PB 15160 – Rachmaninow, RAPSODIE SUR UN THÈME DE PAGANINI op. 43

Page 1

Rachmaninow

– RAPSODIE SUR UN THÈME DE PAGANINI pour piano et orchestre

– RHAPSODIE ÜBER EIN THEMA

VON PAGANINI für Klavier und Orchester

– RHAPSODY ON A THEME BY PAGANINI for Piano and Orchestra op. 43

Partitur
15160 Breitkopf &
Partitur-Bibliothek
Score PB
Härtel

Sergej rachmaninow

1873–1943

ra PS o D ie SU r U n T h È me D e Paganini pour piano et orchestre

rha PS o D ie ÜB er ein T hema

V on Paganini für Klavier und Orchester

rha PS o DY on a T heme BY Paganini for Piano and Orchestra

op. 43

herausgegeben von | edited by Norbert Gertsch

Partitur-Bibliothek 15160

Printed in Germany

Sergej W. Rachmaninow (1873–1943) komponierte die Rapsodie sur un thème de Paganini op. 43 in den Sommermonaten Juli und August des Jahres 1934 in seinem Schweizer Domizil, der direkt am Vierwaldstätter See gelegenen Villa „Senar“. Es gehört zu einer späten Gruppe von Meisterwerken, die nach der Emigration des Komponisten aus Russland im Jahr 1917 und nach langen Jahren vor allem pianistischer Triumphe schließlich zwischen 1931 und 1940 in Frankreich, der Schweiz und, nach Ausbruch des 2. Weltkriegs, in den USA entstanden: die „Corelli-Variationen“ op. 42 (1931), die „Paganini-Rhapsodie“ op. 43 (1934), die 3. Symphonie op. 44 (1935/36) und die Symphonischen Tänze op. 45 (1940).

Das mit Abstand beliebteste und am häufigsten aufgeführte Werk dieser Gruppe ist zweifellos die Rhapsodie, ein Variationenzyklus für Klavier und Orchester über das berühmte Thema aus Niccolò Paganinis Capriccio Nr. 24 für Solovioline, dessen Reiz über die Jahrhunderte zahlreiche Komponisten verfallen sind – Johannes Brahms, Franz Liszt, Eugène Ysaÿe und Witold Lutosławski etwa, um nur die bedeutendsten zu nennen. Ebenfalls in der Rhapsodie verarbeitet ist der berühmte mittelalterliche Hymnus über das Jüngste Gericht, „Dies Irae“, ein von Rachmaninow auch in anderen Werken –der 3. Symphonie, den Symphonischen Tänzen, aber auch schon der früheren symphonischen Dichtung Die Toteninsel und der Kantate Die Glocken – benutztes Thema.

Am 18. August 1934 signierte Rachmaninow das soeben fertiggestellte, heute in seinem Nachlass erhaltene Partiturautograph der „PaganiniRhapsodie“, dessen Ausarbeitung er vermutlich gleich bei seiner Ankunft in Hertenstein in der Villa „Senar“ (ein Akronym aus den Vornamen des Ehepaares Sergej und Natalia Rachmaninow) am 1. Juli des Jahres begonnen hatte.1 Seiner Schwägerin Sophia schrieb er einen Tag nach Abschluss der Arbeit über die intensive Kompositionsphase: „ich habe schon lange nicht mehr geschrieben – aber seit meiner Rückkehr aus Como und Monte Carlo am 1. Juli habe ich gearbeitet, sprichwörtlich Tag und Nacht, wie man so sagt. Dieses Werk ist ziemlich umfangreich, erst gestern spät in der Nacht konnte ich es abschließen. […] Dieses Stück ist für Klavier und Orchester geschrieben, etwa 20–25 Minuten lang. Aber es ist kein ‚Konzert‘! Es trägt den Titel Symphonische Variationen auf ein Thema von Paganini.“2 Doch der finale Titel des Werks war noch nicht gefunden. Wenige Wochen später, am 8. September, nannte er es seinem Freund Wladimir Wilschau gegenüber „Fantasie für Klavier und Orchester in Variationenform auf ein Thema von Paganini“.3 Für die Erstausgabe wählte er dann schließlich einen französischen Titel und nannte die Komposition Rapsodie sur un thème de Paganini Das Werk erlebte seine Premiere in der folgenden Konzertsaison 1934/35 am 7. November im Lyric Theatre in Baltimore unter dem Dirigat von Leopold Stokowski mit dem Philadelphia Orchestra und dem Komponisten am Klavier. Anschließend trat Rachmaninow in den USA und in Europa mehrfach als Solist der Rhapsodie auf. Parallel zur Tournee lief die Druckvorbereitung. Rachmaninow erstellte den Klavierauszug, prüfte die Korrekturabzüge und verfasste Korrekturlisten, in denen er Änderungen festhielt und an den Verlag zurücksandte – eine Arbeit, die den Komponisten neben dem Konzer-

tieren stark beanspruchte: „Ich spiele sehr viel und lese viel Korrektur (die neue Rhapsodie). Ich bin ziemlich erschöpft. Ich werde mich erst im Mai ausruhen können, wenn auch nur kurz.“, schrieb er am 8. Dezember 1934 an Nikolaj Medtner.4 Zusätzlich entstand schließlich an Heiligabend 1934 bei RCA Records eine Ersteinspielung der Rhapsodie in der Besetzung der Uraufführung. Ende des Jahres lag dann die Erstausgabe der Orchesterpartitur in Rachmaninows eigenem Pariser Verlag „Edition Tair“ und in den USA bei Carl Fischer (Copyright bei Charles Foley) vor. Wenige Monate später, im März 1935, erschien schließlich auch der Klavierauszug in denselben Verlagen.

