Boulder Weekly 11.07.2024

Ticket masters Why are concerts so expensive? P. 9

AIMEE MANN PUNCHES UP P. 12

BLACK BANJO RISING P. 13

HOT VINYLS IN YOUR AREA P. 16

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CONTENTS 11.07.2024

Best Electrician - HVAC - Plumber

Precision Plumbing

13 Credit: Nate Kinard, Jr.

07 BOCO, BRIEFLY Local election results and a revenge porn

lawsuit BY SHAY CASTLE

09 COVER How high demand, scalping and corporate greed make

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concerts pricier BY KAYLEE HARTER

13 MUSIC Black banjo rising: Dom Flemons on the unsung stories of the West BY JOHN LEHNDORFF

19 ADVICE Dear Whole Foods Daddy: Why do the people I date

move away? BY GABBY VERMEIRE

DEPARTMENTS 04 OPINION Fuck your view, Folsom

05 GOV’T WATCH

Louisville’s budget, Lafayette’s new hires

12 MUSIC

Aimee Mann rolls with the punches

15 FRIDAY

NIGHT WEIRD

Nordic death metal and Dalí

BOULDER WEEKLY

16 FOUND SOUNDS

Boulder’s bestselling vinyl for October

17 FILM

A Real Pain is a real treat

20 EVENTS

Second Sundays and Mozzarella Mondays

24 ASTROLOGY Get greedy, Aries

25 SAVAGE LOVE

Gay bread and fuck sandwhiches

27 NIBBLES

Jlounge Natural Nail Bar & Spa

The joys of hygge and Danish butter

Facials, Waxing, Manis, Pedis, & More!

Scan to book today!

30 ON DRUGS The DEA vs. DOI and DOC

ONLINE ONLY Three can’tmiss movies for Denver Film Festival’s final weekend: bit.ly/DFFBW

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3

COMMENTARY NOVEMBER 7, 2024 Volume 32, Number 12 PUBLISHER: Stewart Sallo PUBLISHING CONSULTANT: Francis J. Zankowski

EDITORIAL EDITOR-IN-CHIEF: Shay Castle ARTS EDITOR: Jezy J. Gray REPORTERS: Kaylee Harter, Tyler Hickman FOOD EDITOR: John Lehndorff CONTRIBUTING WRITERS: Rob Brezsny, Michael J. Casey Grace Peng, Lindsay Temple, Dan Savage, Gabby Vermeire COVER CREDIT: Derek Miles

SALES AND MARKETING MARKET DEVELOPMENT MANAGER: Kellie Robinson SENIOR ACCOUNT EXECUTIVE: Matthew Fischer ACCOUNT EXECUTIVES: Chris Allred, Tony Camarda, Austen Lopp SPECIAL PROJECTS MANAGER: Carter Ferryman MRS. BOULDER WEEKLY: Mari Nevar

PRODUCTION CREATIVE DIRECTOR: Erik Wogen GRAPHIC DESIGNER: Chris Sawyer

CIRCULATION CIRCULATION MANAGER: Cal Winn CIRCULATION TEAM: Sue Butcher, Ken Rott, Chris Bauer

BUSINESS OFFICE BOOKKEEPER: Austen Lopp FOUNDER / CEO: Stewart Sallo

OPINION

MORE PERMEABILITY, LESS PARKING Council should approve Folsom Street development

BY GRACE PENG

I

am a homeowner at Horizon West, 1850 Folsom St., next door to the proposed development at 1840 and 1844 Folsom St. The proposal being considered

by Boulder’s city council Thursday night is to redevelop two office buildings into 180 new homes with retail on the ground floor.

I am happy that Boulder may get more badly needed homes in an area where

4

NOVEMBER 7, 2024

people don’t need a car to meet their daily living needs.

The area is in the FEMA 500-year extension flood plain. Although I did not live there at the time of the 2013 flood, neighbors told me that water poured off Folsom and Walnut and through our property.

The parcels at 1840 and 1844 Folsom are currently mostly asphalt parking lots

and rooftops. The merged parcels are an opportunity to de-pave part of a heavily paved over and flood-prone area.

I urge the city and developers to keep as much of the parcels permeable as possible.

There are several ways to reduce impermeable surfaces that do not negatively reduce developability of the parcels.

We can reduce the parking requirements, we can increase the height (for the same volume as a broader, lower building), or we can dig a giant hole for subterranean parking as the hotels at 26th and Canyon have done.

In the words of UCLA professor Donald Shoup, “Minimum parking requirements act like a fertility drug for cars.”

As Boulder County’s only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holds-barred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county’s most comprehensive arts and entertainment coverage. Read the print version, or visit boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you’re interested in writing for the paper, please send queries to: editorial@ boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper.

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No portion may be reproduced in any form without written permission from the publisher. ©2024 Boulder Weekly, Inc., all rights reserved.

Boulder Weekly welcomes your correspondence via email (letters@boulderweekly.com). Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

BOULDER WEEKLY

OPINION

NEWS

GOV’T WATCH What your local officials are up to this week

BY TYLER HICKMAN A rendering of 1840-1844 Folsom St. Courtesy: Coburn Partners

Urban planning researcher Adam Millard-Ball et al. used residential housing lotteries to show that households that start with the same amount of cars jettison or accrete more cars based on how much parking is provided at their new homes.

1840-1850 Folsom have a Walk Score of 92/100 and Bike Score of 100/100. The addition of protected bike lanes along Folsom Street will add to the already-great bikeability of the area.

Developers should consider reducing car parking with bike parking. The bike storage room at 1850 Folsom is heavily utilized and a selling point for new residents. The city process should ensure there are larger spaces in 1840-1844 Folsom for cargo bikes as well.

Residents of 1850 Folsom have only one parking space per unit, regardless of size. We manage. Enough people own zero cars to rent spaces to those with two cars. The addition of car rentals at 26th and Canyon will make it easier to live car-free or car-light in the area.

Secondly, I am concerned about how the driveways for existing and new development along Folsom will negatively impact cyclists in the planned protected bike lanes. I hope city staff will consult with traffic engineers who specialize in bicycle infrastructure to minimize the danger to cyclists. This is another reason not to invite cars to the new development by provisioning more parking.

Thirdly, I want to discuss height. The “preserving views” argument never made sense to me. Won’t the buildings create more views for the people inside of them and more to view for the people outside of them?

It is the City of Boulder, not the Village of Boulder. Why would a city skyline that includes buildings in front BOULDER WEEKLY

of the mountains be a bad thing instead of a point of pride?

There is no definitive answer for whether low and broad, or tall and skinny, is more aesthetically pleasing. But we do know that more permeability is better and less parking results in lower car ownership and less driving.

I researched the history of Boulder’s height limit and learned that one of the architects of the height limit, Ruth Wright, lived at 1850 Folsom, the very building that alarmed her back in 1969.

After the trees grew in, this building sits more lightly and gracefully than shorter, newer buildings.

In reading Wright’s oral history of the Boulder height limit, I learned that the fight for a height limit was wrapped up in fears of population growth in Boulder.

In 1969-1970, civil rights and fair housing legislation and court decisions had the potential to dramatically change Boulder’s complexion. Height limits are a facially neutral way to curb growth of the “wrong” kind. In 2024, part of our DEI efforts should be to critically reexamine our old rules and their motivations and to try to do better.

I love my home at 1850 Folsom.

Some of my neighbors on the south side of the building are concerned about losing light and views, and I want to minimize the impact on them. But I also don’t want to harm the feasibility of badly needed new homes.

We can satisfy both by building taller and narrower, just like the building next door.

Grace Peng earned her PhD in chemical physics at CU/JILA. Until 2016, she was clueless as to why Boulder banned all her living situations: a large house with four unrelated roommates, a large house subdivided into four apartments and an 11-story building.

BOULDER COUNTY COMMISSIONERS

On Nov. 12, commissioners will: • Hold a public hearing for Boulder Rural Fire Protection District to adopt the 2021 International Fire Codes and amendments. Several fire protection districts in the county, most recently Lefthand and Fourmile, have already adopted the fire codes, which include several amendments that regulate safety during alcohol production and cannabis cultivation.

On Nov. 14, commissioners will: • Review the county’s 2025 budget during a public work session. The recommended budget for next year is $644.4 million, a 1.3% decrease from 2024 that includes more than $4 million in cuts for safety net programs across the county. There will be no public testimony during this meeting.

The budget is on track to be adopted at a public meeting on Dec. 3.

BOULDER CITY COUNCIL

On Nov. 14, council will: • Hold a public hearing during a joint meeting with the Planning Board to consider moving into next steps for activating the Area-III Planning Reserve.

The Area-III Planning Reserve is a 500-acre portion of largely rural public and private land located in North Boulder between Broadway and Jay Road. The city estimates this parcel could accommodate up to 6,700 housing units.

On Nov. 7, the city will make a decision on whether or not to “accept” the recently completed Urban Services Study, which determined the costs and challenges of bringing city services — such as police, fire, water, etc. — to this area.

If there is sufficient interest, council

will vote Nov. 21 to add a study of unmet community needs — the next step in the process — to the ongoing update of the Boulder Valley Comprehensive Plan.

LAFAYETTE CITY COUNCIL

On Nov. 4, council: • Appointed Zachary Cartaya as the city’s new Chief Financial Officer.

Cartaya was selected from 43 applicants to replace former CFO Devin Billingsley, who left the city in August.

• Held an executive session to discuss potential land purchase for a new water treatment plant.

Executive sessions are not open to the public.

• Scheduled a special meeting and executive session for Nov. 15 to interview applicants for city attorney.

In the 2025 budget, council approved bringing legal services inhouse; the city currently contracts outside attorneys for legal matters.

LOUISVILLE CITY COUNCIL

On Nov. 4, council: • Approved the city’s 2025 budget, which includes more than $90.5 million in spending.

• Discussed the residency requirement for the hiring of a new city manager.

Staff said housing prices in Louisville are too high for many people to afford, which may limit the pool of candidates.

Louisville’s search for a new city manager comes after the previous manager, Jeff Durbin, resigned while under investigation for an undisclosed matter.

TOWN OF SUPERIOR

On Wednesday, Nov. 13, the Town of Superior’s planning and building department is hosting an open house for residents, contractors and developers to learn about rebuilding efforts following the 2021 Marshall Fire. Staff will be on hand at 100 Superior Plaza Way, Suite 200, from 1-4 p.m. to answer questions about permitting and inspections. Learn more: bit.ly/ SuperiorOpenHouseBW. All agenda items are subject to change. Karen Norback and Mark Catchcart contributed reporting.

