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Integrating Forms

Bhavik Kiranbhai Shah, M Arch

Integrating Forms

Bhavik Kiranbhai Shah, M Arch

B H AV I K S H A H / M A R C H

I N T E G R AT I N G F O R M S / 2 0 2 3

Exploring the Art of Integrating Forms in Architecture.

INTRODUCTION

Integrating forms into architecture is the art of giving structure a soul, where every curve, line, and shape serves a purpose beyond function as if it becomes a narrative, a dialogue between space and aesthetics, transforming the built environment into a living expression of creativity and design.

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H

Museum of Slavery

Recreational Park

Mass Hosuing

Weekend Home

Skin Clinic

Mall

Resort

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TA B L E O F C O N T E N T S

Table of Contents

Integrating Forms Selected Works Museum of Slavery Public Recreational Park Mass Housing Weekend Home Skin Clinic Mall Resort Other Works Acknowledgements Colophon

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H

Course

ARH 608 Studio

Faculty

Prof. Aurgho Jyoti

Site Location

Fort Monroe, Virginia, USA

Semester

Spring 2023

01_ Museum of Slavery

Remembering the past, shaping a just future.

Project Statement The main idea of behind the design of a slave ship was to transport as many slaves as possible in the most efficient and profitable way possible, while using as little space and resources as possible to keep them in good health and safety, which was often overlooked. The scale and proportion of slave ships served as the main architectural concept for the designing of this museum. My intention is to integrate a variety of slave ships in an order to provide the visitor with an experience that depicts how slaves were treated throughout historical eras. I examined the different slave ships’ classifications during my design research, and I used that knowledge to start creating my floor plan layout.

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P R O J E C T _ M U S E U M O F S L AV E R Y

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Site Plan Overview

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P R O J E C T _ M U S E U M O F S L AV E R Y

Exterior View Render

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Interior View Render

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P R O J E C T _ M U S E U M O F S L AV E R Y

Exterior View Render

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Interior View Render

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P R O J E C T _ M U S E U M O F S L AV E R Y

Interior View Render

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Isometric View

P R O J E C T _ M U S E U M O F S L AV E R Y

Sketch

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B H AV I K S H A H / M A R C H

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Floor Plan Layout

P R O J E C T _ M U S E U M O F S L AV E R Y

Sections

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Physical Model

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P R O J E C T _ M U S E U M O F S L AV E R Y

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Sectional Elevation 1

Sectional Elevation 2

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P R O J E C T _ M U S E U M O F S L AV E R Y

Sectional Elevation 3

Sectional Elevation 4

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Wall Section

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P R O J E C T _ M U S E U M O F S L AV E R Y

Physical Model

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H

Course

BART811 Professional Training

Faculty

Prof. Kapadia

Site Location

Nathdwara, Rajasthan, India

Firm

PKA

Semester

9, University of Mumbai

02_ Public Recreational Park

Sacred Symmetry, Divine Design.

Project Statement A site located next to one of the most famous indian temple known as Shreenathji. The people acknowledge it as a landmark project as well. The primary goal of this design concept is to maximise the amount of green space in the area. Since this park is devoted to Lord Shiva, the most well-known Hindu deity, my goal while working on the master plan layout of the complete design was to include various themes of Hindu mythology. The landscape is enormous in scale. There were also several kinds of fauna used in this area. During my design research, I looked at several mythological classifications, and I started designing the master plan layout using that information.

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P R O J E C T _ R E C R E AT I O N A L PA R K

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B H AV I K S H A H / M A R C H

Renders

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P R O J E C T _ R E C R E AT I O N A L PA R K

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H +93.650 LVL. ARCH TOP LVL. +92.600 LVL. PRO.F. LVL.

ARCH 8 EXISTING CONTOUR LINE

PLANTATION FERTILE SOIL FILLING

+85.000 LVL. PRO.F. LVL.

