Mozart 21 - Urtextausgaben heute (englisch)

Breitkopf & Härtel ❙❙ G. Henle Verlag

I place great value on Urtext editions based on the current state of research.

To me, the most recent Henle and Breitkopf editions (“Mozart 21�) are the gold standard for Mozart.

I present my thanks and a wholehearted recommendation!

L ARS VOGT Pianist

L ATEST MOZAR T PUBLIC ATIONS SINCE 2000.

IN UR TEXT QUALIT Y. Mozart’s music is eternally young and stimulating, and is approached in a new way by each new generation.

Today’s musicians have the choice between countless editions – older and newer ones.

Our 21st-century Mozart editions reflect the most recent state of international Mozart scholarship – Urtext editions for our time, prepared by experienced editors and endorsed by world-famous artists.

A wesbite for Mozart – a website for musicians: www.mozart21.com

Breitkopf & Härtel

G. Henle Verlag

“Mozart 21” is an inestimably important project for me and for all who want an up-to-the-minute performance-quality Mozart Urtext. I can warmly recommend the many Breitkopf and Henle editions that I know. And thanks to their in-depth commentaries, they even spare one the examination of the original sources.

RENÉ JACOBS Conductor

P IANO MU S IC 4

• Critically revised and reprinted: proven Urtext classics • The early violin sonatas in the alternative versions for piano solo authorized by Mozart

PIANO SOLO

“Wunderkind“-Sonatas

Piano Sonata D major K. 284 (205b)

Edition for Piano solo edited by Wolf-Dieter Seiffert (2013) Fingering by Ariane Haering

New Edition, revised by Ernst Herttrich (2012) Fingering by Hans-Martin Theopold ❙ HN 1063

Volume I Sonatas K. 6–9

Piano Sonata C major K. 309 (284b) New Edition, revised by Ernst Herttrich (2012) Fingering by Hans-Martin Theopold ❙ HN 1065

Piano Pieces From “Nannerl Music Book” K. 1a–f, 2–5, 9a (5a), 6–8; Londoner Music Book K. 15a–15qq; Piano Piece F major K. 33B; Fugues G major, D major K. 154a (Anh. A 61/62) and g minor K. 401 (375e); Preludes K. deest (Anh. C 15.11), C major K. 395 (300g); Prelude (Fantasy) and Fugue C major K. 394 (383a); Sonata Movement B flat major K. 400 (372a) and g minor K. 312 (590d); Fantasies c minor K. 396 (385f) and d minor K. 397 (385g); Fragment of a Suite C major K. 399 (385i); Marche funèbre c minor K. 453a; Rondos D major K. 485 and a minor K. 511; Adagio b minor K. 540; Gigue G major K. 574; Andantino E flat major K. 236 (588b); Andante for a Musical Clock F major K. 616; Adagio for Glass Harmonica C major K. 356 (617a); Menuets D major K. 355 (576b) and K. 103 (61d), C major K. 61gII, D major K. 94 (73h), K. 176, K. 315a (315g); Kontretänze K. deest (269b) and from “The Thunderstorm“ K. 534; Marcia C major K. 408/1 (383e); 6 German Dances K. 509 Appendix: K. Anh. 20a (626b/25); K. Anh. 207 (Anh. C27.06); K. Anh. 135 (547a); Fragments from K. 9b (5b), K. 15nn, K. 15rr, K. 15ss, K. 399 (385i) New Edition, revised by Ullrich Scheideler (2006) Fingering by Walther Lampe and Andreas Groethuysen Paperbound ❙ HN 22 Clothbound ❙ HN 23

❙ HN 1094

Volume II Sonatas K. 10–15

❙ HN 1095

Volume III Sonatas K. 26–31

❙ HN 1096

• The early violin sonatas in the alternative versions for piano solo authorized by Mozart (Vol. I and III are first editions)

PIANO FOUR-HANDS Works for Piano Four-hands Piano Sonatas D major K. 381 (123a), B flat major K. 358 (186c), F major K. 497, C major K. 521, C major K. 19d; Andante with Variations G major K. 501; Allegro K. 357 (497a) and Andante K. 357 (500a) G major; Fugue g minor K. 401 (375e); Piece for a Musical Clock f minor K. 594; Piece for a Musical Clock f minor K. 608 New Edition, revised by Peter Jost (2011) Fingering by Andreas Groethuysen Paperbound ❙ HN 932 Clothbound ❙ HN 933 • Sole complete edition to reflect the current state of research • Contains the Fugue K. 401 (written for piano or organ) • Features the presumably inauthentic Sonata K. 19d in the Appendix

