MM 2385429 – Mason, Thaleia by Breitkopf & Härtel

Christian Mason Thaleia

Concerto for Flute/Piccolo and Orchestra

Partitur Score

MM 2385429

Unverkäufliches Mietmaterial: Weitergaben an Dritte sowie Vervielfältigungen jeglicher Art sind unzulässig. Einzeichnungen sind nur mit weichem Bleistift gestattet. Andernfalls sind wir genötigt, Schadenersatz zu verlangen.

Rental Material, not for sale: Passing on to third parties, as well as any kind of copying is prohibited. Alterations, cuts or markings only with pencil. Otherwise we will claim damage compensation in addition to the rental fee.

Christian Mason

Thaleia

Concerto

for Flute/Piccolo and Orchestra

Partitur Score

MM 2385429

Printed in Germany

Nur das Mikrofon einschalten reicht nicht – Just turning on your microphone is not enough.

Haben Sie den Verlag schon eingeschaltet? Have you already turned to the publisher?

„Die Benutzung des Materials zu allen Arten von Audio-/audiovisuellen Produktionen, digitaler Speicherung (online/ofﬂine), Übermittlung, Wahr nehmbarmachung usw. ohne vorherige schriftliche Zustimmung des Verlages ist ausdrücklich untersagt.“

aus „Allgemeine Geschäftsbedingungen“, 5b

”The use of the material for all types of audio/audio-visual production, digital storage (on-line/off-line), transmission, creation of perceptible media, etc., is expressly prohibited without the prior written consent of the publisher.“

see ”General Trade Terms,“ 5b

leih@breitkopf.de hire@breitkopf.com

Orchestration

3 Flutes (3rd doubling Piccolo)

2 Oboes

English Horn

2 Clarinets in Bj (1st doubling Clarinet in A*, 2nd doubling Bass Clarinet in Bj)

2 Bassoons (2nd doubling contrabassoon)

4 Horns

2 Percussionists

Player 1: 2 suspended cymbals, glockenspiel, crotales (chromatic set), crotales (hand-held pair: high C/E), ghungroo bells, 2 Chinese opera gongs, tambourine

Player 2: 2 suspended cymbals, tam-tam, vibraphone, ghungroo bells, 2 Chinese opera gongs, crotales (hand-held pair: low Fk/A)

Harp (with 4 strings re-tuned**)

Solo Flute/Piccolo

Violin 1

Violin 2

Viola

Violoncello

Double Bass

Three movements

I. Lament – In Memoriam Harrison Birtwistle (8’) [piccolo solo]

II. Incantation (8’) [flute solo]

III. Songs (without words) (7’) [flute and piccolo solo]

Total Duration c.23’

Score in C with the usual 8ve transpositions

Performance Notes

Microtones are indicated with arrows on the accidentals. Most often they are derived from the harmonic spectrum on C as follows:

• lowered Bj = 7th (Bj -31 cents)

• lowered Fk = 11th (Fk -49 cents)

• raised Aj = 13th (Aj +41 cents)

Despite the spectral derivation it is generally expected and accepted to approximate these to the nearest quarter tone, especially in the case of faster moving passage-work (as in the 2nd movement). The most common function of microtones in this piece is to create a special modal colouration, rather than to achieve timbral fusion. However, there is a notable exception to this rule: the passage of sustained tones from Letter I (b.137) of the 1st movement (in the strings), and especially with the entry of the horns (at b.149), should be tuned as precisely as possible, being understood in terms of the interplay between the 11th (Fk -49 cents), 12th (G) and 13th (Aj +41 cents) partials. Since the harp has been pre-tuned it is desirable that it acts as a tuning reference in this case.

Natural harmonics: In addition to the textural effects created by groups of strings sliding ad lib. on natural harmonics, there are passages of more melodically specific writing natural harmonics, as follows:

• 2nd movement, b.6–30, solo viola: using natural harmonics of the C-string between the 8th and the 18th! It is understood that the high harmonics are increasingly unstable and may not speak clearly or accurately, but it is preferred that written shapes are attempted in spite of difficulties or impossibilities. Please do not substitute with artificial harmonics. It is the special colour and inevitable instability of the very high (beyond the finger-board) harmonics that defines the character of this passage.

• 3rd movement, b.44–82, violoncello: using natural harmonics of the C-string and D-string between the 4th and the 11th. It is understood that the higher harmonics may be unstable but it is welcome for this instability (e.g. flickering or cracking of tones) to become part of the character of the music. Please do not substitute with artificial harmonics.

* The Clarinet in A is necessary for the bottom note in movement 1, elsewhere the Clarinet in Bj has been used by default and because of the use of some very high notes, however I leave the choice of instruments to the discretion of the player.

** 4 harp strings are re-tuned according to partials of a C spectrum:

• two F-strings lowered by 49 cents for Fk = 11th partial

• two A-strings raised by 41 cents for Aj = 13th partial

Glissandi should stretch across the notated duration. In general, the written pitch should be given a momentary emphasis (approximately a semiquaver) before the slide begins. In cases where the pitch is written in brackets it requires no emphasis at all and simply serves to help with the timing of the slide.

