Parboni - 2024 Pujo Edition

Pujo Edition | 2024

We are immensely proud that our Magazine, Parboni Pujo Edition 2023, was the Silver Winner in CSR category of the prestigious MUSE Creative Awards 2

LETTER FROM THE EDITORIAL TEAM In today’s complex global environment, it’s more important than ever to focus on the values that unite us. While geopolitical tensions may shape the world around us, as a community, we must continue fostering cooperation, inclusivity, and resilience. The Indian and Bengali diaspora stands as a beacon of cultural pride and contribution, maintaining a deep connection with our roots while playing a vital role in the global landscape.

change, and ensuring that such incidents are not repeated. Just as Durga symbolizes the strength and protection of the vulnerable, we too must take on this role in our society.

Joydeep Pal Subham Pal Sambrita Das Amit Guha

Our solidarity goes beyond words.

Sourav We are deeply committed to Niyogi supporting pro bono initiatives and charitable work, both here in the UK and in India. Whether it’s local community efforts or helping those in need back home, our reminder of the triumph of good focus remains on giving back, over evil, of resilience in the face of This year, the incident at Kolkata’s driven by the principles of service adversity, and of the strength we RG Kar Medical College has been a and compassion. Durga Puja, as find in unity. Even though we are stark reminder of the challenges we much as it is a celebration of far from Bengal, the celebrations in continue to face in ensuring safety tradition, is also a time for the UK bridge that distance, and respect in the workplace. The reflection and action. As we come bringing together the community to violent incident shocked us all, and together to celebrate, we must honor our shared heritage. Let us we stand in full solidarity with also renew our dedication to these draw inspiration from this, and Abhaya. It is a tragic reminder that causes, ensuring that the spirit of work towards building a safer, women’s safety, dignity, and Durga Puja extends into realmore inclusive, and compassionate professional rights must be world impact. society. protected at all costs. As a community, we are committed to Durga Puja is more than a Wishing everyone a joyous and raising awareness, advocating for religious festival—it is a powerful blessed Durga Puja 2024.

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where Festivity meets Tradition

বিসর্জন থেকে শুরু New Beginnings

OUR COVER This year’s Parboni cover art is titled ‘বিসর্জন থেকে শুরু' or 'New Beginnings'. The painting of Durga captures the complex emotions of anger, despair and pain in a way rarely seen in traditional depictions.

This artwork breaks from the usual imagery of Durga and portrays her almost overwhelmed by the growing evils of the world. Her eyes burn with rage, her mouth is contorted in disbelief. Emotions that we, too, share as we witness the horrors around us in global tragedies of wars, crimes, and human loss.

But more poignantly, it reminds us of a recent heinous crime in Kolkata that shook our collective conscience. The brutal incident involving a medical student has cast a dark shadow, evoking widespread outrage and sorrow. Her gruesome death has deeply shocked and pained us all. It is a grim reminder of our failure to protect a daughter in her professional space.

OUR COVER ARTIST Tamojit Bhattacharya is a Kolkatabased multi-media artist whose art explores the bonds between human emotions, stories, and nature.

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The painting compels viewers to confront the painful reality of a world in turmoil.

Yet, amidst the darkness, there is a hint of hope. The storm of emotions swirling within Durga’s face reflects resilience. As we step into the Pujo this year, the image compels us all to invoke our inner Durga, to rise against injustice and to ensure the victory of good over evil. The battle against evil is ongoing, but the presence of Durga reassures us that light will prevail, even in the darkest of times. The glimmers of light in the painting serve as a promise that, through unity, compassion and action, we can still rise.

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IN THIS EDITION 4

বিসর্জন থেকে শুরু | NEW BEGINNINGS

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FROM THE PRESIDENT’S DESK

Our Cover

10 FROM 10 DOWNING STREET MY ANCESTORS, AND ME 13 KOLKATA, William Dalrymple NOSTALGIA: A MASTERCLASS WITH MY MENTORS

17 Suman Ghosh

সুয়াঙ্গামায় শিহরণ

21 সত্যরূপ সিদ্ধান্ত

PUJA: THROUGH THE EYES OF AN ARTIST 26 DURGA A tête-à-tête with Mir Afsar Ali FORGOTTEN MANSION OF KOLKATA 30 THE Deepanjan Ghosh aka MIrchi Deep SANCTUARY IN THE CLOUDS 35 AKumar Samresh FOOTPRINTS IN LONDON 38 BENGALI Sarbajit MItra থেকে হযবরল 42 HODGE Sourav Niyogi SILK ROUTE ODYSSEY 45 AJoydeep Pal

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IN THIS EDITION GREAT MARKET WAR 48 THE Sujaan Mukherjee

SACRED CANVAS 51 THE Poulami Basu HERITAGE AND WILDLIFE 53 CORBETT’S Kamal Banerjee SPIRIT OR SPIRIT OF SPORTS? 57 FESTIVE Amit Sengupta

60 PHOTOGRAPHER’S CORNER 65 BHF KIDS AND GEN NEXT 70 BENGAL HERITAGE FOUNDATION 360° 83 OUR SPONSORS & SUPPORTERS

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where Festivity meets Tradition

FROM THE BHF & LSU PRESIDENT’S DESK

memorable film events to date, with This year’s theme, Bisorjon Theke Shuru, reflects Ma Durga’s internal Suman Ghosh’s Kabuliwala and struggle and angst amidst the Srijit Mukherjee’s Oti Uttam. A retrospective of Aparna Sen’s films turmoil around the world and in Kolkata. It resonates deeply with —The Japanese Wife, 36 Chowringhee Lane, and Paromitar current events, and we hope it Ek Din—was a special tribute to her sparks reflection as much as celebration. remarkable storytelling and cinematic vision, drawing in For the first time in our history, we audiences from across the are venturing to hold the Puja community. entirely outdoors: a challenging but exciting development. Designed to Our commitment to communitySuranjan Som building extended into sports with evoke nostalgia for the “park pujas” of Kolkata, from Maddox Square to the Indian Superfan’s League—a Mohammad Ali Park, we hope it community football tournament. will provide our members and Teams representing fans of East As Durga Puja 2024 approaches, it Bengal, Mohun Bagan, Mumbai FC, supporters an opportunity to is a fitting moment to reflect on the FC Goa, Kerala Blasters, and even reconnect with these cherished journey of Bengal Heritage the Indian High Commission in the memories and create new experiences.

Foundation (BHF) this year. Our UK came together in the spirit of commitment to preserving and friendly competition, strengthening As we enter the festive period, I promoting Bengali culture in the the bonds within our diaspora. sincerely hope that Ma Durga will UK and Europe has seen numerous guide us towards the triumph of activities that brought together our Collaborating with the Bengal good over evil, light over darkness, community and celebrated our Chamber of Commerce and and hope over despair. We are truly heritage in unique ways.

Industry and the British Council, grateful for your unwavering BHF commemorated the Birth Kicking off the year with a Anniversary of Dwarkanath Tagore support, which empowers us to continue preserving our cultural celebration of Rabindra Jayanti at in Kolkata, underscoring the heritage in this home away from the Nehru Centre, was a truly significance of Tagore’s home, for ourselves and for future inspiring event highlighting contributions and our ongoing Tagore’s timeless in fluence, efforts to connect with cultural and generations. bringing together Bengalis from all industry in both Bengal and the UK. Joy Ma Durga! walks of life to celebrate his literary and philosophical contributions.

The most anticipated event, however, is our flagship London Our BHF Summer of Bengali Sharad Utsav, the largest Durga Cinema was one of our most Puja in Europe.

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GRATEFUL FOR THE GOOD WISHES

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GRATEFUL FOR THE GOOD WISHES

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FROM THE UK PRIME MINISTER’S OFFICE

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FROM THE HIGH COMMISSIONER OF INDIA, LONDON

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PERSPECTIVES

KOLKATA, MY ANCESTORS, AND ME

Author William Dalrymple has visited the Indian city of Kolkata, where he brought back some striking photos from and connected with his Bengali roots.

William Dalrymple Writer and Historian

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A SPECIALIST IDOL MAKER SLEEPS AMONG DOZENS OF HALF-FINISHED STATUES OF THE GODDESS DURGA

"Calcutta", wrote the great wealth could be accumulated ends meet in the past couple of trading stations. It was a city where

British colonial general Clive, "is one in a matter of months, then lost in minutes in a wager or at the whist of the most wicked places in the table.

Universe... Rapacious and Luxurious beyond conception."

Death, from disease or excess, was In the late 18th Century, the British commonplace, and the constant presence of mortality made men bridgehead in Bengal was the City of Palaces, littered with magnificent callous: they would mourn briefly Palladian mansions, and already the for some perished friend, then bid drunkenly for his effects. jewel among England's overseas

Like many Scots trying to make centuries, generations of my family were born, lived and died in what was then Calcutta (now Kolkata), and their houses and graves still lie scattered all across the city.

The first out was Stair Dalrymple, who died in the Black Hole in 1756 and whose name can be found on the Memorial in St John's Church.

MY GREAT-GRANDFATHER WALTER WAS BORN THERE AS RECENTLY AS A CENTURY AGO, AND WAS - SO I'VE NOW DISCOVERED - PART-BENGALI.

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THE IDOLS ARE SCULPTED FROM MUD AND STRAW

A GROUP OF PEOPLE TAKE THE DEITY FOR IMMERSION

BRINGING THE DEITY TO THE RIVER

No one in my family seemed to Bengali woman from into worship for a week, before know about this, though it should Chandernagore (now spelled as finally being immersed in the not have been a surprise: we had all Chandannagar), who had converted Ganges. heard the stories of how our to Catholicism, taken the name beautiful, dark-eyed, Calcutta-born Marie Monica and married a "It breaks my heart to take this great-great-grandmother, Sophia French officer. wonderful statue to the river and Pattle, with whom the painter Sir drop it in," said Abhoy Edward Burne-Jones had fallen in I recently returned to Calcutta to Bhattacharjee, who was organising love, used to speak Bengali with her see Durga Puja - the great annual one of the pujas. "It is a moment sisters and was painted by Frederick festival of the city in honour of the beyond tears. Durga is our mother.

Watts with a rakhi - a Hindu sacred great Goddess who is worshipped The very day after the immersion thread - tied around her wrist. on this occasion as a symbol of we begin counting again until the familial love. next Durga Puja."

But it was only when I poked around in the archives that I I watched statues of the Goddess be But I also went to rediscover some discovered that she and Walter sculpted from mud and straw by of my lost Bengali roots. were descended from a Hindu specialist idol makers, then brought

IMMERSING THE DEITY

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Over the course of the Durga Puja allegedly claimed to have rowed week, I toured what remained of across the Atlantic in a hen coop. the graves, monuments and houses and palaces that my ancestors must According to the memoir of have known, ranging from the great another of his great-grandchildren, Marble Palace of the Mullick family Virginia Woolf - who also shares in north Calcutta, through the my trickle of Bengali blood - Pattle THE GREAT MARBLE PALACE National Library, once the centre of eventually drank himself to death of the Mullick family in north Calcutta the administration of Warren and was put in a casket of rum to Hastings, to South Park Street preserve him during the voyage Cemetery, St John's Church where back to England. my great grandfather was baptised, and the crumbling mansions of His wife had the cask placed outside Garden Reach where he was her bedroom door. In the middle of brought up. the night there was a violent THE NATIONAL LIBRARY explosion, and when the widow once the Governor General's Lodge Both worlds came together when I rushed out into the passage, she saw images of the Goddess found the container had burst and immersed at Prinsep Ghat, which her husband half in, half out of the was named after my Orientalist barrel. great uncle, James Prinsep, who unlocked the secrets of Kharoshti "The shock sent her off her head and Ashoka Brahmi, the script of then and there, poor thing, and she the Ashoka Pillars, so rediscovering died raving…" But the worst was THE SOUTH PARK STREET a whole new chapter of forgotten yet to come. The cask was nailed CEMETERY ancient Indian history. down and put on board the ship.

AN OLD MANSION in Bhanderhati

The effort cost him his life: he developed "an affectation of the brain, and by the time he was bundled aboard the Herefordshire to be sent home, "his mind was addled".

Sometime after the boat had set off, the sailors guessed it was full of liquor, bored a hole into the side of it and began to get drunk. The rum continued to run out, caught fire and set the ship ablaze.

On the wall of St John's Church there I found a memorial to my favourite Calcutta ancestor, James Pattle, my great great grandfather.

While the drunken sailors were trying to extinguish the flames, the ship ran onto a rock and blew up.

So it was that Pattle was cremated rather than buried in Britain, as he had wished.

Pattle became famous as "the biggest liar in India" after he

William Dalrymple is a writer and historian. He is the author of several award-winning books on India including: White Mughals, The Last Mughal, Nine Lives, The Anarchy, and The Age of Kali.

His most recent book is The Golden Road: How Ancient India Transformed the World.

This article has been reprinted here, with permission from the author, from a 2016 article written for BBC India.

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NOSTALGIA: A MASTERCLASS WITH MY MENTORS Amartya Sen & Soumitra Chatterjee Author Suman Ghosh goes down the memory lane to provide a fascinating insight into his interactions with the actor Soumitra Chatterjee and economist Amartya Sen.

