Grodzka contemporary_Paulina Kapczyńska

This graduation project was born from my fascination to museum architecture and art; and self-reflection of my own country, history and culture. The location of the project is in my hometown Szczecin, on the island located in the middle of the city, yet not noticed by anyone. Without a public access throughout the years, it became a forgotten land, too precious in my eyes to not giving it a meaning.

My project touches on different problems and layers in the city. The aim is to reconnect two river banks through the island; improving its public access; providing new activities in the city; creating a destination for people to reach on the island; encouraging the interest in art and culture.

A cultural outreach through my design on the Grodzka island.

CULTURAL OUTREACH ON THE GRODZKA ISLAND Paulina Kapczynska Master in Architecture 2018 Academy of Architecture Amsterdam University of the Art Jo Barnett Maurizio Scarciglia Hiroki Matsuura

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CULTURAL OUTREACH ON THE GRODZKA ISLAND STRATEGY AND DESIGN

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Grodzka contemporary refers to the whole design strategy applied to the island. My main goal was to introduce more permanent public access to the island from the popular left bank of the river, more permanent occupation on the island, as well as creating room for new activities along the main public path.

grodzka contemporary gallery of modenr art grodzka art centre

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grodzka art gallery

gallery of modenr art grodzka art centre

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grodzka art gallery

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One of the main design interventions is an art gallery located on the south end of the island.

The building consists of a wide cultural program located in the plinth, as well as a collection of individual gallery rooms each with its specific characteristics. As part of the concept of individual galleries, two artists in residency sheds are located within the allotment gardens allowing the artist creative process to be displayed to the public.

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POLAND COUNTRY

WEST POMERANIA PROVINCE

SZCZECIN CITY

GRODZKA ISLAND

LOCATION

The location of my graduation project is the Grodzka Island at the river Odra in Szczecin Poland. A beautiful, green island situated between The Old Town (representing the past developments) and the Old Harbour (present, opportunities) is a stepping stone to the future.

The island covers an area of about 15 ha. The allotments gardens are located on its north end.

The gardens area has a private status, therefore the whole area is mot accessible for a general public.

The island is accessible for pedestrians and vehicles by a bascule bridge, since 2015 which increases its popularity among the citizens. Since than the southern part was ransformed into a temporary public beach. Along the beach, on the east side of the island is the marina building and piers located.

Grodzka Island is a great location for cultural activities, both for locals and tourists. It is visible from one of the main “entrance” to the city - the so-called Castle Route- an elevated 15 meters high bridge offering a spectacular view of the Szczecin’s panorama when entering the city.

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A pedestrian access to the Island Grodzka leads through Island Łasztownia connected to the Old Town via a bridge. It’s a post-industrial island that is still partly occupied by harbour activities. Łasztownia has become an important subject on the city agenda since 2012 when the area was opened up for a public access. A temporary concert hall/ opera house was built, more artistic and theatrical activities organised, river boulevards restored. The water edge gained a new meaning and it can be expected that it will soon become a popular destination for many citizens and tourists.

THE OLD TOWN

MONUMENT MONUMENT

MONUMENTAL PART OF THE CITY. CULTURAL HERITAGE REMAINED FROM GERMAN PERIOD

GRODZKA ISLAND

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MONUMENT SHED

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SHED INDUSTRY SHED

PRIVATELY OWNED GARDEN SHEDS COVERING UP 3/4 OF THE ISLAND TERRITORY

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THE OLD HARBOUR

GRODZKA ISLAND

INDUSTRY

INDUSTRY

OLD SLAUGHTERHOUSE COMPLEX AND RESTORED HARBOUR CRANES

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SHED

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Grodzka island is located in the heart of Szczecin, between the Old Town and the Old Harbour. Both have significant importance for the city. The left bank of the river is easily accessible, attracts tourists, cultural activities and city happenings; the right bank, however still less popular, has a huge potential for development and flexibility which the left side is lacking. I propose to connect those two ends through the Grodzka island, creating, therefore, a new unique hotspot in the Szczecin cultural agenda.