WATER LVL. DRIVE WAY

DRIVE WAY

RAMED EARTH FILLING

SPACE FOR PUMP MACHINE

SECTION A-A +93.650 LVL. PRO.F. LVL. +92.600 LVL. PRO.F. LVL.

SPACE FOR HYDRAULIC MACHINE

NATURAL EARTH

ARCH 1

ARCH 2

EXISTING CONTOUR LINE DRIVE WAY

DRIVE WAY

+85.000 LVL. PRO.F. LVL. +83.950 LVL. FOU.T. LVL.

SECTION B-B

NATURAL EARTH

ARCH 3

+93.650 LVL. PRO.F. LVL. +92.600 LVL. PRO.F. LVL.

ARCH 4

DRIVE WAY

+85.000 LVL. PRO.F. LVL. +83.950 LVL. FOU.T. LVL.

SECTION C-C

NATURAL EARTH

EXISTING CONTOUR LINE

+93.650 LVL. PRO.F. LVL. +92.600 LVL. PRO.F. LVL.

ARCH 3 ARCH 1

ARCH 4 ARCH 2

+85.000 LVL. PRO.F. LVL.

FRONT ELEVATION +93.650 LVL. PRO.F. LVL. +92.600 LVL. PRO.F. LVL.

ARCH 9

ARCH 7

+85.000 LVL. PRO.F. LVL.

SIDE ELEVATION

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ARCH 8

Working Drawings

P R O J E C T _ R E C R E AT I O N A L PA R K

Final Render

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H

Children Play area with cus black

Phase 6

Champagne palm along with the road

Herbal Garden with cus panda

lawn with cus starlight

Rose Garden

Black river washed kadappa & black river wash granite stone

Phase 5

Lawn with gulmohar trees

Series of shrubs tecoma capensis & jasud

Phase 3

Lawn

Lawn with mogra trees

Phase 2

Phase 4 Champa with cus 1:3 ratio and golden graphted kevada

Asopalov pandula 4’/4’ eq distance

Phase 1

Fountain grass with tall trees

Site Plan with Flora

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P R O J E C T _ R E C R E AT I O N A L PA R K

Site Photo

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B H AV I K S H A H / M A R C H

Legend 1. Entrance Gate 2. Parking 3. Toilet 4. Arrival Platform 5. Handicraft Shops 6. Amphitheatre 7. Public Garden 8. Cottages 9. Canteen 10. Kitchen 11. Party Lawn 12. Party Hall 13. Children’s Play Area 14. Maze Garden 15. Pathways 16. Nandi Statue Platform 17. Sitting Platform 18. Parikrama Pathway 19. Landscape Elements 20. Fountain 21. Shiva Statue Platform 22. Cloak Room 23. Office Cabins 24. Shiva Story Display Pergola 25. Souvenir Shops 26. Ticket Counter 27. Water Bodies

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Initial Floor Plan Layout

P R O J E C T _ R E C R E AT I O N A L PA R K

Google Earth Image

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H

Course

BART811 Professional Training

Faculty

Prof. Kapadia

Site Location

Bharuch, Gujarat, India

Firm

PKA

Semester

9, University of Mumbai

03_ Shaping Communities at Scale

The Art of Mass Housing Design.

Project Statement This design approach is driven by escalating urbanization process, which results in persistent housing shortages. This project is rooted in the belief that well-designed, large-scale housing can be a catalyst for positive change, providing comfortable, resilient, and dignified living spaces for those in need while preserving the integrity of local traditions and environments. The main vision involves the development of expansive residential complexes and neighborhoods. The goal behind this idea is to create a housing design that is both replicable and customizable, allowing user for efficient and rapid construction while accommodating the unique needs and cultural context of the communities it serves.