By Suman Ghosh Film director and professor

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SOUMITRA CHATTERJEE (R), SUMAN GHOSH (M) AND AMARTYA SEN (L) AT THE SCREENING OF “THE ARGUMENTATIVE INDIAN” AT NANDAN

During the question-answer session addressing of senior Bengali I consider myself fortunate that in following the screening of my academicians as Da, be he a Nobel both my professions – as an documentary film, The laureate or even forty years senior economist and as a film-maker – I Argumentative Indian, at the to one. Unless this is clarified, one had the opportunity of coming in Nandan auditorium one afternoon may consider it an audacity on the close contact with these two great in 2018, Soumitra Chatterjee was part of the speaker. personalities. I have learned a lot seated to my left and Amartya Sen from being with them, observing to my right. It was a massive Interestingly, immediately after this, them. Soumitra-kaku often spoke to gathering of people from the media Amartya-da took the microphone me of his veneration for the work and the intelligentsia. Before the and said, “Following the done by Amartya-da. function commenced, I felt it Santiniketan tradition, this Da may necessary to clarify a certain point. even mean Dadamashai [grandpa].” Once, in an interview he was Soumitra Chatterjee is two years The audience burst out in applause referred to as ‘greatest living younger than Amartya Sen. Yet, I and laughter at this humorous Bengali’. An exasperated Soumitraaddress him as Kaku (uncle) and response from him. I felt it kaku protested, “I feel very Amartya Sen as Da (short for Dada, necessary to refer to this before embarrassed to be described thus elder brother). writing the piece lest I am deemed when another Bengali like Amartya This is an academic tradition – this audacious or impudent.

Sen is still around.”

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I had invited Soumitra-kaku for the screening at Nandan. “The organizers want you to be the chief guest,” I told him on the phone.

Sambit was Soumitra-kaku’s elder Thoroughly influenced by Tagore’s brother. I discovered that he and philosophy, thoughts and worldAmartya-da had studied together in view. Second, both of them have Presidency College. Together they passed through the same history. I also used to edit a journal. Thus, am aware of at least two such He replied, “Suman, will I be Soumitra-kaku was like a younger incidents from the history of Bengal required to speak on the occasion? brother to Amartya-da. Only now that influenced them enormously: It will be impossible for me to say did I realize the reason for the the great famine of 1943 and the anything in his presence.” brotherly feeling I mentioned Bengal riots of 1946. above.

I said, smiling to myself, “We will Amartya-da specifically referred to see about that. You just come.”

But this personal link alone is not the second in his Nobel lecture: “As enough to understand the entire a child, I was witness to a few At the same time, whenever I spoke gamut of their relationship. There scenes of that merciless cruelty. to Amartya-da about Soumitrawas something special about their One afternoon in Dhaka a man kaku, I sensed that besides his bonding. I have often wondered at entered our house through the respect for Kaku as a thespian, he the unusual similarities between main gate, screaming, bleeding also nurtured a brotherly feeling for these two Bengalis. profusely. It was heart-rending.

Kaku. When the two met at the That wounded man, Kader Mian, function, Soumitra-kaku was like an First, both of them were steeped in stabbed in the back, was a Muslim obedient student in front of what I can only call ‘Rabindradaily wager. He had come for some Amartya-da. Amartya-da also consciousness’. It won’t be an casual work at one of our looked very pleased at meeting him. exaggeration to say that they were neighbours’ place to earn a few His first question was, “How is the true, worthy inheritors of rupees. Some communal miscreants Sambit?”

Rabindranath Tagore’s legacy. in our Hindu-dominated area had

SOUMITRA CHATTERJEE AND APARNA SEN IN SUMAN GHOSH’S BOSU PORIBAR

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stabbed him … the experience shattered me. It also made me aware of the dangers inherent in the divisive mentality engendered by politics arising out a narrow communal and individual identity.” Soumitra-kaku had also time and again narrated stories of the ‘Calcutta killings’ of 1946. The incidents had troubled him deeply. The wound was so deep that in their later life it was their prime concern to raise their voice against communalism, to take a stand against the evils of communalism.

And about the Bengal famine, Amartya-da writes: “In the Bengal famine of 1943 around two to three million people died. I was then at Santiniketan. That memory still pounds my heart. Its utterly classbased character astonished me even then.” Soumitra-kaku told me how the cry of ‘Maa, ektu fyan dibi, fyan’ – the pitiable entreaty for a little rice gruel – tormented him all his life.

Years later, Amartya-da wrote the book, Poverty and Famines, creating a sensation with its research on the prevention of famines.

AMARTYA SEN

At the same time, consider Satyajit Ray’s film Ashani Sanket, which created a sensation with its stark depiction of the Bengal famine, and went on to win the Golden Bear at the Berlin Film Festival. What a nuanced performance by Soumitra

Chatterjee it had. Working in two different fields, these two seem to be one in their ideologies and the way they look at the world. We find them epitomizing a culture – the conscience and intellectuality – of which Bengalis were at the vanguard.

It is for this reason that I feel it necessary to think of these two people at this moment. When people are playing fast and loose with icons of Bengali history, it is time to remember that perhaps these two are among the most important contemporary icons of Bengal. If there are still any Bengalis who can make a difference at the international level through their work, it is the duo of Amartya Sen and the recently deceased Soumitra Chatterjee. Let us not forget the message they have given us through their work.

SUMAN GHOSH

Suman Ghosh is a National Award winning Indian film director. He is also a professor of economics, blending his academic expertise with his cinematic vision to create meaningful films that explore complex issues. *Excerpt from- ‘Soumitra Chatterjee: A Filmmaker Remembers’ by Suman Ghosh (Om Books International)

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সুয়াঙ্গামায় শিহরণ কার্স্টেনজ পিরামিড শৃঙ্গজয় অভিযান

লেখক সত্যরূপ সিদ্ধান্ত ওশেনিয়ার সর্বোচ্চ শৃঙ্গ,কার্স্টেনজ পিরামিড, সুয়াঙ্গামা জঙ্গল রুট দিয়ে আসার নিজের আরোহণ অভিজ্ঞতা বর্ণনা করেছেন। সত্যরূপ সিদ্ধান্ত পর্বতারোহী ও অনুপ্রেরণামূলক বক্তা

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কার্স্টেনজ পিরামিড

বাইরে হঠাৎ কিসের একটা আওয়াজে তন্দ্রাটা ভেঙে গেল। দু’দিন ধরে হেলিকপ্টার আসবে-আসবে করছে। কিন্তু এসে পৌঁছয়নি। খাবার প্রায় তলানিতে। কানাডার পবর্তারোহী বন্ধু ক্রিস্টোফারের দেওয়া ফিল্টার লাগানো বোতল থেকে একটু জল মুখে দিয়ে শুষে নিলাম। গলাটা ভিজল। ভাগ্যিস টলমলে নীল হ্রদটা টেন্ট থেকে দু’পা দূরেই! পাশ ফিরে দেখলাম, নন্দিতা এখনও ঘুমোচ্ছে। এ বার আওয়াজটা আর একটু স্পষ্ট হতেই একটা ঠান্ডা শিহরণ খেলে গেল শরীরে। রক্ত হিম হয়ে যাওয়ার জোগাড়। আওয়াজটা তো কেভিন কস্টনার-এর ‘ডান্সেস উইথ উল্ভস’ সিনেমার যুদ্ধদৃশ্যে নেটিভ ইন্ডিয়ানদের চিৎকারের আওয়াজের মতো লাগছে!

আমি কী করব বুঝতে পারছিলাম না। একটা হাতা আর একটা ওয়াকিং পোল তু লে নিলাম দু’হাতে। অস্ত্র!

মুসা তো বাইরে বেরল একটু আগেই। অজানা আতঙ্ক গ্রাস করে নিল নিমেষে। ধড়মড়িয়ে উঠে বসলাম। নিমেষে পাসপোর্ট সহ টাকাগুলো নিয়ে স্লিপিং ম্যাটের নীচে পাচার করে দিলাম। আর ক্যামেরার ব্যাগটা স্লিপিং ব্যাগে ঢুকিয়ে নিলাম। সামিটের সব ছবি আছে ওই ক্যামেরায়। যা-ই ঘটে যাক, বেঁচে থাকলে মেমরি কার্ড টা যেন ঠিকঠাক নীচে নিয়ে যেতে পারি। লরেনের দিকে তাকালাম। লরেন লাফিয়ে উঠে একটা চাকু বের করল। আমি কী করব বুঝতে পারছিলাম না। একটা হাতা আর একটা ওয়াকিং পোল তুলে নিলাম দু’হাতে। অস্ত্র!

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জঙ্গলের জনজাতিরা আক্রমণ করেছে! রুদ্ধশ্বাসে অপেক্ষা করছি, কখন তারা ঝাপিয়ে পড়বে আমাদের উপর। আওয়াজটা এ বার কাছে আসতেই দু’জনেই হেসে ফেললাম। চারটে বন্য কু কু র একসঙ্গে ডাকতে ডাকতে দৌড়চ্ছে, তাদের আওয়াজ পাহাড়ে ইকো হওয়াতে এই অদ্ভুত আওয়াজের সৃষ্টি করেছিল। হাঁপ ছেড়ে বাঁচলাম। কিন্তু আতঙ্ক যে কী, সে দিন ‘কার্স্টেনজ পিরামিড’-এর বেস ক্যাম্পের সামিট হয়ে যাওয়ার পরে আটকে থাকা সময়ে বুঝলাম।

কার্স্টেনজ-এর স্বপ্নটাও বাস্তবায়িত করার লক্ষ্যে ঝাঁপিয়ে পড়লাম। বেশির ভাগ লোকেরাই কার্স্টেনজ আরোহণ সেখান থেকে মাকাসা হয়ে নাবিরে করতে হেলিকপ্টার রুট নেয়। আমরা পৌঁছনো, তার পর সোজা সুগাপা। কিছুটা জোর করেই জঙ্গলের রাস্তা ধরব চমকানো শুরু সুগাপা এয়ারপোর্টে ঠিক করেছিলাম। এজেন্সির হাজার নেমে। খালি এয়ারস্ট্রিপ, এয়ারপোর্ট মানা করা সত্ত্বেও। কারণ এই জঙ্গল নেই। সবুজ পাহাড়ের ভিতর থেকে উঁকি দিয়ে যাওয়াটাই একটা দুর্দান্ত মারছে পরিষ্কার ঝকঝকে এয়ারস্ট্রিপ। অভিজ্ঞতা। যদিও অনেকটাই বড়। সবুজ পাহাড় চারপাশে। মুগ্ধ হয়ে দেখছি, ঠিক তখনই জনৈক বাঙালি প্রবীর দে-র উদ্যোগে কানে এল কিছু বাইকের আওয়াজ। ইন্দোনেশিয়া, পশ্চিম পাপুয়া প্রভিন্সে আসিয়ান-এর ৫০ বছর উপলক্ষে ১২টা ঠিক শুনলাম তো? এয়ারপোর্টে নিউ গিনি দ্বীপের কার্স্টেনজ দেশের রাষ্ট্রদূতের উপস্থিতিতে আমাদের মোটরবাইক? দেখি, সত্যি বেশ কয়েকটা ওশিয়ানিয়ার সর্বোচ্চ শৃঙ্গ। প্রতিটি পতাকা প্রদান অনুষ্ঠান সম্পন্ন হয় বাইক ঢুকে পড়েছে। আরোহীদের মধ্যে মহাদেশের সর্বোচ্চ শিখর আরোহণ আসিয়ান-এর হেড কোয়াটার্স কয়েক জনের হাতে বড় রামদা, কারও করাকে বলে সপ্তশৃঙ্গ আরোহণ করা বা জাকার্তাতে। ভারতের দূতাবাস এই হাতে তির-ধনুক। তিরগুলোতে কি বিষ ‘ক্লাইম্বিং দ্য সেভেন সামিটস’। বিশিষ্ট কাজে গুরুত্বপূর্ণ ভূমিকা নিয়েছিল। লাগানো আছে? ফিসফিস করে পর্বতারোহী রেনহোল্ড মেসনার-এর আমাদের হাতে তুলে দেওয়া হল জিজ্ঞেস করলাম লরেনকে। লরেন মতো অস্ট্রেলিয়ার উচ্চতম শৃঙ্গ ভারতের জাতীয় পতাকা। সঙ্গে দেওয়া বলল, ‘‘বোধহয় না।’’ লরেন আর রমি কসিউস্কো নয়, কার্স্টেনজ-এর হওয়া হল আসিয়ান আর ইন্দোনেশিয়ার আমাদের গাইড। হঠাৎ দেখি ওরা উচিত। কারণ অস্ট্রেলিয়ার টেকটনিক পতাকাও। এরই মাঝে আমাকে একটি আমাদের ব্যাগ নিয়ে টানাটানি করছে। প্লেট ধাক্কা খেয়েছে পাপুয়া অঞ্চলে। এটা দেশের রাষ্ট্রদূত এসে বললেন, ‘‘তুমি করে কী! রমি হাসছে, ‘‘ওরা আমাদের নিয়ে মতভেদ আছে। ইউরোপের মঁ ব্লাঁ কার্স্টেনজ পিরামিড যাচ্ছ জঙ্গল রুট ব্যাগ নিয়ে যাবে, সঙ্গে আমাদেরও।’’ আর এলব্রুস আরোহণ করেছি, দিয়ে! ইন্দোনেশিয়ার লোকেরাও ও এখানে গাড়ি নেই। আগে হেঁটে হেঁটে কার্স্টেনজ-ই বা বাদ যায় কেন? তাই ভাবে যেতে ভয় পায়।’’ মুচকি হেসে সে গোটা এক দিন লাগত সুয়াঙ্গামা গ্রামে ডিসেম্বরে অ্যান্টার্ক টিকার সর্বোচ্চ শৃঙ্গ দিন বলেছিলাম, ‘‘ওটাই তো পৌঁছতে। এখন বাইক-বাহিনীর সাহায্যে ভিনসন ম্যাসিফ-এর আগে অ্যাডভেঞ্চার!’’ জার্কাতা থেকে বালি। এক ঘণ্টাতেই হয়ে যায়।

