EDITION VI

EDITION VI 2020

AURORA COLLECTION

N a m e d fo r t h e g r e e k g o d d e s s o f d a w n , T h e A u r o r a C o l l e c t i o n b o a s t s a n intricate geometric marquetry top in French Oak. She calls upon Arts DĂŠcoratifs grander then softens it. Rendered in durable raw finishes i n s p i r e d b y t h e s a n d s o f o u r fa v o r i t e b e a c h e s o f t h e w o r l d .

AURORA CENTER TABLE

M a q u e t r y To p | F r e n c h o a k V e n e e r + s o l i d s H:30" Dia:29"

FRENCH OAK FINISHES

Caspar

Mori

Muriwai

AURORA CENTER TABLE / â–²TA-5487-A | Caspar Oak

AURORA CENTER TABLE / â–²TA-5487-B | Mori Oak

AURORA CENTER TABLE / â–²TA-5487-C | Muriwai Oak

AURORA DINING TABLE

M a q u e t r y To p | F r e n c h o a k V e n e e r + s o l i d s H:30" Dia:50"

FRENCH OAK FINISHES

Caspar

Mori

Muriwai

AURORA DINING TABLE / â–²TA-5555-A | Caspar Oak

AURORA CENTER TABLE / â–²TA-5555-B | Mori Oak

AURORA CENTER TABLE / â–²TA-5487-A | Muriwai Oak

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1.Small Accent Table 2.Large Accent Table 3.Dining Table

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AXEL COLLECTION In paying homage to Swedish architect Axel Einar Hjorth’s work that straddled Art Deco and Modernist aesthetics, with its emphasis on minimalism and functionality, the Axel Collection based upon Swedish rural traditions, is nonetheless astonishingly modern. With its simplicity of construction, and the warmth of reclaimed aromatic timber, the delicate rigor of proportion is elevated.

AXEL SMALL ACCENT TABLE

Reclaimed Aromatic Fir | H:21.25" Dia:18.25"

RECLAIMED FIR FINISHES

G reye d Wa sh

S u m i zo m e

AXEL SMALL ACCENT TABLE / â–²TA-5505-A | Greyed Wash

AXEL SMALL ACCENT TABLE / â–²TA-5505-B | Sumizome

AXEL LARGE ACCENT TABLE

Reclaimed Aromatic Fir | H:25.25" Dia:24"

RECLAIMED FIR FINISHES

G reye d Wa sh

S u m i zo m e

AXEL LARGE ACCENT TABLE / â–²TA-5504-A | Greyed Wash

AXEL LARGE ACCENT TABLE / â–²TA-5504-B | Sumizome

AXEL DINING TABLE

Reclaimed Aromatic Fir | H:30" Dia:60"

RECLAIMED FIR FINISHES

G reye d Wa sh

AXEL DINING TABLE / â–²TA-5242 | Greyed Wash Reclaimed Fir

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1.Dining Chair 2.Dining Arm Chair 3.Counter Stool 4.Counter Stool with Arm 5.Bar Stool 6.Bar Stool with Arm

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CADIZ COLLECTION

A tribute to the traditional chairs spotted in an Andalusian taberna, we refined the silhouette and added a reversible seat cushion in Egyptian linen for a relaxed posture. Entirely hand crafted from natural materials, The Cรกdiz Seating Collection is anything but hackney. Hand turned and cerused French Oak spindles tenon through a frame that is wrapped in rush traditionally harvested from the marshlands of The Fertile Crescent.

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CADIZ DINING ARM CHAIR

B r u s h e d F r e n c h O a k | H : 3 5 " D : 2 4 " W: 2 3 "

FINISHES

Caspar Oak

C e r use d R ush

Fo g L i ne n

CADIZ DINING ARM CHAIR / â–²SE-5579 | Caspar Oak

CADIZ DINING CHAIR

B r u s h e d F r e n c h O a k | H : 3 5 " D : 2 4 " W: 2 3 "

FINISHES

Caspar Oak

C e r use d R ush

Fo g L i ne n

CADIZ DINING CHAIR

/ â–²SE-5580 | Caspar Oak

CADIZ COUNTER STOOL WITH ARM

B r u s h e d F r e n c h O a k | H : 3 9 . 5 " D : 2 2 . 5 " W: 2 0 . 5 "

FINISHES

Caspar Oak

C e r use d R ush

Fo g L i ne n

CADIZ COUNTER STOOL WITH ARM

/ â–²SE-5593 | Caspar Oak

CADIZ COUNTER STOOL

B r u s h e d F r e n c h O a k | H : 3 9 . 5 " D : 2 2 " W: 2 0 . 5 "

