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contents

For four years, Elizabeth Miller has wanted to write the table of contents as haiku. This is her week.

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departments 5 T HE HIGHROAD: Presidential candidates sort of address inequality 6 GUEST COMMENTARY: Congressman Pinocchio 9 DANISHPLAN: Obama’s silly speech 10 L ETTERS: Civic use space; To whom it may concern (you know who you are); Colorado could be next California 11 NEWS BRIEFS: FDA considers expanding drug tests for milk; Save the birds and bees 15 NEWS: Stone balancing threatened with citation during Boulder Creek Fest 37 OVERTONES: Portugal.The.Man’s founding bassist Zach Carothers on life in the band 39 ARTS & CULTURE: ‘American Ghost’ seeks to tell the truth in a ghost story 41 BOULDER COUNTY EVENTS: What to do and where to go 47 POETRY: by David Livewell and Patrick Hicks 48 SCREEN: ‘Pitch Perfect 2’ is a worthy encore 49 FILM: Carl Boenish takes the plunge in ‘Sunshine Superman’ 51 CUISINE REVIEW: Tibet’s Restaurant & Bar effects satisfaction 53 TIDBITES: Food happenings around Boulder County 57 DRINK: What We Love’s sangria is a good warm weather partner 63 ASTROLOGY: By Rob Brezsny 65 SAVAGE LOVE: How do I know if I’m asexual? 67 WEED BETWEEN THE LINES: High hopes for improved reporting on teen marijuana use 69 IN CASE YOU MISSED IT: The republic of... nah; Three cheers for Erie Boulder Weekly

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commentary

Publisher, Stewart Sallo Editor, Joel Dyer Advertising Director, Jeff Cole Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn EDITORIAL Managing Editor, Elizabeth Miller Senior Editor, Matt Cortina Associate Editor, Amanda Moutinho Special Editions Editor, Caitlin Rockett Contributing Writers, Peter Alexander, Dave Anderson, Rob Brezsny, Chris Callaway, Michael J. Casey, Gavin Dahl, Paul Danish, James Dziezynski, Cody Gabbard, Jim Hightower, Dave Kirby, Michael Krumholtz, Hudson Lindenberger, Dylan Owens, Brian Palmer, Adam Perry, Leland Rucker, Dan Savage, Alan Sculley, Ryan Syrek, Greg Thorson, Christi Turner, Tom Winter, Tate Zandstra, Gary Zeidner Interns, Natalia Bayona, Wyatt Carlson, Matthew DuBois, Emma Murray, Mollie Putzig, Sam Routhier SALES & MARKETING Retail Sales Manager, Allen Carmichael Senior Account Executive, David Hasson Account Executives, Julian Bourke, Darragh Hoffmann Market Development Manager, Kellie Robinson Inside Sales Representative, Jason Myers Marketing Coordinator, Melissa Chua Mrs. Boulder Weekly, Mari Nevar PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Assistant to the Publisher Julia Sallo Office Manager/Advertising Assistant Andrea Neville CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 15-Year-Old, Mia Rose Sallo Cover photo: Theo Jemison May 28, 2015 Volume XXII, Number 43 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Printed on 100% recycled paper with soy-based ink.

Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

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the

Highroad Presidential candidates sort of address inequality by Jim Hightower

t last, America’s political leaders indicate that they now feel the pain of the poor and of the millions of working families slipping out of the middle class. Congress had previously paid no attention to the ever-widening chasm between the rich and the rest of us, but it has recently emerged as a central

issue for such Republican presidential contenders as Jeb Bush, Ted Cruz, Rand Paul and Marco Rubio. They are publicly lamenting the wealth gap and — by gollies — proposing solutions. Alas, though, the “solution” proposed by each of them is not to provide help for those who’ve been knocked down, but to offer aid to the same corporate elites who’ve been knocking down the middle class and holding down the poor. Specifically, their solution is to cut taxes on corporations and the rich, do away with environmental and labor protections, and cut or privatize government programs — from Head Start to Social Security — that ordinary people count on. For example, Sen. Rubio proposes to kill the food stamp program (even though the need for it is greater than ever) and redirect that money into what he calls a subsidy for low-wage workers. Does he think we have suckerwrappers around our heads? That’s not a subsidy for workers, but for low-wage

For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

employers. Why should taxpayers subsidize the poverty pay of profitable giants like McDonald’s, rather than making them pay living wages and cover their own labor costs? I guess we should count it as progress that candidates are at least having to admit that inequality is a problem, but come on — offering the same old failed, anti-government snake oil is an insult to the American people. Jeb Bush shows how vacuous their flim-flammery is by saying that, to address the everwidening wealth and income gap, he’ll “celebrate success and… cherish free enterprise.” Gosh, what a comfort that’ll be to America’s hard-hit majority. This opinion column does not necessarily reflect the views of Boulder Weekly. May 28, 2015 5

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ongressman Polis’ nose is growing by the day. The web of mistruths, halftruths and outright fabrications he is using to justify his support for fast tracking the TransPacific Partnership (TPP) — a secretive trade deal that would expand fracking, destroy jobs and erode local democracy — is astounding. We believe it is essential to correct the multiple factual errors in Congressman Polis’ recent and misleading guest commentary [RE: “Towards a smarter, more progressive approach to trade,” Guest Commentary, May 14) regarding the TPP. Fast Track is a legislative procedure that surrenders meaningful Congressional oversight of trade deals. It allows the Executive Branch to negotiate and sign trade deals and then present the finished product to the Congress for a take-it-or-leave-it vote. Congressman Polis refused to endorse last year’s bill, but he contends that the legislation introduced in April is new and improved Fast Track, which he (and he alone) calls “Smart Tracks.” But the bill he now supports is substantially identical to the flawed 2014 Fast Track and even the 2002 Bush-era Fast Track — including some of the provisions that he contends are brand new. Congressman Polis is heartily supporting legislation written by conservative Senator Orrin Hatch (R-Utah) and

former Republican vice-presidential candidate Paul Ryan (R-Wis.). Senator Ron Wyden is the only Democratic cosponsor in the Senate and it is bitterly opposed by progressive stalwarts like Senators Elizabeth Warren (D-Mass.), Bernie Sanders (I-Vt.) and Sherrod Brown (D-Ohio). The Hatch-Wyden-Ryan improvements are mere legislative window dressing that do little to ameliorate Fast Track’s fundamental structural flaws. Senator Wyden’s counterpart in the House of Representatives, Congressman Sandy Levin (D-Mich.), ranking member of the House Ways and Means Committee, considered the dean of trade policy in the Democratic caucus said that Fast Track “puts Congress in the back seat and greases the skids for an up-or-down vote after the fact. Real Congressional power is not at the end of the process, it is right now when the critical outstanding issues are being negotiated.” But let’s examine some of the provisions that Rep. Polis deceptively highlights as significant improvements: First, Congressman Polis extolls an alleged escape hatch for bad trade deals that provides a “meaningful way for Congress to ‘turn off ’ bad trade deals.” This opt-out clause is purely symbolic. It does not allow the entire Congress to see GUEST COMMENTARY Page 7

Boulder Weekly

guest column GUEST COLUMN from Page 6

vote to reject a trade deal under Fast Track unless the trade committees (the House Ways and Means and Senate Finance committees) first vote to nix the deal. These venues are unabashedly pro-trade and will never vote against a trade deal, which means that the full Congress won’t ever get a chance to prevent a trade deal being considered under Fast Track. Second, Congressman Polis promises that the new Fast Track ensures that any trade deal would have enforceable labor and environmental provisions “at their core.” But the language on labor and environmental enforcement is largely identical to the 2014 and 2002 Fast Track. Both these prior bills contained the feel-good language to “promote respect for worker rights,” uphold “core labor standards” and “protect and preserve the environment.” These pretty words have proved to be pretty worthless when it comes to actually enforcing labor and environmental standards. The reason is that the language is not binding on the White House, so it can present a trade deal that fails to ensure that trade partners uphold international labor standards or enforce international environmental agreements. The current Fast Track lacks the stronger provisions included in some recent trade deals designed to allow the United States to bring trade disputes to enforce environmental and labor promises. Unfortunately, these measures have not succeeded in ensuring our trading partners actually uphold their own labor and environmental laws. Countries have been able to ignore even gross violations of labor and environmental laws without running afoul of trade deals. Even the Obama administration has failed to doggedly pursue environmental complaints under the Peru trade agreement and violence against union leaders in Colombia under that trade deal. Third, Congressman Polis promises that “no trade deal can undermine federal law, state law, local law or our national sovereignty.” He has received assurances from the White House, but so have the rest of us. We are unwilling to suspend disbelief in the face of demonstrable evidence that trade deals can and do undermine U.S. laws. This month, the United States lost another round of a trade disputes challenging our country of origin labeling laws for beef and pork. Consumers overwhelmingly want to know the origin of their food and farmers want to be able to tell them, but the World Trade Boulder Weekly

Organization ruled that these commonsense rules are actually a trade barrier. The Secretary of the U.S. Department of Agriculture has recommended that Congress repeal or weaken the labeling law to obey the ruling of trade bureaucrats. This capitulation to trade deals on food labeling is not an aberration; the United States has weakened its dolphin-

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safe tuna labeling rules, fuel economy standards and Clean Air Act rules to comply with trade disputes. Finally, Congressman Polis insists that the trade deal will not give special rights to foreign corporations. But leaked TPP investment provisions do give foreign companies the ability to challenge federal, state or local regula-

tions that frustrate their business plans. If a local community bans fracking, a foreign drilling firm could demand financial compensation for the money it planned to earn from fracking because the new environmental protections “indirectly expropriate” their profits. see GUEST COMMENTARY Page 8

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This is not some law school hyposhould read his behavior as a calculated thetical case. A U.S. incorporated drillpolitical decision: he is willing to toss ing company is challenging the workers, the environment and his conCanadian province of Quebec’s morato- stituents’ opinions overboard to curry rium on fracking under a similar invest- favor with President Obama and the ment provision under the North multinational corporations that played a American Free Trade Agreement. significant roll in drafting the TPP. And Nobel Laureate Joseph Stiglitz voila! These friends can pave the way to described these polluter protection ever-higher levels of power within the measures as an corporate wing of “invidious and the Democratic most dishonest” party. part of free trade This is not the agreements. And first time they are special Congressman Polis rights for foreign has sold out his firms, as efforts by constituents. Barely POLIS INSIST THAT domestic firms to 10 months ago, the FAST TRACK FOR hold environmenCongressman cut tal, public health an 11th-hour, backTHE TPP IS A GOOD and consumer proroom deal with IDEA, DESPITE tections hostage to Governor OVERWHELMING lawsuit extortion Hickenlooper to were blocked durstrip Coloradans of EVIDENCE TO THE ing the Clinton their right to vote CONTRARY? administration. to protect themCongressman selves from frackPolis is putting liping. Then, the stick on a pig. The Congressman current Fast Track assured us that with legislation to jam the Governor’s Blue the TPP through Ribbon Oil and Gas Task Force: “Citizens will have a Congress is not “smart,” it is a retread of seat at the negotiating table. They will the same process that was used to pass be able to negotiate directly to protect NAFTA and several other free trade their property rights, home values, clean deals that have jeopardized workers, the water and air quality with the oil and environment and our communities. gas industry.” Today the Task Force’s Calling the bill “Smart Tracks” is a Polis own members admit it failed to enact marketing gimmick, like calling the any meaningful changes; the legislature privatization of social security “entitlefailed as well. In the intervening 10 ment reform” to conceal a reactionary months, thousands of new wells have agenda from a legitimately skeptical been permitted next to homes, schools public. and public parks. Congressman Polis’ Why employ these euphemisms? betrayal did nothing to stop fracking in Because Congressman Polis knows our state. there is overwhelming, broad-based Fool us once, shame on you, opposition to fast tracking the TPP: Congressman Polis. Fool us twice, Nationally, over 2,000 labor, environmental, consumer and even tea party shame on us. Based upon words, actions groups have expressed their opposition and deeds, Coloradans cannot trust to this bill. Literally thousands of Congressman Polis to protect his conCongressman Polis’ own constituents stituents’ interests on stopping fracking, have emailed, called, written and lobcreating jobs, protecting the environbied him to oppose this bill. For the ment or safeguarding our local democpast year-and-a-half, Congressman racy from the TPP. It’s time for us to Polis has dissembled his true intentions start referring to him as Congressman on Fast Track and now engages in rhePinnochio. torical gymnastics to justify his support Sam Schabacker is the Western Region for this deeply unpopular idea. Organizing Director for Food & Water Why does Congressman Polis insist Watch. that Fast Track for the TPP is a good Mike Roque is the Executive idea, despite overwhelming evidence to Director of Colorado Progressive the contrary? Perhaps to further his Coalition. admitted interest in climbing the leaderThis opinion column does not necessarily ship ladder in the Democratic Party. We reflect the views of Boulder Weekly.

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Obama’s silly speech by Paul Danish

he most charitable thing that which he suggested in his speech are can be said about Barack happening right now? Obama’s graduation address Proposed federal funding for a sysat the U.S. Coast Guard tem of dams, dykes and sea-walls to proAcademy is that it was silly. tect low-lying coastal cities full of At a time when Islamic militants are Democrats that are vulnerable to sea rampaging all over the Middle East, in level rise? no small part due to Obama’s incompeUsed the bully pulpit to encourage tent military and foreign policy decision- the introduction of genetically modified making, and in the same week that the crops that are heat and drought tolerant? cities of Ramadi in Iraq and Palmyra in If climate change is the most urgent Syria fell to Islamic State savages, threat to national security, all of these Obama chose to tell the graduating steps would be obvious. cadets that its climate change that poses Still, Obama was on to something “an immediate risk to our national secuwhen he tried to link climate change to rity” and constitutes a challenge that national security. “perhaps more than any other, will shape American presidents have been makyour entire careers…” ing the case for public works projects Just what does and social proObama expect the grams in terms of Coast Guard can national security since the New do about climate “NATIONAL SECURITY” Deal. The list change — sail a TO “CLIMATE CHANGE,” includes federal aid cutter up the to higher education Yangtze River blastHE LINKED NATIONAL (The National ing away at any SECURITY TO THE Defense Education Chinese coal-fired PROBLEM, NOT TO THE Act of 1958), the power plants that Interstate Highway might show themSOLUTIONS TO THE System (The selves? PROBLEM. If Obama seriNational Defense ously thinks climate Highway Act of change is a more 1955), The urgent threat to Tennessee Valley national security than the Islamic State, Authority (the electricity was needed for al Qaida, al Nusra, the Taliban, defense plants in case of war), the School Hezbollah, Boko Haram, al Shabaab, the Lunch Program (Truman started it Houtis, the Islamic Republic of Iran, because so many men flunked their draft Putin in Ukraine or the escalating physicals due to malnutrition), the Peace China-Japan confrontation in the South Corps and the space program, among China Sea, his judgment is so profound- others. ly haywire that Congress should consider Notice that in all of the above examples the link is between national security invoking the 25th Amendment (that’s the one dealing with presidential disabil- and the solution to a national security problem, not to the problem itself. ity) and replace him with Joe Biden. Obama made a mistake here. In (Yeah, that bad.) linking “national security” to “climate Of course, it’s highly doubtful change,” he linked national security to Obama really believes climate change seriously. If he genuinely believes climate the problem, not to the solutions to the problem. Americans are a lot more change is the country’s most urgent impressed by a President’s solutions than national security threat, why hasn’t he: by his problem-identification skills. Asked Congress to pass a crash proWhat Obama should have done is gram to replace all the coal-fired power make the link not between “national plants in the United States with nuclear security” and “climate change,” but plants and, to the extent possible, wind between national security and the carand solar generating capacity? bon-free technologies that will be used Made rebuilding the nation’s electrito combat climate change. cal grid a national priority? In fact, he needn’t have mentioned Called for building a national netclimate change at all. work of desalination plants to prepare for the drought conditions that climate see DANISH PLAN Page 10 change is expected to create — and

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Civic use space

What does “exploration of circumstances when the space could be used for free” mean with regards to the civic use pad? I am still wary of the non-profit community being screwed on this deal. What Latino groups have you reached out to? What churches have you reached out to for suggestions? What does the human relations commission have to say about this deal? I fully expect the working people of this town to be shut out of use of this facility. It’s up to you, council. By the way, I seemed to have jumped the gun on congratulating you all for restoring hours to the library. I did not realize that the early opening of the library branches would be that they would also close early (8 p.m. instead of 9 p.m.). I expect the civic use pad agreement will involve the same kind of “shuck and jive” agreement. Respectfully submitted, —Timothy Thomas/Boulder

To whom it may concern (you know who you are)

Your personal, cowardly, anonymous and public threats to Ms. Boone over her engaging, entertaining, important and thoughtful Ignite Boulder presentation represent the worst of humanity and community. While I did not agree with all of Ms. Boone’s presentation, I absolutely value her right (and yours) to free speech. However, the difference between Ms. Boone’s public presentation and your threat, is the very personal and

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There is a very compelling national security argument for the deployment of solar and wind energy systems and for a much more decentralized electricity production and distribution system without ever uttering the words “climate change.” Big, centralized power plants and regional scale grids are sitting ducks for enemy attack by terrorism, conventional sabotage, cyber sabotage and attacks with electromagnetic pulse weapons. The last affect whole regions of the country and frog march tens of millions of Americans back into the good old days. Decentralizing a substantial part of the country’s generating capacity — by installing it on millions of rooftops and on tens of thousands of wind turbine towers and distributing power

negative nature. Unlike your quasianonymous threat, I am going to work very publicly to bring attention to your nastiness and ensure your “Boulder Neighbors” know just what kind of free-speech hating, spiteful person you truly are. Enjoy the rain. Your Boulder Neighbor — Mark Gelband/Boulder

