Premier Auction | November 9, 2019

BA

Brunk

Auctions Richmond, Virginia

BA

Brunk

Auctions Richmond, Virginia

November 9, 2019 at 9:00 am

Richmond, Virginia

Lewis Ginter Botanical Garden 1800 Lakeside Avenue Richmond, Virginia 23228 Friday, November 8, 2019

Public Preview 11:00 am - 7:00 pm Saturday, November 9, 2019 Public Preview Begins 8:00 AM Auction Begins 9:00 AM

Early Preview by Appointment in Asheville, North Carolina BrunkAuctions.com 804.822.6025 info@brunkauctions.com VAAL 2908001063; NCAL 3095

Featured Estates

Colonial Williamsburg Foundation, Proceeds to Benefit the Acquisitions Fund The I. NoĂŤl Hume Collection of Artifacts and Antiquities Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Property From an Important Virginia Living Estate The Estate of Thomas W. Wood of Richmond and Williamsburg, Virginia Estate of Girard Chambers, Jr., Hampton, Virginia Private Collection, Oklahoma City, Oklahoma Estate of Gail W. Dane, Delray Beach, Florida Private Collection, South Carolina Historic Bremo Plantation, Bremo, Virginia Private Collection, Maryland Private Florida Collection Private New England Collection Private Collection, Tennessee

Tab l e o f Co n ten ts 4

Asian

7

NoĂŤl Hume Collection

12

American & Southern

20

Maps & Documents

24

Sporting Art

32

Colonial Williamsburg Foundation

36

British & Continental

44

Modern

50

Silver

56

Jewelry

66

Coins

76

Condition Notes

81

Art Index

Asian

1 Chinese Blue and White Porcelain Kendi, possibly 16th/17th century, porcelain, decorated floral and leaf panels, 8-1/4 in., with invoice, 800ÂŁ Provenance: Newton Estate, Virginia Estimate: $500 - $700

2 Famille Rose Chinese Export Punch Bowl, 18th/19th century, enamel decorated with figures, interior rim detail and floral decoration, gilt accents, ring foot, 4-1/4 x 10 in.

Estimate: $400 - $600

3 Chinese Clair de Lune Blue Bottle Vase compressed body, cylindrical neck, flared rim, ring foot, glazed interior, Yongzheng reign mark, 11-5/8 in.

Provenance: Private Collection, Georgia Estimate: $1,000 - $1,500

4 Two Finely Decorated Famille Rose Plates, probably Republic period, enamel decorated, gilt accents, DaQing Jiaqing Nianzhi mark in underglaze red, each 9 in.

Provenance: Private Collection, Georgia Estimate: $400 - $600

5 Near Pair of Fine Famille Rose Lidded Jars probably late 18th century, of baluster form, finely enamel decorated porcelain, depicting roses, perched bird in a cherry blossom tree, on pale blue ground, smallest 17 in., largest 18-1/4 in.; accompanied with bill of sale from Matthew Shultz, Ltd., New York, dated January 24th, 1986 for $5,800 Provenance: Private Collection, Jacksonville, Florida Estimate: $2,500 - $3,500

7 Famille Rose Porcelain Punch Bowl with Stand, Chinese, 19th century, interior and exterior enameled decorated with figures and flowers, 5-3/4 x 13-1/2 in.

Provenance: Ehle Collection, NC Estimate: $500 - $700

8 Pair of Republic Famille Rose Porcelain Plaques Chinese, 20th century, enamel decorated, maiden; man in the sea; artist's seals, possibly Zeng Fuqing, sight 14-3/4 in.

Provenance: PB Eigthy-Four [Sothebys Parke Bernet] October 3, 1979, Lot 4; Private Collection, Asheville, North Carolina Estimate: $800 - $1,200

9 Blue and White Chinese Vase probably Ming dynasty, porcelain, globular vase with flared base and rim, stylized floral decoration, accompanied with receipt from Worthington's Chinese & Asian Ceramics, Oriental Objects D'Art from May 17, 1989: "Large jar with underglaze blue decoration, Ming dynasty, 15. - 16. century. $8,000."

Provenance: Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $3,000 - $5,000

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10 Monumental Japanese Imari Floor Vase bulbous body, slender neck, undulating rim, blue and white decoration, gilt and color overglaze in relief, 36 in.

Provenance: Private Collection Estimate: $600 - $900

12 Burmese Gilt and Lacquer Papier Mache Buddha, possibly Shan period, bhumisparsha Buddha with eyes downcast, crossed legs, right hand resting on his knee with his fingers pointing downwards, left hand resting on his lap with his palm facing upwards, sitting on a base with lotus leaf motif, traces of red lacquer and gilt, wood accents, 37-1/2 x 24-1/2 in.; accompanied with copy of invoice from Lek Galleries Art, Bangkok, Thailand, dated May 7, 1998 for 73,000 baht and certificate of authenticity dated May 13, 1998 "Papier mache seated buddha, Shan period, Burma, 17th century" Provenance: Private Collection Estimate: $800 - $1,200

Condition notes available in back of catalog

Asian

11 Chinese School (19th century) Musicians in an Interior, unsigned, oil on canvas, 17 x 23-1/2 in.; Chinese style carved wood frame, 19-1/4 x 25-3/4 in.

Provenance: Private Collection Estimate: $1,500 - $2,500

13 Two Early Chinese Earthenware Vessels possibly Han dynasty, funerary vessel, relief, green glaze, 14-1/2 in.; possibly Neolithic period, decorated, 18-3/4 in.

Provenance: Skinner, 2013, Sale 2678B Estimate: $600 - $900

November 9, 2019

6 Chinese Painted Earthenware Fang Hu Covered Jar, possibly Han dynasty, paint decorated with partial masks, 17-1/2 in.

Provenance: Ambassador George Marvin (1904-1909) Estimate: $800 - $1,200

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15 Bronze Figure of Reclining Buddha Thailand, 19th century, representing Parinirvana, lying on his right side on a stepped and waisted dais, his head resting on a pillow, right arm at an angle, left arm along his body, 6-3/4 x 14-3/4 x 6-1/2 in.; with modern wooden stand Provenance: Estate of the Late William Kimak, Cleveland, Ohio; Private Collection Estimate: $800 - $1,200

16 Carved Buddha with Stand and Miniature Vitrine, Japanese, 19th century or earlier, with stand 8-1/4 in.; Chinese, hardwood and glass case, 8 in.

Provenance: Private Collection Estimate: $500 - $700

November 9, 2019

Asian

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14 Rare Inscribed Lacquered Rootwood Guanyin Chinese, probably Ming dynasty, knobby root, possibly chenxiangmu, in lustrous old patinated surface depicting a standing figure with flowing robes, holding a scroll in right hand, face with downcast eyes and gentle smile, up swept hair, back with inscribed character marks, likely indicating Ming and also the name of the carver, 19-3/4 in.

Provenance: Private New England Collection Estimate: $8,000 - $12,000

17 Marble Carving of Buddha possibly late 19th century, smiling Buddha, crossed legs, left hand resting on lap, right hand pointing down, 15-1/2 in.

Provenance: Gibbs, Blackwood House, SC Estimate: $300 - $500

18 Chinese Carved Tuan Stone Panel in High Relief possibly 18th century, carving of grass and crabs, natural brown coloration with shades of green and purple, poetic inscription and artist's seal to verso, sight 10-3/8 x 11-3/4 in.; framed; accompanied with additional documentation from Dragon House Oriental Fine Arts and Antiques, San Francisco, California Provenance: Private Collection Estimate: $600 - $900

19 Koshiro Onchi (Japanese, 1891-1955) Portrait of the poet Hagiwara SakutarĹ?, Author of "Ice Island", 1949, edition of approximately 20 to 50, stamped verso and recto upper left, Sekino Jun'chirĹ?, printer, stamped verso with artist's and printer's names, color woodblock, 17 x 21-3/8 in.; painted frame, 26 x 21 in.

Provenance: Private Collection, Asheville, North Carolina Estimate: $3,000 - $5,000

For full cataloging and images see our website, brunkauctions.com

20 Large Chinese Earthenware Horse Head and Torso, possibly Han dynasty, painted, 16-3/4 x 20 in.; thermoluminescence analysis..."1700 and 2600 years ago" Provenance: Mid-Hudson Auctions, 1993 Estimate: $600 - $900

Hume’s understanding of social and economic history helped craft a rich, multidimensional perspective and practice, earning him the title “Father of Historical Archeology.” His approach, scholarship, discoveries, and leadership at Colonial Williamsburg shaped not only our understanding of colonies and the clash of cultures, but also set the standard for the practice of this invaluable discipline.

Noël Hume assembled superior collections of British salt glazed stoneware, Delft tiles, fine British furniture, Roman iridescent glass bottles, and a portrait of King Charles II after Peter Lely. Brunk Auctions is very pleased to present selections from the Estate of Ivor Noël Hume at both the November 9th and December 5-7th auctions.

21 27 Maritime Delft Tiles Dutch, 17th/early 18th century, three framed six tile panels; one framed nine tile panel, depicting merpeople and mythological sea creatures, 4-3/4 x 4-3/4 in.

Estimate: $800 - $1,200

22 24 Framed Delft Tiles Dutch, 17th/early 18th century, one framed nine tile panel; one framed 15 tile panel, each tile approximately 4-3/4 x 4-3/4 in.

Estimate: $600 - $900

23 Four 17th Century Framed Panels of Delft Tiles, Dutch or English, 17th century, two four tile panels, tulip and pomegranate design; polychrome tulip tile; ship tile, 5 x 5 in.

Estimate: $600 - $800

24 16 Framed Sea Creature and Ship Delft Tiles, Dutch, 17th/early 18th century, two framed panels of tiles, most with pinholes in corners, tiles approximately 5 x 5 in.

Estimate: $600 - $900

Condition notes available in back of catalog

I Noël Hume Collection

ne of the leading archeologists of his time, British born Ivor Noël Hume, was director of archeology at Colonial Williamsburg. His discovery of the foundations of Wolstenholme Towne, one of the earliest English colonial settlements in America, revealed extraordinary new detail about 17th century colonists at both Wolstenholme Towne and the earlier Jamestown settlement. This remarkable discovery redefined the story of early colonial life in America.

November 9, 2019

The I. Noël Hume Collection of Artifacts and Antiquities O

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25 Monumental Stoneware Jug with Royal Arms British, circa 1831, salt glazed brown jug, sprig decorated with portrait busts of King William IV and Queen Adelaide, olive green interior glaze, 20 in.

Estimate: $1,000 - $1,500

November 9, 2019

NoĂŤl Hume Collection

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26 Large Signed Stoneware Advertising Jug British, 19th century, salt glazed, "Mrs. Roberts Barrel Inn", sprig decorated, signed "Made By John Bacon At Bradley Pottery 1849", 16 in.

Estimate: $1,000 - $2,000

27 John Bacon Signed Brown Stoneware Jug British, mid 19th century, two gallon salt glazed, impressed "JOHN BACON/AVLEY", "Good Luck to The Farmer/August 20th 1842", sprig decoration, 11 in.

Estimate: $600 - $900

28 Frechen Stoneware Bellarmine Jug German, 17th century, brown salt glazed ovoid jug, tooled spout and decorated at neck with raised bearded mask, probably later pewter fitted lid, 12 in.

Estimate: $600 - $900

29 Six Sprig Decorated Saltglazed Stoneware Vessels, British, 18th/early 19th century, "Gin" barrel, British Coat of Arms; "Punch Party" pitcher; three pitchers; mug, 6 in. to 10-1/2 in.

Estimate: $600 - $900

30 Five Stoneware Vessels, English Silver Mounts, British, late 18th/early 19th century, all sprig decorated, silver mounts, .925 fine, two pitchers; three mugs, 3 in. to 10 in.

Estimate: $600 - $900

31 Six 19th Century Brown Stoneware Bottles, British, salt glazed bottles, incised "DB"; "Denby Pottery"; "Hollis & Son London"; "R.White", 4-1/2 in. to 10-1/2 in.

Estimate: $400 - $600

32 Nine Small Stoneware Condiment Containers, British, 18th/19th century, seven sprig decorated mustard jars, salt cellar stamped "Doulton Pottery"; meat pot, 1-1/2 in to 4-1/2 in.

Estimate: $500 - $700

33 Three English Stoneware Drinking Vessels, 19th/20th century, salt glazed puzzle jug, cut out neck and fine sprig figures, 8-1/4 in.; reverse tapered mug, 5-3/4 in.; contemporary puzzle jug, 8 in.

Estimate: $500 - $700

34 Five Oversize British Stoneware Tavern Mugs, 18th century, three with hound handles and similar sprig hunt scenes; one English silver rim; one with St. George and the dragon, 5-1/4 in. to 6-1/4 in.

Estimate: $500 - $700

35 Two Stoneware Spirit Barrels with Spigots, British, gray glazed ribbed barrel, incised "1827"; brown glazed with recessed sides on base, "John Cliff & Co/Lambeth", brass spigots, 13 in. to 14 in.

Estimate: $400 - $600

36 16th Century Siegburg Stoneware Schnelle, German, circa 1570-1595, sprig applied panels, the Crucifixion, the Entombment, and the Resurrection of Christ, original pewter lid, 10-1/2 in.

Estimate: $800 - $1,200

37 Eight Pieces Stoneware Including Hairpin Stand, late 18th/early 19th century, figural hair pin stand or snuff caster; two preserve jars; two lidded jars; jardiniere; small jar; cup, 3 in. to 6-1/4 in.

Estimate: $800 - $1,200

38 Three Salt Glazed Stoneware Character Jugs, British, early 19th century, two jugs with impressed "S Green Lambeth", Lord Nelson, 9 in. and Lord Wellington, 5 in.; smiling face, unmarked, 5-1/2 in.

Estimate: $600 - $900

39 Eleven British Ceramic Banks 19th/early 20th century, stoneware, "Pay Here... 1899"; three earthenware; with mouse; pitcher finial; four figural; Nottingham style, 2-1/2 in. to 8 in.

Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

40 British School Portraits, A Pair (18th century) Lady in a Russet Gown, Gentleman in a Red Coat, unsigned, oil on canvas, 30 x 25 in.; modern oval frames Estimate: $1,000 - $2,000

44 Two Westerwald Stoneware Cobalt Decorated Jugs , German, probably 17th century, both with incised and applied sprig decoration of masks at necks, 9-1/4 in.

Estimate: $400 - $600

45 Westerwald Cobalt Decorated Bottle and Pitcher, German, mid to late 18th century, stoneware bottle with sprig applied lion and rosette decoration, 9-1/2 in.; pinch spouted pitcher, 11-3/4 in.

Estimate: $500 - $700

47 Three Early English Oak Joint Stools late 17th/early 18th century, each typical form with plank seat and turned legs on stretcher bases, tallest 19 x 17-1/2 x 10-1/4 in.

Estimate: $600 - $900

48 Rare Charles II Oak Dining Table, Period Chairs, British, late 17th century, comprising large scale oak drop leaf table, turned legs and gates, stretcher base with turned feet, together with four paneled and Barley twist side chairs (said to be original with table), backs of rear stiles with illegible stamped signatures C. STARKIE (?), table 30 x 24 in. (opens to 72 in.), chairs 47 in.

Estimate: $2,000 - $3,000

Mary Beale was a friend of Sir Peter Lely and was allowed rare access to his studio while he painted. She was also allowed to copy his paintings.

I 46 Two Westerwald Stoneware "GR" Jugs German, early 18th century, both with cobalt glaze and sprig applied "GR" medallions, incised stylized floral decoration, 12 in.; 12-3/4 in.

Estimate: $1,000 - $2,000

Condition notes available in back of catalog

NoĂŤl Hume Collection

42 British School Portrait (18th century) Gentleman in a Gray Satin Coat, unsigned, oil on canvas, 28-1/2 x 19-1/4 in.; gilt liner, 31 x 21-3/4 in.

Estimate: $1,000 - $1,500

November 9, 2019

41 Dutch School Portrait (17th century) Portrait of an Older Woman in Ruff Collar and Cap, unsigned, oil on panel, 28 x 215/8 in.; modern black painted frame Estimate: $800 - $1,200

43 Attributed to Mary Beale (British, 1632–1697) Portrait of King Charles II, after the portrait by Sir Peter Lely (NPG 153), with a feigned architectural spandrel, unsigned, oil on canvas, 30 x 25 in.; carved and gilt wood frame, 33-3/8 x 28-3/8 in.

Estimate: $4,000 - $6,000

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49 German School (19th century) Burning Ship in Rough Seas, not apparently signed, oil on tin, 17-1/2 x 23-5/8 in.; modern parcel gilt wood frame Estimate: $800 - $1,200

52 17th Century Sword British/Continental, singleedged blade with fuller, iron hilt with openwork and thumb ring, Walloon style front section, 38 in.

Estimate: $1,000 - $1,500

53 17th Century British Sword double fuller single-edged Hounslow blade inscribed twice "HOVN MEFACIT", probably attributable to Benjamin Stone (London, 1630-1642), basket hilt, subspherical pommel, 40-1/2 in.

Estimate: $1,000 - $1,500`

50 Early 19th Century Jamaica Scrimshaw Powder Horn, British, circa 1820, "Stony Hill/Jamaica/West Indies/J Mitchell" emblem for 33rd Regiment of the Light Infantry, mermaid and scorpion, 13-1/2 in.

Estimate: $800 - $1,200

51 Forged Armor Breastplate Continental, 17th century, hammered iron, peascod form, flared at waist, modification for wall hanging, 18 x 13-1/2 in.

Estimate: $600 - $900

54 Land Transport Corps Sword British, 19th century, double-edged blade, ribbed brass hilt, mudlarking find from the River Thames, 25 in.

Estimate: $800 - $1,200

55 17th Century Bronze Petronel British, lemon shaped butt, spring action trigger, possibly later ramrod, faceted and engraved barrel, 4-1/2 in.

Estimate: $500 - $700

November 9, 2019

NoĂŤl Hume Collection

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56 Denon, Egypt, One Hundred and Ten Engravings, Egypt, A Series of One Hundred and Ten Engravings... the Expedition of the French

by Baron Vivant Denon, London: Charles Taylor, 1818, 20 x 14 in.

Estimate: $1,000 - $2,000

59 Engraved Brass Box with Brass Dog Collar, Dutch, 17th century, brass tobacco box; British 18th/early 19th century dog collar with lock, leather interior, stamped "JW", 3-1/8 in. to 3-1/2 in.

Estimate: $500 - $700

57 Elizabethan Vellum Indenture with Intaglio Impression Seals British, circa 1554, indenture between Thomas Dymock and others including Henry Percy, Earl of Northumberland, with wax seals, 30 x 27-1/2 in., frame Estimate: $1,000 - $2,000

60 Five Wooden Deadfall Mouse Traps 19th century and earlier, dual trap, distressed surface; single trap, old wood surface; three other probable single trap reproductions; largest 9-1/2 in.

Estimate: $400 - $600

61 Rare Early Mermaid Decorated Brass Basin possibly Nuremberg, 15th/16th century, repousse basin with leaf and mermaid decoration, basin measures 18 in. diameter Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

58 Two 18th Century Tooled Leather Document Boxes, Continental, both slightly dome shaped and decorated with stylized flowers with vine borders, iron bail handles and lock plates, 9 in. to 10 in.

Estimate: $400 - $600

62 Wooden Fid and Charger probably American, probably 19th century, tapering, conical tool, signed "W. M. I", 17-1/2 in.; tooled wooden charger, 18-3/4 in.

Estimate: $300 - $500

63 Rare Charles II Carved Oak Lidded Box dated 1670, fine lustrous patinated surface, original iron strap hinges and lock facing, embedded Elizabeth I era shilling, 5-1/2 x 10-1/4 x 5-1/4 in.

Estimate: $2,000 - $3,000

Hume discusses this clock in his titled, All the Best Rubbish, New York and London: Harper & Row, 1974, pages 57-59, ill.

68 Provincial British Mahogany and Pine Dining Set 19th century, sawbuck table, scrubbed pine top, red painted base, iron stretcher, 28-3/4 x 82 x 31 in.; six Hepplewhite chairs, pierced splats, 35-1/2 in.

Estimate: $1,000 - $1,500

70 Five Roman Iridescent Glass Bottles possibly first to third century A.D., cosmetic flask; two bottles with side handles; two bottles flared rims, with receipts circa 1950, 3 in. to 7-1/2 in.

Estimate: $1,000 - $2,000

69 Queen Anne Japanned Tall Case Clock British, early 18th century, dial signed "Hurd, Scarborough", brass movement, Chinoiserie case, 87-1/2 in. high Estimate: $800 - $1,200

71 Nine Egyptian Funerary Artifacts various ages, some possible 700-500 AD, terra cotta figure of a crouching Anubis; four Ushabti figures, later bust; jar; figures, 2-1/2 in. to 6-1/2 in.

Estimate: $1,200 - $1,800

Condition notes available in back of catalog

I NoĂŤl Hume Collection

67 A Rare William and Mary Oak Dressing Table, British, 1690-1710, with paneled single drawer, molded two board top, turned stretcher base, 27-1/2 x 31 x 21 in.

Estimate: $800 - $1,200

65 A Queen Anne Oak Dressing Table British, 18th century, three drawers with original pierced brass pulls, elm and pine secondary, old mellow patinated surface, 28 x 34 x 20-3/4 Estimate: $500 - $700

November 9, 2019

64 Charles II Carved and Joined Oak Cradle, British, 17th century, joined frame with relief carved panels with stylized leaves and flowers, lustrous brown color, turned finials, 28 x 36 x 22 in.

Estimate: $500 - $1,000

66 Edward Norris Brass Lantern Clock British, first half 18th century in part, engraved brass front fret, brass dial with Roman chapter ring and floral engraving signed Edward Norris at ye in Bethlehem fecit, plain side frets, brass side doors, weight driven movement with crown verge escapement and strike on a bell, rear bob pendulum outside case, vase form finials, probably later chain, pendulum and wood shelf, 15-1/2 in.

Estimate: $6,000 - $9,000

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American & Southern

November 9, 2019

American & Southern

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72 Fine Rhode Island Chippendale Card Table Newport, late 18th century, mahogany, serpentine top over a conforming frame, stop fluted square legs, pierced corner brackets, 29 x 34-1/4 x 16-1/2 in.

Provenance: early label at underside inscribed Abby W. Davis; Estate of Gail W. Dane, Delray Beach, Florida Estimate: $3,000 - $5,000

73 Anglo/American School (18th century) Young Woman in a Jeweled Pink Satin Gown, unsigned, oil, 18-1/2 x 16-1/2 in.

Provenance: New England Collection Estimate: $1,000 - $1,500

74 Chippendale Carved Parcel Gilt Mahogany Mirror, mid 18th century, carved frame, urn and floral finial, floral streamers, distressed plate, 51-1/2 x 26 in.

Provenance: Wood Estate, VA Estimate: $1,000 - $2,000

75 American Chippendale Walnut Chest of Drawers, probably Pennsylvania, late 18th century, fluted quarter columns, original ogee bracket feet, 38 x 42 x 21 in.

Provenance: Wood Estate, VA Estimate: $800 - $1,200

76 After Frederick Carl Frieseke (early 20th century) Sunlight through the Cherry Blossoms, unsigned, oil on board, 10 x 8 in.; framed Provenance: New England Collection Estimate: $1,000 - $1,500

For full cataloging and images see our website, brunkauctions.com

77 Charles Balthazar Julien Fevret de Saint-Memin (New York/French, 1770-1852) Portraits of George Arnold Fitzwilliam (London, England 1771-1838) and Eleanor Ramsay Fitzwilliam (New York, New York, 1772-1844), 1797, black and white chalk on buff paper with pink wash, 16 x 12-1/2 in.; fine, black lacquer and gilt composition frames, 25-1/2 x 22-3/4 in.

Provenance: George and Eleanor Fitzwilliam; by Descent in family Estimate: $10,000 - $15,000 This lot is accompanied by items from the Fitzwilliam Family Archive: Four Books, Silhouette, photo of Saint-Memin engravings.

80 A Fine Pair of Federal Engraved Brass Andirons, American, circa 1790-1810, urn finials, plinths with engraved armorials, stepped billet bar, spurred arches, 26-1/2 in.

Provenance: Private Collection Estimate: $2,000 - $3,000

American & Southern

79 Pair of Federal Mahogany Knife Boxes probably American, late 18th/early 19th century, figured mahogany with serpentine fronts, 14-1/2 x 9 x 12 in.

Provenance: Wood Estate, VA Estimate: $500 - $700

81 American Chippendale Serpentine Mahogany Chest Boston, late 18th century, single-board mahogany top, over four graduated serpentine drawers with highly figured facings, set with original brass pulls, on carved ball and claw feet, 34 x 40-1/4 x 21-3/4 in.

Provenance: Estate of Gail W. Dane, Delray Beach, Florida Estimate: $4,000 - $6,000

Condition notes available in back of catalog

November 9, 2019

78 Baroque Inlaid Walnut Lift Top Box American or Continental, 18th century, dovetailed construction with string floral inlay, 9 x 24-1/2 x 12-1/2 in.

Provenance: New England Collection Estimate: $400 - $600

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82 Mauritz Frederik Hendrick De Haas (Holland/New York, 1832-1895) Gloucester Harbor, signed lower right "M.F. H. De Haas N.A.", oil on canvas, 36-1/4 x 60-1/4 in.; carved gilt wood frame liner, 39-3/4 x 63-1/2 in.

Provenance: Estate of Gail W. Dane, Delray Beach, Florida Estimate: $12,000 - $18,000

November 9, 2019

American & Southern

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83 Mauritz Frederik Hendrick De Haas (Holland/New York, 1832-1895) Moonlit Sail, signed lower left "M.F.H. de Haas N.A.", oil on canvas, 41 x 34 in.; carved gilt wood frame, 44-1/2 x 37-1/2 in.

Provenance: Estate of Gail W. Dane, Delray Beach, Florida Estimate: $2,000 - $3,000

84 Willem Frederik De Haas (American, 1830-1880) Coastal Scene, signed lower left "Willem F De Haas,", oil on canvas, 15 x 26 in.; carved gilt wood and composition frame, 24 x 35 in.