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PROJECT_MASS HOUSING

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Aerial Render

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PROJECT_MASS HOUSING

Site Plan Layout

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Exterior View Render

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PROJECT_MASS HOUSING

Interior View Render

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B H AV I K S H A H / M A R C H

Category

Clinic, Personal Work

Site Location

Ahmedabad, Gujarat, India

Firm

Archipreneur

Client

Dr. Samir Dalal

05_ Discover Radiance

The Skin Clinic experience.

Project Statement My ambitious proposal is to establish a dynamic and vibrant urban dermatologist clinic that perfectly captures the spirit of the vibrant diverse city. This clinic has a friendly, welcoming vibe that balances the clientele’s taste for soft curves and clean lines with an overall elegance design.

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PROJECT_SKIN CLINIC

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B H AV I K S H A H / M A R C H

Interior View

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PROJECT_SKIN CLINIC

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Interior View Lobby

Interior View Lounge

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PROJECT_SKIN CLINIC

Interior View Lobby

Interior View O.T.

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B H AV I K S H A H / M A R C H

3D Floor Plan Layout

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PROJECT_SKIN CLINIC

5220.00 3580.00 32MM DIA

FIRE DRAIN 32MM DIA1525.00 FIRE DRAIN

3585.00

AC CV DRAIN

SC2

3320.00

OPERATION THEATRE

5360.00

C27

175 C28

1625.00

CONFERENCE / LIBRARY

3670.00

3020.00

150MM TOILET RAISED

1895

C67

C37 C36

5225

1775 2870.00

1500.00

PROCEDURE ROOM-2

PROCEDURE ROOM-1

5400.00

WAITING

2600.00

WAITING PANTRY

1895

C47

C48

1775C49

4785.00

REC.

V.I.P. LOUNGE

Floor Plan Layout

C50 1775 3385.00

FOYER DR'S CABIN-2

C53

PHARMACY

1895

C62

3870.00

F2 DR'S CABIN-1 VESTIBULE

TILE DROP

2525.00

F2 672

672

350

C65

2585.00

C66

1525.00

3345.00 4985.00

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H

Course

BART811 Professional Training

Faculty

Prof. Kapadia

Site Location

Udaipur, Rajasthan, India

Firm

PKA

Semester

9, University of Mumbai

06_ Elevating Urban Living

The Mall of Elegance, Advancement and Community.

Project Statement The Mall establishes a new standard for commercial developments in metropolitan areas by embodying a vision of elegance and advancement. With a vibrant, community-focused, and sustainable mall that will not only improve the urban experience but also become a crucial component of the city’s character, I am excited to bring this ambitious concept to reality. Creating a commercial mall that offers more than just typical shopping is my main objective. By providing a location where shopping, entertainment, and community come together, The Mall seeks to redefine norms in the retail sector. My aim is to create a destination that improves everyone’s quality of life while being creative, sustainable, and focused on the community.

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PROJECT_MALL

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Exterior View

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PROJECT_MALL

Exterior View Main Entrance

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Interior View Movie Theatre

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PROJECT_MALL

Interior View Theatre Lobby

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Floor Plan Movie Theatre

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PROJECT_MALL

Site Plan Layout

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B H AV I K S H A H / M A R C H

Course

BART811 Professional Training

Faculty

Prof. Kapadia

Site Location

Udaipur, Rajasthan, India

Firm

PKA

Semester

9, University of Mumbai

07_ Embrace Nature’s Serenity

Lotus Resort, A Hillside Haven.

Project Statement My main objective is to build a resort that perfectly captures the serenity and splendour of the natural world and offers visitors an unparalleled haven from the stresses of contemporary life. Lotus Resort is more than just a place to visit; it’s an all-encompassing adventure, a graceful haven of wellbeing that blends in with the surrounding mountains and beautiful landscape. I want to rethink what a hillside getaway is with Lotus Resort. Through the celebration of nature’s beauty, elegant architecture, health, and sustainability, my goal is to create a remarkable location that will be treasured by those who come to the Aravalli hills for peace and quiet. I look forward to the chance to bring my vision to life and realise my ideas of the tranquilly of a mountain range.