Colorado could be next California

Water restrictions, dead crops, lost jobs — these could be in Colorado’s future. The historic drought crippling California is creeping its way east, and parts of the Centennial State are already struggling. To help avoid California’s fate, Coloradoans must face facts: beef and dairy are sucking up water at an alarming rate. From watering crops grown to feed cattle to providing animals with drinking water and more, the beef and dairy industries place a serious strain on Colorado’s water supply. It can take up to 2,000 gallons of water to produce one pound of beef, and nearly 900 gallons to produce a single gallon of milk. (By contrast, it takes less than 50 gallons of water to produce a gallon of soy milk.) But far from reducing the impact of beef and dairy, Colorado increased its cattle population in 2015. Coloradans can help save substantial amounts of water just by eating vegan foods instead of beef, dairy and other animal products. For information on how to go vegan, please visit PETA.org. — Jennifer Bates, PETA Foundation/ Norfolk, VA

danish plan through community scale micro-grids could limit the damage and speed the recovery. Americans aren’t going to spend a lot of money chasing the chimera of preventing climate change or trying to undo it; the latter will take at least 200 years to produce noticeable change. However, Americans are willing to undertake mega-projects in the name of national defense, especially if those projects produce immediately tangible and noticeable results. And they will willingly pay a premium for technologies that can be shown to contribute to national security — and if those technologies reduce the country’s carbon foot-print in the bargain, well so much the better. Boulder Weekly

news briefs FDA considers expanding drug tests for milk The Food and Drug Administration is considering ramping up testing of milk to look for a wider scope of veterinary antibiotics. Growing public concern about antibiotics in dairy products prompted the FDA to conduct a study of almost 2,000 milk samples from across the country looking for 31 different drugs. More than 99 percent of the samples were drug-free, but the remaining samples (less than 1 percent) had traces of two drugs that aren’t part of routine testing. Current testing checks for a minimum of four out of the six beta-lactam drugs — the most common veterinary drugs used on dairy cows — that were found in the samples. The FDA is looking into testing for newer drugs that have been approved for dairy cows since testing standards were created in 1992. “There’s a need to look at other drugs, besides beta-lactams, that are not being tested for,” said Stephen Beam, leader of the executive board of the National Conference on Interstate Milk Shipments, to Reuters. None of the six drugs detected in the study were approved for use in lactating dairy cows, according to the FDA. Giving dairy cows two of the drugs — ciprofloxacin and sulfamethazine — is illegal. Milk from cows on antibiotics is supposed to be discarded, so the FDA has not determined what levels of residue from the detected drugs are safe for humans. The FDA is seeking public feedback by July 29 to decide how to proceed with new testing regimes. —Mollie Putzig

Save the birds and the bees Bees, bats, birds and butterflies are responsible for every third bite of U.S. grown food, and President Obama wants to keep them in business. The problem is that honeybees are dying at an alarming rate. An annual survey of beekeepers conducted by the Bee Informed Partnership showed a loss of 42.1 percent of colonies between 2014 and 2015. Most concerning to many, however, was that honeybee deaths spiked last summer, outpacing winter deaths for the first time. Honeybees alone contribute $15 billion to agricultural revenue annually, according to a May 19 White House report. The report outlines a strategy to protect pollinators based on a yearlong study of the serious decline in bees and butterflies. “You can’t replace bees with a microrobot or an iPod or an app or anything,” said Sam Droege, U.S. Geological Survey wildlife biologist and bee expert, to National Geographic. “We are completely dependent on bugs to retain the human race.” Obama has personal stake in the life of bees, with a White House beehive producing honey for his homebrewed beer. The President’s Pollinator Health Task Force, created in June 2014, found that climate change, disease, shrinking habitat and misuse of pesticides are behind the pollinators’ decline. To bring pollinators back from the brink, the strategy lists three goals: reduce winter honeybee deaths, increase the monarch butterfly population and restore 7 million acres of pollinator habitat. The President’s 2016 budget requests $82 million for pollinators. The money would go in part to planting pollinator-friendly gardens around federal buildings and researching effects of pesticides. However, some environmental organizations claim the White House plan misses the mark by not taking stronger action on pesticides. “The Administration set ambitious goals to stem bee declines, but without more meaningful action to restrict neonicotinoids and other bee-harming pesticides, it’s hard to imagine how the Task Force will make good on its promises,” wrote Lex Horan, a spokesperson for Pesticide Action Network, in a press release for the Pesticide Action Network North America. Colorado pollinators can look forward to part of the strategy calling for native seed mixes to be put in reserve for post-fire restoration. Bringing bees back to burned areas will help ecosystem and pollinator recovery alike. —Mollie Putzig Boulder Weekly

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14 May 28, 2015

5/21/15 1:04 PM

Boulder Weekly

news

Michael Grab

Michael Grab has been building sculptures from balanced rocks in Boulder Creek for seven years. This weekend, police told him what he was doing might be violating city codes and destroying public property.

City codes and art strike a balance

Stone balancing threatened with citation during Boulder Creek Festival by Elizabeth Miller

tone-balancing artist Michael Grab, who’s impromptu sculptures are known to frequent Boulder Creek, was stopped during the Boulder Creek Festival by a Boulder police officer who told him he couldn’t balance rocks in the creek, citing two Boulder City Codes, one against rolling rocks and one on destruction of public property. Boulder City Attorney Tom Carr says he wasn’t sure whether the police officer was contacted by someone or acting of his own initiative, but the officer did contact the city prosecutor’s office to ask if there was anything Grab could be cited with. “He was concerned about the environmental effects of moving rocks around in the rivers, particularly during high waters,” Carr says. Grab was given a warning, but not cited, Carr says. Grab has been working for the last seven years creating art based on balancing stones and practices regularly in Boulder Creek. He has performed the

art across the world, including a live performance for financial leaders at the World Economic Forum in Switzerland. He spent Saturday, May 23, balancing rocks in front of an audience crowding the banks of Boulder Creek, returned to do the same on Sunday morning when at around 11

really making dams or anything, it’s just balancing some rocks up that fall right back down.” Grab makes a point of knocking down his sculptures before he leaves the area, and encourages anyone who balances rocks to make towers to knock them down before they leave a site to prevent them from becoming a risk to passers-by and therefore being seen as a liability to local government agencies. “I actually knock over any that I see left standing,” he says. “They could be dangerous if they fall on somebody.” In seven years, his previous encounters with the police have been largely positive. Just one encounter at Eben G. Fine Park ended in an affirmation that he would take down sculptures before he left. The encounter with the police during the Boulder Creek Festival ended in the officer telling him that he would check with the city attorney’s office, and in a Tuesday morning phone call, Grab was informed that the police officer’s interpretation of the codes was

“IT’S JUST BALANCING SOME

ROCKS UP THAT FALL RIGHT BACK DOWN.” — MICHAEL GRAB, PROFESSIONAL ARTIST

Boulder Weekly

a.m., two police officers passing by said he wasn’t allowed to balance rocks. “The codes, if they’re interpreted a certain way, then moving rocks is not a good idea. But I think part of that code was actually implemented because in the past there were some people here and there that started building kind of dams through the creek and there’s some kind of rule about altering creek flow,” Grab says. “I think rock stacking is kind of confused with that. It’s not

true: People could be written-up for balancing rocks in the creek. That’s when Grab went public, posting to his Facebook page a lengthy recounting of the event and asking people to contact city offices to voice their objections to the decision. “We started getting calls from all over the world including one from Hong Kong, so I sat down and read the code,” Carr says, “And it doesn’t seem to apply to stacking rocks.” He told the prosecutor’s office there was no way to prosecute Grab based on those codes, and called Grab with the same news on Tuesday afternoon. “It’s a long-standing tradition in Boulder for people to balance rocks, even way before I started, and there’s also a lot of other people out there that also practice it,” he says. Had it gone the other way, he says, “I would leave the city. Go to somewhere where it is allowed.” “These things happen and we try to resolve them, I think we resolved this within a few hours,” Carr says. “I think a lot of people kind of enjoy seeing the rocks stacked, and if there’s a concern, it should be addressed as a policy issue and not by my office trying to go after it.” May 28, 2015 15

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16 May 28, 2015

Boulder Weekly

news Protecting Boulder’s wetlands to prevent future floods A loophole in the Clean Water Act leaves wetlands vulnerable by Mollie Putzig

Courtesy of Boulder Open Space and Mountain Parks

etlands in Boulder County’s flood prone areas have enough room to hold the water from seven average storms, according to an Environment Colorado report. But a loophole in the Clean Water Act has left wetlands vulnerable to development and pollution for almost a decade. Boulder is no stranger to floods. With record precipitation this May, wetlands’ ability to absorb floodwater is increasingly important. “We actually have a huge amount of wetlands in Colorado and coming out of the flooding in 2013, we really Wetlands in Boulder County one year after the 2013 floods. saw them get pushed beyond the brink,” says Kim Stevens, state the Clean Water Act protects more dif- late. Officials expect the rule to be director with Environment Colorado. ficult. The 2006 ruling said waters had finalized any day. During heavy storms, water rushes to have a “significant nexus” connecting “It would be the biggest victory for into low-lying wetlands, which hold off them to “navigable waters,” which the clean water in over a decade,” Stevens floods by acting like a sponge soaking Clean Water Act regulates. But no one says. up water. Wetlands also serve as natural knows what significant nexus or navigaThe EPA released a study supportwater filters, removing pollutants like ble water actually means. This uncering the rule, which found that seasonal heavy metals, pesticides and fertilizers. tainty leaves more than 60 percent of headwaters, small streams and wetlands Floods are the most common natuU.S. streams and wetlands unprotected, significantly impact larger bodies of ral disaster in the United States. They according to the Environmental water that people use for drinking, agricause an average of $8 billion in damProtection Agency. culture and recreation. ages and 82 fatalities per year, according Wetlands in Boulder are found “The objective of the Clean Water to the National Weather Service. along streams and as isolated wet Act is to restore and maintain our Boulder County will spend $217 milmeadows where wetland plants like nation’s waters,” says Karen Hamilton, lion on recovery from flooding that sedges and rushes grow. chief of the EPA’s aquatic resource prooccurred in September 2013. Boulder’s “It could just be a temporary [wettection and accountability unit. “In wetlands held back more than 3 million land], where the soil is saturated for a order to restore or maintain your downgallons of the water that filled Boulder few weeks during the growing season,” stream waters, obviously you need to during those rains. says Jennifer Kesler, plant ecologist with protect your upstream waters that pro“In Colorado, as our population is Boulder County. “So there may not be vide any sort of connection that can about to increase in a pretty huge way, we any water on the surface. It just might move pollutants downstream.” be the soil that’s saturated.” need to make sure that we have safeBy clarifying that Clean Water Act These are the waters that the Clean guards intact for our wetlands that in regulates small streams and wetlands, most cases are along waterways and plac- Water Act loophole leaves vulnerable. even ones that are usually dry, more es that people want to live,” Stevens says. New buildings and parking lots change waters will naturally face regulation, how water flows and what is in that Before the Clean Water Act, wetwhich has people worrying about what water. lands were often seen as a hindrance to they’ll be allowed to do with their “Wetlands can handle some sedidevelopers. They were drained and land. filled in to make way for progress in the mentation and wetlands are known to be Some of the strongest opposition to form of cities and agriculture. The able to filter pollutants out of water,” the rule is led by the American Farm Clean Water Act made protecting water Kesler says. “But they have a tipping Bureau’s social media campaign Ditch a priority, requiring permits for altering point where they can only handle so the Rule. They are concerned that the wetlands. Developers had to make up much.” rule would make farming more difficult for any unavoidable damage to wetlands In March 2014, the EPA and U.S. by regulating everything from ditches by constructing new ones. Army Corps of Engineers proposed the to puddles. Supreme Court cases in 2001 and “clean water rule” to close the loophole The EPA responded with a Ditch 2006 made determining which waters by clarifying which waters they reguthe Myth campaign, saying that exempBoulder Weekly

tions for agriculture will remain as they have for nearly 40 years. “If you’re a farmer or a rancher and you are, say, applying fertilizer to your land, you have a rainfall event and it runs off, that’s not regulated,” Hamilton says. “You have cows wandering through your ditches or your streams, that is also not regulated.” Bill Midcap, director of external affairs at the Rocky Mountain Farmers Union, also says the expanded regulation won’t hurt farmers. “[Agriculture] is basically exempted from almost everything in the rule, with the exception of dredging and filling, spraying chemicals or depositing harmful materials into what is perceived as a creek bed or wetland,” Midcap says. “It’s just common sense things that you would not do to your water.” But not all farmers oppose the rule. “Clean water is what we need to raise food — raise your food and my food,” Midcap says. “So Farmers Union, although only one of the few [agricultural] organizations, supports the rule.” The rule also faces resistance in Congress, where multiple bills have been proposed in opposition, saying the EPA is overstepping. One such bill, sponsored by Rep. Bill Shuster (R-Penn.), passed the House on May 12, and moved on to the Senate. “Polluters and their friends in D.C. are really fighting tooth and nail to make sure that this rule doesn’t get finalized or that it gets undercut immediately after it does get finalized,” Stevens says. Without the clean water rule, many like Stevens worry that seasonal streams and wetlands that dry up in the Colorado sun are at the mercy of expanding development. “Wetlands do a lot to protect us and our communities from flooding,” Stevens says. “So we should make sure that we’re doing all we can to protect them.” The U.S. Corps of Engineers’ clean water rule was approved Wednesday, May 27 and should help to protect the wetlands described in this story. May 28, 2015 17

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Boulder Weekly

news Climbing for Carleen

One family’s mission to change the way people think about hepatitis C by Caitlin Rockett

Courtesy of Climbing for Carleen

n 2011, Carleen and James McGuffey Then there’s transmission via unsafe had just moved to Colorado Springs injection practices, which do often come from Texas when they found out from drug use — but James says folks Carleen was pregnant with the coushouldn’t dismiss getting tested simply ple’s sixth child. because they’ve never used intravenous They were ecstatic. drugs. But it wasn’t long after that they found “Tattoos are a big, big deal,” James out during a routine pregnancy checkup says, adding that this can be a particular that Carleen had hepatitis C. problem in prisons. “It was a doctor that checked every box In 2012, researchers with the CDC — it was purely accidental [that we found analyzed death certificates filed between out],” James McGuffey says. “We kind of 1999 and 2007 and found that hepatitis made fun of [the doctor] because she testC-related deaths outpaced HIV deaths ed [Carleen] for everything. After that it during the time period. wasn’t anything that was on the forefront As for Carleen, she received a blood of our minds — we weren’t that concerned transfusion in 1988. But the stay-at-home about it. Even though they told her about mom and Sunday school teacher also had a it, they didn’t say anything [else] about it.” past that included using drugs as a teenager in Houston. It turns out Carleen had been living James McGuffey and his son Kendell have been using Colorado’s numerous “I never looked back, and decided with the virus for more than 20 years. 14,000-foot peaks to train for their upcoming trek to Mount Shasta. never to share my past unless I thought Since discovering that Carleen has hepatidoing so would help someone,” Carleen tis C, the McGuffey family has learned wrote this past March in a personal story for Hep, a how common her experience is: spending decades you’ll say, ‘You need to get tested.’ And they say, publication that serves as an educational and supportunaware that a virus is silently destroying the liver, ‘There’s no way I’d have that.’ That’s their first increasing the risk of liver cancer and cirrhosis. They response,” James says. “[And then you ask,] ‘Have you ive resource for those living with viral hepatitis. “I didn’t want my party days to be a badge of honor or a learned how strong the stigma against the virus is — ever been in a war? Been to the dentist? Had your source of glory or pride.” many people associate it solely with the use of intrave- nails done?’ And you go through that list and then Upon being diagnosed in 2011, Carleen soon saw nous drugs — the surprising number of people in the they start thinking, ‘Well, there’s a possibility.’” United States who carry it, the lack of understanding Hepatitis C (HCV) is a liver disease caused by a the burden of stigma — her father changed the subin the medical community about it and the difficulty bloodborne virus. It wasn’t discovered and properly ject when she told him, and while her mother would many people face in obtaining treatment. categorized until 1989. The virus can cause mild permit Carleen to speak about it, she only listened After watching his wife suffer through extreme inflammation that lasts only a few weeks, to lifelong silently, providing no comforting words. pain, poor medical advice and a botched liver biopsy, illness that can lead to liver cancer and cirrhosis (scarSo sharing her story and being a vocal advocate James decided to take action last year. He began a ring of the liver). The Centers for Disease Control for hepatitis C was never part of Carleen’s plan. But it campaign he dubbed Climbing for Carleen to raise and Prevention (CDC) report that for reasons still was her family’s passion for supporting Carleen that awareness for liver diseases — in particular hepatitis unknown, about 20 percent of the population infected made her realize telling her story was important. C. The idea was simple: climb mountains and raise with HCV is able to clear the virus on their own with “The whole family is excited,” Carleen wrote in funds for the American Liver Foundation. Their work no treatment within the first six months of infection. her personal story. “My 12-year-old often draws me pictures in yellow and red, a nod to the hep C awarewould help dispel misconceptions, promote testing However, most people with HCV develop chronic and organ donation, and connect people with the sup- infection that persists throughout their lifetime. Even ness colors. He also passes out pamphlets about hep C port and treatment they need. It started with James those with chronic hepatitis C rarely look or feel sick, and is already signing up sponsors for a Liver Walk and the oldest McGuffey child, Kaleb, climbing meaning they rarely seek medical treatment. By the that is still months away. My 15-year-old daughter sat Mount Rainer in Washington last June. This June time there are noticeable symptoms — fever, chronic outside Wal-Mart to raise awareness. My 7-year-old 5-8, 12-year-old Kendell McGuffey will join his fatigue, decreased appetite, upset stomach, nausea, went door-to-door sharing pamphlets from the father in the Liver Life Challenge Mount Shasta dark urine, grey-colored stool, joint pain, yellowing American Liver Foundation. So, whether I like it or Climb as the youngest American Liver Foundation skin and eyes — it’s usually a sign of advanced liver not, I am a patient advocate because God gave me advocate to undertake the organization’s annual disease. this passionate, selfless group of people — my own mountaineering trek in California. “The CDC says that over 5 million have it, supfamily members who are determined to make a differ“He’s just doing everything he can to be an advoposedly, not counting the prisons and the homeless, ence.” cate,” James says of Kendell’s philanthropic work, which they never include in their statistics, but it’s When James speaks of the work that his 12-yearwhich has included knocking on doors to raise money really more like 8 or 9 million people. It’s a big numold son Kendell has been doing to raise awareness for for last year’s Liver Life Walk (Kendell is currently ber,” James says of the incidence of hepatitis C in HCV, his pride is unmistakable. raising money for this year’s walk in Denver), tabling America. “He has no shame,” James says. “For the Liver in front of businesses and, of course, training for The CDC says that Baby Boomers are the largest Walk [coming up] in August, he’s knocked on doors climbs like the upcoming Mount Shasta fundraiser. and raised $800 or $900, like, six months before the demographic living with hepatitis C, and while the The McGuffeys often use the words “liver disease” reasons for this are not completely understood, it’s thing. He’s not at all embarrassed to say hepatitis C when writing and talking about their work — a delib- believed that many could have been infected by blood — I’m not either, but we still have to use wisdom erate choice on their part. transfusions prior to 1992 when widespread screening See CARLEEN Page 20 “[When talking to people about hepatitis C,] of the blood supply began. Boulder Weekly

May 28, 2015 19

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when we’re talking with people and trying to communicate about fundraising. When you say hepatitis C you can see it,” James says of the look that crosses people’s faces. “They haven’t been educated about it. That’s what it boils down to.” As for Kendell, he says there was some fear when he began campaigning. “I thought that at first if they’re going to be negative, what will they think if they know that my mom has hep C?” he says. “But you just keep asking and you just keep raising more awareness.” For the McGuffey’s, watching Carleen’s struggle has been too personal, too real to be silent about. After she gave birth to the youngest son, Kyle, Carleen underwent a liver biopsy later that year to determine the damage that had been done to her liver after more than 20 years with HCV. What happened next would shape the next few years for the family. During the routine outpatient procedure to obtain a small piece of Carleen’s liver for testing, the surgeon unknowingly nicked an artery. Carleen woke up in severe pain, but for hours no one could pinpoint why. It was the next day at around 11 a.m. when they discovered Carleen was bleeding internally. James says fixing the problem was far riskier than the procedure that led to it, and Carleen had to endure numerous nights in the ICU and two procedures to repair the internal bleeding. She was essentially bedridden for a year.