Provenance: Estate of Mr. and Mrs. Eugene Fleischer Estimate: $2,500 - $3,500

85 Wesley Webber (Massachusetts, 1839-1914) A Schooner Brig Off the Coast, signed lower left "W. Webber.", oil on canvas, 24 x 40 in.; period carved gilt wood and composition liner, Provenance: Estate of Gail W. Dane, Delray Beach, Florida Estimate: $2,000 - $3,000

86 A Folk Art Paint Decorated Trade Sign American, late 19th/early 20th century, black, white, and red painted wooden fish has open mouth and applied fins, 26-Âź x 57 in.

Provenance: Sotheby's The Lipman Collection, Sale #4730Y, November 14, 1981, Lot 24, Private Collection, Jacksonville, Florida Estimate: $1,500 - $2,500

For full cataloging and images see our website, brunkauctions.com

87 Folk Art Horse and Rider Weather Vane American, late 19th century, laminated copper, gilt and verdigris surface, standing horse with rider wearing top hat, 26 x 27 in.

Provenance: Edmund I. Fuller, New York; Sotheby's, The Thomas G. Rizzo Collection of Important American Folk Art and Related Decorative Arts, New York, April 29, 1982, Lot #16; Sotheby's American Furniture & Decorative Arts Sale, January 28, 1983, Sale #5022, Lot #0192; Private Collection, Jacksonville, Florida Estimate: $2,000 - $3,000

91 Folk Art Molded Copper Rooster Form Weathervane, American, late 19th/early 20th century, deeply molded full body form, verdigris surface, 27-1/4 x 29 in.

Provenance: Dane Estate, Florida Estimate: $500 - $700

92 American Folk Art Sheet Iron Rooster Weathervane, late 19th century, cut sheet iron with feathered tail and some traces of pigment, 27-1/4 x 29-1/2 in.

Provenance: Bronson's Yellow Barn; Private Collection, Jacksonville, Florida Estimate: $500 - $700

93 American Molded Copper Eagle Weathervane, late 19th century, finely rendered form in old surface, cast zinc head, ball support, 28-1/4 x 23-1/2 in.

Provenance: Private Collection, FL Estimate: $1,200 - $1,800

94 Running Fox Weathervane on Stand American, mounted to pointed iron spike, situated on rectangular base, 22-1/2 x 31 in.

Provenance: Liverant Antiques, CT Estimate: $1,500 - $2,500

Literature: Robert Bishop and Patricia Coblentz, A Gallery of American Weathervanes and Whirligigs, E.P. Dutton, 1981, plate 119, page 72, ill.; Steve Miller, The Art of the Weathervane, Schiffer Publishing Ltd., 1984, page 108, ill.

I American & Southern

89 Molded Copper Horse Weathervane with Stand, American, late 19th century, the running horse with, mellow old mustard paint, with stand 20 x 27-1/2 in.

Provenance: Sotheby's Arcade Auction Sale # 1153, January 29, 1986, Lot #262; Private Collection, Jacksonville, Florida Estimate: $1,000 - $2,000

95 Rare Patinated Copper and Blown Glass Trade Sign American, late 19th/early 20th century, thick laminated sheet copper depicting a glass blower and his apprentice each holding a glass blowing rod with blown globe, with stand 27-1/4 x 32 in.

Provenance: Van Dusen & Schuman, San Ansentino, CaliforniaA, 1985; Private Collection, Jacksonville, Florida Estimate: $3,000 - $5,000 According to consignor, sign was represented as being from Corning, New York

Condition notes available in back of catalog

November 9, 2019

88 American Folk Art Sheet Metal Horse Weathervane, late 19th century, running figure with cut mane, 20 x 32 in.

Provenance: Sotheby's Arcade Auction, Sale # 1153, January 29, 1986, Lot 262; Private Collection, Jacksonville, Florida Estimate: $1,200 - $1,800

90 A Fine American Folk Art Horse Weathervane late 19th century, galvanized metal with wrought iron bracing, set in an early wooden stand, 44-½ x 30-½ in.

Provenance: Chester Dentan, Marna Anderson Gallery, New York; Ricco-Johnson Gallery, New York; Van Dusen & Schuman, San Ansetino, California; Private Collection, Jacksonville, Florida Estimate: $3,000 - $5,000

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96 Rare Early Black Walnut Great Chair possibly Southern or Islands, 18th century, black walnut throughout, with scalloped crest and spindle back, blocked and turned legs with stretchers, 47-1/2 in.

Provenance: Private New England Collection Estimate: $5,000 - $7,000

97 American School, possibly Edward Sachse (Baltimore, 1804-1873) Fortress Monroe, Old Point Comfort and Hygeia Hotel, VA, oil on canvas, 34 x 44 in.

Provenance: Private New York Collection Estimate: $2,000 - $4,000

The exact origin of this rare early armchair remains an enigma. While the crest rail has references to Pennsylvania, the two tiers of spindles in the back point elsewhere, with relatives in North Carolina, the Caribbean, Bermuda, and elsewhere.

98 Very Rare William and Mary Mulberry Armchair, possibly North Carolina, early 18th century, mulberry frame (by microanalysis) with vasiform splat, through tenoned arms with turned supports, turned legs and stretchers, 45-1/2 in.

Provenance: Private New England Collection Estimate: $5,000 - $7,000

November 9, 2019

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100 Two Rye Straw Baskets from Colonial Williamsburg, American, 19th century, with oak ribbons, accession numbers written in red on base, largest 5 x 12-1/2 in.

Provenance: New England Collection Estimate: $100 - $300

This exceptionally rare armchair is composed almost entirely of Mulberry, a wood seldom found in early 18th century furniture. Mulberry does occur in Northeastern North Carolina, and among the few known examples are an early tavern table with turned stretcher base attributed to Roanoke River Basin, North Carolina, 1720-1740, now in the collections of Yale University Art Gallery, 1930-2763 (see MESDA file S-10881).

101 American Chippendale Mahogany Lift Top Chest possibly Southern, 18th century, dense mahogany throughout with white pine secondary, scalloped skirt, dovetailed box with brass carrying handles, 25 x 29 x 13-1/2 in.

Provenance: Private New England Collection Estimate: $2,000 - $3,000

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99 Three Images of John S. Mosby in One Frame, 19th century, in Confederate regalia; bearded portrait; elder attorney, each signed, framed, 12-5/8 x 22-5/8 in.

Provenance: Bremo Plantation, VA Estimate: $1,000 - $1,500

102 Rare Early Southern William and Mary Table, attributed to eastern shore Virginia or Maryland, 18th century, early surface with traces of blue paint, walnut and yellow pine, molded single board pine top on X-form walnut base, ring and baluster turned legs and stretchers, top with traces of early painted initials "...M", 28 x 22 x 16-1/4 in.

Provenance: Private New England Collection Estimate: $4,000 - $6,000

103 Fine Southern Federal Mahogany Valuables Cabinet, probably Northern Virginia or Maryland, late 18th/early 19th century, mahogany, 40-1/2 x 12 x 11 in.

Provenance: New England Collection Estimate: $1,000 - $2,000

For full cataloging and images see our website, brunkauctions.com

104 American Federal Walnut Chest of Drawers, probably southern states, circa 1800, original brass pulls, full dust boards, 39 x 39-1/4 x 20-1/4 in.

Provenance: Private Virginia Collection Estimate: $600 - $900

105 Rare Southern William and Mary Table, possibly Virginia or North Carolina, early 18th century, figured walnut, two drawers with yellow pine secondary, finely turned legs with stretchers, 29-1/2 x 29-1/2 x 17 in.

Provenance: Private New England Collection Estimate: $3,000 - $5,000

107 Diminutive William and Mary Gate Leg Table, possibly southern states, early 18th century, walnut throughout, mellow surface, 28-1/2 x 36 x 13-1/2 in.

Provenance: New England Collection Estimate: $1,500 - $2,500

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110 American Queen Anne Stretcher Base Tea Table, attributed to Tidewater Virginia, 18th century, walnut throughout, with oval top, 28 x 30-1/2 x 20-1/2 in.

Provenance: Private Collector, MD Estimate: $5,000 - $7,000

American & Southern

109 Rare Early Southern Stretcher Base Tea Table, possibly Charleston, South Carolina, circa 1740, walnut throughout, single board top, original feet, 26 x 20 x 31-1/2 in.

Provenance: New England Collection Estimate: $3,000 - $5,000

111 Very Rare Southern Chippendale Walnut Cellarette attributed to Piedmont North Carolina, late 18th century, walnut throughout with lidded dovetailed bottle case on a conforming frame with scalloped skirts, cabriole legs and Spanish feet, 23-3/4 x 21-1/2 x 14-1/2 in.

Provenance: Collection of Mrs. Alfred Bissell of Wilmington, Delaware; exhibited at the Virginia Museum of Fine Arts, "Furniture of the Old South", 1958 (labels present); Private New England Collection Estimate: $12,000 - $18,000 Illustrated in Helen Comstock's article, "Furniture of Virginia, North Carolina, Georgia, and Kentucky."

Also, a nearly identical example (possibly the same chest with different escutcheon) is shown in Southern Antiques by Paul Burroughs, p. 71, plate II.

Condition notes available in back of catalog

November 9, 2019

106 Rare William and Mary Brass and Iron Andirons, 18th century, each with brass finial and scrolled wrought iron legs, 133/4 x 20 in.

Provenance: Wood Estate, VA Estimate: $400 - $600

108 Frank Henry Shapleigh (New Hampshire/Boston/Florida, 1842-1906) Old House in St. Augustine, Florida, 1892, signed and dated lower left "F.H. Shapleigh 1892", also signed and titled verso, oil on canvas, 20 x 14 in.; probably original period carved gilt wood and composition frame, (labeled Hastings & Davenport, Boston), 301/2 x 24-1/2 in.

Provenance: The Bates Family, Webster Massachusetts; Andrew Bates Carrington, Webster, Massachusetts; by Descent in the Family: Private Collection, Wellington, Florida Estimate: $7,000 - $10,000

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113 John James Audubon (New York, 1785-1851) Rough legged Falcon, Pl. CLXVI, 1833, from The Birds of America, London, 1827-1838, Havell edition, hand-colored engraving with aquatint and etching on wove paper with "J.Whatman/Turkey Mill/1833" watermark, sheet 38-1/4 x 25-3/8 in.; wood frame, 50 x 36 in.

Provenance: Private Florida Collection Estimate: $2,000 - $3,000

112 Louis Mathieu Didier Guillaume (France/America, 1816-1892) Portrait of a Southern Gentleman, signed lower right "L.M. D. Guillaume", two illegible label fragments verso, oil on canvas, 30 x 25 in.; period carved gilt wood frame, 37-1/2 x 33 in.

Provenance: The Valentine Museum, Richmond, Virginia; Property From an Important Virginia Living Estate Estimate: $4,000 - $6,000 Louis Mathieu Didier Guillaume was active in Richmond from 1857 until 1871, painting portraits and genre scenes. His work includes the famous scene of Lee surrendering to Grant that hangs in the House at Appomattox, as well as six equestrian portraits of Confederate leaders. There has been some speculation that this sitter bears some resemblance to a young Jefferson Davis, although the sitter remains unknown.

November 9, 2019

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116 Mark Catesby (British, 1679-1749) Two snake plates: T. 59, T.47, from The Natural History of Carolina.., 1731-43, hand-colored engravings, 20-3/8 x 14 in.

Estimate: $500 - $1,000

119 Southern Federal Mahogany Chest of Drawers, probably Maryland or Virginia, 1790-1810, poplar and white pine secondary, 37-1/2 x 38 x 18-1/2 in.

Provenance: Virginia Estate Estimate: $800 - $1,200

120 Child's Step Back Cupboard, Dated 1790, late 18th century, pine, five open shelves over two doors with floral inlay and "1790", 28 x 22-1/2 x 6-1/2 in.

Provenance: New England Collection Estimate: $600 - $900

114 Mark Catesby (British, 1679-1749) Two fish plates: T. 2; T.23, 1731-43, from The Natural History of Carolina..; handcolored engravings, 20-3/4 x 14-1/8 in.

Estimate: $600 - $900

115 Mark Catesby (British, 1679-1749) Two snake plates: T. 42, T.43, from The Natural History of Carolina.., 1731-43, hand-colored engravings, 15 x 21-3/8 in.

Estimate: $500 - $1,000

117 Mark Catesby (British, 1679-1749) Three plates: T. 44, Vipera Nigera, T. 46 Anguis, 1731-43 edition; T. 41 Vipera caudisona, 1771 edition, from The Natural History of Carolina, Florida and The Bahama Islands; hand-colored engravings on laid paper with "IV", Strasbourg Lily watermarks, largest sheet 20-7/8 x 14-3/8 in.; unframed Estimate: $800 - $1,200

118 Mark Catesby (British, 1679-1749) Two snake plates: T. 48, T.55, from The Natural History of Carolina.., 1731-43, engravings, 21-1/4 x 14-7/8 in.; unframed Estimate: $500 - $1,000

121 Kathleen Wheeler Crump (American/British, 1884-1977) glazed ceramic figure of mare and foal, signed "K.Wheeler" on base, 6 x 8 in.

Provenance: Newton Estate, VA Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

122 Attributed to Dave Hodges (Montana, born 1949) Reynard and Slyboots, signed "Hodges 1992" and inscribed on bases, 11 in.

Provenance: Newton Estate, VA Estimate: $500 - $700

123 Rare Virginia Queen Anne Walnut Dressing Table possibly Suffolk area, mid 18th century, highly figured walnut top with cusped corners, scalloped side skirts, dovetailed drawers with walnut, white pine and yellow pine secondary, cabriole legs and pad feet with notched back corners, 27 x 32 x 19-1/2 in.

Provenance: Private New England Collection Estimate: $6,000 - $9,000 A closely related dressing table, possibly from the same shop, is in the collections of Colonial Williamsburg, and came from a family with a history in Suffolk. See 1979-86. Both tables have distinctive notches at the backs of the pad feet.

The Irish immigrant James McCormick is recorded in Baltimore in 1786, but over the next five years he moved variously to Alexandria, then to Norfolk, and finally to Petersburg, Virginia, presumably to try to improve his opportunities for work. McCormick contributed to the revival of British taste in these Virginia cities, and his British training is apparent in the planar design of this linen press, which relates closely to British precedents. For more on McCormick, see Hurst and Prown, Southern Furniture 1680-1830 (Williamsburg, 1997), p. 117 and 363.

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126 Oushak Carpet central medallion with open field decorated with florals, geometric border, 12 ft. 6 in. x 9 ft. 10 in.

Estimate: $2,000 - $3,000

127 Sultanabad Carpet 20th century, central blue medallion with boteh, field with blue, green, and white florals, 14 ft. 6 in. x 12 ft. 7 in.

Estimate: $2,000 - $4,000

Condition notes available in back of catalog

128 Bakshaish Rug Persian, ivory and blue medallion on red field, blue floral border, 13 ft. 3 in. x 9 ft. 10 in.

Estimate: $2,000 - $3,000

November 9, 2019

American & Southern

124 American Vernacular Chippendale Desk on Frame possibly Virginia or Maryland, late 18th century, probably original pierced brasses, 40 x 33-3/4 x 17 in.

Provenance: Private New England Collection Estimate: $1,500 - $2,500

125 Rare Virginia Chippendale Mahogany Linen Press signed "J McCormick", Virginia, 1787-1791, molded rectangular cornice above an upper case fitted with two cabinet doors opening to reveal three linen slides, above a desk drawer with hinged facade opening to a compartmented interior fitted with drawers, one signed J McCormick" in pencil, over a lower case with two short drawers above two long drawers, on bracket feet, 81 x 49 x 21 in.

Provenance: Christie's, New York; A Maryland Private Collector Estimate: $10,000 - $15,000

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Maps & Documents I

November 9, 2019

Maps & Documents

130 Montanus Map of Virginia and Florida, 1671 British, Virginiae Partis australis, et Floridae partis orientalis, by Arnoldus Montanus and John Ogilby, after the prototype by Willem Blaeu, black and white engraving with hand-colored highlights, two decorative cartouches depicting natives, 12-1/4 x 14-1/2 in.; modern frame, 14-1/2 x 17 in.

Provenance: Private New England Collection Estimate: $1,000 - $1,500

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129 Theodor de Bry (German/Flemish, 1528–1598) Five rare copper plate engravings of Virginia Native Americans, from Thomas Hariot, A briefe [sic] and true report of the new found land of Virginia, 1590, Latin, including plates VII, VIII, XIIII, XVI, XVII, sight 12-5/8 x 8-3/4 in.; similar black painted frames, 15-7/8 x 13 in.

Provenance: Private New England Collection Estimate: $2,000 - $3,000

131 Willem Blaeu Nova Virginiae Tabula Dutch, c. 1640, Nova Virginiae Tabula, original engraving by Jodocus Hondius, after John Smith's 1612 map of Virginia, two sheets, black and white engraving with handcolored highlights, decorative cartouches and inset scenes depicting natives, text verso, 15 x 19 in.; modern frame, 19-3/4 x 24-1/4 in.

Provenance: Private New England Collection Estimate: $1,000 - $1,500

For full cataloging and images see our website, brunkauctions.com

133 1831 West Point Map by Philip St. George Cocke pen and ink topographical map, signed in ink, "Topographical map of West Point - done with pen by Cadet Cocke 1831.", over faint pencil signature "Cocke", on wove paper, image 7-1/4 x 9-1/4 in., overall 13-1/4 x 14-3/4 in., modern frame; accompanied with engraving of Cocke in uniform, signed "Philip SGw Cocke, modern frame, overall 13 x 10 in.

Provenance: Historic Bremo Plantation, Bremo, Virginia Estimate: $800 - $1,200

Condition notes available in back of catalog

Maps & Documents

134 Thomas Jefferson & James Madison Document, American, dated 1805, ship's passage, partially printed and handwritten, reads "By the President of the United States of America, Suffer the Barque Nixon of Norfolk, James Living master or commander of the burthen of One Hundred and Fifty six tons...to belong to one or more Citizen's of the United States...", "Twenty Eigth Day of December, one thousand Eight hundred and five", signed by the President, Thomas Jefferson, and Secretary of State, James Madison, complete with Great Seal of the United States; gilt frame, matted with inset colored images of Madison and Jefferson along with historical biographies, top image depicting a naval battle, 31 x 25-1/2 in.

Provenance: Private Collection, Hilton Head, South Carolina Estimate: $1,000 - $2,000

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November 9, 2019

132 Fry & Jefferson Map of Virginia Joshua Fry (circa 1700-1754) and Peter Jefferson (1708-1757), A Map of the most inhabited part of Virginia/containing the whole province of/Maryland/with part of Pensilvania, New Jersey and North Carolina/Drawn by Josua Fry & Peter Jefferson in 1751; engraved and originally published by Thomas Jefferys in London, 1751, this copy, the fifth state was issued in 1768; with hand coloring; 31-1/2 x 48-1/2 in.; modern black frame, 47-1/2 x 57-1/2 in.

Provenance: Colonial Williamsburg Foundation (acquired 1981) Estimate: $20,000 - $30,000

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135 Arnoldus Montanus, Arx Carolina (Dutch, 1625-1683) bird's eye view of the Huguenot fort built 1562-64, published Amsterdam, Jacob van Meurs, 1671, engraving on laid paper, 11-7/8 x 14-1/4 in.; framed 15-1/2 x 18 in.

Provenance: Private New England Collection Estimate: $1,500 - $2,000

November 9, 2019

Maps & Documents

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136 Sayer And Bennet Map of North America, 1777 British, published by Robert Sayer and John Bennett, joined four-sheet map, black and white engraving with minimal hand colored highlights, decorative cartouche to upper right, includes historical notes and annotations, two insets titled A Particular Map of Baffin and Hudson's Bay and The Passage by Land to California, eight articles from the 1763 Definitive Treaty, sight 41-1/2 x 47 in.; modern frame, 45 x 50 in.

Provenance: Private New England Collection Estimate: $2,500 - $3,500

137 Theodor and Johann de Bry (German, 16th/17th century) Four copper engravings, three Native American Virginia related: Stag Hunt; two trimmed from page 819, Burning Out a Canoe, A Chief Lord of Virginia.. two extracted from Americae... German edition , Frankfurt, 1634; Quintero, largest sight 6-1/8 x 7-5/8 in.; similar black painted frames, 8-7/8 x 10-1/2 in.

Provenance: Private New England Collection Estimate: $600 - $900

139 Sutton Nicholls Map Plantations in America, British, 18th century, A New Map...Plantations of the English In America, Coat of Arms, 24-1/4 x 27 in.

Provenance: New England Collection Estimate: $1,200 - $1,800

138 Willem Janszoon Blaeu Virginia & Florida Map Dutch, c. 1640, Virginiae Partis australis, et Floridae partis orientalis, overall 19-1/2 x 24-1/4 in.; unframed Provenance: Private New England Collection Estimate: $1,000 - $1,500

140 Two Framed 19th Century Nautical Whaling Maps British, circa 1820-1850, hand drawn grids and whaling marks, largest 35-1/2 x 25-1/2 in.; framed, largest 36 x 26 in.

Provenance: Private Florida Collection Estimate: $800 - $1,200

For full cataloging and images see our website, brunkauctions.com

Walter Ristow (American, 1908-2006), former Chief of the Geography and Map Division at the Library of Congress, Washington, D.C., described Jefferys' atlas as a "geographical description of the whole continent of America, as portrayed in the best available maps in the later half of the eighteenth century ... as a major cartographic work it was, very likely, consulted by American, English, and French civilian administrators and military officers during the Revolution." [excerpt from Cohen & Taliaferro LLC writeup accompanied with atlas.]

Ristow's assumption is confirmed. Sir Henry Clinton, a British Commander in America during the Revolution, possessed five of the twenty-three maps detailed in Jefferys' atlas: maps nos. 7, 10, 18, 19, 23&24. (Listed as maps nos. 4, 6, 14, 15, and 18 from Cohen & Taliaferro LLC.) vTo further confirm Ristow’s hypothesis, "In 1780, Thomas Jefferson wrote to General Horatio Gates, 'we are endeavouring to get you a copy of Fry & Jefferson's; but they are now very scarce.'" The Fry & Jefferson's map that Jefferson refers to is the Map of the Most Inhabited Part of Virginia, Containing the Whole Province of Maryland..., maps no. 21,22 in Thomas Jefferys atlas. (Listed as map no. 17 from Cohen & Taliaferro LLC.)

Condition notes available in back of catalog

Maps & Documents

Jefferys, the most renowned cartographer of the 18th century, was Geographer to the Prince of Wales, and later, Geographer to King George III. His well-placed position allowed him access to some of the most detailed and accurate surveys of America. After his death in 1771, his business partner, Robert Sayer, along with John Bennett, worked to accumulate the separately issued maps and republished them in 1776 as one comprehensive atlas of the American continent.

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November 9, 2019

141 Thomas Jefferys: The American Atlas (British, 1719-1771) Twenty-three maps comprised of forty-nine copper plates, on thirty sheets, from The American Atlas; or, a Geographical Description of the Whole Continent of America; Wherein are Delineated at Large its Several Regions, Countries, States, and Islands; and Chiefly the British Colonies..., printed and sold for Robert Sayer and John Bennet, London, 1776, includes letterpress title page and index leaf, and several distinguished maps including Jonathan Carver's A New Map of the Province of Quebec, Joshua Fry and Peter Jefferson's A Map of the Most Inhabited Part of Virginia, and Braddock Meade's A Map of the Most Inhabited Parts of New England, many are folding, engraved and hand colored in outline on laid paper, Strasbourg lily watermark with "LVG", bound within original marbled boards, with calf backstrip and gilt lettering to style, folio approximately 21-3/4 x 15-1/2 in.; book 22 x 16-1/4 in.; with a custom walnut and plexiglass stand, "Southampton" label to center drawer interior, 37 x 58-1/2 x 28 in.; accompanied with a detailed write-up from Cohen & Taliaferro LLC, New York, New York Provenance: Cohen & Taliaferro, LLC, New York, New York; Private Virginia Collection Estimate: $80,000 - $120,000

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142 Booth Malone (Georgia, born 1950) Before the Hunt, signed lower left "Booth Malone 1997", oil on canvas, 15-1/4 x 15-1/4 in.; modern wooden frame, 18 x 18 in.

Provenance: Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $800 - $1,200

143 Randall Davey (American, 1887-1964) Steeplechasers, Going to the Post, signed lower right "Randall Davey", also titled and signed verso, oil on Masonite, 26 x 32 in.; period carved gilt wood frame, 30 x 35-3/4 in.

Provenance: Kleemann Galleries, New York, NY, (label verso); Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $2,000 - $3,000

Sporting

144 British School (late 19th century) Two Ladies Facing Off, circa 1890, unsigned, oil on canvas, 16-1/8 x 24 in.

Provenance: New England Collection Estimate: $1,000 - $1,500

145 John Theodore Eardley Kenney (British, 1911-1972) Early in the Morning, signed "John T. Kenney", oil on canvas, 24 x 36 in.; framed Provenance: New York Collection Estimate: $1,000 - $2,000

November 9, 2019

146 Maud Earl (New York/England, 1864-1943) In The Slips, Two Black and White Greyhounds, signed lower right "Maud Earl", oil on canvas, 48 x 60 in.; modern gold finished carved wood frame, 53 x 65 in.

Provenance: Christie's, London, January 1991; Private Florida Collection Estimate: $12,000 - $18,000

Sporting

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Condition notes available in back of catalog

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147 Attributed to Alfred de Dreux (French, 1810-1860) Two Hounds and a Hunter on Horseback in a Wooded Landscape, unsigned, oil on canvas, 29-1/8 x 36-5/8 in.; fine gilt wood and composition frame, 42-1/2 x 49-1/2 in.

Provenance: Christie's, New York, 1986; William Secord Gallery, New York; Private Florida Collection Estimate: $30,000 - $50,000

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Sporting

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148 Thomas Blinks (British, 1860-1912) Greyhounds Racing a Rabbit, signed lower right with conjoined monogram "TB 81", oil on canvas, 14-3/4 x 25 in.; possibly original gilt wood and composition frame, 21-3/4 x 31-3/4 in.

Provenance: Private Florida Collection Estimate: $3,000 - $5,000

149 William Henry Knight (British, 1823–1863) The Huntsman with His Hounds, signed lower right "W.H. Knight 1850", oil on canvas, 30 x 25 in.; modern gilt wood frame, 36 x 31-1/4 in.