996 POLAND

1039 WEST POMERANIA

1333 POMERANIA

1635 SWEEDEN

1657 SWEEDEN

1721 PRUSSIA

1772 PRUSSIA

1807 PRUSSIA

1919 GERMANY

1939 GERMANY

1945 POLAND

1848 PRUSSIA

INTERESTING LAYER

Szczecin is a city with a fascinating history, located ca 20km from the border crossing between Poland and Germany. Despite the fact that the city is situated about 100 km from the Baltic Sea, it is one of the two most important Polish seaports. Szczecin is famous for its shipping tradition. Since 1927 until now the final of the Tall Ships Races regatta is being organized in Szczecin’s port every year.

Szczecin is located closer to Berlin than Warsaw and it is probably the reason why the city has so many cultural influences of Western Europe. A spectacular example is the radial (star-shaped) layout of streets. A similar model as the urban project of George Hausmann performed in Paris in the 19th century. Even though, the architecture of Szczecin variates between gothic, renaissance and baroque, interwoven with densely planted large parks and squares, still it’s the harbour crane the most recognisable element in Szczecin’s skyline.

POLISH TERRITORY

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TERRITORIAL POSITION OF SZCZECIN

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Szczecin was throughout the history owned by 3 different countries. The maps on the left illustrate position of Szczecin in European context as well as changes of Polish territory. Poland-SweedenGermany-Poland is the sequence of ownership, of which the traces can still be found in the city itself. Buildings, materials, architectural styles, historical facts, remains the of the old city wall found during the city excavations, were one of my first fascination in the project.

Szczecin was heavily destroyed during the Second World War. Especially the harbour became a target of airstrikes which effectively destroyed ca 90% of it. Further devastations were made by retreating German army. All port cranes and many warehouses were destroyed, relatively least affected were the waterfronts.

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CITY DAMAGE AFTER II WORLD WAR

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HISTORICAL TRACES. AN OVERLAP OF THE CITY BORDERS BETWEEN CA 1500-1900. THE RIVER ODRA AND THE ISLAND AS CONSTANT ELEMENTS IN CITY DEVELOPMENT

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ISLAND

COUNTRY

SOCIAL/ ECONOMICTRACES GSEducationalVersion GSEducationalVersion

1720

new Sweedish fortifications were built also on the Island Grodzka

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economic decline of the city due to Swedish Deluge Szczecin became a fortified city

1945

industrialisation of the island- from butcher activities to iron industry

northern part of the island subdivided into allotments; south part facilitated water sport activities

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1724–1740 expansion of fortifications train track from Berlin Industrialisation expansion of harbour and shipyard

90% of the city distroyed during 2WW

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6 April 1945 the Red Army conquered Szczecin 5 July- Official transfer of the city to the Polish authorities

1873 expansion of the city therefore demolition of fortifications URBAN TRACES

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ARCHITECTURAL TRACES GSEducationalVersion

PROGRAMATIC TRACES

BUILDING MATERIAL TRACES

fortress

industry

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brick parts of the fortifications; fortification tower- massive; thick walls; brick inside outside; small windows; lack of ornaments

concrete industrial buildings in the harbour area concrete industrial towers tenement houses built between XIX-XX ( many still have original details, balustrades etc) very ornamental

prefab housing flats (mainly suburbs; concerete facades untill ca 2010 when insulation boom came; now all rendered in pastel colours)

smaller industrial buildings (sloughter house) brick with ornaments

flat buildings in the centre filling the gaps created during the war (rendered facades in pastel colours)

RESEARCHING THE TRACES

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Digging into the books, maps, old photographs, taking guided tours through the city, visiting museums and archives helped me to discover more and more traces of the past. Materialisation was one of them which I focused on during the later stage of design. I merged two very present in the city tissue materials- brick and concrete, and a pattern used on prefab panels on most residential towers in Szczecin, and developed my own material for my design. It can be found in many variations and finishes as a polished floor finish, rough wall panelling, hammered and brushed.