Rachmaninow selbst führte die Rhapsodie auf Tourneen zwischen 1934 und seinem letzten Auftreten als Solist eines Konzertes am 11. Februar 1943 in Chicago nicht weniger als 37-mal auf, zahlenmäßig nur noch übertroffen von den wesentlich früher entstandenen Konzerten Nr. 2 (80-mal) und Nr. 3 (43-mal).5 Nach anfänglich recht verhaltenen Reaktionen auf das Werk wurde es sehr schnell äußerst beliebt – Michel Fokine choreographierte bereits 1939 eine Ballettfassung für das Londoner Royal Ballet – und fand auch unter Rachmaninows Musikerfreunden große Bewunderung. Walter Damrosch etwa, einer der bedeutendsten amerikanischen Dirigenten des 20. Jahrhunderts und künstlerischer Partner in zahlreichen gemeinsamen Konzerten, war zutiefst beeindruckt und schrieb Rachmaninow: „I do not go to many concerts these days, but when I saw the announcement of yours at which you not only play, but that also your First Symphony [recte First Concerto, Second Symphony, and Paganini Variations] would be performed, I of course came to hear it all. Needless to say your music gave me an evening of intense interest and great enjoyment. […] and as for the Paganini Variations, they made me long to become a pianist in order to be able to play them. Could you not take me on as a pupil? I am only seventy-seven and would like to make my debut as a pianist at eighty, and with those Variations!“6

Für die freundliche Bereitstellung von Quellenkopien sei den in den Bemerkungen genannten Institutionen herzlich gedankt. Ein besonderer Dank gilt Raymond White sowie den Kolleginnen und Kollegen der Performing-ArtsAbteilung in der Library of Congress, Washington, D. C., für ihre hilfreiche und intensive Unterstützung dieses Editionsprojektes.

München, Frühjahr 2023

1 Zu den Quellen siehe Bemerkungen.

Norbert Gertsch

2 S. Rachmaninov. Literaturnoe nasledie, hrsg. von Zarui A. Apetjan, Bd. 3, Moskau 1980 [=Literaturnoe nasledie], S. 27; alle Zitate im Original Russisch.

3 Literaturnoe nasledie, S. 29.

4 Literaturnoe nasledie, S. 34.

5 Siehe Robin S. Gehl, Reassessing a Legacy. Rachmaninoff in America, 1918–43, PhD. Diss. University of Cincinnati 2008, S. 74.

6 Zitiert nach ebd , S. 74.

Vorwort

Preface

Sergei V. Rachmaninoff (1873–1943) composed the Rapsodie sur un thème de Paganini op. 43 in the summer months of July and August 1934 at the villa “Senar”, his Swiss home on Lake Lucerne. It belongs to a group of late masterpieces written after the composer emigrated from Russia in 1917. After long years characterized principally by pianistic triumphs, these works were composed between 1931 and 1940 in France, Switzerland, and, following the outbreak of the Second World War, in the USA: the “Corelli Variations” op. 42 (1931), the “Paganini Rhapsody” op. 43 (1934), the Third Symphony op. 44 (1935/36) and the Symphonic Dances op. 45 (1940).

The most popular and most frequently performed work of this group by some distance is undoubtedly the Rhapsody, a cycle of variations for piano and orchestra on the famous theme from Niccolò Paganini’s 24th Caprice for solo violin. Numerous composers have fallen for its charms over the centuries, including Johannes Brahms, Franz Liszt, Eugène Ysaÿe and Witold Lutosławski, to name just the best-known. Also woven into the Rhapsody is the famous medieval hymn on the Last Judgement, the “Dies Irae”, a theme also used by Rachmaninoff in other works – the Third Symphony and the Symphonic Dances, the earlier symphonic poem The Isle of the Dead and the cantata The Bells

On 18 August 1934 Rachmaninoff put his signature to the autograph score of the just-completed “Paganini Rhapsody”, now preserved as part of his estate.1 He had probably begun working on it immediately after his arrival in Hertenstein at the villa “Senar” (an acronym of his and his wife’s first names Sergei and Natalia Rachmaninoff) on 1 July. The day after completing the work he wrote to his sister-in-law Sophia about the intensive period of composition: “it’s been long since I wrote you – but ever since the very day of my return from Como and Monte Carlo on July 1, I’ve kept myself at work, working literally from morn to night, as they say. This work is rather a large one, and only yesterday, late at night, I finished it. […] This piece is written for piano and orchestra, about 20–25 minutes in length. But it is no ‘concerto’!

It is called Symphonic Variations on a theme by Paganini”.2 The work’s final title had, however, not yet been chosen. A few weeks later, on 8 September, he mentioned a “Fantasia for piano and orchestra in the form of variations on a theme by Paganini”3 to his friend Vladimir Wilschau. For the first edition he finally chose a French title, Rapsodie sur un thème de Paganini

The work received its premiere in the following concert season 1934/1935 on 7 November 1934 in a concert at Baltimore’s Lyric Theatre, with Leopold Stokowski conducting the Philadelphia Orchestra, and Rachmaninoff at the piano. Rachmaninoff subsequently performed the Rhapsody several times as soloist in the USA and Europe. Preparing the work for print proceeded in parallel with the concert tour. Rachmaninoff produced the piano reduction, checked the sets of proofs, and compiled lists of corrections in which he recorded alterations which he sent back to the publisher – a task that demanded much of the composer alongside performing in concerts. On 8 December 1934 he wrote to Nikolaj Medtner: “I am playing a great deal and doing much

proofreading (the new Rhapsody). I am quite exhausted. I can look forward to a rest only in May, and then but a brief one”.4 In addition, a first recording of the Rhapsody with the original line-up was made on Christmas Eve 1934 for RCA Records. Then, at the end of the year, the first edition of the orchestral score was released by Rachmaninoff’s own Paris publishing house “Edition Tair”, and in the USA by Carl Fischer (copyright by Charles Foley). A few months later, in March 1935, the piano reduction was finally also released by those same publishers.

