Premier and Emporium Auction | January 25-26, 2019

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Brunk

Auctions

BA

Brunk

Auctions

JANUARY 25-26, 2019

Early Preview By Appointment Friday, January 25

Public Preview Begins 8:00 AM Emporium Auction Begins 9:00 AM

Saturday, January 26

Public Preview Begins 8:00 AM Premier Auction Begins 9:00 AM

Featured Estates The Skating Collection of Dick Button, New York Willard R. Sparks Estate, Memphis, Tennessee Estate of Fred T., Helen and Nel Laughon, Richmond, Virginia Colonial Williamsburg Foundation, Proceeds to Benefit the Acquisitions Fund Collection of Hugh and Sandy Lowenstein, Bermuda Washington DC Collection Property of the Reeves Family, formerly of Annandale Plantation, Georgetown, South Carolina Private New England Collection Private Florida Collection Collection of James B. MacNeill, North Carolina Private Collection, Williamsburg, Virginia Private Collection, South Carolina Old New Orleans Family A Tennessee Collector Private Collection, Highlands, North Carolina Private Collection, Franklin, Tennessee Descended in the Godi Piovenen Family Private Collection, Charleston, South Carolina North Carolina Private Collection Private Collection, Asheboro, North Carolina

E mpori um Lots 1-699 Available Online

Session I I 4

British

14

Continental

20

Old Master

26

Dick Button Collection

40

American

46

Western

50

Silhouettes

52

Firearms

56

Property Deaccessioned From

58

Southern

64

Silver

70

Modern

78

Condition

83

Fine Art Index

Colonial Williamsburg Foundation

British & Chinese Export

January 26, 2019

British

801 Robert Henry Roe (British, 1793-1880) Douglas, A Racehorse with Rider Up, signed lower right "Robert Henry Roe/1854" and inscribed, oil on canvas, 36-1/4 x 48-1/4 in.; gilt wood and composition frame, 41-1/4 x 53-5/8 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

4

803 Georges Capgras (French, 1866-1947) Master of the Hounds, Gathering for the Hunt, signed "Georges Capgras/1902", oil on canvas, 25-3/4 x 32 in.; fine gilt wood and composition frame Provenance: Private Collection, Highlands, North Carolina Estimate: $800 - $1,200

802 Follower of Alfred Wheeler (British 1851-1932) Chestnut Racehorse with Jockey Up, oil on canvas, 19th/20th c., 32 x 42 in.; framed Provenance: Lowenstein Collection, NC Estimate: $800 - $1,200

804 Clive Madgwick (British, 1934-2005) Fox Hunting in the Countryside, signed lower right "C. Madgwick", oil on canvas, 24 x 36 in.; modern frame, 31-3/8 x 43-5/8 in.

Provenance: Private Collection, North Carolina Estimate: $1,000 - $1,500

For full cataloging and images see our website, www.brunkauctions.com

806 Early Welsh Oak Dresser and Rack, British, 18th/19th century, rich mellow color, rack with scrolled supports; dresser with dovetailed drawers and paneled doors, 83-1/2 x 69 x 20 in.

Provenance: Private Collection, Highlands, North Carolina Estimate: $1,200 - $1,800

807 Charles Robert Patterson (England/America, 1875-1958) In Their Last Harbor, signed "Charles Robert Patterson", oil on canvas, 30-1/2 x 40-1/2 in.; period carved bronze tinted Roman style gilded frame Provenance: Private Collection Estimate: $2,000 - $4,000

Condition notes available in back of catalog

British January 26, 2019

805 Miles Walters (British, 1774–1849) The Princess Charlotte in Two Positions Inbound to Liverpool off the South Stack Lighthouse and the Holyhead Signal Station, circa 1830, signed lower right "Walters", oil on canvas, 24 x 38 in.; gilt wood and composition frame, 28-1/4 x 42-1/8 in.

Provenance: Private Florida Collection Estimate: $10,000 - $15,000 The Princess Charlotte was built by Thomas and John Brocklebank in 1815. According to the National Museums Liverpool Maritime Archives and Library, "Brocklebank is one of the oldest firms in the world of merchant shipping, dating back to 1801 when the two sons of the founder of the business took control following their father's death. The founder was Captain Daniel Brocklebank, a master mariner and shipbuilder, whose shipbuilding enterprise was first established at Sheepscutt near Portland, Maine, in 1770. Brocklebank was a Loyalist and when the Revolution took place in 1775 he sailed back to Whitehaven in his own ship, Castor. Captain Daniel Brocklebank restarted his shipbuilding business at Whitehaven in 1785. By 1795 his fleet consisted of eleven vessels totaling 1,750 tons. In 1801, Daniel Brocklebank died and the firm became Thomas and John Brocklebank, later shortened to Thos. and Jno. Brocklebank. The firm suffered somewhat in the Napoleonic Wars but by 1809 it was sending ships as far as South America. By 1816 the fleet totalled seventeen ships. In 1815, the new ship Princess Charlotte's maiden voyage to Calcutta was a successful venture following the end of the East India Company's monopoly. Her return freight was estimated to realize more than ÂŁ10,000 in profits for her owners and other merchants.

This trade was eventually to eclipse Brocklebank's South American and China trades." Miles Walters was the father of marine artist Samuel Walters (1811-1882). They occasionally collaborated with a signature that would often read "Walters & Son".

5

808 Pair Queen Anne Walnut Side Chairs British, 18th century, needlepoint balloon form slip seats, stretcher bases with pad feet, 39 in.

Provenance: Private Collection, NC Estimate: $500 - $700

809 Chippendale Inlaid Mahogany Five Drawer Chest, British, 18th century, banded top, dovetailed drawers, finely carved moldings, 38-3/4 x 43 x 21 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

810 Two Queen Anne Walnut Footstools British, both with silk damask upholstery, one 18th century, rectangular; one 19th century, ovoid, carved knees, 17 in.

Provenance: MacNeill Collection Estimate: $600 - $900

January 26, 2019

British

812 Jacobean Style Oak Draw Leaf Table, late 19th/early 20th century, with mellow brown color, carved skirts, stretcher base, closed dimension 31 x 34 x 73 in.

Provenance: Collection of Hugh and Sandy Lowenstein, Bermuda Estimate: $800 - $1,200

6

814 Chippendale Style Carved Arm Chair, Footstool, British, 19th/20th century, each mahogany frame set with matching silk damask upholstery, 39-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $700

815 Set Six Welsh Style Leather Upholstered Chairs British, 20th century, one arm, five sides, pinned construction, leather upholstered with brass tacking, ash and oak, 38 in.

Provenance: Lowenstein Collection Estimate: $500 - $700 Lot 816 - No lot

818 Set Six Chippendale Style Arm Chairs 20th century, each with carved mahogany frame and yellow silk upholstered slip seats, 40 in.

Provenance: A Tennessee Collector Estimate: $800 - $1,200

819 Queen Anne Figured Walnut Dressing Table, British, early 18th century, figured, bookmatched, walnut veneers, dovetailed drawers, 27-1/2 x 30 x 18-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $700

For full cataloging and images see our website, www.brunkauctions.com

811 George II Style Parcel-Gilt Walnut Mirror, British, 20th century, well carved frame with arched pediment, figured walnut veneers, 55-1/2 x 24-1/2 in.

Provenance: Private Collection, NC Estimate: $600 - $900

813 Two Decorated Brass and Iron Footmen British, 18th/19th century, pierced tops and decoration, one with carrying handles, 12-1/4 x 17-1/2 x 13 in.

Provenance: Private Collection, SC Estimate: $500 - $700

817 Chippendale Leather Upholstered Easy Chair, British, 18th century, ebonized mahogany frame set with vintage green leather upholstery, brass tacking, 43 in.

Provenance: Private Collection, NC Estimate: $600 - $900

820 Pair Chippendale Carved Mahogany Side Chairs, British, 18th century, well carved frames with ball and claw feet, velvet upholstered slip seats, 38 in.

Provenance: Private Collection, NC Estimate: $500 - $700

821 Chippendale Style Carved Mahogany Cabinet, British, early 20th century, curved glass door with silk lined interior, over a door, 78-1/2 x 18 x 54 in.

Provenance: Private Collection, NC Estimate: $500 - $700

822 Georgian Inlaid Mahogany Bookcase on Desk, British, 19th century, highly figured veneers, adjustable shelved interior, fitted interior, 82-1/2 x 35 x 17-1/2 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

823 Set Eight Chippendale Style Ribbon Back Chairs British, 20th century, two arm, six side, each with saddle seat, red leather upholstery, brass tacks, 39-1/2 in.

Provenance: Private Collection, Tennessee Estimate: $1,000 - $2,000

824 George I Style Burlwood Five Drawer Chest, British, 19th century, dovetailed drawers with banded burlwood top and facings, 45 x 40-1/2 x 20-1/2 in.

Provenance: A Tennessee Collector Estimate: $500 - $700

825 Chippendale Style Mahogany Chest on Chest, British, 20th century, figured veneers, dovetailed drawers, oak lining, brass handles, 75-1/4 x 45 x 42-1/2 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

826 Pair George II Style Carved Library Chairs, British, late 19th century, walnut construction, shepherd's crook arms, carved legs, paisley upholstery, 43-1/2 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

828 Georgian Figured Mahogany Linen Press, British, 19th century, bookmatched doors, four interior slides, three dovetailed drawers, 72-1/2 x 50-1/4 x 22 in.

Provenance: Lowenstein Collection Estimate: $800 - $1,200

829 Georgian Inlaid Figured Mahogany Sideboard, British, 19th century, banded top, two dovetailed frieze drawers, two doors in case sides, 35 x 78 x 28 in.

Provenance: Lowenstein Collection Estimate: $800 - $1,200

830 Georgian Walnut Mirror Door Desk and Bookcase, British, 18th century, walnut veneers, upper case with bookmatched, figured, walnut veneers, glazed mirror doors opening to finely fitted interior, set with sixteen drawers and letter dividers over two candle slides, lower case with fitted desk interior over six short drawers above two additional long drawers with false triple fronts, one interior drawer with several inscriptions, 82 x 39 x 21-1/2 in.

Provenance: Private Collection, Asheboro, North Carolina Estimate: $1,000 - $2,000

831 Ivory Field Persian Rug early/mid 20th century, probably Bijar, red medallion and pendants, floral meander border, 4 ft. x 6 ft. 1 in.

Provenance: Ruggiero Collection, NC Estimate: $600 - $900

832 Baktiari Carpet early/mid 20th century, willow, mihrab, and floral design panels, 7 ft. 10 in. x 11 ft. 7 in.

Provenance: Lowenstein Collection, NC Estimate: $1,200 - $1,800

833 Oushak Carpet early/mid 20th century, repeating designs on tan field, turquoise and brown highlights, 11 ft. 5 in. x 16 ft. 3 in.

Provenance: A Midwest Collection Estimate: $2,000 - $3,000

Condition notes available in back of catalog

January 26, 2019

British

827 George II Carved and Gilt Wood Mirror British, 18th century, with finely carved leaf and rosette frame centering an oval mirror panel, 46-1/2 x 34-1/2 in.

Provenance: Lowenstein Collection Estimate: $1,000 - $2,000

7

834 British School (19th century) Wood Gatherers on a Countryside Track, unsigned, oil on canvas, 30-1/8 x 50 in.; gilt wood frame, 38-1/2 x 58-1/2 in.

Provenance: New England Collection Estimate: $1,500 - $2,500

January 26, 2019

British

837 Imitator of John Constable (British, 1776-1837) Salisbury Cathedral, unsigned, early 19th century, oil on canvas, 18 x 19 in.; gilt wood and composition frame, 26-5/8 x 27-5/8 in.

Provenance: Private Collection, Asheboro, North Carolina Estimate: $1,000 - $1,500

8

835 George Turner (British, 1843-1910) Gypsies in the Wood, 1906, signed, inscribed verso, oil on canvas, 30 x 25 in.

Provenance: Private Collection Estimate: $800 - $1,200

838 Samuel John Egbert Jones (British, 1797-1861) The Stone Carver, 1830, signed lower right "S.J.E. Jones/1830", oil on canvas, 25 x 30-1/4 in.; painted and gilt wood frame Provenance: Private Collection Estimate: $1,000 - $1,500

836 Follower of George Morland (British, 1763-1804) The Pony Cart, not signed, 19th century, oil on canvas, 25 x 29-1/2 in.; framed Provenance: Private Collection, NC Estimate: $600 - $900

839 Manner of John Hoppner (British, 1758-1810) Portrait of a Lady, unsigned, oil on canvas, 29-1/2 x 24-3/4 in.; gilt wood frame Provenance: Private Collection, NC Estimate: $600 - $900

840 Follower of William Beechey (British, 1753-1839) Officer in Military Uniform, possibly Capt.

Honywood, unsigned, oil, 24 x 20 in.

Provenance: Private Collection, NC Estimate: $1,000 - $1,500

841 George III Carved Mahogany Camel Back Sofa, British, circa 1800, arched back, arms with carved rosettes, striped upholstery, 37-1/2 x 79 x 32 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

842 George III Mahogany Sideboard British, circa 1800, old surface, dovetailed drawers, original brasses, two false double front drawers, one fitted as cellaret, 36-1/2 x 60 x 28 in.

Estimate: $800 - $1,200

843 Pair George III Style Upholstered Library Chairs, British, probably 20th century, mahogany frames, scrolled arm supports, stretcher bases, 36 in.

Provenance: Lowenstein Collection Estimate: $500 - $700

844 George III Inlaid Mahogany Sideboard British, 18th/19th century, figured veneers, top set with three dovetailed drawers on cabinet form pedestals with urn inlay, 45 x 60-1/4 x 19-1/2 in.

Estimate: $1,000 - $1,500

845 Set Four George III Style Back Stools British, 20th century, each mahogany frame with gray leather upholstery, brass tacking, 36-1/2 in.

Provenance: Lowenstein Collection Estimate: $600 - $900

846 George III Style Silver Table British, 20th century, mahogany top with green painted and parcel-gilt frame, cluster columns, 29-1/4 x 35 x 22-1/4 in.

Provenance: Private Collection, NC Estimate: $500 - $700

847 George III Mahogany Five Drawer Chest British, late 18th/early 19th century, dovetailed drawers, original brass bales and bracket feet, 41 x 41 x 20-1/2 in.

Provenance: Lowenstein Collection Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

851 Two Similar George III Easy Chairs British, 18th/19th century, matching red silk damask upholstery, first with square legs; second tapered, 45 in.

Estimate: $600 - $1,200

852 George III Carved Mahogany Games Table, British, 18th century, scalloped top, leaf carved legs, ball and claw feet, 31 x 34 x 17 in.

Provenance: Private Collection, NC Estimate: $600 - $900

853 Pair George III Carved Mahogany Side Chairs, British, 18th century, with leaf carved crests and knees, ball and claw feet, silk damask upholstery, 37-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $1,000

854 George III Tambour Door Sideboard British, early 19th century, brass rack, central drawer over two tambour doors, cellarets, 56-1/2 x 68 x 27-1/2 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

855 Caucasian Rug early/mid 20th century, six medallions on red ground, blue, green, red, and ivory highlights, 5 ft. 10 in. x 6 ft. 10 in.

Provenance: Ruggiero Collection, NC Estimate: $600 - $1,200

856 Persian Carpet early/mid 20th century, probably Meshed, ivory medallion, blue spandrels, green highlights, 11 ft. 3 in. x 15 ft. 10 in.

Provenance: Private Collection, TN Estimate: $800 - $1,200

857 Tabriz Carpet early/mid 20th century, medallion and pendants, sky blue spandrels, 11 ft. 3 in. x 15 ft. 2 in.

Provenance: Lowenstein Collection, NC Estimate: $1,200 - $1,800

858 Fine George III Inlaid Dressing Chest British, late 18th/early 19th century, hinged lid opening to a fitted interior, 14 lidded boxes, 32-3/4 x 22-1/2 x 14 in.

Provenance: Private Collection, SC Estimate: $1,000 - $2,000

859 Persian Carpet mid/late 20th century, medallion and overall designs, lalah abbasi minor borders, 8 ft. 7 in. x 11 ft. 10 in.

Provenance: A Tennessee Collector Estimate: $800 - $1,200

860 Persian Runner early/mid 20th century, rows of boteh on navy ground within ivory border, green highlights, 3 ft. 4 in. x 14 ft. 5 in.

Provenance: Ruggiero Collection, NC Estimate: $800 - $1,200

861 Persian Carpet of Square Proportions early/mid 20th century, repeating florets on red field, aqua, ivory, and pink highlights, 13 ft. 10 in. x 13 ft. 7 in.

Provenance: Private Collection Estimate: $800 - $1,200

862 Oushak Carpet mid-20th century, pale yellow medallion on salmon ground, stepped edge spandrels, 9 ft. 10 in. x 13 ft. 2 in.

Provenance: Ruggiero Collection, NC Estimate: $1,500 - $2,500

Condition notes available in back of catalog

British

849 George III Mahogany Cabinet British, 18th/19th century, original bale brasses, false double drawer, felt-lined, sliding shelf, 29 x 25 x 16-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $700

January 26, 2019

848 George III Inlaid Mahogany Sideboard British, circa 1800, figured veneers, tapered legs set with artichoke inlay on tall spade feet, 37 x 67 x 27-1/4 in.

Provenance: Private Collection, NC Estimate: $1,200 - $1,800

850 George III Mahogany Mirror Door Secretary, British, 18th century, bookcase with fitted interior, with three dovetailed drawers over two candle slides, fitted desk over four long drawers, 82 x 39 x 22 in.

Provenance: ex-Wood & Hogen, New York; Private Collection, Asheboro, North Carolina Estimate: $1,000 - $2,000

9

January 26, 2019

British

864 Pair Chinese Famille Rose Porcelain Cockerels 18th century, large pair on pierced stump with one raised claw, finely decorated in iron red, blue, black and puce enamel with gilt accents, 13-1/2 in., with copy of receipt from Christie's, New York, dated 1998, indicating a sale price of $9,200 Provenance: Private Collection Estimate: $2,000 - $4,000

10

863 Pair Chinese Export Armorial Urns late 18th/early 19th century, possibly for the Scandinavian market, each with hand painted armorial crests, blue flowers and garland, gilt accents to decoration, pistol grip handles and finials, 17 in.

Provenance: Private Virginia Collection Estimate: $2,500 - $3,500

865 Large Famille Rose Porcelain Pitcher Chinese, 18th century, lidded pitcher finely decorated with prunus blossoms, birds and fruit, applied handle with brick red floral vines, 15 in.

Estimate: $1,000 - $2,000

866 Large Chinese Lacquered Fitted Tea Box Qing dynasty, interior set with three lidded caddies, on brass ball feet, modern ebonized stand, 17-1/2 x 19-1/2 x 14 in.

Provenance: Private Collection, SC Estimate: $500 - $700

867 Chinese Export Punch Bowl 19th century, fine enameled harvest scenes with western figures, interior gilt rim, 4-1/2 x 11 in., wood stand Estimate: $600 - $900

868 Large Chinese Export Armorial Platter early 19th century, round deep platter, center unfinished armorial, 17-1/8 in.

Provenance: Private Virginia Collection Estimate: $600 - $900

869 Two Chinese Export Green Fitzhugh Chargers, early 19th century, oval with "B" monogram in center, 15-3/4 x 13-1/2 in.; oval, 15-3/4 x 13-1/4 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

870 Set 14 Pieces Famille Rose Porcelain Chinese, 18th/19th century, four oblong platters, enameled decoration, two plates, eight bowls, 9 in. to 17-1/3 in.

Provenance: Private Collection, Virginia Estimate: $800 - $1,200

871 31 Pieces Chinese Export Tea Service circa 1780, polychrome decoration of floral sprays, bats and butterflies, gilt decoration, coffee pot; tea pot and others Provenance: Private Collection, NC Estimate: $800 - $1,200

872 Four Chinese Export Porcelain Canns 18th century, three with alternating scenic panels, one with floral panels, 4-1/2 in. to 6 in.

Provenance: Private Collection, Virginia Estimate: $600 - $900

873 Three Chinese Export Porcelain Canns 18th century, one with figures in a garden, serpent handle; one adults and children; footed cann, 4-3/4 in to 6 in.

Provenance: Private Collection, Virginia Estimate: $600 - $900

874 Four Chinese Export Armorial Canns 18th century, three with mottos, one with monograms, 5 in. to 6 in.

Provenance: Private Collection, Virginia Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

877 Georgian Figured Mahogany Sideboard British, 19th century, single long drawer flanked by a single door and cellarette drawer, figural pulls, 36-3/4 x 83-1/2 x 27 in.

Estimate: $500 - $800

878 Pair Regency Style Plant Stands British, 19th century elements, each stand ebonized and parcel-gilt, with a rotating demilune plant stand, 56 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

879 Fine Georgian Satinwood and Grille Door Cabinet, British, early 19th century, dovetailed drawers over two grille doors, silk curtains, 37 x 47 x 17 in.

Provenance: Private Collection, NC Estimate: $1,200 - $1,800

880 Set Eight Hepplewhite Style Inlaid Dining Chairs, British, late 19th century, two arm, six side, urn and bellflower chain inlaid crest, anthemion tapered legs, 35 in.

Provenance: Lowenstein Collection Estimate: $1,000 - $2,000

881 Georgian Mahogany Collapsible Server British, 19th century, three solid, figured shelves, collapsing form on pedestal base, 40-1/4 x 42 x 19 in.

Provenance: Lowenstein Collection Estimate: $500 - $700

882 Regency Mahogany Hall Tree British, 19th century, rich brown color, figured hardwood throughout, cabinet base on scrolled feet, 84 in.

Provenance: Lowenstein Collection Estimate: $500 - $700

883 Scottish Regency Figured Mahogany Sideboard, early 19th century, stepped top with two drawers, serpentine facade, 40-1/2 x 84 x 32 in.

Provenance: Lowenstein Collection Estimate: $800 - $1,200

884 Oak Stretcher Base Library Table British, 20th century, mellow color, oak throughout with breadboard top, turned legs with stretchers, 29-1/2 x 72 x 30 in.

Provenance: Lowenstein Collection Estimate: $600 - $900

885 Japanese Carved Stone Garden Lantern 19th/20th century, in five sections, with scrolled top and base, 50 x 23 in.

Provenance: Private Collection Estimate: $500 - $700

886 Pair Cast Iron Lion and Unicorn Andirons, British, late 19th century, representing the arms of England, each heavy cast figure with hinged log rest, 13 in.

Estimate: $500 - $700

887 Two Regency Carved and Inlaid Child's Chairs, British, 19th century, ebonized inlay and turned legs, 27 in.; together with carved back, on a mahogany stool, 35 in.

Provenance: Lowenstein Collection Estimate: $600 - $900

888 Red Painted Country Pine Pewter Cupboard, British, 18th/19th century, single case construction, red-brown paint, dovetailed drawers, paneled doors, 78 x 57 x 17 in.

Estimate: $1,000 - $1,500

Condition notes available in back of catalog

British

876 George IV Figured Mahogany Dining Table British, 19th century, solid mahogany circular top opening for five leaves, turned and reeded legs, set on brass casters, 29 x 171-1/2 x 58-1/2 in.

Provenance: Collection of Hugh and Sandy Lowenstein, Bermuda Estimate: $3,000 - $5,000

January 26, 2019

875 Georgian Figured Mahogany Linen Press, British, 19th century, figured bookmatched doors, five interior linen slides, 84 x 53-1/2 x 24-1/2 in.

Provenance: Lowenstein Collection Estimate: $600 - $900

11

January 26, 2019

British

889 Pair Waterford Crystal Achill Hurricane Lamps Ireland, circa 2013, electric three-light, brilliant cut glass bases, shades, finials, each component marked "Waterford", 23 in.

Estimate: $1,000 - $1,500

12

890 Pair Gilt Bronze Townley Vases English, 19th century, volute handles, high relief figural images, round marble bases, metal inserts, 11-1/8 x 6 in.

Provevnance: Private Collection, NC Estimate: $600 - $900

891 14 Derby Imari Style Porcelain Pieces British, 19th century, all with variations of red crown Derby marks, 6-1/2 in. to 17 in.

Provenance: Lowenstein Collection Estimate: $600 - $900

892 Worcester Pâte-Sur-Pâte Covered Urn British, late 19th century, raised white floral and foliage decoration, gilt handles, finial and banding, 10 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

893 George II Style Parcel-Gilt Walnut Mirror, British, probably 19th century, bookmatched, figured, walnut veneers, carved eagle cartouche, 50-1/2 x 23 in.

Provenance: Private Collection, NC Estimate: $500 - $700

894 Assembled Set Cobalt, Gilt Decorated China, 151 Pieces, British/Continental, 19th/20th century, various makers; Mintons, Limoges, Lenox, 6 in. to 10-1/2 in.

Provenance: MacNeill Collection, NC Estimate: $600 - $900

895 Pair Johnston Brookes Cornucopia Argand Lamps, British, 19th century, cast bronze, "Johnston Brookes & Co. Manufacturers London", wired, 10 x 12 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

896 Adam Style Satinwood Hand Painted Settee, British, late 19th century, caned back and seat, painted floral decoration, upholstered cushion, 34 x 38-1/2 x 19 in.

Provenance: Private Collection, SC Estimate: $600 - $900

897 Adam Style Painted Satinwood Writing Desk, British, late 19th century, highly figured, leather top, hand painted decoration, dovetailed drawers, 29 x 44 x 22 in.

Provenance: Lowenstein Collection Estimate: $500 - $700

898 Edwardian Mahogany Inlaid Vitrine British, circa 1900, satinwood inlays, glazed doors, lower case with hinged, felt lined interior, 74 x 33-1/4 x 19 in.

Provenance: Private Collection, NC Estimate: $500 - $1,000

899 Eight Literature Books with Fine Bindings, The Poems of John Keats; The Poems of Shelley, both in signed Brentano's bindings, signed bindings Provenance: Clark Estate Estimate: $400 - $800

900 Fine Classical Figured Mahogany Silver Chest, British, mid to late 19th century, felt lined interior, removable trays, dovetailed box, 27-1/2 x 32 x 28-1/2 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $2,000

901 Irish Regency Gilt and Ebonized Convex Mirror, 19th century, frame with leaf decoration, mirror plate with ebonized surround, period back label, 34-1/2 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

902 Classical Style Mahogany Sofa late 19th/early 20th century, carved frame with fine silk damask upholstery, with loose seat cushion and incorporated bolsters, 34-1/2 x 84 x 28 in.

Provenance: A Tennessee Collector Estimate: $500 - $700

For full cataloging and images see our website, www.brunkauctions.com

904 Pair Regency Style Inlaid Bookcase Cabinets, British, 20th century, each with inlaid and ebonized cornice, mahogany panels, each 100 x 45-1/2 x 13-1/2 in.

Provenance: Lowenstein Collection Estimate: $1,000 - $2,000

905â—‰ Fine Pair Regency Style Marble Top Consoles British, 19th century, each with two-tiered green marble top with brass columns and gallery, mirrored bases with figured rosewood veneers, carved and gilt wood columns, mirrored backs, 43-1/2 x 29 x 14-1/2 in.

Provenance: Stair and Co.; Property from the Collection of Marjorie S. Fisher, Palm Beach, Florida Estimate: $2,000 - $3,000

907 Arthur Joseph Meadows (British, 1843-1907) Blois on the Loire River, France, signed lower left "Arthur J. Meadows/1869", oil on canvas, 26-1/2 x 42-1/2 in.; gilt wood frame, 34-1/4 x 49-1/4 in.

Estimate: $1,000 - $2,000

909 European School (19th century) The Fish Market, unsigned, oil on canvas, 36-1/4 x 28-3/4 in.; gilt wood frame Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

910 British School (19th century) Pastoral Landscape with Fishermen, oil on canvas, 36-1/2 x 43 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $1,500

911 Frederick O'Neill Gallagher (Irish, 19th/20th century) Winter Scene, 1918, signed lower right "F. O'Neill Gallagher 1918"; gilt wood frame Provenance: Cork Street Gallery Estimate: $600 - $900

912 Benjamin Williams Leader (British, 1831-1923) Punt on a River Near Church, signed lower left "B. W. Leader 1874", oil on canvas, 10-1/8 x 14 in.; gilt wood frame Estimate: $800 - $1,200

908 James Webb (British, 1825-1895) At Portmadoc, North Wales, 1876, signed, oil on panel, 11-7/8 x 22 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $1,500

British

906 David Gauld (Scottish, 1865-1936) Portrait of a Gentleman, signed, oil on canvas, 54 x 37 in.; original gilt frame Provenance: Greene Collection, TN Estimate: $1,000 - $2,000

913 Attributed to William Shayer the Elder (British, 1787-1879) The Shrimp Girl-Coast of Cornwall, circa 1845, not apparently signed, oil on canvas, 351/2 x 27-1/2 in.; fine 19th century gilt wood and composition frame, 43-1/2 x 52-1/2 in.

