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EB 9637 – Shen, Ondulation

Page 1

沈葉

SHEN Ye 波动 – 夜的⾳乐 Ondulation – Night Music 钢琴独奏 或钢琴独奏与电⼦⾳乐 for Piano Solo or Piano and Electronics

Edition Breitkopf 9637


沈葉

SHEN Ye 波动 – 夜的⾳乐 Ondulation – Night Music 钢琴独奏 或钢琴独奏与电⼦⾳乐 for Piano Solo or Piano and Electronics

Edition Breitkopf 9637 Printed in Germany


1

Shen Ye | Ondulation – Night Music for Piano Solo or Piano and Electronics

World premiere of the version for piano solo September 2015 | Alberto Rosado Carabias, piano Shanghai Contemporary Music Week Festival

Uraufführung der Version für Klavier solo September 2015 | Alberto Rosado Carabias, Klavier Shanghai Contemporary Music Week Festival

World premiere of the version for piano and electronics April 2014 | Matthieu Acar, piano Espace de p ­ rojection, IRCAM | Paris, France

Uraufführung der Version für Klavier und Elektronik April 2014 | Matthieu Acar, Klavier Espace de projection, IRCAM | Paris, Frankreich

Duration approx. 7′30″ to 8′10″ for the piano solo version approx. 7′30″ for the piano and electronics version

Dauer ca. 7′30″ bis 8′10″ für die Version für Klavier solo ca. 7′30″ für die Version für Klavier und Elektronik

Programme note Ondulation – Night Music originates from two related sounds: the East Asian gong and the distinctive “belllike” sound produced by the strings of the piano. Between these two sounds exists a cultural gravity. Their various overtones, together with the diverse information they carry, unfold within the structural space of the work. The second half of the title suggests that the work is connected to an uncharted world beyond music, and looks forward to discoveries within that realm. The two versions of Ondulation are closely connected. When performed in a larger space, where sound can travel and resonate more freely, the tempo may be a little slower. In the solo piano version, there is room for slightly more rubato.

Programmnotiz Ondulation – Night Music geht aus zwei miteinander verbundenen Klängen hervor: dem Klang des ostasiatischen Gongs und dem besonderen „glockenartigen“ Klang, der durch die Saiten des Klaviers entsteht. Zwischen diesen beiden Klängen besteht eine kulturelle Anziehungskraft. Ihre vielfältigen Obertöne sowie die darin enthaltenen Informationen entfalten sich im strukturellen Raum des Werkes. Die zweite Hälfte des Titels weist auf eine Verbindung des Werkes zu einer noch unerforschten Welt jenseits der Musik hin und eröffnet die Perspektive auf Entdeckungen innerhalb dieses Bereichs. Die beiden Fassungen von Ondulation sind eng miteinander verbunden. Bei einer Aufführung in einem größeren Raum, in dem sich der Klang freier bewegen und entfalten kann, kann das Tempo etwas langsamer sein. In der Fassung für Klavier solo besteht Raum für etwas mehr Rubato.

Performance note Ondulation may be performed either with or without electronics. When performed without electronics, any pedal changes intended for the MIDI pedal should simply be ignored.

Aufführungshinweis Ondulation kann sowohl mit als auch ohne Elektronik aufgeführt werden. Erfolgt die Aufführung ohne Elektronik, entfallen sämtliche Pedalwechsel, die für das MIDIPedal vorgesehen sind.


Ondulation – Night Music Shen Ye (2014)

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P001–P075, enclosed in boxes, indicate MIDI pedal markings. Press down and release the MIDI pedal immediately only; do not hold it. Markings above the staff are suggested for the right foot, those below for the le. e choice of foot may be adjusted by the performer. ** Silently press down the key and hold it with the sostenuto pedal, leaving its strings undamped to allow sympathetic resonance. ~*** holding the key with sost.-pedal silently

Edition Breitkopf 9637

© 2026 by Breitkopf & Härtel, Wiesbaden


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Further contemporary works for piano at Breitkopf & Härtel Johannes Maria Staud A propos (2019) for Piano Solo 1. … de Diabelli 2. … de raisins rouges Duration 12′ EB 9370 3. … de nuages chassants Duration 5′ EB 9638

Christian Mason And dream me out to blissful vistas … (2025) for Violin, Piano and Electronics Duration 5′ EB 9574 Isolarion II (2016) for Two Pianos Duration 13′ EB 9236

Nicola Campogrande Haiku (1999) for Piano Solo Duration 35′ EB 9583

9 790004 191309

ISMN 979-0-004-19130-9

9 790004 191309 A 26

EB 9637

Breitkopf & Härtel KG Walkmühlstraße 52 65195 Wiesbaden Germany info@breitkopf.com www.breitkopf.com


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