23 & 24 JULY 2025
NEW ZEALAND & INTERNATIONAL
FINE & APPLIED ART
LIVE & ONLINE
W ednesday 23 July 2025 - 6pm start
Part One: L ot 1–62
TIMED ONLINE AUCTIONS ONLY
Thursday 24 July 2025 - closing from 12noon
Part Two: L ot 63–149
Thursday 24 July 2025 - closing from 4pm
Studio Ceramics & Applied Arts: Lot 150–226
Wellington Viewing Schedule
Friday 18 July 9am - 4pm
Monday 21 July 9am - 4pm
Tuesday 22 July 9am - 4pm
Wednesday 23 July 9am - 4pm
LOCATION
94 Featherston Street
Wellington CBD
ENQUIRIES
Joe Keate
+64 4 472 1367 art@dunbarsloane.co.nz
NEW ZEALAND & INTERNATIONAL
FINE ART
PART ONE / EVENING SALE
LIVE & ONLINE
Lot 1 - 62
1
E Mervyn Taylor (1906 - 1964)
Maori Boy
Southland beech engraving edition of 40
signed (lower right)
12.5 x 10cm
$1,500 - $3,000
2
E Mervyn Taylor (1906 - 1964)
Aphrodite
woodcut print edition of 30
signed (lower right); entitled (lower left)
43 x 9cm
$2,500 - $5,000
PROVENANCE
Private collection, Wellington
3
Negative Space oil on canvas
signed, entitled, & dated 9/6/94 (lower right)
75 x 60cm
$4,000 - $6,000 3
Dick Frizzell (b 1943)
No 2 of 10 Guitars
screenprint edition 24/50
signed & dated 4/2021 (lower right)
145 x 63cm
$2,000 - $4,000
Para (Paratene) Matchitt (1933 - 2021)
John Drawbridge (1930 - 2005)
Still Life with Malevich (Red) mezzotint edition 22/50
signed & dated ‘93 (lower right)
25 x 16cm
$1,400 - $2,500
PROVENANCE
Private collection, Netherlands 5
6
John Drawbridge (1930 - 2005)
Black Still Life (with Malevich) mezzotint edition 30/100 signed (lower right)
20 x 24.5cm
$600 - $1,200
7
Helen Stewart (1900 - 1983)
Brown and Grey oil on board signed (lower right) 54 x 44cm
$3,000 - $5,000
8 8
Louise Henderson (1902 - 1994)
Untitled watercolour on paper laid onto board
signed & dated ‘72 (lower right)
62 x 46.5cm
$5,000 - $8,000
PROVENANCE
Private collection, Wellington
John Shotton (J S) Parker (1944 - 2017)
Untitled Abstract oil on canvas
signed & dated ‘92 (lower right)
181.5 x 120cm
$5,000 - $9,000
PROVENANCE
Private collection, Auckland
signed & dated ‘73 (lower right)
82 x 103cm
$8,000 - $16,000
10
Melvin (Pat) Day (1923 - 2016)
Ti Hoi
oil on canvas
11
Trevor Moffitt (1936 - 2006)
First Car in Waikaia from the My Father’s Life Series oil on board signed & dated ‘80 (lower right)
58.5 x 58.5cm
$12,000 - $20,000
PROVENANCE
Private collection Wellington, purchased from McLeavey Gallery
Sunset at Bayly’s
oil on board signed (lower right)
61 x 89cm
$16,000 - $20,000
12
Mountford Tosswill (Toss) Woollaston (1910 - 1998)
Hill
13
Maud Sherwood (1880 - 1956)
The Chilli Market - Tunis watercolour on paper
unsigned 24 x 28cm
$5,000 - $8,000
PROVENANCE
Ex Maud Sherwood Family Collection
Purchased From Dunbar Sloane, The Sir Ivor Richardson Art Collection, 22/03/06
Private collection, Wellington
ILLUSTRATED Anne Kirker
‘New Zealand Woman artists’ Reed Methuen 1986, Plate 10.
REFERENCE Ibid. p. 83
14
Maude Burge (1865 - 1957)
Still Life with Flowers
mixed media on paper
unsigned 55 x 50cm
certificate of authenticity affixed
verso
$1,200 - $1,800
15
Margaret Olrog Stoddart (1865 - 1934)
Bush Scene with Whare and Figures
watercolour heightened with white
signed (lower left)
25 x 35.5cm
$6,000 - $10,000
PROVENANCE
Private collection, Hawke’s Bay
16
Peter McIntyre (1910 - 1995)
Maadi Camp in the Early Days of 1940 Indian ink on paper signed (lower right) 38 x 55cm
Estimate: $14,000 - $16,000
PROVENANCE
Private collection, Wellington
ILLUSTRATED
Peter McIntyre ‘Peter McIntyre: War Artist’ A.H. & A.W. REED LTD, page 28. 16
17
Peter McIntyre (1910 - 1995)
Wellington Harbour oil on board
signed (lower right)
42.5 x 64.5cm
$18,000 - $30,000
PROVENANCE
Private collection, Wellington
18
Peter McIntyre (1910 - 1995)
Lambton Quay
watercolour, ink, and graphite on paper signed (lower right)
55 x 73cm
$7,000 - $12,000
19
Peter McIntyre (1910 - 1995)
Gladioli oil on board signed (lower right)
66.5 x 98cm
$3,000 - $5,000
PROVENANCE
Private collection, Wellington
20
Peter McIntyre (1910 - 1995)
Trainers and Their Horses - Marlborough Trotting Club oil on board signed (lower right)
50 x 60cm
$10,000 - $16,000
PROVENANCE
Dunbar Sloane Ltd, 28/04/1999, Lot 49
Private collection, Wellington
Robin White (b 1946)
‘What I paint depends on where I am’. Dame Robin White’s early twenties were spent stretched across the landscape, spending time in Dunedin, Wellington and Auckland. White’s screenprints provides a frank yet familiar account of New Zealand’s landscapes while road-tripping in her VW Beetle. They are crafted with a deep reverence for the New Zealand landscape and pays close attention to the churches, houses and railroad stations scattered across the horizon.
White’s brief career as an art teacher at Mana College tested her skills in screen-printing, a technique she was not familiar with during her time at Auckland University’s Elam School of Fine Art. Despite being told by her tutor at Elam, Colin McCahon, that her screen-printing technique was ‘much too vigorous’ , White refined her skill and began to produce prolifically. The resulting images of New Zealand through White’s eyes quickly became popular through the help of her dealers, Barry Lett and Peter McLeavey.
White has continued to develop and evolve her practice and remains one of New Zealand’s most relevant and respected artists. Over her fifty-year career, her works have been exhibited and held in esteemed institutions across New Zealand. In 2022, more then fifty works from public and private collections were reunited in a retrospective exhibition “Te Whanaketanga/ Something is Happening Here” at Te Papa Tongarewa Museum of New Zealand and Auckland Art Gallery Toi o Tāmaki.