‘কার্স্টেনজ পিরামিড’-এর বেস ক্যাম্প

সুয়াঙ্গামা

সুয়াঙ্গামা গ্রাম

SHARODIYA PARBONI 2024 - ANNUAL PUJA MAGAZINE OF LONDON SHARAD UTSAV | A BHF INITIATIVE

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বাইক ছুটল। মাঝে পুলিশ স্টেশন আর আর্মি স্টেশনে অনুমতি নেওয়ার জন্য দাঁড়াতে হল। ওরা বলে দিল, কিছু অঘটন বা দুর্ঘটনা ঘটলে তার দায় আমাদের। প্রোটেকশন দেওয়ার জন্য ওরাও চলল ওদের বাইক নিয়ে। এক জন পুলিশ আর তিন জন মিলিটারি। বাইক ছুটল। কোথায় লাগে লে লাদাখের বাইকিং? অফ রোড, জলপ্রপাত, ল্যান্ডস্লাইড, পাথুরে রাস্তা, কাদা, খাদের ধার বেয়ে উঁচুনিচু সব উৎসাহী জনতাকাঁধে তির-ধনুক, হাতে রামদা, মুখে হাসি রাস্তা দিয়ে দক্ষতার সঙ্গে নিয়ে গেল। মাঝ রাস্তায় তিন জন বাইক থেকে উলটে পড়ল। অন্যরা বলল, নতুন এসেছে, শিখে যাবে।

গ্রামের চিফ্ ‌

দানি আদিবাসী

এই যুদ্ধে বহু বছর ধরে নেতৃত্ব দিয়ে এসেছে উইলিয়ামস। সে-ই এখন এই গ্রামের চিফ্ ‌। প্রথম দেখায় একটু আশাহতই হয়েছিলাম। উইলিয়ামসের পরনে একটা ছেঁ ড়া টি-শার্ট আর একটা বারমুডা, খালি পা! একটু ভারী শরীর। অথচ কী সরল হাসি! বাচ্চাদের মতো খিলখিল করে হাসে একেবারে। গোটা ট্রেকে সেই হাসি কত যে নকল করেছি!

সে দিন উইলিয়ামসের সরল হাসি দেখে লরেনকে জিজ্ঞেস করলাম, ‘‘এরা কি হিংস্র হয় কখনও?’’ লরেন বলল, ‘‘এমনিতে ওরা ভাল। তবে এক বার রমিকে এক জন আদিবাসী কেটে ফেলতে এসেছিল রামদা দিয়ে। সে কথা সুয়াঙ্গামা গ্রামে পৌঁছনো মাত্র উৎসাহী চিফের কানে পৌঁছায়। ক্ষমার অযোগ্য জনতা আমাদের দেখতে এল। কাঁধে অপরাধের মূল্য প্রাণ দিয়ে মেটাতে তির-ধনুক, হাতে রামদা আর মুখে হাসি। হয়েছিল সেই ব্যক্তিটিকে। মৃত্যুদণ্ড আফ্রিকার আদিবাসীদের মতো এরাও দেওয়া এবং সেটা কার্যকর করার দায়িত্ব মাথায় ছোট ছোট করে বিনুনি বাঁধে। উইলিয়ামস নিজের হাতে নিয়েছিল!’’ তবে সকলে নয়। বাড়িগুলো গোল। কার্স্টেনজ বেস ক্যাম্পে পৌঁছনোর দু’টো দু’টো দরজা। আর আছে একটা চিমনি। রাস্তা আছে। একটা এই সুয়াঙ্গামা গ্রাম সারা ক্ষণ আগুন জ্বলে। ঘরে এক বার পেরিয়ে জঙ্গলের রাস্তা। আর একটা ঢোকার চেষ্টা করলাম। ধোঁয়ায় রাস্তা তিমিকা হয়ে ইলাগা গ্রাম হয়ে। ধোঁয়াকার। দমবন্ধ হয়ে আসতে লাগল। কাশতে কাশতে বেরিয়ে এলাম। ওরা কী কিন্তু সেই রাস্তায় বিদ্রোহী গোষ্ঠীর ভাবে থাকে কে জানে! আসবাবহীন ঘরে উপদ্রব। দেখা হয়ে গেলে সব লুটে নেয়। মাদুর ছাড়া বসবার আর কিছু খুঁজে কার্স্টেনজ ঢোকার তিন নম্বর রাস্তাও পেলাম না। ছাদে সবুজ লতাপাতার আছে, কিন্তু সেই রাস্তা দিয়ে কেউ যেতে গাছ। তার ভিতরে বসে এক মহিলা সুতো পারে না। কারণ একটু এগোলেই রাখা দিয়ে বুনে চলেছেন রঙিন ব্যাগ। মেয়েরা আছে একটা তির আর একটা ধনুক। মুখে উল্কি করেন। পাপুয়ার সবচেয়ে বড় লক্ষ্মণরেখার মতো ওটা অতিক্রম জনজাতি হল এই ‘দানি’। আর একটি করলেই উড়ে আসবে ঝাঁকে ঝাঁকে তির। জনজাতির নাম ‘মনি’। দানি ও মনি তার পর আছে মাটিতে পেতে রাখা গোষ্ঠীর মানুষের মধ্যে কথা যেমন হয়, ফাঁদ। তিরের হাত থেকে বাঁচলেও, ফাঁদে মতপার্থক্যও হয়। কিন্তু সেই মতপার্থক্য পা পড়বেই। কোনও একটা লতায় পা যখন আলোচনাতে মেটে না, তখন পড়লেই এফোঁড়-ওফোঁড় করে দেবে ভরসা একমাত্র যুদ্ধ। যুদ্ধ হয় তির-ধনুক বর্শা। সেই গ্রামে এখনও সভ্যতা দিয়ে, পূর্বনির্ধারিত সময়ে এবং পৌঁছায়নি। জামাকাপড় কী, মানুষ জায়গায়। যুদ্ধ শেষ হবে সন্ধের আগে। জানে না। গায়ে এক ধরনের তেল মাখে, গোনা হবে, কত জন আহত আর কত তাতে নাকি ঠান্ডা লাগে না। যদি ওদের জন নিহত। যে পক্ষের ক্ষয়ক্ষতি কম চিফ চায়, তবেই সে অন্য কোনও গ্রামের হবে, তারা জিতবে। চিফের সঙ্গে দেখা করবে। ভাবতেও গা

24 SHARODIYA PARBONI 2024 - ANNUAL PUJA MAGAZINE OF LONDON SHARAD UTSAV | A BHF INITIATIVE

বেঁচে গেলাম। লরেন না থাকলে আমার কোনও চিহ্ন খুঁজে পাওয়া যেত না। স্বপ্ন দেখছি কি না বুঝতে পারছিলাম না, মনে হচ্ছিল ‘লর্ড অব দ্য রিংস’ সিনেমার স্ক্রিপট্‌। বা হয়তো কোনও একটা কোণ থেকে এ বার ডাইনোসরাস বেরিয়ে আসবে! এর আগে ‘ভয়’কে চাক্ষু ষ জলপ্রপাত, ল্যান্ডস্লাইড, পাথুরে দেখিনি। দু’টো পাহাড়ের মাঝে একটা রাস্তা, ঝু রঝু রে ট্রেল, কাদা, খাদের বিশাল খাদ, সেই জায়গাটা পেরোতে হয় দড়ির সাহায্যে। নীচে একটা দড়ি ধার বেয়ে উঁচুনিচু সব রাস্তা টাঙানো আছে— টানটান করে, এক প্রান্ত থেকে আর এক প্রান্তে। আর শিরশির করে যে এই জঙ্গলেই আছে সাহস আর দক্ষতা এঁদের! পাঁচ দিনের ঘাড়ের কাছে আরও দু’টো দড়ি, হাত করোওয়াই জনজাতি যারা মানুষের জঙ্গল-পথে দ্বিতীয় দিনে একটা সংকীর্ণ দিয়ে ধরার জন্য। সেই জায়গা নন্দিতা মাংস খায়। কিন্তু সে জায়গা আরও রাস্তা পেরোচ্ছি। রাস্তা বলে কিছু নেই। ক্রস করছে, এমন সময় প্রচণ্ড ঝড় আর অনেক দূরে। পাপুয়া নিউগিনিতে ঢুকে ঝু রঝু রে হয়ে গিয়েছে ট্রেলটা। অনেকটা বৃষ্টির দুলুনি শুরু হল। দেখলাম নন্দিতার গিয়েছে। ভেঙে গিয়েছে, তিন মিটার নীচ দিয়ে চোখেমুখে ভয়। সঙ্গে শুনলাম আমার চলেছে খরস্রোতা নদী। নন্দিতা আর নিজের বুকের ধ়ড়াস ধ়ড়াস শব্দ। শুরু হল আমাদের পথ চলা। সুয়াঙ্গামা লরেন এগিয়ে গেল কোনও মতে নিজের উপর বিশ্বাসটা ফিরে এল, যখন গ্রাম ছাড়িয়ে শুরু হল জঙ্গল। গোটা লতাপাতা ধরে। আমি একটুখানি সামিটের একটু আগেই অর্ধেক ছেঁ ড়া পথটা হাঁটু পর্যন্ত কাদা। কিছু কিছু এগিয়েছি, সঙ্গে সঙ্গে গোটা রাস্তাটা দড়িতে সেফটি লাগিয়ে ১০০০ মিটার জায়গায় এক মানুষ সমান কাদা। সে ল্যান্ডস্লাইড হয়ে ধসে গেল। কোনও খাদের উপর দিয়ে একটা আলগা সব জায়গা বাঁচিয়ে এগনো। রবারের বুট রকমে লেপটে আছি। একটু নড়াচড়া পাথরে লাফ মেরে অন্য দিকে পরে চলেছি। এক-এক বার পা আটকে করলেই পড়ে যাব নদীর মধ্যে। কিন্তু পৌঁছলাম। আর তৃপ্তি কী, সেটা অনুভব যাচ্ছে। বের করতে কালঘাম ছুটে আর ভারসাম্য রাখা যাচ্ছে না। একটু করলাম সামিট-এ পৌঁছে একে অপরকে যাচ্ছে। তার মাঝে নদী পার হওয়া। এক একটু করে নেমে যাচ্ছি। প্রচণ্ড অসহায় জড়িয়ে ধরে। জায়গায় এসে হাড় হিম হয়ে গেল। নদীর লাগছে। নীচের অংশটা ঝপাস করে উপর সেতু, সেতু বলতে একটা বড় পড়ে গেল বর্ষার ফু লেফেঁ পে ওঠা কার্স্টেনজ বললে মনে পড়ে গাছের গুঁ ড়ি ফেলা আছে। শ্যাওলা জমে খরস্রোতা নদীতে। নিমেষে হারিয়ে গেল। ক্যালেইডোস্কোপের মতো সেই গিয়েছে। অনেকটা যেতে হবে তার উপর হাতড়াতে হাতড়াতে একটা শেকড় দিনগুলোর কথা। যখন তুমুল শিলাবৃষ্টির দিয়ে! ধরার কিছু নেই। আর পায়ে পেলাম। হাঁপ ছেড়ে বাঁচলাম। কিন্তু মধ্যে মাথায় শিলের গাঁট্টা খেতে খেতে রবারের জুতো। এক-একটা মিনিট যেন আনন্দটা স্থায়ী হল না। শেকড়টা ধরতেই ঠান্ডায় ঠকঠক করে কাঁপছি। যখন এক-একটা ঘণ্টা। খরস্রোতা নদী নীচে। হাতে চলে এল শেকড়টা। আর রক্ষে খিদের চোটে জঙ্গলের মানুষের মেরে দোনামোনা করতে করতে নেই। তবু কোথা থেকে যেন অভয় শক্তি আনা পাখি খেয়ে নিচ্ছি। নির্দ্বিধায় হ্যান্ডিক্যামটাকে বের করে নিলাম। পেলাম। হাঁটু-কনুই-বুক-হাত-পা সব ইঁদুরের সঙ্গে মারামারি করে অভুক্ত দিয়ে আপ্রাণ চেষ্টা করছি আরও অবস্থায় ক্যাম্প সাইটে ওদের ফেলে পিছনে মুসাও হ্যান্ডিক্যামে শ্যুট করে কিছুক্ষণ আটকে থাকার। লরেন যাওয়া খাবার খোঁজ করছি। পাগলের চলেছে। পড়ে গেলে রেকর্ড থাকবে। ও বিন্দুমাত্র দেরি না করে টারজানের মতো মতো হেলিকপ্টারের দৃষ্টি আকর্ষণ পারে পৌঁছনোর পর হাঁপ ছেড়ে একটা লতা ধরে ঝু লে পড়ল। ঝু লতে করার জন্য স্লিপিং ম্যাটটাকেও আগুনে বেঁচেছিলাম। অথচ এ রকমই জায়গা ঝু লতেই ওয়াকিং স্টিকটা বাড়িয়ে দিল। জ্বালিয়ে দিচ্ছি। সারভাইভাল ফর দ্য দিয়ে দানি জনজাতির এক জন কাঁধে পর ক্ষণেই বুঝল ওয়াকিং স্টিক বাঁচাতে ফিটেস্ট কাকে বলে, হাড়ে হাড়ে টের বাচ্চা নিয়ে অনায়াসে পার হয়ে গেলেন, পারবে না। আরও টেনে টেনে লতাটাকে পেয়েছি। ছিল বটে একটা অভিযান। দেখে অবাক হয়ে গেলাম। কী অসীম আমার হাতের নাগালে ধরিয়ে দিল। সত্যি তো, ‘ওটাই তো অ্যাডভেঞ্চার!’ সত্যরূপ সিদ্ধান্ত একজন বাঙালি পর্বতারোহী ও অনুপ্রেরণামূলক বক্তা। তিনি বিশ্বের সর্বকনিষ্ঠ ব্যক্তি যিনি সাত শীর্ষ ও আগ্নেয়গিরি সাত শীর্ষ উভয়ই পর্বতারোহণ করেছেন।

SHARODIYA PARBONI 2024 - ANNUAL PUJA MAGAZINE OF LONDON SHARAD UTSAV | A BHF INITIATIVE

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DURGA PUJA: THROUGH THE EYES OF AN ARTIST A tête-à-tête with Mir Afsar Ali

In this exclusive interview with Bengal Heritage Foundation, Mir Afsar Ali shares his journey, Durga Puja memories, the festival’s evolution, and his vision for the future.

