Bach Festival Society of Winter Park | October Program

JOHN V. SINCLAIR, ARTISTIC DIRECTOR & CONDUCTOR

88 TH SEASON PRESENTED BY THE BACH FESTIVAL SOCIETY OF WINTER PARK

BACH VOCAL ARTISTS: HAYDN, HUMMEL, AND HENSEL INSIGHTS & SOUNDS: SUBLIME SCHUBERT JIJI, GUITAR

AT ROLLINS COLLEGE SINCE 1935

“By any possible standard,

ONE OF THE FINEST ORGANIZATIONS of its kind in America.”

The late Terry Teachout, Arts Critic and Writer, The Wall Street Journal

BOARD OFFICERS Jack Schott, Chairman Richard Russell, President Bill Oelfke, Vice President Michael Kakos, Treasurer Beverly J. Slaughter, Secretary BOARD TRUSTEES Grant H. Cornwell, President, Rollins College Betsy Gardner Eckbert Cynthia Mackinnon Alex Tiedtke Sam Stark TRUSTEES EMERITI M. Elizabeth Brothers J. Michael Murphy Eric Ravndal, III

ARTISTIC STAFF John V. Sinclair, Artistic Director and Conductor Rhonda Burnham, Artistic Manager Sondra Jones, Education Manager Sherry Orr, Assistant to Artistic Director Regunia Griggs, Choir Liaison Jodi Tassos, Young at Heart Chorale Director Lynn Peghiny, Accompanist ADMINISTRATIVE STAFF Kathy Johnson Berlinsky, Executive Director Stephanie Rivera, Operations Manager Nicole Fournier, Accountant Jane Newnum, Marketing & Development Consultant Ruby Abreu, Marketing & Development Associate Harry Otero-Rivera, Box Office Assistant

MAJOR SUPPORT PROVIDED BY

Photo by Scott Cook

Our 88th Season is supported by many generous individual donors as well as the Jessie Ball duPont Fund; Winifred Johnson Clive Foundation; Edyth Bush Charitable Foundation; Joe & Sarah Galloway Foundation; Elizabeth Morse Genius Foundation; Orange County Government through the Arts & Cultural Affairs Program; United Arts of Central Florida, host of OrlandoAtPlay.com and UAArtsEd.com; the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture; City of Winter Park’s Community Redevelopment Agency; and Rollins College.

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WELCOME BACK

JOHN V. SINCLAIR

Thank goodness! Programming that resembles a pre-pandemic season…Bach is truly back! We have emerged stronger and even more committed to our mission of bringing great music to our own community and beyond. The Bach Festival Society proudly offers an opening set of concerts in this, our 88th season. These concerts represent many firsts including the inaugural concert of the Bach Vocal Artists and the first Central Florida appearance of the phenomenal young guitar virtuoso, JIJI. We hope you will enjoy these performances and look forward to seeing you throughout the season.

John V. Sinclair, Artistic Director and Conductor

Photo by Mike Thomas Imagery

ARTISTIC DIRECTOR AND CONDUCTOR

ABOUT THE BACH FESTIVAL SOCIETY OF WINTER PARK The Bach Festival Society of Winter Park’s mission is to inspire the human spirit through extraordinary music, featuring powerful choral performances and innovative programming that celebrates the legacy of J.S. Bach. The 88th Season offers a dynamic array of world-class musicians and vocalists performing classical masterworks and contemporary compositions that will delight, challenge, and inspire listeners. Founded in 1935 at Rollins College, the Bach Festival Society continues to secure critical acclaim for its artistic excellence and its commitment to elevating new music while celebrating traditional composers.

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John V. Sinclair enjoys a national reputation as a conductor of choral masterworks while locally being known as one of the hardest-working and in demand artists of the Central Florida cultural community. In his 33rd season as Artistic Director and Conductor of the Bach Festival Society, he continues his imaginative programming, creative interpretations, and expressive conducting.

Dr. Sinclair, known as a master teacher, is Director of Music at Rollins College and holds the John M. Tiedtke Endowed Chair. As a career educator, Sinclair keeps the Society’s educational focus vital by providing a broad range of musical programs and experiences for individuals of all ages. As a conductor who is equally adept at directing choral and orchestral music, he has been referred to as Central Florida’s “resident conductor.” He has appeared as conductor for more than a thousand performances in addition to his work as clinician and lecturer throughout the United States and other countries. The Bach Festival, under his leadership, has achieved international recognition by touring in Europe, producing nationally released CDs and broadcasts, and performing with the London Symphony Orchestra and the Royal Philharmonic Orchestra.

Dr. Sinclair holds a masters and doctoral degree from the University of Missouri-Kansas City’s Conservatory of Music. His undergraduate school, William Jewell College honored him with its most prestigious Citation for Achievement. In addition to editing and interpreting historical choral works through the Moravian Music Foundation, he has authored an anecdotal book entitled Falling Off the Podium, and Other Life Lessons. The late Wall Street Journal’s arts critic, Terry Teachout wrote, “John is a gifted conductor, a great educator, and the best of all possible colleagues.” For more than three decades, John Sinclair has shared his talent and dedication to musical excellence with the Central Florida community and beyond.

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BACH VOCAL ARTISTS

Bach Festival Society of Winter Park Presents

Melissa Attebury

John Grau*

Clara Rottsolk*

BACH VOCAL ARTISTS: HAYDN, HUMMEL, AND HENSEL

Jessica Beebe

Brandon Hendrickson*

Kunya Rowley*

Thaddaeus Bourne*

Mary Jane Knight

Angela Young Smucker*

Brian Ming Chu*

Jos Milton

John V. Sinclair, Artistic Director and Conductor John Grau, Co-Artistic Director

Dann Coakwell

Stephen Mumbert*

Gabriela Estephanie Solis*

Amanda Crider*

Rebecca Myers

Brad Diamond*

Morgan Davis Peckels*

October 6, 2022 | 7:30pm | Knowles Memorial Chapel

Meg Dudley

Jacob Perry

Anna Eschbach*

Catherine Psarakis*

Brian Giebler*

Margot Rood*

PROGRAM Der Stürm (The Storm), Hob 24a:8 (9’)

Franz Joseph Haydn (1732-1809)

Steven Soph Kyle Stegall Laura Choi Stuart* Patricia Thompson* Joseph Trumbo*

*Artists for this concert

From The Creation J. Haydn Soprano aria: “Nun beut die Fleur das Frische Grün” (With verdure clad the fields appear) (5’) Clara Rottsolk, soprano Bass recit and aria: “Gleich öffnet sich der Erde Schoß” (Straight opening her fertile womb) (3’) “Nun scheidt in vollem glanze der Himmel” (Now heav’n in fullest glory shown) (6’) Joseph Trumbo, bass Hiob (Job): Kantate für Soli, Chor und Orchestra (11’) I. Chor II. Arioso III. Chor

Fanny Mendelssohn Hensel (1805-1847)

INTERMISSION Mass No. 1 in Bb Major, Opus 77 (33’) I. Kyrie II. Gloria III. Credo IV. Sanctus V. Benedictus VI. Agnus Dei Chorus: The Heavens are Telling from The Creation (5’)

BACH FESTIVAL CHAMBER ORCHESTRA VIOLIN Joni Roos

Shelley Bareham Matthews

Nora Lee Garcia

Olga Ferroni

Katie Mess

OBOE

Julia Gessinger

Sherwood Hawkins

VIOLA

Lora MacPherson

Susan Christian

J. Haydn

FLUTE

Dina Fedosenko Rhonda Burnham Johann Nepomuk Hummel (1778-1837)

BASS

Lee Eubank

CLARINET

Peter Dutilly

Jessica Speak

CELLO

Erik Cole

BASSOON

Ashley Heintzen Rich Ervin

HORN

Kathy Thomas Ben Lieser

TRUMPET Michael Fee

John Copella

TIMPANI Kirk Gay

Brenda Higgins Shona McFadyen-Mungall

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PROGRAM NOTES

PROGRAM NOTES

Der Stürm (The Storm), Hob 24a:8 FRANZ JOSEPH HAYDN

Austrian composer Joseph Haydn, born in 1732 began his musical training at age eight as a chorister at St. Stephen’s Cathedral, Vienna, where he also studied violin and keyboard. When his voice changed and necessitated leaving the choir, he lived humbly, teaching and playing violin, all the while rigorously studying counterpoint and harmony in his spare time.

In 1761, after a number of lean years, he landed his career position when appointed Kapellmeister (music director) for the Esterházy Palace. Given the remoteness of the Esterházy estate, he was artistically isolated, but the position offered stability and resources. Haydn felt free to experiment with his music resulting in a prolific and original body of work. He gained an international reputation as perhaps the greatest living composer with works in most genres of the time, and balanced wit, seriousness, and innovation while keeping with traditional norms. So revered was he by fellow musicians, he was addressed as “Papa Haydn.”

As a primary influencer of the Classical style, he inspired his friend Mozart, as well as his student Beethoven and countless others. When his employer, Prince Nicholas, who was a music lover, died in September 1790 his successor, Prince Anton, promptly dismissed the entire court orchestra at Esterházy except for a few church musicians. This hastened the end of Haydn’s services there, and even though the new prince theoretically held the right to Haydn’s services, Haydn saw no need to remain at the castle, so he took his pension and moved to Vienna.

Once it was known Haydn was a “free-agent,” impresario Johann Salomon visited him in Vienna announcing, “My name is Salomon,” and “I have come from London to fetch you: we will settle terms tomorrow.” Salomon sent notices of the engagement and arrival of his “distinguished guest” to the Morning Chronicle on December 30, 1791.

This was the first of two successful trips to London where he was revered and received “rock star” treatment, both financially and personally.

The music scene in London was predominantly social and the series of “Professional Concerts” arranged by Salomon were hugely successful. Haydn’s time in London is best remembered for his works referred to as his “London Symphonies,” but in February and March of 1792 he debuted two different and unique works in London. Two references can be found describing one of these works, The Storm. “…The new Chorus and Quartetto of Haydn is the first attempt of that great master on English words, and he has succeeded admirably in representative harmony – his storm and calm being wonderfully expressed in the composition he has adapted…”

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(The Morning Herald)

“… a new piece entitled The Storm, composed also by Haydn. This piece is an exquisite specimen of imitative harmony, adapted to English words; the horrors of a tempest, contrasted with the gradual serenity of a calm, were finely represented, and highly admired…”

(Woodfall Diary)

Haydn himself described The Storm as a madrigal, and the compositional form consisting of slow anthem-like sections of calm – storm – calm – storm, fulfilled the 18th century English idea of a madrigal. This wonderful composition for 4-part chorus and orchestra was instantly taken to heart by Londoners. This work is now rather obscure to modern-day concert attenders and we take pride in introducing you to this short musical masterpiece.