1 White, Robin. 2004. “Art and Conservation Are Synonymous.” Art New Zealand, no. 111 (Winter): 72–75.
2 Farrar, Sarah, Jill Trevelyan, and Nina Tonga. 2017. Something Is Happening Here: Contemporary Art in Aotearoa New Zealand. Nelson, NZ: Craig Potton Publishing.
Lily McCowan
21
Robin White (b 1946)
Southland Monkey Puzzle screenprint edition 4/35 signed & dated June ‘73 (obscured by mat)
37.5 x 50cm
$3,000 - $5,000
22
Robin White (b 1946)
Grey Sunday - Rata
screenprint A/P
signed & dated Easter ‘72 (lower right)
50.5 x 37cm
$4,000 - $6,000
PROVENANCE
Private collection, Wellington
23
Robin White (b 1946)
Church on a Hill - Pauatahanui
screenprint edition 8/25
signed & dated May 1971 (lower right)
55 x 40cm
$4,000 - $6,000
PROVENANCE
Private collection, Wellington
24
Theo Schoon (1915 - 1985)
Two Indonesian Girls oil on canvas
signed & dated ‘43 (lower right)
99 x 75.5cm
$4,000 - $8,000
PROVENANCE
Fleischl Collection
25
William (Bill) Sutton (1917 - 2000) Country Scene oil on board
signed & dated ‘47 (lower right)
28.5 x 37cm
$2,600 - $5,000
26
Evelyn Page (1899 - 1993)
Kapiti Coast from Waikanae oil on board signed (lower right); dated 1973 & entitled verso
24.5 x 35cm
$6,000 - $10,000
PROVENANCE
Private collection, Kapiti
Juliet Peter (1915 - 2010)
Night Train On The Main Trunk mixed media on paper together with letter of description by the artist dated 1990 signed (lower right)
57 x 79cm
$4,000 - $6,000
PROVENANCE
Private collection, Auckland
Rudolf (Rudi) Gopas (1913 - 1982)
St Bathans - Central Otago watercolour heightened with white signed & dated ‘51 (lower left)
45 x 59cm
$2,500 - $4,000
PROVENANCE
Private collection, Manawatu
A Lois White (1903 - 1984)
By the Waters of Babylon watercolour and graphite on paper signed (lower right); entitled (lower left)
26 x 19.5cm
$6,000 - $8,000
30
Seraphine Pick (b 1964)
Untitled watercolour on paper
signed & dated 2020 (lower right)
19.5 x 13.5cm
$3,000 - $5,000
31
Seraphine Pick (b 1964)
Untitled watercolour on paper
signed & dated ‘17 (lower right)
28 x 19cm
$2,000 - $4,000
32
unsigned 83 x 57cm
$5,000 - $8,000 32
PROVENANCE
Private collection, Wellington
Dunbar Sloane Ltd, 28/04/1998, lot 134
Dunbar Sloane Ltd, 18/11/2015, lot 54
Tony Fomison (1939 - 1990)
Untitled Portrait charcoal on paper
John Gibb (1831 - 1909)
Hawea Entering Dusky Sound in a Squall 26th Dec. 1877 oil on canvas
signed & dated 1878 (lower left)
50 x 85cm
$8,000 - $16,000
PROVENANCE
Private collection, Auckland
34
Charles Frederick Goldie (1870 - 1947)
Portrait of a Bourgomaster, After Rembrandt oil on canvas
signed & dated 1895 (lower left)
59 x 47.5cm
$20,000 - $30,000
PROVENANCE
Private Collection, South Island REFERENCE
pp 66, Goldie by Roger Blacklely
36
Gordon Walters (1919 - 1995) Rauponga screenprint edition 26/50 signed & dated 1983 (lower right)
40 x 49.5cm
$8,000 - $12,000
Private collection, Wellington
37
Gordon Walters (1919 - 1995) Genealogy V screenprint edition of 100 indented with Walters’ Estate blindstamp
92.5 x 94cm
$6,000 - $8,000
35
Gordon Walters (1919 - 1995)
Kapiti silkscreen print edition 33/75
signed & dated ‘84 (lower right); entitled (lower left)
50 x 38cm
$16,000 - $24,000 PROVENANCE
Private collection, Wellington 35
signed & dated’17 (lower right)
23 x 19cm
$4,000 - $8,000
PROVENANCE
Seraphine Pick (b 1964)
Dismember
watercolour on paper
Nadine Milne Gallery, Arrowtown
unsigned
original Willeston Galleries label verso
57 x 46.5cm
$9,000 - $15,000
Michael Smither (b 1939)
Still Life with Roses oil on board
Charles Tole (1903 – 1988)
Charles Tole was a self-taught artist who only began to take painting seriously in has late thirties. Despite this, his work has achieved widespread recognition for its clearly defined forms and bold use of colour. Whilst Tole is best known for his industrial landscapes and depictions of oil tankers, he also painted abstracts, street scenes, and landscapes with no evidence of industrialization. Lots 37, 38, and 39 in this auction shows the influence of American Artists such as Charles Sheeler (1883 – 1965) and Georgia O’Keeffe’s (1887 – 1986) Precisionist paintings on Tole’s landscapes. However, compared to the American Precisionists, Tole’s treatment of the New Zealand landscape is much softer, with smooth gradients of colour on the rolling hills with only thin black lines or at times no lines at all. These works draw on the regionalism established by Rita Angus (1908 – 1970) and other New Zealand artists while treading new ground by abandoning naturalistic colours.
Lots 41 and 42, also works by Tole, show more signs of life than the vast majority of his paintings. The presence of a washing line in Summer Cottage (East Coast Bays) indicates that people actually live in the house in the foreground, whereas houses in his other works appear more like geometric shapes representing simulacra of houses. Lot 42, an untitled street scene, even has figures, perhaps a mother and child, waiting to cross the street.
Tole, along with his brother, John (1890 – 1957), often exhibited alongside contemporaries Louise Henderson (1902 – 1994) and John Weeks (1886 – 1965). Together, they formed a group of early exponents of Modernism in New Zealand. Tole’s work has gained increasing recognition over time, and is held in numerous public and private collections.