Microflux: Improvised colouration and ornamentation of the written note using varied techniques such as wide vibrato, microtonal trills, turns and mordents in the left hand, and tremolo or similar microrhythmic articulations with the bow. The intensity of activity increases or decreases in proportion with the dynamics.

Repeat boxes: Given material should be repeated on a loop for as long as indicated by the wavy line. Individual loops should be unsynchronised with other players, tempo ad lib. (within the given range) and independent from the main tempo.

III

Programme Note

Across it’s three-movement form, Thaleia takes us on a journey of transformation from melancholy lament, through entranced incantation, to joyful celebration. It is cast, you might say, in quite a traditional concerto form, with the soloist inhabiting a distinct expressive world and array of relationships in each movement. Special among these relationships – particularly in the second movement – are the orchestral piccolo, the viola(s) and the harp (with four strings re-tuned), affording a chance for moments of chamber music within a bigger picture. Orchestral textures are defined by various varied and varying cycles of repetitive elements, yet no two moments are ever quite the same. On the surface, melody flows ever-forward, a thread connecting soloist and orchestra, as well as past and future. This melody often proliferates into canonic interplay, resulting in a tightly woven web of instrumental interactions.

Beyond its obvious utility, the idea of canon – of multiplicity born from unity – might be seen to connect with the extra-musical ideas around the piece. Thaleia was – in Greek mythology – a Naiadnymph of Mount Etna in Sicily, whose name means ‘the joyous, the abundance’. According to myth, she bore the twin children of Zeus, but fearing Hera’s jealousy asked to be swallowed up by the earth –and so her twin children, the Palici, were born from the earth to be Sicilian gods of hot springs and geysers. The root of the name Thaleia is thállein, which means ‘to flourish, to be green’ and the music seeks to inhabit the elemental qualities of fecundity and flourishing that she – and her twin children – through myth embody. This elemental energy grows and fades, ebbs and flows, as the piece progresses, finally erupting, towards the end of the third movement, into a joyous dance between piccolo soloist and tambourine, set against a punchy backdrop of unison woodwinds, horns and pizzicato strings. When the dance calms, what remains is the plaintive voice of the piccolo musing over the melody in its purest form, with a halo of resonance from clashed crotales and natural harmonics across the orchestral D-strings.

The orchestration of this piece – though not the music – reflects Debussy’s Prélude à l’après-midi d’un faune (1892–94), and the cadenza hints at Syrinx (1913), acknowledging the special role of that piece in emancipating the flute, early last century. Meanwhile, the first movement grew out of a more recent piece of my own: Lost in the Horizon (2022) for solo piccolo and layers of pre-recorded bass flutes, written as one the ‘200 Pieces’ for the bicentenary of the Royal Academy of Music, and dedicated to the memory of Harrison Birtwistle (1934–2022). The piccolo, like a figure in a landscape, sings a sad song, lamenting the loss of so singular a composer. The concerto as a whole, though, has a further dedication:

To the many flute players in my life (and their families) –

My friends Noémi, Gergely, and their children, Miriam and Abigail Madaras

My family, Audrey Milhères and Lucas Mason

My mother, Mary Mason, for her 80th Birthday (June 16th 2024)

My nephew, Malachy Middleton, who loves to play Syrinx

My teacher and friend, Sinan Savaskan, who first taught me the significance of Syrinx

Christian Mason, February 29th 2024

Co-Commissioned by the Orchestre Philharmonique Royal de Liège and the Philip Loubser Foundation for Noémi Győri and Gergely Madaras

World Premiere

April 27th 2024 at the Salle Philharmonique de Liège, Belgium, played by the Orchestre Philharmonique Royal de Liège, conducted by Gergely Madaras with Noémi Győri as soloist.

UK Premiere

June 21st 2024 at Hoddinott Hall, Cardiff, played by the BBC National Orchestra of Wales conducted by Gergely Madaras with Noémi Győri as soloist.

TH ALEI A

2024

Christian Mason,

I Lament Flute 1 Flute 2 Flute 3 2 Oboes English Horn 2 Clarinets 2 Bassoons 4 Horns Percussion 1 Percussion 2 Harp Solo Piccolo Violin I Violin II Viola Violoncello Double Bass ¯ p ¯ ¯ p ¯ Searching, lyrical, wistful q = 90 ¯ p ¯ ¯ p ¯ ¯ p ¯ ¯ p ¯ ¯ p ¯ ¯ p ff p ppp Searching, lyrical, wistful q = 90 ppp p ppp p ppp p ppp p ppp p ppp p ppp p ppp p ppp f ¯ 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4  breathy senza vib lip bend   breathy senza vib lip bend  breathy senza vib lip bend 3 3   3 3                                                        2 Sus Cym arco           ped buzz ad lib C/C#  sempre l v   Ü       3                    IV sempre senza vib ¯ ¯ ¯ ¯  IV sempre senza vib ¯ ¯ pull string for pitch bend* ¯ ¯ ¯ ¯ ¯ ¯  * maintain harmonic, doesn't have to be precise quartertone but a microtonal raising of the note IV ¯ III ¯ ¯ pull string for pitch bend* ¯ ¯ ¯ ¯ ¯  IV sempre ¯ ¯ pull string for pitch bend* ¯ ¯ ¯ ¯ ¯ ¯  Ü sul pont          J      J   ª    J        J   J     J   J                                     L       L    L    L   L     L     