Rachmaninoff himself performed the Rhapsody no fewer than 37 times on concert tours between 1934 and his last appearance as a concert soloist on 11 February 1943 in Chicago, a figure only surpassed by the considerably earlier Second Concerto (80 times) and Third Concerto (43 times).5 After initially receiving rather reserved reactions, the work very quickly became extremely popular; Michel Fokine choreographed a ballet version for the London Royal Ballet as early as 1939, and it was also greatly admired by Rachmaninoff’s musician friends. For example, Walter Damrosch, one of America’s leading conductors in the 20th century, and Rachmaninoff’s artistic partner in many joint concerts, was deeply impressed, and wrote to him: “I do not go to many concerts these days, but when I saw the announcement of yours at which you not only play, but that also your First Symphony [recte First Concerto, Second Symphony, and Paganini Variations] would be performed, I of course came to hear it all. Needless to say your music gave me an evening of intense interest and great enjoyment. […] and as for the Paganini Variations, they made me long to become a pianist in order to be able to play them. Could you not take me on as a pupil? I am only seventyseven and would like to make my debut as a pianist at eighty, and with those Variations!”6

We would like to thank the institutions named in the Comments for making copies of the sources available. Our special thanks go to Raymond White and to colleagues at the Performing Arts Division of the Library of Congress, Washington, DC, for their helpful and intensive support of this editorial project.

Munich, spring 2023

1 For information on the sources, see the Comments.

Norbert Gertsch

2 As cited in Sergei Bertensson, Jay Leyda, Sergei Rachmaninoff, A Lifetime in Music, New York, 1956, reprint 2001 [= A Lifetime in Music], p. 304.

3 A Lifetime in Music, p. 305.

4 A Lifetime in Music, p. 309.

5 See Robin S. Gehl, Reassessing a Legacy. Rachmaninoff in America, 1918–43, PhD. Diss., University of Cincinnati, 2008, p. 74.

6 As cited in ibid., p. 74.

Orchesterbesetzung

Piccolo

2 Flöten

2 Oboen Englischhorn

2 Klarinetten

2 Fagotte

4 Hörner

2 Trompeten

3 Posaunen

Tuba

Pauken Triangel

Trommel

Becken

Große Trommel

Glockenspiel

Harfe

Streicher

Orchestral Scoring

Piccolo

2 Flutes

2 Oboes

English horn

2 Clarinets

2 Bassoons

4 Horns

2 Trumpets

3 Trombones

Tuba

Timpani Triangle

Drum

Cymbals

Bass drum

Glockenspiel

Harp

Strings

Aufführungsdauer

etwa 22 Minuten

Performing Time

approx. 22 minutes

Orchesterstimmen mietweise | Orchestral parts on hire

Klavierauszug käuflich lieferbar | Piano reduction available for sale (Norbert Gertsch, Heiko Stralendorff)

Breitkopf & Härtel EB 11506 oder | or G. Henle Verlag HN 1506

Eine Gemeinschaftsproduktion von Breitkopf & Härtel, Wiesbaden und G. Henle Verlag, München

