EB 9357 – Smolka, Like Ella

Martin Smolka

Like Ella Zwei Studien für Violoncello solo Two Studies for Solo Violoncello

Edition Breitkopf 9357

Martin Smolka

Like Ella Zwei Studien für Violoncello solo Two Studies for Solo Violoncello

Partitur Score

Edition Breitkopf 9357 Printed in Germany

3 Martin Smolka Like Ella Explanations Sound of cello in this piece should be foggy like voice of Ella Fitzgerald. Sweet, smooth and pleasant but at the same time slightly hoarse, rustle, dirty.

There are almost only natural harmonics; either single, or in chords (triple-stops) including two natural harmonics, or double-stops of two harmonics.

All should be played flautando, sul tasto and molto lasciar vibrare.

Flautando and sul tasto should serve in search for the foggy color – harmonics should “speak” less clear than normally but more smooth and decent.

Molto I.s. should create a permanent aureole of tones sounding after playing, like piano pedal. Most of the harmonics should be bowed crescendo. On the top of cresc. both bow and the left hand finger should release the string to open it for resonance.

All should be determined by the desire to let the string sound as long as possible after playing. Touching of the nods (the points of natural harmonics) with left hand should be very light. The nod should be found precisely and the contact of finger and string should be very thin, using few face of the finger. Use of small finger may be very helpful. One can also experiment with touching the string sideways, or with a fingernail etc. Bowing should be rather light and gliding (few weight, no abruptness) even in louder dynamics.

Triple-stops with harmonics should be played in a special manner, to obtain an unusual luminous ringing-like sonority.

It may partly squeak, especially in higher position. The sound should be as if sparkling and tending to take on random higher harmonics.

It should be bowed unbroken like on gamba. The outside strings play always natural harmonics. This creates that all 3 strings are leveled at some point. The leveled point should be bowed rather flautando, crescending and thrown off with accelerating flowing movement (no rapidity or abruptness), then the strings should stay untouched as long as possible to resonate freely.

Accidental with arrow = 1/6-tone. It is the natural deflection of the 7th harmonic. (So the task is only to touch the right nod.)

I², II4, IV³ etc. = definition of natural harmonic. The Rome number indicates the string, the index number indicates which harmonic. (1st harmonic = open string, 2nd harmonic = octave, 3rd harmonic = octave + fifth, 4th harmonic = two octaves, 5th harmonic = two octaves + major third, 6th harmonic = two octaves + fifth, 7th harmonic = two octaves + lower minor seventh, 8th harmonic = 3 octaves. There are several points where the odd harmonics can be found on the string, nevertheless, in this piece it is recommended to play them as written, e.o. in the highest positions, to obtain their specific sound-color.

Composer recommends to make markings of the harmonic nods on the fingerboard or directly on the strings (sideways, with a black marker), or both. The save, precise, unhesitating contact with the harmonic nods have key importance for effective performance of this music.

Martin Smolka (2019)

Breitkopf EB 9357

Like Ella Like Ella Likefor Ella Two Studies Cello Solo Two Studies for Violoncello Solo Like Ella Two Studies for Cello Solo Two Studies IIfor Cello Solo [ca. q = 84] possibile [ca. ql.=s.84 ] II5

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Martin Smolka, 2019

Martin Smolka, 2019 Martin Smolka, 2019

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I3 II3 I II3 I II

l. s. possibile

Edition Breitkopf 9357

© 2018 by Breitkopf & Härtel, Wiesbaden

Edition Breitkopf 9357

© 2018 by Breitkopf & Härtel, Wiesbaden

Edition Breitkopf 9357

Edition Breitkopf 9357

© 2018 by Breitkopf & Härtel, Wiesbaden

© 2019 by Breitkopf & Härtel, Wiesbaden

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EB 9357

Breitkopf EB 9357

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Martin Smolka

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Breitkopf EB 9357

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3x - 5x gradually transpose to hissing sound

Sample page

≥o ≥o ≥o & œ èœ nœ

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— OO

molto l. s.

