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departments

39 41 46 47 49 49 51 53 54 57 59

7 LETTERS: A leguminous error; Cleveland offended; One problem with drafting elderly 7 THE HIGHROAD: Wall Street gets giddy over the urge to merge 8 DANISH PLAN: A gentleman’s C for the pot task force 8 COMMENTARY: If the NRA has its way ...

12 ICUMI: That evil weed; More deception from Joe; Finding our happy place OVERTONES: Sallie Ford and the Sound Outside blend genres BOULDER COUNTY EVENTS: What to do and where to go REEL TO REEL: Films showing locally SCREEN: Warm Bodies CUISINE: New Incan superfood stirs mixed emotions in Boulder TIDBITES: Food happenings around town FOOD REVIEW: D’Angelo’s Italian Deli BOULDER COUNTY BEER TOUR: Gravity Brewing APPETIZERS: Where to get your grub ASTROLOGY: By Rob Brezsny BOULDER MARKETPLACE: Your community resource

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letters

Publisher, Stewart Sallo Editor, Joel Dyer Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn EDITORIAL Managing Editor, Jefferson Dodge Arts & Entertainment Editor, David Accomazzo Associate Editor/Special Editions, Elizabeth Miller Online Editor, Steve Weishampel Interns, Cayte Bosler, Abigail Faires, Cecelia Gilboy, Erica Lindberg, Stephanie Riesco Contributing Writers, Peter Alexander, Rob Brezsny, Chris Callaway, Paul Danish, James Dziezynski, Clay Fong, Jim Hightower, Dave Kirby, Jessie Lucier, P.J. Nutting, Brian Palmer, Chris Parker, Adam Perry, Alan Sculley, Tom Winter, Tate Zandstra, Gary Zeidner SALES Retail Sales Manager, Allen Carmichael Account Executives, Andrea Craven, Joe Fuchs, David Hasson, Chelsea Mack PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Marketing Manager & Heiress, Julia Sallo Office Manager/Advertising Assistant, Jamie Peterson CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 13-Year-Old, Mia Rose Sallo March 7, 2013 Volume XX, Number 31 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper.

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A leguminous error

Just wanted to point out an incorrect statement in the article, “Quinoa Conundrum,” in the Feb. 28 issue.

“They’re also intercropping quinoa with leguminous crops, such as corn and potatoes, to keep weeds down and provide more nitrogen for the plants” They are intercropping with legumes but corn and potatoes are not legumes and they are not using corn and potatoes. There was a webinar posted just this week featur-

the

Highroad Wall Street gets giddy over the urge to merge

by Jim Hightower

Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com.

Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel.

Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

Boulder Weekly

U

h-oh. You always have to worry when you hear that there’s a new “air of giddiness on Wall Street.”

That’s a sure sign that financial disaster is looming on our horizon again.

After all, giddy is a synonym for featherbrained, frivolous and foolish. This latest outbreak of what was once called “irrational exuberance” among financial titans has been sparked by a sudden splurge on

ing Kevin Murphy of WSU. http://www. youtube.com/watch?v=V7j_VdwrFSA Thanks for publishing the article.

Tina Ligon, master gardener/via Internet

Cleveland offended

(Re: “All together now,” Boulder County Beer Tour, Feb. 28.) I hope you didn’t pay for this article.

Anyone there doing any editing? Not cool taking a swipe at another city for no apparent reason.

corporate mergers. In just the past four months, a dozen super-sized corporate takeovers have siphoned off between $3 billion and $24 billion each in capital — money dumped into frothy deals that create nothing.

Why are they done? Follow the money. First, such financial giants as JPMorgan Chase constantly push mergers because bankers pocket a fortune in fees for packaging and financing the buyouts.

Second, since CEOs have drastically whacked jobs and wages the last few years, while also inflating their stock prices, they’ve now got trillions of dollars in cash they need to move. How about investing in more employees, better service or improved products? Nah — it’s easier and flashier to just buy up competitors, swell their fiefdoms, and get mega-kudos for “boldness.”

Third, the biggest private equity buyout firms are also sitting on moun-

John Fay/via Internet

One problem with drafting elderly

(Re: “Want to bring back the draft?

Here’s how.” Danish Plan, Feb. 21.) Mr. Danish has some good points on the drafting of seniors.

Many of the duties of modern warfare don’t require the physical ability of younger see LETTERS Page 12

For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

tains of cash they accumulated from speculators before the 2008 crash.

Hundreds of billions of these speculator dollars — known as “dry powder” — have to be invested by the end of this year. So the rush is on for them to snap up corporations, whack as many jobs as possible, sell off or shut down segments of the business, then cash in for themselves and the speculators.

One Wall Street economist says, giddily, that today’s urge to merge is “a sign that corporate America believes that the [economic] expansion is going to accelerate.” Yeah, and run right over us.

Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly.

March 7, 2013 7

danish plan

Really BAD Ideas

by Joel Dyer & Dave Kirby

A gentleman’s C for the pot task force

by Paul Danish

I

’ve been reading the recommenof beer or a 2-ounce bottle of hard dations of the Amendment 64 liquor per transaction in a liquor store.

Implementation Task Force. They The 1/8-ounce limit is an obvious and mostly remind me of Mark clumsy attempt to subvert the intent of Twain’s description of Wagner’s Amendment 64, which explicitly allows music: “It’s better than it sounds.” But a person to possess an ounce of marijust barely. juana. It was universally assumed Some of the proposals, like the one before the election that one ounce was requiring that the THC content of the amount a person would be legally commercially sold marijuana be printed allowed to buy at one time. The main on the package, are sound. Ideally the thing this sort of intellectually dishonalcohol content should be listed on est “regulation” accomplishes is to every bottle of beer, wine and Scotch breed contempt for law. sold too. It’s vital information if you Then there is the recommendation want to drink or smoke responsibly. that marijuana smoke be brought under But then there are proposals that the state’s no smoking in bars and resare just plain silly — like the recomtaurant regulations, which appears to mendation to limit the amount of pot be intended to prevent the emergence of Amsterdam-style cannabis coffee someone can purchase in a single houses, where transaction to people can smoke something less pot and sip espresthan an ounce, and so. Like the maybe to as little 1/8-ounce-per-sale as 1/8 of an ounce. recommendation, It’s a dumb idea THE STATE CANNOT the proposal is regardless of the BE TRUSTED TO BE AN both silly and bad limit. policy.

Say the amount HONEST INFORMATION It’s silly of pot that can CONCERNING BROKER change hands in a because a coffee MARIJUANA USE single transaction house could get is limited to 1/8 of around the noan ounce. What’s smoking rule by to stop a buyer offering customers who wants to buy vaporizers instead an ounce from having each of eight of joints or bongs, or by serving canna1/8-ounce packages rung up separately bis fudge or canapés. It’s bad policy — except maybe an epidemic of carpel because now that it is legal to smoke tunnel injuries among clerks at recremarijuana, users should have places ational pot shops? where they can smoke legally in a Of course, the legislature could social setting, just as they have places write a law limiting a buyer to only one where they can drink legally in a social 1/8-ounce transaction a day at a partic- setting. ular store. In that case, what’s to preAgain, do the thought experiment. vent a buyer from going to several Assume that consumption of alcohol stores? Of course, the legislature could were banned in restaurants and bars write a law limiting a buyer to only one were outlawed. That’s essentially what 1/8-ounce transaction a day anywhere the task force is recommending for pot. in the state — and you could spend The proper recommendation would tens of millions of dollars setting up have been to prevent pot-smoking in and maintaining a statewide computer- smoke-free restaurants, but allow it in ized database to track the sales — and cannabis coffee houses. the marijuana users, of course. At that However, the single most onerous point, a silly law becomes an invidious recommendation to come out of the one. task force was the recommendation to, If you want to know how ludicrous as The Denver Post put it, “create an and offensive this sort of petty nanny‘unbiased, fact-based’ state website to statism is, assume that you were only see MARIJUANA Page 10 allowed to buy a single 12-ounce bottle

FACT-BASED, MY KEISTER

8 March 7, 2013

Doesn’t this always end with someone taking a fall?

Won’t be long now.

commentary If the NRA has its way …

by Paul Dougan

I

t’s a weekday at the Follis household, and 12-year-old non-identical twins Button and Pout are headed downstairs — getting ready for school. This morning, the girls are being “difficult.”

“Mom,” Pout began, “those flak vests you got on sale at Ammo Dump® are gross! Dustin Beaver is so out! We wanted No Direction! And those trauma plates you bought us are embarrassing — Mutually Assured Destruction® is a cheap knock-off line. All the cool kids are wearing Terminate With Extreme Prejudice®!”

Button followed: “The Johnsons are getting bazookas! Commander LaPierre says the only thing that stops a bad guy with a bazooka is a good guy with a bazooka! And the Vangs — they just got their own cruise missile! It’s so cool!

Commander LaPierre says it’s the kwindasenshul self-defense weapon!

What’s kwindasenshul?”

“As you know, girls,” Mrs. Follis responded patiently, “your father has been out of work since his flamethrower accident, and things have been kind of tight. We’re doing the best we can, but we can’t keep shopping at fancy stores like KillZone®. And I’m afraid we just can’t afford the kind of firepower some of your friends have.”

Pout wasn’t through: “Mom, that volunteer security guard at school is creepy! He has these long hairs growing

out of his nose. And he trembles, Mom. He trembles! Last week, he winged my math teacher with his sidearm. Mom, he’s scary!”

“Oh, Pout,” Mrs. Follis countered calmly, “you’re exaggerating. First of all, sidearms don’t wing people, people wing people. And each and every one of those heroic volunteers has been hand-picked by Commander LaPierre.

Anyway, sweetheart, that nice man apologized afterwards — an armed society is a polite society. And, girls,” she added, “as I recall from parentteacher conferences, your math instructor is completely encased in body armor.”

It was a good point. Button sighed.

Pout pouted.

“So why all this complaining?”

Mom continued, concerned. “You can just thank your lucky stars and stripes you live in a country where the courts entertain a robust reading of the Second Amendment! You know, there are places in this world where kids aren’t allowed to be armed, where every night, boys and girls go to bed without guns!”

“M-om!” Button whined, “that’s not true! It, it can’t be!” ”Yeah,” Pout accused, “you’re just making that up to scare us!”

Determined, Mom soldiered on, invoking her most hurt tone: “Button see GUNS Page 10

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letters

LETTERS from Page 7

(Re: “The bad seed strikes again,” The Highroad, Feb. 28.) Congrats on your fear-mongering and poorly written drivel on “The bad seed.” If your goal was to produce a steaming pile of text, that is.

Farmers do not have to purchase Monsanto’s licensed germplasm, they are completely free to use whatever poor-producing antique varieties that they want.

However, if they choose to buy Monsanto’s germplasm the requirements are very clearly spelled out as a condition of sale.

This is really no different than buying licensed software or music. The purchaser

has no rights to reproduce these without paying royalties to their developers. Are those industries evil too? In your narrowminded world surely this must be true as well.

The chemicals used with biotech crops are far safer than traditional agricultural chemicals.

Try writing a real article instead of spreading your manure; the crops may like your contribution, but normal, rational and thinking people can see it for what it truly is.

I am confident that you will not have the nerve or journalistic integrity to publish this.

Dan Shiley/Frederick

Thanks for vegan review

Editor’s note: The following is an open letter to Boulder Weekly restaurant reviewer Clay Fong.

commentary

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and Pout, you’re privileged to be part of a nation that respects and cherishes the God-given right of each and every citizen — no matter their age or their origins — to participate fully and deeply in its escalating spiral of gun violence.

You should be grateful for your freedom!”

“Gosh, Mom,” the now-humbled girls muttered in unison, “we’re sorry; we weren’t thinking.”

“OK, then,” chirped Mom, mollified. “Now, Button, Daddy oiled the grenade launcher on your Terminatress®, and Pout, I put an extra box of hollow-points in your backpack.

For snacks for you both — Chocolate

Chip Banana Clips®! You know,” she paused lovingly, “you both look so pretty in your Beckie® ballistic helmets.”

“Thanks, Mom!” Button brightened. “I like pink!” Pout rolled her eyes.

“Now before you go, girls, let’s hear our family motto.”

“Do we have to?” Pout pleaded. “Oh … OK ….”

“Trust in the Lord … ,” Button began.

“But have a bigger gun,” Pout added perfunctorily.

“And,” Button finished with a giggle, “better body armor!”

“Oh, you two!” Mom gushed. “Now, don’t be late for your armored-person-

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nel carrier, and come home right after school: We’ll deploy for dinner at seventeen-hundred hours. We’re having those crunchy little Hand-Grenade Potatoes!® you like so much.”

“Oh, boy!” cried the pleased twins, chanting the popular ad slogan: “They explode in your mouth and not in your hands!”

Mrs. Follis chuckled warmly, adding, “My, for flat characters, you girls are so much fun! Mommy loves you; be safe!”

—Paul Dougan lives in Lafayette Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly.

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educate people about marijuana and that would create a committee to identify marijuana topics that Coloradans need to know more about.”

Unbiased and fact-based, my keister. The state of Colorado has already provided smoking-gun evidence that it cannot be trusted to be an honest information broker insofar as marijuana is concerned. That was conclusively proved last September when the Legislative Council, the standing committee of the Colorado legislature responsible for putting out the State Ballot Information Booklet (aka The Blue Book), the guide to ballot issues that the state sends to every registered voter before every

(Re: “Julia’s proves vegan can taste good,” cuisine review, Feb. 28.) I wanted to thank you for your review of Julia’s vegan restaurant.

It is the first article I’ve seen of a vegan or vegetarian restaurant by an omnivore, and I was pleased to read your balanced review.

My uncle’s cholesterol was high, and now he is enjoying low-meat and even vegan meals more often, with results that satisfy his physician! I recently took a devoted meat-foodie to a vegan restaurant in my city, and, unlike the other vegetarian restaurants, this one he enjoyed. I, myself, became vegan in 2011 and love it. Your article showed an educated critique, based on food quality rather than food perceptions. For that, I thank you. If I should make it to Boulder, I will definitely consider Julia’s.

Melanie Ransom/Ottowa, Canada

election, arbitrarily deleted the three arguments that Amendment 64 proponents considered to be their strongest. The Legislative Council offered no explanation for why it did this, which is hardly surprising since the deletion was a brazen and deliberate abuse of state power intended to dishonestly influence the outcome of an election.

The last people on earth who should be entrusted with running an “unbiased, fact-based” website about marijuana are the elected officials and bureaucrats who have been disseminating misinformation and suppressing dissenting views about marijuana for the last 76 years. To expect these guys

to run an “unbiased, fact-based” website is delusional.

The task force would have produced a considerably higher quality work product if it had kept in mind that the official name of Amendment 64 was the “Regulate Marijuana Like Alcohol Act of 2012.”

Its misfires mostly involved attempts to regulate marijuana in ways fundamentally different from how alcohol has been regulated since the end of prohibition, and which would be rejected out of hand if applied to alcohol today.

Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly.

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12 March 7, 2013

icumi

in case you missed it

THAT EVIL WEED Well, the city of Boulder’s heavyhanded puritan leaders are at it again.

Despite the fact that Boulder voters overwhelmingly voted in favor of Amendment 64, the measure allowing recreational use of marijuana statewide, city council members and other city leaders — including City Attorney Tom Carr, shocker — are already scrambling to see how they can restrict the implementation of that new law, even if it means passing a moratorium while they plot their new oppressive strategies.

Um, last we checked, Amendment 64 was aimed at regulating marijuana like alcohol. Why not just use the same rules that we have for liquor stores?

Our city leaders need to loosen up and stop legislating morality, whether it’s about public nudity or alcohol on the Hill.

Maybe they should all smoke a bowl before going into their meetings.

MORE DECEPTION FROM JOE We’ve been making a big deal lately about the need for being able to quickly and inexpensively access public records, and here’s another example why it’s important.

Emails obtained through open records requests by fractivists in Erie cast even more doubt on the findings of a recent study that Erie Mayor Joe Wilson heralded as giving the town a clean bill of health.

A consultant hired by the town told Erie leaders on Feb. 12 that her review of a study conducted last year by the Colorado Department of Public Health and Environment indicated that health risks from emissions by local natural gas wellheads was low.

“This is terrific news for Erie families who may have been misled into believing they were at significant risk,” Mayor Joe Wilson crowed after the presentation.

But a July 17 email from Martha Rudolph of the CDPHE to Erie Trustee Mark Gruber shows that state officials acknowledged that the original study was flawed.

“We will not be able to use these samples to perform long-term risk calculations, because a critical element in performing these calculations is sufficient data: in this case there will be too few air quality samples to provide sufficient data,” Rudolph wrote. “These findings and analysis, therefore, won’t provide the oil and gas industry with a clean bill of health and won’t go against the industry — the sampling is not being done to determine health impacts from oil and gas emissions.”

Put that in your gas pipe and smoke it, Joe. FINDING OUR HAPPY PLACE Did anyone else find it curious, but pleasantly surprising, that Longmont was named the third-happiest city in the country based on a study of Twitter content?

Nothing against Longmont. In the past two decades, that city has made tremendous strides, it’s just that the likes of Boulder and Louisville tend to make these types of national lists.

This time around, Longmont bested its richer and more liberal sister cities when it came down to a geographical analysis of words contained in tweets done at the University of Vermont.