Provenance: Butterfields: May 15, 2002, lot 3053; Private Florida Collection Estimate: $4,000 - $6,000

For full cataloging and images see our website, brunkauctions.com

Sporting

150 Benjamin Marshall (British, 1768-1835) Sir Charles Bunbury's Bay Filly with Jockey Up on Newmarket Heath, 1798, signed and dated lower right "B. Marshall pt.1798", oil on canvas, 27-1/2 x 36 in.; gilt wood frame, 33 x 41 in.

Provenance: Commissioned by Sir Charles Bunbury, 6th Bt., 1798; Victor MacCalmont, circa 1895; by Descent until 1987; with Lane Fine Art, London; Private Collection; sold Christie's London: Wednesday, November 23, 2005, Lot 63 ; Private Florida Collection Estimate: $50,000 - $70,000

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Benjamin Marshall began his artistic career as a portrait painter under the artist Lemuel Francis Abbott. He broadened his oeuvre to include animal subjects which gained royal and aristocratic patronage, placing him as one of the most desired sporting artists of the late 18th and early 19th centuries. He influenced other great sporting artists such as John Ferneley (see lot 154) and Abraham Cooper. ‑

November 9, 2019

Sir Charles Bunbury, 6th Baronet, (1740-1821) commissioned this painting with the jockey bearing his colors, pink and white. He was an affluent figure at Newmarket and bred important horses like Diomed, first winner of the Epsom Stakes (1790). Diomed's offspring would help establish American thoroughbred blood lines through an importer in Caroline County, Virginia named Colonel John Hoomes. Although this bay filly is not identified, she may also be the offspring of this enormously important sire.

Condition notes available in back of catalog

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152 William Tasker (British, 1805–1852) Sir Rubens with Groom, 1835, "William Tasker, Pinxt, 1835", oil on canvas, 18-1/4 x 231/4 in.; modern painted wood frame, 23-1/8 x 28 in.

Provenance: Rutland Gallery, London; Private Florida Collection Estimate: $1,000 - $2,000

151 Pierre-Jules Mêne (French, 1810–1879) Cheval Arabe (Ibrahim) No. 1, 1843, signed on base "PJ Mêne" and re-stamped at center "Ibrahim" over faint "Ibrahim [Etalon] Arabe", inscribed underneath "NY", a fine 19th century casting with join at tail, possibly an atelier proof, bronze, 12-3/8 x 14-1/4 x 4-7/8 in. (0,311 x 0,383 x 0,126 mm) Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $2,000 - $4,000

Literature: Poletti, Michel, Alain Richarme, Pierre-Jules Mêne. Pierre-Jules Mêne: 18101879 Catalogue Raisonne. Paris: Univers du bronze, 2007, CHE 4, pg. 61, ill. 51

153 Dutch School Painting on Harpsichord Lid, (17th century) A Rabbit Hunt and Town with a Port and Shipping, unsigned, oil, 56-1/4 x 29-1/2 in.

Provenance: Private New England Collection Estimate: $2,000 - $3,000

154 John E. Ferneley, Sr. (British, 1782–1860) Bay Horse, signed "J. Ferneley/1829", oil on paperboard, 8-1/4 x 11-5/8 in.; framed Provenance: Arthur Ackermann & Son, Ltd, London; Private New England Collection Estimate: $2,500 - $3,500

155 Attributed to Charles Cooper Henderson, (British, 1803-1877) A pair of coaching scenes, unsigned, oil on panels, 8-3/4 x 10-1/2 in.; frames, Provenance: New England Collection Estimate: $2,000 - $3,000

156 Follower of James Seymour (British, 1702-1752) A Groom Leading a Horse, unsigned, oil on canvas, 16-1/8 x 21-1/2 in.; framed Provenance: New England Collection Estimate: $1,200 - $1,800

158 Follower of John Charles Maggs (British, 1819-1896) Coach Scene, St. Martin's Le Grand, oil, 30 x 43-3/8 in.; gilt frame Provenance: New England Collection Estimate: $2,000 - $3,000

159 Attributed to George Morland (British, 1763-1804) Returning Home, pen and ink, watercolor on paper, 7-3/4 x 10-3/4 in.; gilt frame Provenance: New England Collection Estimate: $500 - $700

Poletti and Richarme comment on a proof of this bronze held in a Paris collection with the identical measurments, most notably is the depth of "0.126" or very near 4-7/8 in.

Others appear to have a slightly deeper base of 0,135 mm. or 5-1/4 in.

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Sporting

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157 Thomas Butler (British, circa 1730-1760) Portrait of the Terrier Snap, inscribed on collar and signed and inscribed lower right "This Bitch Snap was Pupp'd/ without a tail and is Excellent in her/kind taken from the Life at Sr. Jn:o Frederick/Barr.t at Hampton_Tho:s Butler Pall Mall/ London-/1756", oil on canvas, 25 x 29-3/4 in.; gilt wood frame, 28-3/4 x 33-7/8 in.

Provenance: Christie's New York: June 22, 2007, Lot 3; Private Florida Collection Estimate: $2,000 - $4,000

For full cataloging and images see our website, brunkauctions.com

I Sporting

160 Sir Alfred James Munnings, P.R.A., R.W.S. (British, 1878–1959) The Windsor Grays Being Harnessed to the Royal Coach, c. 1930, signed lower left "A.J. Munnings", oil on panel, 23-1/8 x 31-1/8 in.; gilt wood frame 28-5/8 x 36-5/8 in.

Provenance: Anonymous Sale; Sotheby's London, April 12, 1967, lot 41, illustrated; Ex-Collection of Mrs. William D. Haggard, III; Collection of Hollister Houghton, Aiken, South Carolina Estimate: $70,000 - $100,000 The present work shows the front of the royal Gold State Coach and two of the required four pairs of Windsor Grey horses. Built in 1762, the 4-ton ceremonial gilt coach has been used for every coronation since George IV in 1821. The horses wear special harness of red Moroccan leather with gilt buckles and those on the near or left side are ridden by postilions. The coach itself is heavily gilded with four fishtailed tritons or sea gods at each corner representing Britain’s Imperial power over the seas. The front footboard is in the shape of a scallop shell.

Munnings has indicated the coach’s elaborate gilt footboard and one triton. By echoing the same golden hues to enliven the postilions’ decorative braid on their livery, Munnings has linked these elements while drawing the eye from the left into the depths of the scene.

There is not a known finished painting of this subject despite several very small studies (one in ex-Paul Mellon collection), one finished image of the massive Gold Coach and a detailed portrait of a Royal Windsor Grey in Coronation Harness (illustrated in Wildenstein Exhibition, 1983, no 41). Plein air studies such as this are typical of Munnings’ method in order to understand the nuances of his subject and to experiment with the play of light. It is possible that Munnings prepared this painting and other studies for the coronation of King George VI in December 1936 but the commission never materialized or is unknown.

November 9, 2019

Brunk Auctions would like to thank Lorian Peralta-Ramos for authenticating the painting and for writing the catalog entry.

Condition notes available in back of catalog

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161 John Sargent Noble (British, 1848-1896) The Day's Bag, 1888, signed lower left "J.S. Noble/1888", oil on canvas with "Rowney..London" colorman stamp, 44 x 56 in.; original M.S. Nathan gilt oak and composition frame, 52-3/4 x 64-5/8 in.

Provenance: Private Florida Collection Estimate: $10,000 - $15,000

November 9, 2019

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162 John Sargent Noble (British, 1848-1896) The Master's Choice-Hounds in a Barn, 1876, signed lower right "J..S. Noble/1876", oil on canvas, 16-1/8 x 22 in.; gilt wood frame, 21-7/8 x 27-3/4 in.

Provenance: Richard Green, London, No. AD 222; Private Florida Collection Estimate: $6,000 - $9,000

163 Olivier de Penne (French, 1831-1897) The Boar Chase, signed lower left "Ol. De Penne", oil on canvas, 57-1/4 x 50-1/2 in.; gilt wood and composition frame, 81-1/2 x 54-1/2 in.

Provenance: Sotheby's New York: Tuesday, October 28, 2003, Lot 171; Private Florida Collection Estimate: $6,000 - $9,000

For full cataloging and images see our website, brunkauctions.com

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A late 19th and early 20th century realist painter, John Emms was best known for his handsome paintings of horses, hunting dogs and scenes of the local gentry engaged in sport. While little is known of Emms early training he is likely to have trained with the painter Lord Frederick Leighton and Emms own father, a painter who may have given him his start in the arts. Emms began exhibiting at the Royal Academy in London in 1866 and by 1872 had settled in Lyndhurst, England. The sporting life that he found there and the eccentricities of the gentry suited him and many of the patrons that commissioned his paintings were acquaintances of his from riding and hunting. It was said that he was himself somewhat bohemian and “colorful,� and in his later years, his lifestyle left him consistently short of funds.

This composition is one of the largest that Emms is known to have painted.

Condition notes available in back of catalog

November 9, 2019

164 A Monumental work by John Emms (British, 1843-1912) Huntsmen and Hunt Staff at Earth with Hounds and a Terrier, signed lower right "J. Emms/1903", oil on canvas, 92-1/2 x 68-1/4 in.; modern parcel gilt and painted wood frame, 105 x 81 in.

Provenance: Red Fox Fine Art, Virginia; Private Florida Collection Estimate: $70,000 - $100,000

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Colonial Williamsburg Foundation, Proceeds to Benefit the Acquisitions Fund

165 Follower of David Teniers the Younger (Flemish, 1610–1690) Musical Party and Elegantes on a Garden Terrace, unsigned, early 18th century, remnant of old label and wax seal with monogram "RM" verso , oil on panel, 26-5/8 x 23-3/8 in.; gilt wood and composition frame, 31-5/8 x 27-7/8 in.

Provenance: Purchased from French and Company, New York, New York Estimate: $2,000 - $3,000 Dennis Weller, expert in Northern European art states, "Based on photos, the Teniers the Younger association is certainly clear. I would assign it to a follower of Teniers active in the early 18th century based on some of the clothing details, the palette, and more rococo stylistic touches. An alternative attribution would have the picture assigned to a follower of Matheus van Helmont (1623-1679), who, in turn, was a follower of Teniers." vFor a similar composition by David Teniers the Younger see the RKD database #1001338189.

166 Follower of Sir Peter Lely (Dutch/England, 1618–1680) Lady Lucy Wharton Holding Cherries, inscribed lower right "Lady Lucy Wharton", possibly Lady Lucy Loftus (Brydges) of Wharton (died 1717), oil on canvas, 30-1/8 x 25 in.; gilt wood Carlo Maratta frame, 37 x 32 in.

Provenance: Joseph Stephen Brown, Bridgewater, England (operationg from 18721905); Ex-Collection of Lt. Col. and Mrs. Miodrag R. Blagojevich, West Saint Mary's Manor, Dryden, Maryland Estimate: $1,500 - $2,500

167 Gaspar Peeter Verbruggen The Younger (Flemish, 1664–1730) Still Life of Flowers with a Garden Urn, circa early 1690s, unsigned, oil on canvas, 64 x 48 in. (162.56 x 121.92 cm.); gilt wood and composition frame, 69-1/2 x 54 in.

Provenance: Ex-Collection of Mrs. Daniel Baker, Jr., Maryland Estimate: $8,000 - $12,000

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November 9, 2019

Brunk Auctions would like to thank Dr. Fred Meijer for confirming the attribution of the painting on the basis of photographs. He shares his opinion that this is the pendant for a signed work listed on the RKD database (https://rkd.nl/explore/images/214391). He goes on to state that "The composition is similar, but the execution of the sculpted vase is better in your painting, perhaps by Peter Ykens (1648-1695/96), with whom Verbruggen collaborated more often, in which case it originated between 1679 and 1696. A date in the first half of the 1690s would appear to fit for Verbruggen’s flowers."

Condition notes available in back of catalog

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168 Circle of Pieter Casteels III (Flemish, 1684–1749) Still Life with Spring Flowers in a Chinese Bowl, unsigned, oil on canvas, 501/4 x 41 in.; carved and gilt wood panel frame, 57 x 47 in.

Provenance: Purchased from Lenygon and Morant, Ltd., London, England Estimate: $8,000 - $12,000 Brunk Auctions would like to thank Dr. Fred G. Meijer for his evaluation of this painting as the Circle of Pieter Casteels III.

November 9, 2019

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169 British School (18th century) A Ship of the Line with an Admiral's Barge, circa 1700, oil on canvas, 22-1/8 x 27-3/4 in.; 18th century frame Provenance: Old Print Shop, Inc., New York, New York Estimate: $2,000 - $3,000

170 After Charles Bridges (Virginia/British, 1670-1747) Portrait of Alexander Spotswood, unsigned, a 19th century copy, oil on canvas; 46-1/8 x 38-1/8 in.; 20th century frame Estimate: $800 - $1,200

171 After Charles Bridges (Virginia/British, 1670-1747) Portrait of Mrs. Alexander Spotswood, unsigned, 19th century copy, oil on canvas, 43-1/4 x 32 in.; framed Estimate: $500 - $1,000

172 British School (17th century) An Admiral, possibly Sir John Skelton, unsigned, oil on canvas, 28-1/2 x 25 in.

Provenvnace: Blagojevich Collection, MD Estimate: $1,000 - $1,500

174 After Henry Singleton (British, 1766-1839) Marriage of Frederick, Duke of York to Frederica, oil on canvas, 25 x 30 in.

Provenance: Downtown Galleries, NY Estimate: $1,000 - $1,500

175 British School (18th century) Satirical View of a Man on Horseback, unsigned, oil on canvas, 10 x 14 in.

Provenance: Scotney and Son, England Estimate: $1,000 - $1,500

173 Rare Pair of Baroque Fruit Wood Portrait Panels, probably French, 18th century, blue ground, French profile portraits in relief, accession numbers, 20 in.

Provenance: E.H. Benjamin, England Estimate: $1,000 - $1,500

For full cataloging and images see our website, brunkauctions.com

176 Follower of Samuel Scott (Italian, 1703–1772) The Thames from Somerset House Terrace Towards Westminster, after the composition by Canaletto (Italian, 1697–1768), unsigned, oil on canvas, 24-1/4 x 38 in.; Kent style painted and parcel gilt wood frame, 31-7/8 x 46 in.

Provenance: Ex-Collection of Mrs. Vanderbilt Webb, New York New York Estimate: $5,000 - $7,000 The frame plate gives an attribution to Samuel Scott who adopted the style of the important Venetian painter, Canaletto. Canaletto established a studio in Britain to answer the demand for his paintings from wealthy art collectors. Beginning in 1746 he painted views of the Thames at London and Windsor. His success prompted Scott, William James and others to imitate his style and compositions.

Mrs. Vanderbilt Webb's father was the director of the Metropolitan Museum of Art, New York.

179 British 18th Century Hatchment inscribed in Latin In Coelo Quies, attributed verso to John Thorp, oil on panel, 20-1/8 x 20-1/8 in.; framed Provenancee: Blagojevitch Collection, MD Estimate: $1,000 - $1,500

180 Follower of Thomas Wyck (or Wijck, Flemish, 1616–1677) View of Whitehall from St. James's Park, oil on canvas, 41 x 31-1/8 in.; framed Provenance: Colnaghi Estimate: $1,500 - $2,500

178 British School Over Mantle Painting (18th century) Sporting Scene, unsigned, oil on canvas, 27-1/4 x 59-1/2 in.; modern frame Provenance: Knoedler, New York Estimate: $3,000 - $5,000

181 British School Over Mantle Painting (early 18th century) Rural Landscape with Travelers and People Fishing, circa 1700-1750, unsigned, oil on canvas, 25-3/16 x 53 in.; bolection frame Estimate: $1,500 - $2,500

Condition notes available in back of catalog

November 9, 2019

177 Follower of Samuel Scott (British, 1703–1772) Lambeth Palace and the Thames, unsigned, oil on canvas, 20 x 31-1/2 in.; framed Provenance: Old Print Shop, New York Estimate: $2,000 - $3,000

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British & Continental 182 Liverpool Creamware Pitcher British, early 19th century, marked "America" with transfer decoration of ship flying a 13 star American flag, cartouche with eagle and marked "Peace, Plenty, and Independence"; 10 in.

Estimate: $1,200 - $1,800

183 Set of Cups and Saucers with Mount Vernon, British, early 19th century, nine cups in two designs, five with dog transfer to center, largest 2-1/4 x 3-1/2 in.; nine saucers, 5-3/4 in.

Estimate: $800 - $1,200

November 9, 2019

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185 British School Still Life (British, 19th century) Salmon and Lobster on a Feather Edge Platter, circa 1839, label verso suggests a signature verso original canvas "I. Jennings", oil on canvas, 23-7/8 x 30-1/2 in.; black painted and distressed wood frame, 28-1/2 x 34-7/8 in.

Provenance: Rutland Gallery, London; Private Florida Collection Estimate: $2,000 - $3,000

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For full cataloging and images see our website, brunkauctions.com

184 13 Wedgwood Marguerite Kirmse Plates, British, c. 1930, sporting/hunting dog engravings, Wedgwood marks verso, 10-3/4 in.

Provenance: New York Collection Estimate: $500 - $700

186 George Jones Majolica Sardine Lidded Box, 19th century, glazed, basket weave relief, attached boat, George Jones mark and English registry marks, 5 x 9-1/4 in.

Provenance: North Carolina Estate Estimate: $300 - $500

187 Nicholas Pocock (British, 1740-1821) The H.M.S. Emerald and the H.M.S. Amethyst Chasing the French Frigate Niemen, 9th April, 1809, signed and dated lower right "N. Pocock 1811", oil on canvas, 16-1/8 x 24 in.; modern gilt wood frame, 19 x 27 in.

Provenance: Private Florida Collection Estimate: $12,000 - $18,000

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190 Attributed to Thomas Whitcombe (British, 1763-1824) Boats Off The Cliffs of Dover, unsigned, oil on panel, 9-1/8 x 12-3/8 in.; gilt frame Provenance: Grogan & Company, October 30, 1995, Lot 435; Private Florida Collection Estimate: $3,000 - $5,000

Condition notes available in back of catalog

November 9, 2019

189 Naive British School Maritime Painting (19th century) Two Ships of the Line in Devonport Harbor, c. 1860, oil on canvas, 24 x 29 in Provenance: Rutland Gallery, London; Private Florida Collection Estimate: $1,000 - $1,500

British & Continental

188 Carved and Painted Model of the HMS Emerald British, 19th century, original mahogany stand, turned feet, metal stand, model 12 x 44-1/2 x 9-3/4 in.

Provenance: Private Florida Collection Estimate: $2,000 - $3,000

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192 George I Figured Walnut Knee Hole Bureau British, early 18th century, book matched figured walnut veneers, banded dovetailed drawers with oak linings, 29-3/4 x 33 x 21 in.

Provenance: Private Collection, Jacksonville, Florida Estimate: $2,500 - $3,500

November 9, 2019

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191 Rare William & Mary Burlwood Veneered Case Clock Joseph Windmills, London, circa 1700, hood with sarcophagus top with gilt finials and gilt appliques, fine square gilt and silvered dial engraved "Windmills London", Roman chapter ring, second hand and date aperture, brass eight day movement, each gilt applied spandrel centering a mask motif, waisted case with finely grained burlwood veneers, door and base set with gilt spandrel appliques, base centering a gilt medallion depicting Cupid, stepped base with ebonized bun feet, 105-1/2 x 20 x 10-1/2 in.

Provenance: The Estate of Thomas W. Wood of Richmond and Williamsburg, Virginia Estimate: $5,000 - $7,000

193 Digby Family Crest Hood Ornament British/American, 20th century, ostrich with a lucky horseshoe, 5 in., from Estate of Ambassador Pamela Churchill Harriman Provenance: Sotheby's, 1997 Estimate: $800 - $1,200

194 Two Painted Sporting Hood Ornaments probably English, including fox riding a hound (Queen of England is said to have one), 5 in.; fox on the chase, 4-1/4 in.

Provenance: New York Collection Estimate: $400 - $600

195 Two Georgian Pear and Apple Form Tea Caddies, British, 19th century, carved fruit wood, brass escutcheons, hinged lids, foil lined interiors, largest 7-1/2 in.

Provenance: Dane Estate, Florida Estimate: $600 - $900

196 Large English Delft Polychrome Punch Bowl, early to mid 17th century, floral bouquet panels, scrolling foliate designs, interior with floral motif, 9 x 16 in.

Provenance: Wood Estate, Virginia Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

198 George Owen Royal Worcester Reticulated Vase, British, early 20th century, elaborately pierced and finely gilded ivory porcelain, lion head handles, square base with canted corners, gilt crown printed mark with date mark for 1917, model no. 2494, incised "G Owen", 8-1/2 in.

Provenance: A Private Virginia Collection Estimate: $4,000 - $6,000

201 Louis XV Style Carriage Clock with Enamel Panels, probably late 19th/early 20th century, four panels, romantic scenes of courtship, gilt bronze fittings, 5-7/8 in.

Provenance: Private Collection, Oklahoma Estimate: $400 - $600

200â—‰ Gilt Sewing Kit with Inset Miniatures Continental, 18th/19th century, gilt sewing case with miniature paintings, French silver tools, .950 fine, 2-3/4 x 4-1/2 in.

Provenance: Private Collection, Oklahoma Estimate: $300 - $500

202 French Burl Wood Tantalus with Cordial Set, 19th century, mother of pearl inlay, four decanters, 16 cordials, possibly hBaccarat, 11-1/4 x 13 x 10-1/4 in.

Provenance: Private Collection, Oklahoma Estimate: $600 - $900

British & Continental

199 Gilt Chatelaine and Sewing Case Continental, 18th/19th century, gilt metal chatelaine with two urn form cases and cartouche form etui, 8 in., fitted case Provenance: Private Collection, Oklahoma Estimate: $400 - $800

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203 Egyptian Bronze Statue of Osiris probably 26th dynasty, (664-525 B.C.), fragmentary figure, upper body wrapped in shroud with emerging hands holding a crook and flail, finely incised collar and false plaited beard, wearing the atef crown fronted by a uraeus cobra symbol, mounted on marble plinth, attached labels reads "Mathias Komor/World of Art/H69/New York" and "600 B.C./ORISIS (sic)", bronze, 9-1/2 in., overall, 11-1/8 in. including base Provenance: Mathias Komor, New York, New York; Private Collection, purchased circa 1960's; by Descent in Family Estimate: $15,000 - $20,000

Condition notes available in back of catalog

November 9, 2019

197 Grainger & Co Worcester Porcelain Vase, British, late 19th/early 20th century, scrolled openwork design and gilt decoration, G & Co mark, "1158", 4-1/2 in.

Provenance: A Private Virginia Collection Estimate: $200 - $400

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205 Monumental Capodimonte Jewelry Box, Continental, 19th/20th century, scenes of bacchanalia, gilt, stamped mark "N" surmounted by crown, 12-1/2 in.

Provenance: Private Collection, Oklahoma Estimate: $800 - $1,200

204 Follower of Canaletto (Italian, 1697–1768) The Punta della Dogana with the Island of San Giorgio Maggiore Beyond, unsigned, British, 18th century, oil on canvas, 24-1/8 x 34 in.; modern parcel gilt wood frame, 28-7/8 x 38-1/2 in.

Provenance: by Descent in family Estimate: $5,000 - $7,000

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208 A Fine Berlin K.P.M. Porcelain Plaque Heimathlos, after Wilhelm Kray, (German, 1828-1889), stamped verso "KPM" with scepter, "J.T.", "200" and "330", hand painted porcelain, 12-7/8 x 7-7/8 in.; framed in a giltwood and composite frame, 24 x 18-1/2 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $1,500 - $2,500

British & Continental November 9, 2019

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206 Herend Rothschild Bird Centerpiece Hungarian, 20th century, double shell and dolphin, hand painted, blue Herend Hungary shield mark, 6-1/2 x 18 in.

Provenance: Newton Estate, Virginia Estimate: $500 - $700

207 A Monumental Berlin K.P.M. Porcelain Plaque The Nativity,after Antonio da Correggio, (Italian, 1489-1535), stamped verso "KPM" with scepter and "H", finely painted porcelain, 20-1/2 x 14-1/2 in.; modern wood frame, 26-1/2 x 20-1/2 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $3,000 - $5,000

For full cataloging and images see our website, brunkauctions.com

209 A Monumental Royal Vienna Porcelain Plaque, Continental, finely painted plaque depicting the Virgin and Jesus with St. John the Baptist and Elizabeth, beehive mark in underglaze blue with smaller stamped beehive mark on back, indistinguishably inscribed signature with an "X" below, 20-3/4 x 16-1/2 in.; 19th century giltwood and composition frame, 28-1/4 x 23-1/2 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $2,000 - $3,000

213 Meissen Nodding Pagoda Figure German, late 19th/early 20th century, seated porcelain figure in floral and gilt robes, moving weighted head piece and hands, Meissen blue crossed swords mark to lower back edge, 7-1/4 in.

Provenance: Private Collection, Oklahoma City, Oklahom Estimate: $2,000 - $3,000

212 Meissen Figurine Representing Sense of Touch, German, 19th century, Meissen mark to base, incised "1136" on base, 10-3/4 in.

Provenance: Private Collection, Oklahoma Estimate: $800 - $1,200

216 Meissen Figurine Representing Sense of Taste, German, 19th century, Meissen mark, incised "1042" and "68" on base, 10-3/4 in.

Provenance: Private Collection, Oklahoma Estimate: $800 - $1,200

217 Sevres Finely Painted Covered Tureen French, possibly late 18th century, hard paste porcelain, bombé form, hand painted floral and pastoral trophies decorations, gilt sprigs of wheat in relief, gilt mark of crossed letters [L], surmounted by a crown, script [f] for decorator François Antoine Pfeiffer, [2000] for gilder Henri-François Vincent, overall 14-1/8 x 16-3/8 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $2,000 - $3,000 Two similar tureens to the one featured above were gifted to Joseph II, Regent of the Holy Roman Empire. According to Sevres’ records, Louis XVI acquired tureens of a similar design shortly after.

See Literature: Liana Paredes, Sevres The And Now: Tradition and Innovation in Porcelain, 1750-2000, Hillwood Museum and Gardens Foundation in association with D. Giles Ltd., London, 2009, pages 39, 40, 41, 144, ill.

Condition notes available in back of catalog

British & Continental

214 Set of Four Related Meissen Figurines German, 19th century, group representing the senses, Meissen marks, largest 6 in.