Provenance: Private Collection, Highlands, North Carolina Estimate: $3,000 - $5,000

Condition notes available in back of catalog

January 26, 2019

903 William IV Mahogany Two Drawer Server, British, 19th century, two dovetailed drawers, backsplash set with heraldic device, 40-1/2 x 48 x 20 in.

Estimate: $500 - $800

13

Continental

January 26, 2019

Continental

915 Provencial Louis XV Style Fruitwood Server, French, some period elements, pierced steel escutcheons and hinges, paneled lower doors, 78-1/2 x 45 x 20 in.

Provenance: Private Collection Estimate: $600 - $900

14

914 Monumental Louis XVI Style Painted Trumeau, French, probably 19th century, in two tone gray paint, the top with urn and bellflower carved appliquĂŠs, two part mirror plate, pinned construction, 115 x 43-1/2 in.

Estimate: $1,000 - $3,000

916 Pair Louis XV Style Paint Decorated Arm Chairs, French, 20th century, cream painted beechwood frames set with printed upholstery, 37-1/2 in.

Estimate: $500 - $700

918 Fine Aesthetic Movement Inlaid Cabinet, French, late 19th century, yellow and pink variegated marble top, ebonized with marquetry decoration on door depicting a classical vignette with a muse, urn and column inlaid corners, fully inlaid side panels, gilt bronze mounts, interior with adjustable shelf, oak secondary, inscribed underside of top "maison bonne dessons (?)", 43 x 30 x 18-1/2 in.

Provenance: Collection of Hugh and Sandy Lowenstein, Bermuda Estimate: $1,500 - $2,500

For full cataloging and images see our website, www.brunkauctions.com

917 French Provincial Farm Table Continental, some early elements, mixed woods with breadboard top, skirt fitted with one drawer, 31 x 36 x 96 in.

Provenance: Lowenstein Collection Estimate: $500 - $700

919 Provencial Louis XV Walnut Hanging Shelf, French, 18th century, four shelves, pinned construction, 48-1/2 x 49 x 10 in.

Provenance: Private Collection, NC Estimate: $500 - $700

922 Louis XVI Style Mechanical Reclining Chair, French, 19th century, beechwood frame set with fine damask upholstery, reclining form with wrought iron mounts, 47 in.

Estimate: $800 - $1,200

923 Louis XVI Style Painted and Parcel-Gilt Trumeau, French, 19th century elements, with oil on canvas depicting a courtship scene, later painted and parcel-gilt frame and mirror plate, 84-1/2 x 35 in.

Estimate: $500 - $700

924 Pair Louis XV Paint Decorated Fauteuils French, 18th century, carved and white painted beechwood frames, pinned construction, modern printed upholstery, 39 in.

Estimate: $500 - $700

925 Isidore Jules Bonheur (French, 1827-1901) A pair of sculptures: Ram, 8 in. Sheep, 7-1/2 in., both signed "I. Bonheur", bronze Provenance: A Tennessee Collector Estimate: $800 - $1,200

926 Jean-Baptiste Carpeaux (French, 1827–1875) Puys (la Pêcheuse de vignots), 1874, signed "JB Carpeaux", bronze, 28-1/2 in.

Provenance: Humber Family Estimate: $1,000 - $1,500

927 Provincial Louis XV Marble Top Table French, late 18th century, leaf and shell carved oak frame set with two drawers, fitted with a later top, 29 x 36 x 23-1/2 in.

Estimate: $500 - $800

928 Provincial Louis XV Style Mechanical Easy Chair, French, 19th century, carved walnut frame with floral and leaf decoration, ratcheted back, cream muslin upholstery with loose down cushion, 42 in.

Estimate: $500 - $700

Condition notes available in back of catalog

January 26, 2019

921 Louis XVI Style Paint Decorated Chair with Stool, early 20th century, caned bergère with putti decorated medallion, loose cushion; one similar footstool, 35 in.

Provenance: A Tennessee Collector Estimate: $500 - $700

Continental

920 Fine Louis XVI Style Gilt Bronze Commode French, circa 1870, attributed to François Linke after a design by Jean-François Leleu, unsigned, with a Brocatelle Violette Du Jura marble top above a frieze drawer with a pierced foliate cast panel, above two paneled long drawers, raised on turned, inlaid, gilt bronze tapered legs, tulipwood and amaranth primary with oak secondary, 35 x 58 x 25 in.

Estimate: $6,000 - $9,000 This commode is based on the celebrated 18th century model by Jean-François Leleu (1729-1807), now conserved at the Petit Trianon at Versailles. It was placed there in 1867 following an exhibition organised at the request of Empress Eugénie in memory of Queen Marie-Antoinette. The commode was further exhibited in Paris in the retrospective part of the Exposition de l'Union centrale des arts décoratifs in 1882.

15

929 Claude Guilleminet (French, 1821-1860) Farmyard with Guinea Fowl, Peacock, signed "Guilleminet", oil on canvas, 16-1/8 x 25-1/2 in.; framed Provenance: Private Collection, South Carolina Estimate: $1,000 - $1,500

933 Pair Henri Picard Gilt Bronze Candelabra, French, 19th century, urn form with flame finials, each with two scrolled arms, "H Picard", 10-1/2 in.

Provenance: A Tennessee Collector Estimate: $800 - $1,200

January 26, 2019

Continental

932 Agathon LĂŠonard (French, 1841-1923) Bust of Diana, silver on cast bronze, signed "ALEONARD", "CA 3", 20 in.

Provenance: Private Collection, SC Estimate: $1,000 - $2,000

930 French Gilt Metal and Porcelain Clock Garniture 19th century, clock with porcelain columns and plaques, accompanied by porcelain urns, clock 22 in.; urns 16 in.

Provenance: Private Collection Estimate: $600 - $900

16

938 Four Louis XVI Style Hunting Motif Sconces probably French, late 19th/early 20th century, gilt bronze and brass, 42-1/2 in., 13 glass globes, 10 in. to 1-1/4 in.

Provenance: Brunk Auctions, March 2011, Lot 258; A Tennessee Collector Estimate: $2,000 - $4,000

931 Pair Jacob Petit Figural Porcelain Vases French, 19th century, hand painted porcelain figures beside pitchers, both with under glaze "J.P." mark, 12 x 9 in.

Provenance: Private Collection, NC Estimate: $600 - $900

934 Pair Egyptian Revival Gilt Bronze Candelabra, French, 19th century, pair patinated bronze Egyptian figures, three gilt bronze candle arms, marble bases, 21-1/2 in.

Estimate: $800 - $1,200

935 Empire Style Marble Top Coffee Table Continental, late 19th/early 20th century, bronze swan figural legs with ball and claw feet, rectangular white marble top, 18-1/2 x 45-3/4 x 22 in.

Estimate: $500 - $700

936 26 Pieces Gilt Decorated China French/British, 19th/20th century, 17 Le Rosey Paris service plates; four Coalport, and others, 8 in. to 10-1/8 in.

Provenance: MacNeill Collection, NC Estimate: $500 - $800

937 Classical Style Parcel-Gilt Coffee Table modern, rectangular glass top on a fruitwood X-form base, 21 in.

Estimate: $500 - $700

939 Pair Napoleon III Style Marble and Bronze Urns, French,19th/20th century, lidded urn with gilt bronze ram head cast handles, draped garland, 17-1/2 in.

Provenance: A Tennessee Collector Estimate: $800 - $1,200

940 29 Pieces Val St. Lambert Cut to Clear Glass, French, 20th century, three compotes; 14 glasses; six bowls; four plates, 4-1/4 in. to 6-3/8 in.

Provenance: Private Collection, NC Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

943 Louis Vuitton Monogram Canvas Bisten Suitcase, Paris, France, mid 20th century, brass hardware, brown leather trim, and three latches, 14 x 19 x 6-1/2 in.

Provenance: Private Collection, SC Estimate: $600 - $900

944 Louis Vuitton Monogram Canvas Bisten Suitcase, Paris, France, mid 20th century, brass hardware, brown leather trim, three latches, 18-1/2 x 27-1/2 x 7 in.

Provenance: Private Collection, SC Estimate: $800 - $1,200

945 Neoclassical Walnut Marble Top Center Table, Continental, 19th century, variegated green marble top, figured veneers, faceted column, 28 x 43 in.

Provenance: A Tennessee Collector Estimate: $500 - $700

946 Marble Top Wrought Iron Garden Table early 20th century, scrolled trestle base with leaf appliqués, green painted, black "Egyptian" top, 33-1/2 x 49 x 18 in.

Provenance: A Midwest Collection Estimate: $600 - $900

947 Baroque Style Gilt Cheval Mirror Continental, 18th/19th century, scrolling leaf and shell decoration, old mirror plate, trestle stand, 30 x 21 x 15 in.

Provenance: A Tennessee Collector Estimate: $500 - $700

948 Claude Michel Clodion (French, 1738-1814) Bacchanalian Figural Group, signed "Clodion", 19th/20th c., terracotta, 20-1/4 in.

Provenance: Private Collection, NC Estimate: $600 - $900

949 Brass Mounted Plant Stand late 19th century, through-tenon construction, carved handles, brass mounted feet, inscribed “JR 1898”, 23 x 126 x 24-1/2 in.

Estimate: $500 - $1,000

950 Pair Black Forest Hunt Trophy Plaques Continental, late 19th century, oak plaques with finely carved slain animals and hunting accessories, 31 x 18-1/2 in.

Provenance: Private Collection Estimate: $2,000 - $3,000

952 Persian Runner mid-20th century, serrated edge medallion on navy ground, gold and brown highlights, 4 ft. 4 in. x 9 ft. 9 in.

Provenance: Private Collection, TN Estimate: $600 - $900

953 Fine Mission Malayer Carpet early/mid 20th century, medallion and pendants on open ochre field, sky blue and black highlights, 8 ft. 3 in. x 11 ft. 1 in.

Provenance: Private Collection, Highlands, North Carolina Estimate: $1,500 - $2,500

951 Baroque Carved Oak Cassone possibly French, 17th/18th century, molded top with wrought iron hinges, open interior with lidded till, iron lock, carved facade, 22-1/2 x 59-1/2 x 19 in.

Estimate: $500 - $700

954 Oushak Carpet early/mid 20th century, stepped edge medallion on brown field, teal and blue highlights, 10 ft. 8 x 13 ft. 10 in.

Provenance: Private Collection Franklin, Tennessee Estimate: $1,500 - $2,500

Condition notes available in back of catalog

Continental

942 Long Mink Cape 20th century, dark mink with fur lined arm holes, "JCS" interior embroidered monogram, 59-1/2 in.

Estimate: $500 - $800

January 26, 2019

941 Full Length Mink Coat late 20th, shawl collar and cuffed sleeves, label for "Mohl/New York/Scaasi", 53 in. length, approximate size 12Provenance: Private Collection Estimate: $500 - $800

17

Continental January 26, 2019

18

955 Dutch School (19th/20th century) A Pair: Dutch Naval Scenes, oil on canvas, 31-3/4 x 39-3/4 in.; matching frames Provenance: Lowenstein Collection, NC Estimate: $1,000 - $1,500

956 Continental School (18th century) Two Chinoiserie panels with Flowering Trees, each 53 x 41 in. framed Provenance: Private Collection, NC Estimate: $1,000 - $1,500

957 Dutch School (19th century) Still Life with Spring Flowers, "J. Wickens", oil on canvas, 35 x 24 in.; gilt wood frame Provenance: Lowenstein Collection, NC Estimate: $800 - $1,200

958 Continental School (19th century) Riverscape Screen, unidentified artist, four stretched panels, each 50-1/4 x 27-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $700

959 Continental School (early 20th century) Two Riverscapes, unidentified artist, oil on canvas, each 50-1/2 x 64-1/2 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

960 Continental School (19th century or earlier) Birth of Venus, oil on canvas, 32-5/8 x 435/8 in.; painted wood liner Provenance: New England Collection Estimate: $800 - $1,200

961 Four Florentine Paintings, Eastlake Cabinet, (19th century) Angels, after Fra Angelico, gouaches, Florentine frames; cabinet, 28 x 3-1/2 in.

Provenance: A Tennessee Collector Estimate: $800 - $1,200

962 J. de Bree (Dutch, 19th/20th century) Work Horses in a Barn, "J. de Bree Pinxt", oil on panel, 9-1/2 x 13-3/8 in.; gilt frame Provenance: Ruggiero Collection, NC Estimate: $500 - $700

963 Pair Meissen Painted Porcelain Busts German, circa 1900, Elizabeth I, 13 in.; Marie Antoinette, both with blue underglazed crossed sword mark, 14-1/4 in.

Provenance: Yelin Collection, NY Estimate: $800 - $1,200

964 Pair Grand Tour Patinated Bronze Urns Continental, 19th century, cast bronze, relief decorated cherubs, rams head handles, marble and slate base, 16-1/2 in.

Provenance: Private Collection Estimate: $600 - $900

965 Pair Austrian Cold Painted Bronze Pheasants, early 20th century, both stamped "Austria" on underside, male, 10-1/4 x 23 in.; female, 7-1/2 x 23 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

966 Ormulu Mounted Berlin Porcelain Cache Pot, German, 19th century, white porcelain tapering cartouche shape with ormolu mounts, blue scepter mark, 7 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

967 KPM Style Plaque of Mignon German, early 20th century, hand painted, signed lower right, verso "Mignon nach Georg Hom", 7-1/2 x 5 in., framed Provenance: Private Collection, CT Estimate: $800 - $1,200

968 Seven Royal Copenhagen Flora Danica Plates, 20th century, hand painted floral scenes with reticulated gilt border, factory mark, inscription of specimen names, 9 in.

Provenance: Private Collection Estimate: $1,000 - $1,500

969 Two Delft Polychrome Objects Dutch, figural group underglazed blue mark "B:P" for De Vergulde Blompot Workshop (working 1615-1841), 12 in.; bottle form vase, 11 in.

Estimate: $500 - $700

970 Seven Pieces Herend Porcelain Hungarian, 20th century, tureen, platter, 11-1/4 in., 14-1/2 in.; cooler, 5-3/4 in.; four candlesticks, 7 in., 5-3/4 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

973 Pair Italian Neoclassical Parcel-Gilt Mirrors Continental, 19th century elements, with drapery, leaf, and scroll decorations, distressed mirror plate, cream painted frames, 67 x 42 in.

Estimate: $2,500 - $3,500

974 Italian Figural Alabaster Lamp early 20th century, figure of a young woman with water jar, "Made in Italy", indistinct signatures, 20-3/4 in.

Estimate: $600 - $900

975 Silk Fortuny Table Cloth with Two Pillow Shams, Italian, circa 1960, round table cloth, Carnavalet pattern, 113 in., with two shams, metallic trim, 20 x 20 in.

Provenance: Lowenstein Collection, NC Estimate: $600 - $900

976 Antique Renaissance Style Carved Walnut Cabinet Italian, probably 18th century, eleven drawers with central prospect door, elaborate mask, 27 x 28-1/2 x 15-1/4 in.

Provenance: Private Collection, MO Estimate: $1,000 - $2,000

977 Four Pieces Meissen Green Dragon Porcelain, German, 20th century, two platters, 14 in.,12-1/2 in.; two bowls, 9-3/4 in., with under glazed blue crossed swords markProvenance: A Tennessee Collector Estimate: $600 - $900

978 P. Conti (Italian, 19th/20th century) Afraid of a Mouse, signed at bottom "P.Conti Firenze", alabaster, bronze, gilt wood and marble, 22-3/4 in.

Estimate: $500 - $800

979 Two Sherle Wagner Basins with Accessories, Italian, late 20th century, two Summer Garden porcelain sets, 10 x 19-1/4 in.; three dolphin motif fixtures Provenance: A Tennessee Collector Estimate: $800 - $1,200

980 Baroque Style Marble Top Painted Center Table, Italian, late 19th/early 20th century, rectangular top with ebonized, parcel-gilt base, lion and mask decoration, 33 x 31-1/2 x 51-1/2 in.

Estimate: $1,000 - $1,500

981 Five Paint Decorated Tole Items Continental, late 19th/early 20th century, three black with gilt; two red, 9-1/2 in. to 14-1/2 in.

Provenance: A Tennessee Collector Estimate: $600 - $900

982 Four Kornilov Factory Russian Plates early 20th century, two plates and two shallow soup bowls, factory mark verso, plates, 8 in.; bowls, 9-1/4 in.

Estimate: $600 - $900

983 Finely Woven Persian Carpet mid-20th century, willow and floral designs, green, ivory, and blue highlights, 7 ft. 2 in. x 10 ft. 9 in.

Provenance: Private Collection, NC Estimate: $1,000 - $1,500

984 Indo Persian Carpet mid/late 20th century, medallion and overall designs on cream ground, 11 ft. 9 in. x 15 ft.

Provenance: Private Virginia Collection Estimate: $1,500 - $2,500

Condition notes available in back of catalog

Continental

972 Empire Gilt Two-Part Pier Mirror Italian/French, 19th century, composition relief ornament, old distressed mirror plates, 61-1/2 x 33 in.

Estimate: $600 - $900

January 26, 2019

971 Italian Louis XV Paint Decorated Window Bench, Continental, 18th/19th century, white painted frame with scrolled crest rails, 35 x 87 x 19 in.

Provenance: Private Collection, NC Estimate: $600 - $900

19

Old Masters

January 26, 2019

Old Master

986 Roman or Byzantine Mosaic Panel Possibly 1st/2nd century, multi-colored stone tesserae; on a steel and concrete support, 31-1/2 x 31-1/2 in.

Provenance: Purchased New York, 1965-1970, probably from The Merrin Gallery; Private Collection Estimate: $1,000 - $1,500

20

985 Veneto-Cretan School (possibly 17th century) Lady Achtyrskaja (of Akhtyrka), tempera, gilding on pane, incised, tooled halo, 16-1/2 x 12-5/8 in.

Provenance: Godi Piovenen Family Estimate: $1,000 - $2,000

987 Russian Icon (possibly 18th century) St. Nicholas, tempera on panel with raised halo, 15-1/2 x 11-1/2 in.

Provenance: Godi Piovenen Family Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

988 Italian School (18th century) Judgment of Paris, oil on oak panel, 351/4 x 38-1/2 in. with period frame Provenance: Private Collection, NC Estimate: $600 - $900

Old Master Angelos was the most important icon painter of the 15th century, one in which the center of artistic production shifted from Constantinople, during a period of political turbulence and wars, to Candia in Crete, a territory of Venice. It is possible that Angelos apprenticed under an artist with the Constantinoplitan principles of painting but he also combined Western influences of Venetian painters within his compositions. So revered was his painting that Domenikos Theotokopoulus, better known as El Greco (1541-1614), was one of many artists to be influenced by his paintings. Until now, only twenty-two icons were known to have been signed by the artist.

Scholar and author on Angelos, Maria Vassilaki comments, "This is a completely unknown icon by Angelos Akotantos, whom I qualify as a Byzantine painter working in Venetian Crete in the second quarter of the fifteenth century (1425-1450). It depicts the Descent into Hell, which is the Byzantine Resurrection of Christ. He was signing his icons in Greek: ‘ΧΕΙΡ ΑΓΓΕΛΟΥ’, which means ‘the Hand of Angelos.’ The inscription ‘angelus pinxit’, which we read on this icon, is very rare. There is one more icon of the Man of Sorrows today in the Museo Correr, Venice which is also signed ‘ANGELUS PINXIT.’ It’s highly possible that the Descent into Hell was for a Venetian client, which explains why the painter’s signature is in Latin. This was common in Cretan icons at the time of the Venetian occupation of the island.”

Brunk Auctions is honored to be representing this important and rare icon. Our gratitude is extended towards Maria Vassilaki for her assistance.

This lot is accompanied by a certificate from the Art Loss Register, ref: S00140865 Literature: Vasilakē, Maria, and Angelos Akotantos. The hand of Angelos: an icon painter in Venetian Crete. Farhham, Surrey: Lund Humphries, 2010.

Condition notes available in back of catalog

January 26, 2019

989 Angelos Akotantos (Cretan, 15th century) Anastasis (Descent into Hell), signed lower right in Latin "angelus pinxit", egg tempera primed with gesso on linen with gold leaf and laid on panel, 15-1/4 x 12-7/8 in.; 16th century (or style) Venetian pastiglia frame, 20-7/8 x 18-3/4 in.

Provenance: Private Florida Collection Estimate: $10,000 - $15,000

21

T

he Master H. B of the Griffin Head is identified as someone working within the workshop of Lucas Cranach The Elder (1472–1553). Only two other signed and documented works by this artist are known to exist, one is held by the Episcopal Cathedral and Diocesan Museum in Mainz, Germany and the other by The Louvre, Paris, France.

This large and detailed panel draws inspiration from Cranach himself, who created at least two compositions of this subject painted in 1537 and 1538 respectively.

The setting for this scene occurs in the Bible's New Testament as Jesus leaves Galilee and heads toward Judea. A great mass of people have followed him there including the Pharisees who were trying to tempt him. In the midst of Jesus answering their questions, little children were brought to him for a blessing. The disciples sought to protect Christ from the crowds and this intrusion but Jesus' response was both tender towards the children and a rebuke to the Pharisees and their pride and even toward his overly controlling disciples. He speaks, saying, "Let the children alone, and do not hinder them from coming to Me; for the kingdom of heaven belongs to such as these."

(NASV) Christ is depicted in the center crowded by both babies and young women dressed in fine Renaissance clothes and jewelry and likely representing patrons. A woman at the left still has her hand under her child as Christ cradles him in His arms. A male head to left represents one of the disciples whose desire to shield Christ has been over-ruled verbally and cleverly as a device within the composition. This subject, which was rarely depicted before the 16th century, "occupied a central role in reformation iconography" according to the Lucas Cranach Digital Archive.

See: http://lucascranach.org/DE_BDDM_M00524

January 26, 2019

Old Master

This lot will be included on the Cranach Digital Archive and is also accompanied by a certificate from the Art Loss Register, ref: S00140864

22

For full cataloging and images see our website, www.brunkauctions.com

Old Master Condition notes available in back of catalog

January 26, 2019

990 Master H. B of the Griffin Head (German, 16th century) Christ Blessing the Children, circa 1550, signed upper left "HB" with the griffin head cypher, dated indistinctly and inscribed with Matthew 19:14 in German, "Lasset die Kindlin zu mir komen . und weret in nicht . Denn solcher ist das Reich Gottes" (Let the Children come to me, forbid them not, for such is the Kingdom of God), oil on panel, 42 x 36 in.; unframed Provenance: Private Florida Collection Estimate: $80,000 - $120,000

23

992 Giovanni Ottaviani, Engraver (Italian, 1735-1808) Three views, Loggie di Rafaele nel Vaticano, 1774-6, engravings, 24-3/4 x 22 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

January 26, 2019

Old Master

991 German School (16th/17th century) Two Wittelsbach Bavarian Portraits: Ferdinand (1550-1608), inscribed "Ferdinandus D.C. Comes Et Bavarlae Dv", likely after the engraving in reverse by Crispijn van de Passe (1574-1637); and his brother, Ernst, Archbishop of Cologne (1554–1612), inscribed "Emestus DG Episcopus Leodiensis", likely after the engraving in reverse by Dominicus Custos (c. 1550-1612), both oil on panel, 14-3/4 x 10-5/8 in.; matching Alpine lacquered and gilt wood ripple-molding frames, 20 x 16-1/8 in.

Provenance: Christie's East, New York, June 2, 1987, lot 20 (with original receipt) Estimate: $6,000 - $9,000

24

994 After Pierre Parrocel (French, 1670-1739) George Keith, 10th Earl Marischal (1692-1778), unsigned, 20th c., oil on canvas, 49 x 39 in.; gilt frame Provenance: Private Collection Estimate: $1,000 - $2,000

995 Dutch School (17th century) A pair of portraits: Lady, Gentleman, 46 x 35 in. (largest), oil on canvas; 20th c. frames, 52 x 41 in. largest Provenance: Private Collection Estimate: $1,000 - $2,000

997 Circle of Giovanni Battista Piranesi (Italian, 1720-1778) A Fantasy View of Ruins of a Mausoleum with a Nobleman's Sarcophagus, 18th century, inscribed verso in script, black ink and ink wash on laid paper, 16-1/4 x 22 in. (sight); 21-3/4 x 27-3/8 in.

Provenance: Private New England Collection Estimate: $1,500 - $2,500

993 Italian School (18th century) Two classical court scenes, unsigned, oil on canvas, 18-1/2 x 12-1/2 in.; unframed Provenance: Private Collection, Virginia Estimate: $700 - $900

996 Follower of Francis Alleyne (British, act. 1774-1790) Four portraits: Woman, Gentleman, Two Children, oil on canvas, largest, 17-3/4 x 14 in.; framed Provenance: New England Collection Estimate: $1,000 - $2,000

998 Follower of Jacob Fopsen van Es (Flemish, 1596-1666) Still Life with Basket of Grapes and Songbird, unsigned, early 19th century or earlier, oil on panel, 14-3/8 x 18-1/4 in.; painted wood and composition frame, 21-5/8 x 25-1/8 in.

Provenance: The Collection of Bob and Dianne Ruggiero, Fines Creek, North Carolina Estimate: $1,000 - $1,500

For full cataloging and images see our website, www.brunkauctions.com

999 Franciszek Smuglewicz (Polish/Lithuanian, 1745-1807) A Visit to the Baths of Titus, circa 1780, titled in image in Italian Vestigo delli Terme de Tito e loro Interne Pitture, signed at bottom "Francesco Smuglewicz pit...desgno?", collector's stamp verso (Lugt 788b), watercolor and gouache over pen and ink on laid paper, 20-3/4 x 22-3/8 in. (sheet); gilt wood frame, 25-5/8 x 27-1/8 in.

Provenance: Ex-Collection of Dr. Ludwig Pollak (1868-1943), Vienna, Rome; Estate of Ambassador George Wrenn, Aiken, South Carolina; Private Collection, purchased circa 1978 Estimate: $8,000 - $10,000 The German inscription verso, possibly in the hand of the collector and drawings scholar, Dr. Ludwig Pollack, states this is a 'gouache for the copper plate engraving.' The engraving was included in the book by Marco Carlone, Vestiglia delle Terme di Tito after drawings by Smuglewicz and V. Brenna published in 1780 by L. Mirri. There was a rare increased deluxe edition which also included original watercolors by Smuglewicz. Original watercolors by the artist are very rare with most residing in museums such as The Hermitage in St. Petersburg and the Louvre, Paris. See: Sotheby's New York: January 25, 2006, lot 148, for an identical work

1002 After Peter Paul Rubens (Flemish, 1577–1640) Summer-Peasants Going to Market, after the painting circa 1618, unsigned, 18th century or possibly earlier, black chalk, pen and black ink with body color on laid paper, 20-1/4 x 30 in. (50.8 x 76.2 cm.); possibly 18th century carved and gilt wood frame Provenance: Private New England Collection Estimate: $4,000 - $6,000 The original painting is held by the Royal Collection Trust and housed at Buckingham Palace along with a pendant painting "Winter" (RCIN 401416). This work is possibly a preliminary drawing for an engraving. One known early engraving varies from this work.

Condition notes available in back of catalog

January 26, 2019

1001 Follower of Philips Wouwerman (Dutch, 1619-1668) King Visiting Subjects, unsigned, oil on canvas, 15-3/4 x 23-3/8 in.; modern frame Provenance: Private Florida Collection Estimate: $600 - $900

Old Master

1000 Dutch School (early 19th century) Venturing Home by Moonlight, unsigned, oil on canvas, 35 x 43 in.; modern wood frame Estimate: $800 - $1,200

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Button

January 26, 2019

Dick Button Collection

The Skating Collection of Dick Button

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Dick Button is widely considered one of the premiere male figure skaters of all time. He dominated the world of figure skating for a seven-year period, winning two Olympic gold medals (1948 and 1952), five consecutive World Championships, seven U.S. National titles, and four North American and European Championships. His illustrious, fifty year broadcasting career earned him the first ever Emmy for “Outstanding Sports Personality—Analyst” and the first induction into the Sports Broadcasting Hall of Fame “Sports Analyst” category.

Button’s legacy in the sport extends beyond competition, performance, analysis, and production. He has built a diverse and distinguished collection of paintings, prints, posters, sculptures, costumes, and folk art that honors the long history, evolving artistry, and cultural impact of skating.

1006 European School (19th century) Winter Landscape with Skater's on a Pond, watercolor and body color on paper, 12 x 15 in.; original frame Estimate: $400 - $600

The Palace Hotel in St. Moritz was a renowned lakeside resort for the very fashionable. Built in 1896 as a luxury hotel, it featured a large number of suites and a stately slanted-roof tower. Its architecture takes a cue from the style of the Alpine towns around it, and would have been appealing to the tourists there in the winter months. This poster reflects guests freely lounging, warmed by blankets and furs, next to the skating rink.

1007 Dutch School (19th century) Winter Scene with Forge and Figures Skating on a Canal, unsigned, oil on canvas, 16 x 21-1/4 in.; gilt wood and composition frame, 21-1/2 x 27 in.