By Editorial Team Bengal Heritage Foundation

26 SHARODIYA PARBONI 2024 - ANNUAL PUJA MAGAZINE OF LONDON SHARAD UTSAV | A BHF INITIATIVE

THE VERSATILE ARTIST, MIR AFSAR ALI

You have been an RJ, DJ, anchor, actor, and comedian. How has your journey been in the last 25-30 years?

When I hung up, what should I say? I can't say boots, I'll say I hung up my radio microphones and headphones and stopped working on radio.

Exactly, 30 years I started my journey in 1994. That was my first year in college and that's when I began working as a radio jockey, just as FM was taking off in Kolkata. It wasn't just a job; it was where I found my passion. I worked on some amazing projects and met incredible people. And then after that for the next 28 years, I have been associated with radio till 2022, when I hung up, what should I say? I can't say boots, I'll say I hung up my radio microphones and headphones and stopped working on radio.

Though I subsequently migrated to television, did my own shows and then several other activities in the field of entertainment.

Even though I hung up my headphones a few years ago, radio will always hold a special place in my heart. Whenever I travel, I tune into local stations to reconnect with that magic. It's more than just entertainment; it's a way to connect with the pulse of a place.

SHARODIYA PARBONI 2024 - ANNUAL PUJA MAGAZINE OF LONDON SHARAD UTSAV | A BHF INITIATIVE

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Back then, I loved traveling home on a "Coo-Jhik Jhik" train during puja. The sound of the steam engine still makes me nostalgic.

Of all your roles—whether as an anchor or actor— probably radio has been closest to your heart, right?

Things were carefree and without any competition. Nowadays, many of those grounds are gone.

However, I still cherish the Pujobarshikis and travel stories and Yes, Radio has always been my first that the newspaper ads still love. If faced with the impossible promote travel during puja holidays. choice of choosing just one career, The neighbourhood Pujos continue I would have stayed with radio until to hold their old-school charm- it's a the very end. It’s a field that I’m time for community, good food, deeply connected to and would and making great memories. have continued pursuing no matter what.

How do you see Durga Puja evolving with time, especially with How has your Kolkata upbringing events happening internationally influenced your career choices and like in London? What are your sense of humour? thoughts on this global celebration of culture?

I started my journey in 1994, a time before mobile phones and digital Durga Puja has always been a music. Kolkata's liberal atmosphere landmark event in our lives. It's greatly influenced me. It's always more than just a festival; it's an been a city of intellectuals and event that draws people from far artistic expression. People looked and wide.

The phrase "Pujo i ebar aschis toh" up to Kolkata, and they still do. The has been a tempting invitation for city's openness and support have Bengalis worldwide. allowed my art to flourish.

Being a true Kolkatan, can you share your most cherished Durga Puja memories from your childhood?

I miss the simple joys of Durga Puja from my childhood. Back then, I loved traveling home on a "Coo-Jhik Jhik" train during puja. The sound of the steam engine still makes me nostalgic. I miss enjoying the games and rides at the festival grounds.

While Pujos have become more glamorous and competitive, the core values of camaraderie, bonhomie, and welcoming nature remain unchanged. This spirit has inspired Bengali communities across the globe to celebrate Durga Puja as a regular landmark event on their calendar.

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Celebrate the message that Durga Puja comes with“The evil is vanquished, the evil is defeated, and the truth stands forward”.

Do you have any special rituals or traditions during Durga Puja that you never miss, despite your busy schedule?

What role do you think artists and entertainers like yourself play in preserving cultural heritage, especially during festivals like Durga Puja?

Even though I'm often busy performing during Durga Puja, I think during Durga Puja, crossAshtami Anjali is a something which cultural exchange takes the center Lastly, a special message for the I look forward to and never miss. stage. Artists from various Bengali diaspora in London As an artist, I'm usually booked for backgrounds come together to celebrating Durga Puja far from shows, but I always make time for share their talents and connect with home! this special ritual. Even on busy audiences. This unique event mornings hosting my radio show, amplifies our voices and allows us Over the last month or so, the I'd find a way to offer Anjali at a to reach a wider audience than ever anticipation for Durga Puja has nearby pandal. It's a cherished before. Special performances and been dampened. The city feels less family tradition and with my live events are televised and vibrant than usual, and many Brahmin wife and our relatives, all showcased online. It's a powerful preparations are lagging. Despite get together. Our diverse family platform for us artists to bond with these challenges, we remain background makes these moments their community and people around committed to celebrating the spirit even more meaningful. This the globe in these four days. of the festival and not the associated tradition is so ingrained in me that I pomposity. know when Ashtami is coming, no What exciting projects are you matter how busy I am, I’ll plan my working on currently that you’d like Celebrate the message that Durga day accordingly. to share with our readers?

Puja comes with “The evil is vanquished, the evil is defeated, and This year, I have got my own studio the truth stands forward”. and office after working over 30 We hope our Bengali friends in years for someone else. This is London will stand with us in their where all the recordings and thoughts and prayers as we strive to operations of “Goppo Mir” overcome these obstacles and happens. Metaphorically, this pujo I celebrate the triumph of good over have got my personal temple. evil.

Mir Afsar Ali is a renowned Indian media personality known for his work as a radio jockey, TV host, anchor and actor. He is celebrated for his wit, charm and versatility in the Bengali entertainment industry.

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THE FORGOTTEN MANSION OF KOLKATA Basu Bati Bagbazar

Author Deepanjan Ghosh puts up spotlight on Basubati, a hidden gem in North Kolkata, as a unique architectural marvel with a rich history.

Deepanjan Ghosh History Buff and Photographer

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BASU BATI BAGBAZAR

"Basu Bati", on Bagbazar Madhav Chandra died in June 1859, Assistant Engineer in the Presidency Street in North Calcutta (Kolkata) survived by three sons – Mahendra Division, but quit government deserves to be known as one of the Nath, Nanda Lal and Pasupati Nath. service over a difference of opinion. most unique heritage buildings in Around 1874, Mahendra Nath’s In addition to a number of palatial the entire city. Its architecture is in uncle passed away and he inherited buildings in Calcutta, Mitra also a style that is not seen anywhere a large zamindari in Gaya from him, designed the Chariot of Jagannath else and its history is rich and which he helped extricate from temple of Mahesh in Serampore. eventful. But while few have legal complications. Because of the stepped into its hallowed portals, lavish income from the zamindari, fewer still know its full story. the family was able to acquire the land in Bagbazar, on which Basu THE STORY OF THE BASU Bati stands today. The foundation FAMILY stone was laid in October of 1876 and the family moved in two years The scions of Basu Bati, Nanda Lal later. and Pasupati Basu, were sons of As architect of their family seat in Madhav Chandra Basu and the city, the Basus selected Nilmani grandsons of Jagat Chandra Basu, Mitra, who also happened to be the of the distinguished Basu family of first Bengali to qualify as a civil Kantapukur in Shyambazar. engineer. Mitra had been the THE THAKURDALAN

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SHIVASHIS BOSE'S DRAWING

THE ANDAR-MAHAL COURTYARD

THAKURDALAN LOTUS CAPITALS

THE ARCHITECTURE OF BASU BATI

in the Islamic style, lead into the are closed. ground floor courtyard.

Colonnaded verandas run the The rooms to the east of the main The two-storeyed building faces the length of the three other sides, courtyard, in the northern section, south, and from that side, one opening onto various rooms. On i.e., the andar mahal, are presently enters a large courtyard. There are the ground floor, the columns are occupied by the Ramakrishna Day rooms on the southern, eastern and octagonal in shape, with plain Students Home, which provides a western side of this courtyard, capitals. But on the first floor level, library, several reading rooms and a while the northern side is occupied they become circular, with more canteen to college students at a by a magnificent thakurdalan, of conventional floral capitals. nominal cost. The architecture here double height. The chambers facing is somewhat different than the south on the 1st floor were known The thakurdalan itself is intricately majority of the Bari. The arches, as the baithak-khana. This formed decorated and can take quite a although smaller, are nevertheless the bahir mahal or outer house. The while to absorb its splendours. more fanciful. Octagonal columns building extends further north, Three rows of columns are on the ground floor have plain which defined the andar mahal or featured. Although those on the capitals, while those on the first inner house. This particular section outside are of a more traditional floor have capitals with foliage contains another smaller courtyard. European style and of double patterns halfway up, and circular height, their capitals are distinctly faux columns with floral capitals The reason Basu Bati looks so Hindu, bearing floral motifs. emerge above them. different from any other building Beyond are two more rows of six from this period is because Nilmani columns, which are shorter and BASU BATI: FROM REGALITY TO Mitra chose Islamic and Hindu more squat and bear some RUIN influences for the building, as resemblance to Hindu temple opposed to the more conventional pillars. These support a series of Mahendra Nath died on 16th European styles. On the southern scalloped arches of the pattern one August, 1874, before Basu Bati had side are two sets of four massive commonly sees in thakurdalans in been completed. The property columns supporting two projecting large Bengali mansions. The interior passed on to Nanda Lal and porticos. The capitals of the is richly decorated as well. Above Pasupati Nath. Nanda Lal had five columns, instead of the commonly the arches are a number of stucco sons: Binod Behari, Bipin Behari, seen floral motifs, contain a circle of medallions containing Hindu Banku Behari, Bono Behari and lion heads in relief. Each is religious and mythological figures. Boto Behari. Pasupati Nath’s two connected to the other by a double The rear wall contains a series of sons from his first marriage, row of beads. Scalloped archways, mysterious female faces whose eyes Amarnath and Amulyanath died in

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their 30’s. The youngest son from Ananthnath Basu, along with his managed to get all members of the his 2nd marriage, Ananthnath Basu family, i.e., Pasupati Nath’s family on board. Ambuja Neotia would continue residing in the descendants, moved to Sinthee in would take possession of the house, along with Nanda Lal’s North 24 parganas, after the sale. thakurdalan in 2007 and the descendants, until around Meanwhile, in Basu Bati, with southwestern and western portions Independence. Property disputes Nanda Lal’s sons getting married of the house the following year. But had already caused a partition of the and starting families of their own, not much actual work has happened house by 1898, but the final blow the house was no longer adequate in the past decade. A well-placed would come almost 60 years later. for their needs. Nanda Lal’s 2nd source in Ambuja places the blame son, Bipin Behari Basu would for this squarely on the state Ananthnath Basu was a flamboyant eventually move back into the government. “This is a Grade I man. He was married to the original house of his ancestors. heritage building, which means we daughter of Nirmal Chandra Binod Behari would move out and cannot so much as hammer a nail Chunder, a wealthy solicitor and build himself another house to the into a wall without government one of the “big five” of the Indian northwest corner of Basu Bati, on permission. We have shared our National Congress in Bengal. land where the stables once stood. plans with the government, but that According to sources in the Basu That left Banku Behari, Bono Behari permission has not been granted”. family, in the period immediately and Boto Behari in possession of Stuck in limbo and lacking after Independence, Chunder had Basu Bati. necessary maintenance, Basu Bati’s managed to run up huge debts. In condition has worsened further. an attempt to pay off his father-in- Of Boto Behari’s 3 sons, Shibendra The roof has sprung leaks in several law’s debts, Ananthnath decided to Nath had no children. Shailendra places and weeds have taken root all sell off his half of the house.

