American & Southern | November 10, 2026
American & Southern November 10, 2026 10:00 am
BrunkAuctions.com 117 Tunnel Road | Asheville, NC 28805 828-254-6846 info@brunkauctions.com
1 Kirk Landscape Engraved Sterling Punch Bowl Baltimore, Maryland, 1925-1932, round form with flared rim and pedestal base, central band with acanthus border, engraved continuous landscape, inscribed on base “Mary Norris Poole to Mary Shields Poole and Henry Patterson Harris/1909-1934”, marks for S. Kirk I Son Inc., “3526”, 42.63 oz. T., 6-3/4 x 9-1/2 in., 1/2 in. dent in side, light scratching and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $2,000 - $2,500
2 Kirk Sterling Engraved Landscape Water Pitcher Baltimore, Maryland, 1925-1932, urn form, engraved continuous landscape, inscribed on base “Mary Norris Poole to Mary Shields Poole Harris”, marks for S. Kirk I Son Inc., “2118”, 35.88 oz. T., 8-1/2 x 8-1/4 x 5-1/4 in., good condition, light scratches, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $1,500 - $2,500
3 Kirk Landscape Engraved Sterling Tray Baltimore, Maryland, 1925-1932, round form with continuous landscape engraved border, inscribed on base “Mary Norris Poole to Mary Shields Poole Harris”, marks for S. Kirk & Son Inc., “2541”, 29.06 oz. T., 1 x 13-1/4 in., one base dent, light scratches, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $1,200 - $1,800
4 Pair Kirk Landscape Engraved Sterling Casters and Open Salts Baltimore, Maryland, 1925-1932, each with continuous landscape engraved band, salts with gilt bowls, engraved on inside base rim “Mary N. Poole 1930”, marks for S. Kirk I Son Inc., 22.89 oz. T., including urn form casters, 7-1/4 in.; open salts, 3 x 4-1/4 in., one sale with small spots of pitting, light scratches, small dents, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $900 - $1,200 4
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5 Four Piece Kirk Castle Repousse Coin Silver Tea Service Baltimore, Maryland, 1846-1861, elongated urn forms with castles in landscapes repousse decoration, square handles with rams heads, twig finials, ivory spacers, each with inscription inside base rim “Maria Cattell to Sidney Calhoun Hall October 2nd 1851”, marks for S. Kirk & Son, 94.78 oz. T. including 11-3/4 in. teapot with matching creamer, covered sugar, and waste, coffee missing pin at spacer, creamer with plate on base and possibly weighted, light scratches, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $3,500 - $4,500 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
6 Kirk Castle Landscape Repousse Sterling Water Pitcher Baltimore, Maryland, 1896-1924, urn form, spout with mark, repousse castle and floral decoration, no monogram, marks for S. Kirk & Son Co., 44.43 oz. T., 8-3/4 x 9-1/4 x 6-1/2 in., good condition and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $2,000 - $3,000
7 Kirk Castle Landscape Repousse Sterling Round Footed Tray Baltimore, Maryland, 1896-1924, round with continuous castled landscape border, entwined vine border, engraved floor, ball and claw foot, marks for S. Kirk & Son. Co., 22.57 oz., 1-1/2 x 11-1/2 in., small dents, scratches on floor, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $1,000 - $1,500
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8 Pair Kirk Landscape Repousse Sterling Tazza Baltimore, Maryland, 1896-1924, top and base rim with continuous landscape, central monogram, each inscribed on base “Mary Norris Poole/for/Mary Shields Poole Harris”, both with marks for S. Kirk & Son, 37.61 oz. T., 4-1/2 x 8-1/4 in., light scratches and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $2,000 - $3,000
9 Set of Four Kirk Coin Silver Dolphin Form Open Salts with Hester Bateman English Silver Spoons, Baltimore, Maryland, 1828-1868, dolphins holding shell form bowls with square base, no monogram, two with marks for Samuel Kirk and two with marks for S. Kirk & Son, 3-3/4 x 3 x 2-1/2 in.; with four spoons with shell bowl and scroll handles, marks for Hester Bateman and lion passant, 4-3/8 in., 41.47 oz. T. gross weight, two salts with pitting in bowls and two salts small spots of pitting; two spoons with pitting, all with light scratches, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $2,000 - $2,500 10 Kirk Sterling Engraved Footed Tray Baltimore, Maryland, 1846-1896, round form engraved floor and foliate border, ball and claw feet, monogram, marks for S. Kirk & Son, 10.54 oz. T., 1-1/2 x 7-3/4 in., dents, light scratches, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $400 - $800
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11 Kirk Repousse Square Sterling Tray Baltimore, Maryland, 1828-1846, square tray with floral repousse border, engraved floor, monogram, marks for S. Kirk Son Co., “8”, 12.86 oz. T., 1/2 x 8 x 8 in., good condition, light scratches, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $500 - $1,000 https://live.brunkauctions.com/auctions/brunk/american-
southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
12 Kentucky Coin Silver Agricultural Pitcher Trophy, 1859 mid 19th century, urn form pitcher with chased and repousse decoration of figures smoking and handling tobacco beside a barrel labeled “Tobacco”, other side with cabin in landscape, all surrounded by tobacco leaves, inscribed “Presented/by the Ky. State Agl. Society and/Spratt Bourn & Co./At Their Tobacco Exhibition/May 25th 1859”, marks for William Adams (New York, NY, working, 1829-1861), 15.17 oz. T., 10 x 6-1/2 x in., dents to base, two dents in side, and minor surface wear Provenance: Private Collection Estimate: $15,000 - $20,000 The Kentucky State Agricultural Society, chartered by the legislature in 1856, awarded cash premiums, silver cups, and other prizes for livestock, agricultural production, implements, and machinery. Its purpose was “to arouse a feeling of State pride” while consistently showcasing and improving the state’s most productive industry—agriculture. In 1859, several awards were offered specifically for tobacco, both by the Society and by Spratt, Bourne & Co., a company that leased a tobacco warehouse in Louisville, Kentucky, to tobacco sellers.
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13 Brotherhood of Railroad Trainmen Sterling Trophy American, early 20th century, urn form with foliate entwine handles, inscribed on one side “Presented to/Brother P. H. Morrissey/By The Members of/ Ninety One Lodges/of the/Brotherhood of Railroad Trainman/Ninth Biennial Convention/May 1909/As a token of our appreciation/and in recognition of his/wise counsels and conservatism/in all matters during his Official Career as/Grand Master/of our organization/As a Beacon will your name shine in our hearts forever” and raised monogrammed on the other side, marks for Whiting, “4986”, 81.21 oz. T., 12 x 13 x 7-1/2 in.; accompanied by copies of newspaper articles and family history of Mr. Morrissey and letter from Theodore Roosevelt praising Mr. Morrissey for all his help., 1/4 in. dent on side, light scratches and typical wear Provenance: By descent in family Estimate: $4,000 - $5,000 The trophy was presented to P. H. Morrissey by the Brotherhood of Railroad Trainmen in recognition of his accomplishments and dedicated service to the union. Approximately ninety-one lodges of trainmen from across the country contributed to the trophy in honor of his leadership and contributions to railroad labor. Patrick Henry Morrissey (1862-1916) was a prominent railroad labor leader who served as Grand Master of the Brotherhood of Railroad Trainmen from 1895 to 1909. Beginning his career as a railroad worker, he rose through the organization’s ranks to become an influential advocate for railroad employees. During his tenure, Morrissey strengthened the Brotherhood in the aftermath of the economic hardships of the 1890s and the Pullman Strike of 1894. He championed collective bargaining, arbitration, and cooperation, while significantly expanding the union’s membership and financial stability. After leaving office, he continued to influence railroad labor relations, serving on a major federal arbitration board in 1912. This lot is accompanied by copies of newspaper articles and the family history of Mr. Morrissey, along with a letter praising Mr. Morrissey for all his help from Theodore Roosevelt. Morrisey was also honored with a tea service and tray commemorating his contributions to railroad labor. See lot 14.
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14 Railroad Presentation Five Piece Sterling Tea Service with Engraved Silver Plate Tray American, 20th century, oval forms with floral decoration, “M” monogram, marks for Reed & Barton, 76.32 oz. T., 7 in. coffee pot with matching teapot, covered sugar, creamer, and waste; with presentational tray, inscribed “Presented to P. H. Morrissey/Grand Master brotherhood of Railroad trainman/By order of Brotherhood of locomotive engineers/In convention assembled at Memphis Tennessee June 1st 1906/As a token appreciation services on our behalf As our representative in the arbitration case between the/B. Of L. E. And the Grand Trunk Railway System/Warren S. Stone - Grand Chief Engineer”, 31 in., tea service in good condition, coffee missing pin at spacer in handle; tray with scratches and lose to plate Provenance: By descent in family Estimate: $3,000 - $4,000 Patrick Henry Morrissey (1862-1916) was a prominent railroad labor leader who served as Grand Master of the Brotherhood of Railroad Trainmen from 1895 to 1909. Beginning his career as a railroad worker, he rose through the organization’s ranks to become an influential advocate for railroad employees. During his tenure, Morrissey strengthened the Brotherhood in the aftermath of the economic hardships of the 1890s and the Pullman Strike of 1894. He championed collective bargaining, arbitration, and cooperation, while significantly expanding the union’s membership and financial stability. After leaving office, he continued to influence railroad labor relations, serving on a major federal arbitration board in 1912. This lot is accompanied by copies of newspaper articles and the family history of Mr. Morrissey, along with a letter praising Mr. Morrissey for all his help from Theodore Roosevelt. Morrisey was also presented with a trophy for his contributions to railroad labor. See lot 13. https://live.brunkauctions.com/auctions/brunk/american-
southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
15 Three Piece Towle Sterling Coffee Service American, 20th century, oval urn form, wooden handle, monogram, marks for Towle, 28.87 oz. T. gross weight, 7 in. coffeepot with matching creamer and sugar, small dents, light scratches, and wear Provenance: By descent in family Estimate: $1,000 - $2,000
16 Rare Paul Revere Neoclassical Coin Silver Fluted Bowl Teaspoon, Gilman Monogram Boston, Massachusetts, late 18th century, engraved oval handle, with fluted bowl, engraved monogram “NDG” (Nathaniel and Dorothy Gilman), marked “PR” (Paul Revere, Boston, Massachusetts, working 1735-1818), 5-1/8 in., good condition, small rim crease near handle, typical wear Provenance: Private Collection Estimate: $15,000 - $25,000 This spoon is one of a set of six commissioned circa 1800 by Nathaniel and Dorothy (Folsom) Gilman of Exeter, New Hampshire. In his daybook, Paul Revere referred to these spoons as “Scolopd Tea Spoons.” Only four patrons are known to have commissioned spoons of this form, making surviving examples rare. Matching examples are at The Museum of Fine Arts, Houston (Object number B.87.10.1 and B.87.10.2) https://emuseum.mfah.org/objects/43194/teaspoon
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17 Eight Piece Redlich Sterling Coffee/Tea Service with Tray American, 20th century, urn forms with scroll and floral decoration, monograms, marks for Redlich, 272.70 oz. T., 13-1/2 in. hot water urn with matching coffee, teapot, two creamer, two sugar, waste, and 31-1/2 in. two handle tray, missing burner, dents, light scratches, and wear Provenance: June Greenwich Antiques, Cleveland Heights, Ohio; Private Collection, Palm Beach, Florida Estimate: $10,000 - $15,000 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
18 Pair of Graff, Washbourne & Dunn Sterling Compotes American, 20th century, round with openwork borders with swag decoration, no monogram, marks for Graff, Washbourne & Dunn, 22.83 oz. T., 3 x 7-3/4 in., good condition Provenance: Private Collection, Palm Beach, Florida Estimate: $800 - $1,200
19 Set of 12 Graff, Washbourne & Dunn Sterling Plates American, 20th century, round with openwork border, monogram, marks for Graff, Washbourne & Dunn, “2948/47”, 77.16 oz. T., 7-3/4 in., light scratches Provenance: Private Collection, Palm Beach, Florida Estimate: $3,000 - $4,000
20 Five Piece Sterling Tea Service 20th century, oval paneled form, engraved decoration, wooden handle and pineapple finial, no monogram, no maker’s mark, 70.02 oz. T., 13-1/2 in. hot water kettle with matching teapot, creamer, and covered sugar, dents, light scratches, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $2,500 - $3,500
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21 Edward Beyer (American, 1820-1865) Mount Lookout Cincinnati, Looking Toward the Little Miami River with the Hills of Kentucky Beyond, 1853, signed “Ed. Beyer 1953”, oil on canvas, 20 x 30 in,; substantial carved and gilt period frame, labeled “Tracy and Newkerk, New York”, 32 x 41 x 3 in., cleaned, modern varnish, surface crackle is consolidated, synthetic lining and re-stretched on original stretchers, retains much of the original tacking edge, areas of retouch especially at frame edge and in upper right quadrant (see blacklight images); frame has been resurfaced in some areas, some wear and losses Provenance: From the Collection of Rob and Jane Hicklin Estimate: $40,000 - $60,000 Edward Beyer is known for his paintings of cities and landscapes, often in Virginia. However, Beyer was known to have lived in Cincinnati in the early 1850’s. His panoramic painting of the Cincinnati riverfront is in the collection of the Dayton Art Institute. The location of this house and view were painstakingly researched and will be provided to any who wish to know how this attribution was made.
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
22 Alice Barber Stevens (American, 1858-1932) Morning on a Southern Plantation, signed lower right “ABS 1910”, watercolor on paper, 24 x 36 in.; monumental gilt wood and composition frame, paper in very good condition, not examined out of archival framing; frame with some repair and resurface Provenance: From the Collection of Rob and Jane Hicklin Estimate: $800 - $1,000
23 Elliott Daingerfield (American/North Carolina, 1859-1932) Untitled Blowing Rock Landscape, signed lower right “Elliott Daingerfield”, oil on canvas, 18 x 27-1/2 in.; period giltwood frame, 26 x 34-3/4 x 2-3/4, original tacking edge and stretchers, cleaned and small areas of retouch, minor losses at edge under frame; frame with losses and abrasions Provenance: Knoke Gallery, Marietta, Georgia; The Collection of Rob and Jane Hicklin Estimate: $15,000 - $25,000 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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24 Helen Turner (American/Louisiana, 1858-1958) An Informal Visit, not visibly signed, oil on canvas, 24 x 20 in.; reproduction gilt wood frame, 31-3/4 x 27-3/4 x 2-5/8 in., original canvas, unvarnished, minimal crackle; frame with light wear Provenance: John Cuthbert, Morgantown, West Virginia; From the Collection of Rob and Jane Hicklin Estimate: $8,000 - $10,000
25 Nell Choate Jones (American/Georgia, 1871-1981) Cotton Dock, Savannah, oil on canvas, signed lower right “Nell Choate Jones”, 24 x 22 in.; framed 31 x 29 x 2 in., conserved by Cynthia K Stowe, Cumberland Art Conservation: lined and re-stretched, small areas of surface retouch, modern varnish, label outlining conservation treatment; frame with wear and small areas of loss Provenance: The Charleston Renaissance Gallery, Charleston, South Carolina Estimate: $4,000 - $6,000
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26 Allen Ingles Palmer (American/Virginia, 1910-1950) Ducks in a Pond, 1946, signed and dated lower right “Allen Ingles Palmer 46”, watercolor on paper, sight 13-3/4 x 20 in.; wood frame 21-1/2 x 27-3/4 in., paper slightly toned, not examined out of frame; frame with light wear Provenance: From the Collection of Rob and Jane Hicklin Estimate: $300 - $500 https://live.brunkauctions.com/auctions/brunk/american-
southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
27 William Halsey after Charles Fraser (American/South Carolina, 1915-1999) The Seat of Jos. Winthrop, Esq. Goose Creek, 1946, signed and dated lower right, “Halsey - After Fraser 1946”, oil on board, 781/2 x 38-1/8 in.; unframed, moisture drips, wear at edges, loss to pigment lower right corner, accretions, dry unvarnished surface Provenance: From the Collection of Rob and Jane Hicklin Estimate: $500 - $700 As a young man, William Halsey was commissioned to paint scenes to be used as outward facing, second floor window treatment for Krawcheck’s Men’s Store, Charleston, South Carolina. This image is inspired by a page of Charles Fraser’s sketchbook housed at the Gibbes Museum, Charleston, South Carolina. 73. The Seat of Jos. Winthrop, Esq. Goose Creek link to museum digital catalog: https://lcdl.library.cofc.edu/lcdl/catalog/242779
28 A Rare Signed Alexander Galt Sculptural Bust (Virginia, 1827-1863) Hope, circa 1860, marble, signed “ALEX GALT Sculpt 1867 Florence”, carved marble, 22 x 16-1/2 x 10 in.; with black lacquered wood pedestal with gilt plaque, 48-1/2 x 19 x 19 in., some embedded dirt, minor abrasions, a small chip on sleeve and bottom of shirt; pedestal with abrasions, chips, and crackle Provenance: The Collection of Rob and Jane Hicklin Exhibited: Joseph and Margaret Muscarelle Museum of Art, College of William and Mary Estimate: $15,000 - $20,000 Alexander Galt Jr. was born in Norfolk, Virginia on January 26, 1827. The son of a postmaster and one of an even ten children, Galt’s artistic ability and interest in sculpture manifested early in his life, the young artist carving pieces of chalk and the marbles he’d use to play games with his school friends. Apprenticed to a Norfolk artist, one M. Schisano, he would graduate from chalk to alabaster and then to shell, carving cameos to be worn as jewelry by Norfolk’s most fashionable. As at the time, American sculptors were hardpressed to find any objects of study that weren’t memorials in graveyards and cemeteries, or waxwork reproductions, so to further his education Galt traveled to Italy, fulfilling a long-held boyhood dream by studying the works masters in the galleries and academies of Florence. This trip abroad proved formative, meeting en route both other American artists, and President James K. Polk, and once there, studying with both his own countrymen and up-and-coming Italian artists. It was this crop of American artists that helped, over the course of a century, entrench the American style as an acceptable presence within the broader Western body of sculpture. Three of the pieces Galt executed during this time abroad was Virginia, an allegory of his home state, Hope, and Bacchante, (sold in these rooms September 23, 2026) a classical subject perhaps chosen as a result of his education. Galt would return home and use family contacts to secure commissions, and the subsequent years proved both creatively fruitful and financially successful. Once more he returned to Florence, where he would fulfill a $10,000 commission (just under $380,000 today) for the Virginia General Assembly to carve a life size marble statue of Thomas Jefferson, which is currently housed in the University of Virginia. Galt would return to the states on the eve of the Civil War, during which he remained loyal to his state and served as a member of the staff of Virginia governor John Letcher, though he never let his passion for sculpture subside and planned to return his attention to the field more fully once the war concluded. Tragically, however, when visiting the camp of General Stonewall Jackson to make studies for a sculpture of the man, he contracted smallpox and died shortly after in Richmond in 1863. He was 36 years old. Although his career ended prematurely, and he likely never reached the pinnacle of his craft, his work went on to inspire other American sculptors, including three notable fellow Virginians: Moses Jacob Ezekiel, William Couper, and Edward Virginius Valentine. Literature: Betsy Fahlman, Spirit of the South: The Sculpture of Alexander Galt, 1827-1863. Joseph and Margaret Muscarelle Museum of Art, College of William and Mary, 1992, p. 99, pl.XII https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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29 Attributed to Theodore Russell Davis and Charles A Vanderhoof (American, 19th Century) Two Civil War Sketches, The first attributed to Theodore Russell Davis (1840-1894): inscribed lower right, “Decatur (Georgia) July 22d. 64 Spragues Brigade Saves the Wagon Train of the Army”, 4-1/8 x 8-1/4 in.; modern wood frame, 11-1/2 x 15-1/4 in. The second attributed to Charles A. Vanderhoof (1853-1918), “The Chancellor House, Hooker’s Headquarters May 1863”, 7-1/2 x 10-1/2 in.; unframed, Theodore Russell Davis: paper slightly toned, not examined out of frame; handsome modern frame; Charles A. Vanderhoof: smudges and additional pencil inscriptions Provenance: From the Collection of Rob and Jane Hicklin Estimate: $300 - $500
31 Mark Catesby, Tiger Swallowtail (British, 1679-1749) T. 83 from The National History of Carolina, Florida, and the Bahama Islands, Vol. 2, 3rd edition, monogrammed in plate lower left, hand colored engraving on laid paper with “I Taylor” watermark, plate, 13-1/2 x 10 in., sheet, 20-3/4 x 14-3/8 in.; modern silver gilt wood frame, 25 x 21-1/8 x 1 in., light toning, binding edge present at right edge, hinged in to backing at two points; frame with abrasions Provenance: From the Collection of Rob and Jane Hicklin Estimate: $600 - $900 16
30 Mark Catesby, Luna Moth (British, 1679-1749) T. 84 from The National History of Carolina, Florida, and the Bahama Islands, Vol. 2, possibly 1731-1743, monogrammed in plate lower center, hand colored engraving on laid paper with “I Taylor” watermark, accompanied with text, plate, 13-5/8 x 10 in., sheet, 20-7/8 x 14-3/8 in.; gilt wood frame, 25 x 21-1/8 x 1 in., hinged in at two points to mat, light toning, light foxing, binding edge present at left edge; frame with wear Estimate: $800 - $1,200
32 Mark Catesby, Red Hind and Bluefish (British, 1679-1749) T. 14 from The National History of Carolina, Florida, and the Bahama Islands, Vol. 2, 1731-1743, monogrammed in plate lower right, hand colored engraving on laid paper with Strasbourg Lily “GR” watermark, accompanied with text, plate, 10-1/4 x 13-3/4 in., sheet, 14-1/8 x 20-5/8 in.; modern gilt wood frame, 21 x 24 x 1 in., hinged in at two points to mat, good color, light toning, light foxing; frame with wear, minor abrasions Provenance: Private Collection Estimate: $500 - $700
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
33 Federal Brass Wirework Fireplace Fender and Assorted Fire Tools 18th and 19th century, comprising wirework fender with scrollwork decoration, two sets of three fire tools, and two spare tools, fender 14-1/4 x 35-3/4 x 12-1/2 in., typical wear throughout consistent with age and use, bends to wirework, rust Provenance: From the Collection of Rob and Jane Hicklin Estimate: $200 - $400
34 New York Classical Figured Mahogany Breakfast Table, Attributed to Phyfe or Lannuier, circa 1820, highly figured top and D-shaped leaves, single flush drawer, apron with small pendant drops, ring turned and reeded drum pedestal, four downswept legs with rare brass waterleaf capped feet on casters, poplar and pine secondaries, 29-1/4 x 42 x 23-1/2 in., each leaf adds 10-1/2 in., in a fine state of preservation overall, split to leaf with bowtie patch to underside, patch at hinge to table edge, typical minor surface wear throughout Provenance: Carswell Rush Berlin, New York, NY (accompanied by copy of write-up); From the Collection of Rob and Jane Hicklin Estimate: $3,000 - $5,000 The reeded drum pedestal, incised saber legs, and waterleaf castors closely match documented Phyfe pieces (see Comstock, figs. 566 and 590; Sloane, Antiques Magazine [May 1987]; Montgomery, fig. 409). Lannuier and Allison used similar elements, and waterleaf castors also appear on card tables now attributed to Lannuier (Kaufman collection), but the combination of features is most frequently found in Phyfe’s work. (double check, summarized from receipt).
35 Fine Classical Carved Mahogany Scroll Arm Sofa Boston or Salem, Massachusetts, circa 1815-1825, carved foliate terminals to crest rail and scrolled arms, winged paw feet, on casters, green linen and wool upholstery with bolsters, 36-3/4 x 84 x 21-3/4 in., cracks and repairs to veneers on both arms, most notably to the back of the proper left arm; some oxidation to casters Provenance: Carswell Rush Berlin, New York, NY, October 6, 1996 (accompanied by a copy of the invoice); From the Collection of Rob and Jane Hicklin Estimate: $4,000 - $6,000 A similarly carved sofa leg, with carving attributed to Samuel Field McIntire, is illustrated in Dean A. Fales, Jr., Essex County Furniture, Documented Treasures from Local Collections 1660-1860, Essex Institute, (1965), fig. 64. https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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36 Fine Classical Carved Mahogany Open Armchair Boston or New York, circa 1815, raised tablet crest, roundels applied to ears, arm terminals and splat; green Scalamandre wool and linen moreen upholstery with brass tack trim, 32-1/4 x 22 x 22-1/2 in., sales receipt notes center roundel and three roundels on the arms are replaced (this is very subtle and difficult to identify which); seat screwed to frame Provenance: Charles & Rebekah Clark, Woodbury, Connecticut, February 16, 1998 (accompanied by copy of receipt); From the Collection of Rob and Jane Hicklin Estimate: $500 - $700
37 Fine and Rare Philadelphia Classical Plum Pudding Mahogany Sofa Table 1820-1830, plum pudding top with two D-shaped leaves, apron with one drawer on either side and false drawers opposite, foliate carved lyre form pedestals with double turned stretchers, outswept legs on brass paw feet with casters, white pine and poplar secondaries, 28 x 42-1/2 x 31-1/4 in., each leaf adds 9-1/4 in., in a very fine state of preservation overall, round rosewood drawer pulls probably original, shrinkage split to center of top with strip patch, carvings with typical minor chip losses and repairs, patch to drawer corner, typical very light surface wear Provenance: Carswell Rush Berlin, New York, NY, August 2007 (accompanied by copy of invoice for $45,750); From the Collection of Rob and Jane Hicklin Estimate: $5,000 - $7,000 The carving treatment to the legs relates directly to the legs of a Philadelphia work table in the collection of the Dallas Museum of Art and pictured in Charles L. Venerable, American Furniture in the Bybee Collection (1989), pp. 104-105. The profile of the scrolled leg can be seen in Philadelphia Cabinet and Chair Maker’s Union Book of Prices for Manufacturing Cabinet Ware (1828), pl. 5.