A coproduction of Breitkopf & Härtel, Wiesbaden and G. Henle Verlag, Munich

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Par titur-Bibliothek 15160 Piccolo Flauto Oboe Corno inglese Clarinetto (B) Fagotto Corno (F) Tromba (C) Trombone Trombone III Tuba Timpani Tamburo (e poi Triangolo) Piatti e Cassa Campanelli Arpa Piano Viola Violoncello Contrabbasso 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4       [ f ] sf  I II    a 2 f a 2 sf  I II  a 2 f  a 2 sf  #   f  sf  I II # #   f a 2 a 2 sf  I II f a 2   sf  I II f   sf & III IV III f   f sf  I II     f sf  I II     f sf      f sf               Tamb  sf        Piatti sf                            f    sf Ò   8va basso      I Violino f sf & II Violino f sf  f   sf  f   sf  f   sf                   b     n                    #           #      #   b   n   #   #               #     #   #         #              n     #              #        b        # #          # #     # #                      b b        #   #   b         #    #          b b        #   #   b        b     n      #   b   n   #   #       b     n      #   b   n   #   #          # #        #   #   b   b                        >        #       >   >        # #                                    ≥  ≤              #         #                   ≥  ≤                     b     n #     ≥  ≤         #        b      #     ≥  ≤  #   #      #        b      #     ≥  ≤  #   #   
Sergej Rachmaninow op 43 herausgegeben von Norber t Ger tsch Rapsodie sur un thème de Paganini für Klavier und Orchester © 2023 by Breitkopf & Här tel, Wiesbaden and G Henle Verlag, München
¡ ¢ ¡ ¢ ¡ ¢ { { 8 1 1 Var I (Precedente) Ob Cor ingl Cl (B) Fg Cor (F) Tr. (C) Tbn Tbn III Tb Timp Tamb Piatti e Cassa Camp Arpa Piano Vl Va Vc Cb.  I II   p    #   p    I II # #           I II p p  p      I II p p   & III IV p p  p      I II   p    I II  p  p       p  p    p p      * T 16, Tamb : Im Autograph wie T 12 Fehlende Pause in der Erstausgabe der Partitur vielleicht Stecher versehen? | M 16, Tamb : In the autograph as m 12 Rest missing in the �rst edition of the score perhaps an error by the engraver?  p   *    p Cassa  p                    p        p p                 I p p   & II p p    p p  p p    p p                                                                                      # #                                                                                                                                                                                                                                                       # #                     #  #                         #                                                                                                  2
¡ ¢ ¡ ¢ ¡ ¢ { { Breitkopf PB 15160 17 Ob Cor. ingl Cl (B) Fg Cor (F) Tr (C) Tbn. Tbn. III Tb Timp Tamb Piatti e Cassa Camp Arpa Piano Vl Va. Vc. Cb  I II mf dim.  p  # mf dim.  p  I II # #      a 2 p   I II mf mf dim. dim. [p] p  I II mf dim. p & III IV mf mf dim. dim. p  I II mf dim.  p  I II mf mf dim. dim. I p  mf dim. p   mf     p  mf dim.  p         p p   p        mf dim. p                     I mf dim.  p & II mf dim.  p  mf dim. p  mf dim. p  mf dim. p                                                                     #  n                                        #  n                                  # #                                           #                                                                                                                                                                                                                                                                                                                                                                                 3 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { 2 2 Breitkopf PB 15160 25 Ob Cor. ingl Cl (B) Fg Cor (F) Tr. (C) Tbn. Tbn. III Tb Timp Tamb Piatti e Cassa Camp Arpa Piano Vl. Va. Vc. Cb  I II mf dim. dim. pp a 2  # mf dim. pp  I II # #      a 2 pp   I II mf mf dim. dim. pp   I II mf dim. pp & III IV mf mf dim. dim. pp  I II mf dim. pp  I II mf mf dim. dim. I pp  mf dim. pp   mf     pp  mf dim.  pp         pp pp   p      mf dim. pp                      I mf dim. pp & II mf dim. pp  mf dim. pp  mf dim. pp   mf dim. pp      Þ  #               Þ                             Þ  #            Þ                         #  n  #  n           Þ  #                  Þ                        #  n  #  n                              # #                                           #                                                                                                                                                                                                                                                                                                                                                   #  n  #  n                             #  n  #  n                                   4 Leseprobe Sample
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¡ ¢ { ¡ ¢ { ¡ ¢ ¡ ¢ { TEMA L’ istesso tempo 33 Piano Vl Va. Vc. Cb 40 3 Piano Vl Va. Vc. Cb Breitkopf PB 15160 47 Ob Cl (B) Fg Piano Vl Va. Vc. Cb  marcato         I p & II p                          mf dim.     I mf [dim.] & II mf [dim.]                          I II   p I   p [dim.]  I II # #   p I     I II   I p   [dim.]   p dim.   I p [dim.] & II p [dim.]                                                                 #  #                         #  #                       #  #                             #  #                                                                b                                              b                                       b   #  b                                                                                                            #    n           b                                  #    n           b                                = = 5 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 54 Var. II L’ istesso tempo L’ istesso tempo Ob Cl (B) Fg Cor (F) Tr (C) Piano Vl Va. Vc. Cb Breitkopf PB 15160 60 4 4 Ob Cl (B) Fg Cor (F) Tr (C) Piano Vl. Va. Vc. Cb  I II        I II # # p [dim.]     I II I      I II    mf marcato I   I II     mf marcato I   mf       #    #    #  I    & II                          I II         I II # #         I II          I II I    I II I    [ ]  mf     #    #    #  I        & II                                    b n     #      #              #                                              #  #                     Þ  #  Þ  #  Þ  #              #    n                #    n                      Þ  #   >               Þ  #   >    Þ  #            #  #       Þ  #      #    b   n    #     Þ  #      Þ  #  Þ  #  Þ  #  Þ  #      Þ  #     n         = 6 Leseprobe Sample page

have dim., also in Tr. in the �rst edition of the score; �rst edition of the piano reduction without dim

