Hamnet in-theatre program

BRISBANE FESTIVAL AND QUEENSLAND PERFORMING ARTS CENTRE PRESENT

DEAD CENTRE (IRE)

Brisbane Festival is an initiative of the Queensland Government and Brisbane City Council

HAMNET

Directors’ Note

CREMORNE THEATRE Queensland Performing Arts Centre 8 – 12 September

Hamnet Shakespeare lived and died. He was eleven years old. Not much else is known about him. Rather more is known of his father, who lived and lived, and continues to live (perhaps

BRISBANE FESTIVAL ARTISTIC DIRECTOR’S NOTE Dead Centre is one of the most alive theatre companies in the world right now. Brisbane Festival welcomed them with three productions in 2016, and we had to have them back.

They approach so-called ‘great’ works from the winking edges, not the sinking centre, but do so utterly in the spirit of the canonical author, if not the letter. Here, one letter separates the famous from the forgotten.

But Hamnet carries with him all of Hamlet’s insecurities, and in a way that marks him as the most familiar of boys. This brilliant creation seizes the centre of things.

David Berthold

a little longer than some of us would like).

Hamnet is a typo – one letter away from greatness. And from what we know, Shakespeare didn’t offer him a great deal of help towards achieving greatness during his eleven short years. He was too busy offering it to the rest of the world, to us.

Shakespeare has something of an obsession with parents telling their children how to live.

But the parents are often confused, angry, scared, and just plain wrong. Perhaps we’re wrong to look to the plays of Shakespeare for a guide to how to live. Perhaps, as Hamlet knows so well, the greater conundrum is how to die.

It is notable how often ghosts walk Shakespeare’s stages. The dead haunt the living, and the living haunt the dead. Theatre stages that space, the dead holding the living to account, the living suspended like ghosts.

Bush Moukarzel and Ben Kidd

QPAC EMERGENCY

ACKNOWLEDGEMENT OF COUNTRY

Patrons are advised that the Performing Arts Centre has EMERGENCY EVACUATION PROCEDURES, a FIRE ALARM system and EXIT passageways. In case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with directions given by the in house trained attendants and move in an orderly fashion to the open spaces outside the Centre.

In keeping with the spirit of reconciliation, we acknowledge the Traditional Owners of Brisbane, the Turrubul and Jagara Yuggera Peoples, and recognise that this has always been a place of creative expression. We wish to pay respect to their Elders – past, present and emerging – and acknowledge the important role Aboriginal and Torres Strait Islander people continue to play within our creative community.

Aran murphy

Stephen DODD

Performer

Lighting Designer

This is Aran Murphy’s first professional play.

Stephen is a Lighting Designer based in Dublin.

He loves acting and football (LIVERPOOL FC).

He trained at The Samuel Beckett Centre, Trinity College. Recent lighting designs include:

Bush Moukarzel

For Irish National Opera/United Fall: Orfeo ed

Director/Writer

Euridice (Galway International Arts Festival,

Bush is co-artistic director and co-founder

2018) For Liz Roche Company: Wrongheaded

of Dead Centre. He has co-directed all Dead

(Dublin Dance Festival 2018); For United Fall/

Centre productions, including Souvenir (Dublin

Emma Martin: Girl Song (Dublin Theatre Festival

Fringe Festival, 2012), LIPPY (Dublin Fringe

2017); Dancehall (Dublin Theatre Festival, 2015).

Festival, 2013), (S)quark! (New Theatre, Dublin,

For Dead Centre: Hamnet (The Peacock Theatre

2013), Chekhov’s First Play (Dublin Theatre

2017); Chekhov’s First Play (Dublin Theatre

Festival, 2015) and Hamnet (Co-Production

Festival 2015); LIPPY (The Young Vic, 2015);

of Dead Centre and Abbey Theatre) and

For Brokentalkers: The Circus Animal’s Desertion

Shakespeare’s Last Play (Schaubühne, 2018).

(Dublin Theatre Festival, 2016).

