Academy of St Martin Program

PROUDLY PRESENTS

Academy of St Martin in the Fields Wind Ensemble CHRISTENSEN PERFORMANCE HALL on The Madeline Janis Courter Stage

FEBRUARY 8, 2024 7:30PM

2024 Classical Circle Producing Sponsors Ed and Virginia Stringer 2024 Classical Circle Leadership Supporters David Huggin & Ken Nees

“

An ensemble of first-rate musicians, technically superb, generously expressive, and obviously enjoying themselves.

“

-DALLAS MORNING NEWS

Impressively seamless ensemble -CHICAGO CLASSICAL REVIEW

” ”

ACADEMY OF ST MARTIN IN THE FIELDS WIND ENSEMBLE Timothy Rundle, oboe • Fiona Cross, clarinet Julie Price, bassoon • Stephen Stirling, horn with guest Caroline Palmer, piano The Academy of St Martin in the Fields was founded by Sir Neville Marriner in 1958 and is currently led by Music Director Joshua Bell.

In 1967, the Academy Chamber Ensemble was formed to perform the larger scale chamber music repertoire with players who customarily worked together, instead of the usual string quartet with additional guests. Drawn from the principal players of the orchestra, the Chamber Ensemble’s touring commitments are extensive and include regular tours of Europe and North America, whilst recording contracts with Philips Classics, Hyperion, and Chandos have led to the release of over thirty CDs. The Chamber Ensemble now performs in multiple configurations, including the Academy Wind Ensemble, which performs programs featuring the quintets of Beethoven, and Mozart, among other works.

The Academy of St Martin in the Fields’ February 2024 US tour is supported by Maria Cardamone and Paul Matthews together with the American Friends of the Academy of St Martin in the Fields.

For more information about the American Friends please email development@asmf.org The Academy of St Martin in the Fields Wind Ensemble appears by arrangement with David Rowe Artists, www.davidroweartists.com Chandos, Philips, Hyperion recordings

INDIVIDUAL MUSICIAN BIOGRAPHIES TIMOTHY RUNDLE, oboe Timothy first heard the oboe aged 7, being played at a local concert, and was instantly captivated by its unique and special sound. His parents took him to meet the oboe player after the concert, who was very happy to chat, and let him hold his oboe.

He advised that in a year’s time, Tim might be old enough to start learning. A year later, aged 8, Tim had his first lesson with that same oboist, Robert Wells, who became his oboe teacher for the next few years. After learning with Jenni Phillips at the junior department of the Royal Birmingham Conservatoire, Tim later attended the Royal Northern College of Music in Manchester, studying with Jonathan Small, before setting off on the path towards becoming a professional musician. After graduating, Tim freelanced successfully and was appointed to his first job in 2005 with the BBC Scottish Symphony Orchestra, where he spent 6 happy years. In 2011 he moved South after being appointed the 2nd oboe in the Philharmonia Orchestra. It was then a dream come true to be appointed joint principal oboe of the Philharmonia in December 2018. It has been a special treat for Tim to play as a guest with some of the world’s leading orchestras and ensembles. The Academy of St Martin in the Fields has a special place in his heart having grown up listening to its recordings. It was a privilege beyond measure to play with the orchestra with the late Sir Neville Marriner before he passed away. Outside of musical life, Tim enjoys living in the English countryside with his wife and two children, and is kept busy looking after a small menagerie of animals. His favourite being two pigs.

FIONA CROSS, clarinet Fiona Cross is one of the leading clarinetists of her generation and enjoys combining chamber music with a solo career as well as playing guest principal clarinet with all the leading British orchestras. She performs regularly with the Academy of St Martin in the Fields and has travelled extensively with them on many tours to the Far East, Europe and The Americas. She is also principal clarinet of Glyndebourne Sinfonia and Manchester Camerata, with whom she appears often as a soloist. She has performed concertos with the London Philharmonic Orchestra, Bournemouth Sinfonietta and English Sinfonia and has recorded Lefanu Concertino for Naxos and Horovitz Concerto for Dutton. As a chamber musician Fiona has appeared with many leading ensembles including the Vanbrugh and Alberni String Quartets, at venues such as the Wigmore Hall and the Purcell Room. She has also performed alongside Andras Schiff at his Weimar festival. Fiona takes a keen interest in promoting new music, and has commissioned many new works for clarinet and piano, and clarinet and harp from composers such as Gary Carpenter, Rolf Hind, Paul Archbold and Diana Burrell. She is a professor of clarinet at Trinity College of Music, London.