Provenance: Private Collection, Oklahoma Estimate: $1,000 - $1,500

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215 19th Century Meissen Tureen German, after an 18th century model commissioned for Marie Leszczynska (1703-1768), gilt interior and exterior embellishments with putti, garlands, and roses, panel paintings to either side and lid, female bust handles, floral motif to lid underside, Poland and Saxony armorial, crown finial, situated on four scroll feet, Meissen blue crossed swords mark to base, 7-1/2 in x 10 in.

Provenance: Private Collection, Oklahoma Estimate: $3,000 - $5,000

218 Two Meissen Porcelain Figurines German, 18th/19th century, porcelain, male and female, hand painted, gilt, crossed swords on bases, tallest 19-3/4 in.

Provenance: Private Collection, Oklahoma Estimate: $800 - $1,200

November 9, 2019

210 Meissen Figurine Representing Sense of Sight, German, 19th century, Meissen mark, incised "1035" and "91" on base, 11 in.

Provenance: Private Collection, Oklahoma Estimate: $800 - $1,200

211 Meissen Nodding Pagoda Figure German, late 19th/early 20th century, seated porcelain figure in floral and gilt robes, moving weighted head piece and hands, Meissen blue crossed swords mark to underside edge, marked "153/95", 5-3/4 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $2,000 - $3,000

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220 Finely Hand Painted Sevres Porcelain Urn, French, probably 19th century, "AMaglin", swing handles, gilt bronze base, underglaze blue mark, 35-1/2 in.

Provenance: Private Collection, Oklahoma Estimate: $1,000 - $2,000

219 Fine Micromosaic and Gilt Bronze Writing Slope Italian, second half 19th century, by Cesare Roccheggiani, hinged fall set with raised rectangular panel of two women outside a rustic cottage with river landscape in distance, smaller upper panel with rose blossoms, front set with five oval panels of Roman architecture, floral and bird side engravings, interior with wood compartments, "Rocceggiani Roma" engraved bronze interior of fall, velvet underside with gilt stamp "C. Roccheggiani Roma", 6-1/2 x 14 x 13-3/4 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $6,000 - $9,000

221 Royal Vienna Porcelain Urn 19th/20th century, hand painted neoclassical scenes, signed "Gรถrner Pinx", beehive mark in underglaze blue, 24-1/4 in.

Provenance: Private Collection, Oklahoma Estimate: $800 - $1,200

For similar micromosaic writing slope by Roccheggiani see Christie's, London, May 17, 2011, lot 392.

223 Louis XVI Style Bronze and Enamel Jardiniere, French, probably late 19th century, finely hand painted in grisaille on copper, depictions of cherubs with gilt accents, cobalt blue ground, two panels signed "H. Doublet.", two side panels signed "HD", finely detailed gilt bronze casket, cherub caryatids, modeled rocaille goat leg feet, 15-1/8 x 17-1/2 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $2,000 - $3,000

November 9, 2019

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222 Louis XVI Gilt Bronze and Marble Lyre Form Clock Paris, late 18th century, mantle clock with acanthus leaves, graduating bead borders terminating in floral swags, and a sunburst mask of Apollo, pendulum bob, enameled porcelain dial, retailed by "Breant, A. Paris", time and strike movement within an open center reserve, all mounted on white and gray marble bases decorated with gilt bronze beads, chain and tassels, and inset pattern of intersecting circles, 19-1/2 x 9 in.

Provenance: North Carolina Estate Estimate: $4,000 - $6,000

For full cataloging and images see our website, brunkauctions.com

224 Gothic Revival Gilt Bronze Mantle Clock, French, 19th century, 12 painted porcelain panels, figures in medieval costume, winged gargoyle feet, painted porcelain dial with Roman numerals and retailer mark "Howell & Cie a Paris", top hidden jewelry compartment, red velvet interior, hinged glass door, with pendulum, winder key, 12-3/4 x 12 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $2,000 - $3,000

225 Henri Le Sidaner (French, 1862-1939) Ciel de Gerberoy, circa 1913, signed lower right "Le Sidaner" and inscribed verso, oil on panel, 7 x 9-3/8 in.; gilt wood and composition frame, 16-1/2 x 18-1/4 in.

Provenance: Galleries Maurice Sternberg, Chicago, Illinois, purchased 1987 (accompanied by copy of original receipt); Private Collection, Jacksonville, Florida Estimate: $10,000 - $15,000 "The evocation of silence, absence and anticipation.." A student of Impressionism of Monet and the positivism of poet Paul-Marie Verlaine, Henri Le Sidaner has evoked a calmly meditative yet jubilant view in his composition, Ciel de Gerberoy. His paintings often appear with only the evidence of man's interaction with his environment but not represented literally. The lot comes with facsimiles of documents from Galleries Maurice Sternberg including the verso of a photo certificate (now lost) identifying the work as authentic and signed by the artist's son, Louis de Sidaner.

229 Gilt Automaton Box with Singing Bird probably German, 20th century, possibly by Karl Griesbaum, 2-1/2 x 4-1/4 x 1-1/2 in.

Provenance: Private Collection, Oklahoma Estimate: $500 - $700

228â—‰ Tortoiseshell Automaton Box Continental, late 19th century, automaton box with singing bird, back compartment with hinge cover, wind-up mechanism to base, 1-1/4 x 3-3/4 x 2-1/2 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $1,000 - $1,500

230 Louis Vuitton Steamer Trunk French, circa 1920s, LV monogram canvas and leather trim, bound in wood and brass hardware, exterior stickers at top, sides "L/Cunard White Star/First Class", with three interior trays, webbed top, label with Paris, Lille, London, Nice locations, serial number 350368, vintage auxiliary label "John R. Girardo/trunks/ luggage/and repairing/New York", key present, 23 x 43-1/2 x 22-1/2 in.

Provenance: Estate of General Raymond Eliot Lee Estimate: $2,000 - $3,000

Condition notes available in back of catalog

British & Continental

227 Sevres Porcelain and Gilt Bronze Letter Casket, French, probably 19th century, five hand painted plaques, gilt bronze, 6-1/4 x 8-3/4 x 6-3/8 in.

Provenance: Private Collection, Oklahoma Estimate: $700 - $900

November 9, 2019

226 Gilt Automaton Box with Singing Bird Continental, 20th century, wind-up mechanism to base, 3-1/4 x 4-1/2 x 1-3/4 in.

Provenance: Private Collection, Oklahoma Estimate: $500 - $700

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Modern

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November 9, 2019

231 Flight Portfolio, 1971 Flight, 1971, edition 214/250 aside from the deluxe edition of 50, The International Rescue Committee, New York, publisher, eleven numbered lithographs, one serigraph in colors, on various papers, title/introduction and numbered justification folders, eleven signed in pencil, Marc Chagall stamped 'Lithograph Originale de Marc Chagall', with full margins, largest sheet 25 3/4 in. x 19 3/4 in., with original blue cloth-covered clam shell portfolio box with gilt text; modern frames, largest 36 x 30 in.

Provenance: Private Collection, Tryon, North Carolina Estimate: $5,000 - $7,000

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Includes: Fritz Wotruba, Untitled, Zurich, 1969; Edouard Pignon, Untitled, Paris, 1967; Robert Motherwell, Untitled, New York, 1970; Joan MirĂł, Untitled, Paris, 1966; AndrĂŠ Masson, Untitled, Paris, 1966; Jacques Lipchitz, Untitled, New York, 1969; Adolph Gottlieb, Untitled, New York,1969; Vieira Da Silva, Untitled, Paris, 1968; Marc Chagall, Untitled, Paris, 1968; Alexander Calder, Untitled, Paris, 1971.

An excerpt discussing the purposes based in history for this portfolio from the forward by William S. Lieberman states, "In the 1940s the exigencies of war conspired to force friendships between European artists who refugeed in New York, collaborated in portfolios such as the present publication. The two most remarkable were the Brunidor and VVV albums. Today, thirty years later, Chagall, Lam, Masson, Miro and Motherwell once again participate in such an effort. They are joined by other artists who were either also refugees during World War II or beneficiaries of a tradition which remained unbroken largely due to the rescue of a significant segment of the European cultural community."

For full cataloging and images see our website, brunkauctions.com

236 Henri de Toulouse-Lautrec (French, 1864-1901) Jean Avril Jardin de Paris, pl. 110, lithograph, 15-5/8 x 11-3/8 in.; framed Provenance: Private Collection, MD Estimate: $800 - $1,200

The consignor states, "My late wife worked for Occidental Petroleum in the Oxy Arabians department. In 1982, LASMA held a horse auction in Scottsdale, Arizona at which LeRoy Neiman was in attendance. During the auction Mr. Neiman sketched on his program as each horse was pleased on the auction block. In 1990 when Dr. Hammer passed, the new Chairman of Occidental Petroleum divested many of Dr. Hammer's pet projects including Oxy Arabians. The original program and the presentation program were given to my late wife."

Lot accompanied by a facsimile of the auction program titled LASMA Classic Arabians as viewed by LeRoy Neiman.

237 Henri de Toulouse-Lautrec (French, 1864-1901) Divan Japonais, 1895, Pl. 2, Maitre de l'Affiche, lithograph, 15-5/8 x 11-3/8 in.

Provenance: Private Collection, MD Estimate: $1,000 - $1,500

238 William Dunlap (Mississippi/Virginia, born 1944) Winter Light-Late, 1976, "W. Dunlap 4/28/76", oil on paper; 30 x 40 in.; framed Provenance: Private Collection Estimate: $3,000 - $5,000

Condition notes available in back of catalog

I Modern

234 J. Hartfield Folk Art Figure of a Ram, 1987, signed rear left hoof, "J Hartfield 1987", molded resin, 24 x 40 x 13 in.

Provenance: Private Collection, FL Estimate: $800 - $1,200

235 LeRoy Neiman (New York/Illinois/Minnesota, 1921-2012) The LASMA Classic 1982; A Model of Excellence auction catalog comprising 18 original sketches all signed and dated "LeRoy Neiman 1982", various colored inks, 12 x 9-1/2 in.

Provenance: Gift of artist to Dr. Armand Hammer; Bonnie Tumminia, California; Private Collection, South Carolina Estimate: $6,000 - $9,000

November 9, 2019

232 Joan Miró (Spanish, 1893–1983) Le Bélier Fleuri, 1971, edition 12/75, from Derrière le Miroir, nos. 193-194, signed lower right "Miró", Maeght, Paris, publisher, Arte Adrien Maeght, Paris, printer, lithograph on Arches, sheet, 20-3/8 x 30-1/8 in.; fine gilt wood frame, 31-1/8 x 36 in.

Estimate: $3,000 - $5,000

233 Joan Miró (Spanish, 1893–1983) Le Roi David, 1972, hors commerce edition, signed lower right "Miró", Maeght, Paris, publisher, etching and aquatint in colors on wove paper, plate 26-3/4 x 21 in.; gilt wood frame, 41 x 32-1/8 in.

Provenance: Everson Museum, Syracuse, New York, purchased in November 1985 and deaccessioned in 2017 to benefit the collections fund Estimate: $3,500 - $4,500

45

240 Pablo Picasso (Spanish, 1881-1973) Oiseau No. 93 (A.R. 486), 1963, edition 101/200, possibly autographed in pen on bird "Picasso", inscribed underneath "No 93/Edition/Picasso/ Madoura", stamped "N", white earthenware clay, deoration in black engobe and enamel under partial brushed glaze, 10 in. (25 cm.) diameter Provenance: Private Collection, Maryland Estimate: $3,000 - $5,000 Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971. Vallauris: Madoura, 1988 No. 486, pg 249 (accompanied by facsimile of page)

239 Pablo Picasso (Spanish, 1881-1973) Plate "D" from Service visage noir (A.R.39), 1948, edition of 100, stamped under glaze "Madoura Plein Feu" "D'Apres Picasso" and inscribed underglaze "Edition Picasso", white earthenware clay, colored engobes, knife engraved under glaze, 9-3/8 in.

Provenance: Private Collection, Maryland Estimate: $2,000 - $3,000 Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971.

Vallauris: Madoura, 1988 No. 39, pg 37 (accompanied by facsimile of page)

Modern

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241 Pablo Picasso (Spanish, 1881-1973) Tête de chèvre de profil (A.R.108), 1950, edition of 50, stamped verso "Madoura/ Plein/Feu" and "Empreinte/Originale De/Picasso", white earthenware clay plate, decoration in oxidized paraffin and white enamel, 10 x 10 in. (25.5 cm. diameter) Provenance: Private Collection, Maryland Estimate: $3,000 - $5,000

November 9, 2019

Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971.

Vallauris: Madoura, 1988 No. 108, pg 60 (accompanied by facsimile of page)

46

242 Pablo Picasso (Spanish, 1881–1973) Visage à la Barbiche (A.R.599), 1964, edition 7/200, stamped "Madoura Plein Feu" and "Empriente/Originale De/Picasso", red earthenware clay plaque printed with black engobe pad, 12 x 12 in. (31 x 31 cm.)

Provenance: Private Collection, Maryland Estimate: $2,000 - $3,000 Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971. Vallauris: Madoura, 1988 No. 599, pg 289 (accompanied by facsimile of page)

For full cataloging and images see our website, brunkauctions.com

243 Pablo Picasso (Spanish, 1881–1973) Pichet têtes (A.R. 221), 1953, edition of 500, inscribed in slip "Edition Picasso/Madoura "and stamped "Edition Picasso/Madoura Plein Feu/Edition Picasso", slip decorated and partially glazed white earthenware ceramic pitcher, 5-5/8 x 6-1/4 in. (12.5 x 15.5 cm.)

Provenance: Private Collection, Maryland Estimate: $3,000 - $5,000 Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971. Vallauris: Madoura, 1988 No. 221, pg 120 (accompanied by facsimile of page)

244 Pablo Picasso (Spanish, 1881-1973) Bouquet à la pomme (A. R. 307), 1956, edition of 400, dated in reverse "22.1.56.", stamped "Madoura Plein Feu" and "Empriente/Originale De/Picasso", slip-decorated and partially glazed white earthenware ceramic plate, 9-3/4 x 9-3/4 in.

Provenance: Private Collection, Maryland Estimate: $3,000 - $4,000 Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971. Vallauris: Madoura, 1988 No. 307, pg 157 (accompanied by facsimile of page)

245 Pablo Picasso (Spanish, 1881-1973) Scène de tauromachie (A.R. 393), 1957, edition 121/500, incised in black slip "Edition Picasso..Madoura..K117", stamped "Madoura Plein Feu/Edition Picasso", red earthenware clay, black engobe decoration, knife engraved, 9-3/8 in. (23 cm.) diameter Provenance: Private Collection, Maryland Estimate: $1,500 - $3,000

246 Pablo Picasso (Spanish, 1881–1973) Picador (A.R. 289), 1955, edition of 500, signed underneath "Edition/Madoura/Picasso", white earthenware clay round cupel bowl, decoration in engobes and parafin, white enamel, 2-1/2 x 5 in. (12.5 cm diameter) Provenance: Private Collection, Maryland Estimate: $1,500 - $2,500

Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971.

Vallauris: Madoura, 1988 No. 393, pg 203 (accompanied by facsimile of page)

Literature: Ramié, Alain. Picasso: catalogue of the edited ceramic works 1947-1971. Vallauris: Madoura, 1988 No. 289, pg 150 (accompanied by facsimile of page)

Condition notes available in back of catalog

November 9, 2019

Modern

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248 Tom McClure (Arizona/Michigan/NE, 1920-2009) Female Nude, signed on base "McClure", polished bronze, 29-1/2 in.

Estimate: $800 - $1,200

247 Victor Vasarely (French/Hungarian, 1906–1997) Kroa B, 1970, edition 32/75, Editions Denise René, Paris, publisher, screenprint in colors on anodized aluminum, 19-5/8 x 19-5/8 x 19-5/8 in. Provenance: Denise René Rive Gauche, Paris, France, purchased in 1971 (accompanied by copy of original receipt) Estimate: $4,000 - $6,000

November 9, 2019

Modern

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250 Ernest Trova (Missouri, 1927-2009) Study Falling Man (Landscape #8), 1965, not apparently signed, chrome plated bronze with Formica and wood base, acrylic top, foundry stamp "FV St. Louis, MO.", without acrylic 16 x 18-1/4 x 15-1/2 in.

Provenance: The Pace Gallery, New York, #7129; Private Florida Collection Estimate: $2,000 - $4,000 Brunk Auctions would like to thank Matthew Strauss for confirming the authenticity of this sculpture.

249 Miguel Ortiz Berrocal (Spanish, 1933-2006) Three puzzle sculptures: Portrait de Michele, No. 2618, 3-1/2 in.; Torso Manolete, 2902/10,000, 4-7/8 in.; La Mini Cariatide, No. 8926, 5-7/8 in., each signed Berrocal, brass and nickle plated brass, Michele with enamel and stone Provenance: Private Florida Collection Estimate: $1,000 - $2,000

251 Ernest Trova (Missouri, 1927-2009) Study, Falling Man-Shadow Figure, 1971, signed, steel, acrylic, 7 x 11-3/8 x 7-1/4 in.

Provenance: Private Collection, FL Estimate: $1,000 - $1,500

252 Pablo Picasso (Spanish, 1881-1973) Toreador, 1964, 147/245, from Le Carmen des Carmens, aquatint, 14-1/8 x 10-1/2 in.

Provenance: Ferdinand Roten Estimate: $500 - $700

253 Tane Mexican Sterling Pitcher mid to late 20th century, hammered finish to body, base marked "Tane" and "RTM", 38.41 oz. T., 5-1/2 x 9-1/2 x 7 in.

Provenance: Important VA Living Estate Estimate: $800 - $1,200

254 Claes Thure Oldenburg (New York, born 1929) Proposal for a Colossal Structure in the Form of a Clothespin-Compared to Brancusi's Kiss, 1972, 24-5/8 x 16-5/8 in.

Estimate: $1,000 - $2,000

For full cataloging and images see our website, brunkauctions.com

Abstract compositions in watercolor are very unusual. This open composition suggests an interpretation of trees and creatures in the wild while also adding rhythmic patterning that gives the sense of quiet movement.

258 Lesley Dill (New York, born 1950) Poem Dress of Circulation, 1993, 3/3, signed, 56-1/4 x 46-1/2 x 6-1/4 in.

Provenance: Private Collection, FL Estimate: $2,000 - $4,000

259 Fernando Botero (Colombian, 1932) Les Danseurs, edition 69/150, "Botero", lithograph, 15 x 9-7/8 in.; framed Provenance: Private Collection Estimate: $2,000 - $3,000

261 Chuck Close (New York, Born 1940) John I, 1990, 38/40, signed, Graphicstudio, pub., direct gravure, 30 x 23 in.; framed Provenance: Private Collection, FL Estimate: $1,500 - $2,500

262 Elie Nadelman (New York/Polish, 1882-1946) Female Head in Profile, c. 1916-17, pencil on paper, 10 x 8 in.; wood frameProvenance: Private Collection, FL Estimate: $800 - $1,200

263 John Shryock (Pennsylvania/North Carolina, 1914-2007) Steel Workers, signed "Shyrock", oil on canvas, 33-1/2 x 37-1/2 in.; modern frame Provenance: Private Collection Estimate: $2,000 - $3,000

Condition notes available in back of catalog

Modern

260 Red Grooms (Tennessee/New York, born 1937) Midtown Deli, 2004, signed, 3-D lithograph in case, 28 x 29-1/4 x 9-3/4 in.

Provenance: Private Collection, FL Estimate: $1,000 - $2,000

257 Alice Neel (New York, 1900-1984) Bather with Red Hat, a.p. 8/25, signed, lithograph, 38-1/4 x 22-3/4 in.; framed Provenance: Private Collection, FL Estimate: $1,500 - $2,500

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November 9, 2019

255 Will Henry Stevens (North Carolina/Louisiana, 1881/87-1949) Mountain Farm, signed lower right "Stevens", inscribed verso "V-15 / N.M.G 1,517", pastel on paper, 10 x 12 in.; modern gilt wood frame, 18-3/4 x 20-1/4 in.

Provenance: New Morning Gallery, Asheville, North Carolina; Property from a Southern Institution Estimate: $4,000 - $6,000

256 Will Henry Stevens (North Carolina/Louisiana, 1881/87-1949) Modern Abstraction, 1939, signed "W H Stevens", inscribed verso, "NMG 1274", watercolor on mulberry paper, 19-3/4 x 15-1/2 in.; modern wood frame, 31-1/2 x 26-3/4 in.

Provenance: New Morning Gallery, Asheville, North Carolina; Property from a Southern Institution Estimate: $4,000 - $6,000

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Silver

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November 9, 2019

Silver

264 Sterling Reed & Barton Pitcher American, 20th century, shaped body, scroll and foliate decoration, Reed & Barton, "30/B", 20.20 oz. T., 7-1/4 in.

Provenance: Private Collection Asheville, North Carolina Estimate: $500 - $800

50

267 Sterling Center Bowl American, early 20th century, acanthus and wreath decoration, marks for Matthews Co., 31.26 oz. T., 3-1/2 x 13-1/2 in.

Provenance: Private Collection, Oklahoma Estimate: $600 - $800

265 Sterling Oval Center Bowl American, 20th century, oval with urn and scroll border, maker Graff, Washbourne & Dunn, 38.83 oz.

T., 4 x 15 x 10-1/2 in.

Provenance: Private Collection Estimate: $600 - $1,000

268 Four Piece Virginia Coin Silver Tea Service American, early 19th century, retailer William Mitchell, Jr., 100.21 oz. T., 9-1/2 in. teapot, creamer, sugar and waste Provenance: Historic Bremo Plantation Estimate: $1,500 - $3,000

For full cataloging and images see our website, brunkauctions.com

266 A. E. Schultz Sterling Trophy Baltimore, early 20th century, urn form, inscribed "AS A Token...Columbus Memorial Unveiling", mark for A. G. Schultz & Co., 13.69 oz. T., 9-1/2 in.

Estimate: $300 - $600

269 Fisher Sterling Water Pitcher American, 20th century, urn form with floral and shell cartouche, monogram, marks for Fisher, 22.52 oz. T., 10-1/4 in.

Provenance: Private Collection Estimate: $400 - $800

270â—‰ Francis I Sterling Tea Set; Silver Plate Tray American, mid 20th century, including 10-1/2 in. coffee pot, teapot, covered sugar, creamer and waste, ivory spacers, monograms, all with marks for Reed & Barton, 135.62 oz. T.; with two handle silver plate Reed & Barton King Francis tray, 30 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $6,000 - $10,000

272 Set of 12 Francis I Gilt Sterling Soup Spoons, American, 20th century, oval bowls with gilt finish, no monograms, marks for Reed & Barton, 27.26 o. T., 7 in.

Provenance: Private Collection, Oklahoma Estimate: $500 - $800

274 Set of 16 Francis I Sterling Asparagus Tongs, American, 20th century, individual size, no monograms, all with marks for Reed & Barton, 17.69 oz. T., 5 in.

Provenance: Private Collection, Oklahoma Estimate: $400 - $800

275 Francis I Sterling Flatware, 213 Pieces American, 20th century, including seventeen 9-3/4 in. hollow handle knives, stainless French blades; fifteen 9 in. hollow handle knives, stainless French blades; 7-3/4 in. hollow handle knives, stainless French blades; twenty 9-1/4 in. hollow handle steak knives; 6-1/4 in. hollow handle spreaders; eighteen 6 in. solid handle spreaders; twenty nine 6 in. teaspoons; ten 7-3/4 in. ice tea spoons; six 7-1/4 in. oval soup spoons; nine 6 in. round soup spoons; six 5-1/2 in. round soup spoons; thirty six 6-1/4 in. salad forks; twenty seven 7-1/4 in. forks; eight 5-3/4 in. cocktail forks; four 6 in. cocktail forks; six 5-1/4 in. ice cream forks, no monograms, marks for Reed & Barton, 196.46 oz. T.; with two wooden cases Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $4,000 - $6,000

273 Reed & Barton Francis I Sterling Tray American, 20th century, oval form, no monogram, marks for Reed & Barton, "570A", 44.69 oz. T., 18-1/2 in.

Provenance: Private Collection, Oklahoma Estimate: $800 - $1,200

Condition notes available in back of catalog

November 9, 2019

271 Eight Francis I Sterling Items American, 20th century, including 8 in. bowl; six 3-1/ in. nut dishes; 7-1/4 in. tea strainer, Reed & Barton, 21.91 oz. T. Provenance: Private Collection, Oklahoma Estimate: $400 - $600

Silver

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51

277 George III English Silver Coffee Pot London, 1762, wooden handle, interlocking script monogram, marks for Thomas & William Chawner, 39.12 oz. T., 12-1/4 in.

Provenance: New York Collection Estimate: $800 - $1,200

276 English Silver and Intaglio Cut Glass Ewer London, 1891, intaglio engraved "rock crystal" body with folate and fruit decorations possibly by Stevens and Williams, English silver mounts with mask spout, scroll and floral decoration, marks for Charles Edwards, .925 fine, 13 in.

Provenance: Private Collection San Antonio, Texas Estimate: $800 - $1,500

November 9, 2019

Silver

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52

279 Set of Four Sterling Candlesticks American, early 20th century, gadroon borders, marks for Currier & Roby (New York City, working 1901-1943), "Reproduction", "Circa 1761", "2628", 75.88 oz. T., 9-1/2 in.

Provenance: A Private New York Collection Estimate: $1,200 - $1,800

282 Egyptian Revival English Silver Creamer, Sugar London, 1806, stop fluted body with Egyptain style mask handles, gilt interior, "G. and V. Fitzwilliams", "1794", marks for Robert Hennell I & Samuel Hennell, 22.29 oz. T., open sugar, 4 x 7 x 5-3/4 in.; creamer, 3-1/2 x 6-1/2 x 4-5/8 in.

Provenance: George and Eleanor Fitzwilliam; by Descent in Family Estimate: $500 - $800

278 English Silver Two Handle Tray London, 1901, cartouche form with gadroon border, no monogram, Edward Barnard & Sons Ltd., 99.24 oz. T., 23-1/2 in.

Provenance: Private Collection, Oklahoma Estimate: $1,500 - $2,500

280 George III English Silver Tankard London, 1766, later floral and scroll decoration, gilt interior, no monogram, marks for Francis Crump, 14.63 oz. T., 6-1/2 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

283â—‰ Early Silver Dipper probably American, 18th century, flared rim, ivory handle, body monogrammed "EC to EM/1756", "EF 1787/to EMW/1832" and "EWB1874/To", base marked "EC To EM/1756", 6.22 oz. T., 2-1/2 x 11-1/2 x 4-1/4 in.