38 New York Classical Stencil Decorated Mahogany Marble Top Center Table circa 1820, mahogany veneer, round black and gray marble top with light brown inclusion, apron stenciled with lyres, sphinxes, and foliate band to lower edge, black painted paw feet with giltwood foliate carved brackets, casters, poplar secondary, 29-1/2 x 36-1/4 x 36-1/4 in., feet with scattered repairs to breaks and some restoration to paint, veneer with checking and scattered repairs, apron veneer with some repair and discoloration, marble with repairs to breaks and chips to edges Provenance: Carswell Rush Berlin, New York, NY, October 1996 (accompanied by copy of receipt); From the Collection of Rob and Jane Hicklin Estimate: $3,000 - $5,000 18
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
39 Pair of John B. Jones Patinated Bronze Argand Lamps Boston, 19th century, with flame form bulb and frosted glass shades, 13-3/8 x 10 x 5 in., wired for electricity, not tested for functionality, spotting and discoloration to brass, some scratches and wear Provenance: From the Collection of Rob and Jane Hicklin Estimate: $300 - $500
40 Chinese Export Porcelain Mandarin Palette Hunt Scene Punch Bowl 18th century, richly enameled cartouches featuring hunting scenes surrounded by scrollwork and diapering, 4-1/2 x 10-1/4 x 10-1/4 in., anomalies, pinholes, scratches, and some loss to gilt/enamel, wear to base, possible hairline (?) to bowl interior Provenance: Estimate: $800 - $1,200
41 Pair of New York R. Whittingham Signed Brass Andirons 18th century, brass and iron, spurred ball feet, stamped at base of plinth, 23 x 21-1/2 x 11 in., typical wear consistent with age and use, scattered verdigris patina Provenance: Golden and Associate Antiques, Charleston, South Carolina, October 1997 (accompanied by copy of invoice for $2,200) Estimate: $400 - $600
42 Fine New York Classical Figured Mahogany Drop Leaf Breakfast Table, circa 1820, highly figured top and D-shaped drop leaves, flush single drawer, brass inlaid accents above drop finials, reeded and ring turned base with stretcher, outswept foliate carved legs, brass waterleaf and paw feet casters, poplar and mixed secondary. 29 x 42 x 25-1/2 in., hinge patch at top and leaf edge, leg with pieced repair to break, some later glue at leg and base joints, some loss to ring turning edges, typical minor wear throughout Provenance: Carswell Rush Berlin, New York, NY, October 1996 (accompanied by copy of invoice for $15,000); From the Collection of Rob and Jane Hicklin Estimate: $3,000 - $5,000 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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43 Fine American Classical Carved & Figured Mahogany Drop Leaf Table, possibly Deming & Bulkley, New York, NY, circa 1825, drop leaves with canted corners, double swing supports, four turned and acanthus carved pillars, shaped base raised on dolphin-form legs, on casters, 28-1/2 x 24-1/2 x 38 in. width with leaves raised: 49 in., original hinges and casters, break to one rule joint, traces of glue visible behind veneers on frame ends, holes to undersides of each corner of frame with some adjacent losses, two legs and two glueblocks reglued Provenance: Charles & Rebekah Clark, Woodbury, Connecticut, June 7 1999, (accompanied by a copy of the receipt); From the Collection of Rob and Jane Hicklin Estimate: $4,000 - $6,000
44 Two Bench Made William & Mary Style Maple Rush Seat Arm Chairs 20th century, one with carved yoke crest, molded arms with boldly scrolled terminals, double side stretchers (41-1/2 x 24 x 19-1/4 in.); the other 42-1/4 x 23-1/4 x 20 in., both with minor wear commensurate to age; proper left front foot of chair with carved crest pieced on the side and with separations to laminate and with other cracks; other chair with 1-1/2 in. crack to proper left rear leg just below rear stretcher Provenance: From the Collection of Rob and Jane Hicklin Estimate: $400 - $600
45 New England Federal Inlaid and Figured Mahogany Astragal Corner Card Table late 18th/early 19th century, highly figured apron with oval panel, double tapered cuff inlaid legs, white pine secondary, 29 x 36-1/4 x 18 in., break at hinge, the other with minor repairs to splits, some checking and lifting to apron veneer, typical scattered minor surface wear and repairs Provenance: From the Collection of Rob and Jane Hicklin Estimate: $600 - $900
46 Pair Federal Brass Andirons 19th century, urn form finials, long round tapered standards, spurred feet, 26-1/4 x 11-3/4 x 20-1/4 in., typical wear consistent with age and use Provenance: From the Collection of Rob and Jane Hicklin Estimate: $100 - $300 20 https://live.brunkauctions.com/auctions/brunk/american-
southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
47 Chippendale Mahogany Dish Top Tea Table British or American, 18th century, large round dished top, twist turned standard, foliate cartouches to knees, elongated ball and claw feet, 27-1/2 x 29-3/4 x 29-3/4 in., top with repair to split, battens with plugged screws, base with repair to break and probably later iron spider brace, one foot ended out Provenance: From the Collection of Rob and Jane Hicklin Estimate: $300 - $500
48 Baltimore Federal Plum Pudding Mahogany Drop Leaf Dining Table, circa 1820, plum pudding mahogany top and leaves, round reeded legs with arrow feet on casters, white pine, poplar, and oak secondary woods, 29 x 54 x 25 in., each leaf adds 21 in., scattered patches including long strip to top edge and hinge associated patches, leaf outer edge with repair to split, two upper leg with repair to break (stable), underside of top and apron with scars from previous brackets, other typical minor wear including scratches and ring stains to top Provenance: Jim and Harriet Pratt, Charleston, South Carolina (accompanied by copy of prior retail tear sheet for $7,500); From the Collection of Rob and Jane Hicklin Estimate: $1,500 - $2,000
49 Southern Queen Anne Mahogany Drop Leaf Dining Table probably Virginia, 18th century, rectangular leaves, round tapered legs on pad feet, yellow pine secondary, 28-3/4 x 52-3/4 x 23-1/4 in., each leaf adds 22-3/4 in., two feet with repairs to breaks, one foot partially restored, scattered vertical shrinkage splits to legs, patches at one hinge, typical minor wear throughout Provenance: Sumpter Priddy; From the Collection of Rob and Jane Hicklin Estimate: $1,000 - $1,500
50 Classical Walnut & Figured Maple Side Chair probably Boston, circa 1815, splat centering carved roundel, yellow diamond-patterned silk upholstery, 32 x 18 x 20 in., break and repair to proper right stile, below tablet crest; break to proper left stile near joint with seat rail; patch to top of splat; reupholstered; slip seat frame screwed to frame; stuffing backed with board Provenance: From the Collection of Rob and Jane Hicklin Estimate: $300 - $500
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51 Classical Carved Mahogany Tilt Top Stand Boston, 1815-1820, shaped and banded top, acanthus and fluted legs, paw-form casters, 27-3/4 x 20-1/4 x 23-1/2 in., latch reset; repair to underside of one foot Provenance: Charles and Rebecca Clark, Woodbury, Connecticut; From the Collection of Rob and Jane Hicklin Estimate: $500 - $700
52 Pair Chippendale Style Engraved Brass Andirons probably early 20th century, urn form finials with swags, stop reeded standard, ball and claw feet with shell knees, 26-1/4 x 14-1/2 x 20-1/2 in., typical wear from use, rust and verdigris Provenance: Chicora Antiques, Inc., Charleston, South Carolina, November 1997; From the Collection of Rob and Jane Hicklin Estimate: $300 - $500
53 American Classical Giltwood Pier Mirror circa 1830, stepped cornice with drop pendants, swag flanked by lion heads centering frame, Solomonic columns flanking on either side, 55-1/2 x 33-1/4 x 7 in., mirror plates probably later, minor desilvering and aging (not removed), gilt with minor cracking, distress, loss, and spots of retouch Provenance: From the Collection of Rob and Jane Hicklin Estimate: $1,500 - $2,000
54 Southern Classical Walnut Fan Carved Corner Cupboard 19th century, stepped cornice with applied fans, applied ring and spiral turned pilasters, glazed door interior with three fixed shelves, single drawer, two door base with single fixed shelf, shaped bracket feet with square panels, yellow pine secondary, 91-1/2 x 59 x 29 in., scattered cracks and scratches to glass, one with small loss, scattered restoration to door edge beading, drawer with replaced brasses, scattered pest damage to lower half, surface with distress and wear throughout, uneven finish Provenance: Found in Campobello, South Carolina; From the Collection of Rob and Jane Hicklin Estimate: $800 - $1,200 22 https://live.brunkauctions.com/auctions/brunk/american-
southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
55 Three Pairs of Federal Brass Andirons 19th century, largest 18-1/4 x 9 x 18-1/2 in., typical wear consistent with age and use, one pair with significant dark patina to brass Provenance: From the Collection of Rob and Jane Hicklin Estimate: $300 - $500 56 American Classical Giltwood Pier Mirror, Levison & Cullen Provenance 19th century, probably original mirror plates, one mirror plate with logo and “BOSTON” stamped and visible from front, stepped cornice with teardrop pendants, shell to top of frame, round columns flanking, 56-1/2 x 32-3/4 x 6-3/4 in., mirror plates with minor desilvering (not removed), gilt with typical minor distress, loss, and retouch, minor repairs at some seams Provenance: The Levison & Cullen Gallery, INC., Atlanta, Georgia, August 1997 (accompanied by copy of invoice); From the Collection of Rob and Jane Hicklin Estimate: $800 - $1,200
57 American Classical Figured Mahogany and Marble Pier Table probably New York, circa 1820s, bookmatched figured mahogany veneers, white marble top, brass mounts, ovolo corners, marble columns and pilasters, parcel gilt trim, mirrored backboard, ebonized paw feet with boldly carved scrolled foliate brackets, white pine secondary, 38 x 42 x 20 in., replaced mirror plate and mirror backboard (not removed), marble top with minor edgewear and scratches, checking to veneer with some repair, feet paint and gilt retouched Provenance: Wendy Ann Cooper, Kennett Square, Pennsylvania, February 1996 (accompanied by copy of invoice); From the Collection of Rob and Jane Hicklin Estimate: $2,000 - $4,000
58 J.W. Fiske Attributed Cast Iron Egret Garden Fountain American, late 19th/early 20th century, possibly J.W. Fiske, apparently unstamped, two tier with interiors, egret decoration, one large basin at top cast leaf motif, 41 x 35 in., old black paint, separation at horizontal seams of egrets and central support, recently functional, overall wear commensurate with age and outdoor use, no apparent breaks and losses, no catch basin Provenance: From the Collection of Rob and Jane Hicklin Estimate: $3,000 - $5,000 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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59 Pair of Fiske Attributed Cast Iron Hitching Posts American, 19th century, possibly J.W. Fiske, unstamped, the tall reeded posts ending in arched swan necks, on integral flat, round base, each 611/2 x 8 in., attractive patina commensurate with age and outdoor use, old black paint Provenance: From the Collection of Rob and Jane Hicklin Estimate: $800 - $1,200
60 Fine Riley Iron Works Charleston Garden Settee Charleston, South Carolina, late 19th/early 20th century, stamped on seat, “John F. Riley Iron Works, Charleston, SC”, (Charleston, SC, circa 1884-1921), lattice pattern with entwined foliage, 32 x 40 x 21 in., very good condition overall, attractive crusty patina commensurate with wear and outdoor use, no apparent losses, breaks, or repairs Provenance: From the Collection of Rob and Jane Hicklin Estimate: $1,000 - $3,000
61 Adolph Alexander Weinman Monumental Sculpture (German American, 1870-1952) Narcissus, 1923, signed at base “A.A. Weinman Sc.”, stamped at bottom with foundry mark “Roman Bronze Works Inc.”, bronze, 43 x 39 x 25 in., verdigris to black patina, some weathering and abrasions at base Provenance: Robert Bahssin, Post Road Gallery, Larchmont, New York; From the Collection of Rob and Jane Hicklin Estimate: $25,000 - $35,000 Adolph Alexander Weinman’s Narcissus was originally modeled in 1923 and exhibited at the Pennsylvania Academy of the Fine Arts in 1926, where it was awarded the Widener Gold Medal. The present bronze was commissioned by Weinman from the Roman Bronze Works in 1948. A letter written by the artist to his wife that same year refers to a Narcissus at our garden pool,” providing a contemporary reference to the sculpture and its place within the artist’s personal environment. The present work is one of four known examples of Narcissus. Two examples, one in bronze and one in marble, are in the collection of Brookgreen Gardens, Murrells Inlet, South Carolina; another bronze is in the collection of the Norton Museum of Art, West Palm Beach, Florida. The existence of these documented examples underscores the continued importance of Narcissus within Weinman’s sculptural oeuvre.
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
62 Andrew John Henry Way (American, 1826-1888) Pears on a Table, signed lower left “AJH Way”, oil on canvas, 143/8 x 20-1/4 in.; fine reproduction gilt wood frame, 20 x 25-7/8 x 2-5/8 in., vibrant color, linen lined, scattered retouch; frame with minor abrasions, small losses Provenance: Berry-Hill Galleries, New York, NY (label verso); From the Collection of Rob and Jane Hicklin Estimate: $2,000 - $3,000
63 Jon Corbino, Rockport Scene (Italian/America, 1905-1964) Steeple on the Hill, signed on stretcher verso “Corbino”, inscribed “Rockport” on stretcher verso, oil on canvas, 16-1/4 x 20 in.; wood frame, 25-1/2 x 29-5/8 x 2-3/4 in., yellowed varnish, minor crackle, spots of fluorescence, possibly mildew; frame with wear Provenance: From the Collection of Rob and Jane Hicklin Estimate: $1,000 - $2,000
64 Frank V. Hoffman (American, 1902-1982) Seminole Indians on the River, 1941, signed and dated lower right “V. Hoffman, 1941”, oil on Masonite, 17 x 24 in.; painted wood frame, 23 x 30 x 1-5/8 in., yellowed varnish, surface dirt, accretion; frame with minor abrasions Provenance: From the Collection of Rob and Jane Hicklin Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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65 Andrew John Henry Way (District of Columbia/Maryland, 1826-1888) Still Life with Fruit and Vase, signed lower left “AJH Way”, oil on panel, 11-1/4 x 18 in.; fine reproduction gilt wood frame, 19 x 26 x 3 in; with a snow scene sketch on the verso., areas of retouch; frame with minimal wear Provenance: Chrysler Museum deaccession; From the Collection of Rob and Jane Hicklin Estimate: $3,000 - $5,000
66 John Wesley Jarvis (British/America, 1781-1839) Portrait of Oliver Cooper, 1832, signed verso “JWJ Massachusetts”, inscribed verso “Oliver Cooper, Painted May 1832 in the 29 year”, oil on panel, 28 x 21-1/8 in.; reproduction gilt wood frame, 34-3/8 x 27-1/2 x 2-1/8 in., small points of retouch; frame with minor abrasions Provenance: Private Collection, Bluffton, South Carolina; From the Collection of Rob and Jane Hicklin Estimate: $2,000 - $3,000 Exhibited: Davis S. Ramus, Ltd, “Gallery Collection Fall ‘84”, Atlanta, Georgia, Oct. 1, 1984Nov. 10, 1984 (label verso).
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67 Jean MacLane (American, 1878-1964) The Plunge, circa 1917-1918, signed lower left “Jean Maclane”, titled on label verso, dated on label verso, oil on canvas, 30-1/8 x 25 in.; gilt wood and composition frame, 40-1/4 x 35-1/8 x 4 in., vibrant color, original canvas and stretcher, crackle, small point of flaking lower center, tiny hole at center left edge, small points of retouch at edges; frame with minor abrasions Provenance: Grand Central Art Galleries, New York, NY (label verso); Robert M. Hicklin Jr., Inc, Spartanburg, SC (label verso) Estimate: $2,000 - $3,000 Exhibited: The American Federation of Arts, Washington D.C. (label verso); https://live.brunkauctions.com/auctions/brunk/american-
southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
68 George Henry Andrews (America/British, 1816-1898) Prawn Fishing on the Savannah River, circa 1860, signed lower right “G Andrews”, oil on canvas, 26-1/4 x 42 in.; monumental gilt wood and composition frame, lined and re-stretched, crackle throughout, scattered retouch especially in the sky; frame with some areas of repair and resurface Provenance: Maxwell Galleries, San Francisco, California; Altmayer Limited Partnership, Mobile, Alabama; The Collection of Rob and Jane Hicklin Estimate: $6,000 - $8,000 Literature: Robert M. Hicklin, Jr., 2003, Calm in the Shadow of the Palmetto & Magnolia: Southern Art from the Charleston Renaissance Gallery, Charleston Renaissance Gallery, pp.62-63
69 F. Douglas Greenbowe (American, 1921-1997) Flight Formation, Lower Barnegat,1947, signed and dated lower left “F Douglas Greenbowe”, titled on old label verso, watercolor on watercolor paper, sight, 13-5/8 x 19-3/4 in.; gilt wood frame, 21-5/8 x 27-1/2 x 7/8 in., not examined out of sealed frame, light toning, light foxing; frame with wear, abrasions Provenance: The Milch Galleries, New York, NY (label verso); From the Collection of Rob and Jane Hicklin Estimate: $600 - $800 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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70 Eight International Lord Saybrook Sterling Goblets American, 20th century, goblet form, monograms, marks for International, 47.26 oz. T., 6-5/8 in., light scratches Provenance: From the Collection of Rob and Jane Hicklin Estimate: $1,800 - $2,200
71 Five Piece Fisher Jack Shepard Sterling Coffee/Tea Service American, 20th century, pear forms with scroll handles and bud finial, ivory spacers, monograms, marks for Fisher, 80.82 oz. T., 9-1/2 in. coffee port with matching teapot, covered sugar, creamer, and waste, good condition, light scratches Provenance: From the Collection of Rob and Jane Hicklin Estimate: $3,500 - $4,500 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
72 Five Piece Philadelphia Classical Coin Silver Tea Service, Jefferson Family Provenance Pennsylvania, mid 19th century, urn forms with wreath and bead borders, dragon head spouts, bud finial, carved wooden handles or scroll lion medallion, monogram “TJR” (Thomas Jefferson Randolph), marks for Jean Simon Chaudron (Philadelphia, Pennsylvania working 1793-1820 and Mobile, Alabama, working 1827-1846), 139.86 oz. T., 9-1/2 in. coffee with matching teapot. creamer, covered sugar, and waste, dents and typical wear Provenance: Donald Finamore, Wilmington Delaware; Thomas Jefferson Randolph; From the Collection of Rob and Jane Hicklin Estimate: $5,500 - $6,500 Thomas Jefferson Randolph (1792-1875) was the eldest grandson of Thomas Jefferson. He managed much of Monticello after Jefferson’s death and later served in the Virginia House of Delegates. Randolph also helped preserve and publish his grandfather’s papers and worked to manage the financial difficulties surrounding the Jefferson family estate. 28 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
73 Gorham Chantilly Sterling Flatware, 27 Pieces American, 20th century, including six hollow handle knives; four 7-1/2 in. forks; two 7-1/4 in. forks; two salad forks; six teaspoons; three serving spoons; serving fork; solid handle butter; child fork; oval soup spoon, most unmonogrammed, marks for Gorham, 29.77 oz. T. excluding hollow handle, average wear Provenance: From the Collection of Rob and Jane Hicklin Estimate: $1,200 - $1,800
74 Reed and Barton Hampton Court Sterling Flatware, 76 Pieces American, 20th century, including 12 each: hollow handle knives; forks; salad forks; teaspoons; ice teaspoon, three serving spoon; two slotted spoons; two serving forks; sugar spoon; large shell bowl serving spoon; serving fork; ladle; jelly spoon; lemon fork; pickle fork; hollow handle pie and butter knife, all with marks for Reed & Barton, 31.89 oz. T. excluding hollow handle pieces, average wear Provenance: From the Collection of Rob and Jane Hicklin Estimate: $1,200 - $1,600
75 Large Book-Form Table Box for Etchings 19th century, debossed leather with gilt scrolling, “Etchings” debossed on spine, 21-1/4 x 16-1/2 x 3 in., wear commensurate with age and use, scratching, cracking (particularly to joint between lid/ cover and spine), and other wear to leather Provenance: From the Collection of Rob and Jane Hicklin Estimate: $200 - $400
76 The History of the American Indians by James Adair, First Edition London: Edward and Charles Dilly, 1775, rebacked later binding of half leather, possibly sheep, over marbled boards, later flypapers with previous owner’s notes of other copies adhered to verso of front fly, folding map of American Indian Nations to front of book, 4to, 10-7/8 x 8-3/4 x 1-3/8 in., wear and losses to exterior leather and paper, corners bumped, toning and foxing to text block throughout, ghosting to map and title page, small closed tear to half title and title pages not affecting text, some light penciled notations to prefatory pages, note about restoration adhered to dedication page not affecting text, the bookplate of Clinton T. Graydon of Columbia, South Carolina adhered upside down to rear pastedown Provenance: From the Collection of Rob and Jane Hicklin Estimate: $1,500 - $2,500 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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77 A History of the Campaigns of 1780 and 1781 by Lieutenant-Colonel Tarleton, First Edition, A History of the Campaigns of 1780 and 1781, in the Southern Provinces of North America, London: T. Cadell, 1787, later binding of half calf over marbled boards, labels, gilt particulars, and gilt decorations to spine, folding map of William Faden’s The Marches of Lord Cornwallis in the Southern Provinces... at front, with errata, other folding maps at pp. 32, 108, 276, and 394 present, 4to, 12 x 9-1/2 x 1-3/4 in., wear and losses to paper and leather exterior, corners bumped, binding slightly shaken, cracking to hinges and gutters, toning and foxing to text block throughout, a few scattered repairs to pages throughout including to title page but not affecting text, intermittent moisture mark to upper right corner not affecting text, some creasing and foxing to maps which are otherwise in good condition and free from tears Provenance: From the Collection of Rob and Jane Hicklin Estimate: $2,000 - $3,000
78 A Sermon Occasioned by the Death of Lieutenant-General George Washington by Henry Holcombe, [Savannah]: Seymore & Woolhopter, [1800], pamphlet on laid paper, 18pp., housed in custom linen chemise with quarter leather over marbled paper slipcase with gilt particulars to leather spine label, 8vo, 8-3/4 x 7-1/4 x 3/4 in., toning and acid burning along page edges, chipping along edges throughout but not affecting text, lacking strings, first gathering and last two gatherings detached but present Provenance: From the Collection of Rob and Jane Hicklin Estimate: $500 - $700
79 Cabinet Photograph Preserving Lost Full-Length Portrait of Robert E. Lee, by E.C. Bruce, albumen cabinet photo of General Robert E. Lee from the original portrait from life painted in Richmond in late 1864 by Edward Caledon Bruce, showing Lee in pensive stance by cannon’s wheel with Traveller in the background, unique in that it reproduces a notation at the bottom from the artist’s own hand, 9-1/4 x 5-3/8 in. and mounted to slightly larger backing, good overall, minor crease at left (facing) side, typical silver mirroring at edges, light foxing at back, subtle curling to cardstock, remains hinged to backing at one corner Provenance: From the Collection of Rob and Jane Hicklin Estimate: $600 - $900 Edward Caledon Bruce’s celebrated portrait of Robert E. Lee was painted in Petersburg and Richmond during the winter months of 1864. Completed in time for exhibition at the State Capitol in February 1865, the impressive full-length portrait was met with considerable acclaim by the Confederate officers and soldiers who gathered to view it. Fortunately, several enterprising photographers of the day recognized the importance of preserving the image and produced photographs for sale. Among 80 them was Richmond publisher George Langhorne Bidgood, whose copies helped 13 Titles on Period American Furniture and Decorative Arts ensure that Bruce’s portrait would survive in photographic form. When the with two titles inscribed by the authors, including: Classical Taste in America, 1800painting later traveled to New York and Montreal for exhibition, it continued to 1840 by Wendy Cooper; Flower and Fruit Prints of the 18th and Early 19th Centuries attract considerable attention and public interest. by Gordon Dunthorne, 13-3/4 x 12-3/4 x 11-1/4 in. overall, some scattered foxing The original portrait is known to have survived into the late nineteenth century, and some minor expected wear to dust jackets and extremities but otherwise very when it was owned by New York businessman Charles Broadway Rouss. After good condition overall; two titles with library labels to spines but without further that, however, its trail disappears. The painting has not been seen since and is library marks; slip case with some wear, scuffing, and loose threads presumed to have been lost or destroyed. Provenance: From the Collection of Rob and Jane Hicklin Today, the only way we can experience Bruce’s impressive full-length portrait of Estimate: $50 - $100 Lee is through the surviving photographic images - such as the example offered 30here. https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
81 21 Assorted Sporting Titles including: Exmoor and Other Days by Arthur O. Fisher, 1930, the apparently scarce first American edition; The American Trotter by S. W. Parlin, 1905; A Strike Made by Boyce’s Big Weeklies by William D. Boyce, 1894; and others, largest large 4to,12-1/2 x 281/2 x 10 in. overall, all with wear to extremities, jackets with some tears, losses, and discoloration, fading and scattered staining and scratching to boards, some losses to spines, scattered foxing throughout; Exmoor with some wrinkling and wear to head and tail of spine and corners of boards, text block toned but otherwise clean; Trotter with binding shaken, tear to cloth at head of spine, wear and losses at foot, previous owner’s names inked to front pastedown and recto of front free fly, moisture marks along top edge of text block extending to pages with color run affecting text and images in second half of text block; Strike with handling smudges/soiling to boards, previous owner’s name inked to recto of front free fly, interior otherwise clean Provenance: Property of a South Carolina Collector Estimate: $300 - $500