Hiob (Job): Kantate für Soli, Chor und Orchestra FANNY MENDELSSOHN HENSEL

Fanny Mendelssohn Hensel, the older sister of Felix Mendelssohn, is described in biographies of her brother as a very enthusiastic and gifted musician, and an especially virtuosic pianist.

“The first notice about her is a letter, written by Abraham {her father}, to his mother-in-law the day after Fanny’s birth, reporting … her daughter’s maternal observation … their daughter had ‘Bach fugal fingers’.”

Dr. Larry Todd

Fanny’s compositional work, encouraged by her brother and father, centered on lieder and piano music. Sadly, it was not considered appropriate for a woman of her social class to pursue a musical career. She was expected to “devote herself to domesticity and childrearing, pursuing creative work as a strictly limited hobby, if at all.”

Over the course of her life, Fanny composed about 450 works, many of which are presumed to be lost. Felix and Fanny had a wonderfully close sibling relationship even though there was a bit of healthy rivalry. He felt so strongly about the quality of her music that he published many of her songs under his name since social conventions prevented them from being attributed to her. It was not until a later visit to London that Felix revealed them to be the work of Fanny.

At age 26, Fanny began composing larger works for chorus and orchestra.

While there is an abundance of commentary about her songs and piano pieces, little has been written about her choral orchestral work. The cantata Hiob (Job), a work of considerable difficulty based on a text from the Old Testament book of Job, demonstrates her substantial compositional skill and ability to use chromaticism as harmonic expression. Two elaborate choruses are surrounded by a recitative-like second movement. In a subtle display of freedom and independence, Fanny masterfully scored this work for wind and string instruments that were considered unacceptable for women to play. The score and other performance materials became available only recently, which makes this and other works by Fanny Hensel essentially unknown to the musical world.

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PROGRAM NOTES At the time of this composition, all of Europe was in the grip of a deadly cholera epidemic.

Given the difficult times our society has faced in recent years, it seemed only appropriate to select this work by Fanny Hensel as it was written under similar circumstances. We hope you enjoy this introduction to the “other Mendelssohn.”

Mass No. 1 in B-flat Major, Opus 77 JOHANN NEPOMUK HUMMEL

Johann Nepomuk Hummel became Konzertmeister (director of music) to the Esterházys in 1804 on the recommendation of Joseph Haydn, who was still the official Kappellmeister at the palace though now living in Vienna. Hummel, only 26, already had a substantial career behind him. His family had moved to Vienna from Pressburg when he was a boy and was soon studying with Mozart. At 10 years of age, on the advice of Mozart, Johann and his father began a grand concert tour of Europe and during the 4-year journey Johann earned a reputation as a phenomenal prodigy. Upon returning to Vienna, Hummel retired from a heavy performance schedule to focus on his compositional studies with Albrechtsberger (Beethoven’s teacher) and Salieri. Even though Hummel and Beethoven were friends, their respective devotees encouraged competition due to their different pianistic styles resulting in an on and off friendship. Eventually Beethoven’s daunting talent overwhelmed Hummel who decided to trade independence for the security of the Esterházy palace. Their friendship was obviously reconciled as Hummel rushed to be with Beethoven on his deathbed and served as a pallbearer at his funeral.

The Kapellmeister position demanded enormous energy requiring Hummel to compose operas, instrumental and sacred works in addition to conducting, playing, and teaching. After Prince Nikolaus released him, Hummel returned to Vienna where he began one of Europe’s most storied musical careers earning a reputation at that time as one of the world’s greatest pianist and prominent composer. Even though a living legend by 1817 he was concerned about supporting his family and took positions as Kapellmeister to the King of Württemburg and then with the Grand Duke of Weimar.

Even with a respected career the public began to prefer the new virtuosity represented by Schumann, Chopin, and Liszt instead of Hummel’s “classical” elegance. But at his death in 1837 at Weimar, he was extolled as the last great “Viennese.”

The momentum of Romanticism quickly obscured Hummel’s piano music, but his sacred choral works were well regarded and became core repertoire for the growing choral movement. The Mass in B-flat, displaying Hummel’s mastery of evolving polyphony with appealing tunefulness, was performed in 1810 after a year of chaos due to the invasion of Austria by Napolean’s army and marked the end of the traditional musical life at the Esterházy Court as Hummel’s position was not filled when he left and musical life there went into rapid decline. At a performance in the Esterházy Eisenstadt chapel of both Beethoven’s Mass in C, characterized by unpredictability and striking drama, and Hummel’s Mass in B-flat displaying elegant melody, Prince Nikolaus said “My dear Beethoven, what is it you have done now?” Beethoven perceived this comment as an insult and along with Hummel laughing loudly the furious Beethoven left the palace resulting in another brief rift in their friendship.

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PROGRAM NOTES “The relative modesty of Hummel’s Mass in B-flat does not belie its superb power and quality. Although unpretentious in its sentiments, the Mass embodies with great force and variety the shadings of the sacred texts within a melodious idiom better known to us through Schubert. In setting the Credo and Gloria, whose very length was the downfall of many composers, Hummel differentiates the sections with a wealth of inflections, giving it a large shape through his fine sense of pacing. Melodic material is varied with fascinating resources of harmony and voicing; episodes of masterful counterpoint give the Mass both variety of textures and nobility of tone, while never detracting from its song-like clarity.”

Joel Sachs

While Beethoven is the composer most credited with taking classicism to romanticism, it bears mentioning that Hummel was also a significant contributor to this musical evolution.

Selections from The Creation J. HAYDN

While The Storm was written during Haydn’s first visit to London, during his second visit he was given a text on The Creation prepared by Thomas Liney, from the Bible’s Book of Genesis and Milton’s Paradise Lost. Haydn began work on it immediately and upon his return to Vienna, he turned the text over to Baron Gottfried van Sweiden who collaborated with Haydn as the librettist.

This evening’s program features three of the most revered movements from what many people believe is Haydn’s most important work. The soprano aria “Nun beaut die Fleur das Frische Grün” ornately celebrates the creation of plants while the bass recitative “Gleich öffnet sich der Erde Schoß” demonstrates Haydn’s sense of humor as he tonepaints the creation of various animals and is followed by the aria “Nun scheidt in vollem glanze der Himmel” which extols the creation of man as heaven’s greatest glory.

Tonight’s final chorus alludes to Haydn’s curiosity about astronomy along with Sir Isaac Newton’s theories of an orderly universe which Haydn believed testified to God’s divine wisdom.

Rhonda Burnham, Artistic Manager

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BACH VOCAL ARTISTS MELLISSA ATTEBURY, mezzo-soprano Praised by the New York Times as a “rich-toned alto who brought a measure of depth to her performance,” Melissa Attebury appears regularly in oratorio concerts where her skill in music of the Baroque is in particular demand. Recent appearances include Messiah, Christmas Oratorio, the St. Matthew and St. John Passions, and Elijah. Venues where she has recently appeared include Carnegie Hall with conductor Alan Gilbert and the New York Philharmonic, The Washington Chorus, and The Choir of Trinity Wall Street. Ms. Attebury is featured on the Grammynominated Israel in Egypt with the Choir of Trinity Wall Street and, as a skilled ensemble musician, appears on Julia Wolfe’s 2015 Pulitzer Prize-winning work Anthracite Fields, recorded with Bang on a Can All-Stars. Melissa is the Associate Director of Music at Trinity Wall Street, is on the faculty of the Berkshire Choral Festival, and manages Trinity’s music outreach program in the public schools.

JESSICA BEEBE, soprano Jessica Beebe interprets repertoire spanning four centuries from the Renaissance to the contemporary and has a voice that “bounced like a beam of light throughout the sanctuary” (Broad Street Review). She has performed with New York City Chamber Orchestra, Los Angeles Philharmonic, Indianapolis Symphony Orchestra, and Utah Symphony.

Jessica’s concert and oratorio repertoire includes major works by Monteverdi, Bach, Mozart, Haydn, Brahms, and Orff. She also performs modern works such as John Adam's El Niño, Rutter's Requiem, and Richard Einhorn's Voices of Light. She is a member of many Grammy-nominated and winning vocal ensembles, such as Clarion Society, Seraphic Fire, The Crossing, Lorelei Ensemble, and Choral Arts Society of Philadelphia. Earning her BM from the University of Delaware, her MM in Early Music from Indiana University, and a Performance Certificate from London's Royal College of Music, she currently serves on the faculty at both Muhlenberg and Franklin & Marshall Colleges.

THADDAEUS BOURNE, baritone Thaddaeus Bourne currently maintains an active performing schedule, having sung over forty roles in the US and abroad.

Praised for his rich baritone, appearances include Fauré’s Requiem, Bach’s Cantata BWV 86, Mozart’s Requiem, Beethoven’s Choral Fantasy, and Mahler’s Lieder eines fahrenden Gesellen, as well as recitals and masterclasses with the Longy School of Music at Bard College, the Crane School of Music at SUNY Potsdam, and EIU Concert Series at the National Opera Center. An accomplished flutist, Dr. Bourne completed undergraduate and graduate degrees in flute performance embarking on his DMA in voice after training as a singer to improve his breath support.

His dissertation focused on Zwischen voices and vocal faults that impact voice classification and was presented this summer at the National Association of Teachers of Singing. Dr. Bourne is on the faculty of the University of Florida.

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BACH VOCAL ARTISTS BRIAN MING CHU, baritone A specialist in oratorio music, Brian is a regular soloist with the Bach Choir of Bethlehem, the Choral Arts Society of Philadelphia, the Washington Bach Consort, and has performed Mendelssohn’s Elijah, Haydn’s Creation, Verdi’s Requiems, and the Bach Passions. Additional credits include Orff’s Carmina Burana, Beethoven’s Ninth Symphony, and, for the 500th anniversary of the Protestant Reformation, Ludwig Meinardus’ Luther in Worms with the Bach Choir Eisenach and the Dresden Singakademie. Mr. Chu made his Kennedy Center debut in Monteverdi’s Vespers of 1610 with the Choral Arts Society of Washington and has been a US Embassy Cultural Artist in French West Africa and Vienna, Austria. Mr. Chu holds a bachelor’s degree in architecture from Cornell University and did his graduate work at the Peabody Conservatory of Music. Teaching on the voice faculties of Haverford and Swarthmore Colleges, Lehigh University, and Rowan University, he brings critical thinking from the performer’s perspective to his analytical approach to pedagogy.

