Fine & Applied Art

F I N E & APPLIED A R T S 23 & 2 4 J U LY 2025

Lot 10

NE W ZE A L A N D & INTER N ATION AL FINE & A PPLIED AR T LI V E & ONLINE We d n e s d a y 23 J u l y 2 025 - 6 p m s t a r t Pa r t O n e: L o t 1– 6 2

TIMED ONLINE AUC TIONS ONLY T h u r s d a y 24 J u l y 2 025 - c l o s i n g f r o m 12 n o o n Pa r t Tw o: L o t 6 3 –149 T h u r s d a y 24 J u l y 2 025 - c l o s i n g f r o m 4 p m St u d i o C e r a m i c s & A p p l i e d A r t s : L o t 15 0 – 2 26

We l l i n g t o n V i e w i n g S c h e d u l e Fr i d ay 18 J u l y 9 a m - 4 p m M o n d ay 21 J u l y 9 a m - 4 p m Tu e s d ay 2 2 J u l y 9 a m - 4 p m We d n e s d ay 2 3 J u l y 9 a m - 4 p m

L OC AT IO N 94 Featherston Street Wellington CBD

E N Q U IRIES Joe Keate +64 4 472 1367 art@dunbarsloane.co.nz

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NE W ZE AL AND & INTERNATIONAL FINE ART PART ONE / E V ENING SALE

LIVE & ONLINE Lot 1 - 62

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1 E Mervyn Taylor (1906 - 1964) Maori Boy Southland beech engraving edition of 40 signed (lower right) 12.5 x 10cm $1,500 - $3,000

2 E Mervyn Taylor (1906 - 1964) Aphrodite woodcut print edition of 30 signed (lower right); entitled (lower left) 43 x 9cm $2,500 - $5,000 PROVENANCE Private collection, Wellington

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3 Dick Frizzell (b 1943) Negative Space oil on canvas signed, entitled, & dated 9/6/94 (lower right) 75 x 60cm $4,000 - $6,000

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4 Para (Paratene) Matchitt (1933 - 2021) No 2 of 10 Guitars screenprint edition 24/50 signed & dated 4/2021 (lower right) 145 x 63cm $2,000 - $4,000

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5 John Drawbridge (1930 - 2005) Still Life with Malevich (Red) mezzotint edition 22/50 signed & dated ‘93 (lower right) 25 x 16cm $1,400 - $2,500 PROVENANCE Private collection, Netherlands 5

6 John Drawbridge (1930 - 2005) Black Still Life (with Malevich) mezzotint edition 30/100 signed (lower right) 20 x 24.5cm $600 - $1,200 6

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7 Helen Stewart (1900 - 1983) Brown and Grey oil on board signed (lower right) 54 x 44cm $3,000 - $5,000 PROVENANCE Private collection, Wellington

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8 Louise Henderson (1902 - 1994) Untitled watercolour on paper laid onto board signed & dated ‘72 (lower right) 62 x 46.5cm $5,000 - $8,000 PROVENANCE Private collection, Wellington

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9 John Shotton (J S) Parker (1944 - 2017) Untitled Abstract oil on canvas signed & dated ‘92 (lower right) 181.5 x 120cm $5,000 - $9,000 PROVENANCE Private collection, Auckland

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10 Melvin (Pat) Day (1923 - 2016) Ti Hoi oil on canvas signed & dated ‘73 (lower right) 82 x 103cm $8,000 - $16,000

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11 Trevor Moffitt (1936 - 2006) First Car in Waikaia from the My Father’s Life Series oil on board signed & dated ‘80 (lower right) 58.5 x 58.5cm $12,000 - $20,000 PROVENANCE Private collection Wellington, purchased from McLeavey Gallery

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12 Mountford Tosswill (Toss) Woollaston (1910 - 1998) Sunset at Bayly’s Hill oil on board signed (lower right) 61 x 89cm $16,000 - $20,000

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13 Maud Sherwood (1880 - 1956) The Chilli Market - Tunis watercolour on paper unsigned 24 x 28cm $5,000 - $8,000 PROVENANCE Ex Maud Sherwood Family Collection Purchased From Dunbar Sloane, The Sir Ivor Richardson Art Collection, 22/03/06 Private collection, Wellington

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ILLUSTRATED Anne Kirker ‘New Zealand Woman artists’ Reed Methuen 1986, Plate 10.

REFERENCE Ibid. p. 83

14 Maude Burge (1865 - 1957) Still Life with Flowers mixed media on paper unsigned 55 x 50cm certificate of authenticity affixed verso $1,200 - $1,800 14

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15 Margaret Olrog Stoddart (1865 - 1934) Bush Scene with Whare and Figures watercolour heightened with white signed (lower left) 25 x 35.5cm $6,000 - $10,000 PROVENANCE Private collection, Hawke’s Bay

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16 Peter McIntyre (1910 - 1995) Maadi Camp in the Early Days of 1940 Indian ink on paper signed (lower right) 38 x 55cm Estimate: $14,000 - $16,000 PROVENANCE Private collection, Wellington ILLUSTRATED Peter McIntyre ‘Peter McIntyre: War Artist’ A.H. & A.W. REED LTD, page 28.

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17 Peter McIntyre (1910 - 1995) Wellington Harbour oil on board signed (lower right) 42.5 x 64.5cm $18,000 - $30,000 PROVENANCE Private collection, Wellington

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18 Peter McIntyre (1910 - 1995) Lambton Quay watercolour, ink, and graphite on paper signed (lower right) 55 x 73cm $7,000 - $12,000

19 Peter McIntyre (1910 - 1995) Gladioli oil on board signed (lower right) 66.5 x 98cm $3,000 - $5,000 PROVENANCE Private collection, Wellington

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20 Peter McIntyre (1910 - 1995) Trainers and Their Horses - Marlborough Trotting Club oil on board signed (lower right) 50 x 60cm $10,000 - $16,000 PROVENANCE Dunbar Sloane Ltd, 28/04/1999, Lot 49 Private collection, Wellington

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Rob in White (b 1946) ‘What I paint depends on where I am’. Dame Robin White’s early twenties were spent stretched across the landscape, spending time in Dunedin, Wellington and Auckland.

White’s screenprints provides a frank yet familiar account of New Zealand’s landscapes while road-tripping in her VW Beetle. They are crafted with a deep reverence for the New Zealand landscape and pays close attention to the churches, houses and railroad stations scattered across the horizon.

White’s brief career as an art teacher at Mana College tested her skills in screen-printing, a technique she was not familiar with during her time at Auckland University’s Elam School of Fine Art. Despite being told by her tutor at Elam, Colin McCahon, that her screen-printing technique was ‘much too vigorous’ , White refined her skill and began to produce prolifically.

The resulting images of New Zealand through White’s eyes quickly became popular through the help of her dealers, Barry Lett and Peter McLeavey.