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PROJECT_RESORT

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Exterior View Render

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PROJECT_RESORT

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Interior View Render Swimming Pool

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PROJECT_RESORT

Exterior View Render Public Garden

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B H AV I K S H A H / M A R C H

Ground Floor Plan

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PROJECT_RESORT

First Floor Plan

B H AV I K S H A H / M A R C H

Other Works

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OTHER WORKS

Sketch of Robert Redford Conservancy for Southern California Sustainability

B H AV I K S H A H / M A R C H

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Research and sketches based on Icelandic Turf Houses for Sustainable Architecture.

OTHER WORKS

B H AV I K S H A H / M A R C H

Research and sketches based on Architectural History.

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OTHER WORKS

B H AV I K S H A H / M A R C H

I N T E G R AT I N G F O R M S / 2 0 2 3

Acknowledgements My Family

My Faculty

To my family, my mom, dad and sister whose unwavering support has been my anchor throughout this demanding journey, I extend my deepest gratitude.

I would like to express my heartfelt gratitude to everyone who has been a part of my journey as an architect.

Their encouragement and understanding have been the driving force behind my pursuit of architectural excellence. A very special thank you to my American extended family, without whom my journey would not have been as seamless.

First and foremost, I am indebted to my professors and mentors whose guidance and wisdom have been the cornerstone of my education. Their passion for architecture and commitment to fostering creativity have shaped my understanding of the discipline. I would especially want to thank Professor Mary Scott for her assistance in creating my portfolio. In addition, I would like to express my gratitude to Mark Mueckenheim, the head of the architecture department, as well as all my professors, including Peter Engel, Aurgho Jyoti, Doron Serban, Carl Wilford, Branden Engel, Peter Suen, Sameena Sitabkhan, Karen Seong, Peter Strzebniok, Lauren Spain and others.

ACKNOWLEDGEMENT

My Friends

My Entire Designer Community

I am also thankful for my fellow students who have been true companions in this challenging yet rewarding adventure. The collaborative spirit and shared enthusiasm for design have made every studio project along with others, a memorable experience.

Last but not least, I appreciate the generosity of the entire architecture community. Visiting architects, professionals, and industry experts who have shared their insights and experiences have provided invaluable perspectives that go beyond the classroom.

Special thanks to those late night study sessions, critiques, and the camaraderie that turned challenges into opportunities for growth. I would also like to thank Mary Patterson aka Emily, Eva Shaw, Mindy, Rafael, Diego, Justin, Jacqueline, Anthony, David, Jeff, Andreea, Brad, Tom and others for their continued support.

I am grateful for the events that I attended in person such as events organized by Gensler, Stantec, Studio Blitz, Multi Studio, Build Group, IIDA, AIA SF and few others. As I continue on this architectural odyssey, I carry with me the lessons learned, the friendships forged, and the support received. Thank you, one and all, for being an integral part of my transformative journey in the world of architecture.

I N T E G R AT I N G F O R M S / 2 0 2 3

B H AV I K S H A H / M A R C H

Colophon

Author

COLOPHON

Ar. Bhavik Shah bshah4@art.edu, archipreneurindia@gmail.com +1 415 312 4822, +91 9925033967

School

Academy of Art University, San Francisco, US B Arch, University of Mumbai, India

Major

M Arch, Master of Architecture

Course

MA Portfolio Seminar

Instructor

Mary Scott

Typefaces

Helvetica, Helvetica Neue

Text Stock

Mohawk Superfine Eggshell (100# Text, Eggshell Texture)

Book Title

Integrating Forms

All rights reserved. No part of this book may be reproduced in any form without permission from the author or publisher, except as permitted by U.S. copyright law. No part of the publication may be reproduced, stored, in retrieval system, or transmitted in any form by any means electronic, mechanical, photocopying, recording or otherwise without expressed written permission from Bhavik Shah.