P O R T F O L I O
Bridget Gerstner | bcgerstner@ku.edu | 816.806.9224 | KU Master of Architecture
ABOUT ME
I was born and raised in West Palm Beach, Florida until my family moved to Kansas City, Missouri when I was about 9 years old. Our timeline in KCMO began in a rental home somewhere in the NKC School District, and then we moved into a house in the Park Hill School District. We used to have two cats, an orange tabby cat and a black tuxedo cat. Now, we have two Siberian Huskies that we love very much. We made a decision as a family that we wanted to build a custom home, and from there we moved into an apartment before designing our final house. I was a middle school student, still deciding what path I wanted my life to take. It wasn’t until about 8th grade that I knew what my final aspirations would be. Working on the design of our final home, I was asked to help arrange the plans of the new kitchen when I realized how interesting the task was. That is the story of how I decided I was going to be an architect. Since then, I have had the opportunity to learn about the field of architecture throughout my high school education in a program called Northland CAPS and my internship at CRB. At my internship, I designed a site model for the Hillyard area in St. Joseph, MO with an arrangement plan of new development buildings. Also at CRB, I had the opportunity to visit a construction site in Lenexa, KS where I learned the process of the final walk-through and the punch list. I recently took a much needed vacation to Chicago in order to begin visiting some famous architecture in other cities. I was able to see the Sears Tower, Frank Lloyd Wright’s Home & Studio, The Robie House, and much more. I learned that depending on where the architecture is located, it has several aspects of context that match the building’s features with its surroundings.
EDUCATION 2019 - 2024
2018 - 2019
2015 - 2019
EXPERIENCE JUNE 2020 - PRESENT
JAN 2019 - APR 2019
2018 - 2019
DEC 2016 - MAR 2020
UNIVERSITY OF KANSAS (KU) • Full-time student (3rd year) • Master of Architecture Program (NAAB Accredited) • Current 3.64 Cumulative GPA NORTHLAND CENTER FOR ADVANCED PROFESSIONAL STUDIES (NCAPS) • High school program allowing students to learn about college while engaging in projects and applying professional skills PARK HILL HIGH SCHOOL (PHHS) • High School Diploma -- May 2019 • Honor roll -- 4 years (3.5+ GPA) • Volunteer work (60+ hours) DELI CLERK, SPROUTS FARMERS MARKET • Average 30 hours per week • High-standard and fast-paced environment • Multitasking and teamwork skills CRB CONSULTING ENGINEERS • School internship involving site modeling, Revit and AutoCAD drawings, and networking NCAPS PROJECTS • Hope Faith Ministries: designing an indoor garden for the homeless • StandardAero: designing a useful cart to hold heavy fixtures • North KC Fire Dept: communicating with NKC residents for survey feedback GOLDEN CORRAL • Cross-trained as Host, Cold Prep, and Bakery Prep • Communication and professional relationship with managers
SHADOW EXPERIENCES DEC 7, 2018
WOMEN IN DESIGN | “DAY OF SHADOWING” EVENT • Opportunity to shadow women at BNIM
SOFTWARE SKILLS AUTOCAD SKETCHUP PRO REVIT ENSCAPE LUMION RHINO ILLUSTRATOR INDESIGN PHOTOSHOP MICROSOFT OFFICE 3DS MAX
PERSONAL SKILLS MODEL MAKING
CREATIVE
SKETCHING
COLLABORATIVE
ORGANIZATION
RESPONSIBLE
MATHEMATICS
TIME MANAGEMENT
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TABLE OF CONTENTS
LIGHTBOX
01
page 12
ORTHOGRAPHICS & SPATIAL JOURNEY
02
page 20
BALANCING NATURE - COMMUNITY CAFE
03
page 32
COMMUNITY GARDEN CENTER
04
page 6
01
LIGHTBOX Semester: Fall 2019 Professor: Barry Ballinger
Skills Applied: Hand Modeling, AutoCAD, Illustrator, Photoshop Light and shadows are captured through a set of cutout frames in order to create a positive and negative balance between the object and its surface under the spotlight. Acquired skills include sectioning, light, space, and assembly instructions.
6
7
Lightbox Frames
8
Piece A - the path
Piece B - the frame
Piece C - lower support 9
Upper Assembly
1
Rotate piece B in order to fit inside of piece A. Join the frame with the corresponding slit. Start at the largest frame to allow the pieces to fit in the correct order.
3
Join piece C with the slits on the bottom of each frame, allowing the frames to be equidistant from each other and for extra surface stability. [See to the right]
Lower Assembly
10
2
Sep of t nega bott
parate the space in between the top the path and the top of the frame’s ative square to join the path with the ttom of the square. [See to the right]
Shaded Lightbox
11
02
SPATIAL JOURNEY & ORTHOGRAPHICS Semester: Spring 2020 Professor: Barry Ballinger
Skills Applied: Hand Drafting & Modeling, Sketchup, Lumion, Photoshop
A kit of parts is provided to inspire the designer to organize movement and to frame views. The goal of “spatial journey” is to create a sequence of spaces consisting of an entry, a place to pause, and a destination. In order to think like a designer, one must recognize how people interact with a space and understand the scale, presence, and perception of human beings. Displaying things to a scale gives us an idea of human dimensions relative to the space and position being inhabited. Constructing a model in a certain way will force the eye to follow a certain path that will successfully orchestrate movement and framing views. Given a kit of parts, the problem is NOT trying to fit your wall piece to another wall piece. Instead, it’s the entire enclosure and the spaces 12
between the elements that we are trying to solve.