JULIE PRICE, bassoon An orchestral musician, chamber musician, soloist, and teacher, Julie Price has held positions as Principal Bassoon with the BBC Scottish Symphony Orchestra, Orchestra of the Royal Opera House, Covent Garden, and Royal Philharmonic Orchestra. She has been Principal Bassoon of the English Chamber Orchestra since 1994 and Co-Principal, now Principal Bassoon, of the BBC Symphony Orchestra since 2001. With conductors such as Vladimir Ashkenazy, Ralf Gothóni, Andrew Litton, Edward Gardner, and Douglas Boyd she has appeared as a soloist at the Barbican, Cadogan Hall, and Royal Festival Hall as well at many venues outside London and abroad. As a chamber musician she has appeared with such groups as the Nash, Gaudier, and Razumovsky ensembles, London Winds, and the Lindsay and Chilingirian string quartets. She first studied the bassoon with Sonja Smith, then with Edward Warren and William Waterhouse in Manchester, and later with Roger Birnstingl in Geneva. Julie Price has been a teacher at the Royal College of Music in London since 1998. Her discography includes recordings of Mozart’s Bassoon Concerto and Sinfonia Concertante and Elgar’s Romance, all with the English Chamber Orchestra.

STEPHEN STIRLING, horn Stephen Stirling, Principal Horn of the Academy of St Martin in the Fields, is a horn soloist and chamber musician of worldwide renown. His discography includes over 90 chamber works and concertos, many of them world premiere recordings of both contemporary and neglected works by British composers alongside the great masterpieces for horn.

As well as the Academy of St Martin in the Fields Stephen plays principal horn with the City of London Sinfonia and the Orchestra of St John’s. He appears regularly as guest principal with the Scottish Chamber Orchestra, the London Symphony Orchestra, the BBC Symphony Orchestra and the London Philharmonic Orchestra. He has played as soloist with the ASMF and CLS, OSJ, BBC National Orchestra of Wales, BBC Scottish Symphony Orchestra, Bournemouth Symphony Orchestra, the Chamber Orchestra of Europe and many others. Works written for him include concertos by Gary Carpenter and Matthew Taylor, premiered with the BBC Philharmonic and ASMF respectively.

Stephen is Professor of Horn at Trinity Laban Conservatoire of Music and Dance, and a faculty member of the Yellow Barn International Summer Music School and Festival in Vermont, USA. CAROLINE PALMER, piano The Singapore-born English pianist, Caroline Palmer, studied at the Guildhall School of Music & Drama in London with Edith Vogel and later continued her studies with Peter Wallfisch and Hans Keller. She won several prizes and also was a finalist in the Busoni Competition in Italy. Since then Caroline Palmer has established a reputation as a chamber musician and soloist and has performed in the USA and throughout Europe.

She has been a participant in various chamber music festivals in Europe and America.

Alongside her career as a pianist she has been a piano professor at the Guildhall since 1990, where she coaches chamber repertoire as well as teaching individual students.

Caroline Palmer has made several recordings with many artists including the cello works of Robert Fuchs, Camille Saint-Saëns, Ferruccio Busoni and Gabriel Fauré. She has made numerous recordings as soloist and chamber musician for the BBC, and has also played for radio broadcasts and recordings in Italy, Germany, Switzerland, Bulgaria and the USA. Recent engagements have included a televised performance in the Varna Festival, a recording of the Johannes Brahms violin sonatas with Krzysztof Smietana and recordings for BBC Radio 3.

PROGRAM NOTES DR. RICHARD E. RODDA

Trio Oboe, Horn and Piano in A minor, Op. 188 Carl Reinecke Born June 23, 1824 in Hamburg, Germany.

Died March 10, 1910 in Leipzig.

Composed in 1887.

Carl Reinecke was one of the most versatile and accomplished German musicians of the late 19th century. Born in a suburb of Hamburg in 1824, Reinecke was given a thorough musical education by his father, Johann Peter, a respected music theorist and the author of several books. Carl developed into a good violinist and a virtuoso pianist, and he undertook a successful concert tour of Scandinavia when he was just eighteen during which he met composer and conductor Niels Gade, who convinced him to move to Leipzig for study with his colleagues Mendelssohn and Schumann. In 1846, Reinecke was appointed court pianist to Christian VIII in Copenhagen, but following the political upheavals two years later and the death of King Christian, he returned to Leipzig, which served as his base during the following years as he toured across the Continent. Between 1851 and 1854, Reinecke worked as a teacher of piano and counterpoint at the Cologne Conservatory, and then became director of a concert society in Barmen, near Düsseldorf, where he established himself as one of the country’s leading conductors. After a brief stint as director of music at the University of Breslau in 1860, he was appointed to the faculty of the Leipzig Conservatory and also named director of that city’s famed Gewandhaus concerts, a post he held for the next 37 years. At the Conservatory, he gained a reputation as an outstanding teacher and numbered among his students Grieg, Albéniz, Sinding, Sullivan, Muck and Weingartner. He resigned from the Gewandhaus in 1897 to assume the directorship of the Conservatory and remained there until his retirement in 1902. He died in Leipzig eight years later.

