Form & Vision: Modern Art • Design | October 22, 2026

Form & Vision: Modern Art • Design | October 22, 2026

Form & Vision: Modern Art • Design October 22, 2026 10:00 am

BrunkAuctions.com 117 Tunnel Road | Asheville, NC 28805 828-254-6846 info@brunkauctions.com

1001 Vintage Metal Illuminated “OPEN TONITE” Marquee Sign probably American, 20th century, silver painted metal backing with “OPEN TONITE” spelled out in light sockets, 38-1/4 x 84 x 8-1/4 in., wired for electricity, not tested for functionality, numerous scratches, abrasions, and areas of warping to metal backing, small tear and warping to bottom right corner, white socket ring missing from “N” in “TONITE”, some rust and corrosion Provenance: Deaccessioned by the Virginia Museum of History & Culture to benefit collections care, preservation and future acquisitions Estimate: $1,000 - $2,000

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1002 Pablo Picasso Plate, Bouquet a la Pomme (Spanish, 1881-1973) (A.R.305), 19506, from an edition of 400, stamped verso “Madoura/Plein/ Feu” and “Empreinte/Originale De/Picasso”, glazed white earthenware with oxidized paraffin,with underglaze oxides, round/square plate,10x 10 in. (25.4 x 25.4 cm), some thin glaze at top edge Provenance: Private Collection Estimate: $5,000 - $7,000 Literature: Alain Ramié, Picasso: catalogue of the edited ceramic works 1947-1971, Vallauris: Madoura, 1988, no. 305, pg 157 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1003 After Pablo Picasso, Bathsheba (Spanish, 1881-1973) Bathsabee, circa 1960s, signed in pencil, numbered 270/300, signed in pencil lower right “Picasso”, Atelier Crommelynck, Paris, publisher, with their blindstamp lower left, color aquatint on BFK Rives wove paper, plate 10-3/8 x 14-1/2 in., sheet 17-3/4 x 22 in.; metal frame, 19-5/8 x 22-5/8 in., full sheet with deckled edges, strong color, hinged in at top, slight toning at edges, faint handling smudges, pencil inscription verso, minor small creases at bottom edge; frame with minor wear Provenance: Private Gainesville, Georgia Collection Estimate: $8,000 - $12,000

1004 Pablo Picasso (Spanish, 1881-1973) Composition 8 août 1947 (M. 108, B. 460), unsigned and unnumbered, possibly an artist proof aside from the edition of 50, Galerie Louise Leiris, publisher, Mourlot, printer, color lithograph in black and ochre on Velin d’Arches wove paper with parcel script watermark “Ar...”, 12-7/8 x 19-3/4 in.; parcel gilt and distressed wood frame, 20-1/2 x 27-3/8 x 2 in., full sheet with 3 deckled edges, some toning, adhesive tape residue verso at six points, some light fading, inscribed at bottom in pencil with number”...108” Provenance: Christie’s New York, April 28, 2003, lot 93 (with facsimile of original receipt, auction label verso); Private Collection Estimate: $1,000 - $1,500

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1005 Leon Bronstein (Israelii, born 1951) Come and Be My Love, edition 4/9, signed on leg “L. Bronstein”, patinated bronze, 55-3/4 x 33-3/4 x 30-1/2 in., weathered patina, some corrosion, abrasions Provenance: Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $3,000 - $5,000

1006 Joan Miro (Spanish, 1893-1983) Obra Inedita Recent, 1964, edition 69/100, signed lower right with monogram “M.”, Sala Gaspar, Barcelona, publisher, color lithograph on cream wove sheet with central fold and text verso, 12 x 17-1/8 in.; modern frame, 18-3/8 x 23-3/8 x 1-1/2 in., taped at two corners verso, light toning and fading; frame with abrasions Provenance: Private Gainesville, Georgia Collection Estimate: $1,000 - $2,000

1007 Henri Matisse (French, 1869-1954) Nu debout en peignoir (D. 205), 1929, 7/25, signed lower right in pencil “Henri Matisse”, Chine colle etching to wove paper, 6 x 2-1/8 in. sheet 14-3/4 x 11-1/8 in.; wood frame, 17-3/8 x 13-3/8 x 1-3/8 in., taped in verso at top, toning of wove sheet with some adhesive residue at top, pencil inscription verso Provenance: Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $4,000 - $6,000 6

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1008 Henri Matisse (French, 1869-1954) Jeune femme, voile sur la tete (D.161), 1929, edition 12/25, signed lower right “Henri Matisse”, Chine colle etching to wove paper, 6 x 4-3/4 in., sheet 14-7/8 x 11-1/8 in.; wood frame, 17-1/4 x 13-1/4 x 1-3/8 in., taped in verso at top, toning with some adhesive residue at bottom edge, pencil inscription verso, some damp staining, linear vertical mark or abrasion not affecting etching ink, tiny whole in paper within print Provenance: Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $4,000 - $6,000

1009 After Edgar Degas Sculpture (French, 1834-1917) Grande Arabesque, inscribed on base ”Degas”, reproduction by the Metropolitan Museum of Art, 1987, stamped on base “MMA87” 17-1/4 x 22-1/4 x 10-1/2 in., reddish brown to dark brown patina, crack on proper right ankle and foot Provenance: Hammersite, Tel Aviv, Israel, June 17, 2002, lot 2155 (accompanied by facsimile of original receipt); Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $800 - $1,200

1010 Marc Chagall Catalogue Raisonne, First Japanese Edition Tokyo: Publishers 2000, Inc., 1978, five volumes, numbered 833/1000, bound in white pebble-grained faux leather, with clear plastic dust jackets, white faux leather suede lined slipcases with gilt titles and artwork, housed in original cardboard boxes, text and captions in Japanese and French, offset lithographic reproductions throughout, chronicling Chagall’s lithographs from 1922 to 1973 alongside his complete posters, fo., 14-3/8 x 11 x 1-7/8 in. overall, volumes in good to excellent condition; original cardboard boxes with stains, toning, wear, tears Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900 https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1011 Georges Rouault (French, 1871-1958) C’est par ses meurtrissures que nous sommes guéris, pl. 58, 1922, edition 361/425 from Miserère, signed lower right in plate “GR 1922” on Arches paper, 22-3/4 x 18-5/8 in. (plate), 25-1/2 x 19-7/8 (sheet); modern frame, archivally framed, 31 x 26-5/8 x 7/8 in., toning, tape accretion at points verso from prior mount Provenance: Private Collection, Professor Emeritus, Duke University; Brunk Auctions, May 15, 2015, lot 19; Private Collection, North Carolina Estimate: $600 - $900 A facsimile of the original justification page accompanies the lot. 1012 Hoss Haley (American/North Carolina, born 1961) Untitled (from Toric series), 2007, stamped, numbered (009) and dated, riveted steel, 14 3/8 x 15 x 17 3/4 in.; resting on gray-painted concrete stand, 18 x 16 x 3 in., very good condition with fine even patination; concrete stand with some losses at corners Provenance: Private Collection Estimate: $2,400 - $3,500

1013 Arne Jacobsen for Fritz Hansen Mid Century Modern Egg Chair mid 20th century, white upholstery, brushed aluminum base, bottom of base branded “520015 / FH / MADE IN DENMARK”, chair 42-1/2 x 35-1/4 x 29 in., seat height 16-1/2 in., ottoman 17 x 22 x 16 in., very light wear overall, discoloration beneath seat cushion, ottoman with chip to black plastic feet Provenance: Private Collection Estimate: $1,500 - $2,500

1014 Saarinen for Knoll Style Tulip Lamp Table 20th/21st century, rosewood veneered oval top, black metal base, unmarked, 19-3/4 x 23 x 15-1/4 in., base with scattered minor scuffs, top with minimal wear Provenance: Private Collection Estimate: $200 - $400 This lot contains wood subject to international trade controls. Export requires government permits. Brunk Auctions only accepts bids from buyers with a U.S. shipping address. 8

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1015 Arne Jacobsen for Fritz Hansen Swan Chair with Ottoman Danish, mid 20th century, white upholstery, brushed aluminum base, label to base reads “MADE IN DENMARK / 0369 / FRITZHANSEN”, chair 30 x 30-1/4 x 26 in, seat height 16 in., very light to minimal wear Provenance: Private Collection Estimate: $1,000 - $1,500

1016 Esteban Vicente (American/Spanish, 1903-2001) No. 3 (P52.01), 1952, signed and dated verso “Esteban Vicente/1952”, oil on canvas, 38-7/8 x 48-3/4 in. (99.1 x 124.5 cm); lattice style wood frame, 39-3/4 x 49-3/4 x 2 in., lined, consolidation of areas of cleavage and flaking with associated retouch, restretched, stabilized and conserved by David Goist, AIC Fellow, accompanied by his conservation report, another earlier conservation report is attached to the backing board verso; frame with abrasions Provenance: Egan Gallery, New York, NY (parcel label verso); Yares Fine Art (label verso); Berry-Hill, New York, NY, No. EV 227 (label verso); Private Georgia Collection Estimate: $70,000 - $90,000 Exhibited: Yares Gallery, Scottsdale, Arizona, Selected Paintings: 1952-1986. A Retrospective View, March, 1987. https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1017 Ray Howlett (California/Nebraska, born 1940) Inner Light,1985, edition 41/300, etched signature on side “Ray Howlett 1985”, brass plaque affixed verso with title, pyramid shaped dichroic glass electrified sculpture, with pedestal of smoked glass and mirror panel, overall 62 x 17-1/2 x 171/2 in., good working condition Provenance: Private Collection Estimate: $3,000 - $5,000

1018 Robert Motherwell (American, 1915-1991) Untitled (D85-3154), from the Joyce Sketchbook II, 1985, monogrammed lower left “RM”, China marker on paper, 5 x 3 in.; modern pickled wood frame, 14 x 11-3/4 x 1-1/8 in., floated, not removed from archival framing, good condition Provenance: Dedalus Foundation, Inc, Bedford Hills, New York (label verso); McCormick Gallery, Chicago, Illinois (label verso); Tayloe Piggott Gallery, Jackson, Wyoming (label verso); Private Collection Estimate: $5,000 - $7,000 Literature: Katy Rogers, and Dedalus Foundation, Robert Motherwell Drawings: A Catalogue Raisonne, 2022, No. 3154

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1019 Robert Motherwell (American, 1915-1991) Untitled (D85-3205), from the Joyce Sketchbook II, 1985, monogrammed upper right l”RM”, ink, ink wash, China marker on paper, 3 x 5 in.; modern pickled wood frame, 12-1/4 x 14 x 1-1/8 in., floated, not removed from archival framing, good condition Provenance: Dedalus Foundation, Inc, Bedford Hills, New York (label verso); McCormick Gallery, Chicago, Illinois, No. 8703 (label verso); Tayloe Piggott Gallery, Jackson, Wyoming (label verso); Private Collection Estimate: $6,000 - $8,000 Literature: Katy Rogers, and Dedalus Foundation, Robert Motherwell Drawings: A Catalogue Raisonne, 2022, No. 3205 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1020 Robert Motherwell (American, 1915-1991) I.H. Series, No. 19 (D 1003), 1970, unsigned, with “IH” blindstamp lower right, ink over lithograph on paper, 22-1/8 x 17-1/8 in.; fine parcel gilt wood frame, 29-3/4 x 24-5/8 x 2-1/4 in., floated, archivally framed, two small pin holes at top two corners; frame with minor abrasions Provenance: Dedalus Foundation; Private Collection Estimate: $40,000 - $60,000 Exhibited: Robischon Gallery, Denver, AB EX: Positions and Dispositions, January 26-March 10, 2012; Tayloe Piggott Gallery, Jackson, Wyoming, Robert Motherwell, February 7-April 5, 2014.