Nath had a son and a daughter. But over the structure. Plaster and Journalist Gautam Basu Mallick it would be Satyendra Nath’s sons, mortar chunks falling off the ceiling contends that Ananthnath may have Amit and Alok Basu who would are common occurrences. had to sell his house because of his remain in the house till the end. own extravagances. Basu Bati was After Alok’s death in 2005, Amit To make matters worse, the source split down the middle in 1956, with would approach the family says, Basu Bati cannot, or should the government of West Bengal members on behalf of not be repaired using modern purchasing the eastern half of the Harshvardhan Neotia’s Ambuja methods and materials, and only a main courtyard and the northern Realty, who had a plan to develop small number of craftsmen possess andar mahal, with the western half Basu Bati into a heritage hotel. the skills needed to carry out remaining in possession of Nanda Details of the plan were discussed repairs. It is also unclear why the Lal’s descendants. with family members and Amit Department of Higher Education,

DRAWINGS TO SOUTHERN FACE

1ST-FLOOR SOUTHERN HALL

SOUTHERN VERANDA

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FEATURED IN BAISHEY SRABON

CAST-IRON BRACKETS

GIANT GRANDFATHER CLOCK

whose annual budget for 2013-14 entirely of brass, with a set of Rabindranath Tagore. The was more than Rs. 2487 crores, has marble steps. procession ended with a rakhi tying refused to maintain the part of the ceremony in Basu Bati, where building they occupy.

The Basus were also noted for their Bengali Hindus and Muslims tied enthusiasm and support for the the sacred thread on each other’s BASU BATI: WITNESS TO theatre. In 1891, when a dispute wrists to symbolise their unity.

HISTORY arose between the Star Theatre and Alongside the ceremony, there was the father of the Bengali stage, a meeting that established a national Over time Nanda Lal and Pasupati Girish Ghosh, the Basus made their fund to help revive Indian–based Basu acquired a spectacular house available for actors who left industry, marking the beginning of collection of paintings, many in the The Star and began performing the “Swadeshi” movement. The Kalighat pawt style which adorned under the name “City Theatre”. fund would collect Rs. 50,000 that Basu Bati. There were also paintings Basu Bati was also one of the only day, which would be almost

by Bamapada Banerjee, a famous Bengali homes to have been visited doubled within a few more days. artist in 19th century Bengal, whose by Nawab Wajid Ali Shah, the last The following year, Bengal’s first works influenced Jamini Roy, who King of Oudh, who was in exile in exhibition of khadi or homespun is said to have been a frequent Garden Reach. Wajid Ali Shah’s cloth, to challenge the produce of visitor to Basu Bati. Basu Bati is also visit to Basu Bati was in order to the mills of Lancashire, was held in said to have had a good collection watch a performance of the play Basu Bati. of Tanjore paintings, characterised entitled, “The Victory of the by “rich, flat and vivid colors, Pandavas”.

CONCLUSION simple iconic composition, glittering gold foils overlaid on delicate but In July of 1905, George Nathaniel Basu Bati's location behind larger extensive gesso work and inlay of Curzon, the Viceroy of British buildings and restricted entry have glass beads and pieces or very rarely India, announced the partition of contributed to its obscurity. Despite precious and semi-precious gems”. the province of Bengal on its use as a filming location in Such paintings, along with many communal lines. On the 16th of movies like Baishey Shrabon, the other priceless artefacts, had been October, the day the partition was building faces an uncertain future. sold before the Basus vacated the effected, a massive procession was Urgent action is needed to prevent house. Among them was Nanda led from Federation Hall on A.P.C. its collapse and preserve this Lal’s magnificent bed, made Road to Basu Bati in Bagbazar by valuable piece of Kolkata's history.

Deepanjan Ghosh, popularly known as Mirchi Deep, is a Kolkata favourite. He has won various national awards as a Radio Jockey. His programmes Bumper to Bumper, Kolkata Express, and Club Mirchi have been very popular and the show Sunday Suspense on the station has also attracted audiences thanks to his amazing vocal prowess. Apart from this, he is also a history buff, a landscape and architecture photographer and a blogger.

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A SANCTUARY IN THE CLOUDS Rashtrapati Niwas, Mashobra

Author Kumar Samresh introduces us to the hidden charms of the presidential retreat in the shadows of the Himalayas.

By Kumar Samresh Rashtrapati Bhavan

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THE RASHTRAPATI NIWAS, MASHOBRA

Nestled on the verdant slopes of the Viceregal Lodge Shimla village fused British formality with Himachal Pradesh, far above the (currently IIAS), the Viceroy sought Himachali tradition. Grand picnics sweltering heat and clamour of the a deeper escape at The Retreat, as it were held under oaks draped in plains, stands Rashtrapati Niwas, was then known, finding solitude autumn hues, the air filled with Mashobra. Cradled by the cool away from the demands of colonial laughter and warm banter, creating embrace of oak, cedar and pine, this governance. vibrant memories. serene estate whispers tales of a bygone era, its winds stirring with Leased from the Rana of Koti in the The architecture of Rashtrapati the echoes of history and the 19th century, the estate provided Niwas reflects its purpose: simple, timeless beauty of nature. not just respite but renewal. Days unassuming, and harmonious were spent wandering through with its surroundings. Built using As the British Raj expanded, Shimla forested paths and enjoying picnics the traditional dhajji construction was declared the summer capital of on grassy knolls, making decisions method—timber-framed walls filled British India by 1864, a town where that shaped the course of history with stone and brick—it exudes the sun never scorched and the itself. warmth and comfort, a contrast to mountain air carried a faint promise the grand residences symbolizing of England. Amid the opulence of The annual Sipi Fair in the nearby British power.

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THE ESTATE DURING THE 19TH CENTURY

Post-independence, Rashtrapati Niwas symbolizes India's enduring spirit rather than empire. It now serves as an official summer retreat of the President of India, offering profound stillness and a reminder of India’s rich natural heritage, with its rare copper birch trees symbolizing its unique charm.

The surrounding forests teem with life, housing vibrant butterflies and melodious birds. A recent survey documented nearly 50 butterfly species, including the rare Himalayan Sergeant and the death’s head hawk moth, contributing to the estate’s thriving ecosystem.

THE SCENIC BEAUTY OF MASHOBRA

BEAUTIFUL SUNSET VIEW

Today, Rashtrapati Niwas stands as escape from the hustle of daily life, a testament to the passage of time, and to soak in the grandeur of hosting gatherings of Indian leaders Rashtrapati Niwas, amidst the where once British aristocrats landscapes of Mashobra and nearby picnicked. The laughter of children Chharabra, visitors can book their still rings through the trees and visit through the official website: butterflies continue their morning https://visit.rashtrapatibhavan.gov.i dance. n/visit/rashtrapati-niwas-mashobrashimla/vm.

Visitors to Rashtrapati Niwas are greeted by vibrant apple orchards In the shadow of the Himalayas, and tulip beds, while the historic Rashtrapati Niwas at Mashobra sundial clock marks the passage of endures— a silent sentinel of India’s time. Open to the public, this past, present and future, its beauty tranquil retreat is an essential stop and tranquility untouched by the on the route from Shimla to Kufri march of time. and Narkanda. For a peaceful

Kumar Samresh is the Public Relations Officer(Museum), Visitors Facilitation Cell (VFC), President’s Secretariat Disclaimer: The views expressed are personal opinions of the author and do not represent that of the organisation.

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BENGALI FOOTPRINTS IN LONDON

Ray, Chuckerbutty, and Tagore

Author Sarbajit Mitra delves into surprising ties between Kolkata and London through the lives of three eminent Bengali personalities.

By Sarbajit Mitra Historian and Academic

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Sukumar Ray and the Royal Photographic Society

Situated adjacent to the School of Oriental and African Studies, this building, now part of the University of London's Senate House, has an intriguing connection to a cultural icon from Calcutta. The building served as the office of the Royal Photographic Society from 1909 to 1940. The Royal Photographic Society, founded in 1853 in response to the growing interest in photography following the Great Exhibition of 1851, is the world's oldest continuously active photographic organization. Initially affiliated with the Royal Society of Arts, the Society relocated several times before establishing its headquarters in Bath in 1979.

35, RUSSELL SQUARE OLD OFFICE OF THE ROYAL PHOTOGRAPHIC SOCIETY

He initially enrolled in the London School of Photo Engraving and Lithography (now the London College of Communication) to study collotype and lithography but later transferred to the Manchester Municipal School of Technology, where he completed his degree.

Sukumar was also elected a Fellow of the Royal Photographic Society in 1921, the year before his passing. He was only the second Indian to receive this honour, the first being Prasanna Coomar Tagore.

Sukumar Ray, who was studying printing and photo engraving in London from 1912 to 1913, became a member of the Royal Photographic Society. After graduating in Physics and Chemistry from Presidency College, Sukumar Ray travelled to England SUKUMAR RAY’S NAME IN THE on 'Guruprasanna Scholarship’.

ROYAL PHOTOGRAPHIC SOCIETY’S MEMBERSHIP LIST.

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Soorjo Commar Goodeve Chuckerbutty and the Kensal Green Cemetery

Kensal Green Cemetery, one of the 'Magnificent Seven,' is primarily known in Bengal as the final resting place of Dwarkanath Tagore. The cemetery also serves as the eternal abode for the mortal remains of several distinguished individuals associated with Calcutta and India, including Horace Hayman Wilson, William Makepeace Thackeray, Thomas and William Daniell, Alexander Cunningham, and James Ranald Martin. In this short post, however, I will focus on a less

celebrated figure with perhaps the most compelling story.

to the Indian Medical Service. He made significant contributions to contemporary medical research and Surjo Coomar Goodeve wrote regularly for leading journals Chuckerbutty was one of the early of the time. Chuckerbutty, who medical students of the newly found patrons and supporters from established Calcutta Medical both the European and Indian College and was among the four communities, served as a cultural students sponsored by Dwarkanath intermediary. He tragically Tagore for further studies in succumbed to illness at the untimely England. Chuckerbutty became the age of 48 while on an extended first Indian to hold teaching leave to the United Kingdom in positions at his alma mater, CMC, 1874. and the first Indian to be admitted

SURJO COOMAR GOODEVE CHUCKERBUTTY’S ETERNAL ABODE AT KENSAL GREEN CEMETERY 40 SHARODIYA PARBONI 2024 - ANNUAL PUJA MAGAZINE OF LONDON SHARAD UTSAV | A BHF INITIATIVE

Prince Dwarkanath Tagore and the Kensal Green Cemetery

"He is dead of having desired to live too fast. The burial lasted the whole day: The Queen and the Cabinet had sent carriages. All the high class in its entirety was there, and to each participant were donated veils of black silk which they retained.

These are kinds of scarves which became part of everyone’s dress during the ceremony. Because of the religion of the Baboo his body has not been taken care of by any church. He has been buried in the general cemetery which is going to become a sort of Père Lachaise. . ."

On August 1, 1846, the city of London was struck by a severe storm; it was also the day Dwarkanath Tagore passed away in a hotel near Piccadilly Circus. Three days later, he was laid to rest at the Kensal Green Cemetery.

Excerpts from a letter by Comte Feuillet de Conches to his wife, Courtesy- Dwarkanath Tagore, a forgotten pioneer: A life, Krishna Kripalani.

DR ANDREW FLEMING, BRITISH DEPUTY HIGH COMMISSIONER TO KOLKATA PAYING TRIBUTE

PRINCE DWARKANATH TAGORE’S ETERNAL ABODE AT THE KENSAL GREEN CEMETERY

Sarbajit Mitra completed his PhD from the Department of History at SOAS in 2023. Sarbajit’s doctoral research focuses on the socio-medical history of intoxicants in colonial Bengal in the nineteenth century. Currently, he is a faculty member at the Department of History at St. Xavier’s College, Calcutta. His interests lie in the histories of colonial cities, cultures of the body and visual culture.

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HODGE

থেকে হযবরল From Hodge to Ha Ja Ba Ra La Author Sourav Niyogi explores whether the stories of Hodge the cat served as an inspiration for Sukumar Ray’s creation of the fantastical world of Ha Ja Ba Ra La.

By Sourav Niyogi Cultural Heritage Connoisseur

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SUKUMAR RAY’S "HA JA BA RA LA” | DR JOHNSON WITH HODGE (INSET)

"Ha Ja Ba Ra La",

Ray arrived in the UK in October is a children's novella by Sukumar 1911 to study printing. Initially, he Ray, widely regarded as one of the stayed at the Northbrook Society, a finest examples of nonsense division of the National Indian literature in Bengali. Frequently Association (NIA), founded by compared to *Alice in Wonderland* Mary Carpenter with support from to highlight its genre, artistic merit Keshub Chandra Sen. The and playful style, Ray’s work is said Northbrook Society shared to be influenced by Carroll’s. Yet, premises with the NIA and the both stories stand apart, each Bureau for Information for Indian crafting its own fantastical universe, Students at 21 Cromwell Road, unbound by logic and filled with South Kensington—a building that marvels and absurdities. today houses the French Consulate.

The Society provided temporary One afternoon, having finished lodging for Indian students and work early in Holborn, my mind visitors, including Ray. began to drift with a swirl of whimsical thoughts. Suddenly, I was While in London, Sukumar Ray reminded of Sukumar Ray and his studied at the London School of time in London, particularly the Photo Engraving and Lithography, school he attended. located at Bolt Court, under the

THE FRENCH EMBASSY TODAY AT 21 CROMWELL ROAD, WHERE SUKUMAR RAY STAYED IN 1911.