DANN COAKWELL, tenor Dann Coakwell has been praised as a “clear-voiced and eloquent … vivid storyteller” (The New York Times) and frequently performs the Bach’s major oratorios, including St. Matthew Passion, St. John Passion, Christmas Oratorio, and Mass in B minor. He can be heard on numerous Grammy-nominated and-winning recordings, such as Conspirare: A Company of Voices. Internationally, he has performed under Helmuth Rilling, Masaaki Suzuki, Nicholas McGegan, and Matthew Halls. His repertoire includes prominent works by Rameau, Handel, Haydn, Mozart, Mendelssohn, and Beethoven. Dr. Coakwell holds an Artist Diploma from the Yale School of Music/Institute of Sacred Music, a Bachelor of Music degree from the University of Texas at Austin, and masters and doctorate degrees from Texas Tech University. Dr. Coakwell serves on the Ithaca College voice faculty.

AMANDA CRIDER, mezzo-soprano Amanda Crider has been recognized for her “superbly clear diction and warmly burnished timbre” (South Florida Classical Review). As a busy soloist and recitalist, Crider has appeared regularly with Seraphic Fire, Apollo’s Fire, the Bach Festival Society of Winter Park, the International Contemporary Ensemble, and the Cooperstown Chamber Music Festival.

She made her Carnegie Hall debut in the fall of 2007 in Handel’s Messiah and returned the following season for Haydn’s Lord Nelson Mass. She has performed in Beethoven’s 9th Symphony, Bach’s B minor Mass, Monteverdi’s L’Orfeo, Mozart’s Requiem and Mass in C minor, Britten’s Phaedra, Bach’s St. John Passion, Bernstein’s Jeremiah Symphony, and Ravel’s Chansons Madécasses, and has been a featured recitalist on the Trinity Church Concerts at One Series and with Five Boroughs Music Festival. Ms. Crider is a grant recipient from the Pittsburgh Concert Society and the Oratorio Society of New York Vocal Competition.

Crider is the Founder and Artistic Director of Miami’s Art Song concert series, IlluminArts.

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BACH VOCAL ARTISTS BRAD DIAMOND, tenor Brad Diamond, known for his musicianship and style, has an active professional career in the United States and Canada, appearing regularly with Seraphic Fire and the Santa Fe Chorale. A specialist in oratorio repertoire, he has sung the Evangelist role in Bach’s St. John Passion and St. Matthew Passion with the Bach Festival Society of Winter Park and Trinity Wall Street. Dr. Diamond completed his Bachelor of Music degree from Westminster Choir College and received his master’s and doctorate degrees from the University of Cincinnati’s College Conservatory of Music.

While attending Westminster, he soloed under the baton of the late Leonard Bernstein. Dr. Diamond, whose recording discography includes multiple Grammy nominations, is a Professor of Voice and Vocal Pedagogy at Samford University.

MEG DUDLEY, soprano Hailed for her “full-toned soprano,” Meg Dudley has established herself as a versatile vocal artist in a variety of genres. She is a featured soloist with Trinity Wall Street, the Berkshire Bach Society, Paul Taylor Dance Company, Manhattan Concert, St. George Choral Society, and the renowned Bach Vespers series at Holy Trinity.

Ms. Dudley’s recent solo appearances include Debussy’s Nocturnes with the Boston Symphony Orchestra; Haydn’s Lord Nelson Mass with the New York City Chamber Orchestra in Carnegie Hall; Poulenc’s Gloria with the Orchestra of St. Luke’s; Bach’s St. Matthew Passion with the Hudson Valley Singers; and Barber’s Knoxville: Summer of 1915 with the Lamont Symphony Orchestra. Ms. Dudley sings regularly with renowned vocal ensembles, including the Lorelei Ensemble, the Santa Fe Desert Chorale, New York Polyphony, the Choir of Trinity Wall Street, Oregon Bach Festival, New York Virtuoso Singers, New York Choral Artists, Bard Festival Singers, Manhattan Chorale, and the Collegiate Chorale.

ANNA ESCHBACH, soprano Highly sought-after as a performer and private voice instructor in Central Florida, Anna Eschbach earned her bachelor’s degree in vocal performance from Appalachian State University and a master’s degree in vocal performance from the University of Tennessee.

Born and raised in Orlando, Ms. Eschbach has performed with numerous companies throughout Florida, including the Bach Festival Society of Winter Park, Opera Orlando, the Brevard Symphony Orchestra, and the Orlando Philharmonic. Known for her performance in oratorio, guest solo appearances include Saint-Saens’ Oratorio de Noel, Mozart’s Vesperae Solennes, Poulenc’s Gloria, Rutter’s Gloria and Magnificat, and Vaughan Williams’ A Sea Symphony, as well as Orff’s Carmina Burana. Ms. Eschbach has toured internationally in Switzerland, the UK, and Kenya. Since moving back to Orlando in 2013, Ms. Eschbach has maintained a thriving private voice studio in the Orlando area, serves on the voice faculty at Rollins College, and performs full time with the Basilica Choir of Mary, Queen of the Universe.

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BACH VOCAL ARTISTS BRIAN GIEBLER, tenor Praised for his “lovely tone and deep expressivity” (New York Times) Brian earned his first Grammy Award nomination for Best Classical Solo Vocal with his debut album a lad’s love in 2020. He has appeared with Music at Trinity Wall Street (Bach’s St. Mathew Passion), Apollo’s Fire, Santa Fe Pro Musica (Haydn’s Creation), and the Oratorio Society of NY (Bach’s Mass in B minor) at Carnegie Hall. He has performed Stravinsky with the Cleveland Orchestra under Franz Welser-Möst; Mozart at Carnegie Hall and Lincoln Center; Bach cantatas with the Handel & Haydn Society; Musica Sacra (Handel’s Messiah); and made his debut with Boston Early Music Festival in Germany singing in Charpentier’s Les Plaisirs and de Lalande’s Les Fontaines.

JOHN GRAU, tenor John Grau, a specialist of oratorio and opera from the Baroque to 20th-century music, has performed at the Boston Early Music Festival, the Ravinia Music Festival, the Bach Festival Society of Winter Park, the Boulder Bach Festival, the Colorado Bach Ensemble and Oratory Bach in Minneapolis, Minnesota. John, a strong advocate for contemporary music, received his BA from St. Olaf College, a master’s degree from Northern Arizona University, and his doctorate degree from the University of Minnesota. Having taught at the University of ColoradoBoulder and the University of Minnesota-Twin Cities, Dr. Grau is currently head of the voice division at Rollins College in Winter Park, Florida, and appears with many professional vocal ensembles.

BRANDON HENDRICKSON, baritone As a performer on the concert stage, Brandon is hailed for his “mellifluous,” and “beautiful baritone.” His credits include performances at Carnegie Hall, the Piccolo Spoleto Music Festival, the Canterbury Choral Society, the Bach Festival Society of Winter Park, and the American Festival Chorus. Recently he has performed Carl Orff’s Carmina Burana, Mozart’s Requiem, Brahms’ Ein Deutsches Requiem, Duruflé’s Requiem, and Mahler’s 8th Symphony. An active recitalist, Hendrickson has been invited to perform in Italy, Malaysia, Canada, Ireland, the United Kingdom, and throughout the United States. Hendrickson was in the Emmy Award Winning Production of Benjamin Britten’s Billy Budd and the American Prize in Musical Theater First Place Prize Winning production of Titanic: The Musical. Dr. Hendrickson was the recipient of an SEC Travel Grant for master classes and a recital titled “I Was There,” at the University of South Carolina. Currently, Dr. Hendrickson is an Assistant Professor of Voice at Louisiana State University.

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BACH VOCAL ARTISTS MARY JANE KNIGHT, mezzo-soprano Considered a “renaissance woman of music,” Mary Jane Knight is noted for her warm, rich tone, versatile style, soulful connection, and magnetic stage presence. As a concert soloist, she has sung with the Memphis Symphony in Bach’s B Minor Mass as well as Jennifer Higdon’s Ruminations, featured on a PBS special Articulate, and a live film score showing of Joan of Arc with the composer George Sarah. Other major works include Bach’s Ein feste Burg ist unser Gott, Britten’s Ceremony of Carols, Handel’s Messiah, and Haydn’s Harmonie Messe at Carnegie Hall. A talented and diverse musician, performer, and director who is an accomplished keyboardist, Mary Jane is a music educator who possesses the ability to teach the very young to the very old. She received her BM from Simpson College in Indianola, Iowa, and her MM degree at the University of Nebraska, Lincoln.

JOS MILTON, tenor Jos Milton’s vigorous schedule includes a vast array of diverse programs with the Carmel Bach Festival Chorale, and he is a professional chorister with the Grammy Award-winning ensemble, Conspirare.

Milton’s debut solo album, Southerly - Art Songs of the American South has garnered critical acclaim “…one of the most enthralling art song releases of the last twenty years” (Journal of Singing). A graduate of Trinity University (BM), the University of Massachusetts (MM), and the Peabody Institute of the John Hopkins University (DMA), he is a respected pedagogue who gives master classes at many universities, has presented his research to College Music Society conferences, and has been published in The Choral Scholar journal. He currently serves as Associate Professor of Music at the University of Mississippi, where he teaches studio voice as well as various courses in vocal literature.

STEPHEN MUMBERT, baritone Quickly gaining attention on the concert and opera stage throughout the United States and England, Stephen was recently praised for being vocally the most promising singer and for possessing an assured and stylish technique at the Aldeburgh Festival in England.

Recent performances have included Amahl and the Night Visitors and Mozart’s Requiem with the Dakota Valley Symphony (which was broadcast on Twin Cities Public Television) and several appearances in Handel’s Messiah, including the Oratorio Society of Minneapolis.

Mr. Mumbert is active in the Central Florida area as a voice adjunct professor for the Rollins College Department of Music and is a frequent guest soloist with the Messiah Choral Society of Orlando and the Bach Festival Society of Winter Park. Stephen earned his BA from Stetson University, his MM degree at Boston Conservatory at Berklee, and is currently working toward a doctorate at the University of Minnesota.

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BACH VOCAL ARTISTS REBECCA MYERS, soprano Rebecca Myers, soloist, vocal chamber singer and recording artist specializes in vocal repertoire from the Medieval to scores written especially for her and has gained a reputation for her “timbral clarity and flawless pitch.” This season includes her New World Symphony debut in Carmina Burana, performances with Apollo’s Fire Baroque Orchestra in Monteverdi’s Vespers of 1610, the Enlightenment Festival with Seraphic Fire, and performances with Lorelei Ensemble and the Boston Ballet.