13
Iteration 1: Parti Models
Iteration 2: Upscale Parti Models
Iteration 3: Mock-Up Model
Iteration 4: Final Model
Spatial Journey creates a setting where visitors experience an inaccessible level upon entry, mainly created for viewing purposes. The journey takes them up the ramp and stairs, onto a platform as a place to pause. From there, they can choose their path towards one of two destinations and look out into the surrounding scenery.
15
Section A-A
Upper Plan
Lower Plan
Section A-A
Upper Plan Lower Plan
Long Elevation
Short Elevation
17
1
2
4
5
3
6
19
03
BALANCING NATURE - COMMUNITY CAFE Semester: Fall 2020 Professor: Farhan Karim Skills Applied: Enscape, Sketchup, llustrator, AutoCAD
The goal of the project is to design a community setting to bring together the residential area of the Nauck neighborhood and the Arlington area of Virginia. Considering this location is in an unfamiliar region, researching about the climate and history of the area creates a better understanding towards a fundamental design. My community cafe allows a diverse set of people to enjoy the indoors as well as the natural outdoors through glass walls, balconies, and roof terraces.
20
21
Climate Region 8 Reference State: Virginia
The Climate
The Mid-Atlantic-coast climate is relatively Although summers are very hot and humi and fall are generally quit pleasant. Summ hot and humid climate.
The annual precipitation is about 47 inche the year. Summer, however, is the wettest during that period. Tropical storms are an
Climate Design Priorities* 1st 2nd 3rd 4th
Keep the heat in and the cold temperatures out during the winter. Use natural ventilation for summer cooling. Let the winter sun in. Protect from the summer sun.
Lower Priorities 5th 6th
Protect from the cold winter winds Avoid additional humidity during the summer
*These climatic design priorities are for envelope-dominated building types only.
22
y temperate with four distinct seasons. id and winters are somewhat cold, spring mer winds are an important asset in this
es and occurs fairly uniformly throughout t season with thunderstorms common n occasional possibility.
23
Arlington, VA Site Map
24
25
Design Development
Early design introducing 50/50 indoor and outdoor seating space with an attempt at creating balanced nature and an architectural language using planes.
Alteration of the architectural language in order to display it more prominently.
Extension of the building and addition of pathways, allowing a more connected and continuous flow of space for finalization.
26
The community cafe utilizes the empty commercial lot space at 2323 Shirlington Rd, Arlington, VA 22206. Arlington is the 6th largest county in Virginia, containing 63% White, 15% Hispanic, 10% Non-Hispanic, 9% African American, and 3% other. This region is known to hold the nation’s oldest schoolhouse, Arlington’s Historical Museum, and the nation’s oldest building, the Ball-Sellers House. Arlington was also among the early regions for school desegregation. The oldest African American neighborhood, or Nauck neighborhood, contains the empty lot on Shirlington Road and is anchored by four churches that hug the predominantly residential area.
27
Exploded Axonometric Service Area Kitchen/Cafe Counter Outdoor Seating Indoor Seating Balcony Cafe Storage Space Staircase Entrance
North
28
Elevations
West
East
South
29
Level 1
A
PRODUCED BY AN AUTODESK
B
Basement Level
OUTDOOR SEATING
DOWN
BATHROOMS
BATHROOMS UP
ELEVATOR
ELEVATOR
FLOWER BED
OPEN TO BELOW UP
WAITING LOBBY
KITCHEN
FIRE PIT
BASEMENT STORAGE OUTDOOR SEATING
CAFE COUNTER
ENTRANCE
A
INDOOR SEATING
Section A-
ESK STUDENT VERSION 30
Level 3
BATHROOMS
BATHROOMS
BALCONY
BALCONY OPEN TO BELOW
ELEVATOR
OPEN TO BELOW
ELEVATOR
DOWN UP
DOWN INDOOR SEATING INDOOR SEATING GLASS BALCONY
INDOOR SEATING
BALCONY
FLOWER BED
B
AUTODESK STUDENT VERSION
Level 2
ROOF SEATING
BALCONY
N
A-A
Section B-B 0'
10'
20'
31
PRODUCED BY AN AUTO
04
COMMUNITY GARDEN CENTER Semester: Spring 2021 Professor: Farhan Karim Skills Applied: Enscape, Sketchup, Lumion, llustrator, AutoCAD
Kaw Point is a park and heritage trail in Kansas City, Kansas. This is the area where the Kansas and Missouri rivers meet. The client feels that an architectural addition is necessary in this area to gather more tourists and people out of town. The area of Kaw Point has a history of flooding, considering it is located off the river. Research has been done that this particular lot would create difficult situations for new construction, aside from the limited space being presented. Quindaro Bluffs, a neighborhood slightly NW from Kaw Point is a remarkable location filled with historical subjects, such as the Old Quindaro Museum and the ruins within the forest. It has been decided that this is an exceptional location for new community construction.