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PHYSICAL SAMPLES AND DIGITAL MOCKUPS PRODUCED DURING THE WHOLE PROCESS OF DESIGN. CONCRETE WITH EXPOSED BRICK AGGREGATE

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Szczecin in XI century

Szczecin's port in XI century

Szczecin's port in XIII century

Szczecin in XIII century

relicts of corded ware culture

Szczecin's port in XIV century

Szczecin in XIV century

Butcher Meadow

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2960 - 2350 BC

Middle Ages GSEducationalVersion

The canal Woli Rรณw (Ochsen Graben) was build seperating the Butcher Meadow from the land and creating island

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Szczecin's port in XVI century

Szczecin in XVI century

The southern end of the island was cutted off forming a small island Bielawa

2nd half XVII

Szczecin in XVIII century

from Butcher Szczecin's port in XVIII century Meadow to iron Industry Small Forge making anchors (Johan Gotfried Seydelowner)

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Szczecin in XIX century

from small Forge Szczecin's port in XIX centu to a big industriy producing iron elements of boats untill beginig of XXc.

XIX

DEVELOPMENT OF GRODZKA ISLAND

2012

2013-2015

temporary city beach project

2016

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the ground at southern end had been rised ca 2m.

New bridge and marina was built (building + harbour for 150 boats)

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1918-1939

szczecin became 360 trees cut down Polish. The island on the southern end remained used for of the island sport and recreation.

The northern part was allocated for allotments

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area used for sport and rescreation purpose- rowing clubs

CULTURAL SCENE IN SZCZECIN

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Recent developments in Szczecin start to address the issues the city has been suffering from for many years. During the past few years, the focus in the city development was mainly on the growth of business areas and new office buildings. All until 2015, when the new iconic Philharmonic building by Barozzi Veiga Studio, and located next to it the Museum of Dialogue

by KWK Promes architects were build. They are in fact the first cultural buildings built in the city since the last 30 years what certainly give promises to the underinvested cultural sector as being a possible mean of reinventing Szczecin’s post-industrial image.

ve ati cre

295.017 m2

art lab

92.548 m2

295.017 m2 170.839 m2

105.813 m2

om ro gallery

331.440 m2

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92.548 m

188.987 m2

ion 48%

104.529 m2

exposit

tickets box

1,605.644 m2

576.055 m2

179.155 m2

shop

346.280 m2

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92.548 m2

92.548 m2

performence/ expo 15,5%

movie room

211.241 m2

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po ic ex publ

office

entrance/ lobby

cafe

resto ration room

tre info cen

99.622 m2

2,343.866 m2

DE PO T

233.637 m2

work shop 49.740 m2

info centre 50m2

100.000 m2

100.000 m2

restoration room 100m2

movie room 100m2 auditorium 200m2

200.000 m2

100.000 m2

artist in residency sheds x 100m

2

100.000 m2

100.000 m2

shop 100m2

100.000 m2

workshop 300m2 gallery 2000m2 300.000 m2

library 300m2 300.000 m2

100.000 m2

45.914 m2

research centre 100m2 art lab 50m2

1,997.450 m2

artist working space 300m2 346.641 m2

cafe 200m2 200.000 m2

94.930 m2

lobby+tickets box 100m2

outdoor exhibition 300m2 archive and ofice 300m

2

300.000 m2

286.634 m2

public expo 200m2 200.000 m2

total 2500m2 +300m2 outdoor

total 2000m2 +300m2 outdoor

artis t wor king spac e

23 % wl

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creative room 100m2 200.000 m2

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CULTURAL CENTRE (FREE ACCESS)

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MUSEUM (PAYED ACCESS)

rch ea res

PROGRAM

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85.018 m2

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m ai nt en an ce

12 ,5 %

PROGRAM

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ROGRAMMATIC DIAGRAM

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When defining a program for my building I researched and visited one of the best examples of art galleries. My goal was to create a building which contained a variety of public activities dedicated to art as well as exhibition spaces both indoor and outdoor. As an outcome, I designed a building with an open plinth, which on the ground floor hosts the public activities such as workshop, cafe, gift shop, movies, lobby, ticket office, public gallery, creative corner and auditorium; and exhibition halls are contained within separate volumes on the upper levels.