Joe Keate
40
Charles Tole (1903 - 1988)
Marlborough I oil on board
signed & dated ‘71 (lower left)
39 x 48.5cm
$10,000 - $18,000
41
Charles Tole (1903 - 1988)
Marlborough II oil on board
signed & dated ‘71-’75 (lower left)
39 x 46.5cm
$10,000 - $18,000
42
Charles Tole (1903 - 1988)
Hills near Picton oil on board (small loss to paint surface)
signed & dated ‘69 (lower left)
45.5 x 57cm
$10,000 - $15,000
43
Charles Tole (1903 - 1988)
Hill Landscape - Taupo oil pastel on paper signed (lower right)
14.5 x 17.5cm
$2,000 - $3,500
PROVENANCE
Private collection, Wellington
44
Charles Tole (1903 - 1988)
Summer Cottage (East Coast Bays) oil on board
signed (lower left)
19.5 x 23cm
$5,000 - $8,000
PROVENANCE
Private collection, Wellington
45
Charles Tole (1903 - 1988)
Untitled Street Scene oil on board
signed (lower right)
20 x 20cm
$7,000 - $12,000 PROVENANCE
Private collection, Wellington
46
Sydney Lough Thompson (1877 - 1973)
signed (lower right)
entitled & dated 1945 on original label verso
45 x 54cm
$5,000 - $10,000
47
Sydney Lough Thompson (1877 - 1973)
Autumn Victoria Lake oil on canvas signed (lower right)
44.5 x 52cm
$6,000 - $10,000
The Grampians Autumn oil on canvas
$5,000 - $8,000 PROVENANCE
Private collection, Kapiti 48
48
Sydney Lough Thompson (1877 - 1973)
Untitled oil on board signed (lower right) 36 x 44cm
49
William (Bill) Hammond (1947 - 2021)
Giant Eagle
lithographs on paper all edition 4/24 signed & dated 2006 (lower right)
38 x 28cm each
$12,000 - $20,000
PROVENANCE
Sutch-Ovenden Collection, Wellington
50
William (Bill) Hammond (1947 - 2021)
Fish Finder 4 etching A/P XXIII/XXIV signed & dated 2004 (lower right)
34 x 23cm
$3,500 - $6,000
death wears the colours of a peacock
lithograph edition 2/14
signed & dated ‘85 (lower left)
52 x 36.5cm
$2,000 - $4,000
Ralph Hotere (1931 - 2013)
Untitled Landscape oil on canvas laid on panel unsigned
25.5 x 17.5cm
$1,000 - $2,000
53
Philip Trusttum (b 1940)
53
Trusttum (1940)
54
Pat Hanly (1932 - 2004)
Butterfly Vacation screenprint edition 6/55 A/P
signed & dated ‘89 (lower right)
52 x 66cm
$3,500 - $6,000
Allen Maddox (1948 - 2000)
acrylic on paper unsigned
58.5 x 41.5cm
$5,000 - $8,000
PROVENANCE
Private collection, Wellington
55
Untitled
56
Allen Maddox (1948 - 2000)
Blue Cross lithograph edition 4/15 signed & dated ‘86 (lower centre)
54.5 x 41.5cm
$2,000 - $4,000
Private collection Wellington, purchased directly from the artist 57
57
Robyn Kahukiwa (1938 - 2025)
Untitled Diptych watercolour and graphite on paper signed & dated ‘03 (lower left)
52.5 x 36cm each
$8,000 - $12,000
PROVENANCE
58
Ans Westra (1936 - 2023)
Ruatoria 1963
silver gelatin print signed (lower right)
30 x 25.5cm
$4,000 - $6,000
59
Laurence Aberhart (b 1949)
Waikaia, Southland, 1999
gold and selenium toned silver gelatin print
19 x 24cm
$3,000 - $5,000
60
Laurence Aberhart (b 1949)
Interior: Saint Madeline Sophie, Parakino, Wanganui River, 1982
selenium toned silver gelatin print entitled (lower left)
19 x 24cm
$3,000 - $5,000
61
Derek Henderson (b 1963)
Tuakau
c-type photographic print
50 x 64cm
$1,500 - $3,000
PROVENANCE from the “I go down to the river to pray” exhibition at McNamara Gallery, Whanganui, 2007
62
Patrick Reynolds (b 1962)
Arapuni inkjet print
83 x 82cm
$1,500 - $2,500
PROVENANCE
produced in collaboration with Mighty River Power circa 2001
NEW ZEALAND & INTERNATIONAL FINE ART
PART TWO / DAY SALE
TIMED ONLINE AUCTION ONLY
Thursday 24 July - closing from 12noon
Lot 63 - 149
63
John Drawbridge (1930 - 2005)
Girl at a Window
drypoint etching edition 6/50
signed & dated ‘68 (lower right)
64 x 37.5cm
$1,000 - $1,500
64
Jenny Dolezel (b 1964)
Days at Home drypoint etching A/P
signed (lower right)
24 x 37cm
$1,000 - $2,000
65
Saskia Leek (b 1970)
Untitled screenprint edition of 50
unsigned
61 x 46cm
$300 - $500
66
Michael Smither (b 1939)
Wave & Rock 5
PVA on paper
entitled & dated 1978 verso
31.5 x 44cm
$500 - $1,000
PROVENANCE
Dunbar Sloane Fine Art, 18/04/2007
67
Michael Smither (b 1939)
Drummer
screenprint edition 3/25
signed & dated 08 (lower right)
26.6 x 36cm
$250 - $500
68
Michael Smither (b 1939)
Harmonic Chart
artist reproduction of 1984 screenprint edition of 70
signed & dated ‘24 (lower right)
90 x 54cm
$800 - $1,500
69
Cissie Kean (English 1871 - 1961)
Ladies on the Riverbank watercolour on paper
unsigned
37.5 x 28cm
$1,800 - $3,600
PROVENANCE
Dunbar Sloane Fine Art, 04/09/2002, lot 78, Private collection, Wellington
70
Sydney Lough Thompson (1877 - 1973)
Raw Tor
gouache on paper signed (lower left)
35.5 x 52cm
$1,500 - $2,500
71
Owen Merton (1887 - 1931)
Desert Landscape watercolour on paper signed & dated 1923 (lower right)
32 x 47cm
$1,600 - $3,000
72
John Weeks (1888 - 1965)
Landscape with Farm Buildings
watercolour on paper
unsigned with certificate of authenticity attached verso
28 x 38cm
$1,500 - $3,000
73
Dorothy Kate Richmond (1861 - 1935)
Lake Rotomahana
watercolour on paper signed & dated 1931 (lower left)
23.5 x 34cm
$1,000 - $2,000
74
Ida Eise (1894 - 1978)
The Headlands oil on board signed & dated ‘76 (lower right) 44 x 59cm
$800 - $1,200 probably Bethells Beach in Te Henga
75
John Badcock (b 1952)
Marie’s Garden watercolour on paper
signed & dated ‘88 (lower right)
33 x 54cm
$700 - $1,200
76
John Badcock (b 1952)
Fairy Land - Marie’s Garden watercolour on paper
signed (lower left) & dated 1992 verso
53.5 x 72.5cm