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1021 Robert Motherwell (American, 1915-1991) Red Samurai, from the Octavio Paz Suite,1988, proof, monogram lower right “RM” and inscribed “Trial”, lithograph, linoleum block print, and chine applique, on Arches and Japanese Masa Dosa handmade paper, sheet 25-3/8 x 21-1/4 in.; parcel gilt and painted wood modern frame, 25-1/4 x 27-3/4 x 1-1/8 in., not examined out of archival framing, floated good condition Provenance: Private Collection Estimate: $3,000 - $5,000 Literature: Siri Engberg, et al., Robert Motherwell: The Complete Prints 19401991: Catalogue Raisonne, 2003, pg. 341, No. 435: https://dedalusfoundation. org/robert-motherwell/catalogues-raisonne/prints-editioned-works/view/ cr-435-octavio-paz-suite-red-samurai/

1022 Agusti Puig Sculpture (Spanish, Born 1957) Figure Through the Wind, 2014, edition 1/3, signed on base “Agusti Puig/Barcelona”, patinated bronze, 34-3/8 x 191/8 x 5-1/4 in., good condition Provenance: Private Asheville Collection Estimate: $2,000 - $3,000

1023 Pair of Thomas Moser Vita Lounge Chairs Auburn, Maine, 2009, thick bent cherry plywood frames, tufted black leather upholstery, inscription to underside reads “Thos. Moser Cabinetmaker / Auburn, Maine / 2009 / (illegible name), 28-1/4 x 24-3/4 x 35 in., seat heights 15-1/2 in., very light to minimal wear Provenance: Private Collection Estimate: $2,000 - $4,000 12

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1024 Two Mid Century Modern Style Magazine Racks both 20th century, comprising example with chrome plated steel frame and rosewood veneer, branded “MADE IN HOLLAND”, 6-1/4 x 18-1/2 x 13-1/4 in.; example with chrome plated steel frame, walnut, and black leather sling, 16-1/4 x 22-1/8 x 11-3/4 in., both with typical minor wear, scattered scratches to chrome Provenance: Private Collection Estimate: $300 - $500

1025 Kai Kristiansen Mid Century Modern Teak Desk Danish, mid 20th century, Feldballes Møbelfabrik, floating top over three drawers on either side, three open compartments to back, unmarked, 28-3/4 x 59-3/4 x 30-3/4 in., typical wear throughout, top with some fading and bleached spot, minor scuffs to legs, proper left lower drawer with chip loss to pull, upper drawer lacking metal escutcheon insert Provenance: Private Collection Estimate: $1,000 - $2,000

1026 Alexander Kroll (American, born 1981) Elephant, 2001, signed verso “AKroll”, dated and titled, oil on linen, 60 x 50 in.; modern frame, 64-1/2 x 55 x 2 in., good condition, canvas slightly slack in original strainer, frame with abrasions Provenance: Sold to benefit Habitat for Humanity Asheville, North Carolina Estimate: $2,000 - $3,000 https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1027 Edward “Ed” Clark (France/American, 1926-2019) Untitled (Paris Series), 1981, inscribed, signed, and dated lower right “Paris Clark ‘81”, dry pigment on paper, 40 x 53 in.; artist’s original painted wood frame, 41-1/4 x 54-1/8 x 1-1/8 in., mounted to foam core with some slight convexity, small void upper left, some abrasions, pin holes at corners loss at lower left corner; frame with some wear Provenance: Acquired directly from the artist in New York, NY in 1981; Private Virginia Collection Estimate: $30,000 - $50,000 Ed Clark was an important figure in postwar American abstraction whose seven-decade career centered on color, gesture, and the physical process of painting. Born in New Orleans and raised in Chicago, Clark studied at the School of the Art Institute of Chicago before moving to Paris in 1952, where he attended the Académie de la Grande Chaumière and encountered European modernism. He returned to New York in 1957 and became a charter member of the Brata Gallery, joining a generation of artists who were expanding the possibilities of abstract painting. Clark was particularly experimental in his approach to the medium. In 1957, he began making shaped canvases, among the earliest examples of the form, and in 1958 introduced the use of a push broom to apply paint. Working on canvases laid directly on the floor, he created broad, sweeping passages of color that emphasized both gesture and movement. These techniques became characteristic of his work and allowed him to treat color and the physical act of painting as primary elements of the composition. Although Clark is increasingly recognized within the history of African American art, his work occupies a broader place in postwar American painting. He developed an independent approach to abstraction that combined the gestural concerns of the New York School with the influence of his years in Paris and an increasingly sophisticated use of color. His work is represented in major collections including the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Detroit Institute of Arts. Greater institutional and scholarly attention in recent decades has further established Clark’s importance within the history of American abstraction.

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1028 Edward “Ed” Clark (France/American, 1926-2019) Untitled (Paris Series), 1981, inscribed, signed, and dated lower right “Paris Clark ‘81”, dry pigment on paper, 36-3/4 x 50 in.; artist’s original painted frame, 38-1/4 x 51-1/4 x 1-3/8 in., mounted to foam core, some abrasions; frame with some wear Provenance: Acquired directly from the artist in New York,1981; Private Virginia Collection Estimate: $50,000 - $70,000 Edward “Ed” Clark (1926-2019) was an important figure in postwar American abstraction whose seven-decade career centered on color, gesture, and the physical process of painting. Born in New Orleans and raised in Chicago, Clark studied at the School of the Art Institute of Chicago before moving to Paris in 1952, where he attended the Académie de la Grande Chaumière and encountered European modernism. He returned to New York in 1957 and became a charter member of the Brata Gallery, joining a generation of artists who were expanding the possibilities of abstract painting. Clark was particularly experimental in his approach to the medium. In 1957, he began making shaped canvases, among the earliest examples of the form, and in 1958 introduced the use of a push broom to apply paint. Working on canvases laid directly on the floor, he created broad, sweeping passages of color that emphasized both gesture and movement. These techniques became characteristic of his work and allowed him to treat color and the physical act of painting as primary elements of the composition. Although Clark is increasingly recognized within the history of African American art, his work occupies a broader place in postwar American painting. He developed an independent approach to abstraction that combined the gestural concerns of the New York School with the influence of his years in Paris and an increasingly sophisticated use of color. His work is represented in major collections including the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Detroit Institute of Arts. Greater institutional and scholarly attention in recent decades has further established Clark’s importance within the history of American abstraction.

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1029 Paolo Venini, Decanter (Italian, 1895-1959), apparently unsigned, hand blown glass, 12-3/4 x 3 x 3 in., minor scratching to base and surface, stopper with 1-1/4 in. internal crack Provenance: Private Collection, New York Estimate: $600 - $900

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1030 Tapio Wirkkala for Venini, Bolle Bottle Vase, (Finnish, 1915-1985), blue and gray vase from the Bolle series, 2006, signed and dated to base, hand blown glass, 14 x 4 x 4 in., overall good condition, minor anomalies as made Provenance: Private Collection Estimate: $600 - $900

1031 Jesse Redwin Bardin (American/South Carolina, 1923-1997) Oaxaca, Mountain View, Mexico, circa 1970s, signed lower right and verso “J. Bardin”, signed and titled on stretcher verso, oil on canvas, 29-7/8 x 39-7/8 in.; modern frame, 31-3/8 x 41-3/8 x 2 in., vibrant color, dry unvarnished surface, possible accretions; frame with abrasions Provenance: Private Collection Estimate: $3,000 - $5,000

1032 Angelo Mangiarotti for Knoll, Italian Marble Platform Bowl (Italian, 1921-2012), circa 1965, unmarked, 5-3/8 x 10-5/8 x 10-5/8 in., chip to foot rim, some natural cracks, inclusions, and pitting Provenance: Private Collection, Asheville, North Carolina Estimate: $400 - $600

1033 Charles William Smith (American/Virginia, 1893-1987) Untitled Abstract,1966, signed bottom center “Charles Smith”, label verso “Matte Varnish June 7 1966”, oil on canvas, 40 x 30 in.; painted wood frame, 43-1/2 x 33 in., surface with crackle, especially at edges, lower right quadrant with two light parallel surface indentations that continue along the horizontal at bottom edge, light surface dirt; frame with wear and some paint loss. Provenance: Collection of Dr. James Harkrader, Richmond, Virginia Estimate: $2,000 - $3,000

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1034 After Alexander Archipenko (American/Ukranian, 1887-1964) Woman Combing Her Hair (Standing Woman Combing Her Hair), bears inscription “Archipenko 1913”, an aftercast by an unknown foundry, patinated bronze, 13 3/4 x 3 1/4 x 3 1/4 in. on a marble plinth, overall 15-3/8 x 4 x 4 in., black to green patina, small surface anomalies on stomach and back Provenance: Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $1,000 - $1,500

1035 Gordon Onslow-Ford, Mind’s Hand, 1998 (California/England, 1912-2003) Abstract composition, unsigned, dated in pencil lower center “7-98”, acrylic on mulberry paper, 42 x 22 in.; silver gilt wood frame, 44 x 23-7/8 x 1-7/8 in., mounted on black painted canvas, pinholes at top two corners Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; By descent in family Estimate: $2,000 - $3,000 See article: https://brunkauctions.com/line-circle-%E2%97%8B-dot-%E2%97%8F-the-paintings-of-gordon-onslow-fordseptember-29-2023/

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1036 Four Chromed Sputnik Chandeliers with Glass Globes mid 20th century, spherical bodies issuing numerous arms, each approximately 29 x 30 x 30 in.; with 165 globe shades, not tested for functionality, scattered rust, loss, and wear to chrome, some light sockets loose, some cracked globe remnants stuck in sockets, one mounting rod and cap loose, some scratches, wear, and dust accretion to globes Provenance: Private Collection Estimate: $1,000 - $2,000 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1037 Gordon Onslow-Ford (California/England, 1912-2003) Finger at the Moon, 1951, titled and dated lower right “13-651/Finger at the Moon”, casein on mulberry paper, sight 183/8 x 24-1/4 in.; light stained wood frame, 27-3/4 x 33-1/4 x 1-3/8 in., not examined out of sealed frame, paper with good color; frame with light wear Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family Estimate: $2,000 - $3,000 See: https://brunkauctions.com/line-circle-%E2%97%8Bdot-%E2%97%8F-the-paintings-of-gordon-onslow-fordseptember-29-2023/

1038 Lino Sabatini Newberry Silver Plate Flatware after Charles Rennie Macintosh Italian, 1993, tapering handles with oval cut, no monograms, marks for marker Lino Sabattini and designer Charles Rennie Mackintosh, includes: eleven 10-5/8 in. knives; nine 10-1/8 in. forks; thirteen 9-1/2 in. forks; twelve 9-5/8 in. spoons; eleven 10-3/4 in. spoons, some pieces with polishing abrasion, scratches and wear; knives lacking Mackintosh mark Provenance: Private South Carolina Collection Estimate: $1,000 - $2,000 1039 Gordon Onslow-Ford (California/England, 1912-2003) Northern Lights, unsigned, Parle’s paint on mulberry paper, 38-1/2 x 12-1/4 in.; modern painted wood frame 41-1/4 x 15 x 1-3/4 in., not examined out of frame, mounted on raised backing, light wave at edges, some creases along edges, pinholes at corners Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family Estimate: $2,000 - $3,000 See: https://brunkauctions.com/line-circle-%E2%97%8B-dot-%E2%97%8F-the-paintings-of-gordon-onslow-fordseptember-29-2023/ https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1040 Contemporary Metal Framed Round Mirror in the style of Paolo Cattelan, 21st century, blackened metal frame, mounting hardware included, 32-1/2 x 32-1/2 x 4 in., very light to minimal wear Provenance: Private Collection, New York Estimate: $300 - $500

1041 Gordon Onslow-Ford (California/England, 1912-2003) Small abstract composition, 1980, inscribed lower center “4-80”, acrylic on mulberry paper, sheet 13-7/8 x 16-3/8 in.; unframed, loose, remnants of hinging tape upper corners verso, trimmed edges and tears likely as made Provenance: Collection of the artist’s sister, Elisabeth Onslow-Ford; by descent in family Estimate: $800 - $1,200 This lot is accompanied by a sheet of ephemera, loose paper backing from a framed work with inscriptions from Gordon Onslow-Ford. 1042 Cletus Johnson (New York, 1941-2018) A Dining Room Drama, 1992, signed and dated lower right “Cletus Johnson Ellington, N.Y. 11-92”, titled lower left, kiln-fired pottery ceramic collage with card, paint, applied china dinnerware fragments, and hand-drawn graphite/charcoal accents, 18-7/8 x 19-3/8 x 3 in., surface dirt Provenance: Private Collection Estimate: $1,000 - $2,000 Cletus Johnson is a celebrated American artist with works held in the permanent collections of major museums such as the Museum of Modern Art (MoMA) and the Whitney Museum in New York,