CONTEXT

SEASONAL WATER TIDES

CULTURAL CITY WALK

CULTURAL BUILDINGS

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BURIED MAIN VOLUME ALLOWS THE GREEN TO CONTINUE OVER THE BUILDING ROOF

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CULTURAL CITY WALK CONTINUING THROUGH THE BUILDING

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CONSTANT CITY TERRITORY

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VIEWS TOWARDS THE CITY HERITAGE

OLD TOWN GALLERY

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art Louise Bourgeois

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CASTLE GALLERY

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art Louise Bourgeois

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BOX+ GALLERY SPACE. EXTRA FLEXIBLE VOLUME BOXINSTALLATIONS ++ SUITABLE FOR LARGE SCALE AND BUILD ON SITE PROJECTS

PATIO GALLERY SPACE. AN OUTDOOR EXHIBITION patio LOCATED IN THE HILL ENCOURAGES INTERACTION WITH NATURAL DAYLIGHT

CITY AS A BACKGROUND GALLERY ALLOWS THE CityON asCANVAS a background PERCEPTION OF ART OF THE CITY SCOPE

CAVE GALLERY SPACE BURIED the caveIN THE GROUND ND SEALED FROM THE ENVIRONMENT. NO SOUND, NO OPENINGS, AN OPPORTUNITY FOR VERY INTROVERTED EXPERIENCE

UNIQUE COLLECTION OFGALLERIES

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THE ARTIST SHED GALLERY DISPLAYS THE WORKING the artist PROCESS OF AN ARTIST. TWO shed SHEDS SURROUNDED BY A PUBLIC GARDEN GIVES SHELTER TO ARTIST IN RESIDENCY SEEKING FOR CREATIVE AND UNIQUE ENVIRONMENT

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TOWER GALLERY. EACH FLOOR ALLOWS A DIFFERENT TYPE OF ART TO BE DISPLAYED IN CONTINOUS SEQUENCE EXPERIENCE

WATER GALLERY

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art Louise Bourgeois

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HARBOUR GALLERY

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art Louise Bourgeois

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SITUATION

PATH SECTION 1. THE FERRY STOP THE FIRST EXPERIENCE AND THE BEGINNING OF THE PUBLIC PATH ON THE ISLAND. BROUGHT BY A PUBLIC FERRY YOU CAN CONTINUE YOUR CULTURE WALK THROUGH THE GOMA GRODZKA (GALLERY OF MODERN ART) OR TAKE A LONGER PATH AND EXPERIENCE THE ARTISTS IN RESIDENCE WORK.

PATH SECTION 2. THE RECREATION

PATH SECTION 3. THE BEACH

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THE PATH BENDS INLAND AND ALLOWS THE EXISTING SANDY AND SHALLOW RIVERBANK TO TRANSFORM INTO A SMALL BEACH LIKE OASIS.

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ALONG THE PATH DIFFERENT ACTIVITIES ARE POSSIBLE. THIS SECTION IS DEDICATED TO RECREATION. PUBLIC RIVER SWIMMING POOL CREATES A NEW ACTIVITY FOR THE INHABITANTS AND DIVERSIFIES THE RIVER BANK ON THE ISLAND.

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SITUATION

PATH SECTION 4. THE PROMENADE FOR SPECTATORS THE PROMENADE IS A PERFECT OPPORTUNITY TO PERCEIVE THE PANORAMIC VIEW ONTO THE SZCZECIN’S MOST KNOWN CULTURAL HERITAGE. THE URBAN SEATING ARE PROPOSED AS AN EXTENSION TO THE EXISTING TEMPORARY BEACH ACTIVITIES. IT ENCOURAGES THE CONTACT WITH WATER AND CREATES AN INTERESTING MORE URBANIZED RIVER BANK TYPOLOGY AS GETTING CLOSER TO THE GALLERY BUILDING.