White has continued to develop and evolve her practice and remains one of New Zealand’s most relevant and respected artists. Over her fifty-year career, her works have been exhibited and held in esteemed institutions across New Zealand. In 2022, more then fifty works from public and private collections were reunited in a retrospective exhibition “Te Whanaketanga/ Something is Happening Here” at Te Papa Tongarewa Museum of New Zealand and Auckland Art Gallery Toi o Tāmaki.

1 White, Robin. 2004. “Art and Conservation Are Synonymous.” Art New Zealand, no. 111 (Winter): 72–75.

2 Farrar, Sarah, Jill Trevelyan, and Nina Tonga. 2017. Something Is Happening Here: Contemporary Art in

Aotearoa New Zealand. Nelson, NZ: Craig Potton Publishing.

Lily McCowan

21 Robin White (b 1946) Southland Monkey Puzzle screenprint edition 4/35 signed & dated June ‘73 (obscured by mat) 37.5 x 50cm $3,000 - $5,000 21

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22 Robin White (b 1946) Grey Sunday - Rata screenprint A/P signed & dated Easter ‘72 (lower right) 50.5 x 37cm $4,000 - $6,000 PROVENANCE Private collection, Wellington 22

23 Robin White (b 1946) Church on a Hill - Pauatahanui screenprint edition 8/25 signed & dated May 1971 (lower right) 55 x 40cm $4,000 - $6,000 PROVENANCE Private collection, Wellington 23 25

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24 Theo Schoon (1915 - 1985) Two Indonesian Girls oil on canvas signed & dated ‘43 (lower right) 99 x 75.5cm $4,000 - $8,000 PROVENANCE Fleischl Collection

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25 William (Bill) Sutton (1917 - 2000) Country Scene oil on board signed & dated ‘47 (lower right) 28.5 x 37cm $2,600 - $5,000

26 Evelyn Page (1899 - 1993) Kapiti Coast from Waikanae oil on board signed (lower right); dated 1973 & entitled verso 24.5 x 35cm $6,000 - $10,000 PROVENANCE Private collection, Kapiti

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27 Juliet Peter (1915 - 2010) Night Train On The Main Trunk mixed media on paper together with letter of description by the artist dated 1990 signed (lower right) 57 x 79cm $4,000 - $6,000 PROVENANCE Private collection, Auckland 28

28 Rudolf (Rudi) Gopas (1913 - 1982) St Bathans - Central Otago watercolour heightened with white signed & dated ‘51 (lower left) 45 x 59cm $2,500 - $4,000 PROVENANCE Private collection, Manawatu

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29 A Lois White (1903 - 1984) By the Waters of Babylon watercolour and graphite on paper signed (lower right); entitled (lower left) 26 x 19.5cm $6,000 - $8,000

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30 Seraphine Pick (b 1964) Untitled watercolour on paper signed & dated 2020 (lower right) 19.5 x 13.5cm $3,000 - $5,000 30

31 Seraphine Pick (b 1964) Untitled watercolour on paper signed & dated ‘17 (lower right) 28 x 19cm $2,000 - $4,000

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32 Tony Fomison (1939 - 1990) Untitled Portrait charcoal on paper unsigned 83 x 57cm $5,000 - $8,000 PROVENANCE Private collection, Wellington Dunbar Sloane Ltd, 28/04/1998, lot 134 Dunbar Sloane Ltd, 18/11/2015, lot 54

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33 John Gibb (1831 - 1909) Hawea Entering Dusky Sound in a Squall 26th Dec. 1877 oil on canvas signed & dated 1878 (lower left) 50 x 85cm $8,000 - $16,000 PROVENANCE Private collection, Auckland

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34 Charles Frederick Goldie (1870 - 1947) Portrait of a Bourgomaster, After Rembrandt oil on canvas signed & dated 1895 (lower left) 59 x 47.5cm $20,000 - $30,000 PROVENANCE Private Collection, South Island REFERENCE pp 66, Goldie by Roger Blacklely

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36 Gordon Walters (1919 - 1995) Rauponga screenprint edition 26/50 signed & dated 1983 (lower right) 40 x 49.5cm $8,000 - $12,000 PROVENANCE Private collection, Wellington

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37 Gordon Walters (1919 - 1995) Genealogy V screenprint edition of 100 indented with Walters’ Estate blindstamp 92.5 x 94cm $6,000 - $8,000

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35 Gordon Walters (1919 - 1995) Kapiti silkscreen print edition 33/75 signed & dated ‘84 (lower right); entitled (lower left) 50 x 38cm $16,000 - $24,000 PROVENANCE Private collection, Wellington

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38 Seraphine Pick (b 1964) Dismember watercolour on paper signed & dated’17 (lower right) 23 x 19cm $4,000 - $8,000 PROVENANCE Nadine Milne Gallery, Arrowtown

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39 Michael Smither (b 1939) Still Life with Roses oil on board unsigned original Willeston Galleries label verso 57 x 46.5cm $9,000 - $15,000

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Charles Tole (1903 – 1988) Charles Tole was a self-taught artist who only began to take painting seriously in has late thirties. Despite this, his work has achieved widespread recognition for its clearly defined forms and bold use of colour. Whilst Tole is best known for his industrial landscapes and depictions of oil tankers, he also painted abstracts, street scenes, and landscapes with no evidence of industrialization. Lots 37, 38, and 39 in this auction shows the influence of American Artists such as Charles Sheeler (1883 – 1965) and Georgia O’Keeffe’s (1887 – 1986) Precisionist paintings on Tole’s landscapes. However, compared to the American Precisionists, Tole’s treatment of the New Zealand landscape is much softer, with smooth gradients of colour on the rolling hills with only thin black lines or at times no lines at all. These works draw on the regionalism established by Rita Angus (1908 – 1970) and other New Zealand artists while treading new ground by abandoning naturalistic colours.

Lots 41 and 42, also works by Tole, show more signs of life than the vast majority of his paintings. The presence of a washing line in Summer Cottage (East Coast Bays) indicates that people actually live in the house in the foreground, whereas houses in his other works appear more like geometric shapes representing simulacra of houses. Lot 42, an untitled street scene, even has figures, perhaps a mother and child, waiting to cross the street.

Tole, along with his brother, John (1890 – 1957), often exhibited alongside contemporaries Louise Henderson (1902 – 1994) and John Weeks (1886 – 1965). Together, they formed a group of early exponents of Modernism in New Zealand. Tole’s work has gained increasing recognition over time, and is held in numerous public and private collections.