NOVEMBER 7, 2024

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NEWS

BOCO, BRIEFLY Local news at a glance

BY SHAY CASTLE ELECTION RESULTS

Boulder voters appear poised to approve higher pay and private meetings for city council, while a measure to give elected officials more power over citizen-staffed advisory boards was too close to call Wednesday.

Also too close to call were races in Erie, which re-elected its entire town council after adopting a charter last year.

Anil Pesaramelli and Dan Hoback had sizeable leads in districts 1 and 2, respectively, but competitors for the second seat in those districts were within two and six votes of each other, respectively. The mayoral race had a margin of 26 votes.

Louisville’s Ward 1 candidates were separated by just 41 votes. In Superior, which has three seats open on its board of trustees, Mike Foster seems poised to join incumbent Jason Serbu, while trustee Sandie Hammerly is currently leading for the remaining spot. Heather Cracraft is just 52 votes behind.

There are roughly 59,000 ballots left to be counted in Boulder County, according to data from the clerk’s office, and poten-

BOULDER WEEKLY

tially as few as 2,800 in Superior. Another results update was planned Wednesday evening, after Boulder Weekly’s deadline for publication. The last batch of unofficial results in Boulder County this week will be posted Thursday, Nov. 7.

ERIE TOWN COUNCIL CANDIDATE SUED FOR ‘REVENGE PORN’

Dan Maloit, a candidate for Erie’s District 2 town council seat, is being sued by a woman for allegedly posting nude photographs of her online, along with identifying information including her name and place of work.

The plaintiff, who filed the lawsuit under the name Jane Doe, stated in court filings that she first discovered the photos in 2022 and to date has discovered 56 images “which depicted her in various

Scan the QR code for the most up-todate election results from Boulder Weekly

states of undress — including some in which her genitals and other private areas were fully visible. Plaintiff’s face was visible in some or all of the photographs.”

Court filings say Doe was able to “trace [the images] as far back as 2016, when they were posted to a 4chan imageboard.”

Maloit filed a countersuit against Doe alleging that the lawsuit was purposely timed to cause harm to his run for office and that she consented to and participated in posting of “erotic content” to the web while they were in a relationship, including “lingerie pictures that she asked Defendant to take for a third party.”

Maloit published a statement on his Facebook page calling the allegations false and condemning “the selective posting of specific portions of the plaintiff’s original motion by mostly anonymous accounts… intent on harming me to influence the election.”

“I do believe that the people who are posting this all over Facebook are only doing it as part of a smear campaign,” he said in an interview.

“It’s unintentionally causing that person and other people harm in an attempt to harm me politically, which I don’t think is right.

“I hope I have a chance to serve District 2 and bring the rational, level-headed voice of a single parent.

We all have private lives I doubt

we’d want shared all over Facebook in our community.”

In unofficial results, Maloit was in last place with 1,432 votes Wednesday.

IN OTHER NEWS…

• The City of Boulder will partner with CU

Boulder’s athletic department to build an indoor tennis facility and up to eight outdoor courts at the East Boulder Recreation Center. The announcement comes after 15 courts were lost due to the redevelopment of the Millenium Harvest Hotel. More are scheduled to close as the city prepares to build a dam and detention pond on land owned by the university, locally known as CU South.

• Feet Forward, a nonprofit serving Boulder’s homeless community and founded by Jennifer Livovich, a formerly unhoused woman, will dissolve by the end of the year, according to a late October press release. The organization will transfer its peer support and outreach services to Haven Ridge, formerly Mother House, on Friday, Nov. 8.

• Community Foundation Boulder County has relaunched TRENDS, its longtime data-tracking project, as an online dashboard. Previously, TRENDS was a biannual published report on key social indicators such as population, income, housing costs, health and more. View the platform at commfound.org/ourwork/trends.

NOVEMBER 7, 2024

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COVER

WHY ARE CONCERTS SO EXPENSIVE? Red Rocks ticket prices rose by 23% in the last year

BY KAYLEE HARTER

M

any concertgoers have been there: Your favorite artist is coming to town, and tickets go on sale Thursday at 10 a.m. You set an alarm to join the queue hours in advance. Then the clock strikes 10 and the AXS walking man starts his slow march toward your chance to attend the show of your dreams.

But alas, he hardly moves, going nowhere on a treadmill of despair as you wait and wait and wait. All my homies hate the walking man.

You frantically text the group chat: “Has anyone gotten in yet??” “If you get in first, will you get me one?”

If you’re lucky, he eventually takes you to the buying page and you rejoice as you select your tickets. For those less fortunate comes the dreaded message:

Courtesy: Boulder Theater

BOULDER WEEKLY

“There are currently no tickets available.”

Then it’s off to the resellers, where tickets can be double or even triple the face value price.

“It’s just getting out of hand to where I have resorted to buying tickets with zero plan,” said Celia Schwarz, who has lived in Colorado for the last seven years and goes to concerts almost every weekend. “Even if I’m not sure I want to go to a show, I do spend the money and buy a ticket, just to avoid dealing with scalpers later on, but I know a lot of people aren’t able to do that.”

Recently though, she reached her breaking point when she saw that tickets for Australian electronic trio Rufus du Sol at Dick’s Sporting Goods Park were $180 face value.

“They’re one of my favorite artCourtesy: Red Rocks Amphitheater ists,” she said, “but I was not going to pay $180 for just GA.” ARE CONCERTS ACTUALLY Plenty of live music lovers in my life GETTING MORE EXPENSIVE? have lamented the state of ticket-buying: It’s true that concerts have gotten more the scramble, the prices, the dreaded expensive. Red Rocks ticket prices, for resale market. So for the return of our example, increased by more than 60% dormant Weekly Why column, we set out between 2018 and 2024. to answer the question: Why are conEven in the last year, prices have seen certs so expensive? a substantial jump, with Red Rocks tickSpoiler: There’s no easy answer, but ets averaging $79.42 this year, comwe’ll give you a rundown of the factors pared to $64.80 last year — a 23% at play. increase. Meanwhile, inflation in Denver was just 1.4% from September 2023 to September 2024.

Prices increased nationally too.

Average ticket price for the top 100 tours in 2024 was $127.38, an all-time high and 9.4% above 2019, according to Pollstar’s mid-year report.

Despite rising prices, Joe Craig, CU Colorado Springs professor and chair of the economics department, begins answering our question with a caveat many music fans won’t like: Ticket prices are actually too low.

“If you have something that sells out or you have a queue that waits forever, it means whoever set the price was way too low,” he said. “That’s not how consumers feel, but generally, we think of concerts as actually being vastly underpriced.”

Craig said there’s a few theories as to why sellers might initially low-ball ticket prices.

One, he says, is to make sure young, rabid fans — who may have inflexible funds but flexible time — can be at the show to bring the energy.

“Concerts and events like this are experiential. You need the vibe,” he said.

“You’ve got to get some of those people in there that are going to probably drink too much, probably take too many drugs, and then you can recoup that with luxury boxes, VIP passes, exclusive access, all sorts of things like that.”

Artists, Craig said, “know the value of that good is actually much higher than the price they release to the public” and will hold back tickets to put directly on the secondary market, aka scalping their own tickets.

“They should price the ticket higher, but if they do and they sell it, then Taylor Swift’s the bad guy. Muse is the bad guy.

The artist is the bad guy, and that creates anger from the fans toward the artist that can diminish the sales,” he said.

“But if you say, ‘Oh, I just sold out, can’t do anything,’ then no one is mad for just selling out.”

It’s not clear how common that is, but a 2019 Vox article reported that Live Nation (which merged with Ticketmaster in 2010) admitted to helping about a dozen artists scalp their own tickets between 2016 and 2017. At the time, the NOVEMBER 7, 2024

9

COVER company said that “requests have declined virtually to zero as tools like dynamic pricing, platinum seats and VIP packages have proven to be more effective at recapturing value previously lost to the secondary market.”

WHAT MAKES A TICKET PRICE?

Though fans often blame ticketing companies for high costs (and in part for good reason; more on that soon), they’re not actually the ones naming the prices.

Prices are set through conversations between promoters, artists and venues, according to David Weingarden, vice president of concerts and events for Z2, which operates and books for Boulder Theater and Fox Theatre.

“We’re all trying to make sure we don’t price it too high, because then not enough people will [buy] it,” he said.

“And we’re trying not to price it too low, because then it sells out too quickly or the scalpers get them and they sell them for a much higher price.”

What it costs to put on a show — for both venues and artists — has also gone up, he said.

“We’ve had increases in rent, increases in property taxes,” he said. “We’ve had big-time increases in staffing [costs], salaries .... Minimum wage has gone up considerably. Healthcare and insurance goes up considerably.

“The cost of touring is insane right now. It costs $50,000 to rent one [tour] bus for a month, and that’s not even including gas.”

On top of that, how artists make their money has changed in the digital era. ““[G]oing on the road is one of the main ways artists make money these days, so the increase isn’t too surprising,” Ben Heinemann, a Red Rocks spokesperson, wrote in an email.

“Especially in the era of streaming, I think paying to see one of your favorite artists live, even if it squeezes the pocketbook a little bit, is one of the best ways fans can support music, all things considered.”

Then there are ticketing companies, which are partially responsible for the fees and, in some cases, where shows get booked.

A 2018 U.S. Government Accountability Office Report found that 10

NOVEMBER 7, 2024

fees accounted for between 27% and 31% of ticket cost. What made up those fees was not always “fully transparent,” according to the report.

Earlier this year, the Department of Justice (along with 30 states, including Colorado) sued Live NationTicketmaster for monopolization. It’s worth noting that Anschutz-owned AEG and its ticketing arm, AXS, have far more sway than Live Nation/ Ticketmaster in Colorado. Some have even claimed the company has a monopoly here in the Front Range.

In Colorado, AEG owns or operates a gaggle of venues including Fiddler’s Green, Mission Ballroom, The Gothic, The Bluebird and The Ogden. It leases others with “near- or full-exclusivity,” including Red Rocks, according to reporting by The Denver Post.

The Ticketmaster lawsuit alleges that the company stifles competition and strongarms artists and venues through exclusive contracts.

“The result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices for ticketing services,” Attorney General Merrick B. Garland said in a May press release about the Ticketmaster lawsuit.

‘LIFESTYLE OVER PAY’

Part of ticket cost comes down to supply and demand. By some metrics, demand for concerts in the Front Range is higher than average, driving up prices both on the primary and secondary markets.