82 Liber Scriptorum, The First and Second Books of the Authors Club The First Book of The Authors Club, New York: The Authors Club, numbered 51 of 250 at limitations page, signed by the 109 authors featured including Samuel Clemens, W.D. Howells, Theodore Roosevelt, Charles Dudley Warner, Frank R. Stockton, F. Hopkinson Smith, E.C. Stedman, Henry Van Dyke, and others after their respective works; with The Second Book of The Authors Club, New York: The Authors Club, 1921, numbered 21 of 250 at limitations page, signed by the 129 authors featured including George W. Cable, Robert W. Chambers, George Wharton Edwards, George Bird Grinnell, Henry Holt, and others after their respective works; each in full brown leather with gilt decorated boards and spines, housed in later cloth slipcases with morocco spine label, folio, 14 x 6-1/4 x 10 in. (overall in slipcases) , bindings shaken, wear to extremities; first book with scuffs and losses to leather throughout, surface dirt, bumped corners, toning to deckled edges, some minor foxing throughout text block which is otherwise tight and clean; second book with front hinge beginning, losses to leather at hinges, corners, and along edges, foxing to prefatory pages, text block is otherwise tight, bright, and clean Provenance: (second book) Thomas A. Lyons Fine Books, Neenah, Wisconsin (writeup loose to book); Property of a South Carolina Collector Estimate: $8,000 - $10,000 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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83 Adventures of Huckleberry Finn, First Edition, First State by Mark Twain (Samuel Clemens), New York: Charles L. Webster & Company, 1885, containing all relevant first state points (pg. 9 “Decided” for “Decides”, pg. 13 “Him and another Man” illustration noted as page 88 instead of 87, pg. 57 line 23 “with the was” in place of “with the saw”), bound in publisher’s original green blindstamped and gilt cloth, [iv], 366, [iv], 8vo, 8-3/4 x 1-1/4 x 7 in., wear to extremities, binding shaken, bottom of front hinge beginning, some scuffs and areas of fraying along edges, corners bumped with losses, some penciled notations to front and rear fly papers, moisture marks to top corners of prefatory pages not affecting text, small closed tear to fore edge of frontis not affecting image, text block toned but otherwise in overall very good condition Provenance: Thomas A. Lyons Fine Books, Neenah, Wisconsin (writeup loose to book); Property of a South Carolina Collector Estimate: $6,000 - $8,000
84 The Adventures of Tom Sawyer, First Edition, First State by Mark Twain (Samuel Clemens), Hartford/Chicago/Cincinnati: The American Publishing Company, 1876, containing all first state points (printed on wove paper; 1875 on title page verso; frontis and half title page versos blank; four pages of ads at back), [viii], 274 (paginated as i-xvi, 18-274), [iv], [2], [iv], [ii], bound in publisher’s gilt and blindstamped blue cloth, 8vo, 8-3/4 x 1 x 7 in., wear to extremities, binding shaken, minor wear and loss to gilding, wear and losses to cloth at head and tail of spine, corners bumped with losses to cloth extending to edges, front gutter cracked, text block toned and foxed with handling grime throughout, front free fly with closed tear, partially removed pencil marks to fly paper, chipping to edges of prefatory pages, a few scattered closed tears at page edges not seemingly affecting text, pp. 167-170 loose but present, pp. xv-xviii and 199-204 with closed tears at fore edge slightly affecting text, loss to bottom corner of pp. 211-214 not affecting text Provenance: Thomas A. Lyons Fine Books, Neenah, Wisconsin (writeup loose to book); Property of a South Carolina Collector Estimate: $4,000 - $6,000
85 Democracy in America by Alexis de Tocqueville, Vol. I, First American Edition New York: Adlard and Saunders, 1838, publisher’s blind stamped cloth, gilt particulars to spine, previous owner’s name inked to front pastedown, [vi], xxx, 464, [iv], 8vo, 9-1/8 x 1-3/8 x 6 in., binding shaken, boards with wear, loss, soiling, and fading to cloth, corners bumped with losses, losses to head and tail of spine, loss to gilt particulars, abrasion/loss to text block at top corner not affecting text, foxing throughout, some ink blots to front free fly papers with transfer through to title page and a few following pages, nevertheless a serviceable copy of a rare book in expected condition Provenance: Property of a South Carolina Collector Estimate: $5,000 - $7,000 32 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
86 Edwin Lord Weeks (American, 1849-1903) Woman with a Jug in Rabat, Morocco, 1877, unsigned, dated and inscribed upper left, oil on paper, 28-1/4 x 18-5/8 in.; gilt wood and composition frame, 36-1/4 x 26-1/2 x 2-3/8 in., laid down on board, small losses at bottom left and right corners, small area of pigment loss, scattered areas of retouch, wear at edges; frame with wear Provenance: Property of a South Carolina Collector Estimate: $20,000 - $30,000
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87 William McDougal Hart (Scottish/America, 1823-1894) Cows Watering, 1879, signed and dated lower left “WM Hart 1879”, oil on canvas 20-3/4 x 16-3/4 in.; fine period carved gilt wood frame, 35-1/2 x 31-1/2 x 4 in., original canvas and stretchers, backed by wood panel, not laid down, crackle; frame with minimal wear Provenance: Collection of Dr. George and Connie Manger Estimate: $2,000 - $4,000
88 Pennsylvania Chippendale Figured Walnut Chest of Drawers probably Philadelphia, fluted quarter columns, original bail brasses, original bold ogee bracket feet, white cedar, poplar, and yellow pine secondaries, 39 x 23 x 21 in., in a fine state of preservation, foot facings with repairs to breaks, some later blocking, typical light surface wear Provenance: Collection of Dr. George and Connie Manger Estimate: $1,500 - $2,500
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89 Pennsylvania Federal Painted Walnut Corner Cupboard late 18th century, in two sections, with early dry dark red paint, glazed doors with fixed shelf interior, base with bold ogee bracket feet, poplar and yellow pine secondaries, 88 x 57-3/4 x 28-3/4 in., cornice with later nails, loss to proper right corner, other minor repairs and loss, crack to glass pane, scattered scratches to other glass, UV light reveals faint decoration to door interior paint, paint with typical wear and some loss Provenance: John C. Newcomer & Assoc., Keedysville, Maryland April 1987 (accompanied by copy of receipt for $12,500); Collection of Dr. George and Connie Manger Estimate: $1,500 - $2,000 https://live.brunkauctions.com/auctions/brunk/american-
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90 American Chippendale Figured Walnut Tall Chest probably Pennsylvania, late 18th century, fluted quarter columns, figured drawer facings, tall ogee bracket feet with scrolled returns, poplar and yellow pine secondaries, 66-1/2 x 42-3/4 x 21-3/4 in., replaced brasses, original feet with typical scattered repairs to facings and minor restorations including later shoes, proper left cornice with long patch, otherwise typical minor surface wear Provenance: Collection of Dr. George and Connie Manger Estimate: $1,200 - $1,800
91 American Red Painted Combback Windsor Armchair probably Pennsylvania, late 18th/early 19th century, old red paint, scrolled ears and arms, 42-1/2 x 26-1/2 x 24-1/2 in., seat height 16-1/2 in., in a very fine state of preservation, old red paint with good integrity overall with some typical wear and loss, proper left crest rail with small breakout loss at spindle, stretcher turning with laminated repair Provenance: Collection of Dr. George and Connie Manger Estimate: $1,000 - $2,000
92 Philadelphia Federal Inlaid Mahogany Sofa early 19th century, early mellow and dry surface, vasiform arm supports, round tapered legs with arrow feet, silk gold and white stripe upholstery, 36 x 63-1/4 x 26 in., seat height 17 in., two rear feet with chipped losses, typical surface wear to frame, upholstery presents as good condition overall but bears scattered snags and small stains Provenance: Descended in the Gordon Saltar family; John C. Newcomer, Keedysville, Maryland, Jan 1987 (accompanied by a copy of receipt for $6,500); Collection of Dr. George and Connie Manger Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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93 Fine Connecticut Chippendale Cherry Fan Carved Chest on Chest, Sack Provenance, probably Hartford, Connecticut, 18th century, old dry and mellow surface, bonnet with carved rosettes, unusual parcel gilt finials, half fan carved drawer, original brasses, fluted pilasters with full fan carvings, dovetailed bracket feet with dramatically scrolled returns, white pine secondary, period inscriptions to top of base and some drawers (see photos), 83-1/2 x 41 x 19-3/4 in., finials with chips to turnings, original feet and returns with scattered repairs to breaks (stable), unusual thin yellow paint coating to drawer interiors, other typical minor wear to old surface Provenance: Laban Smith to Samuel Hemingway (1810-1881), thence to James Smith Hemingway, son (1861-1926), thence to Margaret Louise Hemingway, daughter (1896-1978), Louis L. Hemingway, Jr, nephew; Israel Sack, Inc., January 1992 (accompanied by a copy of receipt for $118,000); Collection of Dr. George and Connie Manger Estimate: $6,000 - $9,000
94 Rhode Island Attributed Braceback Windsor Armchair, Old Green Paint probably New England, possibly Rhode Island, 18th century, shaped crest rail with scrolled ears, arms terminating in scrolls, wide seat, splayed stretcher base, 44 x 27 x 18 in., traces of probably original green paint with later restoration, typical wear and loss to paint throughout, crest rail with edge loss and adhesive residue behind proper left ear, repairs to breaks in arms where they join stiles, later paint possibly masking repairs Provenance: Collection of Dr. George and Connie Manger Estimate: $1,000 - $2,000 This chair shares many similar features to the chair on the cover of Nancy Goyne Evans, American Windsor Chairs (1996). That chair is listed as Rhode Island, possibly Providence, 1790-1800. 36 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
95 New England Federal Figured Mahogany Bowfront Chest of Drawers late 18th century, probably original brasses, shaped bracket feet and returns, white pine secondary throughout, 37-3/4 x 40-3/4 x 24 in., original foot facings pieced with some restored, split to side with infill, veneer loss to lowest mid rail above apron, otherwise typical minor wear including checking to drawer facings Provenance: Collection of Dr. George and Connie Manger Estimate: $800 - $1,200
96 Marshall Family Massachusetts Queen Anne Rare High Chest and Dressing Table Suite, Boston, circa 1740, both retaining dry old surfaces and original brasses, aprons with acorn drops, white pine secondaries, 29-1/4 x 30-3/4 x 183/4 in.; the high chest 70 x 38-1/2 x 20-3/4 in., dressing table top reset and with triangular board to top probably as made, traces of white paint to interior and top underside (see photos), drops later, and repair to break near drop attachment, typical shrinkage separations to sides, proper right drawer molding with loss, proper right rear upper leg with repair to break and associated fill in restoration, restored knee returns; the high chest with later drops, three legs with laminated knees probably as made, scattered cracks to feet and some later paint splatter Provenance: Philip H. Bradley Antiques, April 1988; Collection of Dr. George and Connie Manger Estimate: $6,000 - $9,000 Literature: This lot is illustrated in “Living with Antiques: A Middle-Atlantic Collection of Collections” by John C. Newcomer, Antiques Magazine, May 1999, p. 741, plates XV and XVI. Per Philip Bradley notes, the high chest and dressing table were both originally owned by Colonel Thomas Marshall (1719-1800) of Boston, Massachusetts, who married Lucy Allen (1727-1794) of Gloucester, Massachusetts in 1759, thence by descent to Thomas Marshall II (1781-1863) of Weston, Massachusetts, nephew, to Elizabeth Marshall (1817-1905) of Weston, Massachusetts, daughter, to Joseph S.B. Knox Jr (1852-1884), of Boston, son, to Elizabeth Knox Campbell (1883-1986), of Weston, Massachusetts, daughter, to Elizabeth Campbell Wood (1910-1976), of Medford, Massachusetts, daughter, to Elizabeth Wood Davis of West Newfield, Maine, daughter.
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97 Fine American Chippendale Mahogany Camelback Sofa, Sack Provenance probably Massachusetts, late 18th century, camelback crest, downward sloped scrolled arms, slight serpentine bend to seat rail, square tapered molded front legs, with four loose cushions including two embroidered, two matching arm covers, 39 x 82 x 33 in., seat height 20-3/4 in., stretcher joints with repairs, upper legs with old tacking scars, upholstery with very light wear overall, frame with typical wear throughout including scuffs to feet (not inspected under upholstery) Provenance: Israel Sack, Inc., New York, NY., December 1996 (accompanied by copy of receipt for $105,000); Collection of Dr. George and Connie Manger Estimate: $6,000 - $10,000 Literature: Illustrated as a “Best” example in Albert Sack, The Fine Points of Furniture, Early American (1950), p. 227.
98 Fine Seymour School Federal Inlaid Mahogany Desk and Bookcase, Sack Provenance attributed to school of Thomas Seymour, probably Boston, Massachusetts, early 19th century, openwork scrolled foliate crest, gothic arch doors with silk curtains and finely fitted interior, gilt tooled brown leather writing surface, three long drawers with period greyhound or whippet brasses and flanked by fluted stiles, round tapered reeded legs, white pine secondary, 83 x 37-/4 x 22-1/4 in. Literature: Israel Sack, Inc.’s 90th Anniversary Catalogue, p. 107; and American Antiques from Israel Sack Collection, vol. VII, p. 2036 and vol. X, p. 2698., replaced brasses, two smaller finials probably replaced, larger finial with loss, crest scrollwork with repairs to breaks, patch at door lock and molding to door edge possibly replaced, writing surface later, writing surface lid with repair to break, split to proper left side with infill, some checking to veneer and typical wear throughout Provenance: Israel Sack, Inc., New York, NY, December 1996 (accompanied by a copy of receipt for $75,000); Collection of Dr. George and Connie Manger Estimate: $2,000 - $4,000 38 https://live.brunkauctions.com/auctions/brunk/american-
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99 American Chippendale Cherry Drop Leaf Dining Table probably New York, 18th century, shaped apron, slender cabriole legs, bold ball and claw feet, oak and mixed secondaries, 28-1/2 x 47-1/2 x 18 in., knee return with repair, one foot with repair to split, one leg with infill to loss, one knee with repair to break, all legs stable, hinges appear replaced, typical light wear Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900
100 Southern Federal Paneled Cupboard in Old Paint late 18th/early 19th century, early red and blue paint, fixed shelf interiors, dovetailed bracket feet, poplar and yellow pine throughout, 82-1/4 x 47 x 21 in., cornice with warping and breaks, some with repairs, original feet with typical scattered repairs, early painted surface with distress and wear consistent with age Provenance: Collection of Dr. George and Connie Manger Estimate: $1,000 - $2,000
102 Set Four Chippendale Walnut Side Chairs Virginia, Maryland or Pennsylvania, late 18th century, yoke crest rails, pierced 101 splats. molded square legs with box stretcher, period slip seats, red and white Pair of American Chippendale Eagle Engraved Brass Andirons checkered upholstery, 37-3/4 x 22-3/4 x 21 in., seat heights 18-3/4 in., scattered late 18th century, urn form andirons, spurred ball and claw feet, large iron log repairs at crest rail and stile joints, splats, two chairs with later seat supports, wear spikes, fronts incised with American Eagle crest, 20-3/4 x 14 x 24-1/2 in., typical throughout with some later color; accompanied by a August 1988 repair invoice by wear consistent with age and use Robert Esterly for “repairing, cleaning and touch up of four walnut Chippendale Provenance: Gary E. Heimbuch, Boonsboro, Maryland, May 1991 (accompanied by chairs” (see photo). copy of receipt for $9,450); Collection of Dr. George and Connie Manger Provenance: John C. Newcomer & Associates, Keedysville, Maryland, July 1987 Estimate: $800 - $1,200 (accompanied by a copy of the receipt for $9,500); Collection of Dr. George and Connie Manger Estimate: $800 - $1,200 https://live.brunkauctions.com/auctions/brunk/american39 southern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
103 American Blue Painted Pine Dry Sink, Old Surface 19th century, drop-panel cupboard doors, single short drawer, poplar secondary, 34-1/2 x 50 x 20-1/2 in., this dry sink survives in a state of very good original condition; some abrasions and paint losses throughout but nothing fluoresces under blacklight Provenance: Gus King Antiques, Hagerstown, Maryland, July 1986; Collection of Dr. George and Connie Manger Estimate: $800 - $1,200
104 New England Federal Paint Decorated Dressing Table, Sack Provenance possibly New Hampshire, early 19th century, white paint with music and floral motifs, black line painted trim, white pine throughout, 34-1/4 x 35 x 17-1/4 in., replaced brasses, top section foot reglued, paint with wear and discoloration throughout Provenance: Israel Sack, Inc., through John C. Newcomer, August 1994 (accompanied by copy of receipt for $8,500); Collection of Dr. George and Connie Manger Estimate: $800 - $1,200 Literature: Illustrated in Israel Sack, Inc., Opportunities for giving from the Israel Sack, Inc., Collection, p. 21, P-6475.
105 106 William Melton Halsey Corrie McCallum, Two Views (American/South Carolina, 1915-1999) (American/South Carolina, 1914-2009) Three Negro Heads, 1933, signed lower left “Wm.Halsey”, inscribed verso with Morocco (possibly), each signed “McCallum”, oil sketch on rice paper, sight 8-3/4 x title, pen and ink on Bainbridge board, 10-1/4 x 13-3/4 in.; modern black frame, 11-1/4 in.; matching wood frames, 17-1/4 x 20 in., paper is very good, bright color; 17-1/2 x 20-1/4 in., paper toned, with some foxing, matt with foxing; frame with light frames with light wear wear Provenance: Property from a Charleston Collection Provenance: Mr. & Mrs. Wallace Frampton, Charleston, South Carolina; Private Estimate: $1,000 - $2,000 South Carolina Collection; by descent in family Exhibited: William Halsey Retrospective, No. 33-1 (see stamp verso) Estimate: $2,000 - $3,000 40 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
107 Joseph Windmills Striking Lantern Clock London, late 17th century, roman numeral chapter ring engraved/signed “Windmills London”, double fusee movement, with possibly associated key, 15 x 6-1/2 x 5-5/8 in., not tested for functionality, service sticker dated 2015 to interior of one door, label remnants to backplate, scratching and pitting, particularly to bell, patinated finish with discoloration and areas of verdigris throughout Provenance: Property from a Charleston Collection Estimate: $800 - $1,200
109 Chippendale Inlaid and Figured Mahogany Tall Case Clock, probably American, 18th century, 8-day brass movement with day of the month wheel, painted dial with bird and flowers, scrolled broken pediment bonnet, case with fluted quarter columns, door with two dramatic points to top, small ogee bracket feet, white pine secondary (by eye), with two weights and wood pendulum, 95-1/4 x 20 x 10-1/2 in., movement has not been tested, later saddleboard, brass finials appear period but possibly replaced and one missing, dial paint with craquelure, discoloration, and minor loss, original feet with repairs, loss to proper right rear foot, some later blocking, case and bonnet with typical wear and minor repairs including some white paint scuffs Provenance: Dr. William H. Frampton, thence by descent; Property from a Charleston Collection Estimate: $1,000 - $1,500
108 Virginia Attributed Federal Inlaid Mahogany Pembroke Table probably Tidewater Area, late 18th/early 19th century, single drawer, leaves with loper supports, upper legs with full fan inlay above feather inlay, poplar secondary, 27-3/4 x 20-1/3 x 30 in., replaced brasses, patch to upper edge of leaf, top with two small infill repairs, glue to edge, and unusual grid like patina, otherwise with typical surface wear and accretion throughout Provenance: Dr. William H. Frampton, thence by descent; Property from a Charleston Collection Estimate: $1,000 - $1,500 MESDA documented example (S-5036) with similar line inlay to apron, full fans above feather inlay to the legs, and poplar drawer secondary attributed to Tidewater Virginia.
110 Sorley of Glasgow Mahogany Bracket Clock Scottish, 19th century, the dial with Roman numerals and “Sorley. Glasgow.”, 15-1/4 x 11-1/2 x 8-1/2 in., not tested for functionality, crack to wood at front panel, wear to dial, door at back locked Provenance: Property from a Charleston Collection Estimate: $300 - $500
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111 George III Carved Mahogany Butlers Tray on Stand 18th century, tray with shaped edge, shell and foliate carvings, ring turned stand, tray 4-1/4 x 26-1/2 x 18-1/2 in., stand 34-1/2 x 24-3/4 x 20-1/4 in., stand later and by association, stand with later glue at leg and stretcher joints, tray with scattered repairs to small breaks mainly at corners, typical minor wear including some stains to tray interior Provenance: Property from a Charleston Collection Estimate: $600 - $900 Near identical tray sold at Jeffrey Evans, Mt. Crawford, Virginia, October 17, 2020, lot 1627, $1,300.
113 Gebelein Sterling Philip Syng/Declaration Signing Ink Stand 20th century, reproduction of the ink stand used during the signing of the Declaration of Independence made by Philip Syng, inscription on back, marks for Gebelein Silversmiths (Boston, Massachusetts, working 1909-1968), test .935 fine (with XRF), 40.57 oz. T., 8 x 10-1/2 x 7-1/4 in., dents and typical wear Provenance: Property from a Charleston Collection Estimate: $1,500 - $2,000
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112 MESDA Documented Charleston Classical Brass Mounted Mahogany Card Table, Charleston, South Carolina, circa 1820, square top with rounded corners, brass apron in the form of a curtain with fringe and tassels, four turned supports on tall brass pediments, four downswept reeded legs with brass paw feet on casters, MESDA label to batten, 30-1/2 x 37-1/2 x 43-3/4 in., reconfigured, top associated, some brasses possibly replaced, repairs at leg at base joints, some legs still slightly loose, top underside with unexplained holes and hinge scars appears as made, brass with red and verdigris patina, other typical wear throughout Provenance: Believed to have originated in Georgetown, South Carolina; George Birlandt Antiques, Charleston, South Carolina, circa late 1950s; Property from a Charleston Collection Estimate: $3,000 - $5,000 Literature: Illustrated in Bradford Raushenbrg and John Bivins Jr., The Funriture of Charleston, 1680-1820, Volume II (2003), p. 714. Illustrated in Henry Cauthen, Charleston Interiors (1982), p. 57. Per MESDA, “MESDA photograph files contain examples of andirons by Morgan Morgans, working in New York City circa 1830, with bases similar to those of this table. See S-29245 and NN-1747. Other publications with examples or discussions of furniture with extensive brass are: Edward T. Joy, English Furniture 1800-1851 (1977), p. 42; Philadelphia: Three Centuries of American Art, exhibit catalogue of the Philadelphia Museum of Art, April 11-October 10, 1976, fig. 180; and Thomas Sheraton, The Cabinet-Maker and Upholsterer’s Drawing Book (1802), pl. 31.”
114 Three Charleston Coins Forks, Hayden and Greg South Carolina, mid 19th century, fiddle and thread handles, no monograms, marks for retailer Hayden & Gregg (Charleston, South Carolina and New York City, 1832-1846), 4.88 oz. T., 6-7/8 in., wear and loss to tines Provenance: Property from a Charleston Collection Estimate: $200 - $400
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115 Seven Pieces Charleston Coins Flatware, JE Spear Silver South Carolina, mid 19th century, fiddle and thread handles: two forks; four spoons; one serving spoon, most with monograms, marks for marks for retailer James E. Spear (Savannah, Georgia, working 1840-1844 and Charleston, South Carolina, working 1845-1871), light scratches and overall wear Provenance: Property from a Charleston Collection Estimate: $300 - $600
116 33 Titles of Southern History, Literature, and Other Topics focusing on South Carolina, particularly the Charleston and Edisto areas, some Georgia, titles include: Gullah, Negro Life in the Carolina Sea Islands by Mason Crum, Durham, North Carolina: Duke University Press, 1940; Musings of a Hermit by Clarke A. Willcox, Murrells Inlet, South Carolina: The Hermitage, 1973, author’s signature to title page; Carolina’s Hunting Heritage by South Carolina Wildlife and Marine Resources Department, unnumbered edition of 750 copies, signed by editor and president of the National Sporting Fraternity Limited at limitations page; Mellowed By Time by Elizabeth O’Neill Verner, Columbia, South Carolina: Bostick & Thornley, Inc., 1947, author’s signature to recto of front free fly; 11-1/2 x 14-1/4 x 9-1/4 overall, varying condition, wear to exteriors including fading, discoloration, bumped corners, rubbing and losses to cloth, and losses to extant dust jackets, bindings shaken, some volumes coming loose from binding, some books with gift inscriptions and previous owner’s bookplates, some foxing and toning to pages throughout; Gullah and Ain’t You Got a Right to the Tree of Life? ex-library Provenance: Property from a Charleston Collection Estimate: $500 - $700
117 20 Titles on South Carolinian Architecture, Gardens, Interiors, and Artists heavily focused on Charleston, 21 volumes total (one title with hard and soft cover editions) including: Waccamaw Plantations by Julian Stevenson Bolick, Clinton, South Carolina: Jacobs Press, 1946; A Selection of Songs & Scissor-cut Silhouettes by Carew Rice, Charleston, South Carolina: Walker, Evans & Cogswell Company, Inc., 1961, signed by author to recto of front free fly; Plantations of the Carolina Low Country by Samuel Gaillard Stoney, Charleston, South Carolina: The 118 Carolina Art Association, 1945, third edition signed by author to title page; This is Frank Brook Voss Charleston by Samuel Gaillard Stoney, Charleston, South Carolina: The Carolina (American, 1880-1953) Art Association, 1964, signed and inscribed by author to title page; 13-1/4 x 15-1/8 Lancer, 1925, signed and dated lower left “FB Voss 1925”, oil on canvas, 14 x 16-1/4 x 10-3/8 in. overall, varying condition, wear to exteriors including fading, losses in.; fine period gilt wood frame labeled “Royal Art Framing Co. New York”, 19-1/2 x to cloth, bumped corners, and losses to extant slipcases and dust jackets, some 22-1/2 x 2-1/2 in., original canvas and stretchers; frame with wear, gold paint bindings shaken, some volumes coming loose from binding, some books with gift Provenance: Arthur Ackerman & Son, Inc., New York, NY (label verso); Private inscriptions and previous owner’s bookplates, some foxing and toning to pages Collection, South Carolina throughout Estimate: $2,000 - $4,000 Provenance: Property from a Charleston Collection Estimate: $300 - $500 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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119 Franklin Brooke Voss (American, 1880-1953) Imperial, Gray Friar, Meadow Brook, 1909, signed and dated lower right “FB Voss 1909”, titled on frame verso, oil on canvas, 18 x 24 in.; paint and gilt wood frame, 23 x 29-1/8 x 1-3/4 in., original canvas and stretchers, two old patch repairs verso, 1/4 in. puncture lower right, stretcher marks, small area of pigment loss lower left, small spots of retouch; frame with abrasions Provenance: Private Collection, South Carolina Estimate: $1,000 - $2,000
120 Franklin Brooke Voss (American, 1880-1953) Green Cheese, Rigan McKinney up, 1933, signed and dated lower left “FB Voss 1933”, titled on possible exhibition tag, oil on canvas, 28 x 36 in.; gilt wood frame, 32-1/2 x 40-1/2 x 2-3/4 in., lined with linen, stabilized crackle, small points of retouch; frame with abrasions, separation at corners Provenance: Red Fox Fine Art, Middleburg, Virginia (likely), label verso; Private Collection, South Carolina Estimate: $10,000 - $15,000 As stated on the possible exhibition tag, “Frank Voss portrayed the fiery looking steeplechaser Green Cheese, owned by Mrs. John Hay Whitney, at Belmont Park, scene of some of his most prestigious wins. Voss has included a challenging water jump prominently in the background. Rigan McKinney, the leading amateur race rider for four seasons in the mid1930s, is in the Hall of Fame.” Bears label verso from Red Fox Fine Art, Middleburg, Virginia, attesting to the authenticity of this work, and listing it as “Registered number 053090”.