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ Fl 1 Fl 2 Fl 3 Cl 1 [in A] Cl 2 [in Bb] Hn 1 Hn. 3 Perc 1 [Cym ] Perc 2 [Cym ] Hp Solo Picc Va Vc Db pp improvisatory f pp A 9 pp improvisatory f pp p ¯ pp improvisatory f pp pp improvisatory f pp pp sfz sfz sempre sim sfz sfz sempre sim p ff mp ppp ppp ppp p ppp p ppp f  ord     3 5 3  ord 3 3 3 3 3 3 3 3 3 3       3 3 3 5 3  3 3 3 3 3 3 3 3 3                               3   3   3   3   3   3   3     3 3   2 Sus Cym arco        ped buzz ad lib C/C#     Ü  ¯  ¯ ¯ ¯  ¯ ¯ ¯  ¯ ¯ ¯  Ü ord sul pont                                                                                                                J                                                                                                                                                                                                                     L         L    Breitkopf MM 2385429 2

Leseprobe Sample page

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ Fl. 1 Fl. 2 Fl. 3 Cl. 1 [in A] Cl. 2 [in Bb] Hn. 1 Hn. 3 Perc. 1 [Cym.] Perc. 2 [Cym.] Hp. Solo Picc. Va. Vc. Db. f pp 12 ¯ p ¯ f pp p p f ¯ ppp mf p ppp p ppp ppp ppp ¯         5    3  3 3 3 3 3 3 3       3 5    3 3 3 3 3 3 3 3                             3   3   3   3   3   3   3   3   3   3  arco   arco           Ü 3 lip bend 3  ¯  ¯¯¯¯  ¯ ¯ ¯  ¯ ¯ ¯  Ü                                                J                  





 

   





                                                 j      L    L    L    Breitkopf MM 2385429 3

 

   





    

 

Leseprobe Sample page

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ Fl. 1 Fl. 2 Fl. 3 Cl. 1 [in A] Cl. 2 [in Bb] Hn. 1 Hn. 3 Perc. 1 [Cym.] Perc. 2 [Cym.] Hp. Solo Picc. Va. Vc. Db. f pp 15 ¯ pp f pp p ¯ p f p p p p      5  3   3 3 3 3     3 3 3 3  3 3 3 3 3 3                        3   3   3   3   3 3 3   arco           Ü   ¯ ¯  ¯ ¯ ¯  ¯ ¯  ¯ ¯  Ü                                                                                                L  L L  Breitkopf MM 2385429 4

Fl. 1

Fl. 2

Fl. 3

Cl. 1 [in A]

Cl. 2 [in Bb]

Hn. 1

Hn. 3

Perc. 1 [Cym.]

Perc. 2 [Cym.]

 

1. solo

2. solo

1. solo

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

Repeat box: unsynchronised tempo ad lib. (q = 60 - 80)

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø 3 3

3 3 3 3

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø 

Repeat box: unsynchronised tempo ad lib. (q = 60 - 80)

2. solo

3 3 5

¡ ¢ ¡ ¢ ¡ ¢ { ¡

Vl. I

II Va. Vc. Db. f pp ff B 17 p ¯ f pp p ff ppp sub. mp sfzpp

ppsfzppsfzpp

sfzppsfz

pp ppp ppp ppp p ppp p ppp f      5  3 3 3 3 3 3 3 3 3 3      3 5 3 3  3 3 3 3 3 3 3 3 3                       3   3   3   3   3       3   3 3 3      arco    ped. buzz ad lib. Db/D§     Ü 3

Hp. Solo Picc.

Vl.

sfzpp sfz pp

sfz pp sfz pp

ppsfzpp



 3

 

3 

 3 3



 









  ¯ ¯    Ü ord. sul pont.                                          J                                    



     

   

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø                                                                               L       j    Breitkopf MM 2385429

 



         

Leseprobe Sample page

Fl. 1

Fl. 2

Fl. 3

Cl. 1 [in A]

Cl. 2 [in Bb]

Hn. 1

Hn. 3

Perc. 1 [Cym.]

Perc. 2 [Cym.]

Hp. Solo Picc.

Leseprobe Sample page

Repeat box: unsynchronised tempo ad lib. (q = 60 - 80)

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

Repeat box: unsynchronised tempo ad lib. (q = 60 - 80)

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢

Vl. I Vl. II Va. Vc. Db. pp f pp 20 ff pp pp mf pp mf pp ¯ p ¯ ff pp f pp ff pp pp mf pp mf p p f ¯ fppp mf pp sfzpp sfzppsfz sfzppsfzpp sfzpp sfzpp sfzpp sfzpp sfzpp ppsfzppsfzpp sfzpp sfzpp p ppp p ppp ppp ppp ¯   3 5 3  3  3 3 3 3 3 3 3 3 3 3     3 3 5 3   3  3  3 3 3 3 3 3 3 3 3                       3   3   3   3     3 3  arco  arco    Ü   3  1. solo   3 

3 3 3 3 3 3

2. solo     3 3 3 3

1. solo   



3 3 3 3 3 3 3 3

  2. solo      5

     Ü                                                        J                                                                                                                                                       L  L  j  Breitkopf MM 2385429 6

Fl. 1

Fl. 2

Fl. 3 Cl. 1 [in A]

Cl. 2 [in Bb]

Hn. 1

3 Perc. 1 [Cym.]

Perc. 2 [Cym.] Hp.

