacher and later the principal at Slöjdföreningens skola (the School of Design and Crafts in Gothenburg) from 1948 to 1966. Thence by descent.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

100. Michael Schilkin (Finland, 1900–1962) a stoneware sculpture of a bear cub, Arabia, Finland.

Glazed in brown and some beige, signed with a stamp SCHILKIN ARABIA. Length 25 cm.

Provenance: Kurt Ekholm (1907–1975). Ekholm was the artistic director at Arabia from 1932 to 1948.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

101. Rut Bryk (Finland, 1916–1999) a stoneware wall relief, Arabia, Finland 1960s.

Nine assembled tiles of various sizes, mounted in a white lacquered wooden frame, signed RUT BRYK. 30.4 x 30.4 cm, including the frame 63.5 x 63.5 cm.

Literature: Harri Kalha, “Rut Bryk”, Espoo Museum of Modern Art, 2016. Compare image p. 202.

Estimate: SEK 35 000 – 40 000 / EUR 3 010 – 3 440

102. Rut Bryk (Finland, 1916–1999) a stoneware relief/dish, Finland ca 1960.

Decoratad with a geometric pattern, partly glazed in turquoise, green and pink, signed BRYK, 16 x 16 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

103. Birger Kaipiainen (Finland, 1915–1988) a ceramic dish, Arabia, Finland 1930s, reportedly unique.

Wavy edge, painted underglaze decoration in pink and blue of a face and flowers, signed by Birger Kaipiainen and on the reverse BK ARABIA, diameter 39 cm, height approx. 9 cm.

Provenance: KKurt Ekholm (1907-1975), artistic director at Arabia from 1932 to 1948.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

104. Birger Kaipiainen (Finland, 1915–1988) a stoneware wall plaque, Arabia, Finland 1946.

Painted decoration in colours of two women draped in veils, signed and dated BIRGER KAIPIAINEN 1946 ARABIA. 41 x 41 cm.

Provenance: Kurt Ekholm (1907-1975), artistic director at Arabia from 1932 to 1948.

Estimate: SEK 35 000 – 40 000 / EUR 3 010 – 3 440 (d)

105. Birger Kaipiainen (Finland, 1915–1988) a ceramic wall sculpture of a butterfly, Rörstrand, Sweden 1950s. Decorated in black and blue of various faces in medallions against a dotted background, signed KAIPIAINEN R and numbered 261. Height ca. 45.5 cm, width 49 cm.

Provenance: Inherited from the seller’s grandparents who lived in Lidköping, where the Rörstrand factory is situated.

Estimate: SEK 70 000 – 80 000 / EUR 6 020 – 6 880 (d)

106. Birger Kaipiainen (Finland, 1915–1988) a large stoneware dish, Arabia, Finland.

Decorated with flowers and modelled beads in lustre glaze, signed KAIPIAINEN ARABIA. 50 x 71 cm, height/depth 9 cm.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600 (d)

107. Patrick Nordström (Sweden, 1870–1929) attributed to, a stoneware urn with lid and mouth of patinated bronze, Royal Copenhagen, Denmark circa 1900.

Glazed in shades of brown and blue, mouth in bronze with openwork decoration, lid with a spherical knob, marked with the three waves and “27–23” in underglaze blue, height 14.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

108. Patrick Nordström (Sweden, 1870–1929) a glazed stoneware vase, Royal Copenhagen, Denmark 1917.

Slightly bulbous with a wide opening above handles, eggshell-like glaze in various beige shades, signed in underglaze blue PN, the three waves 24–11 1917. Height 13.3 cm, diameter 15.7 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

109. Patrick Nordström (Sweden, 1870–1929) a porcelain urn with patinated bronze lid, Royal Copenhagen, Denmark 1921. Flambé glaze in reddish-brown, violet, and blue, signed PN with the threee waves mark 3–9 1921 in underglaze blue, the lid unmarked, possibly by Georg Thylstrup, total height 18.2 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

111. Axel Salto (Denmark, 1889–1961) a stoneware bowl, Royal Copenhagen, Denmark 1961, model 20689.

Incised decoration of ovals, glazed in shades of green against a light background, incised signature SALTO, the wave mark in underglaze blue, as well as 20689 and DENMARK in green.

Diameter 8 cm, height 5.5 cm.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

112. Axel Salto (Denmark, 1889–1961) a budding style stoneware vase, Royal Copenhagen, Denmark.

Cylindrical, glaze in yellow-green “Solfatara” hues, signed with an incised SALTO, an “x”, a black company stamp (blurred) and the wave mark in underglaze blue.

Height 21 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

113. Axel Salto (Denmark, 1889–1961) a stoneware vase, Royal Copenhagen, Denmark 1961, model 21472.

Pierced decoration of branches, brown shades in “Sung” glaze, signed scratched SALTO, in underglaze the blue wave mark 21472, DENMARK in green, and parts of the paper company label Height 7.2 cm.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

114. Axel Salto (Denmark, 1889–1961) a stoneware bowl, Royal Copenhagen, Denmark, model 20681.

Vertical fluting, glaze in white crackled so-called ge-glaze, signed with incised SALTO and the wave mark in underglaze blue. Diameter 10 cm, height 5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

115. Axel Salto (Denmark, 1889–1961) a budding style stoneware vase “The corncob”, Royal Copenhagen, Denmark 1951, model 20670.

Cylindrical shape, glaze in pale blue “Claire de lune”, incised signature SALTO 20670 and 637, company stamp in green, wave mark in underglaze blue. Height 20 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

116. Jean Besnard (France, 1889–1958) a ceramic vase, France circa 1930.

Pressed relief decoration, white and grey a craquelé glaze, signed Jean Besnard FRANCE. Height 19.7 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

117. Georges Jouve (France, 1910–1964) a white glazed “Trois Boules” ceramic table lamp with craquelure, France, 1950s.

Organic shape, signed JOUVE and artist’s mark. Height 47.5 cm, total height including the mount and the offwhite shade 77 cm.

Estimate: SEK 100 000 – 150 000 / EUR 8 600 – 12 900 (d)

118. Pablo Picasso (Spain, 1881–1973) a “Motifs no. 45” (A.R. 465) faience plate, Madoura, Vallauris, France post 1963.

Earthenware ceramic plate with colored engobe and glaze, signed and numbered No 45 EDITION PICASSO 68/150 MADOURA. Diameter 25 cm.

Literature: Alain Ramié, “Pablo Picasso - Catalogue of the Edited Ceramic Works 1947–1971”, Galerie Madoura 1988, cat. no. 465.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

119. Pablo Picasso (Spain, 1881–1973) a “Cruchon hibou” (A.R. 293) faience pitcher, Madoura, Vallauris, France post 1955.

Painted and scratched decor of an owl in blue against white and black and brown, signed EDITION PICASSO MADOURA and maker’s marks MADOURA PLEIN FEU, EDITION PICASSO, height 26.7 cm.

Literature: Alain Ramié, “Pablo Picasso - Catalogue of the Edited Ceramic Works 1947–1971”, Galerie Madoura 1988, cat. no. 293.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880 (d)

119A. Pablo Picasso (Spain, 1881–1973) a “Yan Visage” (A.R. 512) faience pitcher, Madoura, Vallauris, post 1963, ed. 57/300.

Decoration of a face in black engobe, signed EDITION PICASSO MADOURA 57/300, and stamped MADOURA PLEIN FEU EDITION PICASSO. Height 28 cm.

Literature: Alain Ramié, no 512, p. 256.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160 (d)

120. Iskandar Jalil (Singapore, 1940–) a stoneware vessel with wooden handle, Singapore 1970s-80s.

Round bowl with spout and wooden handle, attached with leather straps, carved edge decoration, glaze in white, brown, and straw yellow. Marked with the artist’s oval seal. Height 21 cm, width including handle 29 cm.

Provenance: Reportedly purchased at Galleri Gummeson, Stockholm, probably in 1991.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

121. Iskandar Jalil (Singapore, 1940–) a stoneware urn, Singapore 1970s-80s.

Spherical with combed relief decoration, small ear, partially glazed in brown and white, marked with the artist’s oval seals. Height 21.5 cm, diameter ca. 25 cm.

Provenance: Reportedly purchased at Galleri Gummeson, Stockholm, probably in 1991.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

163. Josef Frank, a rare cabinet covered with prints depicting different animals and plants, Firma Svenskt Tenn, Sweden 1940s.

A SPECIAL JUBILEE SECTION

100 years with Svenskt Tenn

This year marks the 100th anniversary since Estrid Ericson founded her firm and life’s work, Svenskt Tenn, in 1924. At this spring’s live auction Modern Art & Design, Bukowskis celebrates 100 years of Svenskt Tenn with a large curated anniversary department featuring items from Svenskt Tenn’s early production. See catalogue number 122-202.

Already at the company’s 70th anniversary in 1994, Bukowskis honoured Svenskt Tenn with a curated anniversary department. Svenskt Tenn’s furniture and interior design items have since then amassed an ever-increasing interest from an ever-widening customer base. In recent years, Bukowskis has achieved several world records for Svenskt Tenn’s furniture at auction. With its timeless design and high quality, many of Svenskt Tenn’s items have now become classics that have a given place in many important interiors both in Sweden and internationally.

With her unique interior design philosophy and stylistic confidence, Estrid Ericson succeeded in creating a magical world where simple everyday objects could be combined with exclusive pieces of the highest quality. Estrid is said to have stated that “good things need no change” and believed that only the best is good enough, which has permeated Svenskt Tenn’s range of carefully selected items. The walls should preferably be white, a room should be sparingly furnished and leave room for free floor space, but otherwise, Estrid advocated freedom in interior design. She believed in mixing different colours, patterns, and materials to create a personal home: “It is not a certain constructed colour harmony that gives a home its personal touch. It is all the items that gather over a lifetime. Everything one once liked, and what one likes now. – Our homes are never fully finished; throughout our lives, we continue to build on them.” (Estrid Ericson in “Svenska ord och bilder”, 1938. Estrid Ericson came to Stockholm as a 19-year-old from the small town of Hjo and trained as a drawing teacher at the Tekniska skolan (now Konstfack). After a while, she was employed as a curator at Wikman & Wiklund’s shop Vackrare Vardagsvara at Strandvägen 7A. In 1923 a department with modern pewterware was conceived in collaboration with the brothers Nils and Tage Fougstedt. Estrid then decided to start her own business with modern pewter design.

With the help of an inheritance from her father Adolf Erikson, who had passed away that same year, Estrid started her firm Svenskt Tenn in Stockholm in the autumn of 1924. Nils Fougstedt became her first important collaborator. The shop opened at Smålandsgatan 40 on October 25. In just a few months, Estrid and Nils had created about 300 different models. The models were inspired by various cultures, including pieces from the collections of the Ethnographic Museum in Stockholm, where Estrid found models of Peruvian ceramics that she then had made in pewter. In 1927, Svenskt Tenn moved to the new and current premises at Strandvägen 5A. Next to the shop was the small pewter workshop where the first items were made. Estrid commissioned the artist Akke Kumlien to design the company’s logo with two angels, “the most beautiful thing ever made” according to Estrid herself. Already in 1925, Svenskt Tenn participated in the World Exhibition in Paris and received two gold medals for its range of pewter articles.

Estrid Ericson had the good ability to constantly tie talented collaborators to her firm. Architect Uno Åhrén designed the interior of the new premises. Alongside Björn Trägårdh, he was also the one who designed the furniture for Estrid’s own apartment above the shop on Strandvägen. Estrid’s classmate and friend from her study days, the artist and designer Tyra Lundgren, contributed among other things with drawings for a tabletop and a bowl. In the years following the Paris Exhibition in 1925, Estrid began a collaboration with the sculptor Anna Petrus. Many items have since then been adorned with Petrus’ characteristic lions.

It was not until 10 years into the firm that Estrid began her collaboration with the Austrian architect Josef Frank. A new chapter in Svenskt Tenn’s history began in 1934 when Josef Frank’s design for the firm premiered at an exhibition for contemporary Swedish interior art at Liljevalchs in Stockholm. The entrepreneur and founder Estrid Ericson and the designer Josef Frank went on to develop a lifelong and very successful partnership. Josef Frank’s timeless furniture, textiles, and lighting, have since been appreciated by several generations.

A selection of highlights from the jubilee section. 377. Märta Måås-Fjetterström, a carpet, ‘Ängarna’, knotted pile,signed AB MMF. 619. Tove Janson, “Vila” (Self-portrait).

122. Anna Petrus (Sweden, 1886–1949) a lidded pewter jar with brass linings model “462”, Firma Svenskt Tenn, Sweden 1928. Oval shape, engraved geometric decoration, the lid crowned with a seated male lion, stamped with the company mark, Stockholm B8. Height 21 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

123. Anna Petrus (Sweden, 1886–1949) a pewter wall sculpture of a lion, Firma Svenskt Tenn, Stockholm probably 1920s-30s. With mounting for hanging, unmarked. Height 18.5 cm, width 21 cm, depth 4.5 cm.

Provenance: Has been in the same family’s possession since it was purchased at Svenskt Tenn many years ago.

Literature: Bukowskis Modern Art + Design, auction 598, spring 2017, catalogue no 138, compare the mirror by Uno Åhrén with Anna Petrus’ lion sculpture as a crest. Marie Rehnberg, “Anna Petrus - Skulptör och industrikonstnär”, Signum 2009, see the same mirror with crest ill. p. 96.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

124. Nils Fougstedt (Sweden, 1881–1954) a seven light pewter candelabrum model “92”, Firma Svenskt Tenn, Stockholm 1930. Round base, upturned arms, the central part leaf-clad, the base engraved in Swedish: “IN MEMORY OF ADOLF ERIKSON, DIED ON THE 24TH OF APRIL 1924, GIFT TO HJO GRAVE CHAPEL BY THE CHILDREN”, stamped with the angel mark and year stamp D8. Height 50 cm, width 46 cm.

Provenance: This candelabrum was originally part of a set comprising two candelabra, two vases, and a crucifix, which was donated by the Erikson children to the Hjo Burial Chapel in memory of Estrid Erikson’s and her siblings’ father, Adolf Erikson. According to information from the Hjo parish, the candelabrum was decommissioned in the 1980s. It was subsequently given to the current owner as a gift.

Exhibitions: The model was shown at the “Bygge och Bo” exhibition at Liljevalchs, Stockholm, spring 1925.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).Hedvig Hedqvist, “Estrid Ericson - en biografi”, Norstedts 2023, see the candelabrum mentioned and the model depicted from the “Bygge och Bo” exhibition at Liljevalchs, Stockholm, spring 1925. Svenskt Tenn participated with its own pewter room, including modern altar pieces in pewter, among them two candelabra of this model.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

125. Nils Fougstedt (Sweden, 1881–1954) a pair of pewter candelabra model “1046”, Firma Svenskt Tenn, Stockholm 1929.

Base plate in brass, two candle holders, stamped with the angel mark and the year stamp C8. Height 14.5 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

126. Firma Svenskt Tenn (Sweden) a pewter framed mirror model “139”, Stockholm 1926.

Rectangular frame, crowned with a watercoloured copper engraving depicting the Royal Palace in Stockholm, stamped with the angel mark and year stamp Z7. 54.5 x 28.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

127. Firma Svenskt Tenn (Sweden) a pewter wine cooler/vase model “437”, Stockholm 1927.

Shell-shaped handles, relief decoration of figures, stamped with the angel mark and year stamp A8. Height 17 cm, opening diameter 15.5 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

128. Anna Petrus (Sweden, 1886–1949) a rare pewter table lamp, Firma Svenskt Tenn, Stockholm 1927.

Relief decoration of female figures and grape clusters, stamped with the coat of arms of Stockholm and the year mark A8. Height including shade 50 cm, lamp base height 29 cm.

Provenance: Villa Tesdorpf, Skövde, designed by Ralph Erskine and constructed in 1954.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

129. Thorwald Alef (Sweden, 1896–1974) a pewter sculpture “The Madonna with Child”, model “1137”, Firma Svenskt Tenn, Stockholm 1929.

Pewter, brass glory, stamped with the angel mark, Stockholm C8. Height 17 cm.

Provenance: Engraved inscription: “Svenskt Tenn’s honorary award in DN’s balcony gardening competition 1934”.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

130. Nils Fougstedt (Sweden, 1881–1954) a Swedish Grace pewter and brass mirror model “137 A”, Firma Svenskt Tenn, Stockholm 1927.

Tympanum crown with stylised figure scene, stamped with the angel mark and year stamp A8. 66 x 40 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

131. Firma Svenskt Tenn (Sweden) a pewter matchbox case with beaker, models “38d” and “185a”, with decor by Anna Petrus, Stockholm 1927–28.

Decorated with a stylized face, stamped with the angel mark and year stamps A8 and B8 respectively. Dimensions of the matchbox holder 12.2 x 7.2 cm, height 4 cm, the height of the beaker 7 cm, diameter 7.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

132. Firma Svenskt Tenn (Sweden) a pewter and mirror glass surtout de table model “934 A”, Stockholm 1929.

Oval shape on four feet. Length 60 cm, width 40 cm, height 4 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

133. Uno Åhrén (Sweden, 1897–1977) a rare ebonised pear wood and pewter mirror, Firma Svenskt Tenn, 1930s. Of rectangular shape. 150 x 70 cm.

Provenance: The artist Sigrid Aminoff, née Oxenstierna (1904–1994), Stockholm. Thence by descent to the current owner. Aminoff studied at the Royal Academy of Fine Arts in Stockholm 1925–1930, where she was a classmate of Göta Trägårdh. Göta, along with her husband Björn Trägårdh, a long-time collaborator at Svenskt Tenn, remained close friends with Aminoff.

Exhibitions: Versions of mirrors in ebonised wood and pewter were displayed at the Swedish Exhibition of Industrial Arts & Crafts at Dorland House in London in March-April 1931 and subsequently at Galerie Moderne in Stockholm in September that same year.

Literature: Catalogue, “Möbler - Firma Svenskt Tenn”, Bröderna Lagerström 1931, compare with the slightly larger model 1096 illustrated p. 25.

Eva Rudberg, “Uno Åhrén”, Byggforskningsrådet 1981, compare p. 107.

Monica Boman (ed.), “Estrid Ericson: orkidé i vinterlandet”, Carlssons 1989, compare Åhrén’s original sketch for the exhibition in London p. 95.

Estimate: SEK 100 000 – 125 000 / EUR 8 600 – 10 750

134. Nils Fougstedt (Sweden, 1881–1954) a “Pipvasen” pewter vase, Firma Svenskt Tenn, Stockholm 1930.

With three spouts, on a round base, stamped with the angel mark, Stockholm D8. Height 14.3 cm.

Literature: Monica Boman (ed.), “Estrid Ericson: orkidé i vinterlandet”, Carlssons 1989, compare six-nozzled variant p. 69.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

135. Firma Svenskt Tenn (Sweden) a pewter vase, Stockholm 1930.

Spherical with a cylindrical neck, stamped with the angel mark, Stockholm D8. Height 10.5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

136. Nils Fougstedt (Sweden, 1881–1954) a pewter table lamp model “698”, Firma Svenskt Tenn, Stockholm 1928.

Fluted stem, black textile shade, stamped with the angel mark and year stamp B8. Height including shade 30 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

137. Firma Svenskt Tenn (Sweden) a pewter table lamp model “695”, Stockholm 1930.

Relief decoration, stamped with the angel mark and year stamp D8.

Height including shade 28 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

138. Estrid Ericson (Sweden, 1894–1981) a pewter mirror model “467”, Firma Svenskt Tenn, Sweden 1930.

Rectangular frame with a rounded, laurel leaf-decorated top, stamped with the angel mark D8. Height 144 cm, width 32 cm.

Provenance: The present mirror has been in the current family’s possession since the 1930s.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

139. Firma Svenskt Tenn (Sweden) a pewter cabaret, Stockholm 1930.

Profiled tray on six splayed feet, seven bowls, all parts stamped with the angel mark, Stockholm D8. Diameter 36.5 cm, height 5.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

141. Firma Svenskt Tenn (Sweden) a rare camphor veneered table, Sweden early 1930s.

Of rectangular shape, marked with metal tag SVENSKT TENN STOCKHOLM.

Length 80 cm, width 65 cm, height 73 cm.

Provenance: Professor Bengt Häger (1916-2011), Stockholm. Thence by descent to the current owner.Häger was a prominent dance critic and writer. He served as the chairman of Dansfrämjandet (the Dance Promotion Association) from 1944 to 1964 and was the museum director for Les Archives internationales de la Danse in Paris in the late 1940s, founded by close friend Rolf de Maré. Together with de Maré, he founded Dansmuseet (the Dance Museum) in Stockholm and was its curator from 1953 to 1989. He also presided over the dance section within UNESCO from 1977 to 1988. Häger was awarded the honorary title of professor in 1985.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

140. Tyra Lundgren (Sweden, 1897–1979) a rare pewter bowl model “630”, Firma Svenskt Tenn, Stockholm 1931.

Engraved decoration of five seated female figures, the mouth and base with brass linings, stamped with the angel mark, Stockholm F8, the inside of the rim engraved: Carl Zetterberg 26–2 1938. Height 21 cm, diameter 30.5 cm.

Provenance: Engineer Carl Zetterberg (1878–1979). Thence by descent to the current owner.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.). Hedvig Hedqvist, Rikard Jacobson, Jan von Gerber, “Modernt Svenskt Tenn”, Atlantis 2004, pp 56–57 (the original drawing illustrated).

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

142. Firma Svenskt Tenn (Sweden) a brass and teak hand mirror model “H 2156”, mid 20th century. Length 28.5 cm, width 16.5 cm.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

140. Tyra Lundgren, a rare pewter bowl model “630”, Firma Svenskt Tenn, Stockholm 1932. 141. Firma Svenskt Tenn (Sweden), a rare camphor veneered table, Sweden early 1930s.

143. Björn Trägårdh (Sweden, 1908–1998) an early pair of pewter candlesticks model “935”, Firma Svenskt Tenn, Stockholm probably 1920s-30s.

In the shape of a lotus flower/water lily, stamped with the angel mark.

Height 5 cm, diameter 14 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, the model depicted (n.p.).

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

144. Firma Svenskt Tenn (Sweden) a pewter and brass bowl, Stockholm 1932.

Ring-shaped braided handle, stamped with the angel mark, Stockholm F8. Height approx. 22 cm, diameter 24.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

145. Firma Svenskt Tenn (Sweden) a pair of glass bottles with pewter and brass stoppers designed by Björn Trägårdh, 1930s. Oval bottle with partially frosted glass, rounded shoulder, short neck.

Height 20.5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

163. Josef Frank, a rare cabinet covered with prints depicting different animals and plants, Firma Svenskt Tenn, Sweden 1940s. 201. Firma Svenskt Tenn, a lidded pewter jar model “A 2265”, Firma Svenskt Tenn, Stockholm 1977. 146. Estrid Ericson, an early “Peruanska urnan” (Peruvian urn) pewter vase, Firma Svenskt Tenn, Stockholm 1930. 140. Tyra Lundgren, a rare pewter bowl model “630”, Firma Svenskt Tenn, Stockholm 1931.

147. Firma Svenskt Tenn (Sweden) a pewter pen stand/vase model “A 2265”, Firma Svenskt Tenn, Stockholm 1936.

Hexagonal shape with relief decoration, stamped with the angel mark and year stamp K8. Height 15.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

146. Estrid Ericson (Sweden, 1894–1981) an early “Peruanska urnan” (Peruvian urn) pewter vase, Firma Svenskt Tenn, Stockholm 1930.