Amazingly, Front Range cities took four of the top 12 slots in the country: Lafayette/Louisville/Erie came in eighth, Boulder was 10th and Fort Collins was ranked 12th.

We’ve started speculating about the possible reasons for Longmont’s unreasonably happy tweets. Having a mayor who owns a local brewpub? Perhaps, but on second thought, our governor owns a brewpub and we wouldn’t insult Longmont Mayor Dennis Coombs by comparing him to Frackenlooper, or suggesting that our state at large is happy because of that oil and gas shill.

Maybe it’s because there is no elk hunting allowed within city limits by anyone in uniform.

Respond: letters@boulderweekly.com Boulder Weekly

news Camera, sister papers undergo another ‘reorganization’

by Jefferson Dodge

B

oulder Daily Camera Publisher Al Manzi would neither confirm nor deny reports Wednesday that his company has laid off about a dozen more employees.

Boulder Weekly has been told that the Camera and its sister newspapers in the area have quietly laid off approximately 12 staff members, reportedly affecting the only remaining reporter at the Colorado Daily as well as employees at the Longmont Times-Call and Loveland ReporterHerald.

When asked about the reports, Manzi described it as “a very minor reorganization of staff, very, very minor.” But he declined to comment further because his papers had not yet printed their own story about the changes.

“We’re going to do something on our own, and you’ll be able to pick that up right out of our product, and that will tell you everything you need to know,” Manzi said. “I’m not going to confirm or deny anything, because I don’t want to give you the information that you think you have.”

When told of the information provided to BW, he said, “Well, you have some errors in there, but I’m not going to point them out, because they’ll be in our story, and that will be the accurate story.

“I’m not trying to be difficult,” Manzi added. “I’m typically very cooperative in these kinds of situations, but we haven’t published anything on it, and I don’t think it’s fair to our employees to have that happen.”

About a year ago, Prairie Mountain Publishing, the subsidiary of Denver Post parent company Digital First Media that owns several local newspapers, announced that it was laying off 17 employees and outsourcing ad design and production functions, using a company that has facilities in India and Indonesia.

At that time, Manzi initially denied the move when interviewed by BW, then published a report about it in the Camera the next day.

“We are constantly looking for ways to become more efficient, whatever direction that takes, because, as the CEO of the company has said, we’ve got to make sure we’re cognizant of the reduction of legacy costs so we can grow into our digital future,” Manzi Boulder Weekly

said at the time.

John Paton, who replaced former MediaNews CEO Dean Singleton in September 2011, writes in blog posts about the need to “stop, reduce, outsource and sell all legacy cost areas” and

“slay the production god” by focusing resources on journalism and ad sales, eliminating infrastructure expenses.

Prairie Mountain Publishing acquired Lehman Communications in January 2011, taking over the Times-

Call, Reporter-Herald and other area newspapers, allowing the company to share content among its various publications, consolidate staff and eliminate duplication.

Respond: letters@boulderweekly.com

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news Will Lafayette be the next Front Range community to stand up to Hickenlooper and the oil and gas industry?

by Joel Dyer

N

ot only are the towns of Erie and Lafayette in close proximity to one another, they share a great deal of history. Both communities owe their existence to the discovery of coal that fueled their early economies. The shafts of old mines still zig-zag just below the homes and businesses of these enclaves on the eastern plains.

Another common trait these communities have is that they are located on top of the Wattenberg field, a massive oil and gas play that covers much of Weld County and spills over into Boulder and Larimer counties as well. As a result, Erie and Lafayette are prime real estate for oil and gas companies looking to hydraulically fracture the shale and make millions of dollars from below their parks, schools and neighborhoods.

But there is at least one thing that many of the citizens of Lafayette have no intention of sharing with their neighbor to the north: a landscape decimated by drilling and hydraulic fracturing, with its dangerously high amounts of ground-level ozone, chemical spills and other potential air and water contamination problems.

Drilling and fracking was the issue of most interest among the citizenry at the Lafayette City Council meeting on Tuesday night, March 5. The first speaker of the night, Erie resident Rod Brueske, described his family’s plight to council.

“My family has been adversely affected,” said Brueske. “There are 124 cancer-causing agents flowing into my home.”

Earlier that same day, Brueske told BW how his young son developed frequent, severe nosebleeds shortly after nearby drilling caused an older well across the street from his Erie house to begin emitting contaminants into the air. He claims his family now suffers from a variety of health issues, including headaches and gastrointestinal problems.

Brueske concluded by telling the Lafayette council members that Lafayette should not make the mistakes that Erie’s elected leaders made. He told council that the oil and gas rules written by the state were not written to protect people, but rather to protect the oil and gas industry’s profits. He added, “You should not hesitate to write your own rules.”

One speaker after another, many of whom were 14 March 7, 2013

Lafayette

Abandoned wells

City of Lafayette

Active wells

Fracked, horizontally drilled wells

members of East Boulder County United, a group opposed to drilling and fracking in Lafayette and Louisville, warned the council of the hazards of oil and gas extraction within the community. Several speakers requested that the city provide maps showing where all the active and abandoned wells within and around the city are located (See map above).

This information is critical because loopholes in the state’s oil and gas regulations allow the industry to re-enter currently active and possibly even plugged and abandoned wells for the purpose of drilling horizontal wells, and fracking those wells, regardless of how close to a home or business these old wells may be.

It is not an exaggeration to assume that Lafayette, unless its city council and/or citizens take action to

stop it, could become the next Erie or Frederick.

Drilling activity maps like the one above clearly show that the industry is pushing southwest from Weld County straight towards the heart of the town. It is simply a matter of time.

Lafayette resident and East Boulder County United member Cliff Willmeng told members of the city council that if they did not take action, Lafayette would end up like Erie, where more than 300 wells now exist, with more being added every month, or, worse yet, like Frederick, where more than 500 wells now fill the town.

Colorado Gov. John Hickenlooper, whose actions of late have demonstrated support for the oil and gas See LAFAYETTE Page 15

Boulder Weekly

news More accounts of inmate abuse surface at jail

A

ity claimed she was strapped into the restraint chair for five hours straight, abused physically and verbally, and denied proper medical care for her diabetes.

Another, current inmate Brandon Carroll, tells a similar story. Carroll, who has been in jail since Aug. 28 on charges of second-degree kidnapping, aggravated robbery and menacing, says he was falsely accused. His trial is scheduled to begin Monday, March 11. **** Carroll, who is on dialysis because of a kidney condition, claims he was assaulted by guards on Dec. 12 after complaining to a nurse because she was handling his medications with her bare hands instead of wearing gloves. One guard “thought I was being difficult,” Carroll claims, and challenged him to a fight. The inmate says he refused, was told to get in his cell and, as he was walking to retrieve his cup and playing cards from a table where he had been playing spades, the guard pushed him to the ground.

He got up, and he acknowledges bracing for another blow by grabbing the guard’s shirt, at which point he claims the guard slammed him to the ground again, causing him to hit his head hard enough to cause swelling. He says several other guards jumped on him after the first guard falsely made it seem like Carroll was fighting back, and during the altercation he claims he was punched See JAIL Page 16

LAFAYETTE from Page 14

industry, has stated his intention to sue any community that attempts to create its own oil and gas regulations to protect its citizens’ health and property values.

Should the Lafayette city council decide to stand up to the governor’s threat, or at least be willing to place drilling and fracking restrictions on the ballot so Lafayette residents can make their own decision, the town will not be alone on Hickenlooper’s hit list.

Longmont is already being sued by the state for its citizen-passed fracking ban, and on March 5 the Fort Collins City Council voted 5-2 to also ban fracking within that Front Range community. Presumably Fort Collins, Colorado’s fourth-largest city, will be Boulder Weekly

getting sued any day now.

The Lafayette City Council has signaled that, at a minimum, it is willing to enact an emergency moratorium on drilling within the city as soon as an oil and gas company seeks a permit to drill.

It is unclear, however, if this ploy would thwart a company from re-entering an existing well, and at best it is, by definition, a temporary solution.

Even so, any delay in drilling and fracking activity within Boulder County affords the science a chance to catch up to the drilling rigs whose owners are moving as quickly as possible to tap our resouces before environmental and health regulations can be stregthened at any level of government.

Respond: letters@boulderweekly.com

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The story, “The chair and the camera,” ran on Jan. 17. The following week, jail staff installed video surveillance cameras in the disciplinary area where the restraint chair was used on an inmate who claimed he was taunted and abused by guards without justification. The cameras are intended to protect inmates — as well as guards who are sometimes falsely accused of mistreating their charges.

In the weeks that followed, BW began to hear from others who claimed they were mistreated at the hands of jail staff.

Seth Brigham, the Boulder City Council critic whose actions prompted city officials to unsuccessfully place a restraining order on him in August, says he was mistreated when placed in the jail’s disciplinary unit after being arrested on charges of trespassing, harassment and indecent exposure after an incident last September.

“Abuse is the norm, as conditions themselves are abusive,” says Brigham, who told BW he was placed in the disciplinary unit because it is the overflow area for mentally ill inmates. “I was left naked for three days in isolation with lights on, air conditioning turned on and off, food abhorrent, no toilet paper, using the same plastic spoon and paper cup.”

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16 March 7, 2013

twice in the face and suffered a dislocated pinky finger and a cut in his mouth.

One guard bent his arm where the needles for his dialysis are inserted despite Carroll’s protests, and they put a “spit bag” over his head even though he wasn’t spitting at the guards, he says. While he avoided being put in a restraint chair by being cooperative, Carroll says, he was harassed and teased by guards and deprived of medical attention for his dislocated finger.

“I ended up snapping it back in place myself,” he recalls.

The guards have a different version.

The official incident report says Carroll struck the guard first. It also says Carroll was being verbally abusive to the nurse and refused to go to his cell when told, instead yelling “Get out of my face!” to the guard and taking an aggressive stance before punching the guard in the face.

The report confirms that Carroll was punched twice in the face and several guards jumped into the fray.

The next day, Brandon Carroll Carroll says, he woke up with severe back pain, was denied medication and was told that since he didn’t have any visible bruises he was fine.

When he was transported to a Longmont clinic for his dialysis treatment, the medical staff there documented the pain he was feeling in his side, but he never got any medication for it.

“Getting these people to care for you is very difficult,” he says. **** There is an ongoing internal investigation into the incident, and there is video footage of the altercation that both sides claim backs up their version of events. The video viewed by BW shows the guard grabbing Carroll’s arm, but it is unclear what happened afterwards because the two moved out of the camera’s frame.

Jeff Goetz, administrative commander for the jail, told BW that the internal affairs investigation is nearly complete and is expected to exonerate the guard in question, Dan Newcomb. According to Goetz, the district attorney’s office reviewed the case and determined last week that Newcomb did not overstep his bounds.

“Inmates say a lot of things,” Goetz says. “Sometimes they skip pieces.”

But Carroll claims that when he was

interviewed about the incident, an internal investigator tried to get him to change his story by admitting to hitting the guard. He points out that if he had hit the guard, charges would have been filed against him.

Goetz points out that between his medications, dialysis treatment and paying deputies overtime to escort him to and from the Longmont clinic three times a week, Carroll is costing county taxpayers about $10,000 a month. Rather than charge Carroll with a relatively minor crime (Newcomb declined to press charges), which would likely further delay his trial — and extend the amount of time the jail has to cover his expensive medical care — the decision was made to drop the matter.

“Not filing charges, in the big picture, means he doesn’t stay here longer,” Goetz says.

Carroll says he is considering filing a lawsuit regarding the altercation, but he has to allow the internal procedures to be completed first.

“Being disabled, I shouldn’t be treated certain ways,” Carroll says. “I shouldn’t be assaulted and thrown down. Then they lie in the incident report because it’s your word against theirs. Just by luck I have the video to back me up.”

He adds that he fears retribution for telling his story publicly, especially because Newcomb works in the pod where his cell is located.

“I’m scared for my life, honestly,” Carroll says. “But it’s worth the risk, because it needs to be talked about.” **** He has a host of other complaints about his treatment at the jail, including regularly being denied medication he is supposed to take before meals, or being given the drug at the wrong time. Carroll claims that nurses sometimes try to give him another inmate’s medication and that one time he was placed on dialysis for only about two hours instead of his full four-hour treatment. Once, when he complained about being charged $2 for each “kite,” or written complaint he was filing, a jail staffer told him that if he wanted to stop paying the fee, the jail could always decide to stop footing the bill for his dialysis. Guards have also tried to keep him cuffed and in shock ankle bracelets during dialysis, he claims, even though he cramps up badly during Boulder Weekly

news the treatment.

“I can’t run with my blood being in a machine,” he says of the dialysis process, in which his blood is drawn through one needle, passed through blood-cleaning equipment, and returned to his body through another needle.

He also says there have been times he was neglected after his blood pressure registered high.

“When your pressure is high, you need to take it seriously,” Carroll says.

“I’ve never seen the doctor here. I don’t even know what he looks like.”

Revada Farnsworth, the jail’s health services administrator, responded to Carroll’s complaints. She says he consults with the nephrologist he sees at least once a week at the Longmont clinic, and that doctor has control over all of his medications instead of the jail’s doctor.

Farnsworth also told BW that Carroll was placed on a restricted diet because he seemed to believe that the restorative power of dialysis allowed him to eat whatever he wanted, including ramen noodles, Doritos and other food that is not healthy for someone who can’t have iodine or much sodium.

“We’re just protecting our own interests,” Farnsworth says, citing the investment the county is making in Carroll’s health. “Mr. Carroll has gotten a lot of attention while he’s been here.”

Farnsworth also says jail staff have adjusted the way they distribute medication to Carroll. Initially, in the morning they were giving him three doses of the drug that he takes before each meal — one for breakfast, one for lunch and one for dinner.

But she claims he was hoarding that drug and may have been selling it to other inmates, because a search of his cell uncovered a bag of about 24 doses. Now, according to Farnsworth, jail staff make special rounds to give him each dose individually, and “he refuses them quite often.”

As for another of his complaints, she says her nurses wear gloves most of the time and don’t touch medicine with their bare hands — pills are popped from a bubble pack into a medicine cup and liquids are poured into a cup. **** Regarding the injuries he sustained in the altercation, the incident report says a nurse saw him at 1:30 a.m. on Dec. 13, about five hours after the scuffle, and determined that his finger was just “jammed.”

“We’ve X-rayed it and there’s absolutely nothing physiologically wrong with it,” Farnsworth told BW. “By the time we saw it, it was not dislocated anymore.”

She adds that his back problems preBoulder Weekly

date the incident. Farnsworth denies that nurses try to slip him other inmates’ medication, that he was ever threatened with discontinuing dialysis and that he was ever deprived of a full treatment.

“There has never been a time that we have taken him to dialysis and have cut it short,” she says.

As for the “kite” complaint process, Farnsworth acknowledges that $2 is charged for requests that prompt a nurse visit and for repeated frivolous requests, as a way to recapture some of the funding spent on staff time. Some of the money collected is invested into supplies for the inmates.

Goetz says patients are handcuffed when they are taken to non-jail facilities such as the Longmont clinic for security reasons, including the safety of the medical staff and to minimize the risk of flight in a setting where an inmate’s family or friends might try to assist in an escape attempt. (The one exception, he acknowledges, is that pregnant women are not typically shackled during labor and delivery, thanks to a 2010 BW investigation into that practice that prompted a change in state law.)

But Carroll has more concerns, including what he describes as unsanitary conditions in the jail.

“They have a lot of health issues,” he says. “Our showers have flies in them every day. They fly in our cells, they get in our food, people eat them and get sick.”

Goetz acknowledges that the jail does have a flying ant problem during certain seasons of the year and receives monthly visits from an exterminator.

“Every facility has that problem, no matter what state you’re in,” he says.

But he says Carroll should have no fear of retribution. He stresses that the welfare of the jail’s occupants is a top priority for his staff.

“We take the inmates’ health very seriously,” Goetz says. “Our job is to make sure they don’t leave here in worse condition than they came in.”

He also says he’s neither surprised nor concerned that additional accounts of mistreatment have surfaced since BW’s initial story in January, because he has confidence in the checks and balances system in place to protect the inmates — including the new video cameras in the disciplinary unit.

He adds that in an effort to be more transparent, the Boulder County Sheriff ’s Office is planning to start releasing annual reports about the general outcomes of internal affairs investigations.

“If someone thinks there has been an injustice, we encourage them to come forward, because we need to be held accountable,” Goetz says.

Respond: letters@boulderweekly.com

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Boulder Weekly

boulderganic Erica Lindberg

Chemical pesticides are being blamed for recent declines in bird populations in grasslands.

P

esticides are made to kill something somewhere — it says it in the name and there is always a trade-off, says Pierre Mineau, Ph.D., co-author of a new study that found that pesticides are the leading cause of grassland bird deaths.

Contrary to a widely held belief that loss of habitat has been driving down bird numbers, the 23-year-long study reveals pesticides are responsible for four times the amount of bird deaths than the other five potential causes: changes Study finds pesticides leading in cropped pasture, farming intensity and permanent pasture and rangeland, as well as overall insecticide use and herbicide use. pesticides are chemical insecticides that The study was published by PLOS affect the nervous system of an insect One, an online, peer-reviewed journal, by disrupting the enzyme that regulates using data collected by Mineau, recent- acetylcholine, a neurotransmitter. ly retired from Environment Canada Developed in the 19th century, these and Mélanie Whiteside of Health chemicals were used during World War Canada.