Joe Keate

40 Charles Tole (1903 - 1988) Marlborough I oil on board signed & dated ‘71 (lower left) 39 x 48.5cm $10,000 - $18,000

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41 Charles Tole (1903 - 1988) Marlborough II oil on board signed & dated ‘71-’75 (lower left) 39 x 46.5cm $10,000 - $18,000

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42 Charles Tole (1903 - 1988) Hills near Picton oil on board (small loss to paint surface) signed & dated ‘69 (lower left) 45.5 x 57cm $10,000 - $15,000

43 Charles Tole (1903 - 1988) Hill Landscape - Taupo oil pastel on paper signed (lower right) 14.5 x 17.5cm $2,000 - $3,500 PROVENANCE Private collection, Wellington

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44 Charles Tole (1903 - 1988) Summer Cottage (East Coast Bays) oil on board signed (lower left) 19.5 x 23cm $5,000 - $8,000

45 Charles Tole (1903 - 1988) Untitled Street Scene oil on board signed (lower right) 20 x 20cm $7,000 - $12,000

PROVENANCE Private collection, Wellington

PROVENANCE Private collection, Wellington

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46 Sydney Lough Thompson (1877 - 1973) The Grampians Autumn oil on canvas signed (lower right) entitled & dated 1945 on original label verso 45 x 54cm $5,000 - $10,000

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47 Sydney Lough Thompson (1877 - 1973) Autumn Victoria Lake oil on canvas signed (lower right) 44.5 x 52cm $6,000 - $10,000

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48 Sydney Lough Thompson (1877 - 1973) Untitled oil on board signed (lower right) 36 x 44cm $5,000 - $8,000 PROVENANCE Private collection, Kapiti

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49 William (Bill) Hammond (1947 - 2021) Giant Eagle lithographs on paper all edition 4/24 signed & dated 2006 (lower right) 38 x 28cm each $12,000 - $20,000 PROVENANCE Sutch-Ovenden Collection, Wellington

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50 William (Bill) Hammond (1947 - 2021) Fish Finder 4 etching A/P XXIII/XXIV signed & dated 2004 (lower right) 34 x 23cm $3,500 - $6,000

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51 Ralph Hotere (1931 - 2013) death wears the colours of a peacock lithograph edition 2/14 signed & dated ‘85 (lower left) 52 x 36.5cm $2,000 - $4,000

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53 Philip Trusttum (b 1940) Untitled Landscape oil on canvas laid on panel unsigned 25.5 x 17.5cm $1,000 - $2,000

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52 Philip Trusttum (1940) The Vanilla Tree oil on board unsigned 108 x 120cm $20,000 - $30,000 PROVENANCE Private collection Welllington, purchased directly from the artist

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54 Pat Hanly (1932 - 2004) Butterfly Vacation screenprint edition 6/55 A/P signed & dated ‘89 (lower right) 52 x 66cm $3,500 - $6,000

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55 Allen Maddox (1948 - 2000) Untitled acrylic on paper unsigned 58.5 x 41.5cm $5,000 - $8,000 PROVENANCE Private collection, Wellington

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56 Allen Maddox (1948 - 2000) Blue Cross lithograph edition 4/15 signed & dated ‘86 (lower centre) 54.5 x 41.5cm $2,000 - $4,000

57 Robyn Kahukiwa (1938 - 2025) Untitled Diptych watercolour and graphite on paper signed & dated ‘03 (lower left) 52.5 x 36cm each $8,000 - $12,000 PROVENANCE Private collection Wellington, purchased directly from the artist 49

58 Ans Westra (1936 - 2023) Ruatoria 1963 silver gelatin print signed (lower right) 30 x 25.5cm $4,000 - $6,000 59 Laurence Aberhart (b 1949) Waikaia, Southland, 1999 gold and selenium toned silver gelatin print 19 x 24cm $3,000 - $5,000

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60 Laurence Aberhart (b 1949) Interior: Saint Madeline Sophie, Parakino, Wanganui River, 1982 selenium toned silver gelatin print entitled (lower left) 19 x 24cm $3,000 - $5,000 61 Derek Henderson (b 1963) Tuakau c-type photographic print 50 x 64cm $1,500 - $3,000

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PROVENANCE from the “I go down to the river to pray” exhibition at McNamara Gallery, Whanganui, 2007 62 Patrick Reynolds (b 1962) Arapuni inkjet print 83 x 82cm $1,500 - $2,500 PROVENANCE produced in collaboration with Mighty River Power circa 2001

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NE W ZE AL AND & INTERNATIONAL FINE ART PART T WO / DAY SALE

TIMED ONLINE AUCTION ONLY Thursday 24 July - closing from 12noon Lot 63 - 149 53

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63 John Drawbridge (1930 - 2005) Girl at a Window drypoint etching edition 6/50 signed & dated ‘68 (lower right) 64 x 37.5cm $1,000 - $1,500

64 Jenny Dolezel (b 1964) Days at Home drypoint etching A/P signed (lower right) 24 x 37cm $1,000 - $2,000 65 Saskia Leek (b 1970) Untitled screenprint edition of 50 unsigned 61 x 46cm $300 - $500

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66 Michael Smither (b 1939) Wave & Rock 5 PVA on paper entitled & dated 1978 verso 31.5 x 44cm $500 - $1,000 PROVENANCE Dunbar Sloane Fine Art, 18/04/2007

67 Michael Smither (b 1939) Drummer screenprint edition 3/25 signed & dated 08 (lower right) 26.6 x 36cm $250 - $500 68 Michael Smither (b 1939) Harmonic Chart artist reproduction of 1984 screenprint edition of 70 signed & dated ‘24 (lower right) 90 x 54cm $800 - $1,500

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69 Cissie Kean (English 1871 - 1961) Ladies on the Riverbank watercolour on paper unsigned 37.5 x 28cm $1,800 - $3,600 PROVENANCE Dunbar Sloane Fine Art, 04/09/2002, lot 78, Private collection, Wellington

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70 Sydney Lough Thompson (1877 - 1973) Raw Tor gouache on paper signed (lower left) 35.5 x 52cm $1,500 - $2,500 71 Owen Merton (1887 - 1931) Desert Landscape watercolour on paper signed & dated 1923 (lower right) 32 x 47cm $1,600 - $3,000

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72 John Weeks (1888 - 1965) Landscape with Farm Buildings watercolour on paper unsigned with certificate of authenticity attached verso 28 x 38cm $1,500 - $3,000

74 Ida Eise (1894 - 1978) The Headlands oil on board signed & dated ‘76 (lower right) 44 x 59cm $800 - $1,200 probably Bethells Beach in Te Henga

73 Dorothy Kate Richmond (1861 - 1935) Lake Rotomahana watercolour on paper signed & dated 1931 (lower left) 23.5 x 34cm $1,000 - $2,000

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75 John Badcock (b 1952) Marie’s Garden watercolour on paper signed & dated ‘88 (lower right) 33 x 54cm $700 - $1,200

77 Douglas Badcock (1922 - 2009) Untitled Landscape oil on board signed (lower right) 24.5 x 34.5cm $600 - $1,000

76 John Badcock (b 1952) Fairy Land - Marie’s Garden watercolour on paper signed (lower left) & dated 1992 verso 53.5 x 72.5cm $700 - $1,200

78 Peter McIntyre (1910 - 1995) Untitled Landscape watercolour on paper (some foxing) signed (lower right) 36 x 46cm $1,000 - $2,000

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79 Ross Lee Tasman Valley Mt Cook National Park oil on canvas signed (lower right) 50.5 x 137cm $1,000 - $2,000