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 67 Fl Ob Cl (B) Fg Cor (F) Tr (C) Piano Vl Va. Vc. Cb 5 5 73 Fl Ob Cl (B) Fg Cor (F) Piano Vl Va. Vc. Cb  I II        I II   p    I II # #     p      p I  I II I       I II  I    n  *    #    #    #      I       & II                             I II mf I  p  I II        I II # #   I mf   I II       & III IV p III      mf n  #     #  n  b  p   I p p & II p p  p p  * T. 69, Piano: Autograph und Erstausgabe der Partitur dim., in der Erstausgabe der Partitur auch bei Tr.; nicht in der Erstausgabe des Klavierauszugs. | M. 69, Piano: Autograph and �rst edition of the score
pizz. p    p arco           # #         #          n    # #      #                 Þ  #   >   Þ   >              #      n                    Þ  #     n      Þ     Þ  #   Þ  Þ  #  Þ  #         b                b          b     b                                         n           b             b                       b  b              ≤   #  n  #    ≤   #  n             ≤    b    ≤  b   b     b        ≤    #  n     ≤    b   n                b       = 7 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 79 Var. III L’ istesso tempo L’ istesso tempo Fl Ob Cl (B) Fg Cor (F) Piano Vl Va. Vc. Cb Breitkopf PB 15160 86 6 6 Fl Ob Cl (B) Fg Cor (F) Piano Vl Va. Vc. Cb  I II I    p stacc. e leggiere  I II      p I  I II # #  I p       I II   p leggiere I   I II      p II  p mf dim.    I dim. pp pp leggiere  & II dim. pp  pp leggiere  dim. pp p pizz.   dim. pp               I II I   p sempre stacc.  I II I    p  I II # #         I II p I    I II II    p  mf dim.   I  pp   & II   pp   p pizz.                     b             #    n             b  #   #  #         #      n     #  #         b        #    #        #            b                #           b     #                                        #             #                        #      n     #  #                               #    #   n   #   n     #      #  #            b      #         #          #               #  #    #                 #  #    #                                      #             #                  #          #    = 8 Leseprobe Sample page
¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ { 93 Fl Ob Cl (B) Fg Piano Vl Va. Vc. Cb Breitkopf PB 15160 100 7 7 Fl Ob Cl (B) Fg Piano Vl Va. Vc. Cb  I II I        I II I        I II # #         I II p I   mf dim. mf p cresc.    I pp pp & II pp pp  pizz. p                   I II  p p pp     I II         I II # #  p I pp   I II I  p  dim. p mf dim. p      I div pp [ ] # n n # [ ] [ ] b n & II div pp b [ ] b b n  pizz.  p                  #              #                               #   #   #            b     #    #   #            b      #    #   #      b     >     >          > #     > #     > n       b              #  #  #      >     > #     > #     >     >     >     >     >          b     b       n  #   #  #       #                          #  #         #   b           > #   n  #       b       >   #            >   n                  >   b         #               #                             n  #        #               n  #        # #                #     n        #  #           >             >             >                          >                         >              >              >                   b      b    >         #                      = 9 Leseprobe Sample page
¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ { 107 Var. IV Più vivo Più vivo Picc. Fl Ob Cl. (B) Fg Piano Vl Va. Vc. Cb Breitkopf PB 15160 113 Fl Ob Cl (B) Fg. Piano Vl Va. Vc. Cb      pp   I II pp   I II        I II # # pp I pp #     I II   I     cresc. dim. p mf    I pp  pp unis. pp  & II pp  unis. pp     pizz.  mf arco                I II         I II         I II # #         I II           I        & II          sforzando pizz.            #          #   b   #   b               # n   # #   #   #   #         #     n                                 b n         #  #       b      b    #    #  n  #              b       b    #    #  n  #        >        >             #         #        #      > b             #   #                  #  #             #     #  #    #   #  n           #     #  #    #   #   > #      > #    #   >   >   >      > #      > #    #   >          #         #   #       >             #         #   #       >               = 10 Leseprobe
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¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 8 8 120 Fl Ob Cor. ingl Cor (F) Piano Vl Va. Vc. Cb Breitkopf PB 15160 126 9 9 Fl Ob Cor. ingl Cor (F) Piano Vl Va. Vc. Cb  I II     a 2 mf  I II a 2 p mf  #       & III IV    sf IV    f   I mf pizz. sf mf & II pizz. mf sf mf                       I II a 2      I II a 2      #   p  I II  sf a 2      p   I pizz. sf pp arco & II pizz. sf p   pizz. sf       pizz. sf       pizz. sf                             >        >                  >                                  #   #   n                                               #                                         >                                            >                                           >        >     #  n   #    n               #   #      #      b        #                    #      >     #  >     b  > #      > n         >           #        b       #        n       >          #  n   #    n     #     #   = 11 Leseprobe Sample page
¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ { 132 Fl Ob Cor. ingl Cl (B) Piano Vl Va. Vc. Cb Breitkopf PB 15160 138 10 10 Fl Ob Cor. ingl Cl (B) Piano Vl Va. Vc. Cb  I II        I II        #    I II # #        cresc.    b    b      b  b        I pp   & II pizz.                         I II        I II    p I p  #        I II # #   p I    mf Ò   #  b   #     n   n   #  I   p & II   p arco    pizz. p    pizz. p    p pizz.     b          #         b            > #      > n      >     b  >     #   #         n         b           b              #         #        b       #        n   #              #      b         #      n   #          b  #   n      b  #   n     #  #    #    #    n         #            = 12 Leseprobe Sample page
¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 144 Ob Cor. ingl Cl (B) Piano Vl Va. Vc. Cb Breitkopf PB 15160 150 Var. V Tempo precedente Tempo precedente Fl Ob Cor. ingl Cl (B) Fg Cor (F) Piano Vl Va. Vc. Cb  I II  I p p b cresc.  #     p cresc.  I II # # II p   I p cresc.  p Ò     b            b       b b   cresc.     # #            I sul A   & II    pizz.    pizz.    pizz.      I II      mf a 2  I II b n    mf  #      I II # # I      I II      mf II & III IV      mf  Ò  sf  mf      #      #      #      #    b        b        b #        # #        n       n       n      n   I   mf & II      arco    arco    arco mf             b    #            #     #     n      b  b   b                      n           b               b       b         b                b                        #               #   > #   #  n       #        >     #   > #                          b       >       #   >     #       >         >     #   > #    >        #   >       #   #   >        >                         mf mf mf = 13 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { 156 Breitkopf PB 15160 11 11 Picc. Fl Ob Cor. ingl Cl (B) Fg Cor (F) Tr (C) Tbn. Tbn. III Tb Timp Arpa Piano Vl Va. Vc. Cb          I II    a 2     I II        #         I II # #         I II    II f    I II     f   & III IV    III f    I II         I II                     f                         # n      #    b        #      # f    #    #        p   I f p & II f p  f p  f p  f p    #       #   > #     >     #        #   > n     #   > #      > #                                       b b     #  b        b b     #  b   >        #   >     #        #           b    #    >         >     #   > #       #       b        >       #   >      #   #     #   > n         b b    #    >        >            >       b     n                        >            14 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { 163 Breitkopf PB 15160 12 12 Picc. Fl Ob Cor. ingl Cl (B) Fg Cor (F) Tr (C) Tbn. Tbn. III Tb Timp Arpa Piano Vl Va. Vc. Cb         I II p II    p   I II p    p   # p    p   I II # #        I II  f      I II p f   p  & III IV p III f   p   I II        I II               p f   p                 f   n n  #    #         p mf   n n      #     #   I p f p mf & II p f p mf  p f p mf  p f p mf  p f p mf   #            #           >           >      #          >      #   > n        >       >     > #        >                #               b b      b   #           #          b b      b   #     #      #          b    n       >          >       >      b          >     b     #   >               b b      n n                 >       >        b      n       >     b      >     >                >       15 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { Breitkopf PB 15160 169 Picc. Fl. Ob Cor. ingl Cl (B) Fg Cor (F) Tr (C) Tbn. Tbn. III Tb Timp Arpa Piano Vl Va. Vc. Cb         I II      f a 2  I II      f  #      f  I II # # mf  dim.   f  I II mf  dim. p  f  I II    p  f & III IV    III p  f  I II      mf  I II                    f                dim.   #     # #      f  I  dim.  p f & II  dim.  p f   dim.  p f   dim.  p f   dim.  p f    #       # #    n     > #       #    # n    n    # #    n     #       #           #         #     #   > n           > #        #         #         #    #    n                     #      #  #  #  #   n                  b          >     #        b      b     >        #    #      n      >       #   > n    #     b     >      >    #     b           >  16 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { Breitkopf PB 15160 175 13 13 Picc. Fl. Ob. Cor. ingl. Cl. (B) Fg. Cor. (F) Tr. (C) Tbn. Tbn. III Tb. Timp. Arpa Piano Vl. Va. Vc. Cb.          I II   p II f a 2   p II  I II   p f   p  #   p f   p  I II # #    f     I II  p  f  p   I II   p f   p & III IV  III p p f III  p p  I II    mf     I II                   p f   p                  p     Ò f  #   p   Ò f 5 5   b   b  b  b 5 5  I p f p  [] & II p f p []  p f p [] [ ]  p f [ ] p [ ]  p f [ ] p [ ]    #     #              #       # #    n       >          >      >     # #    n      b          #   >     b     b       >    #   > n       >     b    #        >    > #    b    #     n   >                       b   b b             b   b b          b                         b    #    #     #         b         >       b         >      >     b     b       >          b b     #    #   >   n                              >     >         b     >          b    >    >          b     >  17 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ { ¡ ¢ { 182 Cl. (B) Fg Cor (F) Piano Vl Va. Vc. Cb L’ istesso tempo L’ istesso tempo Var. VI 188 Piano Vl Va. Vc. e Cb 195 Piano Vl Va. Vc. e Cb  I II # #  mf n #  dim. n    I II  mf  dim. [ ] b p   I II     p  & III IV     III p   dim.   b   #   # #   f            n n    I mf  dim.  p mf & II mf  dim.  p mf  mf  dim.  p mf  mf  dim.  p mf  mf  dim.  p mf  p   mf dim. p   #  poco rit a tempo       #  #  #    #   #   n   #     #     n   #   I ppp poco colla parte pp a tempo & II ppp poco pp  ppp poco pp           p       #  mf dim. p   #  n poco rit   #   #     #     n a tempo       #  #  #    #   #   n   #     #       I ppp poco cresc. dim. colla parte pp a tempo & II ppp poco cresc. dim. pp  ppp poco cresc. dim. pp                    #                    #      #           b      #  n        # #   #    n  n                 #  n     #     n               #   b         >      b        b     b     >          #        >      b      #    b     >          #    b                  #              #    # #    > #             #  >   #  #       n   #  n  #  n  > n                                                #             #                   >   #  #       n                                                                = = 18 Leseprobe
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¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 201 14 14 Ob Cl (B) Fg Cor (F) Piano Vl Va. Vc. e Cb Breitkopf PB 15160 208 Ob. Cl (B) Fg Cor (F) Piano Vl Va. Vc. e Cb  I II         I II # #         I II    p    I II   p I    mf p cresc. m.g f   n       mf p # n b b n #     I pp poco cresc. dim.   & II pp poco cresc. dim.    pp poco cresc. dim.            I II         I II # #  p II      I II     p #  & III IV   III p   b mf p cresc. m.g   f    #    #   mf p #       b   [ ]  I   pp poco cresc. dim.  & II   pp poco cresc. dim.     pp poco cresc. dim.                  #  n    #    # #    > #    #                       ª  #               #                #                   n   #  n  #  n  > n    #   # ª  #  #         n        b                                       #  n       n      #  #       #            #            #       #    #              # ª ª                      #   # ª ª   #         n       b   ª                                                  = 19 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { Breitkopf PB 15160 215 15 15 Picc. Fl Ob Cor. ingl Cl (B) Fg Cor (F) Tr (C) Tbn. Tbn. III Tb Timp Arpa Piano Vl Va. I. Pult Vc. altri Cb          I II         I II     pp [ ] cresc. n f dim.  #     pp cresc. f dim.  I II # #   I p     I II      mf dim.  I II    p I cresc. f dim. & III IV         I II         I II                                         n n b # # mf [ ] cresc.  ª  #  ª  # f                      [     b ]      I    pp cresc. pizz. sf & II    pp cresc. pizz. sf     pp cresc. pizz. sf     pizz. p  mf [arco] cresc.     pizz. p   sf        pizz. sf   # ª ª   # #   ª ª        ª  #  ª    #  n    #  #                   #       n              # ª  #   #          #                    #                     ª  #  ª    #  n  #    n  #        n   #  #    #  #  n  #    n  n        n   ª  #  ª    #  n  #    n  #        n       #  n         20 Leseprobe Sample page