FINISHES

Caspar Oak

C e r use d R ush

Fo g L i ne n

CADIZ COUNTER STOOL

/ â–² SE-5594 | Caspar Oak

CADIZ BAR STOOL WITH ARM

B r u s h e d F r e n c h O a k | H : 4 3 . 5 " D : 2 2 . 5 " W: 2 0 . 5 "

FINISHES

Caspar Oak

C e r use d R ush

Fo g L i ne n

CADIZ BAR STOOL WITH ARM

/ â–²SE-5581 | Caspar Oak

CADIZ BAR STOOL

B r u s h e d F r e n c h O a k | H : 4 3 . 5 " D : 2 2 . 5 " W: 2 2 "

FINISHES

Caspar Oak

C e r use d R ush

Fo g L i ne n

CADIZ BAR STOOL

/ â–² SE-5582 | Caspar Oak

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1.Bedside Table 2.Dresser 3.Accent Table 4.Console 5.Cocktail Table

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COLMO COLLECTION

Marrying earthy bleached French Oak shrouding, solid grounded forms and pure geometry, the Colmo Collection strike balance of edgy and relaxed glamour. Unexpected details and meticulously selected materials, make it all-the-more distinctive, unique and timeless. With purpose and refinement, this collection complements and elevates both traditional and modern styles, helping create spaces that are both of the moment and enduring.

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COLMO BEDSIDE TABLE

B r u s h e d F r e n c h O a k | H : 3 2 " D : 1 8 . 2 " W: 3 2 "

C a spa r Fre nch O a k

COLMO BEDSIDE TABLE / â–²TA-5549 | Caspar Oak

COLMO CHEST

B r u s h e d F r e n c h O a k | H : 3 6 " D : 2 0 . 5 " W: 4 6 . 5 "

C a spa r Fre nch O a k

COLMO CHEST

/ â–²TA-5548 | Caspar Oak

COLMO ACCENT TABLE

B r u s h e d F r e n c h O a k | H : 2 4 " D : 2 2 " W: 2 2 "

C a spa r Fre nch O a k

COLMO ACCENT TABLE

/ â–²TA-5550 | Caspar Oak

COLMO CONSOLE

B r u s h e d F r e n c h O a k | H : 3 1 " D : 1 8 " W: 6 2 "

C a spa r Fre nch O a k

COLMO CONSOLE

/ â–²TA-5551 | Caspar Oak

COLMO COCKTAIL TABLE

B r u s h e d F r e n c h O a k | H : 1 8 " D : 3 2 " W: 5 4 . 5 "

C a spa r Fre nch O a k

COLMO COCKTAIL TABLE

/ â–²TA-5552 | Caspar Oak

HELLEN CHEST

A classic waterfall bow front form paired down to its essential elements and wrapped in book matched olive ash burl is set off by minimal cast brass escutcheons. Brass half mortise locks and push-to-open drawer hardware finish the fully veneered interior.

HELEN CHEST

O l i v e A s h B u r l | H : 3 5 . 5 D : 2 2 " W: 4 0 "

OLIVE ASH BURL FINISHES

Kampia

Katha ros

Kam a r i

HELEN CHEST / â–²TA-5497-A | Kampia Burl

HELEN CHEST

/ â–²TA-5497-B | Katharos Burl

HELEN CHEST

/ â–²TA-5497-C | Kamari Burl

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1.Dining Chair 2.Accent Table 3.Cocktail Table

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MONTROSE COLLECTION The Montrose Collection reflects memories of the raw natural beauty of the Southern California Foothills - days spent in craftsman bungalows, filtered light dancing through twisted live oaks as a salted breeze calls -contemporary silhouetting rooted in craftsman construction with an effortless outlook.

Three-way miters meet as radiused sculpted edges plunge below, French Oak conturing the subtleties of a tailored silhouette. The wire brushed finishes enhance with the wood's natural grain creating a raw, refined table. Finished in a variety of sumizome, bleached, or fumed finishes to enhance the natural character of the wood with reverence creating a raw, refined collection.

