British & Continental | November 12, 2026

British & Continental | November 12, 2026

British & Continenta November 12, 2026 10:00 am

BrunkAuctions.com 117 Tunnel Road | Asheville, NC 28805 828-254-6846 info@brunkauctions.com

1001 Pair of Ferdinand Barbedienne Gilt Bronze Urn Form Vases (French, 1810-1892) after the model by Claude-Michel Clodion, depicting a scene of sacrifice, faun mask handles, signed “F. Barbedienne Paris”, 11-5/8 x 5-3/4 x 5-1/4 in., good overall condition with light wear commensurate with age and use, some scattered flaws as made Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200 For a similar example, see Sotheby’s, New York, NY, 19th Century Furniture And Decorative Arts, October 15, 2015, lot no. 1.

1002 Pair of Gilt Bronze Sphinx-Form Candlesticks probably 19th century, depicting winged sphinxes seated atop white marble bases, apparently unmarked, 13-3/8 x 3-3/8 x 7 in., scattered loss to gilt, scratches, and other wear, minor casting anomalies as made, wear to bases Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1003 Pair Italian Neoclassical Polychrome Painted Open Armchairs, 18th century, pale yellow paint, decorated with polychrome floral motif and parcel gilt trim, fluted round tapered legs, cream upholstery, 37-1/2 x 24-1/2 x 22 in., some restoration to paint possibly obscuring repairs, upholstery with snagged threads and faint stains, paint otherwise with typical distress and wear, scattered minor pest damage Provenance: Guy Regal, New York, NY (accompanied by prior retail tear sheet, listed for $39,500); Private Collection Estimate: $2,000 - $4,000 4

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1004 Regence Giltwood Marble Top Console Table Continental, 18th century, brown marble top, giltwood base boldly carved with shells, foliate flourishes, cabriole legs on hoof feet, stretcher, 32 x 46 x 25 in., later marble, later corner blocks, proper right rear upper leg with laminated repair, gilt with some distress, loss, and restoration, scattered shrinkage cracks and minor separations at seams (stable) Provenance: Private Collection, Palm Beach, Florida Estimate: $2,000 - $4,000

1005 A Finely Engraved Renaissance Miniature Iron Strongbox Nuremberg, late 16th/early 17th century, finely engraved on all sides in figural and foliate decoration, elaborate interior locking mechanism with heart-shaped covers, original key, 4-5/8 x 6-3/4 x 4-1/4 in., discoloration, dents, and surface wear, hinge repair, one ball form foot mismatched Provenance: Sotheby’s, Amsterdam, March 29, 2007, lot 1075; Tharpe Collections, Brunk Auctions, Asheville, North Carolina, June 13, 2015; Private South Carolina Collection Estimate: $1,500 - $2,500

1006 Continental Verdue Wool Tapestry with Woodland Scene 18th/19th century, central flowering bush flanked by trees before expanding landscape, approx. 79-1/2 x 68-3/4 x 1/4 in., some shattering notably near center, small losses throughout, picked and pulled threads, small hole verso, later rings for suspension at backing Provenance: Brunk Auctions, Asheville, North Carolina, December 5, 2020, lot 668; Private Collection, Asheville, North Carolina Estimate: $1,000 - $2,000

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1007 Carved and Polychrome Painted Portuguese Crucifix 19th century or earlier, possibly later carved and polychromed base with skull and slain serpent (likely representing Satan), disassembled, pieces retained for restoration, scattered chips and wear to wood, loss to painted surfaces Provenance: According to consignor notes these items were purchased on the Island of Terceira, Azores Estimate: $200 - $400

1008 Portuguese Carved and Polychrome Painted Statue, Our Lady of Immaculate Conception, 18th century, depicting the Virgin Mary posed with hands bent in prayer atop three winged angel heads, gilt and polychrome decoration, scattered pest damage, chipping, cracks, and losses to surface throughout, notable seam/crack around face, general wear commensurate with age and use Provenance: According to consignor notes these items were purchased on the Island of Terceira, Azores Estimate: $400 - $600

1009 Portuguese Carved and Polychrome Painted Wood Statue of Saint Francis 19th century or earlier, ornate robes with gemstones and gilt decoration, depicted with stigmata and Franciscan cord, approx. 35-1/2 x 14 x 11-3/4 in., proper right hand off but retained (older adhesive residue), crackle, loss, and lifting to paint throughout, cracks/separation to both arms, notably to proper right, loss to proper right big toe and proper right side of head, other wear commensurate with age Provenance: According to consignor notes these items were purchased on the Island of Terceira, Azores Estimate: $300 - $500

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1010 Two Venetian School Scagliola Panels (17th century or earlier) Attribution on label verso one to Christoph Schwarz (Venice/German, active circa 1545-1592) possibly from a larger architectural altar: Mary Greeting Elizabeth, 9-7/8 x 8 x 3-4 in.; The Annunciation with the Archangel Gabriel, 9-3/4 x 8-1/8 x 1/2 in. oil on faux marble polished scagliola (selenium/gypsum, animal glue, water, pigment) panels; within one gilt wood and composition frame, 15 x 22 x 2 in., some wear to include rubbing and abrasions, chips at edges, some accretion; frame with minor wear Provenance: Private Collection Estimate: $5,000 - $7,000 https://live.brunkauctions.com/auctions/brunk/british-continental-november-12-2026-23803/catalog#catalog British & Continental | November 12, 2026

1011 Michele Amodio, Narcissus (Italian, 1817-1913) after the Greek antique by Praxiteles found at Pompeii, signed “M. Amodio N”, patinated bronze, 24-1/2 x 12 x 9-1/2 in., verdigris to black patina, some corrosion and abrasions Provenance: Private North Carolina Collection Estimate: $600 - $900 Notes: Excavated in Pompeii in 1862, Narcissus is regarded as the last of the great sculptures of antiquity to be discovered. It was replicated by various Neapolitan foundries in the late 18th and early 20th century.

1012 Jan Baptist Lambrechts (Flemish, 1680-1731) Boors Dancing Around a Maypole, unsigned, oil on canvas, 23-1/2 x 20 in.; gilt wood and composition frame, 29-1/2 x 25-3/4 x 3-1/4 in., lined with paste and linen, areas of overcleaning, crackle, retouch; frame with some wear Provenance: Christie’s Amsterdam, Netherlands, March, 20, 2001, lot 97, as by Jan Baptist Lambrechts; Collection of Dr. George and Connie Manger Estimate: $1,000 - $1,500

1013 Follower of Jean-Baptist Santerre (French, 1651-1717) Woman with a garland of flowers, unsigned, oil on canvas, 29 x 23-1/2 in.; gilt wood frame, 36 x 30-3/4 x 3-1/2 in., lined with paste and linen, restretched, on old stretcher, crackle, points of retouch, surface abrasions; frame with wear, abrasions Provenance: Private Collection Estimate: $1,000 - $1,500 For a similar composition see Christie’s New York, NY, October 26, 2001, lot 245. https://live.brunkauctions.com/auctions/brunk/british-continental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

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1014 Jeanne Donnedieu (French, born 1864) Quietude, 1893, signed upper left “J. Donnedieu”, oil on canvas, 54 x 34-7/8 in.; original giltwood frame, with foliate cushion, 84 x 45-1/2 x 3-1/2 in., original stretcher and tacking edge, crackle, some older retouched areas, artist overpaint on original signature and date; frame with wear Provenance: Christie’s London, UK, February 16, 1989, lot 25; Private Collection Estimate: $3,000 - $5,000 Jeanne Donnedieu was a Parisian painter who trained under two accomplished academic artists, Jacques-Eugene Feyen (1815-1908) and Henri-Leopold Levy (1840-1904). Her association with Feyen and Levy places her within the tradition of late nineteenth-century French academic painting, while her repeated participation in the Salon during the years 1885-1900 reflects her engagement with the principal exhibition venue through which artists sought recognition in the French art world of the period. Her work is now comparatively scarce, making surviving paintings by Donnedieu of particular interest in documenting the work of women artists active in the Parisian art establishment at the end of the nineteenth century.

1015 After Auguste Rodin, Balzac (French, 1840-1917) Balzac, étude de nu C, buste avec épaules et découpe arrondie de la poitrine (grand modèle), conceived in 1898, cast before 1950, inscribed with the signature “A. Rodin” and with the foundry mark “Alexis Rudier./ Fondeur. Paris.”, stamped underside with the raised signature “A. Rodin”, 11-1/2 x 11 x 7-1/2 in., mounted on square black marble base, 3-1/2 x 8 x 8 in., black to verdigris patina, good condition Provenance: Forum Gallery, New York, NY, purchased January 23,1976 (accompanied by a facsimile of the original receipt); Murray and Louise Levine, New Jersey; Estate of Mark S. Levine Estimate: $20,000 - $30,000 Literature: Antoinette Le Normand-Romain, The Bronzes of Rodin, Catalogue of Works in the Musée Rodin, vol. I, Paris, 2007, no. S.1079, illustrations of other casts pp. 168-69 8

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1016 Follower of Hubert Robert (French, 1733-1808) A Cascade Between Rocks Below an Aqueduct, unsigned, oil on canvas, oval format, 23 x 28-1/4 in. on old rectangular stretcher, 32 x 26 in.; fine 19th century American gilt wood and composition frame, 38-3/8 x 33-1/4 x 4 in., trimmed into oval, lined on rectangular canvas with presumed original stretcher, yellowed varnish, crackle, surface dirt, some retouch at restorations; frame with some losses and wear Provenance: Charles Pinckney; descended in the Pinckney Family Estimate: $3,000 - $5,000

1017 Timoleon Marie Lobrichon (French, 1831-1914) An Allegory of Spring, signed lower right “T. Lobrichon”, oil on canvas, 52-1/4 x 42 in.; original gilt wood and composition frame with a foliate garland cushion, 63 x 52-1/2 x 4 in., original stretcher and tacking edge, surface dirt, crackle and cupping, stretcher marks; frame with some minor losses and wear Provenance: Estate of Walter B. Wise, Knoxville, Tennessee Estimate: $3,000 - $5,000 https://live.brunkauctions.com/auctions/brunk/british-continental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

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1018 Eugen Krüger (German, 1832-1876) Moon over a River Landscape at Dusk, signed lower left “Eugen Kruger Hamburg”, oil on linen, 11-1/2 x 7-1/4 in.; gilt wood frame, 16-1/8 x 22 x 2-1/4 in., restretched on new stretcher, some retouch at edges; frame with minor abrasions Provenance: Private Maryland Collection Estimate: $1,000 - $1,500

1019 Albertus Verhoesen (Dutch, 1806-1881) Two Cows and a Calf in a Meadow, 1851, signed lower right “A. Verhoesen 1851”, oil on panel, 11-5/8 x 14-5/8 in.; gilt wood frame, 16-1/8 x 19 x 2 in., slightly yellowed varnish, some draw in white paint impasto on cow at right; frame with minimal wear Provenance: Private Maryland Collection Estimate: $1,000 - $1,500

1020 Joseph Van Luppen, Fishermen on a River (Belgian, 1834-1891) A quiet river landscape, 1869, signed lower left “Joseph Van Luppen 69”, oil on canvas, 23-3/4 x 32-3/4 in.; original fluted cove molding frame with acanthus corner decoration, 34-1/2 x 43 x 3-1/2 in., original stretcher and tacking edge, some small areas of cupping with cleavage in sky, areas of retouch mostly in sky; frame with original gilt surface with wear and losses Provenance: Property of a Southern Lady Estimate: $1,500 - $2,000 10

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1021 Arnoud Wydeveld (United States/Dutch, 1823-1888) Still Life with Peach, 1868, signed and dated lower left, “A. Wydeveld 1868”, oil on panel, 9-7/8 x 8 in.; possibly original 19th century gilt and stenciled cove molding wood frame, 14-3/8 x 12-1/2 x 1-7/8 in., craquelure, wear at edges, small point of flaking center right; frame with wear, abrasions Provenance: Robert Powell Coggins, Marietta, Georgia Estimate: $1,000 - $2,000

1022 Jacob Nussbaum (German, 1873-1936) Sheep Shearers, 1898, signed lower right “J. Nussbaum ‘98”, oil on panel, 16-1/2 x 24-7/8 in.; gilt wood and composition frame, 23-1/2 x 31-3/4 x 2-7/8 in., small areas of retouch; frame with abrasions Provenance: Private Collection Estimate: $1,000 - $1,500