In addition to his activities as performer, teacher, administrator and conductor, Reinecke was active throughout his long life as a composer. His compositions, which reached nearly 300 opus numbers, are in a conservative idiom reminiscent of Mendelssohn and Schumann, and exhibits solid workmanship gained through knowledge of the Classical models. The opening movement of his handsome Trio for the unusual combination of piano, oboe and horn follows conventional sonata form: the oboe is entrusted with the graceful, melancholic main theme; the horn presents the lyrical complementary subject in a brighter key; both motives are given a leisurely working-out in the development section; and the recapitulation restates the themes to achieve formal balance and harmonic closure. The Scherzo is a delightful stuttering

dialogue between the winds for which the broad central trio acts as foil. The Adagio is a lovely nocturne whose spacious phrases are traded between oboe and horn. The finale is a playful sonata-rondo that devotes one of the episodes separating the returns of its principal subject to the horn’s recall of the theme of the Adagio.

Quintet for Oboe, Clarinet, Bassoon, Horn and Piano in E-flat major, K. 452 Wolfgang Amadeus Mozart Born January 27, 1756 in Salzburg.

Died December 5, 1791 in Vienna.

Composed in 1784.

Premiered on April 1, 1784 in Vienna.

Mozart’s personal happiness and public popularity were at their zeniths in 1784.

He shared a comfortable apartment with Constanze and they were looking forward to the birth of a baby in September. He had been settled in Vienna for nearly three years, and had acquired a reputation as the finest pianist in town as well as a talented composer. So great was the demand for his performances in the city’s concert halls and the houses of the aristocracy that he played 22 concerts between February 26 and April 3. For his program on April 1 at the Burgtheater, which also included the Concertos Nos. 15 and 16 (K. 450 and K. 451) and Symphonies No. 35 (“Haffner”) and No. 36 (“Linz”), Mozart composed a Quintet for Piano and Winds (K. 452), completing it just the night before the concert. The composer played the piano part himself, but the names of the other performers are unrecorded. The premiere went well. “It had the greatest applause,” Mozart reported to his father on April 10. “I myself consider it the best thing I have written in my life. I wish you could have heard it, and how beautifully it was performed, though to tell the truth I grew rather tired from all the playing by the end.

It reflects no small credit on me that my audience did not in any degree share the fatigue.” John N. Burk noted of this extraordinary epistle, “Mozart until this moment had never in his letters spoken of the quality of a new work, but only of its acceptability and its success, duly reported for his father’s satisfaction. Now for the first time he shows pride in what he has done.”

Though it is a quality too infrequently remarked, Mozart was a superb orchestrator, thoroughly familiar with the technical possibilities and unique character of each instrument. His mastery of orchestration is seen nowhere better than in his writing for winds, where he was careful to make the individual parts both suitable and challenging while constructing the phrases to allow for the necessary frequent recoveries of lip and lung — the E-flat Quintet is a virtual textbook of the best 18th-century wind instrument scoring.

The Quintet’s opening movement, bursting with melody, begins with a slow introduction followed by a sonata-form essay with a tiny development section. (One- or two-keyed 18th-century wind instruments were limited in their chromatic possibilities, and did not lend themselves to the harmonic peregrinations of Mozart’s more elaborate thematic developments.) The Larghetto, also in sonata form, is sweet and limpid.

The finale is a perky rondo with a written-out cadenza near the end marked by entrances in close imitation.

Divertissement for Oboe, Clarinet and Bassoon Jean Françaix Born May 23, 1912 in Le Mans, France.

Died September 25, 1997 in Paris.

Composed in 1947.

Jean Françaix, the French composer, pianist and advocate of Debussy’s artistic philosophy of “faire plaisir” (“giving pleasure”), was born into a musical family in Le Mans in May 1912. His father was a pianist and composer and director of the Le Mans Conservatory; his mother taught voice and founded a local chorus. Jean received his earliest training from his parents, but showed such precocious talent that he was regularly commuting to Paris for private lessons at the Conservatoire by the time he was nine. He was much upset by news of the death of Camille Saint-Saëns in that year (1921), and vowed to his father that he would “take his place” as a musicien français; Françaix’s earliest published work, a suite for piano, appeared the next year. He settled in Paris a few years later for regular study at the Conservatoire and won first prize in piano when he was just eighteen; two years later he gained recognition as a composer with a symphony that was premiered in Paris by Pierre Monteux in November 1932. He played the first performance of his own Concertino for Piano and Orchestra with much success in 1934, and came to international prominence when he presented the work at a festival of contemporary music in Baden-Baden two years later. He subsequently made numerous tours throughout Europe and the United States as composer and pianist. The 1933 ballet Scuola di ballo, choreographed by Léonide Massine for the Ballets Russes de Monte Carlo, marked Françaix’s entry into the genres of musical theater, for which he produced five operas and a total of sixteen ballets, as well as many film scores before his death in Paris on September 25, 1997.

A divertissement is a musical confection meant to divert, to delight, to amuse, and Françaix’s Divertissement for Oboe, Clarinet and Bassoon, bubbling with the composer’s distinctive insouciance and wit, more than lives up to its title. The Divertissement was composed in 1947 for oboist Paul Paillefer, clarinetist André Dupont and bassoonist André Gabry, all members of the French National Orchestra.