Relief decoration, stamped with the angel mark and year stamp D8. Height 35 cm.

The model designed ca. 1924-25. The prototype for this model is a Peruvian clay vessel from the late Chimú period (1150-1460) that Estrid Ericson discovered in the collections f the Ethnographic Museum, Stockholm (Inv. no. 1887.08.7221).

Literature: Monica Boman (ed.), “Estrid Ericson: orkidé i vinterlandet”, Carlssons 1989, p. 28 and p. 83.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

148. Firma Svenskt Tenn (Sweden) a lidded pewter box model “32”, Stockholm 1930.

Finial in the shape of a flower, stamped with the angel mark and year stamp D8. Diameter 7.5 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

149. Firma Svenskt Tenn (Sweden) a pewter bonbonniere model “999”, Stockholm 1930.

Finial in the shape of a flower, stamped with the angel mark and the year stamp D8. Height 11 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, model illustrated (n.p.).

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

150. Firma Svenskt Tenn (Sweden) a pewter framed ceramic tile placemat, Stockholm 1932.

Square with ball feet, faience tile with painted decoration of a female figure, birds, and plants in brown, green, and yellow, the frame stamped with the angel mark, Stockholm F8. 16 x 16 cm, height 2.8 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, compare model 1153.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

151. Firma Svenskt Tenn (Sweden) a glass box with pewter lid, Stockholm 1930s.

The pewter top with an engraved monogram EE. Height 5.8 cm, diameter 10.3 cm.

Literature: Åke H. Huldt (ed.), “Konsthantverk och hemslöjd I Sverige 1930–1940”, Almqvist & Wiksell 1941, model illustrated as part of a toiletry set dated 1934, p. 243.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

153. Björn Trägårdh (Sweden, 1908–1998) a pewter sculpture of an elephant model “1734”, Firma Svenskt Tenn, Stockholm 1930s-40s.

On a rectangular brass plate, unstamped. Total height ca. 9.5 cm, plate length 13.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

152. Lidvard Hallset, a pewter candelabrum for three candles, Firma Svenskt Tenn, Stockholm 1930.

Candle holder with three elephants, each holding a candle, stämplad med änglamärket and year stamp D8. Length 26.8 cm, height 6.5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

154. Björn Trägårdh (Sweden, 1908–1998) a rare floor lamp model “1715”, Firma Svenskt Tenn, Stockholm 1932.

Shade made of aluminium, the base with pewter, the leg of brass, stamped with the angel mark and the year stamp F8. Height 147 cm.

Literature: Catalogue, “Möbler - Firma Svenskt Tenn”, Bröderna Lagerström 1931, model illustrated p. 5. Gustaf Munthe, “Moderna Möbler”, Natur och Kultur 1931, model illustrated pl. 21.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

155. Björn Trägårdh (Sweden, 1908–1998) a pewter cocktail shaker, Firma Svenskt Tenn, Stockholm 1934.

Conical with lid, stamped with the angel mark Stockholm H8. Height 19.4 cm.

Literature: Hedvig Hedqvist, Rikard Jacobson, Jan von Gerber, “Modernt Svenskt Tenn”, Atlantis 2004, the model illustrated p. 74.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

157. Björn Trägårdh, a pewter and brass mug, model “A 2272”, Firma Svenskt Tenn, Stockholm 1936.

Pewter with “Panama” decoration, brass handle, stamped with the angel mark, Stockholm k8. Height 8 cm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

156. Björn Trägårdh (Sweden, 1908–1998) a lidded pewter and brass box, Firma Svenskt Tenn, Stockholm 1930. The lid crowned with a ship, stamped with the angel mark and the year stamp D8. Length 20 cm, width 13 cm, height 14.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

158. Estrid Ericson (Sweden, 1894–1981) a lidded pewter jar set with an agate, Firma Svenskt Tenn, Stockholm 1935.

Cylindrical jar with a removable internal divider, stamped with the angel mark, Stockholm I8. Height 10.8 cm, diameter 10.8 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

159. Firma Svenskt Tenn (Sweden) a pewter vase, Stockholm 1940.

Baluster-shaped, stamped with the angel mark and the year stamp O8. Height 19 cm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

160. Estrid Ericson (Sweden, 1894–1981) & Björn Trägårdh, a pair of pewter and brass hand mirrors, Firma Svenskt Tenn. Length 22 cm, width 12.5 cm.

Literature: Nils G Wollin, “Modern Swedish Decorative Art”, 1931, p. 72.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

161. Josef Frank (Austria, 1885–1967) attributed to, a brass planter on stand, probably Firma Svenskt Tenn 1930s.

Rectangular box with pierced front, partially lacquered in green. Length 108 cm, width 23,5 cm, height.

Provenance: Torsten Kreuger, Villa Kvikkjokk Djurgården Stockholm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

162. Josef Frank (Austria, 1885–1967) a tea trolley model “B 889”, Firma Svenskt Tenn, 1930s.

Frame in brass, four brass wheels with rubber edges, three shelves in black laminate on masonite , height 70 cm, length 89 cm, width 47 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

163. Josef Frank (Austria, 1885–1967) a rare cabinet covered with prints depicting different animals and plants, Firma Svenskt Tenn, Sweden 1940s.

Model “1140”, oak, doors and sides covered with coloured engravings of fauna and flora from Friedrich Justin Bertuch’s “Bilderbuch für Kinder,” published 1790–1830, all framed in reserves, interior lined with birch and pine, including two removable adjustable shelves. Height 143.5 cm, width 111 cm, depth 41.5 cm. Probably executed as a special commission.

Provenance: Sven Nygren (1903-1990), Director, editor, head of film, etc., in Stockholm. Sven Nygren founded Film AB Lux, where he served as CEO from 1941-1945 and later continued his career as CEO for Fox Film AB from 1946-63. As the director of Fox Film, Sven successfully invited many American movie stars to travel to Stockholm for film premieres, and several of them became his friends. Thence by descent. The cabinet, which is likely a custom order, has for generations within the family been called “The Animal Cabinet”.

Estimate: SEK 2 000 000 – 3 000 000 / EUR 171 970 – 257 960

Cary Grant and Sven Nygren.

165. Josef Frank (Austria, 1885–1967) a paper basket, Firma Svenskt Tenn, 1940s–50s.

Green lacquered and perforated metal, brass edge, height 39.5 cm, diameter 26 cm.

Literature: Svenskt Tenn, Strandvägen 5A / Stockholm, catalogue, 1950s, (printing year missing), see the model depicted from the boardroom of the Allmänna Pensionsförsäkringsbolaget.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

164. Josef Frank (Austria, 1885–1967) a bench model “2009”, Firma Svenskt Tenn, Sweden mid-20th century.

Mahogany, corded seat. Dimensions 79.5 x 35.5 cm, height 40.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

166. Josef Frank (Austria, 1885–1967) a rare floor lamp model “G 2346”, Firma Svenskt Tenn, 1940s. Brass, up-light shade with one socket, painted white on the inside. Height 180 cm.

Provenance: Purchased in the 1940s by Dir Sven Rygaard. It was placed in the family’s apartments at Askrikegatan 13 and 7 in Stockholm. Thence by descent to the current owner.

Estimate: SEK 30 000 – 50 000 / EUR 2 580 – 4 300

167. Josef Frank (Austria, 1885–1967) a mahogany sideboard, Firma Svenskt Tenn, Sweden, probably 1940s–1950s.

Pyramid mahogany with boxwood edge decoration, brass fittings, two drawers above a pair of doors. Length 150 cm, depth 51 cm, height 80 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

168. Josef Frank (Austria, 1885–1967) a dining table model “947”, Firma Svenskt Tenn, Sweden mid-20th century.

Top veneered with pyramid mahogany, boxwood edging, mahogany legs. Length 160 cm, width 105 cm, height 72 cm. Total length 400 cm including 4 extension leaves at 60 cm each.

Literature: Kristina Wängberg-Eriksson & Jan Christer Eriksson, “Josef Frank Möbelformgivaren”, Carlsson 2014, K37. Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

169. Josef Frank (Austria, 1885–1967) a set of eight chairs model “970”, Firma Svenskt Tenn, Sweden mid-20th century. Frame in mahogany, seats upholstered in studded leather. Height 92 cm, seat height 43.5 cm.

Literature: Kristina Wängberg-Eriksson & Jan Christer Eriksson, “Josef Frank Möbelformgivaren”, Carlsson 2014, K10.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

173. Josef Frank, a pair of stools model “686”, Firma Svenskt Tenn, Sweden mid-20th century. 170. Josef Frank, a “Flora” chest of drawers, Firma Svenskt Tenn, Sweden ca. 1940. 135. Firma Svenskt Tenn, a pewter vase, Stockholm 1930. 155. Björn Trägårdh, a pewter cocktail shaker, Firma Svenskt Tenn, Stockholm 1934 . 134. Nils Fougstedt, a “Pipvasen” pewter vase, Firma Svenskt Tenn, Stockholm 1930.

170. Josef Frank (Austria, 1885–1967) a “Flora” chest of drawers, Firma Svenskt Tenn, Sweden ca. 1940.

Mahogany, floral prints from ‘Nordens Flora’ after C. A. Lindman, three drawers with brass mounts, ball feet. Width 132 cm, depth 43,5 cm, height 76 cm.

Already in Vienna in the early 1930s when working with Oscar Wlach and their company Haus & Garten, Josef Frank began to cover his furniture with different kinds of materials. At the time he made use of different textiles. After he moved to Sweden Frank designed the first cabinet covered with prints in 1938 - the so called ‘Flora cabinet’. Since then he designed several versions of covered pieces of furniture with different motifs and materials.

Provenance: Reportedly, around 1940, Estrid Ericson received one of her larger interior design commissions, which was the furnishing of a 12-room apartment at Stigbergsgatan at Södermalm, Stockholm. In connection with this commission, the current Flora chest of drawers was placed in the apartment in one of the daughters’ rooms. Within the family, it has always been said that it was likely the first of its kind. The chest, along with much of the other furnishings, has since remained in the same family’s possession.

Estimate: SEK 750 000 – 900 000 / EUR 64 490 – 77 390

171. Josef Frank (Austria, 1885–1967) a brass dressing table mirror model “2214”, Firma Svenskt Tenn, Sweden, mid 20th century.

Round swivel mirror, on a circular base, the reverse with mahogany. Height ca 54 cm, width 55.5 cm, mirror diameter 50 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

172. Josef Frank (Austria, 1885–1967) a brass dressing table mirror model “2214”, Firma Svenskt Tenn, Sweden, mid-20th century.

Round swivel mirror, on a circular base, the reverse with mahogany. Height 54 cm, width 55.5 cm, mirror diameter 50 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

173. Josef Frank (Austria, 1885–1967) a pair of stools model “686”, Firma Svenskt Tenn, Sweden mid-20th century.

Frame in mahogany, seats covered in rattan. Length 58 cm, width 38 cm, height 36 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

174. Josef Frank (Austria, 1885–1967) a floor lamp model “2431”, Firma Svenskt Tenn, 1960s–70s.

Brass feet and arms, black lacquered stem, three adjustable light arms with pull switches, textile shades, maker’s mark Svenskt Tenn 2431, height 162 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

175. Estrid Ericson (Sweden, 1894–1981) attributed to, a mirror model “J 364”, Firma Svenskt Tenn, Sweden. Covered in floral textile. Dimensions 88 x 72.5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

176. Firma Svenskt Tenn (Sweden) a birdcage, latter half of the 20th century, provenance Estrid Ericson.

Brass-coloured metal, wooden support rod, red lacquered metal feeding bowl. Height approx. 76 cm, dish diameter 55.5 cm.

Provenance: Bukowskis Modern Art + Design, auction 620, autumn 2019, catalogue no 288. Estrid Ericson, thence by descent.

Literature: Hedvig Hedqvist, “Estrid Ericson - a Biography”, Norstedts 2023, see the birdcage depicted from the living room of Estrid Ericson’s summer residence Tolvekarna in Tyresö outside Stockholm, p. 178.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

177. Estrid Ericson (Sweden, 1894–1981) a seal stamp, Firma Svenskt Tenn, Sweden, probably 1940s–50s.

Pewter and brass, in the shape of an elephant with a turquoise, seal with monogram “MZ” for Margit Zetterberg. Height 4.3 cm.

Provenance: Margit Zetterberg (1897–1975), married in 1922 to Engineer Carl Zetterberg (1878–1979), thence by descent.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

178. Estrid Ericson (Sweden, 1894–1981) a brooch, Firma Svenskt Tenn, Sweden, probably 1940s–50s.

Pewter and copper, in the shape of an elephant, approx. 3 x 3.5 cm.

Provenance: Margit Zetterberg (1897–1975), married in 1922 to Engineer Carl Zetterberg (1878–1979), thence by descent.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

179. Estrid Ericson (Sweden, 1894–1981) a pewter and heliotrope lidded jar, Firma Svenskt Tenn, Stockholm 1952. Brass lining, the lid set with a heliotrope (bloodstone), stamped with the angel mark and year stamp B9. Height 8.5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

180. Josef Frank (Austria, 1885–1967) a four-piece pewter tea set and a plate, Svenskt Tenn, Stockholm 1946 (plate 1929).

With wooden handles and knobs. Comprising a teapot, creamer, milk jug, sugar bowl, and plate, maker’s mark Stockholm U8 and C8. Height of the milk jug 14 cm, diameter of the plate 16 cm.

Literature: Hedvig Hedqvist, Rikard Jacobson, Jan von Gerber, “Modernt Svenskt Tenn”, Atlantis 2004, model illustrated p. 99. Monica Boman, “Estrid Ericson, Orkidé i Vinterlandet”, Carlsson 1989, see the model illustrated on a set table at Strandvägen for the invitation to Svenskt Tenn’s spring exhibition in 1940.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

181. Firma Svenskt Tenn (Sweden) a pewter tray, Firma Svenskt Tenn, Stockholm 1948. Rectangular tray with brass lining, stamped with the angel mark and year stamp X8. 38 x 20 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

182. Estrid Ericson (Sweden, 1894–1981) a lidded pewter jar set with an agate, Firma Svenskt Tenn, Stockholm 1952.

Brass lining, stamped with the angel mark and the year stamp B9.

Height 8.5 cm.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

183. Estrid Ericson (Sweden, 1894–1981) a pewter framed mirror, Firma Svenskt Tenn, Stockholm 1950.

Square with rounded corners, pierced frame with braided decor, mahogany back, stand as a table mirror, stamped with the angel mark, Stockholm Z8.

Dimensions 39.3 x 39.3 cm.

Literature: Anita L. du Rietz, “Skönhet till vardags - Estrid Ericson och Svenskt Tenn”, Lorensvik Förlag 2018, compare the model depicted on p. 206 from Svenska Slöjdföreningen’s (the Swedish Society of Crafts’) exhibition at Liljevalchs, Stockholm in 1945 and p. 342.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

184. Estrid Ericson (Sweden, 1894–1981) a pewter ice bucket, Firma Svenskt Tenn, Stockholm 1955.

Square lid knob of red granite, silver-foiled glass insert, stamped with the angel mark, Stockholm E9. Height 19.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

185. Josef Frank (Austria, 1885–1967) a side table model “1112”, Firma Svenskt Tenn, Sweden 1950s–60s.

Oval onyx top on a mahogany base, 87 x 45, height 44.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

186. Estrid Ericson (Sweden, 1894–1981) or Josef Frank, a brass mirror, Firma Svenskt Tenn, Sweden, 1950–60s.

Brass frame and hook. 32 x 26 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

187. Josef Frank (Austria, 1885–1967) a showcase cabinet model “2077”, Firma Svenskt Tenn, Sweden pre 1985.

Cabinet frame of mahogany, the back of the interior with mirror glass. Length 90 cm, depth 31 cm, height 170 cm.

Provenance: Reportedly likely purchased in the early 1980s.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

189. Josef Frank (Austria, 1885–1967) a pewter mounted blue-tinted glass box, Firma Svenskt Tenn. Length 14.5 cm, width 12 cm, height 11.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

188. Estrid Ericson (Sweden, 1894–1981) a pewter dish, Firma Svenskt Tenn, Stockholm 1948.

After a Dutch Baroque model of faience, stamped with the angel mark, Stockholm X8. Diameter 29.5 cm, height 4 cm.

Literature: Anita L. du Rietz, “Skönhet till vardags - Estrid Ericson och Svenskt Tenn”, Lorensvik Förlag 2018, p. 32, compare a similar model of “fruit dish” that was exhibited at the World Fair in Paris 1925.

Hedvig Hedqvist, “Estrid Ericson - en biografi”, Norstedts 2023, see the model illustrated among the earliest products from Svenskt Tenn, p. 52.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

190. Josef Frank (Austria, 1885–1967) a mahogany table, model “B 2142”, Firma Svenskt Tenn, Sweden 1950s-60s. Profiled legs on castors. Height 50 cm, top measures ca. 80 x 50 cm.

Literature: The model is depicted in the Svenskt Tenn archives.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

191. Josef Frank (Austria, 1885–1967) a mahogany sideboard model “821”, Firma Svenskt Tenn, Sweden pre 1985.

Five drawers in the frame, brass handles, length 180 cm, depth 50 cm, height 75 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

192. Josef Frank (Austria, 1885–1967) a brass table lamp model “2468”, Firma Svenskt Tenn, 1950s. Three-armed, sockets in bakelite, later shades in white linen fabric. Height 54 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

193. Josef Frank (Austria, 1885–1967) a ceiling lamp model “2538”, Firma Svenskt Tenn, 1950s.

Brass, plastic-coated shade, maker’s mark Svenskt Tenn 2538 Made in Sweden. Height of shade ca. 32 cm, adjustable height ca. 90–150 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

194. Josef Frank (Austria, 1885–1967) a mahogany showcase cabinet model “2077”, Firma Svenskt Tenn, Sweden.

The back of the interior with mirror glass, fitted with two glass shelves. Width 90 cm, depth 31 cm, height 169.5 cm.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

195. Josef Frank (Austria, 1885–1967) a bookcase model “1142”, Firma Svenskt Tenn, Sweden 1950s. Veneered in mahogany, upper part with shelves and cabinet section, four drawers in the lower part. Length 200 cm width 50 cm, height 130 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

196. Josef Frank (Austria, 1885–1967) a rare brass ceiling light model “G 2558”, Firma Svenskt Tenn, 1950s–60s. Three arms with pleated shades. Diameter 58 cm.

Literature: Catalogue, “Belysningar från Svenskt Tenn”, Nordisk Rotogravyr 1954, model illustrated (n.p.).

Estimate: SEK 10 000 – 15 000 / EUR 883 – 1 320

197. Josef Frank, a table model “U601” (the top) & “U491”, Firma Svenskt Tenn, Sweden 1960s–70s.

197. Josef Frank (Austria, 1885–1967) a table model “U601” (the top) & “U491”, Firma Svenskt Tenn, Sweden 1960s–70s.

The glass covered top with a printed map, brass lining, the loose base with profiled legs. Diameter 127 cm, height 48.5 cm, the base 65 x 65 cm.

The map is showing the world as seen around year 1450 after a map drawned by the Venetian cartographer and monk Fra Mauro. The original is now in the Doge Palace, Venice.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

198. Josef Frank (Austria, 1885–1967) a pair of table lamps model “2552”, Firma Svenskt Tenn, Sweden. Brass, stamped SVENSKT TENN TYPE 2552. Height including later shades of white textile, 51.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

199. Josef Frank (Austria, 1885–1967) a brass and black lacquered floor lamp model “2431”, Firma Svenskt Tenn, Sweden.

Three adjustable arms with lacquered paper shades in red, green, and yellow, marked underneath TYP 2431 SVENSKT TENN. The base up over the spherical knob height 117 cm, including the lampshades ca 157 cm. The model was designed by Josef Frank in 1938 was then called “Tre-Spiralen” (The three spirals). In 1939, the model was exhibited at the Golden Gate International Exposition in San Francisco and has since been referred to as the San Francisco lamp.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

201. Firma Svenskt Tenn (Sweden) a lidded pewter jar model “A 2265”, Firma Svenskt Tenn, Stockholm 1977.

Hexagonal shape with relief decoration, lid knob in pewter-mounted glass, stamped with the angel mark and year stamp C10. Diameter 11 cm, height 24 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

200. Josef Frank (Austria, 1885–1967) a sideboard model “821”, Firma Svenskt Tenn, Sweden pre 1985. Cherry wood, five drawers, brass handles. Length 180.5 cm, depth 50 cm, height 75 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

202. Josef Frank (Austria, 1885–1967) “The Nationalmuseum Cabinet,” model “881,”, Firma Svenskt Tenn, Sweden, likely from the early 1980s.

Upper section veneered with burled vavona, mahogany framework on a walnut base, nineteen various-sized drawers with brass handles, the back also veneered. Width 90 cm, depth 45 cm, height 119.5 cm.

Exhibitions: The present cabinet was shown at the tribute exhibition “Firma Svenskt Tenn - 100 Years” at Antikmässan, Älvsjö, Stockholm, March 7–10, 2024.

Estimate: SEK 150 000 – 200 000 / EUR 12 900 – 17 200

Dagobert Peche for the Wiener Werkstätte, ca 1922.

Few designers have been as influential and multifaceted within the fields of applied arts in the early decades of the 20th century as the Austrian Dagobert Peche and his colleagues at Wiener Werkstätte. Born in St. Michael im Lungau, Salzburg in 1887, Peche began his studies at the Technische Hochschule in Vienna in 1906 before transferring to the Akademie der bildenden Künste in 1908. At a birthday celebration for architect colleague Otto Wagner, Peche met Josef Hoffmann – one of the founders of the influential firm Wiener Werkstätte as well as a central figure in the Austrian radical artist and architect group the Wiener Secession. The meeting bore fruit and soon Peche was engaged at the Wiener Werkstätte to design textiles and wallpaper. He also showed ability in other fields and began contributing designs for furniture, glass, jewelry, toys, and other objects. Peche became the artistic director of the Wiener Werkstätte

in the spring of 1915, after the outbreak of the First World War. During the war he managed the company’s branch in Zurich and later returned to Vienna at the end of 1919.

For this spring’s live auction Modern Art & Design, Bukowskis proudly presents a magnificent mirror designed by Dagobert Peche, executed by frame maker Max Welz in Vienna for the Wiener Werkstätte ca. 1922. An important model in Peche’s artistic oeuvre, on display at the World Exhibition in Paris in 1925, the present mirror ought to be regarded as one of the foremost examples of his graceful and richly ornamented style. When Peche tragically passed away after a period of illness at the age of 36 in the spring of 1923, his colleague Josef Hoffmann described him as the foremost representative in the fields of ornamental art that Austria had produced since the Baroque.

© MAK - Museum of Applied Arts.

203. Dagobert Peche (Austria, 1887–1923) a lacquered and gilded mirror executed by frame maker Max Welz, Vienna for the Wiener Werkstätte, Austria ca 1922. Richly carved lime wood, gilded and lacquered in an eggshell colour, the reverse with remnants of labels and indistinct markings in ink. 53 x 43 cm. Peche’s drawing for this model of mirror is dated 1922 and is in the MAK’s archives.

Provenance: Property of a Swedish Collector.

Exhibitions: The model was exhibited at the World’s Fair in Paris in 1925.