1023 Carlo Ferrari, Fisherman (Italian, 19th century) Mending the Nets, 1886, signed upper left “C. Ferrari/Roma MDCCCLXXXVI”, watercolor on paper, sight 25 x 13-1/2 in.; original gilt wood and composition leaf frame, 26 x 34 x 3 in., not removed from original framing, likely loose with a barrier paper between work and original wood backing board; frame with wear commensurate with age Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700

1024 Pair of Large French Gilt Bronze Figural Five Light Candelabra 19th century, in the form of satyrs seated atop a pedestal and holding aloft branches terminating in candle cups, apparently unmarked, each approx. 23-7/8 x 7-1/2 x 8 in., wear commensurate with age and use, wax residue throughout, some surface dust, areas of discoloration to metal, some looseness and crookedness, scattered verdigris; one candelabrum with one wax pan loose and with break to one candle arm Provenance: Private Collection Estimate: $800 - $1,200

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1025 Set of Four Henri Vian Gilt-Bronze Three Light Wall Sconces (French, 1860-1905), each stamped “H.V.” verso, one signed “Vian”, floral wreath and ribbon adorned central column issuing three arms, each 25 x 12 x 6-3/4 in., wired for electricity; together with 12 fabric shades, wires cut, some minor casting anomalies, discoloration and pitting, Provenance: Cedric Dupont Antiques, West Palm Beach, Florida, December 2019 (accompanied by copy of receipt for $34,500); Private Collection, Palm Beach, Florida Estimate: $2,000 - $3,000

1026 Pair of Gilt Bronze and Champleve Enamel Figural Five-Light Candelabra France, 19th century, each depicting putti symbolizing spring and autumn supporting scrolling candle arms, apparently unmarked, each approx. 18-5/8 x 7-7/8 x 7-1/4 in.; together with ten candles, approx. 9-1/2 x 7/8 x 7/8 in., good overall condition with light wear, some wear to gilt and enamel, some crookedness Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1027 Pair of Regence or Style Gilt Bronze Sphinx-Form Chenets France, 19th century, each depicting a recumbent sphinx on a rectangular base raised on toupie feet, 13-3/4 x 13-1/2 x 6-3/4 in., good overall condition with light wear commensurate with age and use, some scattered loss and abrasion to gilt, some flaws as made Provenance: Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

1028 Napoleon III Gilt Bronze Mounted Marble Portico Mantel Clock 19th century, white painted metal dial with Roman hours and Arabic quarter hours, marked “C. Detouche/18 Baru(?) Poissonniere Paris”, green marble with gilt bronze eagle, swag, and other decorative elements, with key, works marked “10”, 23-1/8 x 14 x 5-3/4 in., not tested for functionality, some surface dust to crevices, areas of wear to gilt and dial marks, some areas of discoloration to metal elements, proper left arch support and rosette slightly loose Provenance: Private South Carolina Collection Estimate: $600 - $900

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1029 Louis XV Style Marble Top Marquetry Commode French, 19th century, three drawers, gilt bronze or brass mounts, 34 x 31 x 18-1/2 in, marble top proper left side with repairs to breaks, black coating to underside possibly masking other repairs, repairs to marquetry veneer throughout, legs with minor veneer loss to upper section and some restoration Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700

1030 Large French Bronze Dore Centerpiece with Shells atop Mirrored Plateau 19th/20th century, ornately scrolled basket holding an arrangement of shells and sea life, approx. 13-1/4 x 22 x 13-1/2 in. overall; scroll decorated gilt bronze and mirrored plateau, 3 x 25 x 17 in., overall good condition, minor loss to gilt and wear, small losses to shell arrangement Provenance: Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000 Accompanied by copy of receipt for $4,000.

1031 French Gilt-Bronze and Glass Tantalus 19th/20th century, scroll adorned case with elephant head feet, housing four crystal decanters and 16 cordials, 12-1/4 x 14 x 11-3/4 in., overall good condition, minor loss to gilt, crystal with minor anomalies and wear Provenance: Elegant Reflections, Chicago, Illinois, August 2006 (accompanied by copy of receipt for $5,000); Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

1032 French Neoclassical Wrought Iron and Gilt Metal Marble Top Console Table 19th century, Rouge Royal marble top, black painted wrought iron base with scrolled frieze and legs, gilt painted metal leaves and ball feet, 34-1/2 x 57 x 20-3/4 in., gilt and paint with some loss and retouch, scattered minor rust spots, marble with scattered infill and typical light wear Provenance: Cedric Dupont Antiques, West Palm Beach, Florida, (accompanied by copy of prior retail listing for $19,800); Private Collection, Palm Beach, Florida Estimate: $1,000 - $1,500

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1033 Dutch Baroque Style Marquetry Bombe Desk and Bookcase, Severin Wunderman Collection, Dutch, 19th century, highly figured walnut veneer and floral marquetry throughout, probably original brasses, bookcase section with partially adjustable four shelf interior and three small drawers, two candle slides, desk interior with hidden latch drawers, bold scrolled feet, 98 x 53 x 26 in., later mirror plates, warping to fall board, later rear feet and repairs to front feet, veneer with typical repairs and minor restorations throughout and other typical wear Provenance: “The Severin Wunderman Collection”, Bonhams, New York, NY, May 6, 2009, lot 4175, sold for $18,300; Private Collection, Palm Beach, Florida Estimate: $3,000 - $5,000

1034 Louis XVI Style Brass Mounted Marble Top Mahogany Console Table probably French, late 19th/early 20th century, black, white, and gray marble top with brass gallery, single drawer, fluted legs with brass capped feet, 36-1/2 x 44-1/4 x 15 in., shelf base with shrinkage splits, minor breaks to proper left side of apron, scattered minor surface wear Provenance: Private Collection, Palm Beach, Florida Estimate: $600 - $800

1035 1036 Louis XVI Style Giltwood Mirror Louis XVI Style Mahogany and Kingwood Tambour Bonheur du Jour French, 19th century, pierced crest with birds amongst laurel branches and French, 19th century, single drawer and tambour compartment open torches, beveled mirror plates, 53 x 33-1/2 x 6-1/2 in., mirror plates probably later, synchronously, gilt tooled green leather writing surface, slender fluted round several small spots of desilvering (not removed), minor repairs to breaks, gilt with tapered legs, ormolu mounts, 34-1/2 x 23-1/2 x 16-1/4 in., in very good condition minor distress and loss overall with typical light wear, tambour door veneer with typical scattered repairs to Provenance: Cedric Dupont Antiques, Palm Beach, Florida, January 2020 splits, proper right rear case corner with infill repair to surface (accompanied by copy of invoice for $9,400); Private Collection, Palm Beach, Provenance: Cedric Dupont Antiques, West Palm Beach, Florida, (accompanied by Florida copy of prior retail listing for $14,500); Private Collection, Palm Beach, Florida Estimate: $1,000 - $1,500 Estimate: $1,000 - $2,000 14 https://live.brunkauctions.com/auctions/brunk/british-continental-november-12-2026-23803/catalog#catalog British & Continental | November 12, 2026

1037 Tabriz Carpet early 20th century, red field with floral decoration, white and tan borders, 11 ft. 3 in. x 15 ft. 3 in., uniform low pile, a few spots of pest damage, professionally cleaned Provenance: Private Massachusetts Collection Estimate: $2,000 - $4,000

1038 Kazak Rug early 20th century, central stepped medallions in green and white, blue field with floral and leaf decoration, quadrupeds, red, white and brown borders, 5 ft. 9 in. x 3 ft. 4 in., restorations to pile, loss to ends with overcasting, replaced selvage, Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900

1039 Sarouk Rug 20th century, red field with repeating rows of flowering vines, rust and blue borders, 6 ft. 6 in. x 4 ft. 7 in., thick plush pile, overcast ends Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900

1040 Shiraz Rug 20th century, central blue medallion on red field, maroon and white borders, 6 ft. 6 in. x 4 ft. 10 in., wear consistent with age and use, abrash, misshapen as made Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900

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1041 Sultanabad Rug early to mid 20th century, blue field with leafy floral design, red border with white floral and palmettes, 3 ft. 11 in. x 2 ft. 7 in., loss to ends with overcasting, wear to selvage, minimal wear, restoration to foundation at one end with reinforced banding strip Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700

1042 Sarouk Rug mid 20th century, blue field, trailing flowering vines, red border, 6 ft. 3 in. x 5 ft. 4 in., abrash, minimal wear, thick pile, both ends with loss and overcasting Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600

1043 Two Hand Knotted Rugs, Caucasus, Sarouk early to mid 20th century, Caucasus example with central diamond medallion with hooked elements, 2 ft. 6 in. x 2 ft. 2 in.; Sarouk, 3 ft. x 2 ft. 2 in., both in good condition with minimal wear, Sarouk with overcast ends Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500

1044 Meissen Porcelain Figure of Apostle Matthias German, late 19th/20th century, crossed swords and “2839/S. Matthias” marked to base, 9-1/2 x 3-5/8 x 3 in., loss to index finger on proper right hand, minor wear to base Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $400 - $600

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1045 21 Piece Continental Porcelain Dog Orchestra German or French, 19th/20th century, eight pieces with manufacturer’s marks to undersides of bases, some underglaze, some labels to undersides, each approx. 5-1/2 x 3 x 2-1/2 in., anomalies as made including pinholes and glaze voids, a few scattered miniscule chips, some wear and loss to enamel and gilt decoration, embedded dust and some adhesive residue throughout, some scattered breaks/ losses throughout; one conductor lacking baton; bassoon player with repair and retouch to coat; one drummer with one broken stick; one bagpiper with break to one pipe Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $1,000 - $2,000

1047 Meissen Figural Porcelain Tall Compote German, late 19th/early 20th century, marked to base with crossed swords and “575”, 15-3/4 x 9-1/4 x 7-3/4 in., overall good condition, minor loss to finer floral decoration, minor wear at base Provenance: Private Collection Estimate: $800 - $1,200

1046 Seven Assorted Meissen Porcelain Figures German, late 19th/early 20th century, each marked on or near base with crossed swords, comprising: greeting gentleman, incised model number “R 137”; shepherdess with a birdcage, incised model number “6”; shepherd with a bird’s nest, incised model number “1324”; shepherd group, incised model number “2488”; singer, incised model number “14”; Allegorie Das Gesicht, incised model number “E 3”; a gentleman at the desk, incised model number “179”; largest 103/8 x 5 x 4-1/2 in., anomalies and small losses to fine detailed decoration, wear to bases; shepherdess with repair to top of birdcage and ear of lamb; shepherd with a bird’s nest with repairs to proper left hand and foliage; shepherd group with chip to lamb’s ear Provenance: Private Collection Estimate: $1,500 - $2,500

1048 Louis XVI Style Marquetry Marble Top Two Drawer Commode Continental, possibly Italian, late 19th/early 20th century pink marble top with canted corners, marquetry veneer, two drawers, square tapered legs, brass capped feet, 31-3/4 x 25-1/2 x 12-3/4 in., marble top with repairs to breaks, some edgewear, veneer in good condition overall with scattered minor repairs and sun fading Provenance: Private Collection, Palm Beach, Florida Estimate: $400 - $600

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1049 Russian Silver Hot Water Kettle Moscow, 1881, oval form with bud finial, bird spout, coat of arms (possibly Alexander III), ivory handle, marks for Vasili Semyenov, .875 fine, 91.50 oz. T., 16-1/2 x 11 x 8-1/2 in., good condition, all pieces marked, burner handle possibly replaced and shortened, base bent and burner does not sit flat, light scratches and wear Provenance: Private Collection Estimate: $2,500 - $3,500 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

1050 Set of 12 Russian Gilt Silver Spoons St. Petersburg, mid 19th century, scroll and foliate handles, monogram and crown on front, coat of arms on back, marks for Henrik Anders Long, 17.81 oz. T., 5 in., loss to gilt and wear Provenance: Private Collection Estimate: $600 - $900

1051 Small Japanese Silver and Enamel Covered Kogo/Box Meiji period, round lidded box, chrysanthemum and floral decoration accented with enamel decoration, character marks on base, 3.54 oz. T., 1-1/2 x 3-1/4 in., dents in base, loss to enamel decoration, and typical wear Provenance: Private Collection Estimate: $1,000 - $2,000

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1052 Attributed to Kawahara Keiga or Workshop (Japanese, circa 1786-1860) Eel, unsigned, ink, watercolor and bodycolor on wove paper lacking watermark, 10 x 12-3/8 in.; fine leafed wood frame, 26-3/8 x 30-3/8 x 1-1/2 in., binding edge present at top, good condition, lacking inscriptions, hinged in a top, some soft handling creases, some small points of foxing; frame with some abrasions, conservation framing Estimate: $3,000 - $5,000 Kawahara Keiga was the principal Japanese artist associated with the Dutch trading post at Dejima, Nagasaki, where he produced remarkably detailed studies of Japanese life, flora, and fauna. A student of the Nagasaki painter Ishizaki Yūshi (1768-1846), Keiga worked closely with the German physician and naturalist Philipp Franz von Siebold and the zoologist Heinrich Burger, who commissioned him to document Japan’s natural history. Keiga painted fish from life, studying specimens collected from the seas and rivers of Japan. In 1831, Burger reported that Keiga had drawn approximately 400 species, with some 200 accompanied by descriptions and sent to Siebold in Europe. These studies contributed to the monumental Fauna Japonica (1833-1850), published in Leiden. The present study is unsigned and bears no inscription, as do a number of surviving works associated with Keiga’s natural history corpus. Keiga maintained a studio in Nagasaki where assistants also copied and adapted his compositions, making individual attributions difficult in the absence of signatures or inscriptions. Nevertheless, these works remain important records of the collaboration between Japanese artists and Western naturalists during the late Edo period.