II as chemical warfare against humans, The study was conducted from according to the Environmental 1980 to 2003 and focused on the Protection Agency’s website. effects of acute pesticides organophosGrassland birds are most likely phate and carbamate on grassland exposed to chemicals through food birds. supply — contaminated seeds or insects Organophosphate and carbamate — combined with skin exposure, most-

use of lethal pesticides, according to Cynthia Palmer, manager of the Pesticides Program at the American Bird Conservancy.

“We need to be especially careful about any new pesticides we introduce into these ecosystems, such as the neonicotinoid insecticides,” Palmer says.

The Food Quality Protection Act of 1996 addressed the dangers of older pesticides after it was revealed children were being neurologically affected by exposure to cause of grassland bird deaths extremely toxic chemicals through residue on food. The act mandates that the EPA encourage the use of pesticides that meet low-risk critely through the feet or feathers. ria over older, conventional pesticides Chemical absorption into the bird’s like organophosphates and carbabody poisons the bird. mates.

“The period we just went through “The most dangerous pesticides with the organophosphates and carbahave been taken out of circulation mates was particularly bad for birds,” mostly because they weren’t working Mineau says. “Although I’m concerned anymore and for a concern on human about new compounds coming out, health, but the class of compounds there is no doubt that those two were replacing them are still very toxic to killing a lot of birds.” birds and pollinators,” Mineau says.

Other causes of recession of bird Since organophosphate and carbapopulations are still of concern, but the See PESTICIDES Page 22 findings suggest a need to rein in the

Pesticide problems persist

by Erica Lindberg

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eco-briefs courtesy of Dave Herasimtschuk/Freshwaters Illustrated

NEW UNIVERSITY OF COLORADO STUDY SHOWS BIODIVERSITY PROTECTS AGAINST DISEASE

COLORADO FARM JOINS NETWORK OF NATURE BASED EDUCATION PROGRAMS FOR CHILDREN

Biodiversity has become an A growing disconnect between increasingly important topic among children and nature prompted the scientists studying infectious disease, Nature Explore program to develop but can be tricky to test because of classrooms for children based on the complexity of ecosystems. direct engagement with nature and The National Geographic Socihas certified Anythink Wright Farms, ety funded a research project at located in Thornton, as a Nature the University of Colorado that was Explore Classroom. Nature Explore designed to further understanding of classrooms are overseen by the Arbor the correlation between biodiversity Day Foundation, a nonprofit conserand disease. vation and education organization, CU-Boulder graduate students in partnership with Dimensions Educatackled this problem by studying tion Research Foundation.

Researchers from the University of Colorado collect recently smaller ecosystems such as ponds, “Anythink Wright Farms has shown metamorphosed amphibians to check them for malformations and visited more than 365 of them tremendous leadership in growing caused by parasites. in the California area over a span the next generation of environmental of three years, recording the types stewards,” Susie Wirth, Nature Explore conclusion that the entire set of species in of amphibians and snails present, and outreach director, said in a press release. a community affects the susceptibility to whether they were infected by patho“Their commitment to providing researchdisease,” said Doug Levey, program direcgens. The results showed that ponds with based and nature-rich learning offers a tor in the National Science Foundation’s half a dozen amphibian species had a 78 wonderful example to educators throughDivision of Environmental Biology, which percent reduction in parasite transmission out the country.” helped fund the research. compared to ponds with just one amphibThe farm joins an established network of Overall, the findings strengthen the idea ian species. organizations and schools that have crethat biodiversity in various ecosystems, One researcher says the same pattern ated alternative curriculum proven to be including forests and grasslands, may pro— of less diverse communities being made effective in educating children about the vide protection against disease, including up of species that are more susceptible to environment.

The classrooms include natural those that attack humans. disease — may play out in complex ecosysmaterials to use in building and art projects, — Cayte Bosler tems as well. musical instruments made of natural materi“This research reaches the surprising als and gardens or pathway areas.

PESTICIDES from Page 21

mate use has been reduced, grassland birds are making a small recovery, moving away from potential extinction, but some will probably still die due to pesticides through more indirect ways.

“We have fewer acute problems than before — we’re not killing quite as many birds outright,” Mineau says.

“But the loss of insect biomass is so extreme, we’re probably going to start killing birds through the food supply.”

The problem comes down to eco-

nomics, Mineau says. Manufacturers of pesticides need to make a profit and are doing so by developing chemical compounds that can be used on multiple crops to combat many pests.

The most eco-friendly solution would be herbicides that only work on a few pests or a few crops, but the approach remains blockbuster: Develop one that can kill every pest because it’s cost-effective, Mineau says, but it’s this approach that is fueling the pesticide problem.

“We have a sledgehammer approach when we need the scalpel,” Mineau says.

The use of dangerous pesticides cannot be entirely blamed on agriculture. About 90 percent of homeowners in the United States use 136 million pounds of pesticides per year, according to pesticide information on the Boulder County website.

The city of Boulder has been working towards reducing their use of pesticides for more than 12 years, according

to Rella Abernathy, integrative pest management coordinator for the city.

Boulder focuses on maintaining healthy grass for parks and turfs without relying on pesticides, she says.

“The most important thing to consider when you are trying not to use pesticides on grass is to maintain healthy grass so you can crowd out your weeds,” Abernathy says. “People tend to rely on products instead of overall health maintenance.”

Respond: letters@boulderweekly.com

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adventure A cloud of snow from an avalanche intentionally triggered by helicopter rushes into the town of Telluride last week.

A

ccusations fly around Telluride like the wind whipping the faded prayer flags, music posters and tourists’ fur coats.

“Tom Chapman is a douchebag,” announces a bumper sticker spotted along the streets of jubilantly colored houses.

Most locals spit out a bitter laugh at first mention of his proposed helicopter-accessed resort in Bear Creek Basin, a backcountry area accessed from Telluride Ski Resort. The bumper sticker says it best, they agree.

Thomas Chapman is a Colorado real estate developer who has been called “the most hated man on the Western Slope” by a Telluride realtor quoted in Powder magazine.

He’s known for selling properties surrounded by wilderness after threatening to build mansions or subdivisions on them.

In the late 1990s, he purchased 18 parcels in Colorado wilderness for one of his companies, according to The Wall Street Journal. Those 18 don’t even include Chapman’s most infamous land deals, in places like Gunnison National Park and West Elk Wilderness.

In 2010, he and a business partner in the Gold Hill Development Company, Ron Curry, purchased about 100 acres of mining claims in Bear Creek and then announced it would be developed. But Telluride locals are skeptical about those latest development plans. “It’s actually

In a press release, he threatened that armed gunmen would be patrolling his land adjacent to Telluride in case outdoor recreationists approached. But Chapman’s past revelations have made some locals more skeptical. When the government didn’t want the property he was selling in Gunnison National Park’s Black Canyon in 1984, media accounts claim a bulldozer was used to spew up extra dirt, making it appear that condo construction had begun.

Environmentalists freaked. The government wound up buying the property for $2.1 million in 1987, says Connie Rudd, superintendent for the Black Canyon of the Gunnison National Park.

“You’ve got a bulldozer, you know it will rile people up, you make some dust. It’s not rocket science,” says Lou Dawson, who runs the backcountry blog Wildsnow.com.

Name-calling reached a new high in 2010 when Chapman persuaded the Forest Service to close Bear Creek access by complaining about liability that avalanche victims could pose for landowners.

“I’d like to punch him,” professional backcountry ski guide Andy Abner jokes while riding Telluride’s Gold Hill chairlift.

“He’s trying to take away people’s God-given pretty funny, to see what outrageous plan he comes Our Entire Inventory of Clothing, Footwear, right to open space, trying to pull this Wild West up with next,” says part-time ski instructor and Camp Travel & Sunglasses shit,” says Charlie Higginbotham, a Durango resiTelluride resident&Zach Sands.Gear Chapman’s first dent who has been backcountry skiing in Bear declared intentions for Bear Creek included gold Creek for nearly 20 years. mines and futuristic “balloon-igloo construction.”

‘Wild West capitalism’ versus wilderness

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adventure Chelsea Galleri

A view from the hike to Bear Creek from the Telluride Ski Resort

“Of course people are angry,” chuckles Leftover Salmon guitarist and longtime Colorado legend Vince Herman, who’s aware of Chapman’s public past. “That’s why it works,” he e says while in Telluride for two soldout performances at the historic Sheridan Opera House.But in January, Chapman offered full access back to backcountry skiers — many of whom had never stopped skiing there, anyway — if they register on a his website, print and sign his waiver, and carry it while skiing.

“People shouldn’t need a waiver to use the Wasatch Trail,” says Tor Andersen, president of the Telluride Mountain Club, who has mapped ski routes in Bear Creek that use the federally recognized trail without crossing private lands. Signing Chapman’s waiver could weaken the legal case for “prescriptive access” to the Wasatch Trail based on decades oof public use, he says. Chapman has filed suits against the Forest Service and Telski over access, and a court date is set for this summer, so some say the waiver is a calculated move.

Critics of Chapman’s business practices range from ABC News to the American Land Rights Association, which normally advocates for landowners like Chapman.

Locals allege that Chapman bought the property immediately after Telski received a permit for guided skiing in Bear Creek.

“I had heard that Telski was considering a move into Bear Creek,” Chapman’s GHDC partner Curry said via email from Israel this week, “so I called USFS District Ranger [ Judy] Schutza in January of 2010 … GHDC closed on the purchase on March 18, 2010. On March 19, 2010, Ranger

Boulder Weekly

Schutza announced the issuance of a permit to Telski for guided skiing in Bear Creek.”

In May 2010, Chapman sent the USFS a letter arguing that Telski would need to own GHDC’s land before their boundary expansion or guided skiing could be possible. Telski’s guided skiing route did blatantly cross their private property, says Dawson.

“I thought that was unbelievable,” says Dawson, who acknowledges he has worked as a consultant for Curry in the past. “They may have been reacting to that, or trying to leverage it, so that Telski would buy the property from them.”

“As to intimations that my intention is to ultimately sell the land for more than GHDC paid for it,” Curry says, “this is true.” He does not specify an intended buyer, but many locals speculate that Telski is part of the plan.“There are two prior instances where Telski bought out landowners who blocked access or built there,” says Andrew Dolese, a longtime local Realtor who has served on the town’s Planning and Zoning Commission. When a private European-style hut was built on a mining claim blocking Gold Hill access, Telski bought it. Then a fivestory home was built into the rock directly above Temptation Chute, and Telski bought that, too, Dolese says.

Telski isn’t the only Telluride entity that purchases land. The town also buys property, which makes them potential suitors to Chapman, to buy property to stop development such as that on Bear Creek.

“We rule the roost as a people,” says Eliza Gavin, who owns renowned local restaurant 221 South Oak. “We’re historically oriented. And Bear Creek is part of our resort. Developing it is like trying to erect a hotel inside the Empire State Building. It’s unrealistic.”

Tor Anderson, president of the Telluride Mountain Club, agrees the proposed resort is highsee TELLURIDE Page 26

March 7, 2013 25

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ly unlikely.

“Bear Creek is one of the most avalanche-prone areas in Colorado.

Telluride Ski Area would have a hell of a time managing this area, even with all their personnel.” Avalanche control is a key part of Chapman’s proposal.

“It is not safe to ski in this area without avalanche control,” Chapman told Telluride Magazine. “There have been several deaths in Bear Creek in the last 15 years.”

At the top of the Gold Hill lift, Higginbotham and Abner doublecheck their beacons before parting with friends to take on Tempter, their second Bear Creek run of the day. “If I don’t call you in an hour,” Abner tells a friend, “worry.”

Later, over $3 fish tacos at local favorite Floradora Saloon, Higginbotham recounts the hair-raising “moving snow” that accompanied them down Bear Creek, especially in an area known as Fingers. “Bear Creek is definitely very serious avalanche terrain,” says Ethan Greene, director of the Colorado Avalanche Information Center (CAIC).

“Managing avalanches in that area is not a trivial thing. It depends how much money you want to spend.” It

requires helicopters and explosives and personnel trained to use both in order to properly mitigate avalanche danger in an area like Bear Creek.

“Avalanche control there would work only with no regard for making any money,” Anderson says.

“Proposing this type of ski area in this location shows how little Chapman knows about the business and the science of avalanche control.”

Just as it would require permits and helicopters for Chapman to cleanse the area of its avalanche danger, Helitrax also has to have permits to conduct its business.

“You need a permit,” Helitrax Director Joe Shults says. “it’s federal land.”

GHDC would need one, too: Curry says they plan to lease at least one helicopter to whisk skiers to and from the sole avalanche-free zone in upper Bear Creek. Helitrax already has a USFS permit to land in upper Bear Creek, Shults says.

“I don’t think that [overlapping permit] situation currently exists in the lower 48 states,” Shults says.

But the helicopter permit question might not be addressed anytime soon.

No proposal for the Bear Creek resort has been submitted to the USFS yet, Boulder Weekly

according to Schutza. The permit process took Silverton Mountain, the last ski area approved in Colorado, almost six years.

“A few weeks ago, we guided Ron Curry through the process so he would know how to submit a proposal,” Schutza says. “He needs to give us a proposal and we’ll decide if it can become an application.”

Curry is in no hurry.

“No one I have spoken with at the Forest Service has given me a deadline,” he wrote. “They are aware that I am busy, out of the country.”

So they haven’t taken the first official step, Anderson says, “just created a website to generate panic.”

That website warns in red lettering that “if the ski permit idea is not acceptable … upper Bear Creek becomes a private ski area for the homeowner” of the single-family luxury home they would build instead. Dawson believes cooperation may be best for Telluride.

“It’s better to work with people with resources like that, than to totally road-block,” he says, “because if you road-block, you don’t know what you’re gonna get.” Curry explains his options in his email.“Should our

s

other applications fail to gain traction, we still own the land,” he writes.

“The county is obligated to give us a building permit for at least a 1,000-square-feet permanent dwelling. If someone is interested in acquiring this from us, we are are willing to entertain an offer. We also have the right to have a small mining operation.”

But the main plan is the heli-ski resort, according to GHDC — if it doesn’t hit any major road blocks.

“With regards to just the safety issue alone, all skiers who value the safety of backcountry skiing, and we feel that is nearly everyone, would not have a problem with a minimal charge to make a place safe to ski,” Chapman says.

It turns out many do have a problem with his plan — if they take it seriously, that is.

“The locals know his plan is a scam,” says Andi Moran, an employee at a local ski shop with indoor climbing walls.

Nonchalant Telluridians, convinced Chapman is bluffing, may add a new twist to an old Colorado controversy.

Respond: letters@boulderweekly.com

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March 7, 2013 27

buzz

Far from flowers

O’Keeffe exhibition shows her place in the world beyond petals, into landscapes, spiritual objects and early expressionism

by Elizabeth Miller

O

“Chama River, Ghost Ranch” from 1937. New Mexico Museum of Art; gift of the Estate of Georgia O’Keeffe

28 March 7, 2013

n a wintry afternoon in New York state, far from her beloved New Mexico and its ochre, umber and rust palette, the color and line that had drawn her in and kept her coming back, Georgia O’Keeffe sat painting the piece of that landscape she could bring with her when she came home to the New York City art scene and her husband, Alfred Stieglitz, and his gallery there. As it snowed, she painted “Kokopelli with Snow,” a katsina tihu doll with his chin tucked toward an invisible flute, his red, brown and black plumage flaring upward toward a blue and white blur of sky and a few white dots. It was 1942, some 13 years after O’Keeffe had started spending a portion of the year in New Mexico. What she found there was very much what she found in the katsina tithu, sacred objects from the Hopi tribes of the Southwest. She found a thing that matched what she was seeking as an artist: a study of line, form and color that meant reducing the realism in favor of evocative images that border on abstractions.

O’Keeffe was among the early artists — of any gender — to play with those lines. Three paintings done between 1936 and 1945 of a spot she called “The Black Place” in New Mexico show her beginning with a recognizable landscape of those coal-blacked cliffs and arroyos touched with pink, blue and green, then charging so far into abstraction that the gully becomes a jagged line in near monochromatic black and white, then backing out to a roughed but less abstract landscape, and a less tight zoom.

The interplay and exploration of form, color and contour are among the aspects of O’Keeffe’s work not named in the exhibition Georgia O’Keeffe in New Mexico: Architecture, Katsinam and the Land, currently on view at the Denver Art Museum.

What O’Keeffe found, when she came to New Mexico, was a place where her study of line moved from the verticals of the New York City skyscrapers that championed America’s rise as an industrial power to the horizontal adobe structures and mesas of New Mexico — another American icon, but one much more about native people and ancient traditions than the rise of a new world superBoulder Weekly

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“Hill, New Mexico,” from 1935, from a private collection

“Blue-Headed Indian Doll” from 1935, Georgia O’Keeffe Museum, gift of The Burnett Foundation

power. What she said of her first trip to New Mexico was that she had found a place that matched her perfectly.

“She had this great quote that, ‘The first time I came to New Mexico, I knew this place was mine,’ and something to the effect of, ‘It matched me just perfectly,’” says Thomas Smith, director of the Petrie Institute of Western American Art at the Denver Art Museum. “So I think it was that instant thing, and I think we’ve all experienced that from time to time. You find some place that you’re like, ‘Oh wow, this is my spot,’ and I think that happened to her.”