øøøøøøøøøøøøøøøøøøøøøøøøø

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

øøøøøøøøøøøøøøøøøøøøøøøøøøøøø

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢

Hn.

Solo Picc. Vl. I Vl. II Va. Vc. Db. f pp 23 ¯ p f pp mf pp p p ff ppp p pp sfz pp sfz pp pp sfz pp sfz pp pp p p p ppp p ppp ppp       5    3 3 3 3 3 3 3 3     3 5   3 3 3 3 3 3 3 3                             3   3   3   3   3   3   3   3   3   3  arco    arco        ped. buzz ad lib. C/C#   Ü 3 5 3 

  5 

  3 3 

  5 

  3 3    ¯  ¯  Ü   ord.                                          J                                                                                               ª                                                        L  L  j    Breitkopf MM 2385429 7 Leseprobe Sample page



Leseprobe Sample page

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ Fl. 1 Fl. 2 Fl. 3 Ob. 1 Ob. 2 Cl. 1 [in A] Cl. 2 [in Bb] Hn. 1 Hn. 3 Perc. 1 [Cym.] Perc. 2 [Cym.] Hp. Solo Picc. Va. Vc. Db. f pp 26 mf pp pp pp ¯ ¯ sfz sfz sfz sfz f pp pp mf pp p mfp f ppp p ppp p p p f ¯    5  3  3 3 3 3 3 3 3           3  3   3 3 3 3 3   3  3 3 3 3 3 3 3                              3   3   3   3   3   3 3 3    arco           Ü   3 5 3 7    ¯ ¯ ¯  ¯ ¯ ¯  Ü sul pont.                                                                                                              



   ª          ª                     ªª          L   L  L     Breitkopf MM 2385429 8

     

  



     

Leseprobe Sample page

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ Fl. 1 Fl. 2 Fl. 3 Ob. 1 Ob. 2 Cl. 1 [in A] Cl. 2 [in Bb] Bn. 1 Bn. 2 Hn. 1 Hn. 3 Perc. 1 [Cym.] Perc. 2 [Cym.] Hp. Solo Picc. Va. Vc. Db. f ¯ 29 mf pp f ¯ p ¯ sfz sempre sim. sfz sempre sim. f pp mf pp pp improvisatory pp improvisatory p f p ppp ppp ppp ppp    5  3  3 3 3           3  3  3  3  3    5 3 3  3 3 3 3 3 3    3 3    3 3       3      arco to Tam-tam        Ü 5    ¯ ¯  ¯ ¯  Ü                     J      





      





                                                           L      Breitkopf MM 2385429 9

Leseprobe Sample page

¡ ¢ ¡ ¢ { ¡ ¢

Fl. Ob. 1 Ob. 2 E. H. Cl. 1 [in A] Cl. 2 [in Bb] Bn. 1 Bn. 2 Perc. 1 [Cym.] Perc. 2 [Cym.] Hp. Solo Picc. Vl. I Vl. II Va. Vc. Db. pp silky, cantabile 31 pp silky, cantabile f pp f pp f pp f pp p mf p p p p   a3       3  3  3      5 3  3 3 3 3 3 3   3 5 3  3 3 3 3 3 3   arco           Ü 3 lip bend 5          ¯ ¯  ¯ ¯  Ü                                                                        j  j      L  L L  Breitkopf MM 2385429 10

3 Fl.

Ob. 1

Ob. 2

E. H.

Cl. 1 [in A]

Cl. 2 [in Bb]

Bn. 1

Bn. 2

Perc. 1 [Cym.]

Perc. 2 [T.-t.]

Hp.



     Ü ord. 

  

   

ped. buzz ad lib. E

beater

Repeat box: unsynchronised tempo ad lib. (q = 60 - 80)

tutti

tutti   

Repeat box: unsynchronised tempo ad lib. (q = 60 - 80)    5

¡ ¢ ¡ ¢ { ¡ ¢

Solo

Vc. Db. C 33 f pp f pp p pp ff ¯ pp sfzpp sfz pp sfz pp sfz pp sfzppsfzppsfzpp sfzpp sfzpp sfzpp sfzpp sfzpp sfzpp sfzpp sfzpp sfzpp ppsfzppsfzpp sfzpp sfzpp sfzpp sfz sfzpp ppp ppp ppp ppp ppp            3  3  3  3  3  3  3  3    5  3 3 3 3    3 5  3 3 3  to Glsp.  

with Tam-tam



Picc. Vl.

Vl.

Va.

Tam-tam

§ 

  Ü  tutti div. 3   3  

b/E

3 3 3 3 3 3 3 3 3 3 øøøøøøøøøøøøøøøøøøøø  tutti div.        5 3



div.  3   3  

3 3 3 3 3 3 3 3 3



øøøøøøøøøøøøøøøøøøøø div.   

øøøøøøøøøøøøøøøøøøøø



                                                            j                                                                                               L      Breitkopf MM 2385429 11

øøøøøøøøøøøøøøøøøøøø

         

  

 

Leseprobe Sample page

3 Fl.

Ob. 1

Ob. 2

E. H.

Cl. 1 [in A]

Cl. 2 [in Bb]

Bn. 1 Bn. 2

Perc. 2 [T.-t.]