$700 - $1,200
77
Douglas Badcock (1922 - 2009)
Untitled Landscape oil on board
signed (lower right)
24.5 x 34.5cm
$600 - $1,000
78
Peter McIntyre (1910 - 1995)
Untitled Landscape watercolour on paper (some foxing)
signed (lower right)
36 x 46cm
$1,000 - $2,000
signed (lower right)
50.5 x 137cm
signed & dated ‘98 (lower left)
36.5 x 47.5cm
$1,000 - $2,000
79
Ross Lee
Tasman Valley Mt Cook National Park oil on canvas
$1,000 - $2,000 79 80
80
John Badcock (b 1952)
Norwest Change oil on board
81
Annie Baird (1932 - 1999)
Untitled watercolour on paper (some foxing to paint surface and mat)
signed & dated 16.7.87 (lower right)
58 x 76cm
$1,500 - $2,500
82
Annie Baird (1932 - 1999)
Grasse Near Cannes, France
watercolour on paper
signed & dated ‘97 (lower right)
57x77cm
$700 - $1,400
83
Annie Baird (1932 - 1999)
No. 2 - From Prospect Park watercolour on paper signed & dated 1987 (lower right)
76 x 57.5cm
$1,500 - $2,500
Sam Cairncross (1913 - 1976)
Desert Road
oil on board (minor scratch to paint surface)
signed (lower right)
37.5 x 56.5cm
$800 - $1,600
85
Sam Cairncross (1913-76)
Tulips oil on board
signed (lower right); signed, entitled, & dated 1958 verso
44 x 35cm
$1,000 - $2,000
86
Max Gimblett (b 1935)
Searchings
watercolour and ink on paper bound as a book
embossed with quatrefoil mark (lower left)
29.5 x 50cm
$2,000 - $3,000
Thomas Arthur McCormack (1883 - 1973)
Still Life with Gladioli watercolour on paper signed verso
75.5 x 56cm
$1,000 - $2,000
88
Thomas Arthur McCormack (1883 - 1973)
Seascape watercolour on paper signed (lower left)
49 x 60.5cm
$800 - $1,600 89
Maud Sherwood (1880 - 1956)
Untitled Landscape watercolour on paper signed (lower left)
24 x 34cm
$500 - $1,000
90
Olivia Spencer Bower (1905 - 1982)
Flowers 1950
watercolour on paper
signed (lower left)
45 x 36.5cm
$1,000 - $2,000
PROVENANCE
Private collection, Wellington
91
Olivia Spencer Bower (1905 - 1982)
The Kaikouras
watercolour heightened with white on paper signed (lower left)
37 x 44cm
$1,500 - $3,000
92
Olivia Spencer Bower (1905 - 1982)
Sunny Day
watercolour on paper signed & dated 1976 (lower right)
49 x 36cm
$800 - $1,600
93
Louise Henderson (1902 - 1994)
On ‘Southern Cross’ Engine Room
lithograph
certificate of authenticity affixed verso
37 x 51.5cm
$800 - $1,200
94
Louise Henderson (1902 - 1994)
Cafe Scene
mixed media on paper signed & dated ‘75 (lower right)
33 x 42cm
$800 - $1,200
95
Louise Henderson (1902 - 1994)
Untitled graphite, watercolour, & pastel on paper signed & dated 1985 (lower right)
39 x 25.5cm
$1,200 - $2,400
96
Philippa Blair (1945 - 2025)
Swan Lake oil on canvas
signed & dated ‘97 verso 101 x 75cm
$4,000 - $6,000
PROVENANCE
Private collection, Hawke’s Bay
97
Philippa Blair (1945 - 2025)
Untitled oil on canvas signed verso 35 x 45.5cm
$1,200 - $3,000
PROVENANCE
Private collection, Hawke’s Bay
98
Catherine Manchester (b 1957)
Footsteps in Time 2003 oil on canvas
signed & dated 2003 (lower left)
64.5 x 74.5cm
$1,000 - $2,000
99
John Shotton (J S) Parker (1944 - 2017)
Slipstream pastel on paper
signed & dated ‘88 (lower left)
41 x 59cm
$1,500 - $2,500
100
A Austen Deans (1915 - 2011)
South Island Lake Landscape oil on canvasboard
signed (lower right)
46 x 58.5cm
$1,200 - $2,400
101
Ion Brown (b 1942)
Rangitikei River oil on board
signed (lower left)
89x97cm
$2,000 - $3,500
102
Cedric Savage (1901 - 1969)
Reikorangi oil on board
signed (lower right)
44 x 58.5cm
$700 - $1,200
103
Marcus King (1891 - 1983)
Aorere River - Nelson oil on canvas board
signed (lower right)
39 x 49.5cm
$1,000 - $2,000
104
Marcus King (1891 - 1983)
Mana from Plimmerton oil on board
signed (lower right)
29 x 39cm
$1,000 - $2,000
105
Marcus King (1891 - 1983)
Erosion, Waikanae oil on board
signed (lower right)
29.5 x 38.5cm
$1,000 - $2,000
106
Olivia Spencer Bower (1905 - 1982)
Amalfi Coast
watercolour and graphite on paper signed (lower left)
46 x 66cm
$1,200 - $2,000
107
Olivia Spencer Bower (1905 - 1982)
Willy Lott’s Cottage - Suffolk England watercolour and gouache on paper signed (lower right)
42.5 x 55cm
$2,000 - $4,000
108
Douglas MacDiarmid (1922 - 2020)
Mediterranean Landscape - Tholos at Delphi watercolour on paper signed & dated ‘63 (lower left)
31 x 48cm
$600 - $1,000
with guarantee of authenticity from Ferner Galleries affixed verso
109
Jane Evans (1946 - 2012)
Child With Grapes
watercolour
signed & dated ‘94 (lower right)
60 x 40cm
$2,000 - $4,000
110
Philip Clairmont (1949 - 1984)
Still Life
watercolour and mixed media on paper
signed & dated ‘81 (lower right)
41 x 29cm
$3,000 - $5,000
111
Evelyn Page (1899 - 1988)
Lyttelton Harbour
watercolour heightened with white on paper
signed (lower left)
27 x 55cm
$2,000 - $4,000
112
Geoff Dixon (b 1954)
Man in Space No. 4 mixed media on panel signed, dated 23/11/98, & entitled verso 61 x 40cm
$500 - $1,000
113
Geoff Dixon (b 1954)
Man in Space No. 3 mixed media on panel signed, dated 21/11/98, & entitled verso 61 x 40cm
$500 - $1,000
114
Joanna Margaret Paul (1945 - 2003) French Window 3-4pm watercolour, graphite, crayon, and collage on paper unsigned 56 x 38cm
$500 - $1,000
115
Stephen Bambury (b 1951)
Ideogram No. 4 screenprint edition 1/20 indented initials & dated ‘08 (upper left)
35.5 x 26cm
$800 - $1,600
116
Ewen McDougall (b 1948)
Floundering oil on canvas
signed (lower right); entitled (lower left)
70 x 90.5cm
$1,000 - $2,000
117
Jeffrey Harris (b 1949)