Rebecca is a core member of the Crossing, the country’s premiere chamber choir dedicated to new music that include world premieres, commercial recordings, a Grammy-winning award (best choral performance 2018), and many Grammy nominations. Rebecca is co-artistic director and founding member of the genrebending, cutting-edge vocal ensemble, Variant 6, and will join Filament Baroque in a program of recently discovered French Baroque Music from a Ursuline Manuscript in a Louisiana abbey.

MORGAN DAVIS PECKELS, mezzo-soprano Residing in Florida, Morgan is an educator and concert soloist and is active in many ensembles in Central Florida including the Bach Festival Society of Winter Park, the Messiah Chorale Society, the Orlando Philharmonic, the Space Coast Symphony Orchestra, and Opera Orlando.

Most recently she was seen with the Bach Festival Society of Winter Park in Vivaldi’s Juditha Triumphans and Richard Einhorn’s Voices of Light where she was praised for her “hauntingly lamenting tones” and was a soloist in Bach’s B Minor Mass. On the opera stage she was most recently seen in Amahl and the Night Visitors with Opera Orlando and has an extensive background in musical theatre. Morgan earned her bachelor’s degree from Elon University and her MM from the Boston Conservatory at Berklee. She is currently on the voice faculty at Rollins College in Winter Park, FL and runs a thriving private studio out of her home in Winter Springs, FL.

JACOB PERRY, tenor An avid chamber and solo musician based in Washington, DC, Jacob Perry is gaining attention as a young soloist of great musicality and warmth. He is frequently heard with The Thirteen, Clarion Choir, ACRONYM, Piffaro, Mountainside Baroque, Apollo's Fire, and the Handel Choir of Baltimore. He performs music from medieval folk song to the tight harmonies of vocal jazz. Past highlights included appearances with Tempesta di Mare, artist-in-residence at the Central Conservatory of Music (Beijing, China), and a tour in Rome, Italy, with the choir of the Basilica of the National Shrine of the Immaculate Conception, where he is a cantor and chorister. He made his Kennedy Center debut in Monteverdi’s Vespers of 1610 and toured the Bay Area with Apollo's Fire. Jacob obtained his BA in Vocal Performance from the University of Maryland, Baltimore County and teaches private voice lessons in Silver Springs, MD.

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BACH VOCAL ARTISTS CATHERINE PSARAKIS, soprano Noted for her “precise and focused coloratura”, Catherine Psarakis has appeared with the Chicago Summer Opera and the New England Conservatory production of Bernstein’s Candide. As an advocate of intimate performance through art song and chamber music, Catherine has performed in NEC’s Liederabend Series and the Boston Art Song Society.

Catherine made her oratorio debut in Handel’s Messiah with the Messiah Choral Society in Orlando, FL, conducted by Dr. John Sinclair. She recently performed with the European Orchestral and Choral Association in Rossini’s Petite Messe Solennelle. She is a recipient of the Presser Award, and she was a first place winner of the Medici International Music Competition, the Toronto Mozart Vocal Competition, the London Classical Music Competition, and the Constantine the Great International Solo Singing Competition. She was a finalist in the Vienna Summer Music Festival Competition and the International Brahms Competition. Catherine received her BA from Rollins College on a full merit scholarship and her MM from the New England Conservatory of Music.

MARGOT ROOD, soprano Margot Rood performs a wide range of repertoire that includes return appearances with Washington Bach Consort, Handel & Haydn Society, Seraphic Fire, True Concord, and Kinnara Ensemble.

Solo appearances include Handel’s Messiah with Tafelmusik Baroque Orchestra and Bach Collegium San Diego. Margot has been featured in Bach’s St. Matthew Passion with Edinburgh’s Dunedin Consort, Bach’s Mass in B minor with the Handel and Haydn Society, and Vivaldi’s Gloria with Seraphic Fire. She has recorded with Boston Early Music and Blue Heron, whose recording of Music from the Peterhouse Partbooks Vol. 5 won the Gramophone Award for Early Music. She is a recent recipient of the St. Botolph Club Foundation's Emerging Artist Award for her work in new music as a core member of Boston’s Lorelei Ensemble, an all-female vocal ensemble dedicated to the performance of new music.

She made her Carnegie Hall debut in the world premiere of Shawn Jaeger’s Letters Made with Gold.

Margot holds performance degrees from the University of Michigan and McGill University.

CLARA ROTTSOLK, soprano Clara Rottsolk has been lauded by The New York Times for her “clear, appealing voice and expressive conviction.” With repertoire ranging from the Renaissance to the contemporary, her appearances have taken her across the United States, the Middle East, Japan, and South America. She specializes in historically informed performance practice, singing with ensembles that include American Bach Soloists, Santa Fe Pro Musica, Colorado Bach Ensemble, Trinity Wall Street Choir, and Seraphic Fire. Clara’s Bach repertoire includes his Mass in B minor, St. Matthew Passion, St. John Passion, and the Easter, Ascension, and Christmas Oratorios along with Mozart’s Grand Mass and Requiem, Handel’s Messiah, Vaughan Williams’ Dona nobis pacem, and Richard Einhorn’s Voices of Light.

She has performed at the Carmel Bach Festival, Philadelphia Bach Festival, Whidbey Island Music Festival, and Boston Early Music Festival. A native of Seattle, Ms. Rottsolk earned music degrees at Rice University and Westminster Choir College and was awarded recognition for musical excellence by the Metropolitan Opera National Council. Currently she is based in Philadelphia and teaches voice at Swarthmore, Haverford, and Bryn Mawr Colleges.

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BACH VOCAL ARTISTS KUNYA ROWLEY, tenor Director of Music Access, Arts, and Culture at The Miami Foundation, Kunya Rowley leads focused efforts on bringing access to music for all youth in Miami. Kunya holds a Bachelor of Music from The University of Florida and is an alum of the New World School of the Arts. A 2017 recipient of the John S. and James L. Knight Foundation’s Knight Arts Challenge Grant for his performance series Hued Songs, which explores and celebrates black history through the lens of black music and artists, he serves on the National YoungArts Foundation’s voice program.

Prior to joining the Miami Foundation, his experience in overseeing key strategic technologies and marketing and sales initiatives helped develop the skills needed to successfully increase access to the arts.

ANGELA YOUNG SMUCKER, mezzo-soprano Bringing her “robust, burnished timbre” (Chicago Classical Revue) to the stage, arts administration, and education, Angela has appeared on A Prairie Home Companion and Chicago’s WFMT and WTTW. As a classical singer, Angela has soloed with the Chicago Symphony Orchestra, Oregon Bach Festival, Bach Collegium San Diego, Carmel Bach Festival, Newberry Consort, and Haymarket Opera Company as well as professional vocal ensembles such as Santa Fe Desert Chorale, Conspirare, Seraphic Fire, and VocalEssence Ensemble Singers. Angela serves as executive director at Chicago’s Third Coast Baroque, and along with her co-founders uses 17th- and 18th-century repertoire as a tool to explore 21st-century lives. Angela received her BM from Valparaiso University and MM from the University of Minnesota. At Stetson University and Valparaiso University, she mentors students in developing their vocal technique and the skills needed to be an entrepreneurial artist. Angela is pursuing her doctorate at Northwestern University where she is currently working on a lecturerecital on Vivaldi’s rarely heard opera Orlando furioso.

GABRIELA ESTEPHANIE SOLÍS, mezzo-soprano Noted for her “rich tone” and “seemingly effortless melismatic lines” (San Francisco Classical Voice), Gabriela Solís enjoys a varied performance career throughout the US. A committed ensemble musician and concert soloist, she has performed with Seraphic Fire, Border CrosSing, the American Bach Soloists, JSB Ensemble Stuttgart, and the Weimar Bach Cantata Academy. Concert highlights include Bach’s B Minor Mass, Copland’s In the Beginning, Brahms’ Alto Rhapsody, and Buxtehude’s Membra Jesu Nostri. She is a frequent soloist with the California Bach Society and Chora Nova in the San Francisco Bay area and has been featured at the Boston Early Music Festival Young Artist Training Program and the Amherst Early Music Festival. Gabriela received her BA from Santa Clara University, magna cum laude, and was recognized by the university for artistic growth and dedication. As a graduate of the Sacred Music Program at the University of Notre Dame, she received the program’s vocal performance award.

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BACH VOCAL ARTISTS STEVEN SOPH, tenor Steven Soph’s concert repertoire spans the Renaissance to modern day. An active Bach interpreter, Steven appears in festivals around the country, including Seraphic Fire’s Enlightenment Festival, Oregon Bach Festival, and San Diego’s Mainly Mozart Festival. Appearances with top American vocal ensembles include Chicago Chorale, Voices of Ascension, Master Chorale of South Florida, Handel Oratorio Society, Apollo Chorus of Chicago, Colorado Pro Musica, and Choral Arts Philadelphia. During the pandemic, Steven performed in True Concord Voices “bubble” season, recognized by the National Endowment of the Arts in The Art of Reopening: A Guide to Current Practices Among Arts Organizations During Covid-19. His recording credits include the 2021 Grammy-nominated The Singing Guitar with Conspirare, and Seraphic Fire’s Steal Away on Maná’s 2015 Latin Grammy Award-winning Best Pop/Rock Album. Steven holds degrees from the University of North Texas and Yale School of Music’s Institute of Sacred Music.

KYLE STEGALL, tenor Kyle Stegall has garnered praise around the world for his “lovely tone and ardent expression” (The New York Times). A specialist in music of the baroque, Kyle’s interpretations of Bach, Handel, and Charpentier are characterized by an unfailing attention to style and detail. He made his Lincoln Center debut in Bach's St. John Passion under the direction of the Bach Collegium Japan’s artistic director, Masaaki Suzuki. In demand as a symphonic soloist, his seasons often include the great masses of Mozart and Beethoven. Holding a special relationship with the music of Benjamin Britten, Kyle has twice participated as a fellow at the Aldeburgh Music Festival in Suffolk, England, and each season he curates recitals which reveal vast colors and emotional range. Mr. Stegall is a dedicated teacher of singing and maintains a private studio year-round.

BACH VOCAL ARTISTS PATRICIA THOMPSON, mezzo-soprano Patricia Thompson is a much sought-after adjudicator and is active as an oratorio specialist, appearing with the Indianapolis Baroque Orchestra, the Louisville Choral Arts Society, the Masterworks Chorale of New Jersey, the Hale Library Concert Series, and the Bloomington Early Music Festival. A dedicated professional choral artist and a member of the international Carmel Bach Festival and the Spire Chamber Ensemble of Kansas City, she is a founding member of the award-winning Luminous Voices in Calgary, Alberta, Canada. With a special interest in jazz and cabaret singing, she performs regularly with the Thundering Cats Big Band in Manhattan, KS, and in solo cabaret shows at the Manhattan Arts Center.