                  

        



                        

  

   

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

unis. sul pont.

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

unis. sul pont.

øøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøøø

Leseprobe Sample page

unis. sul pont.

Ü sul pont. ord.

¡ ¢ ¡ ¢ { ¡ ¢

Hp. Solo Picc. Vl. I Vl. II Va. Vc. Db. f pp 35 f pp f pp pp f pp p ff pp sfz pp sfz pp sfz pp pp sfz pp sfz pp f ppp p ppp p ppp p ppp f ppp  a 3                3  3    3  3  3  3 3       5  3 3  3 3 3 3 3 3    3 3 3 3  3 3    3 3 3 3 3 3        ped. buzz ad lib. Db/D§    Ü  

3 

lip bend for microtones

    5 

 3 3 3 

  3 3 

   3 3     

   





 



                          j  j j                                               L    L  j      Breitkopf MM 2385429 12

      



Leseprobe Sample page

¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. Ob. 1 Ob. 2 E. H. Cl. 1 [in A] Cl. 2 [in Bb] Bn. 1 Bn. 2 Perc. 2 [T.-t.] Hp. Solo Picc. Va. Vc. Db. f pp ¯ 39 f pp ¯ pp f pp f pp f pp pp mf pp f pp f pp f pp pp mf mf ff mf ¯ f p f ppp p ppp p ppp p ppp f ppp            3   3  3        3 5 3    3  3 3 3 3 3 3 3        3 3 3 5 3     3  3 3 3 3 3 3             ped. buzz ad lib. C/C#    Ü 3 (lip bend for microtones)   3 5     ¯ ¯  ¯ ¯  Ü sul pont. ord.                                                                                                                     j j  Þ   Þ          L   L   j       Breitkopf MM 2385429 13

¡ ¢ { ¡ ¢ Ob. 1 Ob. 2 Cl. 1 [in A] Cl. 2 [in Bb] Bn. 1 Bn. 2 Hp. Solo Picc. Va. Vc. Db. 43 f pp mf pp f pp pp mf f f pp p p p ppp p ppp f ppp                 3    3  3  3  3  3  3  3 3 3       5  3 3 3 3 3 3 3 3   3 5  3  3 3 3 3 3 3 3 3         Ü 3 p  f  3    ¯ ¯ ¯  ¯ ¯ ¯  Ü sul pont. ord.                       

                                                                                                                Þ             L   L  L      Breitkopf MM 2385429 14



Leseprobe Sample page

         

Leseprobe Sample page



 

¡ ¢ { ¡ ¢ 3 Fl. Ob. 1 Ob. 2 E. H. Cl. 1 [in A] Cl. 2 [in Bb] Bn. 1 Bn. 2 Hp. Solo Picc. Va. Vc. Db. pp silky, cantabile 46 pp silky, cantabile pp mf pp pp mf pp mf pp f ppf pp ppp p ppp p p p f    a3              3  3  3    3  3 3 3       5   3  3 3 3 3 3 3 3   3 3 3  3 3  3 3 3 3 3          Ü 5 5 5    ¯ ¯ ¯  ¯ ¯ ¯  Ü sul pont.  



 



  

 



           

 





                               ª                 L   L  L     Breitkopf MM 2385429 15

               





      

    



 



        

          

 

Leseprobe Sample page

¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. Ob.

Ob. 2 E. H. Cl. 1 [in A] Cl. 2 [in Bb] Bn. 1 Bn. 2 Hn. 1 Hn. 2 Hn. 3 Hn. 4 Hp. Solo Picc. Va. Vc. Db. 49 f ¯ pp pp mf pp f ¯ f sfzsfz sempre sim. mf pp sfzsfz sempre sim. pp improvisatory pp improvisatory pp improvisatory pp improvisatory ff f ¯ mf ff p ppp ppp ppp p ppp p ppp f  a 3            3  3  3  3  3  3      5  3  takes Bcl. 3 3 3 3 3         3 5 3  3   3  3  3 3 3 3 3 3    con sord.  con sord.  3 3    con sord. 3 3    con sord. 3  ped.

lib. Eb

§ 

   Ü 3 7      Ü ord.

 

buzz ad

sul pont.

 



 

                   

                                                                              j        L       j   Breitkopf MM 2385429 16







 

                                                       

Leseprobe Sample page

¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. E. H. Bn. 1 Bn. 2 Hn. 1 Hn. 2 Hn. 3 Hn. 4 Hp. Solo Picc. Va. Vc. Db. f pp 52 f pp f pp f pp f pp f pp pp ff f ff p ff f ppp p ppp ppp ppp ppp                 3  3  3   3  3  3  3 3      5 3   3  3   3 3 3 3 3 3   3 5 3 3  3 3 3 3 3 3 3 3  ped. buzz ad lib. Db/D§   Ü 3 3 7 6      Ü ord.                                         

                                                                L    L  j    Breitkopf MM 2385429 17

                                        

                     

              



¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. E. H. Bn. 1 Bn. 2 Hn. 1 Hn. 2 Hn. 3 Hn. 4 Hp. Solo Picc. Va. Vc. Db. f pp 55 f pp pp ff ff p ppp f p p ppp p ppp f ppp                  3  3  3    3 3 3      5 5   3 3 3 3 3 3 3  3 3   3  3  3 3 3 3 3 3 3        ped. buzz ad lib. C/C#   Ü   3 7 6 5    ¯  ¯  Ü sul pont. ord.       