1053 Attributed to Kawahara Keiga or Workshop (Japanese, circa 1786-1860) Catfish, circa 1805, unsigned, stamped verso “Berkshire Athenaeum”, ink, watercolor and bodycolor on wove paper with “J. Whatman 1805”,watermark,14-3/8 x 18-1/2 in.; fine leafed wood frame, 26-3/8 x 30-3/8 x 1-1/2 in., mounted at top, two strong creases, some toning and light foxing and fading; frame with some abrasions, conservation framing Provenance: Berkshire Athenaeum, Pittsfield, Massachusetts (per stamp verso) Estimate: $3,000 - $5,000 Kawahara Keiga was the principal Japanese artist associated with the Dutch trading post at Dejima, Nagasaki, where he produced remarkably detailed studies of Japanese life, flora, and fauna. A student of the Nagasaki painter Ishizaki Yūshi (1768-1846), Keiga worked closely with the German physician and naturalist Philipp Franz von Siebold and the zoologist Heinrich Burger, who commissioned him to document Japan’s natural history. Keiga painted fish from life, studying specimens collected from the seas and rivers of Japan. In 1831, Burger reported that Keiga had drawn approximately 400 species, with some 200 accompanied by descriptions and sent to Siebold in Europe. These studies, done on premium European and British papers such as J. Whatman, contributed to the monumental Fauna Japonica (1833-1850), published in Leiden. The present study is unsigned and bears no inscription, as do a number of surviving works associated with Keiga’s natural history corpus. Keiga maintained a studio in Nagasaki where assistants also copied and adapted his compositions, making individual attributions difficult in the absence of signatures or inscriptions. Nevertheless, these works remain important records of the collaboration between Japanese artists and Western naturalists during the late Edo period. The library previously owned albums of Asian natural history watercolors (depicting flora, fauna, and local scenes). These pieces have appeared in high end art auctions featuring the institutional Berkshire Athenaeum acquisition stamp or bookplate. https://live.brunkauctions.com/auctions/brunk/british-conti19 nental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

1054 Attributed to Kawahara Keiga or Workshop (Japanese, circa 1786-1860) Knifefish, unsigned, inscribed at bottom “Clupea”, ink, watercolor and bodycolor on wove paper lacking watermark, 10 x 12-3/8 in.; fine leafed wood frame, 26-1/4 x 30-1/4 x 1-1/2 in., binding edge present at top, good condition, hinged in a top, some soft handling creases, some small points of foxing; frame with some abrasions, conservation framing Estimate: $3,000 - $5,000 Kawahara Keiga was the principal Japanese artist associated with the Dutch trading post at Dejima, Nagasaki, where he produced remarkably detailed studies of Japanese life, flora, and fauna. A student of the Nagasaki painter Ishizaki Yūshi (1768-1846), Keiga worked closely with the German physician and naturalist Philipp Franz von Siebold and the zoologist Heinrich Burger, who commissioned him to document Japan’s natural history. Keiga painted fish from life, studying specimens collected from the seas and rivers of Japan. In 1831, Burger reported that Keiga had drawn approximately 400 species, with some 200 accompanied by descriptions and sent to Siebold in Europe. These studies contributed to the monumental Fauna Japonica (1833-1850), published in Leiden. The present study is unsigned and bears no inscription, as do a number of surviving works associated with Keiga’s natural history corpus. Keiga maintained a studio in Nagasaki where assistants also copied and adapted his compositions, making individual attributions difficult in the absence of signatures or inscriptions. Nevertheless, these works remain important records of the collaboration between Japanese artists and Western naturalists during the late Edo period.

1055 Attributed to Kawahara Keiga or Workshop (Japanese, circa 1786-1860) Sheatfish (Silurus), unsigned, inscribed below with Latin and Japanese, and with a single character, ink, watercolor and bodycolor on two joined sheets of wove paper lacking watermark, 12-1/2 x 18-5/8 in.; fine leafed wood frame, 26-3/8 x 30-3/8 x 1-1/2 in., hinged in a top, some soft handling creases, some small points of foxing; frame with some abrasions, conservation framing Estimate: $3,000 - $5,000 Kawahara Keiga was the principal Japanese artist associated with the Dutch trading post at Dejima, Nagasaki, where he produced remarkably detailed studies of Japanese life, flora, and fauna. A student of the Nagasaki painter Ishizaki Yūshi (1768-1846), Keiga worked closely with the German physician and naturalist Philipp Franz von Siebold and the zoologist Heinrich Burger, who commissioned him to document Japan’s natural history. Keiga painted fish from life, studying specimens collected from the seas and rivers of Japan. In 1831, Burger reported that Keiga had drawn approximately 400 species, with some 200 accompanied by descriptions and sent to Siebold in Europe. These studies contributed to the monumental Fauna Japonica (1833-1850), published in Leiden. The present study is likely unsigned, as are a number of surviving works associated with Keiga’s natural history corpus. Keiga maintained a studio in Nagasaki where assistants also copied and adapted his compositions, making individual attributions difficult in the absence of signatures or inscriptions. Nevertheless, these works 20remain important records of the collaboration between Japanese artists and Western naturalists during the late Edo period. https://live.brunkauctions.com/auctions/brunk/british-continental-november-12-2026-23803/catalog#catalog British & Continental | November 12, 2026

1056 Attributed to Kawahara Keiga or Workshop (Japanese, circa 1786-1860) Dwarf snakehead (channa gatua), unsigned, inscribed in vernacular as “changa” and with shorthand notes from the field, ink, watercolor and bodycolor on wove paper lacking watermark, 10 x 12-3/8 in.; fine leafed wood frame, 26-3/8 x 30-3/8 x 1-1/2 in., hinged in at top, some toning; frame with some abrasions, conservation framing Estimate: $3,000 - $5,000 Kawahara Keiga was the principal Japanese artist associated with the Dutch trading post at Dejima, Nagasaki, where he produced remarkably detailed studies of Japanese life, flora, and fauna. A student of the Nagasaki painter Ishizaki Yūshi (1768-1846), Keiga worked closely with the German physician and naturalist Philipp Franz von Siebold and the zoologist Heinrich Burger, who commissioned him to document Japan’s natural history. Keiga painted fish from life, studying specimens collected from the seas and rivers of Japan. In 1831, Burger reported that Keiga had drawn approximately 400 species, with some 200 accompanied by descriptions and sent to Siebold in Europe. These studies contributed to the monumental Fauna Japonica (18331850), published in Leiden. The present study is inscribed with shorthand notes, used to document the fish before losing its coloration.

1057 Attributed to Kawahara Keiga or Workshop (Japanese, circa 1786-1860) Catfish (silurus), unsigned, inscribed below with Latin, possibly Dutch and shorthand Japanese, ink, watercolor and bodycolor on two joined sheets of wove paper lacking watermark, 12-1/2 x 17-7/8 in.; fine leafed wood frame, 26-3/8 x 303/8 x 1-1/2 in., hinged in a top, some soft handling creases, some toning and small points of foxing, some bleed from another drawing; frame with some abrasions, conservation framing Estimate: $3,000 - $5,000 Kawahara Keiga was the principal Japanese artist associated with the Dutch trading post at Dejima, Nagasaki, where he produced remarkably detailed studies of Japanese life, flora, and fauna. A student of the Nagasaki painter Ishizaki Yūshi (1768-1846), Keiga worked closely with the German physician and naturalist Philipp Franz von Siebold and the zoologist Heinrich Burger, who commissioned him to document Japan’s natural history. Keiga painted fish from life, studying specimens collected from the seas and rivers of Japan. In 1831, Burger reported that Keiga had drawn approximately 400 species, with some 200 accompanied by descriptions and sent to Siebold in Europe. These studies contributed to the monumental Fauna Japonica (18331850), published in Leiden.

1058 Attributed to Kawahara Keiga or Workshop (Japanese, circa 1786-1860) Lizardfish (Harpadon nehereus), unsigned, Japanese inscription, ink, watercolor and bodycolor on wove paper lacking watermark, 10-1/8 x 12-3/8 in.; fine leafed wood frame, 26-3/8 x 30-3/8 x 1-1/2 in., binding edge present at top, good condition, hinged in a top, some soft handling creases, some toning and small points of foxing; frame with some abrasions, conservation framing Estimate: $3,000 - $5,000 Kawahara Keiga was the principal Japanese artist associated with the Dutch trading post at Dejima, Nagasaki, where he produced remarkably detailed studies of Japanese life, flora, and fauna. A student of the Nagasaki painter Ishizaki Yūshi (1768-1846), Keiga worked closely with the German physician and naturalist Philipp Franz von Siebold and the zoologist Heinrich Burger, who commissioned him to document Japan’s natural history. Keiga painted fish from life, studying specimens collected from the seas and rivers of Japan. In 1831, Burger reported that Keiga had drawn approximately 400 species, with some 200 accompanied by descriptions and sent to Siebold in Europe. These studies contributed to the monumental Fauna Japonica (1833-1850), published in Leiden. The present study is unsigned and bears a Japanese inscription, as do a number of surviving works associated with Keiga’s natural history corpus. Keiga maintained a studio in Nagasaki where assistants also copied and adapted his compositions, making individual attributions difficult in the absence of signatures or inscriptions. Nevertheless, these works remain important records of the collaboration between Japanese artists and Western naturalists during the late Edo period. https://live.brunkauctions.com/auctions/brunk/british-conti21 nental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

1059 Heriz Carpet early 20th century, blue and white polygonal medallion on red field, open field with leafy vines, white spandrels, blue border, 12 ft. 11 in. x 9 ft.8 in., restorations to pile, loss to ends with overcasting, abrash, fading, exposed foundation, professionally cleaned Provenance: Private Massachusetts Collection Estimate: $1,500 - $2,500

1060 Kazak Gallery Rug early 20th century, orange field, repeating rows of geometric diamond and floral motifs, 8 ft. 6 in. x 3 ft. 10 in., areas of wear with exposed foundation consistent with age and use, overcast ends, restoration to pile, replaced selvage Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900

1061 Kuba Rug early 20th century, geometric patterns with a brown field, red border with repeating florals, 5 ft. 3 in. x 3 ft. 5 in., loss to brown dye, overall wear consistent with age and use Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900

1062 Kazak Style Rug Turkish, 20th century, central diamond medallion with hooked elements, orange field with 13 medallions, oak leaf motif border, 7 ft. 4 in. x 4 ft. 11 in., minimal wear consistent with age and use, overall good condition with a some spots of wear and exposed foundation Provenance: Private Collection, Asheville, North Carolina Estimate: $400 - $600

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1063 Shirvan Rug early 20th century, green field with quadrupeds, birds and vases, green borders, 6 ft. 4 in. x 4 ft. 8 in., wear, fading, abrash, loss to selvage, ends and one corner Provenance: Private Collection, Asheville, North Carolina Estimate: $400 - $600

1064 Bidjar Rug mid to late 20th century, central diamond medallion with white flower, blue field with herati design, red and green borders, 4 ft. 10 in. x 3 ft. 6 in., in good condition overall with minimal wear, some loss to selvage, loss to ends with overcasting Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600

1065 Turkmen Rug 20th century, red field with repeating rows of octagonal medallions, 5 ft. 10 in. x 3 ft. 10 in., overall good condition overall with one area of restoration to foundation in center Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400

1066 Austrian Mechanical Iron Maiden-Form Erotic Bronze probably early 20th century, opening to reveal a gilt nude, square base with mark “AT(?)” to rear, 8-1/8 x 3-3/8 x 3-3/8 in., attractive dark patina, iron maiden slightly loose on base, some verdigris to interior, wear to base, some minor loss to gilt Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