The effect was palpable for the family, especially with a new baby in the house. Kyle was only 6 weeks old when Carleen’s biopsy went awry, and Carleen was unable to hold him, let alone breastfeed him. “My dad and my aunt honestly didn’t let us on to everything that was happening until later, so I didn’t know it was that big of a deal until after they came home and then we started realizing she almost died,” remembers 16-year-old Kelsey. “The whole process afterward was a bit of a struggle because my mom wasn’t able to help out as much.” James says that the family has been fortunate that his small garage door business has been relatively self-sustaining in the time since Carleen’s diagnosis and illness. But even with income to keep the family afloat, getting the medication Carleen needed to treat the hepatitis C virus was complicated. Late last year, a company called Gilead Sciences released a new hepatitis C drug called Harvoni, which has a cure rate of more than 90 percent of those infected with hepatitis C. However, in the U.S., Harvoni can cost as much as $1,000 a pill, totaling more than $90,000 for complete treatment depending upon the prescribed regimen, which is often eight to 12 weeks. Media outlets such as The New York Times and the Wall Street Journal have reported that insurers are denying many patients access to the drug, deeming it medically unnecessary because their livers aren’t scarred badly enough. “It’s a crazy thing because Boulder Weekly

Courtesy of Climbing for Climbing

news

RTD PUBLIC MEETINGS Proposed Service Changes for August 16, 2015

We want your input.

Please plan to attend a public meeting. Denver RTD Administrative Offices 1600 Blake Street Rooms T&D Wednesday, May 27, 2015 Noon and 6:00 p.m. Carleen McGuffey stands with five of her six children as they bring awareness to liver disease.

Medicare/Medicaid right now are refusing to [provide Harvoni] unless you have cirrhosis and you’re dying, then they’ll give you the medicine, which is totally nuts because the majority of people on Medicaid/Medicare are the poor,” James says. But it’s not just Medicare and Medicaid — on May 26, The Wall Street Journal reported that two women were suing Anthem Blue Cross for refusing to pay for the Harvoni treatment. “My doctor applied on my behalf three times and he was denied three times,” Shima Andre, one of the women, told The Wall Street Journal. “My liver doesn’t have any damage yet, but that’s the whole point — I want to keep it that way. The drug would prevent the damage that the insurance company wants me to have before they approve the treatment. It’s backwards. “ To further complicate the situation, there are six different strains — genotypes — of hepatitis that each respond differently to treatment and require different lengths of treatment. Older treatments for HCV included interferon shots, which are self-administered three to five times a week for as many as 48 weeks. The side effects for these treatments can be unbearable for some patients — some report extreme mood swings, loss of hair and flu-like symptoms — leading them to stop taking the drug. With Harvoni, the reported side effects are far milder and the treatment regime shorter, but the cost seems to be encouraging health plan providers to try to control who has access to the new drug. The McGuffeys dropped their Boulder Weekly

insurance and were able to eventually obtain Harvoni through Gilead’s Support Paths program. James says he’s keeping faith that the medicine will work for Carleen and will clear the virus from her system. He says they can see an improvement already — she’s taking fewer naps than she used to. Nevertheless, they will keep working to spread awareness about hepatitis C. They have plans to climb a volcano in Mexico this summer, and hope to travel and climb abroad and see if they can take their fundraising work to other countries that need help. There’s even talk of a cross-country excursion with the whole family in tow, stopping at different cities and setting up opportunities for people to get tested for HCV. “[Carleen] said the other day, ‘Never would I have believed that you’d be the one who’d get our kids involved in service-oriented work,” James says with a laugh. “And I didn’t either, but it’s becoming more and more of a passion every day. “Here we are, we’re a big family — not the typical people that would ‘have hepatitis C,’ so how can we make an impact?” James asks. “I think we have the story, I think we have the passion now to encourage people and help turn lives around. And so that’s what we’re doing. Mountain climbing is just one part of that, but at the end of the day, what is our goal? It’s to encourage people. It’s to get up out of ourselves and try to make people that don’t have any support feel loved and tell those people it’s gonna be OK.”

Aurora Aurora Municipal Building 15151 E. Alameda Parkway Aspen Room Thursday, May 28, 2015 6:00 p.m. Boulder Boulder West Senior Center 909 Arapahoe Avenue Creekside Room Monday, June 1, 2015 6:00 p.m. West Denver Athmar Recreation Center 2680 W. Mexico Avenue Monday, June 1, 2015 6:00 p.m. Lakewood Clement Center 1580 Yarrow Street Wednesday, June 3, 2015 6:00 p.m. For details on these changes, see Proposed August 2015 Service Changes brochure on buses, light rail, and at RTD transit stations or visit rtd-denver.com. Note: Attendance at public meetings is not required to comment. You may also fax your comments to 303.299.2227 or email servicechanges@rtd-denver.com no later than Thursday, June 4, 2015.

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Boulder Weekly 5/19/2015 7:26:34 AM

Christi Turner

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So-called organic marijuana

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e only use 100 percent organic soil and nutrients.” “Quality medication, which is … chemical free.” “Consistently high-quality, organic medical marijuana.” “All natural.” These are a few claims made by some of the 10 marijuana-growing companies that Colorado investigated for pesticide-related violations this spring on the Front Range. All these growers — Organic Greens, MMJ America, Altitude East Treatments, Evolutionary Holdings, Mindful, The Green Solution, Sweet Leaf, RINO Supply, Green Cross Colorado and Livwell — were cited for violations related to either the use of prohibited synthetic pesticides, or the improper use of approved synthetic pesticides. These are some of the largest and best-known growers in the state; at best, the crackdown points to systemic negligence in Colorado’s commercial cannabis cultivation. Look at those claims again — organic, chemical-

free, all natural — and another glaring layer of neglect becomes apparent: companies claiming to use organic practices are using (and misusing) synthetic pesticides. And nearly 18 months into regulated marijuana retail sale, there is still no official mechanism for organic cannabis certification in Colorado. In the absence of such a mechanism, any company can claim to be organic — evidently even go so far as to include “organic” in its name — with no arbiter and no repercussions. “If you want to say organic, you can say it — and that’s a problem,” says Ben Gelt, a consultant and cannabis policy expert. Cannabis consumers are vulnerable to blatantly false claims, which ultimately puts their health and safety at risk. “The misuse of that word [organic] in this industry is pretty astounding,” says John Chandler, organic horticulturalist and director of cultivation at L’Eagle Services, a Denver facility committed to organic growing. Chandler is also the founder of Cannabis IPM consulting, which he thinks may be the only integrated pest-management consulting firm for cannabis in the

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Waste Farmers has produced a cannabis-specific organic soil called Batch:64. The Organic Cannabis Assocation was started, in part, because of the company’s struggle to obtain organic certification for their soil. MARIJUANA from Page 23

review process. Anything not on that list is considered illegal for cannabis — like chemical pesticides Eagle 20, Mallet and Avid, found to be in use among the 10 companies cited for violations this past spring. The CDA has the authority to inspect for and regulate the use of pesticides in cannabis, and there’s a legal gray area that’s allowed the CDA to collaborate with both the federal and state office of the Environmental Protection Agency to develop the list criteria and apply it to their enforcement of Colorado’s Pesticide Applicator’s Act and the Federal Pesticide Worker Protection Standards in cannabis grows. It was the CDA that alerted the Marijuana Enforcement Division and the Department of Environmental Health to the potential grower violations this spring. These are vital layers of protection for workers, consumers and the environment in the realm of cannabis cultivation. But that’s about the extent of it. Although it’s not only a pesticide-use regulator but an organic certifier for other crops besides cannabis, the CDA does not conduct organic certification

for marijuana because of its status as a federally illegal Schedule 1 substance. “There is no government agency, beyond telling you what the absolute worst [pesticide] you can’t use is, that’s regulating what’s going on,” Maxfield says, and it’s worth adding that none of these pesticides have actually been tested on marijuana. And when growers use “approved” synthetic pesticides but make organic claims, it incenses him. “If you want to do the shit you’re doing, do it,” he says. “Just don’t do it and tell people that you’re organic, because you’re abusing public trust.” Right now, growers can’t substantively differentiate themselves, and consumers can’t reliably tell the difference among them. “Part of what needs to happen, and will happen, with the maturation of this industry, is that a broader spectrum of quality will come into the clear,” Gelt says. That’s where the OCA comes in. Structured as a nonprofit trade association, the OCA is designed to allow marijuana businesses to differentiate, at least between organic (synthetic-pesticideBoulder Weekly

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free) and traditional agriculture, and to foster the same public trust the organic movement has helped sow in the realm of food. With consumers more educated and empowered than ever to make food choices based on growing methods and inputs, the OCA believes it can quickly close that gap for cannabis. The OCA won’t yet say exactly how the certification process will look, but broadly speaking, the initial six-week inspection process will lead to a oneyear organic certification, including at least three random audits annually. It’s designed to mirror the standards, requirements and philosophy of USDA organics, while reducing paperwork, relative cost and the duration of the inspection/approval period. OCA’s lead technicians are experienced organic certifiers and former certified organic farmers themselves. Laboratories with LCMS — which stands for liquid chromatography-mass spectrometry, an advanced technology able to pinpoint the presence of a vast range of chemicals — will partner with the OCA to test for pesticides, adulterants and chemical inputs. They’re cautious about revealing too many details until the launch is official. Especially in the wake of the crackdown, many growers are anxious for a structure like OCA to emerge. “The most important service an independent organization could provide to the cannabis industry is a pesticideBoulder Weekly

free certification,” says Devin Liles, vice president of production at The Farm, where organic integrated pest and disease management is a core company value. “This is what the Organic Cannabis Association is setting out to do, and we’re interested in being a part of the process.” John and Amy Andrle, founders of L’Eagle in Denver and outspoken proponents of organic cultivation, have supported the OCA since its inception. “You can fog a room with pesticides and get done what takes me three full days of man-hours,” John says. “The safest, most wonderful thing about us is all of our [plant] food is pesticide-free, all of our products are pesticide-free.” The Andrles say they’d love to be able to have a third-party certification that recognizes their efforts. On the medical side, the Denver Dispensary — also openly committed to organic growing — agrees. “We would welcome organic certification 100 percent,” says co-owner Chris Gilbane. “Right now almost every single shop claims to be organic, yet they use pesticides that are not organic.” “It would truly let the end-user know what they are really buying, and it would help create trust between the customer and the grower or seller,” he adds. “There’s no way to tell, from the patient’s perspective, if what they’re buying is true organic or just a bunch of bullshit.”

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The Dirty Kanza 200 sees cyclists riding over miles of gravel roads and trails through Kansas’s hill country, crossing streams and climbing a total of 12,000 feet in elevation.

Off the beaten path

Boulder cyclist Thomas Prehn ready to tackle his first gravel grinding event in Kansas

by Kyle Eustice

n his 2004 book, Racing Tactics, Boulder resident and professional cyclist Thomas Prehn aimed to help other cyclists avoid common mistakes and to “ride intelligently,” as he puts it. The 57-year-old plans on utilizing his own advice as he tackles the 10th annual Dirty Kanza 200, a 200-mile ride over mostly dirt and gravel roads through the grasslands of the Flint Hills in Kansas on May 30. Billed as the “World’s Premier Gravel Grinder,” it’s an epic cycling event riders must complete in one day, riding over polished limestone and fist-sized chunks of gravel, through creekbeds that may well be full, given the recent rains, or could be baking in 100-degree heat, all while rolling up and down hills for a total of about 12,000 feet of climbing. Winners finish in about 11 hours. “I have actually never done a specific Gravel Grinder event,” Prehn says. “I have done tons of road, mountain

Boulder Weekly

bike and cyclo-cross events, though.” And although he’s done a few 24-hour events before, this is one race he’ll be doing strictly on his own, rather than with teammates, as he had done in the past. “I am looking forward to the challenge of doing 200 miles in a day,” Prehn says. “And that is no easy 200 miles of riding in a pack of cyclists. Even though there are 1,500 riders in the different events, you really can’t sit in a pack and get sucked along in a draft. Flat tires and mechanical problems are always a potential challenge.” But Prehn has never been one to shy away from a challenge. The former USPRO road champion cyclist has been involved in the sport since the early 1970s, won a USPRO road championship title in 1986 and was a consistent top finisher in U.S. National Championship races throughout his career. The current director of see GRAVEL GRINDING Page 28

May 28 , 2015 27

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TUESDAY, JUNE 2 Fabulous Springtime means the start Turkey. 7 p.m. of summit-fever season, and Changes in long-time Boulder Weekly Latitude Travel freelancer and outdoor sports writer James Dziezynski gives Store, 2525 away the details for classic Arapahoe Ave., FRIDAY, MAY 29 summit hikes around the state Boulder, 303-786in a talk on Thursday evening Friday Night 8406. at Neptune Mountaineering. Special: Hans Rocky Florine. 8 p.m. Mountain Neptune Camping Mountaineering, Basics. 6:30 p.m. 633 S. Broadway, Boulder, 303-499-8866. REI Store, 1789 28th St., Boulder, 303583-9970. SATURDAY, MAY 30 To list your event, send information to: Little Town on the Prairie — editorial@boulderweekly.com Visit a prairie dog town with naturalist Dave Sutherland. 8:30 a.m. attn: “Adventure.”

