Design and Graphic Arts Catalogue 2016

Design & Graphic Arts Including Photography

2016

Design & Graphic Arts 2016 Contents

Bloomsbury Design Library 2 Graphic Design 3 Visual Communication 8 Typography 9 Product Design 10 Environmental and Sustainable Design 13 Design Management 15 Interactive Design and Animation 16 Major Reference 20 History and Culture of Design 23 History and Culture of Craft 25 Ceramics 26 Photography 28 Photographic History 30 Advertising 33 Index 34 Representatives and Agents 35

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Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336.

Front cover image: © Kenneth Grange, Kenneth Grange Design. Opposite page image: Courtesy of PP Møbler

Available via Subscription

Launching 2017

Education and Research by Design Cutting-edge academic research and reference combined with a wealth of high-quality images for academics and students.

About the resource An unparalleled resource for anyone working across the broad field of design and craft studies, the Bloomsbury Design Library offers searchable access to a carefullycurated and dynamic collection of text and image content.

Comprehensive, peer-reviewed reference works combine with cutting-edge academic research and a wealth of images to offer academics and students high-quality, intuitive tools for research.

Features and Benefits Bloomsbury Design Library offers a user experience that extends beyond that of a collection of eBooks and images.

• A custom taxonomy enabling intuitive search and discovery by genre, region, country and period within design history, theory and practice • Biannual additions and updates to the Bloomsbury Encyclopedia of Design, making this an ever-expanding resource • Browse content using illustrated timelines

About the content • Over 10 million words of high-quality peer-reviewed writing on design and crafts • The Bloomsbury Encyclopedia of Design online – over 1800 entries on key topics • Victor Margolin’s World History of Design online – a magisterial history of global design from prehistoric times to the present day • The Encyclopedia of Asian Design online – in-depth coverage of design history and practice across Greater Asia • An extensive eBook collection with over 60 original titles in design and craft studies • A searchable colour image library containing thousands of images from major museums and archives • Free lesson plans addressing key modular topics • Illustrated timelines and bibliographic guides with links through to online content

www.bloomsburydesignlibrary.com

Graphic Design

Textbook

The Graphic Design Reader Edited by Teal Triggs and Leslie Atzmon

The Graphic Design Reader brings together key texts in this dynamic field, from the 1920s to the present day, to provide an essential resource for students, researchers and practitioners. Extracts are structured into thematic sections, each with a contextual introduction outlining key ideas and debates. The reader features original visual essays from Leslie Atzmon, Dick Hebdige, Steven Heller, Victor Margolin, Rick Poynor and Adrian Shaughnessy.

August 2016 768 pages 360 bw illus 246 x 189mm / 9.7 x 7.4 inches PB 9781472526472 £29.99 / $49.95 HB 9781472536204 £70.00 / $120.00 Bloomsbury Academic

• The first comprehensive graphic design reader, covering all aspects of the history, theory and practice • Includes extracts from classic and foundational writings in the field, alongside speciallycommissioned visual essays by leading practitioners • Illustrated throughout • Each section has an annotated guide to further reading and a comprehensive bibliography Teal Triggs is Professor of Graphic Design and Associate Dean, School of Communication, Royal College of Art, UK. Leslie Atzmon is Professor of Graphic Design and Design History at Eastern Michigan University, USA.

Key Titles Textbook

Becoming a Successful Graphic Designer Neil Leonard

• Practical, down-to-earth advice for students starting a career in design, including design agency structure, how to work with clients, selforganisation and billing • Interviews with a range of international designers, design firms, freelancers and recent graduates • Useful checklists and exercises, plus tips on interviewing, etiquette and terminology Neil Leonard is a visiting tutor at Brighton University, the University of the Arts, London, and Southampton Solent University, UK.

UK February 2016 US March 2016 192 pages 175 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781472591197 £26.99 / $44.95 Series: Creative Careers Fairchild Books

Textbook

Inside Art Direction Interviews and Case Studies Steven Brower

A clear picture of what is involved in art directing across the range of industries where an art director might be employed. Through interviews with 18 art directors and illustrators plus more than 25 case studies, students learn first-hand about how directors got to where they are, what the art director’s job really entails and how to achieve results. With useful tips and projects, this book is the perfect introduction to the field.

Steven Brower is the Director of the Get Your Masters with the Masters MFA program at Marywood University, USA.

UK February 2016 US March 2016 232 pages 260 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781472569103 £29.99 / $49.95 Series: Creative Careers Fairchild Books

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Graphic Design

2nd edition

The Production Manual Gavin Ambrose and Paul Harris

www/Textbook A hands-on approach to the processes involved in turning a design into a printed piece as well as the use of original and creative print-production techniques. From the basics such as using typography through to working with images and colour, and bringing a product to press, the authors present everything that the student needs to know in a clear and visually understandable way.

UK February 2016 US March 2016 208 pages 200 colour illus 300 x 220mm / 11.8 x 8.7 inches PB 9781472591319 £39.99 / $68.95 Series: Required Reading Range Fairchild Books

Gavin Ambrose currently teaches at the University of Brighton, UK, and is a practicing designer and author.

Paul Harris is a freelance writer whose work appears extensively in magazines and journals in the USA and UK.

Students • Accompanying companion website with learning objectives, key terms, online resources and review questions • New case studies from leading international practitioners discussing their work such as NB Studio, Pentagram, Anagrama, Blok, Bob Aufuldish, Clormann Design and others New to this edition • Updated to reflect new practices in digital production including new techniques and technology • More on color conversion (RGB to CMYK) • Expanded coverage of environmental and sustainability issues Contents Introduction 1. Typography Measurements Type Type On-Line Special Characters Case Study: Pentagram

4. Pre-Press Resolution Scanning Creative Techniques Artwork Imposition Proofing Case Study: Clormann Design

2. Images Image Types File Types Working with Images Image Manipulation Case Study: Bob Aufuldish

5. Production Printing Print Processes On-Press Paper Case Study: Nb Studio

3. Color Basic Terminology Color Management Color Correction Creative Color Color in Print Color on Screen Case Study: Blok

6. Finishing Special Techniques Laminates and Varnishes Folding and Trimming Binding Case Study: Anagrama

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Appendix Standard Sizes Glossary Index Acknowledgements and Credits Index

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Graphic Design

3rd edition

Visible Signs An Introduction to Semiotics in the Visual Arts David Crow

Textbook “I bought the original edition some years ago and have been recommending it to students ever since.” John Stocker, University of Lincoln, UK “Excellent, engaging layout. This really facilitates involvement with the text, and is much more interesting and accessible than many books I’ve seen on introductory semiotics.” Kennon Smith, Indiana University Bloomington, USA “An outstanding overview of semiotics which no student should be without … It is rich with examples of the theory and work being discussed and the points made are easily digestible.” Philip Dixon, Southampton Solent University, UK

UK November 2015 US December 2015 192 pages 200 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781474232425 £34.99 / $59.95 Series: Required Reading Range Fairchild Books

David Crow worked as a designer in London for Assorted iMaGes and as Art Director for Island Records before running his own consultancy. He is now Dean of the School of Art at Manchester Metropolitan University, UK. Students • Introduces the fundamentals of semiotics and semiology, and explains how to apply this theory in students’ own work • Inspiring examples from graphic design, typography, illustration and advertising • Creative exercises at the end of the book exemplify these theories through practical application New to this edition • New creative exercises to accompany each chapter • 20% new visuals and expanded commentary on a range of contemporary projects by international designers • New design and layout

Textbook

3rd edition

Visual Research An Introduction to Research Methods in Graphic Design Ian Noble and Russell Bestley

“An amazing book: broad in scope, thorough in its explorations of the many dimensions of visual research, well organized and clear in its exposition, it is the best reference for anybody wanting to get a clear panorama of what visual research can mean.” Jorge Frascara, author and educator, USA Visual Research explores research methods that can be used by graphic designers and visual communicators in the development of clear and purposeful design solutions. The book introduces key terms and theories that underlie design research; examining the importance of visual grammar and design literacy, audience, communication theory and semiotics.

UK February 2016 US March 2016 228 pages 200 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781474232906 £34.99 / $59.95 Series: Required Reading Range Fairchild Books

Russell Bestley is Principal Lecturer in Graphic Design at London College of Communication, UK. Ian Noble was a leading design researcher, educator, author and designer. He was Acting Academic Director of Communication Design at Kingston University, UK. New to this edition • 12 new international case studies, showing practical applications of themes in the book • Updated end-of-chapter design exercises • 40% new visuals • New chapter on design-led tools and information design methods, in relation to both print and on-screen design 6

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Visual Communication

Key Titles

2nd edition

Textbook

Design Thinking for Visual Communication

“I have adopted this book. It provides a great structure for this course which has a variety of students from design, advertising and illustration programs.” Rosanne Gibel, Art Institute of Fort Lauderdale, USA

Gavin Ambrose

“The format and design of the book is very good for getting the information across ... the diagrams and images are extremely helpful in explaining the concepts.” Rebecca Potts, Bronx River Art Center, USA

UK February 2015 US April 2015 184 pages 200 colour illus 230 x 160mm / 9.1 x 6.3 inches PB 9781472572714 £23.99 / $41.95 Series: Basics Design Fairchild Books

• Identifies the methods and thought processes used by designers to develop and respond to a brief • Step-by-step guidance for each part of the process is highlighted by real-life case studies • New edition includes contributions from a broader international range of design practices and more detailed case studies • Focus on ideas and methods provides a useable approach to design as a problem-solving activity Textbook

Communication Design Insights from the Creative Industries Derek Yates and Jessie Price

“Explores design and art direction in a practical way that bridges the gap between in-class work and the professional world.”