The Prélude begins as a sweet pastoral but certain disagreements among the participants as to rhythmic coordination and wayward pitches give the music an invigorating piquancy. These disparities are discussed in a more animated manner in the center section before the pastoral music, little changed from before, returns to close the movement. The collegial contention carries into the Allegretto assai, which the oboe and clarinet start as a dapper quick march while the bassoon tries out the accompaniment for a waltz. The trio eventually settles on a cheerful metric common ground and celebrates its unanimity with a few phrases reminiscent of a tango. The opening music is more amicable when it returns, and fades away on rising, intertwined arpeggios. The Elégie, thoughtful rather than tragic, is a plaintive, wordless song led by the oboe. The Scherzo juxtaposes tart phrases of spiky rhythms and leaping intervals with sweet episodes of limpid motion and smooth contours.

Quintet for Oboe, Clarinet, Bassoon, Horn and Piano in E-flat major, Op. 16 Ludwig van Beethoven Born December 16, 1770 in Bonn.

Died March 26, 1827 in Vienna.

Composed in 1797.

Among the works with which Beethoven sought to establish his reputation as a composer after arriving in Vienna in 1792 from his hometown of Bonn was a series of pieces for wind instruments —Trio for Two Oboes and English Horn (Op. 87), Trio for Piano, Clarinet and Cello (Op. 11), Sonata for Horn and Piano (Op. 17), Septet (Op. 20, one of his most popular compositions during his lifetime) and Quintet for Piano and Winds (Op. 16) — which enabled him to demonstrate his skill in the traditional modes of chamber music without broaching the genre of the string quartet, then still dominated

by Joseph Haydn. The Op. 16 Quintet drew its inspiration and model from Mozart’s exquisite Quintet for Piano and Winds of 1784 (K. 452), which Beethoven heard performed in Prague in spring 1796 during a concert tour that also took him to Dresden and Berlin. He apparently began the Quintet in Berlin and completed the score later that year in Vienna. The piece was first given at a concert organized by the violinist Ignaz Schuppanzigh on April 6, 1797 at the palace of Prince Joseph Johann von Schwarzenberg, which was also to be the site of the premiere of Haydn’s The Creation the following year and The Seasons in 1801. In appreciation, Beethoven dedicated the score to Schwarzenberg when it was published by the Viennese firm of Mollo in March 1801. (Beethoven also arranged the Quintet for piano and three strings at that time, and published it with the identical opus number.) Ferdinand Ries, the composer’s amanuensis during those years, related an incident from the Quintet’s premiere that illustrates both Beethoven’s skill as a pianist and his strong self-will. Beethoven, it seems, took advantage of a fermata (i.e. held note) in the last movement to launch into a vast but unannounced cadenza. “It was comical to see the other players waiting expectantly,” Ries reported, “ready every moment to go on, continually lifting their instruments to their lips, and then quietly putting them down again. At last, Beethoven was satisfied and dropped back into the Rondo. The entire audience was delighted.”

The Quintet opens with a slow introduction whose stately tread and pompous rhythms recall the old Baroque form of the French overture. With its sweeping figurations and full scoring, the piano announces its intention to be primus inter pares in the music to follow, and appropriates for itself the principal theme of the main body of the movement, a sleek, triple-meter melody made from a quick upward leap and a gently descending phrase. The winds are allowed to dabble in this melodic material before more bold piano scales and arpeggios lead to the subsidiary subject, a flowing strain in even note values. The development section busies itself with some piano figurations before settling down to a discussion of the main theme. A long scale in the piano reaches its apex at the recapitulation, which returns the earlier thematic materials to lend the movement balance and formal closure. The Andante is a richly decorated slow rondo (A–B–A–C–A) that touches upon some poignant proto-Romantic sentiments as it unfolds. The finale is a dashing rondo based on a galloping theme of opera buffa jocularity.

Save the Date!

BIG ARTS 45TH ANNUAL BENEFIT MARCH 22, 2024 Lavish pre-show buffets & open bars followed by post-concert desserts, dancing, drinks & more in the Malone Family Sculpture Garden!

THE DOO WOP PROJECT featuring stars of Broadway’s smash hits Jersey Boys and Motown: The Musical CLICK HERE TO LISTEN!

