Leseprobe Ink | The Art of Tattoo | Victionary (Hrsg.)

Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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DR. WOO Enfant Terrible dreams up ambitious solutions the way their name suggests.

Placing their focus on creative concepts and visual coherence, the agency works across wide-ranging mediums with a team of photographers, movie-makers, web designers and art directors to build smart graphic systems that connect visions and minds. Enfant Terrible is headed by creative director Nicolas Richard who was born in in the Rhône-Alpes region of southeastern France and has been practicing graphic design since the age of 16.

with w e i v r e t n I oo Dr.W

Can you tell us something about your creations?

Where can you find inspiring influences in France?

Graphic design’s current evolves quickly so we always try to push the limits by creating fresh and modern design. The psychology of colours and shapes are important to us.

There are a lot of talented designers in France, especially in small, people-oriented studios. In Paris of course, but also in Lyon, Dijon, Crest, and many other cities. Some examples are Atelier Tout va bien, Helmo, Akatre, Les Graphiquants and Leslie David.

How would you identify your artistic style with French culture?

We have graphic design and typography masters like Cassandre, who produced bold and neat graphic design where the purpose was as straightforward as the aesthetics.

Similarly, we believe that the fewer elements a solution contain, the more powerful a design can be, given that the elements are chosen carefully.

How do you usually get yourself ready to create?

We run a blog (images.enfanterrible.fr) where we collect images that we like. It’s been running for about five years now.

Every day we explore the internet to feed it with photography, graphic design, animated gif, illustration, type and so on.

There is no particular warm-up, I personally try to have my head filled with images 24/7. Also, I could say that music has given me a lot of energy through all this years.

What makes you stay in France?

There is a thought to establish a company abroad but we just love Grenoble. We live in one of the most beautiful part of France in my opinion, at the heart of French Alps near Italy and Switzerland. I’m just used to being surrounded by the mountains, it brings me peace and safeness.

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How would you define French creativity?

Maybe the sensitivity, with emotions and soul-reaching design. At least it is what I believe in.

What kind of creative practice would you consider unorthodox in the country?

As long as it gives birth to something interesting, there is no unorthodox way to experiment. Designs in the French music industry always surprises me. There is strong visual especially for festivals, club venues and record labels. They are often very contemporary, bold and neat, like the design we like to practice.

What do you plan to do next?

When the company starts to run on its own, I want to travel around the globe to meet new people and to work with them.

China is really appealing. I’m planning to go to Hong Kong but I don’t know when I’ll have the opportunity.

Can you tell us something about your creations?

Graphic design’s current evolves quickly so we always try to push the limits by creating fresh and modern design. The psychology of colours and shapes are important to us.

How would you identify your artistic style with French culture?

We have graphic design and typography masters like Cassandre, who produced bold and neat graphic design where the purpose was as straightforward as the aesthetics. Similarly, we believe that the fewer elements a solution contain, the more powerful a design can be, given that the elements are chosen carefully.

How do you usually get yourself ready to create?

We run a blog (images.enfanterrible.fr) where we collect images that we like.

It’s been running for about five years now. Every day we explore the internet to feed it with photography, graphic design, animated gif, illustration, type and so on. There is no particular warm-up, I personally try to have my head filled with images 24/7. Also, I could say that music has given me a lot of energy through all this years.

What makes you stay in France?

There is a thought to establish a company abroad but we just love Grenoble.

We live in one of the most beautiful part of France in my opinion, at the heart of French Alps near Italy and Switzerland. I’m just used to being surrounded by the mountains, it brings me peace and safeness.

Where can you find inspiring influences in France?

There are a lot of talented designers in France, especially in small, peopleoriented studios. In Paris of course, but also in Lyon, Dijon, Crest, and many other cities. Some examples are Atelier Tout va bien, Helmo, Akatre, Les Graphiquants and Leslie David.

How would you define French creativity?

Maybe the sensitivity, with emotions and soul-reaching design. At least it is what I believe in.