SOLO INSTRUMENT AND PIANO • Piano reductions made by great performers and experienced arrangers • Piano reductions that are easy on the fingers and rewarding to the ear • Concertos with refreshingly new cadenzas in the “Mozart style” • Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without

TWO PIANOS FOUR-HANDS

VIOLIN AND PIANO

Piano Concerto (No. 9) E flat major K. 271 “Jenamy”

Single Movements K. 216, 269 and 373

edited by Cliff Eisen and Robert D. Levin (2001) Cadenzas by Cliff Eisen and Robert D. Levin Edition for 2 Pianos Piano Reduction by Walter Heinz Bernstein ❙ EB 8640

for Violin and Orchestra edited by Wolf-Dieter Seiffert (2002) Edition for Violin and Piano Piano Reduction by Siegfried Petrenz, Cadenzas and Fingering by Kurt Guntner ❙ HN 707 *

Violin Concerto (No. 1) B flat major K. 207 Piano Concerto (No. 17) G major K. 453 edited by Stephan Hörner (2008) Cadenzas by Wolfgang Amadeus Mozart Edition for 2 Pianos Piano Reduction and Fingering by András Schiff ❙ HN 765 ❙ EB 10765 • “This piano reduction is perfectly suited for sightreading and does not feel cluttered at any moment.”

(Piano News)

Piano Concerto (No. 21) C major K. 467 edited by Norbert Gertsch (2007) Edition for 2 Pianos Piano Reduction, Cadenzas and Fingering

by András Schiff ❙ HN 766 ❙ EB 10766

Piano Concerto (No. 23) A major K. 488 edited by Ernst-Günter Heinemann (2008) Cadenza by Wolfgang Amadeus Mozart Edition for 2 Pianos Piano Reduction and Fingering by András Schiff ❙ HN 767 ❙ EB 10767

Piano Concerto (No. 25) C major K. 503 edited by Ernst Herttrich (2011) Edition for 2 Pianos Piano Reduction, Cadenzas and Fingering

by András Schiff ❙ HN 825 ❙ EB 10825 • New source evaluation gives more weight to the first edition of 1797

edited by Wolf-Dieter Seiffert (2003) Edition for Violin and Piano Piano Reduction by Siegfried Petrenz, Cadenzas and Fingering by Kurt Guntner ❙ HN 706 *

Violin Concerto (No. 2) D major K. 211 edited by Wolf-Dieter Seiffert (2003) Edition for Violin and Piano Piano Reduction by Siegfried Petrenz, Cadenzas and Fingering by Kurt Guntner ❙ HN 705 *

Violin Concerto (No. 3) G major K. 216 edited by Cliff Eisen (2002) Edition for Violin and Piano Piano Reduction by Werner Breig, Cadenzas and Lead-ins by Andrew Manze ❙ EB 8737

Violin Concerto (No. 3) G major K. 216 edited by Wolf-Dieter Seiffert (2002) Edition for Violin and Piano Piano Reduction by Siegfried Petrenz, Cadenzas and Fingering by Kurt Guntner ❙ HN 688 *

Violin Concerto (No. 4) D major K. 218 edited by Cliff Eisen (2003) Edition for Violin and Piano Piano Reduction by Werner Breig, Cadenzas and Lead-ins by Andrew Manze ❙ EB 8738

Violin Concerto (No. 4) D major K. 218 edited by Wolf-Dieter Seiffert (2001) Edition for Violin and Piano Piano Reduction by Siegfried Petrenz, Cadenzas and Fingering by Kurt Guntner ❙ HN 680 *

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S OLO INSTRU ME NT AND PIANO 6

• Piano reductions made by great performers and experienced arrangers • Piano reductions that are easy on the fingers and rewarding to the ear • Concertos with refreshingly new cadenzas in the “Mozart style” • Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without Violin Concerto (No. 5) A major K. 219

VIOLIN, VIOLA AND PIANO

edited by Cliff Eisen (2004) Edition for Violin and Piano Piano Reduction by Werner Breig, Cadenzas and Lead-ins by Andrew Manze ❙ EB 8739

Sinfonia concertante E flat major K. 364 (320d)

Violin Concerto (No. 5) A major K. 219 edited by Wolf-Dieter Seiffert (2000) Edition for Violin and Piano Piano Reduction by Siegfried Petrenz, Cadenzas and Fingering by Kurt Guntner ❙ HN 679

“Wunderkind“-Sonatas for Violin and Piano edited by Wolf-Dieter Seiffert (2012) Fingering by Benjamin Schmid [Violin] and Ariane Haering [Piano]

