Tanay Jitendra Bora Pune, India Date of Birth : 07/05/2001 Mobile : +917666629499 Email ID : tanay.bora@krvia.ac.in Instagram : tanay_a_art “Architecture is always the background, in which we move, live, love and laugh. All elements are a piece of art that together form the centre piece, the one that cannot be seen but felt. Felt through the finish of the wall, to the leaves that finds depth in the blank spots in the brain” placesGardening,TalkingHobbies:Vietnamese*,Japanese*Gujarati,Sanskrit*,Spanish*,English,Hindi,Marathi,Marwadi,Languages:tonewpeople,Travelling,Cooking,Drawing,Visitingofworship,Bing-ewatching,etc SOFTWARESCOMPETITIONSWORKSHOPSEDUCATIONKamla Raheja Vidyanidhi Institute for architecture and envirinmental studies (KRVIA), Mumbai University Bachelor›s in Architecture (B. Arch) 2019-2024 Delhi Public School, Pune HighCBSESchool (H.S.C) 2019 95.4% Democratizing(PCMB) the Geo-spatial- Abhijit Ekbote and WRA Monsoon 2022 Volume Zero- Extreme Habitat (August 2022) Abhidnya Dali, Vaishnavi Jadhav and Tanay Bora Urban Drama- Sharvari Sastry Winter Archdias-2021 Container Studio competition (April 2020) Tanvi Daga, Vatsal Waghela and Tanay Bora Reading the construct- Shantanu Khandkar Winter Political2020Vocabolary- Hussain Indorewala Winter 2019 Slot In- Isha Khosala and Ali Akbar Monsoon 2019 Delhi Public School, Pune SecondaryCBSE School (S.S.C) 2017 97.6% | CGPA: 10 A
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MASTERPLANKARANJA 01
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MASTERPLANKARANJA Studio: Semester VI Location: Uran, Raigad Collaborative work Full Document: SITE TheSTUDIESSUITABILTYstudy included understanding the site in terms of topography, hydrology, vegetation, microclimate, culture and infrastructure with demarkating individual studies with buildable and unbuildable areas. In Vegetaion we identified the land cover, the species of flora and fauna and their materialsincludedandgardenwithhousingJadhav,RiyaAlongDETAILEDrestorationReedHousing,Aquaponics,doneProgrammeswithpeoplesustainableWeCOMMUNEENVISIONINGinterdepedency.Atriedtoimagineacommuneof35-50,whicharehighlylocallowcarbonfootprint.andzoningwereasagroupandincluded,Pisciculture,Marketspaces,bedsandmangroveandtrails.MICROSITESwithNamyamehrotra,VaidyaandVaishnaviwedetailedonthepartofthecommuencommonkitchen,kitchenoncontours,TrellisAmphitheatre.Thisalsothetypeofplantsandthatweretobeused. 03
Interdependecies Sectional analysis of flora and fauna 04
The masterplan deals with grading of land with respect to the pathways created. The overall housing is a mezzanine on the top and common activities at the bottom. Each unit allows for 4/3 people›s stay and rainwater collection. A community hall/ dinning is made from bamboo. The amphitheatre is made of rammed earth. The idea was to understand the overall zonning, massing and plabtation points.
HOUSING and LIVING
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SHELL-TER 07
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Competition: HabitatVZ-Extreme
Location: Tuvalu Islands Collaborative work: Tanay AbhidnyaVaishnaviBoraJadhavDali
SHELL-TER
The Tuvalu is a small clustered island country. Most of the site is an atoll, a ring-shaped geographic flat terrain with a water body inside as well as outside. Increasing global warming has led to submerging these thin strips of land on either side. This is an abode for the people of Tuvalu who believe they are on the verge of extinction. The safe haven comprises of self sustaining elements, while also reducing the sea trash. These modules can be replicated and be used for creating sense of communal belonging with visual connect. The internal spaces are scattered in the greens of the terrarium; while internal spaces are given their privacy.
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The characters are a vlogger couple, who want to live and highlight the lives of these vulnerable demographics, the floating pods and a native duo of grandmother and grandson. The characters work in Metaphors of the past and future of Tuvalu with the bridge between Tuvalu and the world.The pod allows for an exchange of knowledge between the two demographics.