The exhibition was curated around a sense of place, of understanding O’Keeffe and what New Mexico meant Boulder Weekly

“Church Steeple” from 1930, Georgia O’Keeffe Museum, gift of The Burnett Foundation

for her, and will tour museums around the country. But at the Denver Art Museum, what Smith and John Lukavic, associate curator of native arts, have been able to add is an influx of Native American art, drawn from the museum’s collection. The Denver Art Museum began collecting American Indian art in the 1920s — it was one of the first art museums to do so — and now has some 20,000 art objects by Native Americans. Among them are the katsina tithu, also referred to as kachina or katsina dolls, which represent spiritual beings that visited the Hopi tribes of the Southwest each year during the harvest. see O’KEEFFE Page 30

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O’Keeffe did a total of 17 paintings of katsina tithu, and the exhibition includes 15. They have rarely been exhibited, much less shown side by side with the katsina tithu, whose forms, colors and lines show how truly O’Keeffe was engaging with those artworks.

“It’s a sort of curious aspect to her work in that she didn’t talk about them much, she didn’t write about them much — she did a little bit. But also she didn’t exhibit these works, and so no one has really ever studied them and they’ve never really been presented together like this,” Smith says. “So it’s kind of a curious thing. You’re going, ‘OK, why was she attracted to these? Why did she paint them?’ And I think there are some obvious answers to that, the first being, she found them really beautiful objects. I mean she was really interested in them for their aspects, like their color and forms, all the things that she was thinking about.

She’s thinking about color, she’s thinking about form, and she looks at churches and architecture and landscape, and then here are these katsina that have great form and color and abstract design. It’s just again, the idea of matching — it’s just the perfect natural match.”

Far from the ethnographic cataloguing artists often undertook at the turn of the 20th century, seeking to preserve native cultures before they vanished, O’Keeffe’s interest appears to be one solely of artistic merit.

“Maybe at first you could see that as sort of naïve,” Smith says. “I see that as just the opposite. It’s sort of her acknowledgement of this native art form and the understanding of line and

form and color that native artists had, and something that she’s trying to develop herself. These people and these objects — it was already there. They had it and they understood it.”

O’Keeffe — who had lived for years in New York before an invitation to Taos in 1929 brought her to New Mexico for more than a stopover on a train — had been searching for a place that held a personal connection for her, visiting Texas and Colorado’s Rocky Mountain National Park. Her home in New York was filled with the busy life of Stieglitz’s art galleries or, when they retreated to Lake George, N.Y., crowded by his extensive family.

“The noise and confusion of the Stieglitz family there, and that of visits from Stieglitz’s friends, compromised the quiet and solitude O’Keeffe needed for her work,” Co-Curator Barbara Buhler Lynes wrote in the introduction in the exhibition catalogue. “Moreover, she felt increasingly stifled by that environment and determined that she needed to work in a place that held meaning for her and would provide her with fresh inspiration.”

New Mexico gave so much more than a quiet place to work. In an era when American Modernism was searching for distinctly American imagery, it gave O’Keeffe plenty of fodder.

“I think the most important part about the landscape in particular in New Mexico is it matched her ideology of American Modernism just perfectly,” Smith says. “It was just the same way as she said, it matched her personality or matched her ideas about painting and that landscape Boulder Weekly

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“Ranchos Church No. 1” from 1929. Collection of the Norton Museum of Art, West Palm Beach, Fla., purchase of the R.H. Norton Trust.

Massage and Skin Care matched each other just perfectly. ulous brushwork, where different colors The minimization of palette, looking of paint abut without overlapping and at forms, abstract forms, and depictunder magnification canvas can someing something that is realism but times be seen between the paint seams, doing it in a very abstract way is is overtaken by frenetic, layered pink something that carries through her and rust colors of paint and uncharacwork forever.” teristically visible brushstrokes.

Immediately, works like “Red Hills “She’s just putting wet paint into Gray Sky” parse the palette down to rust wet paint, she’s pushing paint around, and white — and little else. “Ranchos she’s electrified by something, I don’t Church No. 1” is sand and blue. know what, but this is so interesting to “What happens is what you see in me because I think she’s trying to figthis gallery,” says Buhler Lynes’ coure out either the structure of the landcurator, Carolyn Kastner. “She underscape itself or getting the colors right, stands that somebut something thing in this landchanges her entire scape, in these culstyle. And by ’31 ON THE BILL: Georgia O’Keeffe in New Mexico: tures, is so signifishe has a very clear Architecture, Katsinam and the cant she needs technique and Land, is at the Denver Art Museum contact with it and approach to oil until April 28. The museum is located at 11 W. 14th Ave. in Denver. Tickets she needs regular painting and putare available for purchase online at contact with it. So ting her ideas down www.denverartmuseum.org. she stayed. … Her on canvas. This cloistered feeling kind of thing about the East doesn’t happen very Coast had to do with the painting suboften at all. ... This is what the abstract jects, with his family, with many differ- expressionists were doing in the ’40s ent personal aspects, but it was profesand ’50s, and it’s called expressive sional as well, but you can see what she because you can see the brush marks, found. She shows up and she starts you can see the excitation of it, and I painting feathers and horse shoes and think this is it. She has letters where porcelain chickens and the landscape. she writes about ‘all the colors of my She’s just on fire. She painted two palette are out there in the hillside’ and dozen paintings that summer, and half you would think it’s just a matter of of them are completely new subjects putting them on the canvas, but it’s she’d never painted before.” not. And I think that’s it.”

That proliferation of work and new Kastner says, “This landscape, it just subjects in 1929 was more than any electrified her, and trying to figure out previous year. how to paint it and how to create the Kastner points to a patch of “The colors is an extraordinary part of her Mountain, New Mexico,” painted in interest.”

Respond: letters@boulderweekly.com 1931, where O’Keeffe’s typically meticBoulder Weekly

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PRESS PLAY GAMES DANCING DRINKS

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f you’ve seen even a small handful of movie commercials over the past decade or so, your mind’s ear will immediately recall the intense, slightly gravelly voice I’m referring to when I ask you to imagine an ad that starts, “In a world where mutants run the surface and pterodactyls rule the sky, the only way out is underground.” Most likely, your brain will also be able to access a memory of the other prototypical voiceover guy guided only by my mention of any Adam Sandler-style comedy ad, which would go something like, “He’s a near sighted veterinarian. She’s a gorilla who raps … in sign language! When they meet, things are going to go bananas!”

Their purpose is to be full-time beta With Jon, author George Saunders testers and opinion-makers for new and adapter Seth Bockley clearly aspire products. Their feedback on a soft to a work requiring the efforts of the drink or video game determines its sucformer ad narrator, but the play they’ve cess or failure. Due to the power they crafted calls out unequivocally for the wield and the perks that come with it stylings of the latter. This is not to say — designer clothes, 24/7 mind-melded that Jon isn’t entertaining and, at times, access to the Interwebs and generous even mildly thought-provoking. It’s helpings of a heroin-like drug — they just that the fractured, futuristic society are even considered celebrities. Think it posits is more dysof them as the cast of peptic than dystopic, Real World: Future making Jon a fleeting Focus Group.

ON THE BILL: Jon is presented diversion rather than Given the play’s by the Catamounts at the Dairy a satirical mind own advertising, it’s Center and plays through March 16. Tickets are $10-$18. For tickets blower. It’s a good no spoiler to mention or information, call 303-444-7328 play, to be sure, but that Jon knocks up or visit www.thecatamounts.org. great it is not. one of his co-tasteAs the audience makers, Carolyn files into the East (Sonia Justl). As the Theatre at the Dairy before Jon begins, realities of parenthood begin to materiJon (Ryan Wuestewald) is already on alize hazily at the edges of Carolyn’s mind, she starts to question whether stage. He alternates between sitting the bosom of the corporation is the and pacing, fidgeting all the while. best place and way in which to raise a Though we know nothing about this child. She and Jon are permitted to character or his situation yet, we can leave if they choose, but if they do tell he’s fretful, maybe even nervous. they’ll lose their celebrity and all the Behind Jon, commercials for Doritos, comforts that go with it. For anyone, Budweiser and any number of other consumables play on an endless loop. and especially a teenager who’s never The stage is literally set for something known any other life, the decision is important to happen. daunting to say the least.

Only, it doesn’t. In a laid back, For any fan of Bradbury, Vonnegut often amusing but never hilarious way, or the like, it’s obvious that Jon posJon introduces us to his world. He and sesses all the ingredients for some a handful of other teenagers live serious social commentary. That it sequestered in a corporate dormitory. never really says much of anything is,

A clockwork beige A little bit of sci-fi lite

by Gary Zeidner

Boulder Weekly

therefore, a bit of a conundrum.

Though they are effectively owned by their “parent company,” Jon and the rest of the teenagers are free to terminate their employment and join the proletariat anytime they want. The introduction of the opiate opens the door to any number of plot lines about control, self-medication or the nexus between corporate profiteering and mental health, but none of these ideas are explored.

With its wet-wired world and the borderline aphasiac consequences of pulling the plug, Jon sets up a truly interesting, multi-leveled quandary with the potential to touch on issues of morality, responsibility and group dynamics. When it fails to till this fertile philosophical and theatrical ground, instead opting to approach it in the most simplistic, binary manner, a great opportunity slips through the play’s fingers.

As he did in How the World Began, Wuestewald shows a considerable amount of acting acumen. He is just as believable here as an urbane yet confused pseudo-celebrity from the future as he was there as an ultra-religious country bumpkin from the present day.

In the supporting role of a corporate caregiver with a sliver of soul remaining, Jason Maxwell also deserves much praise. Jon comes alive every time he joins a scene.

Respond: letters@boulderweekly.com

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overtones Peter Ross

M

eredith Monk has accumulated many titles during her nearly 50 years as a performer.

She is a commissioned composer, a choreographer, a vaunted contributor to the avant-garde explorations of downtown New York City in the ’60s, a director, a filmmaker, a dancer. She is a breathing encyclopedia of the human voice, a living catalogue of the range of expression available to the singer. Her performances range from seated, solo a cappella performances to mass ensemble productions involving dance, music and film. Her work has earned numerous accolades, including a $500,000 genius grant from the John D. and Catherine T. MacArthur Foundation and a Guggenheim Fellowship.

A tireless creator and performer, she recently sang two nights of John Cage songs with the New World Symphony in Miami, and when she comes to Boulder on Wednesday, March 13, she will perform and lecture and teach every day through Sunday, March 17. (All events are open to the public.) Monk, 70, shows no signs of slowing down.

After all her successes and accomplishments as an artist, she has yet to draw herself away from the urge to create.

“I’m trying to get a balance. I think the last four or five years, I’ve never worked as hard, with so much intensity in my entire life,” she told Boulder Weekly. “On one hand, I definitely want to have more space and more contemplative time. I try to practice my meditation every day. I really want that kind of time. At the same time, I have this feeling that it’s now or never; I won’t get these things done if I don’t do them now.”

A fourth-generation singer, Monk started performing in 1965, just after graduating from Sarah Lawrence College in Yonkers, N.Y. She created her own degree, studying classical music, opera and theater, dance and choreography. Her early pieces integrated all those elements and more, but shortly after graduating she had an epiphany about her voice that would help shape the rest of her career. She realized she could express just about anything with it, her voice had the flexibility of “a spine” and contained a multitude of potential feelings and sounds. She began exploring the potential of her voice, and, those explorations became “the core of the work,” she says. Monk realized she could develop a vocabulary with her voice, much like a choreographer does with the body.

“Within [voices], male and female, were different

Explorer of the voice

lect and from a more ... intuitive space, what we might say a space of no mind or not thinking. Then there’s ... what Trungpa Rinpoche called ‘the secret.’ It’s a place of epiphany.”)

Boulder Weekly talked with Monk about fear in the creative process, the meaning of contemplative art and the history of her unique, amazing voice.

Boulder Weekly: You have very traditional music performers [a cantor, conservatory-trained musicians, a radiojingle singer] in your family. So what drove you to the fringes of art?

Meredith Monk: I guess I always felt that I wanted to create. I always had that strong impulse even as a child. I always loved to make things. I think that when you come from a family like that, it’s hard to find your spot. I had some sense of urgency to find my own way that was my own expression and my own way of thinking about things.

Can you explain what being a contemplative artist means to you?

Number one, I feel that my work has always had that aspect, even before I knew anything about Buddhism, in that it very much goes from the inside out. It starts with a lot of quiet and silence and then what comes from that ends up being the insight, or the musical material. I really try to start from zero every time I make a piece, like beginner’s mind, as painful and as terrifying as that is. Just start from there with no assumptions and no past on my back and really try to discover what the world of that piece is and what it wants. The world of that piece, the principles of that world.

There’s a lot of listening involved. That’s a very contemplative approach as opposed to taking stuff from the outside and making something from that.

How much do you consider the audience when you write a piece?

Well I’m making a piece for other human beings; I’m not making it for myself. (Laughs) Of course, I’m trying to make my music and theater pieces as clear and direct and as rich as possible, perceptually, emotionally, spiritually, physically. It’s really making work as an offering to other people.

But you have to start with what your truth is, and you have to try to be very rigorous and meticulous about letting the forms become [self-evident] with as much clarity and discipline as possible, because otherwise you really have nothing to give to other people.

But of course, I’m doing it for other people, so I’m

Meredith Monk has expanded the possibilities of the human voice in music

by David Accomazzo

Boulder Weekly

characters, different landscapes, different emotions,” she says. “I started deeply exploring the voice. I felt like I was born to do it. I had that crazy feeling of going back to my family, blood.”

Monk has a long history with Boulder. In 1975, she came to Naropa University to teach a masters class on voice and movement. She came back again in ’76, and several times after that in the ’70s and ’80s. It was there she met school founder Trungpa Rinpoche, the creator of the Shambhala Buddhist tradition.

In 1985, she became Buddhist after reading Rinpoche’s book, Shambhala: The Sacred Path of the Warrior.

“I was exploring and searching at the time, and I went to all of Rinpoche’s talks in both ’75 and ’76 that I could,” she says. “I was skeptical about any kind of ‘organized religion,’ even though Buddhism is not religion, but still I was very open.”

Monk calls herself a contemplative artist, a somewhat nebulous term describing a mindful approach to artistic creation. (Sue Hammond West, director of Naropa’s School of the Arts, defines contemplative artists as people who draw from three areas, “their intel-

see MONK Page 36

March 7, 2013 35

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always trying to make work that is rich assumptions, to be in the present, really and inspiring in some ways and that will starting from zero each time, that be very honest and hopefully moving to keeps you very young and vital and them. vibrant. It also allows you to make new What you said sounds almost para- discoveries and not just be falling back doxical. You make a conscious decision on what you already know. I always to not make conscious decisions about think that making work from what you what you’re creating. already know, you might as well not Courtesy of Frederieke Taylor Gallery Well, the already work way that I on it. The would describe point of workthe process is ing is to find that the first out something part of it — for that you don’t me at least, know. everyone is difI always feel ferent — the that way about first part of it is audiences too. very intuitive A lot of people and it’s very have a open. It’s about Starbucks mentrying things tality. I know and finding what I’m going things, trying to get at to do it step by Starbucks, step and not because I’m being oversure I’m going whelmed, tryto get that. But From “Vocal Gestures,” by Meredith Monk ing to get past I think, espethat fear of the unknown, and letting cially in this world of branding and material come up. everything, what makes life really interI always say it’s like you bring up esting is to not know, and when you go into the performance the vegetables of a to actually not know. soup, and then you Not go there because let the vegetables be ON THE BILL: Meredith you know what [the vegetables until the Monk performs at the Boulder performance is] going time comes, and it’s Theater on Wednesday, March 13. She will be interviewed by to be. quite intuitive, until Lama Sarah Harding on Your voice is so you know it’s time to Thursday, March 14, at unusual and is so start boiling. And Naropa’s Performing Arts Center. Monk will give a lecprecise and conthen you start boilture, “Archaeology of an trolled, but the teching it down, and boil Artist,” on Friday, March 15, at niques that you use it down, and boil it the Performing Arts Center.

Monk will co-facilitate a workare very eclectic and down, until you’ve shop on March 16 and March fall outside what one really got the 17. normally hears. How essence. And then did you develop your you have that soup voice to do these that essentializes all things? those elements, but the elements are Well, the word eclectic always makes now part of the soup, they’re not indime pause, because what that usually vidual vegetables. means to me is that it’s going after a lot The first part of the process is very of different things from a lot of different intuitive, trying to keep it as open to as places.

But actually my process is very many possibilities as can be, and then at different.

I actually go inside my own some point you have to use the other instrument and try to discover sounds part of your brain, which is more you and textures and colors within my own could say the intellectual, or the rigorous voice. part that clarifies, essentializes, makes I think that my first exploration was structures and makes forms. So as an arthow far could I pull range both high ist you’re really using all your resources. and low.

What would a falling voice be So after 50 years of doing this you like?

What would a spiraling voice be still have a fear of the unknown? like?

What would a jumping voice be Every time. I wonder every time, like?

What would a laughing voice be “Shouldn’t I not be afraid to start after like? all these years?” I think it’s that risk Respond: letters@boulderweekly.com factor, that effort to get back to no Boulder Weekly

Boulder Weekly

March 7, 2013 37

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allie Ford says that growing up, she was more comfortable singing in groups than by herself. (Her sister, after all, was the one with the performance flair.) Sallie was never one for the spotlight, she says.