Volume I Sonatas K. 6–9

❙ HN 1077 *

Volume II Sonatas K. 10–15

❙ HN 1078 *

Volume III Sonatas K. 26–31

❙ HN 1079 *

for Violin, Viola and Orchestra edited by Wolf-Dieter Seiffert (2006) Cadenzas by Wolfgang Amadeus Mozart Edition for Violin, Viola and Piano Piano Reduction by Siegfried Petrenz, Fingering and Bowing by Frank Peter Zimmermann and Tabea Zimmermann ❙ HN 798 * ❙ EB 10798 * • First correct source evaluation gives rise to a great quantity of improvements • Viola part in scordatura notation (D major, as in the sources) as well as in E flat major (modern practice)

SOLO INSTRUMENT AND PIANO • Piano reductions made by great performers and experienced arrangers • Piano reductions that are easy on the fingers and rewarding to the ear • Concertos with refreshingly new cadenzas in the “Mozart style”

FLUTE AND PIANO

OBOE AND PIANO

Andante C major K. 315 (285e)

• Both editions of K. 314 offer the synoptical printing of the divergently transmitted solo part: from Breitkopf as a “study part” after the “performance part,” and from Henle in a meticulously prepared supplement

for Flute and Orchestra edited by Henrik Wiese (2005) Edition for Flute and Piano Piano Reduction by Jan Philip Schulze, Cadenzas by Robert D. Levin ❙ HN 675 ❙ EB 10675

Flute Concerto G major K. 313 (285c) edited by Henrik Wiese (2006) Edition for Flute and Piano Piano Reduction by Jan Philip Schulze, Cadenzas and Lead-ins by Henrik Wiese ❙ EB 8644 • Includes a facsimile of the solo part of the first edition • Includes cadenzas from the earliest handwritten sources

Flute Concerto G major K. 313 (285c) edited by András Adorján (2000) Edition for Flute and Piano Piano Reduction by Siegfried Petrenz, Cadenzas by Robert D. Levin ❙ HN 673

Flute Concerto D major K. 314 (285d) edited by Henrik Wiese (2009) Edition for Flute and Piano Piano Reduction by Jan Philip Schulze, Cadenzas and Lead-ins by Henrik Wiese ❙ EB 8047

Flute Concerto D major K. 314 (285d) edited by András Adorján (2000) Edition for Flute and Piano Piano Reduction by Siegfried Petrenz, Cadenzas by Robert D. Levin ❙ HN 674

Oboe Concerto C major K. 314 (285d) edited by Henrik Wiese (2009) Edition for Flute and Piano Piano Reduction by Jan Philip Schulze, Cadenzas and Lead-ins by Henrik Wiese ❙ EB 8048

Oboe Concerto C major K. 314 (285d) edited and with an additional booklet

by Ingo Goritzki (2001) Edition for Oboe and Piano Piano Reduction by Siegfried Petrenz, Cadenzas by Robert Levin ❙ HN 695

CLARINET AND PIANO Clarinet Concerto A major K. 622 edited by Henrik Wiese (2003) Edition for Clarinet and Piano Piano Reduction by Jan Philip Schulze ❙ HN 729 • “Henle doesn’t believe in skimping: An informative preface listing all sources and commentaries on the reconstruction of the bass-clarinet part enhances the piano reduction – which is supplied with footnotes – as well as the two individual parts.”

(Schweizer Musikzeitung)

Clarinet Quintet A major K. 581 edited by Werner Breig (2005) Edition for Clarinet [A] and Piano Piano Reduction by Werner Breig

❙ EB 8784

FLUTE, HARP AND PIANO Concerto C major K. 299 (297c) for Flute, Harp and Orchestra edited by András Adorján (2004) Edition for Flute, Harp and Piano Piano Reduction by Jan Philip Schulze, Cadenzas by Robert D. Levin ❙ HN 768

• “In a painstaking work cycle and argumentational procedure, Breig has – inasmuch as this is possible – successfully produced a version that is so convincing that one feels it must have been exactly like this in Mozart’s autograph as well.”