GRAVEL GRINDING from Page 27

CatEye Service and Research Center, and president of his own consumer research and consulting firm, Boulder Sports Research, he was also one of the few cyclists to have finished all 13 editions of the Red Zinger/Coors Classic. The Dirty Kanza, however, will be his first official gravel grinding event, which presents a unique opportunity to test his endurance on some of the toughest surfaces a cyclist can tackle. Rather than the smooth surfaces of a paved road or trail, gravel grinders are gravel road races and rides that combine riding on surfaces such as asphalt, gravel, dirt, some singletrack trails and maintenance or B roads. Courses vary from hard-packed dirt to softball-sized rocks. The distance usually ranges between 50 and 150 miles, but in this event, it’s much longer. He’s been training in the Boulder area for months, although the recent rainy weather has been a bit of a hindrance. “I have been trying to get in as many miles as I can, but with work and this very wet weather, it is a challenge,” 28 May 28, 2015

he says. “I will not have sufficient miles in my legs before the event, so I will have to be extremely careful as I race. “One of the best reasons to do gravel or off-pavement road rides is the exploration,” he continues. “I think most Boulder County residents would be amazed at some of the remarkable ‘country roads’ we have just off a major highway or road. Riding on gravel or dirt roads is more of a challenge, but it is also usually away from traffic. That is a wonderful thing. To be able to ride 80 miles through Boulder County and maybe half of it is on gravel or dirt roads where you have virtually no traffic is remarkable. It can be slightly more challenging from a bike-handling perspective because of sand, gravel on the road. Any long bike ride or athletic event can be grueling.” Prehn didn’t have time in his schedule to check out the terrain before the race, but he has been researching the Dirty Kanza 200 route. He anticipates see GRAVEL GRINDING Page 29

Boulder Weekly

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it at all,” Prehn says. “Seriously, the events are a lot of fun because there is a collective challenge to get through 200 miles of challenging conditions from making sure your equipment holds up to trying to make sure your body holds up, too. I have already talked with cyclists who have done this before and having some experience in doing some rather extreme events over the years, I know that pacing and keeping moving will be two critical elements to having a great event.” All 1,500 slots to race were sold out within 24 hours of the event opening for registration, a testament to its growing popularity. As riders trickle in, often between 10 p.m. and midnight, the finish line celebration brings out the town of Emporia, Kansas (population 24,000) in force. Crowds are estimated at 6,000. “I have no illusion about ‘racing’ this. I will pin on a number to my jersey and be in the event, but I am mostly going to be enjoying the event, and when I cross the line ... I will be pleased,” Prehn says. “I will be even more pleased if I capture a few great photos and video of this awesome event.” For more information, visit www. dirtykanza200.com.

an incredible backdrop with sweeping tallgrass and expansive prairie as he takes on the physically taxing 200-mile ride. As a semi-professional photographer, the event also gives him the chance to capture the breathtaking landscapes and other cyclists amidst their own individual efforts. “I have seen photos, and it looks absolutely fantastic,” he says. “So I am looking forward to stopping every now and again and capturing a shot of two of the riders in what looks like just remarkable pristine countryside. Gravel roads or really gravel paths rolling over beautiful grasslands could be spectacular.” The popularity of gravel grinding has skyrocketed in the last few years and is now the fastest-growing genre in the cycling industry. The Dirty Kanza 200 has grown exponentially with it. In 2006 there were 34 participants, and this year 1,500 riders are signed up. The race’s founders, Jim Cummins and Joel Dyke, try to maintain the grassroots feel of the event, even as it grows, by keeping a focus on a passion for cycling and the experiences provided by riding what they see as some of the best gravel in the world. “If you’re not doing it for the stories you can tell, I’m not sure why you’d do

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Boulder Weekly

buzz The Lodger: A Story of the London Fog (1927)

Make way for yesterday Silent cinema is going strong at Chautauqua Auditorium by Michael J. Casey

he movies started small. So small that only one person at a time could watch them. The year was 1892, and Thomas Edison and his colleague William Kennedy Laurie Dickson discovered that if you spun sequential photographs in a small box, you could create the illusion of movement. Edison called them Kinetoscopes, and these viewing booths were the iPhones of their day, a private experience where patrons paid to watch short movies of a giddy girl kissing a mustachioed man, of a dancer swirling her dress and of a weightlifter flexing his muscles. But then on Dec. 20, 1895, on the Boulevard des Capucines in Paris, Auguste and Louis Lumière projected the first movie, “L’arrivée d’un train en gare de La Ciotat.” Immediately, cinema escaped the private and joined the public. A communal experience was born. Boulder Weekly

They were called many things: “flickers,” “photoplays,” “moving pictures” or just “movies.” They were images projected on silver screens that brought dreams to life and communities together. And while these movies didn’t talk, they were never silent. Almost always, someone would accompany them with an organ or piano, sometimes even a full-blown symphony orchestra, but regardless of the equipment, the results were pure emotion. It was a magical combination of image and music that relayed powerful messages to the head and heart, and almost a full century later, those messages still ring true at Colorado Chautauqua’s Silent Film Series. Not just a trip to the early days of cinema, Chautauqua’s Silent Film series is a celebration of an art form that amazingly continues to remain relevant. That’s what has Tom Hart, Chautauqua’s program development coordinator, excited for another season

of silent films. “It is very cool to attend a silent film, to step back and appreciate the wonder of the cinema with live musicians,” Hart tells Boulder Weekly. “Especially in a venue that has been showing films since the advent of motion pictures.” Now in its 30th season, this jewel in Boulder’s cinematic cap returns with a new line-up of silent (and a couple of not-so-silent) entries to delight audiences young and old. The series runs from June 3 to Aug. 25 and screens 12 features, including classics like Buster Keaton’s Steamboat Bill Jr., F. W. Murnau’s Nosferatu and the movie that forever immortalized matinee idol Rudolph Valentino, The Four Horsemen of the Apocalypse. An additional short silent film will precede most of the movies, and all silent-era films will see SILENT CINEMA Page 32

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feature live music. It is an impressive line-up, but even more impressive is the audience that Chautauqua’s 1,000-seat auditorium draws. “Twenty percent of the audience are return customers,” Hart says. “It’s new to a lot of people. Which always surprises me.” Not to mention that the demographic cannot be easily categorized. “It’s a really wide variety. I wouldn’t nail this down to say it’s just the older generation, or just the Baby Boomers,” Hart explains. “It’s a whole variety of people. ... When we did The Black Pirate last year, there was a bunch of college kids dressed up as pirates.” These movies come from a time when going to the movies was an event, and Chautauqua recreates that atmosphere in hopes of providing patrons with a glimpse into the past. According to musician Rodney Sauer, these movies are still working their magic. Sauer ought to know. In addition to performing with The Mont Alto Motion Picture Orchestra — which will be accompanying three of the movies — Sauer programs and accompanies silent shorts at various Boulder Public Library branches, and these programs manage to draw a diverse demographic, as well. Come to any one of Sauer’s performances, and you’ll get an idea of what the cinema was like a century ago. “From about 1915 thru 1930, where most Americans got their music was from the movie theaters, and it was live music played there,” Sauer tells BW. “Some of the theaters tried to educate the American public. They would play a movement of a Beethoven symphony as the overture to give people an idea of what the concert hall was like. …

“The music was left up to the local theater,” Sauer continues. “If you got a movie, you did not get a score with that movie. It was up to you to put that score together. What I’m doing, I’m creating new scores, but I’m using the same material that was available back then and using the same techniques. So these are scores you could have heard in the 1920s.” In addition to his work with Mont Alto, Sauer is one part of the Silent Cinema Trio that will perform on the improvised score for The Trail of ’98, a movie about the Alaskan Gold Rush that was shot here in Colorado. “Instead of the Chilkoot Pass, they actually used the Rollins Pass,” Sauer explains. “The train tracks were still up there, so they could get their camera crews and actors up into the tundra and film these desolate winter scenes, and then come back down to Denver and spend the night in a comfortable hotel.” Hank Troy, an accomplished silent film pianist accompanying seven movies in the series, will also be performing on The Trail of ’98. The Trail of ’98 was made in 1928, and Sauer doesn’t think it has been shown in Colorado since, which brings up a fascinating aspect of silent cinema: It’s coming back in a strong way. In 2012, Sight and Sound conducted a worldwide poll of the greatest movies ever made and three of the top 10 were from the silent era. And while the vast majority of silent films are lost (roughly 75 percent, according to The Library of Congress), each year crucial new discoveries appear. Be it an early John Ford (“Upstream”), a Walt Disney animated short (“Empty Socks”), missing reels from Fritz Lang’s Metropolis (all from 1927), one of Orson Welles’s first experiBoulder Weekly

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ments (Too Much Johnson, 1938) or a movie that Alfred Hitchcock was only loosely associated with (The White Chautauqua’s Silent Movie Series begins on Shadow, 1923), the point is Wednesday, June 3 with a screening of clear: We may be done with Vittorio De Sica’s seminal The Bicycle Thief. More information, show times and tickets for history, but history certainly the entire series can be found online at isn’t done with us. www.chautauqua.com/events/film/ or by “It’s a thing that surcalling 303-440-7666. vives to the present day,” Complete line-up: Sauer says. “It’s still art, June 3: The Bicycle Thief (Vittorio De Sica, [and] it still speaks to us.” 1948) June 10: Chicago (Frank Urson, 1927) Concerning the releJune 17: The Lodger: A Story of the London vancy of these movies, Fog (Alfred Hitchcock, 1927) Sauer highlights Chicago, June 24: Snow White and the Seven Dwarfs (J. Searle Dawley, 1916) the 1927 movie that June 30: Steamboat Bill Jr. (Buster Keaton inspired the Broadway and Charles Reisner, 1928) show that in turn inspired July 6: Nosferatu (F.W. Murnau, 1922) July 11: Why Worry? (Fred C. Newmeyer and the Academy AwardSam Taylor, 1923) winning 2002 movie. July 22: People on Sunday (Robert Siodmak, “You would be hardEdgar G. Ulmer, Curt Siodmak, Fred Zinnemann, Rochus Gliese, 1930) pressed to find a more cynJuly 29: Three Ages (Buster Keaton, 1923) ical movie about the Aug. 12: The Four Horsemen of the American press and justice Apocalypse (Rex Ingram, 1921) Aug. 17: The Trail of ’98 (Clarence Brown, system made today. It’s an 1928) incredibly bitter movie,” Aug. 24: The Great Dictator (Charlie Sauer says. “Although it has Chaplin, 1940) lots of comedy in it too, but its attitude about the criminal justice system almost takes your breath away.” es still crave the communal experience •••• of the cinema. That can be found in the Ask people in 2015 how they conlocal cinema with new releases, but it sume media and a theme develops, one can also be found in one of Colorado’s that points to an individual experience historical landmarks. There, nestled — more specialized cinema on more away at the base of the Flatirons, the personal devices delivered whenever screens still flicker and the music is live. and wherever we want them. That may “You aren’t just going to go see a be true, but a variety of box office num- film. It’s an event,” Hart says. “It’s a real bers seem to say different. At the time combination of live performance and movie. ... Perhaps a lost art.” of press, Avengers: Age of Ultron has But as long as people keep watching grossed $1.1 billion since its release on and listening, the art will never be lost. May 1 and Furious 7 has brought in And it won’t, because moviegoers in $1.4 billion since early April. And 2015 want the same thing moviegoers before the year is up, audiences will in 1925 did: the pleasure of seeing sheer have another Star Wars, Hunger Games invention unfold before your eyes and and James Bond installment to feast the excitement of seeing something new. upon, all of which will rake in billions Sometimes that something new is more before the books close on 2015. 90 years old. These numbers tell us that audienc-

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overtones

Theo Jemison

Hippie to hardcore

The Gaslamp Killer’s evolution by Kyle Eustice

ublic Enemy’s Chuck D once nection to the name as I used to. I left told The Gaslamp Killer he San Diego and wanted to start fresh. I looked like Jim Croce. felt like, ‘OK, nobody knows me in Los Maybe it was the long hair Angeles and nobody knows me in San and bushy mustache he was Francisco.’ It was a really awesome rocking at the time, but either way, he opportunity to start over under a new had no idea what Croce looked like, so name and see if I could start again in a he had to look him up. Sure enough, new city. Nobody had heard of me and they had a slight resemblance, but that’s nobody knew who I was. I was just one where the similarities ended. The type kid with skills who was willing to take of music The Gaslamp Killer creates is everyone on and take on the fucking the opposite of the folk music Croce world.” was known for making. The Gaslamp Luckily (or not, depending on how Killer constructs heavy-hitting, elecyou look at it), he received little to no tronic brilliance that bursts with elepress as DJ Willow. There is almost ments of hip-hop, zero evidence he ever funk, rock and everyexisted. Right when thing in between. he was about to break ON THE BILL: The Growing up in the out into the Los Gaslamp Killer with Real San Diego electronic Angeles music scene, Cosby and Proper Motion. Doors: 8 p.m. June 5, at The scene, The Gaslamp he took the plunge Fox Theatre, 1135 13th St., Killer (born William and emerged as The Boulder, 720-645-2467. Tickets Bensussen) initially Gaslamp Killer. are $20. Visit www.foxtheatre. com for more information. adopted the name DJ “When I felt the Willow, but after wave coming, I playing so often in dumped my old name the Gaslamp district and got my new name of San Diego, he decided to change it right before I got on the surfboard and to The Gaslamp Killer, a move he sees started riding that fucking wave,” he as crucial to his success. He relocated to says. “It was perfect timing. That’s why Los Angeles in 2006 and was able to I chose my name. That name was descompletely reinvent himself. tined for me.” “My sound stopped matching with In 2006, Bensussen co-founded the my name,” Bensussen says. “Willow was now infamous experimental hip-hop the rare groove, hip-hop sampling, mix- and electronic night Low End Theory ing, matching beats, scratching and at The Airliner in Los Angeles. Along having dreads guy. Willow was about with his musical peers Flying Lotus, being this happy hippie hip-hopper. Daddy Kev, DJ Nobody, D-Styles (Beat Then I started getting serious about the Junkies, Invisbl Skratch Piklz) and bass and the heavy beats. I started feelNocando, Bensussen had finally found a ing like I didn’t have as much of a conhome for all of the crazy music he was

As DJ Willow, William Bensussen was barely making waves. But after a change in location and a change in moniker, Bensussen has found success as The Gaslamp Killer.

making. It all began with a serendipitous van ride from Los Angeles to San Francisco. “DJ Nobody and I were booked for this party called Space Invaders in San Francisco by one of my closest friends, Art Don’t Sleep,” he explains. “He rented some vans for us to get there. Daddy Kev hit up DJ Nobody out of the blue and told him he had a gig in San Francisco and needed to hitch a ride. So Kev was riding with us in the van. “We went and did our separate gigs that night,” he continues. “The next week, Kev hit me up saying he got a venue. I went to the Airliner and fell in love with this dive bar that was a totally untouched, untapped LA resource. We all loved it so much. It was such a weird, shitty, quirky place that we felt we could flip. That was the inception of it, just one van ride talking about all of these amazing producers nobody gave a

shit about.” Low End Theory has exploded with popularity in the past seven years and in the interim, the prolific producer has been churning out albums, EPs, compilations and mixtapes with the speed of a ninja. His most recent, 2015’s The Gaslamp Killer Experience: Live in Los Angeles, boasts eight incredible tracks of his signature sound. “My drums are always live and they’re always a little bit on the distorted, compressed side,” he says. “They sound pretty funk or rock oriented. I definitely think my drums have a lot to do with my sound. I use a couple of modular synths and a 303 Dr. Sample for all my delays and echoes. Now I use a space echo. It’s crazy. You hear heartbeat drums, and then you hear echoes coming in. That’s the signature Gaslamp Killer sound.”

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TUESDAY, 5/20, 8:00 PM DA S B O OT T R I V I A

Boulder Weekly

overtones Weird karma

Portugal.The.Man’s founding bassist Zach Carothers on life in the band by Dave Kirby

ach Carothers was a few minutes late for “It’s really weird all the crazy coincidences that brainer… even if PTM may have gotten a little more our phone chat a couple of weeks ago, have come through with this band. Like, my very credit in the press than Carothers thinks they should uncharacteristic of a guy who is usually first show ever in my life was Primus in ’94 in have. punctual to a fault fulfilling his role as Alaska, and we ended up opening up for them and “A lot of the press kind of credits us. I mean, so Portugal.The.Man’s unofficial spokesman. now we’re buddies with those guys. Then hangin’ many artists have worked with [Mr. Holland’s Opus Carothers is an affable bloke, always at ease with out with Mike D at his house in Malibu. And, like, Foundation], but I’ve seen a couple headlines that press types and, despite the band’s burgeoning forlast year, we filmed the video for ‘Evil Friends’ at say ‘Portugal.The.Man helps raise a million dollars tunes over the last half-dozen years, still resistant to the very same party spot where John and I first for this thing,’ which sounds really cool, but no, we the inevitable rote tedium of checking in with every met and started talking about music. Brought a got a lot of help. It wasn’t just us. … We just really newspaper in the free world. liked how simple it was. Play a few shows — we’d Courtesy of Portugal.The.Man “I’ve been driving around trying to find the be doing that anyway. Donate the money, sounds parking lot for this rehearsal space,” he says with a rad.” laugh. “It’s down this weird alley in North The band swings by for a Red Rocks show, Hollywood. It’s crazy. And I realized I was supand we couldn’t help but ask if a set on the venerposed to call you, so I just told our keyboard player able stage outside Morrison compares to to figure it out.” Lollapalooza Chile, Burgeoning fortunes, indeed, but maybe not where the band played a yet at “the limo driver will handle it” phase. Fair few months ago. ON THE BILL: Cage the enough. Lollapalooza Chile? Elephant and Portugal.The. Man with The Mowgli’s. Doors: One of those day-in-the-life moments of the “Dude, that was 6 p.m. Show: 7 p.m. Monday, Portland-based band, who have a Red Rocks date pretty crazy,” Carothers June 1, Red Rocks coming up and a series of subsequent festival laughed. “I’ll keep it Amphitheater, tickets are $36.50 - $40 plus applicable appearances on tap for the season… but no big, straight; going to Chile service charges. All ages. five-gig-per-week headliner tour. The band’s last is definitely cooler than full-length, Evil Friends, dropped about a year going to Denver. But and a half ago, and they followed the thing up venue-wise, no place with the requisite tour of universe (including a really compares to Red Rocks. The feeling you luminous standing room only gig at the Boulder get when you’re there is just insane. This will be Theater), but Carothers says they’re taking a our third time. While rising in popularity, Portugal.The.Man continues to work on quick hit approach this season — weekend gigs “And compared to Chile, it’s not as sketchy. charitable causes like getting instruments to school kids. here and there while they’re working out their [When I was in Santiago], I walked out to meet next record with Mike D behind the board at his some friends at a bar somewhere around midMalibu studio. bunch of our old friends out there. It was pretty night, it was about three quarters of a mile back to “We never really know what it’s going to be until nuts.” my hotel, and it was really late, like 4:30 in the it’s done,” Carothers says. “We don’t know if it’s PTM got some headline news at South By morning, and I had a camera around my neck. Some going to be a full-length; we have a bunch of projSouthwest earlier this year for teaming up with Stub old vintage camera, not worth a lot of money. ects going on at the moment. It’s nice to not have Hub, Dr. Marten’s and Mr. Holland’s Opus “And my friends go, ‘You’re not walking right? that pressure on what it’s going be, we’re just having Foundation — a nonprofit dedicated to musical educa- Absolutely not’. And they were like, ‘You may not fun with him in the most amazing studio. tion — to get instruments into the hands of school die, you may not even get beat up, but 100 percent “John [Gourley, PTM guitarist and lead singer] kids. Even for a band known for their charitable side you will not get back to your hotel with that camera.’ and I kind of met over the Beastie Boys, we used to projects (they released a special limited edition vinyl “So I took a cab. The cab driver looked at me, listen to the Beastie Boys around campfires and stuff last year titled “Endangered Song” to benefit Sumatran and looked at the camera, and said, ‘Oh yeah, your like that. tiger conservation), Carothers says this one was a nofriends were right.’”

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May 28, 2015 37

COLORADO SHAKESPEARE FESTIVAL 2015

OPENING NEXT WEEK!