Landscape Through Window acrylic on paper unsigned inscribed with title (lower centre)
42 x 67cm
$700 - $1,200
118
Jeffrey Harris (b 1949) Three Dressed Up Women gouache
signed & dated 1973 (lower left)
22 x 29.5cm
$1,500 - $3,000
119
Philip Trusttum (1940)
Blue Window pastel on paper
signed & dated ‘73 (top right) 25 x 20cm
$800 - $1,500
PROVENANCE
Sutch-Ovenden Collection, Wellington
120
Tom Burnett (b 1958)
East Street - Taipa gouache on paper
signed & dated ‘89 (lower right) 56 x 81cm
$1,200 - $2,400
121
Russell Jackson (b 1947)
Waiheke Island - Ancient Site I enamel on board signed, entitled, & dated 1990 (lower right) 104 x 107.5cm
$1,000 - $2,000
122
Stanley Palmer (b 1936)
Arrival - Western Viaduct
bamboo engraving and lithograph edition
62/100
signed & dated 1988 (lower right)
42 x 61cm
$800 - $1,600
123
Terry Stringer (b 1946)
Untitled pastel on paper
signed & dated ‘72 (lower right)
55.5 x 81.5cm
$1,200 - $2,400
124
Brian Dahlberg (b 1944)
Sentinel Of The Coast oil on board
signed (lower left)
68.5 x 39cm
$1,200 - $1,800
122
124
123
125
Mountford Tossswill (Toss) Woollaston (1910 - 1998)
Untitled Landscape ink and wash
unsigned
26 x 35cm
$1,500 - $2,500
PROVENANCE
Manawatu Art Gallery, 1986
126
Mountford Tossswill (Toss) Woollaston (1910 - 1998)
Untitled Landscape ink and wash
signed (lower right)
26 x 35.5cm
$1,500 - $2,500
PROVENANCE
Manawatu Art Gallery, 1986
127
Telly Tu’u (b 1976)
Formix oil on board
signed & dated 2017 verso
91 x 91cm
$500 - $1,000
128
John Bevan Ford (1930 - 2005)
“Nga Taonga” The Treasures mixed media on paper signed (lower right)
76.5 x 56cm
$1,000 - $1,600
129
Selwyn Muru (1937 - 2024)
Tuupuna o te Whenua lithograph edition 27/50 signed & dated ‘90 (lower right)
50 x 69.5cm
$500 - $800
130
Albert Namatjira (Australian 1902 - 1959)
Central Australian Landscape watercolour on woomera signed (lower right); inscribed “Aboriginal Handicraft, Hermannsburg, Central Australia”; sketch of a goanna verso
49.5 x 14cm
$1,000 - $2,000
128
127
130
129
131
Donald Binney (1940 - 2012)
Beyond Wainamu Te Henga
lithograph edition 88/200
signed, inscribed with title & dated 1971
50 x 72cm
$1,800 - $3,200
132
Fergus Robertson
Billie Buttons [in vase by Rose Marie Salmon] oil on board in steel frame with bolts
unsigned 31 x 26cm o/a
$1,000 - $2,000
PROVENANCE
Purchased at Chambers Art Gallery, Christchurch
133
David John (b 1945)
Still Life With Eggs oil on canvas laid on board
signed (lower right)
entitled & dated on original label verso
56 x 41cm
$700 - $1,200
134
Juliet Peter (1915 - 2010)
Coastal Wellington
lithograph edition 9/20
signed (lower right)
44.5 x 57.5cm
$500 - $1,000
135
Geoff Thornley (b 1942)
Untitled No. 2
acrylic on paper on board
signed, dated 1973, & entitled with artist’s stamp verso
99.5 x 71cm
$1,500 - $2,500
136
Elva Bett (1918 - 2016)
Towards Enlightenment Part III oil on board
signed & inscribed with title verso 121 x 59.5cm
$1,000 - $2,000
136
135
134
137
Pablo Picasso (Spanish 1881 - 1973)
Untitled etching and aquatint edition 316/350 dated 21.5.68 in plate
9 x 12.5cm
$800 - $1,200
One of a series of 66 etchings Picasso produced for the 1971 edition of La Celestina, a late 15th century novel attributed to Fernando de Rojas, and published by Atelier Crommelynck, Paris
138
Mervyn Williams (b 1940)
Firefly acrylic on paper signed & dated 1983 (lower right)
61 x 48.5cm
$1,600 - $3,000
139
Andrew McLeod (b 1976)
Family Portrait (unframed) digital print edition 2/19 signed (lower right)
72 x 69cm
$1,800 - $3,000
138
137
139
140
Nigel Brown (b 1949)
Evening Swimmer
hand-coloured woodblock print edition 2/10
signed & dated 1990 (lower centre)
102 x 36cm
$500 - $1,000
141
Eion Stevens (1952 - 2021)
Temporary Friends (2nd Version) oil on board
signed & dated 8/83 verso
82 x 34cm
$1,500 - $2,500
140
141
142
Gaston de Vel (1924 - 2010)
Near the Louvre - Paris oil on canvas
signed & dated ‘84 (lower left)
37 x 45cm
$600 - $1,000
143
Tom Esplin (1915 - 2005)
The Auverne oil on board
signed (lower left)
26 x 43cm
$2,000 - $3,000
144
Tom Esplin (1915 - 2005)
Altstadt Augsberg oil on board
signed (lower right)
30x44cm
$1,500 - $2,500
145
Archibald Nicoll (1886-1953)
Canterbury Wheat Belt oil on canvas
signed (lower left)
44 x 59cm
$1,500 - $3,000
146
Archibald Nicoll (1886 - 1953)
Landscape
watercolour on paper
signed (lower right)
22 x 28.5cm
$600 - $1,200
147
Brian Brake (1927 - 1988)
Lake Dian Chi - Kuming c-type photographic print signed (lower right)
38 x 25.5cm
$600 - $1,000
147A
Brian Brake (1927 - 1988)
Post Figure Poutokomanawa silver gelatin print on Agfa paper no 72 in Te Maori Exhibition catalogue
19.5 x 14.5cm together with Te Maori exhibition catalogue
$800 - $1,600
147B
Brian Brake (1927 - 1988)
Canoe Figurehead Tauihu silver gelatin print on Agfa paper no 164 in Te Maori Exhibition catalogue
19.5 x 14.5cm
$800 - $1,600
147
147a
147b
148
Les Cleveland (1921 - 2014)
Firestation at Adelaide Rd 1957
silver gelatin print
15 x 17.5cm
$1,000 - $2,000
149
Patrick Reynolds (b 1962)
Planter’s Faith II 1988
selenium toned silver gelatin print
29 x 28.5cm
$400 - $800
148
149
STUDIO CERAMICS & APPLIED ART
PART THREE
TIMED ONLINE AUCTION ONLY
Thursday 24 July 2025 - closing from 4pm
Lot 150 - 226
150
Richard Parker Footed Bowl polychrome glazed terracotta, unmarked, original sticker affixed to base, 21.5cm Dia
$200 - $350
151