What kind of creative practice would you consider unorthodox in the country?

As long as it gives birth to something interesting, there is no unorthodox way to experiment. Designs in the French music industry always surprises me. There is strong visual especially for festivals, club venues and record labels. They are often very contemporary, bold and neat, like the design we like to practice.

What do you plan to do next?

When the company starts to run on its own, I want to travel around the globe to meet new people and to work with them. China is really appealing. I’m planning to go to Hong Kong but I don’t know when I’ll have the opportunity.

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Burak Şentürk—SELF PORTRAIT

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babyshoe — Enfant Terrible dreams up ambitious solutions the way their name suggests. Placing their focus on creative concepts and visual coherence, the agency works across wide-ranging mediums with a team of photographers, movie-makers, web designers and art directors to build smart graphic systems that connect visions and minds. Enfant Terrible is headed by creative director Nicolas Richard who was born in in the Rhône-Alpes region of southeastern France and has been practicing graphic design since the age of 16.

with w e i v r e t n I shoe y b a B

Can you tell us something about your creations?

Where can you find inspiring influences in France?

Graphic design’s current evolves quickly so we always try to push the limits by creating fresh and modern design. The psychology of colours and shapes are important to us.

There are a lot of talented designers in France, especially in small, people-oriented studios. In Paris of course, but also in Lyon, Dijon, Crest, and many other cities. Some examples are Atelier Tout va bien, Helmo, Akatre, Les Graphiquants and Leslie David.

How would you identify your artistic style with French culture?

We have graphic design and typography masters like Cassandre, who produced bold and neat graphic design where the purpose was as straightforward as the aesthetics.

Similarly, we believe that the fewer elements a solution contain, the more powerful a design can be, given that the elements are chosen carefully.

How do you usually get yourself ready to create?

We run a blog (images.enfanterrible.fr) where we collect images that we like. It’s been running for about five years now.

Every day we explore the internet to feed it with photography, graphic design, animated gif, illustration, type and so on.

There is no particular warm-up, I personally try to have my head filled with images 24/7. Also, I could say that music has given me a lot of energy through all this years.

What makes you stay in France?

There is a thought to establish a company abroad but we just love Grenoble. We live in one of the most beautiful part of France in my opinion, at the heart of French Alps near Italy and Switzerland. I’m just used to being surrounded by the mountains, it brings me peace and safeness.

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How would you define French creativity?

Maybe the sensitivity, with emotions and soul-reaching design. At least it is what I believe in.

What kind of creative practice would you consider unorthodox in the country?

As long as it gives birth to something interesting, there is no unorthodox way to experiment. Designs in the French music industry always surprises me. There is strong visual especially for festivals, club venues and record labels. They are often very contemporary, bold and neat, like the design we like to practice.

What do you plan to do next?

When the company starts to run on its own, I want to travel around the globe to meet new people and to work with them.

China is really appealing. I’m planning to go to Hong Kong but I don’t know when I’ll have the opportunity.

Burak Şentürk—SELF PORTRAIT

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DR. WOO Enfant Terrible dreams up ambitious solutions the way their name suggests.

Placing their focus on creative concepts and visual coherence, the agency works across wide-ranging mediums with a team of photographers, movie-makers, web designers and art directors to build smart graphic systems that connect visions and minds. Enfant Terrible is headed by creative director Nicolas Richard who was born in in the Rhône-Alpes region of southeastern France and has been practicing graphic design since the age of 16.

with w e i v r e t n I oo Dr.W

Can you tell us something about your creations?

Where can you find inspiring influences in France?

Graphic design’s current evolves quickly so we always try to push the limits by creating fresh and modern design. The psychology of colours and shapes are important to us.

There are a lot of talented designers in France, especially in small, people-oriented studios. In Paris of course, but also in Lyon, Dijon, Crest, and many other cities. Some examples are Atelier Tout va bien, Helmo, Akatre, Les Graphiquants and Leslie David.

How would you identify your artistic style with French culture?