(Acta Mozartiana)

7

S OLO INSTRU ME NT AND PIANO 8

• Piano reductions made by great performers and experienced arrangers • Piano reductions that are easy on the fingers and rewarding to the ear • Concertos with refreshingly new cadenzas in the “Mozart style”

BASSOON AND PIANO

HORN AND PIANO

Bassoon Concerto B flat major K. 191 (186e)

Horn Concerto E flat major K. 370b+371

edited by Ernst Herttrich (2006) Edition for Bassoon and Piano Piano Reduction by Siegfried Petrenz, Cadenzas by Robert D. Levin ❙ HN 801 ❙ EB 10801

edited by Robert D. Levin (2003) Edition for Horn and Piano Piano Reduction by Christian Rudolf Riedel, Cadenzas and Lead-ins by Robert D. Levin ❙ EB 8697

• “The edition of the Bassoon Concerto fosters the sincerest hope for further ‘Hessian-Bavarian’ coproductions.”

(Acta Mozartiana)

Horn Concerto (No. 1) D major K. 412/514 with “Süßmayr Rondo” K. 514 and Rondofragment K. 412, completed by Henrik Wiese edited by Henrik Wiese (2001) Edition for Horn and Piano Piano Reduction by Jan Philip Schulze ❙ HN 701

Horn Concerto (No. 2) E flat major K. 417 edited by Henrik Wiese (2002) Edition for Horn and Piano Piano Reduction by Jan Philip Schulze ❙ HN 702

Horn Concerto (No. 3) E flat major K. 447 edited by Henrik Wiese (2000) Edition for Horn and Piano Piano Reduction by Jan Philip Schulze, Cadenzas by Robert D. Levin ❙ HN 703 • “Whoever cannot or does not want to rely on his or her improvisational talent can use this material without reservation.”

(Acta Mozartiana)

Horn Concerto (No. 4) E flat major K. 495 edited by Henrik Wiese (2002) Edition for Horn and Piano Piano Reduction by Jan Philip Schulze, Cadenzas by Robert D. Levin ❙ HN 704 • Horn part in four-color printing as in Mozart’s autograph color notation

CHAMBER MUSIC • Many editions feature fold-out pages to avoid page turns

Adagio and Rondo K. 617 for Glass Harmonica (Piano), Flute, Oboe, Viola and Violoncello edited by Henrik Wiese (2001) Parts complete ❙ HN 677

Divertimenti for 2 Oboes, 2 Horns and 2 Bassoons Divertimenti F major K. 213, B flat major K. 240, E flat major K. 252 (240a), F major K. 253 and B flat major K. 270 edited by Felix Loy (2013) Parts complete ❙ HN 1191

Clarinet Quintet A major K. 581 and Fragment K. Anh. 91 (516c) for Clarinet, 2 Violins, Viola and Violoncello edited by Henrik Wiese (2005) Parts complete ❙ HN 769

Piano Trios Divertimento B flat major K. 254, Trios G major K. 496, E flat major K. 498 “Kegelstatt-Trio”, B flat major K. 502, E major K. 542, C major K. 548 and G major K. 564 New Edition, revised by Ernst Herttrich (2006) Parts complete ❙ HN 247

Oboe Quartet F major K. 370 (368b) Divertimento K. 525 “A Little Night Music” edited by Wolf-Dieter Seiffert (2010) Partitur and Parts complete

for Oboe, Violin, Viola and Violoncello edited by Ernst Herttrich (2005) Parts complete ❙ HN 794

❙ HN 1005 Quintet E flat major K. 452

Additional Parts: Violin 1, Violin 2, Viola, Violoncello/Basso

❙ HN 1006–1009 Gran Partita B flat major K. 361 (370a) for 2 Oboes, 2 Clarinets, 2 Basset Horns, 4 Horns, 2 Bassoons and Double Bass edited by Henrik Wiese (2005) Parts complete ❙ HN 809

Horn Quintet E flat major K. 407 (386c) for Horn, Violin, 2 Violas and Violoncello edited by Henrik Wiese and Norbert Müllemann (2010) Parts complete ❙ HN 826

Clarinet Quintet A major K. 581 for Clarinet, 2 Violins, Viola and Violoncello edited by Werner Breig (2005) Score and Parts ❙ KM 2289 Edition for Clarinet [A] and Piano Pianoauszug by Werner Breig ❙ EB 8784 • Includes a conjectured reconstruction of the nontransmitted original version for basset clarinet • and an additional part for this instrument, which is now available again today thanks to the production of new instruments of this type

for Piano, Oboe, Clarinet, Horn and Bassoon edited by Wolf-Dieter Seiffert (2000) Parts complete ❙ HN 665 • First movement with many corrections of previously falsely transmitted notes • First printing of last movement to feature authentic close without (false) ossia

Serenade E flat major K. 375 for 2 Clarinets, 2 Horns and 2 Bassoons edited by Henrik Wiese (2005) Parts complete ❙ HN 795

