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Press images Prime: Art's Next Generation Published by Phaidon

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Lawrence Abu Hamdan, Earshot, 2016. (page 13, image 2, bottom).

6 C-type prints on Kodak metallic paper mounted on aluminum and rebonded foam, 2 rebonded foam panels, and HD video with sound (Rubber Coated Steel, 2016, 21:47 min.). Installation view: Earshot, Portikus, Frankfurt,

Farah Al Qasimi, After Dinner 2, 2018. (page 29, image 1).

Inkjet print, 40 x 29 in. (101.6 x 73.7 cm), edition of 5 + 2 AP. Picture credit: © the artist; The Third Line, Dubai; and Helena Anrather, New York

Germany, 2016. Picture credit: © the artist / Courtesy the artist, Portikus, Frankfurt/Main, and Maureen Paley, London. Photo: Helena Schlichting

Harold Ancart, Untitled, 2016. (page 33, image 1).

Oil stick and pencil on canvas in artist’s frame, 113 x 81 in. (287 x 205.7 cm).

Meriem Bennani, 2 Lizards, 2020. (page 51, image 7, centre right).

(With Orian Barki) (stills) HD video, 8 episodes, 22:47 min. Picture credit: ©

Collection Musée d’Art Moderne de Paris, France. Picture credit: © the artist / Courtesy CLEARING New York / Brussels, and David Zwirner. Photo: JSP Art Photography

Meriem Bennani & Orian Barki, courtesy the artists and CLEARING New York / Brussel

Danielle Brathwaite-Shirley, I can’t remember a time when I didn’t need you, 2020. (page 65, image 1, top).

Interactive archive. Picture credit: © and courtesy the artist

Jes Fan, Systems II, 2018. (page 119, image 8).

Silicone, glass, epoxy, melanin, Depo-Testosterone, estradiol, wood, 52 x 25 x 20 in. (132 x 64 x 51 cm). Private collection. Picture credit: © courtesy the artist and Empty Gallery, Hong Kong

Firelei Báez, Of Love Possessed (lessons on alterity for G.D. and F.G. at a local BSS), 2016. (page 41, image 1).

Acrylic on Yupo paper,84 x 56 in. (213.4 x 142.2 cm). Collection Spelman College Museum of Fine Art, Atlanta, GA, USA. Picture credit: © the artist / Courtesy the artist and James Cohan, New York

Julie Curtiss, States of mind, 2021. (page 91, image 6, top).

Vinyl, acrylic, and oil paint on canvas, diptych, 40 x 60 in. (101.6 x 152.4 cm).

Picture credit: © courtesy the artist; Anton Kern Gallery, New York; and White Cube, London

Louis Fratino, Tom at Riis Beach wearing my underwear around his neck, 2019. (page 127, image 3, top).

Louise Giovanelli, Orbiter, 2021. (page 143, image 4, top right).

Oil on canvas, 31 1/2 x 23 5/8 in. (80 x 60 cm). Picture credit: © and courtesy

Oil on canvas, 22 x 28 in. (55.9 x 71.1 cm). Picture credit: Artwork © Louis Fratino, courtesy Sikkema Jenkins & Co., New York.

the artist and GRIMM Amsterdam

Rahima Gambo, Ruth, Amina, and the three Aisha’s play “In and Out,” from the series Tatsuniya, 2017. (page 134, image 3, top).

Archival inkjet print, 27 x 40 in. (68.5 x 101.5 cm). Picture credit: © courtesy Rahima Gambo

Martine Gutierrez, Demons, Xochiquetzal ‘Flower Quetzal Feather,’ p95 from Indigenous Woman, 2018. (page 153, image 1).

C-print mounted on Sintra, hand-painted artist frame, 41 1/2 x 29 1/2 x 2 in.

(105.4 x 74.9 x 5.1 cm). Picture credit: © Martine Gutierrez, courtesy the artist and RYAN LEE Gallery, New York

Loie Hollowell, Milk Spout, 2019. (page 174, image 2, top left).

Oil paint, acrylic medium, and high-density foam on linen over panel, 72 x 54 x 3 3/4 in. (182.9 x 137.2 x 9.5 cm). Picture credit: © the artist / Courtesy Pace Gallery. Photo: Melissa Goodwin

Lauren Halsey, My Hope, 2020. (page 158, image 2, top left) Acrylic, enamel, and CDs on foam and wood, 116 x 101 x 36 in. (294.6 x 256.5 x 91.4 cm). Picture credit: © the artist / Courtesy David Kordansky Gallery, Los Angeles. Photo: Jeff McLane

Steffani Jemison, Sensus Plenior, 2017. (page 198, image 4, bottom).