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¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { Var. X (q = V) 368 Cl (B) Fg. Cor (F) Piano Vl Va. Vc. Cb 27 27 poco a poco cresc poco a poco cresc. 372 Breitkopf PB 15160 Fl Ob Cl (B) Fg Cor (F) Piano Vl Va. Vc. Cb c c c c c c c c c c c 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4  I II # # a 2 p poco marcato  p  I II II p   & III IV  p IV  p  mf marcato   I (q = V)    mf & II p  p [arco]  p  p  I II    [ # # n ] #  I II pp b b b [ ] b # # n #  I II # # pp [ n ] [ b b ] n # # n #  I II pp  I II pp & III IV pp III  f  cresc. marcato  8va basso  I pp & II pp  pp  pp  pp     >   n   #    >   #      >  #   #                                        #                                   #              #                                                    #                                                                                           #                                   #                    #                                  n  b                   n  b  n                #   #          #                              #  n                 n  n  #                #   #          #                   #     b n     #     b n        b b     b        n     b b                 b b        #     b n        b b        b b           #     b n        #     #     n     #             b    b                  # #                            # #       >          #                b   b         n  b  n            #   #       #   #                b   b           n  b  n         #   #      #   #          #    n    #    n      b        n    #    n     #     #     n    #          b       b      b    b          b              b       #    n    #    n       b          n    b              b   = 34
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¡ ¢ ¡ ¢ ¡ ¢ { 28 28 376 Picc. Fl Ob Cl (B) Fg Cor (F) Tr (C) Tbn. Tbn. III Tb Timp Tamb Piatti e Cassa Piano Vl Va. Vc. Cb 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 c c c c c c c c c c c c c c c c c c c c 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 c c c c c c c c c c c c c c c c c c c c        I II f      I II f      I II # # f      I II f dim. a 2  I II f marcato  I & III IV f marcato  III  I II f marcato dim.  I II f marcato dim.  f marcato dim.  f   dim.   f       dim.  f  mf Cassa  Piatti dim.  * ff marcato Ò   I ff molto marcato & II f dim.  f  dim.  f  * T. 376, Piano: Fußnote in den Quellen: | M. 376, Piano: Footnote in the sources: “ To be played ad libitum” f   n       n       n             ª  n       ª  ª   ª  ª                      b b          b b             b b               b   >                 b b          b b             b b                b           b               b   #        #     b        n                                           ¾ ¾                                       b b              b b      b     # ª     #     b b      # #          b          b     n             b                    b b              b b      b     #     #     b b      # #          b          b     n ª            b            ª   ª  b ª   ª        b          #     b        b        n            b     n         b           b                       ª   ª   35 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { Breitkopf PB 15160 381 29 29 Picc. Fl. Ob. Cl. (B) Fg. Cor. (F) Tr. (C) Tbn. Tbn. III Tb. Timp. Tamb. Piatti e Cassa Camp. Arpa Piano Vl. Va. Vc. Cb.    p  I II   I p  I II  I p   I II # #    p leggiere I  I II a 2 mf dim. p   I II mf marcato dim. p  & III IV mf marcato  dim. p   I II      I II mf dim.    Tb. mf dim.    dim.      p     Piatti p       p    p Ò       dim. p    I dim. p & II p   p  dim. pizz. p  dim. pizz. p    ª    ª               b b     b   n n ª         b   n           # # ª          b  #      n #        b      b   b b        ¾ ¾                     b    ª               b    ª        b      n  b        b    n       # ª   b                               b    b b     n   b b        b b   b     b   # n           b b                b b          ª ª      ≤    ≤ b    ≤    ≤   ≤ b    ≤    ≥            #      ≤    ≤ b    ≤    ≤    ≤ b    ≤    ≥          ≤    ≤    ≤    ≤    ≤    ≤ b   ≥   n      n     36 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { Breitkopf PB 15160 385 Picc. Fl. Ob. Cl. (B) Fg. Cor. (F) Tr. (C) Tbn. Tbn. III Tb. Timp. Tamb. Piatti e Cassa Camp. Arpa Piano Vl. Va. Vc. Cb.   I II I  I II  pp I   I II # # I  mf mf  I II   mf mf b b b  I II     & III IV      I II      I II                           Ò         I pp  & II pp   pp    pizz.   pizz.  b   ª  ª   ª b b   ª    ª b  b               ª   b   #                b         ª     ª             b         ª  #    ª     n ª                b     b            # b     b                   b b                       b      b      #     b     n b     b  ≤ b    ≤   ≤    ≤    ≤   ≤ b    ≥   ≥    ≤ b    ≤    ≤    ≤    ≤    ≥   ≥ b      ≤    ≤    ≤    ≤ b   ≤    ≤    ≥ b   ≥              37 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { 389 Breitkopf PB 15160 30 30 Picc. Fl. Ob. Cl. (B) Fg. Cor. (F) Tr. (C) Tbn. Tbn. III Tb. Timp. Camp. Arpa Piano Vl. Va. Vc. Cb.     I II I    I II     I II # # dim. [dim.] # # n  I II dim. [dim.] n #  I II    & III IV     I II   I p poco marcato  I II       p p poco marcato    pp           p 4 2 4 2 1 4 2 1 Ò  2 4 1 3 2 4  I  pp A A div. pp Ò & II  pp div. pp    pp               n                                         ª           n                 #   #        #   n n #  # n      b       n # #   # #        #   #       #  n n  #                #     n b     #     n #     n n     b #                 #     n b     #     n #     n n     b #            n  38 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { 392 Breitkopf PB 15160 Picc. Fl. Ob. Cl. (B) Fg. Cor. (F) Tr. (C) Tbn. Tbn. III Tb. Timp. Camp. Arpa Piano Vl. Va. Vc. Cb.      I II   p leggiere p dim.  I II     I II # #   p leggiere p dim.  I II     I II  p poco marcato II & III IV     I II I    I II     Tb. p poco marcato                4 2 1 4 2 p Ò  1 3 2 4 3 5 1 3 2 4 1 3 2 4 3 5 1   I Ò  & II       arco pp   arco pp     #   # n # n        #  # n  b    n  n     #   # n n   n      n  n  n    n  n                                n b  n n  # #   n n b  # n   n b #  n n b #       #   n b   #   n #   n n   b #      #  b    #n  n b  n  # #  n n  #  n b  n   b #       #   n b   #  nn  #   n   #   n    n b   #   b   n #      #     n #     # n     n #        #     n b            #     n #     # n     n #    n     #     n b       #  n    b     n  n         39 Leseprobe Sample page
¡ ¢ ¡ ¢ ¡ ¢ { { 395 Breitkopf PB 15160 Picc. Fl. Ob. Cor. ingl. Cl. (B) Fg. Cor. (F) Tr. (C) Tbn. Tbn. III Tb. Timp. Camp. Arpa Piano Vl. Va. Vc. Cb. 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4        I II I  pp  I II       #       I II # # I  pp  I II  pp I     I II p pp   & III IV p III pp    I II       I II                      p               mf p  pp Ò     I      & II             pizz. pp    pizz. pp   #      #      #  n     #       n                                  #      #  n                         #    #  n #  n                               40 Leseprobe Sample page