Literature: MAK (Museum für Angewandte Kunst) Vienna, Wiener-Werkstätte-Archiv, model no. WW 16, design drawing WWE 108, WWMB 57/1416; L’Autriche á exposition internationale des arts décoratifs et industriels modernes Paris 1925, exhibition catalogue, Wien 1925, ill. Peter Noever (ed.), “Dagobert Peche and the Wiener Werkstätte”, exhibition catalogue, Neue Galerie New York, New Haven/London 2002, no. 54, p. 237.

This model is also represented in the Neue Galeries’ Collection.

Dagobert Peche used this model of mirror in the interior of Wolko Gartenberg’s apartment in Vienna early 1920s.

Estimate: SEK 400 000 – 600 000 / EUR 34 400 – 51 590

205. Louis Comfort Tiffany / Tiffany Studios (USA, 1878–1933) an Art Nouveau bronze and marbled “Pine needles” glass frame model “948”, New York.

Pierced bronze frame with pine needle decoration against a background of green marbled glass, the back stamped TIFFANY STUDIOS NEW YORK 948. 19 x 16 cm.

Literature: Robert Koch, “Louis C. Tiffany Glass Bronzes Lamps, a Complete Collector’s Guide,” Crown Publishers, New York 1971. The model 948 was listed in the price list of 1906 as PHOTOGRAPH FRAME, E.M & Glass, small 6 x 7”. Priced at 12 dollars.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

206. Alice Nordin (Sweden, 1871–1948) an Art Nouveau table lamp “Night and Morning”, Herman Bergman’s foundry, Stockholm, early 1900s.

Brown patinated bronze, relief decoration of a couple entwined around a tree, signed in the cast by Alice Nordin Herman Bergman fud. Height ca 58.5 cm including shade, 40.5 cm excluding shade.

Estimate: SEK 35 000 – 40 000 / EUR 3 010 – 3 440

207. Alice Nordin (Sweden, 1871–1948) an Art Nouveau dark patinated bronze table lamp, foundry Herman Bergman Konstgjuteri, Stockholm, signed and dated 1908.

Seated woman carrying a cornucopia, crowned with a lamp holder, signed Alice Nordin 1908. Herman Bergman and an indistinct name, possibly Fiammella (?).

Height including the lampholder 33 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

204. Withdrawn.

208. Sidney Gibson (Sweden, 1887–1959) a pair of Swedish Grace stools, Sparreholms Snickerifabrik 1920s.

Stained birch, legs with turned decoration. Length 52 cm, width 37 cm, height 47 cm.

Provenance: Architect Bertil Stenby (1899–1975), Samseryd Manor, Gislaved Municipality, Småland. Stenby was involved in the construction of Stockholm City Hall in the early 1920s, where Sidney Gibson was responsible for the design of several pieces of furniture. Thence by descent to the current owner.

Literature: Erik Wettergren, “L’art Décoratif Moderne en Suède”, Malmö Museum 1925, compare p. 167. Ernst Fischer, “Svenska möbler i bild”, Natur och kultur 1950, compare p. 131.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

209. Alf Munthe (Sweden, 1892–1971) a Swedish Grace ceiling lamp, executed by H. Person, Sweden 1920s.

Brass, richly engraved decoration of stylized birds and tree branches, rim with openwork decor, four light points, engraved signature ALF MUNTHE DELIN and H. PERSON FECIT. Diameter 57 cm.

Literature: Erik Wettergren, “L’art Décoratif Moderne en Suède”, Malmö Museum 1925, compare the decoration on the canopy illustrated p. 85. Gregor Paulsson (ed.), “Svenska Slöjdföreningens Tidskrift”, own publishing 1927, compare the decoration on the uphols(…).

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

210. Uno Åhrén (Sweden, 1897–1977) a Swedish Grace black lacquered “Lady’s armchair”, Mobilia AB, Malmö ca 1925.

Black lacquered wood, deep-buttoned upholstery in purple velvet. Height 105 cm, width 66.5 cm, seat height 41 cm.

Literature: Erik Wettergren, “L’art Décoratif Moderne en Suède”, Malmö Museum 1925, model illustrated p. 165.Eva Rudberg, “Uno Åhrén - en föregångsman inom 1900-talets arkitektur och samhällsplanering”, Byggforskningsrådet 1981, see the interior from the Paris exhibition, p. 42. The model was designed by Uno Åhrén and exhibited in the ‘lady’s lounge’ in the Swedish pavillion at the International World’s Fair in Paris 1925.

Estimate: SEK 150 000 – 200 000 / EUR 12 900 – 17 200

211. David Wretling (Sweden, 1901–1986) a Swedish Grace wall clock, Firma Otto Wretling, Umeå 1927.

Case in multiple types of wood with carved decoration, crown in the form of Medusa and an ornamented pendulum in patinated metal, signed David Wretling -27. Length 35.5 cm, depth 13.5 cm, total height 80 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

212. Carl Milles (Sweden, 1875–1955) a rare pair of pewter candlesticks and an inkstand, Herman Bergman konstgjuteri, Stockholm 1927–29.

Inkwell in the shape of Jonah and the whale on an oval base with a ribbed edge, glass insert, candlesticks in the shape of fish, oval base, stamped HB AB with year marks A8 and C8 respectively. Inkwell length 16 cm, height 11.5 cm, candlesticks height 13 cm.

Provenance: Anders Börje, nephew of the artist Gideon Börje (1891–1965).

Exhibitions: The models were displayed in villa 42 at the Stockholm Exhibition of 1930 in an exclusive interior designed by Nordiska Kompaniet’s chief architect Axel Einar Hjorth.

Literature: The plaster models can be found in the collections of Millesgården.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

213. Nils Fougstedt (Sweden, 1881–1954) a pair of Swedish Grace pewter candelabra, Herman Bergman konstgjuteri, Stockholm 1927.

For six candles, relief decoration, stamped HB AB with year mark A8 and marked on the base COMP. NILS FOUGSTEDT, one candelabrum signed Nils Fougstedt. Height 42–43 cm.

Literature: Catalogue, “Firma Svenskt Tenn”, Nordisk Rotogravyr 1931, compare with the similar candelabra model 293 in Firma Svenskt Tenn’s range (n.p.).

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

214. Carl Hörvik (Sweden, 1882–1954) a pair of garden chairs, possibly produced by Thulins vagnfabrik, Skillingaryd.

Iron lacquered in red, wooden seats, probably of teak. Height 79.5 cm, seat height 45 cm. The garden furniture was originally designed by Hörvik for the refined gardens at the hotel ‘Stadshotellet Båstad’ in the late 1920s and for the Restaurant Lindgården, Djurgården, Stockholm in 1930.

Provenance: Källskärs Herrgård & Sågverk, Hälsingland.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

215. Carl Hörvik (Sweden, 1882–1954) a garden table, possibly produced by Thulins vagnfabrik, Skillingaryd.

White lacquered iron, wooden tabletop. 66 x 70 cm, height 72 cm.

The garden furniture was designed by Hörvik for the refined gardens at the hotel ‘Stadshotellet Båstad’ (Hotel Skansen) in the late 1920s and for the Restaurant Lindgården, Djurgården, Stockholm in 1930.

Provenance: Källskärs Herrgård & Sågverk, Hälsingland.

Estimate: SEK 30 000 – 35 000 / EUR 2 580 – 3 010

216. Carl Hörvik (Sweden, 1882–1954) a pair of garden chairs, posibly produced by Thulins vagnfabrik, Skillingaryd.

Lacquered iron, seats of teak. Height 79 cm, seat height ca 45 cm. The garden furniture was designed by Hörvik for the refined gardens at the hotel ‘Stadshotellet Båstad’ (Hotel Skansen) in the late 1920s and for the Restaurant Lindgården, Djurgården, Stockholm in 1930.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

217. Harald Notini (Sweden, 1879–1959) a table lamp model “6891”, Arvid Böhlmarks Lampfabrik, Stockholm 1920s. Pewter, hammered surface, original silk shade with fringes, maker’s mark 6891. Height 56 cm.

Literature: Arvid Böhlmarks lampfabrik catalogue 1926. Erik Andrén, “Aktiebolaget Arvid Böhlmarks lampfabrik 1872–1937”, Stockholm, 1937, pl. 47.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

218. Guldsmedsaktiebolaget (GAB) (Sweden) a pair of Swedish Grace bronze vases, probably designed by Jacob Ängman.

Brown-green patinated bronze, bulbous shape with handles and horizontal striped decoration, stamped with maker’s mark and model number 159. Height 25 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

219. Lars Holmström (Sweden, 1894–1959) a Swedish Grace ceiling lamp, Arvika 1920s–1930s.

Steel frame, decorated with leaves and details in brass, frosted glass shade, diameter ca 57 cm, total height ca 19 cm. Brass details to conceal the hook during suspension are included.

Estimate: SEK 25 000 – 35 000 / EUR 2 150 – 3 010

220. Lars Holmström (Sweden, 1894–1959) a Swedish Grace ceiling lamp, Arvika 1920s–1930s.

Steel frame with brass details and decoration, four light points, frosted glass plate. Diameter 58 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

221. Folke Bensow (Sweden, 1886–1971) a pair of “Parkbänk N:r 1” benches, Näfveqvarns bruk.

Cast iron ends, seat in pine, marked NÄFVEQVARN. Length 190 cm, width 65 cm, height 53 cm, seat height 44 cm.

Exhibitions: The model was displayed at the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925, where the benches were placed outside the Swedish Pavilion.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

222. Carl Elmberg (Sweden, 1889–1955) a “Tobaksburk N:r 1” tobacco jar with lid, Näfveqvarns bruk.

Cast iron, cylindrical with classical relief decoration of a hunting scene, lid with crowning knob and metal insert. Diameter 12.5, height 16 cm.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

223. Ivar Johnsson (Sweden, 1885–1970) a “Venus” cast iron urn, Näfveqvarns bruk, Swedish Grace.

Cast iron, relief decoration of a Venus figure and stylised plants with the text VENUS STIGER UR HAFVET (Venus rises from the sea). Height 49 cm, diameter 56 cm including handles.

Provenance: Bukowski Auktioner, Modern Art + Design 640, 2022, cat. no. 355.

Exhibitions: The model was first displayed at Hemutställningen (Home Exhibition) in 1917 at Liljevalchs in Stockholm and subsequently at the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925, where the urns were placed outside the Swedish Pavilion.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

224. Swedish Grace, a pewter framed wall mirror, 1920s–1930s.

Rectangular, lunette-shaped crown with stylised decoration.

Height 151 cm, width 50.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

225. Axel Einar Hjorth (Sweden, 1888–1959) a “Skärgården” table, Nordiska Kompaniet, 1928.

Table with drop-leaves, one drawer, veneered in birch, maker’s mark AB Nordiska Kompaniet R 31988–4 9 28, height 62 cm, width 62 cm, length 90–152 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

404. Barbro Nilsson, a carpet, “Salerno grå”, flat weave, ca 356 x 236 cm, signed AB MMF BN.

233. Axel Einar Hjorth, a pair of “Utö” stained pine armchairs, Nordiska Kompaniet 1930s.

227. Axel Einar Hjorth, a “Lovö” stained pine table, Nordiska Kompaniet 1930s.

116. Jean Besnard, a ceramic vase, France circa 1930.

266. Axel Einar Hjorth, an “Utö” stained pine sofa, Nordiska Kompaniet 1930s.

573. Gösta Adrian-Nilsson , “Huvud i gult” (Head in yellow).

276. Carl-Axel Acking, a floor lamp model “2646”, Bröderna Malmströms Metallvarufabrik, Malmö 1940s–50s.

226. Axel Einar Hjorth, a “Lovö” stained pine cabinet, Nordiska Kompaniet 1930s.

226. Axel Einar Hjorth (Sweden, 1888–1959) a “Lovö” stained pine cabinet, Nordiska Kompaniet 1930s.

Wrought iron fittings, a pair of doors with underlying shelf and drawer fittings. Length 102 cm, depth 46 cm, height 155 cm.

Provenance: Scharinska villan in Umeå, designed by architect Ragnar Östberg. It was constructed between 1904-05 and remained in private ownership until 1957 when it was acquired by Umeå Municipality. In 1960, the villa transitioned to become the first headquarters for Umeå Student Union. Before the sale to Umeå Municipality, the furnishings were sold, and the present furniture was purchased by a private individual for a new mountain lodge in Hemavan, which was completed in 1956. Since then, the lodge along with its furnishings has been inherited by the current owner. The collection includes lots 226-233.

Estimate: SEK 200 000 – 300 000 / EUR 17 200 – 25 800

228. Axel Einar Hjorth (Sweden, 1888–1959) a “Lovö” stained pine table, Nordiska Kompaniet 1930s.

Length 180 cm, width 75 cm, height 72.5 cm.

Provenance: Scharinska villan in Umeå, see lot 226.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

227. Axel Einar Hjorth (Sweden, 1888–1959) a “Lovö” stained pine table, Nordiska Kompaniet 1930s.

Length 50 cm, width 50 cm, height 51 cm.

Provenance: Scharinska villan in Umeå, see lot 226.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

229. Axel Einar Hjorth (Sweden, 1888–1959) a set of four “Lovö” stained pine chairs, Nordiska Kompaniet 1930s. Wrought iron fittings, loose seat cushions. Seat height 43 cm.

Provenance: Scharinska villan in Umeå, see lot 226.

Estimate: SEK 80 000 – 100 000 / EUR 6 880 – 8 600

233. Axel Einar Hjorth, a “Utö” stained pine armchairs, Nordiska Kompaniet 1930s.

231. Axel Einar Hjorth (Sweden, 1888–1959) a pair of “Lovö” stained pine armchairs, Nordiska Kompaniet 1930s.

Wrought iron fittings, loose seat cushions. Seat height 44 cm.

Provenance: Scharinska villan in Umeå, see lot 226.

Estimate: SEK 150 000 – 200 000 / EUR 12 900 – 17 200

233. Axel Einar Hjorth (Sweden, 1888–1959) a pair of “Utö” stained pine armchairs, Nordiska Kompaniet 1930s.

Loose seat. Height 85 cm.

Literature: Catalogue, “Möbler från A/B Nordiska Kompaniet”, 1936, model illustrated (n.p.).

Provenance: Scharinska villan in Umeå, see lot 226.

Estimate: SEK 200 000 – 300 000 / EUR 17 200 – 25 800

230. Axel Einar Hjorth (Sweden, 1888–1959) a pair of “Skoga” stained pine stools, Nordiska Kompaniet 1930s. Height 45 cm, diameter 41 cm.

Literature: Catalog, “NK:s Sommarkatalog 1934 över Trädgårdsmöbler”, 1934, model illustrated (n.p.).

Provenance: Scharinska villan in Umeå, see lot 226.

Estimate: SEK 80 000 – 100 000 / EUR 6 880 – 8 600

232. Nordiska Kompaniet (Sweden) a “Lovö” stained pine table, Nordiska Kompaniet 1930s. Marked with drawing number 41128. Height 58 cm, diameter 62 cm.

Provenance: Scharinska villan in Umeå, see lot 226.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

234. Erik Tidstrand (Sweden, 1876–1944) a Swedish Grace ceiling lamp model “25162”, Nordiska Kompaniet 1920s.

Frame in brass, sides with inset glass. Height 85 cm.

Literature: Model depicted in the archives of Nordiska Kompaniet in 1921.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

235. Bertil Brisborg (Sweden, 1910–1993) a floor lamp model “31567”, Nordiska Kompaniet, 1940s–50s. Frame in brass, adjustable arm with detail in white lacquered metal, silk shade, adjustable height ca. 155–185 cm.

Literature: Depicted in the 1944–45 catalogue.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

305.

242.

241.

278.

328.

325.

Harald Notini, a table lamp model “15238”, Arvid Böhlmarks Lampfabrik, Stockholm 1930s–40s. Erik Tidstrand, a table lamp model “29602”, Nordiska Kompaniet 1930s. Erik Tidstrand, a table lamp model “29595”, Nordiska Kompaniet, 1930s. Carl-Axel Acking, a floor lamp model “2645”, Bröderna Malmströms metallvarufabrik, Malmö 1940s–50s. Hans Bergström, a rare chandelier, ateljé Lyktan, Åhus 1930s-40s. Swedish Modern, a pair of wall lamps, 1940s–50s.

237. Erik Tidstrand (Sweden, 1876–1944) a ceiling lamp model “28903”, Nordiska Kompaniet 1930s.

Two shades in nickel-plated and lacquered aluminium, an underlying shade in yellow-toned “Champagne glass”, pendant in nickel-plated brass, up-light and down-light, height ca 70 cm, diameter ca 70 cm.

Literature: Depicted in the 1935 catalogue.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

236. Erik Tidstrand (Sweden, 1876–1944) or Bertil Brisborg (Sweden, 1910–1993), a pair of table lamps, model “30246”, Nordiska Kompaniet 1940s.

Base in antique patinated brass, relief decorated stem in mahogany, shade in white lacquered brass, maker’s mark, shade diameter 38 cm, height ca 51 cm.

Literature: Depicted in the Nordiska Kompaniet catalog 1942. Advertisement from the Magazine; Tidskrift för ljuskultur. Stockholm: Svenska föreningen för ljuskultur, no 3, 1945.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

238. Erik Tidstrand (Sweden, 1876–1944) a pair of table lamps model “29595”, Nordiska Kompaniet, 1930s.

Base in antique patinated brass, relief decorated stem in walnut, shade in green lacquered brass, top in antique patinated brass, maker’s mark, shade diameter 36 cm, height 48 cm.

Literature: Depicted in the Nordiska Kompaniet catalogue 1938 and the archive 1939.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

239. Erik Tidstrand (Sweden, 1876–1944) a pair of table lamps model “29595”, Nordiska Kompaniet, Sweden 1930s.

Base in antique patinated brass, relief decorated stem in walnut, shade in white lacquered brass, top in antique patinated brass, maker’s mark, shade diameter 39 cm, height 48 cm.

Literature: Depicted in the Nordiska Kompaniet catalogue 1938 and the archive 1939.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

240. Bertil Brisborg (Sweden, 1910–1993) a floor lamp model “32620”, Nordiska Kompaniet 1940s.

Frame in brass, articulated arm, textile shade, marked NK 32620. Adjustable height, ca. 160–180 cm.

Literature: The model depicted in the archives of Nordiska Kompaniet, 1947, 1950, and 1953.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

241. Erik Tidstrand (Sweden, 1876–1944) a table lamp model “29595”, Nordiska Kompaniet, 1930s.

Base in antique patinated brass, relief decorated stem in walnut, shade in green lacquered brass, top in antique patinated brass, maker’s mark, shade diameter 36 cm, height 48 cm.

Literature: Depicted in the Nordiska Kompaniet catalog of 1938 and archives of 1939.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

242. Erik Tidstrand (Sweden, 1876–1944) a table lamp model “29602”, Nordiska Kompaniet 1930s.

Foot and arm in antique oxidised brass, column in turned and green lacquered wood, adjustable shade in cream lacquered metal, marked on the inside. Height 43 cm.

Literature: Catalogue, “Nordiska Kompaniet - Nyheter i Belysningsarmatur Hösten 1938”, model illustrated p. 35.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

243. Karl Wojtech (Sweden, 1881–1944) a Swedish Grace silver plated/alpacca framed mirror, Stockholm ca 1930.

Round, pierced frame, stamped ALP KW and with Stockholm hallmark. Diameter 31 cm.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

244. Kurt von Schmalensee (Sweden, 1896–1972) a desk and armchair, executed by AB David Blomberg for the Stockholm exhibition in 1930.

Veneered in walnut, the desk with drawers and cabinets, key hole fittings in nickel plated metal, height 75 cm, 75 x 160 cm, the chair with a later leather covered seat, height 84 cm, seat height 44 cm.

Provenance: The Stockholm Exhibition 1930, villa 46 by architect Kurt von Schmalensee. Part of the interior of the living room. Accordning to previous owner this was acquired by their grandparents directly from the exhibition in 1930.

Literature: tockholmsutställningen 1930 av konstindustri, konsthantverk och hemslöjd: specialkatalog över bostadsavdelningen, 2. tr., Utställningsförlaget, Stockholm, 1930, p. 170.

Rabén, Hans (ed.), Det moderna hemmet: inredningskonst i Sverige och andra länder, Natur och kultur, Stockholm, 1937, p. 204.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

245. A copper casserole, Stockholm Exhibition, 1930. Round, thirty-liter capacity, brass handles, marked with the Lewerentzknife ( the symbol designed by Sigurd Lewrentz to signify the 1930 Stockholm Exhibition) H 30L. Diameter 50 cm, height 15.5 cm, length including handles 80 cm.

Estimate: SEK 2 000 – 3 000 / EUR 180 – 260

246. Bo Wretling (Sweden, 1908–1986) a Swedish Modern armchair, Firma Otto Wretling, Umeå, 1930s.

Fully upholstered, wool fabric in grey and red, on wheels, seat height 35 cm, height 75 cm.

Literature: Dan Gordan, “Svenska stolar och deras formgivare”, Norstedts 2019, p. 112.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

247. Axel Einar Hjorth (Sweden, 1888–1959) an “Utö” stained pine table, Nordiska Kompaniet 1930s.

Length 170 cm, width 55 cm, height 74 cm.

Estimate: SEK 150 000 – 200 000 / EUR 12 900 – 17 200

248. Axel Einar Hjorth (Sweden, 1888–1959) a pair of “Sandhamn” pine chairs, Nordiska Kompaniet, 1929. Lacquered, maker’s metal label C33845–23 4 29. Height 86,5 cm, seat height 46 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

249. Axel Einar Hjorth (Sweden, 1888–1959) a rare “Madame” armchair, Nordiska Kompaniet ca. 1930. Upholstered in pink velvet, legs in stained birch. Height 76 cm, seat height 42 cm.

Exhibitions: The model was displayed at the Stockholm Exhibition 1930 in a bedroom interior designed by Hjorth, located in villa 42 designed by architect Carl Bergsten.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

250. Axel Larsson (Sweden, 1898–1975) likely, a pair of armchairs, Svenska Möbelfabrikerna, Bodafors ca. 1930. Base in stained birch, adjustable back with crossbar in nickelplated steel, loose seat and back cushion upholstered in dark green velvet. Seat height 43 cm, height 88 cm.

Literature: Gustaf Munthe, “Moderna möbler”, Natur och kultur 1931, pl. 78.Swedish Society of Crafts and Design archive as well as an ad in “Stockholmsutställningen 1930 av konstindustri, konsthantverk och hemslöjd: specialkatalog över bostadsavdelningen”, 2. tr., Utställningsförlaget, Stockholm, 1930.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

251. Gemla (Sweden) a table on castors model “No 121”, Diö 1930s.

Stained birch, height 57 cm, diameter 60 cm.

Literature: Depicted in an advertisement from contemporary literature, 1930s.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

253. Carl Malmsten (Sweden, 1888–1972) a rare pair of “Studiosus” armchairs, Sweden 1936.

Frame in pine, armrests, seat and back upholstered in leather. Height 78 cm, seat height 41 cm.

Provenance: Judge of Appeal Harald Almqvist (1896–1953), together with his wife Harriet, had a summer home built in 1936 on a lakeside plot along the northern shore of Baggensfjärden in Saltsjö-Boo outside Stockholm. The present armchairs were purchased for the main cabin in the same year. Thence by descent to the current owner.

Literature: Carl Malmsten, “Schwedische Möbel”, Wepf & Co. 1954, model illustrated p. 19.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

252. Carl Malmsten (Sweden, 1888–1972) a richly inlayed table, executed by master cabinet maker Albin Johansson, Stockholm 1938.