(Still), HD video, black and white, sound, 34:36 min. Picture credit: ©

Georgina Gratrix, Shape Shifter/Princess, 2019. (page 145, image 1) Oil on canvas, 25 3/8 x 19 1/4 in. (64.5 x 49 cm). Picture credit: Image

Courtesy the artist; Greene Naftali, New York; Kai Matsumiya, New York; and Annet Gelink, Amsterdam

courtesy SMAC Gallery, artwork © Georgina Gratrix

Guan Xiao, Night watcher, 2020. (page 149, image 1).

Pigmented bronze, motorcycle parts, oil paper, umbrella, 27 1/2 x 13 x 54 3/8 in. (70 x 33 x 138 cm). Picture credit: © courtesy the artist and Antenna Space, Shanghai

Joy Labinjo, Family portrait, 2019. (page 215, image 8, top).

Oil on canvas, 59 1/8 x 78 3/4 in. (150 x 200 cm). Picture credit: Courtesy Tiwani Contemporary © the artist

Carolyn Lazard,Cinema 1, Cinema 2, 2020. (page 222, image 3, bottom).

Fire, infinite duration. Viewed from a high angle are two black boxes topped with fake logs, emitting what appears to be fire. The boxes are set next to each other on a concrete floor. The logs are black and red as if glowing with embers. Visible electric cords from the back of the boxes are plugged into an

Lina Lapelytė, Sun & Sea (Marina), 2019. (page 217, image 1, top).

(With Rugilė Barzdžiukaitė and Vaiva Grainytė), opera performance, 70 min.

Installation view: Lithuanian Pavilion, 58th Venice Biennale, Italy, 2019.

Picture credit: © Lina Lapelytė / Courtesy the artists. Photo: Andrej Vasilenko.

Exhibition organized by Nida Art Colony, curated by Lucia Pietroiusti

adjacent outlet. Picture credit: © courtesy the artist and Essex Street/Maxwell Graham, New York

Ho Rui An, Screen Green, 2015–16. (page 169, image 2, bottom).

Lecture and video installation with green screen, approx. 50 min. Installation

Prabhakar Pachpute, A march against the lie IA, 2020. (page 311, image 6, top).

view: Public Spirits, Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland, 2017.Picture credit: © the artist / Courtesy Centre for Contemporary Art Ujazdowski Castle. Photo: Bartosz Gorka

Acrylic and multani mitti on canvas, soil, 121 x 183 in. (307.3 x 464.8 cm).

Picture credit: © and courtesy the artist and Experimenter, Kolkata. Photo: Vivian Sarky

Paul Maheke, A fire circle for public hearing, 2018. (page 247, image 10, bottom right).

Mixed media, dimensions variable. Installation view: Dans l'éther, là, Ou l'eau,

Claudia Martínez Garay, Suqta Pacha, 2020. (page 253, image 1).

Tufting, 98 3/8 x 61 3/8 in. (250 x 156 cm). Picture credit: © the artist / Courtesy the artist and GRIMM Amsterdam | New York. Commissioned by

Galerie Art & Essai, Les Ateliers de Rennes, France, 2018. Picture credit: © the artist / Courtesy Galerie Sultana and Paul Maheke. Photo: Aurélien Mole

Sifang Museum, Nanjing

Jennifer Packer, A Lesson in Longing, 2019. (page 315, image 7, top).

Oil on canvas, 108 x 144 in. (274.3 x 365.8 cm). Collection Whitney Museum of American Art, New York; promised gift of Dawn and David Lenhardt.

Sondra Perry, flesh, graft, and ash #1, 2020. (page 327, image 4, top).

3 C-Trans prints mounted on Plexiglas lightboxes, each 30 x 30 x 4 in. (76.2 x 76.2 x 10.2 cm). Picture credit: © and courtesy the artist and Bridget

Picture credit: artwork © Jennifer Packer, courtesy Sikkema Jenkins & Co., New York, and Corvi-Mora, London

Donahue, NYC. Photo: Gregory Carideo

Samara Scott, installation view: The Doldrums, CAPC musée d'art contemporain de Bordeaux France, 2020. (page 357, image 5, top). Picture

Tschabalala Self, Sprewell, 2020. (page 358, image 2).