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UP GROUND FLOOR PLAN
Roller and fin detail Waste Bottle flooring detail
HOSPITALWOMEN’S 11
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The Studio covered a thorough analysis of the neighbourhood’s health institution via locating characters in their daily routine and their interaction with these health institution. To understand the needs of the neighbourhood in times of covid and otherwise. The community strongly required a women centric space, to create awareness about the TABOO topics of menstrual and mental health within the community.
WOMENS’ Studio: Semester V Location: Pune, Maharshtra Guide: Jude D’souza
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The core programmatic idea is a maternity clinic, with all aspects of health throughout the age of a woman and allied spaces for community Childrens› Play Area Communal Area A. Eatery B. Multipurposehall C. Menstrual health awarness centre OPDs and Nurse station A. Gynaecologist B. Paediatrician C. Psychologist 4. IPD, OT and Incubation
SECTION AA SOUTH ELEVATION The program needs women to enter hence, introducing the building to the neighbourhood via play space for children, with which the mothers come and then get aware about the different aspects of health. Safer spaces for women and children are created via transparency in the building. 14
CONCEPT DIAGRAM SECTION BB 15
C) ChannelFenestrationglassisused for corner spaces as well as public areas in East and North. While large louvres made of perforated metal sheet for the south and west direction. Movability depends on the TheD)space.Structurelongspans and huge cantilevers are covered using vierendeel girders. Depth of these are around 4.25m.
B) TheStaircasestaircase connects the OPD and IPD floor and hence can be used as an extended waiting area. Each of the large landings create a spce for a group or a family to wait while birthing as well talk withoiut disturbing the hospital
ISHB 400 TOP CHORD 20MM THK TILE 18MM THK SCREED 120 MM THK CONCRETE 100MM METAL CORRUAGATED SHEET ISST 150, TERTIARY MEMBER
PERFORATED METAL SHEET 3MM THK 5MM THK GYPSUM BOARD 4MM THK FIXED ALUMINUMGLAZINGFRAME
3 PANEL GLASS SLIDING WINDOW 4MM THK FIXED GLAZING HOLLOW ALUMINUM FRAME ISMB 200 CANTILEVER BEAM OUT
CASTELLATED ISMB 250, SECONDARY MEMEBER ISHB 400 BOTTOMMETALCHORDPIVOT
A) Layout of building The slender long bars , with singly loaded rooms allows for better ventilation. Corridors are facing towards the central courtyard with double height or more open spaces at lobby areas or entrances to each floor. Thus creating transparency and good ventilation in the overall building
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HOSPITALWOMEN’SLANDSCAPE17
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HOSPITALWOMENS’ LANDSCAPE Studio: Semester V Location: Pune, Maharshtra Guide: Swati Sheshadri The Studio was an initial step towards understanding landscaping around a built form. The aim was to identify the zones as well as type of vegeation stratergy . The building already had a concept of loops and chain , letting it flow in the landscape with change of amterialinto brick with bullseye arches, creating fun elements for the kids. Also, taking inspiration from Isamu Noguchi! for the playful elements 19
Tamarind Tree Highly HedgeGoldenplayfulnesswithWideAccentGulmoharecosystemfamily,endemic,HighlyPeepalwallshape,withAccentBougainvilleadenseslenderDecorative,Pongamiaroleendemic,shading,stronginecosystempinnatawithbarkandfoliageplantingnoparticukaragainsttheTreeshading,FicusimportantinTreeplanting,foliageelementofDurantaplantwith no flower and evergreen shrub 20
CENTRELEARNING 21
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CENTRELEARNING Studio: Semester VI Location: Mumbai,Maharshtra Guide: Vishal Jayan The site is located opposite wadala depot, with context of an informal settlement at the back of the site as well as ambedkar college to the side. Hence the programme was a learning centreThe upper floors are for the institute but the ground is kept as a Public Plaza. This allows everyone to use this institute, allowing the real democratic space. 1. Study Pods 2. First FloorA.Library reception B. Lecture hall 3. Second Floor A. Night class B. Staff room C. Multipurposehall 4. Third A.FloorBook club room B. Printing press 5. FourthB.A.FloorCafePublicationhouse 6. Library/ Bookshelf area 1 5234 6 6 6 23
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Everyone has different style of reading, but most libraries do not cater to that aspect. Hence the idea is to deconstruct a library with large rooms and a single table for 20 readers. The Idea of Individuality is important, hence these pods are designed for specific readers with detail in fenestration, furniture and overall placement of these capsules.