80 John Badcock (b 1952) Norwest Change oil on board signed & dated ‘98 (lower left) 36.5 x 47.5cm $1,000 - $2,000

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81 Annie Baird (1932 - 1999) Untitled watercolour on paper (some foxing to paint surface and mat) signed & dated 16.7.87 (lower right) 58 x 76cm $1,500 - $2,500 82 Annie Baird (1932 - 1999) Grasse Near Cannes, France watercolour on paper signed & dated ‘97 (lower right) 57x77cm $700 - $1,400

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83 Annie Baird (1932 - 1999) No. 2 - From Prospect Park watercolour on paper signed & dated 1987 (lower right) 76 x 57.5cm $1,500 - $2,500

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84 Sam Cairncross (1913 - 1976) Desert Road oil on board (minor scratch to paint surface) signed (lower right) 37.5 x 56.5cm $800 - $1,600

86 Max Gimblett (b 1935) Searchings watercolour and ink on paper bound as a book embossed with quatrefoil mark (lower left) 29.5 x 50cm $2,000 - $3,000

85 Sam Cairncross (1913-76) Tulips oil on board signed (lower right); signed, entitled, & dated 1958 verso 44 x 35cm $1,000 - $2,000

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87 Thomas Arthur McCormack (1883 - 1973) Still Life with Gladioli watercolour on paper signed verso 75.5 x 56cm $1,000 - $2,000

88 Thomas Arthur McCormack (1883 - 1973) Seascape watercolour on paper signed (lower left) 49 x 60.5cm $800 - $1,600 89 Maud Sherwood (1880 - 1956) Untitled Landscape watercolour on paper signed (lower left) 24 x 34cm $500 - $1,000

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90 Olivia Spencer Bower (1905 - 1982) Flowers 1950 watercolour on paper signed (lower left) 45 x 36.5cm $1,000 - $2,000 PROVENANCE Private collection, Wellington

91 Olivia Spencer Bower (1905 - 1982) The Kaikouras watercolour heightened with white on paper signed (lower left) 37 x 44cm $1,500 - $3,000 92 Olivia Spencer Bower (1905 - 1982) Sunny Day watercolour on paper signed & dated 1976 (lower right) 49 x 36cm $800 - $1,600

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93 Louise Henderson (1902 - 1994) On ‘Southern Cross’ Engine Room lithograph certificate of authenticity affixed verso 37 x 51.5cm $800 - $1,200 94 Louise Henderson (1902 - 1994) Cafe Scene mixed media on paper signed & dated ‘75 (lower right) 33 x 42cm $800 - $1,200

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95 Louise Henderson (1902 - 1994) Untitled graphite, watercolour, & pastel on paper signed & dated 1985 (lower right) 39 x 25.5cm $1,200 - $2,400

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96 Philippa Blair (1945 - 2025) Swan Lake oil on canvas signed & dated ‘97 verso 101 x 75cm $4,000 - $6,000 PROVENANCE Private collection, Hawke’s Bay

97 Philippa Blair (1945 - 2025) Untitled oil on canvas signed verso 35 x 45.5cm $1,200 - $3,000 PROVENANCE Private collection, Hawke’s Bay 98 Catherine Manchester (b 1957) Footsteps in Time 2003 oil on canvas signed & dated 2003 (lower left) 64.5 x 74.5cm $1,000 - $2,000

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99 John Shotton (J S) Parker (1944 - 2017) Slipstream pastel on paper signed & dated ‘88 (lower left) 41 x 59cm $1,500 - $2,500

101 Ion Brown (b 1942) Rangitikei River oil on board signed (lower left) 89x97cm $2,000 - $3,500

100 A Austen Deans (1915 - 2011) South Island Lake Landscape oil on canvasboard signed (lower right) 46 x 58.5cm $1,200 - $2,400

102 Cedric Savage (1901 - 1969) Reikorangi oil on board signed (lower right) 44 x 58.5cm $700 - $1,200

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103 Marcus King (1891 - 1983) Aorere River - Nelson oil on canvas board signed (lower right) 39 x 49.5cm $1,000 - $2,000

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104 Marcus King (1891 - 1983) Mana from Plimmerton oil on board signed (lower right) 29 x 39cm $1,000 - $2,000 105 Marcus King (1891 - 1983) Erosion, Waikanae oil on board signed (lower right) 29.5 x 38.5cm $1,000 - $2,000

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106 Olivia Spencer Bower (1905 - 1982) Amalfi Coast watercolour and graphite on paper signed (lower left) 46 x 66cm $1,200 - $2,000 107 Olivia Spencer Bower (1905 - 1982) Willy Lott’s Cottage - Suffolk England watercolour and gouache on paper signed (lower right) 42.5 x 55cm $2,000 - $4,000

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108 Douglas MacDiarmid (1922 - 2020) Mediterranean Landscape - Tholos at Delphi watercolour on paper signed & dated ‘63 (lower left) 31 x 48cm $600 - $1,000 with guarantee of authenticity from Ferner Galleries affixed verso

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109 Jane Evans (1946 - 2012) Child With Grapes watercolour signed & dated ‘94 (lower right) 60 x 40cm $2,000 - $4,000

111 Evelyn Page (1899 - 1988) Lyttelton Harbour watercolour heightened with white on paper signed (lower left) 27 x 55cm $2,000 - $4,000

110 Philip Clairmont (1949 - 1984) Still Life watercolour and mixed media on paper signed & dated ‘81 (lower right) 41 x 29cm $3,000 - $5,000

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112 Geoff Dixon (b 1954) Man in Space No. 4 mixed media on panel signed, dated 23/11/98, & entitled verso 61 x 40cm $500 - $1,000 113 Geoff Dixon (b 1954) Man in Space No. 3 mixed media on panel signed, dated 21/11/98, & entitled verso 61 x 40cm $500 - $1,000 114

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114 Joanna Margaret Paul (1945 - 2003) French Window 3-4pm watercolour, graphite, crayon, and collage on paper unsigned 56 x 38cm $500 - $1,000 115 Stephen Bambury (b 1951) Ideogram No. 4 screenprint edition 1/20 indented initials & dated ‘08 (upper left) 35.5 x 26cm $800 - $1,600

116 Ewen McDougall (b 1948) Floundering oil on canvas signed (lower right); entitled (lower left) 70 x 90.5cm $1,000 - $2,000 116

117 Jeffrey Harris (b 1949) Landscape Through Window acrylic on paper unsigned inscribed with title (lower centre) 42 x 67cm $700 - $1,200 117

118 Jeffrey Harris (b 1949) Three Dressed Up Women gouache signed & dated 1973 (lower left) 22 x 29.5cm $1,500 - $3,000 118

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119 Philip Trusttum (1940) Blue Window pastel on paper signed & dated ‘73 (top right) 25 x 20cm $800 - $1,500 PROVENANCE Sutch-Ovenden Collection, Wellington 120 Tom Burnett (b 1958) East Street - Taipa gouache on paper signed & dated ‘89 (lower right) 56 x 81cm $1,200 - $2,400 72