Eye Magazine “This equally vivid and ambitious book features countless case studies and interviews with pioneering designers, covering complex issues ... readers will be well-prepared for the start of their professional life.” PAGE (translated) “The definitive guide to modern branding.”

Zeus Jones Consultants, USA

UK February 2015 US April 2015 208 pages 200 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781472534408 £29.99 / $49.95 Series: Required Reading Range Fairchild Books

“Already become really valuable with my MA students, reinforcing the different trajectories of design practice they could engage with themselves.” Sadhna Jain, Course Leader, MA Graphic Design Communications, University of the Arts, London, UK 4th edition / www.bloomsburyfashioncentral.com

The New Munsell® Student Color Set Jim Long

An interactive and experimental guidebook for understanding colour use and colour science, including visual perception, optical effects, colour trends and forecasting; how to create a colour scheme; using colour in digital design; and practical application of colour phenomena in fine and applied art practices. 11 Munsell color charts, 15 interactive charts, and 14 packets of colour chips facilitate hands-on learning.

Now includes The New Munsell Student Color Set STUDIO online resource for students: flash cards, quizzes, downloadable PowerPoints and video. Instructor’s Guide also available. Visit www.bloomsburyfashioncentral.com to find out more.

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Textbook UK December 2015 US November 2015 208 pages 116 colour and 35 bw illus Book + STUDIO bundle 9781501312229 £56.00 / $85.00 STUDIO Access Card 9781501312212 Fairchild Books

Typography

2nd edition

Typography Gavin Ambrose and Paul Harris

Textbook “Its design is dynamic, bold, attractive and enticing to read.” Safoura Rafeizadeh, Boston University, USA “Pitched at the right level of engagement and learning for intended audience. Very well resourced and comprehensive.” Manny Ling, University of Sunderland, UK “Beautiful examples! I like how the content is organized and presented ... This is a good book for an intro typography course.” Robert Hankin, Bellevue University, USA

UK July 2016 US September 2016 192 pages 200 colour illus 230 x 160mm / 9.1 x 6.3 inches PB 9781474225281 £23.99 / $39.95 Series: Basics Design Fairchild Books

This introductory book sets out the basic principles of typography, with clear examples from international practitioners across a wide range of media, interviews with designers and typographers, plus exercises to reinforce the concepts covered.

Gavin Ambrose teaches at the University of Brighton, UK, and is a practicing designer and author.

Paul Harris is a freelance writer and editor whose work appears extensively in magazines and journals in the USA and UK. Summary of contents Introduction 1. A Brief History of Typography 2. Looking at Type 3. Type Classification 4. Choosing Type 5. Setting Type

6. Type Generation 7. Type Realization Projects and exercises Glossary Acknowledgements Index

Key Title 2nd edition

The Fundamentals of Typography Gavin Ambrose and Paul Harris

Textbook “[A] very useful book...the anatomy of typography graphics were used as mandatory course material. Great list of resources in the back, extremely detailed captions and comments. All around a fantastic book.” Irina Lee, State University of New York at Farmingdale, USA Offers detailed and comprehensive coverage of the principles of typographic theory and practice.

Packed with clear explanations, expanded illustrations and historical and contemporary examples from leading practitioners around the world, this is an ideal text for typographic modules within visual arts degrees.

2011 200 pages 200 colour illus 230 x 200mm / 9.1 x 7.9 inches PB 9782940411764 £26.50 / $38.50 Series: Fundamentals AVA Publishing

New to this edition • New case studies • New student exercises Students • A range of examples and case studies to put theory into real-world context • Clearly illustrated to show the use of typography across a range of media

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Product Design

2nd edition

The Fundamentals of Product Design Richard Morris

Textbook Providing an integrated and cohesive view of the product design process, this engaging introduction covers materials, manufacturing, idea generation, computer-aided design, engineering functions, product types and market research.

Richard Morris is the course leader for the four product design-based degree programmes at the University of Brighton, UK and leads the Brighton Creativity Centre, UK.

UK September 2016 US October 2016 184 pages 200 colour illus 230 x 200mm / 9.1 x 7.9 inches PB 9781472578242 £26.99 / $44.95 Series: Fundamentals Fairchild Books

Students • Interviews with industry professionals • Examples of work by talented designers from around the globe • Fully illustrated with inspiring visuals New to this edition • 50% new images from US studios and internationally renowned designers • 4 new case studies from Tord Boontje, Thomas Heatherwick, Naoto Fukasawa and Philips • Supporting document map that helps to reveal the steps in product creation • New projects and activities for each chapter • More references and web sources • Includes recent developments such as additive manufacture and crowd funding • More consumer and lifestyle orientated products Contents Introduction Map of the Design Process 1. Product Ideas People’s Needs Case Study: US Studio Product Requirements Case Study: US Studio Product Brief Case Study: Laffon de Mazieres Chapter Summary Projects for Students 2. Product Ideation Imagination Case Study: US Studio Meeting Needs Case Study: Droog Market Trends Case Study: Luigi Colani Chapter Summary Projects for Students

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3. Product Development Concept Development Case Study: Josef Cadek Functionality Case Study: D3o Development Case Study: US Studio Chapter Summary Projects for Students 4. Production Prototyping Case Study: US Studio Manufacturing Case Study: Assa Ashuach Operations Case Study: Salter Housewares Chapter Summary Projects for Students

5. Product Launch Product Roll Out Case Study: Dyson Marketing Case Study: Vertu Chapter Summary Projects for Students Conclusion Further Resources and Websites Bibliography Index

Product Design

www/Textbook

2nd edition

Idea Searching for Design How to Research and Develop Design Concepts David Bramston and YeLi

This book examines methods of generating and identifying ideas, and teaches students to understand what is being observed and recorded.

It explores how different experiences, contexts and references are important in identifying an idea that is appropriate for a particular individual, target audience or culture. Advocating a step-bystep approach to generating ideas and brainstorming, it encourages an open mind in the development of ideas and teaches students to question convention.

UK July 2016 US August 2016 192 pages 200 colour illus 230 x 160mm / 9.1 x 6.3 inches PB 9781472581969 £26.99 / $44.95 Series: Basics Product Design Fairchild Books

David Bramston is a Principal Lecturer at the School of Architecture & Design, College of Arts, University of Lincoln, UK. YeLi is an Associate Professor in Graphic Design at the School of Art & Design at the Chinese University of Mining & Technology, Xuzhou, P.R. China Students • Fully illustrated to show inspiring work from some of the world’s best contemporary product designers • A wide range of international case studies and practical examples • End of chapter exercises

New to this edition • New projects for students, to encourage further exploration of ideas • 25% new case studies • Updated to feature the best contemporary product design from the US and China Contents Introduction Chapter 1: Just Imagine If It Were Possible Absorb Thoughts Observations Student project Chapter 2: Thinking Differently Understanding Profiles Themes Student project Chapter 3: Explore Fun Materials Exploration Communication Student project

Chapter 4: Sensory Perceptions Added values Emotions Conflicts Student project Chapter 5: Adopting the Responsibility Sustainability Tinkering Values Student project Chapter 6: Evolving the Reality Analysis Change Direction Student project Conclusion Glossary Further resources Index 11

OBJECTLESSONS The hidden lives of ordinary things

Published in association with The Atlantic, these short books explore everyday objects and the lessons they hold.

Series Editors: IAN BOGOST, Ivan Allen College Distinguished Chair in Media Studies at the Georgia Institute of Technology, USA CHRISTOPHER SCHABERG, Associate Professor of English at Loyola University New Orleans, USA

UK November 2015 US September 2015 PB 9781628924244 £9.99 | $16.95

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Environmental and Sustainable Design

Textbook

Developing Citizen Designers Elizabeth Resnick

“The urgency of the need for this book cannot be overstated. The culture of graphic design is now poised to catch up with the sea change within design already demanding holistic change. It provides clear examples of why this work matters.” Peter Fine, University of Wyoming, USA “An accessible, insightful and ultimately usable guide on how to be a designer who can change the world. An inspirational resource for students, teachers and design professionals.” Olwen Moseley, Dean of Cardiff School of Art & Design, UK

UK February 2016 US April 2016 432 pages 253 colour illus 246 x 189mm / 9.7 x 7.4 inches PB 9780857856203 £29.99 / $49.95 HB 9780857856562 £95.00 / $164.00 Bloomsbury Academic

This book enables students, educators and designers in the early stages of their careers to learn and practise design in a socially responsible manner.