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38 May 28, 2015

Boulder Weekly

arts & culture Writing the unwritten

‘American Ghost’ seeks to tell the truth in a ghost story by Elizabeth Miller

ll of us are haunted — by dwelling while Abraham grew his busiadds color where the records leave off. vestiges of the past, and, as ness into lucrative heights, eventaully It’s a book she couldn’t have written Hannah Nordhaus poibuilding her a three-story Victorian a decade ago, she says — without the gnantly observes in American house just off the Plaza downtown. massive collection of newspaper articles Ghost, by the ghosts of who Julia died in obscurity — just available now online, she would be withwe thought we were or thought we another woman whose life had largely out the basic timeline of the Staab’s lives. would become. Her story is a different disappeared behind her husband’s name Interspersed with the history, kind of personal haunting, though, as in the few newspaper mentions it did Nordhaus recounts the trips to psychics, she writes of the ghost of a great-great- receive. But after a remodel of the hotel dousers and spiritualists she undertook grandmother said to haunt a to see what they might illumiCourtesy of Family Collection Casie Zalud Santa Fe hotel. nate about the past — but also, American Ghost: A Family’s she says, to introduce a little Haunted Past in the Desert levity into what might otherSouthwest is both the story of wise be a very sad tale. her great-great grandmother, “I find her history interestJulia Staab, pieced together ing in and of itself as these sort from the few scraps left of her of western Jews who came to life story, and Boulder-based Santa Fe in the very early journalist Nordhaus’ own perAnglo years, but the reason sonal revelations as she discovJulia remains alive to us and ers those pieces. the story remains alive to so “It’s a ghost story, and it many people is because of her seemed like that was going to ghost story. That’s why people be my hook, so to speak, but know her now,” Nordhaus says. it’s also really an American “So I didn’t see how I could Hannah Nordhaus’ latest book blends memoir with history of story, and it’s a story of immi- the American West to tap into the secrets of a family ghost tell her story without dealing story. gration and assimilation and with the fact that she’s a families and how they change famous ghost.” and how this German bride became an that had once been her house restored More than revealing secrets of a American wife and then became an much of its historic features, she was long-dead relative, these interludes American legend. So it seemed to me said to begin locking maids in her bedunmask Nordhaus as the seeker, the really the story of the making of room so often they now refuse to clean observer and the ever-curious and America and the melting pot, how we the room alone and ripping sheets off patient watcher of the world that years become American,” Nordhaus says. sleeping guests. as a journalist and researcher have That ancestral German-born Jew Nordhaus creates a patchwork quilt engrained. immigrated to Santa Fe to live with her from the scraps of news reports, ships’ We go along on that journey of disnewly minted husband, Abraham, where logs and a few personal family histories, covery with her, as the past reveals more he was on the rise to becoming one of including her great-grandmother’s and more of Julia’s story to her greatthe more notable millionaires in the briefly kept diary and a family history great-granddaughter, and Julia’s story American West in the late 1800s. She written by an aunt. What we know of becomes more her own, and less that of arrived in the city long before the raillife in the American Southwest at the the people who have told the story. road, before trees had grown in along time, as well as what we can tell from There’s so much of who we are in the city’s streets, to live in a dirt-floored the life Julia left behind in Germany, the stories we tell. How we see the

world dictates what pieces of it appear in our recounting. Nordhaus saw that in the way she, at first, told the story of her great-great-grandmother. When she was young and feeling oppressed and a bit victimized, she wrote her greatgreat-grandmother’s story from the perspective of a young bride, shipped away from her home to a frightening and unfamiliar place, held down by the demands of an exacting husband and, eventually, seven children. She heard, in the retelling of the family ghost story from aunts and relatives, hints of the battered wives and a resentful disenfranchisement from the choices and opportunities afforded women now. “When I found this book that my great Aunt Lizzie had written about our family, I realized Julia wasn’t just a story and an anecdote. She was a real person and there were now so many resources available to delve further into her history that it seemed like this was the time to really try to figure out who she was,” Nordhaus says. “But at the same time, I was still projecting onto her, I think because at that point I’m thinking of her as a mother and a woman growing older out in the West like I am. So I very much went into the project trying to learn about her as a person going through the same milestones in life that I was going through.” What she concludes in her journey — we’ll leave Julia’s to her own pages — is that we choose how much to allow ourselves to be burdened by our own expectations, impinged by our own ability to see past the way our own autobiographies overlay the biographies we report and haunted by those unlived lives.

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Monday, June 15 • 7pm H.B. Woodsongs 3101 28th St, Tebo Plaza, Boulder 303.449.0516 hbwoodsongs.com Boulder Weekly

May 28, 2015 39

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40 May 28, 2015

Boulder Weekly

Courtesy of the Fox Theatre

Paul Kimbiris and The Paper Stars,

SATURDAY, MAY 30, FOX THEATRE, 1135 13TH ST., BOULDER, 303-447-0095.

SEE FULL EVENT LISTINGS ONLINE. To have an event considered for the calendar, send information to calendar@ boulderweekly.com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.

Thursday, May 28

Boulder, 303-443-8696.

Music

Dechen Hawk and Colin Robison. 5 p.m. The Riverside, 1724 Broadway, Boulder, 720-443-2322.

Ben Waligoske Band. 10 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303-449-1922. Bluegrass Jam. 6:30 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767. Booster. 6 p.m. Upslope Brewing Company (Flatiron Park), 1898 S. Flatiron Court, Boulder, 508-873-9185. Boulder Swing Collective. 7 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094. Community Music Night. 7 p.m. eTown Hall, 1535 Spruce St.,

Run Free – The True Story of Caballo Blanco

Luis Escobar

Watch

7 p.m. Thursday, May 28, The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-4407826. If you’ve ever found yourself curious about the practice of ultrarunning, running beyond 26.2 miles, look no further than Run Free. This documentary recounts the life of ultrarunning pioneer and Boulder native Micah True. Known by his nickname of “Caballo Blanco” (or “white horse” in Spanish), True founded the Copper Canyon Ultra Marathon in Urique, Mexico and was highly involved in the community, until his untimely death in 2012 while on a run in the Gila Wilderness of New Mexico. Matthew McConaughey will star in an upcoming film based on True’s life, making this screening a chance for viewers to see “Caballo Blanco” in action before his story becomes a major motion picture. — Sam Routhier

Boulder Weekly

Grupo Chegando L and Francisco Marques. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. Jeremy Jones Band. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. JJ Evanoff Experience with Booster. 10 p.m. The Lazy Dog, see EVENTS Page 42

Give Back

Listen Xavier Rudd and the United Nations

DJ Royal Swan and Friends. 5 p.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303-449-0120.

Jane Rantall

8 p.m. Tuesday, June 2, Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-449-0120. 7 p.m. Wednesday June 3, eTown Hall, 1535 Spruce St., Boulder, 303-443-8696. An activist at heart and multi-instrumentalist on stage, Australia’s Xavier Rudd has spent 2015 touring the world in support of his ninth studio album, Nanna. Rudd’s upbeat reggae stylings are mellow yet politically charged. As a featured supporter of The Nature Conservatory and in campaigns with groups like peta2 and EcoHearth, he has become a notable champion of environmentalist causes. Known for his use of a diverse array of instruments, including the guitar, didgeridoo, blues harp and a variety of percussive drums and bells, Rudd has constantly altered and evolved his musical style since his debut album To Let in 2002. — Sam Routhier

Courtesy of Boulder Theater

Nawang Khechog and Friends: Concert for Nepal and Tibet earthquake victims 7 p.m. Thursday, May 28, Boulder Theater, 2032 14th St., Boulder, 303-786-7030 Come check out music from internationally renowned artists, all while supporting a great international cause. Tibetan flutist and Grammy nominee, Nawang Khechog headlines this event organized to raise money for victims of last month’s earthquake in Tibet and Nepal. Khechog will be accompanied by a number of local artists, including tabla drummer Ty Burhoe, pianist Bill Douglas, fiddler Sandra Wong and vocalist Hazel Miller. All proceeds from the event will be donated to Doctors Without Borders, the International Campaign for Tibet and dZi Foundation. With a lineup of artists spanning genres and styles, this concert is sure to be a unique musical experience. — Sam Routhier

May 28, 2015 41

EVENTS from Page 41

1346 Pearl St., Boulder, 303-440-3355. Open Mic. 7 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397.

arts

Peter and Will Anderson. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985. The Prairie Scholars: Dinner Music. 5:30 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Puttin’ On the Ritz. 7 p.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303449-0120. Relapse. 8:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Royal Blood. 9 p.m. Fox Theatre Boulder, 1135 13th St., Boulder, 303-447-0095. Thunder & Rain. 9 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Events BDA Creative Meetup. 5 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303800-4647. Comedy at the Riverside. 8:30 p.m. The Riverside, 1724 Broadway, Boulder, 720-443-2322. Gardening with Native Flowers. 5:30 p.m. Chautauqua Ranger Cottage, Boulder, 303-4423282 Hike for Seniors. 10 a.m. Agricultural Heritage Center, 8348 Ute Highway, Longmont, 303-7768848. Improving Your WordPress SEO. 6 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647. Navigation For Sailors And Pilots. All day. Unitarian-Universalist Church of Boulder, 5001 Pennsylvania Ave., Boulder, 303-494-0195. Running Group. 7 a.m. Outdoor DIVAS, 2317 30th, Boulder, 303-449-DIVA. Story Club in Motion. 4 p.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120. Toddler Time. 9:15 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Zendoodle. 7 p.m. Longmont Public Library, 409 Fourth Ave., Longmont, 303-651-8477. Friday, May 29 Music Barrel House String Band. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Bonnie & The Clydes. 9 p.m. Gold Hill Inn, 401 Main St., Boulder, 303-443-6461. Brandon Hagen. 5 p.m. The Riverside, 1724 Broadway, Boulder, 720-443-2322. Brian Rezac. 5 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768. The Casual Sinners CD Release Party. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-4403355. Chase N The Dream. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Connonly-Ramey Duo. 5:30 p.m. Vindication Brewing Company, 6880 Winchester Circle, Suite F, Boulder, 303-530-0642. David Booker. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914. 42 May 28, 2015

Margaret Neumann

Acrylic Paintings by M.G. Davis. Community Art Program Gallery, NCAR, 1850 Table Mesa Drive, Boulder, 303-497-1174. Through May 30.

Boulder, 303-4432122. Through June 7. Myopia — by Mark Mothersbaugh. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through April 26.

Barbara Bosworth: Quiet Wonder. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720865-5000. Through Sept. 20.

Of Line and Color. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303440-7826. Through June 12.

Calling all Photgraphers for 2015 Margaret Neumann explores the Land Through the characteristics of identity in her exPalette Knife Gone Lens Exhibit. The hibit Inscapes, now at BMoCA through Wild. The Dairy Center Great Frame Up, 430 June 7. for the Arts, 2590 Main St., Longmont, Walnut St., Boulder, 303-772-7293. 303-440-7826. Submission deadline June 19. Through June 12. Evan Colbert. Firehouse Art Center, 667, Passion for Glass: Art Glass from Colorado Fourth Ave., Longmont 303-651-2787. Through Collecitons. Foothills Art Center, 809 15th St., May 25. Golden, 303-279-3922. Through May 31. Fiber Art by Gay E. Lasher. Community Art Starring Linda: A Trio of John DeAndrea Program Gallery, NCAR, 1850 Table Mesa Drive, Sculptures. Denver Art Museum, 100 W. 14th Boulder, 303-497-1174. Through May 30. Ave. Parkway, Denver, 720-865-5000. Through Flatlander. Boulder Museum of Contemporary June 21. Art, 1750 13th St., Boulder, 303-443-2122. Tom Rice: Monuments to the Ephemeral. Through September 13. Firehouse Art Center, 667 Fourth Ave., LongJoan Miró: Instinct & Imagination. Denver mont, 303-651-2787. Through May 25. Art Museum, 100 W. 14th Ave. Parkway, Denver, Wildflowers. The Dairy Center for the Arts, 720-865-5000. Through June 28. 2590 Walnut St., Boulder, 303-440-7826. Margaret Neumann: Inscapes. Boulder Through June 12. Museum of Contemporary Art, 1750 13th St.,

Eef & The Blues Express. 8 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Etana & Selasee The Fafa Family. 8:30 p.m. Fox Theatre Boulder, 1135 13th St., Boulder, 303447-0095. Gang Forward. 6 p.m. Espresso Vino by Brewing Market, 2770 Dagny Way, Lafayette, 720-8903993. Gora Gora Orkestar. 10 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Highway 50. 7 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094. Honeycomb. 6:30 p.m. St Julien Hotel and Spa, 900 Walnut St., Boulder, 720-406-9696. The Indulgers. 10 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303-449-1922. Jaden Carlson. 8:30 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Jake Joyce McCoy, Ali Rose Band. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-4404628. The Johnny O Band. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397. K.C. Groves. 6 p.m. Oskar Blues CHUBurger, 1225 Ken Pratt Blvd., Longmont, 303-485-2482. Lindsey Saunders. 8 a.m. Upslope Brewing Company (Lee Hill), 1501 Lee Hill Road, Suite 20,

Boulder, 508-873-9185. Man Of 1000 Songs. 8 p.m. Liquid Mechanics Brewing Co., 297 N. Highway 287, Suite 100, Lafayette, 303-908-6036. Mary Wallace. All day. Sun Rose Cafe, 379 Main St., Longmont, 303-651-3533. MAYhem. 6:30 p.m. Twisted Pine Brewing Co., 3201 Walnut St., Boulder, 303-786-9270. Nice Work Jazz Combo. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985. Paul Sullivan’s Folk-a-rama. 6 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303665-0625. Sam Clements: The Honkytonk Bad Boy. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Strum & Blow. 9:30 p.m. LOCAL eat + drink, 432 Main St., Lyons, 303-823-2472. Wrong Side Right. 7:30 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555. Saturday, May 30 Music Dan and Yoshi. 8 p.m. Liquid Mechanics Brewing Co., 297 N. Highway 287, Suite 100, Lafayette, 303-908-6036. see EVENTS Page 44

Boulder Weekly

Boulder Club FE ATU

Untitled - Page: 1

Friday May 22

duMpstaphunk w/ Jon Cleary & the Monster GentleMen

saturday May 23

paul BasiC (pretty liGhts MusiC) & Mikey thunder w/ dJ a-l & Mike wird oF the soul pros & Mr. BuGatti

wednesday May 27

opiuo live Band thursday May 28

BiG saM’s Funky nation

every thursday @ the other side

Grass For that ass

Free BeFore 9pM or BeFore 10pM For TexT Message subscribers!

5/21: dustBowl revival w/ leFt Coast Country, Birds oF ChiCaGo & the hill doGs 5/28: Jerry Joseph & the JaCkMorMons w/ draGondeer & tallGrass lonesoMe days perForMinG on the patio wednesday May 20

intuit & the wash (ForMerly doC Brown) w/ doGs Got Flavor

Friday May 22

Feat unliMited aspeCt live Band w/ psyMBioniC, livinG liGht & kinetiC Groove

Friday May 29

saturday May 23

MoBB deep saturday May 30

shakedown street

w/ ransteeZ, lordZ oF posh, h, Giothevillain & phil Mauro

saturday June 6

diMond saints (an-ten-nae & releeCe) w/ eliot lipp (pretty liGhts MusiC), FlaMinGosis & artiMe

wednesday June 10

Jedi Mind triCks w/ whiskey Blanket, Flowalition & dJ GatsBy

Friday June 12

Grieves

w/ Grayskul, reason the CitiZen & rooke5

saturday June 13 oFFiCial lohi aFter party Feat

hot Buttered ruM & Friends & kunG Fu

Friday & saturday June 26-27 post red roCks shows

new orleans suspeCts & Friends Feat JoJo herMann & More!

saturday July 18 BreCkenridGe Brewery hootenanny aFter party Feat

anders osBorne

saturday auGust 1 the M & M’s (John Medeski oF MMw, stanton Moore & roBert MerCurio oF GalaCtiC & papa Mali) w/ Fox street

Friday, saturday & sunday auGust 7-9

arise Festival

sunrise ranCh - loveland, Co Feat edward sharpe & the MaGnetiC Zeros, the polish aMBassador, eManCipator enseMBle, Joe russo’s alMost dead, oZoMatli, trevor hall, & Many More For tiCkets visit ariseFestival.CoM

B U Y T I C K E T S AT :

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saturday May 30

etana

w/ GonZo oF triBal seeds, poliCulture, rastasaurus, red saGe & dJ Chris Milly irie viBes pateeyo party w/ JaMaiCan Food & MusiC

sunday May 31

sCaruB oF livinG leGends, J ras & Burnwell washBurn

Balance Through Movement a full service movement studio

tuesday June 2 suB.Mission presents

eleCtroniC tuesday Feat BlankFaCe B2B BenZMixer w/ aowl & swayd

Friday June 5

anGelo Moore’s (FishBone)

“dr.MaddviBe & the MissinG links” & JudGe rouGhneCk Cd release w/ Mindstate

Voted BEST Pilates Studio

the dBC w/ dandu tuesday June 9 suB.Mission presents

eleCtroniC tuesday Feat BoMMer, Crowell & CuBs

wednesday June 10

the Mantras Friday June 12

sChool’s out

Feat allen auCoin (disCo BisCuits), todd sMallie (JJ Grey & MoFro) & david Murphy (seven arrows) w/ MeMBers oF Fox street, analoG son, ryan BinGhaM Band, tiGer party, kinetix, o-neB, atoMGa, Filthy Children, aBleMinds & More

Monday June 15

seshollowaterBoyZ tour (Bones x xavier wulF x Chris travis x eddy Baker) w/ ransteeZ, ChiCityChino & vidal

tuesday June 16 suB.Mission presents

eleCtroniC tuesday

despise, suBliMinal, hoova & Bean

wednesday June 17 e.n. younG (oF triBal seeds) & iMperial sound & save it (Feat kiM dawson, Flex Matthews & hallie supreMe

w/ MeMBers oF thievery Corporation, euForquestra & duBskin) & ConGo sanChes

saturday June 27

M.o.p.