121 Russell Jackson (b 1947) Waiheke Island - Ancient Site I enamel on board signed, entitled, & dated 1990 (lower right) 104 x 107.5cm $1,000 - $2,000

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122 Stanley Palmer (b 1936) Arrival - Western Viaduct bamboo engraving and lithograph edition 62/100 signed & dated 1988 (lower right) 42 x 61cm $800 - $1,600

124 Brian Dahlberg (b 1944) Sentinel Of The Coast oil on board signed (lower left) 68.5 x 39cm $1,200 - $1,800

123 Terry Stringer (b 1946) Untitled pastel on paper signed & dated ‘72 (lower right) 55.5 x 81.5cm $1,200 - $2,400

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125 Mountford Tossswill (Toss) Woollaston (1910 - 1998) Untitled Landscape ink and wash unsigned 26 x 35cm $1,500 - $2,500 PROVENANCE Manawatu Art Gallery, 1986

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126 Mountford Tossswill (Toss) Woollaston (1910 - 1998) Untitled Landscape ink and wash signed (lower right) 26 x 35.5cm $1,500 - $2,500 PROVENANCE Manawatu Art Gallery, 1986

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127 Telly Tu’u (b 1976) Formix oil on board signed & dated 2017 verso 91 x 91cm $500 - $1,000

129 Selwyn Muru (1937 - 2024) Tuupuna o te Whenua lithograph edition 27/50 signed & dated ‘90 (lower right) 50 x 69.5cm $500 - $800

128 John Bevan Ford (1930 - 2005) “Nga Taonga” The Treasures mixed media on paper signed (lower right) 76.5 x 56cm $1,000 - $1,600

130 Albert Namatjira (Australian 1902 - 1959) Central Australian Landscape watercolour on woomera signed (lower right); inscribed “Aboriginal Handicraft, Hermannsburg, Central Australia”; sketch of a goanna verso 49.5 x 14cm $1,000 - $2,000 75

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131 Donald Binney (1940 - 2012) Beyond Wainamu Te Henga lithograph edition 88/200 signed, inscribed with title & dated 1971 50 x 72cm $1,800 - $3,200

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132 Fergus Robertson Billie Buttons [in vase by Rose Marie Salmon] oil on board in steel frame with bolts unsigned 31 x 26cm o/a $1,000 - $2,000 PROVENANCE Purchased at Chambers Art Gallery, Christchurch 133 David John (b 1945) Still Life With Eggs oil on canvas laid on board signed (lower right) entitled & dated on original label verso 56 x 41cm $700 - $1,200

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134

136

135

134 Juliet Peter (1915 - 2010) Coastal Wellington lithograph edition 9/20 signed (lower right) 44.5 x 57.5cm $500 - $1,000

136 Elva Bett (1918 - 2016) Towards Enlightenment Part III oil on board signed & inscribed with title verso 121 x 59.5cm $1,000 - $2,000

135 Geoff Thornley (b 1942) Untitled No. 2 acrylic on paper on board signed, dated 1973, & entitled with artist’s stamp verso 99.5 x 71cm $1,500 - $2,500

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137

138

137 Pablo Picasso (Spanish 1881 - 1973) Untitled etching and aquatint edition 316/350 dated 21.5.68 in plate 9 x 12.5cm $800 - $1,200 One of a series of 66 etchings Picasso produced for the 1971 edition of La Celestina, a late 15th century novel attributed to Fernando de Rojas, and published by Atelier Crommelynck, Paris

78

139

138 Mervyn Williams (b 1940) Firefly acrylic on paper signed & dated 1983 (lower right) 61 x 48.5cm $1,600 - $3,000 139 Andrew McLeod (b 1976) Family Portrait (unframed) digital print edition 2/19 signed (lower right) 72 x 69cm $1,800 - $3,000

140

140 Nigel Brown (b 1949) Evening Swimmer hand-coloured woodblock print edition 2/10 signed & dated 1990 (lower centre) 102 x 36cm $500 - $1,000

141

141 Eion Stevens (1952 - 2021) Temporary Friends (2nd Version) oil on board signed & dated 8/83 verso 82 x 34cm $1,500 - $2,500

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142 Gaston de Vel (1924 - 2010) Near the Louvre - Paris oil on canvas signed & dated ‘84 (lower left) 37 x 45cm $600 - $1,000

142

143 Tom Esplin (1915 - 2005) The Auverne oil on board signed (lower left) 26 x 43cm $2,000 - $3,000

143

144 Tom Esplin (1915 - 2005) Altstadt Augsberg oil on board signed (lower right) 30x44cm $1,500 - $2,500

144

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145

145 Archibald Nicoll (1886-1953) Canterbury Wheat Belt oil on canvas signed (lower left) 44 x 59cm $1,500 - $3,000

146

146 Archibald Nicoll (1886 - 1953) Landscape watercolour on paper signed (lower right) 22 x 28.5cm $600 - $1,200

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147 Brian Brake (1927 - 1988) Lake Dian Chi - Kuming c-type photographic print signed (lower right) 38 x 25.5cm $600 - $1,000

147

147A Brian Brake (1927 - 1988) Post Figure Poutokomanawa silver gelatin print on Agfa paper no 72 in Te Maori Exhibition catalogue 19.5 x 14.5cm together with Te Maori exhibition catalogue $800 - $1,600

147a

147B Brian Brake (1927 - 1988) Canoe Figurehead Tauihu silver gelatin print on Agfa paper no 164 in Te Maori Exhibition catalogue 19.5 x 14.5cm $800 - $1,600

147b

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148 Les Cleveland (1921 - 2014) Firestation at Adelaide Rd 1957 silver gelatin print 15 x 17.5cm $1,000 - $2,000

148

149 Patrick Reynolds (b 1962) Planter’s Faith II 1988 selenium toned silver gelatin print 29 x 28.5cm $400 - $800

149

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S TUDIO CER A MIC S & APPLIED ART PART THREE

TIMED ONLINE AUCTION ONLY Thursday 24 July 2025 - closing from 4pm Lot 150 - 226 85

150

151

153

150 Richard Parker Footed Bowl polychrome glazed terracotta, unmarked, original sticker affixed to base, 21.5cm Dia $200 - $350 151 Paul Maseyk Semi-Glazed Terracotta Pouring Bowl brushed decorations to exterior, polychrome overglaze depicting balloons to interior, brushed mark to base, 15.5cm H $60 - $100 152 Martin Poppelwell Bowl polychrome glazed terracotta with black arrow decorations on beige ground, unmarked, 24.5cm Dia $200 - $350

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152

154

153 Robert Rapson Hanging Mixed Media Artwork with ceramics and found objects affixed to wooden panel, brushed signature & dated 2003 verso, 65 x 83cm $800 - $1,600 154 Andy Kingston ‘Thriller Night!’ Lidded Pot brushed initials & dated 2014 on base, 37.5cm H $600 - $1,200