Provenance: George and Eleanor Fitzwilliam; by Descent in Family Estimate: $400 - $800

For full cataloging and images see our website, brunkauctions.com

281 Silver Plate Hot Water Urn probably English, late 19th century, silver plate on copper, urn form body, lion head and ring handles, 17-1/2 in.

Provenance: Dane Estate, Florida Estimate: $300 - $500

284 Cocke Family, Bremo Plantation Related Group, 19th century, eleven items, silver urn, "PSGC"?; two Mitchel & Tyler knives; sterling bowl; pitcher; and others Provenance: Bremo Plantation, Virigina Estimate: $600 - $900

285 Boston Coin Silver Tray American, mid 19th century, round bead border, Jones, Ball & Poor (working 1846-1853), 12-1/4 in., 20.36 oz. T. Provenance: Private Collection Estimate: $800 - $1,200

286 Kitts and Werne Coin Silver Water Pitcher Kentucky, mid 19th century, scroll and floral band, floral and vine handle, marks for retailer Kitts & Werne (Louisville, Kentucky, working 1864-1878), maker Peter L. Krider (Philadelphia, Pennsylvania, working 1850-1910), 37.89 oz. T., 12-3/4 in.

Provenance: Private Collection, Oklahoma Estimate: $1,000 - $2,000

287 Pair of Boston Coin Silver Pitchers American, mid 19th century, urn forms with large loop handles and acanthus cap, both with similar engraved shield, floral and scroll decoration, one with bird, both inscribed "Presented/by the/Massachusetts Horticultural Society/t E.W. Wight/Their former Recording Secrety/1847.", marks for Bigelow, Bros. & Kennard (Boston, Massachusetts, working 1847-1867), 51.49 oz. T., 13 in.

Provenance: Private Collection, Asheville, North Carolina Estimate: $1,000 - $2,000

I

290â—‰ Four Piece Kirk Coin Silver Tea Service Baltimore, Maryland, 1828-1846, pear form with bands of floral repousse decoration, wave borders, floral basket finial, ivory spacers, all with matching unicorn heraldic devices, marks for Samuel Kirk, 119.32 oz. T., 13 in. coffee pot, teapot, creamer and covered sugar Provenance: Private Estate, Virginia Estimate: $2,000 - $3,000

Condition notes available in back of catalog

November 9, 2019

289 Philadelphia Coin Silver Mug American, mid 19th century, inscribed "Susan R. Weir", George Lindner (Philadelphia, working 1837-1872), 4-7/8 in.

Provenance: Private Collection Estimate: $200 - $400

Silver

288 Captain John Mason Coin Silver Mug mid 19th century, device for Mason Crest, Andrew Ellicott Warner (Baltimore, Maryland), 5.25 oz. T., 3-1/4 in.

Provenance: Private Collection Estimate: $400 - $600

53

292 Campbell Coin Silver Tongs and Ladle Baltimore, mid 19th century, R. & A. Campbell (Maryland, working 1835-1854), 5.86 oz. T., ladle, 13 in.; tongs, 6-1/4 in.

Provenance: Private Collection Estimate: $300 - $500

November 9, 2019

Silver

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291â—‰ Four Piece Sterling Tea Service and Silver Plate Tray American, early 20th century, urn forms with grape and vine decoration, ivory spacers, marks for retailer Harris & Shafer Co. (Washington, DC, working 1870-1938), and maker A. G. Schultz & Co. (Baltimore, Maryland, working 1899-1950), 93.15 oz. T., 13 in. coffee pot with matching teapot, creamer and sugar; with two handle silver plated tray with grape and vine decoration, 27-1/2 in.

Provenance: Private Collection Estimate: $2,000 - $3,000

293 Five Pieces Kentucky Coin Silver Flatware, mid 19th century, pie server, marks for W. Kendrick; spoons by John Beauchamp, John Kitts, R.F. Adair, Ramsey & Bro., 7.99 oz. T., 6-3/4 in. to 8-1/2 in.

Estimate: $400 - $600

294 15 Pieces Maryland Coin Silver Flatware, mid 19th century, including tongs

by R. Brown; spoons by Sadtler, Erwin, Holloway, Johnston, Warner and Kirk, 17.27 oz. T., 5-1/2 in. to 9-1/2 in.

Estimate: $400 - $600

296 Seven Pieces Southern Coin Silver American, mid 19th century, three VA spoons; DC ladle and two spoons; NC spoon, 6.8 oz. T., 4-1/2 in. to 8 in.

Provenance: Private Collection Estimate: $300 - $500

295 13 pieces Mitchel & Tyler Coin Silver Richmond, Virginia, mid 19th century, fiddle handle, monogram "T", marks for Mitchell & Tyler (working 1845-1866), 36.64 oz. T., twelve 9 in. spoons; 13-1/2 in. ladle Estimate: $1,000 - $1,500

297â—‰ Six Piece Philadelphia Coin Silver Service American, early to mid 19th century, urn forms with Greek Key borders, Asian figural finials, ivory spacers, monograms "EB" (Elizabeth Brevil), base inscribed "October 2nd 1867 - November 20th 1894", marks for R. & W. Wilson (Philadelphia, Pennsylvania, working 1825-1846), 111.13 oz. T., 11-1/2 in. coffee pot, two teapots, covered sugar, creamer and waste Provenance: Wedding present from the Governor of Pennsylvania to John C. Scott and Elizabeth Hacker Scott, October 2, 1867; Private Collection, Virginia Estimate: $1,500 - $2,500

For full cataloging and images see our website, brunkauctions.com

301 11 Grand Baroque Sterling Serving Pieces American, 20th century, including serving pieces; ladle; lemon fork; salad set, 27.29 oz.

T., 5-1/2 in. to 12-1/2 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $600 - $1,000

303 Five Francis I Sterling Serving Pieces American, 20th century, serving spoons; ladle; cheese slice/server; serving fork, 8-3/4 in. to 10-1/2 in.

Provenance: Private Collection Estimate: $300 - $600

304 Four Francis I Sterling Serving Pieces American, 20th century, including cold meat fork; tomato server; serving fork and spoon, marks for Reed & Barton, 14.89 oz.

T., 7-7/8 in. to 9-1/4 in.

Estimate: $400 - $800

306 15 Francis I Sterling Service Pieces, American, 20th century, including ladles, spoons, jelly, salad set, etc., Reed & Barton, 22.84 oz. T., 6 in. to 11-3/4 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $800 - $1,200

300 Grand Baroque Sterling Flatware, 151 Pieces American, 20th century including place and service pieces, all with marks for Wallace, 165.3 oz. T.; wooden cases Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $3,000 - $4,000

302 Towle Old Master Sterling Flatware, 58 Pieces American, 20th century, including place and service pieces, all with marks for Towle, 54.52 oz T.; with wood case Provenance: Private Collection Estimate: $800 - $1,200

I 305 19 Francis I Sterling Serving Pieces American, 20th century, including ladles; tomato; jelly, etc., marks for Reed & Barton, 32.09 oz. T., 3-5/8 in. to 11-1/2 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $1,000 - $1,500

307 17 Francis I Sterling Serving Pieces American, 20th century, including stuffing spoon, ladle, jelly, etc., Reed & Barton, 28.74 oz. T., 4-1/4 in. to 13-3/4 in.

Provenance: Private Collection, Oklahoma City, Oklahoma Estimate: $800 - $1,200

Condition notes available in back of catalog

Silver

299 Three Pieces Southern Coin Silver mid 19th century, including ladle with marks for M.W. Galt & Bro. (Washington, DC); two Charleston spoons by Hayden & Greg, 8-1/2 in. to 12-3/4 in.

Estimate: $600 - $800

November 9, 2019

298 17 Pieces Virginia Coin Silver Flatware mid 19th century, tongs by John or James Adams; three salt spoons; spoons by Gennet, Burnette, Nowlan, Lumsden, 14.15 oz.

T., 3-3/4 in. to 8-3/4 in.

Estimate: $300 - $600

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Jewelry

November 9, 2019

Jewelry

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308 Tiffany & Co. 18kt. Brooch maple leaf design, stamped "Tiffany & Co., 750", 18kt. yellow gold, 2 x 1-5/8 in., 11.8 g Provenance: Important VA Living Estate Estimate: $400 - $600

311 18kt. Hinged Bracelet textured surface, stamped "18K", yellow gold, tapers from approx. 1-3/8 to 3/4 in. wide, 6-1/4 in. inside, 71.6g Provenance: Private Collection Estimate: $1,800 - $2,400

309 Tiffany & Co. 18kt. Brooch leaf design, stamped "Tiffany & Co. 750", 18kt. yellow gold, 1-7/8 x 1-5/8 in., 24.9g Provenance: Important VA Living Estate Estimate: $400 - $600

310 Baume & Mercier for Tiffany 18kt. Watch 220 x 21mm case, gold tone hour marks and hands, back of case stamped "Baume & Mercier, Geneve, 18K, 4117699, Mr045223" and with maker's and hallmarks, 7/8 in. wide, 85.1 grams Provenance: Private Florida Collection Estimate: $2,000 - $4,000

312 Antique Platinum, Opal and Diamond Pendant frame with 32 single cut diamonds estimated total weight 0.50ct., round flat topped cabochon opal approx. 28 x 4.75mm, mounting tested platinum, 1-1/2 x 1-3/8 in., 12.5 grams Provenance: Private Collection, Tennessee Estimate: $2,000 - $4,000

For full cataloging and images see our website, brunkauctions.com

313 18kt. Diamond Leaf Brooch maple leaf design, 10 single cut diamonds, stamped "18K" and with maker's mark, yellow gold, 2 x 1-1/2 in., 13.4 g Provenance: Private Collection, VA Estimate: $400 - $600

314 Platinum & 18kt. Diamond Earrings two old mine cut diamonds est. wt.

0.84ct., M-N, I, 0.82ct., M-N, SI, six diamonds est. total wt. 0.90ct., H-I, SI, 1-1/4 x 3/8 in., 4.5g Estimate: $1,000 - $2,000

317 Antique Platinum, 14kt. Diamond & Pearl Bracelet, pearls, 22 diamonds est. total wt. 0.55ct., G-H, VS to SI, platinum over 14kt., 5/8 in. x 6-3/8 in. lg., 14.2g Provenance: Historic Bremo Plantation, VA Estimate: $700 - $900

316 18kt. Opal and Diamond Necklace custom made by Wayne Roland Brown, Gondwanaland Opals, 27 assorted shaped opal cabochons ranging from approx. 20 x 22 to 8 x 6mm, estimated total weight 91.9cts., 65 round brilliant diamonds estimated total weight 2.50cts., E-G, VS to SI, stamped "C, 18K", white gold, tapers from approx. 7/8 to 7/16 in. wide, 16 in. lg., 116.5 grams, with appraisal and original design drawing Provenance: Private Collection, Tennessee Estimate: $7,000 - $10,000

318 Platinum, Gold and Diamond Earrings each with 23 assorted diamonds est. total wt. 0.90ct., G-I, VS to SI, mounting platinum, earhook "14K", 1-3/4 x 1/2 in., 7.1g Provenance: Private Collection Estimate: $900 - $1,200

319 14kt. Sapphire and Diamond Ring oval blue sapphire estimated weight 6.0cts., 34 round brilliant diamonds estimated total weight 1.0ct., F-H, I, stamped "14kt", yellow gold, size 6-1/2, 6.8 grams, with appraisal Provenance: Private Collection Estimate: $2,000 - $4,000

I Jewelry

315 Platinum and Diamond Earrings each with 28 diamonds est. total wt.

0.64ct., G-H, VS to SI, stamped "A. PT950", 3/4 x 1/4 in., 13.2g Provenance: Private Collection Estimate: $1,000 - $3,000

320 Antique Platinum and Diamond Bow Brooch, 23 diamonds est. total wt.

1.40cts., F-G, VS, tested platinum, 1/2 x 1-7/16 in., 5.6g, with copy of appraisal Provenance: Private Collection Estimate: $500 - $700

321 Antique Platinum, Aquamarine & Diamond Necklace, aquamarine est. wt.

4.5cts., 53 diamonds est. total wt. 1.05ct., mounting/chain platinum, 17 in. lg., 10.6g Provenance: Important VA Living Estate Estimate: $2,000 - $3,000

Condition notes available in back of catalog

November 9, 2019

322 Tiffany & Co. Art Deco Platinum and Diamond Clip, 58 old European cut, baguette, square and trillion cut diamonds estimated total weight 3.0cts., F-H, VS, stamped "Tiffany & Co., IRIDPLAT", 1-1/4 x 13/16 in., 11.5 grams Provenance: Private Collection Estimate: $7,000 - $9,000

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323 Elizabeth Locke Gold Intaglio Necklace removable hinged bail pendant with lion intaglio, four round carnelian cabochons, stamped "19K" and with maker's mark, 1-5/8 x 1-3/8 in., 15.6 grams; heavy link chain, two round blue sapphire cabochons, stamped "18K" and with maker's mark, 5/8 in., wide, 24 in. lg., 108.8 grams Provenance: Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $4,000 - $6,000

324 Elizabeth Locke 19kt. Earrings hammered texture half hoop design, stamped "19K" and with maker's mark, yellow gold, 3/4 x 9/16 in., 16.4 grams Provenance: Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $800 - $1,200

325 Elizabeth Locke 18kt. Intaglio Brooch and pendant, black onyx sphinx intaglio, stamped "18K" and with maker's mark, yellow gold, 1-3/4 x 2 in., 36.1 grams Provenance: Property From an Important Virginia Living Estate Estimate: $2,400 - $3,600

326 Elizabeth Locke 18kt. Bracelet fancy link chain, stamped "18K" and with maker's mark, yellow gold, 5/8 in. wide., 9 in. lg., 43.2 grams Provenance: Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $1,400 - $1,800

327 Elizabeth Locke 18kt. Medusa Brooch green glass Medusa cameo, drops with pearls and emerald cabochons, mother of pearl backing, stamped "18K" and with maker's mark, yellow gold, 3-1/4 x 3 in., 75.5 grams Provenance: Property From an Important Virginia Living Estate Estimate: $2,400 - $3,600

328 Elizabeth Locke 18kt. Gemstone Necklace detachable bail pendant/brooch with carved moonstone, seven round tourmaline cabochons, stamped "18k" and with maker's mark, 2-1/8 x 1-3/4 in., on heavy chain stamped "18K" and with maker's mark, 1/4 in. wide, 19 in. lg., 70.6 grams Provenance: Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $2,400 - $3,600

329 Elizabeth Locke 18kt. Pearl Earrings "X" design, removable pearl drop, stamped "18K" and with maker's mark, 1-1/4 x 3/4 in. with pearl drop, 20.1 grams Provenance: Estate of Col. Robert and Mrs. Linda Newton, Marshall, Virginia Estimate: $800 - $1,200

330 Tiffany & Co. 18kt. Gemstone Earclips anemone design, each with four rubies, one diamond approx. 2.4mm, stamped "Tiffany & Co., 18kt", 1-1/6 in., 20.7g Provenance: Private Virginia Collection Estimate: $800 - $1,200

335 14kt. Tahitian Pearl Necklace knotted, pearls graduating from approx.

15 to 10mm each, clasp stamped "14K, 585, KCJ", white gold, 97.4 grams Provenance: Private Collection, Tennessee Estimate: $2,000 - $4,000

331 Platinum, 18kt. & Gemstone Panther Brooch seven diamonds, two round faceted rubies, stamped "Plat, 18K, LG", gold and platinum, 7/8 x 2-1/8 in., 15.1g Provenance: Property From an Important Virginia Living Estate Estimate: $500 - $700 336 Silver, Gold, Amethyst, Diamond & Pearl Necklace, pearls, amethysts, approx. 264 diamonds est. total wt. 4.5cts., champagne color, SI, 16 in. lg., 57.3g Provenance: Private Collection, Tennessee Estimate: $800 - $1,200

337 Lucien Piccard 14kt. Pearl Bracelet pearl beads, textured gold spacers, stamped "Lucien Piccard, 14K", yellow gold, 7/8 in. wide, 7 in. lg., 45.3g Provenance: Private Florida Collection Estimate: $300 - $500

338 Retro 18kt. Gemstone Brooch one single cut diamond, 20 round turquoise cabochons, stamped "18K, Italy", yellow gold, 1-1/2 in., 15.8g Provenance: Private Collection, SC Estimate: $500 - $700

339 Retro 18kt. Gemstone Bird Brooch gemstones including: pearl, turquoise, sapphire and ruby, tested 18kt. yellow gold, 3 x 1-1/4 in., 21.1g Provenance: Private Collection, SC Estimate: $500 - $700

340 Gold and Diamond Necklace pendant/brooch, 21 diamonds est. total wt. 1.50cts., G-I, SI, 14kt., 1-5/8 in., 8.9g; chain, "18kt. Italy", 20 in. lg., 6.7g Provenance: Private Collection Estimate: $800 - $1,200

341 18kt. Carved Gemstone Brooch carved amethyst and green hardstone, six single cut diamonds, stamped "750" and with maker's mark, 2-5/8 x 1-1/2 in., 14.7g Provenance: Private Collection, SC Estimate: $400 - $600

332 Antique Gold Hinged Bracelet half round seed pearls, tested at least 14kt. yellow gold, 1 in. wide. 6-1/2 in. inside, 41.1 grams Provenance: Property From an Important Virginia Living Estate Estimate: $1,000 - $2,000

333 18kt. & Diamond Flower Brooch approx. 70 diamonds est. total wt. 1.0ct., stamped "18K, Itali" and with maker's mark, yellow gold, 2-3/8 x 2 in., 18.9g Provenance: Private Virginia Collection Estimate: $500 - $700

334 Tiffany & Co. 18kt. Starfish Earclips textured and polished, stamped "T&Co., 750", 18kt. yellow gold, 1 x 1 in., 15.5 g Provenance: Property From an Important Virginia Living Estate Estimate: $800 - $1,200

343 5.87ct. Diamond round brilliant loose diamond 5.87cts., N, VS2, GIA report 2205458318, 1.2 grams Provenance: Private Collection, From a New York Estate Estimate: $25,000 - $35,000

342 Platinum and Diamond Ring antique filigree design mounting, center round brilliant diamond estimated weight 0.92ct., K-L, VS, 16 single cut and two baguette cut diamonds estimated total weight 0.36ct., remnant of stamp, tested platinum, size 8, 3.3 grams Provenance: Private Collection Estimate: $1,800 - $2,400

344 Silver over Gold Polki Diamond Necklace 40 round links, 40 polki diamonds ranging from approx.

7 x 5.5 to 3.5 x 3mm, 865 assorted cut diamonds estimated total weight 6.50cts., mostly champagne color range, SI to I, tested sterling silver and 14kt. yellow gold, tapers from approx. 3/8 to 1/2 in. wide, 62.4 grams Provenance: Private Collection, Tennessee Estimate: $3,000 - $5,000

345 Platinum and Diamond Ring center emerald cut diamond 2.39cts., E, VVS1(potential), GIA report 5202458769, two baguette diamonds estimated total weight 0.22ct., F-H, VS, stamped "10%IRID.PLAT", engraved "5-17-31", size 6, 4.6 grams Provenance: Rhoads Family Collection, of the Miller & Rhoads Department Store, Richmond, Virginia Estimate: $20,000 - $30,000

346 18kt. Diamond Ring center oval brilliant cut diamond 4.28cts., K, VS2, GIA report 5202570916, six princess cut diamonds estimated total weight 1.70cts. I-K, SI, stamped "RJB, 18K", yellow gold, size 7-1/2, 11.5 grams Provenance: Private Collection Estimate: $16,000 - $24,000 See website for images of diamond in ring/mounting.

347 14kt. 2.90ct. Diamond Ring center round brilliant diamond 2.90cts., M, VS1(potential), GIA report 2201458957, round single cut diamonds estimated total weight 0.24ct., tested 14kt. white gold, size 6-3/4, 3.8 grams Provenance: Private Collection Estimate: $8,000 - $12,000 348 4.30ct. Fancy Yellow Diamond Ring center radiant brilliant cut diamond 4.30cts., Fancy Yellow color, VS2, GIA report 13143871, two modified trapezoid diamonds estimated total weight 0.88ct., G-I, VVS, 144 round brilliant diamonds estimated total weight 1.67cts., H-J, VS to SI, tested 14kt. white gold, size 6, 6.2 grams Provenance: Collection of Marion and Theodore Gore, Williamsburg, Virginia Estimate: $20,000 - $30,000

350 14kt. Diamond Bracelet fancy link two-tone bracelet, 65 round brilliant diamonds estimated total weight 1.25cts., stamped "585, 14K Italy, Luria's", white and yellow gold, 3/4 in. wide, 8 in. lg., 60.3 grams Provenance: Private Florida Collection Estimate: $1,200 - $1,800

349 David Webb Platinum, 18kt., Diamond Ring 22 diamonds est. total wt. 1.10cts., F-H, VS to SI, stamped "Webb, 18K, Plat", approx. size 7-3/4, 27.4g Provenance: Private Florida Collection Estimate: $800 - $1,200 351 14kt. Diamond Hinged Bangle Bracelet 19 diamonds est. total wt. 2.0cts., G-H, VS, stamped "14K, JKO", yellow gold, 3/16 in. wide, 6-5/8 inside, 24.6g Provenance: Private Collection Estimate: $1,000 - $2,000

352 David Webb 18kt. Enamel Ring hammered texture and black enamel design, ring sizer inside stamped "Webb, 18K", yellow gold, approx. size 8, 37.9g Provenance: Private Florida Collection Estimate: $800 - $1,200

353 18kt. Pearl, Sapphire & Diamond Necklace, 10 strands pearls approx. 3 to 3.5mm each, sapphire beads approx. 3.5mm each, clasp with 14 round brilliant diamonds estimated total weight 0.56ct., G-H, VS to SI, stamped "750" and with hallmark, 18kt. yellow gold, likely Eric Bertand, 16-1/2 in. lg., 77.3 grams Provenance: Private Collection Estimate: $4,000 - $6,000

November 9, 2019

Jewelry

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356 14kt. Sapphire & Diamond Bracelet 19 sapphires est. total wt. 13.0cts., 38 diamonds est. total wt. 0.38ct., tested 14kt., 1/4 in. wide, 6-3/8 in. lg., 15.1g Provenance: Private Collection Estimate: $1,000 - $2,000

357 14kt. Garnet and Diamond Ring one oval cabochon garnet, assorted rose cut diamonds, black onyx, stamped "Brogan, 14K", yellow gold, size 6-1/2, 8.1g Provenance: Historic Bremo Plantation, VA Estimate: $400 - $600

354 18kt. Pearl, Sapphire & Diamond Bracelet, pearls, sapphires, clasp with 10 diamonds est. wt. 0.60ct., F-G, VS, likely Eric Bertrand, 18kt. yellow gold, 41.4g Provenance: Private Collection Estimate: $1,200 - $2,400

355 Eric Bertrand 18kt., Diamond & Sapphire Pendant, 15 diamonds est. total wt. 1.35ct., G-I, VS to SI, sapphire 6 x 5mm, "Eric Bertrand...", 1 x 5/8 in., 7.2g Provenance: Private Collection Estimate: $1,000 - $2,000

358 Gold, Diamond & Sapphire Pendant pendant and drop, 53 diamonds est. total wt. 1.10ct., G-H, VS, sapphire approx. 7 x 5mm, 18 and 14kt. yellow gold, 17.3 g Provenance: Important VA Living Estate Estimate: $700 - $900

359 Silver, Gold, Amethyst, Diamond & Pearl Earrings, each earring with two amethysts, 30 diamonds, seed pearls, silver over 18kt. yellow gold, 2-1/8 x 1 in., 15.4g Provenance: Private Collection, Tennessee Estimate: $300 - $500

For full cataloging and images see our website, brunkauctions.com

360 Van Cleef & Arpels Platinum and Gemstone Set brooch, 42 round brilliant diamonds estimated total weight 6.50cts., 51 round turquoise cabochons estimated total weight 16.5cts., E-G, VVS to VS, hand engraved "Van Cleef & Arpels, NY 36936 c 1966, PT 950", 2-1/2 x 2 in., 27.0 grams, with copy of Valuation for Insurance from Van Cleef & Arpels dated March 1967; matching earclips, pair with 24 round brilliant diamonds estimated total weight 3.50cts., F-H, VS, stamped "Van Cleef & Arpels, NY 38124", tested platinum, 1 x 5/8 in., 22.5 grams, with copy of original Valuation for Insurance from Van Cleef & Arpels dated May 1967 Provenance: Private Collection Estimate: $30,000 - $50,000

362 18kt. Diamond Pendant round brilliant diamond est. wt, 0.70ct., G-H, SI, stamped "18K, S", white gold, 3/8 x 1/4 in., 0.9 g Estimate: $800 - $1,200

364 18kt. Opal, Diamond and Pearl Necklace antique style choker, eight strands pearl beads approx. 3.5mm each, center plaque with oval Lightning Ridge opal cabochon approx. 33 x 20.5 x 3.2mm, estimated weight 13.5cts., two oval faceted blue sapphires estimated total weight 3.40cts., 244 round brilliant diamonds estimated total weight 4.0cts., I-J, VS to SI, tested 18kt. yellow and white gold, 1-3/8 in. wide, 15 in. lg., 66.5 grams, Made by Gondwanaland Opals, featured in their advertising booklet Provenance: Private Collection, Tennessee Estimate: $3,000 - $5,000

363 14kt. Diamond Ring round brilliant diamond estimated weight 1.0ct., H-I, SI, ring stamped "14K", white gold, size 5, 2.8 grams Provenance: Property From an Important Virginia Living Estate Estimate: $3,000 - $5,000

Clean-up

361 Platinum and Diamond Ring 10 diamonds est. total wt. 1.50cts., G-H, VS to SI, stamped "10%IridPlat, F.O." and with Maker's mark(?), size 6, 3.1g Provenance: Private Collection Estimate: $800 - $1,200

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367 18kt. Gemstone Eagle Brooch one round brilliant diamond, two round faceted rubies, stamped "18K", yellow and white gold, 1-1/2 x 2 in., 14.9g Provenance: Private Collection, VA Estimate: $500 - $700

368 14kt. Gold Link Bracelet wide flat curb link chain, stamped "14", yellow gold, 1 in. wide, 7-1/2 in. lg., 76.2g Provenance: Private Florida Collection Estimate: $1,500 - $2,500