2637 Welton St • 303-297-1772 • CervantesMasterpiece.com TexT CervanTeS aT 91944 for TiCkeT GiveaWayS, Drink SpeCialS, DiSCounTeD TiCkeT proMoTionS & More

Max 15 Msg/Mo. Msg & data rates May apply text stop to opt out for our privacy terMs & service go to http://cervantesMasterpiece.ticketfly.coM/files/2014/03/cervantes-privacy-docuMent.pdf

Boulder Weekly

T H E

YMCA OF BOULDER VALLEY’S SCHOLARSHIP FUND & BOULDER ROTARY CLUB, SERVING HUMANITY IN LOCAL & INTERNATIONAL SERVICE PROJECTS

w/ Feat eddie roBerts oF the new Mastersounds w/ eriC MCFadden & Friends and iGanius reily we’s us perForMinG on the patio

(dBC alBuM release)

ride the Bus to paniC at red roCks

5 pm

Friday May 29

sunday June 7 • on The PaTio

Friday & saturday June 26-27

B E N E F I T I N G

Jerry Joseph & the JaCkMorMons

Friday June 19

w/ proxiMity, lyriCal Minded soulJaZ & dJ GatsBy

Atlas Valley Shopping Center . 95th & Arapahoe in Lafayette

wednesday May 27

w/ the Malah & very speCial Guests

saGe FranCis

Sat., June 20, 2015 . 11 am

eleCtroniC tuesday Frequent, Covex & next to Blue

Friday June 5

FESTI VAL & FUNDR AISER

tuesday May 26 suB.Mission presents

Wednesday June 3 • dual Venue!

yunG lean & sad Boys

2014-05-20 17:45:35 +0100

BRew bQ

deadphish orChestra

Feat speCial Guest w/ GryMe tyMe

unity niGht

Annual

bOulDER COunTY

w/ My leGs are sharks Feat ChadZilla & peter stellinG

CeleBratinG 50 years oF the GrateFul dead one More saturday niGht

Feat soniC GeoMetry, kinetik Groove, unFold_ MusiC, tkettle, BaBu, illnartsy, transFer station, elliot olBriGht, Coopahtroopa, JJ evanoFF (dJ set), ooMah, Future sMart, andrew slattery, MiZer & GoetZ & More

40 +

Brewer s BBQers &

the road to soniC BlooM

w/ the other BlaCk

w/ hiGh Five, BiG wheel eleCtrosoul, iZM white, MhC & artistsent

4th

RING

• • • • •

Pilates CoreAlign® Pilates Above the Barre TRX® Suspension Training

Thank You for Your Votes! 535 W. South Boulder Road, Lafayette 303-665-0367 • btmwest@gmail.com balancethroughmovementpilates.com May 28, 2015 43

events

EVENTS from Page 42

Dan Harris, Niya. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

prOud spOnsOr!

WEEKLY EVENTS

Thursday: Open Mic in the Opera house

UPCOMING EVENTS Friday, May 29 • 8pm

The JOhnny O band saturday, May 30 • 8pm

hOrnbuckle & gOOd WaTer

Friday, June 5 • all day

lOngMOnT sTarT-up Week

saturday, June 6 • 4pm & 8pm

verTical FusiOn: sky candy

Wednesday, June 10 • 8pm

FrOnT deranged iMprOv

Friday, June 12 • 9pm

cupcake cabareT: sOuThern cOMFOrT saturday, June 13 •8pm

blak’OuT & Maiden denver Friday, June 19 • 8pm

quick vicTiM & againsT hiMselF Wednesday, June 24 • 8pm

cOMedy nighT

Friday, June 26 • 7:30pm

Opera On Tap & bOulder Opera: acT up! saturday, June 27 • 8pm

aMy kress with aMZy & leigh WesT

cOMedy

2nd & 4th Wednesday of every month

Dance-a-Thon. 6 p.m. Reverence Academy of Dance, 1370 Miners Dr., Suite 111, Lafayette, 303-661-0719. Danny Shafer & Chris Ramey. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776-BIKE. Dave Honig’s New Standards Project. 6 p.m. Thai Shi House, 3033 28th St., Boulder, 303-4443133. David Booker Band. 6 p.m. The Speakeasy, 301 Main St., Longmont, 720-684-4728. Gabe Kinzley. 8:30 p.m. The Roost, 526 Main St., Longmont, 303-827-3380. Hornbuckle, Good Water. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397. Interstate Stash Express. 8:30 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-8236685. Jababa. 10 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303-449-1922. James Faulk. 10:30 a.m. The Stone Cup, 442 High St., Lyons, 303-823-2345. John McKay. 8 p.m. Longs Peak Pub, 600 Longs Peak Ave., Longmont, 303-651-7886. Mei-Mey Segura and Students. 10 a.m. Founders Hall, 200 E. Baseline Road, Lafayette. My Blue Sky. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. The Navigators. 8 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Other Black. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355. Paul Kimbiris and The Paper Stars. 9 p.m. Fox Theatre Boulder, 1135 13th St., Boulder, 303-447-0095. The Prairie Scholars: Brews & Tunes. 6 p.m. Odd 13 Brewing, 301 E. Simpson St., Lafayette, 303-997-4164. Radiate Unified Dance Party with DJ Mr. Getdowne. 8:30 p.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303-449-0120. Randall Dubis. 7:30 p.m. 2020 Food + Wine Bar, 2020 Ionosphere St., Longmont, 720-491-3578. Riff Raff. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Robinson Quintet. 6:30 p.m. St Julien Hotel and Spa, 900 Walnut St., Boulder, 720-406-9696. School Of Rock. 12 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Sweet Lillies. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Threesome Live Improv. 7 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. The Who Do’s. 7:30 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555. Events Adobe InDesign Hands-On. 9 a.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647. Burning Can Beer Fest. All day. Bohn Park, 219 Second Ave., Lyons, 888-541-9753. Carol O’Meara Master Gardener. 10 a.m. McGuckin Hardware, 2525 Arapahoe Ave., Unit D-1, Boulder, 303-443-1822.

44 May 28, 2015

words Philippe Matsas

Friday, May 29 Fear of Paradise — Vinent Engel. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074. Monday, June 1 Firece Reads Spring Fling. 6 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074. “So, You’re a Poet” Open Poetry Reading. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. Tuesday, June 2 The Hundred Year House — Rebecca Makkai. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074. Innisfree Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303. Wednesday, June 3 The Book of Life — Deborah Harkness. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Ecstatic Dance. 10 a.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 720-379-8299. Living Landscapes. 10 a.m. Harlequin’s Gardens, 4795 N. 26th St., Boulder, 303-939-9403. Longmont Try-a-Tri. 9 a.m. Centennial Pool, 1201 Alpine St., Longmont, 303-651-8405. ReMoved Film Showing. 1 p.m. Voices For Children CASA, 2305 Canyon Blvd., Suite 101, Boulder, 303-440-7059. Second Annual Longmont Health Fair. 11 a.m. Boulder Valley Women’s Health at Longmont, 82 21st Ave., Longmont, 303-442-5160. Smokes & Jokes The Show! 8:30 p.m. Johnny’s Cigar Bar, 1801 13th St., Boulder, 303449-0884.

Rebecca Makkai brings her newest book The Hundred Year House, to Boulder Book Store on June 2.

Summer Reading Kick-off Celebration: Hero Storytime. 3 p.m. Meadows Branch (Boulder) Public Library, 4800 Baseline Road, Boulder, 303-441-4390. Summer Reading Kick-off Celebration: Hero Storytime. 11:15 a.m. NoBo Corner Library, 4600 Broadway, Boulder, 303-441-4250. Teen Movie: Teen Reading Program Kickoff with Guardians of the Galaxy. 2 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-4413100. Tinker Time. 10 a.m. Tinker Art Studio, 1300 Yellow Pine Ave., Suite B, Boulder, 303-5031902. Wildflower Hike. 10 a.m. Bald Mountain Scenic

theater Courtesy of DenverMind Media

Brighton Beach Memoirs. Miner’s Alley Theatre, 1224 Washington Ave., Golden, 303-935-3044. Through June 28. Defending the Caveman. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through June 28. The Flies by Jean-Paul Sartre — presented by The Upstart Crow. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through May 30.

Night, Mother follows Jessie who has decided life is no longer worth living and her mother who refuses to take her seriously. Now playing at the Vintage Theatre through June 14.

Mary Poppins. BDT Stage, 5501 Arapahoe Ave., Boulder, 303-449-6000. Through September 5.

Night, Mother. Vintage Theatre, 1468 Dayton

St., Aurora, 303-856-7830. Through May 14. The Norwegians. Theater Company of Lafayette, 300 E. Simpson St., Lafayette, 720-2092154. Through May 23.

Boulder Weekly

events Area, Boulder, 303-678-6200. Sunday, May 31 Music Acoustic Jam. 3 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303-449-1922. Antonio Lopez. 9 a.m. The Stone Cup, 442 High St., Lyons, 303-823-2345. Bluegrass Pick. 12 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Bonnie & Taylor Sims. 3 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914.

Mojomama. 5:30 p.m. Prospect Eats, Prospect Park (Tenacity Drive & 100 Year Party Court), Longmont.

BCCRN Free Film Series. 7 p.m. Adi Shiki Yoga Center, 6717 Valmont Road, Boulder, 720-2523962.

Open Jovan. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.

Beginners Trail Ride with BMA. 6 p.m. Flatirons Vista Trailhead, 3663 Highway 93, Boulder, 303-441-3440.

Prospect Sound Bites Summer Concert Series. 5:30 p.m. Prospect Park, 700 Tenacity Drive, Longmont, 303-459-5467. Events Arabic Literature. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Citizenship Classes. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Colorado Shakespeare Festival Lecture Series. 6:30 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. DivorceCare. 7 p.m. New Creation Church, 737

Bross St., Longmont, 303-776-4225. Intercambio English as a Second Language Class. 10 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Toddlers and Board Books. 10:15 a.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120. Meditation with Horses. 5:30 p.m. Acres of Opportunity Ranch, 9960 Arapahoe Road, Lafayette, 720-232-6421. see EVENTS Page 46

Boulder Philharmonic Chamber Series at The Academy. 4 p.m. The Academy (Chapel Hall), 970 Aurora Ave., Boulder, 303-938-1920. Danny Shafer. 5 p.m. Gold Hill Inn, 401 Main St., Boulder, 303-443-6461. Deer Run Drifters. 6 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Denny Driscoll. 12 p.m. Georgia Boys BBQ The Shack, 237 Collyer St., Longmont, 720-9994099. Flash Mountain Flood. 5 p.m. Very Nice Brewing Company, 20 Lakeview Drive, Unit 112, Nederland, 303-258-3770. Left Hand Artist Group Showcase. 12 p.m. Georgia Boys BBQ, 237 Collyer St., Longmont, 720-999-4099. Ramaya & The Troubadours. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628. School of Rock. 12 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Scott Von. 5 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258. Seth Phillips. 5 p.m. 300 Suns Brewing, 335 First Ave., Longmont, 720-442-8292. Sister Winds Festival. All Day. Pachamama Farm, 10771 N. 49th St., Longmont, 303-6666397. Skanson & Hansen. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Sunday Night Live. 5 p.m. Modena Wine Cafe, 600 Lons Peak Ave., Longmont, 720-438-7410. Truckstop Honeymoon. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Events Crafts and Trades of Olden Days. 10 a.m. Agricultural Heritage Center, 8348 Ute Highway, Longmont, 303-776-8848. Go Club for Kids and Teens. 2 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-4413100. Hawaiian Hula Classes. 5 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-4479772. Sensory Friendly Playtime. 9:30 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

July 1st

Opening session • Live music – starts at 6 pm • Public talk • Event ends around 9:30 pm

CU Boulder Sign up at PathHeart.org yestolove@PathHeart.org 303-929-6936

July 2nd to 8th

• Daily theme-based talks • Silent meditation • Yoga & dance • Kirtan & much more! Swoon Art House 4295 Broadway • Donation suggested

Teen Movie: The Avengers. 2 p.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120. Monday, June 1 Music Boulder Weekly

May 28, 2015 45

events

watch this! A Beautiful Equation: Einstein, Bohr & Grandmothers

UPCOMING SHOWS

Beginning 9:30 Nightly

THURS. MAY 28 - 9PM

SWING NIGHT!

w/ THE BOULDER SWING COLLECTIVE FRI. MAY 29 - 10:15PM

HIGHWAY 50 MON. JUNE 1

$7 BURGER & FRIES TUES. JUNE 2

GASOLINE LOLLIPOPS WED.JUN33

TRIVIA NIGHT GOD BLESS JOHNNY CASH

www.ColoradoGypsyJazz.com

809 Main St. Louisville, CO 80027 • 303-993-2094 www.waterloolouisville.com

4:30 p.m. and 7 p.m., Sunday, May 31, The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303440-7826 When stage director Len Barron set out to produce his original play telling the stories of world-renowned physicists, he decided to cast eight grandmothers. Because, why not? Directed by Boulder filmmaker Robin Truesdale in her full-length directorial debut, this documentary takes a look at the production of Barron’s play Einstein, Bohr, and Grandmothers, A Fairy Tale, which was performed at The Dairy Center for the Arts in October 2012. The documentary features performances by the grandmothers as well as a look at the process of staging the play. A Q&A session with Truesdale will follow both screenings of the film. —Sam Routhier

EVENTS from Page 45

Tuesday, June 2

S. Public Road, Lafayette, 303-665-0625.

Music

Wednesday Night Blues featuring the Delta Sonics. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757.

Adam Bodine Trio. 6:30 p.m. St Julien Hotel and Spa, 900 Walnut St., Boulder, 720-406-9696. Open Mic Night. 8 p.m. Conor O’Neill’s Traditional Irish Pub, 1922 13th St., Boulder, 303-4491922. Robert Johnson Jazz Duo. 8 p.m. Agora at the Riverside, 1724 Broadway St., Boulder, 720-4774164. Von Stomper & Acoustic Mining Company. 8 p.m. Fox Theatre Boulder, 1135 13th St., Boulder, 303-447-0095. Events Boulder Dance for Parkinsons. 11:30 a.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Civil War Fashions Made In Your Backyard. 6:30 p.m. Boulder County Parks and Open Space Headquarters, 5201 St. Vrain Road, Longmont, 303-678-6200. Folk Dancing on the Plaza. 7 p.m. Boulder Municipal Plaza, 1770 13th St., Boulder. BDA Creative Meetup. 5 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303800-4647. Mix & Mingle Ride at Betasso. 6 p.m. Betasso Trailhead, Boulder, 303-678-6200. Open Free Form Weekly Dance. 7:30 p.m. Solstice Center, 302 Pearl St., Boulder, 303-9398463. Photography Show and Sale. All day. Louisville Center for the Arts, 801 Grant Ave., Louisville, 303-665-0955. Smokes & Jokes. 8:30 p.m. Johnny’s Cigar Bar, 1801 13th St., Boulder, 303-449-0884. Wednesday, June 3 Music Kevin Dooley. 6 p.m. Espresso Vino by Brewing Market, 2770 Dagny Way, Lafayette, 720-8903993. Open Mic Night. 6:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625. Purple Squirrel. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Events The Bicycle Thief. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303442-3282. Boulder County Farmers’ Market. 4 p.m. Downtown Longmont, Fifth Avenue and Main St., Longmont, 303-910-2236. Great Books Discussion Group. 6 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390. How to Make Money with Your Blog. 1 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647. Introduction to User-Centered Design. 6 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647. Library Commission Meeting. 6 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-4413100. Meet Birds of Prey with HawkQuest. 11 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Photography Show and Sale. All day. Louisville Center for the Arts, 801 Grant Ave., Louisville, 303-665-0955. The Rotary Club of Longmont St. Vrain. 7 a.m. First Lutheran Church, 803 Third Ave., Longmont, 303-776-2704. Seniors on Bikes Crater Lake Ride. 9 a.m. Tom Watson Park, 6180 N. 63rd Road, Boulder, 303-413-7200. Socrates Cafe. 2 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390. Teens Make: Solar Cockroaches. 2 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Toddler Lego Story Club. 10:15 a.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120. Wednesday Fun Run. 6 p.m. Boulder Running Company, 28th Street and Pearl Street, Boulder, 800-807-6179.

Sophie West. 8 p.m. Cannon Mine Coffee, 210 46 May 28, 2015

Boulder Weekly

American Life in Poetry: Column 527 & 528 Spiritual Bookstore & Gift Shop

Custodians Retired from other trades, they wore Work clothes again to mop the johns And feed the furnace loads of coal. Their roughened faces matched the bronze Of the school bell the nun would swing To start the day. They limped but smiled, Explored the secret, oldest nooks: The steeple’s clock, dark attics piled With inkwell desks, the caves beneath The stage on Bingo night. The pastor Bowed to the powers in their hands:

Open Tuesday - Friday 9am-4pm

unityofboulder.com

Fuses and fire alarms, the plaster Smoothing a flaking wall, the keys To countless locks. They fixed the lights In the crawl space above the nave And tolled the bells for funeral rites. Maintain what dead men made. Time blurs Their scripted names and well-waxed floors, Those keepers winking through the years And whistling down the corridors. — David Livewell

The Strangers After we picked you up at the Omaha airport, we clamped you into a new car seat and listened to you yowl beneath the streetlights of Nebraska. Our hotel suite was plump with toys, ready, we hoped, to soothe you into America. But for a solid hour you watched the door, shrieking, Umma, the Korean word for mother. Once or twice you glanced back at us and, in this netherworld where a door

home had slammed shut forever, your terrified eyes paced between the past and the future. Umma, you screamed, Umma! But your foster mother back in Seoul never appeared. Your new mother and I lay on the bed, cooing your birth name, until, at last, you collapsed into our arms. In time, even terror must yield to sleep. —Patrick Hicks

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts. Introduction copyright © 2015 by The Poetry Foundation. Poem copyright ©2014 by David Livewell, “Custodians,” from Southwest Review (Vol. 99, no. 2, 2014). Poem reprinted by permission of David Livewell and Southwest Review. Poem copyright ©2014 by Patrick Hicks, “The Strangers,” from Adoptable, (Salmon Poetry, 2014). Poem reprinted by permission of Patrick Hicks and the publisher. Boulder Weekly takes poetry submissions of 250 words or fewer along with a one-sentence bio, at poetry@boulderweekly.com.