1043 Hans Wegner for Johannes Hansen Mid Century Modern JH-567 Dining Table Danish, mid 20th century, teak oval top, three leaves, branded to underside “JOHANNES HANSEN / COPENHAGEN / DENMARK”, without leaves 28-1/2 x 71 x 51-1/2 in., each leaf adds 25 in., in very good condition overall, minor fading to top and very light surface wear overall, leaves appear unused Provenance: Private Collection Estimate: $3,000 - $5,000 20

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1044 Hans Wegner for Johannes Hansen JH-525 and JH-526 Set Seven Chairs mid 20th century, comprising six side chairs and one armchair, metal badge to undersides reads “JOHANNES HANSEN / CABINET MAKER / COPENHAGEN - DENMARK / DESIGN: H.J. WEGNER”, armchair 31-3/4 x 25-1/2 x 21-1/2 in., seat heights 17 in., later upholstery in very good condition, one back with faint brown spot stain, frames with typical minor wear including scuffs to legs Provenance: Private Collection Estimate: $2,500 - $3,500

1045 Hans Wegner for Andreas Tuck Mid Century Modern Teak Bar Cart Danish, mid 20th century, two tier rolling cart, underside inscribed faintly with “ANDR TUCK / DESIGN HANS WEGNER / MADE IN DENMARK”, 24-1/2 x 28-3/4 x 19 in., minor wear overall, some fun fading, stains to section of gallery Provenance: Private Collection Estimate: $500 - $700

1046 Contemporary Blue Four Cushion Sofa 21st century, round tapered legs, unmarked, 31 x 94 x 32 in., seat height 17-1/2 in., very light wear overall, arm with faint spot stain Provenance: Private Collection Estimate: $200 - $400 https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1047 Hans Wegner for Andreas Tuck Mid Century Modern Set Three Teak Nesting Tables, Danish, mid 20th century, set of three, the smallest branded “ANDR. TUCK / DESIGN HANS J WEGNER / MADE IN DENMARK” and with Danish control stamp, largest 18-3/4 x 20-1/2 x 13-1/2 in., very light wear overall, smallest table with faint scratches to top Provenance: Private Collection Estimate: $400 - $600

1048 Lamar Dodd (American/Georgia, 1909-1996) Space #1, 1969, signed and dated lower right “Lamar Dodd ‘69”, titled on label verso, marker and colored pencil on paper, sight, 8 x 10-1/8 in.; gilt wood frame, 22-1/2 x 18-1/2 x 1-7/8 in, not examined out of sealed frame, light toning; frame with wear, abrasions Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation Estimate: $400 - $600 Exhibited: The Canton Art Institute, “Lamar Dodd Retrospective”, Canton, Ohio, Dec. 2, 1972-Jan. 7, 1973 (label verso).

1049 1050 Lamar Dodd Lamar Dodd (American/Georgia, 1909-1996) (American/Georgia, 1909-1996) Lamar’s Reverse Design, unsigned, title inscribed on frame verso, gouache on Lunar Eclipse, unsigned, title inscribed on frame verso, oil and gold leaf on board, fourteen pieces of paper, largest, 6-7/8 x 3-5/8 in., mat, 19-1/2 x 28 in.; within a 10 x 10 in.; gilt wood frame, 14-3/4 x 14-3/4 x 1-1/8 in., area of pigment loss lower single gilt wood frame, 21-1/4 x 29-3/4 x 7/8 in., good color, each painted piece left; frame with abrasions, minor wear taped to mat verso with archival tape, inscribed on tape and on mat verso; frame Provenance: Property from a Private Collection sold to benefit the University of with minor abrasions Georgia Foundation Provenance: Property from a Private Collection sold to benefit the University of Estimate: $1,000 - $2,000 Georgia Foundation Estimate: $500 - $700 22 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1051 Eames for Herman Miller ESU-400 Cabinet 21st century, dimpled plywood sliding doors, three open shelves, three drawers, black metal badge to lower back corner, 58-1/2 x 47-1/2 x 17 in., light wear overall, shelves with scattered scratches and scuffs Provenance: Estate of Mark S. Levine Estimate: $1,500 - $2,500

1052 Pair of Robert Sonneman for George Kovacs Black Floor Lamps late 20th century, counter weight design single light lamps, two light settings, labels to undersides, 57-1/4 x 26 x 9-1/2 in. at highest configuration, in working order as of cataloging, very light wear overall Provenance: Private Collection Estimate: $200 - $400

1053 Eames for Herman Miller Rosewood Lounge Chair “670” and Ottoman “671” 1054 circa 1978, labels to undersides, rosewood veneer and black leather upholstery, Eames for Herman Miller Rosewood Lounge Chair “670 and Ottoman “671” chair 32-1/2 x 32-3/4 x 35 in., ottoman 17 x 25-3/4 x 22 in., upholstery with scattered 20th century, labels to undersides, rosewood veneers and blue leather upholstery, scratches and scuffs but light overall wear, veneer also with scattered light scratches chairs 32 x 33 x 34 in., seat height 15 in., ottoman 17 x 26-1/2 x 21-3/4 in., very and very narrow splits in grain light wear overall, area of abrasions under one arm, upholstery with minor wear, Provenance: Eriksen’s Inc., Toledo, Ohio, November 1978 (accompanied by copy of scattered small scuffs receipt for $731); Private Collection Provenance: Estate of Mark S. Levine Estimate: $3,000 - $5,000 Estimate: $2,000 - $4,000 This lot contains wood subject to international trade controls. Export requires This lot contains wood subject to international trade controls. Export requires government permits. Brunk Auctions only accepts bids from buyers with a U.S. government permits. Brunk Auctions only accepts bids from buyers with a U.S. shipping address. shipping address. https://live.brunkauctions.com/auctions/brunk/form-vision23 modern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

1055 Herb Jackson (American/North Carolina, born 1945) Talisman, 1980, signed and dated verso, acrylic on canvas, 57 x 57 in.; unframed, surface is good and clean; stable Provenance: Private Collection Estimate: $5,000 - $7,000

1056 Chaim Gross Sculpture, Mother and Child (American/Ukranian, 1902-1991) Edition 1/6 signed on base “Chaim Gross”, with foundry stamp “Bedi-Rassy N.Y.C” with black marble base, 10-7/8 x 19 x 6 in., reddish brown to black patina, good condition Provenance: Estate of Mark S. Levine Estimate: $1,200 - $1,800

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1057 Ryu Kyung-chai (Korean, 1920-1995) Back Garden, 1957, signed and dated lower right “Kyung-chai Yoo, 1957.5”, oil on canvas, signed, dated and inscribed verso, oil on canvas 45-7/8 x 35-7/8 in.; gilt wood frame, 47 x 37 x 1-1/4 in., good color, original canvas, flaking, crackle, loose canvas; frame with wear, abrasions Provenance: World House Galleries, New York, NY (label verso) Estimate: $15,000 - $25,000 Ryu Kyung-chai was a pioneering figure in the development of modern Korean painting and a leading practitioner of Korean lyrical abstraction. Ryu studied modern Western painting at the Ryokuinsha Painting School in Tokyo, graduating in 1941. He came to national prominence in 1949 when Neighborhood of a Bare Mountain received the Presidential Award at the first National Art Exhibition of Korea. His early work, rooted in landscape and nature, gradually evolved toward increasingly abstract forms, culminating in the expressive and color-driven abstraction for which he became known. Ryu was instrumental in the transformation of Korean painting in the postwar period. In 1957, he founded the Creative Art Association and became an influential advocate for new directions in Korean art. His artistic development moved from the lyrical realism of the 1940s and 1950s to the dissolution of recognizable forms in the 1960s and, by the 1970s, to a fully abstract language of color, gesture, and rhythm. Throughout these changes, his work retained a sustained sensitivity to the natural world. The present work is particularly significant in light of its association with World House Galleries, New York. Ryu was among the thirty-five Korean artists selected by American art historian Ellen D. Psaty for Contemporary Korean Painting(s), held at World House Galleries from February 25 through March 22, 1958. Psaty traveled to Korea in August 1957, visiting artists and selecting works for the exhibition. Sixty-two works by thirty-five artists were ultimately presented, introducing a broad crosssection of contemporary Korean painting to an American audience in the years immediately following the Korean War. The World House Galleries label accompanying the present work identifies the artist as “Yoo Kyun-chai,” exhibition no. 59, item no. 1. This contemporary designation, together with Ryu’s documented inclusion in the 1958 exhibition, provides an important link between the present painting and a landmark moment in the international presentation of postwar Korean modernism. Exhibited: World House Galleries, New York, NY, Contemporary Korean Painting(s), February 25-March 22, 1958, No.59. https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1058 Trude Mueller Sculpture (American, 1908-1998) Two girls seemingly dancing, inscribed on base “TM”, bronze on square stone base, 10-5/8 x 6 x 6 in., reddish brown patina, good condition Provenance: Private Gainesville, Georgia Collection Estimate: $200 - $400

1059 George Petersen Danish Mid Century Modern Teak Cantilever Desk mid 20th century, label for “bronson assoc. / dewitt, ny / made in denmark” to the underside, 27-1/2 x 45-1/4 x 21-1/2 in., light wear overall, very faint sun fading, scattered scuffs to base Provenance: Private Collection Estimate: $800 - $1,200

1060 Hank Gilpin Benchmade Walnut Side Table Rhode Island, 21st century, unmarked, 18 x 16-1/4 x 16-1/4 in., light wear overall, ring stains to top Provenance: Private Collection, New York Estimate: $300 - $500 Hank Gilpin worked under Tage Frid while studying at Rhode Island School of Design. He works out of Lincoln, Rhode Island.

1061 First Generation Eames for Herman Miller LCW Walnut Lounge Chair circa 1947, molded walnut plywood, 5-2-5 screw arrangement, manufactured by Evans Products Company, label to underside, 26-1/2 x 22-1/4 x 22-1/4 in., typical wear throughout, crazing to finish of back support, one set of five screws to underside appear replaced, original rubber spacers to underside with cracks Provenance: Sold to benefit Habitat for Humanity Asheville, North Carolina Estimate: $1,000 - $2,000

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1062 Ed Moulthrop, Sycamore Donut Bowl (American/Georgia, 1916-2003), inscribed on base “Ed Moulthrop/Sycamore/ Pratanus Occidentalis/212951”, 4-1/2 x 6-1/2 x 6-1/2 in., approx. 1 in. abrasion with 1/4 in. crack to one side of body, some minor wear to base, otherwise good condition Provenance: According to consignor notes, this bowl was gifted to their mother by the artist; by descent in family Estimate: $1,500 - $2,500 Accompanied by Ed Moulthrop Ellipsoids and Spheroids in Exotically Spalted Woods, Heller Gallery, New York, NY, 1992 exhibition catalog with handwritten notation from the artist reading and a copy of American Craft, December 1979/January 1980.