Palisander, mahogany, and other woods in rich intarsia, decorated with leaves and flowers, signed on the top with CM38 and stamped ALBIN JOHANSSON STOCKHOLM. Length 138.5 cm, width 64.5 cm, height 68.2 cm.

Literature: The model is depicted in the Stockholm City Craft Association’s archive dated 1935.

Estimate: SEK 100 000 – 125 000 / EUR 8 600 – 10 750

254. Carl Malmsten (Sweden, 1888–1972) a “Svensk Björk” (Swedish Birch) table, Swedish Grace, 1930s.

Stained birch, baluster-shaped legs, maker’s mark CM, height 76 cm, length 180 cm, width 80 cm.

Literature: Depicted in the Carl Malmsten Foundation archives. The model was designed in 1932.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

255. Carl Malmsten (Sweden, 1888–1972) a “Redet” armchair, Sweden mid-20th century.

Beech feet, upholstered in sheepskin, loose seat cushion. Height 83 cm.

Literature: Paul Artaria, “Carl Malmsten, “Carl Malmsten - Schwedische Möbel”, Wepf & Co Verlag 1954, the model depicted on p. 68.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

256. Carl Malmsten (Sweden, 1888–1972) a “Skissbordet” table, 1930s.

Pine with one drawer, maker’s mark CM. Height 76 cm, width 74 cm, length 140 cm.

Literature: Depicted in the Carl Malmsten Archive with drawing number 3184 B. The model designed in 1932.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

257. A Swedish Modern ceiling lamp, Sweden 1940s.

Two fabric-covered globes, brass suspension. Height of the globes ca. 45–55 cm. Total height is adjustable.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

258. Nordiska Kompaniet (Sweden) an easy chair model “5000”, Sweden 1930s–40s.

Base in rattan and stained pine, magazine compartment in the armrests, seat height ca. 40 cm, height 72 cm.

Literature: Depicted in the Nordiska Kompaniet archives, 1930s-1940s.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

259. Nordiska Kompaniet (Sweden) a specially commissioned cabinet, variant of model “Caesar”, 1943.

Veneered with walnut, edge banded doors with burl veneer, on decorated legs ending in paw feet on a plinth. Shelving interior. Marked on the back with model number 45030 and metal label inside NK A·B· NORDISKA KOMPANIET STOCKHOLM. Length 101 cm, depth 48 cm, height 180 cm.

Provenance: Plåtmanufaktur AB, Stockholm. Possibly commissioned by the company’s CEO Knut Laurin (1909–1970), who took up his position in 1943, and was also a regular customer at Nordiska Kompaniet.

Literature: Catalogue, “Möbler från A/B Nordiska Kompaniet”, 1936, compare with the cabinet model “Caesar” drawing number 38905.

Estimate: SEK 75 000 – 150 000 / EUR 6 450 – 12 900

261. Nordiska Kompaniet (Sweden) a pair of armchairs, 1943.

Veneered with walnut, back panel in burl veneer with decorative element at the top, seats upholstered in green plush, marked with metal tag NK R 45043 - C 4430. Height 93 cm, seat height ca. 45 cm.

Estimate: SEK 20 000 – 40 000 / EUR 1 720 – 3 440

260. Nordiska Kompaniet (Sweden) a walnut desk, specially commissioned variant of model “Caesar”, 1943.

Veneered with walnut, on decorated legs ending in paw feet. Two drawers. Marked with metal label NK R 45034 - C 9830 and inside a drawer marked with metal label NK A·B· NORDISKA KOMPANIET STOCKHOLM. Length 100 cm, depth 60 cm, height 75 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

262. Axel Einar Hjorth (Sweden, 1888–1959) a “Typenko” bookcase, Nordiska Kompaniet 1930s.

Black-stained birch, marked with metal tag NK R 36109 C 19962. Length 110 cm, width 35 cm, height 65 cm.

Literature: Otto Schulz (ed.), “Boet: Månadsskrift för Hemkultur, Hantverk och Konstindustri”, 1932, compare p. 193.

Estimate: SEK 100 000 – 150 000 / EUR 8 600 – 12 900

263. Axel Einar Hjorth (Sweden, 1888–1959) a large “Marlene” mirror, Nordiska Kompaniet, 1930s.

Sapele mahogany, mirror glass, fittings in nickel-plated metal, maker’s mark NK R 41372 - C 4 2 39, 130 x 60 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

263A. Axel Einar Hjorth (Sweden, 1888–1959) an “Utö” stained pine table, Nordiska Kompaniet, Sweden 1930s. Length 170 cm, width 54.5 cm, height 74.5 cm.

Estimate: SEK 200 000 – 300 000 / EUR 17 500 – 26 300

264. Axel Einar Hjorth (Sweden, 1888–1959) a set of four “Lovö” stained pine chairs, Nordiska Kompaniet 1930s. Wrought iron fittings. Height 95.5 cm, seat height 40.5 cm.

Estimate: SEK 80 000 – 100 000 / EUR 6 880 – 8 600

265. Axel Einar Hjorth (Sweden, 1888–1959) a “Skoga” stained pine stool, Nordiska Kompaniet 1930s.

Length 48 cm, width 39 cm, height 44 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

267. Axel Einar Hjorth (Sweden, 1888–1959) a “Lovö” stained pine table, Nordiska Kompaniet 1930s.

266. Axel Einar Hjorth (Sweden, 1888–1959) an “Utö” stained pine sofa, Nordiska Kompaniet 1930s.

Original cushion, underneath marked with pencil: “10120 Underlim 120 x 39, Soffbänk 36268”. Length 132 cm (138 cm including backrest), depth 43 cm, height 79 cm, seat height 38 cm.

Provenance: According to information, originally commissioned along with other pine furniture from Nordiska Kompaniet for a summer house in Åkersberga, a few years later, around 1938–39, given as a gift to a childhood friend, thence by descent within the family.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

Length 180 cm, width 80 cm, height 73 cm. Two extension leaves of 49 cm each are included (Total length 278 cm).

Provenance: Shipowner Jarl Malmros (1897–1969), Askenäs manor, Älmhult municipality, Småland. Thence by descent to the current owner.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

268. Axel Einar Hjorth (Sweden, 1888–1959) a set of four “Utö” stained pine chairs, Nordiska Kompaniet 1930s. Seat height 44 cm.

Provenance: Former CEO of Axel Christiernsson, director Anders Nanne, ordered the chairs at NK in 1941 for his summer cottage in Halland, Kvibille, Torpet Bokedal. Thence by descent.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

269. Nordiska Kompaniet (Sweden) a Swedish Modern “Lovö” pine table, 1940s.

Circular top, contoured leg. Height 62 cm, diameter 80 cm.

Provenance: Included in the purchase of a house in Västergötland in 1956.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

270. Nordiska Kompaniet (Sweden) a Swedish Modern “Lovö” pine table, 1940s.

Circular top, contoured leg. Diameter 80 cm, height 63 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

271. Bruno Mathsson (Sweden, 1907–1988) a rare and early table, Firma Karl Mathsson, Värnamo 1933.

Top and legs in oak, frame in rosewood, labelled Komp. BM 33 BRUNO MATTSSON Tillv. KM 33 KARL MATTSSON VÄRNAMO. Length 100.5 cm, width 61 cm, height 60 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

272. Bruno Mathsson (Sweden, 1907–1988) an early “Vilstol mod. 36” easy chair, Firma Karl Mathsson, Värnamo 1937.

Frame in laminated birch, woven webbing upholstery.

Labelled “Komp. 1937 Bruno Mathsson Tillv. 37 Karl Mathsson Värnamo”. Height 76.5 cm.

Literature: Dag Widman, Karin Winter & Nina Stritzler-Levine, “Bruno Mathsson”, Arena 2006, compare p. 46.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

273. Erik Chambert (Sweden, 1902–1988) a pair of Swedish Modern chairs, “Paris 1937”, Chamberts Möbelfabrik, Norrköping 1930s.

Elm, seat in rattan, height 80 cm, seat height 42 cm.

Literature: Universal Exposition Sweden, Sweden: Illustrated Official Guide: Paris International Exhibition 1937: Arts and Crafts in Modern Life, Stockholm, 1937.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

274. Carl-Axel Acking, a floor lamp, designed for the Stockholm Association of Crafts in 1939.

Carl-Axel Acking & Bröderna Malmströms Metallvarufabrik

Bröderna Malmströms Metallvarufabrik was founded in Malmö in 1904. When the company received the prestigious commission to manufacture and supply all the lighting for the Swedish pavilion at the World Exhibition in New York in 1939, a design collaboration was initiated with the architect Carl-Axel Acking. A collaboration that would develop over the years as well as contribute to the style ideal commonly known as Swedish Modern. During the 1940s, the company had its heyday and published its most extensive catalogues of modern lighting fixtures.

274. Carl-Axel Acking (Sweden, 1910–2001) a floor lamp, designed for the Stockholm Association of Crafts in 1939. Brass, perforated shade, internally white lacquered, legs with woven natural brown leather, round base with switch. Height 170,5 cm, shade diameter 30 cm.

Literature: The drawing for the model is found in Carl-Axel Acking’s archive and is dated 1939. Also depicted in the Stockholm Craft Association’s archive.

Estimate: SEK 200 000 – 225 000 / EUR 17 200 – 19 350

275. Carl-Axel Acking (Sweden, 1910–2001) a pair of brass wall lamps, model “5019”, Bröderna Malmströms metallvarufabrik, Malmö 1940s–50s.

Shades in perforated brass, the inside painted white, brass wall bracket. Length from wall ca. 43 cm, height of the shade ca. 15 cm.

Provenance: A school in Letsbo, Hälsingland, built in the early 1950s.

Literature: Images from Carl Axel Acking’s archive at ArkDes. Also depicted in Bröderna Malmströms metallvarufabrik product catalog no. 18, 1940, p. 70.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

276. Carl-Axel Acking (Sweden, 1910–2001) a floor lamp model “2646”, Bröderna Malmströms Metallvarufabrik, Malmö 1940s–50s.

Base and stem in lacquered metal, shade in perforated brass. Height ca. 173 cm.

Literature: See the model depicted in the product catalogue no. 18, 1940, p.52, of Bröderna Malmströms metallvarufabrik.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

277. Carl-Axel Acking (Sweden, 1910–2001) a pair of brass wall lamps, model “5019”, Bröderna Malmströms metallvarufabrik, Malmö 1940s–50s. Shades in perforated brass, the inside painted white, brass wall bracket. Length from wall ca. 43 cm, height of the shade ca. 15 cm.

Provenance: A school in Letsbo, Hälsingland, built in the early 1950s.

Literature: Images from Carl Axel Acking’s archive at ArkDes. Also depicted in Bröderna Malmströms metallvarufabrik product catalog no. 18, 1940, p. 70.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

278. Carl-Axel Acking (Sweden, 1910–2001) a floor lamp model “2645”, Bröderna Malmströms metallvarufabrik, Malmö 1940s–50s.

Base with brass, stem with leather, three perforated brass shades. Height ca. 170.5 cm, diameter ca. 64 cm.

Provenance: Reportedly from the conference room at Älvsjö Gård, Stockholm, bought at Stockholmsmässan, ca 2010.

Literature: The model depicted from Carl Axel Acking’s archive at ArkDes. Also depicted in Bröderna Malmströms metallvarufabrik product catalogue no. 18, 1940, p. 53.

Estimate: SEK 200 000 – 300 000 / EUR 17 200 – 25 800

279. Carl-Axel Acking (Sweden, 1910–2001) a pair of floor lamps model “2646”, Bröderna Malmströms Metallvarufabrik, Malmö 1940s–50s.

Stem in brass, base and stem covered in leather, shade in perforated brass, height ca. 170 cm.

Literature: See the model depicted in the product catalog no. 18, 1940, p. 52, of Bröderna Malmströms metallvarufabrik.

Estimate: SEK 125 000 – 150 000 / EUR 10 750 – 12 900

280. Bröderna Malmströms Metallvarufabrik (Sweden) a ceiling lamp model “1576”, Malmö 1950s.

Perforated shade of brass, adjustable height. Diameter 45.5 cm.

Literature: Catalogue, “Bröderna Malmströms Metallvarufabrik”, 1951, model illustrated on p. 21. Marianne Aav & Eeva Viljanen, “Paavo Tynell and Taito Oy”, 2005, compare p. 107.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

278. Carl-Axel Acking, a floor lamp model “2645”, Bröderna Malmströms metallvarufabrik, Malmö 1940s–50s.

284. Oscar Nilsson, attributed to, detail from a corner cabinet, likely executed at Isidor Hörlin AB, Stockholm in the 1930s–1940s.

281. Oscar Nilsson (Sweden, 1895–1975) attributed to, a Swedish Modern oak cabinet, likely executed by Åfors Möbelfabrik, 1940s.

Dark stained in parts, the front with geometric relief decoration, interior with shelves and at the top three smaller drawers with white bakelite knobs, the back with a label from Gärsnäs (likely a retailer). Length 83 cm, depth 42 cm, height 134 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 010 – 3 440

283. Oscar Nilsson (Sweden, 1895–1975) attributed to, a set of eight chairs (6+2), likely executed at Isidor Hörlin AB, Stockholm in the 1930s–40s.

Frame in stained oak, seats in brown leather, seat height 42 cm, height 82 cm.

Provenance: Reporteldy, purchased at Tengvalls Möbler in Ängelholm in connection with a marriage, 1936.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

282. Oscar Nilsson (Sweden, 1895–1975) attributed to, table, likely executed at Isidor Hörlin AB, Stockholm in the 1930s–40s.

Stained oak, the base with geometric relief decoration, two extension leaves of 20 cm each. Length 140–180 cm, width 78 cm, height 75 cm.

Provenance: Reportedly, purchased at Tengvalls Möbler in Ängelholm in connection with marriage, 1936.

Literature: Hans Rabén, “Det Moderna Hemmet - inredningskonst i Sverige och andra länder”, Natur och Kultur, Stockholm, 1937, p. 173.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

284. Oscar Nilsson (Sweden, 1895–1975) attributed to, a corner cabinet, likely executed at Isidor Hörlin AB, Stockholm in the 1930s–1940s.

Two parts, stained oak, two doors with geometric relief decoration, height 180 cm, width 104 cm, depth 72 cm.

Provenance: Reporteldy, purchased at Tengvalls Möbler in Ängelholm in connection with a marriage, 1936.

Literature: Hans Rabén, “Det Moderna Hemmet - inredningskonst i Sverige och andra länder”, Natur och Kultur, Stockholm, 1937, compare p. 173.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

285. Bertil Brisborg (Sweden, 1910–1993) a floor lamp model “31644”, Nordiska Kompaniet, 1940s.

Foot in brass, stem covered in leather, arm in brass, uplight shade in textile, makers mark NK 31644, height 154 cm.

Literature: Depicted in the Nordiska Kompaniet archive from 1947. The model was created in 1947 and part of the “NK-Hantverk” collection. It was also shown with the “Futura” series by architect David Rosén in 1949.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

286. Bertil Brisborg (Sweden, 1910–1993) a pair of table lamps model “32027”, Nordiska Kompaniet, Sweden 1940s–50s.

Brass, elm pillars, marked NK 32027, height approx. 40 cm, shade diameter approx. 31 cm.

Literature: Depicted in the Nordiska Kompaniet catalog of 1948.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

287. Bertil Brisborg (Sweden, 1910–1993) a floor lamp model “31644”, Nordiska Kompaniet 1940s.

Frame in nickel-plated metal, stem covered in black leather, shade in green pleated textile, maker’s mark NK 31644, height ca. 158 cm.

Literature: Depicted in the Nordiska Kompaniet archives from 1947.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

288. Bertil Brisborg (Sweden, 1910–1993) a ceiling lamp model “33149”, Nordiska Kompaniet, 1950s. White lacquered metal, uplight and downlight, height ca. 44 cm, diameter ca. 33 cm.

Provenance: Bertil Brisborg (Sweden, 1910–1993). Thence by descent.

Literature: Depicted in the 1954 catalogue.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

289. Bertil Brisborg (Sweden, 1910–1993) a floor lamp model “30620”, Nordiska Kompaniet 1940s.

Base in brass, curved arm, two shades in pleated textile, height adjustable, maker’s mark, height ca. 140–170 cm.

Literature: Depicted in the 1943 catalogue. Also in the archives of Nordiska Kompaniet from 1948.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

290. Einar Dahl (Sweden, 1900–1985) a vanity table with mirror, cabinet maker Hjalmar Wikström, for the Stockholm Craft Association ca. 1939.

Pear wood, fluted frame with three drawers, brass mirror with floral decoration. Length 112 cm, depth 50 cm, height 74.5 cm, total height with mirror 134 cm.

Literature: Åke Stavenow (ed.), “Form - Svenska Slöjdföreningens Tidskrift”, Self-published 1939, model illustrated with a different crown on the mirror p. 109. Drawings and photographs from the Stockholm Craft Association’s archive.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

291. Axel Einar Hjorth (Sweden, 1888–1959) a set of six “Utö” stained pine chairs, Nordiska Kompaniet 1930s.

Seat height 44 cm.

Provenance: Shipowner Oscar Mauritz Thore (1899 -1971), purchased for a sports cabin on the Kulla Peninsula, Skåne in about 1942.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

292. Axel Einar Hjorth (Sweden, 1888–1959) a pair of “Lovö” stained pine chairs, Nordiska Kompaniet, 1930s.

Iron fittings, low model. Height 80 cm, seat height 42 cm. Later seat cushions included.

Provenance: Included in the purchase of a house in Västergötland in 1956.

Estimate: SEK 100 000 – 150 000 / EUR 8 600 – 12 900

293. Axel Einar Hjorth (Sweden, 1888–1959) an “Utö” stained pine corner cabinet, Nordiska Kompaniet 1930s.

With fixed shelves on top and profile-cut sides with a wave pattern, lower part with a cabinet with adjustable shelving. Length 90 cm, depth 50 cm, height 190 cm.

Provenance: Shipowner Jarl Malmros (1897–1969), Askenäs manor, Älmhult municipality, Småland. Thence by descent to the current owner.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

294. Axel Einar Hjorth (Sweden, 1888–1959) a “Skoga” stained pine stool, Nordiska Kompaniet 1930s.

Height 45 cm, diameter 40 cm.

Provenance: Included in the purchase of a house. Part of the original interior of a log cabin in Sälen, built in 1939.

Literature: Catalog, “NK:s Sommarkatalog 1934 över Trädgårdsmöbler”, 1934, model illustrated (n.p.).

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

295. Axel Einar Hjorth (Sweden, 1888–1959) a “Skoga” stained pine stool, Nordiska Kompaniet 1930s.

Height 45 cm, diameter 40 cm.

Provenance: Included in the purchase of a house. Part of the original interior of a log cabin in Sälen, built in 1939.

Literature: Catalog, “NK:s Sommarkatalog 1934 över Trädgårdsmöbler”, 1934, model depicted (n.p.).

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

296. David Rosén (Sweden) a Swedish Modern “Berga” pine stool, Nordiska Kompaniet, 1940s. Oval shape. 39.8 x 35.7 cm, height 40.5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

384. Otto Schulz, Knut-Bo matta “flossa”, c 500 x 301 cm, Bo-textiles, Boet, Gothenburg. 298. Otto Schulz, a pair of stools, Boet, Gothenburg 1930s. 297. Otto Schulz, a bar cabinet, Boet, Gothenburg 1930s. 805. Asger Jorn, “Myg”. 301. Otto Schulz, a pair of armchairs, Boet, Gothenburg 1930s–1940s. 302. Otto Schulz, a Swedish Modern coffee table, Boet, Gothenburg 1940s.

Otto Schulz & Boet

Otto Schulz was a German-born designer and architect who worked most of his life in Gothenburg on the west coast of Sweden. In 1920, Schulz founded the firm Boet together with Adolf Nordenberg, which became very influential in the fields of interior and furniture design. Schulz’ daring aesthetic has a multifaceted character that has contributed to important elements in the concepts of Swedish Grace and Swedish Modern. Schulz also published the magazine “Boet”, a monthly magazine for culture and the applied arts which, together with the firm and its shop in central Gothenburg, was able to consolidate his role as central in the interior design context. Schulz was an innovative

designer, and developed several techniques that he also patented, such as Bopoint, Bosaik, and Botarsia, all of which contributed to his furniture’s distinctive aesthetic and quality. For this spring’s live auction Modern Art & Design, Bukowskis is pleased to present several interesting design objects from Boet and Otto Schulz spanning through the 1930s and 40s - including two magnificent bar cabinets and a chest covered in patinated faux leather with nailing décor - so-called Bopoint, as well as striking armchairs and finally a large and rare “Knut-Bo” rug.

297. Otto Schulz (Germany, 1882–1970) a bar cabinet, Boet, Gothenburg 1930s.

Base veneered with oak, cabinet covered with antique patinated faux leather, geometric decoration with brass nails, so called “Bo-point”, fold-down flap, interior lacquered in grey, maker’s metal label. Length 125 cm, depth 41.5 cm, height 120.5 cm.

Provenance: Director Gunnar Dahlstrand (1897–1955) and Lalla Dahlstrand (1903–1981), Bromma.

Exhibitions: The model was displayed at the collective exhibition “Boet 1935–36” in Gothenburg during the autumn/winter of 1935–36.

Literature: Otto Schulz (ed.), “Boet: Månadsskrift för Hemkultur, Hantverk och Konstindustri”, 1935, model illustrated on p. 202.

Estimate: SEK 150 000 – 200 000 / EUR 12 900 – 17 200

298. Otto Schulz (Germany, 1882–1970) a pair of stools, Boet, Gothenburg 1930s.

Leg frame in oak, seats upholstered in antique patinated faux leather with decorative pearl nailing, known as “Bopoint”, marked with metal tags. Length 37 cm, width 37 cm, height 56 cm.

Provenance: Director Gunnar Dahlstrand (1897–1955) and Lalla Dahlstrand (1903–1981), Bromma.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

303. Otto Schulz, a Swedish Modern oak and faux leather bar cabinet, Boet, Gothenburg 1948.

299. Otto Schulz (Germany, 1882–1970) a pair of armchairs, Boet, Gothenburg 1930s–40s.

Black lacquered frame, loose padded seat and back cushion. Height 77 cm.

Literature: The model is illustrated in a watercolor titled “Veranda-Kafé komp. för Göteborgs Kungliga Segelsällskap” as well as in a drawing in the Otto Schulz collection preserved at the Röhsska Museum in Gothenburg, inventory numbers RKM 37:1594-1970 and RKM 37:1254-1970, respectively.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

300. Otto Schulz (Germany, 1882–1970) a rare chair, Boet, Gothenburg 1930s.

Black stained beech, seat upholstered in braided leather. Height 71 cm, seat height 42 cm.

Literature: Otto Schulz (ed.), “Boet: Månadsskrift för Hemkultur, Hantverk och Konstindustri”, 1934-35, the model illustrated on p. 209. The model is also illustrated in a watercolor titled “Utställning BOET 1935-36” in the Otto Schulz collection preserved at the Röhsska Museum in Gothenburg, inventory number RKM 37:1477-1970.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

301. Otto Schulz (Germany, 1882–1970) a pair of armchairs, Boet, Gothenburg 1930s–1940s.

Legs in black lacquered wood, upholstered in light bouclé. Length 83 cm, depth 80 cm, height 68 cm, seat height 36 cm.