Paul Maseyk Semi-Glazed Terracotta Pouring Bowl brushed decorations to exterior, polychrome overglaze depicting balloons to interior, brushed mark to base, 15.5cm H
$60 - $100
152
Martin Poppelwell Bowl polychrome glazed terracotta with black arrow decorations on beige ground, unmarked, 24.5cm Dia
$200 - $350
153
Robert Rapson Hanging Mixed Media
Artwork with ceramics and found objects affixed to wooden panel, brushed signature & dated 2003 verso, 65 x 83cm
$800 - $1,600
154
Andy Kingston ‘Thriller Night!’ Lidded
Pot brushed initials & dated 2014 on base, 37.5cm H
$600 - $1,200
155
Len Castle Bottle Vase impressed mark, 18.5cm H
$150 - $300
156
Len Castle Bottle Vase impressed mark, 19.5cm H
$150 - $300
157
Len Castle Bottle Vase impressed mark, 17cm H
$100 - $200
158
Len Castle Bowl tenmoku glazed stoneware with pooled pale blue glaze to well, unmarked, 27.5cm Dia
$300 - $600
159
Large Len Castle Rectangular Platter tenmoku glazed rim changing to ash glazed interior with decorative motifs to wall, impressed mark, 44 x 36.5cm
$300 - $600
160
Ted Dutch Signaller Figure earthenware, impressed signature to base, 15.5cm H
$600 - $1,000
161
Ted Dutch Signaller Figure earthenware, impressed signature to base, 15.5cm H
$600 - $1,000
162
Three Scott McFarlane Hanging Tiles all with brushed marks, largest 14.5 x 12cm
$400 - $800
163
Seung Yul Oh ‘Pou’ Figure 3d printed resin, signed & dated 2019 on base, 13cm H
$800 - $1,200
164
Len Castle Crater Lake Bowl impressed mark to base, 53cm Dia x 15cm H
$6,000 - $10,000
165
Len Castle Earth Book white earthenware with grey staining, impressed mark, 21 x 10 x 15cm
$800 - $1,600
166
Juliet Peter Stoneware Long Dish
original sticker affixed to base, 42cm L
$150 - $300
167
Juliet Peter Stoneware Long Dish incised mark to base, 40cm L
$150 - $300
168
Juliet Peter Slab Built Lidded Container glazed stoneware, incised mark, 14.5cm H
$120 - $240
169
Small Roy Cowan Bowl & Small Juliet
Peter Bowl both with incised marks, larger 12.5cm Dia
$80 - $160
170
Roy Cowan Semi-Glazed Vase polychrome glaze, incised mark to base, 28cm H
$80 - $160
171
Roy Cowan Geometric Teapot black glazed stoneware, incised initials and dated ‘85, 16cm H
$100 - $200
172
James Greig Shaped Vase incised mark to base, 14.5cm H
$150 - $300
173
James Greig Squared Dish incised mark to base, 12cm Square x 8.5cm H
$300 - $500
174
James Greig Bottle Vase tenmoku glazed, incised mark, 21.5cm H
$80 - $160
175
James Greig Slab Built Vase umber glazed with sgraffito decorations, incised mark, 23.5cm H
$100 - $200
176
James Greig Leaf Form Dish impressed mark, 22.5cm L
$200 - $400
177
James Greig Elongated Vase incised mark, 17.5cm H
$120 - $240
178
Lucie Rie Stoneware Bowl manganese glaze to interior, cream glaze to exterior, impressed mark to base, 14cm Dia
$1,000 - $2,000
179
Kazu Nakagawa ‘Intrare’ 1992 cement, sand, clay, and acrylic wash, unsigned, 23.5cm H
$1,000 - $2,000
180
Christine Boswijk - Genealogy white earthenware on coated wooden base, 20cm W x 25.5cm D x 52cm H
$1,600 - $3,000
181
Christine Boswijk - Coastal Sculpture/ Cloud white glazed earthenware
45cm x 52cm
$800 - $1,600
182
Christine Boswijk Blue Bowl on Stand unmarked, bowl 25cm Dia, 24cm H
$800 - $1,600
183
Bronwynne Cornish “Dryad” Earthenware
Figure unglazed, unmarked, 26.5cm H
$700 - $1,500
184
Pamella Annsouth Maiden Vase, impressed mark to base, 21.5cm H
$100 - $200
185
Pamella Annsouth Maiden Pot impressed mark to base, 13cm Dia x 15cm H
$100 - $200
186
Pair of Mirek Smisek Salt & Pepper fine salt glaze, impressed marks, 12.5cm H
$50 - $100
187
Early Mirek Smisek Floor Vase impressed mark to base, 36cm H, exhibited in the 1966 10th NZ Potters Exhibition
$800 - $1,600
188
Mirek Smisek Deep Dish fine salt glazed stoneware, impressed mark, 28.5cm Dia
$100 - $200
189
Early Mirek Smisek Ovoid Vase salt glazed stoneware, incised mark to base, 21cm H
$160 - $300
190
Mirek Smisek Footed Bowl stoneware with red glaze and incised decorations to interior, impressed mark, 24.5cm Dia
$80 - $160
191
Early Mirek Smisek Flagon fine umber salt glazed stoneware, impressed mark, 20,5cm H
$100 - $200
192
Mirek Smisek Footed Bowl polychrome glazed stoneware, impressed mark, 23.5c Dia
$100 - $200
193
Graeme Storm Lidded Jar 14.5cm H
$150 - $300
194
Large Jack Laird Hanging Vase
incised mark, 37.5cm L
$100 - $200
195
Anneke Borren Bottle Vase
brushed mark to base, 22cm H
$120 - $200
196
Barry Brickell Lobed Vase 15.5cm H
$80 - $120
197
Barry Brickell Fatso Jug semi glazed with two impressed marks, 23cm H
$300 - $600
198
Barry Brickell Vase semi glazed terracotta, impressed mark, 13.5cm H
$100 - $200
199
Doreen Blumhardt Shouldered Vase, impressed mark to base, 26cm H
$250 - $500
200
Doreen Blumhardt Ovoid Vase partially glazed above shoulder, 24cm H
$250 - $500
201
Doreen Blumhardt Specimen Vase impressed mark, 25.5cm H
$160 - $350
202
Len Castle Barium Glaze Bottle Vase impressed mark to base, 27cm H
$300 - $500
203
Len Castle Shouldered Vase impressed mark to base, 18.5cm H
$300 - $500
204
Len Castle Tenmoku Glaze Hexagonal Vase & Other impressed mark to base, 19cm H together with small Len Castle tenmoku glaze bowl
$200 - $400
205
Len Castle Vase part Shino glazed, impressed mark, 12.5cm H
$60 - $120
206
Len Castle Footed Bowl shino glazed stoneware with five fingerprint impressions to interior, impressed mark
$40 - $80
207