We have graphic design and typography masters like Cassandre, who produced bold and neat graphic design where the purpose was as straightforward as the aesthetics.

Similarly, we believe that the fewer elements a solution contain, the more powerful a design can be, given that the elements are chosen carefully.

How do you usually get yourself ready to create?

We run a blog (images.enfanterrible.fr) where we collect images that we like. It’s been running for about five years now.

Every day we explore the internet to feed it with photography, graphic design, animated gif, illustration, type and so on.

There is no particular warm-up, I personally try to have my head filled with images 24/7. Also, I could say that music has given me a lot of energy through all this years.

What makes you stay in France?

There is a thought to establish a company abroad but we just love Grenoble. We live in one of the most beautiful part of France in my opinion, at the heart of French Alps near Italy and Switzerland. I’m just used to being surrounded by the mountains, it brings me peace and safeness.

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How would you define French creativity?

Maybe the sensitivity, with emotions and soul-reaching design. At least it is what I believe in.

What kind of creative practice would you consider unorthodox in the country?

As long as it gives birth to something interesting, there is no unorthodox way to experiment. Designs in the French music industry always surprises me. There is strong visual especially for festivals, club venues and record labels. They are often very contemporary, bold and neat, like the design we like to practice.

What do you plan to do next?

When the company starts to run on its own, I want to travel around the globe to meet new people and to work with them.

China is really appealing. I’m planning to go to Hong Kong but I don’t know when I’ll have the opportunity.

Burak Şentürk—SELF PORTRAIT

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oddtattooer Enfant Terrible dreams up ambitious solutions the way their name suggests.

Placing their focus on creative concepts and visual coherence, the agency works across wide-ranging mediums with a team of photographers, movie-makers, web designers and art directors to build smart graphic systems that connect visions and minds. Enfant Terrible is headed by creative director Nicolas Richard who was born in in the Rhône-Alpes region of southeastern France and has been practicing graphic design since the age of 16.

with w e i v r e t n I ooer tt a t dd o

Can you tell us something about your creations?

Where can you find inspiring influences in France?

Graphic design’s current evolves quickly so we always try to push the limits by creating fresh and modern design. The psychology of colours and shapes are important to us.

There are a lot of talented designers in France, especially in small, people-oriented studios. In Paris of course, but also in Lyon, Dijon, Crest, and many other cities. Some examples are Atelier Tout va bien, Helmo, Akatre, Les Graphiquants and Leslie David.

How would you identify your artistic style with French culture?

We have graphic design and typography masters like Cassandre, who produced bold and neat graphic design where the purpose was as straightforward as the aesthetics.

Similarly, we believe that the fewer elements a solution contain, the more powerful a design can be, given that the elements are chosen carefully.

How do you usually get yourself ready to create?

We run a blog (images.enfanterrible.fr) where we collect images that we like. It’s been running for about five years now.

Every day we explore the internet to feed it with photography, graphic design, animated gif, illustration, type and so on.

There is no particular warm-up, I personally try to have my head filled with images 24/7. Also, I could say that music has given me a lot of energy through all this years.

What makes you stay in France?

There is a thought to establish a company abroad but we just love Grenoble. We live in one of the most beautiful part of France in my opinion, at the heart of French Alps near Italy and Switzerland. I’m just used to being surrounded by the mountains, it brings me peace and safeness.

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How would you define French creativity?

Maybe the sensitivity, with emotions and soul-reaching design. At least it is what I believe in.

What kind of creative practice would you consider unorthodox in the country?

As long as it gives birth to something interesting, there is no unorthodox way to experiment. Designs in the French music industry always surprises me. There is strong visual especially for festivals, club venues and record labels. They are often very contemporary, bold and neat, like the design we like to practice.

What do you plan to do next?

When the company starts to run on its own, I want to travel around the globe to meet new people and to work with them.

China is really appealing. I’m planning to go to Hong Kong but I don’t know when I’ll have the opportunity.

Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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Burak Şentürk—SELF PORTRAIT

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