155

157

156

158

159

155 Len Castle Bottle Vase impressed mark, 18.5cm H $150 - $300

158 Len Castle Bowl tenmoku glazed stoneware with pooled pale blue glaze to well, unmarked, 27.5cm Dia $300 - $600

156 Len Castle Bottle Vase impressed mark, 19.5cm H $150 - $300 157 Len Castle Bottle Vase impressed mark, 17cm H $100 - $200

159 Large Len Castle Rectangular Platter tenmoku glazed rim changing to ash glazed interior with decorative motifs to wall, impressed mark, 44 x 36.5cm $300 - $600

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88

160

161

162

163

160 Ted Dutch Signaller Figure earthenware, impressed signature to base, 15.5cm H $600 - $1,000

162 Three Scott McFarlane Hanging Tiles all with brushed marks, largest 14.5 x 12cm $400 - $800

161 Ted Dutch Signaller Figure earthenware, impressed signature to base, 15.5cm H $600 - $1,000

163 Seung Yul Oh ‘Pou’ Figure 3d printed resin, signed & dated 2019 on base, 13cm H $800 - $1,200

164 Len Castle Crater Lake Bowl impressed mark to base, 53cm Dia x 15cm H $6,000 - $10,000

165 Len Castle Earth Book white earthenware with grey staining, impressed mark, 21 x 10 x 15cm $800 - $1,600

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166 167

168

169

170

166 Juliet Peter Stoneware Long Dish original sticker affixed to base, 42cm L $150 - $300 167 Juliet Peter Stoneware Long Dish incised mark to base, 40cm L $150 - $300 168 Juliet Peter Slab Built Lidded Container glazed stoneware, incised mark, 14.5cm H $120 - $240

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171

169 Small Roy Cowan Bowl & Small Juliet Peter Bowl both with incised marks, larger 12.5cm Dia $80 - $160 170 Roy Cowan Semi-Glazed Vase polychrome glaze, incised mark to base, 28cm H $80 - $160 171 Roy Cowan Geometric Teapot black glazed stoneware, incised initials and dated ‘85, 16cm H $100 - $200

172

173

174

175

176

177

172 James Greig Shaped Vase incised mark to base, 14.5cm H $150 - $300 173 James Greig Squared Dish incised mark to base, 12cm Square x 8.5cm H $300 - $500 174 James Greig Bottle Vase tenmoku glazed, incised mark, 21.5cm H $80 - $160

175 James Greig Slab Built Vase umber glazed with sgraffito decorations, incised mark, 23.5cm H $100 - $200 176 James Greig Leaf Form Dish impressed mark, 22.5cm L $200 - $400 177 James Greig Elongated Vase incised mark, 17.5cm H $120 - $240

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178 Lucie Rie Stoneware Bowl manganese glaze to interior, cream glaze to exterior, impressed mark to base, 14cm Dia $1,000 - $2,000

179 Kazu Nakagawa ‘Intrare’ 1992 cement, sand, clay, and acrylic wash, unsigned, 23.5cm H $1,000 - $2,000

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181 180

182

180 Christine Boswijk - Genealogy white earthenware on coated wooden base, 20cm W x 25.5cm D x 52cm H $1,600 - $3,000 181 Christine Boswijk - Coastal Sculpture/ Cloud white glazed earthenware 45cm x 52cm $800 - $1,600

183

182 Christine Boswijk Blue Bowl on Stand unmarked, bowl 25cm Dia, 24cm H $800 - $1,600 183 Bronwynne Cornish “Dryad” Earthenware Figure unglazed, unmarked, 26.5cm H $700 - $1,500

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184

185

186

187

188

189

190

191

192

184 Pamella Annsouth Maiden Vase, impressed mark to base, 21.5cm H $100 - $200 185 Pamella Annsouth Maiden Pot impressed mark to base, 13cm Dia x 15cm H $100 - $200 186 Pair of Mirek Smisek Salt & Pepper fine salt glaze, impressed marks, 12.5cm H $50 - $100

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187 Early Mirek Smisek Floor Vase impressed mark to base, 36cm H, exhibited in the 1966 10th NZ Potters Exhibition $800 - $1,600 188 Mirek Smisek Deep Dish fine salt glazed stoneware, impressed mark, 28.5cm Dia $100 - $200 189 Early Mirek Smisek Ovoid Vase salt glazed stoneware, incised mark to base, 21cm H $160 - $300

193

194

195

196

197

198

199

200

201

190 Mirek Smisek Footed Bowl stoneware with red glaze and incised decorations to interior, impressed mark, 24.5cm Dia $80 - $160 191 Early Mirek Smisek Flagon fine umber salt glazed stoneware, impressed mark, 20,5cm H $100 - $200 192 Mirek Smisek Footed Bowl polychrome glazed stoneware, impressed mark, 23.5c Dia $100 - $200

193 Graeme Storm Lidded Jar 14.5cm H $150 - $300 194 Large Jack Laird Hanging Vase incised mark, 37.5cm L $100 - $200 195 Anneke Borren Bottle Vase brushed mark to base, 22cm H $120 - $200 196 Barry Brickell Lobed Vase 15.5cm H $80 - $120 95

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202

203

204

205

206

207

208

209

210

197 Barry Brickell Fatso Jug semi glazed with two impressed marks, 23cm H $300 - $600

200 Doreen Blumhardt Ovoid Vase partially glazed above shoulder, 24cm H $250 - $500

198 Barry Brickell Vase semi glazed terracotta, impressed mark, 13.5cm H $100 - $200

201 Doreen Blumhardt Specimen Vase impressed mark, 25.5cm H $160 - $350

199 Doreen Blumhardt Shouldered Vase, impressed mark to base, 26cm H $250 - $500

202 Len Castle Barium Glaze Bottle Vase impressed mark to base, 27cm H $300 - $500

211

212

213

214

215

216

217

218

219

203 Len Castle Shouldered Vase impressed mark to base, 18.5cm H $300 - $500 204 Len Castle Tenmoku Glaze Hexagonal Vase & Other impressed mark to base, 19cm H together with small Len Castle tenmoku glaze bowl $200 - $400 205 Len Castle Vase part Shino glazed, impressed mark, 12.5cm H $60 - $120

206 Len Castle Footed Bowl shino glazed stoneware with five fingerprint impressions to interior, impressed mark $40 - $80 207 Two Len Castle Herb Jars shino glazed stoneware, both with original corks, impressed marks, both 17cm H $80 - $160 208 Two Len Castle Herb Jars & Bottle shino glazed stoneware, impressed marks $80 - $160 97

220 Don Driver (1930 - 2011) Shield aluminium, plastic, & rubber laid on panel (some losses) signed, entitled, & dated 1966 verso entirety of frame 127 x 74.5cm $1,000 - $2,000