                                                     L  L  j     Breitkopf MM 2385429 18

Leseprobe Sample page

  

               

Leseprobe Sample page

                       



        

¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. E. H. Bn. 1 Bn. 2 Hn. 1 Hn. 2 Hn. 3 Hn. 4 Hp. Solo Picc. Va. Vc. Db. ¯ 58 ¯ f pp f f pp f f p ff ppp p ppp p p p f                    3  3  3  3  3  3  3  3  3      5   3  3 3 3 3 3 3 3 3     3 3 3 5  3 3 3 3 3 3 3          Ü 7    ¯ ¯ ¯  ¯ ¯ ¯  Ü sul pont.                     

   





 



 



 







                                               j            L   L  L     Breitkopf MM 2385429 19



¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. Ob. 1 Ob. 2 E. H. Cl. 1 [in A] Bcl. [Cl. 2] Bn. 1 Bn. 2 Hn. 1 Hn. 2 Hn. 3 Hn. 4 Hp. Solo Picc. Va. Vc. Db. 61 ppp p ppp f ¯ pp pp pp f pp cresc. ff ppp p ppp p ppp p ppp p ppp f                    Bass Clarinet in Bb                   3                 Ü          3   3  3 6 5 3    ¯ ¯ ¯ ¯  ¯ ¯ ¯¯  Ü ord. sul pont.                                                   L    L    L   L      Breitkopf MM 2385429 20 Leseprobe Sample page

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

E. H.

Cl. 1 [in A]

Bcl. [Cl. 2]

Bn. 1

Bn. 2

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Hp.

sfzp sfz p sfzpsfzp sfzp sfzpsfzp

sfzp

p sfzpsfzp sfzp sfzpsfzp sfzp sfzp sfz p sfzpsfzp sfzp sfzpsfzp sfzsfz sempre sim. sfz sfz sempre sim.

Leseprobe Sample page

sempre sim.

sfzp sfz p sfzpsfzp sfzp sfzpsfzp

¡ ¢ ¡ ¢ { ¡ ¢

Va.

Db.

D 65 sfzp

f pp p f pp

sfz

f pp f pp pp mf pp ff ¯ ¯ ppp ¯ ppp ¯ p ¯   3  3  3 3   3    3 3 3   3  3  3 3   3    3 3 3   3  3  3 3   3    3 3 3                    3  3  3  3  3  3  3  3  3  3   3  3  3 3   3    3 3 3                  3  3  3  3  3  3  3  3  3  3   5  3 3 3 3 3 3 3 3   3 5  3 3 3 3 3 3 3 3  ped. buzz ad lib. Db/D§       ¯    ¯    Ü                                                              ª                                                                                                    j                                                                                                                                       L   Breitkopf MM 2385429 21

Vc.

sfzp

sfz

sfzp

sfzsfz

sfz sempre sim.

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

E. H.

Cl. 1 [in A]

Bcl. [Cl. 2]

Bn. 1



Bn. 2 Hn. 1

Hn. 2

Hn. 3

Hn. 4 Hp.

p sfz sfz sfzp sfz sfz p sfzp sfzsfzp sfzpsfzp sfzp

sfz p sfz sfz sfzp sfz sfz p sfzp sfzsfzp sfzpsfzp sfzp sfz p sfz sfz sfzp sfz sfz p sfzp sfzsfzp sfzpsfzp sfzp

p sfz sfz sfzp sfz sfz p sfzp sfzsfzp sfzpsfzp sfzp

  



                          

          

Leseprobe Sample page

¡ ¢ ¡ ¢ {

p ff p ff f pp mf pp pp pp f pp pp mf pp f     3         3  3 3 3 3 3 3 3 3     3        3  3 3 3 3 3 3 3 3     3         3  3 3 3 3 3 3 3 3                      3  3  3  3   3  3   3  3 3 3     3         3  3 3 3 3 3 3 3 3                   3  3  3  3  3  3  3  3 3 3     5  3 3 3 3 3 3 3 3     3 3 3 3 3    3   3 3 3 3 3 3 3                                                                          ª                                                                                                                      j   

sfz

  

                   

 

 

                                                         Breitkopf MM 2385429 22

               

 

Leseprobe Sample page

¡ ¢ ¡ ¢ { ¡ ¢ Fl. 1 Fl. 2 Fl. 3 2 Ob. E. H. Cl. 1 [in A] Bcl. [Cl. 2] Bn. 1 Bn. 2 Hn. 1 Hn. 2 Hn. 3 Hn. 4 Hp. Solo Picc. Vl. I Vl. II Va. Vc. Db. sfz p sfz p sfz p f pp 71 sfz p sfz p sfz p f pp sfz p sfz p sfz p f pp p sfz p sfz p sfz p f pp sfz p sfz p sfz p f pp pp mf pp p f pp ff mf pp pp ff f ff mf pp pp ff ff ffp ¯ ¯ ff ff ff     6     6     6      6     6           3 3 3 3 3        takes Cbn.  3 3 3 3 3         5 5  3      3 3 3 3 3 3 3       5 3 5 3  3     3 3 3 3 3 3      ped. buzz ad lib. Db/D§   Ü     con sord.  con sord.    È pizz.     È pizz.   Ü   È pizz.                                                                    ª                                   j                                              ª                                                                                   Breitkopf MM 2385429 23