Her debut jazz album, It’s Only Natural, is available on iTunes, Spotify, and other music platforms.

Dr. Thompson holds degrees from the Indiana University Jacobs School of Music (DM and MM) and St. Olaf College (BM) and is currently an Associate Professor of Music at Kansas State University.

JOSEPH TRUMBO, bass Joseph Trumbo is a young, upcoming singer hailed for his “smooth, deep voice.” Recent and notable choral work has included performances with the Rockford Music Collaborative, the Illinois Bach Academy as a Young Artist under Dr. Andrew Megill, and as a former member of San Francisco’s elite new music ensemble, Volti. Trumbo received both a BA and BM from Oberlin College & Conservatory and an MM from the University of Illinois, where he was a recipient of the Howard A. Stotler Voice Fellowship. Joseph has been featured in the Mars Symphonic Men’s Choir as part of the Soundiron Olympus Symphonic Choral Collection and has just completed a festival in New York with dell’Arte Opera Ensemble.

LAURA CHOI STUART, soprano Hailed as “a lyric soprano of ravishing quality” by the Boston Globe, Laura Choi Stuart appears regularly with the Washington Bach Consort and the Washington Master Chorale in addition to solo appearances with many area ensembles. She was honored for art song performances at the National Association of Teachers Singing Artist Awards and as one of the Art Song Discovery Series winners for the Vocal Arts Society. Solo highlights include Messiah and St. Matthew Passion at the Washington National Cathedral, and Bachianas Brasileiras No. 5 with the New Orchestra of Washington. Laura has appeared with Boston Lyric Opera, Opera Boston, and Annapolis Opera. She received her training at The New England Conservatory and Dartmouth College as well as the Santa Fe Opera Apprentice Program for Singers. Laura is Head of Vocal Studies at the Washington National Cathedral, maintains a private teaching studio, and shares resources for adult recreational choral singers at The Weekly Warm-Up.

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“For many years, the Bach Festival Society has believed that Central Florida should have

A WORLD-CLASS VOCAL CHAMBER ENSEMBLE. The Bach Vocal Artists, comprised of professional singers from across the country, is exactly that. They will perform music suited for smaller forces and infuse our community with educational opportunities.

Along with our fabulous Bach Festival Choir, a more comprehensive approach to our choral offerings is now possible, and I couldn't be more excited.”

John V. Sinclair, Artistic Director & Conductor BachFestivalFlorida.org

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TEXT AND TRANSLATION Der Stürm (The Storm), Hob 24a:8 FRANZ JOSEPH HAYDN

Hört!

Die Winde furchtbar heulen!

Tief im finstern Abgrund tobt der Höllen Geist, Der Donner rollt und kracht und mehrt die Angst.

Hark!

The wild uproar of the winds!

Hell’s genius roams the regions of the dark, And thund’ring swells the horrors of the main.

Yon Wolke flieht zu Wolk’ erschreckt der Mond, Jetzt verlischend und dann blitzend, und dann blitzend durch die Luft.

From cloud to cloud the moon the moon affrighted flies, no darken’d and now flashing, And now flashing through the skies.

Weh’las!

O sanfte Ruh’, o komm doch wieder

Alas!

Bless’d calm, return again!

From The Creation J. HAYDN

S oprano aria : “Nun beut die Fleur das Frische Grün” (With verdure clad the fields appear) Nun beut die Flur das frische Grün Dem Auge zur Ergötzung dar.

Den anmutsvollen Blick Erhöht der Blumen sanfter Schmuck.

Hier duften Kräuter Balsam aus, Hier sproßt den Wunden Heil.

Die Zweige krümmt der goldnen Früchte Last; hier wölbt der Hain zum kühlen Schirme sich, die steilen Berg bekrönt ein dichter Wald.

With verdure clad the fields appear, delightful to the ravish’d sense; by flowers sweet and gay enhanced is the charming sight.

Here vent their fumes the fragrant herbs; here shoots the healing plant.

By loads of fruit th’ expanded boughs are press’d; to shady vaults are bent the tufty groves; the mountain’s brow is crown’d with closed wood.

B ass recit and aria : “Gleich öffnet sich der Erde Schoß” (Straight opening her fertile womb) “Nun scheidt in vollem glanze der Himmel” (Now heav’n in fullest glory shown) Recit.

Gleicht öffnet sich der Erde Schoß und sie gebiert au Gottes Wort Geschöpfe jeder Art, in vollem Wuchs und obue Zahl.

Vor Freude büllend steht der Löwe da.

Hier schießt der gelenkige Tiger empor.

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Strait opening her fertile womb, the earth obey’d the word, and teem’d creatures numberless, in perfect forms and fully grown.

Cheerful, roarig, stands the tawny lion.

In sudden leaps the flexible tiger appears.

TEXT AND TRANSLATION Das zackig’ Haupt erhebt der schnelle Hirsch.

Mit fliegender Mähne springt und wich’rt voll Mut und Kraft das edle Roß.

Auf grünen Matten weidet schon das Rind, in Herden abgeteilt.

Die Triften deckt, als wie gesät, Das wollenreiche, sanfte Schaf.

Wie Staub verbreitet sich in Schwarm und Wirbel das Heerder Insekten.

In langen Zügen kriecht am Boden das Gewürm.

The nimble stag bears up his branching head.

With flying mane and fiery look, impatient neighs the sprightly steed.

The cattle in herds already seeks his food on fields and meadows green.

And o’er the ground, as plants, are spread the fleecy, meek and bleating flock.

Unnumber’d as the sands in whirl arose the hosts of insects.

In long dimension creeps with sinuous trace the worm.

Aria: Nun scheidt in vollem Glanze der Himmel Nun prangt in ihrem Schmucke die Erde.

Die Luft erfüllt das leichte Gefieder, Das Wasser schwellt der Fische Gewimmel, Den Boden drückt der Tiere Last.

Doch war noch alles nicht vollbracht.

Dem ganzen fehlte das Geschöpf, Das Gottes Werke dankbar sehn, Des Herren Güte preisen soll.

Now heav’n in fullest glory shone; earth smiles in all her rich attire.

The room of air with fowl is fill’d; the water swell’d by shoals of fish; By heavy beasts the ground is trod.

But all the work was not complete.

There wanted yet that wond’rous being, that grateful should God’s pow’r admire, With heart and voice his goodness praise.

Hiob (Job): Kantate für Soli, Chor und Orchestra

FANNY MENDELSSOHN HENSEL

1. Chor Was ist ein Mensch, daß du ihn groß achtest?

Und bekümmerst dich mit ihm?

1. Chorus What is a man, that Thou dost makes so much of him?

And try it every hour?

Was ist ein Mensch?

Du suchest ihn täglich heim und versuchest ihn alle Stunde.

Was ist ein Mensch?

What is a man?

You visit him daily and tempt Him every hour.

What is a man?

2. Arioso Warum verbirgest du dein Antlitz?

Wilst du wider ein fliegent Blatt so eifrig sein? Und einen dürren Halm verfolgen, verfolgen. Warum verbirgest du dein Antlitz?

2. Arioso Why do you hide your face?

Do you want to be a fly leaf so eager again? And pursue, pursue, a dry stalk. Why do you hide your face?

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TEXT AND TRANSLATION 3. Chor Leben und Wohltat hast du an mirgetan, Und dein Aufsehn bewahrt meinen Odem, und wiewohl du solches in Deinem Heren verbirgest, so weiß ich Doch, daß du desgedenkest.

3. Chorus You have done my life and good deeds and your excitement preserves my breath, and although you hide such things in your heart, so I know that you remember it.

Mass No. 1 in Bb Major, Opus 77 JOHANN NEPOMUK HUMMEL

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TEXT AND TRANSLATION factum, consubstantialem Patri: Per quem omnia facta sunt Qui propter nos homines, Et propter nostrum salute, descendit de coelis, Et in carnatus est de Spiritu Sancto Ex Maria Virgine: et homo factus est. Crucifixus etiam pro nobis Crucifixus sub Pontiao Pilato passus, Et sepultus est.

Born of the Father before all ages.

By whom all things are made Who for us men, and our salvation, down from heaven.

And by the power of the Holy Spirit, He became incarnate from the Virgin Mary: and was made man.

For our sake He was crucified under Pontias Pilate; He suffered death and was buried.

Et resurrexit tertia die, secundum Scriptura. Et ascendit in coelum: sedet ad dexteram Patris: et iterum venturus ext cum gloria. Judicare vivos, et mortuos: Cujus regni non erit finis.

And on the third day He rose again in accordance with the Scriptures. He ascended into heaven, and is seated at the right hand of the Father; He will come again in glory to judge the living and the dead, and His kingdom will have no end

Et in Spiritum Sanctum, Dominum, et vi vificantem: Qui ex Patre Filioque procit, Qui cum Patre et Filio simul adoratur, et conglorificatur: Et unum sanctam catholicam et apostolicam Ecclesiam.

And in the Holy Ghost, the Lord and Giver of life; Who proceedeth from the Father and the Son. Who together with the Father and the Son is adored and glorified: Who spoke thru the Prophets.

Confiteor unum baptis ma in remissionem peccadorum, et expect resurrectionem mortuorum.

Et vitam venturi saeculi. Amen.

I confess one baptism for the forgiveness of sin and I await the resurrection of the dead and the life of the world to come. Amen

1. Kyrie Kyrie eleison, Christe eleison.

1. Kyrie Lord, have mercy, Christ, have mercy.

2. Gloria Gloria, gloria in excelsis Deo, Et in terra pax hominibus bonae voluntatis, Laudamus te, benedicimus te, adoramus te.

Gratias, magnam gloriam tuam.

Domine Deus, Rex coelestis, Deus Pater omnipotens.

Domine Fili unigenite Jesu Christe.

Domine Deus, Agnus Dei, Filius Patris.

2. Gloria Glory to God in the highest, and peace to his people on earth.

Lord God, heavenly King, almighty God and Father, we worship you.

We give you thanks, we praise you for your glory. Lord of the only begotten son, Jesus Christ, Lord God, Lamb of God, Son of the Father.

3. Qui tollis Qui tollis peccata mundi, miserere nobis, Qui tollis peccata mundi, suscipe deprecationem nostrum Qui sedes, ad dexteram Patris, miserere nobis.

3. Qui tollis Who takes away the sins of the world, have mercy on us. Who takes away the sins of the world, accept our prayers.