Literature: Otto Schulz (ed.), “Boet: Månadsskrift för Hemkultur, Hantverk och Konstindustri”, 1934-35, model illustrated p. 203.The model is also illustrated in a watercolour titled “Sängkammare för Kontorschef Kärrkvist” (Bedroom for Office Manager Kärrkvist) in the Otto Schulz collection preserved at the Röhsska Museum in Gothenburg, inventory number RKM 37:250-1970.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

302. Otto Schulz (Germany, 1882–1970) a Swedish Modern coffee table, Boet, Gothenburg 1940s.

Triangular table in elm with a raw glass top, numbered 233 2929. 72 x 70, height 60 cm.

Literature: Arvid Berghman (ed.), “Boet: 1945”, Gothenburg 1945, model illustrated p. 47.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

303. Otto Schulz (Germany, 1882–1970) a Swedish Modern oak and faux leather bar cabinet, Boet, Gothenburg 1948.

Beige artificial leather, geometric decoration with brass nails in “Bopoint” technique, front with initials JL 1948, a pair of doors above pull-out shelves and two drawers, interior with shelving and glass top, profiled moldings, lion paw feet, maker’s metal label to the back.

Length 85 cm, depth 37 cm, height 140 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

304. Otto Schulz (Germany, 1882–1970) a chest/bench, Boet, Gothenburg 1944.

Covered with antique patinated faux leather with decorative pearl nailing, known as “Bopoint,” in a geometric composition with monograms for RER and RAR as well as dated 1944, the interior in birch with a sliding drawer, birch legs, stamped underneath BOET. Length 170 cm, depth 40 cm, height 45 cm.

Provenance: Commissioned in 1944 and was part of a larger suite of furniture ordered from Boet for the original owner’s family home in Lysekil during the 1940s.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

Harald Notini & Arvid Böhlmarks Lampfabrik

Arvid Böhlmarks Lampfabrik was founded in Stockholm in 1872. Under the artistic direction of the interior architect and designer Harald Notini over the course of almost 40 years, the company became one of the leading lighting manufacturers in the country. Notini led the factory into a modern, innovative direction that was characterized by the company’s range of new, up-to-date fixtures as well as modern glassware. His personal expression ranges from the most ornate Swedish Grace during the 1920s, through strictly functionalist luminaires that were presented at the Stockholm exhibition in 1930, to the Swedish Modern aesthetic, which is highly appreciated today with luminaires from the 1940s and 50s.

305. Harald Notini (Sweden, 1879–1959) a table lamp model “15238”, Arvid Böhlmarks Lampfabrik, Stockholm 1930s–40s.

Nickel-plated brass, red lacquered shade and column, adjustable shade. Height 22.5 cm.

Literature: Catalogue, “Böhlmarks Elektrisk Belysningsarmatur”, 1939, model illustrated.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

306. Harald Notini (Sweden, 1879–1959) a pair of wall lamps model “8294 A”, Arvid Böhlmarks Lampfabrik, Stockholm 1930s.

Nickel-plated brass, shell-shaped shades in matte Havana glass. Height 28 cm.

Literature: Catalogue, “Böhlmarks Belysningsarmatur Nyheter 1934”, model illustrated.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

307. Harald Notini (Sweden, 1879–1959) a pair of chandeliers model “10027”, Arvid Böhlmarks Lampfabrik, Stockholm 1930s. Stem in patinated brass, decorative elements in the form of leaves, each fixture with 6 cylindrical engraved shades, disc and globe in Havana glass, decorated with prisms, height 110 cm, diameter ca. 45 cm.

Literature: Depicted in the 1931 catalog of Arvid Böhlmarks Lampfabrik.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

308. Harald Notini (Sweden, 1879–1959) a table lamp model “15543”, Arvid Böhlmarks Lampfabrik, Stockholm.

Brass, curved arms with profiled sockets, pink silk shades, manufacturer’s monogram and 15543. Height 28 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

309. Harald Notini (Sweden, 1879–1959) a pair of table lamps

model “6942”, Arvid Böhlmarks Lampfabrik, Stockholm 1930s.

Foot in brass on four feet, turned brass pillar and blackened wood, green-lacquered brass shade, crown and details in brass, marked with the manufacturer’s monogram and 6942, height 57 cm.

Literature: The model depicted in the 1936 catalogue.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

310. Harald Notini (Sweden, 1879–1959) a floor lamp model “15250”, Arvid Böhlmarks Lampfabrik, Stockholm 1940s.

Polished brass, etched ‘veluria’ glass shade, maker’s mark, height 174 cm, shade’s diameter 50 cm.

Literature: Arvid Böhlmarks Lampfabrik, catalogue 1943.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

311. Harald Notini (Sweden, 1879–1959) a ceiling lamp model “6664”, Arvid Böhlmarks Lampfabrik, Stockholm 1940s.

Pendant and wires of nickel-plated metal, shade of Veluria glass, underlying shade in etched glass, diameter ca. 50 cm, height ca. 120 cm.

Literature: Depicted in the 1946 catalogue.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

312. Harald Notini (Sweden, 1879–1959) a table lamp model “15487 A”, Arvid Böhlmarks Lampfabrik, Stockholm 1940s. Brass and polished elm, adjustable cream lacquered perforated shade, underside with firm’s stamp. Height 28 cm.

Literature: Catalogue, “Böhlmarks Elektrisk Belysningsarmatur”, 1948, model illustrated.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

313. Harald Notini (Sweden, 1879–1959) a ceiling lamp model “11555”, Arvid Böhlmarks Lampfabrik, Stockholm 1940s. Shade in white “Veluria” glass with braided rattan, nickel plated ceiling mount, height of the actual lamp shade ca. 55 cm, including ceiling mount ca. 115 cm.

Literature: Arvid Böhlmarks Lampfabrik, catalog 1946.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

314. Harald Notini (Sweden, 1879–1959) a table lamp model “15480”, Arvid Böhlmarks Lampfabrik, Stockholm 1940s. Brass, adjustable cream lacquered shade, underside with firm’s stamp and model number 15480. Height 30 cm.

Literature: Catalogue, “Böhlmarks Elektrisk Belysningsarmatur”, 1948, model illustrated.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

315. Harald Notini (Sweden, 1879–1959) a pair of ceiling lamps model “11475”, Arvid Böhlmarks Lampfabrik, Stockholm 1940s.

Shades in “ivory glass”, brass pendant. Height of lamp ca. 55 cm, including pendant ca. 155 cm.

Literature: Illustrated in the 1946 catalogue.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

316. Harald Notini (Sweden, 1879–1959) a pair of ceiling lamps model “11326”, Arvid Böhlmarks Lampfabrik, Stockholm 1940s.

Shade in perforated brass, underlying shade in etched glass, brass pendant, direct and indirect light, diameter 60 cm, height 50 cm.

Literature: Depicted in the 1943 catalog.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

317. Harald Notini (Sweden, 1879–1959) a ceiling lamp model “11895”, Arvid Böhlmarks Lampfabrik, Stockholm 1950s. Brass, three light points beneath partially perforated and serrated shades, marked with Böhlmarks maker’s mark and model number 11895–3 x 25W. Adjustable height approximately 120–205 cm.

Literature: Catalogue, Arvid Böhlmarks Lampfabrik, 1950, model depicted.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

318. Harald Notini (Sweden, 1879–1959) a table lamp model “15525”, Arvid Böhlmarks Lampfabrik, Stockholm 1950s. Base and shade in patinated brass, the leg in elm with wrapped leather handle, four brass feet, marked 15525 and with Böhlmarks’ signature, height 46 cm.

Literature: Depicted in catalog 1951.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

319. Harald Notini (Sweden, 1879–1959) a pair of ceiling lamps model “11773”, Arvid Böhlmarks Lampfabrik, Stockholm 1940–50s.

Shade in partially perforated brass, interior white lacquered, height 84 cm, shade diameter 25 cm.

Provenance: A school in Letsbo, Hälsingland, constructed in the early 1950s.

Literature: Illustrated in the 1948 catalogue.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

320. Harald Notini (Sweden, 1879–1959) a pair of ceiling lamps model “11773”, Arvid Böhlmarks Lampfabrik, Stockholm 1940–50s.

Shade in partially perforated brass, interior white lacquered, height 84 cm, shade diameter 25 cm.

Provenance: A school in Letsbo, Hälsingland, built in the early 1950s.

Literature: Illustrated in the 1948 catalogue.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

321. Harald Notini (Sweden, 1879–1959) or Uno Westerberg, a pair of ceiling lamps model “12105”, Arvid Böhlmarks Lampfabrik, Stockholm 1950s.

Brass, 16 light points each. Diameter 75 cm, height 90 cm.

Literature: Depicted in the 1953 catalogue.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

322. Harald Notini (Sweden, 1879–1959) possibly, a pair of floor lamps model “15750”, Arvid Böhlmarks Lampfabrik, Stockholm 1950s–60s.

Brass, the leg wrapped with leather, silk shade, maker’s mark and model number 15750, height ca. 155 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

323. James Krenov (USA, 1920–2009) cabinet on stand, Sweden, second half of the 20th century.

Leafwood, the upper part with three drawers, on tall, slightly conical legs, the back signed JK. Length 47.5 cm, depth 37.5 cm, height 81.4 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

324. Asea (Sweden) a Swedish Modern floor lamp model “A5000”, 1940s.

Base in brass, curved arm partially covered in braided leather, rofiled fitting, brass shade with serrated edge, height 142 cm.

Literature: Depicted in the magazine Ljuskultur 1945. Also in the Ljuskultur archives, Nordic Museum.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

325. Swedish Modern, a pair of wall lamps, 1940s–50s.

Frame in brass, decoration of brass leaves, five shades each in yellowtoned cased glass, height approximately 80 cm each.

Similar to models by Edvard Hagman AB.

Literature: The model depicted in; Tidskrift för ljuskultur. (1951).

Stockholm: Svenska föreningen för ljuskultur.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

327. Hans Bergström, a rare ceiling lamp model “5A”, ateljé Lyktan, Åhus 1940s.

Hans Bergström & ateljé Lyktan

Architect and designer Hans Bergström started the workshop ateljé Lyktan with his wife Verna in Helsingborg in 1934. Two years later, in 1936, the company moved to Åhus. Hans Bergström’s contribution to Swedish design history stretches from the functionalistic ideals of the 1930s to the Swedish Modern movement of the 1940s and 50s. When plastic becomes popular in the 1950s, he is one of the first to implement the new material in modern lighting. Ateljé Lyktan is still active to this day and the head office can still be found in Åhus in the south of Sweden.

326. Hans Bergström (Sweden, 1910–1996) a floor lamp model “505”, ateljé Lyktan, Åhus 1930s–40s.

Foot in brass, base covered in red faux leather, ornamentation in the form of brass leaves, two arms with white textile shades, marked with model number 505,.

Literature: Johan Jansson, Ljuset ska vara vitt och lysa fritt - historien om ateljé Lyktan, Arvinius 2009, compare p. 41, as well as p. 232 Image from the ateljé Lyktan archives.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

327. Hans Bergström (Sweden, 1910–1996) a rare ceiling lamp model “5A”, ateljé Lyktan, Åhus 1940s.

Cage made of beige lacquered metal wires, plant ornaments in brass wire on slightly yellow so-called “Cellon discs”, internal globe in green-tinted/white glass (height ca. 29 cm), suspension in elm, height ca. 73 cm, diameter ca. 42 cm.

Literature: Model illustrated in the ateljé Lyktan archives.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

328. Hans Bergström (Sweden, 1910–1996) a rare chandelier, ateljé Lyktan, Åhus 1930s-40s.

Circular frame in lacquered metal, 6 shades in white cased glass with etched dot decoration, diameter ca. 140 cm, height ca. 60 cm.

Provenance: The chandelier was acquired for Villa Daisy in Malmö, where it hung until the end of the 1950s. Thereafter, thence by decent.

Literature: A larger version of the model is illustrated in a contemporaneous advertisement. Compare fixture with the same model lampshades, model “11B”, from the ateljé Lyktan archives.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

329. Hans Bergström (Sweden, 1910–1996) a ceiling lamp model “3”, ateljé Lyktan, Åhus 1940s–50s.

The cage-shaped frame in lacquered metal, decorated with brass birds, inner shade with a pleated beige fabric, height of the cage 40 cm.

Literature: Johan Jansson, Ljuset ska vara vitt och lysa fritt - historien om ateljé Lyktan, Arvinius 2009, model illustrated p. 232.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

330. Hans Bergström (Sweden, 1910–1996) a table lamp model “736”, Ateljé Lyktan, Åhus 1940s–50s.

Foot in blue lacquered metal, shade in moulded plastic, height 37 cm.

Literature: Johan Jansson, Ljuset ska vara vitt och lysa fritt - historien om ateljé Lyktan, Arvinius 2009, model illustrated p. 241.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

331. Hans Bergström (Sweden, 1910–1996) a pair of floor lamps model “522”, ateljé Lyktan, Åhus 1950s.

Foot in brass, leg in fluted elm, uplight and downlight, marked ateljé Lyktan Åhus 522, height ca. 165 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

329. Hans Bergström, a ceiling lamp model “3”, ateljé Lyktan, Åhus 1940s–50s.

397. Barbro Nilsson, a carpet, “ Röda rabatten ” , round, knotted pile, diameter c 287 cm, AB Märta Måås-Fjetterström, unsigned.

347. Hans J. Wegner, a “The Chair” model “JH 501”, Johannes Hansen, Denmark 1950s–60s

352. Nanna Ditzel, a desk, Søren Willadsen Møbelfabrik, Denmark, 1950s.

732. Richard Mortensen, “Hommage aux imponderables II”.

332. Hans Bergström, a rare ceiling lamp model “154/6”, ateljé Lyktan, Åhus 1950s.

349. Hans J. Wegner, an oak lounge chair model “JH 524”, Johannes Hansen, Copenhagen.

332. Hans Bergström (Sweden, 1910–1996) a rare ceiling lamp model “154/6”, ateljé Lyktan, Åhus 1950s.

Six lacquered shades, ceiling cup and suspension in brass. Height ca 125 cm. Height of the shades 16 cm.

Literature: The model is depicted in the ArkDes collections in a photograph with ateljé Lyktan as the client, see identification number ARKM.1988–111–11829.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

333. Svante Skogh (Sweden, 1908–1988) a “No. 915” armchair, AB Hjertquist & Co, Nässjö 1950s–60s.

Beech wood, seat and back upholstered in sheepskin, height 78 cm, seat height 40 cm.

Literature: Andreas Siesing, “Svenska möbler: folkhemsform i ull, jakaranda, furu och bok 1949 -1970”, Atlantis 2015, model illustrated p. 76.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

334. Bertil Brisborg (Sweden, 1910–1993) attributed to, a rare table lamp model “2105”, Nordiska Kompaniet, 1950s. Frame in brass, perforated outer shade, maker’s mark NK 2105. Height 27,5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

335. Poul Henningsen (Denmark, 1894–1967) a ceiling lamp model “PH 3/2”, Louis Poulsen, Denmark 1930s.

Socket housing and ceiling cup in bakelite, metal shade holder with bayonet spring lock, mounted with 3/2 shades in yellow-painted glass, the socket housing is marked PH lamp Patented and the shade holder is marked PH-2/2 PATENTED. Diameter 28.5 cm.

Literature: Tina Jørstian & Poul Erik Munk Nielsen, “Tænd! PH lampens historie”, Gyldendal 1994, compare p. 177.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

336. Withdrawn.

337. A pair of Danish Modern easy chairs, executed by cabinetmaker Peder Pedersen, Denmark 1940’s.

Upholstered in sheepskin, leather covered buttons, beech legs, seat height 42 cm, height 90 cm.

Literature: Compare image from the master carpenter’s own archive.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

338. Finn Juhl (Denmark, 1912–1989) an “Eye” coffee table model “FJ 4850”, cabinetmaker Carl Brørup, Denmark 1940s–50s.

Solid teak, height 54.5 cm, length 88 cm, width 54 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580

339. Fritz Hansen (Denmark, 1872–) an armchair model “1669”, Denmark 1930s–1940s.

Sheepskin, leather-covered buttons, oak legs, height 78 cm, seat height 39 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

340. Arne Vodder (Denmark, 1926–2009) a lounge chair with side table, Bovirke, Denmark 1950s.

Beech frame, teak and brass side table, reupholstered in beige girths, length ca 148 cm, height ca 91 cm.

Provenance: Bought in Stockholm 1952–53. Thence by descent within the family.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

342. Hans J. Wegner (Denmark, 1914–2007) a “Papa Bear” armchair, AP-Stolen, Denmark 1950s–60s. Oak and beech, leather upholstery, stamped Made in Denmark

Designer Hans J Wegner A.P. Stolen, height 100 cm, width 90 cm, seat height ca. 38 cm. A not original footstool is included.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

341. Hans J. Wegner (Denmark, 1914–2007) an easy chair model “512”, Johannes Hansen, Copenhagen 1950s/60s. Frame in oak with braided rattan, foldable, branded JOHANNES HANSEN COPENHAGEN DENMARK. Height 77 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

343. Hans J. Wegner (Denmark, 1914–2007) a dining table model “AT-314”, Andreas Tuck, Denmark 1950s–60s. Teak top on saber-shaped oak legs with brass crossbars, branded FABRIKAT ANDR. TUCK ARKITEKT: HANS J. WEGNER

DENMARK. Length 190 cm, width 106 cm, height 71 cm. Two foldable leaves 60 cm each, total extended length 310 cm.

Estimate: SEK 100 000 – 150 000 / EUR 8 600 – 12 900

349. Hans J. Wegner, an oak lounge chair model “JH 524”, Johannes Hansen, Copenhagen.

344. Hans J. Wegner (Denmark, 1914–2007) a set of eight “CH31” oak and rattan chairs, Carl Hansen & Son, Denmark 1950s.

Stamped with maker’s mark. Height 80,5 cm, seat height 43 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

345. Hans J. Wegner (Denmark, 1914–2007) a sideboard model “RY-26”, RY-Møbler, Denmark, 1960s.

Base in oak, rattan doors, low oak legs, marked Danish Furniture Controll, height 64 cm, length 200 cm, depth 49 cm.

Provenance: Commissioned by Mr. Skjulstad, from Nordiska Galleriet in Stockholm in 1969.

Exhibitions: A copy of the receipt is included.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

346. Hans J. Wegner (Denmark, 1914–2007) a “Flag Halyard” chair, Getama, Denmark ca. 1960.

Partly green lacquered steel frame, halyard, textile-covered headrest, feet with wooden discs. Length 122 cm, width 106 cm, height 81 cm.

Provenance: Purchased in the early 1960s.

Estimate: SEK 100 000 – 125 000 / EUR 8 600 – 10 750

347. Hans J. Wegner (Denmark, 1914–2007) a “The Chair” model “JH 501”, Johannes Hansen, Denmark 1950s–60s. Frame in oak, seat and back upholstered in rattan, branded JOHANNES HANSEN COPENHAGEN DENMARK. Height 76.5 cm, seat height 44 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

348. Hans J. Wegner (Denmark, 1914–2007) a pair of “CH 22” oak chairs, Carl Hansen & Son, Odense, Denmark, mid 20th century.

Braided seat, maker’s mark under the armrest. Height 72 cm, seat height 37 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

349. Hans J. Wegner (Denmark, 1914–2007) an oak lounge chair model “JH 524”, Johannes Hansen, Copenhagen.

Flag line, steel fittings, adjustable backrest, stamped with maker’s mark, neck pillow uholstered with a beige coloured canvas. Length ca 170 cm, width 63 (including fittings 66 cm). This model was designed in 1958.

Provenance: This chair was purchased in the 1960s at the interior design shop Blidners Möbler, Gothenburg.

Estimate: SEK 80 000 – 100 000 / EUR 6 880 – 8 600

350. Hans J. Wegner (Denmark, 1914–2007) a teak and oak dining table model “AT-304”, Andreas Tuck, Denmark 1950–60s.

Sabre-shaped legs with brass fittings. Length 130 cm + 2 leaves à 55 cm, total length 240 cm, width 86 cm, height 73 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

351. Hans J. Wegner (Denmark, 1914–2007) a set of eight teak chairs model “W2”, C.M. Madsens Fabriker, Denmark 1950s. Leather-upholstered seats, frame stamped C.M. MADSENS FABRIKER HAARE DANMARK MADE IN DENMARK DESIGN: HANS J. WEGNER. Height 75 cm, seat height 45 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

352. Nanna Ditzel (Denmark, 1923–2005) a desk, Søren Willadsen Møbelfabrik, Denmark, 1950s. Rosewood-veneered with four drawers. Length 175, width 75, height 71.5 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

353. Ib Kofod Larsen (Denmark, 1921–2003) an “Elisabeth” teak armchair, model “U 65”, master carpenter Christensen & Larsen, Denmark 1950s–60s.

Upholstered with a checkered wool fabric, carpenter’s stamp.

Height 70,5 cm, seat height ca 36,5 cm. This model was designed in 1956.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450

354. Ib Kofod Larsen (Denmark, 1921–2003) a rosewood veneered sideboard model “501” from the “Ib 500” series, Seffle Möbelfabrik, Sweden 1960s.

Four doors, the interior with shelves, one section with white lacquered drawers. Length 243 cm, depth 47 cm, height 72 cm.

Literature: Claes Åkerblom, “Seffle Möbelfabrik - String-Seffle”, Votum & Gullers 2019, the model depicted on pp. 84–85.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

355. Ib Kofod Larsen (Denmark, 1921–2003) a pair of “Sälen” dark brown leather chairs, Olof Perssons Fåtöljindustri (OPE), Jönköping.

Frame in lacquered teak, upholstery in dark brown leather, loose seat cushion, one marked with OPE label.

Height 80 cm, seat height approx. 40 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

357. Børge Mogensen (Denmark, 1914–1972) a pair of “Spanish Chairs” model “226”, Fredericia Stolefabrik, Denmark.

Oak and natural brown leather. Height 68 cm, seat height ca 31 cm.

Provenance: Reportedly acquired in the late 1950s.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

356. Ib Kofod Larsen (Denmark, 1921–2003) a “Sälen” teak and black leather chair, Olof Perssons Fåtöljindustri (OPE), Jönköping.

Height 80 cm, seat height ca 40 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

358. Knud Joos (Denmark, 1928–2008) a pair of side tables, Jason, Denmark 1960s. Rosewood tops, legs in chromed metal, marked FURNITUREMAKERS DANISH CONTROL. 42 x 42 cm, height 42 cm.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

359. Mogens Lassen (Denmark, 1901–1987) attributed to, a pair of easy chairs, Denmark 1940s.

Upholstered in sheepskin, leather buttons, oak legs, seat height 45 cm, height 107 cm.

Literature: Bernadotte, Sigvard & Lehm-Laursen, Johannes William (eds.), “Modern Danish Domestic Art Vol. 2”, Skandinavisk bogforlag, Odense, 1947, p. 212.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

360. Hans J. Wegner (Denmark, 1914–2007) a “Papa Bear” armchair, AP-Stolen, Denmark 1950s–60s.

Oak and beech, leather upholstery, stamped Made in Denmark

Designer Hans J Wegner A.P. Stolen. Height 100 cm, width 90 cm, seat height ca. 38 cm.