369 18kt. Earclips textured and polished design, stamped "18K", yellow gold, 1-7/16 x 1in., 27.7g Provenance: Private Florida Collection Estimate: $700 - $900

370 Rolex Stainless Steel Watch Datejust, 35mm dial, date window, clasp stamped "Rolex, Swiss Made, Steel Inox, 62510 H", 7-1/2 in. inside, 92.2g Provenance: Rhoads Collection, VA Estimate: $1,000 - $2,000

371 Antique 14kt. Pocket Watch and Chain 51mm case, stamped "14K, JWC, 266171", Swiss hallmark, movement "JWC, 242975", 94.6g; chain and token tested 14kt., chain 12 in. lg., 17.5 g Estimate: $500 - $700

Jewelry

366 Cartier 14kt. Cufflinks button design, both stamped "Cartier, 14K, 10384", yellow gold, 7/8 x 9/16 in., 9.9g Provenance: Private Florida Collection Estimate: $300 - $500

372 14kt. Fox Brooch two round faceted red stones, stamped "14K", yellow gold, 5/8 x 2-1/4 in., 12.2g Provenance: Newton Estate, VA Estimate: $200 - $400

373 14kt. Fox Head Dress Set two cufflinks and four shirt studs, stamped "14K", maker's mark, yellow gold, 3/4 x 5/8 and 1/3 x 3/8 in., 24.5g Provenance: Newton Estate, VA Estimate: $500 - $700

374 18kt. Reverse Crystal Pendant rider on horse, stamped "18", yellow gold, 1-1/8 x 7/8 in., 8.0g; snake chain, 14kt., 1.75mm wide, 24 in. lg., 10.0g Provenance: Newton Estate, VA Estimate: $400 - $600

375 14kt. Dog Pendant dog painted on porcelain, marked "W. Essex, 1862", bezel tested 14kt. yellow gold, 1-1/4 x 1 in., 4.3 g Provenance: Newton Estate, VA Estimate: $200 - $400

November 9, 2019

365 Patek Philippe 18kt. Pocket Watch 47mm case, sub-seconds dial, inside case stamped "P.P.CO, 18Kts, 273901" and with hallmark and maker's mark, cuvette engraved "No. 170441, Made for Webster_Rhoads, Richmond, VA, 1912, by Patek Philippe & Co., Geneva, Switzerland", movement marked "Patek Philippe & Co.,, No 170441, Geneva, 20 jewels, Jahnke Bros., Richmond VA", 2-1/2 x 1-13/16 in., 75.0 grams; with watch fob chain, shoe charm tested 14kt. yellow gold, two other charms 10kt., chain tested non-gold, 14-1/2 in. lg., 17.8 grams Provenance: Belonged to the founder of Miller & Rhoads Department Store, Richmond, Virginia; Rhoads Family Collection, of the Miller & Rhoads Department Store, Richmond, Virginia Estimate: $2,500 - $4,500

376 18kt. Pocket Watch 47mm case, stamped "P.S. & Co., 18, 50815" and hallmark, movement "Sandoz Wuille", 18kt. case, 2-1/2 x 1-7/8 in., 78.5g Provenance: Chambers Estate, Virginia Estimate: $600 - $800

377 Three Riding Themed Brooches enamel horseshoe, 1-1/2 x 1-3/8 in., 4.7g; diamond horseshoe, 1-1/4 x 1-1/8 in., 6.2g; riding crop, 1/2 x 2-1/2 in. 4.1g Provenance: Historic Bremo Plantation, VA Estimate: $800 - $1,200

378 18kt. Rare Richmond Pocket Watch 54mm case, "Mitchell & Tyler, Richmond, 74121, 18", hallmarks, 18kt. case, goldfilled chain, key, 2-7/8 x 2-1/4 in., 168.2g Provenance: Private Collection, VA Estimate: $800 - $1,200

379 18kt. Earrings one red stone on back of one earring, likely Roberto Coin, stamped "18kt. Italy" and Italian hallmarks, 7/8 x 5/8 in., 8.3g Provenance: Newton Estate, VA Estimate: $300 - $500

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For full cataloging and images see our website, brunkauctions.com

380 Dankner 14kt. Gemstone Brooch grasshopper, 20 diamonds est. total wt.

0.60ct., garnets, stamped "Dankner, 14K, Copyright", 1-3/4 x 1 x 3/4 in., 12.8g Provenance: Property From an Important Virginia Living Estate Estimate: $700 - $900

382 18kt. Emerald and Diamond Bee Brooch 17 emeralds, four diamonds est. total wt.

0.55ct., stamped "14KP, SET", yellow gold, 15/16 x 1-1/4 in., 8.4g Provenance: Private Collection Estimate: $600 - $800

383 Hamilton Platinum & Diamond Ladies Watch, 19 x 15mm case, 88 diamonds est. total wt. 2.30cts., H-J, VS to SI, "10%IRIDPLAT", "Palais Royal", 6-3/4 in., lg., 31.6g Provenance: Private Collection, VA Estimate: $600 - $800

384 14kt. Ruby and Diamond Ring two diamonds est. total wt. 1.60cts., H-I, SI, one ruby est. wt. 1.33ct., "14K, MB", approx. size 6, 8.5g, appraisal copy Provenance: Private Collection Estimate: $3,000 - $5,000

386 14kt. Diamond and Rubelite Earrings two rubelite tourmalines each est. wt. 0.40 and 0.70ct., 150 diamonds est. total wt.

0.80ct., G-I, SI, 1-5/16 x 5/8 in., 6.4g Provenance: Private Collection Estimate: $1,200 - $1,800

387 14kt. Diamond Ring one round brilliant diamond 1.73cts., E, I1, GIA report 5202578513, six round brilliant diamonds estimated total weight 0.30ct., expandable shank stamped "14K" and with patent pending numbers, white gold, closed size 4, 4.3 grams, with copy of appraisal Provenance: Private Collection Estimate: $4,000 - $6,000

Condition notes available in back of catalog

388 18kt. Rubelite and Diamond Bracelet 23 tourmalines est. total wt. 20.0cts., 46 diamonds est. total wt. 2.0cts., G-H, VS to SI, 6-1/2 in., 31.4g, appraisal copy Provenance: Private Collection Estimate: $1,200 - $1,800

I Jewelry

385 Platinum and Diamond Ring center round brilliant diamond 1.56cts., K, SI1, GIA report 2205458715, approx. 50 round brilliant, marquise and baguette cut diamonds estimated total weight 3.50cts., H-L, VS to SI, tested platinum, size 5, 13.9 grams Provenance: Private Collection, New York Estimate: $5,000 - $7,000

November 9, 2019

381 Herbert Rosenthal 18kt. Diamond Bee Brooch 16 diamonds est. total wt. 0.16ct. two round faceted rubies, stamped "18K, HR", yellow gold, 11/16 x 7/8 in., 3.9g Provenance: Property From an Important Virginia Living Estate Estimate: $800 - $1,200

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November 9, 2019

Chambers Estate

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Estate of Girard Chambers, Jr., Hampton, Virginia G

irard Chambers, Jr. watched Hampton, Virginia grow from a horse and buggy town with a population of around 5,000 to a modern city of over 100,000 people. At an early age he would assist his father, a land surveyor, learning the intricacies of that trade. Later, as a surveyor himself, Mr. Chambers would come to develop a working knowledge of Hampton’s land, businesses, and citizens. He was often called on to act as the local historian, maintaining a family diary that was begun by his grandfather in the 1880s.

This appreciation of history naturally carried over into his local coin clubs. As a member, Mr. Chambers placed importance on education, preservation, fellowship, and always followed ‘The Golden Rule.’ This is how meaningful collections are formed.

For full cataloging and images see our website, brunkauctions.com

389 Group of Twenty, Five Dollar Gold Coins, Liberty head, dates include: 1866, 1877-S, 1878-S, 1880, 1881-S, 1882, 1885, 1886-S, 1887-S, 1893-S, 1894, 1897-S, 1898, 1899, 1901, 1903, 1904, 1905-S, 1906, 1907 Estimate: $5,000 - $6,000

390 1652 Pine Tree Shilling silver Colonial issue of Massachusetts, 'frozen date' of 1652 (likely made between 1667 and 1682) Estimate: $2,000 - $3,000

392 Five Liberty Head Gold Double Eagles group includes dates: 1850, 1854, 1858, 1898-S, 1899; 4.83 oz. T. Estimate: $5,000 - $7,000

394 U.S. Draped and Capped Bust Silver Half Dollars, 25 coins, dates include: 1805-1813, 1818, 1819, 1821-1834 Estimate: $1,000 - $1,500

395 1813 U.S. Five Dollar Gold Coin capped head to left Estimate: $2,000 - $3,000

396 1811 U.S. Five Dollar Gold Coin capped bust facing left, "Tall 5" variety, clashed dies Estimate: $2,000 - $3,000

397 1866 U.S. Pattern Nickel Washington head with "rays" reverse, likely Judd-473 Estimate: $600 - $900

398 1794 U.S. Silver Half Dollar flowing hair/small eagle type, first year of denomination Estimate: $1,200 - $1,500

399 1802/1 U.S. Five Dollar Gold Coin capped bust facing right, overdate Estimate: $2,000 - $3,000

400 1800 U.S. Five Dollar Gold Coin capped bust facing right Estimate: $2,000 - $3,000

Condition notes available in back of catalog

Chambers Estate

393 1837 U.S. Silver Seated Liberty Dime first year of seated design, Philadelphia Mint Estimate: $600 - $900

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November 9, 2019

391 Five Saint Gaudens Gold Double Eagles group includes dates: 1912, 1913, 1914-D, 1915, 1927; 4.83 oz. T. Estimate: $5,000 - $7,000

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401 Eight Liberty Head Gold Double Eagle Coins, dates include: 1892-S, 1894-S, 1895, 1895-S, 1897, 1900-S, 1904-S (x2) Estimate: $7,000 - $8,000

402 Group of Fifteen, Ten Dollar Gold Coins Liberty head, dates include: 1861-S, 1874, 1880, 1880-S, 1881 (x4), 1882 (x3), 1885, 1886-S, 1888, 1888-S, 7.2 oz. T. Estimate: $7,000 - $8,000

November 9, 2019

Chambers Estate

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403 Group of Twelve, Ten Dollar Gold Coins Liberty head, dates include: 1889-S, 1890, 1893, 1895, 1896, 1897 (x3), 1898 (x4), 5.7 oz. T. Estimate: $6,000 - $7,000

For full cataloging and images see our website, brunkauctions.com

404 Eight Liberty Head Gold Double Eagle Coins, dates include: 1864-S, 1870, 1874-S, 1876, 1877-S, 1878-S, 1879-S, 1880-S; 7.74 oz. T. Estimate: $7,000 - $8,000

405 Group of Three, Ten Dollar Gold Coins Indian design, dates include 1907, 1908-D (No Motto), 1909-S Estimate: $1,000 - $1,200

406 Silver Dollars in Library of Coins Albums, 121 total coins in four bookshelf style albums, three Morgan Dollar (18781886, 1887-1897, 1897-1921), one Peace Dollar (1921-1935), missing 1895 proof Estimate: $1,500 - $1,800

407 13 Twentieth Century Gold Double Eagle Coins dates include: 1903-S, 1904, 1907-D (Liberty head), 1908 (Motto), 1908 (No Motto), 1909-S, 1910, 1910-S, 1911 (x2), 1911-S, 1912, 1924 Estimate: $12,000 - $13,000

408 35 U.S. Gold Quarter Eagles Liberty and Indian designs with dates spanning from 1840 to 1929 Estimate: $3,000 - $3,500

409 Group of U.S. Silver Half Dollars 1803, 1806, 1807, 1821, 1822, 1825, 1828, 1830, 1831, 1832, 1833, 1834, 1837 (x2), 1858, 1879, 1880 Estimate: $1,000 - $1,500

410 Two 1986-W Proof Gold American Eagles, pair of one-ounce coins from initial year of the Eagle program, in boxes with certificates Estimate: $2,000 - $2,500

411 Group of Twelve, Ten Dollar Gold Coins Liberty head, dates include: 1899-S, 1900, 1901, 1901-S, 1902, 1902-S, 1904, 1905, 1906-S, 1907 (x2), 1907-D, 5.7 oz. T. Estimate: $6,000 - $7,000

Condition notes available in back of catalog

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412 Four United States Notes demand note of 1861: $5; act of 1862: $5, $10; act of 1863: $5 Estimate: $2,000 - $3,000

413 Lazy Deuce Boston NB of Commerce Ch#554, $2 from National Bank of Commerce, Boston, MA Estimate: $800 - $1,200

414 Six U.S. Legal Tender Notes series of 1869 (rainbow notes): $1, $2, $5, $10; series of 1874: $1, $2 Estimate: $800 - $1,200

415 Nine U.S. Legal Tender Notes series of 1875: $1, $2, $5; series of 1878: $1, $2, $5; series 1880: $1, $2, $5 Estimate: $600 - $900

416 10 Dollar Compound Interest Treasury Note, seldom seen, December 15, 1864 overprint, Colby/Spinner signatures Estimate: $800 - $1,200

417 Two Confederate Notes 1861 Richmond, $10 and $20 denominations Estimate: $500 - $700

418 California National Gold Bank Note circa 1870, First National Gold Bank of San Fransisco, $5 denomination Estimate: $600 - $900

419 Kirtland Safety Society Bank Note $5 denomination, popular note from Mormon group in Kirtland, Ohio Estimate: $500 - $700

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421 Group of Six, Three Dollar Gold Coins dates include: 1855, 1857, 1860, 1874, 1878, 1889 Estimate: $4,000 - $4,500

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420 Five Liberty Head Gold Double Eagles group includes dates: 1884-S, 1895-S, 1899 (x2), 1902-S; 4.83 oz. T. Estimate: $5,000 - $7,000

422 Group of Five, Ten Dollar Gold Coins dates include: 1843-O, 1845-O, 1848-O, 1853, 1856 Estimate: $3,000 - $3,500

For full cataloging and images see our website, brunkauctions.com

423 Six U.S. Gold Dollar Coins all Type I: 1849 (x3), 1849-C, 1849-O, 1850-C Estimate: $1,200 - $1,500

424 100 Original Peace Dollars in Bank Bag high grade Peace Dollars in canvas bag marked "$100.00 Silver/The Citizens Bank/ of Poquoson/Odd, VA", many 1935, 77.34 oz. T. Estimate: $1,000 - $1,500

425 Five Seated Liberty Dollars group consists of dates: 1842, 1843, 1862, 1868, 1869 Estimate: $2,500 - $3,500

426 1936 United States Proof Set half dollar, quarter, dime, nickel and cent; nickel and cent are 'brilliant finish' variety Estimate: $500 - $700

427 1796 U.S. Dime an example from the initial year for the denomination, die crack through date Estimate: $600 - $900

429 Two U.S. Gold Certificates $50 and $100 denominations Estimate: $600 - $900

430 Set of Three Educational Notes Silver Certificates, series of 1896, $1, $2, and $5 Estimate: $2,000 - $2,500

431 Three U.S. Legal Tender Notes act of July 11th, 1862, $1 (x2), $2 Estimate: $500 - $700

432 Ten Dollar Silver Certificate series of 1880, Bruce/Wyman Estimate: $600 - $900

433 Group of Four Hampton, Virginia National Notes $5 Citizens NB; $20 Merchants NB; $5 Merchants NB; $10 Merchants NB Estimate: $500 - $700

434 Twelve U.S. Silver Certificates series 1886: $1 (x3), $2 (x3), $5 (x3); series 1891: $1, $2, $5 Estimate: $800 - $1,200

435 Colonial Paper Money group of 18th century currency with nine pieces from Massachusetts, Pennsylvania, Maryland, and New Jersey Estimate: $500 - $700

436 Three Uncut Sheets of U.S. Fractional Currency 25 pieces, 3 cent notes; 20 pieces, 5 cent notes; 16 pieces, 50 cent notes Estimate: $1,000 - $1,500

428 Three August Bechtler Coins pair of K-24 One-Dollar coins; one Five-Dollar "Rutherford./Carolina Gold/134 G. (grain)/21 Carats" Estimate: $6,000 - $7,000

Condition notes available in back of catalog

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437 Over 540 U.S. Silver Dollars canvas bag with over $540 in silver dollars, 1878-1935, majority Morgan with some Peace Estimate: $5,000 - $6,000

438 Six Classic U.S. Gold Commemoratives 1915-S Panama Pacific $1, $2-1/2; 1916 McKinley $1; 1922 Grant $1, with star and without; 1926 Sesquicentennial $2-1/2 Estimate: $1,000 - $1,200

439 Five U.S. Silver Trade Dollars dates include: 1873, 1875-S, 1876, 1877, 1878-S Estimate: $600 - $900

440 U.S. Gold Liberty Head Type Set 1883-S $20; 1898 $10; 1881-S $5; 1854 $3; 1878 $2-1/2; 1854 (Type II) $1, gold coins in plastic case Estimate: $2,000 - $2,500

441 Group of Washington Tokens 11 pieces, copper, bearing late 18th century dates Estimate: $500 - $700

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443 Six Wayte Ramond Panels three Lincoln Cent boards, three Morgan Dollar boards, highlights include 1909-S V.D.B., 1914-D; 1878-CC, 1879-CC, 1881CC, 1889-CC, 1892-CC Estimate: $800 - $1,200

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442 Group of Eight Draped Bust Silver Dollars group consists of dates: 1796, 1797, 1798, 1799, 1800, 1801, 1802, 1803 Estimate: $10,000 - $12,000

For full cataloging and images see our website, brunkauctions.com

444 Three Half Dollar Library of Coins Albums, 107 total coins, two capped bust, 13 seated Liberty, 22 Barber, 14 commemorative, 55 walking Liberty, one Benjamin Franklin Estimate: $800 - $1,200

448 1802 U.S. 2-1/2 Dollar Gold capped bust to right Estimate: $3,000 - $3,500

449 1799 and 1803 U.S. Ten Dollar Gold Coins two early examples, capped bust to right, heraldic eagle reverse Estimate: $8,000 - $10,000

450 San Francisco Silver Ingot numbered "490" with stamped weight "5.38 OZS" at a declared fineness "999.75"; in later custom box Estimate: $400 - $600

451 Dahlonega Five Dollar Gold Coin 1849 dated example from this Antebellum era Georgia Mint Estimate: $500 - $700

452 Three Carson City Mint Five Dollar Gold Coins, group of half eagles from this Western Mint: 1880, 1882, 1892 Estimate: $1,200 - $1,500

453 Five Charlotte Mint Five Dollar Gold Coins, group of half eagles from this North Carolina Mint: 1844, 1849, 1853, 1856, 1861 Estimate: $2,500 - $3,500

454 Seven U.S. Treasury Notes also called "Coin Notes", 1890 series: $1, $2, $5; 1891 series: $1 (x2), $2, $5 Estimate: $800 - $1,200

455 Group of Confederate Currency 29 CSA notes; CSA fractional note; two CSA bond coupons; seven NC/VA banknotes; CSA deposit receipt Estimate: $600 - $900

456 1000 Dollar Federal Reserve Note popular high-denomination note, Richmond Federal Reserve Estimate: $1,200 - $1,600

457 Three 500 Dollar Federal Reserve Notes popular high-denomination notes, two are from Richmond Federal Reserve, other from Chicago Estimate: $2,500 - $3,500

Condition notes available in back of catalog

I Chambers Estate

447 1804 U.S. Five Dollar Gold Coin capped bust facing right, small 8 Over Large 8 with bold repunching, late die state with strong die cracks on reverse Estimate: $2,000 - $3,000

446 1793 Half Cent and Chain Cent two copper coins from the first year of our Nation's coinage Estimate: $5,000 - $7,000

November 9, 2019

445 1855 Pattern U.S. Cent large 'flying eagle' pattern, not commercially released, likely copper Estimate: $600 - $900

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458 U.S. Silver Half Dollar Commemorative Set full 144 coin 'Classic Commemorative' set plus two Norse Medals (both thick variety) Estimate: $5,000 - $6,000

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463 Group of Twenty, Five Dollar Gold Coins dates include: 1882-S, 1885, 1886-S (x2), 1887-S, 1894, 1895, 1897 (x2), 1899, 1900 (x2), 1901 (x2), 1901-S (x2), 1902-S (x2), 1903-S (x2), 4.8 oz. T. Estimate: $5,000 - $6,000

459 1853 Charlotte U.S. Gold Dollar Coin gold issue from this popular North Carolina Mint Estimate: $800 - $1,200

460 Early U.S. Copper Large Cents 11 coins total, dates include: 1793 (wreath type), 1794, 1795, 1796, 1797, 1798, 1800 (180/179 variety), 1801, 1803, 1805, 1806 Estimate: $800 - $1,200

461 Engraved Love Token St. John's Church, Richmond, host coin a Barber Quarter, finely engraved image of this historic church Estimate: $500 - $700

462 Virginia Coin and Currency from 1770s half penny dated 1773; paper money dated October 7, 1776, redeemable for "six Spanish milled dollars" Estimate: $1,000 - $1,500

464 Two Early U.S. Silver Half Dimes 1797 and 1800 dates, 1797 is 15 star variety Estimate: $1,500 - $2,000

465 Ten 1877 Bronze Indian Head Cents key date to the Indian Head series Estimate: $1,000 - $1,500

466 Group of U.S. Half Cents 41 coins, dates span from 1794 to 1857 with some light duplication Estimate: $1,000 - $1,500

467 Group of Colonial and Post Colonial Copper Coins, 18 total coins, Connecticut, Rosa Americana, NJ, Nova Constellatio, Kentucky Token, MA Cents, MA Half Cent, Fugio, and others Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

469 Group of Fifteen, Ten Dollar Gold Coins Indian design, dates include: 1908-S, 1910, 1910-D, 1910-S (x2), 1911 (x2), 1912, 1913 (x4), 1914 (x2), 1915, 7.2 oz. T. Estimate: $7,000 - $8,000

471 Six Gold Half Eagles dates include: 1843, 1880, 1887-S, 1899-S (x2), 1915 Estimate: $1,000 - $1,500

472 Group of Twenty, Five Dollar Gold Coins Liberty head, dates include: 1834, 1847, 1849, 1854, 1856, 1878-S, 1879, 1880 (x3), 1880S, 1881 (x7), 1882 (x2), 4.8 oz. T. Estimate: $5,000 - $6,000

Condition notes available in back of catalog

474 Group of Three, Three Dollar Gold Coins, dates include: 1854, 1855, 1857 Estimate: $1,000 - $1,200

Chambers Estate

473 Three Liberty Head Gold Half Eagles 1880, 1881 (x2) Estimate: $500 - $700

470 Group of Nine Gold Half Eagles Indian design, dates include 1909 (x2), 1909-D (x2), 1910 (x2), 1911 (x3) Estimate: $1,200 - $1,500

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468 Group of Twenty, Five Dollar Gold Coins dates include: 1904, 1906 (x2), 1908; Indian head, 1908, 1908-D, 1909, 1909-D, 1910, 1911, 1911-S, 1912 (x3), 1913 (x3), 1915 (x3), 4.8 oz. T. Estimate: $5,000 - $6,000

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nicks and scratches, pinholes and firing anomalies, some chips to feet and neck, other typical surface wear minor enamel and gilt loss, small restoration to rim, pin holes, minor surface crack, other typical surface wear overall good condition, some minor glaze anomalies overall good condition, some minor gilt and enamel loss, one with two minor chips to rim, one with possible minor gilt retouch overall good condition, retouch to one lid, wear to finial tips, areas of minor discoloration in blue ground, scattered minor abrasions and glaze loss, scattered areas of crazing and hairlines, some glaze voids and pin holes, other minor typical surface loss one corner of cover chipped, extensive losses and wear to paint decoration including some area where clay body is exposed, large abrasion and small chip to center ridge of body, wear and abrasions consistent with age wear to gilt and enamel decoration, scattered minor staining, typical wear consistent with age overall good condition, slight unevenness to plaques, minor surface scratches, some minor enamel loss, minimal pin holes, one plaque slightly loose in frame; wear to frames restoration to rim, firing cracks at base, few pin holes/glaze voids and firing anomalies, minor scratches, other typical surface wear loss to gilt and color overglaze, partial seam visible (as made), some firing cracks, pin holes, minor scratches, and other typical surface wear and abrasions lined, restretched on old stretcher, crackle; frame with abrasions restoration at neck, some loss to spiked hair, loss to gilt and lacquer, scattered surface flaws including scratches, nicks, abrasions and other typical wear funerary vessel with repair to neck, clay adhesions, scattered losses throughout, including glaze loss, chips, minor cracks in clay body, and other typical surface wear and abrasions consistent with age and use Good overall in rich old surface, loss to right foot, left foot with early nail attachment (appear to be as made), minor old loss to right ear and top of hair, base with very minor glue repairs, expected minor shrinkage cracks, other minor surface flaws minor casting flaws and repair, void near figure's foot; some wear to stand Buddha has missing feet (possibly as made), scattered chips and scratches, some loss to carving detail, paint, and gilt, other typical surface wear and abrasions; Vitrine and stand: anomalies in glass, scattered losses and repairs to wood, stand has small Chinese wax seal, other scratches and abrasions scattered chips, scratches, and abrasions, back of pedestal is rough stone, other typical surface wear some chips to grass, one crab has crack in back leg, some gouges to panel verso, restoration to corner verso, and other scattered nicks, scratches, abrasions, and typical surface wear consistent with age some toning, taped in at five points