Elizabeth Resnick is a professor of Graphic Design at Massachusetts College of Art and Design, USA. Students • Includes specially-designed social design briefs written by international design educators • Each chapter addresses a particular area or issue • Each chapter has an overview essay and interviews with practitioners and educators • Assignments help students to learn the process by which a brief is set, met and critiqued Contents Foreword Introduction Graphic Design Education and the Challenge of Social Transformation Part 1: Designing Thinking Section 1: Socially Responsible Design Section 2: Design Activism Section 3: Design Authorship

Part 2: Design Methodology Section 1: Collaborative Learning Section 2: Participatory Design Section 3: Service Design Part 3: Making a Difference Section 1: Getting Involved Section 2: Resources Bibliography Index Acknowledgements

Key Title Textbook

Sustainable Graphic Design Principles and Practices Peter Claver Fine

Sustainable design is the most pressing issue in design today. This book is a practical guide that integrates ethical concerns with professional practice worldwide • Outlines graphic design’s relationship to production and consumption, demonstrating how designers can contribute solution orientated responses to consumption • Includes studies of a variety of visual artifacts, the larger built environment and the very ordinary products of consumption

UK July 2016 US July 2016 256 pages 128 colour illus 210 x 297mm / 8.3 x 11.7 inches PB 9780857850638 £24.99 / $39.95 HB 9780857850621 £60.00 / $99.95 Bloomsbury Academic

Peter Claver Fine is an Assistant Professor of Art and Graphic Design at the University of Wyoming, USA. Students • Packed with case material and focussed on practical/studio work • Students guided step-by-step through cases to help them engage with ecological concerns, social justice and present systems of design • Highly illustrated and full colour throughout • Presents cutting-edge creative work from practitioners, educators and students from across the globe 13

Environmental and Sustainable Design

Graphic Design in Urban Environments Robert Harland

This book introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems, for example clock towers, signs, and screens, street numbers, architectural communication, outdoor publicity, and even markings on a pitch.

Robert Harland links the defining properties and configurational patterns that make up small graphic detail to larger symbolic statements by looking at the environment and design, and deconstructing form and context relationships.

September 2016 208 pages 64 colour illus and 36 bw illus 246 x 189mm / 9.7 x 7.4 inches PB 9781472597748 £24.99 / $39.95 HB 9781472597755 £75.00 / $120.00 Bloomsbury Academic

This cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.

• First comprehensive study of graphic objects in the urban environment • Wide-ranging coverage of cities including London, New York, Tokyo, San Francisco and Sao Paulo Robert Harland is Lecturer in visual communication at Loughborough University, UK. Contents Introduction • 1. History • 2. Imageability • 3. Theory • 4. Practice • 5. Future Directions • Index

Design, Ecology, Politics Joanna Boehnert

Design, Ecology, Politics critiques the ways that the design industry – and even many sustainability discourses within the design industry – perpetuates unsustainable development regimes. When design does engage with issues of sustainability, this engagement typically remains shallow. The situation is made more severe by design cultures that claim to have no politics. Meanwhile, new ecologically informed design methods and tools (such as biomimicry, circular design and lifecycle analysis) hold promise only when incorporated into a larger project of political change.

October 2016 224 pages 30 bw illus 244 x 169mm / 9.6 x 6.7 inches PB 9781472588609 £19.99 / $29.95 HB 9781472588616 £65.00 / $112.00 Bloomsbury Academic

Joanna Boehnert uses case studies of successful and unsuccessful environmental design projects to describe the ways that design functions within the economic system and how design could work beyond capitalism. Her illuminating study integrates ecological and critical positions into design theory to put forward a foundation for ecologically-informed design.

Joanna Boehnert is a Visiting Fellow at the Cooperative Institute for Research in Environmental Science at the University of Colorado, USA.

Contents 1. Introduction • Part One – Design • 2. Design Theory 101 • 3. Design as Symbolic Violence • 4. Design vs.

The Design Industry • Part Two – Ecology • 5. Ecological Theory 101 • 6. Epistemological Error • 7. Ecological Literacy • 8. Ecological Literacy vs. Sustainability • 9. Ecoliterate Design • 10. Ecological Perception 1: Theory • 11. Ecological Perception 2: Practice • 12. Ecological Identity • Part Three – Politics • 13. Apolitical Design • 14. Social Marketing • 15. The Green Economy • 16. The TechnoFix • 17. Conclusion • Index

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Design Management

Key Titles

2nd edition

Design Management Managing Design Strategy, Process and Implementation

Textbook “A key text. Rich, stimulating and easy to read.” Shimon Shmueli, Elon University, USA

UK February 2015 US April 2015

“I will be using as a key text... Very excited to finally have a book for my course.” Cyn Roberts, Art Institute of Portland, USA

216 pages 200 colour illus 300 x 220mm / 11.8 x 8.7 inches PB 9781472573674 £37.99 / $56.95 Series: Required Reading Range Fairchild Books

“Clear and informative overview of the industry and well laid out with current examples and diagrams. Excellent visuals.”

Louise Parkinson, Huddersfield University, UK

Kathryn Best New to this edition • Revised case studies and interviews • Now includes student exercises and discussion topics • Includes some of design management’s biggest names, such as Chris Luebkeman (Arup Group UK), Fabio Issao (Mandalah Conscious Innovation), Colette Liebenberg (Colette Liebenberg Design), Mikko Koria (Aalto University), Richard Banham (Nomad)

Textbook

Designing Business and Management Edited by Sabine Junginger and Jürgen Faust

Explores the potential role of design to transform the structure and practices of business and management for the greater good of society. For designing managers and managing designers, the book offers visual and conceptual models as well as theoretical concepts that connect the practice of designing with the activities of changing, organizing and managing. With a foreword by Nobel prize winner Muhammad Yunus.

January 2016

An introduction to design thinking that seeks to blur the division between creative and analytical, preparing students to become innovative thinkers for a complex world.

UK October 2015 US December 2015

232 pages 13 bw illus 246 x 189mm / 9.7 x 7.4 inches PB 9780857856241 $39.95 / £22.99 HB 9780857855534 £70.00 / $120.00 Bloomsbury Academic

Textbook

Strategic Design Thinking Innovation in Products, Services, Experiences and Beyond

• With contributions and cases studies from a variety of active design practitioners from different fields • Intuitive organization guides the reader through the process of design thinking, from theory to implementation to results • Opportunity maps, 2x2 matrices, diagrams, and images enhance readers’ understanding

256 pages 30 bw and 20 colour illus 187 x 235mm / 7.4 x 9.3 inches PB 9781628924701 £44.00 / $70.00 Fairchild Books

Natalie W. Nixon

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Interactive Design and Animation

Textbook

Animation in Context A Practical Guide to Theory and Making Mark Collington

“A thoughtful and lucid guide to students at all levels … one which connects the theories, ideas and ideals which underpin animation to the work of the animator in practice. This is a fascinating, valuable and eminently readable work produced by an accomplished teacher and practitioner.” Alec Charles, Head of Media, University of Chester, UK

UK September 2016 US October 2016 224 pages 150 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781472578280 £34.99 / $59.95 Fairchild Books

An illustrated introduction to contextual research and analysis, this book is designed to simplify academic language and empower animators with the confidence and enthusiasm to engage with theory as a fun, integral, and applied part of the creative process.

Mark Collington is Course Leader for BA (Hons) Animation at London Metropolitan University, UK. Students • Focuses on a core selection of theoretical approaches that shape animation • Theory is explained through reference to animated films and projects, from Disney and Anime productions to animated documentary and independent artist-filmmakers • Research exercises and interviews with industry professionals encourage engagement and a versatile approach to animation practice Contents Introduction Expanding Your Thinking about Animation Intended Aims and Outcomes of this Book Outline of Book Structure, Themes and Subject Matter Keeping An Online Reflective Workbook 1. Language & Visual Meaning: Playing Sherlock Holmes 2. Classical Metanarratives: The Hero’s Journey 3. Genre: From Classical Hero to Modern Everyman 4. Modernism: The End of Genre & the Metanarrative 5. Representation: Fact Versus Fiction 6. Animated Documentary: Objective Fact Versus Subjective Experience Conclusion Pulling it all together From Animated Short to Essay Film Cross-Disciplinary Practice Reading as Rewriting & Intertextuality

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© Mark Collington

Interactive Design and Animation

Key Titles

2nd edition

The Fundamentals of Animation Paul Wells and Samantha Moore

Textbook “Intelligently organized and lavishly illustrated, The Fundamentals of Animation is distinguished from most how-to-animate guides for being multidimensional in approach and multivalent in function ...

Wells’s book teaches its users not only to do, but to think animation.” Animation Journal Each stage of the animation process is presented in an engaging visual style and accompanied by examples and analysis of contemporary and classic films. Paul Wells and Samantha Moore discuss in-depth the links between animation and the styles and narratives of other areas of popular culture, aligning theory and ideas to practical advice. The book ends by introducing aspiring animators to the many different career paths open to them and how to produce engaging portfolios and show reels.

UK August 2016 US September 2016 216 pages 200 color illus 230 x 200mm / 9.1 x 7.9 inches PB 9781472575265 £26.99 / $44.95 Series: Fundamentals Fairchild Books

Paul Wells is a professor of animation at Loughborough University, UK. Samantha Moore teaches animation at the University of Wolverhampton, UK. New to this edition • New coverage of animated documentary, fine art animation, 2D digital animation, and the role of VFX in the film industry • Now includes information and advice on working with composers and integrating sound design into original works

www/Textbook

Cartoon Character Animation with Maya Mastering the Art of Exaggerated Animation Keith Osborn

“If you want to learn the secrets to great character animation then this book should be at the top of your list even if you don’t use Maya.” Paul Grant, City College Brighton & Hove, UK If you want to achieve classic cartoon-style animation in computer animation, then look no further! Cartoon Character Animation with Maya will help you to incorporate multiple limbs, dry-brush effects and smears into your films.