Estimate: $1,500 - $2,500

Condition notes available in back of catalog

January 26, 2019

1004 Currier & Ives, Publisher (19th century) Skating Scene-Moonlight, 1868, handcolored lithograph, image 7-7/8 x 12-7/16 in.; lemon gilt wood frame Estimate: $500 - $700

1005 Emil Cardinaux (Swiss, 1877-1936) Palace Hotel/St. Moritz in Switzerland, 1920, Wolfsberg, Zurich, printer, color lithographic poster, 50-3/8 x 35-3/4 in.; metal frame, 51-3/4 x 37-1/4 in.

Estimate: $10,000 - $15,000

Dick Button Collection

1003 Jules Chéret (French, 1836-1932) Palais de Glace/Champs-Elysées, 1894, signed in stone "J. Chéret ", Chaix, printer, lithographic poster, 92-1/2 x 33-3/4 in.; framed Estimate: $1,500 - $2,500

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1008 American School (19th century) New England Skating Party, unsigned, oil on canvas, 12 x 18 in.; period frame Estimate: $500 - $700

1009 James Gillray (British, 1757-1815) A set of four: The Elements of Skating, 1805, H. Humphrey, London, publisher, handcolored etchings on wove paper, 9-3/8 x 13-1/2 in.; matching wood frames Estimate: $600 - $900

1010 After Per Ung (Norwegian, 1933-2018) Sonja Henie (1912-1961), interpretation of the work at Frogner Stadium, Oslo, bronze on alabaster base, 9-1/2 in.

Estimate: $300 - $500

1011 American School (19th century) Portrait of Jackson Haines, c. 1865, unsigned, oil on canvas, 28 x 23 in.; period painted wood frame, 33-1/4 x 28 in.

Estimate: $1,000 - $2,000 Labeled frame recto: "Jackson Haynes (sic), picture presented by himself to the Reva Skating Society 1866" with additional text in Russian.

January 26, 2019

Dick Button Collection

Exhibited: National Portrait Gallery, Washington, D.C.: "Champions: Heroes of American Sport", June 1981 - July 1982, travelling to Chicago Historical Society, Chicago, Illinois; Museum of Natural History, New York, NY (label verso).

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1013 Four Rare Skating Related Prints (British and Dutch, 17th-19th century) J. Ibbetson (1759-1817) after J.W. Edy (1760-1820), Winter Amusement: A View in Hyde Park from the Moated House, 1787, hand-colored, aquatint and engraving, plate 12-1/2 x 15-3/8 in.; Joshua Baldrey, Symptoms of a Thaw, 1799, etching, plate 6-3/4 x 8-3/4 in.; William Nicholson (1872–1949), December, from An Almanac of Twelve Sports, 1898, color woodblock, 12-1/8 x 9-7/8 in.; Hendrik Hondius the Elder (Dutch, 1573–1650), Januarius, 1614, after Johannes Wildens, engraving, plate 11-1/4 x 17-1/4 in.; one framed, 18-1/2 x 21-3/8 in.

Estimate: $600 - $900

1016 Michel-François Damane-Demartrais (French, 1763-1827) Montagnes à Glace: Sur la Neva, 1811, hand-colored aquatint and etching, 13 x 21-5/16 in.; wood frame Estimate: $700 - $900

1012 After Robert van der Hoeke (Flemish, 1622-1668) Pleasure on the Ice on a Canal, Brussels, oil on tin, 9-3/8 x 12-5/8 in.; frame, 16 x 19 in. accompanied by engraving by von Prenner Estimate: $1,000 - $1,500

1014 Nineteen Skating-Related Prints, Framed, (18th-20th century) Features music covers, historical exhibitions, engravings and chromolithographs, four frames, 61-3/4 x 14-3/4 largest Estimate: $500 - $700

1017 Felix Kupsch (German, 1883-1969) Maxi Herber, Olympic Gold Medalist, circa 1930, signed on base "F. Kupsch", patinated bronze with marble base, 18-1/2 in.

Estimate: $1,000 - $1,500

For full cataloging and images see our website, www.brunkauctions.com

1015 Currier & Ives, Publisher (19th century) Winter Evening, 1854, hand-colored lithograph, image 10-3/8 x 14-7/8 in. sheet 12-1/4 x 16-7/8 in.; gilt wood frame Estimate: $300 - $700

1018 John Henry Bufford (American, 1810-1870) Jamaica Pond, West Roxbury, Mass., 1859, hand-colored lithograph, image 17 x 24 in.; gilt wood frame Estimate: $300 - $600

January 26, 2019

Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown, New York, April 1 - December 31, 2017.

Dick Button Collection

1019 RÊgis François Gignoux (American, b. France, 1816-1882) Snow Storm Threatening, signed lower right "R. Gignoux 1854", oil on canvas, 39 x 58-1/2 in.; reproduction gilt wood and composition frame, 47 x 66-1/4 in.

Estimate: $20,000 - $30,000

Condition notes available in back of catalog

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1021 Three Skating Related Prints (19th century) two after Rev. John Sneyd, engravings; Skating Races in Holland, bookplate, largest, 10-1/16 x 8-1/8 in.; framed Estimate: $300 - $600

January 26, 2019

Dick Button Collection

1020 Conrad Wise Chapman (American, 1842-1910) Skating in the Bois de Boulogne, 1875, signed lower right "CWC, ROMA/1875", oil on paper, 5 x 7 in.; period gilt wood frame, 8-3/4 x 10-3/4 in.

Provenance: Northeast Auctions, Portsmouth, New Hampshire, November 2004 Estimate: $7,000 - $10,000

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Exhibited: Valentine Museum, Richmond, Virginia, n.d. (label verso).

1022 John F. Louis (Philadelphia, 19th century) Evening Skate, signed lower center "John F. Louis", oil on canvas, 14 x 20 inches; period gilt wood and composition frame Estimate: $800 - $1,200

1023 American School (19th century) Skating Scene, unsigned, oil on board, 7-3/4 x 12 in.; wood and gilt wood frame, 12-1/4 x 16-1/4 in.

Estimate: $300 - $500

1025 American or European School (19th century) Skating Scene, unsigned, oil on canvas, 24 x 32 in.; period gilt wood frame, 26-1/2 x 34-1/2 in.

Estimate: $600 - $800

1024 American or Dutch School (19th century) Skating on a Gray Day, unsigned, oil on canvas, 18 x 24-1/4 in.; black frame, 20-1/2 x 26-3/8 in.

Estimate: $1,000 - $2,000

1026 Charles Sabouret (French, 19th/20th century) Sonja Henie Doing a Back Loop, 1935, signed C. Sabouret 1935", patinated bronze, 10 -1/2 in.

Estimate: $600 - $900

1027 Continental School (early, 20th century) Figure Skaters Ludowika (1884-1968) and Walter (1882-1957) Jakobsson, patinated bronze on rock crystal base, 8-3/4 in.

Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

1028 Continental School (19th /20th century) Skaters with Lanterns, unsigned, patinated spelter on glass base, 7-1/8 in.

Estimate: $200 - $400

Philadelphia was a center of skating in mid-nineteenth century, when a group of gregarious gentlemen decided to form the Skaters' Club of the City and County of Philadelphia. Not only was the club quite fashionable, it also had charitable functions. Chief among them was rescuing hapless skaters from chilling waters, mostly those of the Schuykill River, resulting in the origin of the unusual name of "Humane Society" for a skating club.

January 26, 2019

Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown, New York, April 1 - December 31, 2017.

Dick Button Collection

1029 William H. Willcox (American, 1831-1929) Skating on the Schuylkill, 1875, signed lower left "WH Willcox 1875", oil on canvas, 16-1/4 x 24-1/2 in.; reproduction gilt wood frame, 24-1/2 x 32-3/4 in.

Provenance: Hirschl & Adler Galleries, New York (label verso) Estimate: $25,000 - $35,000

Condition notes available in back of catalog

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O

ld and young, amateur and skilled, rich and poor—even household pets—welcomed open ponds in uptown Manhattan. When at least four inches of ice covered the ponds, the commissioners signaled them open to the public by raising a red ball by the bell tower just south of the old reservoir at 79th Street. With “the ball up,” masses of skaters rushed to the park. In the 1865 winter season, the Spirit of the Times and the New York Sportsman recorded: It is within these spacious public grounds that the democracy of the city and its borders most do congregate . . . at nine o’clock at night, there were not less than fifteen thousand persons, of both sexes and all ages and conditions, on the grand lake. . . . And here they remained until the near approach of midnight, gambolling [sic] the happy hours away. It has been reported that sometimes the trolley car companies would put signs on the trolleys saying the red ball was up when the ice was still dangerous in order to sell more tickets.

1030 After Winslow Homer (American, 1836-1910) Union Pond/ Williamsburg, L.I., 1862, Thomas & Eno, New York, lithographer, color lithograph with hand-coloring, 16-7/8 x 26-3/4 in.; gilt wood frame Estimate: $500 - $700

January 26, 2019

Dick Button Collection

1032 Currier & Ives, Publisher (19th century) Central Park, Winter, The Skating Carnival, small folio, image interior border 7-3/4 x 12-1/4 in., sheet 11 15-7/8 in.; framed Estimate: $300 - $500

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1031 Currier & Ives, Publishers (American, 19th century) Central Park, Winter/The Skating Pond, 1862, after Charles Parsons (1821-1910), Lyman Wetmore Atwater (1835–1891), lithographer, large folio, color lithograph with hand-coloring, image 18 x 26-1/2 in. sheet 24-1/8 x 32-3/8 in.; gilt wood frame, 30-5/8 x 37-3/4 in.

Estimate: $5,000 - $7,000 This lithograph is considered one of the most desirable of the Currier and Ives lithographs. It was ranked #3 in the original "Best 50" and is #7 in the "New Best 50" large folio.

1033 Joseph Hoover, Publisher (American 19th century) American Winter Scene, 1867, handcolored lithograph on wove paper, 17-3/8 x 25-1/4 in.; gilt wood frame Estimate: $300 - $500

1034 Régis François Gignoux (American, b. France, 1816-1882) Skating in Central Park, signed lower right "R. Gignoux", gouache on sepia paper, 5-1/4 x 8 in.; period carved gilt wood frame, 13-1/2 x 15-1/2 in.

Estimate: $1,200 - $1,800 This work was a gift from the Misses de St. Maurice of the Gignoux family. It depicts Central Park before the renovations by Olmstead and Vaux, which included new man-made ice ponds with lined drives and decorative bridges surrounding them, were complete. The shanties here don’t seem to bother skaters, eager to make use of any free space for their favorite pastime. The area was soon to be polished up for skating aficionados. The New York Skating Club established its headquarters at this pond between 1865 and 1868, where its members performed for visitors on the ice. The New York Herald reported on the Club’s shows, saying: Many of the members are perfect masters of the art of skating, and their graceful motions on the ice never fail to excite the admiration of all visitors to this uptown resort.

Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown, New York, April 1 - December 31, 2017.

For full cataloging and images see our website, www.brunkauctions.com

1035 After Winslow Homer, Gray Parker (American 19th/20th century) Four illustrations featuring skaters: Skating on the Ladies Skating Pond In the Central Park, New York, 1860, Skating At Boston, Our National Winter Exercise-Skating, 1866, Winslow Homer (1836-1910), wood engravings, each approximately 13-3/4 x 20-1/2 in.; Cover for The Daily Graphic, New York, Saturday, December 5, 1874, No.545, signed in plate "Gray-Parker", engraving, 19-1/4 x 12-3/4 in.; framed, 20-1/2 x 26-7/8 Estimate: $300 - $600 When the ladies Skating-Pond first opened in December 1858, the area attracted upwards of three hundred skaters. Within the course of a week, the number grew to ten thousand. This area of the park would soon be surrounded by several genteel structures to accommodate the ladies, including a Ladies Pavilion, the decorative Bow Bridge, and the nearby Bethesda Fountain. This scene appeared in Harper's Weekly on January 28, 1860, just a year after the Ladies Pond opened: The Ladies' Pond is reserved for the fair sex, and no gentlemen are allowed to skate on it unless they are accompanied by ladies. It is kept in good order, and policemen on skates effectually repress all tendencies to rowdyism...The scene when the ladies are on the pond is attractive in the extreme, and usually draws a large concourse of visitors.

1039 Simpwich Skater Doll with Lantern Colorado, circa 1987, female skater in 19th century dress, curled iron runner skates, "1987/Simpwich/ Character Dolls", 13 in.; brass oil lantern, 7 in.

Estimate: $200 - $300

1038 American School (19th century) Skating Scene, c. 1865, unsigned, oil on canvas, 14-1/4 x 18 in.; period painted and gilt wood frame, 16-3/4 x 20-1/2 in.

Provenance: Carl Carmer, Irvington, New York Estimate: $2,000 - $3,000

1040 Ice Skating Hooked Rug American, early 20th century, skating couple surrounded by children and a dog playing on the ice, holly leaves in upper corners, bottom of rug reads, "The Ice is Thin It Signifies How Soon Youth Fades & Pleasures Die", wool and cotton with cotton binding, stitched on to heavy cloth covered frame, 30-1/2 x 47-1/2 in.

Estimate: $1,000 - $2,000 Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown, New York, April 1 - December 31, 2017.

Condition notes available in back of catalog

January 26, 2019

1037 Currier & Ives, Publisher (19th century) Belle of the Winter, hand-colored lithograph with gum arabic, medium folio sheet 20 x 15-7/8 in.; 19th century frame Estimate: $300 - $500

Dick Button Collection

1036 Henry Schile, Publisher (American 19th century) Central Park, N.Y., 1874, hand-colored lithograph with painted margin, 23-5/8 x 29-1/4 in.; original frame Estimate: $600 - $900

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T

January 26, 2019

Dick Button Collection

ransportation on ice in the form of bone skates laced to one’s feet goes back thousands of years, yet skating appears to have entered popular culture in the form of recorded poetry and mythology in Scandinavian cultures only around the tenth century. Excavations in Northern Europe have uncovered early skates made of animal bones, which were polished flat on the bottom much like cross country skis. According to Robert Jones in his 1772 Treatise on Skating, the Dutch were the first to replace bone skates with iron blades in the thirteenth century. Iron skates led to the creation of even narrower double-edged metal blades that made way for moves like the “Dutch Roll,” because skaters could now push off from one foot and glide farther on the other. Once the English caught wind of the skating craze, they worked to redesign the skate and its binding in a way that would ease the execution of the small pivots and turns that were necessary to create fancy figures.

In 1848, E. V. Bushnell of Philadelphia invented the strapless skate with a steel blade, which could simply clip to the bottom of one’s shoe or boot. Then, a skater need not fear the blade coming unstrapped from the shoe when skating fast or turning. In the 1860s, a pair of skates could cost as little as twenty-five cents, enabling the sport to become even more accessible to the masses of Americans flocking to nearby ponds to enjoy a turn on the ice.

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1042 Pair of Leather and Wood Ice Skates probably British, late 19th/early 20th century, brown leather lace up boots with attached wood and steel blade, 11-1/2 in.

Estimate: $100 - $200

1043 Rare Wrought Iron Ice Skating Trade Sign late 19th/early 20th century, laminated wood skate with leather straps, wrought iron blade with gold painted knop, mounted on modern stand, 47 x 58-1/2 x 9-1/2 in.

Estimate: $800 - $1,200

1045 Two Pair Wood and Leather Ice Skates American or Continental, 19th century, pair with brass relief decorative plates on heels, and leather buckles, 10-1/2 in.; pair with acorn tips, 14 in.

Estimate: $200 - $400

1046 Pair William Morse & Co. Ice Skates manufactured by William Morse & Co, Maine, circa 1858, wood and leather skates, steel curled blades, 11 in.; canvas bag, 12-1/4 in.

Estimate: $200 - $400

Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown, New York, April 1 - December 31, 2017.

1049 Barney & Berry Store Display Sample American, mid 19th century, oversize steel skate, signed "Barney & Berry/Springfield, Massachusetts" on foot plate, both sides of the etched scroll decorated blade, 37 in.

Estimate: $600 - $900 Barney & Berry was one of the most prolific skate manufacturers in mid 19th century America. The intricate design on the the store display sample demonstrated the company's artistic approach as well as the technical construction of the patented clamp-on, all steel skate.

Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown,, New York, April 1 - December 31, 2017.

1047 Two Pair Early Leather Shoes probably American, late 18th/early 19th century, pair child's shoes, wooden and iron soles, 5 in.; pair dark adult shoes, wooden and iron soles, 10-1/4 in.

Estimate: $100 - $300

1050 Ice Skates Worn by Charlotte Oelschagel German, early 20th century, silver painted leather lace up boots with attached steel blades, blades engraved "Charlotte on one side and marked "Polar Werke AG Remscheid" verso, 9 in. length Estimate: $600 - $900 Charlotte Oelschlagel (1898-1984) was know for her great strength, flair and humor in skating and was the first figure skater to be featured in a motion picture.

Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown,, New York, April 1 December 31, 2017.

For full cataloging and images see our website, www.brunkauctions.com

1041 Two Pair 19th Century Metal Ice Skates probably American, mid 19th century, pair all metal with curled blades, remnants of leather straps, 13-1/4 in.; steel blades with leather straps, 12 in.

Estimate: $200 - $300

1044 Two Pair Wood and Leather Ice Skates probably American, late 19th/early 20th century, child's wooden pair with leather straps and steel blades, 7-1/2 in.; wood with iron blades, 14 in.

Estimate: $100 - $200

1048 Two Pairs Steel Ice Skates American, early to mid 20th century, Barney & Berry adjustable skates, marked "B&B", 11-1/2 in.; curled metal blades, marked "Hunoldine", 13-1/2 in.

Estimate: $100 - $200

1051 Three Pairs Ice Creepers or Cleats probably American, 19th century, pair wrought iron, leather straps, 6-1/4 in.; pair metal, four spurs, 4-1/2 in.; pair child's horseshoe shaped, 4 in.

Estimate: $200 - $400

1052 Two Pairs Signed Antique Ice Skates American/British, mid to late 19th century, "Dutton's Shell Groove Skates", metal hulls, leather straps, 9-1/4 in.; "Marsden Brothers" wood, leather, 9 in.

Estimate: $200 - $400

1053 Two Dutch Skate Store Displays mid 19th century, one wood, low curled iron runner with decorative brass tip, painted "Timmerman" on one side and "J.Andringa" verso, two mortises on front and back for straps, 39-1/2 in.; similar wood skate with iron runner, plaque on one side reads "B.T. Kleinveldink/Woudenberg", 42 in.

Estimate: $800 - $1,200 Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown, New York, April 1 - December 31, 2017.

1054 Three Ice Skating Related Signs 20th century, painted metal, Danger Thin Ice", 30 x 30 in.; painted, "Ice Skates Sharped", 13-1/2 x 15-1/2 in.; "Salchow Crossing", 18-1/2 x 18-1/2 in Estimate: $300 - $500

1056 Eight Dutch Delft Skating Tiles 18th century, blue and white ceramic tiles with depictions of ice skaters, each approximately 5 x 5 in.

Estimate: $300 - $500

Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown, New York, April 1 - December 31, 2017.

1057 Czech Clear and Frosted Glass Bowl 20th century, possibly Moser, clear to textured uneven panels of enameled floral sprigs on a color splattered and frosted ground, 13-1/2 in. diameter Estimate: $600 - $900

1058 Seven Ice Skating Related Ceramic Tiles 20th century and earlier, ceramic tile from the 1974 World Figure Skating Championships in Munich, West Germany, 6 x 6 in.; four 17th/18th century Dutch Deft tiles, including three with skating scenes, each approximately 5 in.; painted sepia decorated tile with skating scene, 5 in.; modern round tile with skating scene, 6 in.

Estimate: $200 - $400

Condition notes available in back of catalog

1059 Four Framed Dutch Delft Skating Tiles 17th/18th/19th century, blue and white ceramic tiles depicting skating scenes, tiles, 4-1/2 in. to 5 in.; overall sizes, 5-1/2 in to 8 in.

Estimate: $300 - $500

January 26, 2019

The gift of an 18th century Delft Tile was what originally inspired Dick Button as a collector. The gift came from Cecilie Mendelssohn-Bartholdy, wife of legendary Swedish figure skater Gillis Emanuel Grafstrรถm. Grafstrom became an architect after skating, and like Dick Button, he collected figure skating related fine art. His wife continued collecting after his death, and that collection is now in the World Figure Skating Museum in Colorado Springs.

Her gift to Dick Button of a single Delft Tile would be the beginning of his important figure skating related art collection.

Dick Button Collection

1055 Eight Dutch Delft Skating Tiles 18th century, blue and white ceramic tiles depicting various skating scenes, each approximately 5 x 5 in.

Estimate: $300 - $500

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1060 Carlo Pellegrini (Swiss, 1866-1937) Adelboden, Switzerland, circa 1905, signed in stone right "C Pellegrini", A. Trugg & Cie, Aarau, printer, color lithographic travel poster, 25-3/4 x 40-1/2 in.; metal frame Estimate: $1,500 - $2,500

1061 Albert Guillaume (French, 1873-1942) Le Pôle Nord/18, Rue de Clichy, 1890, signed "AGuillaume", lithographic poster, 74-3/4 x 48-1/4 in.; framed Estimate: $800 - $1,200

1064 Paul Balluriau (French, 1860–1917) Le Pôle Nord/18, Rue de Clichy, circa 1893, signed in stone "Paul Balluriau", G. Bataille, Paris, printer, color lithographic poster, 50-1/2 x 37-1/2 in.; metal frame Estimate: $1,000 - $1,500

Dick Button Collection January 26, 2019

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1062 Aaron Martinet, Publisher (French, early 19th century) Two: Caricatures Parisienes: Les Plaisirs de l'Hiver, 1810-1815, engravings, 10 x 8 in. (sight); in one gilt wood frame Estimate: $300 - $500

1063 Henri de Toulouse-Lautrec (French, 1864-1901) La revue blanche (W. P 16), state C, signed lower left in stone, Edward Ancourt & Cie, Paris, printer, G. Charpentier and E. Fasquelle, publishers for La revue blanche, chromolithographic poster, 50-13/16 x 36-5/8 in.; metal frame with acrylic, 51-3/4 x 37 in.

Estimate: $7,000 - $10,000 The subject of this poster is Misia Godebska, one of Lautrec's favorite models and the wife of Thadée Natanson, who in 1891, founded La revue blanche.

Literature: Wittrock, Wolfgang, Catherine E. Kuehn, and Henri de Toulouse-Lautrec. Toulouse-Lautrec : the Complete Prints. Vol. 2, London: Sotheby's Publ, 1985. p. 786-787, No. P 16

1065 Victor Mignot (Belgian, 1872-1944) Le Pôle Nord/Rue Getry/Bruxelles, c. 1900, signed "V.Mignot", lithographic advertising poster, 28-3/4 x 21-5/8 in.; framed Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

1071 Julien Derivière, Printer (French, 19th century) Allez Voir Le Grand Patineur/Rue Jean Goujon, No. 27, 42-1/8 x 29-1/2 in.; with a partially painted over print, 20-3/4 x 14 in.

Estimate: $1,000 - $2,000

1072 Louis John Rhead (New York, 1857-1926) Read The Sun, signed in stone with monogram lower left, Liebler & Maass, New York, printer, color lithographic advertising poster, 30-1/2 x 48 in., metal frame, conservation acrylic, along with 13 in. water bottle with same image and text "Ice Water" Estimate: $1,500 - $2,000 Ice Skating was a popular feature in advertisements even for local newspapers, such as this one for The Sun in New York. This poster was also featured in prominent poster artist and publisher Jules Cheret's Les Maitres de l'Affiches (Paris, 1896-1900). The relevance of skating for the general public can also be seen in the replication of this poster onto a promotional ice water bottle that accompanied this lot.

1067 Jules Chéret (French, 1836-1932) Palais de Glace/Champs-Elysées, 1896, signed, Chaix, printer, lithographic poster, 23-15/16 x 16-1/8 in.; framed Estimate: $200 - $400

1070 Two Belita Movie Posters (20th century) Suspense, 1946, 38 x 26 in. (sight); The Hunted, 1948, 38-1/2 x 24-5/8 in. (sight), starring Belita, offset lithographs; framed Estimate: $400 - $600

1073 Monogram Pictures/Belita Movie Poster (20th century) Lady Let's Dance, 1944, starring Belita as herself, James Ellison, Frick and Frack, and Walter Catlett, offset lithograph, 42 x 28-1/2 in. (sight); metal frame, 42-1/4 x 29 in.

Estimate: $200 - $400 Although Belita Jepsen-Turner was in the 1936 Olympic Winter Games, she did not care much about competition. She was also a great dancer, movie star, actress, and performer. Lady Let's Dance is a 1944 black-andwhite ice skating musical. It stars ice skater Belita as herself, James Ellison, Frick and Frack, and Walter Catlett. Belita's elegance, Olympic ability and training as a ballet dancer were extraordinary. She danced with Anton Dolin, Skated in the Ice Capades, acted in movies with Charles Laughton, Preston Foster, Barry Sullivan and others. Her level of importance has been rare indeed.

1074 Roger Soulie (French, 1898–1984) Chamonix-Mont Blanc/Toutes Les Installations De Sports D'Hiver, 1924, signed in stone lower right "roger soulie", Lucien Serre, Paris, printer, color lithographic poster, 42-5/8 x 30-3/4 in.; metal frame, 42-5/8 x 30-7/8 in.

Estimate: $1,500 - $2,500 This poster was one of five designs created for the 8th Winter Olympics in 1924, held at Chamonix.

Condition notes available in back of catalog

January 26, 2019

1068 Jules Chéret (French, 1836–1932) Palais de Glace/Champs-Elysées, 1893, signed in stone "J. Chéret", Chaix, Paris, printer, color lithographic poster on two sheets of paper, 96 x 34 in.; frame, 96-3/4 x 34-1/2 in.

Estimate: $1,500 - $2,500

1069 Jules Chéret (French, 1836-1932) Palais de Glace/Champs-Elysées, 1896, signed in stone "J. Chéret", Chaix, Paris, printer, color lithographic poster, 45-3/4 x 33-5/8 in.; metal frame, 47 x 34-1/2 in.

Estimate: $2,000 - $3,000 The Palais de Glace was a man-made oval ice rink that opened in the Théâtre du RondPoint in Paris in December 1893. Here, the thousands of French skaters who pursued the sport in Belle-Époque Paris could find ample space to ice dance in fashionable form. It was one of the best places to see and be seen, as demonstrated by this woman's striking red skating outfit and eye-catching pose.

Dick Button Collection

1066 Lina von Schauroth (German, 1874-1970) Eisbahn/Festhalle-Frankfurt, c. 1909, signed in stone, Kornsand & Co, printer, rare poster, 36-3/4 x 25-1/4 in.; framed Estimate: $800 - $1,200

37

1075 Fernand Fonssagrives (French, 1910-2003) Peggy Fleming, edition 4/6, signed on side of base "FFonssagrives", patinated bronze on round, white marble base, 24-1/2 in.

Estimate: $1,000 - $2,000 This rare sculpture is the work of Fernand Fonssagrives who was revered as one of the earliest and greatest beauty photographers. His father was a sculptor which may have inspired him to sculpt after a time of disillusionment with commercial photography. He returned to New York after a period in Spain and promptly sold his sculptures. Always focused on the beauty of the female form he depicts Peggy Fleming (1968 Olympic gold medalist) in a "layback" spin, a difficult move in skating.

1076 New York World's Fair Concept Drawings (American 20th century) Three concept drawings for Dick Button's Ice-Travaganza, New York Worlds Fair, 19641965, Paul Feigay and Dick Button, Producers, artist unidentified, gouache on illustration board, 17-1/4 x 20 in.; unframed Estimate: $800 - $1,200 When the World's Fair opened in 1964 one of the attractions was Dick Button's Ice-Travaganza, co-produced by Paul Feigay. The two had been associated in a large number of television productions.

"The city of New York is spending a million dollars to build an ice theater and we'll be spending another million for the show," he enthused.

"There'll be the longest indoor ski run in the world, Olympic skating champions, comics from Europe."

"The place will look like a modified amphitheater! There'll be a proscenium stage with eight levels. That's where the ski run will be along with other acts and regular fashion shows. The ice will be in front of this, just like a thrust stage with the audience ranged on three sides of it." -Dick Button

January 26, 2019

Dick Button Collection

1077 Two Ice Capades Costumes Worn

by Dick Button, circa 1952-1953, black beaded matador style jacket with satin shawl collar and cuffed sleeves, interior name tag label "Ice Capades/ Costume Studio Inc./ Beverly Hills, Calif./ Name/Year/ Measurements" with ink inscription, "Dick Button/1953", matching beaded trousers with white suspenders, satin lining, jacket 18 in. length, trousers, 49 in. length; together with beaded black jacket with wide plain lapels, interior label for "Sills/Cambridge", 21 in. length Estimate: $1,000 - $1,500

38

1078 Dick Button's Costume for Don Quixote circa 1959, custom made black matador style short jacket, extensively decorated with rhinestones, gold and silver sequins, and white beads, interior label for "Brooks Costume Company/ 3 West 61st Street/New York" with "Mr. D. Button" ink, matching trousers with white suspenders and attached foot straps, jacket length 16-1/2 in., trouser length 52 in.