You’d just never guess that, listening to her music.

Ford’s voice is the opposite of camera-shy. On the contrary, her powerful pipes arrive on your ears like a bucket of ice water. Her belting, aggressive punkmeets-rockabilly voice demands attention and forms the centerpiece of her band, Sallie Ford and the Sound Outside, whose era- and / It all sounds the same / What have genre-blending sound comes together these people done to music?”). on Untamed Beast, the band’s recently Untamed Beast hearkens back to a released second album. couple decades’ worth of country and Given the spate of tough-gal lyrics blues, and it carries a decidedly vintage on her album (“I could take all that tone. But above all, it has a restless rock money / I don’t want no dirty money,” pulse throughout. Just don’t call it “I like bad boys, but Americana, at least I’m like a bad boy not to Ford’s face. too,” “Hey there boy, She’s not a fan of ON THE BILL: Sallie Ford don’t you give me lip, genre labels. and the Sound Outside open boy”), Ford (at least in “I like to challenge for Thao & The Get Down Stay interviews) speaks surpeople to talk about Down at the Larimer Lounge on Monday, March 11. Doors prisingly softly about music in more at 8 p.m. Must be 18 to enter. her music, preferring descriptive ways that Tickets are $15.75. 2721 Larimer to let her work carry a don’t say things like St., Denver, 303-291-1007. big stick. She can tend folk, or Americana, or to mumble at the end any of those branches of sentences, and of music genres,” Ford when asked if she had to overcome stage says. fright to be the leader of her band, she She laughs. quickly starts humbly praising the “You know, no band likes to be called Americana,” she says, then pauses. showmanship of the rest of the band, “Well, I doubt it. Maybe some of them and later remarks she sometimes feels do. But you know — roots-rock, or she’s not all that good at guitar, despite rockabilly. They’re all just so bad. They all evidence to the contrary. It’s quite a don’t mean anything!” contrast from the heavy-fisted aggresSo how does she describe her band sion of her first two albums (the lyrics to strangers? to “I Swear,” which the band performed on Letterman in 2011, include choice “Well, we say rock ’n’ roll,” she says. lines such as “When I turn on the radio “I don’t know why I’m OK with that

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one and not other ones. But maybe because it isn’t really specific?”

Born and raised in the mountains of North Carolina, Ford experimented with various artistic mediums before settling as a musician.

Before she moved to Portland, Ore., in 2006, she had never before played in a band.

She fell in with a group of transplanted Alaskans and became Sallie Ford with her band. From friends with left to right are drummer Ford Ford Tennis, Tyler Tornfelt Tennis, who was and Jeffrey playing in a band Munger with bassist Tyler Tornfelt. Ford found her guitarist when she kept running into Jeffrey Munger busking around Portland. The three members are the only band she’s ever really played with, Ford says.

When she first started playing music, she wanted to create an indiesounding band with jazzy vocals on top.

But she found that to be a little too restrictive, and she wanted to play music with more of an edge.

“I was listening to a lot of Saddle Creek and Sub Pop stuff in high school.

I thought it’d be cool to do a band like that but with jazz vocals, like Billie Holiday and Ella Fitzgerald,” Ford says.

“That was cool, but I think for me it was too proper. So just over time I think I found the roughness in that, or the more rockin’ sound in that. Also, performing it’s just better for me and more interesting to have music that has energy and that makes people want to dance.”

And dance they will. Ford’s music is infectious and addictive, so it’s not hard to imagine the band playing a room packed with gyrating bodies. As for the possibility that Ford might continue to dial up the rock in the band’s sound?

That might be the most exciting possibility of all.

Respond: letters@boulderweekly.com

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Frontier Honda March 7, 2013 39

A TRIBUTE A TRIBUTE TO BJORK

THURS, MARCH 13 with • 8CASEY PM COLLINS, ERIK DEUTSCH, L

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Boulder Weekly

COFFIN RACE AT FROZEN DEAD GUY DAYS MARCH 8-10 IN NEDERLAND

SEE FULL EVENT LISTINGS ONLINE, INCLUDING HAPPY HOURS. To have an event considered for the calendar, send information to calendar@ boulderweekly.com.

Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication.

Boulder Weekly does not guarantee the publication of any event.

Thursday, March 7

events

music

Getting Started with Adobe InDesign, Part 2. 6 p.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276.

49 Floors. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.

Anya Skidan. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Dale Cisel and Mike Ryan. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.

David Booker. 5:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.

Dillon Francis — With Tyr & Tip-Z. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Holiday Blue — CD release party. 7 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Jesse Garland Show. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Jonathen Warren and the Billy Goats. 10 p.m.

Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Lucky Me Band — With Shawntel Royale. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322.

The Malah & Dubskin — With Congo Sanchez. 9 p.m Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Middle School Choral Festival — CU College of Music. 7 p.m. Imig Music Building, 1020 18th St., Boulder, 303-492-8008.

Open Mic. 7 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384.

Open Mic. 9 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

Rouge Sound. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

Winchester Holiday. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Boulder Weekly

Jeff Hersch’s Pool Study Opening Reception. 6-9 p.m. Mr. Pool, 2347 South St., Boulder, 303-4430821.

The Intouchables — Cinema Program screening.

6:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

The Renaissance of Mesa Verde Pottery — With Clint Swink, professional artist and master potter. 7 p.m.

University of Colorado Museum of Natural History, 15th and Broadway, Boulder, 303-492-6892.

Friday, March 8 music Adrien Legg. 8 p.m. Swallow Hill Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.

Age of Guinevere — Fairview High School Fundraising Concert and Silent Auction. 7 p.m. Fairview High School, 1515 Greenbriar Blvd., Boulder, 720-5613100.

Andrew Wynne. 5 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Blind Child — Dance blues. 9 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Brad Upton Quartet. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

Broken Everlys and the High Beams. 9 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

David Booker. 8 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303-443-3322.

DeltaSonics. 7 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Dr. Harlan’s Amazing Bluegrass Tonic. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Eclipse — A tribute to Journey. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.

salsa, club dance. 7 p.m. 6185 Arapahoe Rd., Boulder, 303-931-5654.

Frequency Fridays — Electronic and bass music. 9 p.m. Kakes Studios, 2115 Pearl St., Boulder, 303-8181820.

Frozen Dead Guy Days. 3-8 p.m. Nederland, www. frozendeadguydays.org.

Funkiphino. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384.

Gasoline Lollipops. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

The Indulgers. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

International Women’s Day: Women In Song.

8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Jeff Brinkman. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.

The Legendary Hitchhikers — A tribute to Tom Petty. 9:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.

Miss Tess & the Talkbacks. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

Murs — With Fashawn, Prof & Black Cloud Music. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-4433399.

Rebel Tongue. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.

Initiation into Kriya Yoga Meditation — With Yogacharya Dharmananda 7 p.m. Caritas Spiritist Center, 5723 Arapahoe Ave., Boulder, 303-449-3066.

Storybook Ballet: The Little Prince. 7 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. [un]W.R.A.P. Salon — Undoing Writing.Research.

And.Performance, an informal performance. 7:30 p.m.

Irey Theatre, University Theatre Building, University of Colorado campus, 303-492-8181.

Saturday, March 9 music Brian Sipes. 9:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

Eyvind Kang and Jessika Kenney — With the Playground Ensemble. 7:30 p.m. Museum of Contemporary Art Denver, 1485 Delgany St., Denver, www.creativemusicworks.com.

Girls on Top. 8 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-4859400.

Greg Brown. 8 p.m. Swallow Hill L2 Arts & Culture Center. 71 E. Yale Ave., Denver, 303-777-1003.

Riff Raff. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

The Heavy Pets & Jet Edison — With Issovee. 9 p.m.

Fox Theatre, 1135 13th St., Boulder, 303-443-3399.

Super Secret Messengers with Catur Eka Santi. 8 p.m. Swallow Hill Tuft Theatre, 71 E. Yale Ave., Denver, 303-777-1003.

The Indulgers Bluegrass & Bluegrass Delta Force. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-4491922.

events

Interstate Stash Express. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

Adobe Dreamweaver Hands-On Intensive. 9 a.m.

Boulder Digital Arts, 1600 Range St., Boulder, 303875-0276.

Dancin Divas — Line dancing, two stepping, swing,

Last Men On Earth. 8 p.m. Dickens Opera House, 300 see EVENTS Page 42

March 7, 2013 41

Paula Sussman’s photography exhibit, A Neurotic Erotic Alphabet, takes a humorous turn on erotic situations

arts

labor day festival :: 8.30-9. 1 :: snowmass, co

Alchemy — Bronze sculptures

by Kerry Cannon. Andrew J. Macky Gallery, Macky Auditorium, 1595 Pleasant St., Boulder, 303-492-4247.

Through March 24.

!

E C N A H G C N I T C I S R LA BIRD P R 14

Art of the State — Featuring 160 Colorado artists. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720898-7255. Through March 31.

BEER! Boulder’s History on Tap. Boulder History Museum, 1206 Euclid Ave., Boulder, 303449-3464. Through Oct. 27.

Black Maps — A solo show by David Maisel. CU Art Museum, 1085 18th St., Boulder, 303-4928300. Through May 11.

EARLSYTHURS. M3-A PASS Y A D ENDINGLE DAY, $165/

Colorado Watercolor Society Exhibition.

Foothills Art Center, 809 15th St., Golden, 303279-3922. Through March 24.

THE 72 HOTTEST HOURS OF SUMMER

From Cherry Blossoms to Snow Gardens — Japanese prints. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through March 23.

$69/S

FRI., AUG. 30

sat., AUG. 31

JASON MRAZ

GRACE POTTER AND THE NOCTURNALS

KEITH URBAN TRAIN LITTLE BIG TOWN JOURNEY sun., sept. 1

EDWARD SHARPE AND THE MAGNETIC ZEROS CHURCHILL

866-JAS-TIXX

(527-8499)

Jazzaspensnowmass.org TICKET & LODGING PACKAGES: 800-SNOWMASS, Snowmasstourism.com

Contemporary Realism — Works by national artists. Gallery 1261, 1261 Delaware St., Denver, 303-571-1261. Through April 15.

EcoCreations4 — Art from Recycled Objects.

Muse Gallery, 356 Main St., Longmont, 303-6787869. Through April 27. Opening reception 6-9 p.m. March 8.

Georgia O’Keefe in New Mexico: Architec-

ture, Katsinam, and the Land. Denver Art Museum, 100 W. 14th Ave. Pkwy., Denver, 720865-5000. Through April 28.

Joining Forces: Book Arts in Collaboration — With Kitty Maryatt and Sammy Lee. Norlin Library East Lobby and West Lobby, CU campus, Boulder, ucblibraries.colorado.edu. Through March 8.

More Scapes. Denver Art Museum, 100 W. 14th Ave. Pkwy., Denver, 720-865-5000. Through April 28.

Museum of Broken Relationships. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. Through May 26.

National Photography Month Photo Exhibits.

The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through April 19.

A Neurotic Erotic Alphabet.The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303440-7826. Through April 19.

Not In Your Face. Center for Fine Art Photography, 400 N. College Ave., Fort Collins, 970-2241010. Through March 30.

Primal Seen — Selections from the CU photography collection. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through June 22.

What is Modern? and Olivetti: Innovation and Identity. Denver Art Museum, 100 W. 14th Ave. Pkwy., Denver, 720-865-5000. Through March 24.

EVENTS from Page 41 Main St., Longmont, 303-834-9384.

Lefthand Market Boys. 4 p.m. Bootstrap Brewing, 6778 79th St., Niwot, 303-547-6152.

Jazzebel. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

MLOW Garage Band Recital. 4 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Miss Tess & the Talkbacks. 8 p.m. Swallow Hill Tuft Theatre, 71 E. Yale Ave., Denver, 303-777-1003.

Moses Jones. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.

Red Fox Run. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Robinson Quintet. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Steep Canyon Rangers Featuring Jeff Sipe — With Drew Emitt & Andy Thorn. 8:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Still The Sky’s Limit — With White Flag Raised & Discount Cinema. 9 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Sweetbred. 8 p.m. Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847.

Whiskey Autumn. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

events Adobe Photoshop for Photographers Hands-On Intensive. 9 a.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-875-0276.

Beekeeping Class. 9 a.m. – 12 p.m. Growing Garden’s Greenhouse, 1630 Hawthorne Ave., Boulder, 303-4439952.

42 March 7, 2013

“Lasciviously”

by Paula Sussman

Container Gardening. 2 p.m. The Flower Bin Garden Center and Nursery, 1805 Nelson Road, Longmont, 303-772-3454.

Disassociation, Neuroplasticity and the Healing of Combat Stress — With Robert Scaer, MD. 9 a.m. Caritas Spiritist Center, 5723 Arapahoe Ave., Boulder, 303-4493066.

Frozen Dead Guy Days. 8 a.m. – 8:30 p.m. Nederland, www.frozendeadguydays.org.

How to Have More Productive Conversations, Even With Mean People — With Jay Michaelson, LBGTQ activist and author. 9:30 a.m. – 3 p.m. First United Methodist Church of Boulder, 1421 Spruce St., Boulder, www.fumcboulder.org.

Logistics of Loss — Everything you need to do when someone dies. 10 a.m. West Senior Center, 909 Arapahoe Ave., Boulder 303-545-0273.

National Photography Month photo exhibit opening reception. 4-7 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

Relay for Life Kick Off Celebration. 2 p.m. Louisville United Methodist Church, 741 Jefferson Ave., Louisville, 970-274-3777.

Restorative Justice Volunteer Training — With Longmont Community Justice Partnership. 9 a.m.

Longmont Community Justice Partnership, 333 Terry St., Longmont, 303-776-1527.

Sal Magundi Show — Variety Show. 6:30 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Storybook Ballet: The Little Prince. 2 p.m. & 7 p.m.

The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826.

Twenty Looks or Paris is Burning at the Judson Church(es). 7:30 p.m. Irey Theatre, University Theatre

Boulder Weekly

events Building, University of Colorado campus, 303-4928181.

World’s Shortest Parade. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

Women of the West Saturday group. 10 a.m.

Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

events

Sunday, March 10

Free Form Yoga. 10 a.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

music

Frozen Dead Guy Days. 8 a.m. – 6 p.m. Nederland, www.frozendeadguydays.org.

Acoustic Jam. 3 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

Salsa Dancing. 8 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

Bigfoot Country. 8:30 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384.

Storybook Ballet: The Little Prince. 2 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-4407826.

The Big Pick Bluegrass & Folk Jam. 8 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Bluegrass Delta Force. 10 p.m. Vine Street Pub, 1700 Vine St., Denver, 303-388-2337.

Bluegrass Pick. 12 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.

Blues Jam — With Heavy Cats. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303443-3322.

Celtic: The Indulgers with Matt Skellenger. 4 p.m.

Swallow Hill Daniels Hall, 71 E. Yale Ave., Denver, 303777-1003.

The Expendables — With Pacific Dub & Tatanka. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-4433399.

Fallen Refuge. 7 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384.

Firing Line Bluegrass Band. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

George Nelson Band. 6 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.

Gypsy Lumberjacks. 10 p.m. Mountain Sun Pub, 1535 Pearl St., Boulder, 303-546-0886.

Jeremiah and the Red Eyes — With Mikaela Dewar.

8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Mello Cello Sundays — With Sam Rae. 7 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Traditional Irish Session. 7:30 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

theater

In Almost, Maine, 19 characters appear over nine vignettes explore the risks of falling in love.

Almost, Maine — Presented by Theatre Company of Lafayette. Mary Miller Theatre, 300 E. Simpson, Lafayette, 720-209-2154. Through March 23.

Caesar & Cleopatra. Boulder’s Upstart Crow Theatre Company at The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-442-1415. Through March 9.

Catch Me If You Can — Presented by the Denver Center Theatre Company. Denver Performing Arts Complex, 14th and Curtis streets, Denver, 303-893-4100. Through March 10.

Chesapeake. Loft Theatre, University Theatre Building, Univeristy of Colorado, Boulder, 303492-0515. Through March 17.

Church Basement Ladies. Boulder’s Dinner Theatre, 5501 Arapahoe Ave., Boulder, 303-4496000. Through May 12.

Boulder Weekly

Storytelling for the Young at Heart: Stories for Spring. 2 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

Tea Dance — With Live Music. 2 p.m. The Avalon, 6185 Arapahoe Rd., Boulder, 303-449-5962.

Monday, March 11 music Concert Band w/ Jazz II — CU College of Music.

7:30 p.m. Imig Music Building, 1020 18th St., Boulder, 303-492-8008.

Dirty River Bourbon Band. 10 p.m. Southern Sun Pub, 627 S. Broadway, Boulder, 303-543-0886.

Electric Blues Jam. 7:30 p.m. Oskar Blues Home Made Liquids & Solids, 1555 S. Hover Road, Longmont, 303-485-9400.

Old Time Music Pick with K.C. Groves. 7 p.m.

Oskar Blues Grill & Brew, 303 Main St., Lyons, 303823-6685.

Open Jovan — Open mic, Jimtown style. 5:30 p.m.

Jamestown Mercantile, 108 Main St., Jamestown, 303-442-5847.

Open Mic Night. 6:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

events Creating Professional Videos with iMovie. 9 a.m.

Boulder Digital Arts, 1600 Range St., Boulder, 303875-0276.