The companion website includes a short film incorporating key techniques – as well as the specially rigged model of the star of the book - Mr Buttons! - and walk-through videos demonstrating the more complex techniques.

UK August 2015 US October 2015 176 pages 200 illus 210 x 270mm / 8.3 x 10.6 inches PB 9781472533678 £29.99 / $49.95 Fairchild Books

Keith Osborn is a freelance animator and animation instructor based in Florida, USA. Contents summary

Interviewees include

Introduction Thinking in 2D Animation Planning The Pose Test Breakdowns Refine Cartoony Techniques Conclusion Further Reading Further Viewing Index

Ken Duncan (The Lion King) Ricardo Jost (The Nut Job) Matt Williames (The Princess and the Frog) Pepe Sánchez (Jelly Jamm) T. Dan Hofstedt (Aladdin) Jason Figliozzi (Cloudy with a Chance of Meatballs)

17

Interactive Design and Animation

www/Textbook

Data-driven Graphic Design Creative Coding for Visual Communication Andrew Richardson

“This is an amazing work capable of addressing the most important concepts of algorithmic and processoriented design/art. No other text I have read so comprehensively guides the reader through the visual output and the internal programming motivations for creating such beautiful data-driven work.” Wayne Madsen, Assistant Professor of New Media Art and Technology, Indiana University, Kokomo, USA “It is rare to find a book that adeptly addresses the creative, conceptual, and technical aspects of programming. For those who work and teach in the space between the technical and the creative, this book will be a valued resource.” Joel Swanson, Director Technology, Arts & Media Program University of Colorado, Boulder, USA Data-driven Graphic Design introduces the potential of computational data to inform and create everything from typography, print and moving graphics to interactive design and physical installations.

Andrew Richardson is a senior lecturer in interactive media at The University of Sunderland, UK.

Students • Each chapter outlines key concepts and techniques illustrated with over 200 colour images • Case studies and interviews on a range of innovative projects illustrate concepts in the real world • Each chapter concludes with a Code section, guiding students through the process of each technique • Starter projects and code examples designed specially for this book are available on a companion website to download • Encourages students to use code as a creative environment, beyond the boundaries of commercial software Contents Introduction 1. Designers and Code 2. Drawing with Numbers 3. Growth and Form 4. Dynamic Typography 5: Seeing the World 6. Large and Live External Data Bibliography and Webography Index Acknowledgements 18

UK January 2016 US March 2016 200 pages 200 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781472578303 £39.99 / $68.95 Fairchild Books

Interactive Design and Animation

Key Titles

Textbook

The Principles and Processes of Interactive Design Jamie Steane

“Up to this point, the recommendation of a wide range of texts has been required to adequately introduce students to the expansive array of perspectives, processes, techniques, and considerations necessary in understanding and making strong interactive design. This book is a reliable, consolidated source for many of the most important principles and strategies to know when beginning in interactive design.” Julie MaderMeersman, Program Coordinator, Department of Visual Arts, Northern Kentucky University, Kentucky, USA

2014 208 pages 200 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9782940496112 £37.99 / $59.95 Fairchild Books

“You’ll be hard pressed to get an equally comprehensive overview as is offered by this book. A great guide for anyone venturing into this dynamic and exciting field!”

Max Ackermann, Senior Lecturer, Central Saint Martin’s and Co-Founder of Flowli.com

Textbook

Video Games An Introduction to the Industry Andy Bossom and Ben Dunning

“A rich and engaging portal for exploring the diverse and evolving world of video games.” Professor Joseph Delappe, Digital Media, University of Nevada, Reno, USA A highly visual, example-led introduction that prepares students for their career in the industry.

Filled with full-colour, illustrated interviews and case studies, students gain an insight into the creative processes involved in making games, branding and intellectual property, changing demographics, and the impact of handheld and mobile culture on the industry.

UK December 2015 US January 2016 192 pages 200 color illus 270 x 210mm / 10.6 x 8.3 inches PB 9781472567116 £26.99 / $42.95 Series: Creative Careers Fairchild Books

Interviewees include: Arthur Parsons, Game Director, TT Games; Chris Brunning, Technical Manager, Crytek; Karen Stanley, Environment Artist, Sony Entertainment; John McCarten, VFX Programmer, WetaFX; Will DuToit, Principle Gameplay Animator, IO Interactive.

Textbook

Video Game Design Principles and Practices from the Ground Up Michael Salmond

“This is the best text I have read on the subject. The author knows the subject from experience and you can tell he enjoys teaching it and knows how to do it. Like a good game it has different levels you must conquer and this is a fun trekking guide.”

Arturo Sinclair, Ithaca College, USA A visual introduction to integrating core design essentials, such as critical analysis, prototyping, level design, mechanics and aesthetics, into game design.

UK February 2016 US April 2016 272 pages 200 colour illus 270 x 210mm / 10.6 x 8.3 inches PB 9781472567482 £29.99 / $49.95 Fairchild Books

Each chapter concludes with a workshop project to help students put what they’ve learnt into practice.

19

Major Reference

The ultimate A-Z of key topics, ideas and designers

The Bloomsbury Encyclopedia of Design Edited by Clive Edwards

The Bloomsbury Encyclopedia of Design provides a comprehensive guide to design, with entries on key topics in the history and theory of design, addressing a range of design forms including graphic, textile, furniture, metal, ceramic, fashion, stage and film, vehicle and product design.

UK November 2015 US December 2015 390 bw illus Set 9781472521576 Special introductory price £395 / $615 valid until up to 3 months after publication (RRP £440 / $725) Bloomsbury Academic

The Encyclopedia provides upto-date peer reviewed coverage of the last 250 years of design history, with global coverage by leading international design scholars and design historians.

Complete with a comprehensive index and full cross referencing, The Bloomsbury Encyclopedia of Design is the definitive guide to Design.

Clive Edwards is Professor in Design History at Loughborough University, UK.

Contents

Editorial team

Dissemination Teaching and Research Periodicals Museums Organisations Awards

General Editor: Clive Edwards, Loughborough University, UK

History Styles Movements Historians Concepts and Ideologies Therories/Positions Philosophies Critics/Theorists Concepts Practice Practice/Process Methods Tools Processes Aspects Applications Systems Environmental Visual and Symbolic Material Practitioners Designers/Studios Manufacturers Retailers Geography National Surveys

20

Subject Editors: Harriet Atkinson, University of Brighton, UK David Raizman, Drexel University, USA Sorcha O’Brien, Kingston University, UK Sarah Kettley, Nottingham Trent University, UK Anne-Marie Willis, Director, Team D/E/S, Queensland, Australia Dipti Bhagat, London Metropolitan University, UK Advisory editors: Cheryl Buckley, University of Brighton, UK Deana McDonagh, University of Illinois, USA Jacques Giard, ASU Herberger Institute for Design and the Arts, Arizona State University, USA Jeremy Aynsley, University of Brighton, UK Lin Lin Chen, National Taiwan University of Science and Technology, Taiwan Wolfgang Jonas, Braunschweig University of Arts, Germany

Major Reference

Painting Critical and Primary Sources Edited by Beth Harland and Sunil Manghani

This reference set brings together the seminal writings on the history, philosophy and practice of painting. The collected essays range across the domains of philosophy, history, aesthetics, literature, science, anthropology, critical theory, cultural studies and art practice. The volumes are arranged thematically, covering Painting’s Histories, Modern Painting, Critical Perspectives, and Processes and Strategies.

UK November 2015 US December 2015 Set 9781472558411 Special Introductory price £495.00 / $852.00 valid until up to 3 months after publication (RRP £550.00 / $945.00) Bloomsbury Academic

Together the volumes trace a chronology of painting from the pre-Renaissance onwards, addressing notions and techniques of the artist and the artwork before setting out the key critical perspectives, problematics and approaches that frame modern painting practice from the nineteenth century through to the contemporary period.

Key essays Michel Foucault, Gilles Deleuze, Roland Barthes, Michael Fried, Emile Zola, Marcel Proust, Hubert Damisch, John Berger, Arthur C Danto

Beth Harland is Professor of Fine Art and Director of Insight, a research centre at the University of Lancaster, UK, and Associate Editor of the Journal of Contemporary Painting.

Sunil Manghani is Reader in Critical and Cultural Theory at Winchester School of Art, University of Southampton, UK.

Summary of contents Volume 1: Painting’s Histories • General Introduction • Introduction • Part I: Early Aesthetic Theories • Part II: Epistemologies of Painting • Part III: Painting as a Medium • Part IV: Artist, Artwork and Viewer Volume 2: Modern Painting • Part I: New Ways of Seeing • Part II: Painting’s Autonomy • Part III: The Expanded Medium Volume 3: Critical Perspectives • General Introduction • Introduction • Part I: Critical Theories • Part II: Painting and Language • Part III: Phenomenology • Part IV: Painting Reframed Volume 4: Processes and Strategies • General Introduction • Introduction • Part I: Post-Medium • Part II: Process and Production • Part III: The Site of Painting

Design Critical and Primary Sources Edited by D.J. Huppatz

This reference set brings together over 75 essential texts on design from the mid-19th century to the present day, covering key thinkers, movements and issues for design.