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1067 Viennese Egyptian Revival Metamorphic Erotic Bronze early 20th century, in the form of a sarcophagus depicting a man with sun headdress, opening to reveal a gilt nude, marked at base “96 C?”, 6-3/8 x 1-3/4 x 1-3/4 in., good overall condition with light wear, halves do not fit together snugly Provenance: Private Collection, Palm Beach, Florida Estimate: $600 - $900

1069 Carl Kauba or Style Metamorphic Viennese Erotic Bronze Group early 20th century, with plaque reading “A Treasure Seeker” to base, the top section lifting up to reveal a gilt nude, apparently unmarked, 7-1/2 x 5-3/8 x 3 in., attractive patina, good overall condition with light wear, some light wear to base and woman Provenance: Private Collection, Palm Beach, Florida Estimate: $600 - $900 24

1068 Carl Kauba Bare on Bear Mechanical Erotic Bronze (Austrian, 1865-1922) early 20th century, in the form of a recumbent woman lounging atop bed with bear pelt, incised signature “C. Kauba” to foot of bed, 4-5/8 x 8-3/8 x 4 in., attractive patina, dress clasp off but retained (figure cannot lie down), some areas of wear and discoloration to metal Provenance: Chris Mulloy, Rancho Santa Fe, California, August 20, 2011 (accompanied by copy of receipt); Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

1070 Carl Kauba Art Deco Articulated Erotic Bronze (Austrian, 1865-1922) Oriental Dancer, early 20th century, depicting a nude dancer with shawl atop base with Egyptian revival motif, dancer with hinge at waist, winding key (to spin figure) and incised signature “CKauba” at base, approx. 13-5/8 x 7 x 6 in., working at time of inspection, attractive patina, light wear, some scattered verdigris, losses to some elements of shawl, proper left hand lacking attachment for shawl, some detachment at waist joint, wood basing element possibly later and with wear Provenance: Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

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1071 Franz Bergman Mechanical Erotic Bronze (Austrian, 1861-1936) rotating platform atop foliate decorated base, depicting three recumbent sheep on one side and an amorous couple on the other, Bergman “B” urn mark and “Nam Greb” signature to one end of base, 2-1/8 x 6-5/8 x 3-1/4 in., scattered wear and discoloration to metal, some wear to gilt elements Provenance: Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

1072 Franz Bergman Cold Painted Egyptian Revival Metamorphic Erotic Bronze (Austrian, 1861-1936) depicting a polychromed seated Egyptian noblewoman, opening to reveal a gilt nude, Bergman “B” urn mark to rear, tan marble base, 5-3/4 x 2-3/8 x 3 in., good overall condition with light wear, some loss to polychrome and gilt decoration, marble with natural flaws Provenance: Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

1074 Franz Bergman Cold Painted Mechanical Erotic Bronze (Austrian, 1861-1936) depicting an owl perched atop a book opening to reveal an ivory nude, glass eyes, marked to spine with Bergman urn and “Nam Greb”, 3-1/4 x 3-1/8 x 2-3/8 in., some loss to paint decoration, proper left half of owl lacking pin (swings open freely), nude figure possibly later, light wear 1073 Provenance: Chris Mulloy, Rancho Santa Fe, California, October 16, 2010 (receipt); Franz Bergman Cold Painted Orientalist Erotic Bronze Private Collection, Palm Beach, Florida (Austrian, 1861-1936) Estimate: $800 - $1,200 depicting a slave trader and slave girl atop a carpet, gilt and polychrome This lot contains animal or plant material that may be restricted under decoration, Bergman “B” and “Made in Austria” mark to base, 4-1/2 x 5-3/8 x 4-1/4 federal, state and/or local law. Prospective bidders should check all applicable in., good overall condition with some loss to gilt and polychrome decoration, light government wildlife restrictions prior to placing a bid. The buyer is solely wear throughout responsible for obtaining any necessary licenses or permits from federal, state Provenance: Chris Mulloy, Rancho Santa Fe, California, August 20, 2011 and/or local authorities applicable to their purchase or transport of the object. (accompanied by copy of receipt); Private Collection, Palm Beach, Florida Please note that bidders in New Jersey may not bid on any lots containing Estimate: $1,000 - $2,000 elephant ivory, mammoth ivory, or rhinoceros horn. https://live.brunkauctions.com/auctions/brunk/british-conti25 nental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

1075 Franz Bergman Cold Painted Sarcophagus-Form Erotic Bronze (Austrian, 1861-1936) in the form of an ancient Egyptian sarcophagus opening to reveal a gilt nude, marked to rear with Bergman “B” urn mark and “Nam Greb” signature, 8-3/4 x 2-3/8 x 3 in., good overall condition with light wear, some wear and loss to paint and gilt, slight looseness to nude figure Provenance: Private Collection, Palm Beach, Florida Estimate: $600 - $900

1076 Franz Bergman Cold Painted Mechanical Sphynx-Form Erotic Bronze (Austrian, 1861-1936) in the form of an ancient Egyptian sphynx wearing a nemes, opening to reveal a gilt nude, 2-3/4 x 2-1/8 x 5-1/4 in., attractive patina, minor loss to paint and gilt, light wear Provenance: Chris Mulloy, Rancho Santa Fe, California, October 16, 2010 (accompanied by copy of receipt); Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1077 Franz Bergman Cold Painted Mechanical Erotic Bronze Group (Austrian, 1861-1936) depicting Adam and Eve, the Tree of Knowledge of Good and Evil, and the serpent, Bergman “B” urn mark to base, incised “Nam Greb” and “Austria” to rear, approx. 6 x 3 x 3 in., good overall condition with light wear Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700

1078 Bergman or Style Metamorphic Cold Painted Erotic Bronze Owl Austrian, late 19th/early 20th century, in the form of an owl atop a stump, opening to reveal a gilt nude, marked to rear of base “Argentor-Vienna”, 7-1/4 x 1-3/4 x 1-3/4 in., attractive patina, some loss to paint and gilt, good overall condition with light wear Provenance: Chris Mulloy, Rancho Santa Fe, California, October 16, 2010 (accompanied by copy of receipt); Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

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1079 Bergman or Style Cold Painted Sarcophagus-Form Erotic Bronze Austrian, late 19th/early 20th century, in the form of an ancient Egyptian sarcophagus opening to reveal a gilt nude, apparently unmarked, 5-3/4 x 1-3/4 x 1-3/4 in., some wear and loss to polychrome and gilt, light wear Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700

1080 Large Patinated Bronze Mantel Clock with Foxhunting Motif 20th century, white painted metal dial with Roman numerals, marked “SF” to face and works, fox, hound, riding crops, and horseshoe motif surmounted by saddle and riding helmet, with key, atop stone base, 13-7/8 x 19 x 7 in.; together with faux bronze resin statue of a jockey marked “Elton C.D.”, wood base, 9-1/8 x 3-3/4 x 5-7/8 in., attractive patina, some areas of wear, small break to rein at saddle, scattered chips to base Provenance: Private Collection, South Carolina Estimate: $500 - $700

1081 Pair of Gilt-Bronze Wall Sconces with Wedgwood Jasperware Insets 20th century, ribbon and drape adorned central column with inset oval Wedgwood plaques and issuing four arms, 28 x 12 x 6 in., wired for electricity, wires cut, minor discoloration and casting anomalies; one flame form bulb detached and loose in socket Provenance: Private Collection, Palm Beach, Florida Estimate: $400 - $600

1082 Set of Eight Louis XVI Style Painted Side Chairs Continental, early 20th century, green painted frames with gold trim, wide seats with foliate motif silk upholstery, 40-1/4 x 19-3/4 x 21 in., seat heights 19-1/2 in., paint with scattered distress, loss, and retouch, some repairs possibly masked by later color, upper rear legs with plugged screws at seat rail joints probably as made Provenance: Cedric Dupont Antiques, West Palm Beach, Florida, (accompanied by copy of prior retail listing for $23,500); Private Collection, Palm Beach, Florida Estimate: $1,500 - $2,500

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1083 Louis XV Style Asymmetrical Highly Figured Side Table 20th century, exotic hardwood veneer, gilt metal mounts, single drawer, 29-1/4 x 17 x 14 in., repair to break at foot, otherwise very light wear Provenance: Private Collection, Palm Beach, Florida Estimate: $300 - $500

1084 Pair of Louis XVI Style White Painted Commodes Continental, early 20th century, marbleized tops, each with three drawers, fluted round tapered legs, 33-1/4 x 34-1/4 x 18-1/4 in., paint with scattered distress, loss, and retouch Provenance: Cedric Dupont Antiques, West Palm Beach, Florida, $28,900; Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1085 Jennings Brothers Erotic Metamorphic Bronze American, 20th century, depicting a woman in bathing uniform under hinged robe, marked to base “JB 2039”, 3 x 5-5/8 x 2-1/8 in., attractive patina, good overall condition with light wear Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700

1086 Austrian Cold Painted Metamorphic Erotic Bronze late 19th/early 20th century, in the form of a rat on hind legs, opening to reveal a kneeling nude woman, marked “Austria” to underside of tail, stone base, 3-3/4 x 2 x 2-1/2 in., good overall condition, small nick to tail, wear to base, some loss to paint on nude Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700

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1087 Two Austrian Cold Painted Metamorphic Erotic Bronzes late 19th/early 20th century, apparently unmarked, both opening to reveal a gilt nude, comprising: sculpture of a wizard, orange stone base; sculpture of a mussel; larger 6-5/8 x 3-1/2 x 3-1/2 in., some loss to paint (more notably to wizard), light wear; wizard with wear to base Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1088 Cold Painted Viennese Erotic Mechanical Bronze early 20th century, in the form of a pelican atop a naturalistic base with flowers opening to reveal a gilt nude, marked to wing “C.C.C. 1927” and to rear “Austria”, marble base, 5-3/8 x 4-3/8 x 3-3/8 in., attractive patina, some loss to paint, partial label to rear of marble base, some surface dust Provenance: Chris Mulloy, Rancho Santa Fe, California, August 20, 2011 (receipt); Private Collection, Palm Beach, Florida Estimate: $600 - $900

1089 1090 Pair of Figural Bronzes Yolande Ardissone (early 20th century) (French, 1927-2024) Felix Weiss (Austrian, 1907-2003), Dancing Woman, 1930, stamped on base “Felix Le Bouquet Devant la Riviere, signed lower right and verso “Ardissone”, titled on Weiss Wien 1930”, bronze on banded green onyx base, 14-1/4 x 4 x 5-3/4 in.; Rudolf stretcher verso, inscribed on stretcher verso to “Sue and Larry”, oil on canvas, Kaesbach (German,1873-1955) The Snake Charmer, stamped on base “RM R. 36-1/8 x 25-5/8; gilt wood frame, 45-1/4 x 35 x 2-1/2 in., minor crackle; frame with Kaesbach”, bronze on dark green marble base, 11-5/8 x 3-5/8 x 7 in., both with minor wear surface wear, Dancing Woman with brown to green patina, Snake Charmer with Provenance: Estate of Lawrence and Susan Breckenridge brown to gold patina, small chips to base Estimate: $1,000 - $2,000 Provenance: Property from a Charleston Collection Estimate: $1,000 - $1,500 https://live.brunkauctions.com/auctions/brunk/british-conti29 nental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

1091 Yolande Ardissone (French, 1927-2024) Bateaux de Peche pour Louis, signed lower right and on stretcher verso “Ardissone”, titled on stretcher verso, inscribed on stretcher verso to “Sue and Larry”, oil on canvas, 21-3/4 x 18-1/4 in.; gilt wood and composition frame, 31-1/2 x 28-1/8 x 2-1/2 in., overall good condition; frame with wear, decorative element unattached at bottom right corner Provenance: J. Richards, Gallery of Charlotte, Charlotte, North Carolina (accompanied by receipt); Estate of Lawrence and Susan Breckenridge Estimate: $800 - $1,200

1093 Jules-Rene Herve (French, 1887-1981) Looking Out The Window, signed lower right and verso “Jules R. Herve”, possible artist inventory number inscribed verso, oil on canvas, 9-1/4 x 11-1/4 in.; gilt wood frame, 15-3/8 x 17-1/2 x 1-1/2 in., good condition; frame with minor abrasions Provenance: Arnot Galleries (label verso); Private New York Collection Estimate: $800 - $1,200 30