121 John Joseph Enneking (American, 1841-1916) Summer Landscape, unsigned, oil on board, 10 x 14 in.; carved gilt wood frame, 16-3/4 x 20-3/4 x 3/4 in., small patch support applied verso to lower left corner to mitigate a bend; frame with wear, gilt abraded and possibly repainted Provenance: Florence Enneking Long (presumably, inscribed in pencil verso with #34); Young Fine Arts (label attached verso: Private Collection Estimate: $1,000 - $2,000 This painting is included in the catalogue raisonne of the artist’s work compiled by Pierce Galleries, Inc., Hingham, Massachusetts, as number IV-A-203.(labeled verso). 44
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122 Chauncey Foster Ryder (American, 1868-1949) In The Field, signed lower left “Chauncey F. Ryder”, oil on canvas, 20-1/8 x 24-1/4 in.; likely period gilt wood frame, 29-3/4 x 33-3/4 x 2-1/8 in., original canvas, apparently original stretcher sandwiched with plywood and thin “stretchers”, canvas not laid down, minimal crackle; frame with abrasions, resurfaced with gold paint Provenance: Cleveland Museum of Art (label verso); Private Connecticut Collection Estimate: $4,000 - $6,000
123 Attributed to William Guy Wall (Irish/America, 1792-1864) East Rock, New Haven, CT, unsigned, titled on label verso, oil on panel, 17 x 22 in.; gilt wood and composition frame, 24-1/2 x 29-5/8 x 3-3/4 in., wear at edges not visible under frame, retouch, crackle; frame with abrasions Provenance: Alexander Gallery, New York, NY Estimate: $1,000 - $2,000
124 Agnes Millen Richmond (American, 1870-1964) A Young Lady Sketching, 1907, signed lower right “Agnes Richmond”, inscribed on verso prior to conservation “Agnes Richmond 1907”, oil on canvas, 16 x 20 inches; reproduction gilt wood frame, 23-1/2 x 27-1/2 x 2-1/2 in., lined, retouch; frame with abrasions, losses to gilt Provenance: Godel and Co., New York, NY (label verso); Eldred’s, East Dennis, Massachusetts, “Women in the Arts”, October 28, 2021, lot 147 (label verso); Brunk Auctions, Asheville, North Carolina, May 9, 2024, lot 624; Private Collection, Asheville, North Carolina Estimate: $1,000 - $2,000
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125 Gilbert Stuart (American, 1755-1828) Portrait of Dr. Thomas Tillotson, circa 1807, oil on canvas, 37 x 28-1/4 in.; fine reproduction gilt wood frame, 43-1/2 x 35-1/4 x, 3-1/2 in., linen lined, stabilized crackle, clean, vibrant surface; frame with some wear, warm patina Provenance: Descended in the family of the sitter; John Tillotson Wainwright, Philadelphia, Pennsylvania, 1880; Sotheby’s, New York, NY, Important American Paintings, Drawings and Sculptures, May 28, 1987, lot #8; Private Collection, Tennessee Estimate: $30,000 - $50,000 Literature: George C. Mason, The Life and Works of Gilbert Stuart, New York, Charles Scribner’s Sons, (1879), page 270.; Lawrence Park, Gilbert Stuart, An Illustrated Descriptive List of his Works, New York, William Edwin Ridge, (1926), Vol. II, page 756, number 842.
126 Attributed to William Matthew Hart (Irish/America, 1830-1908) Summer Landscape, 1867, signed and dated lower left “Hart 67”, oil on canvas, 29-7/8 x 24-7/8 in.; gilt wood frame, 31-5/8 x 26-5/8 x 1 in., laid on panel, yellowed varnish, accretions, small areas of retouch; frame with minor abrasions Estimate: $2,000 - $4,000 46
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127 Charles L.A. Smith (American, 1871-1937) Sheep Grazing Under an Oak Tree, 1910, signed and dated lower left “Chas. LA. Smith 1910”, Favor, Ruhl & Co. colourman stamp verso, watercolor and gouache on illustration board, 21-3/4 x 27-7/8 in.; painted composition and wood frame, 29-1/4 x 35 x 2-3/4 in., toning, tacking holes not visible under frame; frame with abrasions Provenance: Private New York Collection Estimate: $800 - $1,200
128 Edward Lamson Henry (American, 1841-1919) The Visitor, signed lower right “E.L. Henry”, titled on frame, oil on panel, 7-5/8 x 101/4 in.; ornate reproduction gilt wood frame, 12-3/4 x 15-1/2 x 2-1/2 in., cradled, to mitigate a crack from left side and right side, consequent retouch, yellowed varnish; frame with minor wear Estimate: $2,000 - $3,000
129 Edward Lamson Henry (American, 1841-1919) At the Country Store, 1911, signed and inscribed lower right “To my Friend Geo. lnness Jr. From EL Henry 1911”, oil on paper, 7-1/4 x 10-1/8 in.; ornate reproduction gilt wood and composition frame, 12-3/4 x 15-1/2 x 2 in., laid on board, wear at edges not visible under frame, slight surface anomalies; frame with minor abrasions Estimate: $2,000 - $3,000
130 Edward Moran (British/America, 1829-1901) Fishing Boats, signed lower right “Edward Moran”, oil on canvas, 20 x 17-1/8 in.; reproduction painted and gilt wood frame, 22-5/8 x 19-5/8 x 1-3/8 in., original canvas and stretchers, crackle, old patch repair verso, scattered retouch, stretcher marks, one area of flaking with small hole in canvas at top of mast, yellowed varnish, surface dirt; frame with wear Provenance: Brunk Auctions, Asheville, North Carolina, September 14, 2019, lot 992; Private Collection Estimate: $1,000 - $2,000
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131 Everett Lloyd Bryant (American, 1864-1945) Wild Roses, unsigned, bears old illegible gallery label frame verso, oil on canvas, 25 x 30 in.; likely original carved gilt wood frame, 32 x 37 x 1-3/4 in., original canvas and stretchers, surface dirt, canvas showing through in places as made; frame with gold paint, wear Provenance: Private Collection, Richmond, Virginia Estimate: $3,000 - $5,000
132 Morston Constantine Ream (American, 1840-1898) Still Life with Compote and Pears, apparently unsigned, oil on canvas, 30 x 25 in.; modern gilt wood frame, 33-1/4 x 28-1/4 x 1-1/2 in., wax lined, two old patch repairs, stabilized crackle, retouch; frame in good condition Estimate: $2,000 - $4,000
133 Loran Speck (American, 1943-2011) Red Onions, signed lower left “L. Speck”, oil on Masonite, 7-1/2 x 16 in.; gilt wood frame, 12-3/4 x 12-1/4 x 2 in., very good overall condition; frame with minimal wear Provenance: Conacher Gallery, San Francisco, California (label verso); Private Collection, North Carolina Estimate: $1,200 - $1,800
134 Loran Speck (American, 1943-2011) A Single Apple, signed lower left “L. Speck”, oil on Masonite,6 x 7-1/2 in.; gilt wood frame, 12-3/4 x 11-1/4 x 1-1/2 in., very good overall condition; frame with minimal wear Provenance: Loran Speck Gallery, Carmel, California (label verso); Private Collection, North Carolina Estimate: $1,200 - $1,800
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
135 Shang Ding (Chinese/America, born 1954) Watching Teacher, 1990, signed and dated lower left, “Shang Ding 1990”, oil on canvas, 48 x 40 in.; gilt wood frame, 53-5/8 x 45-5/8 x 3 in., very good condition overall, small points of retouch; frame with minor abrasions Provenance: Private Collection, North Carolina Estimate: $8,000 - $12,000
136 Robert Crannell Minor (American, 1839-1904) Edge of the Road at Sunset, sign “Minor” lower right, titled and inscribed on old label verso “Edge of the Road at Sunset, Robert G. Minor, 60 SoWash N Square New York”, oil on board, 12 x 16 in.; reproduction gilt wood frame, 17 x 21 x 2-1/4 in., probable surface dirt, yellowed varnish, small areas of scattered retouch; frame with minor abrasions Provenance: Private Collection, South Carolina Estimate: $800 - $1,200
137 William Holbrook Beard (American, 1825-1900) Family of Deer, 1899, signed and dated lower left “W.H. Beard 1899”, oil on canvas, 14-1/8 x 20 in.; gilt wood frame, 16-1/2 x 22-1/2 x 1-1/4 in., good color, small points of retouch; frame with wear, abrasions Estimate: $800 - $1,200
138 Walter G. Gould Portrait of Henry Clay (American, 1829-1893) Portrait of Henry Clay, signed lower left “Walter Gould Pinxt”, oil on canvas, 34-1/8 x 27-1/8 in.; period gilt wood frame, 39-1/8 x 32-1/8 x 2-1/2 in., wax and acrylic lined, crackle, small area of pigment loss center left, scattered areas of retouch; frame with wear, abrasions Provenance: Berry Hill Galleries Inc., New York, NY (label verso) Estimate: $7,000 - $9,000
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139 Thomas Hart Benton, The Race (American, 1881-1975) or Homeward Bound (Fath 56), 1942, from the edition of 250, signed in pencil lower right “Benton”, Associated American Artists, publisher, with detached original label, image 8-15/16 x 13-1/8 in., sheet 10-15/16 x 14-7/8 in.; metal frame, 15-1/4 x 19-1/4 x 7/8 in., hinged in, pencil framing inscription in margin lower right, some light toning Provenance: Private Collection, Flat Rock, North Carolina Estimate: $5,000 - $7,000 Literature: Creekmore Fath, The Lithographs of Thomas Hart Benton. Austin: University of Texas Press, (1979), No. 56 pp. 132-133.
141 Charles Ephraim Burchfield (American, 1893-1967) Willows, 1941, signed with monogram and dated lower right “CEB 1941”, watercolor on paper, sight 17-3/4 x 13-1/2 in. fine burl wood frame, 29 x 24-3/4 x 1-1/2 in., not examined out of sealed frame, surface appears in very good condition; frame with minimal wear Estimate: $12,000 - $18,000 Exhibited: Salmagundi Club, New York, NY, n.d.
142 Wilson Irvine (American, 1869-1936) Tea Party with the Artist’s Daughter Lois, signed lower right “Irvine”, oil on canvas, 32 x 30 in.; fine carved gilt wood frame, 41-1/2 x 39-1/2 x 2 in., stretcher marks, surface dirt; frame with minimal wear Estimate: $15,000 - $20,000 50
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143 Colin Campbell Cooper (American, 1856-1937) Verona, Italy, St. Peter’s Bridge, signed lower left “C.C. Cooper”, title inscribed in pencil verso, oil on board, 6-5/8 x 11-5/8 in.; fine reproduction gilt wood frame, 13-3/8 x 18-3/8 x 1-3/4 in., good surface overall; frame with minor wear Provenance: Private New York Collection Estimate: $2,000 - $4,000
144 Frank Myers Boggs (American, 1855-1926) The Seine, Pont des Arts, circa 1905, signed lower left “Frank Boggs/Paris”, oil on canvas, 23-1/2 x 29 in.; likely original ornate period carved gilt wood frame, 33 x 38-1/2 x 4 in., original canvas and stretchers, at least three pin head sized holes in canvas, two small patch repairs verso, surface dirt; frame with abrasions, some old repairs Provenance: Private Connecticut Collection Estimate: $3,000 - $5,000 Exhibited: Bernard Black Gallery, New York, NY, “Frank Boggs, and exhibition of major works, January 13-February 8, 1964, catalogue number 12. (label verso)
145 George Kennedy Brandriff (American, 1890-1936) Douarnenez, France, 1929, unsigned, inscribed in market verso “”Painted by George K. Brandriff/Mrs. George K. Brandriff (widow)/Douarnenez, France/Church and Street 1929”, oil on canvas board, 14 x 11 in.; modern wood frame, 20-1/2 x 17-1/2 in., areas of retouch sky; frame with minimal wear. Bears conservation label verso specifying “cleaned, chemically treated and finished with an acrylic ester resin varnish”. Provenance: Private New York Collection Estimate: $1,000 - $3,000
146 Jules Eugene Pages (American/California, 1867-1946) A Busy Evening on A French Street, artist stamp lower right, inscribed illegibly verso, oil on canvas, 21-3/4 x 18-1/8 in.; fine reproduction gilt wood frame, stamped “Richard Tobey Los Angeles”, 29-1/8 x 25-5/8 x 2-3/4 in., original canvas, re-stretched on new stretchers, minimal crackle, stretcher marks, surface dirt; frame with minor abrasions Provenance: Private New York Collection Estimate: $1,000 - $2,000
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147 Lockwood De Forest (American, 1850-1932) Ganeshbal, Kashmir, 1881, signed, dated and titled lower right “Ganeshbal, July 28/81, L de F”, oil on paper, 9-1/2 x 14 in.; carved gilt wood frame, 14 x 18 x 1-1/2in., laid down on canvas, surface abrasions; frame with wear, abrasions, Provenance: Private New York Collection Estimate: $1,000 - $2,000 Exhibited: Debra Force Fine Art, Inc., “An Exotic Journey: The Furniture & Paintings of Lockwood de Forest”, New York, NY, Jan. 7, 2015-Mar. 13, 2015 (label verso)
148 British or American School Landscape (19th century) Mountain Landscape, unsigned, oil on canvas, 7 x 18-1/4 in.; original gilt wood and composition frame, 11-1/4 x 21-3/4 x 2-1/2 in., original stretcher and tacking edge, surface dirt, canvas slightly slack, areas of retouch, abrasions; frame with abrasions, wear and frame with bric-a-brac attached to edge Provenance: Ken Farmer, June 1, 2003, Lot 275 (original label verso); Private Virginia Collection Estimate: $200 - $400
149 American School Theorem Painting (19th century) Basket with Strawberries, Peach, Pear, Grapes On a Marbletop Table, unsigned, London blind stamp upper right, watercolor on paper, sight, 11-3/4 x 14 in.; original 19th century gilt wood and composition frame, original glass and backing, 15-3/4 x 18-1/8 x 1-1/2 in., not examined out of frame, not apparently laid down, toning, staining; frame with wear commensurate with age, minor abrasions Provenance: Private Virginia Collection Estimate: $0 - $0
150 Bristol Delft Adam and Eve Charger, Ex. Price Glover Collection English, first half 18th century, probably Limekiln Lane, white ground with blue, green, and yellow decoration depicting Adam and Eve in the Garden of Eden, serpent with arrow tail, unique border decoration of alternating blue dashes and chevrons, 3 x 13-1/4 x 13-1/4 in., overall good condition, typical scattered glaze voids throughout, pinholes and other firing anomalies, chips to foot rim Provenance: Christie’s, London, November 2, 1981, lot 211; Christie’s, London, “The Price Glover Collection of Fine English Pottery”, June 14, 1988, lot 10 Estimate: $3,000 - $5,000 A similar charger sold at Bonham’s, London, “A Modern Antiquarian: The Collection of Graham Slater - Part I”, April 15, 2025, lot 127 for £3,840.
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
151 Three Spanish Colonial School Santos Figures (South American, 18th/19th century) Two friar figures, possibly depicting St. Francis of Assisi; santos figure holding book, possibly depicting San Antonio de Padua; carved and polychromed, largest 17-3/8 x 7-3/4 x 5-1/2 in., scattered chips and losses to wood and paint throughout; both friar figures lacking arms, one with nail repair to base; San Antonio figure with loose proper right hand, retouch to proper left hand and head, and likely lacking element atop book Provenance: Private Collection Estimate: $600 - $900 One friar figure inscribed to base “Purchased Guatemala 1974” and the San Antonio figure inscribed “Quit Ecuador 1974”.
153 Rare Virginia Attributed Commode Chair Frame late 18th/early 19th century, commode chair with slip seat, traces of early upholstery, white pine, walnut and other mixed woods, 39-1/4 x 25 x 31-1/4 in., seat height 14-1/4 in., typical wear and holes from previous upholsteries, patching through front rail mortise, losses at arm tops, proper left arm and stile joint loose, upholstery tacking scars throughout, formerly fitted with casters now removed Provenance: Bequeathed to the Thomas Jefferson Foundation by Olivia Taylor and Margaret Taylor in 1985; Property deaccessioned by the Thomas Jefferson Foundation, Inc. These objects were never owned by Thomas Jefferson. They are not directly related to Thomas Jefferson or Monticello itself, and therefore fall outside the Foundation’s collections scope. Proceeds will be used to benefit the conservation and acquisitions fund. Estimate: $200 - $400
152 American Federal Giltwood Eglomise Mirror with Eagle late 18th/early 19th century, original eglomise panel with eagle and ribbon in oval reserve, frame flanked by thin spiral turnings set in niches, 25-1/4 x 14-1/4 x 3 in., probably later mirror plate with faint desilvering and some scratches (not removed), gilt and eglomise with minor retouch Provenance: Private South Carolina Collection Estimate: $400 - $800
154 de Bry - Four Leaves from Grandes Voyages, Framed Theodore de Bry, Frankfurt, 1591 or later, uncolored engravings on laid paper of plates V-VIII from Grands Voyages; sheets approx. 12-3/4 x 9 in.; in wood frames, 21-5/8 x 17-1/8 x 3/4 in., not examined out of frame, some small closed tears and losses along edges of sheets not appearing to affect image or text, some scattered areas of old creasing; one mat with moisture marks not appearing to extend to or affect sheets Provenance: Brunk Auctions, Asheville, North Carolina, Day 2: American, Southern & European Decorative Arts, January 27-28, 2017 (tags); Private North Carolina Collection Estimate: $600 - $800
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155 Franz Bischoff, Porcelain Plate (American, 1864-1929) Yellow Roses, signed to left side “FA Bischoff”, enamel and gilt, 8-1/4 x 8-1/4 in.; carved gilt wood shadowbox frame, 20 x 20 x 2-1/2 in., not examined out of frame, overall good condition, minor bumps to frame corners Provenance: Private New York Collection Estimate: $1,000 - $3,000
156 Federal Inlaid Walnut Sarcophagus Top Blanket Chest probably American, possibly Pennsylvania, circa 1820, dovetailed construction, bone inlaid escutcheon, string inlay with floral basket to front and barber pole applied to edges, bracket feet, interior till with two drawers, pine secondary, 27 x 41-1/2 x 18-3/4 in., proper left feet with repairs to breaks, typical wear throughout including ring stains to lid and checking Provenance: Private Connecticut collection; Freeman’s, Chicago, Illinois, April 29, 2025 Estimate: $500 - $700
157 American Federal Inlaid Mahogany Shaving Mirror late 18th/early 19th century, old distressed mirror place, single drawer with probably original brass pulls, white pine secondary, 17-1/2 x 14-1/4 x 7 in., old mirror plate possibly original (not removed) with desilvering, later backboard, scattered splits and typical minor surface wear Provenance: Barbara Bako Antiques, North Canton, Ohio, April 1986 (accompanied by copy of receipt for $350); Private Virginia Collection Estimate: $200 - $400
158 New England Queen Anne Cherry Dressing Table probably Connecticut, top with molded edge and ample overhang, two drawers with original bail brasses, bladed cabriole legs on slipper feet, poplar and white pine secondary, 25 x 29-3/4 x 21 in., top replaced, typical surface wear, some gaps to top boards Provenance: Private Virginia Collection Estimate: $500 - $700
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
159 Miniature Federal Inlaid Walnut Blanket Chest American, 19th century, dovetailed construction, diamond inlaid escutcheon, bracket feet, white pine secondary, 6-1/2 x 12-1/4 x 6-1/2 in., hinge screw breakouts at body, molding to proper left lid side loose, typical light surface wear Estimate: $200 - $400
160 Reed & Barton Francis I Sterling Bowl American, 20th century, Round with fruit and foliate decoration, no monogram, marks for Reed & Barton, “X569”, 10.80 oz. T., 2-3/4 x 8 in., good condition Provenance: Private Collection, Palm Beach, Florida Estimate: $400 - $800
161 Three Sterling Serving Pieces American, 20th century, including Black. Starr & Frost round bowl with scroll border, 2-1/2 x 11 in.; Royal Danish oval bowl, 1-1/2 x 12-1/74 x 7-3/4 in.; shaped rectangular bread basket, 2-1/4 x 16-1/4 x 10-1/4 in., 60.31 oz. T. total weight, good condition, light wear Provenance: Private Collection, Palm Beach, Florida Estimate: $2,400 - $2,800
162 Williamsburg Shell Sterling Flatware, 104 Pieces American, 20th century, including 16 hollow handle knives; 12 hollow handle spreaders; twenty six 7-5/8 in. forks; eighteen 6-1/2 in. forks; 21 teaspoons; nine oval soup spoons; two hollow handle butter knives; two shell bowl ladles; two serving forks; serving spoon, 125.32 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection, Newberry, South Carolina Estimate: $4,500 - $5,500
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163 Gorham Rondo Sterling Flatware, 60 Pieces American, 20th century, including eight hollow handle knives; six forks; 16 salad forks; 16 teaspoons; eight hollow handle spreaders; ladle; two serving spoon; slotted serving spoon; serving fork; sugar spoon, no monograms, marks for Gorham, 57.35 oz. T. excluding hollow handle pieces; with six silver plate demitasse spoons, average wear Provenance: Private Collection Estimate: $2,200 - $3,000
164 Dominick & Haff Charles II Sterling Flatware, 78 Pieces American, 20th century, including ten hollow handles knives; twelve forks; seventeen teaspoons; eleven oval soup spoons; twelve large spoons; nine solid handle spreaders; seven cocktail forks, six gilt; serving spoon with shell bowl; asparagus fork, monograms, all with marks for Dominick & Haff, 92.92 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection Estimate: $3,500 - $4,500
165 166 International Royal Danish Sterling Flatware, 156 Pieces Reed & Barton Eighteen Century Sterling flatware, 93 Pieces American, 20th century, including twelve 9 in. hollow handle knives; twelve 10 in. American, 20th century, including 14 each: hollow handle knives; forks; salad hollow handle knives; fourteen 7-3/4 in. forks; sixteen 7-1/4 in. forks; twenty-three forks; teaspoons, hollow handle spreaders, 12 round soup spoons; four serving salad forks; salad fork; thirty-two teaspoons; small teaspoon; twenty-four round spoons; ladle; serving fork; pickle fork; lemon fork; hollow handle: butter knife; soup spoon; twelve hollow handle spreaders; ladle; serving fork; jelly server; sugar pasta server; pie server, all with marks for Reed & Barton, 99.15 oz. T excluding spoon; sugar tongs; large and small hollow handle carving set, no monograms, hollow handle pieces; with stainless pasta tongs; wooden case, average wear marks for International, 175.47 oz. T. excluding hollow handle pieces; with wooden Provenance: Private Collection, Palm Beach, Florida case, average wear Estimate: $4,000 - $5,000 Provenance: Private Collection, Palm Beach, Florida 56Estimate: $7,000 - $8,000 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
167 Towle Old Master Sterling Flatware, 53 Pieces American, 20th century, including 12 hollow handle knives; 12 forks; 12 teaspoons; seven teaspoons; 11 round soup spoons; nine solid handle spreaders; two serving spoons, monograms, marks Towle, 51.18 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection, Newberry, South Carolina Estimate: $2,000 - $3,000
168 International 1810 Sterling Flatware, 49 Pieces American, 20th century, including eight hollow handle knives; eight forks; eight salad forks; 17 teaspoons; eight solid handle spreaders, monograms, marks for International, 52.66 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection, Newberry, South Carolina Estimate: $2,000 - $3,000