Benefit Sponsorship Opportunities PRESENTING SPONSORS ($10,000)

8 complimentary event tickets VIP backstage photo with The Doo Wop Project artists VIP seating Plus Pacesetter additional benefits

PACESETTERS ($5,000) 6 complimentary event tickets Premium seating Name on event e-blasts Name on sponsor webpage Recognition on social media Plus Fan additional benefits

FANS ($2,500) 4 complimentary event tickets Plus Groupie additional benefits

GROUPIES ($1,500) 2 complimentary event tickets Preferred seating Complimentary valet parking Name on Benefit webpage Name listed in post-event “thank you” newspaper ad Name on printed invitation (print deadline January 22)

PLEDGE YOUR SUPPORT TODAY! Contact Michelle Schweber, Director of Development mschweber@bigarts.org | 239.472.9700 ext. 308 | 404.441.2261

Benefit Sponsors EXCLUSIVE PRODUCERS Gustav and Vibeke Christensen Jim and Gaye Pigott

EXCLUSIVE CORPORATE PRESENTER Bank of the Islands

INDIVIDUAL PRESENTERS James and Susen Berg Jim and Carmen Courter Barb and Tom Dunham

PACESETTERS Edward and Catherine Anderson JoAnn and Bob Glick Dick and Mary Butler George and Susan Heisler Jack and Fay Chestnut Maureen and Gary Saage Linda and Gordon Coons Jeff and Rene Savarise Susan and John Freund Robert and Betty Van Tassel Sanibel Home Furnishings, Diane, Ray and Carl Knight

FANS John and Mary Ann Boorn Barry and Judy Bronstein Don and Nancy Rolley

Law Office of Janet M. Strickland, P.A. Ed and Virginia Stringer Michael and Marilee Wood

GROUPIES Charlie and Linda Adams Melissa and Scot Congress Lousie Sinclair Eastman Mardi Glenn John and Jean Halligan The Health Whisperer Bill and Barbara Millar Robert and Barbara Lee John and Barbara Lies Rob and Mindy Pierce

Joyce and Don Rice Chip and Nancy Roach Cathie and Bill Thiede Tom and Linda Uhler Douglas and Priscilla Viets Molly and Ted Wiedeman Bob and Kathy Wiesemann Penny Wilkinson & Dick Boehning Gene and Margaret Zelek

Sponsors as of February 1, 2024

COMING UP AT BIG ARTS ALAN BIBEY & GRASSTOWNE February 17, 8:00PM Sponsored by Tom and Barb Dunham

S

D L O

T U O

!

SO GOOD! THE NEIL DIAMOND EXPERIENCE February 29, 8:00PM Sponsored by Gustav and Vibeke Christensen

LATE NITE CATECHISM – SISTER’S SUMMER SCHOOL March 2, 8:00PM

Meet Our Supporters Thank you to our loyal donors.

Your support is needed now, as never before.

PREMIERE Gustav & Vibeke Christensen Leslie Fleischner Florida Department of State Ken Nees Jim & Gaye Pigott Bob & Kathy Wiesemann

PACESETTER Sanibel Captiva Trust Company Dr. Michael & Mrs. Marilee Wood

BENEFACTOR Bank of the Islands James C. & Susan H. Berg Ginny Bowen Andrew & Ruthelen Burns Dick & Mary Butler Congress Jewelers Janice Devitt Barb & Tom Dunham Kathleen & John Green Jr. Dorothy & Seth Hemming

Bob & Marilyn Klaskin Dorothy Lichtenstein Northern Trust Sue Pick Jeffrey & Rene Savarise Charlie & Gail Sheetz Patricia Thurber Linda & Tom Uhler Linda & John Wulff

GRAND PATRON Edward & Catherine Anderson Lore Bahnik, The Bahnik Foundation David and Judy Baum Mary Buck Jack & Fay Chestnut Nancy Dehmlow David Filkins Doug & Sherry Gentry Laurie & Steve Hafener Melissa & Jason Halliburton George & Susan Heisler David Huggin Peter & Ann Lambertus

Vicky & John Lettmann Bruce & Antonette McDonald Philip & Roberta Puschel Richard & Nathalie Pyle Gary & Maureen Saage Vreni Scheu Dawn Schumann Chris & Crystal Smith Dr. Robert & Betty Van Tassel Anni & Jack Wellauer Penny Wilkinson & Dick Boehning Gene & Margaret Zelek

PATRON Charles & Linda Adams Brenda & Marty Harrity Elaine & T.P. August Tony & Angie Lapi John & Mary Ann Boorn William & Barbara Millar Barry & Judy Bronstein Stephanie Rahe Linda & Gordon Coons Dick & Peggy Raney Anonymous Don & Joyce Rice Mr. & Mrs. Manny Fernandez Chip & Nancy Roach Susan & John Freund Ed & Virginia Stringer Emily (Lee) Haines Morton & Betty Tavel Law Office of Janet M. Strickland, P.A.