Estimate: SEK 75 000 – 100 000 / EUR 6 450 – 8 600

361. Svend Langkilde (Denmark) sideboard, Langkilde Møbler, Denmark, 1960s.

Rosewood, front with cabinets and drawers, interior in mahogany, height 67,5 cm, length 165 cm, depth 50 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 580 – 3 010

362. Alvar Aalto (Finland, 1898–1976) a model “A704” black table lamp, Valaistustyö, Finland.

Black lacquered metal shade, legs and base covered in black leather, stamped mark on the inside. Height 40 cm.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

363. Alvar Aalto (Finland, 1898–1976) a “Lazy Susan” revolving tray model “B91”, O.Y. Huonekalu-ja Rakennustyötehdas A.B., Finland 1940s/50s.

Rotating tray, birch frame, top veneered in curly birch. Diameter 61 cm.

Literature: Pirkko Tuukkanen (ed.), “Alvar Aalto Designer”, Vammalan Kirjapaino Oy, Vammala 2002, compare p. 82.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

364. Tapio Wirkkala (Finland, 1915–1985) a laminated birch plywood dish, Finland 1950s.

Leaf-shaped, signed TW. Length 18.5 cm, width 14.2 cm.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

365. Alvar Aalto (Finland, 1898–1976) a stool model “X600”, Artek, Finland 1960s.

Fan-shaped legs, seat upholstered in black leather.

Seat height 45 cm.

Provenance: Reportedly purchased at Nordiska Galleriet, Stockholm in the 1960s.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

366. Alvar Aalto (Finland, 1898–1976) a stool model “X600”, Artek, Finland 1960s.

Fan-shaped legs, seat upholstered in black leather. Seat height 45 cm.

Provenance: Reportedly purchased at Nordiska Galleriet, Stockholm in the 1960s.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

1. XXX, xxxx 417. Marianne Richter, a carpet, ‘Josefina röd’, tapestry weave, ca 283 x 292 cm, signed AB MMF MR

CARPETS AND TEXTILES

367. Märta Gahn (Sweden, 1891–1973) a drape, flat weave, c 240 x 148 cm. Designed in 1930. A sewn on label at the back.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

368. Märta Måås-Fjetterström (Sweden, 1873–1941) a drape, ‘Perugia’ flat weave, c 247 x 150 cm, signerad MMF. Designed in 1927, woven before 1942 (Very rare.)

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

369. Annie Frykholm (Sweden, 1872–1955) drapery, ‘Buketter’, flat weave, c 235 x 149 cm, signed AB MMF. (AB Märta Måås-Fjetterström.) First half of the 20th century.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

370. Märta Måås-Fjetterström (Sweden, 1873–1941) a drape, ‘Daggkåpan med rött’, flat weave, c 183 x 112 cm, signed MMF. Designed in 1929, woven before 1942. (Very rare.).

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

371. Märta Måås-Fjetterström (Sweden, 1873–1941) a textile, ‘Crocus’, flat weave, ca 78 x 41 cm, signed AB MMF.

Designed in 1930, woven after 1941.

Literature: Compare with “Små Vävnader från Märta MååsFjetterström”, colour plate 10; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 98.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

372. Ann-Mari Forsberg (Sweden, 1916–1992) a textile, ‘Blå Crocus’, a tapestry variant, c 92,5 x 31 cm, signed AMF.

Designed in 1945.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate 61; Waldemarsuddes utställningskatalog nr 6: Ann-Mari Forsberg, Stockholm 1982, plate page 4, No 1, text page 22; Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen! 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 164.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

373. Agda Österberg (Sweden, 1891–1987) a tapestry, flat and tapesty weave, c 157 x 149, Tre Bäckar, Varnhem. Embroidered signature AGDA ÖSTERBERG TRE BÄCKAR VARNHEM.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

375. Kaisa Melanton (Sweden, 1920–2012) a tapestry, ‘Historisk resa/ Uppstoppade generaler’, tapestry weave, c 150 x 196 cm, signed MW Kaisa Melanton.

(Mai Wellner, Kaisa Melanton.) Designed in 1984–1985.

Provenance: From the artist’s estate to the current owner.

Literature: Brunius, Jan, Kaisa Melanton: textila verk och måleri, Carlsson i samarbete med Prins Eugens Waldemarsudde, Stockholm, 2006, depicted in plate p 47.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720 (d)

374. Olle Nyman (Sweden, 1909–1999) a pair of tapestries, flat weave, c 204 resp 220 x 128 cm, Handarbetets Vänner.

Designed in 1968–69.

Provenance: Swedish Parliament 1971–183.

Literature: Architecture, No. 6, 1971, page 7.

Estimate: SEK 8 000 – 12 000 / EUR 690 – 1 040 (d)

376. Fernand Léger (France, 1881–1955) after, a carpet, ‘Blanc’, hand-knotted, c 262 x 138 cm, an embroidered signature at the back: LEGER.

Designed around 1927.

Provenance: Stockholms Auktionsverk, ‘Moderna kvalitén’ 5 June 1996, lot 1255.

Literature: D. Paulvé, Marie Cuttoli, Myrbor and the Invention of Modern Tapestry, Paris, 2010, plate p. 44.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880 (d)

376. Fernand Léger, after, a carpet, ‘Blanc’, hand-knotted, c 262 x 138 cm, an embroidered signature at the back: LEGER.

‘Ängarna’ on board M/S Kungsholm

In 1928, the Swedish American Line vessel M/S Kungsholm was to be fitted out as a floating pavilion showcasing the superiority of the Swedish 1920s classicism. The architect Carl Bergsten gathered the leading designers of the day to furnish the ship, among them Märta Måås-Fjetterström along with others such as Carl Malmsten, Elsa Gullberg, Oscar Nilsson, and Simon Gate. Märta Måås-Fjetterström walked through the first-

class lounge during her trip to New York in 1928. What could a rug convey on a ship? What was missing on a magnificent sea? Grass, meadows, and flowers from the gardens of childhood. By her next trip, there lay, in the first-class lounge, a large rug by Måås-Fjetterström named The Meadows (ängarna)

Ericsson, Anne-Marie, M/S Kungsholms inredning: mästerverk i svensk art deco, Signum, Lund, 2005, plate p 147

377. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Ängarna’, knotted pile, ca 383 x 280 cm, signed AB MMF.

Designed in 1928 for m/s Kungsholm, woven after 1941.

Literature: Compare with Märta Måås-Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 17; Mattor och vävnader - Märta Måås-Fjetterström, Barbro Nilsson, Marianne Richter, Ann-Mari Forsberg, Båstad 1956, plate page 10; ICA bokförlag: Antikt - Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 176; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 113; Skrifter från Kungl. Husgerådskammare 20, Nisser-Dalman, Margareta, Stockholm 2019, No. 27, page 58; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/ Mölndal 2019, text and colour plates pages 100-101.

Estimate: SEK 200 000 – 250 000 / EUR 17 200 – 21 500

378. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Röda åttan’, flat weave, ca 298 x 202 cm, signed MMF.

Designed in 1928, woven before 1942.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 109; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plates pages 90-91.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

379. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Grön äng’, flat weave, ca 221,5 x 151,5 cm, signed AB MMF. Designed in 1928, woven after 1941.

Literature: Compare with Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 112; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plates pages 94-96, 102-103.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

380. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Röd grön äng’, flat weave, ca 299 x 206 cm, signed AB MMF. (AB Märta Måås-Fjetterström.) Designed in 1929, woven after 1941.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 112.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

384. Otto Schulz, a carpet, ‘Knut-Bo matta’ flossa, c 500 x 301 cm, Bo-textiles, Boet, Gothenburg.

381. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Joakim’, knotted pile, ca 300 x 268 cm, signed AB MMF. (AB Märta Måås-Fjetterström.) Designed in 1929 for the 1930 Stockholm Exhibition, woven after 1941.

Literature: Skrifter från Kungl. Husgerådskammare 20, Nisser-Dalman, Margareta, Stockholm 2019, No. 6, 43, pages 27, 59; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plates page 81.

Estimate: SEK 80 000 – 100 000 / EUR 6 880 – 8 600

382. A carpet, flat weave, Sweden 1920s–1930s, c. 180 x 104 cm.

A large polychrome checkered pattern in various nuances of yellow and off-white. With a horizontal 1920s classical motif.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

Import VAT (35%) will be charged on the hammer price on this lot For further details please contact customer service: +46 8-614 08 00

383. a carpet rölakan, c 607 x 300 cm, possibly Johanna Brunssons Vävskola.

Sweden, 1920s-1930s. A Red orange ground with six rows of cross formations. Several narrow borders.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

384. Otto Schulz (Germany, 1882–1970) a carpet, ‘Knut-Bo matta’ flossa, c 500 x 301 cm, Bo-textiles, Boet, Gothenburg.

Designed during the 1930s-1940s.

Literature: Depicted in: Christian Björk, Erika Geiger Ohlin, Anders Nord, “Otto Schulz Möbler och inredningar 1910–1952, Chr. Björk Förlag, Stockholm 2022. colour plate pp. 258 and 259.

Estimate: SEK 150 000 – 200 000 / EUR 12 900 – 17 200

385. Märta Måås-Fjetterström (Sweden, 1873–1941)

Märta Måås-Fjetterström a carpet ‘Untiteld’, flat weave, signed MMF.

Purchased by the current owner’s family during the 1930s. (Rare if not unique.).

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

386. Märta Måås-Fjetterström (Sweden, 1873–1941) a runner, ‘Blå heden’, rölakan, ca 342 x 150 cm, signerad AB MMF. Designed in 1931, woven after 1941.

Literature: Compare with Märta Måås-Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; ICA bokförlag: Antikt - Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 178; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate pages 66-69; Skrifter från Kungl. Husgerådskammaren 20, Nisser-Dalman, Margareta, Stockholm 2019, No. 36, page 59; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattornadet är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/ Mölndal 2019, colour plates pages 112-114.

Estimate: SEK 40 000 – 60 000 / EUR 3 440 – 5 160

387. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Blå heden’, flat weave, ca 230 x 146 cm, signed AB MMF. Designed in 1931, woven after 1941.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

388. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Nyponblomman’, flat weave. c 297 x 203 cm, signed AB MMF. (AB Märta Måås-Fjetterström.) Designed in 1932, woven after 1941.

Provenance: Bukowskis auctions, “Modern & Nordic Design (591)”, 2016, lot number 519.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

389. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Nyponblomman’, flat weave, c 248 x 149,5 cm, signed MMF.

(AB Märta Måås-Fjetterström.) Designed in 1932, woven after 1941.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

Import VAT (35%) will be charged on the hammer price on this lot. For further details please contact customer service: +46 8-614 08 00

390. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Nyponblomman’, rölakan, c 206 x 111 cm, signed AB MMF.

(AB Märta Måås-Fjetterström.) Designed in 1932, woven after 1941.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

391. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Tusenskönan’ (‘Bellis’), knotted pile, c 300 x 205 cm signed AB MMF. Designed in 1933, woven after 1941.

Literature: Compare with ICA bokförlag: Antikt - Bukowskis experter berättar, Västerås/ Spanien 2006, colour plate page 179; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plate page 115.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

392. Märta Måås-Fjetterström (Sweden, 1873–1941) a rug, ‘Vita Spetsporten’, knotted pile in relief, approximately 225 x 150 cm, signed AB MMF.

(AB Märta Måås-Fjetterström.) Designed in 1934, woven after 1941.

Literature: Compare with Thorman, Elisabeth: Svenska mattor, utställning på Akademien för de Fria Konsterna, Stockholm 1945, plate No VI; Katalogen Märta Måås-Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 12; Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate No 42; af Klercker, Susanne: AntiktBukowskis experter berättar, Västerås/Spanien 2006, colour plate page 178; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate and text pages 82-83, 130.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

393. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Effsingen’, flat weave, ca 248 x 157 cm, signed AB MMF.

Designed in 1936, woven after 1941.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

394. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Rutig vit halvflossa’, knotted pile in relief, c 196 x 132,5 cm, signed AB MMF.

(AB Märta Måås-Fjetterström.) Designed in 1938, woven after 1941.

Provenance: Bukowskis Auctions, Modern Art + Design 620, 21 November 2019, lot number 192.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

Import VAT (35%) will be charged on the hammer price on this lot. For further details please contact customer service: +46 8-614 08 00

395. A carpet, flat and tapestry weave, c 268 x 176 cm, possibly Bohusslöjd, Gothenburg.

1940s–1950s. A red melange groud with five lightning patterned rectangles.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

396. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Röda Bårdmattan med grönt’, flat weave, c 242 x 170 cm, signed AB MMF.

(AB Märta Måås-Fjetterström.) Designed around 1940, woven after 1941. (Rare.).

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

‘Röda rabatten’ by Barbro Nilsson

‘Rabatten’ is one of Barbro Nilsson’s most cherished designs, woven multiple times in various sizes. The pattern was created for the fashion director Sahlén, at Norrlandsgatan in Stockholm, for his fashion shows where his models could dance around on the round rugs in the latest lines. These round rugs were made in red, blue, green, and yellow. Later, a white ‘Rabatten’ was also woven. In addition to ‘Rabatten’, Barbro Nilsson’s ‘Tigerfällen’ pattern, was also made in a round shape, this one is also represented at the department during this auction.”

397. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Röda rabatten’, round, knotted pile, diameter c 287 cm, AB Märta Måås-Fjetterström, unsigned. Designed in 1944. Woven by weavers Marta Pålsson and Marta Persson. Manufacturing number 1613 in AB Märta Måås-Fjetterström’s archive. In the archive this carpet is referred to as ‘Röd flossa’ (Red knotted pile’). This shows that No. 1613 is the first woven carpet, hence not yet named ‘Röda Rabatten’. Bukowskis thanks AB MMF’s Senior Executive Angelica Persson for her help with this information.

Provenance: SKF Svenska Kullagerfabriken (Swedish Ball Bearing Factory), Gothenburg. Delivered December 16, 1944.

Literature: Compare with rectangular “Blå rabatten” Märta Måås-Fjetterström och verkstaden i Båstad, Stockholm 1951, plate 28; Plath, Iona: The Decorative Arts of Sweden, New York 1966, plate page 46; Harrison Beer, Eileena: Scandinavian Design, USA 1976, plate page 134; af Klercker, Susanne: Antikt - Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 183; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate page 146-147.

Estimate: SEK 200 000 – 250 000 / EUR 17 200 – 21 500 (d)

399. Barbro Nilsson (Sweden, 1899–1983) A carpet, ‘Tigerfällen röd’, rya, diameter 257 cm, unsigned. Designed in 1946 for AB Märta Måås-Fjetterström.

Literature: Compare Märta Måås-Fjetterström and the workshop in Båstad, Stockholm 1951, plate page 21.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160 (d)

398. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Blåbär mörk’, tapestry weave, ca 144 x 100 cm, signerad AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1946.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate 50, colour plate opposite page 65; Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 3; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate page 149..

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720 (d)

Import VAT (35%) will be charged on the hammer price on this lot. For further details please contact customer service: +46 8-614 08 00

400. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Blommor och Blad’, knotted pile, c 186 x 124 cm, signed AB MMF MR.

(AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1944.

Provenance: CThe Heidi Boyce Broström (1939–2022) collection, widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 15 000 – 18 000 / EUR 1 290 – 1 550 (d)

401. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Gyllenrutan, ljus’, knotted pile in relief, ca 219 x 204,5 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1945.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

402. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Krabban, grå’, knotted pile, ca 256 x 190 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1947.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

403. Marianne Richter (Sweden, 1916–2010) a runner, ‘Gråtaggen’, flat weave c 301 x 104 cm, signerad AB MMF MR. (AB Märta Måås-Fjetterström, Marianne Richter.) Composed in 1947. (Unusual variant.).

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

404. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Salerno grå’, (‘Kristianstad’), flat weave, ca 356 x 236 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1948.

Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920-1960, Milano 1998, colour plate page 39; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 151.

Estimate: SEK 150 000 – 175 000 / EUR 12 900 – 15 050

405. Barbro Nilsson (Sweden, 1899–1983) a carpet, “Salerno gul med enkel bård”, tapestry weave, ca 200,5 x 148 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1948. (Salerno in green is unusual.).

Literature: : Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920-1960, Milano 1998, colour plate page 39; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 151.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

406. Ingrid Dessau (Sweden, 1923–2000) a carpet, knotted pile, c 226 x 155 cm, signed ID KLH.

(Ingrid Dessau, Kristianstads Läns Hemslöjd.) Designed during the 1950s for the Nordic Museum’s collection hall.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

407. Anna-Greta Sjöqvist (Sweden, 1908–1993) a carpet, tapestry weave, c 245 x 157 cm, signed AG S. (Anna-Greta Sjöqvist.) Sweden around 1950. An ivory and grey melange ground with rows of large polychrome geometric shape.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

408. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Nejlikan röd’, tapestry weave, c 331 x 214 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1950.

Literature: Compare with skisser Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 79; af Klercker, Susanne: Antikt - Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 152.

Estimate: SEK 150 000 – 175 000 / EUR 12 900 – 15 050

409. Berit Koenig (Sweden) a rug, ‘Viggen’, flat weave, c 203 x 142 cm, signed SH BK.

(Swedish Handicrafts, Berit Koenig) Sweden circa 1950.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

Import VAT (35%) will be charged on the hammer price on this lot. For further details please contact customer service: +46 8-614 08 00

410. Nea Hållfast (Sweden) attributed, a carpet, knotted pile, c 350 x 272 cm, signed KH. (Klockaregårdens Hemslöjd), the 1950s. A burgundy ground with large polychrome stylized flowers. Several narrowborders.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

411. Ingrid Dessau (Sweden, 1923–2000) a carpet, ‘Pilevall, gul’, flat weave, c 225 x 180 cm signed KLH ID. (Kristianstad Läns Hemslöjd, Ingrid Dessau.) Sweden around 1950.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720 (d)

412. A carpet, flat weave, c 243 x 170 cm, signed JBV (Johanna Brunssons Vävskola). Sweden 1950s.

Estimate: SEK 15 000 – 18 000 / EUR 1 290 – 1 550

413. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Falurutan, röd Borås’, rölakan, ca 214,5 x 149,5 cm signed AB MMF BN.

(AB Märta Måås Fjetterström, Barbro Nilsson.) Designed in 1952.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

Import VAT (35%) will be charged on the hammer price on this lot. For further details please contact customer service: +46 8-614 08 00

414. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Falurutan grön I’, flat weave, c 188,5 x 118 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1952. “Falurutan” was first woven in red to the dining room at the residence in Falun.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

415. Barbro Nilsson, a carpet, ‘Strålblomman grön’, tapestry weave, c 516 x 310 cm, signed AB MMF BN ANNO DOMINE 1954.

415. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Strålblomman grön’, tapestry weave, c 516 x 310 cm, signed AB MMF BN ANNO DOMINE 1954.

(AB Märta Måås-Fjetterström, Barbro Nilsson). Designed in 1952, wowen in 1954.

Provenance: The Finnish parish in Stockholm.

Literature: Compare with sketches Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 79.

Estimate: SEK 250 000 – 300 000 / EUR 21 500 – 25 800 (d)

The virtuosity of a colourist

Barbro Nilsson, born in 1899 in Malmö, is one of the most brilliant artists of her time, loved by many and more appreciated now than ever. After studies at, among other places, Johanna Brunsson’s weaving school, the major breakthrough came with “Melodies at the Square” created for the Gothenburg Concert Hall after a design by Sven X:et Ericsson in 1936. However, Barbro Nilsson is most commonly associated with

taking over and directing the artistic direction for the newly started Aktiebolaget Märta Måås-Fjetterström. The present carpet is a development of “The Carnation” from 1950 (which is also included in this auction). Sweden’s first carnation nursery was located in Båstad, just like AB Märta Måås Fjetterström, and the carnation as a cut flower came into vogue during the 1950s. This could be a possible inspiration for the pattern.

417. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Josefina röd’, tapestry weave, ca 283 x 292 cm, signed AB MMF MR.

(AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1955.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och vävverkstaden i Båstad, Stockholm 1968, plate 67.

Estimate: SEK 200 000 – 250 000 / EUR 17 200 – 21 500 (d)

416. Ann-Mari Forsberg (Sweden, 1916–1992) A carpet, ‘Tobias’, tapestry variant, ca 328 x 157 cm, signed AB MMF AMF. (AB Märta Måås-Fjetterström, Ann-Mari Forsberg, born Lindbom.) Designed in 1953.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

418. Agda Österberg (Sweden, 1891–1987) a carpet, flat weave and tapestry weave, ca 341 x 222 cm, signerad AÖ. (Agda Österberg.) A polychrome modernistic design. Made without fringes. Also signed Agda Österberg, Tre Bäckar, Varnhem, at the back.

Estimate: SEK 70 000 – 90 000 / EUR 6 020 – 7 740 (d)

419. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Josefina, blå’, tapestry weave, ca 264 x 211 cm, signerad AB MMF MR.

(AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1955.

Literature: Compare Lundgren, Tyra: Märta Måås-Fjetterström och vävverkstaden i Båstad, Stockholm 1968, plate 67.

Estimate: SEK 70 000 – 90 000 / EUR 6 020 – 7 740 (d)

420. Edna Martin (Sweden, 1908–2003) a carpet, ‘Flickorna i fönstret’, flat weave, c 295 x 202 cm, signed SH.

(Edna Martin, Svensk Hemslöjd.) Designed in 1956.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

421. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Angelika’, knotted pile, ca 213 x 149,5 cm, signed AB MMF MR. (AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1959. (Rare.).

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720 (d)

422. Ingrid Hellman-Knafve (Sweden) a carpet, flat weave, c 235 x 170 cm, signed IHK. Sweden, 1960s. A square pattern in different shades.

Estimate: SEK 15 000 – 18 000 / EUR 1 290 – 1 550

423. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Blomsterkrans’, flat weave, approximately 273 x 208 cm, signed JJ E. Sweden, the 1960s.

Literature: Compare with “JJ Så vävdes ett livsverk - En berättelse om de vävda konstverken från Judith Johanssons ateljé i Knäred”, Falkenberg/Varberg 2006, colour plate page 29.

Estimate: SEK 15 000 – 18 000 / EUR 1 290 – 1 550 (d)

424. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Violetta blå’, knotted pile, ca 243,5 x 142 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1961.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och vävverkstaden i Båstad, Stockholm 1968, plate 58.

Estimate: SEK 60 000 – 80 000 / EUR 5 160 – 6 880

425. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Hallandsåsen’, flat weave, c 281 x 218 cm, signed JJ. Designed in 1961.

Literature: Compare with Andersson, Torsten: JJ - Så vävdes ett livsverk. En berättelse om de vävda konstverken från Judith Johanssons ateljé i Knäred, Falkenberg 2006, colour plate page 72.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

426. Judith Johansson (Sweden, 1916–1993) matta, ‘Hallandsåsen’, rölakan, ca 243 x 189 cm, signerad JJ. Designed in 1961.

Literature: Compare with Andersson, Torsten: JJ - Så vävdes ett livsverk. En berättelse om de vävda konstverken från Judith Johanssons ateljé i Knäred, Falkenberg 2006, colour plate page 72.

Estimate: SEK 15 000 – 18 000 / EUR 1 290 – 1 550 (d)

427. Ingrid Dessau (Sweden, 1923–2000) a carpet, ‘Blå rutor’, flat weave, c 273 x 174,5 cm, signerad ID and an unclear makers signature. Designed in 1961.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

428. Sigvard Bernadotte (Sweden, 1907–2002) a carpet, ‘Ögonstenar’, flat weave, c 241 x 163 cm, signed SB.

Around the mid-20th century. A beige melange ground with rows of ovals with a small square in various shades of yellow, light blue, and brown.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

Import VAT (35%) will be charged on the hammer price on this lot. For further details please contact customer service: +46 8-614 08 00

429. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Fasad, grön II’, flat weave, ca 276 x 187 cm, signe AB MMF MR.