Estimate: $1,000 - $1,500

I wore a white mess jacket at the 1947 World Championships in Stockholm (and then again at the 1952 Olympics in Oslo), marking a bold change in the black outfits traditionally worn by male skaters. I wore white because I knew this was the first World Championship after World War II during a time when there were helmets still on the streets of Vienna and Prague. With little money for lighting the huge outdoor Olympiastadion in Stockholm, I felt it was necessary to be seen in the dark space and so I wore the white mess jacket. The newspapers howled, “Who does he think he is, a waiter?� The following year, multiple skaters wore white mess jackets but at the 1948 Winter Olympics the background was snow and the event was in the afternoon. So I wore black. It was all a matter of what the scene set. This beaded mess jacket was made for me to wear in the Ice Capades in 1952 as a reference to that first white jacket, which had no beads and a plain, notched collar. This was also my first year in professional figure skating, which was the shortest one on record because it was during my first year at law school.

1079 Two Dick Button Clothing Items canvas and sheared wool coat, gift to Dick Button from the King of Sweden in 1947, 45 in.; jacket worn by Dick Button as a sports commentator, 32 in.

Estimate: $600 - $900

1080 Skating Costume Worn by Dick Button circa 1950's, mustard yellow double breasted vest with black trim, gold metal button, label for "D.Button"; matching trousers Estimate: $400 - $800

Mr. Button wore the costume in a performance of Don Quixote in Moscow in 1959 and later wore the costume in a memorial show for the loss of the U.S. Figure Skating Team in the 1961 Sabena Flight 548 crash.

Brooks Costume Company was one of the major theatrical costume companies in New York in the early to mid 20th century Exhibited: "The Art of Figure Skating Through the Ages", Fenimore Museum, Cooperstown,, New York, April 1 - December 31, 2017.

1081 Jewel Encrusted Silver Figure of Ice Skater, probably Continental, late 19th/ early 20th century, silver figure encrusted with sapphires, rubies and seed pearls, unmarked .800 or better fine, 3-1/2 in.

Estimate: $1,500 - $2,500

For full cataloging and images see our website, www.brunkauctions.com

1082 Serge Ivan Chermayeff (American, 1900-1996) Dick Button's/Ice-Travaganza, 1964, designed by Ivan Chermayeff, lithographic poster, 44-3/4 x 28-5/8 in.; metal frame Estimate: $300 - $500

1083 Robert Tate Mckenzie (Pennsylvania/Canada, 1867-1938) Ice Bird, 1925, signed "R. Tate McKensie/1925" and inscribed with title, stamped "Gorham Co. Founders/OGWX", patinated bronze, with wood plinth and plaque reading "Graciously Donated/To The/Clinton F.S.C./By Hamilton College/1967", 27-7/8 in.

Estimate: $2,000 - $4,000 This sculpture is a depiction of Gustave Lussi (1898-1993), a Swiss ski jumper. After suffering a nasty fall, which left the physical scars of an indentation on his skull and broken fingers, he became a figure skating coach. Lussi worked with Button and many other Olympic and World champions including Barbara Ann Scott, John Curry and Dorothy Hamill. Lussi's work with Button at Lake Placid, New York was instrumental in preparing him for World and Olympic competition. As a ski jumper, Lussi understood both flight and rotation principles. He had an analytical mind, breaking every movement down into each of its component parts.

1086 2002 Winter Olympic Games Torch Salt Lake City 2002 Winter Olympic Games bearer's torch, silver colored metal and glass, designed as a fiery icicle in motion, the polished handle area bears the motto "Light the fire within", 33 in.

Estimate: $2,000 - $3,000

1085 Justin McCarthy (Pennsylvania, 1891-1977) Brigite and Spanky Ice Capades 1963, "signed J McCarthy", oil on board, 16 x 12 in., wooden frame 20 x 16 in.

Estimate: $2,000 - $4,000

1088 Set Four Fancy Painted Side Chairs American, 19th century, each faux bois frame with black, yellow, red painted highlights, poplar plank seats, 35 in.

Estimate: $300 - $500

1089 Pair Classical Mahogany Caned Seat Side Chairs,British/American, 19th century, Duncan Phyfe style, mahogany throughout, saber legs, 32-1/2 in.

Estimate: $200 - $400

Dick Button Collection

1087 American Classical Figured Mahogany Sofa New York, circa 1830, in the manner of Duncan Phyfe, carved frame with scrolled arms set with rosettes, gilt brass paw casters, green silk upholstery with brass tacking, 32 x 83 x 24 in.

Estimate: $2,000 - $3,000

1090 Fine Classical Figured Mahogany Bookcase New York, circa 1825, possibly from the shop of Duncan Phyfe, highly figured veneers, original gilt brass lion mask pulls, carved paw feet on front and back, arched glazed doors, finely constructed, mahogany, poplar, white pine secondary, adjustable interior shelves, 90 x 47 x 25 in.

Estimate: $4,000 - $6,000

Condition notes available in back of catalog

January 26, 2019

1084 Neoclassical Iron Hall Tree British, 19th century, decorated urn on column supports, brick design base with leaf decorated drip pans, 67 in.

Estimate: $400 - $700

39

American

January 26, 2019

American

1092 Carlton Wiggins (New York/Connecticut, 1848-1932) Early November, 1918, signed, titled, oil on panel, 6-3/4 x 9 in.; framed Provenance: Private Collection Estimate: $600 - $800

40

1091 Eliza Pratt Greatorex (American, 1820-1897) New England Landscape, signed lower right "Eliza Greatorex/1868", oil on canvas, 12 x 20 in.; period carved gilt wood and composition frame, 21-3/4 x 29-3/4 in.

Provenance: Private Collection, Raleigh Estimate: $4,000 - $6,000

For full cataloging and images see our website, www.brunkauctions.com

1093 American School (19th century) Townscape, unsigned, oil on canvas, 24 x 36 in.; period carved frame, 31 x 42-1/2 in.

Provenance: New England Collection Estimate: $800 - $1,200

1094 William L. Sonntag (American, 1822-1900) The Farm House, 1894, signed lower left "W. L. Sonntag", oil on canvas, 16 x 24 in.; period carved gilt wood and composition liner with modern outer painted frame 23 x 31 in.

Provenance: Kennedy Galleries, Inc., New York (label attached); Private Collection, Highlands, North Carolina Estimate: $4,000 - $6,000

1097 Alexander Helwig Wyant (American, 1836-1892) At The Edge of the Woods, c. 1885, signed lower left "A.H. Wyant", oil on canvas, 14 x 20 in.; reproduction carved gilt wood and composition frame, 20-3/4 x 26-3/4 in.

Provenance: Spanierman Gallery; Private Collection, Highlands, North Carolina Estimate: $4,000 - $6,000 Included in the Alexander Wyant online catalog raisonnĂŠ by Anthony Battelle, ref. #121.006, authentication level A1P.Lot accompanied by research and receipt from Spanierman Galleries, 2004.

Condition notes available in back of catalog

January 26, 2019

1096 Attributed to Victor De Grailly (French, 1804-1889) Riders on Horseback, c. 1850, unsigned, oil on canvas, 16 x 21 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $2,000

American

1095 Attributed to Samuel Taylor (Virginia, circa 1806-1846) Pair of Portraits, unsigned, oil on canvas, 32-1/2 x 33 in; original painted yellow pine frames Provenance: Laughon Estate, Virginia Estimate: $1,000 - $2,000 The sitters are thought to be Royal Martin and Susan DuPuy Watkins.

41

January 26, 2019

American

1098 Italian School (19th century) The Apotheosis of George Washington, an equestrian statue of George Washington atop an Italianate mountain, signed indistinctly lower right "A. .../Napoli, 18..", oil on canvas, 27-5/8 x 26-3/4 in.; gilt wood ripple molding frame, 35-1/4 x 34-1/4 in.

Provenance: Private New England Collection Estimate: $3,000 - $5,000

42

1100 George Washington Liverpool Creamware Pitcher, British, circa 1805, memorial for George Washington, American ship verso, "DA" , 9-1/4 in.

Provenance: Private Virginia Collection Estimate: $600 - $900

1099 A Lock of George Washington's Hair framed display of a substantial lock of George Washington's hair, under print engraving of a George Washington medal, engraved by Alexandre Tardier (French, 1756-1844) after a painting by Houdon, printed note verso indicates there was an original note that states, "the lock of Washington's hair belonged to my great grandmother Mrs. Andrew Robeson, born Mary Allen, daughter of Zachariah Allen of Providence, R.I., who as a child sat on Washington's lap when he visited Providence. It was inherited by my aunt & then came to me, so it has never been out of the family.", brass frame with custom mat, 10 x 7 in., with a newspaper clipping regarding Dr. Joseph E. Fields, "one of the nation's foremost collectors of valuable manuscripts..."

Provenance: The Estate of Dr. Joseph E. Fields, Williamsburg, Virginia Estimate: $3,000 - $5,000

1101 Fine American Federal Inlaid Card Table Rhode Island, circa 1800, mahogany veneers, skirt with patera, icicle inlaid tapered legs, 28-3/4 x 35-1/2 x 17-1/4 in.

Provenance: Private Collection, South Carolina Estimate: $2,000 - $3,000

1103â—‰ Belter Rococo Revival Rosewood Sofa New York, circa 1850s, Rosalie pattern, carved back with fruit and flower decoration, red velvet upholstery, 42 x 78 x 29 in.

Provenance: Private Collection, South Carolina Estimate: $2,000 - $3,000

1102 American Classical Carved Mahogany Sofa probably New York, circa 1825, fine walnut and cherry frame, two-tone horsehair upholstery, 35-1/2 x 89 x 22-1/2 in.

Provenance: Private Collection, TN Estimate: $800 - $1,200

1104 New England Queen Anne High Chest New Hampshire, 18th century, figured maple, two fan carved drawers, dovetailed construction, two false fronted drawers, 71 x 39-1/2 x 21 in.

Estimate: $800 - $1,200

For full cataloging and images see our website, www.brunkauctions.com

1105 American Queen Anne Tiger Maple Tall Chest, New Hampshire, possibly Dunlap shop, 18th century, highly figured, dovetailed construction, scrolled bracket feet, 41-1/2 x 35 x 16-1/4 in.

Estimate: $600 - $900

1108 American Classical Figured Mahogany Bookcase, New York, mid to late 19th century, bookmatched veneers, Gothic arch glazed doors, adjustable shelved interior, two dovetailed drawers, mahogany and poplar secondary, over paneled doors with shelved interiors, Bennington pulls, 94 x 86 x 20-1/2 in.

Provenance: A Tennessee Collector Estimate: $2,000 - $3,000

1109 Fine American Federal Sewing Table Philadelphia, circa 1810, mahogany frame with hinged lid, fitted interior, slide and drawers, 30-1/2 x 25-1/2 x 14-1/2 in.

Provenance: A Tennessee Collector Estimate: $500 - $700

1110 White Painted Wrought Iron Glass Topped Table, early 20th century, beveled glass top with scrolled and leaf decorated frame, 32 x 83 x 39-1/2 in.

Estimate: $600 - $900

1111 Suite Three Large Painted Tole Chandeliers, American, 20th century, CarnivĂ le style in cream paint with taupe highlights, pierced crown and bobeches, wired for electricity, 52 x 51 in.

Estimate: $1,000 - $2,000

1113 Vintage Large Iron and Copper Cauldron on Stand, early 20th century, copper body with iron swing handle and stand, probably for apple butter, 29 in.

Estimate: $500 - $700

1114 Pair Regency Style Mahogany Club Chairs, late 19th/20th century, with label for "M.Harris & Sons...London", leather upholstery with tufted cushions, 40 in.

Provenance: Private Collection, NC Estimate: $600 - $900

1115 Hollywood Regency Style Chandelier 20th century, ten branch, Empire form with crystal accents, leaf decorations, four additional lights, 21 x 51 in.

Provenance: Private Collection, NC Estimate: $600 - $900

1116 Two Cold Painted Bronze c on Stands, 20th century, each polychrome figure depicted standing on a branch form stand, 50-1/2 in.

Provenance: Private Collection, NC Estimate: $600 - $900

1117 Large Pair Etched Glass Hurricane Shades, American, 19th century, clear blown glass, open tops and bottoms with clear reinforced banding on base rim, etched design of foliage with berries, 23 in.

Provenance: A Tennessee Collector Estimate: $1,500 - $3,000

Condition notes available in back of catalog

1112 American Federal Mahogany Server New York, 1810-1820, possibly Duncan Phyfe, mahogany, poplar, probably original brasses, 34-1/2 x 36-1/2 x 21-1/2 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

American

1107 American Classical Carved Mahogany Sofa, probably New York, circa 1825, well carved walnut and cherry frame with leaf and rosette ornament, 34 x 98 x 25 in.

Provenance: Private Collection, Tennessee Estimate: $1,000 - $2,000

1118 Herschede Chiming Tall Case Clock early 20th century, five chimes, two weights, silvered and gilt arched dial with printed moon phase, 92-1/2 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

January 26, 2019

1106 American Federal Figured Mahogany Dressing Stand, New York, circa 1820, figured veneers, swiveling mirror, dovetailed drawers, probably original brasses Provenance: A Tennessee Collector Estimate: $800 - $1,200

43

1120 Franklin DeHaven (American, 1856-1934) Autumn Landscape, signed "DeHaven", oil on canvas, 24-1/2 x 18-1/4 in.; framed Provenance: Private Collection Estimate: $500 - $700

January 26, 2019

American

1119 Allen Butler Talcott (Old Lyme, Connecticut, 1867-1908) Pair of Paintings Landscapes, one signed lower left "Allen B. Talcott", one unsigned, both oil on panel, both 12 x 16 in.; matching gilt wood frames, 15-1/2 x 19-1/2 in. each Provenance: Cooley Galleries, Connecticut; South Bay Auctions, 2012; Tennessee Collector Estimate: $2,500 - $3,500

44

1122 George Ames Aldrich (American, 1872-1941) Venetian Bridge, "G. Ames Aldrich", oil on canvas, 36-1/4 x 40-1/4 in.; framed Provenance: Private Collection Estimate: $1,000 - $2,000

1124 Harry L. Timmins (California, 1887-1963) California Scene, 1924, signed, dated and inscribed canvas verso, oil on canvas, 22 x 18 in.; Newcombe-Macklin frame Estimate: $600 - $900

1121 Gayle Blair Tait (American, born 1944) Sunrise from the top of Mt. Mitchell, "G.B. Tait", oil on board, 13 x 16 in.; framed Provenance: Private Collection Estimate: $600 - $800

1123 Ellen Day Hale (Massachusetts/District of Columbia, 1855-1940) Summer Place, artist stamp lower right, inscribed verso, watercolor on paper, 10-1/4 x 14-1/4 in. (sight); modern gilt wood and composition frame Provenance: Sold to Benefit a Southern Institution Estimate: $1,000 - $2,000

1125 Claude Curry Bohm (American, 1894-1971) Village Scene, signed lower right "C. Curry Bohm", oil on canvas, 22 x 30 in.; wood frame, 26 x 33-1/12 in.

Provenance: Private Collection, Nashua, New Hampshire Estimate: $1,000 - $2,000

For full cataloging and images see our website, www.brunkauctions.com

1126 Mary Carolyn Haywood (Philadelphia, b. 1898) English Setter, "M.C. Haywood", oil on canvas, 24-1/4 x 36-1/4 in.; period frame Provenance: Private Collection, Virginia Estimate: $500 - $700

American

1127 Willard Leroy Metcalf (American, 1858-1925) Summer Scene, signed lower right "W. L. Metcalf", oil on canvas, 24-1/2 x 27 in.; carved wood frame, 30-1/2 x 33-1/2 in.

Provenance: The Estate of Jefferson Franklin Wilcoxson; Descended in the Wilcoxson Family; Brunk Auctions, 1/5/02, lot 90; A Tennessee Collector Estimate: $25,000 - $35,000 Exhibited: University of Missouri, extended loan from 1955-1985.

January 26, 2019

*This painting is currently being reviewed by the Willard Leroy Metcalf Catalog Raisonne committee.

Condition notes available in back of catalog

45

January 26, 2019

Western

Western

46

1128 Gerald Harvey Jones (American, 1933-2017) Summer Haze - Peak at Van Horn, Texas, 1971, signed lower right, "G. Harvey 1971", oil on canvas, 12 x 16 in.; modern painted wood frame, 21-1/4 x 25-1/4 in.

Provenance: Altermann Galleries, Dallas, Texas, May 2001; Willard R. Sparks Estate, Memphis, Tennessee Estimate: $3,000 - $4,000

1129 Gene Kloss (New Mexico/California, 1903-1996) Taos Mountain and the Penitentes, signed, aquatint, 11-3/4 x 14-7/8 in.; framed Provenance: A Tennessee Collector Estimate: $800 - $1,200

1130 Gerald Harvey Jones (American, 1933-2017) Hill Country, signed lower right "G. Harvey", oil on canvas, 12 x 16 in.; modern painted wood frame, 19-1/2 x 23-1/2 in.

Provenance: Altermann Galleries, Dallas Texas, 2001; Willard R. Sparks Estate, Memphis, Tennessee Estimate: $3,000 - $5,000

1131 Gary Morton (American, b. 1951) Fresh Mounts for the Fall Roundup, signed, acrylic on paper, 19 x 29 in.

Provenance: Sparks Estate, TN Estimate: $700 - $900

For full cataloging and images see our website, www.brunkauctions.com

1132 After Frederic Sackrider Remington (New York, 1861-1909) The Outlaw, signed "Copyright By Frederic Remington", bronze, 21-7/8 in.; pedestal Provenance: Sparks Estate, TN Estimate: $500 - $800

1134 Harry Andrew Jackson (Wyoming/Illinois, 1924-2011) The Marshall (John Wayne as Rooster Cogburn), 1970, numbered "5.P", signed "1970/ŠHarry Jackson", and titled on base, coldpainted bronze, 28-1/4 x 33 x 12-1/2 in.; wood pedestal base Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $8,000 - $12,000

1138 After Frederic Sackrider Remington (New York, 1861-1909) The Outlaw, "Copyright By Frederic Remington", aftercast bronze, 21-7/8 in.

Provenance: Sparks Estate, TN Estimate: $500 - $800

1137 Leonard McMurry (Oklahoma, 1913-2008) Bill Linderman (1920-1965), champion American cowboy, signed,, bronze, 25 in.

Provenance: Sparks Estate, TN Estimate: $1,000 - $2,000

1139 William Moyers (New Mexico, 1916-2010) The Restless Breed, 1975, edition 30/30, signed "Wm. Moyers, 1975", patinated bronze with wood base, 19-5/8 x 30 x 9 in.; with wood pedestal base, 35-1/2 x 36 x 16-1/2 in.

Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $2,000 - $4,000

Condition notes available in back of catalog

Western

1135 Bob Parks (Arizona, 1948-2017) Too Good To Be True, edition 9/20, bronze on marble and wood base with plaque, 18 x 26 x 16-1/4 in.; with wood pedestal base, 35-1/2 x 32 x 20 in.

Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $1,000 - $1,500 1136 - No lot

1140 David Manuel (Oregon, born 1940) John Wayne, American, 1979, edition 141/250, signed "Manuel" with arrow cypher, Bianchi Frontier Museum, publisher, foundry "coin" for Maiden Bronze Foundry, Walla Walla, Washington, patinated bronze with wood base, 30-1/8 in.; wood pedestal base, 35-1/2 x 16 x 16 in.

Provenance: Sparks Estate, TN Estimate: $2,000 - $3,000

January 26, 2019

1133 After Frederic Sackrider Remington (New York, 1861-1909) The Rattlesnake, signed, aftercast bronze, 23 in.; wood pedestal, 35-1/2 in.

Provenance: Sparks Estate, TN Estimate: $500 - $800

47

1141 Tim Cox (American, b. 1957) Better Than Gold, 1990, signed lower "A.T. Cox 90", oil on masonite, 16 x 20 in.; modern wood frame, 26-1/4 x 30-1/4 in.

Provenance: Altermann & Morris Galleries, Dallas, Texas (label verso); Willard R. Sparks Estate, Memphis, Tennessee Estimate: $8,000 - $12,000

January 26, 2019

Western

1143 After Frederic Sackrider Remington (New York, 1861-1909) The Bronco Buster, "Frederic Remington", aftercast bronze, 22 in.; with pedestal Provenance: Sparks Estate, TN Estimate: $500 - $800

48

1142 Tom Lovell (American, 1909-1997) The Water Hole, signed lower right "Tom Lovell", pencil and charcoal on paper, 21-1/2 x 33-1/4 in. (sight); modern wood frame, 32-1/4 x 44 in.

Provenance: Altermann Galleries, Dallas Texas; Willard R. Sparks Estate, Memphis, Tennessee Estimate: $4,000 - $6,000

For full cataloging and images see our website, www.brunkauctions.com

1144 R. Gisson (American, 20th century) Through the Gate, signed lower right "R. Gisson", oil on canvas, 24 x 36 in.; framed Provenance: Sparks Estate, TN Estimate: $700 - $900

1145 Tim Cox (American, born 1957) Listening for the Bell Mare, signed lower left "A.T. Cox 90", oil on Masonite, 12 x 16 in.; modern silver gilt wood frame, 19-1/8 x 23-1/8 in.

Provenance: Altermann Galleries, Dallas, Texas, 2001; Willard R. Sparks Estate, Memphis, Tennessee Estimate: $6,000 - $9,000

1148 Wayne Baize (American, b. 1943) Mister Rocky, signed "Wayne Baize", pencil on paper, 11-1/2 x 23 in.; framed Provenance: Sparks Estate, TN Estimate: $1,000 - $2,000

1149 Joel Phillips (American, b. 1960) Sunset Trail, signed lower right "Joel Phillips", inscribed verso, oil on wood panel, 15 x 11 in.; modern driftwood style frame, 21-1/2 x 17-1/2 in.

Provenance: Altermann Galleries, Dallas, Texas; Willard R. Sparks Estate, Memphis, Tennessee Estimate: $2,000 - $3,000

Condition notes available in back of catalog

January 26, 2019

1147 Tom Lovell (American, 1909-1997) Hilltop Grass, "Tom Lovell", charcoal on paper, 7-3/4 x 15-1/2 in.; framed Provenance: Sparks Estate, TN Estimate: $1,000 - $2,000

Western

1146 George Phippen (American, 1916-1966) Two Ink Drawings; Victims of Circumstances, signed and dated lower center, "Geo Phippen/56", 6-1/2 x 11 in. (sight); modern wood and gilt wood frame, 14 x 18-1/2 in.; and Pack String, signed lower left "Geo Phippen", 6-1/2 x 13-1/2 in. (sight); modern wood frame, 13-1/4 x 19-3/4 in.

Provenance: Altermann Galleries, Dallas, Texas; Willard R. Sparks Estate, Memphis, Tennessee Estimate: $2,000 - $3,000

49

Estate of Fred T., Helen and Nel Laughon, Richmond, Virginia T he Laughon mother and daughter team were the pre-eminent silhouette artists of the 20th century. Helen and her daughter, Nel, honed their craft all over America and were ushered into the halls of power and prestige to create works of a king, presidents, astronauts, bishops, ambassadors, senators, congressman, Supreme Court Justices, celebrities such as Andy Warhol, The Von Trapp Family and the horse Secretariat.

The pair was recognized as experts by the National Portrait Gallery and the Smithsonian.

January 26, 2019

Silhouettes

Life long collectors of silhouettes, along with husband and father Fred T., the three assembled a world class collection of silhouettes which we are pleased to offer. Please view our Emporium portion of our sale for more examples from their collection.

50

1150 Augustin Amant Constant Fidèle Edouart (French, 1789-1861) New Orleans silhouette portrait of a seated woman, signed, "Aug Edouart fecit N Orleans Feb 15 1844", 10-1/4 x 7 in., (sight); framed Estimate: $800 - $1,200

1151 William J. Hubard (British, 1807-1862) three portraits, comprising pair sister portraits, standing girl, labeled Sara Cox, and seated toddler, "Fanny Cox too young to stand", both black ink cut outs with gilt accents, watercolor and ink on cream wove paper, 4-5/8 x 3-1/2 in. (sight), frames; oval portrait of Mrs. Budford, "Cut with common Scissors By Master Hubard (age 13 years) Without Drawing or Machine", cut out black ink on paper, 3-1/2 x 2-1/2 in. (sight), gilt frame Estimate: $500 - $700

1152 Book of Silhouette Samples 19th century, 36 pages, marbled paper board book containing cut and paste silhouettes, some with penciled inscriptions, some shilhouette have been cut out, interior bookplate labeled "Desmond Coke's Collection", separate note interior, "Don't know if these are Edouart. Doubt it but Tm'os better have these is case they are", 15 x 9-1/2 in.

Estimate: $700 - $900

For full cataloging and images see our website, www.brunkauctions.com

1153 Six Gold Antique Silhouette Mourning Pieces, circa 1800, pendants, brooch, clasps, all signed "Miers", likely John Miers, British, 1758-1821, all tested 14kt.

Estimate: $400 - $600

1154 Samuel Metford (British/American, 1810-1890) A Family Group, black ink cutouts with gilt and body color highlights laid on a room interior, pencil and ink on cream wove paper, signed lower right, "Samuel Medford fecit/Standish November 11, 1846", 12 x 26 in. (sight); black painted wood frame Estimate: $800 - $1,200

1155 Collection of 54 Silhouettes (British/American, 19th century) 54 pages of cut out silhouettes, most pages with multiple examples, 8 x 4 in. to 9 x 7 in.

Estimate: $700 - $900

1156 Five Full Portrait Silhouettes (American/German, 19th Century) man top hat; one attributed to William Henry Brown; man facing left; pair, lady, man, 9-1/4 x 6 in. to 13-1/2 x 8 in.

Estimate: $600 - $900

1157 Nine Silhouette Portraits (American/British, 19th century) two children's portraits; three John Miers portraits; four hollow cut portraits of ladies, 3-1/8 x 2-3/4 in. to 6 x 5 in.

Estimate: $500 - $700

1159 Six American Silhouette Portraits (19th Century) two cut portraits by William M.S. Doyle, two portraits attributed to New England, two painting on glass, 3-3/4 in. x 5 in.

Estimate: $500 - $700

1160 Seven Watercolor and Hollow Cut Silhouettes, (British/American, 19th century), three British military watercolor silhouettes; four hollow cut portraits, framed, 3 in. to 5 in.

Estimate: $500 - $700

1161 Augustin Amant Constant Fidèle Edouart (French, 1789-1861) The Dog and his Shadow, 1820, signed lower right "A Edouart 1820", a rare small diorama, wax, hair and watercolor, leather case, silk interior, with glass dome cover, partial paper label top, "Dog & Shadow/by/...1820", 3-1/8 x 1-7/8 in.

Estimate: $800 - $1,200

1163 14kt. George Washington Mourning Ring silhouette of George Washington, blue enamel, shank tested 14kt. yellow gold, top of ring approx. 7/8 x 3/4 in., size 4-3/4, 5.1 grams Estimate: $1,000 - $1,500

Condition notes available in back of catalog

Silhouettes January 26, 2019

1162 Psaligraphic Album with Edouart Daguerreotype (American, 19th century) George Schmidt (New York) album of albumen silver prints of paper silhouettes, published by Charles Becker, New York, circa 1963, 12 pages with 24 silhouettes, 4-1/2 x 6 in.; August Edouart (French, 1789-1861), sixth plate daguerreotype of a cut silhouette of five member family, fabric lining, leather embossed case, 3-1/4 x 3-3/4 in.