ANGEL Hazel Barber Curtis A. Barton Lynn Bernard Walter & Wendy Berninger Naomi Bloom Robert & Dixie Bowden Philip & Helen Bradbury Dan & Donna Casey Ralph & Carolyn Clark

Aaron J. Cohen Coile Foundation Lillian Decker Dana DiCarlo Yvonne & Phillip Dressel Boomer Duvin Kim Eastman & Louise Sinclair Eastman Dave & Linda Essig Cecy Faster

ANGEL Anonymous Attila & Patty Molnar Mardi Glenn Vincent & Celina Monte-Sano JoAnn & Bob Glick Mr. & Mrs. John R. Morse Jean & John Halligan Pamela & Kevin Murray Albert & Sandra Hann Pam & Bob Norton Al & Sally Hanser Denis O'Connor Susan & Bill Hartz Rob & Mindy Pierce Herman Foundation Barbara Powers Peter & Donna Holden Eileen Kehoe & Bud Reinhold Deborah Jaeger Christine Schluter Jan Jaeger Lowell Schwab & Rae Carter Mary & Dick Jalkut Tom & Susan Sheridan Charles & Helen Ketteman Nancy & Steve Siegel Alan & Joan Klutch The Reverend Doctor Ellen Sloan Ray & Diane Knight Sheridan & Dick Snell The Health Whisperer Mary Snyder Robin & Barbara Lee Robert & Nancy Sperte John & Barbara Lies Merrill Taylor Calvin & Patricia Linnemann Nancy Traylor Dudley & Kristin Malone Carolyn & Gerald Wheaton Gene Massey Dr. Edward C. Wheeler & Anne Haslem Richard & Adele Mattern Barry & Fran Wilson Douglas McLemore & Judith Rittenhouse Mr. & Mrs. Lawrence Yenkole Tom & Pam Miller Patty & Bill Zimmerman David & Nora Mimms Art and Martha Kaemmer Fund of HRK Foundation Kristen & Douglas Ryckman/Ryckman Family Charitable Fund

SUPPORTER Bob & Sharon Barton The Berger Foundation Robert & Lynn Bolz Mike & Pat Boris Tom & Pam Campbell Mr. & Mrs. William Cheney Michael & Laurie Chouinard Richard & Beth Davis Don & Gaither DeLuca Barb & Neil Demchick

The Dooling/Danussi Fund Molly B. Downing John & Pam Fridlington Christopher & Carol George Bob & Marvis Gillison Neal & Sherry Halleran Barry & Marilyn Humphries Kyle & Marybeth Jackson Hope & David Jeffrey Tom & Jan Knowlton

SUPPORTER Anonymous Charles Krahmer Mrs. Gloria Lagrassa Tom & Susan McCully Sue & Ted Merrick Michael & Mary Miller Moreland and Devitt, LLC Edward & Carol Mosel Gar & Nicole Murtha Robert & Elizabeth Nanovic Jim & Mary Nelson Donna Oberhill Dave & Karen Paulin Jeffrey H. Pierce Robert & Susan Ross

Jennifer & Daniel Sager Patricia Schwarz AJ & Sunny Scribante Hank & Linda Spire Art Stevens Kathi Straubing Jim & Josie Urbelis Joel & Cathy Vogel Annie Wainwright Richard & Gloria Waterhouse Carol Watkins Martin & Deborah Watz Tommy & Trudy Williams Mark & Debbie Wimmer

CONTRIBUTOR Robert M. Allen David & Diann Frantz Teresa Anzalone Ted Gasteyer Richard & Carol Arnould Phyllis K. Gresham Doug & Lu Bannerman Ed & Sharon Hannon Christopher Berman Madeline Etkin & Jeff Hayward Laurence Bettcher Mr. & Mrs. Richard Healey Douglas & Meg Born Mark & Paula Henry Donald Breitner & Debbie Gurman Becky Higbie Pamela Z. Brislin Jo-Ann & Robert Hilliard John & Sarabess Cahill Norma Hoppenfeld Reynolds & Barbara Challoner Doug & Janie Jacobson Nancy Clark Louis & Mary Kahn David & Robyn Cook Roger & Christine King Peter & Sue Danford Donna & Jim Kraft James & Maggie Davis Linda Kramer Robin & W. Patrick Dickson Bob & Helen Lambiase Jim & Catrina Drotleff Donna Leahy Ron & Jeannie Ellington Brenda & Matt Levatich Carolyn & Oliver Esman Dale Luchsinger Mary & Millard Everhart Ann McCarthy Myra Fisher Don & Joan McDonald Greater Milwaukee Foundation James and Mary LaVelle Fund

CONTRIBUTOR Mark McQuade & Ellen Mayeron Howard & Ruth Menken Scott & Arlene Mowry Robert & Mary Ellen Paulson Steve & Susan Peltzman Carol & Ron Periard Mike & Anna Puma Mr. & Mrs. David Rappaport Robert & Lorraine Rippe Cecily I. Robinson Scott & Marianne Rogers Lawrence & Phyllis Sager Marcel & Jane Saghir Sanibel Historical Museum & Village

Francie & Larry Schenck Shirley Schlossman Howard & Pam Shaw Frank & Jeanne Speizer Chris & Janis Swain August & Maureen Thoma Nancy Trimbur Ken & Virginia Trudell Thomas & Kathleen Veratti Douglas H. & Priscilla B. Viets John & Beverly Voorhees Ellen Wersan The Buckman Family George C. Witte