¡ ¢ { ¡ ¢ Fl. 1 Fl. 2 Fl. 3 2 Ob. E. H. Cl. 1 [in A] Bcl. [Cl. 2] Hp. Solo Picc. Vl. I Vl. II Vc. Db. f pp p mf ppf ppfp 74 f pp p mf ppf ppfp f pp p mf ppf ppfp f pp p mf ppf ppfp f pp p mf ppf ppfp fff pp p ff fff pp p ff p cresc. f p cresc. f ¯ fpp mf f ¯ fpp mf f ¯ fpp mf pp pp pp f ¯   5    5 3   5    5 3   5    5 3   5   5 3   5    5 3             Ü 3   3  3   3  3   3    div.  arco ord.     arco ord.  Ü arco ord. sul pont.                                                                                                            ª           ª          ª          j                                                          Breitkopf MM 2385429 24

Sample page

Leseprobe

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ 2 4 3 Fl. 2 Ob. E. H. Cl. 1 [in A] Bcl. [Cl. 2] Hn. Perc. 2 [T.-t.] Hp. Solo Picc. Vl. I Vl. II Va. Vc. Db. pp mf pmf ppmf pp E 79 pp mf pmf ppmf pp pp mf pmf ppmf pp pp pp ¯ pp pp f ¯ pp p pp p pp ffpp cresc. pp p mf pp mf p pp ¯ mf p pp ¯ mf p pp f f ¯ p cresc. f ¯ p cresc. pp p   1.  3  3   1.  3  3    3  3        senza sord.2.    senza sord.  4.             3 3    Ü  3  3 5 3  3  3 3  3  3 3   arco  3 3 sul pont.  ord.   3 3 sul pont.  ord.   Ü   ord.  sul pont.                                                          j  ª           L                                     ª                    L                   Breitkopf MM 2385429 25

Leseprobe Sample page

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ 1.3. 2 4 3 Fl. 2 Ob. E. H. Cl. 1 [in A] Bcl. [Cl. 2] Hn. Perc. 1 [Glsp.] Perc. 2 [T.-t.] Hp. Solo Picc. Vl. I Vl. II Va. Vc. Db. pp mf ¯ pp accel. 84 pp mf ¯ pp pp mf ¯ pp pp pp mf ¯ pp ¯ pp mf ¯ ¯ pp mf ¯ p p f p pp mf p pp pp mf p pp accel. pp mf p pp pp p cresc. f pp pp p cresc. f pp mf pp p cresc. mf pp p cresc. mf ¯  1.  a2 (1.2.)  1.                    Ý Glockenspiel   3                Ü 3  3  3  3  3  3  div. ord.  sul pont.    ord.  sul pont.   sul pont.    ord.   sul pont.   ord.   Ü                                                   L                                                             L            L            ª  ª                   Breitkopf MM 2385429 26

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. 2 Ob. E. H. Cl. 1 [in A] Bcl. [Cl. 2] Hn. Perc. 1 [Glsp.] Perc. 2 [T.-t.] Hp. Solo Picc. Vl. I Vl. II Va. Vc. Db. f ¯ pp q = 96 accel. 89 f ¯ pp f ¯ pp f p cresc. pp f p ¯ fp ¯ pp pp fp ¯ p f mf ffp f p f p pp f p pp q = 96 accel. f p pp p p ff pp p f pp ff pp p f pp p f ¯   a3  a2         3 3 3   3 3  3  3  1.3.  2.4.  Ý   to Crot. 3            3 3  3 3 3  3 3 3  Ü  5 3   5 senza sord. 3   5 senza sord. 3  ord.  3 3 3    ord.  3 3 3  sul pont.   ord.  3 3 3 sul pont.  3   sul pont.  ord.  3 3 3 sul pont.   Ü ord.  3 3 sul pont.  3 3   Ü                                                            j j                                                                                                                  Breitkopf MM 2385429 27

Leseprobe Sample page

Fl.

Leseprobe Sample page

¡ ¢ ¡ ¢ ¡ ¢ { ¡ ¢

Ob.

H. Cl. 1 [in A] Bcl. [Cl. 2] Hn. Perc. 2 [T.-t.] Hp. Solo Picc. Vl. I Vl. II Va. Vc. Db. fp ff p ff q = 108 accel. q = 120 93 fp ff p ff fp ff p ff fp ff p ff fp ff p ff ff pp ff p ff ffp pp pp ffp pp f ff gliss. gliss. gliss. f ff pp ff p ff q = 108 accel. q = 120 ff p ff ff p ff ff p ff ff pp p cresc. ff ff p cresc. ff p ff pp p ff p ff pp p ff p ff p ff                                3 3 3 3 3          3 3 3 3 3                    3 3 3 3 3     to Vib.         Ò        7  Ü      5 6  div.        Ò       Ò   div.       sul pont.  ord.  3   5 molto sul pont.   sul pont. ord.    5 molto sul pont.   ord.  sul pont.   ord.   molto sul pont.   ord.  sul pont.  ord.   molto sul pont.   Ü ord.   5    6  molto sul pont.    Ü                                                                                                                                                              j j                          Þ                                                                                                  Breitkopf MM 2385429 28

Fl.