Estimate: $500 - $700

1158 Two Family Group Silhouettes (British, 19th century) Portrait of Gilmore family, signed lower right "Fred Firth 1850", 18 x 22-1/2 in.; portrait of Gray family, 10 x 14 in, Estimate: $500 - $700

51

Firearms

Firearms

January 26, 2019

1164 Matched Pair J. Purdey & Sons Shotguns Consecutive S/N side by side, 12 bore, 28 in. barrels, S/N 27701 and 27792, marked on trigger guard tang, 2-3/4 in. cartridge case, boring of barrels No. 1 right good cylinder and left improved cylinder, No. 2 right 1/4 choke and left 3/4 choke, single trigger, checkered wrist, front bead sights on a solid rib, bottom of breech marked "J. PURDEY & SONS/LONDON/ENGLAND", both sides of plates are marked "J PURDEY & SONS", solid concave rib marked "J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON, ENGLAND", both sets have various proof marks and tonnage markings on the flats, gold-inlaid "1" or "2" as appropriate, fine scroll and rosette engraving covers most of the surface of the frame, tang mounted safety with gold "SAFE" and mounted with a nicely figured multi-point checkered walnut straight grip stock with teardrop flats, solid leather recoil pad and gold inset "SRC" on the underside, comes with a leather, felt-lined partitioned case with leather corner protectors and fittings, leather straps and carrying handle, James Purdey & Sons label and measurement tag are affixed to the inside of the lid and wine colored lining, also included are two piece brass and wood cleaning rod, nickel oiler and a snap cap pouch Provenance: Private Collection Estimate: $20,000 - $30,000

52

1165 Browning Superposed 20 g. Over-Under Shotgun 20 ga. Model 639 serial #639, S/N 639, proofmarks for Belgium, marked "BROWNING ARMS COMPANY St LOUIS MISSOURI Provenance: Annandale Plantation, South Carolina Estimate: $2,000 - $4,000

1166 Winchester Model 1906 Slide Action Rifle .22 S-L-LR, 20 in. barrel, S/N 279944, Winchester recoil pad, metal surfaces retaining some original color Provenance: Private Collection, North Carolina Estimate: $400 - $600

1167 A. H. Fox Double Barrel Shotgun 12 ga., 30 in. barrel, serial # 25376 (1919-1920), highly engraved frame and trigger guard with shorebirds and quail on either side, each side also engraved "ANSLEY H. FOX", checkered stock, rubber recoil pad Provenance: Property of the Reeves Family, formerly of Annandale Plantation, Georgetown, South Carolina Estimate: $800 - $1,200

1168 Ithaca SxS Double Barrel Shotgun 26 in. barrel, Serial #352097, color cased frame engraved with shorebirds and quail, both sides engraved "ITHACA GUN CO.", checkered stock and forearm Provenance: Property of the Reeves Family, formerly of Annandale Plantation, Georgetown, South Carolina Estimate: $600 - $900

1169 Marlin Model 39 Lever Action Rifle .22 L & LR, 24 in. octagonal barrel, S/N HS18860, blued barrel with color case hardened frame and lever, top of barrel marked "The Marlin Firearms Corporation/New Haven CONN. U.S. PATENTED", top of tang marked "Marlin/Mod.39", Marlin recoil pad Provenance: Private Collection, North Carolina Estimate: $600 - $800

1170 Marlin Model 1897 Lever Action Rifle .22 cal., 24 in. octagonal barrel barrel, S/N 259206 (manufactured 1902), blue-finished barrel, case colored frame, lever and hammer, Marlin stamped recoil pad Provenance: Private Collection, North Carolina Estimate: $1,200 - $1,600

1172â—‰ Engraved Heym Over-Under Double Rifle 32 in. barrel, S/N 6130, visible serial numbers match, beaded ivory front and rear sights, left side of chamber marked "FR. WILH. HEYM/SUHL", left side of barrel is marked "(bullet symbol)KRUPP-LAUFSTAHL(bullet symbol) GP", frame is marked with an "(eagle), crown over U" and "Germany, 6130 AH", bottom of barrel has proof marks, fine floral and scroll engraving on frame, walnut checkered pistol grip stock, solid rubber recoil pad marked "Hawkins Pat'd", single trigger with a barrel selector, probably brought back from Europe in the 1940s Provenance: Property of the Reeves Family, formerly of Annandale Plantation, Georgetown, South Carolina Estimate: $8,000 - $12,000

January 26, 2019

Firearms

1171 AYA/Sears Model 433.512380 SxS 20ga Shotgun 20g., 27� barrel, S/N 390719, blue case finish, 3 in. chamber, double trigger, butt plate with AYA and lion stamp Provenance: Property of the Reeves Family, formerly of Annandale Plantation, Georgetown, South Carolina Estimate: $800 - $1,200

53

1173 Fine and Rare Flli. Bertuzzi Gullwing Shotgun SxS, 12 bore, 28 in. barrels, S/N 5992, manual safety with slide to open undetectable lockplates revealing engraved working parts engraved with "FLLI. BERTUZZI", frame engraved with bold scrollwork, lockplates with semi-relief engraving of game bird scenes and a retriever on underside, engraving by Giancarlo and Stefano Pedretti, both sides of lockplate marked "FLLI. BERTUZZI", left side marked "G S PEDRETTI", barrel marked "FLLI. BERTUZZI-GARDONE V.T. ITALY" Provenance: Private Collection Estimate: $75,000 - $125,000 Manufactured by Bertuzzi family firm in Gardone, Italy over the course of four generations, until brothers Elio and Remigio Bertuzzi retired in 2009

January 26, 2019

Firearms

1174 Engaved Browning Superposed Over-Under 12 g. Shotgun 12g., 28 in. barrel, S/N 5645C marked under top lever on the tang, double triggers, checkered stock and forearm, engraved receiver, left side of barrel marked "BROWNING ARMS COMPANY ST LOUIS MO/12 GA SPECIAL STEEL" and "12-70" in a horseshoe, right side of barrel marked "MADE IN BELGIUM PATENTS No 15/86.38-1578630/OTHER PATENTS APPLIED FOR", proof marks under the barrel and "EL" in script and "E/LG/star" in oval, barrel release lever marked 5648 on left and marked "JL" on right, brass bead front sight, stocks are checkered walnut with round knob butt stock, flat has a Lion over “PV� on the left side, and "S" over symbol ? on right side, foliate engraving on frame, solid rubber recoil pad marked "HAWKINS PAT'D APPLIED FOR" Provenance: Property of the Reeves Family, formerly of Annandale Plantation, Georgetown, South Carolina Estimate: $2,000 - $4,000

54

1175 Marlin Model 39 Lever Action Rifle 24 in. barrel, S/N 10483, with standard open sights, plain fore end, Marlin factory recoil pad Provenance: Private Collection, North Carolina Estimate: $800 - $1,000

1176 Connecticut Shotgun Co by Galazan Half-Scale Model 21 side-by-side, based on Winchester Model 21, perfect 1/2 scale. .22LR cartridge, single gold wash selective trigger, 22 in. barrel, S/N SWR 38492, all serial numbers match, marked "CT SHOTGUN MFG./NEW BRITIAN CT" on barrel assembly, checkered wrist and forearm, top of barrel at breech marked in gold lettering ".22 L. R.", tang mounted safety Provenance: Private Collection Estimate: $15,000 - $25,000

1177 Remington Model 788 Bolt Action Rifle 30-30 Win, 22 in. barrel, S/N 034903, detachable magazine, with Simmons 2.8-10x44 scope Provenance: Annandale Plantation, South Carolina Estimate: $350 - $450

1178 Mannlicher Schoauer MCA 1966 Bolt Action Rifle Austria, .30-06, 22 in. barrel, S/N 52738, Griffin & Howe quick attach scope blocks, Redfield Tracker 3x-9x scope Provenance: Annandale Plantation, South Carolina Estimate: $600 - $900

1179 E. J. Churchill Premiere Over Under Shotgun 28 bore, 29 in. barrel, S/N 1103, scroll and leaf engraving, lockplates marked "E.J. CHURCHILL" in gold on both sides, bottom with engraving of game birds surrounded by "E.J. CHURCHILL/PREMIERE" in gold, barrel marked "E.J. CHURCHILL, LONDON, ENGLAND, with leather felt lined fitted case Provenance: Private Collection Estimate: $15,000 - $25,000

1182 Winchester Model 12 Slide Action Shotgun 12 g., 30 in. full choke barrel, S/N 1566585, with custom engraving, including ducks one side and hunting dog on opposing side, both in gold overlay, checkered walnut stocks, raised ventilated rib, with extra set of trigger assembly, hard fur lined case Provenance: Property From A Private Nevada Collection Estimate: $400 - $600

January 26, 2019

1181 Parker Model VH Double Barrel Shotgun .410, 26 in. barrel, serial #226741, MARKED "PARKER BROS", "PARKER BROS. MAKERS, MERIDEN. CT.U.S.A VULCAN STEEL" Provenance: Annandale Plantation, South Carolina Estimate: $2,000 - $4,000

Firearms

1180 Remington Model 721B Bolt Action Rifle .270 Win., 20 g., 24 in. barrel, S/N 313855, checkered stock, leather strap, Askan scope, Redfield scope mounts Provenance: Annandale Plantation, South Carolina Estimate: $500 - $700

55

Colonial Williamsburg Foundation, Proceeds to Benefit the Acquisitions Fund

January 26, 2019

Colonial Williamsburg

1184 Johannes van Keulen - Paskaarte Vertonende alle Johannes van Keulen (1654-1715), Paskaarte, Vertonende alle de Zekusten van Europa. Nieulvez aldus uytgegeven, Door P. Goos, Amsterdam, circa 1680, after Pieter Goos (1616-1675), black and white line engraving with period hand color on laid paper mounted on linen on rollers, 27 x 35 in.

Estimate: $2,000 - $4,000

56

1183 Thomas Jeffreys - The Theatre of War in America Thomas Jeffreys (circa 1710-1771), The Theatre of War in North America, with the Roads and Tables of the Superficial Contents, Distances & CA., by an American, London, November 20, 1776, printed by Robert Sayer & John Bennet, black and white engraving with period hand color on laid paper, contains "Evan's Polymetric Table of America Corrected and Improved", "Survey of the British Colonies by Thomas Templeton" and "A Compendious Account of the British Colonies in North America", 30 x 22 in.; unframed Estimate: $4,000 - $6,000

1186 Thomas Bakewell - America, A New Map Thomas Bakewell (1716-1764), America..., London, circa 1740, black and white line engraving, period hand color, laid paper, 21 x 24-/12 in.; unframed Estimate: $1,000 - $2,000

For full cataloging and images see our website, www.brunkauctions.com

1185 Captain William Laws - Forteresses de Carthagene, Captain William Laws, ... Des Forteresses De Carthagene, after work

by Pierre Chassereau, engraving on laid paper, 19 x 23 in.; matted, 22 x 28 in.

Estimate: $300 - $600

1187 Lieutenant Philip Durrell Forts de Porto Bello, Lieutenant Philip Durell (17071766), Plan De La Ville Rade et Forts de Porto Bello..., engraving on laid paper, 17 x 23 in.

Estimate: $300 - $600

1188 Van Keulen - West Indische Paskeart Johannes van Keulen (1654-1715), West Indische Paskaert waer in..., Amsterdam, circa 1680, laid paper, hand coloring, 33 x 40 in.; framed 44-1/2 x 51 in.

Estimate: $2,000 - $4,000

1192 Nicholas Scull - A Map of Philadelphia Nicholas Scull (1687-1762), Map of Philadelphia ..., London, 1752, surveyor, George Heap, with period hand color on laid paper, 15-1/2 x 14 in.; unframed Estimate: $500 - $700

1193 Johannes Van Keulen - America Map Johannes Van Keulen (1654-1715), Pascaarte vande Noorder Zee custen van America, Amsterdam, 1681, hand color on laid paper, 21 x 24 in.; unframed Estimate: $600 - $900

1195 C. Noguera - De Las Costas Estados Unidos, C. Noguera, Carta Esferica De Las Costas Orientales De Los Estados Unidos..., possibly Madrid, circa 1830, engraving on paper, 25-1/2 x 37-1/2 in.

Estimate: $400 - $600

1196 Pieter van der Aa - Nouvelle Hollande Pieter van der Aa (1659-1733), Nouvelle Hollande...et une partie de la Virginie, 1729, engraving on laid paper, 12 x 143/4 in.; matted, 16 x 22 in.

Estimate: $500 - $700

1197 William Heather - Map of Chesepeake Bay William Heather (1766-1812) Chesepeake Bay and Coast from Long Island to Virginia Capes, London, 1812, with hand color, 25 x 31 in.

Estimate: $2,000 - $3,000

Condition notes available in back of catalog

1194 Girolamo Ruscelli - Tierra Nueva 1561 Girolamo Ruscelli, Tierra Nueva, Venice, 1561, black and white line engraving on paper, 8-1/2 x 11 in.; unframed Estimate: $1,000 - $1,500

Colonial Williamsburg

1191 William and Cluer Dicey - Map of North America, Willam and Cluer Dicey, A New Map of North America..., London, circa 1754, black and white with color, 25-1/2 x 42 in.; unframed Estimate: $400 - $600

January 26, 2019

1189 Carington Bowles - Map of the Independent States, Carington Bowles (1724-1793), Bowle's New One - Sheet Map of the Independent States..., London, circa 1799, period color, 21-1/2 x 28 in.; unframed Estimate: $1,500 - $2,000

1190 Brion de la Tour - Du Theatre De La Guerre, Louis Brion de la Tour (1756-1823), Suite Du Theatre de la Guerre, dans L'Amerique Septentrion.Ale, y compris le Golfe du Mexique, Paris, 1782, publishers Esnauts & Rapilly, black and white line engraving with period hand color on laid paper, upper left cartouche depicting image of Cornwallis surrending to General Washington, 30 x 21 in.; framed, 38 x 29 in.

Estimate: $7,000 - $9,000

57

Southern

1199 Southern Federal Walnut Huntboard Piedmont, North Carolina, 19th century, two drawers, two doors, tapered legs, cut nail construction, yellow pine secondary, 45-1/2 x 59 x 19 in.

Provenance: Found in Chatham County, North Carolina Estimate: $2,000 - $4,000

January 26, 2019

Southern

1200 Southern Chippendale Walnut Corner Cupboard, attributed to Piedmont, North Carolina, late 18th/early 19th century, single case construction, glazed double doors with shelved interiors, doubled paneled lower drawers, peaked apron, undisturbed backboards with cut nails, yellow pine secondary, 93 x 52-1/2 x 28 in.

Provenance: Private Collection, Asheboro, North Carolina Estimate: $2,000 - $3,000

58

1198 Rare North Carolina Chippendale Walnut Cupboard Piedmont, mid 18th century, upper case with two plate racks, scalloped trim, lower case with two dovetailed drawers over a latching panel door, probably original carved wood pulls, 75-1/4 x 43-1/2 x 16 in.

Estimate: $3,000 - $5,000

For full cataloging and images see our website, www.brunkauctions.com

1201 Fine Southern Federal Inlaid Two Drawer Table, attributed to Piedmont, North Carolina, early 19th century, inlaid drawers, 28-1/2 x 24 x 19 in.

Provenance: Private Collection, Virginia Estimate: $1,000 - $1,500

1205 Rare Southern Walnut Tilt Top Tea Table, attributed to upstate South Carolina, late 18th/early 19th century, possibly original surface, 30 x 25-1/4 x 30-1/2 in.

Provenance: Private Collection, NC Estimate: $1,000 - $2,000

1206 American Classical Marble Top Pier Table, possibly Southern, 19th century, white marble top, mirrored back, lion’s paw front feet, 38 x 45-1/2 x 19 in.

Provenance: Private Collection, TN Estimate: $800 - $1,200

1207 Southern Federal Inlaid Cherry Chest, probably Ohio/Kentucky, early 19th century, line and barber pole inlaid case, line inlaid drawers with kite escutcheons, dovetailed construction, poplar secondary, 40-1/2 x 36-1/2 x 18-3/4 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

Condition notes available in back of catalog

January 26, 2019

1203 Rare North Carolina Federal Sugar Table, early 19th century, yellow pine throughout, dovetailed construction, tapered legs, one drawer, 31 x 21-1/2 x 19 in.

Estimate: $800 - $1,200

1204 Fine and Rare Tennessee Federal Corner Cupboard attributed to East Tennessee, possibly Bradley County, circa 1795-1810, single case construction in finely carved birch, cove molded cornice with shaped frieze molding over two doors, panels with rayed rectangular design with oval centers, above three matching cockbeaded and dovetailed drawers and two frame-and-panel doors below, original shaped feet with returns, interior with three grooved plate lips, back with original tongue-and-groove vertical boards with cut nails, doors lock with wooden pin engaged by spring lock activated by string around back of cupboard, poplar secondary, 85-1/2 x 43 x 24 in., lot includes documentation by MESDA, copies of provenance Provenance: Descended in Bowman Family, Bradley County, Tennessee; ex-Burbage Collection, Sold Brunk Auctions July 2008; A Tennessee Collector Estimate: $12,000 - $18,000

Southern

1202 Southern Walnut Marble Top Biscuit Table, American, 19th century, white Carrara top on turned legs, 28-1/2 x 42 x 28 in.

Provenance: Private Collection, TN Estimate: $500 - $700

59

January 26, 2019

Southern

1208 Clementine Hunter (American, Louisianan, 1886-1988) Melrose Plantation Pictorial Quilt, depicting the Big House flanked by figures, with other outbuildings, trees and figure, pieced and appliqued cotton on solid and floral patterned fabric squares, brown paper backing, signed "CH" on two squares, 65 x 55 in.

Provenance: Acquired from the artist, by descent in the Devereux Family, Louisiana, North Texas Estimate: $4,000 - $6,000

60

1209 Rare and Important American Folk Art Chair probably African American, 19th century, walnut, rear posts each carved with finely detailed portrait busts, traces of inlay or pigment (one glass eye present), top slat carved with clasped hands, hand fashioned frame with through-tenon construction, early rope seat, patinated, probably original surface, 31 in.

Provenance: Private Collection Estimate: $3,000 - $5,000

1210 Southern Yellow Pine Lazy Susan Table Georgia, 1800-1830, surmounted by a turn-top with a cap, circular table on sturdy square legs, base with original Spanish brown patinated surface, 33 x 52 in.

Provenance: lot accompanied by 1997 receipt from Levison & Cullen Gallery; Private Collection Estimate: $4,000 - $6,000

1212 Southern Folk Art Library Table Western North Carolina, attributed to Rev. Ben Davis (British/Western North Carolina, 1870-1947), rectangular top over three shelves with natural rhododendron decorations, chestnut, and other secondary woods, 29 x 40 x 23 in.

Provenance: Private Collection, NC Estimate: $2,000 - $3,000

1213 Two North Carolina Folk Art Hanging Shelves, early 20th century, possibly Rev. Ben Davis (British/Western North Carolina, 1870-1947), natural rhododendron, 34 x 28 x 8 in. Ruggiero Collection, NC Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

1211 Southern Federal Cherry Sugar Chest attributed to Tennessee, early 19th century, hinged lid with open interior, poplar secondary, 28-1/2 x 21 x 18 in.

Provenance: A Tennessee Collector Estimate: $1,500 - $2,500

1214 The Art and Mystery of Tennessee Furniture and Its Makers Through 1850

by Williams & Harsh, 1988, hardcover in dust jacket Provenance: Private Collection, TN Estimate: $200 - $400

1215 American Federal Cherry Two Drawer Table, possibly Kentucky/Ohio, early 19th century, single board top, legs with incised decoration, 30-1/4 x 21-1/2 x 17 in.

Provenance: Lowenstein Collection Estimate: $400 - $600

1217 Rare Pair Southern Chippendale Side Chairs probably Virginia/Maryland, 18th century, each with scrolled crests, heart pierced back, beech back rails, rich old dark surface, leather upholstered slip seats; together with two extra slip seats (possibly original), yellow pine and oak, 38 in.

Provenance: Private Collection Estimate: $2,000 - $4,000

1218 Caucasian Rug early/mid 20th century, hooked edge diamonds on central panel, multiple minor borders, 5 ft. 2 in. x 7 ft. 11 in.

Provenance: Ruggiero Collection, NC Estimate: $800 - $1,200

1219 Heriz Carpet early/mid 20th century, large medallion and spandrels, ivory, blue, and gold highlights, 7 ft. 5 in. x 10 ft. 2 in.

Provenance: Private Collection, Highlands, North Carolina Estimate: $1,000 - $2,000

1221 Heriz Carpet early/mid 20th century, medallion and and typical designs, gold, teal, and ivory highlights, 7 ft. x 10 ft. 1 in.

Provenance: Private Collection, Highlands, North Carolina Estimate: $1,000 - $2,000

1222 Heriz Carpet mid/late 20th century, floral designs on rust ground, green, gold, and black highlights, 10 ft. 2 in. x 13 ft. 5 in.

Provenance: A Tennessee Collector Estimate: $1,500 - $2,500

Condition notes available in back of catalog

January 26, 2019

1220 Assembled Serapi Carpet late 19th/early 20th century in part, medallion on red ground, ivory major border, 9 ft. 6 in. x 13 ft. 9 in.

Provenance: Ruggiero Collection, NC Estimate: $800 - $1,200

Southern

1216 Caucasian Rug early-mid 20th century, three medallions on navy ground, ivory and teal highlights, 4 ft. x 7 ft. 9 in.

Provenance: Ruggiero Collection, NC Estimate: $600 - $900

61

1224 Alfred Hutty (South Carolina, 1877-1954) Old St. Michael's Charleston, signed and monogram, etching, 10-1/2 x 8-1/2 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

January 26, 2019

Southern

1225 William Baxter "Bill" Bledsoe (Tennessee, born 1963) Steam Dream, after Monet, signed, acrylic and oil, 36-1/2 x 46-1/2"; framed Provenance : A Tennessee Collector Estimate: $800 - $1,200

62

1223 William Aiken Walker (South Carolina, 1838-1921) Wooded Landscape, signed and dated "WA Walker 1887", oil on board, 18 x 12 in.; gilt wood frame, 21 x 14-3/4 in.

Provenance: A Tennessee Collector Estimate: $5,000 - $7,000

1227 Harvey Joiner (Kentucky, 1852-1932) A Pair: Beech Trees, signed lower right "Harvey Joyner", oil on canvas, 8 x 6 in.; gilt and painted wood frames, 14 x 12 in.

Estimate: $2,000 - $3,000

1228 William Lester Stevens (Massachusetts, 1888-1969) Pink House, Charleston S.C., signed, watercolor on paper; 22 x 18 in.; framed Provenance: Private Collection Estimate: $1,500 - $2,500

For full cataloging and images see our website, www.brunkauctions.com

1226 Elliott Daingerfield (North Carolina, 1859-1932) Portrait of Elizabeth Fite, unsigned but with authentication by Leon Stacks, pastel on paper, 9-1/2 x 7-1/2 in.; framed Estimate: $800 - $1,200

1229 William Lester Stevens (Massachusetts, 1888-1969) Charleston Cathedral, signed, watercolor on paper; 20 x 25-1/2 in.; framed Provenance: Private Collection Estimate: $1,500 - $2,500

1234 Eugene Thomason (North Carolina, 1895-1972) Chicken Dinner at the Hankins, signed "Eugene Thomason", oil on canvas, 26 x 21 in.; painted wooden frame, 32 x 27 in.

Estimate: $600 - $900

1232 John L. Boatwright (Tennessee, 1923-2006) Green Grass of Spring, 1986, signed, oil on canvas, 30 x 36 in.; framed, 36 x 42-1/2 in.

Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $800 - $1,200

1235 Philip Moose (North Carolina, 20th/21st century) Iris, 1972, signed "Philip Moose", oil on canvas, 36 x 42 in., framed 44-1/2 x 381/2 in.Private Collection, NC Estimate: $800 - $1,000

1233 John L. Boatwright (Tennessee, 1923-2006) Fair is the Land, signed, "John Boatwright", oil on canvas, 25 x 40 in.; framed, 30 x 45 in.

Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $800 - $1,200

1236 Edward Von Siebold Dingle (South Carolina, 1893-1975) Cardinal in Magnolia Tree, signed, gouache on board; 17 x 14 in.; framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

Condition notes available in back of catalog

1237 Edward Von Siebold Dingle (South Carolina, 1893-1975) Painted Buntings, (Passerina ciris), signed, gouache on board; 16-1/2 x 12 in.; framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

January 26, 2019

1231 John L. Boatwright (Tennessee, 1923-2006) October Cotton, signed, "John Boatwright", oil on canvas, 21-1/2 x 27-1/2 in.; framed, 28 x 34-1/2 in.

Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $800 - $1,200

Southern

1230 Elliott Dangerfield (North Carolina, 1859-1932) Pair of Blowing Rock landscapes, unsigned, authenticated by Gwendoline Dangerfield Plyler, oil on board, 6-1/4 x 8 in.; gilt and painted frame 9-3/4 x 11-3/4 in.

Estimate: $4,000 - $6,000

63

1238 Repousse Sterling Pitcher American, late 19th century, grape and vine trellis decoration, marks for Theodore B. Starr, 29.87 oz. T., 8-1/2 in.

Provenance: A Tennessee Collector Estimate: $600 - $1,000

1239 Sterling Footed and Pierced Cake Plate American, early 20th century, griffins, cupids, scroll and foliate decoration, Roger Williams Silver Co., 16.65 oz. T., 10 in.

Provenance: A Tennessee Collector Estimate: $400 - $800

1240 Gorham Repousse Sterling Pitcher American, late 19th century, urn form, body with floral repousse decoration, marks for Gorham, 27.19 oz. T., 10-3/4 in.

Provenance: A Tennessee Collector Estimate: $800 - $1,200

Silver

1241 Sterling Basket with Brass Cover American, 20th century, round bowl, pierced brass frog/cover, marks for Whiting, "2850A", 38.44 oz. T., 13-3/4 in.

Provenance: Private Collection, SC Estimate: $800 - $1,200

1242 Pair Royal Danish Sterling Candlesticks American, 20th century, marks for International, 28.65 oz. T., 10 in.

Provenance: Private Collection, NC Estimate: $400 - $800

1243 Pair of Sterling Compotes American, 20th century, floral medallions decoration, marks for Reed & Barton, “S875/C�, 31.51 oz. T., 4-2/4 x 8-1/2 in.

Estimate: $800 - $1,200

1244 Set of Four Sterling Candlesticks American, 20th century, engraved scroll and urn decoration, marks for Whiting, 69.44 oz. T., 10 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

1248 Tiffany Sterling Flatware, 113 Pieces, American, 20th century, English King pattern, including place and service pieces, monograms, all with marks for Tiffany & Co., 189.40 oz. T.; with wooden case and Tiffany & Co. Hallmarks book Provenance: Old New Orleans Family Estimate: $4,000 - $6,000

1250 Two Sterling Plates and Shell Dish American, 20th century, Whiting shell form dish; Towle round tray; one with pierced border, 34.79 oz. T., 8 in. to 11 in.

Provenance: Private Collection, NC Estimate: $500 - $800

1251 Three Piece Sterling Tea Coffee Set American, 20th century, urn forms, Black, Starr & Frost, 22.38 oz. T., 11-1/4 in. coffee pot, creamer and sugar Provenance: Private Collection, NC Estimate: $500 - $700

1253 William Gale Coin Silver Pitcher New York, 1952, pear form, marks for William Gale & Son (working 1820-1853 and 1854-1857), 22.20 oz. T., 8 in.

Provenance: Private Collection, NC Estimate: $400 - $800

1254 Coin Silver Lidded Urn New York, mid 19th century, strawberry and vine decoration, marks for retailer Ball, Black & Co., 38.34 oz. T., 9 x 9 in.

Provenance: A Tennessee Collector Estimate: $500 - $800

1249 Pair of Tiffany Sterling Tazzas American, 1892-1907, scroll and floral decoration, marks for Tiffany & Co., "1123G?...394", 40.56 opz. T., 4-3/4 x 9 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

1252 Sterling Horse Trophy American, late 19th century, two handle urn form, raised horse and floral decoration, inscribed "American Horse Show Association of Chicago/Special Prize Offered/by a/Gentlemen of Chicago/Awarded to/The Rockdale Farm/Pair of Clydesdale or Shire Horses/ hitched and driven as by the Farmers/of Scotland or England/1889“, 25.84 oz. T., 12 in.

Estimate: $800 - $1,200

1255 Pair of New York Coin Silver Pitchers American, 1846, engraved floral and scroll decoration, marks for Gale & Hayden, 50.56 oz.T., 8-1/2 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $2,000

Condition notes available in back of catalog

1256◉ Six Piece Gorham Sterling Tea Service American, 1912, urn forms, marks for Gorham, 76.56 oz. T., 9-1/2 in. two coffee, teapot, covered sugar, waste, creamerProvenance: Private Collection, NC Estimate: $1,200 - $1,600

Silver

1247◉ Four Piece Gorham Sterling Tea Service American, 1916, possibly Plymouth, ivory spacers, 36.77 oz. T., 6 in. tea pot with matching creamer, sugar and waste Provenance: Yelin Collection, NY Estimate: $500 - $1,000

1246 Tiffany Sterling Tureen American, 1892-1902, oval form with wave decoration, paw feet, floral border, no monogram, marks for Tiffany & Co., "10463...9808", 50.88 oz. T., 9-1/2 x 14 x 10-1/4 in.

Estimate: $4,000 - $6,000

January 26, 2019

1245◉ Three Piece Tiffany Sterling Tea Set New York, 1854-1869, marks for Tiffany & Co., 27.13 oz. T., 5-1/4 in. coffee pot, creamer and lidded sugar Provenance: Private Collection Estimate: $800 - $1,200

65

January 26, 2019

Silver

1257 Seven Piece Kirk Sterling Tea Service Baltimore, 1896-1925, elongated urn forms with repousse landscapes, floral finals, inside base inscribed “May Crozer Page. Jana 21, 1915�, marks for S. Kirk & Son Co., 141.65 oz. T. ,13-1/4 in. hot water kettle and matching coffee pot, teapot, creamer, covered sugar and waste Provenance: A Tennessee Collector Estimate: $2,000 - $3,000

66

1258 Kirk Sterling Repousse Water Pitcher Baltimore, Maryland, 1846-1861, rounded body with floral and fern decoration, marks for S. Kirk & Son, 16.21 oz. T., 7 in.