According to a September Finance Buzz article that compared resale ticket prices across 22 major cities for 10 of the biggest tours (think Taylor Swift, Bruce Springsteen and Drake), tickets in Denver are 19% more expensive than the average across the cities, putting it behind only San Francisco and Toronto on a list that included the likes of NYC, Las Vegas and L.A. “There could be less supply in terms of sizable places to play,” Craig said.

“Or we really like concerts. …If you really like concerts and you’re a wealthy city, you’re gonna pay more.”

“Colorado is such a transplant state,” he added. “People that move a lot, people that choose lifestyle over pay, BOULDER WEEKLY

TITLE are going to be more plugged into music and spending money there.”

That holds true for some artists who don’t fall under that “biggest tours” umbrella — though it fluctuates from genre to genre.

Red Rocks tickets for Atlanta-based electro-soul and hip-hop producer Daily Bread were $70 on presale. In the weeks leading up to the show, they neared $200. Tickets are just $60 after fees for his upcoming show opening for Zeds Dead at Detroit’s Masonic Temple — a venue with half the capacity of Red Rocks.

Meanwhile, Cody Philips, who has lived in Denver for two years and estimates he goes to about 50 shows a year, said he was able to snag Fred Again tickets at Ball Arena for just $40.

“If you go to a place where the house genre is much more popular like New York and San Francisco, that’s not gonna happen,” he said. “Denver people love the wubs, jam bands, bluegrass. If you go to a Billy Strings concert, it’s going to be pretty expensive. If you go to a Daily Bread concert or Excision — any of those guys, that stuff’s just way more popular. It’s going to be way, way harder to get tickets.”

‘PARASITES’

Both fans and those within the industry say they want to see regulations on the resale market, where costs can become astronomical.

“It’s really raising an eyebrow for all of us to understand how much people are potentially willing to pay for a ticket,” Weingarden said. “That being said, there’s nefarious people in the mix, and they’re gouging people.”

Weingarden calls professional scalpers “parasitic.”

“They have no skin in the game, and they’re benefiting from all of our hard work and making and taking in the money, rather than the artists,” he said.

Colorado passed a law this year that requires ticket prices shown to consumers to be “all-inclusive” rather than tacking on hidden fees at the end, but Weingarden said it stopped short of preventing speculative ticketing, a practice in which resellers list tickets before they’ve even obtained them — perhaps best known from the recent Oasis scandal, when more BOULDER WEEKLY

than 9,000 tickets were listed on resale sites before legitimate tickets had even been released.

The National Independent Venue Association, of which Z2 is a member, is advocating for the Fans First Act, which would put a ban on speculative ticketing (though it would allow a similar practice with the proper disclaimers), among other reforms.

Schwarz, the concert-goer from the beginning of this story, said she would like to see limits on how much tickets can be marked up on the resale market. In countries like France, Portugal and Belgium, for example, selling tickets for more than face value is illegal.

But given lobbying efforts from companies like StubHub, such legislation is unlikely in the U.S. “[Ticketing platforms] are getting money from the original ticket purchase and the reselling, so I think they’re just choosing money over doing something morally right,” Schwarz said. “There’s no reason why on AXS, the ticket resale exchange opens up as soon as the concert goes on sale.”

‘HOW TO PLAY THE GAME’

Pending stricter regulations, some artists and fans are finding creative ways around scalpers and fees.

In October, Jack White announced a surprise show at Bluebird Theater one day ahead of the event. Those tickets were going for as low as $25 for students and required ID for pickup.

Tickets were non-transferrable.

In 2023, singer-songwriter Maggie Rogers did a one-day, physical ticket sale at venues across the country to take aim at bots and fees.

Facebook groups and platforms like Cash or Trade also offer a place for fans to resell tickets — but try to sell for over face value and you’ll be booted.

And sometimes, waiting until the day of to buy a ticket can pay off, when resellers have to offload any unsold tickets.

“A lot of it’s just knowing how to play the game,” said Philips. “Having the cash put down for presale for most shows usually pays off if you’re able to get on it… but having all of these bots buying up tickets and then reselling them for a way higher price is just ruining the market.”

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MUSIC

PUNCHING UP Aimee Mann is still swinging

BY LINDSAY TEMPLE

A

fter four decades in the music industry, Aimee Mann has learned to take a punch.

Whether dodging left hooks in the boxing ring or pouring her heart out on stage, shepherded by the squared-up pugilist tattoo on her left deltoid, Mann’s strategy for accepting disquieting surprises is to relax into the fact that they are inevitable.

From the formation of ‘Til Tuesday — the pop-rock outfit behind the 1985 smash hit “Voices Carry” — to the genesis of her own label SuperEgo Records, the Berklee College of Music alum’s sport of choice has taught her that the only moment you have is the one you’re presently in.

“If you’re in the ring and get hit, you can’t stop and say, ‘Hey that hurt!’ If you do, you’re going to get hit again. You just get up and keep going,” Mann tells

Boulder Weekly. “I apply that to being on so many shows and staying in countless stage. The boxing experience helps me sketchy hotels with her bandmates and say, ‘It’s in the past. Just move on.’” touring partner Jonathan Coulton, she To that end, Mann suggests we may says they know how to find their footing, have more power over our circumstanceven if a song starts off a little squirrely. es (or, at least our perception of them) “I like to tell myself to stay inside the than we readily music,” she says. admit. It makes “For me, that sense to be means allowing stressed about playmyself to go with ing a show with a the musical experidisorganized sound ence and stop guy and a stage thinking about anylight that burns out thing happening minutes before outside of it.” show time, but one Plenty of distraccould also see it as tion can be found an exercise in outside that experipatience — a funny, ence, as Mann has humbling reminder learned from her Aimee Mann’s latest LP, Queens of the that things rarely go many decades on Summer Hotel, was released Nov. 5, 2021. the way we want the road.

Courtesy: SuperEgo Records them to.

“There’s some Take a line from the song “Patient gritty aspects of [touring]. Like, there’s Zero” on her 2017 album Mental Illness:, not always a place to shower,” she says.

“Life is grand / and wouldn’t you like to “But it really does make up for that. You have it go as planned?” get to be with your friends and play music and share in this experience with an audience.

‘STAY INSIDE THE MUSIC’ “There’s something nice about having Mann intends to roll with the punches a group where everybody’s on the same during her upcoming performance at the Boulder Theater on Nov. 11. After playing page.”

MOVING THE NEEDLE

Known for her songs about lost, unsettled characters whose egos and shortcomings are their greatest hindrances, Mann is no stranger to exploring the contours of depression, anxiety and being your own worst enemy. From her work on the soundtrack to the 1999 Paul Thomas Anderson film Magnolia, to her latest woodwind-laden album Queens of the Summer Hotel 一 based on the novel Girl, Interrupted by Susanna Kaysen 一 the 64-year-old artist explores themes of codependency, delusion, abandonment and rejection.

Mann says she finds something amusing and relatable about the sad lives and circumstances of the folks in her songs.

“You know, it might ring true, or it’s funny because it’s so terrible, funny because it’s pathetic,” she says. “Even [in] the most grim song I’ve written, there will probably be a handful of lines that I find funny.”

Perhaps it’s the universality of her expressions of brokenness that has kept Mann’s career marching on for the last four decades. That stands true even for “repugnant” president-elect Donald Trump, whose interior life she imagined on the track “Can’t You Tell?” after the 2016 election: “Isn’t anybody going to stop me? / I don’t want this job,” she sings. “Can’t you tell? / I’m unwell.”

“He’s a miserable person looking for outside solutions to internal problems, and I certainly can relate to that,” she told Elle that year. “I know a lot of people who do that.”

But whether it’s an ill-tempered tyrant or a wave of righteous anger in response, Mann’s artistic project is about exploring the root causes of our individual and collective pain.

“People who are broken and acting out are looking to make themselves feel better by stepping on the backs of others,” she says. “But it’s not realistic and it’s not problem-solving. It doesn’t move the needle.”

ON THE BILL: Aimee Mann with Jonathan Coulton.

8 p.m. Monday, Nov. 11, Boulder Theater, 2032 14th St., Boulder. $45+ Aimee Mann performs with musician and NPR personality Jonathan Coulton at the Boulder Theater on Nov. 11. Courtesy: tk

12

NOVEMBER 7, 2024

BOULDER WEEKLY

MUSIC

BLACK BANJO RISING

“I’m going to be pulling out some of my unique arrangements.

There’s one South Dom Flemons on the undersung African song I’ll perform called ‘Mahala,’” he stories of the West says. Flemons will also tell stories and play

BY JOHN LEHNDORFF tunes by Black banjo icons like Papa Charlie Jackson, Gus Cannon Sweet Baby’s Arms.’

A lot eyonce’s hit “Texas Hold ’Em” and Henry Thomas. of old cartoons would opens with a beat seldom heard “I wish I had enough also feature old-time jazz on hip-hop tracks: the unmistakhands to bring all the with the banjo,” Flemons able clip-clop of a four-stringed clawhambanjos I play,” he says recalls. “So I got into both mer banjo. It comes via folk icon with a laugh. bluegrass and New Rhiannon Giddens, who was invited by The musician’s Nov. Orleans jazz at the same the pop superstar to play on the song 10 show at the time, but I wasn’t thinking from Cowboy Carter, an album celebratChautauqua Community about the banjo’s origins.” ing the Black roots of country music.

House in Boulder offers As Flemons became For Dom Flemons, “Texas Hold ’Em” is Banjo scholar and musician Dom Flemons performs two nights on the Front Range, Nov. something a little differswept away by the instrumore than music to his ears. It means a 9-10. Credit: Steven Holloway ent. The first half of the ment’s natural syncopabroader swath of listeners will be introperformance features Flemons accompa“Pete talked about the banjo being a tion and versatility, his understanding of duced to the banjo’s Black roots while nying an edited version of the 1939 film, string instrument derived from Africa that its history broadened when he picked up doing the TikTok dance.

The Bronze Buckaroo, an all-Black probecame used in Southern mountain Pete Seeger’s How to Play the Five“It is very similar to Lil Nas X and ‘Old duction starring Herb Jeffries, the first music,” he says. “I was 22 or 23. I was String Banjo.

Town Road,’” Flemons says. “Those parAfrican-American singing cowboy. He’ll already aware that there were four-, five-, ticular songs are bringing the idea of also share songs from his 2018 Grammyand six-string banjos that were used in Black banjo and Black folk songs to a nominated Black Cowboys album, the Black community.” huge audience, along with the reality of researched in part at Denver’s Black Flemons discovered a tradition of Black Black cowboys.”