Imagine It! Build It! Share it! at the

June 13th & 14th, 2015 Featuring hands on drones, robots, music, art cars, and creations of all kinds. Come Make with us!

www.denvermakerfaire.org Boulder Weekly

May 28, 2015 47

WHAT screen ARE YOU

IMDB.com

DOING TONIGHT?

It was hard to follow its predecessor, but Pitch Perfect 2 hits almost all the right notes with just a few off-key moments.

All refrain

‘Pitch Perfect 2’ is a worthy encore by  Ryan Syrek

Pictured: Leftover Salmon Photo by Susan France

Boulder County’s Definitive Guide to Local Events BoulderCountyEvents.com 4,000+ monthly events

Comprehensive details Brought to you by 48 May 28, 2015

Streamlined search Social sharing features

act: It’s harder to make people laugh than cry. Fact: It’s harder to make someone laugh a second time than the first. Conclusion: Comedy sequels are the hardest sequels to make satisfying. Pitch Perfect was a comedy ninja, stealthily stepping from shadows to chuck a throwing star of hilarity into the funny bone of unsuspecting viewers. But Pitch Perfect 2 is an encore performed before a ravenously loyal crowd demanding to hear certain hits. It’s clear that everyone, including first-time director Elizabeth Banks, felt the pressure to obey the raised lighters in the audience and repeat certain notes, lest those lighters become torches and pitchforks. Awkwardly redundant at times, the sequel ultimately does sing well enough for its supper… just maybe not dessert. Pitch Perfect 2 opens with the Barden Bellas performing for the President, fresh off having won their third consecutive national a capella singing title. In the first of many refrains from the original, the Bellas have a horribly embarrassing incident in public. This time, instead of projectile vomiting during competition, Fat Amy (Rebel Wilson) shows President Obama her full Benghazi. The group gets suspended and can only be reinstated if they win the a capella world championship, which no American team ever has won before because, as the film hilariously reiterates, everyone in the world hates America. Fair point. Basically, it’s your typical “save the summer camp by winning the contest” plot. But, hey, it’s stuffed with all your favorites! A rap battle-style “riff off,” an oddly melancholy remix of breakout hit

“Cups” and lots of Fat Amy overconfidence jokes. Pitch Perfect 2 has a killer cast of likeable characters but, sadly, forgets to give them stuff to actually do. Beca (Anna Kendrick) has an internship that’s not only without conflict or stress; it’s arguably the greatest internship of all time. Fat Amy and Bumper (Adam DeVine) oddly explore their relationship, and newcomer Emily (Hailee Steinfeld) struggles to find her place on the team. Every other character is just kinda there, likely repeating their bits from the first film. And yet, there are signs of the lightning that were bottled once before. Newcomer Flo (Chrissie Fit) is easily the best addition. Her character’s horrifying asides about her life before getting to America delightfully skewers the melodrama espoused by characters who are convinced a capella competitions are the most important things in human history. Kendrick’s clearly improvised sarcastic moments crackle, the music is always a blast and somehow Fat Amy manages to avoid the “Jack Black uncanny valley” and remain hilarious a second time. What’s missing is the spontaneity and recklessness that allowed the first film to feature a character making snow angels in a pool of barf. Pitch Perfect felt gleefully wild. Pitch Perfect 2 feels calculated if ultimately satisfying. To put it in more musical terms: If the original was an album you still play on repeat without skipping a song, this sequel is worth putting in sporadic rotation for a few killer tracks. This review first appeared in The Reader of Omaha, Neb.

Boulder Weekly

film Falling with style

Carl Boenish takes the plunge in ‘Sunshine Superman’ by Michael J. Casey

t the turn Courtesy of Magnolia Pictures of the 20th century, vast majorities of the planet remained undiscovered for those restless ones who couldn’t possibly imagine a life spent behind a desk or in a factory. If they had the notion, and sufficient Sunshine Superman features the high-flying career of BASE funding, there were jumper Carl Boenish. mountains, deserts, jungles, two Poles and the seas in between calling their name. But, by the time the ’60s and ’70s rolled around, most of the Earth was discovered and mapped, leaving exploration either to outer space (requiring an astronomical amount of funding, thus eliminating any hobbyists) or of the self. These intrepid few discovered what could be accomplished by pushing their limits and staring death in the face. Daredevils like Evel Knievel, The Flying Wallendas and Philippe Petit were a few of this new breed of adventurer/athlete, as was the father of BASE jumping, Carl Boenish, whose own personal motto sums up the batch of thrill seekers: “There’s no future in growing up.” Sunshine Superman, the new documentary about Boenish’s career and life, captures the Peter Pan aspect of Boenish’s resolve. Boenish (rhymes with Danish) was stricken with polio as a child, an Earth-bound disease that no doubt made Boenish hungry for a life up in the sky. And up there is where he found it. While working as an electrical engineer for Hughes Aircraft in the late ’60s, Boenish joined a group of skydivers and found his community. It also allowed him the opporON THE BILL: Sunshine tunity to film the dives, which he segued into a Superman. Opening May 29, career when John Frankenheimer made The Mayan Theatre, 110 Broadway Gypsy Moths (a 1969 film about three skydivers). St., Denver, 303-744-6799. Tickets start at $8.50 www.landBoenish was hired as an aerial photographer and marktheatres.com/denver/ permanently kissed Hughes Aircraft goodbye. mayan-theatre For Boenish, skydiving was just the beginning. Soon he was jumping off the high cliffs of El Capitan in Yosemite National Park, 1,000-foot tall spires, skyscrapers in Houston and Los Angeles, anything and everything that was tall and provided good light, because Boenish documented all his jumps. Out of this came BASE (building, antenna, span or Earth) jumping. It wasn’t necessarily illegal, but it caused trouble for Boenish and his crew, and with trouble came attention. At first, Boenish did it for kicks, but as his popularity and exposure rose, so did the meaning behind his jumps. Boenish believed his jumps would motivate others to try harder and do better. Some call it hubris, others, inspiration. Which of those took the lead in his death while BASE jumping in 1984 remains a mystery. What Carl Boenish brought to the table was the same thing all daredevils bring: entertainment. The possibility of the crash is just as thrilling as the success of the landing, but with Boenish, his jumps became something more. For Boenish, they were imbued with a sense of the divine. From where we sit in 2015, that might seem foolish. For those on the mountain in 1984, it was as real as the rocks racing past you. Sunshine Superman, directed by Marah Strauch, heavily benefits from Boenish’s goofy and charming personality, as well as a plethora of footage Boenish produced in his career as a cinematographer/jumper. The footage is spectacular, and the big screen is the perfect place to convey that majesty. Boulder Weekly

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cuisine review Susan France

Tibet’s Restaurant & Bar

321 S. McCaslin Blvd., Louisville, 303-665-2557

erhaps nowhere else in Boulder County is food tied to a place as much as Tibet’s Restaurant & Bar in Louisville is to the country and perspective of its namesake. The interior is designed with care and intention. The owners Mark Herman, and Kami and Pasang Sherpa, the latter two of whom are from Nepal, have carefully placed artifacts throughout the restaurant to effect calm and pleasure. “Each decoration,” the owners write, “serves as a reminder of Buddhist philosophy. … Tibet’s has been decorated with strategically placed items to create the best energy for the space.” That much is evident before you know any of Tibet’s back-story. The colors of the interior, deep reds and greens, with rich wooden tones throughout and accents of yellow and white, are painted on statues, portraits, furniture and tapestries. Himalayan folk music churns slowly, cutting in and out at silences in dinner conversation. Portraits of the Dalai Lama and Annapurna catch the eye. Big windows let in light from outside; little candles illuminate from inside. The staff is always smiling, calm and accommodating. Simply, there is balance at Tibet’s. It is pleasing to sit down for a meal there. Fortunately, there is balance in the food as well. The cuisine is simple and comforting Tibetan fare. The restaurant has an exceptional lunch buffet and full dinner service, as well as a full bar. First on the table on a recent evening was a momo

Simply satisfying

Tibet’s Restaurant & Bar effects satisfaction in food and atmosphere by Matt Cortina platter. The momos were freshly rolled, packaged and sealed, and you could smell the wet flour though the purse, which retained ideal structural integrity. The meat inside, ground chicken rolled with herbs in this instance, was steaming hot and well-seasoned. It was served with house-made tomato chutney. Next were small complementary bowls of dahl soup. The dahl was made from pureed lentils and herbs, and with a cold, hard rain falling that evening, it reminded me of the piping hot pea soups I, and many others I’m sure, ate growing up. Crunchy and thick samosas arrived next. They were packed with potatoes, peas and carrots. The shell was thin and crusty, and tasted like unsweet carnival funnel cake. The samosa bits went well with the chut-

neys and sauces on the table, leftover from the opening round of complementary papadams — crisp chickpea wafers. We had two entrees that evening — a lamb vindaloo and a chicken curry. First, the lamb was robust and earthy, cut into chunks and stewed in a spicy tomato sauce alongside potatoes. On the plate, too, was the fluffiest rice — long basmati grain — that was a warm and soft bed for the meat. It had deep red spices and the heat was moderate, but can be adjusted according to taste. The chicken curry was a little brighter on the tongue, but less flavorful than the lamb vindaloo. Sharp tomatoes, ginger, onion and garlic were simmered to form the curry, and the chicken was tender and soaked up the fla-

vor of the sauce. For dessert, we had a bowl of kir, an Indian rice pudding. The creamy, semi-sweet rice was topped with yellow and purple raisins, nuts and cinnamon. It was cool and understated. Nothing in the dish flashed, but there was something captivating in its simplicity that kept me coming back for more. That’s a pretty good way to describe Tibet’s. Captivating in its simplicity. Whether you go for the abundant lunch buffet, which features various meat and vegetable entrees, samosas, Tibetan noodles, these awesome, lightly fried, long green bean things, and much more, or for the sit-down meal at dinner, you’re likely to be full and content when you leave.

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Boulder Weekly

Food happenings

around Boulder County

tidbites

Wikipedia

THE RADISH AFFAIR

Hey, who likes radishes? If you do, the Longmont Farmers’ Market is coming through for you in a big way as the first-ever Radish Festival comes to the Boulder County Fairgrounds in Longmont on May 30 from 8 a.m.-1 p.m. It is the first of six seasonal food festivals held by the Boulder County Farmers’ Markets this year. The Radish Festival will highlight 10 varieties of radishes grown locally, and will feature the Raddest Farmer contest, radish-based recipe demonstrations from the Escoffier School of Culinary Arts, and radish-centric games. Kids can get in on all the radish fun with radish face-painting and necklace making. The Tasterie Truck will be selling radishbased dishes with a Thai pork bowl and radish salad. Seb’s Wood Fired Cuisine will be selling a radish flatbread and the St. Vrain Vineyards will pair their wines with radish butter toasts.

CHUGGING ALONG Oskar Blues and Adventure Fit want you to drink and run on May 30 from 10 a.m.-9 p.m. during their Burning Can ExtravaCANza and Beer Relay at Bohn Park in Lyons. Burning Can is a celebration of canned craft beer, outdoor sports, live music and camping. The event coincides with the Lyons Outdoor Games, so Burning Can attendees can watch freestyle kayaking,

Boulder Weekly

over 50 canned brewers. A $60 VIP ticket gets you in an hour early. Beer Relay tickets are $50-$65 per person and include race beer, race hydration, headbands and more. There is no limit on team size.

GLUTEN FREE KNOWLEDGE

Eat a good amount of radishes this weekend in Longmont.

BMX bike jumping, slack line competitions and more. But if all that spectating gets you in the mood to compete, then sign up for the festival’s inaugural beer relay. It is the first-ever trail running and beer drinking event. Teams take turns running a 5K trail loop, and two minutes are taken off each lap time if you drink a 12-ounce Oskar Blues brew before you start running. What could go wrong? Tickets are available at burningcan.com. For $40, you’ll get unlimited tastings from

Michelle Lee, author of the Living Luxe Gluten Free cookbook, will be giving a talk entitled, “Gluten Free Summer Survival: Making Gluten Free Travel, Eating Out and Socializing Easy,” at LYFE Kitchen in Boulder on May 30 at 4 p.m. Lee will be teaching the free class on gluten-free cooking and eating, as well as signing books and giving away prizes. Those who attend the class will have the opportunity to win a free gift card to LYFE Kitchen, and a copy of Living Luxe Gluten Free. You’ll also get 20 percent off a meal if you stay for dinner after the class. Lee’s Living Luxe cookbook includes over 110 gluten-free recipes; paleo, vegan, dairyfree and low-sodium recipes; full color photos; drink pairings and more. For more information on the event or the cookbook, visit livingluxeglutenfree.com.

PUERTO RICO FLAVORS A Taste of Puerto Rico Festival, an annual celebration of Puerto Rican food, music and culture, returns to the Denver Civic Center on June 14 from 11 a.m.-8 p.m. The event is family-oriented and features special attractions, non-stop musical acts, cultural offerings and as much Puerto Rican food as Colorado can handle. For more information, visit atopr.com.

May 28, 2015 53

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54 May 28, 2015

Boulder Weekly

cuisine

Wikipedia

A matter of perception

Multi-sensory dining and neurogastronomy gains momentum by Renee Moen

ou walk into a roadside gas Flip. Fast forward 30 years, the kids station on some random are grown up. When looking back on afternoon. You’re busy with that summer, it isn’t just the banana chores all day. As you’re cake with the gooey banana filling paying for a bottle of water they’ll remember. Memories of freeyou catch a familiar blur of shape and dom, sunshine and friendship are also color on the candy rack. You buy it wrapped up in those taste buds. and in the car, before you turn the Ambience and food is a powerful ignition, you take a bite. It’s not the combination. Light, sound, smell and taste, the texture or the packaging you texture all play a part in the wonderremember — fully complex ingredients have world of sensory Wikipedia changed over all dining. Currently, these years, addithere is a growtives have been ing trend of chefs included, the and food makers package shrunk. taking advantage But eating that of these deep connections our piece of candy brains form with momentarily stirs food. you back into the Reconnecting past. these wires, what Without realDoes popcorn change flavor if you’re in a is called neuroizing it, our theater or at a pool or on an airplane? gastronomy, can favorite foods transport diners from childhood through time and space simply by are fondly remembered because of altering the environment, scent, texture stimuli that enhanced the taste at the and taste of dishes. time, not the food itself. For example, imagine a couple of kids riding their For instance, would the sound of bikes to the corner store on a bright the ocean enhance the taste of a seasummer morning. Together they sit on food meal? An upscale restaurant in the curb outside the store, plotting Berkshire, England called The Fat their day as they each eat a Banana Duck has taken the sensory meal to

Boulder Weekly

Just the sight of strawberries is likely to get your salivary glands working and impart their tart, sweet taste in your mouth. Neurogastronomy leaders are working to explore those brain and taste bud connections

the next level. When a patron orders a seafood dish, they are given an iPod loaded with sounds of the ocean before the meal. Customers that participated in the auditory experience found the meal more flavorful with the ocean sounds than without. It’s the same meal with the same ingredients, but one group found food more flavorful simply by listening to waves crashing on the shore. Charles Spence, a professor of psychology at Oxford University believes that sound is a forgotten flavor sense. In his book The Perfect Meal; The Multi-Sensory Science of Food and Dining, Spence discusses one of the more interesting tests on auditory/ brain stimulation, which highlights

how easily the brain can be manipulated. Participants connected to brain mapping equipment were offered a glass of red wine. Sipping on the cheap wine, scientists observed a slight increase in brain waves. Once the participants were informed that it was an incredibly expensive wine, their pleasure and reward sensors spiked dramatically. Consuming a pricey beverage is cause for celebration. The brain can also be manipulated and turned around to make gross food look appealing and appetizing food appear repulsive. A drippy, clump of green goo, in the right circumstances, may make someone’s taste buds sing. see NEUROGASTRONOMY Page 56

May 28, 2015 55

cuisine

NEUROGASTRONOMY from Page 55

Dining in an upscale restaurant, how appealing would the green goo be if served on an elegant piece of China? Add some fun colors to the room, the smell of waffle cones and happy carnival music playing, would that make the green goo more or less appealing? Spence spearheaded a multi-sensory experiment in a bar in London, called Diageo. Shifting colors of lights, textural furnishings and décor, customers reported different flavors with the

same single malt whisky. A room with green hues and sounds of spring playing in the background, the whisky tasted grassy. A room bathed in red, with curved furniture and the sound of bells tinkling made the single malt whiskey a bit sweeter. So which is it, sweet or grassy… or neither? It’s the same single malt whisky, shouldn’t it have the same taste no matter where it’s consumed? The bottom line is that taste is a

malleable sense, manipulated on a whim to delight or offend with the flick of a light or a jingle of bells. Gordon M. Shepherd, a neuroscientist at Yale University and author of Neurogastronomy; How the Brain Creates Flavor and Why it Matters writes that it all begins with a thought: “What do I want to eat?” Casting about different items in the mental food bank, the brain locks on a specific food or favorite dish. The