The Queen of Versailles — Cinema Program screening. 6:30 p.m. Boulder Public Library, 1001 Arapahoe see EVENTS Page 44

Ian Gerber

Close Ties — Presented by Coal Creek Theatre of Louisville. Louisville Center for the Arts, 801 Grant St., Louisville, 303-665-0955. Through March 9.

Jon — Presented by The Catamounts. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through March 16.

Pippin — Boulder High School. Boulder High School Auditorium, 1604 Arapahoe Ave., Boulder, 720-561-2285. Through March 16.

Those Crazy Ladies in the House on the Corner — With the Player’s Guild. The Festival Playhouse, 5665 Olde Wadsworth Blvd., Arvada, 303-422-4090. Through March 17.

The Unsinkable Molly Brown. Candlelight Dinner Playhouse, 4747 Marketplace Dr., Johnstown, 970-744-3747. Through March 30.

The Villain of Guy Gulch — Heritage Square Music Hall, 18301 W. Colfax Ave., Golden, 303279-7800. Through May 19.

March 7, 2013 43

400 W. South Boulder Rd. Lafayette Plaza • 303.665.5599 www. herbalwellnesscolorado.com www.facebook.com/herbalwellnesslafayette Open 7 days a week • 9am-7pm

NEW STICKY WAX

BURNER PENS

$39.99

words

Colorado author Kent Haruf reads from his latest novel, Benediction, at 7:30 p.m. on March 7 at the Boulder Book Store.

Thursday, March 7

Sunday, March 10

Benediction— By Kent Haruf.

7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-4472074

Behind the Kitchen— By Saru Jayaraman. 5:30 p.m Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074

Dwight Cosper — Poetry reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644.

Temple Grandin — “Autism in the Modern World.” 7 p.m. Glenn Miller Ballroom, University Memorial Center, 1669 Euclid Ave, Boulder, 303492-6161.

Friday March 8 Warriors: Dawn of the Clans #1: The Sun Trail — by Erin Hunter. 6:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074 Saturday, March 9 Erik Arvoy and David Hunter — Poetry reading.

7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644.

Thinking Like a Watershed: Voices from the West — By Jack and Celestia Loeffler. 2 p.m.

Tattered Cover Book Store, 1628 16th St., Denver, 303-436-1070.

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“So, You’re a Poet” — Open Poetry Reading. 8 p.m.

The Laughing Goat, 1709 Pearl St., Boulder, 303-4404628.

ULI Salon Series. 5 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Tuesday, March 12 music Bluegrass Pick. 8 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

Curtis Salgado — With Bad Brad. 7:30 p.m. Boulder Outlook Hotel and Suites, 800 28th St., Boulder, 303443-3322.

Gasoline Lollipops. 8:30 p.m. Waterloo, 809 S. Main St., Louisville, 303-993-2094.

The Nice Work Jazz Combo. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696 Open Mic — Hosted by Maus. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Open Stage. 8 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.

Pete Kartsounes Solo Loop. 6 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384.

The Thurston Group. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

S. Boulder Rd.

Lafayette Plaza Coal Creek Dr.

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Tuesday Swing Night. 7 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

S. Public Rd.

287

N

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So, You’re a Poet? — Jack Kerouac’s 91st Birthday Reading and On The Road film screening. 8 p.m. The Laughing Goat Coffee House, 1709 Pearl St., Boulder, 303-440-4628.

Tuesday, March 12 Raising Chubby: A Father and Son’s Adenvtures with Asperger’s, Trains, Tractors, and High Explosives— by John Elder Robinson. 7:30 p.m. Tattered Cover Book Store, 1628 16th St., Denver, 303-436-1070.

Weekly Open Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644.

Wednesday, March 13 Colorado Women: A History— by Gail M. Beaton.

7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074.

Rick Furtak — Poetry reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-579-1644.

EVENTS from Page 43 Ave., Boulder, 303-441-3100.

$25 1/8ths

Monday, March 11

events Arise. 7:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Boulder World Affairs Discussion Group. 10 a.m.

Boulder Public Library Meadows Branch, 4800 Baseline Rd., Boulder, 303-441-4390.

Brown Bag Series: Legal Issues in Sustainable and Green Building. 12 p.m. REI Community Room, 1789 28th St., Boulder, meagan@bgbg.org.

Business Efficiency Grant and EE Rebate Seminar.

7:30 a.m. Longmont Power & Communications Utility Building, 1251 S Bowen St., Longmont, meagan@bgbg.org.

Conversations with Extraordinary People: Bill Mooney. 5:30 p.m. Chautauqua Auditorium, 900 Baseline Rd., Boulder, 303-442-3282.

Lean Engagement: Working with Customers. 7 p.m. Shine, 2027 13th St., Boulder, 303-449-0120.

Tuesday Fiction Writers. 6:30 p.m. Boulder Public Library Meadows Branch, 4800 Baseline Road, Boulder, 303-441-4390.

Wednesday, March 13 music Ash Ganley Trio. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Blues Jam — Hosted by The Firebreathers. 10 p.m.

Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Blues Jam — Hosted by Todd Johnson. 8 p.m. D Note, 7519 Grandview Ave., Arvada, 303-463-6683.

The Boulder Blues Trio. 7:30 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.

Brown Bag Preview: Falstaff. 12 p.m. Imig Music Building, 1020 18th St., Boulder, 303-492-8008.

Danny Shafer. 6 p.m. Dickens Opera House, 300 Main St., Longmont, 303-834-9384.

Delta Sonics Blues Jam. 7:30 p.m. Nissi’s, 2675 N. Park Drive, Lafayette, 303-665-2757.

Elephant Revival — CU Program Council Presents.

Glenn Miller Ballroom, University Memorial Center, 1669 Euclid Ave., Boulder, 303-492-7704.

First Wednesday Music Club. 7:30 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685.

Goodrattle. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Jazz Combos Showcase. 7:30 p.m. Imig Music Building, 1020 18th St., Boulder, 303-492-8008.

The Kyle Ussery Band. Conor O’Neill’s, 1922 13th

Boulder Weekly

events St., Boulder, 303-449-1922.

Marcus Foster with Ruston Kelly. 9 p.m. Swallow Hill Hi-Dive, 71 E. Yale Ave., Denver, 303-777-1003.

Meredith Monk. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Open Bluegrass Pick — All welcome. 8:30 p.m.

Conor O’Neill’s, 1922 13th St., Boulder, 303-4491922.

events Cosmology & Modern Physics. 7 p.m. Boulder Public Library Meadows Branch, 4800 Baseline Rd., Boulder, 303-441-4390 High Performance Building Series: Mechanical Design & Renewables. 9 a.m. 3245 Eliot St., Denver, meagan@bgbg.org.

Read to the Dog! 3:30 p.m. Boulder Public Library Meadows Branch, 4800 Baseline Rd., Boulder, 303441-4390

Tuesday Reading Buddies. 4:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303441-3100.

Gobs O’Phun. 7 p.m. Boulder Public Library George Reynolds Branch, 3595 Table Mesa Dr., Boulder, 303-441-3120.

Reynolds Reading Pals. 4 p.m. Boulder Public Library George Reynolds Branch, 3595 Table Mesa Dr., Boulder, 303-441-3120.

Zumbatomic for Kids — Dance Fitness for Kids.

4 p.m., The Avalon, 6185 Arapahoe Rd., Boulder, 303-604-9098

Reading Buddies. 4:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Storytime for Children. 10:15 a.m. Boulder Public Library George Reynolds Branch, 3595 Table Mesa Dr., Boulder, 303-441-3120.

Wednesday, March 13

Tactile Tuesday. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Toddler Hour. 9 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Cruisers & Crawlers. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-4413100.

Discovery Days. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Storytime for Children At Meadows Branch.

10:15 a.m. Boulder Public Library Meadows Branch, 4800 Baseline Rd., Boulder, 303-441-4390.

Toddler Hour. 9 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Wednesday Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

ZingProject Launch Party. 6 p.m. Quick Left, 902 Pearl St., Boulder, 303-242-5536, RSVP at http:// zingproject.eventbrite.com.

Marketing with Google AdWords. 6 p.m. Boulder Digital Arts, 1600 Range St., Boulder, 303-8750276.

Whoo Are the Owls? — Join volunteer naturalists to learn about owls and their adaptations that make them expert hunters. 7 p.m. Lafayette Public Library, 775 W Baseline Rd., Lafayette, 303-678-6214.

KIDS CALENDAR Thursday, March 7 Thursday Storytime. 10 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Toddler Time. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Friday, March 8 Family Game Night at Meadows. 4 p.m. Boulder Public Library Meadows Branch, 4800 Baseline Rd., Boulder, 303-441-4390 FamilySong Music with Kristin McLean. 11 a.m.

WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Friday Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Kids With Spirit — Children’s weekly spiritual exploration, classes through April 12. Caritas Spiritist Center, 5723 Arapahoe Ave., Boulder, 303-449-3066.

Spanish with Kena. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-6042424.

Saturday, March 9 Kids’ Discovery Days Preschool Silent Auction Fundraiser — With music by Timothy Kennedy. 6:30 p.m. D Note, 7519 Grandview Ave., Arvada, 303-4636683.

Reynolds Reading Pals. 4:30 p.m. Boulder Public Library George Reynolds Branch, 3595 Table Mesa Dr., Boulder, 303-441-3120.

Saturday Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Sunday, March 10 Baby Boogie, bring your kids into dance! 2 p.m.

D Note, 7519 Grandview Ave., Arvada, 303-4636683.

Go Club for Kids & Teens. 2 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Monday, March 11 Monday Storytime. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Monday Reading Buddies. 4:30 p.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Tuesday, March 12 Discovery Days. 10 a.m. WOW! Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Lap Babies. 10:15 a.m. Boulder Public Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Boulder Weekly

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reel to reel 21 AND OVER

“Banality of Evil.” Part of VOICES series at SIE FilmCenter. — Denver Film Society

In this comedy from the writers of The Hangover, one beer inevitably turns into many more the night before Jeff Chang’s medical school interview. Rated R. At Century, Colony Square and Twin Peaks.

IDENTITY THIEF The director of Horrible Bosses returns with a redemption tale. Rated R. At Century, Colony Square and Twin Peaks.

AISHA Aisha is a girl with a simple problem — everyone’s business is her business. Arjun is a boy with even a simpler set of beliefs — Aisha should mind her own business. At SIE FilmCenter. — Denver Film Society

THE IMPOSSIBLE

AMOUR

INESCAPABLE

Georges and Anne are a couple in their 80s about to experience one of the perils of mortality, dementia. Rated PG-13. At Century and Chez Artiste. — The Reader of Omaha, Neb. ARGO

A beautifully acted survival tale based on the 2004 tsunami in Eastern Asia. Rated PG-13. At Chez Artiste.

DEAD MAN DOWN

Colin Farrell may only be an actor acting like a killer, but he should still know which eye to close when he’s looking through a rifle scope. The NRA would never let him in.

INOCENTE WITH GIRL GOING UP THE STAIRS

Ben Affleck’s latest directing project (in which he also stars) is based on true events from the Iranian revolution in 1979. Rated R. At Century and Esquire.

AUGUSTINE Writer-director Alice Winocour has adapted a true-story case of a progressive 19th century doctor/therapist and his unusual patient. At Boedecker. — Boedecker Theater A BAND CALLED DEATH Death finally saw their first album, “...For the Whole World to See”, released by Drag City Records in 2008 after the discovery of the 1974 demo tapes in an attic. At Muenzinger Auditorium. — International Film Series BEASTS OF THE SOUTHERN WILD A 6-year-old girl, buoyed by her childish optimism, believes that the natural world is in balance with the universe. At SIE FilmCenter. — Denver Film Society BOULDER JEWISH FILM FESTIVAL This festival runs for two weeks and includes Foreign Letters; Orchestra of Exiles; Got Balz; In Heaven, Underground; AKA Doc Pomus; La Rafle; Broadway Musicals: A Jewish Legacy; Let My People Go. At Boedecker. — Boedecker Theater CONSUMING SPIRITS The three principal characters’ vividly ugly faces, gangly bodies and dry, weary voices are likely to haunt you long after the movie is over. At Muenzinger Auditorium.

— International Film Series DARK SKIES A couple begins to fear for the safety of their family after they’re plagued by a series of unexplainable events. Rated PG-13. At Century, Colony Square and Twin Peaks.

DEAD MAN DOWN Colin Farrell is a man who has lost everything, or rather has had everything taken 46 March 7, 2013

One afternoon, on a typical day at work, Adib is confronted with devastating news: His eldest daughter, Muna, has gone missing in Damascus. At SIE FilmCenter — Denver Film Society

from him. Now he’s out for revenge. He doesn’t have much to say in this high octane action thriller, but his message comes through loud and clear. Rated R. At Colony Square and Century.

DJANGO UNCHAINED Quentin Tarantino does to slave owners what he did to Nazis in Inglourious Basterds.

Rated R. At Colony Square. — The Reader of Omaha, Neb. EMPEROR

General Douglas MacArthur (Tommy Lee Jones) suddenly finds himself the de facto ruler of a foreign nation after Emperor Hirohito’s World War II surrender. At Chez Artiste. — Landmark Theatres ESCAPE FROM PLANET EARTH An animated space hero (voiced by Brendan Fraser) fights to defend his planet, Beeb. Rated PG. At Century, Colony Square and Twin Peaks.

GINGER AND ROSA As the Cold War meets the sexual revolution in 1962 London, Ginger and Rosa’s lifelong friendship is shattered. At SIE FilmCenter. — Denver Film Society THE GIRL Struggling with the loss of her child to Social Services, a single mother is trapped in the quicksand of her south Texas life. At SIE FilmCenter. — Denver Film Society GIRL RISING Like the 66 million girls around the world who dream of going to school, what Sokha, Suma, Ruksana and the rest want most is to be students: to learn. At SIE FilmCenter. — Denver Film Society A GOOD DAY TO DIE HARD John McClane is out to get the bad guys in Moscow, but this time his son is helping him do it. Rated R. At Colony Square.

FILLY BROWN

GRANNY’S FUNERAL

Majo Tonorio, a.k.a. “Filly Brown,” is a raw, young Los Angeles hip-hop artist who spits rhymes from the heart. At SIE FilmCenter.

— Denver Film Society

Although he made no effort to see his grandmother in her waning years, Armand must now deal with her funeral arrangements, in a comedy stamped with caustic wit. At Boedecker. — Boedecker Theater

THE GATEKEEPERS The head of the Shin Bet, Israel’s secret service, is present for every decision made.

Six former heads share their insights and reflect on their actions and decisions. At Esquire. –– Landmark Theatres GET TOGETHER GIRLS In the mountains around Nairobi, Kenya, there is a place where education, protection, creativity and initiative give hope for a better future for Kenyan girls. At SIE FilmCenter. — Denver Film Society

GREGORY CREWDSON: BRIEF ENCOUNTERS A documentary shot over a decade with unprecedented access to photographer Gregory Crewdson that bares the artist’s process. At Boedecker. — Boedecker Theater HANNAH ARENDT Arendt’s reporting on the 1961 trial of exNazi Adolf Eichmann in The New Yorker — controversial both for her portrayal of Eichmann and the Jewish councils — introduced her now-famous concept of the

Inocente is the winner of Best Documentary Short at the 85th Academy Awards. At SIE FilmCenter. — Denver Film Society JACK THE GIANT SLAYER 3D Jack climbs a beanstalk, fights giants and adds to a list of other action fairytale flicks.

Rated PG-13. At Century, Colony Square and Twin Peaks.

JOURNAL DE FRANCE Depardon’s brilliant self-portrait takes a surprising point of view on the great documentarian’s life. At Boedecker. — Boedecker Theater JULIE AND JULIA Julie & Julia intertwines the lives of two women who, though separated by time and space, are both at loose ends. At SIE FilmCenter. — Denver Film Society LA SCALA BALLET’S NOTRE DAME DE PARIS Notre-Dame de Paris, inspired by Victor Hugo’s novel, returns to La Scala after more than 10 years. At Boedecker. — Boedecker Theater THE LAST EXORCISM PART II Nell picks up the pieces after an ordeal she can barely remember. But the force that terrorized her isn’t finished. Rated PG-13.

At Century, Colony Square and Century.

LIFE OF PI 3D Pi and a Bengal tiger survive a shipwreck.

Rated PG. At Muenzinger Auditorium, Century and Colony Square.

LINCOLN Daniel Day-Lewis as Lincoln during the Civil War trying to pass the 13th Amendment. Rated PG-13. At Century. see REEL TO REEL Page 48

Boulder Weekly

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Coming up with a fresh take on the Warm Bodies is neither. zombie genre these days is like trying And then there’s the inclusion of ON COLORADO AVENUE WEST OF FOLSOM STADIUM to do a fresh cover of Leonard Cohen’s Malkovich, which feels like little more FRI-SAT-SUN FEB 22-23-24 & 9 pm He’s “Hallelujah”: If you can think of it, than distracting stunt@ 7casting.

IN mUENZINGER someone beat you to it. Less funny than there to chew up the contractually OSCAR NOmINATED Shaun of the Dead and less romantic required amount of scenery and little than Twilight, Warm Bodies is a else. It’s entirely possible that Isaac romance novel by way of George Marion’s novel is a delightful sendup of Romero fan fiction. Nicholas Hoult zombie fiction with romance drizzled SHORTS stars as “R,” a zombie with some on top and characters worth rememberretained measure of humanity. When ing. But the film boils everything down TUESDAY FEB 26 @ 7 & 9 pm he meets Julie (Teresa Palmer), the to a simplistic, easily forgettable base IN mUENZINGER human part of him Hulks out and level, never firing fully on a single cylrestores itself. inder, let alone all of them.