American West Museum. banjo stretching back more than 200 But these chart-toppers weren’t the milAfter the intermission, Flemons returns years. He points to early recordings of lennium’s first foray into this underexto pick and sing through a century of players like Lesley Riddle, whose tutoring plored history. With Giddens and Justin Black American folk, string and jug-band of the Carter Family helped shape what Robinson, Flemons co-founded the piosongs alongside his original tunes. country music became. neering all-Black string band The Carolina Ultimately, Flemons says the banjo’s Chocolate Drops in 2005. enduring appeal — and the reason suc“People were starved for this kind of ‘THE BEAUTIES OF THE BANJO’ cessive generations “discover” it — is its music,” the 42-year-old musician says.

The debut Black Banjo Gathering in North versatility in jazz, folk, blues, country, “They really embraced [us].”

Carolina in 2005 was a turning point in bluegrass, rock and, occasionally, even Flemons has since become the Swiss Flemons’ life and Black acoustic music in classical music.

Army knife of contemporary Black folk the 21st century.

“One of the beauties of the banjo is it music. During his story-filled shows, he Dom Flemons Presents Black Cowboys was nomi“I met banjo scholars and about two allows you to go way beyond any singular plays various banjos, guitars, a harmonica nated for Best Folk Album at the 2018 Grammy dozen Black banjo players and African style of music,” he says. “I’ve been able to and rhythm bones. Producer of the Awards. Courtesy: Smithsonian Folkways Recordings players of the instruments that led to the take ideas from the banjo’s history and American Songster Radio Show on banjo,” he says. That event was also push them forward in some new direcNashville’s WSM, he is regarded as a where the members of The Carolina tions.” major curator of early Black country and Chocolate Drops first met.

Black banjo curious? jazz history and recordings.

Flemons will share what he has Check out these current and learned since at two different Front historic Black banjoists, recRange shows. Swallow Hill’s debut FROM AFRICA WITH LOVE ommended by Dom Flemons.

ON THE BILL: BanjoFest.

BanjoFest on Nov. 9 is an all-day blowout Arizona might seem like an unlikely spot Nov. 9, Swallow Hill, 71 E. featuring banjo workshops and concerts. for such a banjo scholar to emerge. But • Rhiannon • Henry Thomas Yale Ave., Denver. $50+ | Joining Flemons in Denver is acclaimed that’s where Flemons first became Giddens • Papa Charlie Dom Flemons Presents five-string bluegrass virtuoso Tony entranced by the instrument after borrowJackson • Tray Black Cowboys. Nov. 10, Trischka, an Earl Scruggs archivist and ing one from a friend and playing along Wellington • Emanuel Chautauqua Community Béla Fleck’s banjo teacher, as well as with his favorite blues and country songs.

Sayles • Taj Mahal House, 900 Baseline Road, Baltimore-based clawhammer banjo spe“One of the first times I heard a banjo • Gus Cannon • Lesley Riddle Boulder. $35 cialist Brad Kolodner. was Earl Scruggs playing ‘Roll in My

B

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FILM

GOBLIN MODE Party monsters, Nordic metalheads and Salvador Dalí get weird at the Dairy Arts Center

BY JEZY J. GRAY

S

hay Wescott wants to clear something up: You don’t have to be a weirdo to get down with Friday Night Weird. The co-founder and programmer behind the longrunning weekly underground cinema series at the Dairy Arts Center says even the most high-falutin culturistas among us will find something to love during this offbeat showcase of all things strange.

After all, hasn’t film always been about shocking the system?

“From some of the earliest examples, cinema has always been a violent and provocative medium,” she says. “I just recently had the privilege of watching The Great Train Robbery at the Denver Silent Film Festival, famously ending with a gun pointing directly in the audience’s face.”

Even if you’re not a B-movie obsessive or horror aficionado, Wescott hopes cinephiles of all stripes will push themselves out of their comfort zone for this month’s offbeat offerings. From a biopic about surrealist painter Salvador Dalí to a creature comedy about pint-sized party goblins, here’s all the weirdness coming to the Boedecker Theater in November.

PEEPING TOM

FRIDAY, NOV. 1 Michael Powell, 1960, UK, 1:41, NR When Boulder Weekly film critic Michael J. Casey wrote about Michael Powell’s Peeping Tom earlier this year, he said of the English director’s controversial 1960 masterpiece: “It cost him a lot, but it gave us so much.”

What it cost was his reputation, as the critical response to the disturbing protoslasher flick slammed the brakes on the filmmaker’s sterling career. The celebrated auteur’s hard left turn into voyeurism BOULDER WEEKLY

and violence repulsed the “With The Dairy’s award-winpress and the public, leaving ning visual arts galleries, artist him an industry pariah despite biopics are a pretty straightforan undisputed legacy of ward way to celebrate our buildexcellence. But nearly 65 ing’s multi-disciplinary nature,” years later, Peeping Tom Wescott says. “So something like stands as a heralded hallmark Daaaaaalí! doesn’t immediately of cinema. ring weird, until you learn that “It is an intoxicating, lush, there are actually six different highly influential masterpiece actors playing Dalí (one for each of film,” Wescott says. “More ‘A’ in the title) completely non cinematically and thematically sequentially, sometimes changsophisticated than Alfred ing mid scene, with plenty of Hitchcock’s Psycho, released additionally confounding, non linthe same year. ear storytelling devices thrown in Frankie Freako screens Nov. 15 as part of the Dairy Arts Center’s Friday “There is nothing I can say for good measure.

Night Weird showcase. Courtesy: Raven Banner Entertainment about this film that has not “This is an iconoclastic biopic already been said by the likes of Martin for audiences who hate biopics — and I Canadian filmmaker Steven Kostanski Scorsese or the infamous theorist Laura takes a page from this well-worn playbook think Dalí would have loved it.”

Mulvey, who coined the term ‘the male in Frankie Freako, an off-the-wall throwgaze,’” she continues. “I highly suggest back comedy following the tribulations of checking out some of those commentara straightlaced yuppie (Conor Sweeney) HEAVY TRIP + HEAVIER ies before or after the film.” whose call to a late-night hotline unleashTRIP (DOUBLE FEATURE) es a pint-sized party monster and his FRIDAY, NOV. 29 | SATURDAY, NOV. 30 legion of impish goons.

Juuso Laatio and Jukka Vidgren, 2018 / “Jim Henson’s character in Saturday THE PARAGON 2024, Finland, 1:32 / 1:36, NR Night has a great line about there being a FRIDAY, NOV. 8 place for ‘high-stakes puppetry’ — just Michael Duignan, 2023, New Zealand, Turo lives a quiet life in his small Finnish remove the stakes, and you have Frankie village, but the volume cranks up when 1:25, NR Freako,” Wescott says. “If I were to try to he steps behind the mic as the lead singintellectualize a film like this, I could say it er of garage metal band Impaled Rektum.

A hit-and-run victim seeks revenge with takes postmodern metatextuality to new First-time directors Jukka Vidgren and the help of a psychic in this multiverse heights. But all I really mean is that this is Juuso Laatio tell the story of the extreme fantasy-comedy from Kiwi director a movie unabashedly in love with ’80s outfit’s unlikely odyssey to a dream gig in Michael Duignan. Made with a measly trash cinema.”

Norway with 2018’s Heavy Trip and the $15,000 budget — for comparison, fallout from their bloody misadventures in Wescott points to the eye-popping $350 this year’s sequel Heavier Trip. million price tag of Disney/Marvel’s Dr. Recalling the fun and ferocity of heavyStrange — this campy and psychedelic DAAAAAALÍ! metal satires like Metalocalypse and This romp does a lot with a little.

FRIDAY, NOV. 22 Is Spinal Tap, this high-octane film pairing “It’s Flash Gordon meets The Princess Quentin Dupieux, 2023, France, 1:17, NR turns it up to 11 — described by Wescott Bride through the distinctly earnest comeas “loveable buddy comedies with a dy of New Zealand,” she says. “The When the pandemic reared its ugly head slightly more macabre sense of humor Paragon’s stylism is mainly an exercise in in the spring of 2020, Quentin Dupieux’s and lots of bodily fluids.” pastiche, but what’s refreshing is the sinDeerskin was the first FNW screening to That may be familiar terrain for the cerity of its truly independent, scrappy get the ax. Nearly half a decade later, weekly weird showcase, but the one-two filmmaking.”

Wescott says the “bonkers” work of the punch of this double feature is something “French filmmaker and madman” holds a new. special place in the hearts of the film “Somehow, amid the franchise driven geeks behind the weekly underground FRANKIE FREAKO landscape of genre cinema, FNW cinema showcase.

FRIDAY, NOV. 15 remains mercifully sequel free. I briefly Now the prolific director returns with Steven Kostanski, 2024, Canada, 1:25, NR considered trying to capitalize on Terrifier an unorthodox homage to surrealist 3 — but without 1 and 2, it feels kind of painter Salvador Dalí. Telling the story of Who doesn’t love a good creature feaan unrealized documentary project about hollow,” she says. “However, the ethos for ture? From Gremlins to Ghoulies, little all of our programming is community drivits iconoclastic namesake, Daaaaaalí! is freaks and goblins raising hell in the buten, so who am I to deny the genuinely a fittingly absurd portrait of the Spanish toned-up world of the normies is a proud kindhearted Nordic death-metal communiartist that turns biography on its head to tradition that found its purest form in the ty their sequel?” dazzling effect. low-brow cinema of the 1980s.

NOVEMBER 7, 2024

15

Boulder Bookstore

MUSIC

Loving Books for 50 Years 1107 Pearl Street • 303.447.2074 boulderbookstore.net

UPCOMING NOVEMBER EVENTS

FOUND SOUNDS

What’s in Boulder’s headphones?

BY BOULDER WEEKLY STAFF

A

s we bid adieu to spooky season and cannonball into the holidays, now is a good time to start thinking about your end-of-year music list.

Good thing we’re back with the latest roundup of new vinyl bestsellers at Paradise Found Records and Music (1646 Pearl St.) From local deathmetal darlings Blood Incantation to Texas R&B crooner Leon Bridges, here’s what October sounded like in the People’s Republic.

Find all our upcoming events at boulderbookstore.net/event

1. BLOOD INCANTATION Absolute Elsewhere

2. THE SMILE Cutouts

3. APHEX TWIN Selected Ambient Works, Vol. II (reissue)

4. LEON BRIDGES Leon

5. BADBADNOTGOOD Mid Spiral

— Shay Castle, editor in chief

STAFF PICK

Imagine The Beach Boys, but instead of bronzed blonde men crooning about surfing and girls, it’s three art kids pumping out lo-fi songs about Godzilla, Rapunzel and the existential drag that is life under late capitalism. EELS, the sophomore album from Austin, Texas-based Being Dead, is the perfect album for this absurd moment in world history: kitschy, campy, silly fun with an undercurrent of aching depression. Being Dead could have written Pet Sounds, but The Beach Boys could never have created EELS.