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thinker begins to taste the food in that instant. Whether the food is home cooked or ordered, the senses begin working overtime. Hunger kicks in and anticipation is heightened. The salivary glands come into play, thinking about the food coming. (Anyone who has taken Psychology 101 is imagining Pavlov’s dogs right about now.) The response is the same: food means expectation and a person drools with the possibility of a tasty reward. When the food is ready for consumption, there is the visual onceover, an involuntary sniff test before the food enters the mouth. Almost all senses are accounted for in the first bite. Could this science be used to promote healthy eating habits? Several years ago in Spain, Neurologist-turnedchef Miguel Sanchez Romaro, opened his neurogastonomy-themed restaurant to a curious crowd. He promised to stay true to his beliefs and oath as a doctor by serving delicious meals without excess salt or fat. One of his offerings was a round of flavored waters that left the consumer feeling as if they had just consumed an entire meal. The chef explained the flavored water shows the mental process of eating. A part of the brain, the hypothalamus, may be tricked into satiation by manipulating the other senses, in this case the sense of smell and taste. Restaurants aren’t the only venues capitalizing on this growing trend of sensory eating. Food festivals are beginning to climb on the bandwagon, offering fun exercises to show how the brain and food blend together. The Smell Festival in Bologna, Italy offered a workshop on neurogastronomy. One of the exercises centered on sweetness. Members of the workshop were offered five different sugar solutions infused with five different flavors. The vanillainfused solution was chosen overall as the sweetest by participants. Not surprising since vanilla is often associated with sweet treats. However, all five solutions were equally sweet. Thinking, craving and excess saliva are only the tip of the iceberg in a world of mindful eating. This foray into experimental cuisine is a growing trend among foodies that are looking to indulge all five senses during a meal. Fruit desserts are reported to taste sweeter when served on white plates and less sweet on black plates. Heavy bowls, plates and flatware leave a consumer more satiated than those who eat off of lighter dinnerware. The brain plays a little sleight of hand with the dining experience and it’s becoming clear that we humans eat it up. Boulder Weekly

drink Summer sipper

What We Love’s sangria is a good warm weather partner

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ith warmer weather and while enjoying a sparkling sangria. Made longer days well on their to be diluted, the sangria offers the way, we start to crave opportunity to have fun and play with beverage options that the dilution to find what you like and are lighter, fruitier and experience how the flavors and color more refreshing. That’s right where change along the way. Decadent Saint Sangria from What We Each bottle is adorned with a Love The Winery comes in. bookmark that offers suggestions for Michael Hasler, oenologist and serving and shows how eclectic it can owner of the Boulder-based winery, has be. Jazz up brunch with an intense spent the last few years experimenting sangria mimosa by adding dry with flavors to prosecco. Pour it Courtesy of What We Love The Winery create a refreshing, over oranges, portable sangria. berries, pineapHasler used his ple, limes, obvious passion grapes or other for wine making fruit, and let it soak to enjoy an and decades of infused fruit as experience to crewell. Because of ate their Red the brightness Sangria, the sumand sweetness of mer companion to the drink, the Decadent Hasler recomSaint Mulled mends drinking Wine, which was it with a variety the inspiration for of foods includthe entire busiing specifically a ness. chipotle brie or Hasler quickly ditched the idea of sweet chutney any artificial or along with any natural flavorings contrasting spicy and opted for a cuisines, such as drink packed with Mexican or real ingredients. Chinese dishes. What We Love’s sangria makes for a fruity It’s a red wine This is the and light summer drink. base with real first summer you fruit, vanilla, can enjoy the almond, spices, orange and black currant sangria, but it’s already become a favorjuice. Hasler says the result isn’t only a ite at the company’s North Boulder drink that tastes fresh, but a drink that taproom. has antioxidants, vitamins and is natural“That’s the buzz. People are blown ly gluten-free. away,” Hasler says of the sangria. At first pour, the wine has a rich red The sangria is available at their tap hue and a balanced taste that isn’t overly room and at stores for about $20. With sweet or acidic as some sangrias are. You a long shelf life of four to five months can enjoy it straight on the rocks at 20.5 and being able to dilute it as much as percent alcohol, which actually serves as you like, it makes an economical option a digestif with its acidity stimulating as well. digestion. Store the bottle frozen to have Keep an eye out for their white sanit ice cold. gria, which is anticipated to debut in But it’s also made to give you the mid-July. The chardonnay base will be a option to customize it to your liking — passion fruit forward sangria with a add an equal amount of seltzer, or for touch of ginger. Visit their winery for even more dilution, a 1:2 or 1:3 ratio to tastings Thursday through Sunday 1-6 tone down the intensity and the alcohol p.m. or by appointment. Boulder Weekly

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Boulder Weekly

astrology ARIES MARCH 19:

21-APRIL

Go to RealAstrology.com to check out Rob Brezsny’s EXPANDED WEEKLY AUDIO HOROSCOPES and DAILY TEXT MESSAGE HOROSCOPES. The audio horoscopes are also available by phone at 1-877873-4888 or 1-900-950-7700.

Keith Moon played drums for the rock band The Who. He was once voted the second-greatest drummer in history. But his erratic behavior, often provoked by drugs or alcohol, sometimes interfered with his abilities. In 1973, The Who was doing a live concert near San Francisco when the horse tranquilizer that Moon had taken earlier caused him to pass out. The band appealed to the audience for help. “Can anybody play the drums?” asked guitarist Pete Townshend. “I mean somebody good?” A 19-year-old amateur drummer named Scot Halpin volunteered. He played well enough to finish the show. I suspect that sometime soon, Aries, you may also get an unexpected opportunity to play the role of a substitute. Be ready!

TAURUS

APRIL 20-MAY 20:

The weta is a very large insect whose habitat is New Zealand. It looks like a robotic grasshopper, with giant black eyes on a long red face, enlarged hind legs bearing spikes and floppy, oversized antennae. The native Maori people call it “the god of the ugly things.” Please note that this is a term of respect. The weta’s title is not “the most monstrous of the ugly things,” or “the worst” or “the scariest” or “the most worthless of the ugly things.” Rather, the Maori say it’s the god — the highest, the best, the most glorious. I suspect that in the coming days, Taurus, you will have a close encounter with your own version of a “god of ugly things.” Doesn’t it deserve your love and welcome?

GEMINI

MAY 21-JUNE 20:

You have successfully made the transition from brooding caterpillar to social butterfly. Soon you will be in your full, fluttery glory, never lingering too long with one thought, one friend or one identity. Some heavy-duty, levelheaded stalwarts might wish you would be more earthy and anchored, but I don’t share their concern. At least for now, having a long attention span is overrated. You have entered the fidgety, inquisitive part of your cycle, when flitting and flirting and flickering make perfect sense.

CANCER

JUNE 21-JULY 22:

LIBRA

SEPT. 23-OCT. 22:

Long-distance flirtations may soon be just around the corner or across the street. Remote possibilities are taking short cuts as they head your way. I swear the far horizon and the lucky stars seem closer than usual. Is it all a mirage? Some of it may be, but at least a part of it is very real. If you want to be ready to seize the surprising opportunities that show up in your vicinity, I suggest you make yourself as innocent and expansive as possible. Drop any jaded attitudes you may be harboring. Let the future know that you are prepared to receive a flood of beauty, truth and help.

SCORPIO

OCT. 23-NOV. 21:

I suspect that marriages of convenience will begin to wither away unless they evolve into bonds of affection. Connections that have been fed primarily on fun and games must acquire more ballast. In fact, I recommend that you re-evaluate all your contracts and agreements. How are they working for you? Do they still serve the purpose you want them to? Is it time to acknowledge that they have transformed and need to be reconfigured? As you take inventory, be both tough-minded and compassionate.

SAGITTARIUS NOV. 22-DEC. 21:

Petrarch was an influential 14th-century Italian poet whose main work was Song Book. It’s a collection of 366 poems, most of which are dedicated to Laura, the woman he loved. For 40 years he churned out testaments of longing and appreciation for her, despite the fact that he and she never spent time together. She was married to another man and was wrapped up in raising her 11 children. Should we judge Petrarch harshly for choosing a muse who was so unavailable? I don’t. Muse-choosing is a mysterious and sacred process that transcends logic. I’m bringing the subject to your attention because you’re entering a new phase in your relationship with muses. It’s either time to choose a new one (or two?) or else adjust your bonds with your current muses.

CAPRICORN

DEC. 22-JAN. 19:

Only one fear is worthy of you. Only one fear is real enough and important enough to awaken and activate the numb part of your intelligence. So for now, I suggest that you retire all lesser fears. Stuff them in a garbage bag and hide them in a closet. Then put on your brave champion face, gather the allies and resources you need and go forth into glorious battle. Wrestle with your one fear. Reason with it. If necessary, use guile and trickery to gain an advantage. Call on divine inspiration and be a wickedly good truth-teller. And this is crucial: Use your fear to awaken and activate the numb part of your intelligence.

“The soul moves in circles,” said the ancient Greek philosopher Plotinus. Modern psychologist James Hillmans agreed, and added this thought: “Hence our lives are not moving straight ahead; instead, hovering, wavering, returning, renewing, repeating.” I bring this to your attention, Capricorn, because you’re now in an extraintense phase of winding and rambling. This is a good thing! You are spiraling back to get another look at interesting teachings you didn’t master the first time around. You are building on past efforts that weren’t strong enough. Your words of power are crooked, gyrate, curvy, labyrinthine and corkscrew.

LEO

AQUARIUS

In the coming nights, try to see your shadow as it’s cast on the ground by the moon. Not by the sun, mind you. Look for the shadow that’s made by the light of the moon. It might sound farfetched, but I suspect this experience will have a potent impact on your subconscious mind. It may jostle loose secrets that you have been hiding from yourself. I bet it will give you access to emotions and intuitions you have been repressing. It could also help you realize that some of the deep, dark stuff you wrestle with is not bad and scary, but rather fertile and fascinating.

It’s no coincidence that your libido and your mojo are booming at the same time. Your libido is in the midst of a deep, hearty awakening, which is generating a surplus of potent, super-fine mojo. And your surplus of potent, super-fine mojo is in turn inciting your libido’s even deeper, heartier awakening. There may be times in the coming week when you feel like you are living with a wild animal. As long as you keep the creature well-fed and well-stroked, it should provide you with lots of vigorous, even boisterous fun.

VIRGO

PISCES

The ancient Greek statesman Demosthenes was regarded as a supremely skilled orator. His speeches were so powerful that he was compared to a “blazing thunderbolt.” And yet as a youngster he spoke awkwardly. His voice was weak and his enunciation weird. To transform himself, he took drastic measures. He put pebbles in his mouth to force himself to formulate his words with great care. He recited poems as he ran up and down hills. At the beach, he learned to outshout the pounding surf. Take inspiration from him, Virgo. Now would be an excellent time for you to plan and launch strenuous efforts that will enable you to eventually accomplish one of your long-range goals.

“I always arrive late at the office, but I make up for it by leaving early,” quipped 19th-century English author Charles Lamb. I invite you to adopt that breezy, lazy attitude in the coming weeks. It’s high time for you to slip into a very comfortable, laidback mood . . . to give yourself a lot of slack, explore the mysteries of dreamy indolence and quiet down the chirpy voices in your head. Even if you can’t literally call in sick to your job and spend a few days wandering free, do everything you can to claim as much low-pressure, unhurried spaciousness as possible.

JULY 23-AUG. 22:

AUG. 23-SEPT. 22:

Boulder Weekly

JAN. 20-FEB. 18:

FEB. 19-MARCH 20:

May 28, 2015 63

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SAVAGE by Dan Savage

Dear Dan: You often mention asexual people. I believe I may be one. I’m a 51-year-old woman. I’ve been separated from my opposite-sex partner for nearly nine years. I’ve been approached by a variety of men, each one interested in becoming “more than friends.” I haunt Craigslist’s “platonic m4w” section, but each time I reach out to someone, he turns out to want a FWB or NSA relationship. It’s frustrating! That part of my life — the sex part — is really and truly over! I had many sex partners for many years, I had a good run, and now I’m done. When I find someone attractive, I admire them in a nonsexual way. But I do masturbate. Not often. I can go two or three weeks without needing (or thinking about) release. When I do masturbate, it’s more of a “stretching activity” than a passionate requirement. Do true asexuals masturbate? Am I correct in identifying as asexual instead of heterosexual? Or am I a straight person who has simply retired from the field? — No Need For Sex Dear NNFS: “There’s some handydandy research on this topic,” said David Jay, founder of the Asexual Visibility and Education Network (AVEN). Jay is the world’s most prominent asexuality activist and widely acknowledged as the founder of the asexuality movement. Researchers at the University of British Columbia studied the masturbatory habits of asexual individuals and compared them to the masturbatory habits of people with low sexual desire (“Sexual Fantasy and Masturbation Among Asexual Individuals,” Morag A. Yule, Lori A. Brotto, and Boris B. Gorzalka, the Canadian Journal of Human Sexuality). “[They found that] the majority of asexual people (about 56 percent) masturbate on at least a monthly basis,” Jay says, compared to 75 percent of individuals with low sexual desire. “For a sizable chunk of us, this is about a sense of physical release rather than about sexual fantasy. Masturbation and partnered sex are very different things, and desiring one doesn’t mean that we automatically desire the other.” So, NNFS, the fact that you masBoulder Weekly

Love

turbate occasionally — as a “stretching activity” (ouch?) — doesn’t disqualify you from identifying as asexual. And while the fact that you were sexually active for many years, presumably happily, and always with men could mean you’re a straight lady with low to no sexual desire, you’re nevertheless free to embrace the asexual label if it works for you. “If you’re not drawn to be sexual with anyone, then you have a lot in common with a lot of people in the asexual community,” Jay says. “That being said, there’s no such thing as a ‘true’ asexual. If the word seems useful, use it. At the end of the day, what matters is how well we understand ourselves, not how well we match some Platonic ideal of our sexual orientation, and words like ‘asexual’ are just tools to help us understand ourselves.” All those crazy labels — bi, gay, lesbian, straight, pansexual, asexual, etc. — are there to help us communicate who we are and what we want. Once upon a time, NNFS, you wanted heterosexual sex, you had heterosexual sex and you identified as heterosexual. That label was correct for you then. If the asexual label is a better fit for you now, if it more accurately communicates who you are (now) and what you want (now), you have none other than David Jay’s permission to use it. “I also feel NNFS’s pain about Craigslist ‘strictly platonic’ ads,” Jay says. “But I’ve found there are plenty of people out there who are interested in hanging out if I simultaneously say ‘no’ to sex and ‘yes’ to an emotional connection. I wish NNFS the best of luck in finding some.” Follow AVEN on Twitter at @asexuality. Jay recommends The Invisible Orientation by Julie Decker to people who want to learn more about asexuality. And Asexual Outreach is currently raising funds via Indiegogo to help finance the first North American Asexuality Conference in Toronto this June and other outreach programs: indiegogo.com/projects/asexual-outreach. Send questions to mail@savagelove.net and follow @fakedansavage on Twitter May 28, 2015 65

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High hopes for improved reporting on teen marijuana use

hen Rocky Mountain Community Radio reporter Bente Birkeland began tracking legal marijuana’s impacts on Colorado teenagers earlier this year, she discovered key data wasn’t avail-

able. “The state does not require schools to report marijuana incidents separately,” Birkeland says. “Alcohol and tobacco are in separate categories. But marijuana shouldn’t be lumped in with cocaine or pharmaceuticals. It’s a tough story to report.” Birkeland personally talked to more than a dozen school districts and came away with the impression that most officials don’t want to discuss drugs in schools with reporters. “In my reporting I always strive for an objective, accurate story that reflects various perspectives,” Birkeland says. “I told them I’m not trying to bash the school district, but I think they were worried it would make them look like they weren’t doing enough. Boulder was the only one that would let me go in there.” Boulder Valley School District was open to talking about their approach, including working with a neuroscientist. Odette Edbrooke, health education coordinator for BVSD, welcomed Birkeland’s interest. BVSD is already involved in proactive communityfacing education efforts about marijuana. Pathways to Success is a district-sponsored event series aimed at families, led by Boulder Psychological Services. The series included an opportunity to discuss the impacts of legalized marijuana on families at the

5854 Rawhide Court, Unit C, Boulder Boulder Weekly

Meadows Branch Public Library in Boulder on May 18. Just one parent attended, a mother from Boulder. She and I took advantage of hosts Dr. Leland Johnston, a psychiatrist in private practice in Boulder, and local counselor Ryan Dawson’s undivided attention. Johnston advocated full sobriety because of the data on adolescent brain function. “The inclination from my generation is to see it as not that big of a problem,” he said. “Everybody is soft-peddling it. Now, with the potency the way it is, the grade of marijuana being smoked routinely by middle school and high school kids is much higher than in the ’60s and ’70s. And dabbing pumps up the potency.” He said teens who experiment once or twice probably won’t see academic decline or accidents. But for both Johnston and Dawson, by the time parents bring kids to them, usually things have escalated. Johnston insisted that concerned parents ought to subject teens to randomized drug testing. But Dawson warned that in his experience with court-appointed drug testing, kids try to get around tests with dangerous cannabis alternatives like spice or K2. And he suggested that criminal outcomes generally are a barrier to treatment for addiction. Despite Johnston’s calls for teen sobriety and drug testing, he is no drug warrior. He sees research into cannabidiol, or CBD, for treatment of seizures as the most important public health development related to marijuana.

“If there’s good medical documentation of treatment, it’s more than likely cannabis will come out of Schedule 1,” he said, referring to the federal designation of marijuana as a narcotic with no medical value. Dawson agreed with Johnston that sobriety is the best option, but as a psychotherapist he is focused on harm reduction and talks to teens about using marijuana in a way that won’t derail their lives. He added that while brain development stabilizes by age 25, teens using marijuana habitually risk permanently lowering their IQ. “My clients see only the positive impacts of marijuana, not the negatives,” Dawson said. “In small doses, it can decrease anxiety, but heavy dosage increases anxiety and aggravates psychosis.” My fellow attendee, the mother who asked not to be named in this article, surmised that the lack of turnout for the discussion reflected disinterest among parents in Boulder. She says she felt that marijuana does not pose as serious a risk as alcohol, tobacco, pharmaceuticals or street drugs. Nevertheless, Colorado has been awarding grant programs paid for with marijuana taxes to select school districts for added mental health professionals and counselors. And on the last day of the General Assembly, the House and Senate passed a new law, HB15-1273, that requires more trackable reporting. The declared goals of the new law state, in part, “It is the intent of the general assembly to ensure that high-level, consistent and easily accessible school safety data is available to parents and other interested parties…” Principals of each public school in a district will be required to submit annual reports to the Board of Education. The Board of Education will compile reports and make them available to the Department of Education and the general public. If the law works, parents and journalists alike will have better data available for tracking the impacts of legalization on kids. Meanwhile, the Colorado Department of Public Health and Environment is expected to release more research on changes in teenage marijuana use patterns later this year.

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