1063 Pair of Thomas Stender “Paso Doble” Mahogany Chairs Buffalo, New York, late 20th century, mahogany slats, black painted trim, burgundy leatherette seats, inscriptions to interior seat rail “36/100 / TW Stender / 407(?)”, 52 x 28 x 23 in., very light wear overall, black paint with light scratches and scuffs, seat rail with one spot of very minor edge loss Provenance: Private Collection Estimate: $2,000 - $4,000

1064 Carl Fudge (English/America, born 1962) Everyone Has a Theory As to Why III, 2002, edition 13/30, signed and dated lower right “Carl Fudge 2002”, digital print, image size, 26-7/8 x 34 in.; modern frame, 341/8 x 41-1/8 x 1-1/2 in., not examined out of frame, vibrant color; frame with minor abrasions Provenance: Private Collection, New York Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1065 Chuck Close (American, 1940-2021) Self Portrait, 2007, edition 5/118, signed and dated lower center and right “Chuck Close 2007”, screen print on paper, sheet, 38-1/8 x 30-1/4 in.; unframed, vibrant color, deckled edges, Provenance: Private Collection Estimate: $6,000 - $8,000

1067 William Hodd McElcheran (Canadian, 1927-1999) The Crowd, 1974, edition 2/3, not apparently signed, patinated bronze, 4-1/2 x 171/4 x 13-1/2 in., gold to brown patina, good condition Provenance: Forum Gallery, New York, NY, 1975, No. 1974-5 (accompanied by a facsimile of the original receipt); Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $6,000 - $9,000 28

1066 Pair of Marcel Breuer Designed Wassily Brown Leather Lounge Chairs 20th century, chromed steel frames, stitched thick brown leather, unmarked, 28-3/4 x 30-1/2 x 27-3/4 in., seat height 16-1/2 in., very light wear overall, scattered minor marks to upholstery and frame, lacking buffers to bottom of frame Provenance: Estate of Mark S. Levine Estimate: $500 - $700

1068 Jack Levine (American, 1915-2010) The Senator, 1958, signed lower left “J. Levine”, oil on canvas 35 x 40 in.; original gilt wood frame, 43 x 48 x 2 in., original stretcher and tacking edge, some crackle and draw crackle; frame with abrasions Provenance: DC Moore Gallery, New York, NY, No 0041 (label verso); Ex-Collection of Armand Grover Erpf (1898-1971), New York (inscribed verso stretcher); ExCollection of Thomas Mellon Evans, sold by Christie’s, New York, NY, May 21. 1998, lot 193; Forum Gallery, New York, NY, FO 15333, 2000, (accompanied by a facsimile of the original receipt and other related documents); Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $10,000 - $15,000

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1069 George Grosz (American/German, 1893-1959) The Cop & The Anthem, circa 1933-1934, original illustration for the plate facing page 169 in The Voice of the City and Other Stories, signed lower right in black ink “Grosz”, inscribed verso “36/1901”, “235”, “88P”, watercolor, reed pen and pen and ink on P.M. Fabriano wove paper with watermark, 25-1/4 x 18-7/8 in.; gilt wood frame, 30-1/4 x 23-3/4 x 1-3/8 in., loose, inscriptions front margins and verso possibly editorial, waviness, some losses to corners, pinholes at top middle, tack holes at corners, some light toning, verso with paper tape and discolored remnants of brittle mounting adhesive; frame with abrasions and some loss at edge Provenance: The studio of the artist, Bayside, Long Island, New York, 1934; Private Collection Estimate: $15,000 - $25,000 It was in 1934 that George Macy, publisher of the Limited Edition Club in New York, gave Grosz the assignment to illustrate O. Henry’s selected short stories, published a year later under the title “The Voice of the City and Other Stories”. A homeless person in Madison Square Garden, sitting on a bench. His name is Soapy. It is winter time. This is, how O. Henry’s story begins. „Soapy’s mind became cognizant of the fact that time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigor(...). Three months on the Island was what his soul craved. Three months of assured board and bed and congenial company...”. So Soapy thought of an easy way accomplishing his desire. He cheated a meal at a restaurant without paying. However, they let him go. In a cigar store, Soapy stole a silk umbrella from a customer, and when the owner claimed,My umbrella”, Soapy sneered „Why don’t you call a cop?”. New York would not be New York without a policeman literally at every corner. However, when the policeman came, the umbrella man retreated by admitting, that he picked it up this morning in a restaurant and said if you recognize it as yours...” Moving back to his park bench at Madison Square, Soapy came to a standstill, as sweet music of the coming Sabbath anthem, coming out of an old church, transfixed him. He would change his life, find work, no more evil deeds, he would, he would....,,Soapy felt a hand laid on his arm. He looked quickly around into the broad face of a policeman. „What are you doin’ here?” asked the officer, „Nothin’,” said Soapy. „Then come along,” said the policeman. „Three months on the Island,”, said the Magistrate in the Police Court the next morning.” Grosz shows the moment Soapy is spellbound by the anthem, and a policeman approaching him. This watercolor, like the other watercolors and drawings Grosz did for O. Henry, shows, how thrilled the artist got by O. Henry’s storytelling, and how brilliantly he executed them, opening an illustrative world of its own to the text. It is remarkable, that Grosz started the work without any preliminary drawing, using only watercolor, working the watercolor wet into wet, with only few lines of reed pen and pen and ink for some contour and details. Brunk Auctions would like to thank Ralph Jentsch for confirming the authenticity of this watercolor. It will be included in his forthcoming raisonne of the artist’s works. https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1070 George Grosz (German, 1893-1959) Man About Town, from Bagdad-on-the-Subway. A Portfolio of Six Signed WaterColors Depicting O. Henry’s New York (Jentsch 60), 1935, New York: The Print Club, publisher, signed lower right in pencil “Grosz”, collotype in color, sheet, 20-3/8 x 15 in.; painted wood frame, 28-3/8 x 24-3/8 x 1 in., toning, foxing, some fading, affixed to mat verso; frame with abrasions Provenance: Private Collection Estimate: $600 - $900 Literature: O. Henry, Voice of the City and Other Stories (1908), plate facing pg. 31.

1071 The Voice of the City and Other Stories by O. Henry, Signed by George Grosz New York: The Limited Editions Club, 1935, numbered 958/1500 and signed by George Grosz at limitations page, with 21 photolithographic reproductions after watercolors (incl. title page) and 26 line block reproductions after pen and ink drawings on cream wove paper, LEC monthly letter loose to front, previous owner’s bookplate to front pastedown, black cloth boards, housed in purple cloth slipcase, large 8vo, 11-1/8 x 1-3/8 x 8 in., abrasions, scuffing, and losses to slip case, book in overall very good condition Estimate: $100 - $200 This publication features the reproduction of the original artwork being offered as lot no.69.

1073 1072 Bill Brown Bruno Lucchesi, Going out (American/North Carolina, born 1955) (American/Italian, 1926-2026) The Samurai Sword, stamped “BROWN”, front left corner of sculpture, steel and A woman donning her coat, signed lower body “B Luchessi”, patinated bronze, cast glass with etched and polished glass and steel pedestal, 46 x 51-1/4 x 12 in., with travertine base, 18-3/4 x 8-1/4 x 9-1/4 in., reddish brown patina with verdigris overall very good, brown patina and oxidation as made corrosion, slightly loose on base; base with small chips Provenance: Private Collection Provenance: Forum Gallery, New York, NY, 1983, No. 7394 (label underside) Estimate: $800 - $1,000 (accompanied by facsimile of original receipt); Murray and Louise Levine, New Bill Brown is the founder of Anvil Arts Studio in Linville Falls, North Carolina. He Jersey; Estate of Mark S. Levine has repeatedly worked and taught at the Penland School of Craft in Bakersville, Estimate: $1,200 - $1,800 North Carolina 30 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1074 Robert Wiens (Canadian, born 1953) White Pine, 1997, not apparently signed, watercolor and pencil on paper, 95-5/8 x 41-7/8 in; painted wood frame, 103-3/4 x 49-5/8 x 1-1/2 in., floated, good condition; frame with abrasions Provenance: Private Collection, New York Estimate: $1,000 - $1,500

1075 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Large Octagonal Charger, signed “Benedictine Monks/Weston, Vermont”, ceramic, 1-3/4 x 17-5/8 x 17-5/8 in., overall good condition, small chip and repair to one corner Provenance: Private Collection Estimate: $1,500 - $2,500

1076 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Large Green Vase, signed to base “Benedictine Monks/Weston, Vermont”, ceramic, 14-3/8 x 9-1/2 x 9-1/2 in., overall good condition, minor anomalies and wear to base Provenance: Private Collection Estimate: $2,000 - $3,000

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1077 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Circular Dish, signed to base “Benedictine Monks/Weston, Vermont”, ceramic, 2-1/2 x 15-3/4 x 15-3/4 in., overall good condition, minor anomalies and wear to base Provenance: Private Collection Estimate: $800 - $1,200

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1078 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Large Iridescent Blue Vase, incised mark to base, ceramic, approx. 13 x 12-1/4 x 12-1/4 in., overall good condition, some minor anomalies as made, some minor abrasions to body Provenance: Private Collection, Virginia Estimate: $3,000 - $5,000 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1079 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Globular Vase, signed to base “Benedictine Monks/Weston, Vermont”, ceramic, 8 x 6-3/4 x 6-3/4 in., overall good condition, minor anomalies, pinholes, and wear to base Provenance: Private Collection Estimate: $1,500 - $2,500

1080 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Vase and Cup, each signed “Benedictine Monks/Weston, Vermont”, ceramic, 4-1/8 x 5-3/4 x 5-3/4 in. and 4-1/4 x 2-7/8 x 2-7/8 in., overall good condition, some crazing and minor wear to bases Provenance: Private Collection Estimate: $600 - $900

1081 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Charger, signed to base “Benedictine Monks/Weston, Vermont”, ceramic, 1-5/8 x 14-1/2 x 14-1/2 in., overall good condition, circular hairlines/crazing to interior and base, slight wear to base Provenance: Private Collection Estimate: $600 - $900

1082 Brother Thomas Bezanson (Canadian/Vermont, 1929-2007) Orange Bowl, signed to base “Benedictine Monks/Weston, Vermont”, ceramic, 4-1/4 x 6 x 6 in., overall good condition, some crazing and anomalies Provenance: Private Collection Estimate: $500 - $700

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1083 Andy Warhol, Space Fruit: Still Lifes Series (New York, 1928-1987) (Feldman Schellmann II.198-203 ), 1979, edition 74/150, the series of six, each signed lower right in marker “Andy Warhol”, Grippi/Zivian, Inc., New York, publishers, with blindstamps, Smith & Grippi, New York, printer: includes Cantaloupes II (II.198), Watermelon (II.199), Apples (II.200), Cantaloupes I (II.201), Peaches (II.202), Pears (II.203), screenprints on Lenox Museum Board, sheets 30 x 40 in.; matching aluminum frames, silk mats, 38-3/4 x 48-7/8 x 1-1/2 in., each floated with archival tape, hinged at top; Cantaloupes II (II.198) small points of surface scuffing, small dings at two edges; Watermelon (II.199) tiny abrasion and faint black linear ink smudge in Apples (II.200) light scuffing of green ink at bottom apple Cantaloupes I (II.201) small ink anomaly; Peaches (II.202) ink anomaly upper right in peach shadow; Pears (II.203) spot or accretion left edge, light scuffing in black ink lower right, ink anomalies; frames and acrylic with some scratches or abrasions; Provenance: Arlenne Whaley McDaniel Fine Art, Simsbury, Connecticut, purchased in 1993 (accompanied by gallery documents); Estate of Ashton Durham; Private Collection Estimate: $100,000 - $150,000 Literature: Andy Warhol, Frayda Feldman, and Jörg Schellmann,<em> Andy Warhol Prints : A Catalogue Raisonné, </em>1985, pg. 103. https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1084 Andy Warhol (New York/Pennsylvania, 1928-1987) Tattooed Lady, signed within print on underwear, offset lithograph on thin green Plover onion skin paper with original folds, sheet 29 x 11 in.; unframed, loose, slight toning and fading Provenance: Acquired by Patricia McCullough Stevenson, New York, NY; By descent in family Estimate: $5,000 - $8,000 Andy Warhol used this print as his “résumé” to gain employment at advertising agencies throughout New York. Seeking work as a graphic artist he stopped by B. Altman where Patricia “Pat” McCullough Stevenson worked as a fashion illustrator from 1954 to 1961. She remembered when her boss, Lou Ritter, refused to give Andy Warhol a job, declaring, “What is this?” as he threw his résumé in the trash. Pat retrieved the print as she was impressed with the image of a woman covered with the logos of various companies covering her arms and legs like tattoos. Ritter also reportedly said, ”Warhol would never make it at Altman.” We know how the story ends and are grateful to have this imaginative document.