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{ { { { { ¡ ¢ { Var. XV Più vivo. Scherzando (Orchestra tacet) 508 Piano 513 Piano 518 Piano 523 Piano 528 Piano 533 Breitkopf PB 15160 40 Piano Vl Va. Vc. Cb 2 4 2 4 3 4 3 4  b          b      b poco cresc. mf  b  b 1 p Ò p  b 5 3 1 1  b          b      b cresc. f Ò  b  b dim. p b  b   I b   [ord.] pp & II b   [ord.] pp  b   [ord.] pp  b    div pp arco  b    pp arco      b  n b       b       b  n b      #        b   n          n        n  b   #   n  #       b    b b   n  b  n  #   n  #                  #    #   #   #   #    #  nc d   n  n    #     n  b   n     n   #   #      n        #         n              n   #      #         n    #   #    b  n  b      #      #   #          b      b  n          n      n  b    b  #  b    n   b  #  n      #   n  b  #   n  b  n   b  b    b   n  b  b  #      b ª ª ª     n    #   b  n   b    #  n   n   b    b    n   #    #     n    n    b     b   n b       b      b   n b      #        b   n          n        n  b   #   n  #       b    b   n  b   #   n  #                  #    #   #   #   #   n  #   n  #     n  n    n     b    n                    b      #          n  #  #           n    #          b  n      b     b             b     # # #     n  #  #  #  #   b  #   n     n                           #  >  #  #  #  #  #   #      b n                         b          b                   = = = = = 58 Leseprobe Sample page