The mass of the building is lifted up by the Diagrid columns, creating larger spans for the public plaza , hence also allowing transparency for the overall ground. The overall built form is constructed in concrete with oneway ribbed slab. The modules/pods are made from concrete pipes, as a comment on the prejudice of the sewers and the dalit community, and perforated metal sheet as ashading device for the facade.
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1) Linear site creates a linear block 3) Allowing the ground to be free for communal activities2) Creating a GRID over the mass POP UP BOXES 4) Create a stepped slope for transparency, voids and light LARGER VOLUME •COMMUNITY•Light•Grid•Transparent•Organisedweight activities •Hierarchy and series A) “DemocracyConceptis a continuous choice between individualistic and shared interest”. B) TheProgrammaticprogramis24hr library, with night classes for students who have day job to meet family expenses and a publication house which prints dalit literature and creates awareness through the library. C) EachFORMalofthe terrace has set of genres and those are linked to the allied function that happens on that floor, which also dictates the type of reader modules that come on that floor. •Anarchy•INDIVIDUAL•Heavy•Break•Opague•Unorganisedthegridactivities 26
HOUSEUN-PAIRTHE 27
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The formal development is with understanding the verb”To Pair” and the site was chosen on the basis of the noun “For Entropy“ The character is the pujari of the main mandir, who lives together with his ex-wife. Both live with mutual understanding of the situation.
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The HouseUn-pair Studio: Semester III Location: Guide:MaharshtraPune,ShilpaRanade
AMDA-VAAT 31
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Amda-VAAT Studio: Semester II Location: Ahmedabad,Gujarat
Guide: Ankush Chandran
The Program is space for conversation in the dense fabric of the amdavadi heritage site pols. The develops from 2 aspects, firstly the observation from the site. Second from the haiku. The Pols had an extensive use of otlas or plinths . These were used for conversation, engaing with street, drying food items, resting for the passerby, hence the idea of varying plinths allowed for different conversations. The roof form came from the Haiku, “The far shore Drifting out of the mist To meet us“, exploring these through models and hence the roof is a fluid shape. (Model exploration is in the miscellaneous section)
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MISCELLANEOUS Semester III, Additive Model Semester III, Playschool for ChildrenSemester V, Space of Memory 35
ROOMBREAST2.07X1.84M MEN'SWOMEN'SROOMPATHOLOGYLAB 3.67X3.27M STORAGE RECEPTION5.00X4.90M MULTI-PURPOSED PRAYER MENSTRUATION OPEN 18 +0.15M 755 9402065460 2100 640107519601625 30651815 1740 4660 2370 4470 3190 6505 3605 1050 3940 5370 5395 3880 5615 4920 5410 4150 7370 EQEQ 7610 6440 3070 1740 EQ 4900 635 5605 14850 35765 37880 1200 7660 12140 1650 3930 6115 Ø1970 1220 UP UP 3915 1240 5755 2365 5370 3000 15310 9009001295 2145 9570 30003075EQEQC23C14C9C4 C22 C21 C20 C5C19C15C10C16C11C6C1C2C3 C7C12C8C13 C17C18C25 C24C27 C26 1 HJ G F E D C