1085 Jim Dine (New York/Ohio, born 1935) Big Red Wrench in Landscape, from Homage à Picasso, 1973, artist’s proof edition XIII/XXX, signed and inscribed in pencil upper edge “Jim Dine XIII/XXX 1973”, William Law, printer, Petersburg Press, New York and Ulstein Propylaen Verlag, Berlin, co-publishers, color lithograph on Arches paper, sheet 30 x 22-1/2 in.; wood print frame, 37-3/4 x 30-1/4 x 1-1/8 in., not examined out of frame, floated, deckled edgesï¼› frame with light wear Provenance: Skinner Auctions, Marlborough, Massachusetts (loose label attached verso); Private Collection Estimate: $1,000 - $1,500

1086 Rick Beck (North Carolina/American, born 1960) Two Screws, cast glass, smallest 10-1/2 x 5-5/8 x 6-1/2 in., largest 14 x 5-1/2 x 5-5/8 in., small screw with chips Provenance: Private Collection Estimate: $2,000 - $3,000

1087 Beverly Buchanan (American, 1940-2015) Red Shack, signed lower center, marker on paper, sight 6 x 5-3/8 in.; modern wood frame, 14-3/4 x 11-5/8 x 7/8 in., overall good condition Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $600 - $900

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1088 Mary Lee Bendolph (American/Alabama, born 1935) Past and Gone, 2005, edition 21/50, signed and dated lower right “Mary L. Bendolph 2005”, editioned lower left, titled lower center, color aquatint, spitbite aquatint, softground etching, plate, 31 x 27 in., sheet, 40-1/2 x 35 in.; modern frame, 45 x 40-1/4 x 7/8 in., not examined out of sealed frame, vibrant color; frame with minor wear Provenance: Private Collection Estimate: $2,000 - $3,000

1089 Mary Lee Bendolph (American/Alabama, born 1935) Black and Brown, 2005, edition 20/50, signed and dated lower right “Mary L. Bendolph 2005”, editioned lower left, titled lower center, color aquatint, spitbite aquatint and softground etching, image sight, 23-3/4 x 23-1/2 in.; modern frame, 37-3/8 x 36-5/8 x 7/8 in., not examined out of sealed frame, good color; frame with minor wear Provenance: Private Collection Estimate: $2,000 - $3,000

1090 Beverly Buchanan (American, 1940-2015) 1091 Four Shacks, 2004, signed and dated lower right corner “Beverly Buchanan 04”, Louisiana Bendolph oil pastel on paper, sight 21-1/2 x 29-1/2 in.; modern wood frame, 30-3/4 x 38-3/4 (American/Alabama, born 1960) x 1-1/4 in. Three Squares, 2005, edition 45/50, signed and dated lower right, “Louisiana P. Exhibited: Asheville Art Museum, Asheville, North Carolina, “Response and Bendolph”, titled lower center, editioned lower left, color aquatint and spitbite, Memory: The Art of Beverly Buchanan”, November 21, 2009 - January 31, 2010, not sight, plate, 11-3/4 x 21-3/4 in.; modern frame, 26-1/8 x 35-1/8 x 7/8 in., not examined out of frame, overall good condition, some bumps and abrasions to frame examined out of frame, good color; frame with minor wear (notably at corners) Provenance: Private Collection Provenance: Oliver’s Southern Folk Art, Hendersonville, North Carolina, October Estimate: $2,000 - $3,000 2010 (accompanied by copy of receipt for $3,017); Private Collection Estimate: $3,000 - $5,000 https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1092 William Crozier (Scottish/Ireland, 1930-2011) Labyrinth, 2007, edition 10/80, signed and dated lower right “William Crozier 2007”, Stamperia Berardinelli Italy blind stamp lower right, titled lower center, etching and aquatint on paper, sheet, 27-3/8 x 35-1/2 in.; unframed, vibrant color, overall good condition Provenance: Private Collection Estimate: $1,000 - $1,500

1093 William Crozier (Scottish/Ireland, 1930-2011) Verona Garden, 2007, edition 10/80, signed and dated lower right “William Crozier 2007”, Stamperia Berardinelli Italy blind stamp lower right, titled lower center, etching and aquatint on paper, sheet, 27-1/2 x 35-1/2 in.; unframed, vibrant color, overall good condition Provenance: Private Collection Estimate: $1,000 - $1,500

1094 Piero Dorazio (Italian, 1927-2005) Luceombra, 1971, edition 23/100, signed and dated lower right “Piero Dorazio 1971”, editioned lower left, Erker Presse blind stamp lower left, lithograph on paper, sight, 23-1/2 x 34-1/2 in.; modern frame, 27-7/8 x 38-7/8 x 7/8 in., not examined out of frame, light toning, light foxing; frame with minimal wear Provenance: Private Collection Estimate: $1,500 - $2,500

1095 Barker Fairley, Fauve Landscape (Canada/England, 1887-1986) Green, Black, Blue, and Yellow, 1977, signed lower left “Fairley”, dated, signed and titled verso, oil on board, 11-5/8 x 13-7/8 in.; fine modern gold leaf frame, 19-5/8 x 22-1/8 x 1-1/2 in., light surface dirt; frame with minor abrasions at edge Provenance: Marianne Friedland Gallery, Toronto (label verso); Property from an Important Chicago Collection Estimate: $800 - $1,200

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1096 American School Abstract (20th/21st century) Composition with Watermelons, signed lower right “McD”, oil on four fiber board panels affixed to Masonite, 17-3/4 x 34 in.; wood frame, 20-3/4 x 36-1/2 x 2 in., accretions, cleavage, cupping, surface dirt; frame with abrasions Provenance: Private Collection, Virginia Estimate: $400 - $600

1097 Robert Levin, Three Glass Vegetable Goblets (American/North Carolina, born 1948), 2000, including eggplant, tomato, and pepper, each signed and dated to base “Robert Levin 1948”, hand blown glass, 10-3/8 x 4-1/2 x 3-3/4 in., overall good condition, minor anomalies, scratches, and fogging; eggplant with small chip to one area (see photos) Provenance: Private Collection Estimate: $800 - $1,200

1098 Tapio Wirkkala for Venini, Bolle Vase (Finnish, 1915-1985), red and clear glass vase from the Bolle series, 2006, signed and dated to base, hand blown glass, 7-3/4 x 7-1/2 x 7-1/2 in., overall good condition, minor anomalies and air bubbles Provenance: Private Collection Estimate: $600 - $900

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1099 Richard Ritter (American, born 1940) White Candy Apple, 2010, signed and dated on base partially illegibly, 4-1/2 x 3-7/8 x 3-7/8 in., overall good condition, light scratches to base Provenance: Private Collection Estimate: $800 - $1,200 Accompanied by copy of email correspondence with the artist’s wife, Jan Ritter related to this piece.

1100 Edward Wormley for Dunbar Mid Century Modern Model 5632 Walnut Coffee Table, circa 1960, from the Janus line, elongated hexagonal top inset with Tiffany Favrile type tiles, “DUNBAR / BERNE INDIANA badge to underside, 17-1/4 x 19 x 771/4 in., minor wear overall, top with small patch to edge, some sun fading, scattered scuffs to base Provenance: Estate of Mark S. Levine Estimate: $3,000 - $5,000

1101 Mid Century Modern Orange Upholstered Sofa 20th century, brass plated base, 28 x 96-1/4 x 32 in, seat height 17-1/2 in., some loss to brass plating, upholstery with very light wear overall Provenance: Estate of Mark S. Levine Estimate: $400 - $600

1102 Della Wells (American/Wisconsin, born 1951) In This House, We Must Dig for the Truth, 2021, signed and dated lower left corner, titled verso, collage on canvas board, 10 x 8-1/4 x 1/4 in.; white painted wood frame, 12-1/4 x 10-1/4 x 7/8 in., overall good condition, minor marks/abrasions to frame Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $600 - $900

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1103 William and Katherine Bernstein (American/North Carolina, 20th/21st century), four assorted glass table objects, 1994-2006, each signed and dated to base “Bernst ... KB”, largest 10-5/8 x 5-1/4 x 4 in., anomalies, air bubbles, and some wear to bases; yellow vase with notable cracks to neck and body Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $200 - $400

1104 William and Katherine Bernstein (American/North Carolina, 20th/21st century), seven pieces of glass drinkware with face decoration, 1997-2007, each signed and dated to base “Bernst ... KB”, largest 7-1/4 x 3 x 3 in., anomalies, air bubbles, and some surface accretion, slight scratches to bases Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $200 - $400

1105 Woodie Long (American/Florida, 1942-2009) Untitled (Cyclists), 2000, signed and dated lower left corner “Woodie 00”, oil on paper, 14 x 20 in.; modern black painted frame, 23 x 29 x 1 in., not examined out of frame, overall good condition, bumps and abrasions to frame, scratch to left side of frame Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1106 Beverly Buchanan (American, 1940-2015) Shanty Town, 1991, signed and dated lower right “Beverly Buchanan 12/91”, marker on paper, sight 7-3/4 x 11-1/4 in.; modern gilt wood frame, 18-3/4 x 22-3/4 x 1-1/4 in., not examined out of frame, overall good condition, minor abrasions at corners of frame Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $800 - $1,200

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1107 Alvar Aalto for Artek Set Three Birch Model 60 Stacking Stools 20th century, round seats, four bentwood legs, faintly branded to undersides “original alvar aalto / artek / 1000”, 17-1/4 x 16-1/2 x 16-1/2 in., typical light surface wear including small indentation to one top edge Provenance: Neven & Neven, Hudson, New York, June 2008 (accompanied by copy of receipt); Private Collection Estimate: $400 - $600

1108 John Conrad Lewis, Glass Bowl Sculpture (American, 20th century), 2007, signed and dated “Lewis/8-7-07”, painted glass, 6-1/4 x 19-1/4 x 19-1/4 in., overall good condition, some paint loss probably as made, chip to one foot Provenance: Private Collection, New York Estimate: $200 - $400

1109 Winfred Rembert Jr. (American/Connecticut, 20th/21st century) Yellow Fields, initialed in upper right corner “WRJ”, dye on carved and tooled leather, sight 35 x 24 -1/2 in.; modern frame, 37 x 26-1/2 x 3/4 in., overall good condition, minor abrasions to frame Provenance: Acquired directly from the artist&rsquo;s private collection Estimate: $5,000 - $7,000

1110 Winfred Rembert Jr. (American/Connecticut, 20th/21st century) Cotton Pickers, initialed in upper right corner “WRJ”, dye on carved and tooled leather, sight 25 x 25 in.; modern frame, 27 x 27 x 3/4 in., overall good condition, small area of paint transfer to edge of frame Provenance: Acquired directly from the artist&rsquo;s private collection Estimate: $4,000 - $6,000

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1111 Winfred Rembert Jr. (American/Connecticut, 20th/21st century) Fields in Motion, initialed in upper right “WRJ”, dye on carved and tooled leather, sight 22-1/4 x 33-5/8 in.; modern frame, 24 x 35-1/4 x 7/8 in., overall good condition Provenance: Acquired directly from the artist&rsquo;s private collection Estimate: $4,000 - $6,000

1112 Beverly Buchanan (American, 1940-2015) Ms. Furcron’s House, 2003, signed and dated lower right corner “Beverly Buchanan/2-2003”, oil pastel on paper, 9 x 12-1/8 in.; carved wood frame, 17-1/2 x 20-1/4 x 1 in., overall good condition, small bumps to frame in lower left corner Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $800 - $1,200

1113 Beverly Buchanan (American, 1940-2015) Red Dress, signed and dated lower right “Beverly Buchanan 04”, oil pastel on paper, approx. 22 x 29-1/2 in.; unframed, overall good condition, held under protective mat Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $800 - $1,200

1114 Beverly Buchanan (American, Georgia, 1940-2015) White Flower, 2003, signed and dated to lower right corner, oil pastel on paper, 22-1/4 x 30 in.; unframed; together with Man in Blue, signed by artist to lower right corner, offset print, 18 x 37 in., White Flower in overall good condition; Man in Blue with creases affecting image, some slight tattering to upper left edge Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $800 - $1,200

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1115 Mid Century Modern Teak Credenza probably Danish, 20th century, four drawers, double sliding doors concealing shelves and open front drawers, unmarked, 31-1/2 x 88-1/2 x 20 in., typical light wear with some fading, ring stain to top, scattered stains to front of sliding door, some scuffs to feet Provenance: Private Collection Estimate: $1,000 - $1,500