1092 Yolande Ardissone (French, 1927-2024) La Trinite, signed lower left “Ardissone”, titled on stretcher verso, and inscribed to “Sue and Larry”, oil on canvas, 10-5/8 x 13-3/4 in.; gilt wood frame, 18-7/8 x 21-7/8 x 2-3/8 in., good condition; frame with abrasions Provenance: J. Richards Gallery, Charlotte, North Carolina (label verso, accompanied by the original certificate of authenticity); Estate of Lawrence and Susan Breckenridge Estimate: $600 - $900

1094 Luigi Loir (French, 1845-1916) Place de la Concorde, Paris, signed lower left “Luigi Loir”, oil on panel, 5-7/8 x 9-1/2 in.; gilt wood and composition frame, 12-1/2 x 16-1/8 x 1-3/4 in., good color; frame with minor abrasions Provenance: Union Square Galleries, San Francisco, California (accompanied by certificate of authenticity); Private New York Collection Estimate: $800 - $1,200

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1095 Jules-Rene Herve (French, 1887-1981) Mother’s Collectables, signed lower left and verso “Jules R. Herve”, oil on canvas, 10-5/8 x 8-5/8 in.; gilt and paint wood frame, 19-1/4 x 17-1/4 x 2 in., slightly yellowed varnish, minor crackle; frame with wear, abrasions Provenance: Private New York Collection Estimate: $800 - $1,200

1096 Omar “Malva” Hamdi (Syrian/Austria, 1951-2015) Village View, 1981, signed and dated lower left “Malva 1981”, titled on label verso, oil on canvas, 24x 36 in.; Arts and Crafts style frame, 30-1/2 x 42-1/2 x 1-1/4 in., vibrant color, craquelure, accretion upper right, tiny points of retouch; frame with minor abrasions Provenance: Arnot Gallery (label verso); Private New York Collection Estimate: $600 - $900

1097 Arduino Laricci, Two Cubist Still Lives (Italian/America, 1888-1967) Abstract compositions, both signed lower right “A. Laricci” and signed verso, oil on canvas; Still Life with Pitcher, 16-1/8 x 20-1/4 in.; painted wood frame, 19-5/8 x 23-5/8 in.; Still Life with Candle, 15 x 22 in.; painted and gilt wood frame, 18-1/2 x 25-1/2 x 1-1/4 in., Still Life with Candle laid on board, Still Life with Pitcher with tiny points of retouch; frames with wear, minor abrasions Estimate: $500 - $700

1098 Vlastimil Kosvanec (Czech, 1887-1961) Woman in Moravian Costume, signed lower right “Kosvanec”, artist label verso, oil on canvas, 31 x 24-1/8 in.; gilt wood frame, 35-3/4 x 28-3/4 x 2 in., original canvas and stretcher, crackle, uneven and yellowed varnish, crease in center, surface dirt; frame with wear, abrasions Provenance: Private Collection Estimate: $1,000 - $1,500

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1099 Gerard Passet (French, 1936-2013) Paris, Le Petit Pont, signed lower right and verso “Gerard Passet”, titled verso, oil on canvas, 18-1/8 x 21-7/8 in.; gilt wood frame, 22-7/8 x 27 x 2-3/8 in., crackle, surface dirt, minor flaking; frame with minor abrasions Provenance: Private New York Collection Estimate: $600 - $800

1100 Signature of Famous Dutch Painter, Jozef Israels [Hague School] dated June 23, 1908, Dear Sir, Hereby My Signature, Jozef Israels, my art is my pleasure, sent to Mr. Lucine Banc, former Director of Fisheries in Canada, accompanied by certificate of authenticity from The History Store, Wells, Maine, approximately 3-1/2 x 4-1/2 in., good overall, light toning and discoloration Provenance: Private South Carolina Collection Estimate: $200 - $400

1101 Heriz Carpet early 20th century, blue and red central polygonal medallion on red field, white spandrels, red border, 12 ft. 2 in. x 9 ft. 6 in., wear with some exposed foundation, overall uniform low pile, fading, abrash, loss to ends with overcasting Provenance: Collection of Dr. George and Connie Manger Estimate: $1,500 - $2,500

1102 Kuba Rug early 20th century, brown field with repeating geometric pattern, diamond and striped borders, 6 ft. 5 in. x 4 ft., wear consistent with age and use, loss to brown, some exposed foundation, replaced selvage Provenance: Collection of Dr. George and Connie Manger Estimate: $800 - $1,200

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1103 Bidjar Rug late 20th century, central red stepped medallion with arrow points, blue field, red border, 5 ft. 2 in. x 3 ft. 9 in., minimal wear, in good condition overall Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700

1104 Malayer Rug early 20th century, blue field, leafy floral design, white, red and gold borders, 5 ft. 11 in. x 3 ft. 4 in., wear with some exposed foundation, replaced selvage, loss to end with overcasting Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700

1105 Persian Rug late 20th century, blue field with repeating rows of medallions, salmon spandrels, blue and red borders with floral elements, 6 ft. 1 in. x 3 ft. 5 in., loss to one end, some wear to pile consistent with age and use Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600

1106 Turkish Prayer Rug mid 20th century, white mihrab with hanging lantern, 4 ft. 4 in. x 2 ft. 9 in., some slight discoloration to white, otherwise in overall good condition Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600

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1107 Two Hand Knotted Persian Rugs, Mahal and Sarouk 20th century, Mahal, orange field with blue central medallion, 4 ft. 5 in. x 1 ft. 11 in.; Sarouk, red field with symmetrical floral design, 4 ft. 1 in. x 2 ft. 1 in., both with wear, Mahal with staining, fraying to selvage, loss to ends Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400

1108 Three Piece Georg Jensen Individual Sterling Coffee Set Denmark, after 1945, hammered oval forms, ebony handles, bead accents, no monograms, marks for Georg Jensen, 23.40 oz. T., 6-3/4 in. coffeepot with matching creamer and open sugar, good condition, typical wear Provenance: Collection of a Southern Lady Estimate: $1,400 - $1,800

1109 Two Georg Jensen Bowls mid 20th century, footed bowl with foliate stem, marked on base “Georg Jensen/& Wendel A/S”, “17/A”, 4 x 4-1/2 in.; footed bowl with flared rim, marks for Georg Jensen, “575/B”, 1-1/2 x 4-1/4 in., 8.75 oz. T., both with light scratches Provenance: Collection of a Southern Lady Estimate: $500 - $800

1110 Three Jensen Blossom Serving Spoons Denmark, 20th century, two serving spoons with foliate and bead handle, “21”, 4-1/2 in. and 5-1/4 in.; one ladle with scroll and bead handle, “41”, 5 in., all with marks for Denmark, 80 grams, average wear Provenance: Collection of a Southern Lady Estimate: $300 - $500

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1111 Georg Jensen Acorn Sterling Flatware, 130 Pieces Denmark, 20th century, including eighteen hollow handle knives; one hollow handle long handle knife; twelve hollow handle spreaders with sterling blade; nineteen forks; twenty-one salad forks; fifteen teaspoons; twelve ice tea spoons; one small teaspoons; thirteen oval soup spoons; twelve demitasse spoons; sugar spoon; ladle; infant spoon; bon bon; small spoon; hollow handle fork, sterling bowl, no monogram, all with marks for Georg Jensen, 128.86 oz. T. excluding hollow handle pieces, average wear Provenance: Collection of a Southern Lady Estimate: $5,500 - $6,500

1112 Georg Jensen Cactus Sterling Flatware, 79 Pieces American, 20th century, including twelve hollow handle knives; twelve hollow handle spreaders with sterling blades; twelve forks; twelve salad forks; twelve teaspoons; twelve round soup spoons; hollow handle carving set; ladle; hollow handle fork; sugar spoon; salad set, no monograms all with marks for Georg Jensen, 83.91 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection, Asheville, North Carolina Estimate: $4,000 - $8,000

1114 Four French Gilt Bronze and Glass Table Objects probably 20th century, comprising; pair of crystal candlesticks with dore mounts, apparently unmarked; crystal compote with dore mounts, possibly Baccarat, marked to base “Made in France”; cut glass plateau with dore mounts, paw feet and dolphin-form supports; largest 6-7/8 x 11-3/8 x 11-3/8 in., scattered fleabites and other light wear to glass, minor discoloration to metal elements; candlesticks with some wax accretion; plateau with slight looseness Provenance: (compote) Greenwald Antiques, Woodmere, Ohio, April 30, 2006 (accompanied by copy of receipt); Private Collection, Palm Beach, Florida Estimate: $600 - $900 https://live.brunkauctions.com/auctions/brunk/british-conti35

1113 Four Piece Japanese Sterling Coffee/Tea Service Japanese, 20th century, pear form, floral decoration, ivory spacers, marked “950” and “Sterling”, 80.76 oz. T., 9 in. coffee pot with matching teapot, covered sugar, and creamer, all with with polishing abrasion, coffee with lid pushed in, creamer with dents in rim, wear Provenance: Private Collection Estimate: $3,000 - $3,500

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1115 Two French Gilt Bronze Dresser Objects with Portraits, One Napoleon & Josephine, French Empire or style, comprising: folding dresser mirror with five portraits of ladies on porcelain plaques signed “Perin” (likely Lie Louis PerinSalbreux) at edges, silk lining with floral pattern; dresser box with portraits of Napoleon I and Empress Josephine signed “Berton” (likely Armand Berton) at edges, marked “N” to lid, embroidered fabric lining with floral pattern; larger 141/2 x 7-1/2 x 1-3/8 in., good overall condition, some light wear; folding mirror with some spotting, silk with shattering and wear; box with wear to lining Provenance: Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

1117 French Empire Style Eight-Light Gilt Bronze and Crystal Chandelier early 20th century, with crystal swags and drops, figural decorated and black painted accents, approx. 25-1/2 x 33-1/2 x 33-1/2 in., wired for electricity, wires cut, some flea bites and chips to crystal elements, some minor loss to paint, small areas of discoloration to metal, one arm broken at mount (held with wire), four other arms with small breaks at mounts Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900 36

1116 Jules Moigniez Silvered Bronze Jewelry Casket (French, 1835-1894) in the neoclassical style, with lid surmounted by a naturalistic scene of birds, incised signature “J. Moigniez”, velvet lined interior, 7-1/8 x 8-1/4 x 4-3/4 in., lacking key, abrasion and discoloration to silver finish, some wear throughout (including to interior lining) Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1118 Four Sevres Style Parian Ware Figures of the Seasons French, late 19th century, each marked with serves style marks near base, each atop gilt bronze base, largest 15 x 5-1/4 x 4-3/4 in., some anomalies, firing cracks, accretion, and small losses to finer details; autumn with crack and repair to wheat at back, some chips to held wheat; winter lacking fire, loss to both pinky fingers; spring lacking proper left thumb Provenance: Keil’s Antiques, Inc., New Orleans, Louisiana, June 2003 (accompanied by copy of receipt for $10,000); Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

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1119 Pair of Louis XV Style Painted Parcel Gilt Foot Stools Continental, late 19th/early 20th century, green painted frames with parcel gilt and gold paint, red velvet upholstered seats, 18-3/4 x 16 x 16 in., paint with minor distress and some restoration, scattered pest damage, some fading to upholstery Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700

1121 Louis XVI Style Kingwood and Mahogany Pedestal Clock, French, 20th century, after a design by Jean Henri Riesener, figured mahogany and kingwood marquetry veneers, movement inscribed “Jx DENIERE A PARIS / 1701”, bronze inscribed “BARBIDIENNE”, the dial surrounded by three putti amongst clouds, tapered pedestal case with gilt bronze mounts throughout and paw feet, shaped base with arrow feet, two weights, winder, and pendulum included, 86 x 19-1/2 x 12 in., working order is not guaranteed, very light wear overall, small spots of verdigris to bronze, one weight split at seam Provenance: Private Collection, Palm Beach, Florida Estimate: $7,000 - $9,000

1120 Large Pair of Carved and Painted Blackamoor Figures Venetian style, 20th century, each posed balancing urn atop head, each approx. 68 x 20 x 12-1/2 in., scattered small losses to paint and gilt throughout, some abrasions and small chips to wood, each possibly lacking earrings, wear commensurate with age and use Provenance: Private Collection Estimate: $2,000 - $4,000

1122 Napoleon III Style Boulle Marquetry Jardiniere Table French, late 19th/early 20th century, faux tortoiseshell and brass marquetry throughout, lid to top, interior with white painted metal insert, gilt bronze mounts throughout, 32 x 28-1/2 x 18-1/2 in., scattered repairs to marquetry throughout with minor loss, some lifting to brass Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700 https://live.brunkauctions.com/auctions/brunk/british-continental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