169 Ben Long, Italian Landscape (American/North Carolina, born 1946) Italian Landscape, signed lower right, oil on board, 12 x 16 in.; gilt wood frame, 163/4 x 20-3/4 x 2 in., surface is clean and unmarked, some light wear at edges under frame; frame with light wear and small loss lower left corner Provenance: Private Texas Collection Estimate: $600 - $800
170 Sam Hyde Harris (American, 1889-1977) Coast Symmetry, signed lower left “Sam Hyde Harris”, titled verso, possible artist number verso “#1063”, oil on canvas, 18 x 24 in.; gilt wood frame, 23-1/2 x 29-1/2 x 1-1/2 in., vibrant color, laid on board as artist made, tacking holes at edges, surface dirt, accretions; frame with minor wear Provenance: Artist’s Estate (stamped verso); Private New York Collection Estimate: $800 - $1,200
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171 Alexander Dzigurski (Serbian/America, 1911-1995) Seascape, signed lower right “A. Dzigurski”, stamped with artist stamp on canvas verso “Copyright Reserved by Prof. Alex Dzigurski American Marines and Landscapes”, oil on canvas, 24 x 36 in.; painted wood frame, 29-3/4 x 41-5/8 x 2-7/8 in., good color, minor crackle, accretions; frame with abrasions, small losses Provenance: Private Collection Estimate: $2,000 - $3,000
173 Arthur Grover Rider (American, 1886-1975) Serra Arch, Mission San Juan Capistrano, signed lower right “A.G. Rider”, watercolor on watercolor paper, 16-1/8 x 12-7/8 in.; gilt wood frame, 27-3/4 x 241/4 x 1-3/8 in., vibrant color, hinged to mat at two points, tape reinforcements on edges, tape remnants verso, foxing; frame with abrasions Provenance: Private New York Collection Estimate: $800 - $1,200 58
172 Attributed to Harrison Bird Brown (American, 1831-1915) Crashing Waves, unsigned, inscribed in stretcher verso “Mrs. A Drower of H.B. Brown’s Studio 75”, oil on canvas, 15-7/8 x 23 in.; likely period gilt wood frame, 20-1/2 x 27-3/8 x 1-1/2 in., original canvas and stretchers, surface dirt, stretcher marks, minimal flaking, spots of florescence; frame with wear, abrasions, appears to be inner lining only Provenance: Thomaston Place Auctions, April 26, 2003 (label verso); Private Virginia Collection Estimate: $1,000 - $2,000
174 Colin Campbell Cooper (American, 1856-1937) City Wall, Toledo, Spain, signed lower left “Colin Campbell Cooper”, signed and stamped verso, gouache on cardboard, 4-3/4 x 7 in.; reproduction gilt wood frame, 17 x 18-3/4 x 1 in., taped to mat verso, dry unvarnished surface, crackle some surface abrasions; frame with abrasions Provenance: Sullivan Goss, Ltd., Santa Barbara, California (label verso); Private New York Collection Estimate: $800 - $1,200
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
175 Eanger Irving Couse (American, 1866-1936) Low Tide, c. 1893, signed lower left “Couse”, inscription pen verso “French Breakwater, Pas de Calais at Low Tide c. 1893/by E.A. Couse, N.A.”, oil on canvas, 6-3/4 x 9 in.; modern gilt wood and composition frame, 13 x 15 in., laid on Masonite, surface dirt; frame with minimal wear, linen liner with minimal dirt Provenance: Brunk Auctions, Asheville, North Carolina, March 23, 2019, lot 1743, sold for $2,640; Private Collection Estimate: $2,000 - $3,000
176 Charles Allen Hulbert (American, 1859-1939) Margueta, signed upper right “Charles Allen Hulbert”, titled on label verso, oil on linen, 10 x 8 in.; ornate reproduction gilt wood and composition frame, 15-5/8 x 13-1/2 x 2 in., laid down on board, minimal crackle, surface dirt; frame with minor abrasions, separation at corners Provenance: Private Gainesville, Georgia Collection Estimate: $700 - $900 Exhibited: Salmagundi Club, “Thumb Box Exhibition”, New York, NY (label verso)
177 Carl Sammons (American, 1883-1968) Sand Dunes, Pacific Grove, California, 1998, signed lower left “C. Sammons”, signed, dated and titled in pencil verso “Sand Dunes Pacific Grove Calif. by Carl Sammons 1998”, oil on canvas, 6-1/8 x 8 in.; black painted and gilt wood frame, 11-5/8 x 13-1/2 x 1-1/4 in., vibrant color, laid on board, as artist made; frame with minor wear Provenance: Private New York Collection Estimate: $800 - $1,200
178 Colin Campbell Cooper (American, 1856-1937) Spring Day with House, signed lower left “C.C. Cooper”, oil on board, 11-3/4 x 15-3/4 in.; gilt wood frame, 14-7/8 x 18-7/8 x 1-1/2 in., losses to three corners not visible under frame, small area of crackle in upper right corner, yellowed varnish, tiny points of retouch; frame with abrasions Provenance: Private New York Collection Estimate: $2,000 - $4,000
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179 Colin Campbell Cooper (American, 1856-1937) Study, Grande Place, Antwerp, signed lower right and verso “C.C. Cooper”, artist stamp verso “Colin Campbell Cooper Collections”, bears Geo. Rowney & Co. London colourman’s label verso, oil on board, 11-5/8 x 6-7/8 in.; fine period gilt wood frame, stamped “Richard Tobey Los Angeles”, 17-3/8 x 12-5/8 x 1-5/8 in., old repairs to corners with subsequent retouch; frame with abrasions. Conservator’s label verso states “cleaned, chemically treated, and finished with an acrylic Ester resin varnish”. Provenance: DeRu’s Fine Arts, Laguna Beach, California (label verso); Private New York Collection Estimate: $1,000 - $2,000
180 Carl Sammons (American, 1883-1968) Near Olancha, High Sierra, signed lower right “C. Sammons”, oil on canvas, 6 x 8 in.; gilt wood frame, 10 x 12 x 1-1/8 in., vibrant color, laid on board, as artist made, glue remnants at edges not visible under frame; frame with minor wear Provenance: Private New York Collection Estimate: $700 - $900
181 Emma Lampert Cooper (American, 1860-1920) Indian Village, San Diego, 1916, signed lower left “E Lampert Cooper”, titled and dated in pencil verso, possible artist inventory number verso “88”, oil on canvas, 8-5/8 x 10-1/2 in.; painted black wood and gilt frame, 14-1/2 x 16-3/8 x 1-3/4 in., laid on board, as artist made, crackle, slight surface dirt; frame with minor abrasions Provenance: Private New York Collection Estimate: $800 - $1,200
182 Emma Lampert Cooper (American/New York, 1855-1920) Indian Camp, San Diego California, 1916, signed lower left “E Lampert Cooper”, titled and dated in pencil verso, possible artist inventory number inscribed verso “36”, oil on canvas, 8-1/2 x 10-1/2 in.; black painted and gilt wood frame, 14-3/8 x 16-3/8 x 1-3/4 in., good color, laid on board, as artist made; frame with minor abrasions Provenance: Private New York Collection Estimate: $600 - $800
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
183 John Modesitt (American, born 1955) High Sierra Trails, Lake Summer, signed lower left “Modesitt”, signed and titled verso, oil on panel, 9 x 12 in.; fine gilt wood frame, 15-3/8 x 18-1/2 x 1-3/8 in., good overall condition; frame with minor wear Provenance: Private New York Collection Estimate: $600 - $800
184 John Modesitt (American, born 1955) Sierra Nevada - Pine Lake Area, 2023, signed lower left and on stretcher verso “Modesitt”, titled on stretcher verso, oil on canvas, 12 x 16 in.; gilt wood frame, 183/8 x 22-3/8 x 1-1/2 in., overall good condition; frame with minor wear Provenance: Private New York Collection Estimate: $600 - $800
185 Monumental Arts and Crafts Stained Glass Window Panel on Stand American, early 20th century, leaded slag glass panes depicting abstract floral scene, held in footed and painted wood frame, approx. 92-1/4 x 53-1/4 x 19-1/2 in., approximately 19 panes with cracks, some wear to leading with one crack, frame with wear at edges Provenance: Private Collection Estimate: $1,000 - $2,000 According to consignor notes, this piece was originally housed within a church.
186 Pairpoint Table Lamp with Reverse Painted Glass Shade American, 20th century, yellow to teal glass shade with reverse painted countryside scene marked “The Pairpoint Corp”, bronze tone metal base with scalloped foot and octagonal stem marked “Pairpoint MF’G CO/C3058”, 18-1/8 x 13-3/4 x 13-3/4 in., wired for electricity, not tested for functionality, shade with small chips and fleabites (mostly to edges), some scattered scratches, some wear to paint, stand with areas of wear and abrasion Provenance: Peterson Antiques, Peterson, Alabama Estimate: $600 - $900
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187 Handel Table Lamp with Reverse Painted Glass Shade American, 20th century, chipped ice glass shade with reverse painted naturalistic scene at sunset and marked at rim “Handel”, metal base with square foot and columnar stem marked at underside “Handel 590”, 21-1/4 x 15-7/8 x 15-7/8 in., wired for electricity, not tested for functionality, shade with chips to top at point of connection to base, some areas of wear and loss to paint, base with attractive patina, some areas of verdigris and discoloration, one light fixture loose in socket Provenance: Peterson Antiques, Peterson, Alabama Estimate: $2,000 - $3,000
188 Reverse Painted Glass Lampshade and Handel Lamp Base American, 20th century, comprising: reverse painted shade with polychrome floral motif, apparently unmarked, 7-3/8 x 16-7/8 x 16-7/8 in.; faux bronze urn form metal base marked “Handel” at underside, 22-1/4 x 7-3/4 x 7-3/4 in., wired for electricity, shade with scattered scratches and fleabites, some small chips to rim, some minor wear to paint at interior; base not tested for functionality, some wear to paint Provenance: Peterson Antiques, Peterson, Alabama Estimate: $200 - $400
189 Two Arts & Crafts Oak Rockers Including Limbert early 20th century, quartersawn oak, both examples with slatted backs and arm supports, Limbert example with bowed crest rail, brand to arm underside, black leatherette cushions, Limbert rocker 34-1/4 x 28 x 31 in., seat height16 in., typical minor surface wear throughout Provenance: Private Collection Estimate: $400 - $600
190 Two Cast Iron Turtle Form Spitoons 20th century, each naturalistically modelled with articulating head and shell, one embossed “Golden Jacobson’s...”, one likely Bradley & Hubbard, larger 4 x 13-1/2 x 11 in., discoloration, spotting, and verdigris, general surface wear; larger with loss to paint and gilt Provenance: Private South Carolina Collection Estimate: $400 - $600
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
191 Pair of Maitland-Smith Bronze Elephant lamps American, 20th century, each posed atop a ball, each with matching shade, 30 x 8-1/4 x 8-1/4 in. overall, wired for electricity, not tested for functionality, uneven patination, some minor wear, otherwise good condition Provenance: Private Collection Estimate: $800 - $1,200
193 Pair of Art Deco Bronze Sculptures After Maude Sherwood Jewett (American, 1875-1953) in the form of a nude male and female bacchante clasping hands, marble bases, each approx. 13-5/8 x 16 x 4 in., areas of rubbing to patina, light wear, some polish residue to crevices, some wear to points of attachment and bases Provenance: Private Collection, Palm Beach, Florida Estimate: $500 - $700
192 Maitland-Smith House Form Table Lamp American, 20th century, mahogany with brass accents, label at base reads “Handmade in the Philippines/Designed by Maitland-Smith”, 25 x 10-1/2 x 10-1/2 in., not tested for functionality, some minor cracking to surface, some slight bumps and abrasions, some discoloration to metal Provenance: Private Collection Estimate: $800 - $1,200
194 Rare Virginia Painted Sheet Iron Pig Weathervane or Trade Sign attributed to Eastern Virginia, circa 1900, sheet iron pig with applied ears, black and white paint decoration on both sides, curled wrought iron tail, pierced eye, wrought iron bracing, 22-3/4 x 43 in; overall height 34-1/2 in., good condition with typical surface corrosion and rust from use, minor dents and bending. Provenance: formerly collection of Roddy and Sally Moore, Ferrum, Virginia; Collection of John and Scottie Austin, Williamsburg, Virginia; sold Brunk Auctions, Asheville, North Carolina, Nov 15, 2014, lot 710; Private Collection, Asheville, North Carolina Estimate: $300 - $500 Exhibited: “Southern Make: The Southern Folk Heritage”, McKissick Museum, 1981; illustrated in accompanying catalog (see photos).
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195 Maitland-Smith Mahogany Dollhouse Form Bar Cabinet late 20th/21st century, two door cabinet facade, lit interior with glass shelf, dollhouse on two drawer Chippendale style base, drawer with “Maitland-Smith” metal badge to interior, 64 x 33 x 21 in., typical scattered minor surface wear, proper left top molding corner with edge loss, nicks to lower legs and feet Provenance: Private Collection Estimate: $1,000 - $2,000
196 Miniature Queen Anne Style Tiger Maple High Chest of Drawers made by Edwin R. King, New Bedford, Massachusetts, dated May 4, 1933, no. 714, one piece, top long drawer inscribed to the back and with indistinct “Later Facts” inscribed to bottom of same drawer, numbered to back of case, 22-3/4 x 10-3/4 x 5-1/2 in., break and repair to finial, minor oxidation to pulls, breaks and repairs to both back legs, one at ankle Provenance: Private Collection Estimate: $400 - $600
197 Maitland-Smith Wood Model of a Sailboat label at base reads “Handmade in Philippines/Designed by Maitland-Smith Ltd.”, carved wood and cloth sails, affixed to stand, 40-1/2 x 41 x 11 in., overall good condition, some surface dust, minor wear and abrasions Provenance: Private Collection Estimate: $200 - $400
198 Carved and Painted Wood Model Steamship probably American, 20th century, apparently unmarked, with two removable lifeboats and articulated rudder and propeller, painted metal funnel, approx. 8-7/8 x 6-1/2 x 25-1/2 in.; on fitted wood stand, 3 x 5-1/8 x 10-3/8 in., wear and loss to paint, some surface dirt and dust, scattered cracks and age splits to wood, area of loss to deck railing at rear; stand with wear Estimate: $200 - $400
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
199 Rare Thomas Edison Model 35-A Self-Winding Stock Ticker Machine early 20th century, brass mechanism marked “M.F.D. By T.A. Edison Inc./10383” and “35-A”, painted cast-iron base with plaque, and glass dome, with roll of ticker tape, 15-3/8 x 7-7/8 x 7-7/8 in., not tested for functionality, wear commensurate with age and use; cast-iron base with loss to paint and crack Provenance: Private Collection, Palm Beach, Florida Estimate: $3,000 - $5,000
200 Jim Lambert, Folk Art Angel (American, 20th/21st century) Blonde Flying Angel, 1997, signed and dated verso “Lambert/1997”, carved and painted wood with found objects, 19-1/4 x 15-1/4 x 1 in., overall good condition, loss to paint and wear as made Provenance: Private Collection Estimate: $500 - $700
201 Ithaca Tin Trade Sign, The Rosenberg Mercantile Company American, early 20th century, approx. 48 x 12-1/2 in., scattered scratches and loss to paint commensurate with age and use, some warping and dents, drilled holes for suspension Provenance: Private Collection Estimate: $3,000 - $5,000
202 An Historical Account of the Climate and Diseases of the United States of America, by William Currie, Philadelphia: T. Dobson, 1792, rebacked contemporary sheep binding with original morocco spine label retained, [iv], [iv], 4, 409, v, [iv], 8vo, 7-7/8 x 1-1/8 x 5-1/8 in., wear and losses to extremities, corners bumped, front fly papers with previous owner’s inscription “Jos. Brookfield/April 6th 1812” detached and chipped at edges but present, toning and foxing throughout text block which is otherwise serviceable Provenance: The Medical Library of Jan Muhlbauer; Bonhams, New York, NY, “History of Science & Technology”, October 14-24, 2025; Private Collection Estimate: $800 - $1,200
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203 [Later Chief Justice] John Marshall Autographed Letter Signed June 10, 1800, Washington, note to Mr. Fielding to allow Mr. Cushing access to records in the Treasury case, almost certainly referring to William Cushing, Associate Justice of the Supreme Court, signed “J. Marshall”, with Steve Grad Letter of Verification, unframed, 6-1/4 x 7 in., good overall, losses at corners and periphery from prior mounting not affecting text, discrete traces of adhesive at back from that same mounting, mild staining and toning throughout Provenance: Private Collection Estimate: $1,000 - $1,500 Having been nominated by President John Adams in May, Marshall officially entered his duties as the 4th U.S. Secretary of State just four days prior on June 6, 1800.
204 Impressive Franklin D. Roosevelt Typed Letter Signed dated May 4, 1942, on White House stationery, to union leader Matthew Woll, letter discusses the insurance industry where Roosevelt assures Woll that there is no thought of bringing insurance companies “under Federal control”, signature and Roosevelt hand notation “Private”, presented next to intaglio lithograph of Roosevelt, framed and matted, 14-1/2 x 18 in. overall, good overall, visible horizontal folds and light staining, a wonderfully bold signature Provenance: purchased from Goodspeed’s Book Shop, Boston, Massachusetts, December 19, 1975 for $105, accompanied by copy of receipt; Private Collection, Asheville, North Carolina Estimate: $800 - $1,200 Also included is an unframed letter from Woll four years later, addressed to John Holcombe, Jr., covering how the President (Truman) is expected to “establish, by Executive Order, a board to supervise insurance companies.”
206 Varina Howell (Mrs. Jefferson) Davis Personal Objects and Ephemera “First Lady of the Confederacy”, December 1884 dated letter to Jefferson Davis from his wife at Beauvoir home, 7-3/4 x 9-3/4 in., with outer envelope; 1906 check to “Miss V. D. Howell” signed by “V. Jefferson Davis” (endorsement on back); portrait of Varina Howell Davis in period oval-shaped frame, 4-1/4 x 5-1/2 in.; small locket worn by Mrs. Jefferson Davis containing a picture of daughter “Winnie”; three cabinet cards of Robert E. Lee, Jefferson Davis, Varina Anne Davis “Winnie”, each 6-1/2 x 4-1/4 in., good overall; letter with fold and mild toning; envelope with period end tear to open contents; check hammer canceled and some paper loss at center, ink smear; locket hinge fully separated; cabinet cards with some handling wear, minor surface marks, fading, and occasional staining Provenance: Descended through Jefferson and Varina Davis family, later Hayes and Webb families by marriage (see note) Estimate: $2,000 - $4,000 Joel Addison Hayes married Margaret Howell Davis and moved to Colorado Springs, Colorado in 1885. They had a daughter Varina Hayes Davis who married Dr. Gerald B. Webb. Their son Joel, married Barbara A. Palmer. Upon Barbara’s passing these objects were offered through a Webb family estate sale circa 2012.
205 Autograph Letter Signed, Samuel Langhorne Clemens “Mark Twain” Hartford, Connecticut, dated January 25, 1887, transcription of letter: Dear Sir, Enclosed please find 2 fares from New York to Hartford. When I told you, in the smoking car, coming out of New York, Saturday 4:30pm, that I was “out of soap,” & that my mileage book was forward in the palace car, I meant to make things right before reaching Hartford, but the whist game employed me to the very last moment, & I had to jump or get carried by. By the time I found my wife & my mileage book you were already gone. I make my apologies now, & will try to be more trustworthy next time. Yours Truly, SL Clemens, with Steve Grad letter of verification, two leaves with each 8-1/4 x 5-1/4 in., good overall, horizontal folds and some mild discoloration, the letter “P” is curiously punched multiple times on each leaf (a pencil notation at the back suggests some connection to Twain’s essay Punch, Brothers, Punch!) Provenance: Property of a Southern Lady Estimate: $1,000 - $1,500 Our consignor indicates that this letter was written to financier and industrialist Henry Huttleston Rogers of Tuxedo Park, New York. 66 https://live.brunkauctions.com/auctions/brunk/american-
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207 Kirk Castle Repousse Coin Silver Footed Bowl and Spoon, Jefferson Davis Provenance, Baltimore, Maryland, 1846-1861, repousse castle and floral decoration, monogrammed “JVD” (Jefferson & Varina Davis), marks for “S. Kirk & Son”, “11oz”, 6 x 6-1/2 in.; with Kirk Mayflower Pattern small spoon, monogram, “D”, 4-5/8 in., 15.73 oz. T. total, several dents, light scratches, and typical wear Provenance: Descended through Jefferson and Varina Davis family, later Hayes and Webb families by marriage (see note) Estimate: $2,000 - $4,000 Joel Addison Hayes married Margaret Howell Davis and moved to Colorado Springs, Colorado in 1885. They had a daughter Varina Hayes Davis who married Dr. Gerald B. Webb. Their son Joel, married Barbara A. Palmer. Upon Barbara’s passing these objects were offered through a Webb family estate sale circa 2012. A similar Kirk & Son bowl was sold by Heritage Auctions as Lot #32111 in their June 8, 2013 sale and realized $15,535. The Heritage example was presented to Mrs. Jefferson Davis by the citizens of Macon, Georgia in October of 1887.
209 Fine Pair of Scrimshaw Tusks 19th century, one depicting a whaler (possibly of African descent), and cavalry officer (possibly Civil War) and whaling scene, the other with Bible and cross, Great Seal of the United States, American flag, hole drilled at tip, each approx. 28-1/4 x 2-5/8 x 1-3/4 in., some wear to carved decoration, age cracks, stains and surface accretion (not attempted to clean); one with break and repair near tip Provenance: Estimate: $1,200 - $1,800 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
208 Rare Scrimshaw Tooth with Scene of the State Hospital Building, Connecticut 19th century, one side depicting the State Hospital in New Haven designed by Ithiel Town, inscribed “State Hospital Connecticut”, and the other likely depicting the old St. John’s Episcopal Church, inscribed “Episcopal Church Kent”, approx. 5-5/8 x 2-5/8 x 1-5/8 in., some wear to carved decoration, minor surface discoloration, small old 1/2 in. crack and loss near base Provenance: Estimate: $3,000 - $5,000 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
210 U.S. Army Model 1913 Cavalry Saber, “Patton Sword”, WWI by Landers, Frary, and Clark, designed by then-Lieutenant (later General) George S. Patton Jr., stamped at ricasso “L.F.&C.” with flaming bomb and “1918”; accompanied by canvas-covered scabbard; overall with scabbard 42 in., good overall, minimal wear and handling, light rub to surfaces, blade maintains a solid edge despite a couple of rough areas towards the tip Provenance: Private Collection, Biltmore Forest, North Carolina Estimate: $300 - $500 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog Click here to view lots and detail photos.