Provenance: A Tennessee Collector Estimate: $500 - $800

1259 Two Coin Silver Repousse Trays American, late 19th/early 20th century, smaller footed, 6-1/4 in.; larger with Jenkins & Jenkins Inc., 9 in., 15.24 oz. T. total Provenance: MacNeill Collection Estimate: $500 - $1,000

1260 Pair Kirk & Son Coin Silver Repousse Bowls Baltimore, Maryland, 1846-1868, oval forms with handles, floral Repousse decoration, scroll and shell borders, marks for S. Kirk & Son, 51.55 oz. T., 4-1/4 x 13-1/2 x 7-1/4 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

1261 Jacobi & Jenkins Coin Silver Tray Baltimore, Maryland, late 19th century, oval with bead border, 4.6 oz. T., 5 x 6-1/2 in.

Provenance: MacNeill Collection Estimate: $200 - $400

1262 Baltimore Sterling Repousse Tray American, early 20th century, round with floral Repousse border, paw feet, marks for G. Schultz & Co. 22.23 oz. T., 12 in.

Provenance: Private Collection, Virginia Estimate: $500 - $800

1263 New York Coin Silver Hot Water Kettle American, mid 19th century, floral decoration, Gelston & Treadwell, John Chandler Moore, 82.13 oz. T., 14 in.

Provenance: MacNeill Collection Estimate: $1,000 - $1,500

1264 13 Pieces Boehme Sterling/Coin Silver Flatware, Maryland, early 19th century, Charles Boehme (1799-1813), 31.32 oz. T., with ladles and spoons, 5-5/8 in. to 14 in.

Provenance: MacNeill Collection Estimate: $600 - $800

1265 Six Pieces Baltimore Coin Silver Flatware, American, 19th c., tongs, ladles and spoons by John Walraven, Johnson & Ball, 17.23 oz. T., 7 in. to 14-1/2 in.

Provenance: MacNeill Collection Estimate: $500 - $800

1266 Five Andrew Warner Coin Silver Spoons American, mid 19th century, all with marks A. E. Warner, 6.67 oz. T., including spoons and ladle, 4-3/4 in. to 9 in.

Provenance: MacNeill Collection Estimate: $200 - $300

1267 Two Charles Burnett Coin Silver Spoons American, early 19th century, both with marks for marks for Charles A. Burnett, 4.06 oz. T., 8-1/2 in. and 9-1/4 in.

Provenance: MacNeill Collection Estimate: $200 - $400

1268 Seven Charles Burnett Coin Silver Pieces, Virginia, early 19th century, shell handles, marks for Charles A. Burnett, 15.66 oz. T., including 13-1/4 in. ladle, four spoons and two tongs Estimate: $800 - $1,200

1269 Set of 12 DC Coin Silver Citrus Spoons American, late 19th century, twist and engraved handle, for Henry Semken (working 1855-1889), 6.61 oz. T., 6 in.

Provenance: Washington, DC Collection Estimate: $200 - $400

For full cataloging and images see our website, www.brunkauctions.com

1272 Nine Raleigh, North Carolina Coin Silver Spoons, 19th century, including three spoons and three mustard ladles, John Selph; two table spoon, Alvin Wilcox, 3.67 oz. T., 4-1/2 in. to 6 in.

Estimate: $600 - $800

1273 Nine Bernard Dupuy Spoons American, 19th century, including set of five spoons; four spoons, marks for Bernard Dupuy (Raleigh, working 1827-1843), 13.56 oz. T., 9 in.

Estimate: $800 - $1,200

1274 Six North Carolina Coins Silver Spoons North Carolina, mid 19th century, various markers: Clark & Co., John M. Beasley, Alvin Wlicox, Warren Prior, 10.56 oz. T., all approx, 9 in.

Estimate: $500 - $800

1275 Three Leinbach Coin Silver Spoons North Carolina, mid 19th century, all fiddle handles with double tipt handles, T. Leinbach & Son (Salem, North Carolina, working 1821-1860), 6-3/4 in. To 8-1/2 in.

Estimate: $800 - $1,000

1276 Nine Raleigh Coin Silver Spoons North Carolina, mid 19th century, including Palmer & Ramsey W. J. Ramsey Thomas Emond, 5.96 oz. T., 5-1/4 in to 7 in.

Estimate: $400 - $800

1277 Two Freeman Woods Coin Silver Spoons, American, late 19th century, coffin tip handles, both marked "Woods" (NY, working 1791-1794, and New Bern, NC working 1794-1827), 8-1/2 in.

Estimate: $200 - $300

1278 Four Silver Serving Pieces Raleigh late 19th century, Marguerite pattern, including ladle, spoon, fork and pie server, Wood & Hughes, H. Mahler (Raleigh, NC), 8.08 oz. T., 7 in. to 9-1/2 in.

Estimate: $400 - $800

1279 Three Pieces Huntington Coin Silver flatware, North Carolina, early 19th century, including ladlesand spoon, marks for William Huntington (working 1821-1832), 7.5 oz. T., 5-1/2 in. to 14-1/2 in.

Estimate: $600 - $1,000

1280 Six Georgia Coin Silver Forks mid 19th century, fiddle and thread handles, monograms, marks for Clark, Rackett & Co., 12.88 oz. T., 8-1/4 in.

Estimate: $400 - $800

1281 Four Marquand Coin Silver Spoons American, Kings style pattern, "F.M." (Fredrick Marquand, Savannah, GA, 18201826; NYC 1830-1838), 12.88 oz. T., 9 in.

Provenance: MacNeill Collection Estimate: $300 - $500

1282 Set of Six J C Hanna Coin Silver Spoons probably North Carolina, mid 19th century, tipt shaped fiddle handles, marked "H. C. Hanna.NC." (unknown maker), 2.86 oz. T., 6 in.

Estimate: $200 - $400

1283 13 Piece Southern Coin Silver Flatware including spoons and ladle, S. Kirk, George Aiken, A. E. Warner, and Charles Pryse, 14.4 oz. T., 3-3/4 in. To 8-3/4 in.

Provenance: Private Collection, NC Estimate: $600 - $800

1284 Ladle Hayden Brother Coin Silver Ladle American, mid 19th century, fiddle and thread handle, marks for Hayden, Bro. & Co. (Charleston, South Carolinav, working 1852-1855), 9.15 oz. T., 13-3/4 in.

Estimate: $500 - $800

Condition notes available in back of catalog

1285 Hayden & Whilden Coin Silver Strainer Ladle, American, mid 19th century, open work strainer, retailer Hayden & Whilden (Charleston, SC), maker Polhamus and Strong, 8.02 oz. T., 13-1/2 in.

Estimate: $500 - $800

Silver

1271 14 Charlotte North Carolina Coin Silver Spoons, 19th century, including spoons and tongs Thomas Trotter; spoon, Trotter and Hunting; six spoons, T. G. Wilkinson and Co., 9.37 oz. T., 5-1/2 in. to 9-1/2 in.

Estimate: $500 - $800

January 26, 2019

1270 Five Vogler Coin Silver Spoons American, early 19th century, shaped fiddle handle, marks for John Vogler (Salem, North Carolina, working 1805-1820), monograms, 5-1/2 in.

Estimate: $500 - $1,000

67

1286 Pair of Russian Silver Mikhail Grachov Vases late 19th/early 20th century, clear glass cylinder with Russian gilt silver mounts, Mikhail Grachev (St. Petersburg, 1873-1917), .947 fine, 13-3/4 in.

Estimate: $800 - $1,200

1290 Two English Silver Side Handle Pots London, 1936, pear form body, wooden handle, paneled spout, marks for Heming & Co., Ltd., 25.45 oz. T., 7-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $800

January 26, 2019

Silver

1289 Ornate Silver-Plate Plateau Continental, 20th century, openwork scroll, grape decoration, mirrored base with wood backing, 19-1/4 x 19-1/4 in.

Provenance: A Tennessee Collector Estimate: $400 - $800

68

1293 Elkington Silver-Plate Milton Shield English, late 19th century, after model by Leonard Morel Ladevil, dated 1866, oval with scenes from Paradise Lost, center Adam and Eve with angel Michael in Garden of Eden, no monogram, marks for Elkington & Co., English, 33-1/2 in.

Provenance: A Tennessee Collector Estimate: $1,000 - $2,000

1287 32 Piece Silver Hollowware 20th century, all marked 900, 310.20 oz.

T., including ten bowls; four plates; nine plates and ten 11 in. plates Provenance: Easterly Estate, VA Estimate: $2,500 - $3,500

1288 12 Italian Silver Plates 20th century, shaped rectangular form, all marked "800", 47.43 oz. T., 5-1/2 x 4-1/2 in.

Provenance: Godi Povenen Family Estimate: $600 - $900

1291 English Silver Coffee Pot and Pitcher London, 1935, pear form with wooden handles and final, no monograms, marks for Heming & Co., 41.72 oz. T., each 8 in.

Provenance: Private Collection, NC Estimate: $500 - $800

1292 Pair Silver Plated Medallion Wall Plaques, Continental, 19th century, oval shields, shell finials, scroll and bellflower borders, no monogram, 16 x 9 in. Provenance: A Tennessee Collector Estimate: $300 - $500

1294 Three 18th Century English Silver Spoons, London, all with Onslow pattern handles, two stuffing spoons; ladle, 13.59 oz. T., 11 in. to 14-1/2 in.

Provenance: MacNeill Collection Estimate: $400 - $800

1295 Twelve George III English Silver Serving Pieces, late 18th/early 19th century, all Onslow pattern, four ladles; spoons spoons, 28.99 oz. T., 3-3/4 in. to 12-1/2 in.

Provenance: MacNeill Collection Estimate: $400 - $800

1296 Ten English Silver Shell Handle Flatware Scottish or London, early to mid 19th century, all King or Queen style patterns, 44.14 oz. T., 9 in. to 13-3/4 in.

Provenance: MacNeill Collection Estimate: $600 - $1,000

1297 Six English Silver Serving Pieces London, late 18th/early 19th century, all with shell handle, various makers, 38.56 oz. T., .925 fine, 6 in. to 13-1/2 in.

Provenance: MacNeill Collection Estimate: $500 - $800

For full cataloging and images see our website, www.brunkauctions.com

1298 Towle Candlelight Sterling Flatware, 51 Pieces, American, 20th century, including place and service pieces, no monogram, marks for Towle, 50.17 oz. T. Provenance: Washington, DC Collection Estimate: $600 - $1,000

1299 Old English Sterling Flatware, 79 Pieces American, 20th century, including place and service pieces, marks for Towle, 56.26 oz. T.; other silver and silver-plate; case Provenance: Private Collection Estimate: $800 - $1,200

1300 French Provincial Sterling Flatware, 50 Pieces, American 20th century, including place and service pieces, all with marks for Towle, 42.05 oz. T.; with wooden case Provenance: Private Collection, SC Estimate: $500 - $800

1301 Wild Rose Sterling Flatware, 131 Pieces America, 20th century, including place and service pieces, International, 120.19 oz. T.; with other pieces (140 total) Provenance: Private Collection Estimate: $1,500 - $2,000

1302 Gorham Sterling Flatware, 73 Pieces American, 20th century, King Style pattern, including place and service pieces, all with marks for Gorham, 97.69 oz. T. Provenance: Private Collection, SC Estimate: $1,400 - $1,800

1303 Silver Wheat Sterling Flatware, 74 Pieces, American, 20th century, including place and service pieces, all with marks for Reed & Barton 76.72 oz. T.; with case Estimate: $1,000 - $1,500

1304 International Brocade Sterling Flatware, 61 Pieces, American, 20th century, including place and service pieces, International, 60.89 oz. T.; wooden case Provenance: Private Collection, NC Estimate: $800 - $1,200

1305 Gorham Luxembourg Sterling Flatware, 62 Pieces, American, 20th century, including place and service pieces, marks for Gorham; other, 83.04 oz. T., (83 total) Provenance: Old New Orleans Family Estimate: $1,200 - $1,600

1306 Three Sterling Bowls Revere American, 20th century, all Revere style form, various makers including Preisner Silver and Gorham, 54.36 oz. T., 7-1/2 in. to 10-1/4 in.

Estimate: $600 - $1,000

1307 Twelve Sterling Goblets American, 20th century, shaped bowl and stem, monograms, marks for S. Kirk & Sons, 73.34 oz. T., 6 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

1308 Towle Fantana Sterling Flatware, 41 Pieces, American, 20th century, including place and service pieces, no monograms, all with marks for Towle, 44.05 oz. T. Provenance: Private Collection, NC Estimate: $600 - $1,000

1309 Wedgwood Sterling Flatware, 66 Pieces American, 20th century, including place and service pieces, all with marks for Internationals, 65.70 oz. T. Estimate: $900 - $1,200

Silver

1310 Kirk Repousse Sterling Flatware, 51 Pieces, American, 20th century, including place and service pieces, all with marks for S. Kirk & Son, 48.17 oz. T.; hollow handle carving set, unmarked Estimate: $800 - $1,500

1311 Large Group Boxed/Book Set Silver Coins, approximately 31 pieces, encased and books, primarily editions of silver dollars, some commemorative coins Provenance: Private Collection, NC Estimate: $1,500 - $2,000

1312 Approximately 600 Silver United States Coins, approximately 290 troy ounces, comprising Mercury dimes, Walking Liberty half dollars, Silver Eagle dollars, and othersProvenance: Private Collection, NC Estimate: $2,000 - $3,000

1313 Two 1/10 Ounce Gold Eagle $10 Coins 2002 MS 69 by ANA, encased Provenance: Private Collection, NC Estimate: $600 - $900

January 26, 2019

Condition notes available in back of catalog

69

Modern and Arts & Crafts

January 26, 2019

Modern

1315 Arts and Crafts Gustav Stickley and Limbert Dining Set early 20th century, one arm, 11 side chairs (seven branded "Stickley", 1912-1916); one circular extension table, marked "Limbert", with three leaves, 30 x 60 x 90 in.

Estimate: $2,000 - $3,000

70

1314 Gustav Stickley Arts and Crafts China Cabinet American, circa 1904-1912, number 815 from Craftsman Furniture catalogue, original fumed oak finish and iron hardware, with partial label at back, 65-1/2 x 40 x 15 in.

Estimate: $2,000 - $4,000

1316 Pair Gustav Stickley Dining Chairs American, circa 1904-1912, number 352, each in fumed oak, leather slip seat, with paper labels, one with decal, 37 in.

Provenance: Private Collection, IL Estimate: $1,000 - $1,500

For full cataloging and images see our website, www.brunkauctions.com

1317 American Arts and Crafts Oak Server circa 1900, with mirrored back splash, two paneled doors, three drawers, 50-1/2 x 60 x 21-1/4 in.

Estimate: $500 - $700

1320 Gustav Stickley Arts and Crafts Bookcase American, circa 1904-1912, two twelve pane doors, exposed tenons, original fumed oak finish and hammered copper hardware, partial label, 56 x 60 x 13 in.

Estimate: $2,500 - $3,500

1321 Art Deco Burlwood Veneer Cabinet early 20th century, highly figured bookmatched veneers, single door with adjustable shelved interior, 51-1/4 x 42 x 16 in.

Estimate: $500 - $800

1322 Art Nouveau Carved Walnut Vitrine British/American, circa 1900, two glazed doors, relief carved, floral decorated, two cabinet doors, 62 x 48 x 15 in.

Provenance: Private Collection, NC Estimate: $500 - $800

1324 George Nakashima Origins Table 241 for Widdicomb Grand Rapids, circa 1959, figured walnut, tapered legs, low shelf of eight spindles, labels at bottom, 21 x 30 x 20 in.

Provenance: Private Collection, Atlanta, Georgia Estimate: $1,200 - $1,800

1323 French Art Deco Style Gentleman's Commode 20th century, attributed to Jensen, marble top, ebonized, two serpentine doors opening to three drawers with oak linings, brass mounts at feet, 33-3/4 x 50 x 22 in.

Estimate: $800 - $1,200

1325 George Nakashima Origins Table 243 for Widdicomb Grand Rapids, circa 1958, figured walnut top, tapered legs, label at bottom for label at bottom, 16-1/2 x 30 x 30 in.

Provenance: Private Collection, Atlanta, Georgia Estimate: $1,200 - $1,800

Condition notes available in back of catalog

1326 Nakashima Origins New Chair 271 for Widdicomb, Grand Rapids, circa 1958, mixed woods, nine spindle back, "George Nakashima/271" at bottom, 35-1/2 in.

Provenance: Private Collection, GA Estimate: $800 - $1,200

January 26, 2019

1319 Bradley and Hubbard Style Slag Glass Table Lamp, American, early 20th century, metal overlaid over glass panels, acanthus decorated reserves, 31 x 22 in.

Provenance: Private Collection, TN Estimate: $600 - $900

Modern

1318 Pair Frank Lloyd Wright Designed Cabinets, North Carolina, 20th century,

by Heritage-Henredon, carved moldings, shelved interiors, labels, 25 x 21 x 17 in.

Provenance: Private Collection, GA Estimate: $1,000 - $2,000

71

1328 Elias Bohumil (Czech Republic, 1937-2005) Layered and painted glass, signed, 14 x 7 1/2 x 3 in.

Estimate: $400 - $600

1329 Scott Amrhein (Wisconsin, 20th/21st century) sculpted glass bowl, signed, metal and wood pedestal, 10-1/2 x 16-1/2 x 7-3/4 in.

Provenance: Studio E Gallery, FL Estimate: $400 - $800

1330 Set Six White Eames Eiffel Dining Chairs, American, circa 2001, polypropylene shell, chrome support, plastic feet, "Eames" stamps at bottoms, 31-1/2 in.

Estimate: $500 - $700

1331 Italian Modern Marble Top Cocktail Table, circa 1960s, possibly Gio Ponti, unsigned, feet stamped "Italy", travertine top, 15 x 42 in.

Estimate: $500 - $700

1332 Vintage Knoll Barcelona Chair 20th century, designed by Mies van der Rohe, chrome frame with black leather upholstery, back cushion and strap supports with original Knoll tag, 31 in.

Estimate: $500 - $800

1333 Mastercraft Glass Top Dining Table North Carolina, 20th century, ovoid form with double rail skirt, brass finished base, unmarked, 29 in.

Estimate: $600 - $900

1334 Ole Wanscher Teak Rocking Chair New York, circa 1960s, upholstered construction, label for France & Son, 38-1/2 in.

Estimate: $600 - $800

1336 Ivan Mosca (Italian, 1915-2005) Magic Moment, 1960, signed "Ivan Mosca", oil on canvas, 29 x 22 in.; framed Provenance: Private Collection, FL Estimate: $600 - $900

1337 Ivan Mosca (Italian, 1915-2005) Mantis Religiosa, 1962, signed, oil on canvas, 16 x 9 in., framed; with etchings Provenance: Private Florida Collection Estimate: $600 - $900

1338 Ivan Mosca (Italian, 1915-2005) Farfalle Esotiche, 1962, signed, oil on canvas, 16 x 9 in.; with ten etchings Provenance: Private Florida Collection Estimate: $600 - $900

1339 Ivan Mosca (Italian, 1915-2005) Petit Papillon, signed, oil on canvas, 16 x 9 in., framed; with ten etchings of insects Provenance: Private Florida Collection Estimate: $500 - $700

January 26, 2019

Modern

1327 Herman Leonhardt (South Carolina, 1948-2011) Glass Iron Sculptural Lamp, iron flower form lamp with hand blown flower, 39 in.

Provenance: Private Collection, NC Estimate: $600 - $900

72

1335 Wallace Berman (California, 1926–1976) Radio/Aether Series, 1966-1974, complete set of thirteen offset lithographs printed on Starwhite cover paper and mounted on Gemini ragboard, with title page signed "W. Berman", Gemini G.E.L., Los Angeles, printers, with blindstamps; with 12-3/4 x 13-1/2 in. printed slipcase, two framed, 12-5/8 x 13-3/4 in.

Estimate: $4,000 - $6,000

For full cataloging and images see our website, www.brunkauctions.com

1340 Important Wendell Castle Inlaid Card Table American, circa 1982, burl redwood top, lacquered maple, Gabon ebony frame, set with four dovetailed drawers, scrolled legs on turned ball feet, chrome-plated hardware, signed at underside "Wendell Castle/1982" (Kansas/New York, 1932-2018), 28-1/2 x 38-1/4 x 38-1/4 in.

Provenance: ex-Alexander F. Milliken Inc.; George M. Kaufman; Private Virginia Collection Estimate: $12,000 - $18,000 Exhibated: The Extraordinary Art of Wendell Castle, Alexander F. Milliken Inc., New York, New York, March 8-April 20, 1983; American Living National Treasures, Fendrick Gallery, Washington, D.C., May 4-June 18, 1983; Ornamentalism, Archer M. Huntington Art Gallery, University of Texas at Austin, September 1-October 16, 1983; Harcus Gallery, Boston, Massachusetts, December 10, 1983-January 11, 1984.

Literature.: The National Art Museum and Gallery Guide, front page, Vol. 2, No. 5, March/April, 1983; Abercrombie, Stanley, "Furnishings, The Changing Wonders of Wendell Castle", AIA Journal, September 1982, p. 76; Chapman, Urbane, "Wendell Castle Tries Elegance...", Fine Woodworking, September/October 1983, p. 72.

Lot is accompanied by: a facsimile of the invoice from Alexander E. Milken Inc. to George M. Kaufman, with exhibition history, dated April 12, 1984 and a facsimile of an appraisal from J. Michael Flanigan for $25,000, dated December 15, 1987

1343 Ivan Mosca (Italian, 1915-2005) Coastal Night, 1963, signed "Ivan Mosca", oil on canvas, 30 x 40 in.; lattice frame Provenance: Private Collection, FL Estimate: $600 - $900

Modern

1342 Ivan Mosca (Italian, 1915-2005) Pine Tree, 1962, signed "Ivan Mosca", oil on canvas, 28-7/8 x 21-3/8 in.; framed Provenance: Private Collection, FL Estimate: $500 - $700

1344 Anton Weiss (Nashville, Tennessee/New York, 20th/21st c.)

Eruption, inscribed verso, copper, brass on steel frame, 54 x 32 in.

Provenance: Private Tennessee Collection Estimate: $2,000 - $3,000

Condition notes available in back of catalog

January 26, 2019

1341 Three Composition Mask Molds with Stands, probably Continental, 19th/early 20th century, one of mustached face and two smiling faces, all three mounted on black metal stands, 11-1/2 in. to 14 in.

Estimate: $800 - $1,200

73

1345 Keith Haring (American, 1958-1990) Who? What? Yeah-, the artist's drawings and commentary on a forgery, 1989, signed authentically middle right horizontally "Keith Haring" and inscribed "To Matt", marker on paper record sleeve, 12 x 12 in.; blue metal frame, 17-1/2 x 17-3/8 in.

Provenance: Matt Dike, New York/Los Angeles, California; by descent in family Matt Dike, New York/Los Angeles, California; by descent in family Estimate: $6,000 - $9,000

January 26, 2019

Modern

Matt Dike (1962-2018) was a producer, writer and founding member of the Dust Brothers and co-creator of the Delicious Vinyl record label. After coproducing and co-writing the Beastie Boys hit, “Paul’s Boutique” he co-wrote and co-produced some of hip-hop’s most recognizable songs such as “Funky Cold Medina” and "Wild Thing” for Tone Loc and “Bust A Move" for Young MC. He was also a club owner and D.J. who mixed in influential circles. He met and befriended artists such as Jean Michel Basquiat, a one-time roommate, Keith Haring, and George Condo.

During one of Dike’s events someone pretending to be Keith Haring drew the middle section of this work on a vinyl sleeve and forged Haring’s signature, inscribing it “To Matt”. The consignor states that, "a few years later, Keith Haring saw this hanging on his wall and said 'I didn't do this!' He then took it down and drew around it, questioning what the other person was thinking, comparing the art and signature."

74

1346 Salvador Dali (Spanish, 1904-1989) The Twelve Apostles (as Knights of the Round Table) (M. & L. 1504-1515), 1977, edition 25/350, aside from a Spanish edition of 250 and an edition of 50 artist proofs, each signed "Dali", lithograph in colors with embossing and foil on Arches paper, sheet 25-1/2 x 18-3/4 in.; unframed, lacking portfolio Estimate: $3,500 - $4,500

1347 LeRoy Neiman (American, 1921-2012) A Student at Choate Rosemary Hall, Wallingford, Connecticut, 1969, signed lower right "LeRoy Neiman '69" and inscribed "Choate", pastel on paper, 59-1/2 x 39-1/2 in. (sight); parcel gilt and painted wood frame, 64-1/2 x 44-1/2 in.

Estimate: $2,000 - $3,000

For full cataloging and images see our website, www.brunkauctions.com

1349 Paul Jenkins (New York, 1923 - 2012) Untitled, abstract, "Paul Jenkins", watercolor on paper, 15 x 11-1/8 in.; unframed Provenance: Private Florida Collection Estimate: $700 - $1,000

1350 Joan Miró (Spanish, 1893-1983) Untitled, H.C. edition, signed "Miró", lithograph, 22-1/2 x 30-1/4 in.; fine frame Provenance: Sparks Estate, TN Estimate: $1,000 - $2,000

Condition notes available in back of catalog

1351 Charles Levier (French, 1920-2003) Lemons et pot, signed "Levier", oil on canvas, 40 x 30-1/4 in.; gilt wood frame Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

January 26, 2019

Modern

1348 Joan Miró (Spanish, 1893–1983) Les Deux Amis (The Two Friends) (D. 493), 1969, edition 75/75, signed in pencil lower right "Miró", Atelier Maeght, Saint-Paul de Vence, printer; Maeght, Paris, publisher, with two blind stamps, color etching, aquatint, and carborundum on embossed rag paper, 28-1/8 x 413/4 in. (plate) 37-1/2 x 55 in. (sheet); modern black and gold metal frame, 47-3/4 x 65 in.

Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $12,000 - $18,000

75

1352 Pablo Picasso (Spanish, 1881–1973) SalomÊ, from La Suite des Saltimbanques (Bloch 14), 1905, edition of 250 published by Ambroise Vollard, 1913 signed in plate upper right "Picasso/1905", etching on wove paper, page 15-3/4 x 13-5/8 in. sheet 19-1/4 x 15 in. Heydenryk gilt wood frame, 23-3/4 x 21-1/4 in.

Estimate: $8,000 - $12,000

January 26, 2019

Modern

1354 Aristide Maillol (French, 1861-1944) Mme Maillol, recto, Standing Figure, verso, stamped faintly, crayon, 11-3/8 x 7-1/2 in.; gilt frame Provenance: Private Collection, PA Estimate: $1,500 - $2,000

76

1353 Pablo Picasso (Spanish, 1881-1973) Le Chat, 1924, edition of 220, unsigned, sugar lift aquatint, drypoint etching and engraving on cream wove paper, 15-1/2 x 10-3/4 in. (plate) 17-3/8 x 13-1/8 in.; unframed Provenance: A Southern Institution Estimate: $4,000 - $6,000

1355 Nanno de Groot (Massachusetts, 1913-1963) Two signed:, Portrait, 36-1/8 x 32-1/4 in.; Nude, 13-7/8 x 10-1/4 in.; unframed Provenance: Private Collection, FL Estimate: $800 - $1,200

For full cataloging and images see our website, www.brunkauctions.com

1356 William Lester Stevens (Massachusetts/Maine, 1888-1969) Red Brick House, signed, watercolor on paper, 15-1/2 x 20-1/2 in.; framed Provenance: A Tennessee Collector Estimate: $700 - $900

1359 Dietz Edzard (German, 1893-1963) Flowers in a White Vase, signed lower left "D. Edzard", oil on panel, 7-3/8 x 5-1/4 in.; original gilt wood frame Estimate: $600 - $900

1361 Nanno De Groot (Massachusetts, 1913-1963) Three abstracts, signed "de Groot/1959", oil on plywood, each 18-3/8 x 12-1/4; framed Provenance: Private Florida Collection Estimate: $600 - $900

1360 David Burliuk (American/Russia, 1882-1967) Still Life with Flowers and Bowls, signed lower right "Burliuk", oil on paper, 19-1/4 x 14-3/4 in.; modern gilt and painted frame, 27-1/2 x 22-1/4 in.