BEN Kidd

KEVIN GLEESON

Director/Writer

Sound Designer

Ben is co-artistic director and co-founder of

Kevin studied music technology at both at

Dead Centre, and he has co-directed all Dead

Windmill Lane Recording Studios and Trinity

Centre productions. Other work as a director

College Dublin. He has worked as a composer

includes Spring Awakening (Headlong), The

and sound designer for Schaubhüne (Berlin),

Shawl (Young Vic) and In the Night Time (Before

Cois Ceim Dance Theatre (Dublin) & Crash

the Sun Rises) (Gate Theatre, London). Like

Ensemble (Dublin). His work on Chekhov’s First

Aran, he also supports Liverpool FC.

Play by Dead Centre was awarded with Best Sound Design at the 2015 Irish Theatre Awards.

BARBARA HUGHES Stage Mangaer Barbara is originally from Dublin, Ireland.

Credits include Incantata (Galway International Arts Festival), These Rooms (ANU Productions/ CoisCéim Dance Theatre - LIFT Festival, London) and Hamnet, Chekhov’s First Play, LIPPY, and Souvenir (Dead Centre International Tour).

Barbara is also Technical Stage Manager for Riverdance.

He was the Composer-in-Residence for the Kerry County Council in 2013.

José Miguel Jimenez AV Designer José is an actor, director and filmmaker based in Dublin. He is a theatre graduate from Universidad de Chile and Trinity College Dublin. He is an associate artist to Project Arts Centre and also one third of the artist led initiative DRAFF Magazine, an international magazine focused on dance and theatre. José established The Company in 2008, with whom he directed Who is Fergus Kilpatrick? (Spirit of the Fringe Award 2009), As you are now so once were we, based on James Joyce’s Ulysses (Best Production Fringe 2010, Abbey Theatre

CAST AND CREATIVES Performed by Aran Murphy Set Design Andrew Clancy Costumes and Effects Grace O’Hara Light Stephen Dodd Sound Design Kevin Gleeson Video Design Jose Miguel Jimenez Choreography Liv O’Donoghue Stage Manager Barbara Hughes Production Manager Nicholas Ree Dramaturg Michael West Producer Aisling Ormonde Direction Bush Moukarzel and Ben Kidd Text by William Shakespeare, Bush Moukarzel and Ben Kidd

2011, tours to L.A. Portugal and Berlin). Other works include Politik and The Rest is Action.

Brisbane Festival

José has developed extensive work as a video

Chair Paul Spiro Deputy Chair Philip Bacon AM Artistic Director David Berthold Chief Executive Officer Charlie Cush

designer, collaborating with theatre, dance and visual artists. His work includes Blanca with choreographer Maria Nilsson Waller, Elemental with visual artist Siobhan McDonald (screened at Centre Culturel Irlandais, Paris), 3D Wabi-Sabi Soul (Dylan Tighe, Lighthouse Cinema) and Medicated Milk, a collaboration with choreographer Aine Stapleton based on the life of Lucia Joyce, screened at the Irish Film Institute. His latest documentary film See the Man was nominated for Best New Doc at Tempo Dokumentär Festival 2017 in Stockholm, and received the main award at LightMoves festival of screen dance.

D O N ’ t M I S S T H I S A LT O G E T H E R M A G I C A L S H O W !

“HOME is a delicious piece of dreamlike visual theatre... a joyous evening.”

THE INDEPENDENT

BRISBANE FESTIVAL AND AURECON PRESENT

GEOFF SOBELLE / BETH MORRISON PROJECTS (USA)

BOOK NOW 12 – 15 September P l ay h o u s e QPAC

D O N ’ T M I S S B R I T T E N ’S A LT O G E T H E R E P I C O P E R A !

“Stuart Skelton is the best Peter Grimes I’ve ever seen.”

The SPECTATOR, UK

BRISBANE FESTIVAL, OPera queensland, philip bacon am, queensland performing arts centre and queensland symphony orchestra present

BY BENJAMIN BRITTEN (uk)

BOOK NOW

20 & 22 September | Concert Hall, QPAC