Who sits on the right hand of the Father, have mercy.

4. Quoniam Quoniam tu solus sanctus, tu solus Dominus, Tu solus Altissimus, Jesu Christe. Cum Sancto Spiritu in gloria Deitris. Amen.

4. Quoniam Since you alone are holy, you alone are Lord. You alone are the most high, Jesus Christ. With the Holy Spirit in the glory of God. Amen.

6. Sanctus Sanctus, Sanctus Dominus Deus Sabaoth. Pleni sunt coeli et Terra gloria tura.

Osanna in excelsis.

6. Sanctus Holy, holy, Lord God of Hosts.

Hosanna in the highest, full are heaven and earth of the glory.

Hosanna in the highest.

5. Credo Credo in unum Deum, Patrem omnipotentem, Factorem coeli et terrae, visibilium omnium,et invisibilium. Et in unum Dominum Jesum Christum, Filium Dei unigenitum, Et ex Patre, natum ante omia saecula. Deum verum de Deo vero. Genitum, non

5. Credo I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and unvisible. And in one Lord, Jesus Christ, the only son of God, of the Father: God from God, light from light.

7. Benedictus Benedictus qui venit, in nomine Domini. Osanna in excelsis.

7. Benedictus Blessed is he that cometh in the name of the Lord. Hosanna in the highest.

8. Agnus Dei Agnus Dei qui tollis peccata mundi: miserere nobis.

8. Agnus Dei Lamb of God who takes away the sins of the world: have mercy on us.

9. Dona nobis Dona nobis pacem

9. Dona nobis Grant us peace.

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TEXT AND TRANSLATION C horus : The Heavens are Telling from The Creation J. HAYDN

Chorus with Trio The heavens are telling the glory of God. The wonder of his works displays the firmament.

Trio Today, that is coming, speaks it the day; the night, that is gone, to following night.

Bach Festival Society of Winter Park Presents

INSIGHTS & SOUNDS: SUBLIME SCHUBERT John V. Sinclair, Artistic Director and Conductor Members of the Bach Festival Choir and Orchestra October 27, 2022 | 7:30pm | Tiedtke Concert Hall

Chorus The heavens are telling the glory of God..

The wonder of his works displays the firmament Trio In all the land resounds the word, never unperceived, ever understood.

Chorus The heavens are telling the glory of God. The wonder of his works displays the firmament.

PROGRAM Mass No. 2 in G Major, D. 167 (24’) Franz Schubert I. Kyrie (1797-1828) II. Gloria III. Credo IV. Sanctus et Benedictus V. Agnus Dei Caitlin Mohr, soprano; John Grau, tenor; Stephen Mumbert, baritone Tantum Ergo in E-flat Major, D. 962 (5’)

A TOUR DE FORCE OF CLASSICAL MUSIC! Verdi’s Requiem at Steinmetz Hall, Dr. Phillips Center for the Performing Arts “Everyone enjoys this work: the singers, players, and audiences – not to mention conductors. Although it's 'sacred music,' I believe it's Verdi's best opera.”

- John V. Sinclair

Offertory: Intende voci, D. 963 (12’) John Grau, tenor Der Erlkönig, D. 328 (4’) Stephen Mumbert, baritone Symphony No. 5 in B-flat Major, D. 485 (27’) I. Allegro II. Andante con moto III. Menuetto. Allegro molto – Trio IV. Allegro vivace

Sunday, November 6 at 3:00 pm Tickets start at $25 BachFestivalFlorida.org/Verdi 25

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FEATURED ARTISTS JOHN GRAU, tenor John Grau, a specialist of oratorio and opera from the Baroque to 20th-century music, has performed at the Boston Early Music Festival, the Ravinia Music Festival, the Bach Festival Society of Winter Park, the Boulder Bach Festival, the Colorado Bach Ensemble, the Oratory Bach in Minneapolis, Minnesota, and the inaugural Duke University Bach Cantata Series. As a recitalist, John is a strong advocate for contemporary music and has presented the music of Bernstein and Copland. Dr. Grau received his BA from St. Olaf College, a master’s degree from Northern Arizona University, and his doctorate degree from the University of Minnesota. Having taught at the University of ColoradoBoulder and the University of Minnesota-Twin Cities, Dr. Grau is currently head of the voice division at Rollins College in Winter Park, Florida, and appears with many professional vocal ensembles.

Dr. Grau’s scholarly activities contribute to vocal pedagogy, and he has presented his research on developing tenor voices using excerpts from Handel oratorio arias at the Minnesota Music Educators Association, and at the National Association of Teachers of Singing Convention.

CAITLIN MOHR, soprano Caitlin Mohr is in demand as a performer, vocal technician, and teacher of singing. Mohr has been featured in Faure’s Requiem, Vivaldi’s Judith Triumphans, Graupner’s Magnificat, and Handel’s Messiah. Mohr’s vocal, artistic, and theatrical versatility allow her to flourish in many musical genres and is an alumna of Amalfi Coast Music & Arts Festival, New York Musical Festival, Cambridge Summer Opera, Manhattan School of Music Summer Vocal Institute, and Boston Conservatory Vocal Institute. As part of a ten-day cultural exchange, Mohr performed with the State Symphony Orchestra of Turkmenistan and conducted outreach workshops for the American Embassy. Promoting female composers, she created a Ladies of Note recital, showcased highlights at the Celebrating Women of 2018 event in Orlando, Florida, developed a college course called Women in Music, and curated a lecture recital of Art Songs and Spirituals of African American Women (Margaret Bonds, Florence Price, Undine Smith Moore).

Dr. Mohr earned her BA at Davidson College, her MM at Longy School of Music of Bard College, and her DMA at the University of North Texas. She currently teaches at Rollins College in Winter Park, Florida as an Assistant Professor of Music.

STEPHEN MUMBERT, baritone Quickly gaining attention on the concert and opera stage throughout the United States and England, Stephen was recently praised for being vocally the most promising singer and for possessing an assured and stylish technique for his interpretation of the title role in Mozart’s Don Giovanni at the Aldeburgh Festival in England. Recent performances have included Amahl and the Night Visitors and Mozart’s Requiem with the Dakota Valley Symphony (which was broadcast on Twin Cities Public Television) and several appearances in Handel’s Messiah, including the Oratorio Society of Minneapolis. Mr. Mumbert is active in the Central Florida area as a voice adjunct professor for the Rollins College Department of Music and is a frequent guest soloist with the Messiah Choral Society of Orlando and the Bach Festival Society of Winter Park. Stephen earned his BA from Stetson University, his MM degree at Boston Conservatory at Berklee and is currently working toward a doctorate at the University of Minnesota.

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BACH FESTIVAL CHAMBER CHOIR Ruby Abreu

Dante Duphorne

Liana Pacilli

Ericka Anglin

Jolie Eichler

Ashley Peters

Jim Beck

Grant Hayes

Bj Price

Ellen Huey Cassel

Ariel Hudak

Veronica Prevost

Terri Cerritto

Howard Jaffe

Matt Ricke

George Chandler

Sondra Jones

David Romaine

Paul Chilcote

Beth Kassander

Jane Scamehorn

Tom Cook

Rachel LaQuea

Maclane Schirard

Vivian Cook

Julie Mathews

Beverly Slaughter

Athalia Cope

David Mattson

Brandi Small

Bob Cope

Margaret McMillen

Charles Thatcher

Michael Creighton

Janice Meyer

Jennifer Thibodeau

Ricardo Dominguez

John Niss

Jeanine Viau

Theresa Dulong

Luke Noles

Cezarina Vintilla

MEMBERS OF THE BACH FESTIVAL ORCHESTRA VIOLIN I

CELLO

BASSOON

Joni Roos

Brenda Higgins

Ashley Heintzen

Julia Gessinger

Shona McFadyen-Mungall

Rich Ervin

Mary Berglund Bos

VIOLIN II Olga Ferroni

Rhonda Burnham Dina Fedosenko

BASS

Lee Eubank

FLUTE

Nora Lee Garcia

OBOE

HORN

Kathy Thomas Ben Lieser

TRUMPET Fred Green

VIOLA

Lora MacPherson

John Copella

Dan Flick

CLARINET

TIMPANI

Jessica Speak

Susan Christian

Kirk Gay

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TEXT AND TRANSLATION Mass No. 2 in G Major, D. 167 FRANZ SCHUBERT

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I. KYRIE Kyrie eleison, Christe eleison, Kyrie eleison.

Lord, have mercy upon us, Christ, have mercy upon us, Lord, have mercy upon us.

II. GLORIA Gloria in excelsis Deo, Et in terra pax hominibus Bonae voluntatis, Laudamus te, benedictus te, adoramus te, glorificamus te, Gratias agimus tibi Proper magnam gloriam tenor, Domine Deus, Rex coelestis, Pater omnipotent, Domine Fili Unigenite, Jesu Christe, Domine Deus, Agnus Dei, filius Patris, Qui tollis peccata mundi, misere nobis, Quoniam tu solis sanctus, tu solis Dominus, tu solis altissimus, cum sancto spiritu in gloria Dei Patris. Amen.

Glory be to God on high, and on earth, peace to men of good will, We praise thee, we bless thee, we adore thee, we glorify thee, We give thanks to thee for thy great glory, Lord God, heavenly king, Father almighty, Lord the only begotten son, Jesus Christ, Lord God, Lamb of God, Son of the Father, Who takest away the sins of the world, have mercy upon us.

For thou only art holy, thou only art the Lord, thou only are the most high, with the Holy Ghost in the glory of God the Father. Amen.

III. CREDO Credo in unum Deum, Patrem omnipotentem, Factorem coeli et terrae, Visibilium omnium et invisibilium, in unum Dominum, Jesum Christum, Filium Dei unigenitum, ex Patre natum, ante omnia saecula, Deum de Deo, lumen de lumine, Deum verum de Deo vero, gentium non factum, con substantialem Patri, per quem omnia facta sunt, Qui propter nos homies Et nostrum salute descendit de coelis.

I believe in one God, Father almighty, maker of heaven and earth, and of all things visible and invisible, in one lord, Jesus Christ, the only-begotten Son of God, of the Father before all ages, God of God, light of light, Very God of Very God, begotten, not made, of one substance with the Father, by whom all things were made, Who for us men and our salvation came down from heaven.

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TEXT AND TRANSLATION Et incarnatus est de spiritu sancto ex Maria Virgine et homo factus est, Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est, Et resurrexit tertia die Secundum scripturas, et ascendit in coelum, sedet ad dexteram Patris, et iterum venturus est cum gloria judicare vivos et mortuos, cujus regni non erit finis.