What’s more, it seems to be contaIt’s not that Warm Bodies is bad. It gious. M (Rob Corddry), a fellow walk-WITHisn’t.

It’s just not good … or bad. And SpECIAl GUESTS ing corpse, rekindles his humanity sim- sometimes it’s better to make a flat-out ply by watching R and Julia get friendbad film than a coldly calculated marly. Of course, Julia’s father, a military ginal one. Warm Bodies doesn’t feel like WEDNESDAY FEB 27 @7&9 pm mUENZINGER leader and no-nonsense zombie killer a bridge IN between two disparate genres ( John Malkovich), isn’t buying any of so much as it feels like an attempt at it. Although “your boyfriend is a reaniblatant cross-demographic appeal. To mated, necrotic pile of flesh” is a really see it is to imagine a room full of suits good reason for a father to disapprove, congratulating one another at finding a Julia persists in supporting the suddenly way to get opposite fan bases to pay for more-human zombies in their fight tickets to the same show.

INFORMATION CALL 303-492-1531, OR: against the “boneys,” which are zombies FOR MORERespond: letters@boulderweekly.com WWW.INTERNATIONALFILM SERIES.COM who feast on zombies. m E D I A S p O N S O R S Warm Bodies has its moments, but

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In honor of International Women’s Day, Idanha Films Presents...

“...A TRUE INSPIRATION...�

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ARISE

THROUGH  WOMEN’S  EYES

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REEL TO REEL from Page 46

LORE Left to fend for themselves, five German children undertake a harrowing journey. At Esquire. –– Landmark Theatres MENTAL

Narrated by Daryl Hannah

The Moochmore girls are certain they all suffer from some kind of undiagnosed mental illness. At SIE FilmCenter. — Denver Film Society NATIONAL LAMPOON’S VACATION

The Griswolds and family head by station wagon for the California fun park Walley World. At Esquire. — Landmark Theatres OSCAR-NOMINATED SHORT FILMS 2013: ANIMATED Š Jon Orlando

The Boulder Theater | March 12th at 7:00 pm Tickets $15, student & senior $13 bouldertheater.frontgatesolutions.com Q&A with Filmmakers Performance by Spirit Voices, a women’s ensemble

Nexus

This year’s program is being hosted by last year’s winners: William Joyce and Brandon Oldenburg. At Mayan. — Landmark Theatres OSCAR-NOMINATED SHORT FILMS 2013: LIVE ACTION

This year’s program will be hosted by last year’s winner: Luke Matheny. At Mayan. — Landmark Theatres

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After her husband returns home from jail, a woman takes pills for anxiety that may cause her to murder. Rated R. At Century.

SILVER LININGS PLAYBOOK Everything is sanitized and clichĂŠd enough to make this a feel-good romance. Rated R. At Century, Colony Square and Twin Peaks.

SLEEPLESS IN SEATTLE

After his wife Maggie passes away, Sam Baldwin and his adolescent son Jonah relocate from Chicago to Seattle. At SIE FilmCenter. ­— Denver Film Society SNITCH Dwayne “The Rock� Johnson plays a dad who must become a drug cartel-fighting informant. Rated PG-13. At Century, Colony Square and Twin Peaks.

SOUND CITY

Deep in the San Fernando Valley, amidst rows of dilapidated warehouses, was rock ‘n’ roll’s best kept secret: Sound City. At SIE FilmCenter. — Denver Film Society THE SUICIDE SHOP

We know all about Dorothy and have heard the Wicked Witch’s take. Now it’s the Wizard of Oz’s turn. Rated PG. At Century, Colony Square and Twin Peaks.

Master filmmaker Leconte makes a departure from his previous work with this animated 3D musical about a family business offering certain special “end-of-life� services. At Boedecker. — Boedecker Theater

PALEYFEST FEATURING THE WALKING DEAD

VOICES SHORTS PACKAGE

Stars of The Walking Dead screen special footage. At Century.

PHANTOM To protect the free world, a submarine captain leads a dangerous mission. Rated R. At Colony Square and Twin Peaks.

A PLACE AT THE TABLE

Forty-nine million people in the U.S. — one in four children — don’t know where their next meal is coming from. At Mayan. — Landmark Theatres QUARTET A singer returns home and shocks everyone. Rated PG-13. At Century and Esquire. — Landmark Theatres RICH IS THE WOLF Perplexed at the sudden disappearance of her husband, a wife watches hours of videotape to piece together some clues. At Boedecker. — Boedecker Theater SAFE HAVEN

A collection of short films that include both professional women and student filmmakers. At SIE FilmCenter. — Denver Film Society THE WAITING ROOM Peter Nicks creates a chronicle of the life of an overburdened Oakland emergency room. At Muenzinger Auditorium. — International Film Series WARM BODIES See full review page 47. Rated PG-13. At Century.

WEST OF MEMPHIS

The untold story behind an extraordinary and desperate fight to stop Arkansas from killing an innocent man. At Chez Artiste. — Landmark Theatres WONDER WOMEN! Wonder Women! looks at how representations of powerful women reflect society’s anxieties about women’s liberation. At SIE FilmCenter. — Denver Film Society

In the latest tearjerker from a novel by Nicholas Sparks, a woman moves to leave her past behind. Doesn’t happen. Rated PG-13. At Twin Peaks.

YOGAWOMAN

SEARCHING FOR SUGAR MAN

ZERO DARK THIRTY

A musician whose albums bombed in the U.S. unknowingly became an icon in South Africa. At Mayan. — Landmark Theatres

Have you heard about the time we shot Osama bin Laden? No? Well do we have the movie for you. Rated R. At Century. — The Reader of Omaha, Neb.

SIDE EFFECTS 48 March 7, 2013

reel to reel

Yogawoman shows how women have embraced yoga for easing health conditions.

At SIE FilmCenter — Denver Film Society

Boulder Weekly

Courtesy of Nativas Naturals

T

here’s a new “Incan superfood” popping up around Boulder.

“Incan” because it’s a Peruvian root plant, which grows exclusively in the Andes and has been cultivated for more than 2,000 years, and a “superfood” because gram for gram, the plant packs a ton of nutrients.

Maca, the mighty superfood, has hit the shelves of Boulder, and it comes bearing a number of red flags.

Traveling all the way to Peru to import the plant uses fossil fuels to make the transcontinental trip. Secondly, local herbalists say that maca is just a fad; moreover, they say the amount of maca being added to Western products is trivial.

And lastly, many say that maca is an illusion; it’s not the end-all, be-all solution.

Maca, or Lepidium meyenii, is being sold by several natural grocers in town, including Lucky’s Market, Alfalfa’s Market and Whole Foods. All three companies offer maca as a supplement in pill and powder form. Alfalfa’s juice bar offers it as a smoothie add-in, and both Alfalfa’s and Whole Foods carry a number of raw cereals, chocolate bars and protein bars that feature maca as an ingredient. The words “raw,” “energy” and “vitality” are all splattered across packages, accompanied by messages of maca’s alluring ability to boost libido and increase stamina.

“That’s the problem with maca,” says Lisa Ganora, director of the Colorado School of Clinical Herbalism (CSCH).

“It’s the newest fad.”

Maca mania

Ganora disagree with the evidence. They just argue that the amount of maca being added as an ingredient to raw bars, granola and smoothies is trivial.

“It’s like having a big dinner and calling two peas on your plate your serving of vegetable,” says Lubovich. “You know, it’s like adding spirulina and bee pollen to bars. It looks good, but it’s such a small amount, it’s trivial.”

Mic LeBel, brand communications expert for Nativas Naturals, a company that has been bringing raw maca powder to North America since 2003, disagrees with Lubovich.

“We promote getting a lot of diversity in your diet,” says LeBel. “Even if it is in small quantities, maca makes up a significant amount of nutrients that your body can and will use.”

Dried maca powder is more than 10 percent protein and contains seven essential amino acids. As a root crop, maca contains five times more protein than a potato and four times more fiber, according to a report published by BeWellBuzz magazine.

“Maca is definitely a unique food, and there is nothing like it as far as the chemistry and complexity of nutrients,” says LeBel. “It’s like comparing apples to oranges or gojis to oranges in a sense.”

New Incan superfood stirs mixed emotions in Boulder

by Abby Faires Kevin Lubovich, a natural living expert at Lucky’s Market, agrees.

“Everyone is always looking for something new,” says Lubovich. “We’re always chasing the illusion, thinking of what’s next — what’s the next new thing, and there’s always something. It’s just like it was with chia seeds, then amaranth and quinoa. Now it’s maca.”

Studies have suggested that maca has energizing and fertility-enhancing properties, and it can help sexual dysfunction, osteoporosis, memory and exposure to UV radiation. And neither Lubovich nor

We offer a variety of sandwiches, salads and soups.

We also have specials from diverse cuisines that change daily.

Food happenings around town

tidbites

cuisine

EATING EXPERTISE

An iPhone app aiming to rise above the Urbanspoon crowd is coming to Boulder.

Claiming “the marketplace is saturated with anonymous user-generated content,” the Chefs Feed app provides users with food reviews and restaurant recommendations from experts — working chefs. The app, already operating in 16 cities, is launching service to Denver and Boulder March 6.

The app will feature reviews and recommendations from Frank Bonanno of Mizuna and Luca d’Italia, Steve Redzikowski of OAK at Fourteenth and Lachlan Mackinnon-Patterson of Frasca and Pizzeria Locale, a press release from Chefs Feed says. The app is free and available from the iTunes store, where it’s been downloaded more than 250,000 times. It was selected as one of the best apps of 2012 by Apple.

MORE CHICAGO-STYLE FROM SAN FRANCISCO San Francisco-based Patxi’s Pizza has opened a second location in Denver, complementing its Cherry Hills location (yeah, that’s see TIDBITES Page 52

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Boulder Weekly

cuisine review

M

any times, when you set foot in a Boulderarea deli, you’ll experience a certain degree of geographic predictability. Often you’ll see images of New York landmarks, such as the Statue of Liberty, to help build Big Apple culinary cred.

North Boulder’s D’Angelo’s Italian Deli follows a different tack, as this hospitable family-run spot embraces all things Philadelphia. For example, one of the walls features a mural of pugilist Rocky Balboa in a moment of triumph, which I reckon beats Marion Cobretti.

More importantly, the sandwiches and salads borrow their names from such Philly locales as Germantown and Rittenhouse Square. These monikers were of particular interest to lunch partner Carin, who identified some of these venues as her grandparents’ home turf. Familial venues aside, the menu features a quartet of entree salads, featuring such ingredients as arugula, proscuitto, sun-dried tomato and tuna salad.

Cold sandwiches abound, including vegetarian, turkey, roast beef and Italian combo selections. Flagship hot sandwiches feature meatballs, including vegetarian ones, and roast pork.

To begin, we shared a cup of the $3 soup of the day, cream of broccoli with pancetta. While some might covet a more dairy-rich version, this was a chunkier, healthier soup that featured more green vegetable than usual. While it was difficult to discern the taste of smoked pork, a side of bread and endearingly crunchy crouton provided more than adequate recompense.

Carin waxed rhapsodic about the bread enveloping her $6.95 six-inch Grandma Dot’s Meatball Parmigiana.

Boulder Weekly

combination of meats and seasoning, including hints of anise. Both the sauce and spheres would be worthy of topping a pricey plate of pasta. As Carin put it, “It’s exactly what you want from a meatball sub.” I’d go a step further and submit it could be the best in town.

One of the City of Brotherly Love’s best-known hot sandwiches is the Italian roast pork hoagie. I ordered the six-inch $6.95 South Philly, composed of provolone, broccoli rabe and marinated pork prepared in broth. At first bite, I found the pork mild. Then I encountered a spot in the D’Angelo’s Italian Deli bread where the hearty 3325 28th St. #1, broth had soaked Boulder through, and the sand303-247-9000 wich became alive with flavor. The provolone was sharper than usual, and this tang worked well against the pork’s earthiness. Lastly, the traditional and Ideally balancing crust with chew, this made qualities of the pleasingly bright intriguing garnish of rabe, a leafier, baked good was softer than a typical tomato sauce. More important, the stalkier cousin of broccoli, added a subhard roll and nicely complemented the meatballs had the nuanced profile of tle hint of bitterness that balanced out hearty filling. Carin praised the homeones crafted with a skillfully blended the experience.

A $1.25 cannolo elicited favorable comparisons to ones costing two to three times as much. What endeared me to it was the fact that the cookielike pastry didn’t require a diamond carbide drill to crack it. Inside, the soft cheese filling wasn’t too sweet, carrying annoli are a dessert of Sicilian origin and a staple of most Italianluxurious creaminess and the right meaAmerican bakeries. sure of chocolate.

The outside consists of fried pastry, and the interior is typically dairy-based with sweetened ricotta being the most traditional filling.

You could easily walk into a soulless Others may rely on custard, or soft marscarpone cheese, an ingredichain sandwich shop, spend the same ent also found in tiramisu. Some American versions feature less tradimoney, and have a meal that isn’t nearly tional filling flavors such as limoncello and peanut butter. In contrast, as good as what you’d get at D’Angelo’s. more authentic desserts may distinguish themselves through the At any price, you’d be hard pressed to addition of such garnishes as slivered nuts, pieces of chocolate and maraschino cherries. Lastly, cannoli is plural, and cannolo is the find sandwiches as satisfying or put proper singular form. together with more care.

Respond: letters@boulderweekly.com

Clay’s Obscurity Corner Cannoli is plural

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March 7, 2013 51

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TIDBITES from Page 49

where Peyton Manning lives) with a Cherry Creek restaurant.

The pizzeria, which also has seven California locations, makes “Chicago-style and Italian pizzas,” with an emphasis on freshly-made food and a cornmeal crust for its pan pizzas. Patxi’s (pronounced PAH-cheese) is launching the cornmeal crust strictly in Denver as part of its Chicago-style deep dish pies. Like Colorado favorite Beau Jo’s, Patxi’s recommends finishing the crust with honey. For more information, see patxispizza.com.

FATE TO START BREWING PROCESS

FATE Brewing Company has officially opened its brewery, housed within the company’s restaurant on 38th Street.

The brewing company, which up to now has been serving collaboration concoctions made with other breweries, will now start brewing its own beer. The beer is expected to be available by late March, the company says.

FATE’s brewing operation is headed by former Golden City Brewery brewer Jeff Griffith. At Golden City Brewery, Griffith helped create unusual beers like the JavaPeño Imperial Stout.

MACA from Page 49

Ganora argues that while maca can be very powerful, dandelion root, which can be grown in Boulder, is just as good.

“We’re Americans, so it’s like, ‘Ahhh, what can we have next?’” she says. “But just ’cause it’s from the Andes doesn’t mean it’s any better than what’s under your feet. You don’t need to go all the way to the Andes for it, you know. You can grow a root in your backyard.”

Alanna Whitney, an herbalist and student at CSCH, agrees with Ganora.

“The herbs that are popular are faddist,” she says. “They’re Amazonian and fancy and exciting. But people don’t realize that something like chamomile can be super powerful.”

For both Whitney and Ganora there is an ethical component that comes with North Americans traveling all the way to Peru to extract maca.

“You gotta think about the rattledout, gas-guzzling trucks you’re driving to reach these farmers, the middlemen you are using to do business and the airplanes you’re flying home,” Ganora says. “You gotta think, ‘Is that really the best way that I can heal myself?’”

A statement made by Zach Adelman, the founder of Nativas Naturals, was featured in the company’s July newsletter speculating on the impacts of global warming on the maca growing season.

“The harvest season has been getting later and later into the winter,” he wrote.

“I suspect that the change is due to global warming. It’s alarming that environmen-

tal problems generated so far away in industrialized nations could be impacting the Andes ecosystem and the native people inhabiting this remote place.”

When asked about their company’s carbon footprint on the region, LeBel, the company’s spokesperson, found it difficult to come up with a solid answer.

“It’s hard to get around the issue of ‘These are international foods, and we do source them from faraway places,’” says LeBel. “But in doing so, our emphasis is primarily on making sure the sustainability of that harvest and the sourcing of that product is as good as it can be.”

LeBel says that one of the biggest reasons maca is becoming increasingly popular is that consumers are becoming more aware of what they’re eating and the impact it can have on their health.

“I think people in general are starting to look for health through their food,” says LeBel. “Food is medicine, and more and more people are reading labels closer.”

Herbalists like Ganora, however, fear that consumers are missing a piece of that label: the vast distances that companies are trekking to bring these superfoods home.

“There really is no separation between human health and environmental health,” says Ganora. “It’s about being your own authority and experimenting and educating yourself about what’s good for you.”

Respond: letters@boulderweekly.com Boulder Weekly

BAGEL POWER

Boulder County

beer tour

Big beers and food fixes

At Louisville’s Gravity, another clever cuisine workaround

by Steve Weishampel

W

e didn’t have much hope for food in Gravity Brewing’s Louisville warehouse.

They’ve got a billionfoot-long bar and pool and pingpong tables, but there’s no sign of dining until we smell someone else’s fries. We grab menus, which we’ve already read carefully. Not a victual Elizabeth Miller in sight.