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1123 Christofle Malmaison Sterling Flatware, 72 Pieces 20th century, including 12 each: 9-3/4 in. hollow handle knives; 7-3/8 in. hollow handle knives; 8-1/8 in. forks; 6-3/4 in. forks; 5-3/8 in. teaspoons; 8-1/8 in. spoons, serving pieces: ladle; serving spoon; serving fork, marked sterling “925”, with Italian import marks, 119.02 oz. T. excluding hollow handle pieces; with similar silver plate Christofle spoon, (76 pieces); with Green Christofle case, good condition Provenance: Private Memphis, Tennessee Collection Estimate: $4,500 - $5,500

1124 Buccellati Sterling Furry Rabbit Italian, 20th century, rabbit for sitting upright, silver wire furry body, base marked Gianmaria Buccellati, 4.56 oz. T., 6 x 3-3/4 x 3-1/2 n., tarnish and typical wear Provenance: Private Maryland Collection Estimate: $2,000 - $3,000

1125 Auguste Ledru Figural Art Nouveau Ewer (French, 1860-1902), with fish-form handle and naiad, signed “Ledru”, mark to base “Thiebaut Fres. Paris/Fumiere et Gavignot Srs.”, 9 x 6-1/2 x 6-1/8 in., attractive patina, good overall condition with light wear commensurate with age and use Provenance: Greenwald Antiques, Woodmere, Ohio, September 30, 2010 (accompanied by copy of receipt); Private Collection, Palm Beach, Florida Estimate: $500 - $700

1126 Italian Sterling Furry Owl Italian, 20th century, owl with silver wire furry body and silver feathers, marked .925, 3.60 oz. T., 3-3/4 in., tarnish and typical wear Provenance: Property of the Thalhimer Family, Richmond Virginia Estimate: $500 - $800

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1127 Set of Nine Erte Fluted Champagne Glasses France, frosted to clear glass, “Mystique” or “Majestique” pattern, marked in relief to bottom of stems “Erte” and to bases “Erte/France”, 11-3/4 x 3-1/4 x 3-1/4 in., good overall condition, mold lines as made, some minor wear to bases Provenance: Private Collection, Palm Beach, Florida Estimate: $600 - $900

1128 Lalique Anniversary Edition Bacchantes Amber Glass Vase France, marked at side “Lalique France”, marked to base “1927-2007 Edition Anniversaire”, 9-5/8 x 8-1/4 x 8-1/4 in., good overall condition Provenance: Private Collection, Palm Beach, Florida Estimate: $2,000 - $4,000

1129 Daum France Pate de Verre Rose Dish frosted pink to green glass in the form of leaves and blooming roses, signed to base “Daum France”, approx. 3-1/4 x 10-1/2 x 10-1/2 in., good overall condition with light wear, air bubbles and other anomalies as made Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1130 Erte (Romain de Tirtoff) (French/Russian, 1892-1990) Moonlight, 1985, 245/375, signed, dated, editioned, and impressed to base “...Fine Art Acquisition...”, painted and patinated bronze, 18 x 12-3/4 x 5-1/2 in., overall good condition, some abrasions and loss to painted surface (notably to left arm), wear to base Provenance: Private Collection, Palm Beach, Florida Estimate: $1,000 - $2,000

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1131 Pair of Pagoda Form Mirrored Glass Two Light Wall Sconces 20th century, adorned with glass beads and prisms, each 35 x 22 x 9 in., wired for electricity, discoloration to metal elements, spotting to mirror plates, some bumps and abrasions to wood backing, some scattered small chips/flea bites Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200

1133 Ten Pieces of Herend Rothschild Bird Porcelain Tableware Hungarian, 20th century, Herend marks to bases, comprising: tureen with lemon finial and undertray; plate with scalloped rim; large oval platter with strainer; tall lidded teapot; squat lidded teapot; small footed bowl; lidded sugar; two creamers; largest 9-1/2 x 13 x 8-1/8 in., overall good condition, minor anomalies, wear, and loss to gilt/enamel; lidded sugar with chip to beak of bird finial Provenance: Private Collection Estimate: $1,000 - $2,000 40

1132 45 Piece Royal Copenhagen Flora Danica Porcelain Partial Service Danish, 20th century, marks for Royal Copenhagen to bases, comprising: cachepot; four bullions; four saucers; six teacups; six saucers; two pickle plates; four bread plates; four side plates; four luncheon plates with openwork rims; four soup bowls; four dinner plates with openwork rims; two oval plates with openwork rims; largest 6-1/4 x 10-1/4 x 7-1/8 in., overall good condition, minor anomalies, wear, and loss to gilt/enamel; minor chips to floral decoration on cachepot Provenance: Private Collection Estimate: $6,000 - $9,000

1134 Five Meissen Commedia Dell’Arte Figures, First Choice after 1970, each with a blue underglaze crossed swords mark, incised mold number and impressed year cypher to the underside of the base, comprising: Boaro; Brighella; Il Dottore; Pagliaccio; and a gnaga; largest approx. 7-3/8 x 6 x 2-3/4 in., accretion; Boaro figure with break and repair/restoration to neck, lute, and proper left arm; otherwise overall good condition Provenance: Collection of Steve Stewart, Lake Lure, North Carolina Estimate: $2,500 - $3,500

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1135 Theo Faberge Cut Glass Four Seasons Egg (English, 1922-2007), signed “T. Faberge” and numbered “352”, gilt metal crown finial with cabochon ruby, alternating enamel panels depicting the seasons, 4-3/8 x 3 x 3 in., overall good condition, minor scratches to base Provenance: Schwarzschild Jewelers, Richmond, Virginia, March 1988 (accompanied by copy of receipt for $2,299); Private Collection Estimate: $600 - $900

1136 Theo Faberge St. Vladimir Cut Glass and English Silver Egg (English, 1922-2007), 1988, St. Petersburg Collection, silver with marks for Birmingham, 1988, number 111 of 500, numbered and signed to base, 5-1/2 x 3-1/8 x 3-1/8 in., overall good condition, some discoloration Provenance: Schwarzschild Jewelers, Richmond, Virginia, March 1988 (accompanied by copy of receipt for $2,508); Private Collection Estimate: $600 - $900

1137 Theo Faberge Carved Wood and Gilt Bronze Swag Egg (English, 1922-2007), signed “T. Faberge” and numbered “146”, silver swag, gilt metal crown finial with cabochon ruby, 6-1/4 3-3/8 x 3-3/8 in., notable loss to gilt on foliate swags, slight wear to base Provenance: Schwarzschild Jewelers, Richmond, Virginia, March 1988 (accompanied by copy of receipt for $1,233); Private Collection Estimate: $300 - $500

1138 40 Pieces of Herend Fruits and Flowers Porcelain Tableware Hungarian, 20th century, Herend marks to bases, comprising: creamer; sauceboat; double salt dip; eight teacups; eight saucers; oval platter; five dinner plates; six salad bowls; six side plates; charger plate; oval serving plate; triangular serving plate; largest 1-1/4 x 14-1/2 x 11 in., overall good condition, minor wear and loss to gilt/enamel Provenance: Private Collection Estimate: $1,000 - $2,000

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1139 Josan Sarouk Gallery Carpet early 20th century, central medallion with floral sprays, blue field, main green border with blossoms, signature at end border, 5 ft. 5 in. x 15 ft. 2 in., restorations to pile, wear to selvage, condition consistent with age and use, some exposed foundation Provenance: Claremont Rug Company, Oakland, California; Private Collection, New York; Brunk Auctions, Asheville, North Carolina, September 16, 2022, Lot 651; Private Collection, Biltmore Forest, North Carolina Estimate: $1,000 - $1,500

1140 Konagkend Rug early 20th century, brown field with white and floral decoration, green border, 4 ft. 9 in. x 3 ft. 6 in., loss to brown, overall thick pile, overall good condition with some minimal staining Provenance: Collection of Dr. George and Connie Manger Estimate: $1,000 - $2,000

1141 Kazak Rug early 20th century, blue, white and red polygonal medallion, blue field, borders with running dog motif, 5 ft. 8 in. x 4 ft. 3 in., low uniform pile, some areas of exposed foundation, loss to ends with overcasting, replaced selvage, some restorations to pile Provenance: Collection of Dr. George and Connie Manger Estimate: $800 - $1,200

1142 Kazak Rug early 19th century, blue, white and red polygonal medallion mihrab with green field, signed, geometric stepped elements on border, 5 ft. x 3 ft. 8 in., some wear with exposed foundation, restoration to some pile, restoration to selvage, loss to ends Provenance: Collection of Dr. George and Connie Manger Estimate: $800 - $1,200

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1143 Kerman Rug early to mid 20th century, white field with scrolling leafy branches, 7 ft. 1 in. x 4 ft. 11 in., wear, loss to selvage, overcast ends, staining Provenance: Private Collection, Asheville, North Carolina Estimate: $400 - $600

1145 Three Small Hand Knotted Rugs, Bidjar, Persian and Turkmen mid 20th century, Bidjar, orange field with stepped diamond medallion, blue spandrels with herati design, 3 ft. 3 in. x 2 ft. 1 in.: Kazak, blue field with geometric motifs, 1 ft. 10 in. x 1 ft. 8 in.; Turkmen, repeating medallions, 3 ft. 10 in. x 2 ft. 7 in., all with minimal wear consistent with age and use, overcasting to ends, wear to selvage, Kazak with dried adhesive to back Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400

1144 Kashan Rug mid 20th century, red field with sprays of flowers, blue border, 4 ft. 9 in x 3 ft. 1 in., low uniform pile, one end with applied hanging strip and overcast end, area of loss to other end, slight curling to selvage Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600

1146 George II English Silver Coffee Pot, Henry Brind London, 1748, tapering sides, later floral and scroll decoration, bud finial, later wooden handle, marks for Henry Brind, .925 fine, 28.61 oz. T. gross weight, 10-1/2 in., marks on side, lid unmarked, dents, later decoration and handle, typical wear Provenance: Private Collection Estimate: $1,000 - $1,500

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1147 Three Piece George II English Silver Caster Set London, 1757, urn forms with swag decoration, latter monogram, marks for Thomas & Jabez Daniel, .925 fine, 22.83 oz. T., 7-3/4 in. and two 7 in., good condition, each with full marks on bases, dents and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $800 - $1,200

1148 Pair of George III English Silver Candelabra Sheffield, 1814, scroll shell decoration, marks for Kirby, Waterhouse & Co., weighted places, with matching old Sheffield plate three cup branches, 21-1/2 x 17-1/2 x 6-1/2 in., marks on side of bases, branches unmarked, light scratches, small dents, loss to plate, and typical wear Provenance: Private Collection Estimate: $1,000 - $2,000

1149 William IV English Silver Burner/Stand, Storr & Mortimer London, 1836, round form stand with pierced decoration, removable burner, cartouche with strap and buckle “Edinburgh New Club”, marks for Storr & Mortimer, .925 fine, 13.50 oz. T., 2 x 6-3/4 in., marks on base and burner, typical wear Provenance: Private Collection Estimate: $600 - $1,200

1150 Pair of George III English Silver Sauce Ladles, Paul Storr London, 1820, fiddle and thread handles, gilt bowls, no monograms, marks for Paul, .925 fine, 90 grams, 5-5/8 in., good condition Provenance: Private Collection Estimate: $200 - $400

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1151 George II English Silver Caster Set, Jabez Daniell London, 1757, urn forms, pierced tops with flame finials, gadroon borders, later monograms, marks for Jabez Daniell, .925 fine, 17.36 oz. T., 7-3/4 in. and 6 in., marks on bases and lids, dents and typical wear Provenance: Private Collection Estimate: $600 - $1,000

1152 George III English Silver Salver, Ebenezer Coker London, 1761, round with shaped shell border, thee pad feet, central crest, marks Ebenezer Coker, .925 fine, 8.17 oz. T., 1 x 7-1/2 in., good condition, marks on base, later inscription removed from back, light scratches, and typical wear Provenance: Private Collection Estimate: $400 - $800

1153 George III English Silver Sugar Basket, Crispin Fuller London, 1798, oval form with swing handle, gilt interior, no monogram, marks for Crispin Fuller, .925 fine, 7.0 oz. T., 7 x 6-1/2 x 4-1/2 in., good condition, marks on base, typical wear Provenance: Private Collection Estimate: $300 - $600