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with masking tape, framing instruction in pencil in bottom margin, printing creases, impression from verso lower right; frame with wear paint loss, chips, abrasions, pinholes, and other typical surface wear consistent with age overall scattered chips, abrasions, crazing, cracks and wear consistent with age and use overall scattered chips, abrasions, crazing, cracks, residue buildup, and wear consistent with age and use, not examined out of frames large crack to upper right polychome tile, cracks and crazing to monochrome four tile panel, crazing and chips to single polychrome, small chips upper right on ship tile, overall glaze imperfections, abrasions and wear consistent with age scattered chips, abrasions, crazing, and cracks throughout, other typical surface wear consistent with age and use large repair and chip to base, minor losses and cracks to sprig decoration, scattered abrasions and wear consistent with age and use several large cracks at bottom extending through body, large old chip at rim near handle, minor losses and cracks to sprigged decoration, scattered wear and abrasions minor losses and cracks to sprig decoration, minor abrasions and glaze flaws consistent with age and use pewter lid askew on the jar and has dents, glaze voids, firing cracks and anomalies as made, old chips to base, general wear consistent with age barrel with corrosion to metal, punch party pitcher with small repair and chips to foot, hairline cracks to base of Nelson pitcher, repairs to pitcher with faux metal handle, hairline crack on lower half and repair to one handle of mug medium mug with repair to bottom, large mug with several old chips to base, dents to silver collar, several old small chips to pitcher with silver collar, overall tarnish to silver scattered abrasion, general wear consistent with age and use chip to lip of DB bottle, loss to bottom of Bucton's bottle, all with minor scattered chips and abrasions consistent with age hinged silver lid with crack and loose on jar, one jar with small chips to rim, meat pot with large hairline crack and small chips to base, overall wear consistent with age early puzzle jug with staple repaired handle, some cracks in sprig molding and residue near cut outs, mug with a few firing cracks in sprig molding, all with minor wear one with accretion on bottom, tarnish to silver mount, scattered minor rim chips/abrasions, overall wear consistent with age and use brown glaze with chips to base, both with glaze losses, scattered abrasions, firing flaws and wear, one spigot with solder repair, both with dents and corrosion lid off but present, cracks/repairs left of handle, small loss to near robes to figures in Resurrection, wear, some embedded grime chips to rim of cup, surface scratch on small jar, other typical scattered abrasions and wear consistent with age and use Lord Nelson with crack extend-

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ing through hat to back of head, several cracks and chips on base, chip to interior rim, glaze and firing flaws at top, Wellington with repair under spout left side of face, smiling face with hairline crack left side of neck and several on base, all with minor wear and abrasions chips to finial and at coin slot to 1899 bank, chips to base of earthenware with slip decoration, chips to pitcher finial on Walford bank, all with wear, scattered abrasions, minor chips consistent with age lined with paste and linen, restretched on newer stretchers, stretcher marks, retouch, yellowed varnish, crackle, he with uneven varnish; frames with reservations vertical split with repairs and retouch, approximately 20% of surface affected; frame with abrasions lined with Mylar, craquelure, retouch; lacking outer frame, abrasions lined, restretched on new stretcher, original canvas appears commensurate with the 17th century, craquelure, some areas of retouch obscured by varnish; frame with losses jug with roundels, repaired base, repair at base of handle and under handle, two vertical cracks at rim, abrasions to rim, chip to molded border, floral motif jug with vertical crack and small chips to rim, kiln debris, old chip to base bottle with hairline cracks throughout spout, neck and handle, chip/loss to left of handle, cracks in right lion, sticky residue on body, pitcher with chip on rim, sticky residue interior rim, minor chips and abrasions throughout 12 in. with cracks in GR medallion and losses to 10 pointed stars, several old chips to rim, scattered kiln debris, 12-3/4 in. with loss to right of GR and several cracks in medallion, interior rim chip, one inch hole left of medallion, both with holes in handle as made extensive wear and surface distress, tallest with pest damage with associated losses and repairs, losses at feet and repairs at stretcher attachments, baluster turned example wear to feet, one stretcher old replacement, extensive distress to top, tapered columns example with cracks to top and dog chew at one edge, small loss at one corner, scattered pest damage, possible restoration to top (later paint at underside ) warping to leaves of table with separations and butterfly patches at back, center top an old replacement, some later plugged screws, turned feet replaced, other wear and scattered repairs throughout consistent with wear and use, chairs with several feet ended out, two plank seats replaced, one with cracks and repairs to one rear style draw crackle, retouch egg shaped surface damage over four legged creature on bottom, cracks along edge of horn near crack, overall wear consistent with age metal losses at both buckles, some corrosion and oxidation, metal pierced further at rivet holes severe pitting and corrosion, rust throughout, blade firm in hilt pitting throughout, metal losses and broken elements to basket hilt, pest damage to wooden grip some loses to gilt on handle,

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pitting and corrosion throughout (as one might expect when fished from a river) firing mechanism restored by Colonial Williamsburg gunsmith, minor pitting, some corrosion small tears to folding map of Egypt and one of the folding pages, scattered foxing throughout, water stains to some upper right page corner, minor rubbing to spine a few scattered stains, creasing, minor tears/losses on folds, losses to wax seals both with extensive losses and wear to leather, stains and losses to interior, iron handle on larger box off but present box with broken hinge lid, solder repair, minor dents and corrosion, wear to interior leather and corrosion to collar dual trap has some broken and missing components, one with bowed wall, some with interior residue, surface dirt, other scattered losses and surface wear consistent with age and use basin with extensive dents and splits with scattered old solder repairs, modern stand generally good condition few nicks, scratches, and other minor losses typical with age and use scratches, warping, cracks and marks to surfaces, wood splitting to lid, mild residue buildup to interior, remnants of blue paper lining to interior, lacking lock catch and part of lock mechanism good overall condition considering age, several bottom boards and one rocker replaced, cracks and distress at base moldings, some minor pest damage, other typical surface flaws, loss at one finial excellent condition overall, minor pest damage at feet, crack and small loss at one drawer facing, brasses with polish halos, surface wear, abrasions and very minor repairs overall scattered tarnish and discoloration to brass, probably later outside pendulum, repair to brass bell, grime survives in unusually intact condition, warping and minor edge losses to top, probably original brass pulls and escutcheon, minor cracks and repairs to original stretchers, turned front feet original, rear feet replaced, one old loss at skirt cracks and wear to top with strip patches for shrinkage, some wear and distress to painted base, scattered cracks to plank seats, one with possible set replacement (oak), other minor repairs and refinishing, wear consistent with age and use base molding replaced, surface restorations including at base, later braces to backboards, works possibly original to case but later extensions to case uprights, cracks at pediment and hood door frame, minor glazing crack, engraved boss reused (other engraving at back), other surface distress and flaking, other repairs broken rim and cracks to 6 in. bottle with swirl decoration, crack to small handled body with threaded decoration, all five with embedded grime and stains a few minor chips to interior rim of jar, crouched Anubis with cracks/ repairs to base, chips/losses to tip of ears, one small ushabti figure with horizontal crack (possible

Condition Notes - Please check website for updated condition notes

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repair to body, one small figure off stand, minor chips and abrasions to base, small ushabti with mold broken in half, bust with losses to back of head, wear to paint and grime, grime to small figures, jar with a few minor chips to interior rim of jar, all with general wear consistent with age and use minor crack at top leaf, minor crack at one rear leg attachment, face patch at gate, glue repairs at corner brackets (some possibly restored) laid on card, crackle, abrasions; frame with wear and losses good overall, some wear and gilding losses, including some flaking at urn, early mirror plate possibly original (not removed) , restorations and repairs to crest, including two restored scrolls (some later bracing and color at back) good overall, brasses replaced, top with crack and later blocking at underside, original feet with scattered patches and repairs, one loss at rear bracket wear and roughness at board edges, surface dirt layer; frame refinished, minimal wear, separation at edges She, with 6 in. tear with restoration, and restorations to left edge, He with some smudges; frameswith losses to composition, abrasions lower portion of box probably reduced in height, hinges replaced, lacking lock mechanism, old surface patch to lid, some patches or infill near lock placement, typical scattered wear and abrasions consistent with age one box lacking most of interior fittings, both with cracks, shrinkage and lifting of veneer, scattered losses to inlay and molding minor dents and scratches, other typical surface wear consistent with age and use excellent condition overall, scratches and wear especially to top, original feet and blocking, one side base molding and two feet are loose (knot patch and possible repair at one front foot, loss of one toe) crackle, minimal small areas of retouch on boat lower right, dirt, yellowed varnish; frame liner with minimal wear, gold paint linen lined, crackle, uneven varnish, areas of fluorescence, dirt, yellowed varnish; frame with rubbed gilt finish (gilt mostly gone), cracks, chips, overall wear patch verso, tacking edge loose and tearing in places, unevenly yellowing varnish, crackle; frame with wear surface dirt layer, uneven varnish, slight stretcher marks; liner with gold over-paint, chips at corners and edges 1 in. patch in repair at bottom, later hanger at top (hole in bottom from previous stand), chips and later nails at bottom fins, top fin possibly old replacement, one break and repair at top of tail, other minor surface wear and distress scattered dents, minor losses and repairs including loss at one ear, old solder repair at front leg, old repair with brace at tail attachment, bending to figure's arm and head (separation at hand attachment) weathering, gilt losses especially at back of horse's head surface wear and weathering throughout, several bullet holes,

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some bending and losses to ears, repair and distress at front foot attachment scattered dents and two small holes, some splits and separations at seams, tail with wrinkle and separation at joint with body, at least 2 paint layers with wear and distress, set on a modern stand old split at tail attachment, losses at nose and tip of one ear, other scattered bending and dents, typical surface wear and weathering, wooden support with extensive cracks and distress verdigris surface with weathering, some traces of paint, feet replaced, minor splits at tips of tail feathers, some possible solder repairs, solder and seam repairs, some dents and distress to tail feathers, extensive weathering and distress throughout, bending and minor tears in tail, bullet holes in head, other bending and distress throughout original condition with weathering, verdigris, gilding losses throughout, minor bend in one wing, very minor separations at some seams, overall good condition, light scratches to surface minor separations at laminations, some possible later solder, one small hole at center, wear to patination at joint to modern stand, some distress at glass ball attachments seat likely old replacement, otherwise excellent condition, with typical minor wear and cracks consistent with wear and use, crack at back of one front leg, minor losses at turned feet, cracks and some infill at one arm support with probable break and repair at lower turning, some distress and minor repair at front stretcher attachments significant paint loss and flaking, surface dirt, wax lined and some retouch, possible repair in lower right quadrant; mid century gilt gesso frame with some loss at corners foxing, heavy creasing, stains, tears, fading, not examined out of frame typical wear consistent with age and use replaced plank seat (pine) otherwise generally good condition, some distress at joints with scattered cracks and repinning, some minor pest damage to feet and lower stretchers, original feet with typical wear and minor water damage, one small loss at front good condition overall, side bed moldings replaced, scattered minor cracks to legs and feet (break and repair to pad of one rear foot), scattered stains and wear especially at top, lock replaced excellent condition overall, crack and small loss at top of one leg, original feet with wear and minor water damage, other typical minor cracks and surface flaws, minor warping to top, original feet, lacking some glue blocks, distressed mirror, minor surface stain, abrasions and wear consistent with age some fading and finish losses, original feet with some patches and restorations, patch to one drawer facing, patch at one drawer lip with some later color, other typical flaws top reset with later plugged screws (probably original but not

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removed), some resurfacing at underside, cracks and stains to top, some later nails at drawer joints, one drawer with later divider, one with evidence of previous divider, some repining at joints, patch and repair at one leg at joint with stretcher generally good with surface wear and corrosion consistent with age and use warping and cracks to leaves with later iron braces at back, hinges are old replacements, rails under top likely restored (repinned, top not removed for exam), one area of infill to top, other typical wear and flaws surface dirt layer, uneven varnish; frame with some losses to decoration at corners and edges, cracking, abrasions, wear commensurate with age very good condition overall, scattered wear and losses to turned elements, minor warping to top (small crack with butterfly repair at back), top with some later nails and associated splits at skirt, some minor cracks to legs and skirts, top appears original (not removed), some perimeter nail holes due to resetting (see photo) refinished with traces of green paint, top with wedge shaped patch and other cracks and areas of infill (top reset, not removed for exam), some repinning to frame joints, cracks and some infill to stretchers very good overall, lock and escutcheon replaced, lacking interior dividers , some sun fading, original bed moldings with some later nails, two modern box supports added to frame, patch and repair at one front toe, scattered very minor pest damage, stains to top, two small strips, bottom board possibly replaced (strip patches at two edges, some old plugged holes) original stretcher and tacking edge, crackle, small pin head sized puncture at center of sitter's neck, additional tiny pin hole at upper left background, area of retouch at bridge of nose, small area of abrasion near signature; frame with abrasions, losses to decoration at edges and corners, evidence of old repair, separation at corners hinged in, small repaired tears at edges, some chipping at edges and two corners, 2-3/4 in. restored tear at bottom through text binding edges present, light toning, some stains, tears some toning and foxing, tears, creases, T. 43 with some losses at binding edge, inscriptions light toning and foxing, binding edges present, good color, pencil inscriptions, T. 47 with taped repaired tear and associated staining some toning, tears, some losses, some handling some toning, fresh colors, some foxing, creases, one with satmp verso , T. 48 with resoration to bottom margin, inscriptions, some small losses refinished, feet and brasses replaced (original front skirt) top board with losses to the back right corner, losses and likely pest damage to back side, warped doors, losses to fill on sides exposing nails, probably later bottom molding, typical scattered abrasions, pest damage and wear consistent with age

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137 138

mild residue buildup, firing anomalies at mare's shoulder, back, and tail areas minor wax accretion, gold to reddish brown patina very good overall, some minor later braces, old cracks and some later screws to top, legs with some later pinning (knot cracks at one front leg), patch at one rear knee return very good condition overall, probably original brasses, knee returns replaced, some wear and water damage at feet, patch and repair at lock catch overall excellent condition, appears to retain original brasses, scattered repairs to cockbeading on drawers, lower case with full dustboards, feet in good repair, lacking corner glue blocks and minor break and repair to proper right front foot, minor repairs around escutcheons, case refinished, but with good color, desk drawer facing slightly darker, from less sun exposure, other minor imperfections sporadic areas of slight fading, loss to both ends, wear to pile consistent with age and use, small 2 in. patch to center, small 4 in. patch to one edge scattered loss to pile, some areas of professional restoration, restoration to tears on one end, loss to fringe extensive fading, losses to guard border, extensive reweaving on ivory field, approximate 20 in. repair to border, hole in upper medallion, abrash, surface abrasions and likely pest damage, some knots showing some toning, foxing, not examined out of frames floated with archival tape to mount, pinholes, some toning, foxing, and creasing throughout, crease to center, minute tears, puncture, and paper loss to edges; abrasions to frame hinged in with archival tape to mount, trimmed, conservation and repairs, edges folded and glued to verso, pigment bleeding, some toning, color fading, and creasing throughout, crease to center, minute tears and paper loss to edges; abrasions to frame foxing, toning and handling grime to paper, slight fading, right side of map trimmed, some loss to map at vertical center crease, some small tears at edges, some small areas of re-touch to image at center crease area of loss both map and engraving laid down, scattered foxing and toning, waterstain(?) to right of map some slight rubbing to gilt frame, fading to ink signatures, slight foxing and toning to paper document, folded crease lines light toning and foxing, centerfold crease and a few smaller creases, other minor surface wear consistent with age lined with paper, scattered small holes and paper loss, tears to edges, some fading to hand coloring, toning, foxing, and creasing throughout, restoration by Susan Nash; scattered abrasions to frame trimmed from full sheet, some toning, hinged in, edges folded over; frames with abrasions toning, color fading, and creasing throughout, crease to center, tears and paper loss to edges, coloring possibly later, some hand written pencil marks to sheet edges

77

Condition Notes - Please check website for updated condition notes 139 140

141

142 143 144

145 146 147 148

149 150 151 152

153

78

toning, foxing, surface abrasions consistent with age mounted to cloth, scattered staining, toning, fading, creasing throughout, not examined out of frames; abrasions to frames map of Northern Ocean with small repair to lower right margin and small area of repair on map crease margin; possible repair on map of The Pacific Ocean near guard; small area of repair on map of The Southern Ocean with small repair near guard; map An Accurate Map of North America possibly trimmed (although, entire map is present, but possibly missing some map elements beyond the neatline) with small repair near guard and small area of repair on top left margin; map Province of New Hampshire with repair to right and bottom margins; map An Exact Chart of the River St. Laurence with small repair near guard; map The Provinces of New York and New Jersey with repair to right margin and top corner and some possible retouch in pen and ink; map A Survey of Lake Champlain with small repair near guard; map A General Chart of the Island of Newfoundland possibly trimmed (although, entire map is present, but missing some map elements, such as longitudinal numbers, beyond the neatline); map An Accurate Map of North and South Carolina with repair along the right and bottom margin, with small areas of retouch in pen and ink; map The Western or Atlantic Ocean with repair to right margin with small area of retouch with pen and ink; map A Map of South America with small repair to bottom margin; other minor professional repairs, other possible trimmed edges (although maps include entire copper plate impression), some pencil inscriptions, light toning and foxing, some stains, some print bleed through, creases, small tears, and other typical surface wear consistent with age and use; stand in overall good condition, some minor wear, missing drawer key, minor scratches to plexiglass surface in very good condition; frame with minor abrasion frame with wear, abrasions, chips and losses to gilt original stretcher and tacking edge, retouch, patch verso, stretcher marks, crack some cupping at left; frame with abrasions good condition; frame with abrasions linen lined, areas of retouch scattered throughout; frame with minimal wear scattered light retouch, lined, crackle; frame with losses and restorations lined, restretched on old stretcher, scattered retouch mostly in sky, craquelure; frame with loss and restoration lined, craquelure, scattered light retouch; frame with abrasions lined, crackle; frame with wear wear to dark brown patina, some abrasions lined, restretched on new stretcher, stretcher marks from former stretcher, retouch mostly on left with less than 5% affected; frame with abrasions loss to end, repairs to checking (splits), some losses and restoration, pest damage, retouch, some surface paint abraded

154 155

156

157 158

159 160 161 162 163

164

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166 167

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169 170 171 172

173

174 175 176

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crackle, yellowed varnish one with repair to deep abrasion, scattered retouch and abrasions at edges; frames with losses to composition lined with paste and line, restretched on 19th century stretcher, yellowed varnish, areas or retouch primarily at repairs, craquelure; frame with abrasions lined and restretched on new stretcher, crackle, scattered retouc, evidence of prior flaking lined, two patches verso, crackle, yellowed varnish; 19th century frame with abrasions and losses to composition mounted, floated, some fading and toning, light foxing; frame with some abrasions small checks in panel, two small abrasions bottom center; frame with abrasions original stretcher and tacking edge, crackle, some possible later retouching; frame with abrasions lined, restretched, retouch; frame with abrasions original stretcher and tacking edge, craquelure, cleaned and revarnished, small point of retouch at center, slight stretcher marks; frame with unlined, scattered retouch, restretched on newer stretcher, vertical and horizontal stretcher marks, slight dirt layer indentations to panel, retouch, diagonal repair upper right with retouch; frame with losses, resurfaced lined, overcleaned, retouch, some cupping, crackle; frame with wear lined with paste and linen, restretched on late 19th/early 20th century stretcher, crackle, retouch, abrasions; frame with wear and some losses lined with wax and linen, restretched on new tension bar stretcher, craquelure, retouch, two patches verso, crackle, some surface scuffing; frame with wear and losses, resurfaced lined with wax and linen, crackle, retouch, stretcher marks; frame with chips and losses original stretcher and tacking edge, dirt layer; frame with abrasions original stretcher and tacking edge, dirt layer, abrasions; frame with losses lined with paste and linen, retouch throughout, repaired tears, crackle, flaking, cupping; frame with abrasions, re-gilt split in wood through center of plaque, scattered cracks in portrait reliefs, possible repair to hair ribbon, some paint loss, scattered chips, pencil inscriptions on back, typical surface wear and losses to wood throughout lined, crackle, retouch; frame with wear and losses lined, crackle, some retouch, taped at edges lined with paste and linen on old stretcher, yellowed varnish, some overcleaning in foreground, tacking edge removed; frame reduced, with losses lined with paste and linen, restretched on old stretcher, tacking edges trimmed, areas of overcleaning, small points of retouch; frame with wear and losses lined with wax and linen, restretched on new stretcher, yellowed varnish, crackle, areas of retouch

179 180 181

182

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185 186

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188

189 190 191

192

193 194 195

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dirt layer, some losses to corners, nail holes, yellowed; frame with losses lined, restretched on new stretcher, yellowed varnish, crackle, abrasions, retouch; frame with losses lined with wax and linen, restretched on new stretcher, scattered retouch, crackle, light dirt layer; frame with losses, resurfaced major gilt loss to rim, minor areas of glaze voids on rim, some scattered areas of residue buildup, possible area of retouch wear consistent with age and use; transfer/image fading ranging from mild to major, scattered areas of gilt loss, hairline cracks to bases of five saucers, two with possible repairs; cracks to interiors of two cups, possible repairs, residue buildup to bases scattered areas of fluorescence, varying degrees of crazing to plate centers and undersides, one with chip to rim lined, restretched on new stretcher, scattered retouch mostly at two repaired tears overall good condition, minor firing anomalies including crazing, glaze void, some pin holes, other typical surface wear lined and restretched on newer stretcher, craquelure, indentation, scattered retouch; frame with abrasions lacking masts (possibly as made), losses to several small baluster forms at front deck, probably lacking life boat at one side, surface wear and minor paint losses now set with two removable stabilizing brace sides to underside lined, restretched on new stretcher, crackle, stretcher marks; frame with abrasions edges with glued strips of wood at edges, two periods of scattered retouch; frame resurfaced, losses some restorations and possible veneering at top of sarcophagus; finials, door hinges and feet replaced, one columnette lacking brass capital, some minor patches and repairs to hood door, case door lacking escutcheon, bell for works possibly replaced, saddle board and case appear to be good generally good condition, scattered veneer losses, typical veneer flaws including checking to top with some minor losses at banding, minor warping in some areas of infill, brasses replaced, scattered restorations to feet with some reveneering tarnish, some abrasions, lower beak chipped and resoldered, other typical surface wear both with chips and loss to paint, wear wear consistent with age and use, light scratches to surfaces, lining loss to interiors, sun fading, surface variations, apple stem broken, possible restoration to pear stem approximately 1-1/2 in. loss and other small chips/abrasion to rim, large chip on foot, three hairline cracks vertical cracks extending from rim, glaze voids and imperfections as made, abrasions, scratches and wear consistent with age and use minor wear to gilt and base two small areas of gilt loss to inner rim, very minor wear to base loss to gilt and wear, etui lacking tools, case with wear and damage to interior silk, hinge damage loss to gilt and wear, one scissor

201

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206 207

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211 212

213 214 215

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218

handle with weakness, worn gilt, minimal enamel loss, some scratches to glass, small crack to front glass panel, small hole at '?' character of "MO?ER" engraving, some firing anomalies on backside of hinged panel scattered scratches and marks to wood case exterior and interior, several cracks to top, interior lining attached to metal frame is warped; mild residue buildup to glassware, scattered surface abrasions, some scratches to cordial bases, red scratch marks to one decanter neck two holes verso, possible due to firing flaws, several small areas of accretion verso, possible firing flaw on chest, several small spots of verdigris at small crack or separation of bronze at right hand side, light abrasions front left, overall dark natural patina lined, patch verso associated with two points of retouch at flaking lower left, some retouch at edges, craquelure, abrasions at edges, yellowed varnish; frame with some losses porcelain lid liberated from hinged metal fittings, crumbling adhesive, some surface grime, one side with 1/2 in. residual sticker, scattered paint and gilt loss wear to base, minor gilt and paint loss overall good condition, minor surface scratches and areas of glaze loss, some areas of residue around edge; minor wear to frame overall good condition, minor surface scratches and areas of glaze loss, not examined out of frame; losses, resurfacing, and other cracks and typical wear to frame good overall with dimpling and other minor pin holes, small chip to corner, other minor scratches and typical wear; frames with losses and resurfacing, possibly original minor wear to base, mild residue buildup to woman, retouch to bird beak, possible retouch to child's hand, woman's hand, and telescope endw overall good condition, mild residue buildup to base, minute areas of gilt loss base slightly off-level, minor gilt loss, Meissen mark heavily faded, possible retouch to front left foot area and woman's hairline overall good condition, mild residue buildup to base and hands residue buildup and minor wear to bases, scattered areas of retouch one putti broken off, retouch to three putti and crown finial tip, crown finial missing cross embellishment, two chips to interior edge, possible gilt restoration, large chip to lid edge minor wear to base, possible retouch to monkey and upper pedestal chips to detail on legs, cracks and repairs to all four legs, scattered chips, cracks and hairline cracks throughout, firing anomalies around handles, gilt loss and gilt retouch, paint loss crack in scroll, restore and retouch to man's extended arm, chip in man's hair and ribbon, restore and retouch to woman's feet and hat, chipped ribbons, losses to many flower petals and leaves throughout, both figures have crack at bottom of base, some gilt and paint loss, and other scattered surface

Condition Notes - Please check website for updated condition notes 219

220

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228 229

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231 232 233 234 235 236

wear and losses scattered spots of gray residue on micromosaic panels especially on black borders, scenic panel with cracks and slight lifting to tesserae at right border, fall lid is slightly warped on left hinged side leaving a small gap between lid and base, front architectural panel is loose, interior brace is unattached to lid minor wear to paint and gilt, base likely associated, possibly missing lid, other typical minor surface wear some chips to gilt, minor gilt retouch, abrasion to gilt on shoulder, minor chips to paint, minor wear to base, possibly missing lid missing glass dome, scattered breaks and losses to gilt bronze fittings (especially to beaded borders), gilt loss, hairline cracks to porcelain dial, some enamel loss, some clock arms slightly bent out of shape, pendulum bob slightly off kilter, scratches and nicks to marble bases, other typical surface wear some hairline cracks on enamel surface along panel corners, minor gilt loss to enamel surface, scratches, minor wear, some gilt loss, and light surface discoloration to bronze cask, not clear if this form had a lid some wear to gilt and painted porcelain, front right gargoyle leg is loose, writing to interior back wall, missing key to jewelry compartment, other typical surface wear consistent with age and use good condition; frame with some wear in partial working order, does not always close, open/close switch not functional, minor gilt loss to edges and borders plaques not examined out of bronze mounts, some gilt and paint loss, minute firing anomaly on largest plaque, some crazing and hairline cracks to plaques, surface residue in engraving, small rough spot (perfect circle) to interior left wall, 1/2 in., missing key, wooden floor board is bowed, velvet floor cushion does not completely cover bottom in partial working order, open/ close switch functional, missing wind-up key in partial working order, does not always close, open/close switch not functional, missing wind-up key exterior with surface dirt, shrinkage at top with cracks in canvas, surface abrasions throughout, handles complete (not tested for strength), break at belt with loss, other light sticker residue, light rust at casters (working), interior with discoloration throughout, water stains at top, base, professional repair at lock with cuts at interior lining, later break at latch (lacking element unable to lock), tray straps, handles intact some toning, not apparently laid down, some floated; portfolio with wear full margins, some toning to paper mainly at edges, loose in picture corners; frame with abrasions full margins, hinged in, good condition; frame with abrasions overall condition is very good with minor scratches and abrasions some creases, light toning with some foxing on cover, accretion, back cover missing losses to three corners, creases,