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211 Jennifer Moses, California Scene (American, 20th/21st century) Shadows in Monterey Bay, 2008, signed lower right “J.Moses”, signed, titled and dated verso, oil on canvas, 30 x 39-7/8 in.; modern dark wood frame, 38 x 48 x 2-3/8 in., overall good condition; frame with minor wear Provenance: Private New York Collection Estimate: $1,000 - $2,000
212 Pal Fried (Hungarian/America, 1893-1976) Rodeo: Man on Horse, signed lower right “Fried Pal”, titled on label verso, oil on canvas, 30 x 24 in.; Arts and Crafts Style Frame, 36-1/2 x 30-1/2 x 1-3/8 in., vibrant color; frame with minor wear Provenance: Arnot Galleries (label verso); Private New York Collection Estimate: $800 - $1,200
213 Pair of Native American Portraits (American, circa 1950) Native American Chiefs with Medals, a Pair of Portraits, indecipherably signed, watercolor on buff paper, sight 6 x 4 in. each; matching brown finished frames, 12-1/2 x 10 x 3/4 in., not examined out of sealed frames, surfaces appear in good condition; frames with minimal wear Provenance: Kennedy Galleries, Inc., New York, NY (labels verso); Alexander Gallery, New York, NY (labels verso) Estimate: $800 - $1,200
214 Nathan Solano (American, born 1950) A Good Hair Day, 2004, signed and dated lower left and verso “Solano 04”, titled verso, oil on board, 14 x 18 in.; gilt wood frame, 18-1/2 x 22-1/2 x 7/8 in., very good overall condition; frame with minor wear Provenance: Private Collection Estimate: $800 - $1,200
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
215 Carl Sammons (American, 1883-1968) Carmel Coast, 1948, signed lower right “Sammons”, signed, dated and titled in pencil verso “Carmel Coast by Carl Sammons 1948”, oil on canvas, 6 x 8 in.; black painted and gilt wood frame, 11-5/8 x 13-5/8 x 1-1/4 in., vibrant color, laid on board, as artist made; frame with abrasions Provenance: Private New York Collection Estimate: $700 - $900
216 Carl Sammons (American, 1883-1968) Palm Springs, signed lower right “Carl Sammons”, titled on label verso, oil on canvas, 20 x 26 in.; fine reproduction gilt wood frame, 27-1/2 x 33-1/2 x 2-1/4 in., good color; frame with minor abrasions, some repairs, subsequent gold paint. Conservator’s label verso states “cleaned, chemically treated, finished with an acrylic Ester resin varnish”. Provenance: East Coast Art (label verso); Private New York Collection Estimate: $800 - $1,200
217 Douglas P. Morgan (American, 1948-2021) Cliffside, signed lower left “Douglas Morgan”, inscribed verso with title, artist name, and “Honorable Mention/2005 Carmel Art Festival”, oil on panel, 11 x 14 in.; fine reproduction gilt wood frame, 18-3/4 x 21-3/4 x 1-1/2 in., painting in very good condition; frame in very good condition Provenance: Private New York Collection Estimate: $500 - $700
218 John Charles Terelak (American, born 1942) In the Town, 1991, signed and dated lower right “JC Terelak 91”, oil on canvas, 24 x 30 in.; gilt wood frame, 31-1/4 x 37-1/4 x 2-3/4 in., very good overall condition; frame with abrasions, small losses to gilt Provenance: Private New York Collection Estimate: $2,000 - $3,000
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219 John Terelak (American/Massachusetts, born 1942) The Shipwreck, signed lower right “JC Terelak”, oil on synthetic board, 16 x 24 in.; reproduction silver finished wood and composition frame, 21-3/8 x 29-3/8 x 2-1/4 in., surface dirt, wear at edges not visible under frame; frame with abrasions Provenance: Granite Shore Gallery; Private Collection Estimate: $800 - $1,200
220 Steven J. Heward (American, born 1956) High Sierras Mountains, signed lower right “SJ Heward”, artist stamp on stretcher verso “Steven Heward Studio”, oil on canvas, 20 x 24 in.; reproduction gilt wood frame, 29-3/4 x 33-3/4 x 3-1/8 in., vibrant color; frame with minor wear Provenance: Private New York Collection Estimate: $600 - $800
221 Three Portraits, Cuban Revolutionary Jose Manuel Macias and His Wife, including Personal Items (American, late 19th century) Pair of Wedding Portraits: Portrait of Jose Manuel Macias, unsigned, oil on canvas, 27-1/8 x 22 in.; Portrait of Juanna Macias, unsigned, oil on canvas, 27 x 22 in.; matching gilt wood and composition frames, 33-1/4 x 27-7/8 x 2-1/4 in.; Portrait of Mariano Hernandez (father of Juanna Macias), unsigned, oil on canvas, 34-3/4 x 28 in.; gilt wood frame, 40-1/2 x 33-3/8 x 1-1/2 in.; together with a French black lacquer and gilt chinoiserie table box, probably late 19th century, fabric lined interior, stamped to bottom “EG A Paris”, 3-3/4 x 11-1/8 x 8-3/8 in.; together with 22 pieces of assorted textiles and embroidery; three silver-plated dishes, calling card plate; serving dish, Gorham Co., inscribed “HJM 1863-1888”; decorative bowl, Gorham Co.; largest, 12-3/8 x 7-1/4 x 2-1/8 in., Pair of Wedding Portraits, both wax lined, retouch, stabilized crackle, wear at edges not visible under frame, Portrait of Mariano laid down on board, retouch, surface abrasions, some losses to pigment, wear at edges, uneven varnish with areas of crystallization, canvas separating from board top right; all frames with wear, Portrait of Mariano with abrasions box with some areas of loss to lacquer and gilt, lid corners with small chips, scratches and nicks throughout, lacking key, interior lining with wear; textiles with wear commensurate with age and use Provenance: By descent in the Macias family; Private Collection, North Carolina Estimate: $1,000 - $1,500 Jose Manuel Macias was a Cuban revolutionary thinker and diplomat, and wrote the book “Cuba in Revolution: A Statement of Facts”. The couple was exiled due to their beliefs in Cuban independence and traveled to the United States. According to family stories, they entered the country through the port at Baltimore and spent time in New York before they ultimately settled in Washington D.C. While the couple was married in Cuba, it is believed that these are their wedding portraits that were completed upon their arrival in the United States. The silver-plate dishes, box of lace and photographs are personal items of the couple. Mariano Hernandez is the father of Juanna Macias. 70 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
222 M.E.D. Brown (American, 1810-1896) Portrait of Two Children in a Landscape, 1857, signed and dated verso “MED Brown 1857”, oil on canvas, 48-3/4 x 36-1/4 in.; gilt wood and composition frame, 57 x 46-1/2 x 3-1/4 in., wax lined, crackle, retouch; frame with minor abrasions, small losses. Accompanied with conservation report. Provenance: Private Alabama Collection Estimate: $800 - $1,200 M.E.D. Brown was a lithographer and painter active from 1832 until 1896. A successful early lithographer, Brown worked in Philadelphia from 1832-1834. Nathaniel Currier worked for Brown in 1833, and in 1834 a lithograph by M.E.D. Brown was the first known work in Currier’s press in New York. Brown was exhibited at the Artist’s Fund Society of Philadelphia and the National Academy in 1845. He is recorded as an “artist” in the directories of Utica, New York from 1849 until his death in 1896.
224 Spanish Colonial Painting (South American, 19th century or style) Our Mother of Refuge, unsigned, oil on canvas, 28-1/8 x 20 in.; modern gilt wood frame, 35 x 26 x 2 in., lined and restretched on new stretcher, abraded and wear to surface, crackle, surface dirt; frame with abrasions Provenance: Private Collection Estimate: $300 - $600
223 Lithograph Depicting Civil War Encampment Near New Bern, North Carolina (American, 19th century) Encampment of the Forty-Third, Forty-Fifth, Seventeenth, & Fifty-First Regiments, Massachusetts Volunteers, Near Newberne, North Carolina, 1863, Albert Trochsler, engraver, J. McCallum, publisher, hand colored lithograph, 22 x 29-3/8 in.; unframed, good color, toning, small losses at edges, repairs to tears verso, hinged to backing at two points Provenance: Private Alabama Collection Estimate: $1,000 - $2,000 The Huntington Library and Museum has an uncolored version of this lithograph in their collection.
225 Two Spanish Colonial School Paintings (possibly Mexican,19th century or style) Our Lady of Mount Carmel, unsigned, oil on canvas, 15 x 10-1/2 in.; modern gilt wood frame, 19-1/4 x 14-3/4 x 1-1/2 in.; Our Lady of Refuge, oil on tin with original frame, 14-1/2 x 12-3/4 x 1-1/2 in., “Mount Carmel” lined and restretched, abraded and wear to surface, crackle, surface dirt, slack; frame with abrasions; “Carmel” with dints, surface dirt, darkening, losses; frame with wear and losses Provenance: Private Collection Estimate: $300 - $500
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226 Spanish Colonial School Painting (possibly Mexico, 18th century or style) Saint Joseph with the Christ Child, flanked by cardinals in trees and within a cartouche, unsigned, oil on canvas, 32 x 25-1/8 in.; modern gilt wood frame, 381/2 x 29-1/8 x 2 in., lined and restretched on new stretcher, abraded and wear to surface, crackle, surface dirt; frame with abrasions Provenance: Purchased in South America circa 1960s; by descent in family Estimate: $500 - $700
227 Raymond Kaskey (American/Washington, D.C. born 1943) Nude Woman in Niche, 2013, signed and dated on base “RK 2013”, plaster, 23-1/4 x 14 x 8 in., surface abrasions, accretions, surface dirt Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $400 - $600
228 Raymond Kaskey (American/Washington, D.C. born 1943) Flute Player and Dancers in Landscape, 2015, signed and dated lower left “Kaskey 2015”, plaster, 23-3/4 x 51-1/4 x 3-1/4 in., accretions, surface dirt Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $600 - $900
229 Raymond Kaskey (American/Washington, D.C. born 1943) Self Portrait, unsigned, plaster, 16-1/8 x 12-1/8 x 3/4 in., accretion, surface abrasions lower right Provenance: The Studio Collection of Ray Kaskey, Brentwood, Maryland Estimate: $400 - $600
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southern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
230 Martin Silverman (New York, born 1950) Weekend in the Country Bucket, 1993, edition 2/6, signed on edge of base “MZ”, New Foundry, bronze, 37 x 16 x 13 in., oxidized to verdigris for weather exposure, surface dirt Provenance: Alan E. Koppel/SAG, Chicago, purchased June 19, 1995; Property from an Important Chicago Collection Estimate: $400 - $600
232 Two Royal Danish Sterling Bowls American, 20th century, oval form with openwork scroll bud finial, bowl, 3 x 8-1/4 x 4-3/4 in. and dish, 1-1/4 x 8 x 4-1/2 in., 13.12 oz. T. total, dents and light scratches Provenance: Collection of a Southern Lady Estimate: $500 - $800
231 Five Piece Wallace Sterling Tea/Coffee Service American, 20th century, urn forms, black ivory spacers, no monograms, marks for Wallace, 72.14 oz. T., 10-1/2 in. coffee with matching teapot, covered sugar, creamer, and waste, coffee pot and creamer with bent base, dents, light scratches, and wear Provenance: Collection of a Southern Lady Estimate: $2,800 - $3,250 This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.
233 Seven Sterling International Goblets American, 20th century, typical form, all with matching crest, marks for International, 29.84 oz. T., 6-3/8 in., two with damaged foot, light scratches, and wear Provenance: Collection of a Southern Lady Estimate: $1,200 - $1,600
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234 Reed & Barton Enameled Francis I Salad Set Serving Utensils American, mid 20th century, handles with added enamel color, no monograms, marks for Reed & Barton, 9.58 oz. T., each 9-1/2 in., loss to enamel and wear Provenance: Private Collection Estimate: $300 - $600
235 Twelve Sterling Bread and Butter Plates American, 20th century, round with reeded board, monograms, no maker’s mark, 35.36 oz. T., 6 in., scratches and wear Provenance: Private Collection Estimate: $1,400 - $1,800
236 Easterland American Classic Sterling Flatware, 67 Pieces American, 20th century, including eight hollow handle knives; eight forks; eight salad forks; sixteen teaspoons; eight ice teaspoons; eight oval soup spoons; eight round soup spoons; ladle; solid handle butter knife; sugar spoon, no monograms, marks for Esterling, 67.19 oz. T. excluding hollow handle pieces; wooden case, average wear Provenance: Private Collection, Asheville, North Carolina Estimate: $2,600 - $3,500
237 Wallace Rose Point Sterling Flatware, 123 Pieces American, 20th century, including 12 hollow handle knives, modern blades; two hollow handle knives, French blades; large knife; eight hollow handle spreaders; 20 forks; 12 salad forks; 13 teaspoons; four round soup spoons; nine ice tea spoons; eight ice cream spoons; eight oval spoon spoons; eight cocktail forks; three demitasse spoons; five solid handle spreaders; tomato server; serving fork; slotted serving spoon; pickle fork; pickle spoon; sugar spoon; sugar spoon; ladle; hollow handle: ladle; butter knife; pie server; cheese server, all with marks for Wallace, 100.95 oz. T. excluding hollow handle pices , average wear Provenance: Private Collection, Asheville, North Carolina Estimate: $4,000 - $5,000
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238 International Royal Danish Sterling Flatware, 176 Pieces American, 20th century, including twenty six 10 in. hollow handle knives; twelve 9 in. hollow handle knives; twelve hollow handle spreaders, sterling blades; twenty 7-3/4 in. forks; thirteen 7-1/8 in. forks; twenty-five salad forks; twenty-six teaspoons; eight ice tea spoons; eight demitasse spoon; eight cocktail forks; nine round soup spoons; four serving spoons; two ladles; serving forks; sugar spoon; hollow handle pie server, no monograms, marks for International, 189.11 oz. T. excluding hollow handle pieces, average wear Provenance: Collection of a Southern Lady Estimate: $7,500 - $8,500
240 Gorham Etruscan Sterling Flatware, 82 Pieces American, 20th century, including nine hollow handle large knives; five hollow handle small knives; nine forks; nine salad forks; eighteen teaspoons; four ice cream spoons; six cocktail forks; eight round soup spoons; nine solid handle spreaders; serving spoon; solid handle butter knife; lemon forks; ladle; hollow handle cheese spreader, most with out monograms, marks for Gorham, 66.16 oz. T. excluding hollow handle pieces, average wear Provenance: Private North Carolina Collection Estimate: $2,600 - $3,600
239 Durgin Fairfax Sterling Flatware, 68 Pieces American, 20th century, including six 9-3/4 in. hollow handle knives; six 8-3/4 in. hollow handle knives; six 8 in. forks; six 7-1/4 in forks; six 6-1/8 in. salad forks; six 5-3/4 in. teaspoons; six 5 in.. ice cream forks; six 5-3/8 in. round soup spoons; five demitasse spoons; six round soup spoons; five 5-3/8 in. cocktail forks; four solid handle spreaders, monograms, marks for Durgin, 53.56 oz. T. excluding hollow handle pieces; wooden case, average wear Provenance: Private Collection Estimate: $2,000 - $3,000
241 International Morning Glory Sterling Flatware, 78 Pieces American, 20th century, including twelve hollow handle knives; eleven forks; ten salad forks; fifteen teaspoons; ten round soup spoons; thirteen solid handle spreaders, three serving spoons; ladle; serving fork; sugar spoon; solid handle butter knife, no monograms, marks for International, 79.92 oz. T. excluding hollow handle pieces, average wear Provenance: Private North Carolina Collection Estimate: $2,500 - $3,500
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242 Gorham Lancaster Sterling flatware, 33 Pieces American, 20th century, including six hollow handle knives; six forks; six teaspoons; six round soup spoons; six cocktail forks; two serving spoons; one large bowl spoon, all with marks for Gorham, with thirteen assorted sterling items: oval soup spoons; teaspoons; hollow handle butter hook; hollow handle shoe horn, 37.74 oz. T. excluding hollow handle pieces, some wear Provenance: Private Asheville, North Carolina Collection Estimate: $2,000 - $3,000
244 Tiffany Olympian Sterling Waffle Server American, 1873-1891, Olympian pattern, “Paris, the Son of Priam” variation, monogram cut out blade, 4.4 oz. T., 8-3/4 in., good condition Provenance: Descended in a Baltimore, Maryland Family Estimate: $300 - $600
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243 Tiffany Faneuil Sterling Flatware, 145 Pieces American, 20th century, including twelve 10-1/4 in. hollow handle knives; twelve 9-1/4 in. hollow handle knives; twelve 7-5/8 in. forks; twelve 7-1/8 in. forks; twelve 6-3/4 in. salad forks; twelve 6 in. teaspoons; eleven 5-3/4 in. citrus spoons; twelve 6-3/4 in. round soup spoons; twelve 4-5/8 in. demitasse spoons; twelve 7-1/4 in. oval soup spoons; twelve 5-1/8 in. solid handle spreaders, seven 7-1/4 in. two tine forks; four serving spoons; two serving forks; large bowl serving spoon, all with monograms, marks for Tiffany & Co., 193.22 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection Estimate: $6,500 - $7,500
245 Tiffany Palm Sterling Flatware, 24 Pieces American, 20th century, including twelve forks; nine teaspoons; three serving spoons, most monogramed, marks for Tiffany, 37.29 oz. T. excluding hollow handle pieces, some wear Provenance: Private Collection, Newberry, South Carolina Estimate: $1,500 - $2,000
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246 Lunt William & Mary Sterling Flatware, 49 Pieces American, 20th century, including 16 hollow handle knives; eight teaspoons; six oval soup spoons; six round soup spoons; five solid handle spreaders; two sugar tongs; sugar spoon; solid handle spreader; lemon fork; butter pick; serving spoon, marks for Lunt/Treasure, with Kirk Repousse butter pick and ladle, 33.88 oz. T. excluding hollow handle piece, (51 pieces total), average wear Provenance: Collection of Dr. George and Connie Manger Estimate: $1,400 - $1,800
248 Lester Santos Western Lodge Round Dining Table, Live Edge Base in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, round cherry top with bark textured edge, splayed live edge base, hammered copper beneath top, 30-1/2 x 54-1/4 x 54-1/4 in., very light wear overall, some spots of infill to base probably as made Provenance: Private Collection, North Carolina Estimate: $400 - $600 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest.
247 Lester Santos Western Lodge Sideboard in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, fir and cherry, hammered copper top, live edge frame, relief carved doors with running horses, 38-1/2 x 60-1/4 x 25-1/2 in., very light to minimal wear Provenance: Private Collection, North Carolina Estimate: $1,200 - $1,800 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest.
249 Set of Six Lester Santos Western Lodge Dining Armchairs in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, live edge fir frames with brass tacked red leather upholstery, crest rails with various deer species, 41 x 25 x 26 in., seat heights 18 in., very light wear overall, light scratches and scuffs to leather Provenance: Private Collection, North Carolina Estimate: $800 - $1,200 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest.
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250 Spanish Colonial Style Tooled Leather Sofa 21st century, serpentine crest rail, brass tacked dark brown leather tooled with scrolling foliate motif, accented with pesos, turned base, with three leather pillows, 43-1/2 x 90 in., seat height 20 in., leather with scattered wear and scratches, no cracks or dryness, frame with typical minor wear and scuffs Provenance: Private Collection, North Carolina Estimate: $600 - $900
251 Pair of Lester Santos Western Lodge Club Chairs with Ottomans in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, fir live edge frame, black and red leather and Navajo textile style upholstery, near identical designs but one chair and ottoman lacking leather fringe, 38-1/2 x 60-1/4 x 25-1/2 in., very light wear overall Provenance: Private Collection, North Carolina Estimate: $2,000 - $4,000 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest.
253 252 Lester Santos Western Lodge Sideboard with Backlit Stained Glass Backsplash Lester Santos Western Lodge Round Side Table in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, fir and in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, fir and cherry, hammered copper top, live edge frame, relief carved doors with trees, 53cherry, red leatherette top, 24-1/2 x 19-1/4 x 19-1/4 in., very light wear overall 1/4 x 60-1/4 x 25-1/4 in., very light wear overall Provenance: Private Collection, North Carolina Provenance: Private Collection, North Carolina Estimate: $200 - $400 Estimate: $2,000 - $4,000 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest. Digest. 78 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
254 Pair Lester Santos Western Lodge Style Side Cabinets in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, fir and cherry, live edge frame, door with relief landscape scene, 22-1/4 x 22-1/2 x 18 in., very light wear overall Provenance: Private Collection, North Carolina Estimate: $500 - $700 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest.
256 Pair of Lester Santos Western Lodge Morris Chairs with Ottomans in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, fir and cherry, live edge arms, burgundy leather and Navajo style textile upholstery, chairs 41 x 38 x 40-1/2 in., seat heights 18-1/2 in.; ottomans 18-1/2 x 20-1/2 x 163/4 in., very light wear overall, some color difference in leather most noticeable on ottomans Provenance: Private Collection, North Carolina Estimate: $800 - $1,200 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest.
255 Thomas Moser Type Benchmade Cherry Bedroom Suite made by Sabbath Day Woods (mark to drawer side), Asheville, North Carolina, 21st century, dresser with mirror, 75 x 40 x 20-1/4 in.; pair of single drawer nightstands, 24 x 24 x 20 in.; bed frame complete with mattress support slats, 43-3/4 x 66-1/4 x 85-1/2 in., light wear overall, tops with light fading, faint stains, and some scratches Provenance: Private Collection, North Carolina Estimate: $600 - $900
257 Lester Santos Western Lodge Style Live Edge and Leather Bed in the manner of Thomas Molesworth, Cody, Wyoming, 21st century, live edge fir frame, brown leather upholstery and strapwork, headboard carved with mountain lake landscape scene, 72 x 72 x 91 in., very light wear overall Provenance: Private Collection, North Carolina Estimate: $600 - $900 Lester Santos founded Santos Furniture in Cody, Wyoming, in 1990, after starting out as a harpsichord and guitar maker. His work blends Molesworth, New Mexican, Adirondack, Shaker and Native American design influences. Santos Furniture designs have appeared in numerous books written by Ralph Kylloe, Elmo Baca, and Chase Ewald. In addition, Santos Furniture has appeared on television shows such as The TODAY Show, and shows on the Home and Garden Network. Lester Santos’ furniture was also showcased in the June 2002 issue of Architectural Digest.
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258 Four Friendswood Brooms by Marlot Gates Leicester, North Carolina, 21th century, various woods, corn sweeps, three with original tags, comprising: oak handled broom signed “Gates” and dated 2006 at handle with tag; cedar forked handle broom with tag; rhododendron handle root broom signed “Gates” at handle with tag; small unspecified broom signed “Gates” at handle; largest 60 x 17 x 3-1/2 in., overall good condition, anomalies as made, some frazzling to sweeps Provenance: Private Collection, North Carolina Estimate: $200 - $400
259 Elliott Daingerfield, Grandfather Mountain (American/North Carolina, 1859-1932) North Carolina Landscape with Grandfather Mountain, not visibly signed, authentication inscribed verso “This is an original oil painting of the Grandfather Mountain from the Yonahlossee by my father, Elliott Daingerfield. Marjorie Daingerfield”, oil on board, 8 x 10 in; modern composite frame, 11-1/2 x 13 x 2 in., surface is very good, light dirt; frame with minor scratches Provenance: Private Collection Estimate: $10,000 - $15,000
260 261 Alfred Heber Hutty Alfred Heber Hutty (American/South Carolina, 1877-1954) (American/South Carolina, 1877-1954) A Gate on Legare, Charleston, 1927, signed in plate “A.H.”.with snail cypher, signed Beverly Beeches, 1926, signed lower right “Alfred Hutty” with snail cypher, in pencil lower right “Alfred Hutty” Ed 30, inscribed lower left with title, lithograph inscribed lower left with title and “Edition 75”, etching and pencil on paper, 7-7/8 on paper, edition of 30, 7-7/8 x 9 in., unframed, good impression, paper is clean; x 9 in., unframed, excellent, crisp impression, paper color is very good, hinged into hinged into matt archival mat Provenance: Ottestad’s Antiques, Los Angeles, California Provenance: Ottestad’s Antiques, Los Angeles, California Estimate: $2,000 - $4,000 Estimate: $600 - $800 Literature: Sara C. Arnold and Stephen G. Hoffius, editors, [The Life and Art of Literature: Literature: Sara C. Arnold and Stephen G. Hoffius, editors, [The Life and Alfred Hutty: Woodstock to Charleston], The University of South Carolina, 2012, p. Art of Alfred Hutty: Woodstock to Charleston], The University of South Carolina, 135, no. 61. 2012, p. 132, no. 45. 80 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
262 Alfred Heber Hutty (American/South Carolina, 1877-1954) Bolton Brown’s Orchard, 1927, inscribed lower right on stone “A.H.” and snail cypher, signed in pencil “Alfred Hutty”, lithograph on paper, edition of 25, 9-7/8 x 12-7/8 in.; unframed Literature: Sara C. Arnold and Stephen G. Hoffius, editors, [The Life and Art of Alfred Hutty: Woodstock to Charleston], The University of South Carolina, 2012, p. 134, no. 56., paper is not toned, hinged into matt Provenance: Ottestad’s Antiques, Los Angeles, California Estimate: $200 - $400
263 Alfred Heber Hutty (American/South Carolina, 1877-1954) News, 1927, signed below image “Alfred Hutty” and snail cypher, inscribed along bottom “The New England Fish Village Edition 75”, etching on paper, edition of 75, 6-1/4 x 5-1/4 in. Literature: Sara C. Arnold and Stephen G. Hoffius, editors, [The Life and Art of Alfred Hutty: Woodstock to Charleston], The University of South Carolina, 2012, p. 135, no. 65., excellent crisp impression, clean paper; hinged onto matt Provenance: Ottestad’s Antiques, Los Angeles, California Estimate: $500 - $700
264 Alfred Heber Hutty (American/South Carolina, 1877-1954) Burnham Beeches, England (no. 1), 1926, edition of 75, signed lower right “Alfred Hutty” with snail cypher, inscribed lower left with title and “Edition 75”, etching and pencil on paper, 8 x 9 in., unframed Literature: Sara C. Arnold and Stephen G. Hoffius, editors, [The Life and Art of Alfred Hutty: Woodstock to Charleston], The University of South Carolina, 2012, p. 132, no. 46., good crisp impression, paper color is very good, hinged into archival mat Provenance: Ottestad’s Antiques, Los Angeles, California Estimate: $500 - $700
265 Alfred Heber Hutty (American/South Carolina, 1877-1954) In Magnolia Gardens, 1923, signed lower right “Alfred Hutty” and snail cypher, etching on paper, Edition: 75, 6 x 6-1/8 in.; unframed Literature: Sara C. Arnold and Stephen G. Hoffius, editors, [The Life and Art of Alfred Hutty: Woodstock to Charleston], The University of South Carolina, 2012, p. 128, no. 20., crisp imprint, good color; hinged into matt Provenance: Ottestad’s Antiques, Los Angeles, California Estimate: $800 - $1,200
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266 Virginia Portrait of Rose Adele Cutts (Douglas) (American School, 19th Century) Portrait of Rose Adele Cutts (1835-1899) as a young woman, not visibly signed, oil on canvas, mounted within a period frame with original eglomise matt, sight 24 x 19 in.; frame 32 x 26-1/2 x 1 in. Rose Adele Cutts was born into a prominent family in the Washington D.C. area. She was the great niece of Dolly Madison, and regarded as a beauty. At the age of 20 she became the poised wife of Senator Douglas of Illinois and their home became a center of the D.C. social scene. Douglas died in Chicago in 1861. Following the Civil War she married a Union officer from Virginia and had six children., painting appears to be in original surface with some surface accretion, crackle throughout but stable and without any visible losses, eglomise matt with some minor separation of paint and glass Provenance: Deaccessioned by the Virginia Museum of History & Culture to benefit collections care, preservation and future acquisitions Estimate: $1,500 - $2,500
267 Pair of Balitmore Portraits (American, 19th century) Portrait of a Lady and a Gentleman, unsigned, Baltimore Maryland colourman stamp canvas verso, oil on canvas, 30 x 25 in.; likely original period carved gilt wood frames, 37-1/4 x 32-3/8 x 3-1/4 in., original canvas and stretchers, surface dirt, wear, discoloration, she with an indentation in the canvas left side center, he with small tear lower right; frames with wear, losses Provenance: Private Virginia Collection Estimate: $1,000 - $2,000 Exhibited: The National Portrait Gallery, “American Art at the 1903? World’s Fair”, Washington, D.C. (Gentleman with labels verso) According to the consignor, this pair of portraits descended in the illustrious Peale family, and was historically thought to be by the hand of Titian Ramsey Peale.