Estimate: $2,000 - $4,000

1362 Julio Larraz (NY/FL, born 1944) Chambered Nautilus, ed. 88/100, color etching, aquatint, 17-7/8 x 35-1/4 in.

Provenance: Private Collection, NV Estimate: $1,000 - $1,500

Condition notes available in back of catalog

January 26, 2019

1358 Ivan Mosca (Italian, 1915-2005) White Flowers, 1963, "Ivan Mosca", verso "67", oil on canvas, 30 x 50 in.; framed Provenance: Private Collection, FL Estimate: $600 - $900

Modern

1357 Marcel Dyf (French, 1899-1985) Anse de Kerners (Morbihan), signed lower right "Dyf", oil on canvas, 181/4 x 21-5/8 in.; framed Provenance: Private Collection, NC Estimate: $4,000 - $6,000

77

Condition Notes - Please check website for updated condition notes 801 802 803

804 805

806

807

808

809

810

811

812

813

814 815 816 817 818 819

820

821

822

823

824

78

lined with paste and linen, crackle; frame with restorations lined and restretched on old stretcher original stretcher and tacking edge with some deterioration, two small patches, point of flaking at bottom near signature,; frame with minor losses and wear light surface scuffing lined with paste and linen, crackle with some embedded dirt, retouch at repairs with most in sky, stretcher marks, small point of flaking at left edge, abrasions at edges; frame with losses and resurfacing excellent condition overall, original brasses and escutcheons, original feet with some patched and/or replaced facings, typical cracks and wear crackle, stretcher marks, dry unvarnished surface, approx. 1-1/4 inch tear lower left edge, surface dirt; frame with wear, losses to finish, chips some cracks at crest rail joints, typical wear to knees and feet, slip seats replaced, upholstery with light wear and stains, later seat bracing, other minor repairs some warping and stains to top, minor veneer bubbling, probably original pulls, probably original feet with repairs and restorations (pest damage, some later blocking, underside of case with later stain) scattered cracks and repairs, two small patches at feet, minor pest damage, other minor repairs; minor abrasions at frame good overall, minor cracks, some bubbling to veneers, some gilding loss at center base, other minor surface flaws generally good condition, some cracks and shrinkage at leg laminations, minor crack at one skirt, other typical wear and surface flaws consistent with age and use dents, wear, polish residue consistent with age and use, smaller with leg separation at one front leg attachment both in good condition with minor wear and abrasions to frames; modern upholstery in good condition one break at chair rail, otherwise good condition with minor wear no lot repairs and restorations to legs and stretchers, leather with stains, discoloring, wear good condition with light wear from use later knee returns, legs possibly restored, otherwise generally good condition, typical surface flaws, replaced brasses one with breaks, repairs, and three small patches to splat, with patches to rear stiles, otherwise generally good, some pest damage to secondary surfaces, later seat bracing, minor cracks at some knees, some knee returns replaced good condition, some cracks to veneer panels, other minor fading and finish distress, two glass shelves, paneled back generally good condition, some cracks and surface distress, later leather writing surface, later brasses, cracks and minor inlay losses at skirt, other typical warping, minor repairs, and surface flaws frames with minor wear and surface distress, some cracks, wear, stains, distress to leather, one seat with small puncture, water stain at one rear stile brasses replaced, scattered wear

825

826

827

828 829

830

831

832

833 834

835

836 837 838 839

840 841

842

843

844

and abrasions (some induced surface distress with paint touch) some color variation, one side with two small patches (some components possibly reused wood), scattered wear and abrasions frames with some wear and abrasions, restorations at some knee returns, modern upholstery in good repair mirror plate and backboards replaced, back of carved frame resurfaced and with later paint, probably re-gilt with wear and gilt loss, scattered breaks and repairs to carving overall minor warping at doors, probably original brasses, some scratches and minor surface distress generally good condition, scattered minor veneer, inlay losses and repairs, possible restoration to drawer secondary (later staining), very minor sun fading, other surface distress including scratched in initials scattered veneer and molding chips, losses, and repairs, warping and veneer distress to fall board, feet restored (some elements possibly original), brasses replaced, lower case facade re-veneered (upper and lower case is not a marriage), door glazing with some distress (unlikely original but not removed for exam), adhesive residue and surface issues generally uniform low pile, wear, abrash, minor end loss, small area of paint residue at one end, no repair or reduction found generally uniform low pile, wear, corrosion, small areas of visible foundation, abrash, up to 1/2 in. end loss, no repair or reduction found generally uniform low pile, fading, abrash, minor end loss with later binding, no reduction found lined, restretched on new stretcher with veneer of former stretcher, crackle, retouch, areas of overcleaning; frame with abrasions yellowed varnish, patch verso with related retouch, original stretcher and tacking edge; frame with abrasions lined with linen, restretched on old stretcher, crackle, darkening; frame resurfaced crackle, yellowed varnish, flaking at edges; frame with losses to composition lined, restretched on tension bar stretcher, crackle, retouch; frame with some losses and wear lined with paste and linen, restretched on 19th century stretcher, crackle, retouch, yellowed varnish, dirt layer; frame with some abrasions lined with paste and linen, crackle, some retouch; frame with wear frame in good condition with minor patches at two feet, some minor repairs at joints, wear to legs and carved elements, finely upholstered with exposed under-frame, modern upholstery with some light surface dirt some cracks and chips to drawer facings, typical cracks to case sides, other minor losses to veneer and beading cracks and minor repairs at arm supports, some tacking scars, some joints slightly loose, modern upholstery in good condition, not examined under upholstery scattered restorations and repairs, scattered losses and repairs to inlay, escutcheons are replaced, brasses are reset or replaced, cracks

845

846

847 848

849

850

851

852

853

854

855

856

857

858

859 860

861

862

863

and distress at cabinet doors, other scattered repairs stains, cracks, other distress to leather, some surface wear and abrasions to frames, minor separations at stretchers minor scratches and stains at top, painted frame with scattered retouch, breaks and repairs to stretchers with retouch, scattered minor chips at feet minor cracks at top, scattered minor veneer distress and very small chips, other typical wear good condition overall, later brasses, scattered veneer distress with typical minor repairs and cracks reconfigured, later interior shelf and felt, period feet with replaced supports, other possible alterations, scattered minor repairs and surface flaws good condition overall, later brasses, original feet with later blocking and minor repairs, cracks and repairs at bottom edge of fall board, lacking escutcheon, other typical surface flaws and minor repairs frames with surface mildew, abrasions, wear; tapered leg example has a replaced medial stretcher, wear and stains at upholstery; larger example with extensive staining wear and scratches at top, minor cracks and repairs at leg tops, original top, possible restorations to oak gates, small patch at one foot, other minor repairs excellent condition overall, one with crack at center of crest rail, some wear and other typical flaws, modern upholstery in good repair generally good condition, scattered minor stains and fading, cracks and minor veneer repairs, some later bracing, brasses replaced, other minor repairs and flaws consistent with age and use generally uniform medium pile, wear, abrash, corrosion, spot staining (no odor), no repair or reduction found pile varies from low to none with areas of visible foundation, wear, corrosion, abrash, areas of reweave, selvedge breaks, later fringe, no reduction found generally uniform low pile, wear with small areas of visible foundation, abrash, later fringe, no reduction found scattered warping, veneer distress and scattered repairs, including repaired crack at top, scattered inlay repairs, sun fading at back, repairs at hinges; stand possibly original (bed molding replaced) medium pile, minor wear, furniture imprints, very minor moth damage, no repair or reduction found pile varies from medium to very low, wear, grime, scattered moth damage (heaviest at one end), selvedge breaks, no repair or reduction found pile varies from low to none with areas of visible foundation, wear, corrosion, abrash, added color, bleeding, reselvedged, no reduction found pile varies from medium to low, wear, abrash, scattered very minor moth damage, up to 1 in. end loss, no repair or reduction found one with vertical crack upper portion of body and two small glaze cracks at base, small crack or fold in lid, probably as made, both with losses to gilt and wear to base,

864

865

866

867 868

869 870

871

872

873 874

875

876

877

878

879

880

881

882

scattered areas of grime possible restorations to both combs, normal surface wear and scratching consistent with age and use repair to lower body near handle terminal, repair to finial, minor glaze voids and flaws as made, abrasions and small chips to handle, minor losses to decoration wear and losses to decoration especially at top, top with wear and separation at back, dents to lidded canisters, corrosion to brass feet manufacturing flaw at rim, gilt losses at rim, some wear to interior decoration, wear to base lacking drainer, minor chipping, abrasions and gilt losses to rim, wear and minor losses to enamel decoration both gilt losses at rims, minor base wear largest with abrasions to rim, overall scattered losses to decoration, wear, losses to gilt on rims; one plate with repair, two shallow bowls with cracks, scattered rim chips and abrasions, wear to decoration small chip to spout; wear to gilt, roughness to spout; gilt loss, interior rim chip on each; crazing, hairline on spout, gilt loss; rim chip on each; spout chip, gilt loss, possible restoration to lid; scattered loss, a few small chips; scattered loss, one handle restored glaze crackle, minor abrasions to rim, wear; small rim chip; chip on rim, wear to gilt; chip to rim, crack from rim extends approximately 4 in. interior rim chip, minor wear; wear to decoration; wear to raised surfaces restoration at handle, wear to decoration; restoration to handle, abrasions to rim, wear to decoration; chips to rim, hairline crack extending from rim, cracks to base, wear to decoration; crack in base of handle, wear to decoration some color variation at cornice (appears original), warping to doors, finish wear and fading, typical minor cracks, surface flaws, minor veneer repairs good condition, surface wear and scratches, minor color variation at leaves, very minor chips to some leg turnings, other scattered minor flaws legs restored, brasses replaced, minor crack at one drawer facing, other typical cracks and minor repairs planters likely associated, with scattered minor paint flaking and retouch; stands are generally good, some repairs to composition ornaments, some surface retouch good condition overall, typical cracks and warping at top with possible restorations (later paint at underside), other scattered veneer distress, minor bubbling, some repairs, later brasses, some slight dents to grille doors frames with scattered wear and abrasions, some minor cracks and repairs at crest rail attachments, some minor sun fading, seat frames with later black paint and some consolidation, breaks and repairs at two rear legs, modern upholstery in good condition good condition overall, stains and abrasions to shelves, veneer distress to base with one large crack, scattered chips and repairs break and repair at one hat support, one with separation at joint,

Condition Notes - Please check website for updated condition notes 883

884 885 886 887

888

889 890 891 892 893

894 895 896

897

898

899 900 901 902 903

904

905

906

cabinet with some veneer distress and repairs, other surface flaws very good condition, some minor cracks and stains at top, other typical veneer checking, minor surface distress, brasses possibly original (no plugged holes), very minor sun fading good overall, minor separations at leg lamination, other typical minor wear and surface distress extensive weathering and surface wear, some rough edges, otherwise good condition typical wear and corrosion from age and use, surface distress, log supports mismatched first with breaks and repairs at front leg attachments with some associated losses; both with typical surface wear and flaws, both with minor stains to upholstery surface mildew, paint losses, pest damage (especially at base) with some associated losses, losses and separation at left case side both excellent condition with minimal wear, abrasions, some discoloration at sockets one marble base is attached off center, wear to gilt unless otherwise noted, overall scattered gilt loss, stains, base wear wear to gilding on rim where lid rests and rim of lid, scattered repairs to carved elements, including repairs to wing, small loss at tail feather, other scattered cracks and minor losses, some cracking at veneers, break and repair to center lower top, loss at one lower scroll, mirror plate with distress overall good condition, minor gilt loss and wear scattered verdigris, otherwise good condition for age and use minor chip at one arm attachment, other scattered minor surface flaws, caning good overall with very minor breaks, upholstery with light wear and stains stains and fading to leather, some edge bumps and minor repairs at top molding, other minor surface flaws including small cracks at one drawer facing good condition overall, minor losses, distress, repairs to banding, crack at lower shelf, other typical surface flaws, minor losses at foot laminations generally good condition with light abrasions consistent with use some repaired cracks and minor warping at top, other very minor surface flaws, replaced casters extensive gilding wear, typical minor cracks to composition ornaments frame with light wear and abrasions, modern upholstery generally good wear and stains at top, lacking some applied elements at heraldic device, other abrasions and wear, chip and loss to veneer at side of gallery, other minor veneer losses 20th century construction with some earlier components, minor sun fading to panel doors, other very minor surface flaws and wear generally good condition, some surface losses to gilding on columns, distress to silvering on mirror plates, minor polish residue to brass elements, marble tops likely replaced and reconfigured, backs slightly loose indentation upper left, abrasions, craquelure, grime; frame with abrasions

907

908 909

910 911 912

913 914 915

916 917

918 919 920

921

922 923

924

925 926 927

928

929 930 931 932 933 934

lined and restretched on original stretcher, yellowed varnish, some crackle, small area of retouch; frame with abrasions some "checking" with vertical crackle; frame resurfaced lined with fiberboard, restretched on old stretcher, slight warp to board, scattered retouch possibly restored or retailed by G. der Garabedian at Fenway Art Center (label verso); frame with abrasions lined, restretched on old stretcher, crackle, some abrasions at bottom, retouch primarily at edges original stretcher and tacking edge, dirt layer, retouch; frame with minor patch with related retouch, yellowed varnish, original stretcher and tacking edge; frame with abrasions yellowed varnish, some crackle, scattered light retouch; frame with wear good overall, some minor cracks and paint distress, minor repairs at appliquĂŠs largely reconfigured using some period elements, with rebuilding throughout, scattered, minor pest damage, minor warping at doors paint flaking and distress, largely as made, modern upholstery with minor fading reconfigured, modern top with shrinkage and warping, frame generally good with some minor pest damage scattered, minor cracks and finish flaws, some chips to foot turnings later bottom board and skirt, pest damage throughout, restoration at cornice very good condition, scattered very minor veneer chips and repairs, light surface dirt and mildew, minor separation at bottom of frieze drawer one puncture to caning at back, some wear to painted frame; stool with repairs at leg joints, wear and scattered retouch to paint, modern upholstery in good condition frame with some minor cracks, finish distress, modern upholstery in good repair with minor stains painting with flaking, scattered retouch, two repaired tears; modern frame with surface distress and gilding wear largely as made scattered minor cracks at joints, paint retouch, break and repair at one front leg and side rail, other distress, upholstery with stains and wear light dirt dark brown patina with some wear, paint accretion replaced top, legs spliced approximately 6 in., typical cracks at leg tops, traces of paint, replaced drawer divider good condition, some minor pest damage and tacking scars, minor distress at some joints, hinges with later screws, modern upholstery with some surface dirt and wear lined, crackle, retouch; frame resurfaced and with restorations all four columns loose, extensive wear to gilt finish, lacking key she with hairline crack in base, he with small crack in base, possibly as made, minor wear and gilt loss good condition with silver loss, varnish distress, surface dirt, corrosion or verdigris at back wax residue minor wear to patination and gilt, a few very small chips to marble base, several of the candle arms are

935 936 937 938 939 940 941 942 943

944 945 946

947

948 949 950 951

952 953 954 955 956 957 958

959 960

961

962

963 965 966 967

loose and slightly skewed oxidation at metal, minor stains and edge wear at top sconces not electrified, two sconces with arms slightly loose, globes with minor rim chips light surface distress largely as made sconces not electrified, two sconces with arms slightly loose, globes with minor rim chips scattered wear to gilt finish, minor abrasions and minute chips to marble unless otherwise noted, light scratches some wear to seams, minor interior wear good overall condition wear to handle and leather trim, canvas in good overall condition, tarnish to medal, wear and slight grime to interior lining wear to leather handle, minor wear to leather trim and canvas, minor grime to interior lining scattered molding wear and finish losses, other typical surface wear marble top with later bracing at underside (no repairs found), base with later paint (traces of red underneath), scattered chips to paint with typical minor corrosion gilt break and repair at trestle, other typical repairs with minor losses, minor surface wear and abrasions, minor gilt loss, replaced backing some wear to base otherwise good condition good overall with wear to legs, light weathering, minor distress to brass, some joints slightly loose chip to one tail feather on brace of birds, minor separations to wood cracks and warping to lid and facade, original hinges reset, base molding replaced, pest damage, other typical surface distress pile varies from medium to pile, abrash, bleeding, no repair or reduction found generally uniform low pile, wear, abrash, minor end loss with later binding generally uniform low pile, wear, abrash, fading, selvedge losses, ends with later binding both lined, crackle, retouch, yellowed varnish layer laid down, sealed verso with paint, crackle, retouch, minor losses and abrasions lined with paste and linen, grime, retouch, crackle; frame with abrasions patches and retouch throughout, shrinkage cracks along some edges, drilled holes in frames, surface dirt, later paint at canvas backs, other typical wear and losses good condition, intentional abraded surface, losses, surface dirt lined with paste and linen, crackle, six patches verso, retouch, abrasions, small pin-sized holes; liner with losses re-surfaced two works with water stain, some toning, frames with some wear from dusting; cabinet with abrasions flaking with retouch top right, heavy dirt and yellowed varnish layer, abrasions and edges; frame with losses to composition 964 wear to bases, tarnish and grime to liners, overall grime to urns minor paint wear, one of female's leg bent minor wear to gilt mounts light scratches to porcelain surface,

968 969

970 971

972

973

974 975 976

977 978 979

980

981

983 984 985

986

987

988

989

990

991

cracks and repairs to frame, retouches to gilt one plate with chip to rim, otherwise minor wear chips and glaze losses along base and tops to hats, figure on right has glaze loss to his cravat; glaze chips to rim and base overall minor wear old repaint with some wear, distress, minor paint losses, frame structurally good, later corner braces to seat frame, upholstery stained and worn paint retouch to gilding, typical cracks and wear to ornament, other light wear and losses, lacking back board early elements with restorations and reconfiguring, surface distress and cracks with flaking and retouch to paint decoration, distress to mirror plates possibly lacking shade, chips to base and where lamp post is joined, abrasions, scratches wrinkled, minor fading scattered losses, repairs, and restorations throughout, some rebuilding to drawer secondary, losses to two figures heads and several hands, scattered pest damage, later feet, possibly once fitted with a fall front very minor wear alabaster and gilt wood with abrasions, marble base with small chips all components appear to be present but unassembled, porcelain components appear to be in good condition, wear and corrosion to metal components; wallpaper remnants on backs scattered wear and paint losses, minor cracks to some legs (one with area of loss), marble not examined mirror plate replaced, general losses to finish and painted decoration, extensive wear to interior of planters minor wear, scattered very minor moth damage, edge protectors verso generally uniform low pile, minor wear, abrash, no repair or reduction found panel shaved with new cradle, evidence of pest damage, some crackle and cupping, white ground exposed in some areas with loss to gilding, various periods, retouch good condition, paint and finish loss at steel frame, glue residue at tile, minor paint splatter, breaks at some stones with small losses severe pest damage with losses to panel, pigment and lacking one batton, central split with related fill and retouch areas of over-cleaning, warped, horizontal checks (splits), repairs with associated retouch, nails and holes from former battens through to front, abrasions; frame with losses and wear crackle, hole at top, wear to gilt surface, retouch and fill at top, lower left; frame reduced with losses and repairs panel warped with various periods of repairs evident verso, vertical checking with related retouch, several periods of retouch with some lightened pigment, craquelure, possible trimmed at left and right edges, losses to pigment and panel with two areas of fill at top various periods of retouch, some smalls checks, surface dirt, crackle; frames with chiseled rabbets, losses, some pest damage, labels

79

Condition Notes - Please check website for updated condition notes 992

993

994 995

996

997

998 999

1000 1001 1002 1003

1004 1005

1006 1007

1008

1009 1010 1011

1012

1013

1014

1015

80

verso for restorer in Vienna "Herm.

Ritschl" not examined out of frame, some foxing, not apparently laid down, otherwise in good condition; frames with abrasions deterioration of tacking edges, heavy uneven, yellowed varnish, crackle, "porthole" cleaning and re-varnish, abrasions, lined crackle, yellowed varnish, abrasions; frame with abrasions lined with paste and linen, crackle, cupping cleavage, dirt layer, lifting at edges, abrasions, retouch; frames with wear thinly painted, large oval lined with linen and restretched on old stretcher, three smaller laid on fiberboard with some minor warping, trimmed of tacking edge, some retouch, crackle not removed from sandwich glassed frame, toning, remnants of hinging tape verso top, tears at edges, some abrasions to ink; frame with abrasions panel with convex warping, heavy dirt layer, crackle, abrasions; frame with losses to composition hinged in, restoration to approximately ten tears with some loss near bottom inscription after signature, fading, toning, handling grime, stains; frame with abrasions lined with paste and linen, areas of over-cleaning, abrasions, retouch reinforced tacking edges with some lifting, crackle, cupping, some flaking, retouch, areas of over-cleaning abraded, creases, losses at edges, tears, toning; frame with wear and pest damage B+, mounted on mulberry paper with lining wrapped to verso, possibly trimmed at top, folding creases with some ink loss, complex tear top right with possible related retouch in the word "Glace", other tears at top and into image left, toning, two stamps; toning, accretion or restoration at point upper right, hinged in; frame with abrasions, archival treatment A, mounted on mulberry paper wrapped to verso of mount, strong colors,; frame and Plexi-glass with abrasions some abraded paint, some toning original stretcher and tacking edge, crackle, some cupping, canvas slightly loose, yellowed varnish; frame with some loss to composition linen lined, crackle, approx. 1-2 x 1 in. area of retouch sky center, also scattered retouch corners and edges; toning, some fading, not removed from archival framing; frames with abrasions abrasions, losses to patination wax and linen lined, minimal surface dirt; frame with some wear especially at corners and edges, separation at corners laid at edges to mount with lifting, accretion (gold paint) at edges, light dirt layer; frame with pest damage toning, hinged in, "Thaw" with paper and adhesive accretion verso corners, pencil inscriptions, foxing, "December" with toning, "Januarius], with creases, tears top right not removed from frames, some with toning, one music cover with staining/foxing; frames with abrasions some foxing in margins, toning, trimmed; frame with abrasions, archival treatment

1016 toning and foxing, not apparently laid down, not removed from archival framing 1017 small casting flaw in skirt, medium brown patination with minor rubbing 1018 toning, some fading, damp stains, restoration, foxing, not removed from archival framing; frame with abrasions 1019 linen lined, crackle, L-shaped repaired tear apparent with corresponding re-touch sky left, crackle, other tiny areas of re-touched crackly sky; frame with minimal wear 1020 laid on board, surface dirt, vertical surface accretion sky left, two small lines of retouch at left edge; frame with wear and losses to gilt, chips to wood at top edge 1021 each with toning, not examined out of frames; frames with abrasions 1022 linen lined, crackle, vertical lines of florescence apparent from retouch to crackle in sky; frame with missing decoration at inner corners, some decoration missing at top edge, wear commensurate with age 1023 surface dirt, remnants of old colorman label verso, support corners glued to verso, area of retouch sky middle; frame with wear and chips 1024 lined, restretched on old stretcher, crackle, retouch primarily in the sky 1025 loose canvas, stretcher marks, crackle, surface dirt, some quilting canvas verso, small areas of paint loss at horizon right edge and far left edge; frame with wear, abrasions and losses to gilt 1026 some casting flaws at signature 1027 good condition 1028 female figure lacking proper left hand, glass base with abrasions 1029 wax and linen lined, some tiny areas of retouch scattered throughout, especially ice foreground right, crackle; frame with wear, small chips and losses to gilt 1030 toning, toning, not apparently laid down; frame with abrasions 1031 restoration to 4 in. tear, 1/4 in. tear, trimmed, damp stain bottom margin, some toning, loose; frame with abrasions, archival treatment 1032 with the registration holes, uneven trim to bottom margin, restorations to margins, slight handling grime, light toning; frame with abrasions 1033 toning, fading, complex tear into image top right, not removed from archival framing; frame with abrasions 1034 appears in good condition with minimal fading; frame with wear and abrasions, losses to gilt especially at lower edge and corners. conservation notes verso 1035 toning, foxing, not examined out of frames; frames with abrasions 1036 light toning, foxing; frame with abrasions 1037 toning, damp-staining, two restorations verso, loose; frame with abrasions 1038 linen lined, extensive areas of retouch throughout; frame with wear, losses to paint and gilt, separation at corners 1039 some lint on costume but overall good condition, minor dents, abrasions and tarnish to lantern 1040 fading, scattered areas of discoloration or very light stains, surface abrasions and wear 1041 overall rust to skates, breaks and wear to straps; lacking some straps, overall rust to skates 1042 wear to leather especially at the ankle, rust on blades

1043 cracks, tears, and wear to leather; some stains to wood; iron with some corrosion, bolted to modern stand (bolt holes likely from original hangers) 1044 lacking some ties, breaks and wear to leather; lacking most of leather ties, splits and chips to wood, rust to blades 1045 rust to blades, wear to leather; lacking leather toe straps, rust and tarnish to blades 1046 lacking leather straps for toe buckle, wear and cracking to leather, some corrosion to blades and shoe plates, wear and grime to bag 1047 cracks and wear to leather, corrosion to metal elements; wear to leather, restitching at seams, corrosion to metal 1048 scratches and wear to blade, wear to leather; tarnish, wear 1049 most of name has worn off on foot plate, scattered areas of rust and tarnish 1050 flaking and losses to silver paint, wear to leather 1051 overall oxidation and wear to metal, wear to leather on one cleat, wear consistent with age and use 1052 lacking one heel strap, tears and extensive wear to leather, losses to paint, rust and wear to metal; extensive losses, wear and abrasions to leather, scratches to wood and metal 1053 both with scratches and abrasions to wood, wear and tarnish to blades 1054 scratches and abrasions; stains, wear, losses to paint; two corners off, repair to one corner 1055 some with glaze crazing, glaze voids as made, chips and cracks 1056 one tile with corner off, most with glaze crazing, chips and wear, two with later red numbers 1057 some wear to decoration along foot ring, light scratches and abrasions, case in poor condition 1058 good condition; large chips, crazing, losses, wear; remnants of adhesive labels, minor chips; good condition 1059 glaze voids, crazing, small chips 1060 A-, backed with linen, light abrasion on skirt, fresh colors; frame with abrasions 1061 C, toning, fading, retouch, losses, lined; frame and Plexi-glass with abrasions 1062 some toning and fading, one with more foxing, not apparently laid down, frame with abrasions, wear 1063 A-, professionally conserved and lined with mulberry paper with lining wrapped around foam-core mount and taped. about 1/8-1/4 in. of poster wraps on left side, some toning, otherwise good condition 1064 B, backed with linen and wrapped around mount, toning, water stains at top and bottom, loss at top with 'restoration'; frame and Plexi-glass with abrasions 1065 B, backed with linen and wrapped on card, toning, central fold with wear to ink, small tears and loss at right edge, some creases and water stains; frame with abrasions 1066 B, losses, tears and retouch lower right, diagonal crease at bottom, tears, small losses and tears upper left, some abrasion of ink; frame with abrasions 1067 Condition: B-, laid on card, toning, tears, small stains, stamped, small losses; frame with abrasions 1068 Condition : A- with toning, folds, small tear with ink loss at center join, water stains at bottom 1069 Condition: B, laid on linen, folds,

1070

1071

1072

1073 1074 1075 1076 1077 1078 1079 1080

1081

1082 1083 1084 1085 1086 1087

1088

1089

1090

1091

1092 1093

1094

central fold with restoration, tears and hole a with pastel retouch, pastel in skirt and transferred pastel at left edge, water stains at bottom; frame with extra screw holes Condition: B+, both with folds with some tearing, light toning, not removed from frames; frames with abrasions A-, backed with linen, stamped, fresh colors, light toning, folds with some small associated tears; frame with abrasions; staining, fading; frame with wear Poster Condition: B, backed with linen, folds, creases, small stains and tears mostly at lower right Bottle in good condition B, toning, staining, paper losses, folds, water stains, not examined out of frame; metal frame A-, backed with linen, very slight possible fading in sky, light toning, holes right margin as made sculpture slightly loose on base, slight abrasions to marble very slight toning, mats and verso of boards with tape remnants and handling grime both in overall good condition, very light wear discoloration to sequins from wear at jacket opening and along collar, minor wear to overall costume fair condition; light wear minor wear to button holes, interior stains, waistline on trousers has been altered with elastic inserts, wear to suspenders, scattered areas of light discoloration base likely a marriage, cracks and repairs to quartz surface, one ruby missing, one sapphire replaced, two pearls missing, tarnish to silver A, not examined out of frame; frame with abrasions gold to reddish brown patina with rubbing, repair to proper right arm good overall, lacking mirror, some pitting, one small hole, other typical wear minor surface abrasion, surface condition as made light scratches to metal minor cracks and surface wear at frame, patch and repair to one rear leg, cracks and one patch to side frames of back panel, modern upholstery with light wear and stains (not examined under upholstery) one with breaks and repairs to rear stiles, each with wear and paint losses, especially at seats, with some scattered retouch surface wear and distress, including finish distress at one leg, scattered repairs at leg joints, other flaws throughout uppermost molding element likely restored, scattered chips and cracks to veneers including at bandings, minor cracks at case sides, crack at one glass panel, part of one drawer bottom replaced, stains at fabric writing surface, minor fading at case side recently cleaned and varnished, Mylar lined, new strip lining, areas of retouch. retouch with restoration paints.; frame re-gilt, old repairs to decoration corners and edges, general wear and age. Conservation report from Colin Post available. surface dirt, approx. 3 small areas retouch sky; frame with wear, gold paint (not gilt) linen lined, crackle, areas of retouch throughout, especially foreground left and sky right, surface dirt and yellowed varnish; frame with wear surface dirt, yellowed varnish, crackle, loose canvas, area ofz