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auspices of the London County Council.

Sitting with a pint at nearby dimly lit and atmospheric Ye Olde Cheshire Cheese, a pub rebuilt in 1667 after the Great Fire, my thoughts drifted further. It struck me that Sukumar Ray, living so close to Gough Square in 1911, must have visited Dr Johnson’s house. Could he have heard tales of Hodge and the other cats that lived with Dr Johnson? Did these stories of Hodge somehow inspire the fanciful, feline-filled world of Ha Ja Ba Ra La?

HODGE’S STATUE WITH OYSTERS AND SITTING ATOP DR JOHNSON’S DICTIONARY.

THE BUILDING THAT HOUSED THE LONDON SCHOOL OF PHOTO ENGRAVING AND LITHOGRAPHY, LOCATED AT BOLT COURT.

Postscript: Later that year, Sukumar Ray moved to Manchester to study at the Manchester School of Technology. He was in London when Rabindranath Tagore visited in 1912.

The school at 6 Bolt Court is next to Gough Square, home to Dr Samuel Johnson’s house. As I wandered around, my attention was drawn to a statue of Johnson’s beloved cat, Hodge, in the square. A neighbour of Dr Johnson once fondly remarked about Hodge: "Who, by his master when caressed, warmly his gratitude expressed, and never failed his thanks to purr, whene'er he stroked his sable furr [sic]."

DR SAMUEL JOHNSON’S HOUSE

Ray, who was good friends with Tagore’s son, Rathindranath, was also an active member of the India Society. In 1922, Sukumar Ray was made a Fellow of the Royal Photographic Society.

Sourav Niyogi is a Trustee of the Bengal Heritage Foundation and a connoisseur of travel, cuisines and heritage. His deep knowledge of cultural heritage, paired with his passion for culinary exploration and travel, positions him as a unique and insightful voice on emerging cultural trends.

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A SILK ROUTE ODYSSEY

Unraveling Georgia and Caucasus

Author Joydeep Pal traces the footsteps of the Silk Route traders through the breathtaking landscapes of the Caucasus in Georgia.

By Joydeep Pal Cultural Explorer

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DOUBLE RAINBOW SIGHTING WITH MOUNT KAZBEGI AS BACKDROP FROM THE GERGETI HOLY TRINITY CHURCH

Georgia, nestled in the

Caucasus Mountains, offers a unique blend of ancient history, stunning landscapes, and rich cultural heritage. Once a vital link along the Silk Route, currently the Georgian Military Highway offers a captivating glimpse into the erstwhile historic trade route and the ancient world. This ancient pathway, connecting Europe and Asia, played a pivotal role in the exchange of goods, ideas, and cultures for centuries. Our journey along the Silk Route and Georgian Military Highway from Tbilisi to Kazbegi was a testament to this.

Zhinvali Reservoir, a serene lake The Ananuri Fortress, a magnificent surrounded by lush greenery, was 17th-century fortification perched once a bustling trading post on the on the banks of the Aragvi River, Silk Route. Merchants and travellers likely served as a strategic outpost would have passed through this along this vital trade route. area, their caravans laden with precious commodities.

As we ascended the Jvari Pass, the

ZHINVALI RESERVOIR

ANANURI FORTRESS

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THE RUSSIAN-GEORGIAN FRIENDSHIP MONUMENT

highest point on the Georgian Military Highway, we couldn't help but imagine the caravans that would have traversed this challenging terrain. The Russian-Georgian Friendship Monument also stands as a testament to the historical significance of this region.

Our culinary journey began in the charming village of Bibliani. Here, we indulged in the local delicacy, Khinkali, a savory dumpling filled with meat, cheese, or potatoes. The warm and flavorful Khinkali were the perfect comfort food for the chilly mountain weather.

KHINKALI, A LOCAL SAVOURY

As we approached Kazbegi, the journey became even more exhilarating. The Georgian Military Highway transformed into a serpentine road, winding through breathtaking landscapes. The Gergeti Holy Trinity Church, perched on a hilltop with Mount Kazbegi as its backdrop, offered a truly awe-inspiring sight. The church, a symbol of Georgian spirituality, has stood the test of time, witnessing centuries of history.

One of the most memorable moments of our journey was our encounter with the Gergeti Glacier, a massive ice formation that descends from the slopes of Mount Kazbegi. The glacier's icy blue hues and imposing presence created a sense of awe and wonder. As we hiked closer to the glacier, we could hear the distant rumble of ice cracking and shifting.

Our journey culminated in a double rainbow sighting at Mount Kazbegi.

The vibrant colors against the backdrop of the snow-capped peak created a magical and unforgettable moment. As we reflected on our journey, we realized that Georgia's beauty lies not only in its stunning landscapes but also in its rich history, warm hospitality, and enduring spirit.

Ready to retrace the footsteps of ancient traders?

MOUNT KAZBEGI

Joydeep Pal, a member of the Bengal Heritage Foundation, is a passionate entrepreneur and an avid globetrotter with a deep-rooted love for exploring cultures around the world.

His travels have taken him to countless destinations, where he has immersed himself in local traditions, foods and customs.

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THE GREAT MARKET WAR

New Market's Dramatic History

Author Sujaan Mukherjee explores New Market Kolkata's historical significance, from its origins as Hogg's Market to its portrayal in the plays 'The Great Market War.'

By Sujaan Mukherjee Historian and Curator

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There are those who will call it “Hogg Saheb-er market” before checking themselves (rather deliberately) and settling for “Jakey tomra New Market bolo”...

Having turned a hundred and fifty of DAG’s (formerly Delhi Art earlier this year, the New Market is Gallery) “March to Freedom” now officially old. Many feel that exhibition, and I was supposed to the place has lost some of its former reflect upon buildings, parks and charm; others still swear by its other places that were sites of cosmopolitanism, despite the contestation in colonial or postmushrooming of shopping malls in colonial times. The New Market the city. Then there are those who was to be our last port of call will call it “Hogg Saheb-er market” because, while trawling the British before checking themselves (rather Library collection sometime back, I deliberately) and settling for “Jakey had chanced upon two plays in COURTESY: BRITISH LIBRARY tomra New Market bolo”, eager to Bangla—Suren Chandra impress upon us the length of their Bandyopadhyay’s Great Market of existing ones. The minimum association with Calcutta. It’s all in War (1874) and Sisir Kumar distance between two bazars was good humour because, love it or Ghosh’s Bajarer Lorai (c. 1874)— usually taken to be four to six miles avoid it, the affection it inspires is which dramatized the conflicts and but the more interesting measure of easy to appreciate. controversies surrounding the the fair radius (Board of Revenue, establishment of the market.

1790) was by the sound of drums— A few years back, I had been if you can hear the beats from the commissioned to create a history Since the 18th century, there were existing bazar, you are too close for walk within a reasonable radius of laws in place to ensure that new comfort. Understandably, when the the Indian Museum. This was part bazars did not pop up in the vicinity Municipality, empowered in 1871 to TUCKS POSTCARD FEATURING THE NEW MARKET (C. EARLY-20TH CENTURY)

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And when one of the Rate Payers rather curiously, with a hearing at begs him to reduce their tax, he has the Town Hall, which results in a his darwan summarily remove them humiliating defeat for Hogg. It is from the scene: “Nahi, nahi, kuch hard to tell when exactly this play kamega nahi, jao, abhi jao.” was written or who its audience (Anyone else reminded of Capt. was. Perhaps, unlike Great Market Russell from Lagaan?) The War, it was not intended as playwright further vilifies Hogg’s propaganda theatre and Ghosh, character by showing him as intent on writing a comedy picked disdainful of Bengalis as he the New Market conflict as his F.B. SOLVYNS, ‘HINDOO BAZAR’ dismisses Bangla language primers subject, or maybe it was written at a juncture when Hogg seemed to be FROM LES HINDOUS, VOL. 3 (1811). like Barna Parichay and Shishu Shiksha as “obscene texts.” fighting a losing battle. After all, the allegations against Hogg of misuse construct markets, identified a plot A play of superior craftsmanship, of public funds and of arm-twisting of land near the old Fenwick’s were seemingly quite valid. bazar, Heera Lal Seal, the owner of Ghosh’s Bajarer Lorai stages a direct confrontation between Hogg the nearby Dharmatala bazar, While researching the guided walk, started feeling jittery. His bazar had and Seal to great comic effect. In been at the Justices’ crosshairs for a the first act, both men get up on a I stumbled upon something table and turn their pockets inside intriguing that urged me to long time. As early as 1818, the reconsider the convenient postCommittee for Improving the Town out to prove the sources of their wealth, and in the second act, we colonial narrative I was thinking of of Calcutta, was flagging it as a have a perfectly infantile game of weaving around these texts. In front “grievous nuisance” for its lack of shadowing where Seal frustrates of the New Market (facing Lindsay hygiene.

Hogg by repeating everything he Street), we spotted a faux-bronze says.

Although Ghosh does not hold bust of Stuart Hogg, “Founder of Suren Chandra Bandyopadhyay’s Great Market War is a three “act” back from making a laughing stock New Market.” Shopkeepers change (abhinaya) play. The first two acts of both protagonists, the play ends, the garland around his neck at regular intervals and refresh the tika set up, with a charming lack of on his forehead. At a time when subtlety, stark contrasts between there is so much discussion around the benevolent patriarch, Heera Lal removal of colonial statues, one Seal, and the shrewd and heartless wonders what to really make of a Stuart Hogg. Over at Dharamtala gesture like this. Could it be that for Bazar, hawkers and wholesalers beg the workers, who have conducted for Seal’s protection from the business there for generations, the minions of Hogg, who are trying to market’s identity is traced in a prevent them from reaching their continuous line back to its founder, place of work. Seal promises them side-stepping the issue of India’s protection and offers to personally freedom struggle? As always, intervene in the matter. Hogg, on Kolkata poses more questions than the other hand, is in his counting house, counting out his money.

NEW BUST OF SIR STUART HOGG answers.

Sujaan Mukherjee is the senior curator at the Birla Academy of Art and Culture, Kolkata. Both his doctoral and post-doctoral research focus on urban history, although his interests are fairly eclectic. Sujaan moonlights as a translator and enjoys cycling in the less crowded parts of his hometown, Kolkata.

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THE SACRED CANVAS Alpana: Bengal's Sacred Art

Author Poulami Basu explores the underrated art of Alpana, a vital yet understated element of Durga Puja traditions.

By Poulami Basu Art Aficionado

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If one were to read a handbook on This cherished tradition is a Durga Puja it would probably symbolic homage to our beloved contain a detailed account of its deities. The age old patterns depict mythological origin, holistic flowers, birds, animals and plants, scriptures and a myriad of stories of the various aspects of nature that its practitioners. What would symbolizes the cycle of life. Bengal probably be a footnote or dare I say was primarily an agrarian society merit a passing mention is the and the origin of Alpana is humble art of finger painting that undoubtably agrestic. Thus it is only we call Alpana. Its understated natural that the core ingredients presence is often overlooked yet it used for this art form were those is such an integral part of our that were readily available i.e. rice ritualistic practice; its significance or paddy. Rice grains were soaked cannot and more importantly and ground to a fine paste called should not be undermined. “pithuli”. Herein also lies the source of the designs distinctive white Alpanas are usually symmetrical and colour. Conventionally, these paintings were created by dipping repetitive in nature. The motifs bear ones finger into the pithuli and then a silent testimony to its creators’ imagination. The women who tracing the pattern. But as time adorned the threshold of their passed, the designs and the techniques became more elaborate household with these intricate and evolved. Nowadays cotton balls, patterns indulged their artistic fantasies. I would like to imagine pieces of cloth or paint brushes that these paintings were an have replaced the finger and the expression of their indomitable rice powder has given place to acrylic or plastic paint. The designs desire for survival, love and piety. have been refined yet the basics So, dear readers, as you spend your remain the same. days during Puja visiting the mandaps and praying to the Goddess, be sure to pay attention to the wonderful and subtle art form of the Alpanas. These embellishments still form an integral part of the festivities and maintain an indelible link to our past and our heritage.

Poulami Basu, a member of the Bengal Heritage Foundation, is an Art Aficionado and shares her deep understanding of Bengali heritage with others. She is more than a closet writer and not surprisingly, a voracious reader.

N.B. The beautiful alpona pictures are collected from the internet.

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CORBETT'S HERITAGE AND WILDLIFE

Corbett Tiger Reserve, Uttarakhand

Author Kamal Banerjee pens down his experience at the Corbett National Park and the heritage properties of Forest Rest Houses.

By Kamal Banerjee Heritage Researcher

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“Here the rule is simple, If there is no electricity, sleep when the sun goes down and get up when it rises”- Sher Khan, Mahoot, Bijrani Zone Corbett National Park is the first national park of the Indian subcontinent, established in 1935 called Hailey National Park. The meandering Ramganga, the stately sal forests, the grassland teeming with wildlife and the densely wooded hills give the reserve its enchanting beauty. Corbett is situated in the Shivalik-Terai biotic province abutting the Himalayas, which has resulted in this great habitat diversity.

with the government. After Nights are the best time in the FRH, independence, the name was when the jungle comes alive and the changed from Hailey National Park sky brings down the stars, with the to Corbett National Park in 1955. rising moon at arm’s length.