For the complete list of top new local vinyl releases, visit bit.ly/FoundSoundsOct24.

16

NOVEMBER 7, 2024

BOULDER WEEKLY

FILM

THIS IS GONNA HURT ‘A Real Pain’ is a real treat

BY MICHAEL J. CASEY

S

lightly neurotic and a little anxious, David Kaplan (Jesse Eisenberg) moves and talks like he’s wound a bit too tight. He’s the type to use a flood of fast-flowing words to keep his real emotions at bay. Social decorum is important to him. So are schedules.

Neither is of high importance to his cousin, Benji (Kieran Culkin). Every family has a Benji: life of the party, always speaks his mind no matter the opinion or the situation, constantly present even at the sacrifice of the future. Benji says exactly what he feels when he feels it. It’s refreshing. It’s also unnerving.

ONLINE ONLY: Boulder Weekly film critic Michael J. Casey shares three can’t-miss movies for the final weekend of the Denver Film Festival: bit.ly/DFFBW.

And it all makes for great comedy in A Real Pain, Eisenberg’s masterfully written and directed film about the two cousins’ pilgrimage to their recently deceased grandmother’s home country of Poland and all of the generational trauma that comes with.

“One of the ideas about the Holocaust is that it’s not over,” says Kathryn Bernheimer, founder and programmer of the Boulder Jewish Film Festival where the film screens Nov. 10. “The ripples are still being felt in so many ways.”

David and Benji feel those ripples, both as echoes of the past when they visit Majdanek, the concentration camp their grandmother survived, and as they look to the future with two very different attitudes about navigating the contemporary world.

A Real Pain is a treat. It’s funny and sweet, and there’s a good chance David and Benji will linger in your heart long after the screen goes dark.

BOOT SALE

Save $10-$50+

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BOULDER On the Downtown Mall at 1425 Pearl St. 303-449-5260 & in The Village next to McGuckin 303-449-7440

DENVER Next to REI at 15th & Platte at 2368 15th St. 720-532-1084

THE WORLD’S MOST COMFORTABLE BRANDS OF SHOES

ON SCREEN: A Real Pain opens in limited release Nov. 11 and screens at the Boulder Jewish Film Festival on Nov. 10. The Boulder Jewish Film Festival screens Nov. 10-17 at the Dairy Arts Center. Tickets and information: bit.ly/BJFF

Kieran Culkin and Jesse Eisenberg in A Real Pain. Courtesy: Searchlight Pictures

BOULDER WEEKLY

NOVEMBER 7, 2024

17

JOE PICKEE AND NICK PRUEHER IN PERSON!!!

The Found Footage Festival is a celebration of the videos that time forgot, dredged up in dusty thrii stores and estate sales throughout North America. Childhood friends Joe PickeE (The Onion) and Nick Prueher (Late Show) take audiences on a guided tour of their latest and greatest VHS finds, providing commentary and where-are-they-now updates on the people in these videotaped obscurities.

PickeE and Prueher began collecting found videotapes in 1991 aier stumbling across a training video entitled, “Inside and Outside Custodial Duties,” at a McDonald’s in their home state of Wisconsin. Since then, they have compiled the world’s largest collection of strange, outrageous and profoundly stupid videos.

FREE SHOW!!!

7:30 PM

NOVEMBER 20th

MUENZINGER AUDITORIUM

www.internationalfilmseries.com

ADVICE

DEAR WHOLE FOODS DADDY Your burning Boulder questions, asked and answered

BY GABBY VERMEIRE

W

e all have questions and need advice, but sometimes the pseudo therapy in the Instagram stories of astrology girlies doesn’t cut it. Or maybe the gate-keeping culture of adventure bros has you fearing the judgment that comes with revealing yourself as a newbie at anything. This advice column exists to hold space for you and your Boulder queries (especially the uncool ones).

Best first date spots?

The St Julien hotel. You and your date spend the day pulling some Eloise-atthe-Plaza ass shit, culminating in a night of carnal, room service-fueled ecstasy in the suite you scammed a traveling businessman out of.

University Bicycles at 2 p.m. on a Thursday. “Kind of an unorthodox spot, huh?” teases your date what’s-his-face (literally cannot remember his name).

“Haha yeah, I just thought we should come here instead of a cliche Bitter Bar Why are his roommates nicer date!!” you say, willing yourself to believe to me than my own friends? it. Deep down, you know it’s because There is a special relationship in every Bitter Bar doesn’t have your gal’s life, and it’s between her and that former situationship Matguy Jordan who walks in on her peeing with-one-T and calf tatat least once a month. Unlike the emotoos working the tionally intense relationships between afternoon Thursday girlfriends, the roommate/roommate’s S.O. relationship is as loose and easy as bike mechanic shift. Sure, maybe the standards of cleanliness for their you’re technically house. Was there some sexual tension using what’s-histhe first time you noticed that goofy, face, but he should wake-n-bake Jordan was, like, totally be grateful he doesn’t jacked after he came out of the shower need to pay for your in just a towel? Sure! Jacked and so offmezcal Negroni. limits, which means you now have TWO The workplace of your *favorite* dudes to ensure that you never learn how to fix anything on your bike yourself. female bartender. Does she know this is a date? Not yet, but the fact that you’ve ordered three whiskey sours in the past hour and you’ve asked her about her sign, her relationship status and what dreams of hers you could support beyond her menial service job should be tipping her off. First date? Maybe the “Kind of an unorthodox spot, huh?” teases your date what’s-his-face (literfirst … in this lifeally cannot remember his name). Courtesy: University Bicycles BOULDER WEEKLY

There is a special relationship in every gal’s life between her and her guy roommate who walks in on her peeing at least once a month. Meriwether Productions / 20th Century Fox

time. ;) Her furtive, anxious glances to her manager reveal her intimidation and attraction to you.

I made eye contact with a girl in my CU class.

What colors would be good for our wedding?

Why do the people I date move away?

Wow, so you’re a real life Good Luck Chuck but for breaking Chief Niwot’s curse? But really, if you’re saying that your sweet lovin’ has the power to make anyone move out of Boulder, then someone needs to call up Boulder City Council, the NIMBYs, the Housing Coalition, the landlords and the socialists — we’ve solved Boulder’s housing crisis! Actually, can you please date everyone you can, especially if they drive a Rivian and have a gentrifier haircut?

What class was it? School and Society (EDUC 3013)?

Was she cute in an Ella Emhoff but sloppier kind of way? Did it happen when her book bag fell open and you helped pick up the contents, which included a marshmallow vape, a half-eaten Snarf’s samDo you think King mie and a clearly Soopers and Safeway unread copy of Paulo should be allowed Freire’s Pedagogy of to merge? the Oppressed? Surely This is not technically askShould King Soopers and such a goddess must ing for advice, unless …

Safeway be allowed to have countless suitors wait, is this Denver District merge? “Fuck no!” says Court Judge Andrew J. fuckboys in the wings, your favorite advice columLuxen, who is presiding ready and waiting to nist. Courtesy: Wikipedia over the Kroger-Albertson’s not text her back. No, merger case and will but this was special, release his ruling any day? Glad you because her beauty was as melancholy wrote in, your honor! and striking as Boulder Creek in My take? Fuck no!

November, and just as fragrant with weed — and the look she gave you might as well have screamed, “He defiGot a burning Boulder question? DM nitely knows I’m high.” @wholefoods_daddy on Instagram or Seafoam Green ##9FE2BF, with email letters@boulderweekly with the undertones of Chicory Brown #362511. subject line “Dear Whole Foods Daddy.”

NOVEMBER 7, 2024

19

EVENTS

ay Wednesd

6

er Novemb

show time 8:00pm

y Thursda

er Novemb

7

show time 8:00pm

Friday

er Novemb

8

show time 8:00pm

Saturday

er Novemb

9

show time 8:00pm

Sunday

er Novemb

10

show time 8:00pm

ay Wednesd

er Novemb

13

show time 5:00pm

fRIDAY

er Novemb

15

show time 8:00pm

Saturday

er Novemb

16

show time 8:00pm

Sunday

er Novemb

17

show time 8:00pm

y Thursda

er Novemb

21

show time 8:00pm

Friday

er Novemb

22

show time 8:00pm

saturday

er Novemb

23

show time 8:00pm

20

sTILLHOUSE JUNKIES WITH TONEWOOD STRING BAND

$18

Free Show

kennytheindigo

chain station with moonshroom

Peak2peak

ded

s inclu

all fee

$21

ed

s includ

all fee

$19

ded

s inclu

all fee

Free Show

Velvet Vinyl

Free Show

Earl Nelson & the company with the good for nothin thunder mountain boys

Daisychain

$21

NOVEMBER 7, 2024

8 p.m. Friday, Nov. 8, Longmont Public Media, 457 4th Ave. $35 Don’t miss “the finest improv this area has to offer” during this sidesplitting event from Longmont Public Media and Longmont Out Loud. Host Steph Lujan will be your guide during this hour of spontaneous live performance guided by audience suggestions.

CHILDREN’S BOOK FESTIVAL 10 a.m. to 5 p.m. Saturday, Nov. 9, Boulder Public Library, 1001 Arapahoe Blvd. Free

Grab the kiddos and head to the Main Branch of Boulder Public Library for a free event featuring children’s author talks, a panel for teachers, activities for the littles and more. Authors and illustrators include Jenny Sue Kostecki-Shaw, Brittany Cicchese, Julie Leung and others.

ded

$19

ded

s inclu

all fee

7

Free Show

$20 ded

inclu l fees

al

Andy Babb & Lara Elle with Daniel Wander and Ghost of Caroline

Looking for local handmade pottery, sculpture and ceramics? Swing by this seasonal exhibition and market presented by the Boulder Potters Guild for offerings from local artists alongside light refreshments, wheel-throwing demos and more.

LONGMONT LIVE

9

s inclu

all fee

The Hip snacks and river spell

Strange americans with faceman

BOULDER POTTERS GUILD FALL SHOW & SALE

Various times. Thursday, Nov. 7 through Sunday, Nov. 10, Boulder County Fairgrounds, 9595 Nelson Road, Longmont. Free

Lionel Young duo

Deadphish Orchestra

7–10

8

$19

6-7 p.m. Thursday, Nov. 7, Butterfly Pavilion, 6252 West 104th Ave., Westminster. $40

ded

s inclu

all fee

$24 ded

s inclu

all fee

MOVEMENT AND MINDFULNESS WITH BUTTERFLIES

Emerge from your cocoon and spread your wings amid more than 1,000 butterflies during this one-hour session. The experience includes intentional breathing exercises, light movement and meditative visualizations to help you “embark on a personal and transformative journey.” Bring your own mat and water, and be sure to register in advance.