FRIEND Don & Betty Abbott Cindy Bixler Borgmann Corrine & Art Addie Dick & Victoria Bourdow Judith Adler Robert Rauschenberg Foundation Susan Ahlcrona Raymond L. Brennan Clare Almack John & Catherine Bridge Amejo Amyot Kathryn Brintnall Judie Anderson Jo & Arthur Brisbane Leslie & Joe Anding Leslie Brunn Susan Andrews Peter & Connie Bukowick Mary S. Arceneaux Rodger & Mary Jo Bunnell Dr. Donald Bachman & Dr. Karen Back Deborah Butler Suzanne & Randy Baker Melissa & Mark Calkin Charles & Ann Balch Richard & Marcy Calkins George & Molly Barbee Mr. & Mrs. John Campbell Dr. Ann Tice & Dr. Joe Barkmeier Ron & Janice Chaddock Richard & Madeline Baron Carl & Mary Ann Chambers Mary & Dan Bell Mrs. Marcia Chauvet & Mr. John Dolan Tom & Laura Bernhardt Leslie Cimino Kathryn Bielefeld Michele Classe Virginia Bisby Janice Udesen Cohen PJ Blankenhorn & Tony Wagner Robin & David Coleman Mark & Doreen Bolhuis & Maureen Corpron-Vel

FRIEND Anonymous Tom & Barbara Cooley Raymond & Nancy Cooper Carmen & Jim Courter Foundation Julie Cronin Cheryl & Tom D’Altrui Patricia David John & Linda DeFrancisco Laura & Chris Denick Andrea & Daniel Derrington Nicole Dewoolfson Richard & Deborah Donahue Marlene Donaldson Nancy Donaldson Bob & Ellen Dugan Mary Dunnavan Barbara & Jim Egan Angela & Brian Ellacott Kathryn Engle John & Judy Evans Anonymous Bill & Virginia Fellows Bev Forslund George Foster Shirley & Byron Frank Raf & Bonnie Frankel John W. Fredericks Barbara Hill Freeman Dorothy C. Fritze Rabbi Stephen & Rabbi Victoria Fuchs Beverly Gaabo Walter & Methel Gale Fred & Barbara George Brenda A. Pommerenke & Larry George Maureen & Andy Ginipro Lisabet & Gertrude Girr Nancy & Clivie Goodwin Ron & Joan Gould Carol Gregg

Bill & Shelley Greggs Lois Gries Buzz & Mary Jo Griffin Kathy & Alan Grundei Richard & Jane Guelich Lyder & Charlene Gulbrandsen John & Betty Gundersdorf Roberta Gutwein George & Audrey Hagerman Ella Hall Miriam Pepper Gloria Hammersley Gene & Jo Hardy Karen Bush Havrilla Dale & Suzette Heeres Susan Marie Herrmann Linda J. Hooper Libby & Rob Hoops Richard & Stephanie Huddleston Janet Hurley Louise Huyck Don & Stefanie Irwin Andrew & Teresa Jacob John & Lana Jacobs Bob & Amy Johnson Paul & Janet Johnson Norm Johnston Thomas J. Juedes Petra & Wolfgang Kaiser Stanley & Jo Ann Katz Jack Kennedy Mally Khorasantchi John & Wendy Kindig Candy & Steve Klare Carl Knight Mark & Kristen Koelmel Susan Kolson Julian Korn Jack & Cathy Kozik Kathy Kuck

FRIEND Anonymous Mr. & Mrs. Erich Pfanzelt Thomas LaFond Dr. Allen & Wendy Pois Melissa Laidlaw & Menashe Ben-David Isabella Rasi Linda Laird Marianne Nyhan Ravenna Virginia & Tim Lattner Debra & David Ray Mr. & Mrs. Paul R. Lawrence James Reynolds Annie Layman Jan Rice Ann Lindberg Rob & Debbie Rizzo Karen Holder & Randy Lisk Carlos & Mary Roche Maryann L. Loh Carol & Bill Rosenberg Gary & Margot Long Margaret Ross Howard Lorsch & Tracy Dwyer Carolyn Ruff David & Kelly Lowden Jolene & Kooroush Saeian David & Jackie Lurio Di Saggau Janet MaGirl Mr. & Mrs. Peter Saltz Marla Manning Michael Samet & Elissa Karasin-Samet Joan M. Martyn Pat Santucci, M.D. Pamela M. Mascio David Scheiber John & Jennifer Masters Laurence & Jeanie Schiffer Roy & Judith McCloskey John & Lisa Schmidlin John & Janet McLaughlin Craig & Lynn Schneider Dana Mehlig Bob & Caren Schoen Michele Messenger Steve & Laurie Schulz Sarah Ashton & Jim Metzler Walter & Betsy Schuman Eleanor Miller Michelle Schweber Rene & Margarethe Miville Debbie Scray Joseph & Linda Mondelli Mr. Terry See & Mrs. Theresa Shea-See Mike & Debbie Morgan Mr. Juan Serret & Mrs. Karen Serret Mary Beth & Scott Morrison Jack & Karen Shaw Drs. John & Gwendolynn Newman Sally & Dwight Shelton Randall & Marilyn Niehoff Bradford Shingleton Fred C. Nordstrom Joseph Shuster & Barbara Bazzone Mr. & Mrs. John L.S. Northrop Karen Shutway Jim & Barbara O’Hare Cathy Simon Bruce & Catherine Odlaug Dennis & Brooke Simon Tom & Barbara Olson Anonymous Carl Ordemann Joyce & Joe Sirkin Enid Packard Ellen Smiley & David Bollinger Jim & Nancy Patterson Jon & Kathryn Sternburg Mica Pennington Priscilla Stevens Nathan Perkins Betsy Sugerman Dr. Anjanette Stoltz & Mr. Anthony Bango