Two Len Castle Herb Jars shino glazed stoneware, both with original corks, impressed marks, both 17cm H
$80 - $160
208
Two Len Castle Herb Jars & Bottle shino glazed stoneware, impressed marks
$80 - $160
209
Small Len Castle Vase & Form both with impressed marks, the vase 10cm H
$80 - $120
210
Two Len Castle Sedge Vases both with impressed marks, largest 13cm L with attached rope for hanging
$80 - $120
211
Len Castle Compressed Ovoid Vase incised mark to base, 14cm Dia x 12.5cm H
$150 - $300
212
Bruce Martin Rectangular Vase impressed mark to base, 18cm H
$150 - $300
213
Warren Tippett Coffee Pot Tenmoku glazed stoneware with leaf decorations to both sides, unmarked, 22cm H
$150 - $300
214
John Parker Ovoid Vase impressed mark, 14.5cm H
$80 - $160
220
Don Driver (1930 - 2011)
Shield
aluminium, plastic, & rubber laid on panel (some losses) signed, entitled, & dated 1966 verso entirety of frame 127 x 74.5cm
$1,000 - $2,000
215
John Parker Lattice Bowl paper clay and Egyptian plaster, signed & dated 2006 in graphite, 20.5cm Dia
$400 - $800
216
John Parker Vase pale turquoise glaze, impressed mark, 15.5cm H
$150 - $300
217
John Parker Ovoid Vase the base unglazed, minor glazing frit to rim, impressed mark to base, 25cm H
$200 - $400
218
Three Katherine Smyth Bottle Vases, incised marks, tallest 36cm H
$300 - $600
219
Large Katherine Smyth Bottle Vase, incised mark to base, 55cm H
$400 - $700
221
Muriel Moody Child Figure cast bronze, on hardwood base, 30cm H
$600 - $1,000
222
35cm H x 38cm W
$1,000 - $2,000
Muriel Moody Swans cast bronze
223
Ken Kendall Figures of a Boy and Girl Reading (Pair) cast bronze, both with incised mark, signature, and edition, edition 1/30, the boy 23.5cm L
$600 - $1,000
224
Ken Kendall Figure of a Man and Child cast bronze, incised signature, 21.5cm L
$400 - $800
225
Pair of Bronze and Hardwood Bookends in the Manner of Guy Ngan 21cm H
$1,200 - $2,000
226
Pair of Bronze and Hardwood Bookends in the Manner of Guy Ngan 20cm H
$1,200 - $2,000
ALPHABETICAL INDEX
PART ONE
A
Aberhart, Laurence, 59, 60
B
Burge, Maude, 14
D Day, Melvin, 10
Drawbridge, John, 5, 6
F
Fomison, Tony, 32 Frizzell, Dick, 3
G
Gibb, John, 33
Goldie, Charles Frederick, 34 Gopas, Rudolf, 28
H
Hammond, William, 49, 50 Hanly, Pat, 54 Henderson, Derek, 61 Henderson, Louise, 8 Hotere, Ralph, 51
K Kahukiwa, Robyn, 57
M
Maddox, Allen, 55, 56 Matchitt, Paratene, 4 McIntyre, Peter, 16, 17, 18, 19, 20
Moffitt, Trevor, 11
P Page, Evelyn, 26 Parker, John Shotton, 9 Pick, Seraphine, 30, 31, 38 Peter, Juliet, 27
R
Reynolds, Patrick, 62
S
Schoon, Theo, 24
Sherwood, Maud, 13
Smither, Michael, 3
Stewart, Helen, 7
Stoddart, Margaret, 15 Sutton, William, 25
T Taylor, Ernest Mervyn, 1, 2 Thompson, Sydney Lough, 46, 47, 48
Tole, Charles, 40, 41, 42, 43, 44, 45
Trusttum, Philip, 52, 53
W
Walters, Gordon, 35, 36, 37 Westra, Ans, 58
White, Anna Lois, 29
White, Robin, 21, 22, 23
Woollaston, Mountford Tosswill, 12
PART TWO
B
Badcock, Douglas, 77
Badcock, John 75, 76, 80
Baird, Annie, 81, 82, 83
Bambury, Stephen, 115
Bett, Elva, 136
Binney, Donald, 131
Blair, Philippa, 96, 97
Bower, Olivia Spencer, 90, 91, 92, 106, 107
Brake, Brian, 147, 147A, 147B
Brown, Ion, 101
Brown, Nigel, 140 Burnett, Tom, 120
C
Cairncross, Sam, 84, 85
Clairmont, Philip, 110 Cleveland, Les, 148
D
Dahlberg, Brian, 124
De Vel, Gaston, 142 Dixon, Geoff, 112, 113
Dolezel, Jenny, 64
Drawbridge, John, 63
E
Eise, Ida, 74
Esplin, Tom, 143, 144
Evans, Jane, 109
F
Ford, John Bevan, 128
G
Gimblett, Max, 86
H
Harris, Jeffrey, 117, 118
Henderson, Louise, 93, 94, 95
J
Jackson, Russell, 121
John, David, 133
K
Keen, Cissie, 69
King, Marcus, 103, 104, 105
L Lee, Ross, 79
Leek, Saskia, 65
M
MacDiarmid, Douglas, 108 Manchester, Catherine, 98 McCormack, Thomas Arthur, 87, 88
McDougall, Ewen, 116 McIntyre, Peter, 78 McLeod, Andrew, 139 Merton, Owen, 71 Muru, Selwyn, 129
N
Namatjira, Albert, 130 Nicoll, Archibald, 145, 146
P
Page, Evelyn, 111 Palmer, Stanley, 122 Parker, John Shotton, 99 Paul, Joanna Margaret, 114 Picasso, Pablo, 137 Peter, Juliet, 134
R
Reynolds, Patrick, 149 Richmond, Dorothy Kate, 73 Robertson, Fergus, 132
S Savage, Cedric, 102 Sherwood, Maud, 89 Smither, Michael, 66, 67, 68 Stevens, Eion, 141 Stringer, Terry, 123
T Thompson, Sydney Lough, 70 Thornley, Geoff, 135 Trusttum. Philip, 119 Tu’u, Telly, 127
W
Weeks, John, 72 Williams, Mervyn, 138 Woolllaston, Mountford Tosswill, 125, 126
APPLIED ART
A
Annsouth, Pamella 184, 185
B
Blumhardt, Doreen 199-201
Borren, Anneke 195
Boswijk, Christine 181, 182 Brickell, Barry 196-198
C
Castle, Len 155-159, 164-165, 169-171, 202-211
Cornish, Bronwynne 183
D
Driver, Don 220 Dutch, Ted 160, 161
G
Greig, James 172-177
K
Kendall, Ken 223-224 Kingston, Andy 154
L
Laird, Jack 194
M
MacFarlane, Scott 162 Martin, Bruce 212 Maseyk, Paul 151 Moody, Muriel 221, 222
N
Ngan, guy 225, 226
P
Parker, Richard 150, 214217 Peter, Juliet 166-169
Poppelwell, Martin 152
R
Rapson, Robert 153
Rie, Lucie 178
S
Smisek, Mirek 186-192
Smyth, Katherine 219 Storm, Graeme 193
T
Tippet, Warren 213
Y Yul Oh, Seung 163
BUYERS GUIDE
BEFORE AUCTION
The terms and conditions under which the buyer acts at a sale are detailed at the back of this catalogue. We recommend that you read and understand these conditions of business before registering to bid at an auction. This sale is subject to the conditions of business printed in this catalogue and to the reserves.