9 8

STANDLEY LAKE STAR PARTY

FALL HEAVY METAL NIGHT

4-6:30 p.m., Saturday, Nov. 9, Eldorado Canyon State Park, 9 Kneale Road, Eldorado Springs. Free ($10 day pass or annual state park pass required)

Head-banging Longmonsters: Tonight is your night. Open up the pit at the Dickens with a lineup of local metal you won’t want to miss. The night features sets from Tarnage, Awake in Ashes, Goat Hill Massacre and War Ends in Silence. Reserve a table at the Passenger to level up the night.

Celebrate the end of daylight savings time and still get to bed at a decent hour with this stargazing event at Eldorado Canyon State Park. Kick things off with a pre-party mixer hosted by Outdoor Asians, a group promoting inclusivity in the outdoors. Then look to the sky for stargazing starting at 5 p.m. Organizers will provide telescopes. Registration required: bit.ly/StarPartyBW

7-10 p.m. Friday, Nov. 8, Dickens Opera House, 302 Main St., Longmont. $17.75

BOULDER WEEKLY

EVENTS JAZZ SUPPER CLUB LIVE JAZZ • TAPAS • CRAFT COCKTAILS • BEER & WINE

THURSDAY • 11/07

SHEREFE

FRIDAY • 11/09

DOMI EDSON TRIO

9–10

10

9 a.m. to 5 p.m. Saturday, Nov. 9 through Sunday, Nov. 10, The Dairy Arts Center 2590 Walnut St., Boulder. Free

Noon to 4 p.m. Sunday, Nov. 10, 204 4th. Ave., Longmont. Free

2024 NATIVE ART MARKET

Native artisans’ creations will be on display while dancers and musicians perform at this annual Art Market hosted by Creative Nations. Peruse the art or attend a free workshop from Indigenous drum group Drifting Bull (Saturday, 10 a.m.) or dance group Rocky Mountain Indigenous Dancers (Sunday, noon).

10

GOBBLE! GOBBLE! WILD TURKEY PROGRAM

10 a.m. to 12:30 p.m. Sunday, Nov. 10, Wapiti Trailhead at Heil Valley Ranch, Boulder. Free Leave the baster at home — for now.

Boulder County volunteer naturalists lead this educational hands-on experience in the natural habitat of Colorado’s wild turkeys. Take a hike through Heil Valley Ranch and enjoy some turkeythemed crafts while you learn everything there is to know about our semi-flightless feathered friends. Registration required: bit.ly/TurkeysBW

BOULDER WEEKLY

11

SECOND SUNDAY JAM

“THE CAPTAIN” SKEEBALL TOURNAMENT

Baking and jamming are both optional at this wake-n-bake potluck and open jam circle hosted by Longmont Musical Supper Club. But just like democracy: “It works best when most everyone participates!” BYOB and a dish to share; coffee will be provided. RSVP required: bit. ly/SecondSundayJamBW

Channel your inner Captain Jack and compete in a friendly skee-ball tourney at Quarters Bar & Arcade. Competitors must assume the pirate stance — one leg up on a chair or stool while they roll.

Bonus points if you don the captain’s hat. Winners get a trophy and lifetime bragging rights.

7-8:30 p.m. Monday, Nov. 11, Quarters Bar & Arcade, 475 Main St., Longmont. $10 per team of two

11

MOZZARELLA MONDAY

10

MOMS UNHINGED

7-10 p.m. Sunday, Nov. 10, Louisville Underground, 640 Main St. $23 Leave the kids at home and let loose for a night at this 21+ traveling comedy show that will have you in stitches over “motherhood, midlife crisis, marriage, divorce, online dating, and other things that irritate us.” Grab your friends, or your mom, for this night of “clean-ish” laughs.

6-8 p.m. Monday, Nov. 11, Oskar Blues Brewery 1640 S. Sunset St., Longmont. $40 Ever wanted to take a walk in a cheesemonger’s clogs? Head to the Oskar Blues Tasty Weasel Taproom and learn from the experts at Truffle Cheese Shop.

Enjoy two beers with your ticket while you transform milk into fresh mozzarella to take home.

Want more Boulder County events? Check out the complete listings online by scanning this QR code.

NOVEMBER 7, 2024

21

LIVE MUSIC

vv

JUST ANNOUNCED JAN 25.................................................................................................. MOODY GOOD

FRI. NOV 8

DEAD FLOYD SAT. NOV 9

DOGS IN A PILE

THU. NOV 7

COWBOY BEBOP LIVE FRI. NOV 8

MINDCHATTER

FAMILIAR FACES, TASTELESS

SIMPLE SYRUP

SAT. NOV 9

SUN. NOV 10

THE GREYBOY ALLSTARS

ZZ WARD ANGEL WHITE

WED. NOV 13

TUE. NOV 12

THE DIP

D.O.D

JORDAN MACKAMPA

FRI. NOV 15

WED. NOV 13

LANDON CONRATH

CRIMINAL

THU. NOV 21

THU. NOV 14 - SAT, NOV 16

BERTHA: GRATEFUL DRAG

WARREN MILLER’S 75

ANDREW GARDEN, CIRCLING GIRL

WITH HOST QUEEN POTTED PLANT FRI. NOV 22

SPAFFORD

SEE FULL LIST OF 1135 13TH STREET BOULDER 720.645.2467 SHOWS

S ATURDAY, N OV. 9

COWBOY BEBOP: LIVE. 8 p.m.

Boulder Theater, 2032 14th St. $35+

THE GREYBOY ALLSTARS. 8 p.m.

Boulder Theater, 2032 14th St. $35+

THOMAS GRONBERG. 6 p.m. Bricks on Main, 471 Main St., Longmont. Free QVEEN HERBY WITH MAILBU BABIE AND N3PTUNE. 8 p.m. Mission Ballroom, 4242 Wynkoop St., Denver. $45+ KENNYTHEINDIGO. 8 p.m. Velvet Elk Lounge, 2037 13th St., Boulder. Free.

FRID AY, N OV. 8

SUN. NOV 17

ZOË KEATING

SQWERV

WWW.FOXTHEATRE.COM

TH URSDAY, N OV. 7

WWW.BOULDERTHEATER.COM 2032 14TH STREET BOULDER 303.786.7030

SPACE IN TIME WITH MOON PUSSY, CHURCH FIRE, QUITS AND DEBASER. 8 p.m. Hi-Dive, 7 S. Broadway, Denver. $18 MINDCHATTER WITH FAMILIAR FACES. 8 p.m. Boulder Theater, 2032 14th St. $25+ DEAD FLOYD. 8 p.m. Fox Theatre, 1135 13th St., Boulder. $20+ JEFFREY MARTIN WITH BART BUDWIG. 7 p.m. eTown Hall, 1535 Spruce St., Boulder. $25+ BIG PINCH. 6 p.m. Trident Booksellers & Cafe, 940 Pearl St., Boulder. Free MAU P. 9 p.m. Mission Ballroom, 4242 Wynkoop St., Denver. $50+ CHAIN STATION WITH MOONSHROOM. 8 p.m. Velvet Elk Lounge, 2037 13th St., Boulder. $21 SOUL MEDICINE. 6 p.m. Bricks on Main, 471 Main St., Longmont. Free STEVE AND THE CRUISERS. 6 p.m.

Bootstrap Brewing Company, 142 Pratt St., Longmont. Free FINALEYES. 7 p.m. American Legion Post 32, 315 S. Bowen St., Longmont.

Free

Tickets at bouldertheater.com 22

NOVEMBER 7, 2024

WW5. 2:30 p.m. Longmont Museum, 400 Quail Road, Longmont. $8+

PISSED JEANS WITH MUSCLE BEACH, CANDY APPLE, CHEAP PERFUME AND CHERRY SPIT. 8 p.m. Hi-Dive, 7 S. Broadway, Denver. $32.

BW PICK OF THE WEEK DOGS IN A PILE WITH SIMPLE SYRUP. 8 p.m. Fox Theatre, 1135 13th St., Boulder. $20+ CARSIE BLANTON WITH BRITTANY ANN TRANBAUGH. 7 p.m. eTown Hall, 1535 Spruce St., Boulder. $35+ JAZZETRY WITH VON DISCO. 6 p.m.

Trident Booksellers & Cafe, 940 Pearl St., Boulder. Free BANJOFEST: TONY TRISCHKA, DOM FLEMONS AND BRAD KOLODNER. Swallow Hill, 71 E. Yale Ave., Denver. $50+ PEAK2PEAK. 8 p.m. Velvet Elk Lounge, 2037 13th St., Boulder. $19 MANY MOUNTAINS. 8 p.m. Longs Peak Pub, 600 Longs Peak Ave., Longmont. Free NICK NIELSEN. 6 p.m. 300 Suns Brewing, 335 1st Avenue, Unit C, Longmont. Free YACHT ROCK REVUE. 8 p.m. Mission Ballroom, 4242 Wynkoop St., Denver. $40+ AUDIO MEDZ. 6 p.m. Bricks on Main, 471 Main St., Longmont. Free LOS CHEESIES. 6 p.m. Bootstrap Brewing Company, 142 Pratt St., Longmont. Free SHAWN CUNNANE. 6 p.m. Abbott & Wallace Distilling, 350 Terry St., Suite 120, Longmont. Free HUNTER JAMES & THE TITANIC. 7 p.m. Dickens Opera House, 302 Main St., Longmont. $23

BOULDER WEEKLY

LIVE MUSIC

ON THE BILL

Pennsylvania noise-rock bruisers Pissed Jeans make their first-ever appearance in Denver at the Hi-Dive 21st birthday party on Nov. 9.

The ferocious and fun punk quartet performs in support of their latest LP, Half Divorced — out now via Sub Pop Records — with support from a stacked bill of local talent: Muscle Beach, Candy Apple, Cheap Perfume and Cherry Spit. See listing for details.

SU N D AY, N O V. 1 0 DOM FLEMONS PRESENTS THE BLACK COWBOY. Chautauqua Community House, 900 Baseline Road, Boulder. $35.

STORY ON P. 13 ZZ WARD WITH ANGEL WHITE. 8 p.m.