Et in spiritum sanctum, Dominum et vivicantem, qui ex Patre Filioque procedit qui cum Patre et Filio simul adoratur et conglorificatur, qui locutus est per prophetas, Confiteot unum baptisma in remissionem peccatorum, mortuorumm et vitam venturi saeculi, Amen.

And became incarnate by the Holy Ghost of the Virgin Mary and was made man, And was crucified also for us, under Pontius Pilate, suffered and was buried, And the third day he rose again, according to the scriptures, and ascended into heaven, and sitteth on the right hand of the Father, and he shall come again with glory to judge the living and the dead, whose kingdom shall have no end.

And in the Holy Ghost, the lord and life-giver, who proceedeth from the Father and the Son , who with the Father and the Son together is adored and glorified, who spake by the prophets, I acknowledge one baptism for the remission of sins, of the dead, and the life of the world to come, Amen.

IV. SANCTUS ET BENEDICTUS Sanctus, sanctus, sanctus, Dominus Deus Sabaoth, pleni sunt coeli et terra gloria tua.

Osanna in excelsis.

Holy, holy, holy, Lord God of hosts, heaven and earth are full of Thy glory.

Hosanna in the highest.

Benedictus qui venit In nominee Domini.

Osanna in excelsis.

Blessed is he who cometh in the name of the Lord.

Hosanna in the highest.

V. AGNUS DEI Agnus Dei, qui tollis peccata mundi, miserere nobis, dona nobis pacem.

Lamb of God, who taketh away the sins of the world, have mercy upon us, give us peace.

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TEXT AND TRANSLATION

TEXT AND TRANSLATION

Tantum Ergo in E-flat Major, D. 962

Der Erlkönig, D. 328

Tantum ergo sacramentum veneremur cernui, et autiquum documentum novo, novo cedat ritui.

Praestet fides supplementum sensuum defectui.

Der Erlkönig War reitet so spät durch Nacht und Wind?

Es ist der Vater mit seinem Kind Er hat den Knaben wohl in dem Arm Er fasst ihn sicher, er hält ihn warm Mein Sohn, was birgst du so bang dein Gesicht?

Siehst, Vater, du den Erlkönig nicht?

Den Erlenkönig mit Kron' und Schweif?

Mein Sohn, es ist ein Nebelstreif Du liebes Kind, komm geh mit mir Gar schöne Spiele spiel ich mit dir Manch bunte Blumen sind an dem Strand Meine Mutter hat manch gülden Gewand Mein Vater, mein Vater und hörest du nicht Was Erlenkönig mir leise verspricht?

Sei ruhig, bleibe ruhig, mein Kind In dürren Blättern säuselt der Wind Willst feiner Knabe, du mit mir gehn?

Meine Töchter sollen dich warten schön Meine Töchter führen den nächtlichen Reim Und wiegen und tanzen und singen dich ein Und wiegen und tanzen und singen dich ein Mein Vater, mein Vater, und siehst du nicht dort Erlkönigs Töchter am düsteren Ort? Mein Sohn, mein Sohn, ich seh es genau Es scheinen die alten Weiden so grau Ich liebe dich, mich reizt deine schöne Gestalt Und bist du nicht willig, so brauch ich Gewalt Mein Vater, mein Vater, jetzt fasst er mich an Erlkönig hat mir ein Leid getan Dem Vater grauset's, er reitet geschwind Er hält in den Armen das ächzende Kind Erreicht den Hof mit Müh' und Not In seinen Armen das Kind war tot.

Therefore we, before him bending, this great sacrament revere, types and shadows have their ending, for the newer rite is here.

Faith, our outward sense befriending, makes our inward vision clear.

Offertory: Intende voci, D. 963 Intende voci orationis meae, Rex meus, et Deus meus: Quoniam ad te orabo, domine.

O hearken thou unto the voice of my calling, my King and my God: for unto thee will I make my prayer.

CELEBRATE THE SEASON WITH BACH! A Classic Christmas at Knowles Memorial Chapel, Rollins College Saturday/Sunday, December 10 & 11 at 1:00 pm and 4:00 pm Tickets start at $30 A Voctave Christmas at Steinmetz Hall, Dr. Phillips Center for the Performing Arts Tuesday, December 20 at 7:30 pm Tickets start at $25

The Erlking Who rides so late through night and wind?

It is the father with his child He probably has the boy in his arms He grips him securely, he keeps him warm My son, why are you hiding your face so anxious?

Father, do not you see the Erlking?

The alder king with crown and tail?

My son, it's a streak of mist Dear child, come with me I play nice games with you There are some colorful flowers on the beach My mother has many a golden robe My father, my father and don't you hear What Erlking quietly promises me?

Be quiet, stay calm, my child The wind whispers in dry leaves Fine boy, do you want to go with me?

My daughters shall wait for you beautifully My daughters lead the nightly rhyme And rock and dance and sing you in And rock and dance and sing you in My father, my father, and don't you see there Erlking's daughters in the gloomy place?

My son, my son, I see it clearly The old willows seem so grey I love you, your beautiful figure appeals to me And if you are not willing, I will use force My father, my father, now he's touching me Erlking has done me a pity The father is horrified, he rides quickly He holds the groaning child in his arms Reaches the farm with difficulty In his arms the child was dead.

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JIJI, GUITAR

Bach Festival Society of Winter Park Presents

JIJI, GUITAR Sunday, October 30, 2022 | 3:00pm | Tiedtke Concert Hall

PROGRAM Occhi io vissi di voi (3’)

Claudia Sessa (1770-1617/19) arr. Jiji

Asturias (8’)

Isaac Albéniz (1860-1909)

Baroque Set (10’) 1. Fast: Scarlatti Sonata 2. Slow: Les Voix Humaines 3. Fast: Prelude, BWV 998

Domenico Scarlatti (1685-1757) Marin Marais (1656-1728) Johann Sebastian Bach (1685-1750)

Recuerdos de la Alhambra (5’) Francisco Tárrega (1852-1909) Pop Set (10’) 1. Verde Alma 2. Tango en Skäi 3. Over the Rainbow

Máximo Pujol (b. 1957) Roland Dyens (1955-2016) Harold Arlen (1905-1986)

Caprice No. 24 (5’) Niccoló Paganini (1782-1840)

INTERMISSION Haitian Dance Suite (7’) Frantz Casseus (1915-1993) Dynjandi (7’)

Electric Counterpoint (18’) 1. Fast 2. Slow 3. Fast

Gulli Bjornssön (b. 1991) Steve Reich (b. 1936)

Photo by Kirshbaum Associates Applauded by the Calgary Herald as “…talented, sensitive…brilliant,” JIJI is an adventurous artist known for her virtuosic performances that feature a diverse selection of music ranging from traditional and contemporary classical music to free improvisation, played on both acoustic and electric guitar. Her impeccable musicianship combined with compelling stage presence and fascinating repertoire earned the Korean guitarist First Prize at the 2016 Concert Artists Guild International Competition. Named by the Washington Post in its list of “composers and performers who sound like tomorrow,” JIJI performs her own compositions which incorporate electronic media and acoustic music. Her music is influenced by her regular activities as a DJ, where she highlights the electronic dance styles of happy hardcore and Berlin experimental electronica.

JIJI has performed in a wide array of venues, including Carnegie Hall, 92nd Street Y, Festival Napa Valley, Krannert Center, Purdue Convocations, Virginia Arts Festival, National Sawdust, Miller theater, Mass MOCA, Subculture NYC, Philadelphia Museum of Art, Princeton’s Sound Kitchen, and the Metropolitan Museum of Art. JIJI began her guitar studies at 9 years of age and has earned bachelor’s degrees from the Korea National University of Arts, the Cleveland Institute of Music, and the Curtis Institute of Music.

After receiving her Master of Music degree from Yale School of Music, JIJI joined the faculty at the Arizona State University School of Music in 2018 and that same year presented a pre-concert recital before the Mostly Mozart Festival at Lincoln Center.

A passionate advocate of new music, JIJI premiered the duo piece Talking Guitars by renowned composer, Paul Lansky, along with premiering works by numerous emerging composers.

As a chamber musician, she performed with members of Eighth Blackbird, Bang on a Can All-Stars, Wild Up, and the Aizuri Quartet.

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JOHN V. SINCLAIR ENDOWMENT FUND FOR ARTISTIC EDUCATION Established in 2020 in honor of Dr. John V. Sinclair’s 30th anniversary as Artistic Director, this fund will help ensure that future Artistic Directors will have sufficient resources to maintain a level of artistic excellence.

We invite all Bach Festival patrons to join the generous donors listed below to build this important resource. Please contact Executive Director Kathy Berlinsky at 407.691.1056 or KBerlinsky@BachFestivalFlorida.org for details.

GIFTS AND PLEDGES OF $20,000 AND ABOVE Cynthia and Alex Mackinnon The Rev. and Mrs. Eric Ravndal, III Sally and Jack Schott The Tiedtke Family $10,000–$19,999 S. Blair and Diane Murphy Bill and Sheila Oelfke Leila Edgerton Trismen $5,000-$9,999 Kathy Johnson Berlinsky Brock and Sarah McClane Gerard and Nichola Mitchell Bosco R. and Beverly J. Slaughter $1,000-$4,999 Anonymous (2) Brian Ainsley and Candice Crawford P. Andy and Autumn Ames Stewart Anderson Michael and Mabel Burridge Susan and Robert Christian Dana and Diana Eagles Alvaro and Routa Gomez Leyse Lowry Katie Mess Janice and George Meyer Beth and Jack Nagle Donald A. Nash Liana and Fred Pacilli Dan and Barbara Preslar

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Bj Price Ann Morgan Saurman Vivian Southwell Edward and Virginia Ubels BettyJane and Cecil Wilson, M.D. UNDER $1,000 John Adams Stewart Anderson Meg Baldwin Will and Barby Barbara Jim Beck Marianne Franus Beck Mary Berglund-Bos Bill and Becky Brown Marcia and Michael Brown Tim and Rhonda Burnham Laurie Calhoun Paul and Janet Chilcote Tom Cook and Patricia Simmons Grant and Peg Cornwell Alan and Susan Davis Daniel Flick Alice and Larry Fortunato Bill and Joanne Frederick Elizabeth Gwinn and Michael Galletta Lee and Diane Hansen Kathleen Hartung Sherwood Hawkins and Brenda Higgins Amanda Kinder Wendy and Rob Landry Karen and Mickey Lane Aaron Lefkowitz

Kay and Gerald Marin Lora MacPherson Elizabeth Maupin and Jay Yellen David Odahowski Bill and Sherry Orr Maurice O’Sullivan Liana and Fred Pacilli Martin Phillips Dan and Barbara Preslar Dr. Mark and Beverly Rich in honor of our favorite conductor Lisa and David Rosen Joe Sapora and Carol Ducas Dr. Daniel and Nancy Sharp Karyll Shaw Amanda Shoopman Diana and Tim Sisley Brian Solomon Jessica Hall Speak Matthew Swope Jodi Tassos Charles Thatcher Jeff And Kathy Thomas Susan and Michael Tucker Jeanine Viau Cezarina and Ray Vintilla Kathleen Wassum-Hame Diana Webb and T.J. Trapp Jane R. White Patty White Mr. and Mrs. Robert Whritenour Gwendolyn and Wilford Williams

CONTINUO SOCIETY The Continuo Society recognizes patrons who have chosen to provide for the Bach Festival Society through their estate plans. These thoughtful legacy gifts will help sustain the Society’s mission for many years to come.