MONTROSE DINING CHAIR

F r e n c h O a k | H : 3 4 . 5 " D : 2 0 . 2 5 " W: 1 9 . 5 "

FINISHES

Issos Oa k

M ur i wa i O a k

Fo g L i ne n

MONTROSE DINING CHAIR / â–²SE-5569-A | Issos Oak

MONTROSE DINING CHAIR / â–²SE-5569-B | Muriwai Oak

MONTROSE ACCENT TABLE

F r e n c h O a k Ve n e e r + S o l i d s | H : 2 2 " D : 2 2 " W: 2 2 "

FRENCH OAK FINISHES

Caspar Oak

Rennissance Oak

Issos

Re na i ssa nce

M ur i wa i

M

MONTROSE ACCENT TABLE / â–²TA-5619-A | Issos Oak

MONTROSE ACCENT TABLE

/ â–²TA-5619-B | Renaissance Oak

MONTROSE ACCENT TABLE / â–²TA-5619-C | Muriwai Oak

MONTROSE COCKTAIL TABLE

French Oak | H:17" Dia:39"

FINISHES

Caspar Oak

Rennissance Oak

Issos

Re na i ssa nce

M ur i wa i

M

MONTROSE COCKTAIL TABLE / â–²TA-5620-A | Issos Oak

MONTROSE COCKTAIL TABLE / â–²TA-5620-B | Renaissance Oak

MONTROSE COCKTAIL TABLE / â–²TA-5620-C | Muriwai Oak

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1.Sideboard 2.Three Drawer Chest 3.Bedside Chest

I s s o s Oak

L i m e Ve l l um

COMING SOON

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MONTROSE CASEGOODS Wire brushed French Oak body, Natural Limed Goatskin Vellum doors.

Brass offset scissor hinges in brass and brass shelf pins on Sideboard.

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1.Sideboard 2.Three Drawer Chest 3.Bedside Chest

M ur i wa i Oa k

Grey Ve l l um

COMING SOON

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MONTROSE CASEGOODS Wire brushed French Oak body, Vegetable Tanned Grey Goatskin Vellum.

Brass offset scissor hinges in brass and brass shelf pins on Sideboard.

NORRA COLLECTION With a fluted carved face of reclaimed old growth elm and flame finished bluestone top the Norra Collection, in all her forms, reflects architectural tradition while making a raw and refined statement. The clarity of line and simplicity of forms is maintained throughout the collection with the help of blind pulls and fully concealed soft close hardware.

As the dilapidated centuries old timber structures in and around one of our workshops make way for contemporary necessities, we have found an opportunity and use for the timber that would otherwise be waste. With just the right amount of natural weathering and the sprinkled patina of nail holes and patches, we find this reclaimed old growth elm timber to be the perfect material for some of our more simply stated forms.

NORRA CHEST

Re c l a i m e d E l m , B l u e s t o n e | H : 3 4 " D : 2 0 " W: 4 8 "

FINISH

Re cl a i me d El m

Fl a me d B l ue sto ne

NORRA CHEST / â–²TA-5612 | Reclaimed Elm, Flamed Bluestone

NORRA CONSOLE

Re c l a i m e d E l m | H : 3 2 . 5 " D : 1 8 " W: 6 2 "

FINISH

Re cl a i me d El m

Fl a me d B l ue sto ne

NORRA CONSOLE TABLE / â–²TA-5611 | Reclaimed Elm, Flamed Bluestone

NORRA BEDSIDE TABLE

Re c l a i m e d E l m | H : 3 0 " D : 1 8 " W: 3 2 "

FINISH

Re cl a i me d El m

Fl a me d B l ue sto ne

NORRA BEDSIDE TABLE / â–²TA-5610 | Reclaimed Elm, Flamed Bluestone

S A LT I R E CO L L EC T I O N

From the symbology of the Achaemenid Empire to the tradition of timber framing, the Saltire has served as a symbol of strength. The cruciform makes a visual statement as robust as its structure.

In our Saltire Collection, hand hammered marbles are quarried from Sinai Valley sites once used by the Pharos. Bench made French Oak frames are expertly joined by traditional colombage methods and utilize an offset saltire form truss for rigid, minimal bases.

S A LT I R E ACC E N T TA B L E

B r u s h e d F r e n c h O a k | B r u s h H a m m e r e d S t o n e To p H:22.5" Dia:17"

OAK + STONE FINISHES

Caspar

M i l l i G rey M a r b l e

Si nai Pe a r l M ar bl e

S A LT I R E ACC E N T TA B L E / â–² TA -5 6 0 4 - A | C a s p a r O a k , M i l l i G re y M a r b l e

S A LT I R E ACC E N T TA B L E / â–² TA -5 6 0 4 - B | C a s p a r O a k , S i n a i Pe a r l M a r b l e

S A LT I R E D R I N K S TA B L E

B r u s h e d F r e n c h O a k | B r u s h H a m m e r e d S t o n e To p H:25.5" Dia:13"