Fabric, painted canvas, silk, jeans, painted newsprint, paper, stamp, thread,

credit: © and courtesy the artist and The Sunday Painter. Photo: Frédéric Deval

photo transfer, and acrylic on canvas, 84 x 72 x 1 1/2 in. (213.5 x 183 x 4 cm). Collection Solomon R. Guggenheim Museum, New York, NY, USA; Gift of Galerie Eva Presenhuber, Zurich and New York, and the artist, 2021.

Picture credit: © Tschabalala Self. Courtesy the artist; Pilar Corrias Gallery, London; and Galerie Eva Presenhuber, Zurich / New York. Photo: Matt Grubb

Shen Xin, Provocation of the Nightingale, 2017. (page 365, image 5, bottom).

Paul Mpagi Sepuya, Darkroom Mirror (0X5A0752), 2019. (page 361, image

(Still), 4-channel video installation, 64:35 min. M+ Museum HK Collection and Wang Bing Collection. Picture credit: © and courtesy the artist

1).

Archival pigment print, 51 x 34 in. (129.5 x 86.4 cm), edition of 5 + 2 AP. Picture credit: © and courtesy the artist

Christina Quarles, Pried/Prayed (Hard Rain Gon’ Come), 2020. (page 339, image 6, top).

Thao Nguyen Phan, Becoming Alluvium, 2019. Picture credit: © and courtesy the artist. Produced and commissioned by Han Nefkens Foundation in

Acrylic on canvas, 77 x 96 x 2 in. (195.6 x 243.8 x 5.1 cm). Picture credit: © and courtesy the artist, Pilar Corrias Gallery, and Regen Projects. Photo: Fredrik Nilsen Studio

collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery (page 330, image 2, top). (Still), single-channel color video, 16:40 min. Private collection and collection of the artist

Marianna Simnett, Blood in My Milk, 2018. (page 370, image 10, third row down, far left).

Zadie Xa, Dream Dangerous, 2020 (with Benito Mayor Vallejo).( page 435, image 4, top).

(Still), HD video, 9.1 surround sound, 73 min. Picture credit: © the artist / courtesy the artist and Matt’s Gallery

Performance. Installation view: LIVE 2020, Frieze London, UK, 2020. Picture credit: © the artist / courtesy the artists. Performed by Jia-Yu Corti. Makeup

by Ophelia Liu. Photo: Denis Guzel

Avery Singer, Self-portrait (summer 2018), 2018. (page 375, image 6).

Acrylic on canvas stretched over wood panel, 95 1/4 x 85 1/4 x 2 1/8 in.

(241.9 x 216.5 x 5.4 cm). Picture credit: © Avery Singer. Courtesy private

Trevor Yeung, Mr. Butterflies, 2012. (page 439, image 7, bottom).

Dypsis lutescens (butterfly palm), fog machine, LED light, rotator, metal stand, dimensions variable. Picture credit: © the artist / courtesy the artist and

collection. Photo: Lance Brewer

Blindspot Gallery

Salman Toor, Downtown Boys, 2020. (page 413, image 1).

Oil on panel, 20 x 16 in. (50.8 x 40.6 cm). Picture credit: © Salman Toor.

Courtesy the artist and Luhring Augustine, New York. Commissioned by Public Art Fund for Art on the Grid, June 29–September 20, 2020

Andrés Pereira Paz, Radio Carabuco, 2019. (page 321, image 1, top).

Mixed media (brass sculptures, audio pieces, projection, photographic archive, and diverse objects), dimensions variable. Installation view: Radio Carabuco, Künstlerhaus Bethanien, Berlin, Germany, 2019. Picture credit: © the artist / Courtesy Kunstlerhaus Bethanien

Prime: Art's Next Generation. Phaidon

Prime: Art's Next Generation. Phaidon.

Prime: Art's Next Generation. Phaidon. Loie Hollowell (pages 174-175)

Prime: Art's Next Generation. Phaidon. Lina Lapelytė (pages 214-215)

Prime: Art's Next Generation. Phaidon. Firelei Báez (pages 40-41)

Prime: Art's Next Generation. Phaidon. Joy Labinjo (pages 214-215)

Prime: Art's Next Generation. Phaidon. Trevor Yeung (pages 438-439)

Prime: Art's Next Generation. Phaidon

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