(AB Märta Måås-Fjetterström, Marianne Richter.)

Designed in 1963.

Literature: Compare with Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 170.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

430. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Sommarvägar, grön’ knotted pile, c 117 x 88 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1963. (Rare.).

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

431. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Kastanjelöv’ flat weave, c 309 x 195 cm, signed JJ. Designed in 1965.

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

Import VAT (35%) will be charged on the hammer price on this lot. For further details please contact customer service: +46 8-614 08 00

432. Carl Malmsten (Sweden, 1888–1972) a carpet, ‘Capella, grön’, flat weave, 205 x 169 cm, Signed CM. Made with only one fringe at each end.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

437B. Georg Jensen, a pair of sterling silver candelabra, Copenhagen 1933-44, design nr 324.

SILVER

433. Johan Rohde (Denmark, 1856–1935) a lidded sterling silver bowl on a stem, Copenhagen 1904–14, design nr 43. Beaded decoration to the leg. Height 15,5 cm, weight ca 425 g.

Literature: Sigurd Schultz, “Johan Rohde Sølv”, Copenhagen 1956, a copy is depicted at p.35.

Jörgen Möller, “Georg Jensen - the Danish silversmith”, Copenhagen 1985, a copy is depicted at p.28.

Janet Drucker, “Georg Jensen - a tradition of spendid silver”, USA 1997, a copy from 1908 is depicted at p.196.

Janet och William Drucker, “Georg Jensen, 20th century designs”, USA 2002, a copy is depicted as catalogue no F-66.

Thomas C. Thulstrup, “Georg Jensen, silver & design”, Copenhagen 2004, the bowl is described at p.42 and a copy is depicted at p.43.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

434. Georg Jensen (Denmark, 1866–1935) an 830/1000 silver tea caddy, Copenhagen ca 1915–1919, design nr 137, Swedish import marks.

Baluster shaped, border in relief to the base, the lid ornamented and with an amber finial. Height 16 cm, weight ca 208 g.

Estimate: SEK 10 000 – 15 000 / EUR 860 – 1 290

435. Georg Jensen (Denmark, 1866–1935) a table lamp, Copenhagen 1919, 830/1000 silver, design nr 79.

Swedish import marks GAB F, partially pierced finial with grapes, calyxshaped lamp holder, leaf-sheathed leg on four bud-shaped feet, light switch of ivory. Lampshade with green fabric. Height 72.5 cm, weight ca. 2375 g.

Provenance: The lamp was a gift to Chairman of the Board Professor Pontus Fahlbeck, Finspångs Metallverks AB.

Estimate: SEK 100 000 – 150 000 / EUR 8 600 – 12 900

436. Johan Rohde (Denmark, 1856–1935) a large 830/1000 silver tray “Cosmos”, Georg Jensen, Copenhagen 1919. Swedish import marks, design no 251C from ca 1917, an oval hammered tray with ebony handles. Length 51.5 cm, width 35.5 cm, weight 1540 g.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160

437. Georg Jensen (Denmark, 1866–1935) an 830/1000 silver bowl. Copenhagen 1919 (indistinct hallmarks), design no 246.

Round bowl, central flower bud with three biforcated handles, on a short leg. Diameter 14 cm, height 10.5 cm, weight ca 290 g.

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

437A. Georg Jensen (Denmark, 1866–1935) an 830/1000 silver centerpiece with grapes, Copenhagen 1925-32, design nr 296A from 1919.

Oval, decorated with hanging grapes and vines. Length 36.5 cm, width 27.5 cm, height 13 cm, weight 1845 g.

Literature: Ivan Munk Olsen, “Sølvsmeden Georg Jensen”, Copenhagen 1937, the modell ill. at p. 56. Jørgen E. R. Møller, “Georg Jensen The Danish SIlversmith”, Georg Jensen & Wendel A/S, Copenhagen 1985. The model depicted p 56.

Ed. Georg Jensen Ltd, “Georg Jensen and The Silversmiths”, Japan 1988, the modell ill. at p .34-35. Janet Drucker, “Georg Jensen, a tradition of splendid silver”, USA 1997, p. 204 for a contemporary image of this model. In the book it is stated that the design was made 1919.Janet Drucker and William Drucker, Georg Jensen: 20th Century Designs, New York 2002. Compare ill. at p. 34, catalogue no F-240.

Estimate: SEK 100 000 – 150 000 / EUR 8 760 – 13 100

437B. Georg Jensen (Denmark, 1866–1935) a pair of sterling silver candelabra, Copenhagen 1933-44, design nr 324. “Vallmokandelabern” (The Poppy Candelabra). Nearly spherical central part, crossed arms for two candles, decorated with berries. Height ap. 22 cm, length ap. 26 cm, width ap. 10 cm, total weight 2353 g.

This model of candelabra, design number 324, has been named the “poppy candelabra” as its shape resembles the silhouette of a poppy. It was designed around the end of the First World War, and during these years, Georg Jensen created more ornate silver items than he had previously. The model is an excellent example of Georg Jensen’s elegant items from that period and show his ability as a designer to balance each part harmoniously.

Literature: Jørgen E. R. Møller, “Georg Jensen The Danish SIlversmith”, Georg Jensen & Wendel A/S, Copenhagen 1985. The model depicted p 55. Ed. Georg Jensen Ltd, “Georg Jensen and The Silversmiths”, Japan 1988, the modell ill. at p.5 and pp.54-55.

Janet Drucker, “Georg Jensen, a tradition of splendid silver”, USA 1997, p. 232.

Janet Drucker and William Drucker, Georg Jensen: 20th Century Designs, New York 2002. Compare ill. at p. 39, catalogue no F-269.

Estimate: SEK 100 000 – 150 000 / EUR 8 760 – 13 100

438. Georg Jensen (Denmark, 1866–1935) a silver cocktail shaker, Denmark 1920, model no 360. Pear-shaped on a round base, curved handle, lid with leaf decoration. Height 30 cm, weight 677 g.

Estimate: SEK 30 000 – 35 000 / EUR 2 580 – 3 010

439. Georg Jensen (Denmark, 1866–1935) a sterling bowl on a stem, Copenhagen 1925–1932, design nr 446.

Swedish import marks Oscar Sjögren, Gothenburg 1927. Bellshaped cup on a leaf-chased stem with filigree decoration at the top.

Height 19.5 cm, weight ca 420 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

441. Georg Jensen (Denmark, 1866–1935) a sterling silver jardinière, Copenhagen 1925–32, design no 501.

Oval, on a faceted base with beaded rim, with two upswept handles with stylized berries. Length 36 cm, width 23 cm, height 14.5 cm.

Weight 1796 g.

Literature: Janet Drucker, “Georg Jensen, a tradition of splendid silver”, USA 1997, p. 212 for a contemporary image of this model. In the book it is stated that the design was made 1927. Janet Drucker and William Drucker, Georg Jensen: 20th Century Designs,(…).

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

440. Georg Jensen (Denmark, 1866–1935) a “Blossom” sterling silver tea-strainer with stand, sterling silver, Copenhagen 1933–44.

Swedish import marks. The strainer with design no. 8, the stand with design no. 2. The strainer decorated with berries, pierced handle with a magnolia bud. Length 14.5 cm, the stand on a round pierced foot, height 3.5 cm. Total weight 135 g.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

442. Johan Rohde (Denmark, 1856–1935) a sterling silver cigar box with wood interior, Georg Jensen, Copenhagen 1925–1932, design no. 329B.

Rectangular model. Decoration on the lid and along the lower edge. Length 21.3 cm, width 15 cm, height 8 cm. Total weight (including wood interior) 1295 g.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

443. Johan Rohde (Denmark, 1856–1935) a set of 76 pieces of ‘Acorn’ sterling silver and stainless steel flatware, Georg Jensen post 1945.

Consisting of: 10 knives (22.7 cm) 12 forks (20 cm) 12 spoons (17.5 cm) 12 knives (20 cm) 12 forks (16.5 cm) 12 forks (14.3 cm) 4 butter knives (14.8 cm) 2 coffee spoons (11 cm) Total weight approx. 3970 g.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

444. Jens Quistgaard (Denmark, 1919–) a set of sterling silver flatware “Tjörn”, 84 pieces, Copenhagen. Designed in 1959. Marked Jens Harald Quistgaard and some parts with Swedish silver import marks. 24 knives, length 21.5 cm. 12 forks, length 19.5 cm. 12 spoons, length 19.3 cm. 12 entrée knives, length 16.5 cm. 12 entrée forks, length 17.5 cm. 12 dessert spoons, length 15.5 cm. Total weight 3735 g.

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440

445. William Spratling (USA, 1900–1967) a four-piece silver tea- and coffee set, “Jaguar”, mark of William Spratling Silver, Taxco Mexico circa 1956–60.

Oval-shaped, each topped with a jaguar finial over a smooth silver body and wood handle. Height 78.5–16.5 cm. Total weight 1625 g.

Provenance: Purchased in Taxco around 1960, thence by descent.

Estimate: SEK 30 000 – 35 000 / EUR 2 580 – 3 010

447. Atelier Borgila (Sweden) a set of 18 sterling silver plates with monogram, Stockholm 1948.

The rim with monogram AE. Diameter 26 cm, total weight ca 8600 g.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300

446. Atelier Borgila (Sweden) a sterling silver coffee set, 4 pieces, Stockholm 1939 and 1940.

Round shape, lid with a floral branch, coffee pot with ebony handle, 3 parts with date marks from 1940, the tray from 1939.

Tray diameter 31.5 cm. Height 5–16 cm. Total weight ca 1778 g.

Provenance: Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

448. Atelier Borgila (Sweden) a sterling silver three-piece coffee service, Stockholm 1951–52.

Coffee pot, sugar bowl and creamer. Height of coffee pot 19 cm, suger bowl 7.7 cm, creamer 6.5 cm. Total weight 1325 g.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

449. Atelier Borgila (Sweden) a sterling silver writing box, Stockholm 1953 and a silver letter knife, CG Hallberg, Stockholm 1926.

Rectangular with a sloping lid and ribbon decoration. Decorated with the monogram DAB. Length 24 cm, width 14.5 cm, height 9.5 cm. Letter knife, length 17 cm, engraved with Dan Axel Broström. Total weight (including wood interior) 1613 grams.

Provenance: Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

450. Atelier Borgila (Sweden) writing set, 4 pieces, sterling silver and iron ore, Stockholm 1965.

Seal stamp (with initials), letter opener, tobacco tin in silver with iron ore decoration. Iron ore box. Tin, height 9.5 cm, diameter 8.5 cm.

Seal stamp, height 7 cm. Letter opener, length 23.7 cm. Rectangular box, 4 x 10.7 x 7.2 cm. Gift engraving.

Provenance: Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 4 000 – 6 000 / EUR 350 – 520

451. Erik Fleming (Sweden, 1894–1954) a sterling silver table lighter, Atelier Borgila, Stockholm 1942.

Octagonal, upper part in three tiers and a pointed lid. On the body, a mirror monogram AI in relief. Underneath, a gift inscription. Height 12.5 cm.

Weight 392 g.

Provenance: Dr. Johan Liljenberg’s Borgila Collection.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

452. Atelier Borgila (Sweden) a set of 4 sterling silver candlesticks, Stockholm 1961.

Faceted model, on a round base. Loose candle rings. Height ca 20.5 cm (including candle ring). Total weight 1446 g.

Provenance: Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 18 000 – 20 000 / EUR 1 550 – 1 720

453. Wiwen Nilsson (Sweden, 1897–1974) a silver box with lid, Lund 1929.

Rectangular with cut corners and a hinged lid. Monogram mark WN and mark A.Nilsson. Measurements 9.5 x 4 x 5 cm.

Weight 128 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

454. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver vase, Lund 1946.

Hexagonal. Height 12.7, width 11 cm, weight 284 g.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

455. Wiwen Nilsson (Sweden, 1897–1974) a set 51 pieces of silver flatware, Lund Sweden 1960s-1970s.

Comprising: 14 dinner forks 12 fish forks 12 fish knives 1 soup ladle 1 sauce spoon 1 serving fork 1 cake knife 3 butter knives 6 butter picks. Total weight ca 3150 g.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

456. Wiwen Nilsson (Sweden, 1897–1974) a set of 60 pieces silver flatware, Lund, 1951–64.

Comprising: 12 spoons (length 19 cm) 12 forks (length 17.2 cm) 12 knives (stainless blades, length 18.1 cm) 12 dessert spoons (length 14.2 cm) 12 dessert forks (length 14.7 cm).

Engraved initials. Total weight 2420 g.

Provenance: Gift from W Nilsson to the family.

Estimate: SEK 40 000 – 50 000 / EUR 3 440 – 4 300 (d)

457. Sven Carlman (Sweden, 1901–1963) a pair of silver candlesticks, Carlman Silversmide AB, Stockholm 1957.

Height 29 cm, total weight ca 1570 g.

Provenance: Gift from Axel Ax:son Johnson. Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

459. W.A. Bolin (Sweden) a Swedish pair of silver candlesticks, Stockholm 1957.

Four-sided, with leaf decoration, standing on a square foot.

Engraved gift inscription underneath. Height 25,5 cm, total weight ca 754 grams.

Provenance: From a Swedish private collection.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

458. Carl Fredrik Carlman (Sweden, 1831–1889) and GAB, two silver plates/trays, Stockholm 1939.

Round with leaf-shaped handles. Diameter 26.5 cm.

Length including handles 32.5 cm. Total weight 1054 g.

Provenance: Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 2 500 – 3 000 / EUR 220 – 260

460. Barbro Littmarck (Sweden, 1918–2008) a sterling silver thermos, mark of W.A Bolin, Stockholm 1967.

Hammered surface. Engraving underneath: BL (Barbro Littmarck) and Heidi and Dan-Axel Broström. Height 28.5 cm. Total weight 1628 grams.

Provenance: Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

461. Sigurd Persson (Sweden, 1914–2003) a sterling silver bowl, Stockholm 1968.

A round bowl with a flared rim on a square base. Height 16.2 cm.

Diameter at top 14.2 cm. Weight 706 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720 (d)

465. Sven-Erik Högberg, candelabrum for seven candles, silver, 18K gold, and rock crystal, Gothenburg 1965.

Sigurd Persson

Sigurd Persson (1914-2003) is considered one of the foremost designers of the 20th century in Sweden. Persson, like his father, became a silversmith and took his journeyman’s exam in 1938 and then opened his own studio in Stockholm. For a time he worked for Atelier Borgila as a jewelery designer and devoted himself to teaching. In 1950 he held his debut exhibition which was dominated by everyday items such as cutlery and coffee pots but also ecclesiastical and profane corpus silver. His minimalist but refined forms fit well in the post-war new form style and he enjoyed success at, for example, the H55 exhibition in Helsingborg.

During the 60s, he had his international breakthrough and broadened his design to also include objects in steel, glass, enamel, cast iron, etc. He is known as an innovative form creator and one of the foremost industrial designers of the 20th century. Persson’s successful collaboration with companies such as Silver och Stål or with Kosta shows his versatility. His works are today represented in museums all over the world such as the Philadelphia Museum of Modern Art, Victoria and Albert Museum, Musée des Arts Décoratife and others.

462. Sigurd Persson (Sweden, 1914–2003) a pair of Swedish 20th century silver candlesticks, Stockholm 1962, silversmith Johann Wist.

“Bamboo”. Shaft in four sections on a high round foot. Height 26 cm, total weight 643 g. (2)

This pair of silver candlesticks in the four-section high model called “Bambu” is most likely a unique piece. There are also a few pairs made with fewer sections. Sigurd Persson’s preserved sketches and work card confirms that two of these candlesticks were made in 1962 through the work of Johan Wist, this pair of candlesticks can be seen in the interior photo from the exhibition “Silverne Stakar” in 1963.

Exhibition: Silverne stakar”, Stockholm, December 1963, this pair exhibited, see image.

Literature: Dag Widman, “Sigurd Persson - en mästare i form”, Carlsson förlag, 1994, pp 74-76. “Silverne stakar (Silver candlesticks) Sigurd Persson was one of six silversmiths making a show called “Silverne stakar’ at a Stockholm gallery in 1963. By Sigurd Persson there were 13 separate candlesticks and 17 pairs of candlesticks included in the show.

Estimate: SEK 50 000 – 60 000 / EUR 4 300 – 5 160 (d)

463. Sigurd Persson (Sweden, 1914–2003) a pair of Swedish silver candlesticks, Stockholm 1966, silversmith Johann Wist. “Orange”. Cylindrical high leg with holder and base, the lower part with arch formations. The model was designed in 1963. Height 36 cm, total weight 895 g. (2). Reportedly Sigurd Persson used to call the model “The orange candlesticks”, which referred to the “wedge shaped” decor around the leg.

Exhibition: Silverne stakar”, Stockholm, December 1963, (another pair of this model exhibited).

Literature: Sigurd Persson & Sune Sundahl, “Sigurd Persson silver”, Stockholm 1979, see the model illustrated among other Sigurd Persson candlesticks Dag Widman, “Sigurd Persson - en mästare i form”, Carlsson förlag, 1994, pp 74-76. “Silverne stakar (Silver candlesticks) Sigurd Persson was one of six silversmiths making a show called “Silverne stakar’ at a Stockholm gallery in 1963. By Sigurd Persson there were 13 separate candlesticks and 17 pairs of candlesticks included in the show.

Estimate: SEK 50 000 – 75 000 / EUR 4 300 – 6 450 (d)

Exhibition “Silverne stakar” in Stockholm 1963.

464. Gunnar Cyrén (Sweden, 1931–2013) a Swedish silver suger-bowl with handle, Gävle 1989.

Oval with a hammered surface. Measurements 11 x 8 x 11.8 cm.

Weight 166 g.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

465. Sven-Erik Högberg (Sweden, 1924–1997) candelabrum for seven candles, silver, 18K gold, and rock crystal, Gothenburg 1965.

Pendants in the shape of seven anchors in 18K gold. Total weight 1623 g. (of which gold weight approx. 56 g.) Gift engraving on the upper edge.

Provenance: Collection of Heidi Boyce Broström (1939–2022), widow of shipowner Dan-Axel Broström (1915–1976).

Estimate: SEK 30 000 – 40 000 / EUR 2 580 – 3 440 (d)

466. Anders Ericson (Sweden, 1941–1993) a silver teapot, Kristianstad 1968.

Signed by Anders Ericson and engraved with 556. Smooth rectangular model, wooden handle and lid partly in rosewood. Height 14.5 cm, length 25.5 cm. Total weight 1185 g.

Provenance: Anders Pehrson (1912-1982). He was born in Gothenburg and later became an engineer. Pehrson was the Design manager at Philips AB from 1952 to 1963. In 1963 he became the owner but also the head of design at ateljé Lyktan. He remained there until 1978. Pehrson’s guiding principles regarding design were form, function, color, and family. Pehrson became known not only as a talented designer but he was also very skilled at marketing his business. The lamp model Pehrson is most well known for today is probably his design ‘Bumlingen’. Bumlingen has been produced in countless variations and colors over the years.

Thence by descent.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

467. Anders Ericson (Sweden, 1941–1993) a silver, part gilt, pepper grinder, Kristianstad 1971.

Model with onion-shaped finial decorated with curved volutes.

Height 16 cm, total weight 387 grams.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350 (d)

468. Martin Öhman (Sweden, 1929–2003) a sterling silver jar with lid, silver and amethyst, Halmstad 1980.

“Norrsken” (Northern Lights). Round model with lid. Lidknob in the form of a rectangular amethyst. Height 16 cm, diameter of the lid 10 cm. Total weight 323 g.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

469. Hubert Hydman (Sweden, 1951–) a Swedish pair of sterling silver candlesticks, Stockholm 2000.

The model is called a mirror candlestick. Height 11.5 cm.

Total weight 410 g.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

497. Rey Urban, an 18K white gold bangle with round brilliant-cut diamonds, Stockholm 1965. 503. Claës E. Giertta, a ring 18K white gold with a sapphire and brilliant-cut diamonds, Stockholm 1977.

JEWELLERY

474. Wiwen Nilsson, a sterling silver bangle with step-cut rock crystal, Lund 1964.

Wiwen Nilsson

Wiwen Nilsson was a Swedish designer born in Copenhagen. He studied at his father’s workshop, as well as in Germany, Denmark and France. Nilsson is primarily known for his objects created in silver with a geometric, stylish and austere form. Nilsson made his debut at the Gothenburg Exhibition in 1923. At the Stockholm Exhibition in 1930, he had his big breakthrough and his innovative modernism was a success. Nilsson has, among other things, created jewellery, silverware and crockery.

470. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver brooch in the shape of a crane, Lund 1975.

Signed by Wiwen Nilsson. Dimensions approximately 60 x 65 mm, weight 17 g. Accompanied by a case.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

471. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver brooch in the shape of a pheasant, Lund 1965.

Signed by Wiwen Nilsson. No. 14, length approximately 70 mm, weight 15 g. Case included.

Estimate: SEK 6 000 – 7 000 / EUR 520 – 610

472A. Wiwen Nilsson (Sweden, 1897–1974) a silver brooch in the shape of a pheasant

Signed by Wiwen Nilsson. No. 19, length approximately 7 cm, weight 13 g. Accompanied by Wiwen Nilsson case.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

472. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver brooch in the shape of a crane/great egret, Lund 1952.

Signed Wiwen Nilsson. No. 14, dimensions approximately 65 x 50 mm, weight 26 g.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

474. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver bangle with step-cut rock crystal, Lund 1964.

Signed Wiwen Nilsson. Inner diameter 55 mm, front width 9 mm, weight 28 g.

Estimate: SEK 14 000 – 16 000 / EUR 1 210 – 1 380

473. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold brooch in the shape of the constellation Pegasus, Lund 1967.

Signed by Wiwen Nilsson. No. 1/1, dimensions 70 x 44 mm, weight 26 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

475. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver necklace with step-cut rock crystal, Lund 1942.

Signed by Wiwen Nilsson. Rock crystal approximately 30 x 18 mm, length approximately 59 cm, weight 40 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

476. Wiwen Nilsson, a silver and rock crystal bridal crown, Lund 1967.

477. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold necklace with a rock crystal pendant, Lund 1975.

Signed by Wiwen Nilsson. Diameter approximately 30 mm, length approximately 47 cm, weight 38 g. Accompanied by a case.

Estimate: SEK 15 000 – 17 000 / EUR 1 290 – 1 470

476. Wiwen Nilsson (Sweden, 1897–1974) a silver and rock crystal bridal crown, Lund 1967.

Signed Wiwen Nilsson. Diameter of base 84 mm, height 90 mm, weight 112 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 290 – 1 720

478. Wiwen Nilsson (Sweden, 1897–1974) a pair of silver earrings, Lund 1975.

Measuring ca 15 x 18 mm, total weight 7 g. Accompanied by a case from Wiwen Nilsson.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

479. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold ring with cabochon-cut lapis lazuli, Lund 1952.

Signed Wiwen Nilsson. Dimensions approximately 19 x 14 mm, size 17/53. Weight 7 g.

Estimate: SEK 12 000 – 14 000 / EUR 1 040 – 1 210

480. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver bangle with step-cut rock crystal, Lund 1938.