A vast network of Forest Rest Over the years some changes have Houses (FRHs) were made during happened. Most FRHs now have the British period to mark their all solar lights and have solar fencing round presence in the area. A for protection. “Here the rule is surprising feature of most FRH is simple, If there is no electricity, the absence of any kind of sleep when the sun goes down and communication facility. Before the get up when it rises” said Sher introduction of the on-line Khan, Mahoot, Bijrani zone. Early reservation system, reservation slips mornings are very beautiful with Jim Corbett lobbied for the creation were forwarded by hand from the sombre sounds of the night being of a national park, through his nearest range office. Still Television replaced by chirping birds. writings and by using his influence and mobile are an absolute NO. DHIKALA FOREST REST HOUSE (FRH) AT JIM CORBETT NATIONAL PARK DURING SUNSET.

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A TYPICAL FOREST REST HOUSE

HERITAGE FOREST REST HOUSES (FRH) IN CORBETT TIGER RESERVE

ARCHITECT’S VIEW

was infested with malaria.

Subsequently after 1975, Dhikala was formally opened and accommodation increased due to boost in tourism.

Dhikala renowned for its panoramic landscape, is located at the edge of The complex itself is a complete the Patli Dun valley, along the entity with restaurants, jeep safaris, Ramganga with the Kanda ridge as a amphitheatre, a well stocked backdrop. The heritage building of library, and a beautiful walking the old FRH, built in 1889, is the track inside the safe zone which is first accommodation to be protected by electricity at low constructed inside the reserve. The voltage. Earlier, a seasonal post ground floor was used as the DFO office was available to share office and the top floor for experience from the park with accommodation of the forest letters sealed with animal pictures. officers. It has the unique An excellent all weather view point distinction of being the venue for is there to provide panoramic view the launch of the "Project Tiger". of the entire Ramganga riverbed Though it was the first to be and the Chaurs. If luck permits, constructed inside the park, staff with almost no trouble one can did not live here till 1963 since it view the tiger movement from this

AMIDST NATURE

platform.

Khinanauli FRH was built in 1974 in the middle of the Khinanauli chaur and is connected by the sambar road to Dhikala. The verandah, in front of the FRH, provides a majestic view of the Khinanauli chaur, where tiger may be seen crossing the road towards the Ramganga. The kilometres long sylvan canopy of trees is visitors’ delight. During the months of falls, the road takes a mystic look with the carpet laden with fallen leaves.

This FRH is the most expensive FRH in the Corbett National Park circuit. This FRH was primarily made to accommodate VVIPs and heads of states including the Presidents of India.

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Bijrani FRH, built in 1928, is located area of Corbett National Park and nine km from Ramnagar Reception added in the year 1991. Now it is a Centre and can be reached from the popular destination for day trip from Ramnagar.

Amdanda gate of Corbett National Park. There is a large network of Jhirna FRH, built in 1899, is located roads between Bijrani and Malani; and tiger sighting is very common till on the southern boundary of the recent times. Till recently, elephant Corbett National Park and may be ride was aiso available. The elevated approached from the Kalagarh entry platform is still carrying its majestic gate. Vegetation here is drier and mostly shrubs. The nearby terrain legacy. A drive on the Chital road, consists of numerous sots and through the Semal Chaur to reach the FRH, is a rewarding experience narrow gorges, running through for wildlife sighting. A watch tower, typically a Shivalik landscape.

Interestingly, it was a farming area till located inside the FRH, is an ideal place for panoramic view and wildlife the villages, near the FRH, were sighting just outside the fencing. This relocated in 1994 under Project Tiger.

Now it is almost unbelievable that this area is also popular for medicinal road, through the core area, was a plants and bird diversity. popular bus route connecting Ramnagar few years ago. The area Malani, located at the edge of the had vast ecological recovery since the core zone of the Corbett National rehabilitation of the villages.

Park, is also another FRH built around 1930. It is almost close to touch century mark. Location wise it Phanto FRH can be reached both from Phanto or Jaspur-Patrampuris close to Bijrani. Driving through Phanto road. The Phato zone is the the Machaan chaur, the stretch is densest zone in the Corbett National exceedingly beautiful. Visitors may Park. The FRH was built in 1912 and sight deer, bear or nilgai, which ought to be thrilling. This small FRH, several wild animals can be sighted at named after the Malani sot (stream), night, near the reservoir, just outside the FRH. Phato is the recent addition offers one of the most picturesque surroundings and complete solitude. in the Corbett Tiger Reserve. It is now a popular destination for nature lovers and wildlife enthusiasts. There Dhela FRH, built in 1908, has a sprawling campus which serves as a are good number of migratory birds good location for nature camps and visiting Phato in winters. training classes. Butterfly camp is a recent addition to make it more attractive. It is located in the buffer

So plan for your next trip...

Kamal Banerjee is an independent heritage researcher and visiting faculty in Ramakrishna Mission Institute of Culture, Golpark. His recent capacity building activities on ‘Unprotected built heritage of Bengal districts‘ have inspired many local people and enthusiasts to save and protect the fading built heritage of the districts.

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FESTIVE SPIRIT OR SPIRIT OF SPORTS?

Author Amit Sengupta highlights how sports can be a powerful tool for fostering connections between countries and promoting cultural exchange.

By Amit Sengupta British Deputy High Commission Kolkata

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The Manchester City Trophy just kissed the soil of Kolkata. It was a soggy evening with barely a couple of weeks away from the city’s biggest festival – Durga Puja.

Sports also give us a suitable hook played between a combined team of to promote business as usual British Deputy High Commission relationships between our two Kolkata and British Council vs a countries. Our collaboration with combined team of Bengal Heritage Global Wales, Wales in India on the Foundation and Indo-Britsh ‘Week of Wales’ campaign during Scholars’ Association. It has helped Football and festival – it does bind the FIH Men’s Hockey World Cup us further cement our relationship Britain and Bengal. After all, both 2023 in Bhubaneswar, Odisha stole with the diaspora in the UK and also these places have an unrelenting the limelight in the PIEoneer use it to promote entrepreneurship passion for football and festival.

Awards hosted in London under the and business ties between Britain ‘Marketing Campaign of the Year’ and Bengal.

Sports Diplomacy is a key tool we at category. The campaign was highly the British High Commission in commended by the jury.

We have also used sports to India use to deepen connections promote inclusion. During the between our two countries.

The campaign helped us to further England-India 4th Test match in Football, cricket, rugby, hockey – boost education, technology, Ranchi in 2024, we collaborated our office is working with innovation and business between with Child Rights and You (CRY) to stakeholders to increase awareness Wales and Odisha. engage with the England Men’s of our shared love for sports. It’s team. The entire Men’s team also good to see the High The Indo-British Heritage Cup is encouraged young boys and girls Commission of India in London one such example. We have held from disadvantaged communities in doing sports outreach with the four editions of this annual fixture Ranchi. We persuaded the diaspora. so far. For the uninitiated, it’s Jharkhand State Cricket Association

INDO-BRITISH HERITAGE CUP 2023 AT EDEN GARDENS, KOLKATA

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DR ANDREW FLEMING, BRITISH AMIT SENGUPTA DEPUTY HIGH COMMISSIONER TO DURING THE INDO-BRITISH KOLKATA, DURING THE ENGLAND HERITAGE CUP 2023 PAKISTAN MATCH AT THE EDEN GARDENS, KOLKATA AT THE EDEN GARDENS, KOLKATA

to issue free tickets for these children group to watch one day of the Test match. Seeing their sporting icons perform with their own eyes was a dream come true for these children. It was amazing how sports empower young children to realise their own potential and help encourage them to follow their dreams.

DR. ANDREW FLEMING, AND THE ENGLAND MEN’S TEAM IN RANCHI ENGAGING WITH THE CHILDREN GROUP OF CRY

football and is a regular face at various corporate tournaments.

There are others who play snooker and table tennis in our British Club.

Some of the less fit are still passionate spectators.

working with colleagues to encourage sports and embracing sports as a way of life. It not just helps in our well-being and resilience but strengthens our bonding between colleagues.

David Beckham had once said: “I On the topic of the British Club, it is don’t have time for hobbies. At the now wearing a sporting look. The end of the day, I treat my job as a place is all decked up to give a slice hobby. It’s something I love doing.” of English sporting culture. We Sports builds resilience, increases Sports is also a way of life for many have a football, rugby, F1 and community cohesion and boosts of us in our office. I am fortunate to cricket corner in the Club now. We motivation to pursue our passion have so many sports loving also celebrated Wimbledon with a and profession. I believe, no matter colleagues. A few of them play in special week of food and activity in which profession you are in, you our home cricket team (and have the Club. can continue to pursue your passion played in Eden Gardens during our for sports.

Indo-British Heritage Cup). One of As the lead of our Sports & On that note, I wish you all a us is passionate about hockey and Recreation committee, I am sporting festive season ahead!

Amit Sengupta is Head of Press and Communications, British Deputy High Commission Kolkata.

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PHOTOGRAPHER’S CORNER

Supratim Guha

Sambrita Das

Amit Guha

Sudipta Mondal

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ARANYA DEB 62 SHARODIYA PARBONI 2024 - ANNUAL PUJA MAGAZINE OF LONDON SHARAD UTSAV | A BHF INITIATIVE

Subham Pal

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Modhura Roy

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KIDS AND GEN NEXT

BHF KIDS Hiaan (3 yrs)

Saanvi (3 yrs)

Riyanshi (7 yrs)

Ira (3 yrs)

Aurelia (7 yrs)

Evaanshi (6 yrs)

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BHF KIDS

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BHF KIDS Sun, Sand and Seagulls As soon as I stepped on that Hawaiian beach, I was shocked.

The water was crystal clear unlike the beaches in England and there were so many people. You could find so many colours of sand like red, white and black. There were also beach parks for families.

There were so many people at the beach. The coastline was perfect; I could see children running around, people reading and people sunbathing. In beaches in England, there would barely be any people. The water was always dark and grey, and it was always so cloudy. There are big differences between Hawaiian beaches and English ones. For example, you couldn’t find any space to sunbathe as there would always be seagulls chasing after you. You couldn’t even bring any food as the gulls would always smell it and watch you like a hawk.

The sand was the gentlest hue of gold. A chorus of sun-warm grains sang the melody of the beaches right into my core. There are seaweeds as deeply green as any high summer foliage. Of course, I can’t forget about the majestic sunset. The light changes dramatically as you can see a whole range of colours.

They blew a horn as soon as the sun was about to set. The first note was blown when the sun touched the water. The last note was blown as the sun disappeared.

As soon as the sun set, everyone started to leave until I and three others were left. There was no sign of anyone except the ones packing up and leaving. I stayed a little longer until I too decided to pack up and leave.

Anika (10 yrs)

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BHF GEN NEXT

Siya (15 yrs)

Samadrita (13 yrs)

Tanishq (12 yrs)

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BENGAL HERITAGE FOUNDATION 360°

LONDON SHARAD UTSAV GRACED BY DIGNITARIES

Vikram Doraiswami, High Commissioner of India Saida Muna Tasneem, High Commissioner of Bangladesh Nimisha Madhavji, High Commissioner of Uganda Sujit Ghosh, Deputy High Commissioner of India Andrew Fleming, Deputy High Commissioner of the UK in Kolkata Nick Low, former Deputy High Commissioner of the UK in Kolkata

Virendra Sharma, MP from Ealing Southall Bob Blackman, MP from Harrow East James Murray, MP from Ealing North Rupa Huq, MP from Ealing Central & Acton Hitesh Tailor, Mayor of Ealing Councillors Aysha Raza, Tariq Mahmood & Rohit Dasgupta

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CULTURAL "EMBRACING DIVERSITY: HARMONY, TRADITION, AND LEGACY"

STATE FOUNDATION DAY | LONDON | JUL 2024

RABINDRA JAYANTI | THE NEHRU CENTRE | MAY 2024

SOAS UNIVERSITY | LONDON JUN 2024

The Bengal Heritage Foundation was honored to be invited by the High Commission of India London to celebrate the state foundation days of West Bengal and Telangana.

The event was a special occasion to honor the rich cultures and traditions of both states, which are known for their diverse languages, music, dance, and cuisine. Bengal Heritage Foundation is proud to contribute to preserving heritage through its work.

The Bengal Heritage Foundation, in SOAS University of London, in collaboration with the High collaboration with the Bengal Commission of India, London, Heritage Foundation and The commemorated the 163rd birth Tagore Centre, hosted an event, anniversary of Nobel laureate titled "Rabindranath Tagore’s Rabindranath Tagore with a vibrant Vision: Freedom Through Song, celebration of Rabindra Jayanti at Poetry, and Painting." The event The Nehru Centre in London on featured musical performances and May 9. The event, rich in cultural readings to explore Tagore's artistic performances, was attended by expression of freedom through his prominent members of both the paintings and poetry. The event Indian and Bangladeshi aimed to connect Tagore's legacy communities, highlighting Tagore’s with today's audience and highlight enduring legacy across national and the relevance of his humanistic cultural boundaries. philosophy in today's politics.