Fox Theatre, 1135 13th St., Boulder. $30+ BANDANA. 4 p.m. Bricks on Main, 471 Main St., Longmont. Free LIONEL YOUNG DUO. 8 p.m. Velvet Elk Lounge, 2037 13th St., Boulder.

Free

DUSTER WITH DIRTY AIR CLUB. 8 p.m. Gothic Theatre, 3263 S. Broadway, Englewood. $40

TUE SDAY, N OV. 12 THE DIP WITH JORDAN MACKAMPA. 8 p.m. Boulder Theater, 2032 14th St. $30 KRIS BAHA WITH VOID PALACE, COMBAT SPORT AND KILL YOU CLUB. 7 p.m. Hi-Dive, 7 S. Broadway, Denver. $18

W E DNE S DAY, N OV. 13

LOCO UKULELE JAM. 2 p.m. Bootstrap Brewing Company, 142 Pratt St., Longmont. Free

D.O.D. 8 p.m. Fox Theatre, 1135 13th St., Boulder. $27+

MON D AY, N O V. 1 1

ORIGAMI ANGEL WITH ARMS LENGTH, MACSEAL AND FORESTS. 7 p.m. Gothic Theatre, 3263 S. Broadway, Englewood. $40

AIMEE MANN WITH JONATHAN COULTON. 8 p.m.

Boulder Theater, 2032 14th St. $40+ STORY ON P. 12 MODEST MOUSE. 8 p.m. Mission Ballroom, 4242 Wynkoop St., Denver. $50+ BOULDER WEEKLY

SYMPHONIC BAND: THE PLACES YOU’LL GO. 7:30 p.m. Macky Auditorium, 1595 Pleasant St., Boulder.

Free

NOVEMBER 7, 2024

23

ASTROLOGY

BY ROB BREZSNY ARIES (MARCH 21-APRIL 19): I rarely recommend acquisitive behavior. But my analysis of the astrological omens tells me you now have cosmic authorization to indulge in a sublime version of voracity. We might also refer to it as a license to practice a spiritually correct variety of greed. Here’s the fine print: You should NOT interpret this as permission to amass materialistic treasures and status symbols. Instead, the things you gather will be rich feelings, encounters with inspiring beauty, epiphanies about your divine purpose and exquisite states of consciousness. You can also ask for and receive colossal supplies of love and affection.

TAURUS (APRIL 20-MAY 20): The last time I ate a hamburger was in 1994. I doubt I will ever eat another. Why? The taste is not enjoyable to me, and no matter how well I chew it, my stomach always rebels.

There’s an additional problem: For several reasons, cattle farming is a significant factor causing the climate crisis. I would rather not contribute to that decimation. Does my attitude toward hamburgers mean I am a judgmental, closeminded zealot? No, it doesn’t. I don’t proselytize to those who relish burgers, especially if they take other measures to reduce their carbon footprint. In this horoscope, dear Taurus, I am illustrating an approach I hope you will cultivate in the coming weeks. Be extra zealously devoted to your ideals and proclivities without condemning and dismissing those who don’t share them.

GEMINI (MAY 21-JUNE 20): There are numerous approaches to getting good results from meditation. One is to sit silently and still in a tranquil sanctuary. Another is to lie on the ground under a dark sky and beseech the stars to bestow inspiration. One of my personal favorites is to sing rowdy hymns to birds, insects and trees while hiking vigorously in nature. How many other varieties can you imagine, Gemini? The coming weeks will be a favorable time to develop and expand your meditation skills. Here’s a key consideration: How can you achieve maximum fun while meditating? I recommend you free your mind to experiment with a host of interesting approaches.

CANCER (JUNE 21-JULY 22): If there was ever an appropriate time for you to indulge in creatively rowdy thoughts and inspirationally unruly behavior, it would be now.

Life is giving you license to de-emphasize decorum and formalities — and to emphasize boisterous enthusiasm and plucky adventures.

For the sake of your mental health, I believe you need to engage in experimental improvisations that include maverick expressions. What areas of your life need liberation? What feelings need to be released from their constraints?

What worn-out old theories and opinions should be abandoned?

LEO (JULY 23-AUG. 22): Are your talents even slightly underrated and overlooked by others, Leo? Have your gifts received less than the full appreciation they deserve?

Could you be of greater service and inspiration to your fellow humans if only your offerings were better known? If you answered yes to any of those questions, I’m pleased to tell you that the coming months should bring remedies. Life will be conspiring with you to help spread your influence and boost your clout.

VIRGO (AUG. 23-SEPT. 22): I wish it were true that the forces of darkness are lined up in opposition to the forces of light. Life would be so much easier for you. But I’m afraid it’s not that simple and clear. In my view, a more accurate metaphor might be that the energies of smokey gray are squaring off with the energies of dusky beige. Each side has a touch of both wrongness and rightness, a bit of ugliness and beauty. So what is the most honorable role you can play in this showdown? My suggestion is to develop a third side, an alternate way.

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NOVEMBER 7, 2024

LIBRA (SEPT. 23-OCT. 22): In the early part of his career, Libran author Mario Puzo wrote short stories and novels, but never a screenplay. At age 49, he was asked by director Francis Ford Coppola to co-write the script for the film The Godfather. It turned out to be a sensational rookie effort. He was ultimately awarded an Academy Award for it and later garnered another Oscar for his screenplay for The Godfather Part II. It was only then that Puzo realized he had found his calling and decided he should study the art of screenwriting. In the first chapter of the first book he bought about the subject, he read with great amusement that the ideal screenplay was the one

by Mario Puzo for The Godfather. I bring this story to your attention, Libra, because you are approaching a time with resemblances to Puzo’s situation before Coppola solicited his work. Trust your rookie instincts!

SCORPIO (OCT. 23-NOV. 21): In the life cycle of a butterfly, the earliest stages are larva and pupa. As a larva, the future beauty crawls around as a caterpillar, cramming itself with nutritive substance. After it transitions into the pupa state, it’s inert for a while, working on the inside of its cocoon to transform itself into its ultimate form. I don’t want to be too literal about the comparison, but my sense is that your time as a larva will last another two months, whereupon you will begin your pupa phase. When will you emerge as a winged creature? It depends on how earnestly you work as a pupa, but I expect no later than March 2025.

SAGITTARIUS (NOV. 22-DEC. 21): Brian Wilson, co-founder of the Beach Boys, is one of the most innovative and imaginative songwriters ever. Many of his compositions have become bestselling hit tunes. But he had a rough start in his craft. The first song he ever wrote was “Surfin.’” He submitted it to fulfill an assignment in his high school music class, but his teacher gave it an F, the lowest possible grade. Fifty-eight years later, Wilson returned to the school for a visit, and the new principal changed his original grade to an A. I foresee a comparable event occurring in your life sometime soon: a vindication, restitution or reparation.

CAPRICORN (DEC. 22-JAN. 19): Earlier this year, 79-year-old rock singer Rod Stewart performed his greatest hits during a multicity tour in many countries. “I shall never retire!” he proclaimed. Can you guess what astrological sign he is? Capricorn, of course. Many members of your tribe age very well, displaying stamina and vitality into later life. I bring this to your attention because I think you are close to discovering new secrets and tricks that will serve you well as you ripen. Here are some meditations that might be helpful: 1. What haven’t you been ready to do before, but might be soon? 2. What fun things would you love to be doing years from now, and how could you seed their future growth?

AQUARIUS (JAN. 20-FEB. 18): Scientists have discovered the fossil remains of over 700 dinosaur species buried underground.

But the experts agree there are many more down there. Previously unknown species are still being unearthed every year. Let’s use these facts as a metaphor for your life in the coming months.

According to my analysis of the astrological omens, you could learn a host of fresh truths about your history. You may have imagined that your past is finished and finalized, but it’s not. I encourage you to have fun hunting for revelations and investigations that will transform the story of your life.

PISCES (FEB. 19-MARCH 20): You haven’t fully tapped into all of your vast potentials, Pisces. Latent talents and aptitudes within you may still be at least partially dormant. It’s even possible that some of your future powers are so foreign to your self-concept that they will feel like magic when they finally come into full expression. Now here’s the very good news: The coming months will be an excellent time to figure out what you need to do to express a more complete version of yourself.

BOULDER WEEKLY

SAVAGE LOVE

BY DAN SAVAGE Do straight women belong in gay bars?

Some (straight women, gay bars), not all (straight women, gay bars).

How do I stop people from falling in love with me when they meet me?

Put that MAGA hat on.

Do all straight men secretly want something up the ass?

Considering that not all gay men want something up the ass, I feel pretty confident saying not all straight men want something up the ass. What’s different now is that straight men who do want something up their asses are less likely to feel shame and more likely to ask people — randos, FWBs, sex workers, romantic partners, spouses, etc. — to put something up their asses.

How do you stop wanting what you can’t have?

By focusing on something you can actually get — or someone you can actually get — and then willing yourself to believe you wanted this other something/someone as much or more than you wanted the something/someone you couldn’t have.

How do I stay GGG even though I hate getting any kind of hair — including mine — in my mouth?

Three options come to mind: seek out sex partners with alopecia; keep a hair clipper on the bathroom sink and tell new sex partners a quick trim gets them oral; or make a kinky virtue of irrational hangup and actively pursue perverts who get off on being ordered to keep their bodies hairless.

Are friends of exes or exes of friends always off limits?

No and no — and since anyone who believes they can declare exes or friends off limits needs to learn that they don’t actually have the power to do that, you’re doing people like that a favor when you fuck their friends and exes.

Is it okay to set up an online dating profile just to see what’s out there?

It is — but going places and doing things, e.g., joining and volunteering BOULDER WEEKLY

and partying, remains the single best way to see what’s out there.

My wife lost all interest in sex 10 years ago but insists I remain monogamous. Arguments often end with her angrily saying, “No one owes you sex.” What can I say in response to that?

“No one owes you celibacy.”

What’s the best way to find a loaf of gay bread and make a fuck sandwich? Gay guy here who wants to be the meat in one.

My single gay friends are constantly complaining to me that they never meet single-and-available guys online or out in the bars. All they’re meeting are partnered guys in open relationships and/or couples seeking thirds for an evening, a weekend, or a lifetime. So, finding that loaf of gay bread — finding a gay couple seeking meat — shouldn’t be that hard. Get on the apps, go the bars.

Is it rude to ask to borrow a hookup’s douche if you’re out of town and not prepared?

Perhaps — but since shitting on someone’s dick would be far ruder, you should err on the side of asking to use their douche.

Any tips for mind-blowing blowjobs?

The best blowjob is 25-50% handjob.