209 Small Len Castle Vase & Form both with impressed marks, the vase 10cm H $80 - $120 210 Two Len Castle Sedge Vases both with impressed marks, largest 13cm L with attached rope for hanging $80 - $120 211 Len Castle Compressed Ovoid Vase incised mark to base, 14cm Dia x 12.5cm H $150 - $300 212 Bruce Martin Rectangular Vase impressed mark to base, 18cm H $150 - $300 213 Warren Tippett Coffee Pot Tenmoku glazed stoneware with leaf decorations to both sides, unmarked, 22cm H $150 - $300 214 John Parker Ovoid Vase impressed mark, 14.5cm H $80 - $160

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215 John Parker Lattice Bowl paper clay and Egyptian plaster, signed & dated 2006 in graphite, 20.5cm Dia $400 - $800 216 John Parker Vase pale turquoise glaze, impressed mark, 15.5cm H $150 - $300 217 John Parker Ovoid Vase the base unglazed, minor glazing frit to rim, impressed mark to base, 25cm H $200 - $400 218 Three Katherine Smyth Bottle Vases, incised marks, tallest 36cm H $300 - $600 219 Large Katherine Smyth Bottle Vase, incised mark to base, 55cm H $400 - $700

221 Muriel Moody Child Figure cast bronze, on hardwood base, 30cm H $600 - $1,000

222 Muriel Moody Swans cast bronze 35cm H x 38cm W $1,000 - $2,000

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223 Ken Kendall Figures of a Boy and Girl Reading (Pair) cast bronze, both with incised mark, signature, and edition, edition 1/30, the boy 23.5cm L $600 - $1,000

224 Ken Kendall Figure of a Man and Child cast bronze, incised signature, 21.5cm L $400 - $800

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225 Pair of Bronze and Hardwood Bookends in the Manner of Guy Ngan 21cm H $1,200 - $2,000

226 Pair of Bronze and Hardwood Bookends in the Manner of Guy Ngan 20cm H $1,200 - $2,000

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ALPHABETICAL INDEX PART ONE A Aberhart, Laurence, 59, 60 B Burge, Maude, 14 D Day, Melvin, 10 Drawbridge, John, 5, 6 F Fomison, Tony, 32 Frizzell, Dick, 3 G Gibb, John, 33 Goldie, Charles Frederick, 34 Gopas, Rudolf, 28 H Hammond, William, 49, 50 Hanly, Pat, 54 Henderson, Derek, 61 Henderson, Louise, 8 Hotere, Ralph, 51 K Kahukiwa, Robyn, 57 M Maddox, Allen, 55, 56 Matchitt, Paratene, 4 McIntyre, Peter, 16, 17, 18, 19, 20 Moffitt, Trevor, 11 P Page, Evelyn, 26 Parker, John Shotton, 9 Pick, Seraphine, 30, 31, 38 Peter, Juliet, 27 R Reynolds, Patrick, 62

S Schoon, Theo, 24 Sherwood, Maud, 13 Smither, Michael, 3 Stewart, Helen, 7 Stoddart, Margaret, 15 Sutton, William, 25 T Taylor, Ernest Mervyn, 1, 2 Thompson, Sydney Lough, 46, 47, 48 Tole, Charles, 40, 41, 42, 43, 44, 45 Trusttum, Philip, 52, 53 W Walters, Gordon, 35, 36, 37 Westra, Ans, 58 White, Anna Lois, 29 White, Robin, 21, 22, 23 Woollaston, Mountford Tosswill, 12

PART TWO B Badcock, Douglas, 77 Badcock, John 75, 76, 80 Baird, Annie, 81, 82, 83 Bambury, Stephen, 115 Bett, Elva, 136 Binney, Donald, 131 Blair, Philippa, 96, 97 Bower, Olivia Spencer, 90, 91, 92, 106, 107 Brake, Brian, 147, 147A, 147B Brown, Ion, 101 Brown, Nigel, 140 Burnett, Tom, 120 C Cairncross, Sam, 84, 85 Clairmont, Philip, 110 Cleveland, Les, 148 D Dahlberg, Brian, 124 De Vel, Gaston, 142 Dixon, Geoff, 112, 113 Dolezel, Jenny, 64 Drawbridge, John, 63 E Eise, Ida, 74 Esplin, Tom, 143, 144 Evans, Jane, 109 F Ford, John Bevan, 128 G Gimblett, Max, 86 H Harris, Jeffrey, 117, 118 Henderson, Louise, 93, 94, 95 J Jackson, Russell, 121 John, David, 133 K Keen, Cissie, 69 King, Marcus, 103, 104, 105

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L Lee, Ross, 79 Leek, Saskia, 65 M MacDiarmid, Douglas, 108 Manchester, Catherine, 98 McCormack, Thomas Arthur, 87, 88 McDougall, Ewen, 116 McIntyre, Peter, 78 McLeod, Andrew, 139 Merton, Owen, 71 Muru, Selwyn, 129 N Namatjira, Albert, 130 Nicoll, Archibald, 145, 146 P Page, Evelyn, 111 Palmer, Stanley, 122 Parker, John Shotton, 99 Paul, Joanna Margaret, 114 Picasso, Pablo, 137 Peter, Juliet, 134 R Reynolds, Patrick, 149 Richmond, Dorothy Kate, 73 Robertson, Fergus, 132 S Savage, Cedric, 102 Sherwood, Maud, 89 Smither, Michael, 66, 67, 68 Stevens, Eion, 141 Stringer, Terry, 123

APPLIED ART A Annsouth, Pamella 184, 185 B Blumhardt, Doreen 199-201 Borren, Anneke 195 Boswijk, Christine 181, 182 Brickell, Barry 196-198 C Castle, Len 155-159, 164-165, 169-171, 202-211 Cornish, Bronwynne 183 D Driver, Don 220 Dutch, Ted 160, 161 G Greig, James 172-177

N Ngan, guy 225, 226 P Parker, Richard 150, 214217 Peter, Juliet 166-169 Poppelwell, Martin 152 R Rapson, Robert 153 Rie, Lucie 178 S Smisek, Mirek 186-192 Smyth, Katherine 219 Storm, Graeme 193 T Tippet, Warren 213 Y Yul Oh, Seung 163

K Kendall, Ken 223-224 Kingston, Andy 154 L Laird, Jack 194 M MacFarlane, Scott 162 Martin, Bruce 212 Maseyk, Paul 151 Moody, Muriel 221, 222

T Thompson, Sydney Lough, 70 Thornley, Geoff, 135 Trusttum. Philip, 119 Tu’u, Telly, 127 W Weeks, John, 72 Williams, Mervyn, 138 Woolllaston, Mountford Tosswill, 125, 126

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BUYERS GUIDE If you have not bought from Dunbar Sloane before, please read the following notes. Staff will be pleased to answer any questions you may have.

BEFORE AUCTION

2. Absentee Bidding

AFTER THE AUCTION

The terms and conditions under which the buyer acts at a sale are detailed at the back of this catalogue. We recommend that you read and understand these conditions of business before registering to bid at an auction. This sale is subject to the conditions of business printed in this catalogue and to the reserves.