Serenade E flat major K. 375 for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons edited by Henrik Wiese (2005) Parts complete ❙ HN 796

Serenade c minor K. 388 (384a) for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons edited by Henrik Wiese (2005) Parts complete ❙ HN 797

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CH AMBE R MU S IC 10

• Many editions feature fold-out pages to avoid page turns

Sonata B flat major K. 292 (196c)

String Quintets II

for Bassoon and Violoncello edited by Henrik Wiese (2010) Score and Parts Figured Bass Realization by Wolfgang Kostujak ❙ HN 827

String Quintets c minor K. 406 (516b), C major K. 515 and g minor K. 516 for 2 Violins, 2 Violas and Violoncello edited by Wolf-Dieter Seiffert (2006) Parts complete ❙ HN 778

String Quintets I String Quintet B flat major K. 174 with early versions for 2 Violins, 2 Violas and Violoncello edited by Wolf-Dieter Seiffert (2008) Parts complete ❙ HN 777 • “It’s Henle, it’s heaven sent. Everything that’s needed for chamber music playing at any level is here. Clarity of presentation, totally trustworthy scholarship, bar numbers (at the start of each stave!), excellent quality paper; you get the feeling you can play the music immaculately even before you have tuned your instrument. If only these editions had been available when I was a student.”

(News & Views)

• K. 515 and K. 516: Previously unknown Mozart corrections taken into consideration here for the first time

String Quintets III String Quintets D major K. 593 and E flat major K. 614 for 2 Violins, 2 Violas and Violoncello edited by Wolf-Dieter Seiffert (2010) Parts complete ❙ HN 779 • K. 593, 4th movement: First ossia printing of the autograph and (divergent) reading of the first edition • K. 614, 1st movement: First printing of the authentic music text of the primary theme (without trills at many passages)

CONCER T ARIAS • Includes many first editions • In-depth prefaces provide historical and musical backgroand information • Information on vocal performance practice and a list of contemporary instructional works • Complete aria texts in German and English translations • Suggestions by distinguished Mozart interpreters for cadenzas, lead-ins and embellishments Concert Arias for Soprano

Concert Arias for Tenor

edited by Franz Beyer (1999–2002) with Cadenzas by Juliane Banse Edition for Soprano and Piano Piano Reductions by Franz Beyer, Wolfgang Amadeus Mozart, Christian Rudolf Riedel and Julius Rietz

Va, dal furor portata K. 21 (19c) Or che il dover – Tali e cotanti sono K. 36 (33i) Si mostra la sorte K. 209 Con ossequio, con rispetto K. 210 Clarice cara mia sposa K. 256 Se al labbro mio non credi K. 295 Per pietà, non ricercate K. 420 Misero! O sogno – Aura, che intorno spiri K. 431 (425b) Müsst ich auch durch tausend Drachen K. 435 (416b) Dove mai trovar quel ciglio?, aus K. 430 (424a) Non temer, amato bene, aus K. 490

Volume 1 Conservati fedele K. 23 Cara, se le mie pene K.6 deest A Berenice – Sol nascente K. 70 (61c) Per pietà, bell’ idol mio K. 78 (73b) Fra cento affanni K. 88 (73c) Oh, temerario Arbace! – Per quel paterno amplesso K. 79 (73d) Misero me! – Misero pargoletto K. 77 (73e) Se ardire e speranza K. 82 (73o) Se tutti i mali miei K. 83 (73p) Non caro l’affetto K. 74b Der Liebe himmlisches Gefühl K. 119 (382h) ❙ EB 8671 Volume 2 Ridente la calma K. 152 (210a) Ah! spiegarti, oh Dio K. 178 (417c) Voi avete un cor fedele K. 217 Ah, lo previdi! – Ah, t’invola – Deh, non varcar K. 272 Alcandro, lo confesso – Non sò d’onde viene K. 294 Basta, vincesti – Ah non lasciarmi, no K.486a (295a) Popoli di Tessaglia! – Io non chiedo, eterni Dei K. 316 (400h) Ma che vi fece, o stelle – Sperai vicino il lido K. 368 Misera! dove son – Ah! non son io che parlo K. 369 A questo seno deh vieni – Or che il cielo a me ti rende K. 374 Nehmt meinen Dank, ihr holden Gönner! K. 383 Mia speranza adorata! – Ah non sai qual pena sia K. 416 ❙ EB 8672 Volume 3 Vorrei spiegarvi, oh Dio! K. 418 No, che non sei capace K. 419 Ch’io mi scordi di te? – Non temer, amato bene K. 505 Bella mia fiamma, addio – Resta, oh cara K. 528 Ah se in ciel, benigne stelle K. 548 Al desio di chi t’adora K. 577 Alma grande e nobil core K. 578 Un moto di gioia K. 579 Schon lacht der holde Frühling K. 580 Chi sà, chi sà, qual sia K. 582 Vado, ma dove? oh Dei! K. 583 ❙ EB 8673

edited by Franz Beyer (2005) Cadenzas and Lead-ins by Christoph Prégardien Edition for Tenor and Piano Piano Reductions by Franz Beyer, Christian Rudolf Riedel and Julius Rietz