237 238 239 240

241 242 243 244 245 246 247 248 249 250 251 252

253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268

269 270 271 272 273 274 275 276

277 278 279

taped tears with one 3-1/2 in. slightly into image at top middle, toning; frame with abrasions ink scuffed, creases, small edge losses, toning; frame with abrasions minor foxing; minor abrasions on frame some glaze blisters, anomalies and grinding abrasions, chip to foot ring glaze anomalies with discoloration and crazing, abrasion to slip, discoloration at foot underneath with fluorescence crazing, glaze pinholes, blistering at edge and underneath, other glaze anomalies as made abrasions to black slip, two small chips at edges, chip verso at applied screw eye some kiln detritus and anomalies on foot as made small glaze blisters good condition some glaze pinholes small abrasions and some tiny dents some small abrasions and points of corrosion lacking documents, "Michele" lacking base, some abrasions scratches to acrylic case and base, basin with wear to chrome, small area of no plating scratches on acrylic hinged in, light toning, small hole bottom and right of middle, paper accretion verso with some adhesive residue good condition recently de-acidified, hinged to acid free mount; frame with abrasions surface condition is very good; frame with minor abrasions mounted on acid free board, paper abraded but "as made", bottom right corner has repaired tear floated, good condition good condition; minor abrasions to case hinged in, good condition; frame with abrasions overall condition is very good, one 3-D foot has detached but present in case; minor abrasions to case floated, good condition, not removed from frame; frame with abrasions not examined out of frame, three areas of slight smudges; frame in good condition cleaned and lined, some associated retouch; frame in very good condition small dents, light wear light scratches light scratches, minor wear scratches and wear creamer with pushed in handle with repair; sugar with one handle pushed, finial repaired; teapot base pushed in; waste with base pushed in, large dents; all with wear, scratches and small dents light scratches, small dents light scratches; tray with loss plate average wear good condition light scratches, minor wear good condition average wear interior cloudiness to glass, couple of tiny abrasions to glass; silver with dents and scratches on base otherwise good condition light scratches and wear typical of age and average wear, wooden handle with chip and repair good condition with light scratch good condition

280 281 282 283 284

285 286 287 288 289 290 291 292 293 294 295 296 297

298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320

321 322 323 324 325 326 327 328 329

base bent, wear, light scratches loss to plate, dents and wear sugar with small dents and scratches inside bowl, both with light scratches and wear dents, wear, repair at handle urn with dents and loss, spout frozen, rusted base, pewter pitcher missing hinged lid, spur with corrosion and losses to leather, silver with wear and damage wear light scratches dents, wear, possible monogram removal one with 2 in. dents, both with interior residue, light scratches, dents and some wear base dent, light scratches good condition, minor wear coffee and sugar lacking marks, handles loose, small dents, light scratches and wear wear, small dents, sugar lacking lid ladle with average wear; tongs with bent arm and light wear all with wear all with wear all with wear, several spoons with bent handles all with wear one teapot with broken hinge, creamer with bent base, sugar lid with bent rim, all with polishing abrasion (dull finish), small dents, wear all with wear and loss all with wear good condition good condition good condition ladle with bent handle; good condition average wear average wear average wear average wear very light wear very light wear watch not opened/movement not inspected, wear and scratches to gold wear and scratches consistent with use appears to be converted brooch, scratches to opal, wear consistent with use wear and scratches consistent with use wear and scratches consistent with use light wear and scratches consistent with use light wear and scratches, clasp is slightly loose but functional few pearls possible replaced, light overall wear light wear and scratches consistent with use treated sapphire- see appraisal, wear and scratches consistent with use pin likely replaced and slightly loose but functional, spot of solder repair visible with loupe, wear and scratches consistent with use cracks, repairs/solder on mounting, wear and scratches consistent with use wear and scratches consistent with use light wear; wear and scratches consistent with use with hinged posts, overall light wear overall very light wear wear and scratches consistent with use brooch pin has broken seam but still works, overall light wear overall light wear and scratches with hinged posts, overall light wear and scratches

330 331 332 333 334 335

336 337 338 339 340 341 342

343 344 345 346 347 348

349

350 351 352

353 354 355 356

357 358 359 360

361 362 363 364 365

366

light wear overall overall light wear very slight wear and tarnish visible solder on some mountings, wear and scratches consistent with use wear and scratches consistent with use dents, scratches, wear and tarnish, clasp is slightly loose- it does not click into place but can likely easily be fixed small chip to one turquoise, light wear and tarnish light tarnish and wear areas of tarnish, overall light wear/ scratches posts have been removed, overall light wear wear and scratches consistent with use; very light wear chips with loss to tip of one carved leaf, light wear and scratches to gold back of shank very thin and with evidence of sizing, wear to design consistent with use, center diamond in ring is replacement of original, remnants of gold solder repairs to mounting small chip to pavilion at girdle areas of tarnish, wear and scratches consistent with use wear and scratches consistent with use marring and scratches to gold consistent with use very light wear solder and cracks visible on prongs, evidence of sizing, light wear and scratches consistent with use scratches and dents to gold- multiple cracks/breaks throughout ring- solder pitting from repairs, sizing butterfly soldered into ring wear and scratches to gold wear and scratches consistent with use ring sizer out of round, cracks and scratches to enamel, wear and scratches to gold, sounds/feels like something is rattling around inside top enamel section wear and scratches to clasp, with extra pearls and sapphire beads light tarnish, wear and scratches consistent with use light wear and scratches slight abrasions visible with loupe to some sapphires, wear and scratches consistent with use, clasp slightly loose but functional wear and dirt consistent with use light wear and scratches; wear and scratches consistent with use tarnish, wear and scratches consistent with use dangling row of diamonds is not connected to bottom turquoise row next to it but the connecting piece is present and can be re-attached, smallest turquoise cabochon is missing- not visible from front of design; wear and scratches consistent with use evidence of sizing, wear and scratches consistent with use light wear and scratches wear and scratches consistent with use wear and scratches consistent with light use dangling row of diamonds is not connected to bottom turquoise row next to it but the connecting piece is present and can be re-attached, smallest turquoise cabochon is missing- not visible from front of design; wear and scratches consistent with use wear and scratches

79

Condition Notes - Please check website for updated condition notes 367 368

overall light wear wear and scratches, figure 8 safety clasp does not work properly 369 posts have been removed, wear, scratches and tarnish 370 not opened with inspected, keeping time when inspected, wear, dirt and scratches to dial and band, scratches and chips to crystallikely will need to be replaced 371 seconds hand moving and keeping time when inspected, crack to dial, wear to gold-tone finish on minute hand, tarnish, scratches to cuvette, wear and scratches to gold case, crystal likely replaced; wear, scratches, tarnish 372 very light wear 373 overall light wear and scratches 374 possible separation to backing on area by rider, bail unscrews/removable and chain can be inserted through loops on back, light tarnish and scratches; very light wear 375 scratches to portrait, light wear and scratches to gold 376 seconds hand moving intermittently and not keeping time when inspected, areas of tarnish, wear and scratches to inside and outside of case 377 spots of wear to enamel, light tarnish and scratches; slightly misshapen, light wear and scratches; tarnish, wear and scratches 378 seconds hand moving and keeping time intermittently when inspected, wear and scratches to case inside from attempts at opening parts 379 light wear and scratches consistent with use 380 overall light wear 381 light wear 382 one emerald with chip/loss, abrasions to few other emeralds, light wear to gold consistent with use 383 keeping time intermittently when inspected, wear and scratches consistent with use 384 abrasions/small chips to ruby, chip with loss to one diamond on girdle/pavilion, ring out of round, wear and scratches 385 evidence of sizing, light wear and scratches consistent with use 386 overall light wear 387 wear and scratches consistent with use 388 slight abrasions to some tourmalines visible with loupe, overall light wear 389 details XF to AU, with scattered flaws including marks, scratches, rim chatter, cleaning 390 63 grains, possibly clipped down as was common, typical circulation, one side with corrosion 391 light degree of wear throughout, XF to AU 392 XF to AU with some scattered marks 393 surfaces with faint marks but no break in luster, UNC 394 1805: Fine details, scattered marks; 1806: VF details, dark with scattered marks/scratches; 1807: Good with minor scratches; capped bust group mostly VG to VF with scattered marks and scratches 395 XF with 'halo' effect around devices, possibly older wiping 396 AU 397 no sign of circulation 398 details are VG+ but there are several marks on Liberty's head, dark toning, typical marks commensurate with grade 399 details align nicely with an upper VF grade (30), with one rim ding, most noticeable from the reverse, mentioned for the sake of accuracy

80

400 401 402 403 404 405 406

407 408

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410 411

412

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418

419 420 421

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423

Very Fine XF/AU with scattered marks and abrasions VF throughout, a few nicer, typical scattered marks mostly VF, with typical marks, a few with hairlines VF/XF with scattered marks throughout VF/XF with scattered marks and hairlines, 1909-S with previous cleaning most are well-circulated (Good to Fine), many with prior cleaning, scattered marks, cuts, abrasions, rim dings, a few nicer grade examples intermittently found (1885-S, 1888-O, 1898-O, 1898-S, 1902-O, 1904 among the nicer examples), key dates 1893-S Good with dark areas, 1889-CC AG, lot deserves an in-hand inspection XF/AU with scattered marks throughout many with scratches, nicks, excessive wear, evidence of jewelry use (most prevalent on earlier Liberty dates) draped bust, F/VF with scattered marks; capped bust, mostly XF (one 1837 is high AU); seated, 1858 AU, 1879 and 1880 are toned, highly original proofs boxes with minor shelf-wear, coins still in capsules, some surface haze to coins most XF/AU, some with light marks or evidence of an older wiping; 1901-S with more wear (VF); 1902S with intentional cuts to face scattered flaws including discoloration, creasing, tears, pinholes, evidence of previous mounting, stray writing to reverse, personal inspection recommended highly circulated, small tear at top, scattered pinholes near center, previous mounting (most noticeable at top corners from the reverse and down one side) scattered flaws including creasing, stray marks, discoloration, tears at edges, and light evidence of a previous mounting, personal inspection is advised scattered flaws including discoloration, creasing, fading, some with evidence of previous mounting, personal inspection is advised poor condition, losses to paper along edges, restorations at center, evidence of being previously mounted both circulated with creasing and discoloration, edge losses at bottom of $10; split at top of $20 with hammer cancellation and light pencil marking on back well circulated with scattered paper loss throughout, pinholes, stains, splits along edge, some fading to text circulated with some wrinkling to paper and mild creasing, light discoloration XF to AU with some scattered marks 1855, VF; 1857, VF; 1860, VF; 1874, AU, some hairlines; 1878, Fine; 1889, AU, all with scattered marks and abrasions details range Fine to Extremely Fine, some scattered marks and rim bumps, 1856 with intentional cuts on obverse 1849: VF, XF, AU; 1849-C: AU details (lustrous, with some wispy hairlines and planchet flaw); 1849O: lower-end VF with flat area of rim (ex jewelry?); 1850-C: XF with some rim chatter, scattered marks throughout

424 425

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437 438 439

440

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443

original with toning, some abrasions and marks, bag with some wear and discoloration wonderfully patinated surfaces from years in Kraft envelopes, much toning and original color, only slightest degree of rub throughout, 1868 with some wispy hairlines to obverse, in-hand inspection is recommended to determine 'prooflike' (business strike) from 'proof' hairlines on each, most noticeable on the half dollar and quarter; cent has toned to a darker brown Good with much circulation lesser grade $1 appears VF with bend and scratches; higher grade $1 appears AU; $5 appears XF, each with typical wear commensurate with grade scattered staining, creasing, minor tears along edge, pinholes, darker edge on $50 (possibly from previous mounting) circulated with some creasing, discoloration, wear along edges and corners scattered flaws including creasing, staining, light residue, one tape repair, fading, personal inspection advised circulated with light creases, paper losses along edge, scattered splits and pinholes, one corner missing, mild discoloration small $5 with creases, discoloration and evidence of prior mounting along edges; small $20 XF with two small spots of adhesive on lower back; large $5 folds and discoloration; large $10 deep vertical fold, staining, split lower corner, possibly mounted scattered flaws including staining, creasing, fading, some evidence of previous mounting, stray writing, personal inspection is advised all show wear and circulation commensurate with age and use, some foxing, signature fading, Massachusetts Lottery note with separation light creasing, some fading and discoloration throughout, 3c and 50c sheets are brittle and exhibit losses and tears around the periphery, first hand examination recommended all circulated with wear, some with other flaws only slightest rub in highest relief areas, AU 1873: AU, with prooflike obverse underneath deep toning, scattered minor marks; 1875-S: XF details but entire coin plated a gold color, wiped, unknown chopmark; 1876: VF but with uneven wear; 1877: Fine with unnatural color; 1878-S: Fine details with two cuts at date, typical scattered marks $20 coin has hairlines and evidence of cleaning; $10, $5, $3, and $2-1/2 with AU details ($5 with some dark areas on reverse); $1 Type II is XF typical wear, light corrosion on some, marks and rim bruises, two are particularly nice XF+ with luster wonderfully matched dark toning throughout, typical scattered marks, some rim ticks to the 1797, most are mid-grade (VF/XF) with the notable exceptions being 1802 at AU and 1803 at Fine+ 1909-S V.D.B. Fine with reverse planchet lamination, 1914-D Good; Carson City Morgans wellcirculated, lower grade with some rim bumps (1879-CC with obverse graffiti), scattered marks and flaws throughout

444

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450 451

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461 462

463

capped: Fine; seated: VG to XF; Barber AG to VF; commems: AU, some with hairlines; walkers: Good to AU (higher grades occurring on the later dates); Franklin AU, inperson lot viewing recommended no sign of circulation, faint 'halo effect' around stars half cent, Good details with light porosity, rim notch above 'A' in STATES on reverse, rim bruise at 3:00 on obverse, 'as-made' planchet fissure on the obverse travels from date to bust tip; chain cent is a dark brown VG, typical wear throughout XF with perhaps claims higher, wispy hairlines under magnification Very Fine with some rim abrasions, most prominent at reverse 7:00 1799 XF with some 'halo' effect around devices from a previous wiping; 1803 has a series of small marks around the southern periphery of the obverse (perhaps adjustment marks to the planchet prior to striking), light rim scuffing/ bruising around 3:00, extensive tooling on reverse just above eagle's head, VF details otherwise typical toning; box with some wear AU detail with light scratches in front of profile, planchet lamination from first star through date, semi-prooflike fields 1880: XF details with 'halo' effect around devices and scratch in field before profile; 1882: VF with some chatter in the fields; 1892: XF with some 'halo' effect, all with typical wear 1844: VF with minor ticks and scratches; 1849: VF with reverse rim dings; 1853: XF; 1856: Fine; 1861: XF with minor rim ding on reverse, all have ticks and marks commensurate with grade flaws throughout including some paper losses, evidence of mounting, creases, fading, pinholes, discoloration, first hand inspection is highly recommended CSA notes are well circulated and a few have tears around periphery (from a previous scrapbook mounting), some with hinges on reverse, stray writing, "interest paid" stamping, staining, and typical other wear; deposit receipt mounted on thicker board circulated with one torn corner, slight discoloration circulated with typical foxing, fading, creasing, staining majority are AU/UNC, some with toning from envelopes, typical scattered marks, a few with evidence of previous cleaning; Panama Pacific is cleaned XF details *personal inspection is recommended for prospective bidders on this lot VF details with some abrasions 1793 with some planchet fissures and loss at rim, general wear and porosity throughout group, 1797 and 1798 with cleaning (eraser?) in date area, 1800 with multitude of obverse scratches, edge nicks, firsthand inspection of lot is advised circulation and wear, center metal loss on reverse (possibly once a button) coin is brown with wear only at highest relief areas, AU; note with some foxing, creasing, and fading to signatures as typical seen VF/XF details throughout, a few with a previous cleaning, some with residue on reverse (might be removable), typical marks and rim

Condition Notes - Please check website for updated condition notes 464

465 466

nicks 1797 Fine, scattered marks and minor rim bump; 1800 VG details, uneven strike, obverse scratches, tooling between RT of LIBERTY most AG/G, some with rim bruises, corrosion, other typical marks and scratches scattered flaws and contact marks throughout, draped bust: circulated, most fall between grades of Good to Fine, 1795 with corrosion, 1805 with light graffiti to obverse, one 1804 could be called XF; classic head: circulated, most between Fine and VF, 1810 AG with

467 468 469 470 471

unnatural color, 1811 with pitting; coronet head: Fine to XF, in-person lot viewing is recommended most between Good and Fine with typical flaws, corrosion, rim dings, general wear most VF/XF with 1911-S only a Fine, some with cleaning, typical scattered marks and flaws most Fine/VF, with a few nicer, typical scattered marks, some with a previous cleaning strong VF details, nice dirty look, some with hairlines or scratches VF/XF with a few marks in prime focal areas of the obverse

472

473 474

mostly Fine/VF with a few later dates perhaps a bit nicer, scattered marks, some hairlines, 1879 is a Good with uneven wear VF, all have similar damage on reverse (series of three punches below eagle) VF/XF as a group with some hairlines and scattered marks

Fine Art Index American School 73, 97 Audubon. John James 113 Beale, Mary, Attributed 43 Berrocal, Miguel Ortiz 249 Blinks, Thomas 148 Botero, Fernando 259 Bridges, Charles, After 170, 171 British School 40, 42, 144, 169, 172,

175, 178, 179, 181, 185 Butler, Thomas 157 Canaletto, Follower 204 Casteels III, Pieter, Circle 168 Catesby, Mark 114-118 Chinese School 11 Close, Chuck 261 Crump, Kathleen Wheeler 121 Davey, Randall 143 de Bry, Johann 137 de Bry, Theodor 129, 137 de Dreux, Alfredm, Attributed 147 De Haas, Mauritz Frederik 82, 83 De Haas, Willem Frederik 84 de Penne, Olivier 163 de Saint-Memin, Charles 77 de Toulouse-Lautrec, Henri 236, 237 Dill, Lesley 258 Dunlap, William 238 Dutch School 41, 153 Earl, Maud 146 Egyptian Bronze, Osiris 203 Emms, John 164 Ferneley, Sr., John E. 154 Flight Portfolio, 1971 231 Frieseke, Frederick Carl, After 76 German School 49 Grooms, Red 260 Guillaume, Louis Mathieu Didier 112 Hartfield, J. 234 Henderson, Charles, Attributed 155 Kenney, John Theodore Eardley 145 Knight, William Henry 149 Le Sidaner, Henri 225 Lely, Sir Peter, Follower 166 Maggs, John Charles, Follower 158 Malone, Booth 142 Marshall, Benjamin 150 McClure, Tom 248 MĂŞne, Pierre-Jules 151 MirĂł, Joan 232, 233 Montanus, Arnoldus 135 Morland, George, Attributed 159 Munnings, Sir Alfred James 160 Nadelman, Elie 262 Naive British School 189 Neel, Alice 257 Neiman, LeRoy 235 Noble, John Sargent 161, 162 Oldenburg, Claes Thure 254 Onchi, Koshiro 19 Picasso, Pablo 239-246, 252 Pocock, Nicholas 187 Scott, Samuel, Follower 176, 177 Seymour, James, Follower 156 Shapleigh, Frank Henry 108 Shryock, John 263 Singleton, Henry, After 174 Stevens, Will Henry 255, 256 Tasker, William 152 Teniers, Younger, David, Follower 165 Trova, Ernest 250, 251 Vasarely, Victor 247 Verbruggen, Younger, Gaspar 167 Webber, Wesley 85 Whitcombe, Thomas, Attributed 190 Wyck, Thomas, Follower 180

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Terms of Sale ۰ All items are sold as is, where is, with all faults. ۰ A buyer’s premium will be applied to the purchase price of all items: 23%....Cash, check or wire transfer 26%....Bidsquare with cash, check or wire transfer 28%....Liveauctioneers with cash, check or wire transfer ۰ All purchases are subject to applicable state sales tax (state where purchased) unless the state Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. ۰ Purchased items not picked up in Richmond by noon on Sunday will then be available for pick up or shipping from our Asheville, North Carolina auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item.

1.

All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them.

Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final.

No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability

by Brunk Auctions or by any seller represented by Brunk Auctions.

2.

Bidding will begin at a price appropriate in auctioneer’s discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer’s discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, internet bidding, or bidding in the gallery.

All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale.

3.

Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder’s responsibility to get our attention prior to our saying “sold”. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer’s discretion.

4.

Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. Credit arrangements must be made by the Friday prior to the day of auction so bank statements can be verified. We reserve the right to not issue a buyer’s number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check.

5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction.

Bidding on an item indicates the client’s acceptance of our Terms of Sale. Your signature on our Bid Form

82

or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction.

6.

We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially.

All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. Brunk Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.

7.

In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 70-100 lots per hour.

Following are general guidelines for bidding increments: $0-$100 .......................$25 increments $100-1,000...................$50 increments $1,000-2,000................$100 increments $2,000-3,000................$200 increments $3,000-5,000................$250 increments $5,000-10,000..............$500 increments $10,000-$20,000.........$1,000 increments $20,000-$50,000.........$2,000 increments $50,000-$100,000.......$5,000 increments above $100,000.........auctioneers discretion 8.

In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit.

Please see numbers 4 and 5 above.

9.

Purchaser agrees that packing and shipping is done at the purchaser’s risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions.

Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Brunk Auctions will have no liability for any loss or damage to shipped items.

10.

Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation.

11.

All purchases are subject to applicable state sales tax (state where purchased) unless the state Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer’s country.

12.

Bidding on an item indicates your understanding and acceptance of these Terms of Sale.

If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Brunk Auctions may seek all remedies under the law

including canceling the sale and reoffering the property without reserve.

13.

A buyer’s premium will be applied to the purchase price of all items: 23%....Cash, check or wire transfer 26%....Bidsquare with cash, check or wire transfer 28%....Liveauctioneers with cash, check or wire transfer 3% will be added to all MasterCard, Visa, Discover and American Express credit cards charges 14.

Purchased items not picked up in Richmond by noon on Sunday will then be available for pick up or shipping from our Asheville, North Carolina auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within sixty calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer’s commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Brunk Auctions.

The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you.

15.

We are closed on Fridays the week following auctions. Please arrange appointments for other days.

16.

Export and Permits - It is the purchaser’s sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Brunk Auctions’ reasonable opinion at the time of cataloguing and are for bidders’ general guidance only; Brunk Auctions and the Consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes.

17. ◉Endangered Species - Certain property sold at auction, for example, items made of or incorporating plant or animal materials, irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Brunk Auctions suggests that international buyers check on foreign governments’ wildlife import requirements prior to placing a bid. All buyers agree to comply with any and all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making ontime payment of the total purchase price for the lot.

Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. Brunk Auctions is not able to assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and there is no assurance that an export license or certificate can be obtained.

Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation.

Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

18.

Due to the embargo on Persian carpets, international shipping is not available.

19.

Brunk Auctions makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items.

All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Brunk Auctions makes no warranties or guaranties that any clock or watch is in working order.

20.

CONDITION OF FIREARMS: Brunk Auctions or its' employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. Brunk Auctions expressly disclaims any liability whatsoever for accident, injury or damage resulting to any person or property from the storage or use of any such lot.

21.

Online registration and bidding approval is done at the sole discretion of the auction house.

We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time

to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Brunk Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems.

Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a

response. Bids left on Live Auctioneers & Bidsquare are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. Brunk Auctions will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature.

22.

Coin grading is subjective and more ‘art’ than ‘science.’ As such, any descriptive or numeric grades given are supplied as a guide to our bidders and should not be seen as a guarantee to any grade that might be received from a third-party grader or grading company. Our best effort has been put forth to give condition reports that are as accurate as can reasonably be expected, however, first-hand inspection to formulate one’s own opinion is always recommended.

BA

Brunk

Auctions

Asheville, North Carolina December 5-7, 2019

BA

Team

PRINCIPALS

Ready to serve you with exceptional results for your estate or collection.

Founded by Robert Brunk in 1983, Brunk Auctions was built on the principles of integrity, transparency, and the accurate presentation of fine and decorative arts to the world market. With the confidence of both buyers and sellers we have grown over the years to become one of the most well-respected auction houses in the nation, and have been entrusted with the sale of important museum deaccessions, major estates, and private collections. From one item to an entire estate, we would love to work with you.

Asheville

in Asheville, North Carolina since 1983 828.254.6846

Andrew Brunk

President, Auctioneer

Robert S. Brunk

President Emeritus

Lauren Brunk

Vice President, Museum Services, Auctioneer

Robin Rice

Vice President, Operations Manager

CONSIGNMENTS Jim Crowley

Consignment Manager, Auctioneer

Franklin Gunnells

Consignment Coordinator

SPECIALISTS Andrew Brunk

Furniture, Folk Art

Lauren Brunk

Southern Fine Art and Collections

Greg Capps

Coins & Currency

Laura Crockett

European and Modern Fine Arts, Prints

Jim Crowley

Decorative Arts, Asian Arts

Libby Davis

Decorative Arts Cataloger

Franklin Gunnells

Cut Glass

Corey Jones

Southern Pottery, Firearms

Price Parker

Decorative Arts Cataloger

Robin Rice

Silver

Katie Simonetti

Jewelry

Karen Swager

Decorative Arts, Textiles

Nan Zander

American Fine Art, Native American, Photography, Auctioneer

BUSINESS OFFICE Nan Zander

General Manager

Leah Krause

Administrative Manager, Accounts Receivable

Shannon Hallowell

Accounting, Human Resources

PHOTOGRAPHY Monica Scott

Director of Photography

Brooke Bennink

Photographer

Michael Traister

Photographer

MARKETING

Richmond

in Richmond, Virginia since 2019 804.822.6025

BrunkAuctions.com info@brunkauctions.com

Monica Scott

Media Manager

Michelle Parparian

Marketing Coordinator

Robin Rice

Catalog Layout

Nan Zander

Exhibition Design

OPERATIONS Corey Jones

Logistics Manager, Art Handler

Cliff O’Hara

Facilities Manager, Art Handler

Thomas Nixon

Art Handler

Michael Welch

Art Handler

Dustin Vanderbunt

Art Handler

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