The four volumes focus on 1) Design Reform, Modernism and Modernization 2) Professional Practice and Design Theories 3) Social Interactions 4) Development, Globalization and Sustainability

UK February 2016 UK April 2016 Set 9781472539366 Special Introductory price £495.00 / $795.00 valid until up to 3 months after publication (RRP £550.00 / $890.00) Bloomsbury Academic

Each volume features an editorial introduction and articles are grouped into thematic sections within the volume.

Daniel Huppatz is a Lecturer in the Faculty of Design at Swinburne University, Australia.

Essays and texts Albers • Amir • Appadurai • Balaram • Batchelor • Baudrillard • Behrens • Bonsiepe • Branzi • Brown • Buchanan • Buckley • Chatterjee • Cole • Cross • Dilnot • Dorwin • Dunne • Ekuan • Farr • Flusser • Forty • Frascara • Frederick • Fry • Garland • Gropius • Gropius • Huppatz • Jones • Jun • Kaufman • Kepes • Kimbell • Latour • Loos • Lorenz • Lupton • Manzini and Jegou • Margolin • Martin • McDonough • Mills • Moholy • Moles • Moore • Morelli • Morris • Mort • Nelson • Nelson and Stolterman • Norman • Olins • Packard • Polak • Rand • Rittel and Webber • Rock • Ruskin • Salvador, Bell and Anderson • Sanders and Strappers • Schmitz • Schon • Semper • Simon • Sparke • Thackera • Tschichold • Walker • Warde • West • Whiteley • Winograd • Wodiczko • Woodham

21

Major Reference

The definitive global history of design

World History of Design Victor Margolin

“A resource for scholars and students of design, art history, history, anthropology and sociology, as well as a resource for professional designers.” Toni Nealie, New City “The book is unique for its inclusivity, which reaches far beyond Western design research’s usual orbit.” Steven Heller, The Atlantic

UK February 2015 US April 2015 716 bw and 161 colour illus 2-Vol HB Set 9781472569288 £450.00 / $695.00 Bloomsbury Academic

“Margolin brings a humanistic take on design history ... At a time when Jony Ive’s creations for Apple are as much status symbol as a technological advance, Margolin believes that the discipline’s potential lies in solving big problems and the creation of culture, not just the newest products.” Patrick Sisson, Chicago Tribune Authored by pre-eminent design scholar, Victor Margolin, World History of Design is an indispensable work, providing a comprehensive and detailed historical account of design from prehistory to the end of the 20th century, and with substantial material on Latin America, Asia, the Middle East and Africa.

Volume 1: Prehistoric Times to World War I Volume 2: World War I to World War II Volume 3: World War II to the present (forthcoming in 2017)

The Encyclopedia of Asian Design Edited by Haruhiko Fujita

The first comprehensive publication to focus on Asian design and its histories. Although definitions of design in Asia are multiple, fluid, and historically contingent, the disparate cultures within this vast landmass have long produced arts and crafts, interior, graphic, and design objects for domestic, regional, and global consumption. The Encyclopedia provides in-depth, critically informed coverage of these practices, products, and the interpretive issues pertaining to them.

The Encyclopedia is divided into four volumes – covering East Asia, South and Southeast Asia, the Middle East and Central Asia, and Global & Regional Themes and Issues. Volumes I-III are organized by country to reflect specific regional and national histories and geographies. Within these geographies, traditions, histories, theories and practices as well as key issues in modern and contemporary design are considered.

Haruhiko Fujita is based at Osaka University, Japan.

Volume I: Design in East Asia Volume II: Design in South and Southeast Asia Volume III: Design in Western and Central Asia Volume IV: Global and Regional Themes and Issues in Asian Design

22

UK September 2017 US September 2017 Set 9780857853851 Special introductory price: £595.00 / $950.00, valid up until 3 months after publication (RRP £650.00 / $1118.00) Bloomsbury Academic

History and Culture of Design

Textbook

Critical Design in Context History, Theory, and Practices

Critical design is becoming an increasingly influential discipline, affecting policy and practice in a range of fields. Matt Malpass’s book is the first textbook to introduce critical design as a field, providing a history of the discipline, outlining its key influences, theories and approaches, and explaining how critical design can work in practice.

Matt Malpass

Using a wide range of examples from contemporary practice, and drawing on interviews with key practitioners, Matt Malpass provides an introduction to critical design practice and a manifesto for how a radical and unorthodox practice might provide design answers in an age of austerity and ecological crisis.

October 2016 240 pages 30 bw illus 246 x 189mm / 9.7 x 7.4 inches PB 9781472575173 £19.99 / $29.95 HB 9781472575180 £65.00 / $112.00 Bloomsbury Academic

Matt Malpass is a Senior Lecturer on MA Industrial Design and a Research Fellow in Critical Design at Central Saint Martin’s College of Arts and Design, University of the Arts London, UK.

A John Heskett Reader Design, History, Economics John Heskett Edited by Clive Dilnot and Pamela Heskett

A John Heskett Reader brings together key writings of the pioneering design historian whose work was foundational for the study of industrial design, and the relationship between design, design policy and economic value. The reader represents the great breadth of Heskett’s contribution to the field and explores several of his key working concerns. The anthology includes previously unpublished and out-of-print material alongside extracts from classic works. Extracts are grouped into thematic sections with editorial introductions written by leading design historians.

July 2016 448 pages 30 bw illus 246 x 189mm / 9.7 x 7.4 inches PB 9781474221269 £24.99 / $39.95 HB 9781474221252 £75.00 / $128.00 Bloomsbury Academic

Clive Dilnot is professor of Design Studies at Parsons The New School for Design, New York, USA.

Street Furniture Design Contesting Modernism in Post-War Britain Eleanor Herring

This study considers how objects – lampposts, post boxes, parking meters, litterbins and signage are designed to populate public spaces. Herring explores the context of a post-war national government, backed by design experts and bodies such as the Council of Industrial Design, keen to propagate ‘good’ modern design in post-war Britain. She traces how the struggle over the design of street furniture exposed deep-seated anxieties about class, taste and power. Herring draws upon archival material and interviews with leading figures in urban design, including the graphic designer Margaret Calvert and industrial designer Kenneth Grange.

July 2016 240 pages 60 bw illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474245616 £60.00 / $104.00 Bloomsbury Academic

Eleanor Herring lectures in design history at Glasgow School of Art, Scotland, in product design at Vrije Universiteit Amsterdam, the Netherlands, and in fashion and sustainability at ESMOD, Berlin, Germany.

23

History and Culture of Design

Danish Modern Between Art and Design Mark Mussari

A richly illustrated study of the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives.

Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early love of wood and materials, and the tension between cabinet-maker craft and industrial production.

Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.

June 2016 224 pages 33 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9781474223720 £19.99 / $29.95 HB 9781474223706 £65.00 / £112.00 Bloomsbury Academic

Mark Mussari is an independent scholar, freelance writer, translator and consultant, based in Arizona, USA.

Design and National Identity Javier Gimeno-Martínez

This illuminating book offers a detailed account of how national identity and cultural policy have shaped design, while suggesting that such simple formations of the ‘national’ are increasingly unsustainable in an age of globalisation, migration and cultural diversity.

The author addresses the key concepts of essentialism, constructivism, geography and multiculturality, and throughout relates the theoretical discussion to a wide range of examples of products, movements and exhibitions from countries including the UK, the Netherlands, Spain and Belgium.

September 2016 224 pages 25 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9781472591036 £19.99 / $29.95 HB 9781472591043 £65.00 / $112.00 Bloomsbury Academic

Javier Gimeno-Martínez is assistant professor at the VU University Amsterdam, the Netherlands.

Key Titles British Design Tradition and Modernity after 1948 Edited by Christopher Breward, Fiona Fisher and Ghislaine Wood October 2015 240 pages 49 bw and 16 colour illus 244 x 169mm / 9.6 x 6.7 inches PB 9781472505378 £24.99 / $42.95 HB 9780857857125 £75.00 / $128.00 Bloomsbury Academic

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Design by IKEA A Cultural History Sara Kristoffersson 2014 160 pages 22 bw and 17 colour illus 244 x 169mm / 9.6 x 6.7 inches PB 9780857858146 £19.99 / $29.95 HB 9780857858139 £65.00 / $120.00 Bloomsbury Academic

History and Culture of Craft

China’s Porcelain Capital The Rise, Fall and Reinvention of Ceramics in Jingdezhen Maris Gillette

Maris Gillette explores how state involvement has affected Jingdezhen’s porcelain production, particularly during the 20th century. She considers how the Chinese government has consumed, invested in and managed the industry, and the effects of state intervention on ceramists’ lives, their environment and their works. Gillette traces the transition from imperial rule to communist state ownership, the changing fortunes of the ceramics industry in the 21st century, the decay and decline that accompanied privatisation, and a revival brought about by the manufacturing of highlyprized ‘art porcelain’.