❙ EB 8778 Concert Arias for Bass Io ti lascio, oh cara, addio K. Anh. 245 (621a) Cosi dunque tradisci – Aspri rimorsi atroci K. 432 (421a) Männer suchen stets zu naschen K. 433 (416c) Alcandro lo confesso – Non sò d’onde viene K. 512 Mentre ti lascio, oh figlia K. 513 Ich möchte wohl der Kaiser sein K. 539 Un bacio di mano K. 541 Rivolgete a lui lo sguardo K. 584 Per questa bella mano K. 612 edited by Franz Beyer (2008) with Embellishments by Robert Holl Edition for Bass and Piano Piano Reductions by Franz Beyer and Christian Rudolf Riedel

❙ EB 8798

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S OLO CONCE R TOS 12

• Urtext material coordinated for performance practice: • Score with Critical Report and clearly marked editorial additions • Orchestral parts with clearly presented musical text, without “ifs or buts” • Piano reductions made in collaboration with leading Mozart performers

PIANO AND ORCHESTRA

VIOLIN AND ORCHESTRA

Piano Concerto (No. 9) E flat major K. 271 “Jenamy”

• “All who purchase these editions can rest assured that they have acquired the most authentic musical texts by Mozart available.”

(Acta Mozartiana)

edited by Cliff Eisen and Robert D. Levin (2001) Score ❙ PB 5300 Orchestral parts ❙ OB 5300 Edition for 2 Pianos Piano Reduction by Walter Heinz Bernstein, Cadenzas by Cliff Eisen and Robert D. Levin ❙ EB 8640

Piano Concerto (No. 17) G major K. 453 edited by Stephan Hörner (2008) Cadenzas by Wolfgang Amadeus Mozart Score ❙ PB 15108 Orchestral parts ❙ OB 15108 Edition for 2 Pianos Piano Reduction and Fingering by András Schiff ❙ HN 765 ❙ EB 10765

Piano Concerto (No. 21) C major K. 467 edited by Norbert Gertsch (2007) Score ❙ PB 15106 Orchestral parts ❙ OB 15106 Edition for 2 Pianos Piano Reduction, Fingering and Cadenzas

by András Schiff ❙ HN 766 ❙ EB 10766

Piano Concerto (No. 23) A major K. 488 edited by Ernst-Günter Heinemann (2008) Cadenza by Wolfgang Amadeus Mozart Score ❙ PB 15107 Orchestral parts ❙ OB 15107 Edition for 2 Pianos Piano Reduction and Fingering by András Schiff ❙ HN 767 ❙ EB 10767

Piano Concerto (No. 25) C major K. 503 edited by Ernst Herttrich (2011) Score ❙ PB 15123 Orchestral parts ❙ OB 15123 Edition for 2 Pianos Piano Reduction, Fingering and Cadenzas

by András Schiff ❙ HN 825 ❙ EB 10825 • New source evaluation gives more weight to the first edition of 1797

Violin Concerto (No. 3) G major K. 216 edited by Cliff Eisen (2002) Score ❙ PB 5369 Orchestral parts ❙ OB 5369 Edition for Violin and Piano Piano Reduction by Werner Breig, Cadenzas and Lead-ins by Andrew Manze ❙ EB 8737

Violin Concerto (No. 4) D major K. 218 edited by Cliff Eisen (2003) Score ❙ PB 5370 Orchestral parts ❙ OB 5370 Edition for Violin and Piano Piano Reduction by Werner Breig, Cadenzas and Lead-ins by Andrew Manze ❙ EB 8738

Violin Concerto (No. 5) A major K. 219 edited by Cliff Eisen (2004) Score ❙ PB 5371 Orchestral parts ❙ OB 5371 Edition for Violin and Piano Piano Reduction by Werner Breig, Cadenzas and Lead-ins by Andrew Manze ❙ EB 8739