Condition Notes - Please check website for updated condition notes

1095 1096 1097 1098

1099 1100 1101 1102

1103

1104

1105 1106 1107

1108

1109

1110 1111 1112 1113 1114

1115 1116 1117

1118

1119

retouch sky center; modern outer frame with gold paint, not gilt, period liner with old repairs, wear and separation at corners crackle throughout, re-stretched and lined, significant retouch and modern varnish layer lined, areas of retouch upper right edge, foreground lower left, lower left edge, crackle; frame original stretcher and tacking edge, crackle, surface dirt; frame with minimal wear lined and retstretched on new stretcher laminated with face of presumed original stretcher, crackle; frame resurfaced, with wear some toning to engraving and cream paper mat, scratched and wear to frame small imperfections as made, losses to decoration and cream glaze excellent condition overall, minor warping and stains at top, scattered typical veneer flaws checking and fading to crest rail veneers, minor break at back of one arm, scattered minor veneer chips and losses, some water spotting, chips to skirt molding, other scattered minor flaws appears to be in excellent condition, scattered wear and flaws, modern upholstery in good repair (not examined under upholstery) upper, lower case likely married (bed molding replaced), otherwise generally good, typical surface wear and flaws, brasses likely replaced (no plugged holes) replaced top and brasses, typical surface wear, scattered, minor patches and repair, original feet very good condition, minor veneer repairs and surface flaws minor cracks and repairs at backs of arms, some paint retouch at feet, minor chip at one return, other typical scattered cracks, repairs, and losses, especially to veneers at back scattered minor veneer repairs, one drawer lacking ratcheted writing board, other drawer formerly fitted with dividers, drawer pulls possibly associated, feet restored cracks and repairs at top with some infill, bracing loose at bag drawer with some glue repairs, later fabric with fading, other scattered minor veneer and surface flaws repainted frame in good condition with some distress and rough spots, glass with minor scratches scattered surface dirt and minor distress, some paint wear, minor losses, paint retouch good condition overall, scattered surface abrasions and scratches weathered surface with corrosion and verdigris, iron elements with deep rust frames in good condition, one small repair at side corner, leather with some wear and fading, other minor distress good condition, some finish distress to brass, bending and distress to applied leaves generally good condition, scattered paint wear and losses, especially at beaks firing anomalies, feathers and air bubble in glass, roughness and chips to underside of bases, possibly as made, wear to underside of bases with pendulum, winding key, case with wear, abrasions, finish losses, some spotting at dial and moon phase surface dirt, signed painting with

1120 1121 1122

1123

1124

1125

1126

1127

1128 1129 1130 1131

1132 1133 1134 1135 1136 1137 1138 1139 1140 1141 1142

1143 1144 1145

1146 1147 1148 1149 1150 1151

preliminary oil sketch panel verso, split at left side verso on signed panel; wear and losses to finish crackle, surface dirt; frame with wear, dirt, some separation at corners some surface dirt, overall good condition; minor loss and abrasion to frame linen lined, areas of retouch middle right, surface dirt, crackle; frame with wear, cracks, separation at corners, chips not examined out of frame, possible wear at lower right corner under mat, small tacking hole upper left; frame with minimal abrasions dry unvarnished surface, surface dirt; frame with wear, slight separation at corners, some losses to finish at corners and edges laid on board, surface dirt, planar deformations and cracks to board right edge and corners; frame with wear, dirt, separation at corners four old patched repairs canvas verso, surface dirt, multiple areas of retouch especially sky, crackle; frame with wear, losses to gilt and decoration, separation at corners original stretcher and tacking edge, surface dirt, crackle, some quilting to canvas verso, canvas slightly loose, approx. 6 small areas of florescence foreground; frame with separation at corners, wear surface dirt; frame and mat with surface dirt, separation at corners of frame and mat richly inked, laid down with paper mat on top of probable margins spots of accretion and surface dirt sky; frame with minimal wear taped to mat verso at corners, otherwise appears in good condition; frame with wear and chips at corners good condition; pedestal base with abrasions and erroneous plaque for "Cheyenne" base with abrasions small restoration to gun stock with slight abrasion; pedestal base with abrasions wire replaced, marble cracked, broken reigns; base with abrasions No lot good condition base with abrasions pedestal base with abrasions wood pedestal with scratches minimal surface dirt; frame with minimal wear mounted to board, minimal smudging, apparent repair at lower edge center; frame with minimal wear, area of small chips lower right side base with abrasions stretcher mark upper edge, crackle, line of accretion sky upper left; frame with minimal wear good condition; frame with minimal surface dirt, separation at corners, loss to decoration at corners, abrasions to gilt not examined out of frames, both with slight ripple to paper at edges; frames with wear not examined out of frame, appears in fine condition; frame in good condition not examined out of frame, minimal toning apparent; frame with wear, suede liner with wear surface dirt, uneven varnish; frame with minimal wear toning, light foxing, abrasions to frame toning, minor foxing, abrasions and minor losses to frame; toning, wear to frame

1152 cover and binding extremely worn, whole and parts of pages are missing 1153 cobalt glass on back not attached, seperating(?) on black glass, wear and scratches; tarnish, scrathes to crystal and gold; tarnish, scratches and wear; male part of one clasp not attached but with bracelet, tarnish, scratches, stitches fraying 1154 white shadowing surrounding silhouettes, light foxing, abrasions and small chips to frame 1155 toning, several silhouettes not completely attached, a few with minor creases 1156 extensive foxing, wear, chips and abrasions to frame; loose from frame, toning; toning, scattered foxing, wear and abrasions to frames 1157 water stain to boy, toning, losses to gilt frame, toning to girl portrait and cracked glass; minor wear to frames and labels; overall losses to eglomise and gilt decoration, toning, frames with abrasions and losses 1158 toning, foxing, a few small loose pieces from cut outs; toning, one inch vertical tear at bottom, uneven top edge 1159 repaired tears and stains to Doyle gentleman, some with scattered foxing, all with toning, several with stains, wear and abrasions to frames 1160 unless otherwise noted, toning, scattered foxing, light stains, cracks, abrasions and wear to frames 1161 loose piece from bottom that shows the dog's shadow, wear to interior and losses to leather, case lacking one catch 1162 wear to binding, scattered foxing and stains to silhouettes; wear to case, interior fabric loose 1163 evidence of sizing, crystal heavily abraded and scratched, tarnish, wear and scratches 1164 No. 1 in very good condition on forearm, abrasions and color losses under forearm and light scratches and abrasions to barrel, light abrasions to leather recoil pad, small dents to wood stock; No. 2 with abrasions and color losses under forearm, small nicks to left barrel, muzzle with color loss, leather recoil leather pads with light wear, small dents to wood stock 1165 original bluing, interior of barrel in good condition, barrel surface with light scratches and marring, rubber recoil pad is hardened, is discolored, cracked, misshapened and worn, wood surface with loss of finish, areas of fading to butt stock, gouges, scratches and marring, 1166 minor dents, scratches and abrasions to stock and forearm 1167 loss to forearm, retains over half color, dents, scratches, chips, loss to stock 1168 case colors bright, recoil pad with crack and loss, dents and scratches to stock, repair to forearm 1169 lever with light rust and pitting, possible repair and loss to stock on right side, light rust to forend cap, stock with dents, scratches, heavy abrasion 1170 barrel and magazine tube have all of the original bright blue finish., frame, hammer, and lever retain most case colored finish, recoil pad, lever with more color loss from use, stock and forearm possibly refinished with dents and scratches 1171 good condition, retains most if not all color, scratches and abrasions to stock

1172 bore diameters are approximately 16.5 mm and 17.3 mm, original blue finish, a few small surface scratches, pitting and rust to barrel interior, especially at breech, a couple of tiny spots of rust to barrel exterior, light rust and corrosion to breech interior and barrel, dull wood finish to butt, rubber recoil pad has hardened, is discolored and chipped, firing mechanism appears to be mechanically sound 1173 excellent condition, small scratch to barrel 1174 original blue finish, scattered light rust to the barrels, 10-1/2 in. crack along top of left stock, loss of finish to frame, gouge in wood left side of pistol grip, rubber recoil pad has hardened, is discolored and worn, wood surface with loss of finish, areas of fading to butt stock, gouges, scratches and marring, 1175 good working condition, very little color, frame, lever and barrel with areas of pitting 1176 original bluing in excellent condition, a few small, light scratches to wood surface, 1177 good condition, scratches, dents abrasions to stock, protective cover on front site lens missing 1178 scratches, abrasions, dents to stock, light scratching to barrel 1179 good condition, scratches to barrel 1180 good condition, scratches dents abrasions to stock, very light pitting and rust to scope 1181 barrels with light rust and pitting, do retain some color, rust to frame especially to front of trigger guard, forearm replaced with handmade piece, recoil pad glued to stock with glue residue, dents, scratches, abrasions, and loss to stock 1182 I"M TAKING THIS TO A GUNSMITH_ CONSIGNOR HAS TAKEN IT APART. 1183 laid on paper backing, loss to edges, scattered mended tears to edges, toning, foxing 1184 slight toning 1185 slight fading, toning, foxing, trimmed 1186 scattered loss, creases, folds, toning, foxing, map separated from bottom roller 1187 slight toning, pencil inscription written in cartouche 1188 toning, yellowing to paper, slight fading to color, creases to paper with scattered losses throughout 1189 staining in margin, foxing, image impression on each side of map from previous fold 1190 loss to edges, slight fading, toning, scattered small tears at edges, some minimal loss 1191 toning, foxing, loss to edges 1192 border extensions on sides and bottom, slight toning and foxing 1193 laid down, fading, foxing, minimal loss to edges 1194 slight toning and foxing, tape residue on reverse top with paper remnants 1195 loss to edges, grime, foxing 1196 slight toning 1197 slight toning, some foxing 1198 in good condition for age, breaks and repair to drawer facings, one drawer bottom replaced, hinges replaced (patches at inside of door), repair at skirt attachment, crack at one rear foot, other typical warping, wear, scattered minor repairs 1199 good condition, retains some early surface, some cracks, infill, distress to drawer facings 1200 uppermost section of pediment replaced, some patches and repairs at feet, at upper door escutcheon, scars from previous door pulls,

81

Condition Notes - Please check website for updated condition notes 1201

1202

1203

1204

1205

1206

1207

1208

1209

1210

1211 1212 1213

1214 1215

1216

1217

1218

1219

1220

82

hinges replaced, some shrinkage to upper doors with strip patch, other scattered, minor repairs top replaced, some veneer repairs and drawer bandings, some finish distress and losses, minor inlay losses at cuffs original top with wear and stains; frame in old surface with stains and abrasions throughout, minor cracks and repairs at leg tops refinished, replaced brass, scattered pest damage, surface wear, scratches, restorations to drawer sides, feet possibly slightly trimmed interior with scattered candle burns, cornice with several separations, brass pulls replaced, old refinishing, some losses to old lock mortises, minor warping at doors excellent condition, stains and edge wear to top, lacking pin for birdcage, other typical minor wear and flaws marble top likely original and with stains and edge wear, extensive veneer distress and losses to columns, some chips to moldings, abrasions and minor veneer repairs brasses replaced, crack and shallow loss at one drawer facing, scattered minor repairs, including at top molding, probable restoration at one front foot facing left bottom square with stains and tears, taped repairs, soiling and minor tears to right bottom corner, tear in top left corner, overall fading, light soiling, tears to paper the heads with some chips and surface losses (probably lacking three inset eyes), looseness at joints, crack at one real stile, cracks and losses at front leg attachments, other surface distress, paint splatter, losses at woven seat excellent overall condition, top has been cleaned, shows wear, some distress and repairs to support for turned top, other wear and minor flaw good overall, lacking one hinge, minor crack at one rear leg, other minor flaws good condition overall, stains and minor shrinkage to tops, other typical wear, some areas of bark loss scattered minor losses to applied elements, other typical cracks and wear, some finish losses to shelf tops very good in a very good slightly edgeworn and rubbed dust jacket good condition overall, minor cracks and staining at top, later knobs, shallow chip at top lock, other typical surface wear generally uniform low pile, wear, corrosion, abrash, grime, several 1 x 2 in. or smaller holes, selvedge and corner losses, no repair or reduction found excellent condition overall, old, probably original surface, typical wear, edge losses at feet; modern slip seats in good condition; original slip seat frames with tattered, early leather generally uniform low pile, abrash, curling, crease wear, selvedge breaks, minor end loss with approx.

2 x 3 inch hole at one end, retains much of original end treatment, no repair or reduction found pile varies from low to very low, corrosion, wear, abrash, selvedge breaks, minor end loss, no repair or reduction found comprised of multiple pieces, (approx. 2.5 ft. From one end, approx. 4.5 feet from other end, end borders, etc...), low pile, wear, tears,

losses, abrash 1221 pile varies from low to very low, wear, abrash, areas of reweave, selvedge breaks, no reduction found 1222 generally uniform medium pile, minor wear, corrosion, abrash, no repair or reduction found 1223 minor areas of retouch under recent varnish layer 1224 some foxing and toning, original edges in tact 1225 not examined out of frame; frame with minor abrasions 1226 surface condition is very good, not examined out of frame 1227 surface with crackle, canvas loose on stretcher, frame with abrasions and losses 1228 foxing throughout, tape residue verso 1229 foxing throughout and toning, some surface abrasion (possibly as made) verso with toning, tape residue, tack holes at corners and edges 1230 minor surface abrasion and surface dirt 1231 surface condition is good, accretion in sky 1232 surface condition is very good, minor surface abrasion 1233 surface condition is very good, minor accretions in the sky 1234 minor surface dirt and some abrasion to frame 1235 minor surface abrasion 1236 minor foxing, mat lightly toned, board appears to have been laid down and additional backing remains from when it was removed, 1237 overall condition is very good.

1238 dents in base, other small dents 1239 light scratches and some wear 1240 good condition 1241 brass frog with dents, handle bent, light scratches, small dents 1242 average wear 1243 light scratches, minor wear 1244 one with base bent, light scratches 1245 creamer with repaired base, wear 1246 light scratches, small dents 1247 all with wear 1248 average wear 1249 good condtion 1250 all with light scratches and wear 1251 light scratches, small dents 1252 dents in base, dents on rim 1253 dents, one 1 in., base time bent 1254 good condition 1255 dents, both with repairs at handles, one repair running the length of the pitcher, handles pushed in, one with handle damage 1256 small dents, light scratches, some wear 1257 hot water kettle has two post pushed in, handles with spacers loose, burner stand possibly a married 1258 wear to decoration, small dents 1259 both with light scratches, small dents 1260 small dents, monograms removed 1261 light scratches, small dents 1262 some wear 1263 small dents, some wear 1264 all with wear, some loss to bowls 1265 all with wear 1266 all with wear 1267 both with wear 1268 all with wear 1269 minor wear 1270 all with wear 1271 all with wear 1272 all with wear 1273 all with wear and some loss 1274 all with wear and some loss 1275 all with wear and some loss 1276 all with wear and some loss 1277 all with wear and some loss 1278 loss to bowls, wear 1279 all with wear

1280 1281 1282 1283 1284 1285 1286 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1314 1315

1316

1317

1318 1319 1320 1321

1322 1323 1324 1325 1326 1327

1328 1329 1330

1331 1332

all with wear and some loss all with some wear some wear all with wear and some loss some wear wear and some loss good condition light scratches light scratches, minor wear loss to plate, light wear small dents, light scratches small dents, scratches dents, scratches, loss to plate all with wear all with wear typical loss to plate all with wear, two with monogram removed all with wear average wear average wear average wear average wear some wear average wear average wear average wear light scratches, small dents all with light scratches, wear average wear average wear all with some wear some coins with wear and tarnish, not all sets complete tarnish, wear unused condition excellent condition with surface dirt and mildew, stains at top light surface dirt and mildew, reupholstered seats with some scratches and wear, slight variation in height among chairs; tables with stains and fading at top, color variation at leaves, other minor flaws, surface mildew original finish with some wear and finish losses, abrasions, water stains, replaced slip seats and leather with minor scratches lacking one drawer pull, one pull is bent, surface mildew, scattered stains and abrasions, other typical wear good condition, scattered minor abrasions wear to finish original finish, surface dust and mildew, minor stains at top minor cracks and checking to veneers, some surface dirt, outer doors with small scars from previous pulls very good condition, minor surface wear and flaws generally good condition with some surface distress and mildew, oxidation at brass pulls good condition with typical light abrasions, minor stains good condition with light surface wear good condition with light surface wear and abrasions minimal scratching to underside of bowl, discoloration to surface of iron, electrical socket needs reattaching to wire chips on two bottom corners, light scratches on base adhesive label residue on side, very faint abrasions overall good condition with typical abrasions, marks at shells consistent with age and use, light pitting, areas of corrosion at supports brass with surface distress, some dents at legs, polish residue back leather with cracks and wear (foam hardened), seat cushion has been reupholstered (minor scuffs at front), corrosion and surface distress at frame

1333 minor distress and surface ware at frame, glass top not examined 1334 finish wear at wood, light stains at upholstery, overall good condition 1335 slight toning at edges of ragboard; slipcase with some mildew spotting and abrasions 1336 original stretcher and tacking edge, dirt layer; frame with abrasions 1337 slight dirt layer; portfolio cover with stain 1338 slight dirt layer; portfolio cover with stains and some toning 1339 some crackle, dirt layer, folio with some toning 1340 very good condition overall, top with several small drips or areas of varnish distress, other light wear and abrasions, especially at legs and feet 1341 mustached face with cracks, abrasions, tallest with green paint on left cheek, scattered chips and abrasions 1342 original stretcher and tacking edge, dirt layer 1343 original stretcher and tacking edge, crackle, dirt layer; frame with abrasions 1344 some abrasions on edges, with patina as made 1345 toning, floated on mount, creases, small tears, taped at four points to mount 1346 some toning, some with light foxing 1347 some toning and foxing, not examined out of frame, other small stains; frame and Plexi-glass with abrasions 1348 toning, bottom margin abraded, taped in at multiple points verso mat with white archival tape; frame and acrylic with abrasions 1349 foxing , toning, glue tacked at two points to verso of mat 1350 good condition, floated, not removed from frame; frame with abrasions 1351 original stretcher and tacking edge, goos condition; frame with abrasions 1352 light impression, margins trimmed, toning, taped at three points at top, remnant of paper tape verso top edge; frame with abrasions 1353 some toning, tape stains and residue verso and two points recto, pin holes at top corners 1354 water stain upper left, creases, not removed from frame; frame with abrasions 1355 'Portrait' with crackle, cupping cleavage and small points of flaking, canvas loose; 'Nude' with toning, both with dirt layer, water damage with resulting planar deformation at right, tear upper left, flaking 1356 mounted on board, hinged to mat, tape/backing remnants all edges, tacking holes at corners, toning, fading, surface dirt 1357 crackle in heavy impasto with cupping and cleavage; frame with abrasions 1358 original stretcher and tacking edge, dirt layer, crackle, cupping; frame with abrasions 1359 dirt layer, panel cradled; frame with abrasions 1360 paper is toned with tear in the area of the teapot, paint loss and abrasion to surface 1361 dirt layer, some crackle 1362 rolling creases; tape residue at top of frame‑

Fine Art Index Akotantos, Angelos 989 Aldrich, George Ames 1122 Alleyne, Francis, Follower 996 American or Dutch School 1024 American or European School 1025 American School 1093, 1011, 1008, 1023, 1038 Baize, Wayne 1148 Balluriau, Paul 1064 Beechey, William, Follower 840 Berman, Wallace 1335 Bledsoe, William Baxter "Bill" 1225 Boatwright, John L. 1231, 1233, 1232 Bohm, Claude Curry 1125 Bonheur, Isidore Jules 925 British School 834, 910 Bufford, John Henry 1018 Burliuk, David 1360 Capgras, Georges 803 Cardinaux, Emil 1005 Carpeaux, Jean-Baptiste 926 Chapman, Conrad Wise 1020 Chéret, Jules 1069, 1070, 1003, 1072 Chermayeff, Serge Ivan 1082 Clodion, Claude Michel 948 Constable, John, Imitator 837 Conti, P. 978 Continental School 960, 1027, 1028, 958, 956, 959 Cox, Tim 1141, 1145 Currier & Ives, Publisher 1015, 1004, 1037, 1031, 1034 Daingerfield, Elliott 1226, 1230 Dali, Salvador 1346 Damane-Demartrais, Michel 1016 de Bree, J. 962 De Grailly, Victor, Attributed 1096 de Groot, Nanno 1361, 1355 de Toulouse-Lautrec, Henri 1063 Dehaven, Franklin 1120 Derivière, Julien, Printer 1067 Dutch School 995, 1000, 1007, 957, 955 Dyf, Marcel 1357 Edzard, Dietz 1359 European School 909, 1006 Fonssagrives, Alfred, Follower 802 Fonssagrives, Fernand 1075 Fopsen van Es, Jacob, Follower 998

Gauld, David 906 German School 991 Gignoux, Regis Francois 1030, 1019 Gillray, James 1009 Gisson, R. 1144 Greatorex, Eliza Pratt 1091 Griffin Head, Master H.B. of the 990 Guillaume, Albert 1061 Guilleminet, Claude 929 Hale, Ellen Day 1123 Haring, Keith 1345 Hauffbauer, Charles 1135 Haywood, Mary Carolyn 1126 Homer, Winslow, After 1033, 1035 Hoover, Joseph, Publisher 1032 Hoppner, John, Manner of 839 Hubard, William J. 1151 Hutty, Alfred 1224 Italian School 1098, 993, 988 Jackson, Harry Andrew 1134 Jenkins, Paul 1349 Joiner, Harvey 1227 Jones, Gerald Harvey 1128, 1130 Jones, Samuel John 838 Kloss, Gene 1129 Kupsch, Felix 1017 Larraz, Julio 1362 Leader, Benjamin Williams 912 Léonard, Agathon 932 Levier, Charles 1351 Louis, John F. 1022 Lovell, Tom 1142, 1147 Madgwick, Clive 804 Maillol, Aristide 1354 Manuel, David 1140 Martinet, Aaron, Publisher 1062 McCarthy, Justin 1085 Mckenzie, Robert Tate 1084 McMurry, Leonard 1137 Meadows, Arthur Joseph 907 Metcalf, Willard Leroy 1127 Mignot, Victor 1065 Miró, Joan 1350, 1348 Moose, Philip 1235 Morland, George, Follower 836 Morton, Gary 1131 Mosca, Ivan 1358, 1343, 1337,

1338, 1339, 1336, 1342 Moyers, William 1139

Neiman, LeRoy 1347 O'Neill Gallagher, Frederick 911 Ottaviani, Giovanni, Engraver 992 Parker, Gray 1035 Parks, Bob 1 136 Parrocel, Pierre, After 994 Patterson, Charles Robert 807 Pellegrini, Carlo 1060 Phillips, Joel 1149 Phippen, George 1146 Picasso, Pablo 1352, 1353 Piranesi, Giovanni Battista, Circle 997 Remington, Frederic 1132, 1133, 1143, 1138 Rhead, Louis John 1071 Roe, Robert Henry 801 Rubens, Peter Paul, After 1002 Russian Icon 987 Sabouret, Charles 1026 Schile, Henry, Publisher 1036 Shayer, William, Elder, Attributed 913 Smuglewicz, Franciszek 999 Sonntag, William L. 1094 Soulie, Roger 1074 Stevens, William Lester 1356, 1229, 1228 Tait, Gayle Blair 1121 Talcott, Allen Butler 1119 Taylor, Samuel, Attributed 1095 Thomason, Eugene 1234 Three Skating Related Prints 1021 Timmins, Harry L. 1124 Turner, George 835 Ung, Per, After 1010 van der Hoeke, Robert, After 1012 Veneto-Cretan School 985 von Schauroth, Lina 1066 Von Siebold Dingle, Edward 1236, 1237 Walker, William Aiken 1223 Walters, Miles 805 Webb, James 908 Weiss, Anton 1344 Wiggins, Carlton 1092 Willcox, William H. 1029 Wouwerman, Philips, Follower 1001 Wyant, Alexander Helwig 1097

Terms of Sale 1.

All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final.

No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability

by Brunk Auctions or by any seller represented by Brunk Auctions.

2.

Bidding will begin at a price appropriate in auctioneer’s discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer’s discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, internet bidding, or bidding in the gallery.

All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale.

3.

Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder’s responsibility to get our attention prior to our saying “sold”.

We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer’s discretion.

4.

Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. Credit arrangements must be made by the Friday prior to the day of auction so bank statements can be verified. We reserve the right to not issue a buyer’s number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check.

5.

Payment is expected at time of purchase.

Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client’s acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction.

6.

We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially.

All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. Brunk Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.

7.

In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 70-100 lots per hour.

Following are general guidelines for bidding increments: $0-$1,000......................$50 increments $1,000-2,000................$100 increments $2,000-3,000................$200 increments $3,000-5,000................$250 increments $5,000-10,000..............$500 increments $10,000-$50,000.........$1,000, $2,000, $5,000 increments above $50,000.........auctioneers discretion 8.

In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above.

9.

Purchaser agrees that packing and shipping is done at the purchaser’s risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions.

Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests.

Brunk Auctions will have no liability for any loss or damage to shipped items. 10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid.

For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation.

11.

All purchases are subject to applicable North Carolina sales tax unless the North Carolina Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase.

Resale tax numbers from other states are accepted.

International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer’s country.

12.

Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Brunk Auctions may seek all remedies under the law including canceling the sale and reoffering the property without reserve.

13.

A buyer’s premium will be applied to the purchase price of all items: 20%....Cash, check or wire transfer 23%....MasterCard, Visa, Discover and American Express credit cards 23%....Bidsquare with cash, check or wire transfer 26%....Bidsquare with MasterCard, Visa, Discover and American Express credit cards 25%....Liveauctioneers with cash, check or wire transfer 28%....Liveauctioneers with MasterCard, Visa, Discover and American Express credit cards 14.

Purchased items not picked up from our auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within sixty calendar days.

The costs of storage, plus any other costs directly related to the item, and an auctioneer’s commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Brunk Auctions. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you.

15.

We are closed on Fridays the week following auctions. Please arrange appointments for other days.

16.

Export and Permits - It is the purchaser’s sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Brunk Auctions’ reasonable opinion at the time of cataloguing and are for bidders’ general guidance only; Brunk Auctions and the Consignor make no representations or warranties

as to whether any lot is or is not subject to export or import restrictions or any embargoes.

17. ◉Endangered Species - Certain property sold at auction, for example, items made of or incorporating plant or animal materials, irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Brunk Auctions suggests that international buyers check on foreign governments’ wildlife import requirements prior to placing a bid. All buyers agree to comply with any and all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making on-time payment of the total purchase price for the lot. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. Brunk Auctions is not able to assist the purchaser in attempting to obtain the appropriate licenses and/ or certificates, and there is no assurance that an export license or certificate can be obtained. Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation.

Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

18.

Due to the embargo on Persian carpets, international shipping is not available.

19.

Brunk Auctions makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Brunk Auctions makes no warranties or guaranties that any clock or watch is in working order.

20.

CONDITION OF FIREARMS: Brunk Auctions or its' employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. Brunk Auctions expressly disclaims any liability whatsoever for accident, injury or damage resulting to any person or property from the storage or use of any such lot.

21.

Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Brunk Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. Bids left on Live Auctioneers & Bidsquare are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. Brunk Auctions will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature.

BA

Team

Nashville

Ready to serve you with exceptional results for your estate or collection.

PRINCIPALS

Andrew Brunk

President, Auctioneer

Robert S. Brunk

President Emeritus, Auctioneer

Lauren Brunk

Vice President, Museum Services, Auctioneer

CONSIGNMENTS Franklin Gunnells

Consignment Coordinator

Jim Crowley

Inquiry Coordinator, Auctioneer

Sarah Sperling

Director of Nashville Operations

SPECIALISTS

Contact our Nashville Representative Sarah Sperling 615-981-3310 sarah@brunkauctions.com

Andrew Brunk

Furniture, Folk Art

Lauren Brunk

Southern Fine Art and Collections

Laura Crockett

European and Modern Fine Arts, Prints

Jim Crowley

Decorative Arts/Asian Arts

Franklin Gunnells

Cut Glass

Michael Jozefowicz

Decorative Arts

Corey Jones

Southern Pottery

Silvia Kennedy

Cut Glass, Firearms

Bill Lamar

Rugs and Carpets

Robin Rice

Silver

Katie Simonetti

Jewelry

Karen Swager

Decorative Arts, Textiles

Nan Zander

American Fine Art, Native American, Stringed Instruments, Auctioneer

BUSINESS OFFICE Silvia Kennedy

Business Manager

Leah Krause

Administrative Manager

Shannon Hallowell

Administrative Assistant

PHOTOGRAPHY Monica Scott

Director of Photography

Brooke Bennink

Photographer

Michael Traister

Photographer

MARKETING

Michelle Parparian

Director of Marketing

Robin Rice

Catalog Layout

Nan Zander

Exhibition Design

OPERATIONS Corey Jones

Operations Supervisor

Cliff O’Hara

Shipping

Thomas Nixon

Property Management

Michael Welch

Property Management

Dustin Vanderbunt

Property Management

Bill Lamar

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Shipping