Signed by Wiwen Nilsson. Inner diameter approximately 5.5 cm, width ca 12 mm, weight 34 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

481. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver necklace with a step-cut rock crystal, Lund 1942.

Signed by Wiwen Nilsson. Length approximately 61 cm, pendant about 25 x 20 mm, weight 33 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

483. Wiwen Nilsson (Sweden, 1897–1974) a silver brooch with step-cut rock crystal, Lund 1946.

Signed by Wiwen Nilsson. Length approximately 55 mm, width approximately 7 mm, weight 6 g.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

485. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold ring with rock crystal, Lund 1941.

Signed by Wiwen Nilsson. Dimensions approximately 13 x 6 mm, size 16.75/52, weight 4 g.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

482. Wiwen Nilsson (Sweden, 1897–1974)a sterling silver bracelet, Lund 1944.

Signed by Wiwen Nilsson. Length approximately 21 cm, width ca 5 mm, weight 27 g.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

484. Wiwen Nilsson (Sweden, 1897–1974) a sterlin silver necklace, Lund 1942.

Signed by Wiwen Nilsson. Length approximately 75 cm, width approximately 3.5 mm, weight 76 g.

Estimate: SEK 8 000 – 9 000 / EUR 690 – 780

487. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold bracelet, Lund 1963.

Signed by Wiwen Nilsson. Length approximately 19.5 cm, weight 41 g.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580 (d)

486. Wiwen Nilsson (Sweden, 1897–1974) a pair of of silver earrings

Signed by Wiwen Nilsson. Length approximately 40 mm, weight 10 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

488. Wiwen Nilsson (Sweden, 1897–1974) a silver bangle with a large rock crystal, Lund 1964.

Signed Wiwen Nilsson. Inner diameter approximately 60 mm, rock crystal dimensions about 40 mm x 18 mm, weight 55 g.

Estimate: SEK 25 000 - 30 000 / EUR 2 190 – 2 630

489. Rosa Taikon (Sweden, 1926–2017) a sterling silver pendant with chain and a pair of earrings, Stockholm 1975 and 1976.

Signed by Rosa Taikon and Bernd Janusch. Pendant 30 x 50 mm, length 45 cm, earrings 30 x 45 mm, total weight 30 g.

Provenance: According to information, a gift from Rosa Taikon.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

490. Rosa Taikon (Sweden, 1926–2017) a silver pendant Stockholm 1970.

Signed Bernd Janusch. Diameter approximately 35 mm, chain length about 76 cm, weight 21 g.

Estimate: SEK 5 000 – 7 000 / EUR 430 – 610 (d)

491. Hans Scherlund, a ring in 18K white gold with an amethyst, Stockholm 1968.

Stamped HIS. Amethyst approximately 13 x 11 mm, size 17.75/55.5, weight 13.6 g.

Estimate: SEK 7 000 – 9 000 / EUR 610 – 780

492. Hans Hansen (Denmark, 1884–1940) a sterling silver bracelet, Denmark.

Signed by Hans Hansen. Width approximately 5–40 mm, inner diameter about 60 mm, weight 43 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

493. Georg Jensen (Denmark, 1866–1935) a sterling silver necklace and a pair of “Tulip” earrings no. 66 and no. 106, Denmark.

Width approximately 17 mm, length 39.5 cm, weight 69 g, dimensions approximately 18 x 20 mm, weight 10 g.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690

494. Georg Jensen (Denmark, 1866–1935) a sterling silver neck ring, Anne Ammitzböll, “Aura”, Georg Jensen Company, Copenhagen.

Model no 29A. Inner diameter approximately 12.5 cm, weight approximately 133 g. Accompanying case by Georg Jensen.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

495. Georg Jensen (Denmark, 1866–1935) a silver bangle with leather.

Model 561B. Inner diameter approximately 6 cm, weight 86 g.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520

496. Georg Jensen (Denmark, 1866–1935) two brooches, model 71 and 111, sterling silver, Denmark 1933–1944.

Dimensions of flower brooch 35 x 35 mm, weight 9 g, dimensions of bird brooch 30 x 20 mm, weight 7 g.

Estimate: SEK 3 000 – 5 000 / EUR 260 – 430

Rey Urban

After completing his education at Konstfack in 1951, Rey Urban traveled the world for new inspiration, he also worked as a silversmith in Denmark for a period. Rey Urban was one of the participants in the important exhibition “Nutidssmycken” at the National Museum in 1959, an exhibition that presented most of the 1950s innovators of Swedish jewelry art. In the 1960s, together with Lars Fleming and Claës Giertta, he formed the group “Tre smeder” which exerted a great influence on the contemporary jewelry scene. Interest in Rey Urban’s matter-of-fact and sometimes almost brutalist aesthetics is constantly growing, not least abroad where Swedish jewelry from the 1950s and 60s is held in high esteem.

497. Rey Urban (Sweden, 1929–2015) an 18K white gold bangle with round brilliant-cut diamonds, Stockholm 1965. Signed Rey Urban. Diamonds totalling approximately 1.00 ct, front width approximately 13 mm, weight 32 g.

Estimate: SEK 22 000 – 24 000 / EUR 1 900 – 2 070

498. Rey Urban (Sweden, 1929–2015) a sterling silver necklace/bracelet Stockholm 1977.

Signed Rey Urban. Lengths approximately 19–20 cm each, width approximately 9 mm, total weight 109 g.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

499. Rey Urban (Sweden, 1929–2015) an 18K white gold ring with a round brilliant-cut diamond approximately 1.13 ct, Stockholm 1966. Stamped RU. Size 16.25/51, weight 7 g.

Estimate: SEK 25 000 – 30 000 / EUR 2 150 – 2 580

500. Rey Urban (Sweden, 1929–2015) an 18K gold ring with a green tourmaline, Stockholm.

Signed Rey Urban. Tourmaline approximately 4 x 4 mm, size 18/57, weight 5 g.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

Sigurd Persson

The width and artistic complexity of Sigurd Persson’s artistry is almost overwhelming and makes him one of the greatest goldsmith and artists of the 20th century. After a long education in both Sweden and Germany he opened his own studio 1962 on Högbersgatan in Stockholm, but already in 1960 he gained international recognition with the exhibition “77 rings” at NK in Stockholm. In 1963 the famous luxury department store followed up the success with the exhibition “7+7 bangles”.

501. Sigurd Persson (Sweden, 1914–2003) an 18K white gold ring with smoky quartz, Stockholm 1963.

Stamped SIGP. Stone diameter approximately 15 mm, size 16.25/51, weight 15 g. Accompanied by a case.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860 (d)

502. Sigurd Persson (Sweden, 1914–2003) a pair of earrings and a ring, 18K gold with enamel and round brilliant-cut diamonds, Stockholm 1955.

Stamped SIGP. Diamonds totalling approximately 0.50 ct, dimensions of earrings approximately 22 x 19 mm, ring size 18.75/59, total weight 21.5 g.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

Claës Giertta

Claës Giertta not only participated in the legendary exhibition “Nutidssmycken” at the National Museum in 1959, he also created the expressonistic cover image for the catalog which well illustrates his artistic style. Together with Rey Urban and Lars Fleming, he was part of the group “Tre smeder” with a great influence on the Swedish jewelry scene. Like most of his colleagues in the industry, Giertta moved freely between different genres and had, among others, a number of Stockholm-churches as clients. 1960 he designed the designed the cross Marget Sahlin wore when she was ordained as one of the first female priests in Sweden.

503. Claës E. Giertta (Sweden, 1926–2007) a ring 18K white gold with a sapphire and brilliant-cut diamonds, Stockholm 1977.

Stamped Giertta. Diamonds totalling approximately 0.20 ct, sapphire approximately 8 x 6 mm, size 17/54, weight 18 g. Accompanying case by Giertta.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

504. Claës E. Giertta (Sweden, 1926–2007) a silver bracelet. Stamped GIE, Giertta. Length approximately 18 cm, width 40 mm, weight approximately 108 g

Estimate: SEK 7 000 – 8 000 / EUR 610 – 690

502. Sigurd Persson, a pair of earrings and a ring, 18K gold with enamel and round brilliant-cut diamonds, Stockholm 1955.

Siv Lagerström

Siv Lagerström studied at Konstfack, the metal department, from 1963 to 1967. Through her friend Ingegerd Råman, who was also educated at Konstfack, she came into contact with the magazine Idun, which appreciated her acrylic plastic rings. They were sold via mail order through Idun and were produced at Gravyrverken in Sollentuna for a short period in the early 1970s. They quickly became an international success. Lagerström’s rings were fashionably on point, with parallels to the fashion world where she could be considered Sweden’s

equivalent to Pierre Cardin’s futuristic, colourful fashion with a new silhouette and female liberation. Her rings represented a new artistic expression with new materials that broke away from the conventions of what a piece of jewellery should look like. The expression was more important than expensive materials, in a democratic spirit. Her work also bears similarities to the Op art of the 1960s with psychedelic abstract patterns in motion, creating a three-dimensional sculptural sensation

505. Siv Lagerström (1935–), four rings, acrylic plastic. Zodiac signs, Gravyrverken 1970s. Pisces, Libra, Leo, Aquarius, sizes 18.5/58, 19/59, 17.75/56, diameter 30 mm.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

507. Siv Lagerström (1935–), four rings, acrylic plastic. Four rings, acrylic plastic, Gravyrverken, 1970s. Size 16/50, width approximately 15–25 mm.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

506. Siv Lagerström (1935–), four rings, acrylic plastic. Gravyrverken 1970s. Sizes 17/54, 17.75/56, 18.75/59, dimensions 25 x 25 mm, diameter 25–30 mm.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

509. Siv Lagerström (1935–), a pair of earrings, gilded brass.

Length approximately 65 mm, weight 17 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

511. Siv Lagerström (1935–), two necklaces, acrylic plastic with amethyst and pyrite, circa 1970s.

Inner diameter approximately 13–13.5 cm, stone measurements about 20–45 mm x 12–14 mm.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

508. Siv Lagerström (1935–), four rings, acrylic plastic, Gravyrverken 1970s. Sizes 17.75/56, 18/56.5, 17.5/55, 17.75/56, dimensions approximately 25 x 25 mm, diameter about 23–30 mm.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

510. Siv Lagerström (1935–), three brooches, silver and acrylic.

Stockholm 2000. Lengths approximately 7–9 cm.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

512. Siv Lagerström (1935–), two necklaces, silver and acrylic plastic.

Stamped FSL. Pendant size approximately 35 x 25 mm, inner diameter about 13.5 cm, weight approximately 110 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

514. Henning Koppel (Denmark, 1918–1981) a sterling silver necklace for Georg Jensen, Denmark post 1945.

Model number 273, width approximately 20 mm, length approximately 49 cm, weight 111 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

516. Atelier Borgila (Sweden) a necklace, sterling silver, Stockholm 1956, design Bengt Wettersjö.

Width 30 mm, length 38 cm, weight 64 g.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

513. Henning Koppel (Denmark, 1918–1981) a sterling silver bracelet for Georg Jensen, Denmark.

Model 88B, width 25 mm, length approximately 18 cm, weight 36 g.

Estimate: SEK 6 000 – 8 000 / EUR 520 – 690 (d)

515. Harald Nielsen (Denmark, 1892–1977) a sterling silver necklace, a brooch, and a pair of earrings, for Georg Jensen, Denmark post 1945.

Model 96A, 217A and 50B, width approximately 11 mm, length 38.5 cm, brooch dimensions 28 x 48 mm, earrings 14 x 16 mm, total weight 58 g.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520 (d)

523. Vivianna Torun Bülow-Hübe, a necklace and a pendant, silver with a natural stone, executed in her own workshop, Stockholm circa 1956.

Vivianna Torun Bülow Hübe

Vivianna Torun Bülow Hübe was born in Malmö into a family where art was a natural part of everyday life. Her mother, Runa Bülow Hübe, was a sculptor and her father, Erik Bülow Hübe was a city planner. Torun had her first child, Pia, as an 18-year-old. She moved to Stockholm with her small child to start at her education at Konstfack.

In her spare time, Torun began working with simple materials such as cane, brass, leather etcetera and created African-inspired jewellery. She made these at home in her studio or in the park Humlegården while Pia was playing. She was given the opportunity to sell her creations to Estrid Ericson who sold them in her store “Svenskt Tenn” at Strandvägen.

In the summer of 1948, Torun went to Paris where she hung out in artistic circles with, for example, Braque, Brancusi, Matisse and others. In Paris, she met her husband to be, the architect Jean-Pierre Serbonnet, with whom she had her son Claude. The couple lived in Stockholm where Torun had a small studio. She sold her jewellery herself, but also via Svenskt Tenn and in a shop at Sibyllegatan. The family visited Paris frequently, and in 1952 Torun exhibited her jewellery in Paris for the first time. Torun had a license to stamp in both Sweden and France, therefore some of her jewellery has Swedish stamps, others French. In 1952 Torun divorced the French architect and in 1956 she moved to Paris and met her second husband, the African-American Walter Coleman. She came to spend time mainly with Walter’s friends in musicians and artist circles. Billie Holiday was one of Torun’s customers at the time.

Over time, it became difficult being African-American living in Paris and the couple moved to Biot. On the local beaches, she

picked beach stones that she incorporated into her jewellery. Through various contacts, Torun had the opportunity to exhibit her jewellery at the Musée Picasso in 1958. Torun had her studio at home in her house. It was an active period with various apprentices and regular visits of Swedish blacksmiths. When her marriage ended in 1965, Torun took her children back to Sweden for a new start. Life became too lonely, though, and Torun moved to Germany in 1968. In this period, the collaboration with Georg Jensen began. When Jensen introduced Torun’s wellknown watch with mirror glass as a clock face, it was the first wristwatch in the company’s history.

The collaboration with Jensen gave Torun financial stability as well as the opportunity to experiment. In 1976, Torun started a studio in Indonesia where they made simple necklaces with mother of pearl and shells. The idea was philanthropic, she provided job opportunities, and the money would go back to the organization to finance orphanages, old people’s homes and hospital-cars, among other things. In 1978, Torun herself moved down to Indonesia.

Torun remained in Indonesia with her business until the late 1990s when she moved to Copenhagen with her daughter Marcia and her family. Torun exhibited a large number of times during the 1990s. She died of cancer in 2004.

Torun was a designer that wasn’t only a pioneering silversmith by being a woman. She was a pioneer in creating those beautiful modernistic pieces of jewellery based on silver combined with glass drops, beach stones etc in such a timeless manner that has given her such a fine world repute.

517. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a wodden and silver brooch executed in her own workshop, circa 1950.

The brooch stamped TORUN. Asymmetric openwork brooch with a drop-shaped pendant of natural stone, length 8.5 cm, total height 10 cm including the pendant.

Estimate: SEK 32 000 – 36 000 / EUR 2 760 – 3 100 (d)

518. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a necklace, silver, with a rutilated quartz pendant. Georg Jensen.

Stamped Georg Jensen and Torun. Inner diameter approximately 13.5 cm, pendant length about 60 mm, total weight approximately 35 g. Accompanied by Georg Jensen case.

Estimate: SEK 8 000 – 10 000 / EUR 690 – 860

519. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a brooch, sterling silver with horn.

Stamped Torun. Length approximately 65 mm, weight 5 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

520. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a silver pendant with a beach pebble.

Apparently unmarked. Dimensions 26 x 78 mm, weight 5 g.

Estimate: SEK 5 000 – 6 000 / EUR 430 – 520 (d)

521. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a neck ring in rutilated quartz, sterling silver, for Georg Jensen, Denmark.

N o. 160 with pendant no. 131. Pendant measures approximately 29 x 80 mm, inner diameter of neck ring about 13 cm, total weight 116 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290 (d)

522. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a necklace with a pendant, sterling silver, Georg Jensen, Copenhagen. M odel 410 and pendant 301. Signed by Torun. Inner diameter approximately 14.5 cm, pendant length about 45 mm, total weight approximately 50 g.

Accompanied by Georg Jensen case.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040

523. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a necklace and a pendant, silver with a natural stone, executed in her own workshop, Stockholm circa 1956.

Inner diameter approximately 11.2 cm, pendant height 7.5 cm, total weight 50 g. Year stamp indistinct.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

524. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a necklace with a pendant, sterling silver with amethyst, for Georg Jensen, Copenhagen.

No. 160 and No. 35. Inner diameter approximately 13 cm, pendant about 7 x 9.5 cm, total weight 119 g.

Estimate: SEK 22 000 – 26 000 / EUR 1 900 – 2 240 (d)

525. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a necklace with a pendant, sterling silver with rock crystal, for Georg Jensen, Copenhagen.

No. 169 and No. 135. Inner diameter approximately 16.5 cm, pendant about 7 x 9.5 cm, total weight 67 g.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

526. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a sterling silver and mother-of-pearl brooch, Jakarta, Indonesia. Signed Torun. Measurements 48 x 23 mm, weight 7 g.

Estimate: SEK 2 000 – 3 000 / EUR 180 – 260 (d)

527. Inga-Britt “Ibe” Dahlquist (Sweden, 1924–1996) a bronze necklace “Fjäll”.

Signed IB Dahlquist. Pendant dimensions 11 x 9.5 cm, inner diameter approximately 13 cm, weight 143 g. A soft case and the original receipt are included.

Exhibitions: “Nutidssmycken”, Nationalmuseum Stockholm 1959 “The International Exhibition of Modern Jewellery”, Goldsmiths Hall London 1961 “Form fantasi”, Liljevalchs konsthall, Stockholm 1964.

Estimate: SEK 10 000 – 12 000 / EUR 860 – 1 040 (d)

528. Sven Linell, a silver bangle with green agate, Gothenburg 1966.

Signed PL. Inner diameter approx. 6 cm, stone approx. 15 x 12 mm, weight 24 g. Accompanied by a Sven Linell case.

Estimate: SEK 2 500 – 3 000 / EUR 220 – 260

529. Karl-Ingemar Johansson (Sweden, 1927–1997) a silver necklace, Gothenburg 1964.

Stamped KIJ. Length approximately 66 cm, width approximately 8 mm, weight 85 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350 (d)

531. Karl-Ingemar Johansson (Sweden, 1927–1997) a silver necklace, Gothenburg 1970.

Signed by K-I Johansson. Length approximately 65 cm, width approximately 5–9 mm, weight approximately 113 g.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

530. Cecilia Johansson (Sweden, 1939–2022) a sterling silver and opal matrix pendant, Gothenburg 1987.

Dimensions approximately 11 x 21 cm, weight 64 g.

Estimate: SEK 5 000 / EUR 430 (d)

532. Karl-Ingemar Johansson (Sweden, 1927–1997) a silver necklace, Gothenburg 1967.

Signed KIJ. Length approximately 65 cm, dimensions 9 x 5 mm, weight approximately 120 g.

Estimate: SEK 4 000 – 5 000 / EUR 350 – 430

533. Cecilia Johansson (Sweden, 1939–2022)) a silver and rutilated quartz pendant, Gothenburg 1979/80.

Signed CJ. Diameter approximately 30 mm, length approximately 60 mm, weight 27 g.

Estimate: SEK 2 500 – 3 000 / EUR 220 – 260

534. Cecilia Johansson (Sweden, 1939–2022) a silver and rutilated quartz ring, Gothenburg 1972.

Signed Cecilia. Diameter approximately 21 mm, size 18/57, weight 15 g.

Estimate: SEK 2 500 – 3 000 / EUR 220 – 260

535. Karl-Ingemar Johansson (Sweden, 1927–1997) a silver necklace and bracelet, Gothenburg 1965.

Signed KIJ. Bracelet length approximately 19.5 cm, necklace length approximately 50 cm, width approximately 5 mm, total weight 51 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

537. Karl Heinz Sauer (Sweden, 1943–) an 18K gold ring set with a black diamond and cultured pearls, Kalmar 2018.

Width 9–32 mm, size approximately 56, weight 23 g.

Estimate: SEK 16 000 – 18 000 / EUR 1 380 – 1 550 (d)

536. Karl Heinz Sauer (Sweden, 1943–) a necklace, sterling silver and 18K gold, Västerås 1997.

Signed K.Sauer. Dimensions approximately 95 x 65 mm, inner diameter of neck ring about 14 cm, width approximately 10 mm, weight 150 g.

Estimate: SEK 8 000 – 9 000 / EUR 690 – 780 (d)

538. Bertel Gardberg (Finland, 1916–2007) a silver bracelet, Hopeatehdas Oy, Helsinki 1966.

Length 21.5 cm, width 17 mm, weight 54 g.

Estimate: SEK 3 000 – 4 000 / EUR 260 – 350

539. Kristian Nilsson (Sweden, 1942–1989) a necklace, 18K gold with round brilliant-cut diamonds and cultured pearls, Stockholm 1982.

Stamped SKN. Pendant dimensions with pearl approximately 40 x 52 mm, length length approximately 36 cm, weight 50 g.

Estimate: SEK 20 000 – 30 000 / EUR 1 720 – 2 580 (d)

540. Tapio Wirkkala (Finland, 1915–1985) an 18K gold bangle.

Swedish import stamp. Inner diameter approximately 70 mm, width approximately 8–30 mm, weight 32 g.

Estimate: SEK 30 000 – 35 000 / EUR 2 580 – 3 010

541. Tapio Wirkkala (Finland, 1915–1985) a pendant, “Viking pendant”, 18K gold.

Swedish import stamp. Length approximately 80 mm, width approximately 80 mm, weight 34 g.

Estimate: SEK 50 000 – 55 000 / EUR 4 300 – 4 730

542. Björn Weckström (Finland, 1935–) a sterling silver and onyx necklace, “Manhattan”, Finland 2010.

Dimensions of pendant 35 x 40 mm, length 44 cm, weight 58 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 040 – 1 290

543. Björn Weckström (Finland, 1935–) an 18K gold and flourite necklace for Lapponia, Finland.

Signed Björn. Dimensions 33 x 50 mm, length 43 cm, weight 42 g.

Case included.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

544. Björn Weckström (Finland, 1935–) a sterling silver necklace, “Poema”, Lapponia, Finland 1994.

Width 40 mm, length approximately 39 cm, weight 335 g. Accompanied by a pouch.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150

545. Björn Weckström (Finland, 1935–) a bracelet, 18K gold, “Tundra”, Lapponia, Finland.

Stamped BW, Lapponia, with Swedish import stamp. Length approximately 19 cm, width about 10 mm, weight 25.5 g.

Estimate: SEK 20 000 – 22 000 / EUR 1 720 – 1 900

546. Björn Weckström (Finland, 1935–) a bracelet, 18K gold, “Lapland’s Stones”, Lapponia, Finland.

With Swedish import stamp. Width 18 mm, length 19.5 cm, weight 45 g.

Estimate: SEK 20 000 – 25 000 / EUR 1 720 – 2 150 (d)

SPRING 2024

DESIGN SALE HELSINKI

Online auction April 5–17

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Viewing April 19–23 | Live auction April 24–25

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Viewing April 19–23 | Live auction April 24

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Viewing May 16–20 | Live auction May 21–22

HELSINKI SPRING SALE

Online auction May 17–29

IMPORTANT SPRING SALE

Viewing June 5–10 | Live auction June 11–13

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D057: March 4–6 | D058: April 8–10

D059: May 13–15 | D060: June 17–19

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All lots with a lower estimate value of 15 000 SEK and above in the Art section of Modern Art and Important Winter/Spring’s hammer sales are searched against the Art Loss Register database.