1116 Contemporary Benchmade Bubinga and Wenge Dining Table 21st century, figured bubinga top with applied wenge edge, trestle base, unmarked, 29 x 84 x 44 in., very light to minimal wear Provenance: Private Collection Estimate: $1,000 - $2,000

1117 Maurice Freedman (American, 1904-1985) Orleans Repast, signed lower right and on canvas verso “Maurice Freedman”, titled on canvas verso, oil on linen, 30 x 40 in.; painted wood frame, 31-3/8 x 41-3/8 x 1-1/8 in., vibrant color, possible accretion; frame with abrasions Provenance: Private Collection Estimate: $4,000 - $6,000

1118 Charles Quest (American/North Carolina, 1904-1993) Untitled Still Life, 1976, signed upper right “Quest 76”, oil on panel, 23 x 30 in.; cove molded wooden frame, 28 x 35-1/2 x 2 in., light surface dirt, stable paint; frame with light wear Provenance: Private Collection Estimate: $2,000 - $3,000

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1119 Charles Quest (American/North Carolina, 1904-1993) Untitled Still Life, 1977, signed upper right “Quest 77”, pastel on paper, sight 24 3/4 x 19 in.; modern metal frame, 33-1/4 x 27-1/4 in., good bright color, floated under glass, not examined out of frame; frame with minor wear at corners Provenance: Private Collection Estimate: $1,200 - $1,800

1120 David S. Shapiro (American, 1944-2014) Studio Interior, Taft Ave, 1976, signed lower right “DSS 76”, signed, dated and titled on canvas verso “David. S. Shapiro 1976 ‘Studio Interior’ Taft Ave”, oil on linen, 221/4 x 28-1/4 in.; painted wood frame, 23-1/8 x 28-7/8 x 1-1/2 in., good color, minor crackle; frame with minor wear Provenance: Private Collection Estimate: $500 - $700

1121 Contemporary Italian Max Divani Leather Sectional Sofa 21st century, in two sections, adjustable depth backs, blind tufted white leather with black stitching, curved metal legs, 36 x 111 x 73 in., very light wear overall, several faint scattered marks Estimate: $1,000 - $2,000

1122 Arredoluce Angelo Lelli Style Brass Easel Lamp late 20th century, with single light, two canvas securing mounts, tripod base, unmarked, lacking bottom plate, 83 x 23 x 23 in., brass with some minor surface corrosion and scattered spots of red patina, working order is not guaranteed Provenance: Private Collection, Highlands, North Carolina Estimate: $1,000 - $2,000

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1123 Piero Fornasetti Tulipani Su Geometrico Table Production Zinc Plates and Colored Print, (Italian, 1913-1988), circa 1960, three lithographic zinc templates, two reading “tovolo rotondo 0 115 tulipani su geometrico”, largest 44 x 35-1/2 in.; laminated tulip print, reading “Piano Tavolo 0 115 - Tulipani a colori su geometrico Bruno o (Bianco e Nero)”, 39 x 27 in., overall good condition with some minimal scratches; slight creasing to zinc plates; notable creasing to print, some bumped corners, spotting, discoloration, horizontal fold at center Provenance: Christies, Los Angeles, California, “Important Design: The Life of Piero Fornasetti”, May 16, 1998, Lot 75; Private Collection, New York Estimate: $800 - $1,200

1124 Set of Eight Modern Silvered Metal and Red Upholstered Dining Chairs tags for Johnson Casuals, 2008, each designed in the Boston Chippendale style, 41-1/2 x 18-3/4 x 19-1/2 in., seat height 18-1/2 in., scattered surface corrosion and spotting, especially at center of backsï¼› scattered minor stains to upholstery, some need plastic foot pad replacements Estimate: $500 - $700

1125 1126 Kermit Oliver Jann T. Bass (American/Texas, born 1943) (American/Colorado, 20th/21st century) De Exorcismis Et Supplicationibus Quibusdam (Of Exorcism and Certain Terms of Endearment, signed lower center “Bass”, titled verso, oil on Masonite, Supplications), 2012, signed lower left “Oliver”, signed, titled, and dated verso, 11-7/8 x 9 in.; gilt wood frame, 17-1/2 x 14-1/2 x 3/4 in., good color; frame with wear acrylic on panel, 19-1/2 x 21-1/2 in.; original painted wood and composition frame, mainly at corners 28 x 30-1/2 x 1-3/8 in., good condition; frame with minor abrasions Provenance: Private Collection Provenance: Hooks-Epstein Galleries, Houston, Texas, No.KO127 (label verso); Estimate: $200 - $400 Private Collection, Virginia Estimate: $5,000 - $7,000 46 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1127 Wlodzimierz Szpinger, Trolls Fighting (Polish, born 1942) Trolls Fighting, signed lower right “Szpinger”, oil on plywood, 34-1/8 x 27-1/4 in.; Gothic style wood frame, 40 x 32 x 2-1/4 in., some splitting and chips at edges verso of plywood; light abrasions Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $3,000 - $5,000

1128 Set of Four Contemporary James Schriber Side Chairs Connecticut, 2009, figured maple with dark stain, one chair signed and dated to underside, 30 x 19-1/2 x 18 in., seat heights 18 in., some loss to finish throughout, one chair with significant loss to finish, other typical surface wear Provenance: Private Collection, New York Estimate: $800 - $1,200

1129 Contemporary James Schriber Ebonized Figured Maple Flip Top Table Connecticut, 2005, top opens to reveal storage with steel grate bottom, top edge underside inscribed “James Schriber “05”, 28-1/4 x 29 x 29 in., scattered scuffs and scratches throughout Provenance: Private Collection, New York Estimate: $600 - $900

1130 George Mulhauser for Plycraft Mid Century Modern Teak “Mr. Chair” Lounge Chair, 20th century, teak veneered bent plywood, tufted black leather upholstery, unmarked, 31-1/2 x 28-3/4 x 28-1/2 in., seat height 16 in., veneer with scattered typical wear, sun fading, and minor repairs, leather with very light wear Provenance: Estate of Mark S. Levine Estimate: $500 - $700

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1131 Frederick Elliot Hart (District of Columbia, 1943-1999) Ex Nihilo, maquette, 2001, edition 109/910, signed on side “Hart” and inscribed, cast marble. 27-1/4 x 35 x 4 in. in.; with accompanying book, Changing Tides, signed by the author “Lindy Hart” and numbered 109/1052, good condition; book with some slight wear to dust case Provenance: Private Collection Estimate: $2,000 - $3,000 This maquette won the design competition for The Creation Sculptures, for the west facade of The National Cathedral, Washington, DC.

1133 Pair of Contemporary Paul Harrell Benchmade Iroka Bedside Tables Pittsboro, North Carolina, 2000, single drawers, shelf bases, signed to back behind drawer “Paul Harrell / April 2000”, 26-3/4 x 22 x 16-1/2 in., minor sun fading, each top with ring stain and light scratches, light wear to legs Provenance: Private Collection Estimate: $400 - $600

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1132 Contemporary Benchmade Iroko Headboard attributed to Paul Harrell, Pittsboro, North Carolina, 20th century, 45-1/4 x 63-3/4 x 2-1/2 in., light wear overall Provenance: Private Collection Estimate: $200 - $400

1134 Contemporary Paul Harrell Iroko Demilune Hallway Table Pittsboro, North Carolina, 2002, top with applied edge, highly figured square tapered legs, signed, 29-1/4 x 26-1/4 x 14-3/4 in., very light wear overall Provenance: Private Collection Estimate: $200 - $400

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1135 Gilbert Rohde for Herman Miller Art Deco Mahogany Fall Front Desk mid 20th century, fall front desk over four drawers and single door cabinet, black painted trim, “GENUINE MAHOGANY” label to drawer interior, lacking Herman Miller badge, 37-1/4 x 36 x 17-1/2 in., typical scattered minor wear Provenance: Private Collection Estimate: $500 - $700

1136 Pair of Printing Press Block Collages, Attributed to Lloyd Schermer American, 20th century, apparently unsigned, varied alphanumerical and pictorial blocks mounted on black painted wood backing, each approx. 60-1/4 x 48 x 1-3/4 in., some scattered bumps and abrasions to frames, one block off but present Provenance: Deaccessioned by the Virginia Museum of History & Culture to benefit collections care, preservation and future acquisitions Estimate: $1,000 - $2,000

1137 Fritz Hansen Mid Century Modern Tray Table Danish, mid 20th century, round teak dished top, black painted four leg base, top underside stamped with “FH / MADE IN DENMARK”, 16-1/2 x 24-1/2 x 24-1/2 in., top with fading and ring stain, base with scattered scuffs to paint Provenance: Private Collection Estimate: $200 - $400

1138 Marcello Fantoni for Raymor, Copper Pillow Vase (Italian, 1915-2011), stamped to base “Fantoni/Firenze/Italy”, copper and brass, 5-1/2 x 14 x 1-3/4 in., overall good condition Provenance: Private South Carolina Collection Estimate: $600 - $900

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1139 Contemporary Brutalist Bronze and Glass Coffee Table late 20th/21st century, textured bronze base, inset glass top, 16-1/4 x 52-1/4 x 30-1/2 in., very light wear overall, glass top with small chips to edges and very minor faint scratches Provenance: Private Asheville Collection Estimate: $400 - $600

1140 Three Contemporary Lamps, Knoll and Lightolier comprising pair of John Rizzi & Brooks Rorke for Knoll single light black plastic and metal lamps, adjustable height stem, markings to undersides, 19-1/2 x 11-3/4 x 11-3/4 in. at highest configuration; Michael Lax for Lightolier single light table lamp, telescoping stem, 17 x 3 x 4 in. at highest configuration, all in working order as of cataloging, very light wear overall Provenance: Private Collection Estimate: $300 - $500

1141 Trude Mueller (American, 1908-1998) Ambition, signed “TM” on base, titled on base, composite on painted wood base, 13 x 7-1/2 x 5-3/4 in., painted bronze patina, minor abrasions on base Provenance: Private Gainesville, Georgia Collection Estimate: $200 - $400

1142 Mazey Andress (North Carolina/Georgia, 20th/21st century) Levity, 2012, signed lower right with square monogram “MA”, and signed and dated verso, mixed media on panel, 37-1/2 x 29-1/4 in.; original parcel leaf frame, 44 x 35-1/2 x 1-1/2 in., frame with abrasions Provenance: Tew Galleries, Atlanta Georgia (label verso); Private Collection, Highlands, North Carolina Estimate: $1,000 - $1,500

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1143 Adam Styka (Polish, born 1940) Composition no. XVIII, 2004, signed and dated verso “A. Styka ‘04”, oil on canvas, 35-7/8 x 47-7/8 in.; painted wood frame, 37-3/4 x 49-1/2 x 1-1/8 in., vibrant color; frame with abrasions Provenance: Private Collection Estimate: $1,000 - $2,000

1144 Ronald Puckett Maple and Mahogany Round Center Table 1987, bookmatched maple top with mahogany inlay, mahogany trim throughout, base inscribed “Ronald C. Puckett 12/87”, 29-3/4 x 47-3/4 x 47-3/4 in., light wear overall, white paint scuffs to table edge Provenance: Private Collection, New York Estimate: $500 - $700

1145 Antoni Falat (Polish, 1942-2024) Ascension, 1987, signed and dated lower right “Ant. Falat 87”, acrylic on canvas, 39-1/8 x 31-3/4 in.; painted wood frame, 40-1/4 x 32-3/4 x 1-1/2 in., surface abrasions, accretions, indentation upper right; frame with wear, abrasions Provenance: Private Collection Estimate: $1,000 - $1,500

1146 Claude William Harrison (British, 1922-2009) Cryptic Signals From Below, 1987, signed and dated lower right and verso “Claude Harrison ‘87”, title inscribed on frame verso, tempera on Masonite, 16 x 20 in.; modern frame, 22-3/4 x 26-7/8 x 2-1/8 in., good color, accretion; frame with abrasions Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $600 - $900