B A 101198765432 K 125801825971555352195 370 10245190034507710 L 14560 100 5355118511552130142156795 1000 100 HJ G F E D C B AKL 1011198765432 2565 2590 9980 1500 13310 945EQEQ 3590 1550 7330 230230 1050 EQ 1000 1325 1670 C28C29 1500 3000 900 EQEQ A'ABB'C C' WIDTH Channel glass 76 units Channel glass sliding panels mesh panel upper sets of sliding glass panels and fixed panel, sets of hinged wooden louvre panels W1 W2 W3 W4 W5 W6 W7 Glass siding panels and wire mesh panel W8 W9 panels and panelW10sets sliding glass panels sets of hinged panels Lshapedwindow,silicone panels 20mm IPS flooring with 20mm epoxy resin fisnish E3 25mm thk White Indian Marble flooring E4 25mm thk Terazzo tile flooring Self leveling jointless epoxy flooringS3S2 120mm 25mm thk White Indian Marble Double coat acrylic enamel paint over mm Plaster Paris V3 Wood panelling 25mm thk over wooden battons 600mmcc V4 1.6mm thick EGP steel panels backed by 12mm thick Gypsum U3 Exposed Waffle slab ceiling U4 12mm High pressure Laminate panels 20mm thk Exposed Aggregate Plaster Finish External POP punning with apex emulsion pain China mosaic flooring2600D1 2600 2020 2600 2100 2600 17 24 10 14 D2 D3 D4 D5 D6 D7 D8 D9 D10 D11 Wooden double panel pivoted door single pivotedpaneldoor 3hr doubleratinghingedfireescapedoor door plywoodhingeddoor plywood plywoodunequaldoublehingeddoor Metal rubberframe,gasket,sterilitymaintaningOTdoor 3hr rating EXAMINERS SIGNATURE SHEET NUMBERNOTEALL DIMENSIONS ARE IN MILLIMETERS. 3. FOLLOW WRITTEN DIMENSIONS ONLY. DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 6. ALL THE SERVICES TO BE REFERRED FROM THE SERVICE FOR ALL OTHER DETAILS, REFER TO THE RELEVANT DRAWINGS. PLEASE REFER TO RESPECTIVE SCHEDULES/ TABLES NOTES AND REMARKS 8. ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE 9. IN CASE OF DISCREPANCY, IT SHOULD BE IMMEDIATELY BROUGHT TO NOTICE OF THE ARCHITECT/ CONSULTANT. 04 KAMLA RAHEJA VIDHYANIDHI INSTITUTE FOR ARCHITECTURE AND STUDIESENVIRONMENTAL NAME: TANAY JITENDRA BORA ROLL NUMBER: 1913 YEAR: 3RD YEAR B. ARCH SHEET: GROUND FLOOR PLAN 1:100SCALE LOCATION PLAN SITE PLAN DATE: 05/04/22 AND WAITING SINGLEOCCUPANCY-1 SINGLEOCCUPANCY-2 OCCUPANCY-3SINGLE OCCUPANCY-6SINGLEOCCUPANCY-5SINGLE +16750 FLOORFLOORFIRSTFLOORLEVELTERRACESECONDGROUND+2660+7080+11500 +450+4870+9290+13870 +00 HJ G F E D C B AKL 14560 100 6795142152130118511555355 1000 100 230MM BRICK WALL SLIDING WINDOW COPING STONE RECEPTION WAITINGVISITORS' 4270 39304270 890 880 2930 4420 600 3780 4230 4800 25902590 4503820 3820 1435 QUANTITYPLAN Channel4050 glass 76 units Channel4050 glass meshand2550Glassslidingpanelswirepanel 2550 louvreslower sets192250 sliding glass panels and fixed panel, sets hinged wooden louvre panels 2250 W1 W2 W3 W4 W5 W6 W7 Glass siding panels and wire mesh panel 2250W8 22502250 103820GlasspanelsandwiremeshpanelW10sets sliding glass panels sets of panelswoodenhingedlouvre Lshapedfixedwindow,cornerofsilicone sets foldable wooden louvred panels E2 Self leveling jointless epoxy flooring 25mm thk White Indian Marble flooring 25mm thk Terazzo tile flooring 100mm ht 25mm thk grey concrete finish vinyl tile 120mm ht 25mm thk Terazzo tilesS4V2 Single coat acrylic enamel over 12 mm Plaster of Paris Wood panelling 25mm thk over