269 Two Mark Catesby Prints, The Mangrove Grape Tree, Fly-catcher (British, 1679-1749) From The Natural History of Carolina, Florida and The Bahama Islands, 1731-1743, Vol. 2; T. 96 The Mangrove Grape Tree, plate 14-5/8 x 10-1/8 in.; sheet 21 x 14-1/2 in.; T. 53 The Blackcap Fly-Catcher, Yellow Jessamy (Jasmine), plate13-7/8 x 10-1/8 in., sheet 20-1/4 x 13-3/4 in., both hand-colored engravings on laid paper with Strasbourg Lily watermarks; matching modern frames, 22-1/2 x 17-1/2 x 1 in., both with pencil inscriptions, “Mangrove” with binding edge present, toning, light foxing, taped with cellophane tape at two edges, some chipping at losses at edges; “Flycatcher” loose with foxing mildew spotting, fading, chipping at edge; frames with abrasions Provenance: Private Virginia Collection Estimate: $800 - $1,200
268 Portrait Miniature of Colonel Austin Fauntleroy Brockenbraugh (1738-1810) (American/Virginia, 18th century) Portrait, not visibly signed, watercolor on ivory, window verso with hair weaving and monogram, sight, 2-1/8 x 1-3/4 in.; gilt bezel frame, 2-1/2 x 1-3/4 x 1/4 in. Illustrated: Mary Newton Stanard. Colonial Virginia : Its People and Customs. J.B. Lippincott Company, 1917. p. 226. Colonel Austin Brockenbraugh was an officer under George Washington’s command during the French and Indian War., not examined out of enclosed frame, vibrant color, good clean surfaceï¼› frame with minor wear Provenance: Estimate: $5,000 - $6,000 82 https://live.brunkauctions.com/auctions/brunk/american-
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270 Mark Catesby, Crested Bittern or Yellow Crowned Night Heron (British, 1679-1749) T. 79 from The National History of Carolina, Florida, and the Bahama Islands, Vol. 1, 3rd edition, accompanied with text, hand colored etching on wove paper lacking watermark, plate, 14 x 10-1/8 in., sheet, 20-7/8 x 14 in.; unframed, colors fresh, taped to mat at three corners, toning, light foxing, losses to paper along top edge and lower right corner, tears, text bleed Provenance: Private New York City Collection Estimate: $300 - $500
271 Mark Catesby, Hooded Merganser (British, 1679-1749) T. 94 from The National History of Carolina, Florida, and the Bahama Islands, Vol. 1, 1771-1800, monogrammed in plate lower right, hand colored engraving on wove paper with “J Ruse 1800” watermark, accompanied with text, plate, 10-1/8 x 13-1/2 in., sheet, 14-1/8 x 20-3/4 in.; unframed, good color, toning, hinged in at two points to mat, light foxing, stains to paper Provenance: Private New York City Collection Estimate: $300 - $500
272 Mark Catesby, Brown Curlew (British, 1679-1749) T. 83 from The National History of Carolina, Florida, and the Bahama Islands, Vol. 1, 1771-1800, monogrammed in plate lower left, hand colored engraving on wove paper with “J Ruse 1800” watermark, accompanied with text, plate, 14 x 10-1/4 in., sheet, 21 x 14 in.; unframed, floated on mat, light toning, light foxing, text bleed, Provenance: Private New York City Collection Estimate: $300 - $500
273 Virginia Federal Inlaid Walnut Corner Cupboard Shenandoah Valley, 1790-1810, trailing vine inlay to stiles, scrolled broken pediment, fixed shelf interiors, yellow pine secondary, 102 x 49 x 24 in. - The vine inlay on this cupboard represents a popular tradition of neoclassical decoration in the Shenandoah Valley of Virginia. The tightly scrolled pediment with a diminishing cove molding in its cornice is another detail most commonly found in the Shenandoah Valley., in good condition overall, scattered repairs at hinges, feet with some repairs and minor restorations, typical minor wear and repairs throughout Provenance: Per consignor Notes, Sumpter Priddy, Alexandria, Virginia; Private Alabama Collection Estimate: $2,000 - $3,000
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274 American Federal Inlaid and Figured Mahogany Cylinder Desk Mid Atlantic states, probably Baltimore, early 19th century, highly figured string inlaid mahogany veneers, three drawers over the cylinder desk with finely fitted interior and false drawer, three finely dovetailed long drawers, shaped apron and flared bracket feet, poplar and pine secondaries, 48 x 46 x 24 in., later brasses, later hinges to prospect door, later felt writing surface, top drawer with nailed construction versus the rest being dovetailed, proper right rear foot facing with patch and subsequent break, later blocking, veneer with typical checking and light wear, patches including at feet and apron Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia Estimate: $1,000 - $2,000
276 Fine Charleston Federal D-Shaped Mahogany Inlaid Card Table South Carolina, circa 1800, bellflower and oval inlay, yellow pine and possibly cypress secondary, 28-1/4 x 36 x 17-1/2 in. (closed), open: 35 in., swing leg loose and with losses to knuckle hinge, later L bracket at swing leg; breaks and repairs to front legs with associated patches; some joint separation; veneer patches and repairs to the skirt Provenance: Brunk Auctions, Asheville, North Carolina, January 2010, lot 41; Private South Carolina Collection Estimate: $3,000 - $5,000 84
275 Southern Federal Inlaid Cherry Cellarette possibly Georgia or South Carolina, figured cherry or applewood dovetailed case with hinged lid opening to dividers for twelve bottles, on a conforming frame with single dovetailed drawer, pierced corner brackets, tapered and inlaid legs, yellow pine secondary (by microanalysis), 33 x 21 x 16 in., distress to top with crack with infill, later screws with infill, one narrow strip patch, hinges replaced and one associated patch, interior dividers possibly original, later canvas catch for top, scattered pest damage to secondary surfaces with associated losses at back edge of bottom board, restorations and repairs to pierced corner brackets, other wear and abrasions, checking, and surface flaws, brasses replaced Provenance: Bernard and S. Dean Levy, New York, NY (label to drawer interior); Private South Carolina Collection Estimate: $2,500 - $3,500
277 Virginia Chippendale Mahogany Corner Chair probably Petersburg, late 18th century, pierced splats and column supports, apron with large medallions, square tapered legs, 33-3/4 x 29-1/8 x 27-1/2 in., likely converted from a chamber pot chair, now fitted with later seat and bottom board, feet ended out 2 in., upper legs with breaks and some repairs but stable, lower front leg with repair to break, proper right splat with resecured with later glue at shoe and with small loss at bottom, splats with repairs to minor breaks, old but later surface with typical wear and distress Provenance: Bequeathed to the Thomas Jefferson Foundation by Lindsay Hay in 1993; Property deaccessioned by the Thomas Jefferson Foundation, Inc. These objects were never owned by Thomas Jefferson. They are not directly related to Thomas Jefferson or Monticello itself, and therefore fall outside the Foundation’s collections scope. Proceeds will be used to benefit the conservation and acquisitions fund. Estimate: $1,000 - $1,500 Closely related Petersburg examples documented by MESDA including photo numbers D-33149 and S-6163.
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278 Rare Dated North Carolina Paint Decorated Dated Blanket Chest probably Chatham County, yellow pine throughout, six board dovetailed construction, green paint with yellow and red decoration, front decorated with “Meniza Wilson” inscribed above a plaited basket, dated 1846, blue undercoat, 24-3/4 x 47-1/4 x 18-1/4 in., proper right rear rear foot with restoration and retouch at bottom 1-inch, missing some blocking, paint in very good condition overall with typical surface wear and losses to lid, minor restorations and retouch to lower edge of lid molding, other minor surface flaws Provenance: According to the consignor, the chest came from a family by the name of Cooke in Cary. The chest never left Wake County with the exception for when it was sold by a picker in the neighboring Johnston County; Private Collection, North Carolina Estimate: $12,000 - $18,000 This chest was probably commemorating the first birthday of Meniza Hawkins Seagroves (Wilson), born in 1845 in Panther Branch Township, Wake County, NC. Her parents were William Jackson Seagraves and Mary Ann Seagraves. They lived in the Western Division of Wake County in the 1850 census and the Southern Division in the 1860 census. Meniza was married in 1861 when the family lived near Southwest Wake. Meniza married James Louis Wilson (1836-1913) in Wake County on July 4th, 1861, his parents were James Wilson (1807-1896) and Charity O’Quin (1802-1878), born in Cumberland County, died in Wake. Examples with similar features such as plaited baskets and delicate foliate flourishes distinguish a group of similar chests from Chatham County, discussed in June Lucas, Paint-Decorated Furniture from Piedmont North Carolina (2009), The Chipstone Foundation, figs. 54 and 56. https://chipstone.org/article.php/598/American-Furniture-2009/Paint-Decorated-Furniture-from-Piedmont-North-Carolina
279 American Folk Art Paint Decorated Document Box possibly Virginia or Pennsylvania, 19th century, the exterior with hand painted floral decoration, 4-5/8 x 9-7/8 x 7-1/8 in., crackling and loss to painted decoration, general surface wear to wood, lacking top portion of lock mechanism Provenance: Private South Carolina Collection Estimate: $1,000 - $2,000
280 American Cherry and Poplar Punched Tin Pie Safe, Dated 1858 probably Southern, tins dated 1858, 19th century case associated, punched tins with tree of life, star of David, and with “O LOVE”, sides and doors each with one panel, one drawer, 39-3/4 x 40-1/4 x 17-3/4 in., tins cleaned but with consistent corrosion to holes visible from backs, two board top loose and with gap to seam, drawer construction loose, proper left tin with bend to corner, proper right tin with tear, door latch later, legs with wear and splits, case with fading and typical wear Provenance: Private Collection Estimate: $600 - $900
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281 Kirk Sterling Tall Water Pitcher Baltimore, Maryland, 1896-1924, oval form, monogram, marks for S. Kirk & Son Co., “184”, 22.76 oz. T., 10 x 7-1/2 x 5 in., dents and wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $900 - $1,200
282 Baltimore Repousse Sterling Oval Tray, Jenkins & Jenkins Maryland, early 20th century, oval form with band of floral repousse border, central monogram, marks for Jenkins & Jenkins, Inc. (work 1907-1919/1924), 19.74 oz. T., 1 x 13-1/2 x 9-1/2 in., scratches on floor, small dents, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $800 - $1,200
283 23 Pieces Samuel Kirk Coin Silver Thread Flatware Maryland, 1828-1846, fiddle and thread pattern, including two 8-1/2 in. forks; four 7 in. forks; one 5-5/8 in fork; seven teaspoons; eight tablespoons; one serving spoon with shell bowl, “P” monogram, all with marks for Samuel Kirk (Biltmore, Maryland), marked “11oz.”, 46.55 oz., some wear to tines and polishing abrasion, otherwise average wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $1,500 - $2,000
284 16 Baltimore Coins Silver Flatware, Standish Barry Maryland, early 19th century, including eight 8 in. spoons and eight 8 in. forks, monograms “P” on back, all with marks for Standish Barry (Baltimore, Maryland, working 1784-1810), 37.94 oz. T., loss to tines and average wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $1,200 - $1,600
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285 15 Pieces Baltimore Coin Silver Flatware Maryland, 19th century, including Kirk & Sons (1846-1861) large tongs; fiddle and thread fork marked “SK” (probably Kirk); large sugar tongs, marks for John Erwin (1809-1819); Andrew E. Warner: flat server with twist handle; two salt spoons; ten similarly decoration solid handle knives, one with marks for A. E. Warner, other probably Warner), 24.17 oz. T., 3-3/4 in. to 9-3/4 in., average wear for age Provenance: Descended in a Baltimore, Maryland Family Estimate: $800 - $1,200
287 Six Baltimore Coin Silver Nut Dishes, Andrew Ellicott Warner Maryland, 19th century, round with floral repoussé border, central cartouche with family crest, marks for Andrew Ellicott Warner (Baltimore, Maryland, working 1805-1870), 8.10 oz. T., 3-1/8 in., typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $300 - $600
286 Kirk Old Maryland Engraved Sterling Flatware, Service for 12, Fitted Kirk Case Maryland, 20th century, including 12 each: 8-1/2 in. hollow handle knives, blunt silver plate blades; 9 in. hollow handle knives, French stainless blades; 8 in. forks; 7-1/4 in. forks; 5-3/8 in. cocktail forks; 5-1/2 in. round soup spoons; 7-1/4 in. round soup spoons; 7-3/8 in. oval soup spoons; 5-3/4 in. teaspoons; 6-3/4 in. salad forks; ice cream forks; grapefruit spoons, six solid handle spreaders; eleven 4-1/4 in. demitasse spoons; six 7-3/4 in. forks; eleven 7 in. forks; eighteen teaspoons; nine spoons; ladle with shell bowl; three ladles; sugar spoon; two condiment forks; two salt spoons; three serving spoons with egg shape bowl, most monogramed, marks for Kirk & Son, 266.14 oz. T., (216 Pieces); with fitted S. Kirk & Son silver case, average wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $10,000 - $15,000
288 Kirk Repousse Sterling Sugar Basket Baltimore, Maryland, 1896-1925, oval form with floral repousse decoration, swing handle, marks for S. Kirk & Son Co., 10.16 oz. T., 6-1/2 x 5-3/4 x 4-1/4 in., good condition, light condition, and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $400 - $800
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289 Repousse Sterling Butter Dish probably Baltimore, round form with dome top, floral repousse decoration, floral final, removable pierced drain, no monogram, no makers mark, 19.0 oz. T., 8 in., dents and typical wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $800 - $1,200
290 16 Kirk Repousse Gilt Coin Silver Grapefruit Spoons Baltimore, Maryland, 1846-1861, floral repoussé decoration, fluted bowls, family crest on back, marks for S. Kirk & Son Co., 17.29 oz. T., 6-1/2 in., minor wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $600 - $900
291 Kirk Old Maryland Plain Sterling Flatware, 60 Pieces, Fitted Kirk Case Maryland, early 20th century, including 12 each: 8 in. forks; 7-1/4 in. forks; 5-7/8 in. teaspoons; 7-1/4 in. spoons; 9 in. spoons, each with monograms in cartouche, marks for S. Kirk & Son, 133.75 oz. T.; with fitted S. Kirk & Son case, silver with average wear; case with lock broken and case broken Provenance: Sold to benefit Habitat for Humanity Asheville, North Carolina Estimate: $5,000 - $6,000
292 14 Pieces Floral Repousse Sterling Flatware American, early 20th century, including nine pieces S. Kirk & Son: two cucumber service, not pierced; cheese scoop; ladle; large stuffing spoon with decorated rim of bowl; serving spoon with egg shaped bowl; teaspoon, Jacob & Jenkins: lemon fork; butter pick; salt spoon, by other makers: teaspoon; olive spoon; salad set, 28.29 oz. T., 4-3/4 in. to 12-1/2 in., average wear Provenance: Descended in a Baltimore, Maryland Family Estimate: $1,000 - $1,500
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294 David A. Williams (California/Virginia, born 1969) The Reef, signed lower right “David Williams”, inscribed verso “ #1614/David A. Williams/The Reef”, oil on canvas, 36 x 36 in.; light wood frame, 37 x 37 x 2 in., bright clean surface; frame with light wear Estimate: $1,000 - $2,000
295 David A. Williams (California/Virginia, born 1969) La Foret, inscribed verso “#1615/David A. Williams/La Foret”, oil on canvas, 36 x 36 in.; light wood frame, 37 x 37 x 2 in., bright clean surface; frame with light wear Estimate: $1,000 - $2,000
296 Will Henry Stevens (American/North Carolina/Louisiana, 1881-1949) Red River “Grand Ecore” at Natchitoches Louisiana, signed lower right “W.H.Stevens”, oil on board, 16 x 12 in.; modern wood frame, 19-1/2 x 15-1/2 in., surface is in untouched condition, small loss/dent upper right in sky, light dirt; frame slightly separated at corners Provenance: Private Pennsylvania Collection Estimate: $6,000 - $8,000
297 Philip Anthony Moose (American/North Carolina, 1921-2001) Grandfather Mountain, Grey Day, circa 1987, signed lower right “Philip Moose”, oil on canvas, 20 x 48 in.; wood frame, 22-1/2 x 50-3/4 x 2 in., dry unvarnished surface, light dirt; frame with some scratches Provenance: Painted in Blowing Rock and sold to the consignors mother in the late 1980’s; Private Collection Estimate: $2,000 - $4,000
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298 Lamar Dodd (American/Georgia, 1903-1996) Portrait of Woman with a Pink Shawl, signed lower right “Lamar Dodd”, oil on canvas, 36-1/2 x 28-1/2 in.; unframed, wax lined, small areas of retouch, surface abrasions, stabilized crackle Provenance: Brunk Auctions, Asheville, North Carolina, February 5, 2022, lot 762 (label verso); Private Collection Estimate: $1,000 - $2,000
299 Dawn Whitelaw (American/Tennessee, 20th Century) Azure Pleasure, Cadaques, Spain, 1990-1999, signed lower left “D Whitelaw”, oil on canvas, 12 x 16 in.; modern wood frame 20 x 24 in, surface is excellent; frame with minor wear Provenance: Private New York Collection Estimate: $400 - $600
300 Mose Tolliver (American/Alabama, 1919-2006) George Washington, signed “MOSET” to right, paint on board, 23-3/4 x 22 x 1/4 in., rough edges and general wear to wood as made, some drilled holes Provenance: From the Collection of Micki Beth Stiller, Esq. Estimate: $600 - $900
301 Sharps Model 2 Breechloading Four Barrel Pepperbox Pistol circa 1860s, .30 caliber rimfire, serial number 10268, 3 in. quad barrel, four round capacity, brass pin front sight, brass frame, barrel slide release under frame, stamped “C. SHARPS & CO. / PHILADA. PA.” on the right side of the frame, and “C. SHARPS / PATENT 1859” stamped on the left side of the frame, spur trigger, two piece walnut grips, 5-1/2 in. overall, handling wear, abrasions, rust, oxidation, and patina to exterior barrel, oxidation in bores, frame with wear, small chips to edges of grips, barrel slide and release function, action appears to be in working order Provenance: Private Collection Estimate: $300 - $600
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302 Dr. R. Beverly Cole Engraved Merrimac Arms “Southerner” Pistol circa late 1860s, serial number 1535, .41 caliber rimfire, single shot, side pivoting octagonal 2 in. barrel, brass blade front sight, stamped “SOUTHERNER” on top flat, faint makers stamp under patina on left side of barrel, brass frame with engraved scrollwork, two piece bone grips, spur trigger, engraved “Dr. R. Beverly Cole” in script to the right of trigger on the frame, and “From G.F. Harris” in script to the left of trigger on the frame, engraving on the grip strap, 4-3/4 in. overall, patina, handling wear and oxidation, small chips to bottom of grip, movement and action appear to be in working order Provenance: Private Collection Estimate: $500 - $1,000 Richard Beverly Cole (1829-1901) was an American physician and a past president of the American Medical Association. He also served as dean of Toland Medical College during its merger with the University of California system, which later became the University of California, San Francisco. This firearm descended in the family of W.H. Weeks of Watsonville, California. He had offices in San Francisco and is thought to have traveled in the same social circles as Cole. Both men were known Masons.
303 Rare Asheville Sterling Loving Cup Horse Trophy, Coxe Family Provenance American, early 20th century, three handle loving cup, engraved “Won by/Gold Dust/Owned by/Mary Connally Coxe”, “First Annual Show/Asheville/Horse Show Association/April 1903”, and “First Prize/Ladies Saddle Horse”, marks for Alvin, 15.82 oz. T., 6 x 7 x 7 in., several handles pushed in, dents, dents and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,000 - $2,000 The 1903 Asheville Horse Show was a prominent Gilded Age social and sporting event held in April 1903 in Asheville, North Carolina, attracting roughly 3,000 spectators from local communities and traveling society circles. Among the notable attendees was Alice Roosevelt, daughter of President Theodore Roosevelt, who extended her stay at Biltmore House as a guest of George W. Vanderbilt specifically to attend the exhibition. During the event, Alice personally presented blue ribbons and prizes to the winning equestrians. Edith Vanderbilt, George Vanderbilt’s wife, also participated as a competitor and earned first-place honors for her entries.