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CULTURAL "EMBRACING DIVERSITY: HARMONY, TRADITION, AND LEGACY"

MUSICAL EXTRAVAGANZA | LONDON SHARAD UTSAV

DHAAK DHUNUCHI | LONDON SHARAD UTSAV

QUIZ AND ANTAKSHARI | LONDON SHARAD UTSAV

The Durga Puja celebration was a vibrant affair, filled with a diverse array of cultural programs. Key highlights included Bengali and Hindi song nights, where talented singers took the stage and belted out popular Bengali and Bollywood tunes. The audience was captivated by their performances, and the atmosphere was filled with joy and celebration. The song nights were a testament to the rich musical heritage of Bengal and India, and they left a lasting impression on all who attended.

Another popular event was the The quiz program on the Heritage dhaak dhunuchi naach, a traditional of India and Bengal was dance that originated in Bengal. intellectually stimulating and Dancers, both young and old, challenged participants to participated in this rhythmic demonstrate their knowledge of performance, holding clay pots Indian history, culture, and filled with burning incense. As the traditions. The quiz program was a dancers moved to the beat of the hit among the audience. drums, the fragrant smoke rose In addition, the antakshari into the air, creating a mesmerizing competition was one of the most spectacle. This beloved tradition has popular events. The atmosphere been beautifully carried out across was electric as teams competed generations, symbolizing the rich against each other, the audience cultural heritage of Bengal. cheering them on with enthusiasm.

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COMMUNITY "EMBRACING DIVERSITY: HARMONY, TRADITION, AND LEGACY"

LONDON SHARAD UTSAV | LONDON | OCT 2023

LOKKHI PUJO | LONDON | OCT 2023

SARASWATI PUJO | LONDON | JAN 2024

With lights coming all the way from BHF Members organised Lokkhi The Bengal Heritage Foundation Chandernagore and a mandap Pujo in a homely environment successfully hosted a Saraswati Puja inspired by the terracotta temples exclusive for members, followed by celebration. The event was filled of Bengal, LSU worshipped its ek sumptuous dinner. with devotion, cultural chalar thakur as a “symbol of The best part of the event was BHF performances by younger Bengal’s rich multicultural kids creating beautiful Alpona (art generations, and a sense of tapestry”. While a kola bou snan in style traditionally seen in Bengal and community. The large participation Thames captured the fusion of other parts consisting of motifs and from members added to the festive Bengali and British cultures, LSU patterns painted on floors and walls atmosphere, fostering a sense of retained the authenticity of Puja by with paints made from flour). At togetherness. The traditional distributing free bhog twice on each BHF, our primary objective is to Khichuri Bhog was served to all of the four days, arranging for ensure our heritage lives through attendees. The blessings of Goddess anjali, cultural performances, boron generations. The best gift we can Saraswati were invoked to inspire and organising sindur khela on give our children is our heritage. everyone on their journeys of Dashami. knowledge and creativity.

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BUSINESS "EMPOWERING ENTERPRISE: INNOVATION, GROWTH, AND OPPORTUNITY"

BENGAL HERITAGE DINNER | BUSINESS CONNECT | BRITISH CLUB | KOLKATA | WESTMINSTER | LONDON | DEC 2023 2023-2024

BENGAL CHAMBER OF COMMERCE | KOLKATA | AUG 2024

Our Bengal Heritage Dinner, in We were graciously hosted by the collaboration with the British High Commission of India in the Deputy High Commission, British Diwali Reception held at Central Council, and the Indo-British Hall Westminster. The esteemed Scholars’ Association (IBSA), was event was highlighted by the an ode to such UK-based Bengalis. presence of Dr S. Jaishankar, Hosted at The British Club, a panel External Affairs Minister, shedding discussion “Building living bridges: light on the nation's achievements Exploring India-UK connection and the role of the diaspora. post-G20” showcased India-UK relations through creativity, culture, The Bengal Heritage Foundation and environmental initiatives. The team with Dr. Andrew Fleming, event highlighted the strong British Deputy High Commissioner bilateral ties and celebrated the rich to Kolkata discussing ongoing heritage of Bengal. collaborations at House of Lords.

The Bengal Heritage Foundation, with British Deputy High Commission and BCC&i, honored Dwarkanath Tagore. Tagore was a 19th-century Bengali entrepreneur.

The event discussed his contributions to business, IndoBritish trade, and Bengal's socioeconomic landscape. Speakers highlighted his progressive vision. A cultural performance concluded the evening. BHF has been celebrating Tagore's legacy since 2018 and supported a business delegation to the UK in April 2024.

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SPORTS "CHAMPIONING SPIRIT: UNITY, STRENGTH, AND COMMUNITY IN SPORTS"

INDO BRITISH HERITAGE CUP INDIAN SUPERFANS LEAGUE DIASPORA BADMINTON EDEN GARDENS | KOLKATA | SLOUGH FC | LONDON LEAGUE | LONDON DEC 2023 JULY 2024 FEB 2024 In a thrilling clash at the historic The Bengal Heritage Foundation The Bengal Heritage Foundation Eden Gardens, the 4th edition of successfully hosted the 6th edition (BHF) hosted the BHF Badminton the Indo British Heritage Cup of the ISLUK. Eight fan teams Battle 2024 in London. The unfolded, pitting the reigning representing ISL clubs competed in tournament featured Men's, champions, 'India in the UK,' against the English FA-accredited Women's, and Kid's Doubles. A the formidable challengers, 'UK in tournament, with FC Goa winning total of 58 players participated, with India.' The sunlit day in Kolkata the championship for the second Ripon and Suranjan winning the witnessed exceptional cricketing consecutive year. The event also Men's Double, Debasri and Ishita prowess and sportsmanship from featured the I-League UK, with the winning the Women's Double, and both teams, creating an engaging High Commission of India London Nirvaan and Anish winning the cultural exchange through sports. taking home the championship title. Kid's Double. Trophies were Bengal Heritage Foundation The day was a great success with awarded to winners and runnerspresented cricket kits to promising 125 players participating, and an up, and every child received a Bengal U-19 players Rahul Prasad even larger turnout next year is medal. The tournament's success and Priyanshu Patel. anticipated. promises an bigger event next year.

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HERITAGE "PRESERVING LEGACY: EMBRACE, EDUCATE, AND CELEBRATE HERITAGE" DIGITISATION OF A COLLECTION OF RARE PHOTOGRAPHS OF TERRACOTTA MONUMENTS IN BENGAL

RAGHUNATH TEMPLE IN SALNAGAR, JESSORE, BANGLADESH

BASE FRIEZE, CHAR BANGLA TEMPLES, BARONAGAR, MURSHIDABAD

BASE PANEL ON A TEMPLE IN ANANDAPUR, MEDINIPUR

Dr George Michell is a to Amit Guha (a member of Bengal CSSSC website. The American distinguished architectural historian Heritage Foundation), who has Institute of Indian Studies (AIIS) who has worked on sites in the been studying and documenting has invited Dr Michell to Kolkata in Deccan, Bengal, Gujarat, and Bengal’s terracotta monuments December 2024 to deliver a talk on Southern India. In 1977, he took on since 2005. In order to make these his work on David's archives. As a project to work on photographs photographs publicly available, Amit part of his visit he will also and notes from David obtained funding from Wikimedia inaugurate the digital archive. Next McCutchion's lifetime of travel and and started a project to digitise and year we aim to hold exhibitions of study of the brick monuments of document them. The project was a selected photographs from the Bengal. Dr Michell spent three collaboration between CSSSC archive in Kolkata and London. In years travelling across West Bengal Kolkata, the British Library, the future BHF also hopes to be and Bangladesh and working with Wikimedia, and Bengal Heritage able to facilitate the digitisation of various scholars to produce The Foundation.

David McCutchion’s much larger Brick Temples of Bengal, a seminal collection of photographs and field book on the architecture of Bengal. This digitisation and meta-data notes in the V&A. creation was completed in May In 2022, Dr Michell kindly gifted all 2024 and all the photographs are his photographs of Bengal temples now publicly available via the

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CHARITY "KINDLING HOPE: COMPASSION, CARE, AND COMMUNITY SUPPORT"

VIKASHITA | SUNDARBANS | WEST BENGAL

BANCHBO SORBOJONIN| SUNDARBANS | WEST BENGAL

Bengal Heritage Foundation is Bengal Heritage Foundation has helping run this entire project to been spreading smiles during provide primary education, Festive times since last two years. vocational training, basic healthcare, New clothes were handed over to and cultural activities for 67 the students during Durga Pujo underprivileged students and four along with a feast of “Mangsho teachers overseeing classes I-V. Bhaat”. The smiling faces were a The program needs over INR 5 testament to the joy and gratitude.

Lakhs annually to provide It is a heart warming reminder of healthcare, text books, educational the power of community and the supplies, dresses and stipends to importance of supporting those in support students' education for need. BHF team donated INR 40k free. to make the event successful.

AMAR DURGA | SUNDARBANS | WEST BENGAL Bengal Heritage Foundation supports distribution of new cotton sarees for Durga puja among the under privileged women of Maitip, of Sundarban area. Team BHF donates over INR 1.5 Lakh annually to provide new clothes to 300 women during Durga Puja. This initiative is run by a group of doctors and aims to uplift the lives of underprivileged women. The sarees are distributed to women, who may not be able to afford new clothing for the festival.

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CHARITY "KINDLING HOPE: COMPASSION, CARE, AND COMMUNITY SUPPORT" Members of Bengal Heritage Foundation has been involved in various charitable activities in London. Members have participated in the London Winter Run 2024, Night Shine Walk, Thames Moonlight 10 Walk,

Wellness Walk, London Winter Run, Pushup Challenge to support Cancer Research UK, the Diabetes UK, Teenage Cancer Charity and other charities. Friends of Spring Grove School to support Spring Grove Primary School.

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MOVIES "SHOWCASING CINEMATIC BRILLIANCE: STORIES, STARS, AND CULTURE"

PADATIK | LONDON INDIAN FILM FESTIVAL | NOV 2023

BAY OF BLOOD | LEICESTER KABULIWALA & OTI UTTAM | SQUARE | DEC 2023 LONDON | 2024

The London Indian Film Festival Hosted at the iconic Vue, Leicester closing gala at Regent Street Square, the screening of "Bay of Cinema was a spectacular and Blood" was a collaborative initiative memorable event, highlighted by by director Krishnendu Bose and the European premiere of Srijit Bengal Heritage Foundation. The Mukherji’s film ‘Padatik’, biopic of event sought to showcase the one of India’s greatest directors, enduring bonds of kinship forged Mrinal Sen. The evening was made during the war, paying tribute to even more special as Srijit Mukherji the extraordinary sacrifices made was felicitated by Bengal Heritage by the common people in defense Foundation at the LIFF closing gala. of their language and identity.

BHF Cine Club presented the exclusive international theatrical release of Suman Ghosh’s Kabuliwala at Reel Cinemas Borehamwood in March this year followed by exclusive premiere of Srijit Mukherji's "Oti Uttam" at Courthouse Cinemas Soho in July.

Londoners rejoiced both the events.

Srijit Mukherji graced the occasion for Oti Uttam.

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MOVIES BHF SUMMER OF CINEMAS APARNA SEN RETROSPECTIVE

36 CHOWRINGHEE LANE | CINÉ LUMIÈRE | JULY 2024

THE JAPANESE WIFE | THE NEHRU CENTRE | JULY 2024

PAROMITAR EKDIN | CINÉ LUMIÈRE | JULY 2024

The first of the three movies, “The Japanese Wife”, opened to a fully packed audience at The Nehru Centre, London. Following the screening, Bngal Heritage Foundation organised a Q&A session with none other than the legendary Aparna Sen and Kunal Basu, whose book the Kites has inspired the movie.

The screening of "Paromitar Ekdin" As part of the BHF Summer of was the second movie of the Bengali Cinema, which featured a Aparna Sen Retrospective. The film, retrospective on Aparna Sen, the directed by Sen herself, is a Bengal Heritage Foundation poignant exploration of a woman's awarded a special recognition journey through life. The screening award to Karan Kapoor for his was followed by a Q&A session contribution to this film and Indian with Srijit Mukherji and Aparna media. At the event, Srijit Mukherji Sen, where she discussed her joined Karan Kapoor on stage for experiences as a filmmaker. the award presentation.

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BHF IN THE PRESS

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OUR SPONSORS & SUPPORTERS

WE THANK YOU FOR YOUR GENEROUS DONATIONS ANAMIKA & RIPON MONALI & ANINDAM ANINDITA NILANJANA & KOUSHIK ARPITA & MAINAK NILANJANA & NIRMAL ARPITA & SURENDRA POUSHALI & NIRVIK ARUNDHUTI & RANJAN PRITY & ABHIRUP BAISHALI & PANCHAJANYA REEMA BARNALI & ANIKET RONITA & SAUMIK BIDISHA & AMIT SAHELI & NRIPEN DEBAPRIYA & SHOUVIK SANANDA & SUPRATIM DEBARATI & MERVYN SOMA & UTTAM DEBASRI & MRIDUL SREEPARNA & DEBANJAN ELIZA & SARBARTHA SUDESHNA & DIBYAJIT GARGI & SAYANTAN SUDESHNA & SURANJAN ISHITA & TUHIN TANIA & VISHNU KOYEL & ARRJUN TANUSREE & SOURAV MODHURA & ARANYA

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WE THANK OUR SPONSORS & PARTNERS

Our

Nritya Tales

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A Bengal Heritage Foundation Supported Charity