wooden battons 600mmcc 1.6mm thick EGP steel panels backed by 12mm thick Gypsum CEILING FINISH500mm false ceiling from beambottom, 12.5mm thk seamless gypsum board 100 mm false ceiling from beam bottom, 16mm thk mineral fiber grid Exposed Waffle slab ceiling 20mm thk Exposed Aggregate Plaster Finish E7 China mosaic flooring D1 2020 2300 QUANTITYPLAN D2 D3 D4 D5 D6 D7 D8 D9 D10 D11 Wooden double panel pivoted door pivotedsingleWoodenpaneldoor 5hr doubleratinghingedfireescapedoor PVCframeAluminumdoor Metal plywoodhingeddoubleframedoor plywood Metal plywoodunequalframedoublehingeddoor Metal rubberframe,gasket,sterilitymaintaningOTdoor 5hr rating KAMLA RAHEJA VIDHYANIDHI INSTITUTE FOR ARCHITECTURE AND STUDIESENVIRONMENTAL NAME: TANAY JITENDRA BORA ROLL NUMBER: 1913 YEAR: 3RD YEAR B. ARCH SHEET: SECTION AA' EXAMINERS SIGNATURE SHEET NUMBER SCALE NOTE 1:100 FOLLOW WRITTEN DIMENSIONS ONLY. SHOULD NOT BE COPIED WITHOUT THEIR PERMISSION. THIS DRAWING THE COPYRIGHT PROPERTY OF THE ARCHITECT. ALL THE SERVICES TO BE REFERRED FROM THE SERVICE FOR ALL OTHER DETAILS, REFER TO THE RELEVANT DRAWINGS. PLEASE REFER TO RESPECTIVE SCHEDULES/ CONTRACTOR BEFORE COMMENCEMENT OF WORK LOCATION PLAN SITE PLAN 11 DATE: 05/04/22 OPEN CANTEENSEATING 3805 26501600 2485 4270 1000 1055 160 25802880 3760 850 450 2100 900 100MM THK RCC LINTEL WOODEN LOUVERS 450MM THK SOIL LAYER 230MM THK PARAPET WALL 20MM THK EXPOSED AGGREGATE PLASTER FINISH 50MM THK STONE SILL 100MM DIA GRAYWATER PIPE PLACED AT ASK=LOPE OF 1:60 CHANNEL GLASS WALL 20MM IPS FLOORING AND 20MM EPOXY 100MM PCC BED 600X400 PLITH BEAM 2150X2500 COLUMN RCC FOOTING 150-200MM RUBBEL SOLING 100MM DIA PIPE CONNECTING TO RAIN WATER HARVESTING TANK SCREEDING TO ACCOMODATE THE SLOPE RCC EDGE BEAM 15MM SCREEDING 25MM THK MS BALUSTERS PLACED 300CC MILD STEEL RAILINGGROUNDSECONDTERRACE+16330LEVELFLOORFIRSTFLOORFLOORGROUND +13870+9290+4870+450+00 1 432 9715 1825 5535 KEY SECTION Semester I, Cube exercise Semester VI, Working Drwaings 36
Semester IV, Architectural Design Semester II, Additive Model Semester V, Vegetation-HOT Semester V, Vegetation-COLD 37
Semester VI, Architectural Design Collage Semester III, Allied Design-CHINDOGU 38
Do ItUsesandYourself TANAY BORA Semester V, Landscape; Contemplative Centre
HANGASSAN HAVE A HangassanSEATisa portable device, which hangs on the train bar to provide you a seat,offered with a jacket it can be worn and removed at your convinience. It is a simple collection of household object, Tired day at work and no place to sit in the train? Too many bags after Diwali sale shopping? An anxious parent? Worried about the seat for your child in train? Want to eat your tiffin, while watching mobile in a train? Desire such an innovation which can be portable and can be used by anyone, anytime and anywhere Hangassan Is your answer
makingModelDallava(OMA);VillaIII,Semester
Personal Work Personal Work Personal Work Abstract sketch Shop Documentation Parents House(Matharoo Asc.) 39
Salvation Church(Charles correa) Semester III, Pair exploration Semester II,Slot In- Flat pack furnitureSemester IV, Wall Section Analysis of Chakrata and Almora, Elective 40
TanayLinked@tan_a_art@tanay_boraInstagram+917666628499Mobiletanay.bora@krvia.ac.inEmailDETAILSCONTACTID:number::|In:Bora 41