¡ ¢ ¡ ¢ ¡ ¢ ¡ ¢

3 Cl. 1

A] Bcl. [Cl. 2]

Solo Picc. pp fp ¯ rall. 97 pp fp ¯ pp fp ¯ pp fp pp pp fp ¯ p mf f pp p mf f pp  ff Fl. 1

2 Fl. 3 Cl. 1 [in A] Bcl. [Cl. 2]

1 [Crot.]

2 [Vib.] Solo Picc. pp fp ¯ 101 pp fp ¯ pp fp ¯ fp ¯ pp fp ¯ p mf f p mf f  p f cantabile  Flz.  ord. 3 F q = 90  Flz.  ord. 3  Flz.  ord. 3    3  Ý arco Crotales  arco Vibraphone  Ü         3  3  6 6 5 3 3  Flz.  ord. 3  Flz.  ord. 3  Flz.  ord. 3   3   3  Ý to Cymb.   to Cymb.   Ü 3  3 3  ¾ ¾ ¾      ¾ ¾ ¾      ¾ ¾ ¾       ª    j                                                     ¾ ¾ ¾     ¾ ¾ ¾     ¾ ¾ ¾         j                             = Breitkopf MM 2385429 29

Fl.

[in

Perc.

[Crot.] Perc.

[Vib.]

Fl.

Perc.

Leseprobe Sample page

¡ ¢ { ¡ ¢ ¡ ¢ { ¡ ¢ 3 Fl. Bcl. [Cl. 2] Bn. 1 Cbn. [Bn. 2] Hp. Solo Picc. Db. fpp f pp fpp f 105 pp f pp f pp f pp ff pp ff pp pp f pp 3 Fl. Bcl. [Cl. 2] Bn. 1 Cbn. [Bn. 2] Hp. Solo Picc. Db. pp fpp f pp 111 p f p pp f pp f pp f pp ff pff pp pff f pp f pp  a3 breathy  3   3     Ü         ped. buzz ad lib. C/C#        Ü 3  6 5 6  Ü ord. sul pont. 3 ord.   3    solo   Ü           ped. buzz ad lib. Eb/E§       Ü     3         5 5 5 5 3  Ü sul pont. ord. 3 3 sul pont.  Þ    J   J    J     Þ    J   J      J                ¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸                                   J ª       J   J    J ª              J    j    ª             ¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸¸                                                     = Breitkopf MM 2385429 30

Fl. 3

Leseprobe

¡ ¢ { ¡ ¢ ¡ ¢ { ¡ ¢

Fl. Bcl.

Cbn.

Solo Picc. Db.

[Cl. 2] Bn. 1

[Bn. 2] Hp.

fpp f pp 117 f p f pp f pp ff pp p f pp Fl. 1 Fl. 2

Cbn.

Hp. Solo Picc. Db. pp

fpp

G 121

ppfpp

¯ ppp sempre   3     Ü  ped.

b/D§ 

    Ü        3 3  Ü ord. 5 3 sul pont.   solo   3  3  3  3 3 3 3 3 3 3 3 3  solo           3 3 3 5 3  solo   3  3  3  3 3 3 3 3 3 3 3 3  solo        3 5 3    Ü  ped. buzz ad lib. C/C#     Ü   Ü div. ord. 3   J   J    J           j  ª                                       j                                      ª                                                                                 J                     = Breitkopf MM 2385429 31

Cl. 1 [in A] Bcl. [Cl. 2] Bn. 1

[Bn. 2]

fpp

ff pp fpp

fpp ff ppfpp fpp f ppfpp

fpp ff pp fpp mf fpp ff ppfpp fpp f ppfpp f pp f pp f

fff

buzz ad lib. D

Sample page

Fl. 1

Fl. 2

Fl.

Leseprobe Sample page

¡ ¢ ¡ ¢ ¡ ¢ ¡ ¢

Fl. 3 Cl. 1 [in A]

Cbn. [Bn.

Picc. Db. mf fpp mf fpp fpp fppf 124 fppfppfpp fpp f ppfppf fpp mf fpp fpp fppfpp fppfppf ppfpp f ppfppfpp p pp f pp p ff

Bcl. [Cl. 2] Bn. 1

2] Solo

1 [in A] Bcl. [Cl. 2] Bn. 1 Cbn. [Bn. 2] Solo Picc. Db. pp fpp mf fpp mf f 127 pp fpp fpp fpp f fpp mf f pp mf fpp f ppfpp fpp f pp f ¯ pp f pp ¯ p  3    3   3  3 3 3 3 3 3 3 3 3         3 5     3  3  3 3 3 3 3 3 3 3 3 3              5    Ü  Ü 3  Ü 3   3 3   3 3 3 3 3 3       3 3 3   3 3   3 3 3 3 3 3        5  change to Cl. in Bb   Ü  Ü  Ü                                                                                                                                  ª                                                                                                      J        j         = Breitkopf MM 2385429 32

Fl.

Fl. 3 Cl.