1154 Pair of Beakers, George III English Silver London, 1819, round with tapering sides, gilt interiors, crest, maker possibly William Chawner, 7.84 oz. T., 3-3/4 x 2-3/4 in., partial marks on side, dents and wear Provenance: Private Collection Estimate: $300 - $600

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1155 Fine George III Figured Mahogany Eliezer Chater Bracket Clock circa 1775, white painted metal dial with Roman hours and Arabic seconds and quarter hours, strike/silent function, marked “Elieza [sic] Chater/Change Alley,/ London”, bronze bracket feet, pineapple finials, handle, and other hardware, twin fusee five-pillar movement, elaborately engraved backplate, 19-3/4 x 12-1/8 x 7-1/4 in., not tested for functionality (appears to be in good order), good overall condition with light wear commensurate with age and use, some cracks and age splits to wood, pineapple finials later, some crazing and retouch to dial, rear door with some warping Provenance: John Beazor & Sons Ltd., Cambridge, England, April 6, 2004, for £6,650 (accompanied by copy of invoice); Private North Carolina Collection Estimate: $1,000 - $2,000

1158 George III Figured Mahogany Serpentine Chest of Drawers British, mid 18th century, serpentine front, canted corners carved with blind fretwork, dressing slide, unusual canted ogee bracket feet, 32-1/2 x 35 x 17-3/4 in., replaced brasses, shrinkage splits to top and side, later casters and some blocking, proper left rear foot bracket replaced, typical minor surface wear throughout Provenance: Patrick Sandberg Antiques, London, England (accompanied by copy prior retail listing, listed for £8,800); Private North Carolina Collection Estimate: $2,000 - $4,000 46

1157 John Drury Georgian Inlaid and Figured Walnut Tall Case Clock, London, England, first half 18th century, brass 8-day movement, dial with second, strike/silent, and day of the month dials, signed “John Drury / London”, arched bonnet with blind fretwork, case with highly figured walnut veneer and checkered inlay, two weights and pendulum included, 91-3/4 x 21 x 10-1/4 in., movement not tested, case with scattered repairs to veneer, later hinges, typical minor surface wear throughout and other minor repairs Provenance: W.F. Turk, London; Property from the Collection of Lori Dodwell, Leland Grove, Illinois; Hindman, Chicago, Illinois, July 2019, lot 683, $7,000 hammer Estimate: $3,000 - $5,000

1159 George III Mahogany Eight Day Bracket Clock, J. Stear circa 1790-1800, white painted metal dial with Roman numerals and strike/silent function, marked “J. Stear/London” (probably Joseph Stearn), bronze bracket feet, escutcheons, and handle, eight day twin fusee movement, 17 x 12-1/2 x 7-3/4 in., not tested for functionality, wear commensurate with age and light use, scattered age splits and other areas of wear to wood, proper right rear foot slightly crooked, rear door escutcheon slightly loose Provenance: Susquehanna Antique Company, Inc., Washington, DC, August 2, 2009 (accompanied by copy of listing); Private North Carolina Collection Estimate: $500 - $700

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1160 Thames Valley Queen Anne Combback Windsor Armchair British, 18th century, shaped crest rail, flat stiles and arm supports, cabriole legs with stretcher base, 42 x 26-3/4 x 19-1/2 in., horizontal back bar with metal brace reinforced repair to break, split to seat with metal braced reinforcement, repairs at stretcher joints, later color throughout potentially masking repairs Provenance: Private North Carolina Collection Estimate: $600 - $800

1161 Thames Valley Queen Anne Combback Windsor Armchair British, 18th century, shaped crest, flat stile and arm supports, cabriole legs with stretcher base, “WA” inscribed to back splat and “WP” inscribed to underside along with pencil scribble, 41 x 26 x 19-1/2 in., scattered pest damage mainly to seat, back horizontal bar with repair to break, some apparent restoration and repair to stretcher, feet and arm rests with some edge loss, other typical scattered repairs and wear Provenance: Gary Sergeant Antiques, Woodbury, Connecticut, March 2010 (accompanied by copy of invoice for $3,800); Private North Carolina Collection Estimate: $600 - $800

1163 George III Brass Inlaid Mahogany Bracket Clock, Thomas Gammage circa 1814-1840, white painted metal dial with Roman numerals, marked “T. Gammage/Successor to Mr. Robson/London” (almost certainly Thomas Gammage), bronze bracket feet and handle, twin fusee five-pillar movement, works engraved “T. Gammage/London 17 x 11-5/8 x 7 in.; with original brass inlaid wall bracket, 7-1/2 x 11-5/8 x 6-5/8 in., not tested for functionality, wear 1162 commensurate with age and use, scattered cracks and age splits to wood, some Fine George III Figured Mahogany Chest on Chest protruding brass inlay, dial with retouch, restoration to floor board, glass front door British, 18th century, original pierced batwing brasses, dentil molded cornice, loose, scattered pest damage; bracket with looseness to support, some adhesive canted corners with fluted carving, brushing slide, bold ogee bracket feet with residue scrolled returns, brass carrying handles to sides, 75 x 46 x 23 in., in a fine state of Provenance: Irene Hartwick, Ontario, Canada, 2004 (consignor notes); Private preservation overall, original feet facings with repairs to breaks, surface with typical North Carolina Collection scattered wear and repairs Estimate: $800 - $1,200 Provenance: Gary Wright Antiques, Gloucestershire, England (accompanied by According to consignor notes, during servicing it was discovered that the works of copy of prior retail listing); Private North Carolina Collection this clock are engraved with log entries by previous repairmen, the earliest being Estimate: $2,000 - $4,000 dated 1821. https://live.brunkauctions.com/auctions/brunk/british-conti47 nental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

1164 The Works of Flavius Josephus..., First English Translation, 1702 The Works of Flavius Josephus: Translated into English by Sir Roger L’Estrange..., London: Richard Sare, 1702, gilt tooled full leather binding with gilt particulars and decorations to spine, bookplate of English archaeologist Oliver Humphreys Myers to front pastedown, appears complete with three engraved plates (including frontis, between pp. 64-65, between pp. 218-219) and two folding maps (between pp. 52-53 and pp.188-189), folio, 15-5/8 x 10 x 2-3/4 in., expected wear to binding including losses and abrasions to leather, hinges cracked, gutters reinforced, foxing, toning, and scattered areas of discoloration throughout, loss to p. 1 of book 1 affecting text, loss at bottom edge of rear free fly paper, text block, plates, and maps are otherwise in overall very good condition Provenance: Private Florida Collection Estimate: $500 - $700

1165 Heriz Carpet early 20th century, white and blue polygonal medallion, red field, white spandrels, large border, 11 ft. 9 in. x 9 ft. 9 in., wear throughout consistent with age and use, some exposed foundation, loss to ends, loss to selvage Provenance: Private Collection, Asheville, North Carolina Estimate: $1,000 - $2,000

1166 Silk Tabriz Rug 20th century, central floral medallion on light blue field, flowering leafy vines, white and blue borders, 8 ft. 1 in. x 5 ft. 6 in., in good condition overall, uniform low pile Provenance: Private Collection Estimate: $1,000 - $2,000

1167 Kazak Gallery Rug early 20th century, blue field with five medallions, quadrupeds, leaf and wine glass border, floral outer borders, 8 ft. 8 in. x 4 ft. 6 in., wear consistent with age and use, some exposed foundation, wear to selvage, some restoration to pile Provenance: Collection of Dr. George and Connie Manger Estimate: $800 - $1,200

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1168 Kazak Style Rug Turkish, late 20th century, rectangular field with three sections separated by a white border, large border with hooked elements, 6 ft. x 4 ft. 7 in., in good condition overall Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900

1169 Bidjar Rug early 20th century, central stepped diamond medallion with arrow points, red border, 4 ft. 10 in. x 3 ft. 6 in., some scattered wear with exposed foundation, some loss to ends with overcasting Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700

1170 Persian Hand Knotted Rug 20th century, red field with geometric and floral motifs, red and blue borders, 6 ft. 3 in. x 3 ft. 3 in., in overall good condition with thick pile Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700

1171 Sarouk Rug mid 20th century, red field with symmetrical floral decoration, blue border, 3 ft. 10 in. x 2 ft. 1 in., minimal wear, overcast ends Provenance: Collection of Dr. George and Connie Manger Estimate: $100 - $300

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1172 A Pair of British School Companion Portraits (18th century) Half portraits of The Reverend Samuel Peach, M.A. Rector of Compton (17461803) and his wife, Susanna Peach (born 1745, nee Bradley, daughter of English royal astronomer, James Bradley), frame plate attributions for Gainsborough Dupont (circa 1754-1797), oils on canvas, 230 x 24-3/4 in; matching and possibly original 18th century carved and gilt wood frames, 37-1/2 x 32-1/2 x 2 in., both lined, crackle, stretcher marks, he with small points of retouch, she with more areas of retouch and flaking; both frames with original gilt surface with wear and losses commensurate with age Provenance: Sold in London circa 1975; Ex-collection Barron Ulmer Kidd (19362025) and his wife, Dedo duPont Kid (1939-2020), Dallas, Texas Estimate: $2,000 - $4,000

1173 John Frederick Herring, Senior (British, 1795-1865) A White Mare and Her Foal in a Stream, 1854, signed lower left “J.F. Herring Senr. 1854.”oil on panel, colourman stamp and label verso for “Charles Roberson & Co., London, with old auction lot stencil “430-A”, 9-7/8 x 12 in.; gilt wood and composition cove molding frame, 14-1/2 x 16-1/2 x 2-1/4 in., retouch scattered at edges and in sky; some wear to frame Provenance: Private Collection, South Carolina Estimate: $4,000 - $6,000 In the early 1850s, John Frederick Herring, Senior, developed an interest in painting animals with their offspring. This painting was painted during that time period, These paintings reached such popularity that a series was later replicated as aquatints and known as “The Mothers”.

1174 Colin Graeme-Roe (British, 1858-1910) Bay Stallion in a Loose Box, signed lower left “C. Graeme-Roe/93”, oil on canvas, 22 x 30 in.; original wood veneer frame, 30 x 36-5/8 x 2 in., original stretcher and tacking edge, canvas slightly slack, surface dirt, retouch, abrasions; frame with some losses and abrasions Provenance: Property of a Southern Lady Estimate: $1,000 - $1,500

1175 John James Wilson Maritime Painting (British, 1818-1875) A steamboat, sloop and other shipping in choppy seas, 1875, signed lower left “John Wilson/1875”, oil on canvas, 12-1/8 x 20 in.; gilt wood and composition frame, 21-1/4 x 29-1/2 x 3-1/2 in., surface dirt, crackle, stretcher marks, retouch; frame with wear and small losses to composition Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900

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1176 Walter Wallor Caffyn (British, 1845-1898) Cottage Scene, signed lower left “W.W. Caffyn”, oil on canvas, 16 x 24-1/4 in.; gilt wood and composition frame, 22-1/2 x 30-3/4 x 3-1/2 in., lined, strip-lined, crackle, minimal flaking, scattered retouch, slight yellowed varnish; frame with wear, minor abrasions Provenance: Tudor House Galleries (label verso); Private Collection Estimate: $400 - $600

1177 Follower of John Frederick Herring Jr. (1820-1907), Four Panel Screen (British, 19th/20th century) English Countryside Town, inscribed verso “R.B.C. 103 St Russell St London”, oil on canvas, four panels, each, 54-1/4 x 19-3/4 x 7/8 in., all wax lined, re-stretched on new stretchers, crackle, scattered retouch, cupping, surface dirt, yellowed varnish Provenance: Private Georgia Collection Estimate: $300 - $600

1178 Boris Riab, A German Pointer (French/Russian, 1898-1975) A German pointer holding a pheasant, signed left “B Riab”, watercolor on paper, 19-1/8 x 13-1/2 in.; original wood frame, 25 x 19-3/4 in., laid down on card, good strong color with very slight toning; frame with wear commensurate with age Provenance: Private Collection Estimate: $500 - $700

1179 Unusual Queen Anne Figured Walnut Parcel Gilt Wall Mirror British, 18th century, gilt shell to crest issuing foliate streamers, original mirror plate centered with reverse etched star, 41-3/4 x 18-1/2 x 1-1/2 in., original mirror plate with desilvering and green discoloration (not removed), checking to veneer with repairs throughout, crest with repairs and minor restorations, scars from previous hanging brackets Provenance: Wooten & Wooten, Camden, South Carolina, September 9, 2019, lot 319; Private North Carolina Collection Estimate: $500 - $700