August 2016 224 pages 20 bw illus and 7 line illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474259415 £60.00 / $104.00 Bloomsbury Academic

Maris Boyd Gillette is E. Desmond Lee Professor of Museum Studies and Community History, University of Missouri, St Louis, USA.

Key Titles Amateur Craft History and Theory Stephen Knott

“Knott (who is undoubtedly an important up-and-coming voice in the world of craft criticism) … proves, in this politely disruptive book, that the amateur and professional don’t exist in separate silos ... a timely reminder of craft’s breadth and everyday importance.” Grant Gibson, Crafts Magazine “Potentially a standard reference for future social history students and researchers.”

Grahame Hedges, N Gauge Society Journal

August 2015 184 pages 41 bw illus, 14 colour illus 246 x 189mm / 9.7 x 7.4 inches PB 9781472577344 £22.99 / $39.95 HB 9781472577351 £70.00 / $120.00 Bloomsbury Academic

Knott’s illustrated study explores the curious and unexpected attributes of things made outside standardised models of mass production, presenting a historical and theoretical framework for understanding amateur craft in the modern era, from 19th century Sunday painters and amateur carpenters to present day railway modellers and IKEA hackers.

Stephen Knott is a writer and researcher who lecturers at Liverpool Hope University, UK. He is also Managing Editor of the Journal of Modern Craft.

Sloppy Craft Postdisciplinarity and the Crafts Edited by Elaine Cheasley Paterson and Susan Surette

“Edited with precision and wit. It is an important, of the moment, contribution to craft writing. It crosses boundaries of practice with elegance and rigour, defining Sloppy Craft in ways that are appealing as well as polemical. There is writing of the first order from some of the most significant authors in the field.” Simon Olding, Director, Crafts Study Centre, UK “Diverse, uniformly thoughtful writings making the case that the concept of Sloppy Craft is not a contradictory one … an exciting, necessary new addition to the growing discourse on craft and contemporary art.” Maria Elena Buszek, the University of Colorado Denver, USA

September 2015 240 pages 31 bw and 32 colour illus 234 x 156mm / 9.2 x 6.1 inches PB 9781472529008 £19.99 / $34.95 HB 9781472534880 £65.00 / $112.00 Bloomsbury Academic

25

Ceramics

6th edition

The Potter’s Dictionary Of Materials and Techniques Frank and Janet Hamer

New to this edition • Full colour for the first time, with over 900 images • New or expanded coverage of developing areas such as rapid prototyping, paperclay, sustainable ceramics • New entries on a range of topics, from aerogel to smoke crackle to 3D printing • In total, 32 new entries and 156 revised and updated entries

“A mine of information on materials, tools and techniques, The Potter’s Dictionary is the essential reference book for potters.

This is the book to turn to, not only if you have trouble with firing, cracking or glaze fit, but also if you really want to understand the science of clay and glazes.” Linda Bloomfield, Ceramicist, UK

UK November 2015 US December 2015 528 pages 597 colour illus and 275 bw diagrams 270 x 205mm /10.6 x 8.0 inches HB 9781408184196 £55.00 / $100.00 World All Languages (excluding USA/Canada) Bloomsbury Academic

The Potters Dictionary presents a thorough guide to the tools, materials and techniques of ceramic art, structured in an easy-to-use A-Z format.

Featuring sound, practical explanations and illustrated throughout with helpful diagrams and photos, this indispensable reference work is widely known as ‘the potter’s bible’.

The Dictionary also includes invaluable technical and resource information.

Frank and Janet Hamer have been making, teaching and writing about ceramics for over 60 years.

They have taught hundreds of students and helped to found a pottery society that is now 50 years old.

54 | C

Castor ware–Celadon

26

C | 55

Castor ware Romano-British pottery made at Castor. Northamptonshire.

The colour varies from a yellowish grey to a slate blue and is the finest of the Romano-British wares. It was not glazed; decoration was added in the form of freely and elaborately trailed white slip depicting figures, animals and scenes.

Catalyst A substance which assists a chemical or a physical change to take place in another substance. It may speed up the rate of change or enable the change to take place more easily but after the change the catalyst itself is unchanged. The oxides of aluminium, calcium, iron, magnesium, potassium and sodium all act as catalysts assisting the conversion of the quartz phase of silica into the cristobalite phase.

The glaze is very viscous when molten in the firing and prone to crawling. Sudden drops in temperature, a danger with heavy reduction, must be avoided. A more transparent, pale bluish glaze fired on porcelain, like the Chinese Yingqing, is also included as a celadon. See Iron oxide in glazes and Recipe Appendix.

The olive green glaze on the bottle illustrated is typical of Northern Song Dynasty celadons. The three bowls by Janet Hamer show the effect of light reduction in the yellow/green bowl, to medium and to heavier reduction in the bluish celadon.

Catenary curve A curve made by a chain hanging from two fixed points. If this line is used in an inverted form it gives an arch which is extremely strong when used in building. A catenary arch used over a kiln chamber directs all the thrust of its weight within the base. There is therefore no need for buttresses or angle iron bracing across the arch.

The photographs show a kiln packing inside a catenary arch by Jesse Jones and a kiln built at the International Ceramics Festival by Joe Finch.

Celestine Celestite. Strontium sulfate. SrSO4. The slightly soluble strontium mineral associated with clay shales and salt deposits.

Summary of Contents Preface Acknowledgements Standard Abbreviations A Note On Nomenclature Alphabetical Entries Postscript By David Livingstone Appendix Of Tables (including conversions) Bibliography Appendix of Suppliers Appendix of Addresses for Standards and Safety Green Addresses Appendix of Internet Resources for Potters Recipe Appendix

Celestine–Ceramic change

The discolouration is due to an area of different composition and is where the slip first hit the mould. At this point, if the mould is very porous, a thin slip breaks up into clay and non-clay particles. The pressure of the slip hitting the mould should be reduced by introducing the slip through a pipe. The fluidity of the slip should be decreased by decreasing the amount of deflocculant used, especially the sodium silicate.

Celsian Barium feldspar. BaO.Al2O3.2SiO2. One of the true feldspars.

See Feldspar: types of. It is very rare and available only as hand-picked specimens.

Celsius Celadon A grey-green to grey-blue stoneware and porcelain glaze. The glaze is a feldspathic type. The colour is derived from a very small amount of red iron oxide which in the reducing firing has been changed to black iron oxide. Celadon ware originated in China, developing from dark, grey-green thickly glazed Yue ware to its artistic maturity in the Song Dynasty. The name was derived from Céladon, a shepherd in the 17th-century French play L’Astrée who wore grey-green ribbons and cloak. The classic celadon glaze is thickly applied and semi-translucent.

This quality shows best where the glaze gains varying depths in deep and shallow carving thus exploiting the range of tone and colour. The close observation of the shapes, patterns and quiet colours engenders peaceful contemplation.

The Potter's Dictionary.indb 54-55

°C. Centigrade. Degrees Celsius are units on the Centigrade scale where the freezing point and boiling point of water are 0°C and 100°C, respectively. The scale is named after Anders Celsius, the 18th-century Swedish astronomer, who introduced the centigrade thermometer in 1742. A century later.

Lord Kelvin took the principle of the centigrade scale and extended it to an absolute scale beyond the temperatures associated with water. See Kelvin.

Ceramic change The change from clay to pot, upon which the whole pottery industry is founded. Clay can be dried and reconstituted to plastic state ad infinitum but once it has been subjected to 600°C (1112°F) it is no longer clay but a hard material which cannot be disintegrated and dispersed by water. The ceramic

20/04/2015 11:13:26

Ceramics

New Directions in Ceramics From Spectacle to Trace Jo Dahn

What non-traditional activities does the term ‘ceramics’ now encompass? How have these practices developed? Have they been accommodated by institutions? This is a critical overview of contemporary ceramics, identifying influential exhibitions, events and publications.

“Informative, stimulating, insightful, and intriguing, this well-illustrated book explores the innovative works of over two dozen significant ceramicists through four pivotal and theoretically well-framed themes.” Susan Surette, NSCAD University, Canada

UK October 2015 US December 2015 192 pages 121 colour illus HB 9781472526717 £35.00 / $60.00 Bloomsbury Academic

Jo Dahn is an independent writer, researcher and curator based in the UK.

Subversive Ceramics Claudia Clare

“This is a book that has been needed for a very long time. It examines the intriguing histories of how clay has been used as a medium for dissent, as a commentary on political life and to critique ideas of domesticity ... passionate, lucid, funny, beautifully illustrated and frequently surprising.” Edmund de Waal Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate.

Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day.

UK January 2016 US March 2016 160 pages 90 colour illus 276 x 219mm / 10.9 x 8.6 inches HB 9781472528544 £35.00 / $60.00 Bloomsbury Academic

Claudia Clare is a ceramicist and writer based in London, UK.

Surface Decoration Kevin Millward

This step-by-step guide encourages the reader to explore the full range of ceramic surface treatment techniques and helps them give a professional finish to their work.

The book explores a variety of innovative and contemporary approaches to surface finish, including sgrafitto, resist methods, sprigging, trailing, glaze layering, lustre, transfer, impressing, incising, textural methods and more. Clear explanations of methods and techniques, and images of each step and the finished product make the book accessible to ceramic artists of all levels.