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1147 Robert Broderson (North Carolina, 1920-1992) Girl With Butterfly, signed lower center “Broderson”, gouache on laid paper, 19-1/4 x 12-1/2 in.; gilt silver frame, not examined out of frame; frame with minor abrasions., not examined out of frame Provenance: Les Terrasses; Catherine Viviano Gallery, New York, NY (label verso); Brunk Auctions, Asheville, North Carolina, August 25, 2013, Lot 77; Private Collection, North Carolina Estimate: $300 - $600

1148 Claude William Harrison (British, 1922-2009) Comedians Betrothed, 1982, signed and dated lower right and verso, “Claude Harrison 1982”, titled and inscribed verso, oil on Masonite, 12 x 15-7/8 in.; wood frame, 17 x 21 x 1-1/2 in., good color, wear at edges; frame with wear Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $600 - $900

1149 Mid-Century Modern Figural Iron Mirror, attributed to Frederic Weinberg (American, 1915-2018), iron frame with openwork figural decoration housing mirror plate, 30-1/2 x 24-1/2 x 1/2 in., some rust and loss to surface, slight warping, some minor loss to silvering in upper corners of mirror plate Provenance: Private Collection Estimate: $500 - $700

1150 Claude William Harrison (British, 1922-2009) Female Clown, 1983, signed and dated lower right and verso “Claude Harrison ‘83”, titled verso, tempera on Masonite, 16 x 12 in.; modern frame, 21-1/4 x 17-1/4 x 1-7/8 in., good color, surface abrasions; frame with abrasions Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $500 - $700

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1151 Stefan Martin (American, 1936-1994) Abstract Figures, signed lower left “Stefan Martin”, mixed media collage on board, 47-3/4 x 66-1/8 in.; modern burlwood veneer frame, 71-7/8 x 53-3/4 x 1-3/8 in., overall good condition, surface dirt; frame with minor abrasions Provenance: Estate of Mark S. Levine Estimate: $300 - $500

1152 Contemporary Sutherland Furniture Teak Wood Block End Table 21st century, twisted teak block, underside with “SUTHERLAND” inset metal button, 18-3/4 x 12 x 13 in., sun fading and scattered minor wear Provenance: Private Asheville Collection Estimate: $200 - $400

1153 Ray Kaskey (Washington, D.C. born 1943) Corner Caryatid, a reclining nude on an architectural corner element, patinated metal, 14-1/4 x 14-1/2 x 14-1/2 in., uneven bronze finish, abrasions Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $2,000 - $4,000 Raymond Kaskey is an American architect and sculptor best known for his works of monumental and memorial sculpture. He studied architecture at Carnegie Mellon University and Yale University, and in 1983 established Kaskey Studio. Throughout his career as an artist, Kaskey has received numerous commissions to create public art for civic buildings and memorials across the country, including 1154 the architectural sculptures for the National World War II Memorial in Washington, Raymond Kaskey D.C. and Portlandia for the Portland Public Services Building in Portland, Oregon. (American/Washington, D.C., born 1943) Ray Kaskey states the importance of this piece to his career, “I began exhibiting Europa, 1992, signed and dated on lower center “RK 92”, titled on lower center, as a member of The National Sculpture Society in New York City in the late 70s. bronze on black marble base, 17-1/4 x 9 x 5-3/4 in., uneven black patina In 1981 I won the Mrs. Louis Bennett Award for the Corner Caryatid, I believe for Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland the original way it combined sculpture in the round with traditional relief. When I Estimate: $1,000 - $2,000 responded to the call for entry in the Portlandia competition with six slides, it was In this sculpture, the woman is holding what appears to be the handlebars of a the Corner Caryatid that impressed Michael Graves and admitted me to the 2nd bicycle. According to the artist this directly references Picasso’s 1942 “Bull’s Head” phase of the competition, which I ultimately won, and led to a career doing public sculpture made of found objects. monuments.” https://live.brunkauctions.com/auctions/brunk/form-vision53 modern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

1155 Raymond Kaskey (American/Washington, D.C. born 1943) Maquette for Art Rooney, Owner of the Pittsburgh Steelers, 1989, signed and dated “RK 89” lower left, patinated bronze, 6-3/4 x 7 x 5 in., lacking base, yellow green to black patina, surface abrasions Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $400 - $600 This sculpture is a maquette for the bronze memorial statue of Arthur J. “Art” Rooney Sr., the founder of the Pittsburgh Steelers. The memorial statue currently sits outside of Acrisure Stadium in Pittsburg, Pennsylvania.

1157 Raymond Kaskey (American/Washington, D.C., born 1943) Livia II, 2005, signed and dated lower right verso “RK 05”, artist mark lower right, bronze on black marble base, 8-5/8 x 18-7/8 x 11 in., overall good condition, verdigris to black patina Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $1,000 - $2,000 54

1156 Raymond Kaskey (American/Washington, D.C. born 1943) Battle of the Bulge Frieze Reduction, unsigned, bronze, 4 x 11-3/4 x 3/4 in., overall good condition, verdigris patina Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $500 - $700 This sculpture is a reduction of one of the twelve Atlantic Theater bas reliefs at the National World War II Memorial in Washington D.C.

1158 Raymond Kaskey (American/Washington, D.C. born 1943) Doppelganger, 1997, signed and dated on base “Kaskey 97”, artist mark on base, bronze on wood base, 23 x 18-3/4 x 6-3/4 in., black patina, surface abrasions, base with abrasions Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $1,000 - $2,000

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1159 Raymond Kaskey (American/Washington, D.C., born 1943) Dancer, 2018, signed and dated on proper left foot “RK 18”, artist mark on proper left foot, bronze on black and green marble base, 16-1/4 x 12-1/4 x 5-1/2 in., overall good condition, verdigris patina Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $1,000 - $2,000 The artist says this sculpture was inspired by a photo of the American dancer Martha Graham.

1160 Raymond Kaskey (American/Washington, D.C., born 1943) Seated Nude, unsigned, bronze, 10-1/8 x 14 x 14-3/4 in., surface abrasions mainly on base, verdigris to black patina Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $600 - $900

1161 Walter Spitzer (Polish/France, 1927-2021) Giving Flowers, 1967, signed and dated lower right “W. Spitzer 67”, watercolor and gouache on paper, sight, 11-1/8 x 7-7/8 in.; gilt wood and composition frame, 19-7/8 x 16-3/4 x 1-1/8 in., not examined out of frame, light toning; frame with wear, abrasions Provenance: Private Gainesville, Georgia Collection Estimate: $200 - $400

1162 Three Raymond Kaskey Plaster Sculptures (American/Washington, D.C., born 1943) Bathing Woman, 1997, signed and dated on base “Kaskey 97”, painted plaster on wood base, 18-3/4 x 9-3/4 x 7-1/4 in.; Standing Nude, 1998, signed and dated on base “Kaskey 98”, painted plaster, 22-1/4 x 11 x 6-1/4 in.; Dancing Woman, 2017, signed and dated on base “RK 17”, painted plaster on wood base, 15-7/8 x 11-1/2 x 5-1/4 in., two with small losses to paint, Bathing Woman loose on base, Standing Nude with small loss, Dancing Woman not attached to base Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $200 - $400

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1163 Michel Viot (French, born 1941) Le Piege, 1964, signed and dated lower right “Michel Viot 64”, titled and signed on stretcher verso, oil on canvas, 21-5/8 x 18-1/4 in.; gilt wood and composition frame, 28-7/8 x 25-3/8 x 2-1/4 in., original canvas and stretcher, small area of retouch, surface dirt; frame with small losses, wear, abrasions Provenance: Estate of Mark S. Levine Estimate: $300 - $500

1164 Peter Max (German/America,1937-2026) Nude, Artist Proof, signed lower right “Max”, inscribed lower right “For Dan”, lithograph, 27-1/4 x 20-3/4 in.; modern frame, 40-1/8 x 33-1/2 x 1-1/8 in., good color, some creases, not examined out of frame; frame with abrasions Provenance: Private Virginia Collection Estimate: $400 - $600

1165 Philip Turner (English, 1918-1997) Dreaming, stamped with possible artist mark verso, bronze, 5-5/8 x 8-3/4 x 4-3/8 in., glue remnants on bottom, gold to brown patina Provenance: Private Gainesville, Georgia Collection Estimate: $500 - $700

1166 Large Mark Hewitt Floor Vase (Pittsboro, North Carolina/English, born 1955), stamped on rim with circular WMH logo, glazed ceramic with slip decoration, 25-3/8 x 12-1/4 x 12-1/4 in., overall good condition, pinholes and anomalies, small flat chip to side wall Provenance: W.M. Hewitt Pottery, Pittsboro, North Carolina, April 2013 (accompanied by copy of receipt for $304.91); Private Collection Estimate: $300 - $500

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1167 Four Pieces of Modern Studio Pottery Table Objects 20th century, comprising: Warren Hullow (American, 1939-2006) lidded vessel, 1968; Mark Hewitt (English/North Carolina, born 1955) bowl; Val Cushing (American, 1931-2013) tall vase; Judith Duff (American/North Carolina, 20th century) Shino glazed vessel; largest 13-1/2 x 5-3/8 x 5-3/8 in., overall good condition, minor anomalies and wear Provenance: W.M. Hewitt Pottery, Pittsboro, North Carolina, December 2004 (accompanied by copy of receipt for $331.70); Judith Duff, Brevard, North Carolina, October 2008 (accompanied by copy of receipt for $960.75); Private Collection Estimate: $600 - $900

1169 Large Persian Gabbeh Striped Brown Tone Carpet late 20th century, striped pattern, some with dots, 13 ft. 1 in. x 10 ft., very light to minimal wear Estimate: $1,000 - $2,000

1168 Gordon & Jane Martz, Communion Set (American, 1924-2015, 1929-2007), including ceramic bottle, plate, and goblet, bottle and plate signed “Martz...” to base, largest 10 x 5 x 5 in., overall good condition Provenance: Private Collection Estimate: $200 - $400

1170 Gordon & Jane Martz, Pair of Ceramic Lamps (American, 1924-2015, 1929-2007), each signed “Martz” near base, 12-1/4 x 6-1/4 x 6-1/4 in., wired for electricity; pair of modern shades, 7-3/8 x 10-1/4 x 10-1/4 in., not tested for functionality, overall good condition Provenance: Private Collection, New York Estimate: $200 - $400

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1171 Aksel Kjersgaard Mid Century Modern Rosewood Low Cabinet Model 423 Danish, mid 20th century, bookmatched rosewood veneers, fall front door with aluminum handles, underside branded with “FURNITUREMAKERS DANISH CONTROL / AKSEL KJERSGAARD / ODDER / MADE IN DENMARK / NO 423”, 26 x 371/2 x 17 in., very light wear overall, back with some adhesive remnants and scuffs Provenance: Private Collection Estimate: $500 - $700 This lot contains wood subject to international trade controls. Export requires government permits. Brunk Auctions only accepts bids from buyers with a U.S. shipping address.