VIOLIN, VIOLA AND ORCHESTRA Sinfonia concertante E flat major K. 364 (320d) edited by Wolf-Dieter Seiffert (2006) Cadenzas by Wolfgang Amadeus Mozart Score ❙ PB 15102 Orchestral parts ❙ OB 15102 Edition for Violin, Viola and Klavier Piano Reduction by Siegfried Petrenz, Fingering and Bowing by Frank Peter Zimmermann and Tabea Zimmermann ❙ HN 798 ❙ EB 10798 • First correct source evaluation gives rise to a great quantity of improvements

SOLO CONCER TOS • Urtext material coordinated for performance practice: • Score with Critical Report and clearly marked editorial additions • Orchestral parts with clearly presented musical text, without “ifs or buts” • Piano reductions made in collaboration with leading Mozart performers

FLUTE AND ORCHESTRA

OBOE AND ORCHESTRA

Andante C major K. 315 (285e)

Oboe Concerto C major K. 314 (285d)

edited by Henrik Wiese (2005) Score ❙ PB 15101 Orchestral parts ❙ OB 15101 Edition for Flute and Piano Piano Reduction by Jan Philip Schulze, Cadenzas by Robert D. Levin ❙ HN 675 ❙ EB 10785

edited by Henrik Wiese (2009) Score ❙ PB 5309 Orchestral parts ❙ OB 5309 Edition for Oboe and Piano Piano Reduction by Jan Philip Schulze, Cadenzas and Lead-ins by Henrik Wiese ❙ EB 8048

Flute Concerto G major K. 313 (285c) edited by Henrik Wiese (2006) Score ❙ PB 5295 Orchestral parts ❙ OB 5295 Edition for Flute and Piano Piano Reduction by Jan Philip Schulze, Cadenzas and Lead-ins by Henrik Wiese ❙ EB 8644 • Includes a facsimile of the solo part of the first edition • Includes cadenzas from the earliest handwritten sources

Flute Concerto D major K. 314 (285c) edited by Henrik Wiese (2009) Score ❙ PB 5308 Orchestral parts ❙ OB 5308 Edition for Flute and Piano Piano Reduction by Jan Philip Schulze, Cadenzas and Lead-ins by Henrik Wiese ❙ EB 8047

BASSOON AND ORCHESTRA Bassoon Concerto B flat major K. 191 (186e) edited by Ernst Herttrich (2006) Score ❙ PB 15103 Orchestral parts ❙ OB 15103 Edition for Bassoon and Piano Piano Reduction by Siegfried Petrenz, Cadenzas by Robert D. Levin ❙ HN 801 ❙ EB 10801

HORN AND ORCHESTRA Horn Concerto E flat major K. 370b+371 edited by Robert D. Levin (2003) Score ❙ PB 5357 Orchestral parts ❙ OB 5357 Edition for Horn and Piano Piano Reduction by Christian Rudolf Riedel, Cadenzas and Lead-ins by Robert D. Levin ❙ EB 8697

13

S YMP H ONIE S 14

• Urtext material coordinated for performance practice: • Score with Critical Report and clearly marked editorial additions • Orchestral parts with clearly presented musical text, without “ifs or buts” • In the Critical Report, highlighting of major differences between earlier editions through bold type Symphony (No. 13) F major K. 112

Symphony (No. 38) D major K. 504 “Prague”

edited by Cliff Eisen (2002) Score Orchestral parts

edited by Cliff Eisen (2002) Score Orchestral parts

❙ PB 5372 ❙ OB 5372

❙ PB 5254 ❙ OB 5254

Symphony (No. 35) D major K. 385 “Hafner”

Symphony (No. 39) E flat major K. 543

edited by Henrik Wiese (2013) Score Orchestral parts

edited by Cliff Eisen (2011) Score Orchestral parts

❙ PB 5373 ❙ OB 5373

• First edition that allows the performance of all three versions of the “Hafner Music:” – Serenade with the March K. 408/2 (385a), as performed in the summer of 1782 for the ennoblement of Sigmund Hafner – Four-movement symphony without flutes and clarinets, as in the first printing of 1785 – Four-movement symphony with the flute and clarinet parts added by Mozart (Symphony K. 385)

❙ PB 5296 ❙ OB 5296

• “The musical text closely follows Mozart’s manuscript, and the idiosyncratic grouping of beams and stems was generally maintained. With the aid of sparse but plausible interventions, Eisen demonstrates his scholarly expertise, especially with respect to the controversial articulation markings.” (neue musikzeitung)

Symphony (No. 41) C major K. 551 “Jupiter” edited by Cliff Eisen (2006) Score Orchestral parts