UK October 2016 US October 2016 128 pages 120 colour illus 246 x 189mm / 9.7 x 7.4 inches PB 9781408173787 £19.99 / $29.95 Series: New Ceramics Bloomsbury Academic

Kevin Millward has been a potter for over forty years and is currently part time lecturer in ceramics at Buckinghamshire New University, UK.

27

Photography

2nd edition

Photography The Key Concepts David Bate

Textbook “Brought entirely up to date, this new edition is an excellent first stop in any student’s quest to understand the nature of the photographic experience.”

Geoffrey Batchen, Victoria University, New Zealand “This essential book will continue to be a mainstay of photography courses worldwide.” Erina Duganne, Texas State University, USA

February 2016 312 pages 10 colour and 84 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9780857854933 £16.99 / $27.95 HB 9780857854926 £50.00 / $90.00 Series: The Key Concepts Bloomsbury Academic

An indispensable guide to the field, Photography: The Key Concepts is core reading for all courses that consider the place of photography in society, within photography, visual culture, art, media and cultural studies.

David Bate is Professor of Photography at the University of Westminster, London, UK.

Contents Introduction 1. Photography Theory 2. Snapshots and Institutions 3. Documentary and Storytelling 4. Seeing Portraits 5. The Composition Landscapes 6. The Object of Still Life 7. Photography and Art 8. Global Photography 9. The Scopic Drive 10. History and Photography Bibliography Index

New in paperback

Photography and September 11th Spectacle, Memory, Trauma Jennifer Good

It is impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world’s media pictured a spectacle of terror, from images of the collapsing towers to fatigued firefighters.

Drawing on trauma theory, this book asks whether the prolonged exposure of audiences to images in the media was cathartic or damaging. Additionally it explores how individuals used images to process their feelings in photographic memorial websites, interrogating perceptions that these were an aid to recovery and providing a new understanding of how audiences see and process news photography in times of crisis.

Jennifer Good is Senior Lecturer of History and Theory of Photojournalism and Documentary Photography, London College of Communication at the University of the Arts, London, UK.

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September 2016 224 pages 14 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9781474286213 £19.99 / $29.95 Previously in HB 9781472533319 £55.00 / $94.00 Bloomsbury Academic

Photography

2nd edition

Photography Exposure David Präkel

Textbook A clear and practical introduction for students learning to capture stunning imagery through manipulation of light, aperture and shutter speed.

The theory of exposure is clearly explained through the fundamental relationship between the photographic image and the effects of light intensity and duration.

David Präkel has taught photography at all levels in the UK and USA, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland, UK.

UK November 2015 US December 2015 184 pages 200 color illus 230 x 160mm / 9.1 x 6.3 inches PB 9781472590916 £23.99 / $39.95 Series: Basics Photography Fairchild Books

Students • Over 200 colour images illustrate key principles and techniques • Advice on particularly challenging environments, such as winter, darkness and close-up shots • Outlines the principles of in-camera and hand-held light meters: their strengths, limitations and correct use in a wide variety of lighting situations New to this edition • New case studies from a range of international artists • New practical assignments and examples of innovative photography • 30% new images • Fully updated to reflect technical innovations since the first edition

Summary of Contents Introduction Basics Shutter Speed and Time Aperture and Depth of field Meters and Metering Dynamic Range Special Cases Conclusion Bibliography, Apps and Online Resources Glossary Index Acknowledgements and credits

Key Title

Textbook

Making Photographs Planning, Developing and Creating Original Photography

“A wonderful introduction to the art of ‘photographic seeing’, and follows the image-making process from inception to final display. It would be a most useful text for students who are beginning their journey into understanding photography, visual culture, and the world around themselves.”

Adam DeKraker, Associate Professor of Photography, Kendall College of Art and Design, USA

Mike Simmons

Highlighting the distinction between ‘making’ and ‘taking’ photographs, this book introduces a structured way of developing creative solutions to the work students want to make, fusing personal ideas with knowledge, compositional elements and practical skills.

UK February 2015 US April 2015 176 pages 200 colour illus 234 x 156mm / 9.2 x 6.1 inches PB 9781472530370 £23.99 / $39.95 Basics Creative Photography Fairchild Books

29

Photographic History

New in paperback

The History of Photography in 50 Cameras Michael Pritchard

The History of Photography in 50 Cameras relates the fascinating story of this ground-breaking piece of kit by selecting 50 key camera models and investigating them in chronological order. The origin and development of each model is described in detail, along with its impact on the science, consumption and art of photography.

• Covers cameras of all forms, from the first ‘mousetrap’ camera of 1835 to the Nokia Lumia • Illustrated throughout with a wide range of iconic photographs taken by the models described, as well as studio shots of all fifty cameras and related equipment • Traces the stories of the photographers who used and popularized these cameras

UK September 2015 224 pages 150 colour illus PB 9781474250603 £16.99 Europe only Bloomsbury Visual Arts

Michael Pritchard FRPS was a photography specialist and Director at Christie’s, London, UK, for over twenty years and is currently Director General of the Royal Photographic Society, UK.

Contents Introduction / 1. Talbot ‘Mousetrap’ Camera (1835) / 2. Daguerreotype Camera (1839) / 3. Ottewill Collapsible Camera (1853) / 4. Sutton Panoramic Camera (1859) / 5. Enjalbert Photo-Revolver de Poche (1882) / 6. Rouch Eureka Detective/ Hand Camera (1888) / 7. The Kodak Camera (1888) / 8. Stirn Vest Camera (1888) / 9. Scovill Book Camera (1892) / 10. Goerz Anschutz Camera (1894) / 11. Thornton-Pickard Royal Ruby Field Camera (1895) / 12. Brownie Camera (1900) / 13. Sanderson Hand Camera (1904) / 14. Soho Reflex Camera (1905) / 15. Ticka Camera (1906) / 16. Vest Pocket Kodak (1912) / 17. Thornton-Pickard Hythe Camera/Gun (1917) / 18. Voigtlander Prominent Camera (1932) / 19. George Washington Kodak Camera (1932) / 20. Zeiss Ikon Contax I Camera (1932) / 21. Canon Hansa Camera (1935) / 22. Leica I Camera (1935) / 23. Coronet Midget (1935) / 24. Kine Exakta Camera (1936) / 25. Minox Camera (1937) / 26. Compass Camera (1937) / 27. Kodak Super Six-20 Camera (1938) / 28. Eastman Kodak Co, Matchbox Camera (1944) / 29. Zeiss Ikon Super Ikonta 533/16 (1948) / 30. Polaroid Model 95 Camera (1948) / 31. Hasseblad Camera (1948) / 32. Speed Graphic Camera (1950) / 33. Viewmaster Personal Stereo Camera (1952) / 34. Leica M3 Camera (1954) / 35. Nikon F Camera (1959) / 36. Rolleiflex 2.8F Camera (1962) / 37. Topcon RE Super Camera (1963) / 38. Kodak Instamatic 100 (1963) / 39. Pentax Spotmatic Camera (1964) / 40. Olympus OM1 Camera (1972) / 41. Kodak 110 Instamatic (1972) / 42. Polaroid SX-70 Camera (1972) / 43. Canon A1 Camera (1978) / 44. Sharp J-SH04 Camera/ Phone (1980) / 45. Sony Mavica (1981) / 46. Fuji QuickSnap Camera (1986) / 47. Canon RC701 (1986) / 48. Kodak / Nikon DCS100 (1991) / 49. Apple Quicktake Camera (1994) / 50. Camera-phone (2013) / Glossary / Bibliography / Index / Credits /

New in paperback

Group f.64 Edward Weston, Ansel Adams, Imogen Cunningham, and the Community of Artists Who Revolutionized American Photography Mary Street Alinder

30

“[A] landmark group portrait of the visionary photographers.” — Booklist (starred review)

UK August 2016 US June 2016

The San Francisco Bay Area members of famed Group f.64 took their name from the small lens aperture they used with their large-format cameras, which allowed them to capture the greatest possible depth of field in their detailed prints, emphasizing photography’s unique capabilities as a fine art.

416 pages B&W photos throughout; 16-page color insert 155 x 235mm / 6.1 x 9.3 PB 9781620405567 £14.99 / $22.00 Bloomsbury USA

With close to one hundred photographs, Group f.64 brilliantly captures its art and personalities.

Mary Street Alinder is a scholar and curator in Northern California, specializing in twentiethcentury photography. She served as chief assistant to Ansel Adams and wrote the definitive biography.

Photographic History

New Series: Photography, History: History, Photography Series editors: Elizabeth Edwards, De Montfort University, UK Patricia Hayes, University of Western Cape, South Africa Jennifer Tucker, Wesleyan University, USA This field-defining series explores the inseparable relationship between photography and history. Bringing together perspectives from a broad disciplinary base it investigates what wider histories of, for example, wars, social movements, regionality or nationhood, look like when photography and its social and cultural force are brought into the centre of analysis.