32
33
PARTI DIAGRAM 1
Design Development
G-shape allows a central area for greenhouse placement. Slanted walls for
PARTI DIAGRAM 2
movement effect.
Removal of slanted walls due to overcomplexity and wasted space. Addition of skylight strip along the interior
PARTI DIAGRAM 3
hallway’s ceiling.
Inclusion of a partial second floor, thus creating a roof terrace. Glass mullions provide a properly covered greenhouse
34
FINAL PARTI DIAGRAM The final parti presents pergolas to act as sunshading devices, extra windows where necessary, additional entry/exit points for emergency acess, etc. The skylight above the hallway has been extended to each end to allow more natural light to shine inside and for exterior views from the second floor level. While most of the panels that cover the greenhouse are glass, some of them are metallic panels -- matching the mullions -- in order to create a more shaded room and comfortable temperature inside.
35
N o r th 31
st T erra
ce
Schematic Diagram
Sewe ll Av en ue
Str eet
ark Drive
32 nd Nor t h
P
Quindaro Park
rry
Ha
0ft 200 0’ 400
36
400’
800’
RHOOD IGHBO E N FFS BLUy O R a D A w ORHOO IND High IGHB E N QU orial EST m HW Me T y R b r NO Da
Sloan Avenue
No r th 2 7 th S tr e e t
Sewell Avenue
ay hw
Sloan Avenue
Endicott Avenue
ig
lH
em
yM a rb D ry
r Ha
ia or
MUSEUM COMMUNITY CENTER GARDENS RESIDENTIAL EDUCATIONAL RELIGIOUS FOOD
N o r th 2 7 th Street
N o r th 2 9 th S tr e e t
COMMUNITY GARDEN CENTER
TRAIL CHECKPOINTS JOHN BROWN STATUE STREAM TRAILS BUS ROUTE BUS STOP
37
Complete Streets Analysis
38
VEGETATION SPACE
STREET LIGHTS
Green space allows
Street lights add a sense
something for people to
of safety and security to a
look at while they are
community at night. In
making tedious trips to
this par�cular loca�on,
certain places. Gardens
the crime rates are
and vegeta�on can bring
bound to decrease if
involvement from the
street lights were to be
community.
installed.
WALKABILITY
ROAD TRAFFIC
PUBLIC TRANSIT
Integra�ng new and wide
A 3-way stop sign will reduce the chances of traffic crashes and induce people to stop before the crosswalk. Also, with the limited road width, cyclists and vehicles shall “share the road” as a safer method vs crea�ng a bike lane.
There is currently no bus
sidewalks into these streets would not only increase the pedestrian numbers, but also create a friendlier place towards ADA people with disabili�es.
route that circulates in this community. Including an extended public transit route will allow more involvement in the community in order for people to gather with the new infrastructure.
39
A
15
1
5
6
12
13
B
3
7
2
14
13
9 4
10
10
8 3
11
A
Level 1
0’
Section A-A
Section B-B
40
20’
40’
13
18
13
B 17
16
Level 2 1 - LOBBY 2 - GREENHOUSE 3 - MARKET PLACE 4 - PATIO 5 - DONATION AREA 6 - STORAGE/TOOLS 7 - KITCHEN 8 - CAFE 9 - TRAINING CENTER
10 - CLASSROOM 11 - GALLERY 12 - COMPOST AREA 13 - RESTROOMS 14 - VOLUNTEER SPACE 15 - COMMUNITY GARDEN 16 - LIBRARY & LOUNGE 17 - TOWER GARDEN RM 18 - ROOF TERRACE
41
Bubble Diagram
The bubble diagram displays the flow of spaces that different categories of people might take upon their visit to the Community Garden Center. Donators would potentially check in through the lobby and drop off their items to the Food and Equipment Donation Center, for which they can receive a voucher to use towards special items in the greenhouse or market place. Volunteers will go directly to their workspace to help with marketing tasks, group exercises, display set-ups, etc. They might visit the training center/classrooms to learn about the garden program and become more involved or be available to assist visitors in the greenhouse.
42
Last but not least, visitors are the primary importance of this new construction. Aside from spreading the word, guests to the community garden can freely enjoy an exterior community garden selection at any time.
East Elevation
South Elevation
West Elevation
North Elevation
43
44
View of Lobby and Community Garden
visitors can select fresh crops from the outdoor community garden
46
View of Greenhouse and Market Place visitors can select flowers/tools/etc. to start their own home garden
48
View of Cafe Area
visitors can enjoy meals, indoors or outdoors, inspired by the community garden crops
Thank You.
(+1) 816.806.9224 bcgerstner@ku.edu @bridgetinthestudio https://www.linkedin.com/in/bridget-gerstner-b6584b170