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1180 George III Figured Mahogany Tea Caddy 18th century, patinated brass handle and bracket feet, opening to a divided interior with three compartments, 6-5/8 x 10-3/8 x 6-1/4 in., good overall condition with light wear commensurate with age and use, scattered age splits to wood, lid with some adhesive residue (possibly repaired) Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700

1181 Pair George I Carved Mahogany Side Chairs British or Portuguese, 18th century, scrolled crest rail with foliate carving, serpentine stiles, scrolled and pierced splats, cabriole legs, ball and claw feet with foliate webbing, 42-1/2 x 21 x 19-1/2 in., seat heights 18-1/2 in., later slip seats, scattered repairs throughout including at base and top of splats, crest rail and stile joints, repairs and loss to returns, some later blocking, each chair with leg bearing large laminated repair, inner stiles with laminated restorations, front feet with laminated repairs or restorations, one chair splat and apron drop with repairs to breaks, surface wear throughout Provenance: Keil’s Antiques, New Orleans, Louisiana, July 2023 (accompanied by copy of 1stdibs order confirmation for $3,690 excluding tax and shipping) Estimate: $400 - $600

1183 Fine George III Inlaid Mahogany Tea Caddy 18th/19th century, of rectangular form, with inlaid floral motif to lid and insect motif to front, opening to a divided foil lined interior with two lidded compartments, ivory escutcheons and interior lid finials, 5-1/8 x 9-3/4 x 5-1/8 in., good overall condition with light wear commensurate with age and use, some wear and loss to foil lining, some minor age splits, extremely minor pest damage Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

1182 George III Figured Mahogany Parcel Gilt Mirror with Phoenix British, 18th century, probably original mirror plate, scrollwork frame, carved and pierced crest with phoenix issuing trailing vines, 41-3/4 x 23-1/4 x 1-1/4 in., mirror plate with desilvering (not removed), checking to veneer with repairs, some warping to top and bottom, phoenix and scrollwork with repairs to breaks, gilt with minor retouch, other typical minor wear Provenance: Brunk Auctions, Asheville, North Carolina, March 11-12, 2006, lot 167, $1100; Private North Carolina Collection Estimate: $500 - $700 52 https://live.brunkauctions.com/auctions/brunk/british-conti-

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1184 George II Carved Mahogany Birdcage Piecrust Tilt Top Tea Table British, 18th century, spiral turned standard, cabriole legs with bellflower carved knees and dramatic scrolled feet, 27-1/4 x 22-3/4 x 23 in., base and top possibly a marriage, period iron spider brace, split to hinge block, base and one upper leg with repairs to breaks, foot with repair to break, typical minor surface wear throughout Provenance: Per client notes, purchase from Yew Tree House Antiques, Greenwich, Connecticut (accompanied by copy of 1stdibs invoice for $6,500 excluding tax and shipping); Private North Carolina Collection Estimate: $600 - $800

1185 George III Figured Walnut Parcel Gilt Wall Mirror with Eagle British, 18th century, figured walnut veneers, scrolled broken pediment crest centering perched eagle, rosettes issuing scrolled leaves, frame flanked by foliate streamers, 52 x 26 x 3-1/4 in., probably later mirror plate with minor desilvering and distress, repair to break at base of ball to crest, gilt with typical minor retouch, distress, and loss Provenance: Ahlers & Ogletree, Atlanta, Georgia, March 16, 2014, $1,200; Private North Carolina Collection Estimate: $600 - $900

1186 1187 Fine George III Inlaid Figured Mahogany Chest of Drawers, Pulls Original George III Carved Mahogany Piecrust Tilt Top Tea Table British, late 18th century, dot-and-line base molding, three-quarter dustboards, British, late 18th/early 19th century, rich red-brown color, piecrust edge top mahogany and pine secondaries, 38-3/4 x 41 x 21 inches, top with strip added to indented with acanthus leaves, further acanthus carvings to standard base, back edge and some inlay losses and repairs; veneer patches throughout including knees, and feet, probably original iron spider, 26-3/4 x 24-1/2 x 25 in., in very good to drawer dividers and feet facings on proper left side; separation to proper right condition overall, plugged screw repair to base stabilizing leg, two feet with later case side with some infill; vertical strip added to back to consolidate shrinkage pads, otherwise typical minor wear between backboards Provenance: According to consignor notes, this was purchased from Ram’s Head Provenance: M. Segal & Sons Antiques, Washington, DC (label); Collection of Dr. Antiques, Wolsingham, Weardale, England, October 2022; Private North Carolina George and Connie Manger Collection Estimate: $1,000 - $1,500 Estimate: $500 - $700 https://live.brunkauctions.com/auctions/brunk/british-conti53 nental-november-12-2026-23803/catalog#catalog Click here to view lots and detail photos.

1188 Victorian English Silver Punch Bowl, Mappin & Webb London, 1899, round with entwined ivy and berries, ring handles, no monogram, marks for Mappin & Webb, .925 fine, 88.93 oz. T., 9-1/4 x 18 x 12-1/4 in., good condition, light scratches, and minor wear Provenance: Private Virginia Collection Estimate: $4,000 - $6,000

1189 Set of Four Victorian English Silver Candlesticks, Creswick & Co London, 1846, shell and scroll decoration, stepped bases, removable sockets, no monogram, marks for Creswick & Co., .925 fine, 77.62 oz. T., 11-1/2 in., good condition, all with matching marks, one of sticks and bobeche, light scratches and typical wear Provenance: Private Collection Estimate: $3,000 - $4,000

1190 Pair of William IV English Silver Sauceboats London, 1832, helmet form with scroll handles and legs, no monogram, marks for Edward, Edward junior, John & William Barnard, .925 fine, 18.77 oz. T., 5 x 7-1/2 x 4-1/4 in., good condition, marks on base, each with one leg pushed, dents, typical wear Provenance: Private Collection Estimate: $800 - $1,200

1191 Victorian English Silver Toast Rack, Charles Thomas Fox & George Fox London, 1843, shell and scroll borders, seven trefoil shaped supports, footed, marks for Charles Thomas Fox & George Fox, .925 fine, 12.86 oz. T., 6 x 6-3/4 x 5 in., good condition, marks on base, typical wear Provenance: Private Collection Estimate: $500 - $800

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1192 Victorian English Silver Flatware, 74 Pieces, King Edward VII Provenance London, 1856-1899, including 12 each: hollow handle knives; 8-1/2 in. forks; 7-1/4 in. forks; 7-3/8 in. spoons; 9 in. spoons; eleven 5-5/8 in. teaspoons; two 7-3/8 in. ladles; 13-1/2 in. ladle, many of the pieces have the crest for King Edward VII and his wife, Queen Alexandra, various makers, 154.52 oz. T. excluding hollow handle pieces, typical wear Provenance: Jim Williams Antiques, Savannah, Georgia; Leila and T.L. Mullen, Cedartown, Georgia Estimate: $10,000 - $15,000 According to the consignor, this dinner service for twelve was commissioned by King Edward VII for St. James’s Palace. The service was amassed over the period during which he was Prince of Wales and remained in his collection until his death in 1910. It was subsequently included in the collection sold to Asprey & Co. of Bond Street, London, by the late Duke of Gloucester, who inherited St. James’s Palace. In 1968, Jim Williams of Savannah purchased the flatware service. Literature: Illustrated in Dorothy Williams Kingery, More Than Mercer House: Savannah’s Jim Williams & His Southern Houses, p.154 & 155.

1194 Pair British Yew Wood Stools with Turned Bases 19th century, shaped plank seats, 181-1/2 x 12 x 12 in., wear commensurate to age and use; minor pest damage to tops; both with plugs to underside of medial stretchers Provenance: Private Collection, Asheville, North Carolina Estimate: $200 - $400

1193 Running Fox Sheet Iron Weathervane probably British, 20th century, with red painted directionals, 52-3/4 x 28 x 26 in; base 30-1/2 x 31-1/2 in., weathered, with oxidation and pitting, fox slightly warped, E directional with losses; Provenance: Private Collection, Asheville, North Carolina Estimate: $500 - $700

1195 English Silver Fish Server and Two Spoons London, including trowel form fish server, openwork blade, wooden handle, marks for C. J. Vander, 1990, 14-1/2 in. in fitted case; two spoons, Georgian spoons with Victorian decoration, marks for Peter and Ann Bateman, 3.66 oz. T., 8-3/4 in., typical wear Provenance: Private Collection Estimate: $300 - $500

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1196 Asprey English Silver Barrel Form Pepper Grinders London, 1972, barrel form, grinder works, marks for Asprey & Co., .925 fine, 8.87 oz. T. gross weight, 2-3/4 in., light scratches and wear Provenance: Property of the Thalhimer Family, Richmond Virginia Estimate: $300 - $600

1197 Four Silver Pig Figural Novelties 20th century, including two Asprey English silver pigs, one sitting and one laying down; one larger English silver sitting sow; weight seated example, marked sterling, 16.14 oz. T. excluding weighted example, 2 in. to 5-1/4 in., minor wear Provenance: Property of the Thalhimer Family, Richmond Virginia Estimate: $600 - $900

1198 28 Pieces of Royal Crown Derby Porcelain, Old Imari Pattern 20th century, marked Crown Derby, comprising: footed cake stand, egg cup, small saucer, cheese knife in manufacturer’s box, 14 dinner plates, 10 lunch plates, largest 5 x 9-5/8 x 9-5/8 in., anomalies as made, overall good condition, some scratching commensurate with light use with a few small areas off loss to gilt, areas of accretion; one dinner plate with closed crack to center Provenance: Collection of a Southern Lady Estimate: $800 - $1,200

1199 Rare Thomas Webb & Son Cameo Glass Swan Scent Bottle English, late 19th century, finely carved translucent ruby red glass overlaid with opaque white glass, Registry Design number “RD 1109” molded in the glass, silver mounted screw top hallmarks for London, 1884, stamped “PortSea H. M. Emanuel & Son”, partial maker’s mark, original presentation case marked “H. M. Emanuel & Son Silversmiths and Jewelers to the Queen”, 9 in., overall good condition, as made anomalies in the glass, dent to top of cover and small dents to bottom edge of cover Provenance: Private West Virginia Collection Estimate: $3,000 - $5,000

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1200 82 Pieces of Royal Crown Derby Porcelain, Traditional Imari and Mikado Patterns, 20th century, each marked Royal Crown Derby, comprising: large octagonal serving bowl, large oval platter, large round platter, lidded muffin dish, circular serving dish, small oval serving dish, small finger bowl or serving dish, large knife housed in custom case, cheese knife housed in custom case, one dinner plate, 12 molded rim lunch plates, eight lunch plates, three dessert plates (two round, one molded rim), 12 bread plates (some round, some with slightly molded rims), three teacups, three saucers, six molded rim teacups, five molded rim saucers, eight espresso cups, and eight small saucers in pattern 2451 or Traditional Imari palette; with two espresso cups and two saucers in Mikado pattern; largest 1-1/4 x 16-1/8 x 12-1/8 in., anomalies as made, some pieces with crazing, some scratching and losses to enamel and gilt decoration commensurate with light use, accretion/residue; one espresso cup and three small saucers with hairlines visible at undersides; otherwise overall good condition Provenance: Private Collection Estimate: $800 - $1,200

1202 19 Pieces of Minton Light Blue and Gilt Porcelain Tableware English, 20th century, each stamped “Minton” and marked “Phillips ... London”, each bearing initial “C”, comprising: two covered bowls; oval platter; doublehandled dish; seven soup bowls; eight dinner plates; largest 1-3/4 x 18-5/8 x 14-5/8 in., anomalies, pinholes, crazing, wear to bases, some loss to gilt/enamel; one covered bowl with hairline crack from rim; one dinner plate with small chip to foot rim Provenance: Private Collection Estimate: $600 - $900

1201 12 Baccarat Crystal Salad Plates French, 20th century, each with Baccarat acid stamp to underside, central starburst cut to underside, each 7/8 x 7-5/8 x 7-5/8 in., some scratching commensurate with light use, two plates with a few very small (>1/4 in.) cracks near center Provenance: Collection of a Southern Lady Estimate: $100 - $300

1203 22 Pieces of Waterford Crystal Stemware, Mooncoin Pattern Irish, 20th century, marked with Waterford acid stamps to bases, comprising: 12 water goblets; ten flutes; larger 7-1/8 x 3 x 3 in., overall good condition, anomalies as made including a few scattered air bubbles, many with manufacturer’s sticker, a few glasses with minor scratching to undersides of bases commensurate with light use, some surface dust/accretion from storage; one flute with minute chip to underside of base, possibly from manufacture Provenance: Collection of a Southern Lady Estimate: $200 - $400

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