* *

ggg gg OR

= rapid arpeggio

—g OO

ggg O gJ

= rather moderate arpeggio

EB 9357

Breitkopf EB 9357

≥o a œ . ab

fade out

8

Martin Smolka 6

Martin Smolka

IIII [q = 112]

I II

III IV

& 45

speed of bowing

{rhythm: œ

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Leseprobe

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sim.

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& 44

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Sample page

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10

15

4 n· · r ‰. Œ &4 · ·

44

III5 IV6

54 n · · r ‰ . Ó · ·

r . 3 ·· ·· ‰ Œ 4

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3 r 4 4 ·· ‰ . Œ 4 Breitkopf EB 9357

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34 ·· r ‰ . Œ 44

45

r 5 4 ·· ·· ‰ . Ó

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Like Ella Like Ella Like Ella

r . 2 3 & 43 ···· ···· r ‰‰ . 42 &4 4 422 4

III3 III3

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& 433 &4

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j · j · 3 3

39 39

? 3 ···· ? 443

‰ .. Ó R‰ Ó R

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Sample page

II2 II2 3

35 35

44 è ·· · 4è·

Leseprobe

r ‰ .. Œ r‰ Œ R R

r l. s. (sim.)

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r .

2 · œ & 42 ·œ r ‰‰ .

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R ≈≈ R

EB 9357 Breitkopf EB 9357 EB 9357

4 4 · 4 ·

4 R ≈≈ 44 R

3 3

3 43 4

j j

r è · r ‰ .. Œ è· ‰ Œ

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8 10 8 8

33 & 4 & & 443

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3

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44 & & & 44

Martin Smolka Martin Martin Smolka Smolka Martin Smolka I3 I3 I3

I2 II I2 II I2 II

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Animato, I2 II3string. molto l. s. slancioquasi

44 œœ .. ⅓⅓‰ Ó 44 œ . ⅓‰‰ ÓÓ F F F

& & &

a b a Rbab ‰‰ ..

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string. string. string.

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calmando calmando I2 II3 I3 calmando I2 II3 I3 a I2 IIa 3 b I3 a a

· JJ··a J ‰ ‰‰

Sample page RR ‰ . Ó

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Leseprobe III4 343 III III4O 443 OO F F F

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II molto l. s.

I4 II6 ·· ‰ a · 4 III 6 a · & b I2 II3·j II molto l. s.

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44222 4 ∑ jj 2 ∑∑ j 4422 4

I2 II I2 II I2 II

jj ‰‰ ïï··jbb‰ ï·b (sempre (sempremeno f (sempremeno f ) f meno string.

U string.

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III7 III7 III7

44555 4 5 4455 4 44555 4 44555 4

·· a ·· ab ·a ·J· bab ··Jab ·a J J ‰ ‰ j‰ ‰ Œ ‰ ‰ ‰ Ó j ‰ · b‰ ï·jb‰ ‰ Œ è ·jb‰ j‰ ‰ Ó j ·j·ab ·j·ab J· b ï·b è ·b ··ab ··ab J

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Leseprobe

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Auftragskomposition des Internationalen Musikwettbewerbs der ARD finanziert durch die Ernst von Siemens Musikstiftung Composition commissioned by the ARD International Music Competition supported by the Ernst von Siemens Musikstiftung

Martin Smolka Like Ella (2019) Zwei Studien für Violoncello solo | Two Studies for Solo Violoncello Aufführungsdauer | Duration etwa 9 Minuten | approx. 9 minutes Uraufführung | World Premiere Finalrunde des Internationalen Musikwettbewerbs der ARD München | September 2019 Final Round of the ARD International Music Competition Munich | September 2019

9 790004 188279

ISMN 979-0-004-18827-9

9 790004 188279

B 22

EB 9357

www.breitkopf.com