Viewing
All lots are available for inspection prior to the sale. Although staff will endeavour to answer your enquiries, and give advice, the final decision to bid, is at your discretion and liability.
Pre-Sale Estimates
The estimated prices printed below the catalogue descriptions are in New Zealand dollars and are the approximate prices expected to be realised, excluding buyers premium. They are not definitive, they are prepared well in advance of the sale and they are subject to revision.
Condition Reports
Dunbar Sloane Ltd will provide a verbal condition report if you would like an opinion on any particular lot prior to purchasing. These must be requested at least 24 hours before the commencement of auction. All goods are sold “as is” and it is up to the buyer to satisfy themselves as to the condition of an item before the auction.
THE AUCTION
Buying at Auction
You are able to bid using the following four methods:
1. Bidding in the Room
To bid at the auction you will need to register for a bidding number at the front desk either during the viewing or prior to the auction. Please bid clearly and promptly using your bidding number.
If you have not bought from Dunbar Sloane before, please read the following notes. Staff will be pleased to answer any questions you may have.
2. Absentee Bidding
If you are unable to attend the auction, Dunbar Sloane Ltd can bid on your behalf according to your written instructions. This is a free service for intended buyers. Please complete clearly the form at the back of this catalogue and submit it to Dunbar Sloane Ltd at least 24 hours before the sale to ensure it is safely received. Lots will be purchased for you as reasonably as possible, subject to other bids in the room and to reserves.
3.
Telephone Bidding
If you are unable to attend the auction, you can elect to bid by telephone (subject to availability). Telephone bidding must be arranged with Dunbar Sloane Ltd prior to the sale and is subject to a minimum lot estimate of $500 or greater. Please note that the auctioneer determines the increments in bidding, not the telephone bidder. We accept no responsibility if for whatever reason we are unable to contact you and as such recommend leaving a covering bid.
4. Live Online Bidding
We offer live online bidding on our website: www.dunbarsloane.co.nz
Registering online does not automatically register to bid, and further identification maybe required, especially if you are an International client.
Selling Rate
Fine Art auctions are generally conducted at the rate of about 60 lots per hour. However, this can vary.
BUYERS PREMIUM
The buyer shall pay to Dunbar Sloane Ltd a premium of 19% of the hammer price plus GST on the premium only –effectively adding 21.85% to the hammer price.
AFTER THE AUCTION
Payment
Payment for purchase is due in New Zealand dollars within 48 hours from the date of sale by cash, cheque, eftpos or electronic transfer. Due to the Anti Money Laundering Act we no longer accept cash or cheques for purchases of $10,000 or over. Bank details as follows:
Dunbar Sloane Ltd
06 0501 0524945 00 Swift Code ANZBNZ22
Please include details of sale date and lot numbers with all payments. International clients will need to add an additional $25NZD to cover bank transfer fees.
Collection of Purchases
Property purchased can be collected as soon as full payment has been received. Any items not collected within seven days of the auction may be subject to a storage fee. Insurance (subject to terms and conditions) applies for up to two working days from the date of the sale whilst items are in our care.
Items must be paid for straight away and a second account for courier/freight charges will follow as soon as possible when we have confirmed courier charges.
Packaging and Transportation
We advise buyers to arrange transport and insurance with their preferred provider/s. We accept no responsibility for loss or damage in transit. For smaller items able to be couriered, Dunbar Sloane Ltd can pack and courier for a fee. This is to be paid before the goods leave our premises. We pack with care, however we take no responsibility for damage once your goods leave our premises. It is up to the buyer to arrange insurance to cover any damage or loss in transit.
CONDITIONS OF SALE
1.
The highest Bidder is deemed to be the Buyer, and if during the Auction the Auctioneer considers that a dispute has arisen, the Lot in dispute shall be immediately put up again for sale.
2.
The Auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion.
3.
The Seller shall be entitled to place a reserve on any Lot and the Auctioneer shall have the right to bid on behalf of the Seller for any Lot on which a reserve has been placed.
Dunbar Sloane Ltd have the right to withdraw or divide any Lot or to combine any two or more Lots at their sole discretion.
4.
The Buyer shall forthwith upon the purchase give in his/her name and permanent address.
The Buyer may be required to pay down forthwith the whole or any part of the Purchase Money, and if he/she fails to do so,the Lot may at the Auctioneers absolute discretion be put up again and resold.
5.
Each Lot sold by the Seller thereof with all faults and defects therein and with all errors of description and is to be taken and paid for whether genuine and authentic or not and no compensation shall be paid for the same.
Dunbar Sloane Ltd act as agents only and neither they nor the Seller are responsible for any faults or defects in any Lot or the correctness of any statement as the authorship, origin, date, age, attribution, genuineness, provenance or condition of any Lot.
All statements in the Catalogues, Advertisements or Brochures of forthcoming sales as to any of the matters specified in (b) above are statements of opinion, and are not to be relied upon as statements of representations of fact, and intending purchasers must satisfy themselves by inspection or otherwise as to all of the matters specified in (b) above, as to the physical description of any Lot, and as to whether or not any Lot has been repaired.
The Seller and Dunbar Sloane Ltd do not make or give, nor has any person in the employment of Dunbar Sloane Ltd any authority to make or give, any representation or warranty.
In any event neither the Seller nor Dunbar Sloane Ltd are responsible for any representation or warranty, or for any statement in the Catalogues, Advertisements or Brochures of forthcoming sales.
6.
Not withstanding any other terms of these conditions, if within 7 days after the sale Dunbar Sloane Ltd have received from the Buyer of any Lot notice in writing that in his view the Lot is deliberate forgery and within 9 days after such notification, the Buyer returns the same to Dunbar Sloane Ltd in the same condition as at the time of sale and satisfies Dunbar Sloane
Ltd had considered in the light of the entry in the Catalogue the Lot is a deliberate forgery then the sale of the Lot will be rescinded and the purchase price of the same refunded.
7.
To prevent inaccuracy in delivery, and inconvenience in settlement of Purchase, no Lot can be taken away during the times of sale, nor can any Lot be taken away unless it has been paid for in full.
All lots are to be paid for and taken away at the Buyer’s expense within two working days from the sale. Purchases, whilst in our care, will be insured for this period (subject to terms and conditions).
8.
On failure of a Buyer to take away and pay for any Lot in accordance with Condition 7, Dunbar Sloane Ltd reserves any other right or remedies.
To resell the Lot or cause it to be resold by public sale, any money paid in part payment being forfeited, any deficiency attending such resale after deducting all costs incurred in connection with the Lot to be made good by the defaulting Buyer, and any surplus to be the Seller's or: To store the Lot or cause it to be stored whether at their own premises or elsewhere at the sole expense of the Buyer, and to release the Lot only after payment in full of the purchase price together with interest there on of 5% above Bank minimum lending rate, the accrued cost of removal, storage and insurance (if any) and all other costs incurred in connection with the Lot.
If the Lot has been in store pursuant to (ii) for more than 6 months, to remove the Lot from store and to exercise the right set out in (i).