Then Elizabeth spots the window on the east wall that opens into the neighboring warehouse in the industrial park.

It’s the home of the American Legion Post 111, and it’s the kitchen for Gravity’s customers, who queue up and order burgers, fries and pretzels from the Legion’s menu.

This is probably the oddest arrangement we’ve encountered for serving food to brewery patrons, but not by much. Back at Niwot’s Bootstrap, we saw a file organizer full of local restaurants’ menus. At Avery, you order off an Avery menu with an Avery server, who brings you food from Savory Cuisines across the alley. Asher has a steady rotation of food trucks parked just outside the front door.

There are the traditional brewpubs, of course, like Boulder Beer and BJ’s.

And places like Shine built their reputations on their food before ever mixing barley and water. But for a good number of Boulder County breweries, feeding the masses involves a workaround or an improvised solution.

Colorado’s regulatory structure is often mentioned as one of the reasons for the craft beer explosion here. State law allows breweries to sell on-site, which many states don’t allow. But there’s still a sizeable labyrinth of state and federal rules, and breweries need to make a decision in their application of whether they’re a “brewpub” or a “brewery” — if they’ll be serving food, Boulder Weekly

which has to account for 15 percent of their sales, or if they don’t want to serve food at all.

“People start brewpubs if they want to start restaurants,” Gravity owner John Frazee tells me by phone after our visit. “People who are just brewers don’t want to have a thing to do with that.

It’s just a nightmare.”

Frazee’s workaround allows Gravity to focus strictly on the beer, and that’s a very good thing. Even within the brewery’s high-alcohol concept — it’s not called “Gravity” because they like basic laws of physics — there’s a ton of variety in the offerings here. It’s not all the heavy-handed stuff like imperial stouts.

But let’s start with there, because of course Gravity’s got one. Tsar Bomba, the imperial stout that just returned to the taps, deserves a place among Boulder County’s best. Malty, brownsugary, molasses-y and heavy at 11 percent ABV, the Tsar is an instant classic.

Naturally, Gravity also offers a double IPA with an alcohol content just under 10 percent.

But it’s beyond those obvious highgravity beers that Gravity is most surprising. The double red rye and ESB, two rarely seen styles, are both great examples of their styles, with sharp spice from the rye and a caramel sweetness from the ESB. The Mendacious Belgian blonde has surprising depth and a mouthfeel best described as slightly chewy. Banana and citrus flavors shine through, as well as some acidity.

In the perfect example of the Gravity philosophy, the menu calls it “highly drinkable” and says it clocks in at 8.1 percent ABV. Call a cab.

Next stops: J Wells, 2516 49th St. #5, Boulder, 5 p.m. March 7; Left Hand, 1265 Boston Ave., Longmont, March 14.

Members of the public are welcome.

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appetizers

Julia’s Kitchen

4457 Broadway Boulder 720-389-5578 orth Boulder’s Julia’s Kitchen dishes out a completely organic and plant-based menu. Highlights include a house-blended veggie patty, salads, hummus pizza and a selection of raw snacks such as onion crackers and nut-based sweets. Other highlights include kale chips seasoned with pumpkin and chia seeds, and the kitchari, citrus and ginger-perfumed mung beans and brown basmati billed as “Indian comfort food.”

1085 South Public Road Lafayette 303-665-0666 ike many Vietnamese restaurants featuring this nation’s signature soup in its name, Lafayette’s Pho Cafe offers other dishes, such as rice and noodle plates as well as Thai-inflected entrees.

But people ignore the namesake beef noodle soup at their peril, as this cafe’s version spotlights an expertly prepared pho with appealingly fresh garnishes like jalapeño, basil and lime.

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Five Spice

228 Main St., Lyons 303-823-RIBS (7427) www.smokindavesq.com

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The Parkway Cafe

4700 Pearl St., Boulder 303-447-1833 on’t expect anything too fancy at the Parkway Cafe, a classic American diner nestled among light industrial businesses off East Pearl Street. Ser ving up classic breakfast and lunch fare, this unpretentious eater y spotlights friendly ser vice and exper tly prepared staples like Denver omelets and not-too-spicy green chile burgers. Other dishes wor th checking out include the breakfast burritos and Friday New England clam chowder.

D

1335 Broadway, Boulder 303-442-RIBS he Rib House, formerly located in downtown Boulder, has relocated to University Hill, bringing with it loads of classic American barbecue meats perfumed with wood smoke. The hickory-scented offerings include the achingly tender baby back ribs, hauntingly smoky brisket and sides ranging from traditional cole slaw to mac and cheese wedges. Top these off with the house barbecue sauces, such as the sweet and subtly peppery XXX hot version, and you’ll have yourself a classic smokehouse experience.

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54 March 7, 2013

Rincon Argentino

2525 Arapahoe Ave., #A05, Boulder 303-442-4133 he recently opened Rincon Argentino brings Argentine fare to Boulder in the form of traditional hot sandwiches and exquisite empanadas. This friendly, order-atthe-counter spot also features such beverages as Malbec wine and yerba mate, the traditional South American tea. Top choices include the archetypical steak sandwiches, available in both a basic and completo version augmented by ham and mozzarella.

Can’t-miss empanadas include the spicy steak, and the vegetarian will likely enjoy the Patagonia, an open-faced number featuring garlic, onion and cherry tomato.

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3325 28th St., Unit 5, Boulder 720-565-0707 orth Boulder’s Five Spice, like most decent Chinese restaurants, is a pleasantly unfussy place with straightforward service and reasonable prices. It also differs from similar places in that it offers a far-reaching range of Asian dishes, including Japanese tempura, Vietnamese rice noodle bowls and Thai curries. Asian pastas are a strong suit, particularly the flavorful drunken noodles and the delightfully crunchy Hong Kong-style panfried noodles.

The Rib House

3075 Arapahoe Ave., Boulder 303-442-4427 he three Boulder branches of Moe’s Broadway Bagel have been pleasing local appetites for doughy discs for two decades.

Bagel varieties include sweet staples like blueberry and cinnamon raisin as well as savory specialties like onion and tomato cheddar. The more complex bagel sandwiches are more than worthy of consideration and include The New Yorker, a classic lox bagel with such garnishes as red onion and capers, as well as the classic Reuben, piled high with corned beef and sauerkraut.

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Synopses of recent restaurant reviews.

To read reviews in their entirety, visit www.boulderweekly.com.

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Pho Cafe

Moe’s Broadway Bagel

Sachi Sushi

7980 Niwot Road, Niwot 303-652-0238 undays are ramen days at Sachi Sushi, nestled in the Niwot Market grocery store. The noodle soup here is a far cry from the dime-a-pack fare favored by starving students, and comes with a choice of salt, soy sauce or spicy miso broth. Toothsome noodles couple with such ingredients as pickled red ginger, sweet corn, fish cake and roast pork. For those desiring something other than noodles, this family-friendly spot also features reasonably simple sushi rolls and nigiri.

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Basta

3601 Arapahoe Ave. (inside the Peloton) Boulder 303-997-8775 izzeria Basta recently changed its name to Basta — not necessarily a bad thing, as this eatery also dishes out exceptional contemporary fare in addition to its signature pies. Chef Kelly Whitaker makes the most of the restaurant’s impressive wood-fired oven and time-consuming sous vide slow-cooking techniques to turn out distinctive preparations. These include wood-fired vegetable salads and Niman Ranch chuck flap beef sided with smoked potato.

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West Flanders Brewing Company

1125 Pearl St., Boulder 303-447-BREW earl Street’s West Flanders Brewing Company unsurprisingly features several Belgian-inspired brews of its own creation among its beverage offerings. These include the Daisy Cutter, which is a strong ale, the Trippel Lutz and the dark red St. Mark’s Dubbel. Besides beer, they also serve standout bar food like ale cheddar soup, grass-fed beef burgers and more atypical offerings such as pumpkin risotto and pork chops.

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Piece, Love & Chocolate

805 Pearl St., Boulder 303-449-4804 he go-to spot for all things chocolate in Boulder, Piece, Love & Chocolate, might also be the place you’d most likely spot an Oompa Loompa peering out of the back room. Featuring an impressive selection of artisan chocolate bars, drinking chocolates and housemade truffles, cookies and cakes, there’s plenty here for the most ardent cocoa connoisseur. Top choices include the basil and ginger truffles, and the salted caramel chocolate truffle torte.

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3 Margaritas

3390 28th St., Boulder 303-998-1234 oulder’s 3 Margaritas is a local outpost of a Coloradocentric Mexican restaurant chain. A self-described family restaurant, this ethnic eatery features reasonably priced combination plates spotlighting classic tacos, burritos and enchiladas, presented alongside chips and salsa, as well as rice and beans. Comforting selections include the chockfull-of-pork chile verde and the complex chicken mole.

B

Ting’s Place

1265 South Public Road, Lafayette 303-666-9559 afayette’s recently reopened Ting’s Place has all of the staples of Chinese-American cooking, such as sesame and lemon chicken and Kung Pao dishes of different stripes. But perhaps its strengths are in some of the more traditional and authentic offerings, such as the spiced duck with steamed buns, essentially a scaled-down Peking duck.

Another top-shelf selection is the superlative steamed flounder, seasoned with such traditional Chinese aromatics as ginger, scallions and cilantro.

Respond: letters@boulderweekly.com

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Boulder Weekly

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March 7, 2013

Boulder Weekly

astrology ARIES

MARCH 21-APRIL 19:

Go to RealAstrology.com to check out Rob Brezsny’s EXPANDED WEEKLY AUDIO HOROSCOPES and DAILY TEXT MESSAGE HOROSCOPES. The audio horoscopes are also available by phone at 1-877873-4888 or 1-900-950-7700.

Maybe you’re not literally in exile. You haven’t been forced to abandon your home and you haven’t been driven from your power spot against your will. But you may nevertheless be feeling banished or displaced. It could be due to one of the conditions that storyteller Michael Meade names: “We may experience exile as a lack of recognition, a period of transition, an identity crisis, a place of stuckness, or else having a gift and no place to give it.” Do any of those describe your current predicament, Aries? The good news, Meade says, is that exile can shock you awake to the truth about where you belong. It can rouse your irrepressible motivation to get back to your rightful place.

TAURUS

APRIL 20-MAY 20:

Do you have a recurring nightmare that has plagued you? If so, I suspect it will recur again soon. Only this time, Taurus, you will beat it. You will trick or escape or defeat the monster that’s chasing you. Or else you will outrun the molten lava or disperse the tornado or fly up off the ground until the earth stops shaking. Congratulations on this epic shift, Taurus. Forever after you will have more power over the scary thing that has had so much power over you.

GEMINI

MAY 21-JUNE 20:

The following request for advice appeared on Reddit.com: “My identical twin is stuck in an alternate dimension and she can only communicate with me by appearing as my own reflection in mirrors and windows. How can I tell her I don’t like what she’s done to her hair?” This question is a variant of a type of dilemma that many of you Geminis are experiencing right now, so I’ll respond to it here. I’m happy to say that you will soon get an unprecedented chance to commune directly with your alter egos. Your evil twin will be more available than usual to engage in meaningful dialog.

So will your doppelganger, your shadow, your mirror self, and your stunt-person.

CANCER

JUNE 21-JULY 22:

Usually I advise Cancerians to draw up precise borders and maintain clear boundaries. As a Crab myself, I know how important it is for our well-being that we neither leak our life force all over everything nor allow others to leak their life force all over us. We thrive on making definitive choices and strong commitments. We get into trouble when we’re wishy-washy about what we want. OK. Having said all that fatherly stuff, I now want to grant you a partial and temporary license to get a little wild and fuzzy. Don’t overdo it, of course, but explore the smart fun you can have by breaking some of your own rules and transgressing some of the usual limits.

LEO

JULY 23-AUG. 22:

In the course of formulating his theory of evolution, Charles Darwin read many books. He developed a rather ruthless approach to getting what he needed out of them. If there was a particular part of a book that he didn’t find useful, he simply tore it out, cast it aside, and kept the rest. I recommend this as a general strategy for you in the coming week, Leo. In every situation you’re in, figure out what’s most valuable to you and home in on that. For now, forget the irrelevant and extraneous stuff.

VIRGO

AUG. 23-SEPT. 22:

Here’s a passage from Charles Dickens’ novel Great Expectations: “It was one of those March days when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade.” Judging from the astrological omens, Virgo, I suspect your life may be like that in the coming days. The emotional tone could be sharply mixed, with high contrasts between vivid sensations. The nature of your opportunities may seem warm and bright one moment, cool and dark the next. If you regard this as interesting rather than difficult, it won’t be a problem, but rather an adventure.

LIBRA

SEPT. 23-OCT. 22:

“I worked as a hair stylist in Chicago’s Gold Coast for

Boulder Weekly

20 years with some of the most gorgeous women and men in the world,” writes sculptor Rich Thomson.

“Once I asked a photographer who shot for the big magazines how he picked out the very best models from among all these great-looking people. His response: ‘Flaws. Our flaws are what make us interesting, special, and exotic. They define us.’“ My challenge to you, Libra, is to meditate on how your supposed imperfections and oddities are essential to your unique beauty. It’s a perfect moment to celebrate — and make good use of — your idiosyncrasies.

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SCORPIO

OCT. 23-NOV. 21:

The genius of Leonardo da Vinci was in part fueled by his buoyant curiosity. In his work as an artist, musician, inventor, engineer, and writer, he drew inspiration from pretty much everything. He’s your role model for the coming week, Scorpio. Just assume that you will find useful cues and clues wherever you go. Act as if the world is full of teachers who have revelations and guidance specifically meant for you.

Here’s some advice from da Vinci himself: “It should not be hard for you to stop sometimes and look into the stains of walls, or ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvelous ideas.”

SAGITTARIUS NOV. 22-DEC. 21:

Ready for a reality check? It’s time to assess how well you know the fundamental facts about where you are located.

So let me ask you: Do you know which direction north is?

Where does the water you drink come from? What phase of the moon is it today? What was the indigenous culture that once lived where you live now? Where is the power plant that generates the electricity you use? Can you name any constellations that are currently in the night sky? What species of trees do you see every day? Use these questions as a starting point as you deepen your connection with your specific neighborhood on planet Earth. Get yourself grounded!

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CAPRICORN

DEC. 22-JAN. 19:

There’s a writer I know whose work is brilliant. Her ideas are fascinating. She’s a champion of political issues I hold dear. She’s well-read and smarter than me. Yet her speech is careless and sloppy. She rambles and interrupts herself. She says “uh,” “you know,” and “I mean” so frequently that I find it hard to listen, even when she’s saying things I admire. I considered telling her about this, but decided against it.

She’s an acquaintance, not a friend. Instead, I resolved to clean up my own speech — to make sure I don’t do anything close to what she does. This is a strategy I suggest for you, Capricorn: Identify interesting people who are not fully living up to their potential, and change yourself in the exact ways you wish they would change.

AQUARIUS

JAN. 20-FEB. 18:

The German word “verschlimmbesserung” refers to an attempted improvement that actually makes things worse.

Be on guard against this, Aquarius. I fear that as you tinker, you may try too hard. I’m worried you’ll be led astray by neurotic perfectionism. To make sure that your enhancements and enrichments will indeed be successful, keep these guidelines in mind: 1. Think about how to make things work better, not how to make things look better. 2.

Be humble and relaxed. Don’t worry about saving face and don’t overwork yourself. 3. Forget about short-term fixes; serve long-range goals.

PISCES

FEB. 19-MARCH 20:

“Telling someone your goal makes it less likely to happen,” says musician and businessman Derek Sivers. Numerous studies demonstrate that when you talk about your great new idea before you actually do it, your brain chemistry does an unexpected thing. It gives you the feeling that you have already accomplished the great new idea — thereby sapping your willpower to make the effort necessary to accomplish it! The moral of the story: Don’t brag about what you’re going to do someday. Don’t entertain people at parties with your fabulous plans. Shut up and get to work. This is especially important advice for you right now.

March 7, 2013 57

Service Directory MASSAGE AND SKIN CARE

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Boulder Weekly

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March 7, 2013 59

maximum ASIAN STYLE

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Multiple openings avail. Mail resume w/job code to Qualcomm Incorporated, P.O. Box 919013, San Diego, CA, 92191-9013. EOE

Seeking experienced nail technician for Boulder’s first natural nail bar and spa. J Lounge is looking for full and part time shifts available immediately.

Generous commission structure based on experience. Please forward resumes to jperington@ jloungespa.com

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60

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1534 55th Street • Boulder, CO • 303.444.0861 • email: info@optionsmedicalcenter.com For medical marijuana patients only 62 March 7, 2013

Boulder Weekly

Mon-Sat 10-6:45 & Sun 11-6:45

T-Shirt Design Contest.

Cash prizes for 1st $500, 2nd $250, & 3rd $100.

See www.TheFarmCo.com for more info.

2801 Iris Ave Boulder CO

Contest open to the public, submissions must be received before midnight April 1st 2013. submit artwork to: artwork@thefarmco.com, go to www.thefarmco.com for guidelines and official rules

Boulder Weekly

March 7, 2013 63

last word TAKE THINGS TO The Drum Shop

If you want to get money you have to take some RISK. www.wealthrunway.info 866-227-4045/303-515-0960

A HIGHER LEVEL

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