PATH SECTION 5. THE ENTRANCE TO GOMA GRODZKA

PATH SECTION 6. THE PIER

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ON THE WEST SIDE OF THE ISLAND, THE PATH LEADING THROUGH ONE OF THE ARTISTS IN RESIDENCE GARDENS TURNS INTO PIER ALLOWING TO PERCEIVE 360 DEGREES VIEW DEDICATED FULLY TO SZCZECIN’S HARBOUR.

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LARGE SHALLOW PLATFORM EXTENDS OUT ONTO THE RIVER, BENDS ALONG THE RETAINING WALL LEADING DIRECTLY TO THE ENTRANCE OF THE GALLERY.

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GROUND FLOOR

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1 LOBBY 2 TICKET OFFICE 3 POOL PATIO 4 RESTORATION SPACE 5 CAVE GALLERY 6 PATIO GALLERY 7 DEPO 8 WORKSHOP 9 CAFE 10 SHOP 11 MOVIES 12 CITY GALLERY 13 WATER GALLERY

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FIRST FLOOR

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14 OFFICE 15 ARCHIVE 16 CREATIVE CORNER 17 TOWER GALLERY 18 BOX+ GALLERY 19 HARBOUR GALLERY 20 CASTLE GALLERY 21 AUDITORIUM 1 22 AUDITORIUM 2

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SECOND FLOOR grodzka contemporary

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23 LIBRARY AND RESEARCH

HIGH-QUALITY WATERPROOF CONCRETE GRAVITY RETAINING WALL IN SITU. TIMBER FINISH CAST POLISHED CONCRETE WITH EXPOSED AGGREGATE CONCRETE FLOOR HEATING AND COOLING WATER CAPILARY MAT PS INSULATION

SOIL

HIGH-QUALITY WATERPROOF CONCRETE SLAB IN SITU

FILTER LAYER GRAVEL DRAINAGE LAYER WATERPROOF MEMBRANE

WATERPROOF MEMBRANE SOIL

2%

PS HARD FOAM INSULATION

PS HARD FOAM INSULATION

DRAINAGE LAYER

WIDE SLAB FLOORING IN SITU

BITUMEN LAYER

BITUMEN LAYER

HIGH-QUALITY WATERPROOF CONCRETE GRAVITY FOUNDATION FOOT IN SITU

HIGH-QUALITY WATERPROOF CONCRETE GRAVITY RETAINING WALL IN SITU. TIMBER FINISH CAST

DRAINAGE

DRAINAGE

FOUNDATION PILE

DETAIL 1. GRAVITY RETAINING WALL SUPPORING THE SOIL MASS OF THE HILL

GROUND ANCHORS (SOIL REINFORCEMENT) IN COMPACTED GROUND

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DETAIL 2. COTINUITY OF GREEN LANDSCAPE ONT HE ROOF THE GALLERY

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SECTION A-A THROUGH (FROM THE LEFT) WATER GALLERY, AUDITORIUM, LOBBY, PATIO AND TOWER GALLERY

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3 POOL PATIO 4 RESTORATION ROOM 11 MOVIES 13 WATER GALLERY 16 CREATIVE CORNER 17 TOWER GALLERY 22 AUDITORIUM 2 23 LIBRARY AND RESEARCH

GALLERY TOWER

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art El Anatsui

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POLISHED CONCRETE WITH EXPOSED AGGREGATE

CONCRETE OUTDOOR TILING SOIL FILTER LAYER GRAVEL DRAINAGE DRAINAGE LAYER WATERPROOF MEMBRANE PS HARD FOAM INSULATION

CONCRETE FLOOR HEATING AND COOLING WATER CAPILARY MAT PS INSULATION HIGH-QUALITY WATERPROOF CONCRETE SLAB IN SITU WATERPROOF MEMBRANE PS HARD FOAM INSULATION