Photography, Humanitarianism, Empire Jane Lydon

The first publication in the Photography, History: History, Photography series, this book examines the role of photography in shaping ideas about race and difference in Australia. Covering the period between the 1840s and the 1948 Declaration of Human Rights, the book includes a rich selection of case studies to show how photographic encounters between Aboriginals, missionaries, scientists, photographers and writers fuelled international debates about morality, law, politics and human rights. Drawing on new archival research, it uncovers a story of photography as a complex social force and is essential reading for students and scholars of photography, race and the histories of empire and human rights.

July 2016 224 pages 60 bw illus 244 x 169mm / 9.6 x 6.7 inches HB 9781474235501 ÂŁ65.00 / $112.00 Series: Photography, History: History, Photography Bloomsbury Academic

Jane Lydon is the Wesfarmers Chair of Australian History at the University of Western Australia, Australia.

Victorian Photography, Literature and the Invention of Modern Memory Already the Past Jennifer Green-Lewis

Through a study of nineteenth-century literature, this book shows how Victorian photography defined the concept of memory for generations to come, including our own. Tracing the representation and significance of photography in literature until the turn of the twentieth century, it analyses a broad range of texts by inventors, cultural critics, photographers, novelists and poets, and explores how photography influenced the organization and narration of private and public experiences of the past. Invaluable for scholars working at the intersection between photography and literature, this pioneering book will also be of interest to students of Victorian studies, visual culture and intellectual history.

August 2016 224 pages 21 bw illus 244 x 169mm / 9.6 x 6.7 inches HB 9781474263085 ÂŁ65.00 / $112.00 Series: Photography, History: History, Photography Bloomsbury Academic

Jennifer Green-Lewis is Associate Professor of English at the George Washington University, USA.

31

Photographic History

New in paperback

The African Photographic Archive Research and Curatorial Strategies Edited by Christopher Morton and Darren Newbury

African photography has emerged as a focus of research over the last twenty years as a result of a growing interest in postcolonial cultures and a turn towards visual evidence across the humanities and social sciences. This volume explores the many rich photographic collections that have recently come to light and the complex theoretical and practical issues involved in their study. Based on case studies from across the continent dating from the 19th century to the present, chapters consider what constitutes an archive; the value of a critical and reflexive engagement with photographic collections; and the questions of where and what Africa is, as constituted in the archive.

March 2016 264 pages 72 bw illus 234 x 156mm / 9.2 x 6.1 inches PB 9781474284660 £19.99 / $29.95 Previously in HB 9781472591241 £65.00 / $112.00 Bloomsbury Academic

Christopher Morton is Curator of Photograph and Manuscript Collections at the Pitt Rivers Museum, Oxford, UK and Lecturer in Visual and Material Anthropology at the Institute of Social and Cultural Anthropology, University of Oxford, UK. Darren Newbury is Professor of Photographic History at the University of Brighton, UK.

Italian Humanist Photography from Fascism to the Cold War Martina Caruso

With its focus on the human condition, Italian social documentary photography offers a rich source of cultural history. This book analyses a huge range of unpublished and unknown images from the 1930s to 1960s, including the work of 30 Italian photographers and many more from the UK, USA, France and Germany. Setting Italian photography against a global backdrop of social documentary, this study considers broader social issues such as propaganda, aesthetics and religion. It challenges the long-held association of this genre with Neorealist film and literature, instead placing it in context with painting, magazine publishing, and amateur and anthropological photography.

Martina Caruso is an Associate Lecturer at the University of the Arts, London, UK.

32

August 2016 224 pages 70 bw illus 234 x 156mm / 9.2 x 6.1 inches HB 9781474246934 £65.00 / $112.00 Bloomsbury Academic

Advertising

Epica Book 29 Creative Communications

“This is the closest you’ll get to a ‘how to’ book on creative advertising.” John Pallant, Regional Creative Director, Saatchi & Saatchi, ME

Epica Awards

Beautifully illustrated with over 1000 colour images, the 29th edition of the Epica Book showcases more than 850 creative projects honoured in the 2015 Epica Awards - including fascinating background stories on all the latest Epica d’Or winners.

UK September 2016 US November 2016 400 pages 1000 colour illustrations 300 x 220mm / 11.8 x 8.7 inches HB 9781474261623 £45.00 / $78.00 Series: Epica Bloomsbury Visual Arts

Featuring work from communication agencies, film production companies, media consultancies, photographers and design studios, the Epica Book is a unique source of information and inspiration for all those interested in contemporary worldwide advertising trends.

The Epica Awards were created in 1987. Having originally focused on the Europe, Middle East and Africa region exclusively, the awards became global in 2012.

Key Title 2nd edition

The Fundamentals of Creative Advertising Ken Burtenshaw, Nik Mahon and Caroline Barfoot

Textbook UK September 2011 US November 2011 184 pages 200 illus 230 x 200mm / 9.1 x 7.9 inches PB 9782940411566 £26.50 / $38.50 Series: Fundamentals AVA Publishing

“Highly recommended to upper-division and graduate marketing and design students, faculty, and practitioners.” P. G. Kishel, Cypress College, USA, Choice Magazine “A concise overview, extensively illustrated, which gives the novice a sound orientation and understanding of the jargon, stages and evolution of an ad campaign from idea to finished product.” Photoicon “A great introduction to the world of creative advertising.” Digit magazine

33

Index

A

E

African Photographic Archive, The

32

Edwards, Clive

Alinder, Mary Street

30

Encyclopedia of Asian Design, The 22

Amateur Craft

25

Epica Book 29

Ambrose, Gavin

4, 8, 9

Animation in Context Atzmon, Leslie

16 3

B

Faust, Jürgen

15

Fine, Peter Claver

13

Fisher, Fiona

24 22

33

Fujita, Haruhiko

Bate, David

28

Fundamentals of Animation, The

Best, Kathryn Bestley, Russell

15 6

Bloomsbury Encyclopedia of Design, The

20

Boehnert, Joanna

14

Bossom, Andy

19

Bramston, David

11

Breward, Christopher

24

British Design

24

Brower, Steven

3

Burtenshaw, Ken

33

C Cartoon Character Animation with Maya

17

Caruso, Martina

32

China’s Porcelain Capital

25

Clare, Claudia

27

Collington, Mark

16

Communication Design Critical Design in Context Crow, David

8 23 6

D Dahn, Jo

27

Danish Modern

24

Data-driven Graphic Design

18

Design: Critical and Primary Sources

21

Design and National Identity

24

Design by IKEA

24

Design Management

15

Design Thinking for Visual Communication

8

Design, Ecology, Politics

14

Designing Business and Management

15

Developing Citizen Designers

13

Dilnot, Clive

23

Dunning, Ben

19

34

33

F

Barfoot, Caroline

Becoming a Successful Graphic Designer 3

L 20

17

Street Furniture Design

23

Leonard, Neil

3

Subversive Ceramics

27

Long, Jim

8

Surette, Susan

25

Lydon, Jane

31

M

Surface Decoration

27

Sustainable Graphic Design

13

Mahon, Nik

33

T

Making Photographs

29

Triggs, Teal

3

Malpass, Matt

23

Typography

9

Manghani, Sunil

21

Margolin, Victor

22

V

Millward, Kevin

27

Moore, Samantha

17

Victorian Photography, Literature and the Invention of Modern Memory

31

Video Game Design

19

Video Games

19

Fundamentals of Creative Advertising, The

33

Morris, Richard

10

Fundamentals of Product Design, The

Morton, Christopher

32

10

Mussari, Mark

24

Visible Signs

6

Visual Research

6

New Directions in Ceramics

27

W

8

Fundamentals of Typography, The

9

G

N

Gillette, Maris

25

New Munsell® Student Color Set, The

Gimeno-Martínez, Javier

24

Newbury, Darren

Good, Jennifer

28

Nixon, Natalie W.

Graphic Design in Urban Environments

14

Graphic Design Reader, The

3

Noble, Ian

Wells, Paul

17

Wood, Ghislaine

24

32

World History of Design

22

15

Y

6

O Osborn, Keith

17

31

Group f.64

30

P

Hamer, Frank

26

Painting: Critical and Primary Sources

21

Hamer, Janet

26

Paterson, Elaine Cheasley

25

Harland, Beth

21

Harland, Robert

14

Harris, Paul

4, 9

Photography: The Key Concepts 28 Photography and September 11th

28

Photography Exposure

29

Photography, Humanitarianism, Empire 31

Herring, Eleanor

23

Heskett, John

23

Heskett, Pamela

23

Potter’s Dictionary, The

26

History of Photography in 50 Cameras, The

Präkel, David

29

30

Price, Jessie

8

Huppatz, D.J.

21

Principles and Processes of Interactive Design, The

19

Pritchard, Michael

30

I Idea Searching for Design Inside Art Direction

11 3

Production Manual, The

4

Italian Humanist Photography from Fascism to the Cold War 32

R Resnick, Elizabeth

13

J

Richardson, Andrew

18

John Heskett Reader, A

23

S

Junginger, Sabine

15

Salmond, Michael

19

Simmons, Mike

29

Sloppy Craft

25

Steane, Jamie

19

Strategic Design Thinking

15

K Knott, Stephen

25

Kristoffersson, Sara

24

8

YeLi 11

Green-Lewis, Jennifer H

Yates, Derek

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Image: Gertrude K채sebier, Blessed art thou among women, 1899. Library of Congress

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ISBN 9781474290043

9 781474 290043

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