If you are unable to attend the auction, Dunbar Sloane Ltd can bid on your behalf according to your written instructions. This is a free service for intended buyers. Please complete clearly the form at the back of this catalogue and submit it to Dunbar Sloane Ltd at least 24 hours before the sale to ensure it is safely received. Lots will be purchased for you as reasonably as possible, subject to other bids in the room and to reserves.

Payment

Viewing All lots are available for inspection prior to the sale. Although staff will endeavour to answer your enquiries, and give advice, the final decision to bid, is at your discretion and liability.

Pre-Sale Estimates The estimated prices printed below the catalogue descriptions are in New Zealand dollars and are the approximate prices expected to be realised, excluding buyers premium. They are not definitive, they are prepared well in advance of the sale and they are subject to revision.

Condition Reports Dunbar Sloane Ltd will provide a verbal condition report if you would like an opinion on any particular lot prior to purchasing.

These must be requested at least 24 hours before the commencement of auction. All goods are sold “as is” and it is up to the buyer to satisfy themselves as to the condition of an item before the auction.

THE AUCTION Buying at Auction

You are able to bid using the following four methods: 1. Bidding in the Room To bid at the auction you will need to register for a bidding number at the front desk either during the viewing or prior to the auction.

Please bid clearly and promptly using your bidding number.

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3. Telephone Bidding If you are unable to attend the auction, you can elect to bid by telephone (subject to availability). Telephone bidding must be arranged with Dunbar Sloane Ltd prior to the sale and is subject to a minimum lot estimate of $500 or greater. Please note that the auctioneer determines the increments in bidding, not the telephone bidder. We accept no responsibility if for whatever reason we are unable to contact you and as such recommend leaving a covering bid.

4. Live Online Bidding We offer live online bidding on our website: www.dunbarsloane.co.nz Registering online does not automatically register to bid, and further identification maybe required, especially if you are an International client.

Selling Rate Fine Art auctions are generally conducted at the rate of about 60 lots per hour. However, this can vary.

BUYERS PREMIUM The buyer shall pay to Dunbar Sloane Ltd a premium of 19% of the hammer price plus GST on the premium only –effectively adding 21.85% to the hammer price.

Payment for purchase is due in New Zealand dollars within 48 hours from the date of sale by cash, cheque, eftpos or electronic transfer.

Due to the Anti Money Laundering Act we no longer accept cash or cheques for purchases of $10,000 or over. Bank details as follows: Dunbar Sloane Ltd 06 0501 0524945 00 Swift Code ANZBNZ22 Please include details of sale date and lot numbers with all payments.

International clients will need to add an additional $25NZD to cover bank transfer fees.

Collection of Purchases Property purchased can be collected as soon as full payment has been received. Any items not collected within seven days of the auction may be subject to a storage fee. Insurance (subject to terms and conditions) applies for up to two working days from the date of the sale whilst items are in our care.

Items must be paid for straight away and a second account for courier/freight charges will follow as soon as possible when we have confirmed courier charges.

Packaging and Transportation We advise buyers to arrange transport and insurance with their preferred provider/s. We accept no responsibility for loss or damage in transit. For smaller items able to be couriered, Dunbar Sloane Ltd can pack and courier for a fee. This is to be paid before the goods leave our premises. We pack with care, however we take no responsibility for damage once your goods leave our premises. It is up to the buyer to arrange insurance to cover any damage or loss in transit.

CONDITIONS OF SALE

1.

5.

The highest Bidder is deemed to be the Buyer, and if during the Auction the Auctioneer considers that a dispute has arisen, the Lot in dispute shall be immediately put up again for sale.

ach Lot sold by the Seller thereof with E all faults and defects therein and with all errors of description and is to be taken and paid for whether genuine and authentic or not and no compensation shall be paid for the same.

2. he Auctioneer has the right to refuse T any bid and to advance the bidding at his absolute discretion.

3.

The Seller shall be entitled to place a reserve on any Lot and the Auctioneer shall have the right to bid on behalf of the Seller for any Lot on which a reserve has been placed.

Dunbar Sloane Ltd have the right to withdraw or divide any Lot or to combine any two or more Lots at their sole discretion.

4.

The Buyer shall forthwith upon the purchase give in his/her name and permanent address.

The Buyer may be required to pay down forthwith the whole or any part of the Purchase Money, and if he/she fails to do so,the Lot may at the Auctioneers absolute discretion be put up again and resold.

Dunbar Sloane Ltd act as agents only and neither they nor the Seller are responsible for any faults or defects in any Lot or the correctness of any statement as the authorship, origin, date, age, attribution, genuineness, provenance or condition of any Lot. ll statements in the Catalogues, A Advertisements or Brochures of forthcoming sales as to any of the matters specified in (b) above are statements of opinion, and are not to be relied upon as statements of representations of fact, and intending purchasers must satisfy themselves by inspection or otherwise as to all of the matters specified in (b) above, as to the physical description of any Lot, and as to whether or not any Lot has been repaired.

The Seller and Dunbar Sloane Ltd do not make or give, nor has any person in the employment of Dunbar Sloane Ltd any authority to make or give, any representation or warranty.

In any event neither the Seller nor Dunbar Sloane Ltd are responsible for any representation or warranty, or for any statement in the Catalogues, Advertisements or Brochures of forthcoming sales.

6.

Not withstanding any other terms of these conditions, if within 7 days after the sale Dunbar Sloane Ltd have received from the Buyer of any Lot notice in writing that in his view the Lot is deliberate forgery and within 9 days after such notification, the Buyer returns the same to Dunbar Sloane Ltd in the same condition as at the time of sale and satisfies Dunbar Sloane

Ltd had considered in the light of the entry in the Catalogue the Lot is a deliberate forgery then the sale of the Lot will be rescinded and the purchase price of the same refunded.

7.

To prevent inaccuracy in delivery, and inconvenience in settlement of Purchase, no Lot can be taken away during the times of sale, nor can any Lot be taken away unless it has been paid for in full.

All lots are to be paid for and taken away at the Buyer’s expense within two working days from the sale. Purchases, whilst in our care, will be insured for this period (subject to terms and conditions).

8. n failure of a Buyer to take away O and pay for any Lot in accordance with Condition 7, Dunbar Sloane Ltd reserves any other right or remedies. o resell the Lot or cause it to be resold by T public sale, any money paid in part payment being forfeited, any deficiency attending such resale after deducting all costs incurred in connection with the Lot to be made good by the defaulting Buyer, and any surplus to be the Seller's or: To store the Lot or cause it to be stored whether at their own premises or elsewhere at the sole expense of the Buyer, and to release the Lot only after payment in full of the purchase price together with interest there on of 5% above Bank minimum lending rate, the accrued cost of removal, storage and insurance (if any) and all other costs incurred in connection with the Lot. If the Lot has been in store pursuant to (ii) for more than 6 months, to remove the Lot from store and to exercise the right set out in (i).

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