❙ PB 5292 ❙ OB 5292

STUDY SCORES • Musical text of the performance-practical Urtext editions in reduced dimensions (for study) • Critical Reports available for downloading (pdf files) on the Internet

Serenade c minor K. 388 (384a) for Wind Octet

PIANO MUSIC Piano Pieces New Edition, revised by Ullrich Scheideler (2006) ❙ HN 9022

edited by Henrik Wiese (2005)

Piano Trios

String Quintets I

New Edition, revised by Ernst Herttrich (2006) ❙ HN 9247

❙ HN 9797

edited by Wolf-Dieter Seiffert (2008)

❙ HN 9777 String Quintets II edited by Wolf-Dieter Seiffert (2006)

CHAMBER MUSIC Clarinet Quintet A major K. 581 and Fragment K. Anh. 91 (516c) edited by Henrik Wiese (2005)

❙ HN 9769 Divertimenti for 2 Oboes, 2 Horns and 2 Bassoons edited by Felix Loy (2013)

❙ HN 7191

❙ HN 9778 String Quintets III edited by Wolf-Dieter Seiffert (2010)

❙ HN 9779

SOLO CONCERTOS Andante C major K. 315 (285e) for Flute and Orchestra edited by Henrik Wiese (2000)

Divertimento K. 525 “A Little Night Music”

❙ PB 15104

edited by Wolf-Dieter Seiffert (2010)

❙ HN 7005 Gran Partita B flat major K. 361 (370a)

Bassoon Concerto B flat major K. 191 (186e) edited by Ernst Herttrich (2006)

❙ PB 15105

edited by Henrik Wiese (2005)

❙ HN 9809 Horn Quintet E flat major K. 407 (386c) edited by Henrik Wiese and Norbert Müllemann (2010)

❙ HN 9826 Oboe Quartet F major K. 370 (368b) edited by Ernst Herttrich (2005)

❙ HN 9794 Piano Quintet E flat major K. 452 – Harmonica Quintet K. 617 edited by Wolf-Dieter Seiffert and Henrik Wiese (2000/2001)

❙ HN 9665

Piano Concerto (No. 21) C major K. 467 edited by Norbert Gertsch (2007)

❙ PB 15110 Piano Concerto (No. 23) A major K. 488 edited by Ernst-Günter Heinemann (2008) ❙ PB 15111

Sinfonia concertante E flat major K. 364 for Violin, Viola and Orchestra edited by Wolf-Dieter Seiffert (2006)

❙ PB 15109

SYMPHONIES Symphony (No. 38) D major K. 504 “Prague”

Serenade E flat major K. 375 for Wind Sextet

edited by Cliff Eisen (2002)

❙ PB 5513

edited by Henrik Wiese (2005)

❙ HN 9795 Serenade E flat major K. 375 for Wind Octet

Symphony (No. 41) C major K. 551 “Jupiter”

edited by Henrik Wiese (2005)

edited by Cliff Eisen (2006)

❙ HN 9796

❙ PB 5298

15

CONTE NT S 16

PIANO MUSIC 4 Piano solo Piano Four-hands

SOLO INSTRUMENT AND PIANO 5 Two Pianos Four-hands Violin and Piano Violin, Viola and Piano Flute and Piano Flute, Harp and Piano Oboe and Piano Clarinet and Piano Bassoon and Piano Horn and Piano

CHAMBER MUSIC 9

This brochure is a joint production of the independent music publishers Breitkopf & Härtel, Wiesbaden, and G. Henle Verlag, Munich. It features the complete Mozart Urtext editions of both publishers released since 2000.

Some of these editions were made as coproductions between the two firms.

Breitkopf editions are marked in red ❙ and Henle in blue ❙.

Publication date: 1 March 2013.

Breitkopf & Härtel and G. Henle Verlag regularly issue new Urtext editions of Mozart’s works. Keep yourself informed and up-to-date – about the valid retail prices as well – by consulting the joint website in English and German: www.mozart21.com Or scan the QR code to visit directly our website:

CONCERT ARIAS 11 SOLO CONCERTOS 12 Piano and Orchestra Violin and Orchestra Violin, Viola and Orchestra Flute and Orchestra Oboe and Orchestra Bassoon and Orchestra Horn and Orchestra SYMPHONIES 14 STUDY SCORES 15 Piano Music Chamber Music Solo Concertos Symphonies

available through

Order Number: 99 00128 00 (Breitkopf), E-019 (Henle) Photos: Astrid Karger, Saarbrücken, and Emile Ducke, Munich (page 2) Layout: Marion Schröder, Wiesbaden Printed in Germany 3/13