1173 Contemporary Caned Exotic Hardwood Chair 20th century, removable hinged seat and back, unmarked, 33-1/2 x 24-1/4 x 30 in., scattered typical minor wear, front of seat frame with faint spot stains, some chips to back rail Provenance: Private Collection, New York Estimate: $100 - $300

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1172 Ekornes Stressless Leather Lounge Chair and Ottoman Norway, 21st century, beige leather upholstery, labels to underside, 39 x 31 x 28 x 16 in., ottoman 16-3/4 x 21-3/4 x 17-1/2 in., very light to minimal wear overall Provenance: Private Collection Estimate: $500 - $700

1174 Mid Century Modern Glass and Chrome Plated Steel Coffee Table 20th century, 14-3/4 x 36 x 36 in., glass with scattered scratches, base with minor wear overall Provenance: Private Collection Estimate: $100 - $300

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1175 Contemporary White Boucle Upholstered Armchair 21st century, unmarked, 31 x 21-1/2 x 22 in., seat height 18 in., light wear overall, minor scuffs to feet Provenance: Private Collection, New York Estimate: $100 - $300

1176 Jeanet S. Dreskin (American/South Carolina, 1921-2025) Terrain II, 1970, signed lower left “Dreskin”, watercolor on canvas, 14-1/4 x 18-1/4 in.; wood frame, 16-1/8 x 20 x 1-1/2 in., surface dirt; frame with wear, abrasions Provenance: By descent in the family of the artist Estimate: $200 - $400

1177 Mid Century Modern Round Teak Coffee Table mid 20th century, round top with dished edge, four triangular legs, 20 x 41 x 41 in., some sun fading, scattered scuffs to top, bottom of foot with split to seam Provenance: Private Collection, New York Estimate: $200 - $400

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1178 Rachel Cobb (20th/21st century) Dreams in Cans, 1990, signed lower right “Rachel Cobb”, acrylic on canvas, 29 x 40 in.; unframed, vibrant color, overall good condition Provenance: Private New York Collection Estimate: $300 - $500

1180 Painted Drum Form Side Table, Signed 1992, signed “Polivka(?) 92”, cylindrical form decorated with cave painting motif, label to underside “Contemporary American Furniture, Inc. / Chicago”, 24 x 18 x 18 in., light wear overall, black base with some edgewear Provenance: Private Collection Estimate: $100 - $300

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1179 Contemporary Scanteak Teak Dresser 21st century, dovetailed drawers, “SCANTEAK” to front corner, 42-3/4 x 35-1/2 x 18 in., scattered light surface wear Provenance: Private Asheville Collection Estimate: $100 - $300

1181 Mitchell Denburg Contemporary Plain Flatweave Carpet 21st century, white ground with blue and gray faded grid pattern, 12 ft. 9 in. x 8 ft. 5 in., very light to minimal wear Provenance: Private Collection, New York Estimate: $200 - $400

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1182 Mid Century Modern Style Scanteak Teak Desk and Side Chair 21st century, comprising two drawer desk, 30-1/4 x 36-1/4 x 20-1/4 in.; slat back side chair, 37-1/2 x 17 x 21 in., both branded “SCANTEAK”, both with typical minor surface wear Provenance: Private Asheville Collection Estimate: $200 - $400

1183 Contemporary Teak Bookshelf 21st century, figured teak, slatted rails, two drawers, 70-1/2 x 30-1/2 x 15-3/4 in., light wear overall, white scratches to shelf Provenance: Private Asheville Collection Estimate: $200 - $400

1184 Frank Holder (American/North Carolina, born 1931) Untitled, kinetic red-painted metal sculpture with round stand, newer cement base, overall 49-1/2 x 34 x 18 in., resurfaced with consultation with artist and confirmation of colors, newer base (cement) added for freestanding support, some evidence of corrosion under new surface Provenance: Ex-Collection Parker Washburn, Greensboro, North Carolina; Private Collection Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/brunk/form-visionmodern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

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1185 Lorenzo Scott (American/Georgia, born 1934) Artist (Lorenzo) at Work, signed “Lorenzo Scott” lower right corner, oil on canvas, 24 x 20 x 3/4 in.; unframed, overall good condition, some abrasions and lifting at edge of canvas Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1186 Annie Tolliver (American/Alabama, 1950-2018) Two Black Africa Twins Carrying Water, 2002, signed recto, titled and dated verso, paint on board, 24 x 24 x 1/2 in., rough edges and wear to wood as made, slight loss to paint Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $400 - $600

1187 Annie Tolliver (American/Alabama, 1950-2018) My Grand Father + Grand Mother Lighting Lamp + Dog, signed recto, titled and dated verso, paint on board, 20-1/2 x 24-1/8 x 3/8 in., rough edges and general wear to wood as made, surface accretion Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1188 Annie Tolliver (American/Alabama, 1950-2018) My Dad Mose T with His Real Hair, 2002, signed recto, titled and dated verso, paint and hair on board, 25 x 9-1/4 x 3/4 in., overall good condition, some minor loss to paint and wear to wood as made Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1189 Annie Tolliver (American/Alabama, 1950-2018) Black Ghost, 2003, signed recto, titled and dated verso, paint on board, 23-1/4 x 7-1/2 x 3/4 in., overall good condition, some minor loss to paint and wear to wood as made Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1190 Jim Gary Phillips (American/Kentucky, born 1951) Panther in Cane Break, initialed and titled recto, paint on board with artist painted frame, 16 x 28 x 7/8 in. overall, overall good condition Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1191 Jake McCord (American/Georgia, 1948-2009) Untitled (Twin girls), 2000, signed and dated upper left, paint on board, 24-1/4 x 48-1/4 x 1/8 in., some general wear to wood as made, drilled hole upper center Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1192 Jake McCord (American/Georgia, 1948-2009) Untitled (Barnyard), 2003, signed and dated upper left “J.T. McCord 2003”, paint on board, 48 x 32 x 1 in., rough edges and general wear to wood as made, some chips and loss to edges, drilled hole upper center Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

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1193 Myrtice Snead West (American/Alabama, 1923-2010) Lord of Lord and King of Kings, signed and titled recto, paint and glitter on canvas, 30 x 24 x 3/4 in.; unframed, slight wear and lifting at edges Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $1,000 - $2,000

1194 Jimmy Lee Sudduth (American/Alabama, 1910-2007) Woman in Braids, signed “Jim Sudduth” lower left, paint and mud on board, 241/4 x 24 x 1/8 in., rough edges and wear to wood as made, some loss to paint Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1195 Leroy Almon Sr. (American/Georgia, 1938-1997) Untitled (sins), 1996, signed and dated verso, carved and painted wood, 22-1/2 x 24 x 3/4 in., rough edges and general wear to wood Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $800 - $1,200

1196 Lonnie Holley (American/Alabama, born 1950) Untitled (Female Portrait), 2007, signed and dated lower right, mixed media on paper, sight 28-1/2 x 18-1/2 in.; modern carved wood frame, 40-1/2 x 30-1/2 x 1-1/8 in., not examined out of frame, minor bumps and abrasions to frame, two small chips to upper left corner of frame Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $600 - $900

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1197 Matt Sesow (American/Washington, DC, born 1966) Laying Bed, with Clothes On (with Lobster), 2005, signed and dated lower left corner “Sesow/05”, oil on matboard, sight 31-1/4 x 15-3/4 in.; modern frame, 40 x 24-1/2 x 1 in., not examined out of frame, overall good condition, minor bumps and abrasions to frame Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

1198 Matt Sesow (American/Washington, DC, born 1966) Extradited, signed lower left, oil on canvas, 18 x 14 in.; modern frame, 20-3/4 x 165/8 x 1 in., overall good condition Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400 An inscription from the artist verso reads “Ted: Thank you for all your support ... Sesow March 2011”.

1200 Howard Finster, Collection of Prints (American/Georgia, 1916-2001) Angel with Trumpet, 1994, published by Marjorie’s, Fort Payne, Alabama, signed in pencil lower right, offset lithograph, 9-1/4 x 27-1/4 in.; Angel with Trumpet, 1994, published by Marjorie’s, Fort Payne, Alabama, signed in pencil lower right, offset lithograph, 9-1/4 x 27-1/4 in.; To The Olempics... [sic], 1996, published by Gallery 721, Fort Lauderdale, Florida, unsigned, embossed lithograph, 22-5/8 x 19-1/8 in.; together with 15 unsigned prints; all unframed, bumped corners and edges; both angel prints with toning at edges Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500 https://live.brunkauctions.com/auctions/brunk/form-vision65

1199 Michael Banks (American/Alabama, born 1972) Lady with Egg on Head, signed lower right corner “Banks”, paint and tar on board, 14-1/8 x 10 x 1/4 in., rough edges and general wear to wood as made Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

modern-art-design-october-22-2026-22898 Click here to view lots and detail photos.

1201 Howard Finster, Silkscreen (American/Georgia, 1916-2001) Untitled (Proverbs 6:6-Consider the Ant and be wise. . .), edition 82/100, signed in pencil lower right, silkscreen, sight 15-1/2 x 25-1/8 in.; modern wood frame, 29-1/2 x 39-1/4 x 3/4 in., not examined out of frame, some toning Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $100 - $300

1202 James “Squeakie” Stone (American/South Carolina, born 1951) Tobacco Field, signed “Squeakie” lower right corner, acrylic on board, 24 x 24 x 1/4 in.; Cotton Field, signed “Squeakie” lower right corner, acrylic on board, 24 x 24 x 1/4 in., overall good condition, minor wear to wood as made Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1203 Rodolfo Morales (Mexican/Oaxaca, 1925-2001) Untitled (Bridal Portrait), signed to lower right on paper “Rodolfo Morales”, mixed media collage, approx. 20 x 14 in.; punched and formed metal frame, embossed “Tirso Cuevas”, 23-1/4 x 17-1/8 x 7/8 in., not examined out of frame, some trapped fibers, minor spotting to metal Provenance: Private Collection Estimate: $1,000 - $2,000

1204 Sybil Gibson (American/Florida, 1908-1995) Blue Vase with Purple Flowers, signed lower right corner, tempera on brown paper bag, 9-1/4 x 4-3/4 in.; carved and black painted wood frame, 14-3/8 x 11-1/4 x 1-5/8 in.; Blonde Female Portrait, 1992, signed and dated lower left corner, tempera on brown paper bag, 10-1/8 x 8-1/4 in.; 16-1/2 x 14 x 1-3/4 in., overall good condition, frames with minor bumps, abrasions, and separations at seams Provenance: From the Collection of Micki Beth Stiller, Esq. Estimate: $300 - $500

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Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026

1205 Sybil Gibson (American/Florida, 1908-1995) Blonde Female Portrait, 1992, signed and dated lower right corner, tempura on brown paper bag, sight 15-1/4 x 13 in.; modern carved wood frame, 21 x 19-1/8 x 1-1/2 in., overall good condition, minor bumps and abrasions to frame Provenance: From the Collection of Micki Beth Stiller, Esq. Estimate: $300 - $500

1206 Ted Gordon (American, born 1924) Man in Tie, 1988, signed and dated lower right corner, ink and marker on paper, sight 9-5/8 x 8 in.; black painted wood frame, 15-1/2 x 13-1/2 x 1 in., overall good condition, some minor bumps and abrasions to frame Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1207 Ted Gordon (American, born 1924) Old Woman, 1990, signed and dated lower right corner “T.H. Gordon/7-4-90”, ink and marker on paper, sight 9-1/8 x 9-1/8 in.; modern frame, 15 x 15 x 1 in., overall good condition Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $200 - $400

1208 Ted Gordon (American, born 1924) Hiram Spirals - CEO, 1996, signed and dated left side “T.H. Gordon/4-4-96”, ink and marker on paper, 13-3/4 x 11-3/4 in.; modern frame, 19-1/4 x 17-1/4 x 1/2 in., overall good condition, minor abrasions to frame Provenance: Property from the Collection of Ted and Ann Oliver Estimate: $300 - $500

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1209 Mose Tolliver (American/Alabama, 1918-2006) Jesus on the Cross, signed lower left “MOSET”, paint on board, 39-3/4 x 16-1/4 x 1 in., rough edges, age splits, and wear to wood as made, chip to cross section in lower right corner, some losses to paint Provenance: From the Collection of Micki Beth Stiller, Esq. Estimate: $700 - $1,000

1210 Mose Tolliver (American/Alabama, 1918-2006) Spooky Dooky Woman, signed “MOSET” lower right corner, paint on board, 23-1/2 x 24 x 1/2 in., rough edges and wear to wood as made, some minor losses to paint Provenance: From the Collection of Micki Beth Stiller, Esq. Estimate: $500 - $700

1211 Mose Tolliver (American/Alabama, 1918-2006) Mother and Baby Eagle, signed “MOSET” lower left corner, paint on board, 18-1/4 x 24-1/8 x 5/8 in., rough edges and wear to wood as made, some loss to paint Provenance: From the Collection of Micki Beth Stiller, Esq. Estimate: $400 - $600 Exhibited: “Pure Paint: A Retrospect of Montgomery’s Mose T,” The National Center for the Study of Civil Rights in African-American Culture, Alabama State University, Montgomery, Alabama, May 6-July 3, 2007. 68 https://live.brunkauctions.com/auctions/brunk/form-vision-

Form modern-art-design-october-22-2026-22898 & Vision: Modern Art • Design | October 22, 2026