Can I eat ass and pussy in the same session?

You can, but you shouldn’t.

How admirable is it to work as a fetish porn star in 2024?

A fetish porn star — or a humble porn content creator — is more admirable than a rightwing standup comic.

Email your question for the column to mailbox@savage.love or record your question for the Savage Lovecast at savage.love/askdan. Podcasts, columns and more at Savage.Love

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A TIME FOR HYGGE In a turbulent world, Süti dishes comfort, coffee and exquisite buttery Danish treats

BY JOHN LEHNDORFF

D

anish-born chef Andrea Uzarowski opened Boulder’s Süti & Co. as a bakery, coffee shop and housewares store two years ago, but she always had another agenda.

She wanted to spread hygge.

The Oxford English Dictionary defines hygge (pronounced HUE-guh) as “the quality of being warm and comfortable that gives a feeling of happiness.”

For Uzarowski, hygge is much bigger than candles, sweaters and comforters.

It’s about connection … and delicious little cookies.

“Hygge means you feel content in the moment,” she says. “You choose to forget the pain of life for a while and notice small things. You enjoy other people and turn off your phones.”

Downtown Boulder boasts a bevy of coffee shops, but none of them look like Süti & Co., set in an 1890s-era house just off Pearl Street. The home’s sunny front lawn patio is filled with groupings of chairs sporting lambskins and blankets.

Guests open the front door into a space

still set up like a home, with dining areas in former bedrooms. Calming Danish minimalist design rules here: cream colors and lots of natural wood.

The shop also offers a curated selection of cups, candles, napkins, blankets and other household items that reflect Uzarowski’s taste and philosophy.

A LITTLE TREAT

Everything about Süti & Co. is extremely personal to Uzarowski, a former investment banker who also cooked for two years at Copenhagen’s Noma, one of the most acclaimed restaurants on the planet.

When she was devising Süti’s menu, the chef looked to her cherished, worn binder of recipes, some handwritten by her grandmother and great-grandmother.

All the shortbreads are named for significant people in Uzarowski’s life.

Her grandmother is celebrated in the Magdalena, a vanilla shortbread sandwich with fig jam and candied walnuts. The Lilly, named after her daughter, is filled with chocolate ganache and dipped in

Andrea Uzarowski of Süti & Co. Courtesy: Cognoscenti Creative

BOULDER WEEKLY

Danish shortbread from Süti & Co. Courtesy: Cognoscenti Creative

The veteran chef is turned off by the chocolate. The Anna — lemon zest shortmassive, sugary desserts offered at bread filled with raspberry jam — is like American java joints. the ultimate Pop Tart.

“I love sweets, and I always get desSüti & Co. uses freshly ground flour sert,” she says, “but I like small treats from Moxie Bread and goes through more than 70 pounds of imported Danish that are not too sweet.” butter a week to create upward of 1,000 shortbreads from its TASTE OF THE WEEK: tiny kitchen. These are pastries made to nibble and linger over, not to gulp.

For some Boulder County pizza snobs, the very idea “It’s costly,” she of putting pineapple on a pizza is an abomination of says, “but the treats the worst sort. They will publicly shame anyone who don’t taste Danish dares to eat one in their presence. without Danish That’s why Hawaiian pizza fans like me order this butter.” treat for their private enjoyment as I did recently at Ghost Box Pizza. The sister eatery to Acreage by Stem Ciders (also in Lafayette) offers good woodfired round pizzas and calzones, but I gravitate toward the square Detroit-style pan pies. It’s hard not to rave about the twice-baked cheesy crust – chewy outside, pillow-soft in the middle, topped with quality Canadian bacon, pineapple, red onion and mozzarella. A simple tomato sauce is added when it is served.

HOT HAWAIIAN PIE

Detroit-style Hawaiian pie at Ghost Box Pizza in Lafayette.

Credit: John Lehndorff

NOVEMBER 7, 2024

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According to Uzarowski, a “süti” (pronounced shoot-ee), is a “little sweet treat at the end of the day.”

A COZY COCOON

Another thing Uzarowski hates about U.S. coffee shops? The absence of hygge.

“Coffee house culture is big in Denmark and all over Europe, but they are places to restore and relate,” she says. “Coffee houses here are about getting charged up to

work. Everyone has their head in a screen.”

According to Uzarowski, coziness and togetherness were among the worst losses from the pandemic and her inspiration in opening Süti & Co. “I wanted a space for myself and others to get used to slowing down again,” she says. “I wanted a cocoon with a protected vibe so people could come here to recharge.

“It makes me happy to give hygge to people.”

LOCAL FOOD NEWS: BIDDING TORTUGAS ADIEU

Longmont’s Tortugas Restaurant closes Nov. 8 after 30 years in business serving Caribbean and Cajun seafood.

Mono Mono Korean Fried Chicken has closed at 599 Crossing Drive in Lafayette. Opening soon at that location: Saigon District One Vietnamese Restaurant.

Maine Shack has closed at 2010 16th St. in Boulder. The restaurant announced on social media: “With the rising cost of labor and goods, along with current economic challenges facing small businesses, closing Boulder was best for the health of our company.”

The Rusty Melon has closed at 6525 Gunpark Drive in Boulder.

Wapos Cantina has reopened at 4929 Broadway. The North Boulder Mexican eatery had been closed more than two years after a fire.

As of Nov. 6, Luminous Tea, a teahouse and café, is serving at 624 Main St., Longmont.

Juniper Goods, a coffee shop, store and zero-proof bar, is open at 659 4th Ave., Longmont.

Coming soon: Hot Pot City, 800 S. Hover St. Longmont and a new tasting room for award-winning Boulder Spirits opens Nov. 30 at 1428 Pearl St.

CULINARY CALENDAR: MASTER ARTISAN LOAVES How old is that flour on your shelf? As the holiday baking season begins, Niwot’s Farow restaurant hosts a Nov. 16 class on using fresh, locally milled Colorado heritage grain flour with baking experts from Moxie Bread and Dry Storage. farowrestaurant.com

WORDS TO CHEW ON: TIME TO CAROUSE

“Conviviality reigns — carousing and feasting, abundance and generosity, friendship and reunion, sighs and laughter, all around a pot upon a fire.”

— Jeffrey Steingarten

John Lehndorff produces Radio Nibbles and Kitchen Table Talk on KGNU. Listen to podcasts: kgnu.org/category/radio-nibbles

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NOVEMBER 7, 2024

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ON DRUGS

DOI, DOC AND THE DEA Psychedelic researchers decry feds’ attempt to ban crucial substances

BY SHAY CASTLE

M

embers of the scientific community are pushing back on an attempt to criminalize two substances it says are critical to psychedelic research.

In 2022, the Drug Enforcement Administration (DEA) said it planned to schedule 2,5-dimethoxy-4-iodoamphetamine (DOI) and 2,5-dimethoxy-4-chloroamphetamine (DOC). The chemicals, created in the 1970s, are currently unscheduled, meaning they are legal for purchase and use. The DEA plans to move them to Schedule 1 alongside drugs like LSD, psilocybin and (at least for now) cannabis.

The federal government classifies such substances as having “no currently accepted medical use” and a “high potential for abuse.” As evidence, they cite the drugs’ similarity to dimethoxy-4-methamphetamine (DOM), which is already a Schedule 1 hallucinogen.

“In humans,” the DEA wrote in its 2023 filling, “anecdotal reports suggest that DOI and DOC produce classic hallucinogenic effects that are similar to DOM, including visual and auditory hallucinations, fatigue, headache, gastrointestinal

30

NOVEMBER 7, 2024

Reported harms include an unspeciThis process is “prohibitive” in both cost distress, insomnia and anxiety. … It is fied number of emergency room visits and time, Murdi said. Alaina Jaster, a reasonable to assume that DOI and when used with other unspecified drugs postdoctoral scholar of psychiatric and DOC have substantial capability to be a referenced by the DEA and just “three behavioral neuroscience at Wayne State hazard to the health of the user and to published reports” of “adverse events University who studied psilocybin and the safety of the community.”

DOI in mice, said her colleagues are cur- associated with DOC including, but not DOI and DOC are hallucinogenic, limited to, seizures, agitation, tachycarrently waiting six months to a year to experts say, but very different from dia, hypertension, and death of one indicomplete the DEA process. shrooms or acid. They activate just one vidual” since 2008. of the brain’s 14 serotonin recepC. Michael White, PharmD, tors, said Scott Thompson, distinguished professor and chair director of CU Anschutz’ Brain at the UConn School of and Behavior Innovation Center, Pharmacy, agrees there are whereas other psychedelics turn some dangers to DOI and DOC. on all 14. That leads to a “rather “The dosing of the DOx subunpleasant” high, Thompson stances is tougher to nail down,” said.

White wrote in response to That’s also why the substances emailed questions. “If you overare so prized in research: They do it, there are a lot of risks, vertarget the sole receptor that cresus psilocybin and LSD.” ates a “trip,” which allows for conTrips on DOx drugs tend to last trolled research. longer than with psilocybin or DOI and DOC have been used LSD, according to White. And to help study anxiety, depression, unlike MDMA, “there does not substance use disorder and seem to be any oxytocin release more. The drugs have been cited (with a feeling of close bonding).” in more than 900 published stud“New people to psychedelics ies, according to Kat Murdi, execgenerally tend to not like this utive director of Students for A campaign image from Students for Sensible Drug Policy (SSDP) DOx experience,” White wrote.

Sensible Drug Policy (SSDP), a opposing the scheduling of DOI and DOC. Courtesy: SSDP On that, Murdi, Jaster and group advocating against schedThompson agree. That factor uling the substances. In July, alone limits the potential for DOI and The DEA did not respond to requests SSDP and others sued to force the DEA DOC to become popular street drugs like for an interview or subsequent emailed to allow expert testimony from researchquestions. A hearing has been scheduled other psychedelics. ers.

Said Jaster: “Even the most psyfor Nov. 12-22.

“They’re really contributing significantly chonaut people you’ve met, they’ll say, ‘I Opponents of scheduling DOI and to our understanding of how our brains did it once and never want to do it DOC have questioned the agency’s eviwork, particularly when it comes to seroagain.’” dence of the drugs’ harms and widetonin,” Murdi said.

“It has no recreational purposes or spread use in the U.S., which includes If DOI and DOC, part of the DOx class value,” Thompson added. “The whole “anecdotal reports on the internet,” of amphetamines, become Schedule 1 [DEA] process has been baffling for all according to a December 2023 filing by substances, universities would need a of us.” the DEA. special license to use them in research.

BOULDER WEEKLY

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