FRIEND Dennis Sutherland Al & Monica Taylor Kathleen Taylor & Bruno Notari Lynn Thelen Kersti Thompson Mr. & Mrs. Stanley Timson Kay Trainor Karr & Joan Van Nordstrand Janice VanBuskirk Kelli Vestal Gary & Linda Vroegindewey David Waks & Sandra Teger Anne Walter Bob & Roberta Washlow James Weddell

Ina Weissblatt Lyman & Deana Welch Lynne Wesolowski Berta & Carroll Wetzel Helene Weyant Brian & Susan White Patricia Pombo Wilson Elaine & Sanford Winer Linda & Jim Winn J Pamela Weiner & James Wittenberg E. Blake Wood The Dunham Children Nancy Zeedyk Mr. & Mrs. Jeffry Zimmer

LEGACY SOCIETY Jack T. Bailey Jerry Churchill K. Ann Dempsey Elizabeth Eagleton Ruth F. Frank Roni Freer

Deborah & John La Gorce Kenneth L. Nees Don & Joyce Rice John Schork Penny Wilkinson & Dick Boehning

Please remember BIG ARTS in your estate planning.

GIFTS IN HONOR OF Chuck Bonser Donna Leahy The Dunham Family Kris Gurall Patrick Harder David and Ann Hedges George & Susan Heisler Ken Nees

Dan & Gerri Perkins Jim & Gaye Pigott Carol Rosenberg Elmer Stilbert Janet M. Strickland, P.A. Monica Taylor Ellen Whitten

GIFTS IN MEMORY OF Suzanne Crawford Blake Devitt Henry Foltz Dave Havrilla Beth Murphy Dr. Laurence Oberhill Bea Pappas

Tom Pick Paul Powers Karen Shaw Davis Thurber Ronald Glenn Wallace Pat Whitaker

IN-KIND DONORS Landgraphics Sanibel-Captiva David M. Platt, PA DONOR LIST AS OF DECEMBER 31, 2023

Gifts can be made in many forms. For information on how to support BIG ARTS and all its programs, contact Michelle Schweber, Director of Development mschweber@bigarts.org | 239.472.9700 ext. 308

Meet Our Staff

Lena Baranova - Staff Accountant Denise Dillon - Events Assistant Marina Dowling - Office Manager Barbara Freeman - Executive Assistant Meghan Govoni - Marketing Manager Melody Hampton - Database and Information Manager Lee Ellen Harder - Executive Director Charlotte Hardt - Customer Service Associate Wendy Harriman - House Manager Aimee Harrison - Workshops Manager Richard Jones - Technical Director David Kolson - Chief Financial Officer Greg LeBlanc - Facilities and Maintenance Supervisor Kelly Lowden - Customer Service Associate Wilson McCray - Gallery Director Michelle Schweber - Development Director Olga Semreen - Staff Accountant

Meet Our Board Chair - Rene Savarise Vice Chair - Bob Wiesemann Treasurer/Secretary - David Lowden Past Chair - Don Rice Gustav Christensen Scot Congress Mike Wood

Great communities create great organizations – not the other way around. In 1979, BIG ARTS was created, by, and for the community, and owes its rich history to a small band of dedicated artists who drew inspiration from each other and from the breathtaking island beauty that infused their work with grace and authenticity.

They set out to create a special gathering place where artistic and educational experiences were accessible to all. Today that vision is alive and well. With the help of our loyal donors and supporters, BIG ARTS will carry that vision forward – providing joy, inspiration and a sense of community for generations to come.

Vision

To create great arts, entertainment and learning experiences that always inspire, enrich and delight.

Mission

Provide an array of quality entertainment, arts and education programs that enrich and nurture the lives of Sanibel and Captiva residents and visitors through: • professionally led arts and enrichment classes and workshops for students of all ages • stimulating and informative lectures and group discussions with renowned national thought leaders and educators • dynamic visual and performing arts presentations of the highest caliber

INFORMATION & TICKETS:

IN PERSON: 900 Dunlop Road, Sanibel, Florida 33957

BY PHONE: 239.395.0900 ONLINE: BIGARTS.org