OAK + STONE FINISHES

Caspar

M i l l i G rey M a r b l e

Si nai Pe a r l M ar bl e

S A LT I R E D R I N K S TA B L E / â–² TA -5 6 0 5 - A | C a s p a r O a k , M i l l i G re y M a r b l e

AURORA CENTER TABLE / â–²TA-5605-B | Caspar Oak, Sinai Pearl Marble

S A LT I R E CO F F E E TA B L E

B r u s h e d F r e n c h O a k | B r u s h H a m m e r e d S t o n e To p H:17.75" Dia:40"

OAK + STONE FINISHES

Caspar

M i l l i G rey M a r b l e

Si nai Pe a r l M ar bl e

S A LT I R E CO F F E E TA B L E E / â–² TA -5 6 0 6 - A | C a s p a r O a k , M i l l i G re y M a r b l e

S A LT I R E CO F F E E TA B L E E / â–² TA -5 6 0 6 - B | C a s p a r O a k , S i n a i Pe a r l M a r b l e

S A LT I R E S Q U A R E ACC E N T TA B L E

B r u s h e d F r e n c h O a k | B r u s h H a m m e r e d S t o n e To p H : 2 2 . 5 " D : 2 4 " W: 2 4 "

OAK + STONE FINISHES

Caspar

M i l l i G rey M a r b l e

Si nai Pe a r l M ar bl e

S A LT I R E S Q U A R E ACC E N T TA B L E / â–² TA -5 5 0 3 - A | C a s p a r O a k , M i l l i G re y M a r b l e

S A LT I R E S Q U A R E ACC E N T TA B L E E / â–² TA -5 5 0 3 - B | C a s p a r O a k , S i n a i Pe a r l M a r b l e

S A LT I R E N E S T I N G CO C K TA I L TA B L E

B r u s h e d F r e n c h O a k | B r u s h H a m m e r e d S t o n e To p H : 1 8 . 5 " D : 2 7 " W: 4 9 "

OAK + STONE FINISHES

Caspar

M i l l i G rey M a r b l e

Si nai Pe a r l M ar bl e

S A LT I R E N E S T I N G CO C K TA I L TA B L E / â–² TA -5 6 1 4 - A | C a s p a r O a k , M i l l i G re y M a r b l e

S A LT I R E N E S T I N G CO C K TA I L TA B L E / â–² TA -5 6 1 4 - B | C a s p a r O a k , S i n a i Pe a r l M a r b l e

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1.Small Mirror 2.Grande Mirror 3.Bedside 4.Chest 5.Sideboard

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SINE COLLECTION In 1822, French mathematician Joseph Fourier discovered that sinusoidal waves can be used as simple building blocks to describe and approximate any periodic waveform. Fourier used his discovery as al tool in the study of waves and heat flow.

To honor his discovery we have joined undulating sine waveform panels of French Oak to comprise the faces of our Sine Collection. Hidden soft-close, and push-to-open hardware keep the appearance in harmonious resonance.

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SINE SMALL MIRROR

French Oak | Dia:34" D:2"

FRENCH OAK FINISHES

Petr i f i e d

C a r bo n

SINE SMALL MIRROR / â–²MR-5570-A | Petrified Oak

SINE SMALL MIRROR / â–²MR-5571-B | Carbon Oak

SINE GRANDE MIRROR

French Oak | Dia:44" D:2"

FRENCH OAK FINISHES

Petr i f i e d

C a r bo n

SINE GRANDE MIRROR / â–²MR-5571-A | Petrified Oak

AXEL LARGE ACCENT TABLE / â–²MR-5571-B | Carbon Oak

SINE BEDSIDE

F r e n c h O a k | H : 3 0 " D : 2 0 " W: 3 0 "

FRENCH OAK FINISHES

Petr i f i e d

C a r bo n

SINE BEDSIDE / â–²TA-5492-A | Petrified Oak

SINE BEDSIDE / â–²TA-5492-A | Petrified Oak

SINE CHEST

F r e n c h O a k | H : 3 6 . 7 5 " D : 2 3 " W: 4 8 "

FRENCH OAK FINISHES

Petr i f i e d

C a r bo n

SINE CHEST / â–²TA-5432-A | Petrified Oak

SINE BEDSIDE / â–²TA-5432-B | Carbon Oak

SINE SIDEBOARD

F r e n c h O a k | H : 3 6 . 7 5 " D : 2 3 " W: 4 8 "

FRENCH OAK FINISHES

Petr i f i e d

C a r bo n

SINE SINEBOARD / â–²TA-5601-A | Petrified Oak

SINE SINEBOARD / â–²TA-5601-B | Carbon Oak