BITUMEN LAYER WIDE SLAB FLOORING IN SITU

ACOUSTIC SUSPENDED CEILING

DRAINAGE COMPACTED GROUND BITUMEN LAYER HIGH-QUALITY WATERPROOF CONCRETE FOUNDATION FOOT IN SITU PREFAB RIBBED CONCRETE ELEVATION PANEL

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DETAIL 3. THE REALTION TO THE WATER AND SEASONAL TIDES

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DETAIL 4. SPECIAL WINDOW WITH A VIEW ON THE CASTLE INCORPOSATED INTO BALUSTRADE

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SECTION B-B THROUGH (FROM THE LEFT) CAFE AND HARBOUR GALLERY, WORKSHOP SPACE AND THE BOX+ GALLERY, DEPO

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7 DEPO 8 WORKSHOP 9 CAFE 18 BOX+ GALLERY 20 CASTLE GALLERY

GALLERY BOX+

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art Carsten Holler

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POLISHED CONCRETE WITH EXPOSED AGGREGATE CONCRETE FLOOR HEATING AND COOLING WATER CAPILARY MAT PS INSULATION WIDE SLAB FLOORING IN SITU

ACOUSTIC SUSPENDED CEILING

TEMPORARY TELESCOPIC FLOOR SYSTEM ACOUSTIC INSULATION, PLASTER FINISH

CONCRETE OUTDOOR TILING FILTER LAYER GRAVEL DRAINAGE DRAINAGE LAYER WATERPROOF MEMBRANE BITUMEN LAYER

CONCRETE STRUCTURAL WALL IN SITU PREFAB HAMMERED CONCRETE ELEVATION PANEL

PS HARD FOAM INSULATION WIDE SLAB FLOORING IN SITU

STEEL STUD

ACOUSTIC INSULATION, PLASTER FINISH ACOUSTIC SUSPENDED CEILING CONCRETE STRUCTURAL WALL IN SITU

CONCRETE COLUMN

PREFAB HAMMERED CONCRETE ELEVATION PANEL STEEL STUD

DETAIL 5. THE BOX+ GALLERY AND ALL AROUND CLADDING

DETAIL 6. THE BOX+ GALLERY PUNCHING THROUGH THE ROOF GSEducationalVersion

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SECTION C-C THROUGH (FROM THE LEFT) CITY GALLERY, AUDITORIUM, HARBOUR GALLERY

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9 CAFE 10 SHOP 11 MOVIES 12 CITY GALLERY 21 AUDITORIUM 1 22 AUDITORIUM 2 23 LIBRARY AND RESEARCH

FIRST FLOOR. VIEW FROM THE AUDITORIUM

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art in the patio Louise Bourgeois

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EXTRUDED AXONOMETRIC FLOOR PLANS ___grodzka contemporary___Cultural outreach on the Grodzka island

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PUBLIC GROUND FLOOR. LOBBY ___grodzka contemporary___Cultural outreach on the Grodzka island

PUBLIC GROUND FLOOR. WORKSHOP

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art in the patio Yayoi Kusama

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VIEW TOWARDS THE ENTRANCE ___grodzka contemporary___Cultural outreach on the Grodzka island

VIEW FROM LITTLE ISLAND BIELAWA

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art Antony Gormey, Louise Bourgeois

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THE ARTIST SHED

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art Antony Gormey, Louise Bourgeois

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GREEN ROOF AS PART OF THE GALLERY EXPERIENCE

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art Janet Echelman

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VIEW TOWARDS THE CASTLE AND THE ARTERIAL ROAD- THE MAIN ENTRANCE TO THE CITY ___grodzka contemporary___Cultural outreach on the Grodzka island

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grodzka contemporary CULTURAL OUTREACH ON THE GRODZKA ISLAND Pulina Kapczynska Master in Architecture 2018

grodzka contemporary gallery of modenr art grodzka art centre

grodzka art gallery Academy of Architecture Amsterdam University of the Art Jo Barnett Maurizio Scarciglia Hiroki Matsuura