304 Footed Sterling Center Bowl, Coxe Family Provenance American, 20th century, oval shaped form with gadroon borders, base inscribed “To/Fanny B./from The Bakers/1942”, marks for Frank M. Whiting, 27.26 oz. T., 4-1/2 x 13-1/2 x 9-1/2 in., light scratches and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,000 - $1,500
305 Four Revere Style Sterling Bowls, Coxe Family Provenance American, 20th century, round with flared rim, marks for Gorham, International, Kirk, and Poole, 43.21 oz. T., 3-1/2 in. to 9 in., one with bent rim, small dents, light scratches, and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,700 - $2,200
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306 12 Pieces Assorted Sterling Flatware, Coxe Family Provenance American, late 19th/20th century, including Bailey, Banks & Biddle fish set; Caldwell marrow scoop, hollow handle punch ladle; six Whiting cocktail forks; cheese scoop; shoe horn, various makers, monograms, 17.17 oz. T. excluding hollow handle pieces, 6 in. to 12-1/4 in., shoe horn bent, typical wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $700 - $1,000
307 33 Pieces Assorted Silver Flatware, Coxe Family Provenance most American, 20th century, including 22 pieces sterling: cocktail stirrers; forks; serving spoon; oval soup spoons; ladles; hollow handle carving set; hollow bottle opener; pickle forks and spoons, ten pieces English silver: tongs; ladle; spoons; Netherlands server, 13 in. to 3-1/2 in., 34.92 oz. T. excluding hollow handle pieces; two silver plate pieces (35 pieces total), average wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,200 - $1,800
308 Set of Six Sterling Goblets, Coxe Family Provenance American, 20th century, tapering sides with flared rim, no monogram, marks for Dunkirk, 32.08 oz. T., 5-/4 in., small dents and light scratches Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,200 - $1,800
309 Baltimore Sterling Tray, Coxe Family Provenance American, 20th century, shaped rectangular form, reeded border, monogram “C”, marks for Baltimore Silversmiths, 41.15 oz. T., 18 x 12-3/4 in., scratches, three spots of pitting, wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,600 - $2,200
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310 Four Sterling Plates and Bowls, Coxe Family Provenance American, 20th century, all round form: two bowls by Kirk and two plates by Poole, no monogram, 45.97 oz. T., 9in. to 11 in., light scratches and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,800 - $2,200
311 23 Sterling Table Items, Coxe Family Provenance American, 20th century, including toast rack; bowl monograms “Tench Coxe 5th”; dish with iris decoration with 12 matching spoons; oval floral dish; measuring cup, “To the Worlds Greatest Cook”; hammered bowl, “C” monogram; Gorham porringer; small round dish; oval bread tray; two mugs, various makers, 39.13 oz. T., 3-1/4 in. to 11-1/2 in., all with light scratches and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,400 - $1,800
312 13 Monogrammed Glass and Sterling Dishes, Coxe Family Provenance 20th century, green glass with sterling overlay rims and monograms “KSE”, twelve 8-1/4 in. diameter plates and one charger, largest 1-1/8 x 14 x 14 in., overall good condition, some air bubbles and anomalies, minor wear and tarnish Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $500 - $700
313 21 Cobalt and Gilt Porcelain Cabinet Plates, Coxe Family Provenance English and French, 20th century, comprising: ten T.C. Brown, Westhead, Moore, & Co. for Gilman Collamore & Co. plates, New York plates; 11 Haviland & Co. for Davis Collamore & Co., New York plates; larger 1-1/8 x 9-1/8 x 9 in., overall good condition, some anomalies, loss to gilt/enamel, and wear; two Haviland plates with chips to rims Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $200 - $400
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314 12 Limoges Gilt Monogram Porcelain Dishes, Coxe Family Provenance French, 20th century, marked “GDA/France” to base for Gerard, Dufraisseix, and Abbot, monograms to rim “ATC”, six plates and six soup plates, 1-3/8 x 9-1/8 x 9-1/8 in., overall good condition, minor anomalies, loss to gilt, and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $200 - $400
315 20 Sterling Goblets and Desserts, Coxe Family Provenance American, 20th century, including eight small goblets, no monograms, marks for Fisher, 4-3/4 in.; 12 goblet form dessert, no monogram, 3-1/4 in., 42.12 oz. T. total weight, dents and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,600 - $2,400
316 15 Sterling Bar Items, Coxe Family Provenance American, 20th century, including 12 Randhl cordials and two flasks: largest monogramed “THH”; smallest monogramed “FRC”, one jigger, 17.74 oz. T., 1-3/4 in. to 7-1/4 in., dents and damage Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $700 - $1,000
317 Set of 12 Gorham Sterling Small Plates, Coxe Family Provenance American, 20th century, round with reeded border, “C” monogram, all with marks for Gorham, 30.60 oz. T., 6 in.; with fitted felt bags, light scratches and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,200 - $1,600
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318 Dominick & Haff King Sterling Flatware, 184 pieces, Coxe Family Provenance American, 20th century, including twelve 9-3/4 in. hollow handle knives; twelve 8-3/4 in. knives; twelve 7-3/4 in. forks; thirteen 6-7/8 in. forks; eleven 6-1/4 in. salad forks; twenty 5-3/8 in. cocktail forks; eighteen 6 in. teaspoons; eleven 5-3/4 in. teaspoons; nine 6 in. round soup spoons; fourteen 6-3/4 in. ice tea spoons; seven 5-1/2 in. ice cream forks; eight 5-3/4 in. citrus spoons; twelve solid handle spreaders; fourteen demitasse spoons; four serving spoons; serving fork; pickle fork; ladle; large bowl serving spoon; tomato server; hollow handle: carving knife, cheese server, most with “C” monogram, marks for Dominick & Haff, 169.82 oz. T. excluding hollow handle pieces, average wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $6,500 - $7,500
320 29 Silver Table Items, Most Sterling, Coxe Family Provenance 20th century, 27 pieces sterling: small plates; creamer; pin trays; porringer; nut dishes; tea strainer; match book covers, glass box with sterling lid; Continental silver case; English silver horse shoe and lighter; glass perfume with Asian silver cover, 35.43 oz. T. excluding weighted pieces, 2 in. to 6 in., scratches, dents, and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $1,400 - $1,800
319 Set of 14 Sterling Goblets, Coxe Family Provenance American, 20th century, typical form, ten with monogram “C’, marks for Watson, 65.33 oz. T., 6-1/2 in., several with bent rim, dents, and wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $2,500 - $3,500
321 Gorham Strasbourg Sterling Flatware, 38 Pieces, Coxe Family Provenance American, 20th century, including twelve hollow handle knives; seven 7-5/8 in. forks; three 7 in. forks; eight 6 in. teaspoons; five 6 in. ice tea spoons; three ice cream forks; pickle fork; serving spoon; sugar spoon; ladle, no monogram, marks for Gorham; Whiting forks; eleven assorted spoons, forks, olive fork, ladle, 71.57 oz. T., 51 pieces total, some wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $2,800 - $3,200
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322 Two Tiffany Sterling Bowls, Coxe Family Provenance American, 20th century, one wound with scalloped sides, 2-3/8 x 5-3/4 in.; round openwork bowl, monogram, 2-3/4 x 8-1/2 in., 15.49 oz. T. total weight, light scratches and typical wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $700 - $1,000
323 George II English Silver Mug, Coxe Family Provenance London, 1750, baluster form with ring foot, scroll handle, later inscribed on base “Charles Lindsay Murray Scott, 18th Feb. 1894”, marks for William Shaw II & William Priest, .925 fine, 5.85 oz. T., 4 x 4-1/4 x 2-3/4 in., handle slightly pushed in at top dents, and typical wear Provenance: The Coxe Humphries Collection, Asheville, North Carolina Estimate: $400 - $800
324 American Painted Pine Tavern Table probably 19th century, four-board top and two-board seat, old black over red paint, 29-1/2 x 46 x 45-1/2 in., various layers to paint, with some crackelure and losses; some separations to top; red paint to underside of seat refreshed; proper right front leg pieced/spliced above stretcher; paint surface makes dating this table difficult Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900
325 Two Early American Ladder Back Side Chairs 18th or 19th century, comprising maple example, 41-1/2 x 19-1/4 x 17 in.; hickory example, 41 x 17-3/4 x 18 in., both with later rush seats, typical scattered wear and minor repairs, maple example proper right front seat corner with partial restoration Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
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326 Classical Walnut One Drawer Table probably Mid-Atlantic, 19th century, yellow poplar secondary, 29-1/2 x 24 x 19-1/4 in., top with sunfading, cracks and a small loss and appears to have been reset; drawer bottom with later 2-in. piece at back Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
327 Pair of George Grove Brass Candlesticks (English, 18th century), signed to bases “Geo Grove”, 7-1/4 x 4 x 4 in., some pitting, scratches, and discoloration, visible seams; one with small separation at seam on wax pan Provenance: Taylor B. Williams Antiques, Chicago, Illinois, June 21, 1996 (accompanied by copy of receipt); Collection of Dr. George and Connie Manger Estimate: $600 - $900
328 American Federal Walnut Octagonal Candlestand, Old Black Paint late 18th/early 19th century, simply turned standard, original iron spider brace, 27 x 19 x 15 in., early paint possibly later, surface wear throughout including ring stains to top Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
329 Chippendale Parcel Gilt Mahogany Mirror with Phoenix British or American, 18th century, mahogany veneers, scrolled frame, pierced crest with phoenix, 26-1/2 x 15-1/4 x 1-1/2 in., probably later mirror plate with minor desilvering and scratches, scattered repairs to scrollwork and phoenix, some retouch to gilt Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
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330 American Federal Walnut Birdcage Dish Top Candlestand, Early Surface late 18th century, birdcage with turned supports, vasiform turned standard, 29 x 17 x 16-3/4 in., associated top with scars from previous base, latch moved now set on later thin board, base with repair to break at leg joint, early surface with typical wear throughout Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
331 Two American Windsor Footstools and Miniature Windsor, Old Painted Surfaces, stools 18th and 19th century, the taller with bamboo style turnings and stamped “J.SHURE?”, 10 x 14 x 9-1/4 in. and 6 x 16 x 11 in.; chair 19th century, 24-1/2 x 13-1/2 x 13-1/2 in., later paint surfaces, surface abrasions and losses; the taller stool with some craquelure visible underneath top; the shorter with crack and glue repair to top adjacent to one leg; chair with one leg and two stretcher sections restored, later glue at joints Provenance: Collection of Dr. George and Connie Manger Estimate: $100 - $300
332 Fine Miniature Chippendale Inlaid Mahogany Slant Lid Desk 333 American, possibly mid Atlantic, late 18th/early 19th century, oak secondary, Diminutive Federal Walnut Eglomise Pier Mirror 10-3/4 x 11-3/4 x 5-3/4 in., this desk survives in good condition, retaining its original probably American, early 19th century, outset cornice, eglomise landscape panel, hinges and pulls; lacking lockplates; very minor edge losses oak backboard, 21 x 12-1/4 x 3-1/2 in., backboard, mirrored plate and eglomise Provenance: A.L. Burgess, Mt. Holly, New Jersey; Collection of Dr. George and panel appear to be original; traces of gilding visible over reddish stain; both front Connie Manger base blocks replaced Estimate: $700 - $1,000 Provenance: Collection of Dr. George and Connie Manger an accompanying card from A.L. Burgess notes this was made or owned by Estimate: $200 - $400 Joachim Hill (Brunswick, New Jersey, 1790-1810), and purchased from William Robert Whitely of Trenton, New Jersey, who purportedly purchased it in New Brunswick, New Jersey, from a private family. 98 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
334 Pictorial Sampler Signed and Dated 1841, Hannah Regina Bickel probably Pennsylvania, wool on linen, bouquets and bucolic scene of house with trees, animals, and sheep at pasture, vibrant color on bright backing, sight 19 x 19-7/8 in.; in parcel gilt wood frame, 22 x 22-7/8 x 1/2 in. overall, linen has been cleaned, some scattered losses to stitching, notably at strawberry border, loose thread in the middle of the left border Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600 A Hannah R. Bickel Frederick (1829-1903) is buried in the Fairview Cemetery in Boyertown, Pennsylvania.
336 Four Decorative Staffordshire Ceramic Pitchers English, late 18th/early 19th century, comprising: creamware jug, decorated with transfers depicting reversible image representing courtship and matrimony and a bucolic scene with shepherdess; pratt/pearlware pitcher with molded decoration celebrating the Duke of York and Prince of Cobourg; prattware jug with molded scenes of pointer dogs hunting amidst trees, fruiting vine border; prattware pitcher with floral motif, named and dated “Iames [sic] & Ann Scholes/1796”; largest 7-1/4 x 5-1/8 x 7-1/8 in., wear commensurate with age and use, crazing throughout, some areas of repair or restoration (see blacklight photos), firing anomalies as made; creamware example with small chip to handle and flaw to reversible transfer likely as made; pointer dog example with some areas of loss to polychroming, chip and hairline at spout; dated example with small chip to spout Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700
335 Queen Anne Shell Carved Footstool British, 18th century, seat with mahogany veneer, beech(?) legs, slip seat with gold silk brocade upholstery, cabriole legs with shell carved knees, pad feet, 19-3/4 x 23-3/4 x 18 in., later slip seat frame, minor lifting to seat rail veneer, scattered repairs to upper legs, typical wear throughout Provenance: Collection of Dr. George and Connie Manger Estimate: $100 - $300
337 Two Similar English Turned Brass Candlesticks 18th century, of knopped form, comprising: candlestick with scalloped base; candlestick with petal base, marked to base “11 T+H”; larger 9-1/8 x 4-1/2 x 4-1/2 in., light wear commensurate with age and use, visible seams wax residue, some areas of discoloration to metal, some crookedness; scalloped example with some scratching to base and wax pan, small solder repair to stem near base Provenance: (smaller) Tucker Frey Antiques, Woodbury Connecticut, August 19, 1999 (accompanied by copy of receipt); (larger) G.K.S. Bush Eighteenth Century American Furniture, Washington, D.C., July 27, 1991 (accompanied by copy of receipt); Collection of Dr. George and Connie Manger Estimate: $500 - $700
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338 Three Brass Candlesticks, One Pair probably British, comprising: 18th/19th century, small candlestick; 20th century, pair of candlesticks with hexagonal bases; largest 9 x 3-3/4 x 3-3/4 in., some pitting, scratches, and discoloration (more notable to earlier candlestick) Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700
339 James Chapman Tuttle Massachusetts Painted Fan Back Windsor Side Chair Salem, late 18th/early 19th century, old black paint with yellow trim, traces of green and red paint beneath, seat underside branded with “I.C. TUTTLE”, 36 x 22 x 17 in., seat height 18 in., in a very fine state of preservation, old paint in good condition overall with typical wear and loss Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700 Similar branded examples illustrated in Nancy Goyne Evans, American Windsor Chairs (1996), p. 367, fig. 6-219.
340 C.F. Martin & Co. Koa Wood 18-K Guitar Nazareth, Pennsylvania, 20th century, stamped “C.F. Martin & Co. Nazareth, PA.” to brace and back of headstock, serial number “40563” to neck block, 38-1/2 x 13-5/8 x 4 in.; held in leather-bound carrying case, with extra strings and related paper 341 work, 40-3/4 x 15-1/2 x 4-3/4 in., crack to soundboard beneath bridge, some small Neoclassical Marble and Giltwood Bilbao Mirror scuffs and abrasions to body, more notably to backside; leather case with wear at early 19th century, pink marble frame with giltwood trim, topped with urn issuing edges, stains, picked/pulled threads flowers, 35 x 15 x 2-1/2 in., marble with scattered repairs to breaks, gilt with some Provenance: Collection of Dr. George and Connie Manger distress and loss Estimate: $2,000 - $4,000 Provenance: Collection of Dr. George and Connie Manger Accompanied by copy of correspondence from The C.F. Martin Organization, Estimate: $800 - $1,200 Nazareth, Pennsylvania dated May 10, 1979 in which the wood type, model, and set-up of the guitar are specified. It mentions “notation in the old records [which] indicates that this particular guitar and others in the same set were set up for Spanish style playing”. 100 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
342 Diminutive Federal Style Walnut Table American, 19th century, old surface, one drawer, square tapered legs, white pine secondary, 17-1/2 x 22 wide x 18 in., typical wear to old surface with ring stains to top, gap and warping to top boards Provenance: Collection of Dr. George and Connie Manger Estimate: $100 - $300
343 Federal Inlaid Mahogany Oval Occasional Table American, 19th century and later, line-inlay to legs on one side, 28-3/4 x 23-1/2 x 14-3/4 in., top is very thin and likely not original; top with small square patch near one side and with 12-1/2 inch piece on other side; some cracking to veneer on frame; one leg pieces 1/8-inch from the bottom and another leg with small vertical loss from bottom Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600
344 Connecticut Federal Candlestand in Old Surface probably New London County, late 18th century, tripod base on slipper feet, 261/2 x 18-1/2 x 18 in., top appears reset or associated, repairs at leg and base joints, top with significant wear and infill to center, typical wear to old surface throughout Provenance: Clark & Co. Antiques, San Francisco, California, March 1988 (accompanied by item tag marked $1,850); Collection of Dr. George and Connie Manger Estimate: $300 - $500
345 American Federal Cherry Cupboard Press in Old Surface probably Southern, early 19th century, historic dry and mellow surface, two drawers, interior with one fixed shelf, poplar secondary, 43-1/2 x 41-1/4 x 20-3/4 in., replaced wood pulls, significant wear and distress to surface throughout, shrinkage splits to top and some warping, proper left rear leg with shrinkage split (stable) Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600
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346 American Federal Cherry Drop Leaf Table possibly Connecticut, early 19th century, round tapered legs, ball turned feet, white pine and oak secondary, 29-3/4 x 19-1/4 x 41-3/4 in., each leaf adds 171/4 in., top held with later screws and blocking, one hinge partially missing and patched, split to upper leg, another upper leg secured to apron with later nails, two feet with repairs, two with partial loss, other typical wear throughout Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
347 Pair of Leathercraft Brown Leather Club Chairs 20th/21st century, brass tacking, labels beneath seat cushions, large reeded bun feet, 35-1/4 x 30 x 34 in., seat height 19 in., leather with minor fading and scattered scratches Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600
348 Chippendale Mahogany Parcel Gilt Mirror with Phoenix probably American, 18th century, scrollwork frame, pierced crest with phoenix, 37-1/4 x 18-1/2 x 1-1/4 in., later mirror plate with light wear (not removed), scrollwork with repairs, gilt with minor distress and loss Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
349 American Federal Walnut Dish Top Candlestand late 18th/early 19th century, early and possibly original surface, urn turned standard with gouge carving, base raised high on cabriole legs, probably original iron spider brace, 26 x 16 x 15-3/4 in., large split to top with some infill, batten with later nails and plugged screws, foot with repair to break, typical wear to old surface throughout Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
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350 Fine Diminutive Queen Anne Parcel Gilt and Inlaid Mahogany Mirror probably British, carved and parcel gilt surround within inlaid frame, 15-1/2 x 9-1/2 x 3/4 in., backboards and mirror plate appear to be original; mirror plate with minor silvering losses; minor breaks and repairs to crest, with old braces; abrasions and losses to gilt surround Provenance: Matthews & Shank, Shepardstown, West Virginia, September 1988 (label verso and accompanied by copy of receipt for $850); Collection of Dr. George and Connie Manger Estimate: $500 - $700
351 Queen Anne Figured Mahogany Demilune Card Table British, 18th century, deep apron, round tapered legs with pad feet, 29-1/2 x 291/2 x 15 in., some splits to mahogany veneer, scattered minor repairs to upper legs, some returns possibly restored and others with repairs or resecured, repair to break at proper right hinge, typical surface wear throughout with ring stains to top Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700
352 American Painted Hoop Back Windsor Armchair 18th century, old green paint, wide seat, 37-1/2 x 20-1/2 x 22 in., seat height 17 in., old but later paint with wear, loss, and some restoration, otherwise typical minor wear Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
353 Pair of English Turned Brass Push-Up Candlesticks 18th century, of knopped form with scalloped petal bases, push-up ejector mechanism, unmarked, 7-3/4 x 4-1/4 x 4-1/4 in., light wear commensurate with age and use, visible seams, some areas of discoloration to metal, some wax residue, slight crookedness Provenance: Collection of Dr. George and Connie Manger Estimate: $600 - $900
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354 Pierced Brass Fire Fender with Fireplace Accessories probably American, 19th century, D-shaped pierced brass fender, also with footman, fire shovel, poker, and brass bucket, fender 8-1/4 x 42-1/4 x 12 in., typical wear consistent with age and use, fire bucket with large patch repair Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
355 Fine Diminutive Chippendale Walnut Mirror American or British, 18th century, retaining original plate and backboard, pine secondary, 20-1/2 x 13 x 1-1/2 in., this mirror survives in a fine state of original condition and with very few apparent tip losses; one glue block missing Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
356 Two Framed Signed 19th Century Alphabet or Marking Samplers, Frances Clark and Mary Jane Walker, comprising: alphabet sampler with verse, possibly Nova Scotia, silk on linen, signed and dated “Mary Jane Walker Aged 6 1830”, finished edges visible in frame; alphabet sampler with verse, possibly 357 Massachusetts or New York, wool and silk on lined linen, signed “Frances Clark”, Miniature American Federal Painted Blanket Chest inscription to back notes dates for Frances as 1839-1930; both in wood frames; probably New England, late 18th century, probably original red figured grain larger sight 20-5/8 x 15-1/2 in., overall 23-5/8 x 18-5/8 x 3/4 in., not examined out of paint, white pine throughout, dovetailed construction, divided open till to interior, frames, toning and warping to linen; smaller example with loose thread to top right original iron strap hinges, 10 x 18-1/2 x 11-1/4 in., scattered loss to lid molding, corner; frames with scattered abrasions shrinkage split to lid, original feet with repairs and later nails, lacking escutcheon Provenance: Collection of Dr. George and Connie Manger plate and other previous hardware to front evident by holes and print, typical wear Estimate: $500 - $700 to painted surface A Mary Jane Walker Jefferson (1824-1871) is recorded as living in Nova Scotia. Two Provenance: Collection of Dr. George and Connie Manger Frances Clarks are listed as being christened/baptized in 1839 in Massachusetts Estimate: $400 - $600 (one Dedham, one in Charlestown), one is listed in Potsdam, New York. 104 https://live.brunkauctions.com/auctions/brunk/americansouthern-november-10-2026-23802/catalog#catalog American & Southern | November 10, 2026
358 Federal Walnut One Drawer Table probably Pennsylvania, early 19th century, divided drawer, poplar secondary, 281/2 x 23-1/2 x 20 in., some variations to surface of top; oval pull old but not original; lacking lock mechanism; proper left rear leg with 5-1/2-in. patch to inner edge Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
360 Classical Figured Cherry Flip Top Table 19th century, rectangular flip top, three drawers, spool turned legs on casters, poplar and mixed secondaries, 29-1/2 x 18-1/2 x 41 in., replaced glass pulls, scattered patches including patch to associated repair at upper, top held with later screws, other typical wear throughout Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
359 Two American Dresser Mirrors, Federal and Classical comprising Classical 19th century example, probably Mid Atlantic states, turned stiles and finials, case and drawer facings with figured veneer, white pine and poplar secondaries, 27-1/2 x 31-1/2 x 10-3/4 in.; Federal example, 19th century, ebonized line inlay, ball finials to stiles, 13-3/4 x 13-1/2 x 5-1/2 in., Classical example previously fitted on dresser, later mirror plate with later back panel, veneer patch to rear corner; Federal example with later mirror plate and cardboard backing, lower frame with partially repaired cracks to veneer, small loss to upper corner, typical minor surface wear Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
361 Three Pairs of Brass Candlesticks 19th/20th century, two pairs with octagonal bases, largest pair 10-1/2 x 4-1/4 x 4-1/4 in., spotting, discoloration, and some verdigris; largest pair with visible seams Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700
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362 Federal Inlaid and Figured Mahogany Pembroke Table probably New England, late 18th/early 19th century, astragal corner leaves, false drawers on either side, cross banded and line inlay, square tapered legs on casters, white pine and mixed secondaries, 29-1/2 x 31-3/4 x 21-3/4 in., previously with drawer, the old facing is now being used to make up one end and with associated structural restoration, replaced brasses, patches at hinges, area of infill to underside of one leaf, one caster loose, upper leg with repair and apparent partial restoration, apparent restoration to veneer in upper leg panel Provenance: Collection of Dr. George and Connie Manger Estimate: $400 - $600
363 Chippendale Mahogany Wingback Armchair probably Massachusetts, late 18th century, gold silk brocade upholstery, frame with old surface, Marlborough legs with stretcher, 49 x 33 x 33 in., seat height 20-3/4 in., upholstery with light wear overall, a few spot stains and spot of fraying to ends of arms, frame with typical wear throughout Provenance: Ex collections of Larry Fair and Ed La Fonde; acquired at the 1988 Winter Antiques Show from John C. Newcomer (accompanied by a copy of the receipt for $9,350); Collection of Dr. George and Connie Manger Estimate: $500 - $700
364 American Federal Mahogany Octagonal Candlestand probably New England, late 18th/early 19th century, elongated octagonal tilt top, baluster and urn turned standard, spider legs, 27-1/2 x 22 x 14 in., minor sun fading and some stains to top, latch moved, hinge block with repair to break, leg and base joints with repairs and restoration Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
365 Pair of American Chippendale Side Chairs 18th century, serpentine crest rails, pierced gothic splats, Marlborough legs, period slip seats with embroidered pink floral motif upholstery, 38-3/4 x 21-3/4 x 19 in., seat heights 19 in., typical wear throughout, some repairs to blocking, one chair with plugged screw to stile reverse, some repairs to blocking Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700
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366 Allen & Tracy Attributed American Classical Fancy Paint Decorated Side Chair attributed to Amos Denison Allen & Frederick Tracy, Windham, Connecticut, rear seat rail stamped in black ink “ALLEN & TRACY / WINDHAM”, circa 1817, pale green paint, crest rail with bowl of fruit, pierced back with quatrefoil and leaves, rush seat, stretcher base, 33-3/4 x 17-3/4 x 20 in., seat height 18-1/4 in., paint with typical distress and wear throughout, frame with scattered minor splits, rush probably later but with early paint Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700 The relationship between A.D. Allen and the Tracy family is detailed in a section on Windham County makers in Nancy Goyne Evans, American Windsor Chairs (1996), pp. 431-433 (see photos).
368 American Classical Cherry Chest of Drawers New England, early 19th century, backsplash, two short over three long drawers with original pulls, poplar secondary, 47-3/4 x 38-3/4 x 21-1/2 in., top with some cracks and an 8-in. patch near the front; patch repair to reeded top molding; some repairs to beaded molding and a small loss to upper right corner of top long drawer molding Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $800
367 American Chippendale Cherry Slant Front Desk probably Connecticut, dovetailed construction, original brasses, prospect door interior with fan carved drawer, gadrooned apron, ball and claw feet, white pine and poplar secondaries, 41-3/4 x 43 x 21-1/2 in., patches at lock to fallboard, interior and drawer edges, proper right rear foot bracket partially restored, rear feet with repairs to breaks and later blocking, proper left front foot and return loose and with some pest damage, otherwise typical minor wear Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700
369 New England William and Mary Tavern Table, Old Red Painted Surface 18th century, rectangular top with ample overhang, turned legs with stretcher base, small bun feet, white pine and cherry, 29-1/2 x 29-1/2 x 33 in., early red paint with scattered restoration, upper leg with repair to split, one foot with repair to break, wear throughout consistent with age and use Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $1,000
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370 American Sackback Windsor Armchair with Old Paint 18th century, traces of old red paint, scrolled arms with turned supports, turned stretcher base, 37 x 25 x 22 in., seat height 17-1/2 in., typical wear throughout, some later glue at joints, proper right rear leg back with some loss Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
371 Chippendale Walnut Parcel Gilt Mirror with Phoenix British or American, 18th century, probably original mirror plate, walnut veneer, scrollwork frame, pierced crest with phoenix, 32-3/4 x 18-3/4 x 1 in., mirror plate with desilvering and distress (not removed), repairs to scrollwork and veneer, gilt with distress and loss Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
372 Unusual American Fan Back Windsor Side Chair 18th century, dramatically curved back, delicate serpentine crest rail with rosette carved ears, saddle seat, turned stretcher base, 35 x 20-1/2 x 22 in., seat height 171/2 in., spindles with later color, one with visible repair to break, later glue at most joints, surface with wear and loss Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
373 Three American Windsor Sackback Armchairs New England, late 18th / early 19th century, two in black, one in green, all with shaped arm terminals; the green-painted chair: 39-1/4 x 25 x 15-3/4 in.; the larger black-painted chair: 37-1/4 x 24-3/4 x 15-1/2 in.; the smaller black-painted chair: 35-1/4 x 24-3/4 x 14-1/2 in., all with later paint, now with some losses; the larger black-painted chair with square patch to seat visible from the top of the seat but not the bottom; the smaller black-painted chair with proper right arm slightly loose at joint with support Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
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374 Southern Federal Inlaid Walnut Chest of Drawers attributed to Piedmont Region, original brasses, shaped apron, tall and narrow bracket feet, yellow pine and poplar secondaries, 42 x 40 x 21 in., replaced molding to top edge, proper right rear foot replaced, some later blocking, otherwise typical minor wear including ring stains to top Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700
375 George III Figured Mahogany Pembroke Table British or American, late 18th/early 19th century, demilune leaves with unusual pivoting bar supports, square tapered legs, oak secondary, 28-3/4 x 34-1/2 x 17-1/2 in., each leaf adds 12-1/2 in., in a fine state of preservation, typical minor surface wear throughout including some edgewear to legs Provenance: Collection of Dr. George and Connie Manger Estimate: $200 - $400
376 William IV Mahogany Wing Armchair British, early 19th century, reeded vasiform arm supports, sprung seat, 48-1/2 x 27-1/4 x 25 in., frame not examined under upholstery; some wear to striped silk upholstery, upholstery webbing reinforced; formerly fitted with casters Provenance: Collection of Dr. George and Connie Manger Estimate: $800 - $1,200
377 American Queen Anne Mahogany Dish Top Birdcage Tea Table Pennsylvania, Maryland or Virginia, 18th century, large dished top, birdcage with turned supports, ring and vasiform turned standard, club feet, 29-3/4 x 37-1/4 x 36-3/4 in., latch to top moved, top with large strip patch through middle and some shrinkage splits, base with repairs to breaks and later iron brace, other typical wear throughout Provenance: Collection of Dr. George and Connie Manger Estimate: $300 - $500
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378 American Federal Walnut Square Top Candlestand late 18th century, old red stained surface, probably original iron spider brace, 24 x 14 x 14-1/4 in., old surface with typical wear throughout and minor loss, base with scattered splits and repairs (stable), surface split to standard Provenance: Collection of Dr. George and Connie Manger Estimate: $100 - $300
379 American Maple Ladderback Side Chair New England, 19th Century, ladders with chamfered upper edges, herringbone woven splint seat with brown wash, 42-1/2 x 18 x 15 in., some surface abrasions throughout; minor losses to seat weave; some probable water damage to back feet Provenance: Collection of Dr. George and Connie Manger Estimate: $100 - $300
380 Carved and Yellow Painted Carousel Horse probably American, early/mid 20th century, with leather reins, black painted saddle and harness, approx. 40 x 45 x 9-1/4 in., scattered chips and loss to painted surface, cracks, separations, and possible repairs to wood surface, repainted, proper left rear leg with remnants of earlier paint, general wear and loss commensurate with age and use Provenance: Collection of Dr. George and Connie Manger Estimate: $500 - $700 110
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