* T. 539, Piano: So in der Erstausgabe des Klavierauszugs; in Autograph und Erstausgabe der Partitur

Piano: According to the �rst edition of the piano reduction; autograph and �rst edition of the score have g2 instead of f2

¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ { 537 Ob Cl (B) Fg. Piano Vl Va. Vc. Cb 541 Ob Cor. ingl Fg Piano Vl Va. Vc. Cb  I II b      I II # I pp   I II b      b b n b * b  b  I b pp & II b pp  b pp  b pp pp  b pp  I II b           I II b I pp    b 5 # 1 1 5 4 2 5 4 3 5 p 1 2 1 1 5 cresc. mf n  b  n   I b  & II b   b   b    b
g2 statt f2. | M. 539,
        #    n           b   b           b         b   b              b         n     b   b     n    b        b    b     b        n   b                   n  b   b        n     b               b      n   b   b   b    n  b     b  b         b   b   ª    ª   n  b  ª    ª  b  b                      #                                  #     n            #  n  #               #      n    #   #                      #                    #     n                            = 59 Leseprobe Sample page
2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 ¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 545 41 41 Ob Cor. ingl Fg Cor (F) Piano Vl. Va. Vc. Cb 550 Breitkopf PB 15160 Ob Fg Cor (F) Piano Vl Va. Vc. Cb 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4  I II b   pp    pp  I II b    pp  I II    p p b #  b f b 5 1 2 1 5 b 3 5 5 2 1 dim. b b 5 # 1 2 1  b    I b   pp & II b   pp  b   pp  b   I. Parte pp   b       I II b  mf leggiere I   3  I II b  p   I II   I p leggiere 3  b p pp 1 5 1 3 5 3 1 5 1  b    I b   pizz. pp & II b   pizz. pp  b   pizz. pp  b pp b   unis. pizz. pp  b pp   pizz. pp         #     b n     b     #              b             ª   ª            b           b   b     b      n                #     n  b  b          #        b        b             b      n               b    b     #                b     b    #               #    n            #            n                        b                 b             #            #  n    b        n  b      #     b      n    #                 b        #    b   n      #         #   n     b         b                                 = 60 Leseprobe Sample
page

der Erstausgabe des Klavierauszugs. | M. 560, Piano: Autograph and �rst edition of the score give f; without f in the �rst edition of the piano reduction.

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ ¡ ¢ { 42 42 555 Cl. (B) Fg Cor (F) Piano Vl Va. Vc. Cb. 560 Cl (B) Fg Cor (F) Piano Vl Va. Vc. Cb 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4  I II # I p leggiere    3  I II b p pp    I II I   poco sforz. & III IV    poco sforz.  b 5 1 1 cresc.  b      I b pizz.     & II b pizz.      b pizz. arco p   3  b pizz.      b pizz.      I II #       b b b  I II b       b b b b b  I II p cresc. p cresc. sf   & III IV p cresc. p cresc. sf    b Ò p b b b b b  b  *       b     b     b    b b b b b  I b       b b b b b & II b       b b b b b  b       b b b b b  b * T. 560, Piano: Autograph und Erstausgabe der Partitur hier f; nicht in
      b b b b b  b       b b b b b                            b    b             b    n          #  n    b        n  b      #   >   b     #   >       #   >   b                         #     b    b b   #     b    b b   #              b                   b       b            b        >      >      >           >   b       >       b   >         >   b         b     b     b        ª   b     b    b     b    b         b       = 61 Leseprobe Sample page
¡ ¢ ¡ ¢ { ¡ ¢ ¡ ¢ { { Var. XVI Allegretto Allegretto 565 43 43 Ob Cl (B) Fg Piano Vl Va. Vc. Cb 573 Breitkopf PB 15160 Ob Cor. ingl Cl (B) Fg Arpa Piano Vl. Va. Vc. Cb 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4  I II b b b b b       I p dolce e gracioso  I II b b b     p   I II b b b b b     p I   b b b b b     p  b b b b b      I b b b b b con sord pp [arco]    & II b b b b b con sord. pp [arco]     b b b b b   con sord pp [ ]     b b b b b     pizz. p     b b b b b     pizz. p     I II b b b b b I  b b b b      p  I II b b b  I II b b b b b I  b b b b b  sf sf     b b b b b      b b b b b  p   5 3 1 4 2 1  b b b b b   I b b b b b pp    & II b b b b b pp     b b b b b        b b b b b p pizz.      b b b b b p pizz.                                                n            n            n       n                                                                                 n     b       n   b                n                                                                                                           n                          n                                       >           >             >  n          >  n                  = 62 Leseprobe Sample page

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Sergej rachmaninow

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