For more information about major and planned gift opportunities, please contact Executive Director Kathy Berlinsky at 407.691.1056 or KBerlinsky@BachFestivalFlorida.org CONTINUO SOCIETY MEMBERS Anonymous (2) Leyse Lowry in honor of John W. and John V. Sinclair Linda Cone Allen Pat McKechnie P. Andrew and Autumn Ames Dr. Blair and Diane Murphy in honor of John M. Tiedtke Kenneth* and M. Elizabeth Brothers Ann Hicks Murrah Dana and Diana Eagles The Rev. and Mrs. Paul M. Harmon Eric Ravndal, III Karen and Mickey Lane in Drs. John and Gail Sinclair memory of Bernice and Bosco R. and Stanley Levy Beverly J. Slaughter Rob and Wendy Landry Dr. Walter Stamm Bonnie B. and Heather and David Torre Robert M. Larsen

In honor of John V. Sinclair on his 25th Anniversary Anonymous (4) Athalia and Robert Cope Tim Delcavo Michael and Aimee Rusinko Kakos Susan D. Tucker *deceased

GIVE BACH The Bach Festival Society of Winter Park thrives as an independent nonprofit organization with your generous support.

Invest in the music you love.

Visit BachFestivalFlorida.org/giving to learn more about tax-deductible donations, tributes, and memorial gifts.

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THANK YOU 2022–2023 SEASON DONORS The Bach Festival Society would like to thank the individuals and community partners below who have generously made a pledge or contribution in support of dynamic artistic and educational programming and community engagement for the 2022–23 season.

BACH FESTIVAL SOCIETY VISIONARIES $100000 AND ABOVE Bach Festival Choir Orange County Government through the Arts and Cultural Affairs Program Rollins College United Arts of Central Florida

J.S. BACH LEADERSHIP COUNCIL $50000-$99999 State of Florida, Department of State, Divison of Arts and Culture and the Florida Council on Arts and Culture Elizabeth Morse Genius Foundation

CONDUCTOR’S CIRCLE $25,000–$49,999 Jessie Ball Dupont Fund Mr. Alex and The Hon. Cynthia Mackinnon Richard Russell and Thomas Ouellette Templeton World Charity Foundation

COMPOSERS CIRCLE $15,000–$24,999 Edyth Bush Charitable Foundation Thomas P. and Patricia A. O’Donnell Foundation Borron & Beppy Owen Anonymous in honor of John Sinclair Wayne and Robin Roberts Sally and Jack Schott The Joe and Sarah Galloway Foundation Leila Edgerton Trismen Winifred Johnson Clive Foundation City Of Winter Park

SAINT CECILIA CIRCLE $10,000–$14,999 Chesley G. Magruder Foundation John Templeton Foundation Ginsburg Family Foundation John V. Frank Welsh Charitable Trust

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Michael and Aimee Kakos Bonnie B. and Robert M. Larsen The Tiedtke Family

CHORAL CIRCLE $7,500–$9,999 The Rev. Eric and Sarah Ravndal III in honor of Dr. John Sinclair Bosco R. and Beverly J. Slaughter

PATRON’S CIRCLE $5,000–$7,499 Anonymous Nicki and Jeff Bromme Charles Hosmer Morse Foundation Charity Challenge, Inc. Festival of Orchestra Endowment Kathryn Grammer Beverly M. King Massey Services Inc. Beth and Jack Nagle Bj Price Kelly Price Kelly Price and Doug Sealey Drs. John & Gail Sinclair Dr. Joe and Sue Warren

ARTISTIC CIRCLE $2,500–$4,999 Anonymous John W. and Linda Cone Allen Andy and Autumn Ames, in honor of Alex and Deanna Tiedtke’s Wedding Mr. And Mrs. P. Andy And Autumn Ames, in memory of John M. Tiedtke Jay H. Berlinsky Kathy Johnson Berlinsky M. Elizabeth Brothers Dana S. Eagles Leon and Larissa Glebov Allan and Linda Keen in honor of Alex and Deanna Tiedtke’s Wedding Andrea and Philip Kobrin

THANK YOU Karen and Mickey Lane in memory of Jean Murphy Karen and Mickey Lane in memory of Estera Toaxen Karen and Mickey Lane Jeanette G. Leinbach David R. Mattson The Mayflower Retirement Center, Inc. Dr. Tracy Truchelut and Mr. Robert A. White The Wideman Family in honor of Alex and Deanna Tiedtke’s Wedding

BENEFACTORS $1,000–$2,499 Anonymous (4) Anonymous in memory of Clifford and Marilyn Lee Keith and Eleanor Ackermann David and Judy Albertson Ellen Arnold Richard Baldwin Donna Borko Dr. Rita Bornstein John D. Boulden John D. Boulden in honor of Murray Forbes Somerville Tim and Rhonda Burnham Michael and Mabel Burridge Tom and Kathy Cardwell David Caudle and Gil Villalobos Butch and Renee Charlan Patrick and O’Ann Christiansen Robert and Athalia Cope Alan and Susan Davis Dr. Patsy Duphorne Lee and Carolyn Eubank Susan and Randolph Fields Dr. and Mrs. Robert Flick Barbara and Richard Fulton Linda Modrak and Bill Gallo Freddi and Jim Goodrich David and Jackie Green, Green Appraisal Group, Inc. Mrs. Janice Granier Gruber Paul M. Harmon Jack and Annis Bowen Foundation Lars and Julie Houmann Dr. Mimi Hull Allen and Dana Irwin

Allen and Dana Irwin in honor of Dr. John Sinclair Patrick J. Knipe Susan C. Lackman Rob and Wendy Landry Leyse Lowry The Lee Foundation Edward Manning Jody and Craig Maughan Elizabeth Maupin Elizabeth Maupin and Jay Yellen Dr. Margaret McMillen Jeff and Mindy Moore Gary and Eileen Morgenthaler in honor of Alex and Deanna Tiedtke’s Wedding Jan Moss John Niss and Lisa Mouton William and Sheila Oelfke Leslie King O’Neal Dr. F. Robert and Norene Rolle Joan Ruffier and Edward Manning Joe Sapora and Carol Ducas Ann Saurman Sara and Bill Segal Joel Sharp Sidhu Family Diana Sisley Fred Lyndon Stone John and Beatriz Struck Jodi Tassos in memory of John Tassos Kathryn Chicone Ustler Judy and Lee Van Valkenburgh Hardy Vaughn and Betty Brady Michael and Kimberly Weathers BettyJane and Cecil Wilson, MD Armand and Alison Zilioli

FRIENDS $500–$999 Anonymous BlackBaud George and Leslie Andreae Tim and Sue Antonition David B. Baer Donald and Rhonda Bartlett in honor of Alex and Deanna Tiedtke’s Wedding Carolyn Blice Diane G Boswell in honor of Alex and Deanna Tiedtke’s Wedding Drs. Gary and Gloria Cook BachFestivalFlorida.org

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THANK YOU Thomas Cook and Patricia Simmons Raphael Arenas Fernandez and Family Alvaro and Routa Gomez Debra Brown Hagan Wallace H. Hall The Mark and Lori Harris Charitable Fund Allison and Peter Hosbein Nigel John and Heather Badawi John Frank and Etta Jean Juge Rita Lowndes Dr. Jim Madison Sally McHenry Cecil and Carol Moore D’Arcy Murphy D’Arcy Murphy in memory of Charles E. Murphy, Natalie Murphy and Patricia Murphy Eva Murphy in memory of Robin Murphy Donald A. Nash in memory of Marie D. Nash Jane Secrist Newnum Jane Newnum in honor of Ruby Abreu and Stephanie Rivera Dr. and Mrs. James F. Niss Deede Sharpe and John Parker Gregory and Barbara Phillips Dr. Daniel and Lesley Podberesky Dan and Barbara Preslar Frank Rynd Dr. Richard Sandler George and Joan Schiele Jim and Pat Schroeder Karyll Shaw in honor of Charlie and Noreen Shaw Keith McIntyre & Richard J. Skaggs Dale Smith Joan and Harry Travis Donna and Keith Van Allen Frank and Karell Voelkl in honor of Alex and Deanna Tiedtke’s Wedding Dr. and Mrs. Lawrence T. Wagers Lance Walker Harold A. Ward Diana Webb and Dr. T.J. Trapp Diana Webb in memory of Sylvia Kurth Diana Webb in memory of Dr. Donald Beyer Bruce A Whisler Gwendolyn B. and Wilford J. Williams Mike and Gartrelle Wilson

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SUPPORTERS $250–$499 Anonymous (5) Phil and Jennifer Anderson Billy Aylward Mrs. Carol Beyer in memory of Dr. Don Beyer Cecelia Bonifay Terry Breese Lawrence D. Brown, M.D. Kimberly & Charles T. Brumback, Jr. Dale and Patricia Burket Minter LN Byrd in honor of Alex and Deanna Tiedtke’s Wedding Nancy Constant Grant and Peg Cornwell Margaret W. Cruickshank Howard Davis Michael Dively Katrina and Ray Eaton Mary Anne Elwood Endean Fund - Mr. Jeffrey Endean and Dr. Myrna Endean Candice T. Erick Daniel Flick Bill and Joanne Frederick Penny S. Gilman Stan and Regunia Griggs Gregg Gronlund Family Marty and Mike Haddad Debbie And Larry Halye Amine and Paula Harb in honor of Alex and Deanna Tiedtke’s Wedding John and Marianna Hawkins in honor of Alex and Deanna Tiedtke’s Wedding Marc Himel In Memory Of Norman L. Hull, Esquire, Awesome Dad! Beth and Jack Isler Toni Jennings Bette Jore Kyle, Pat ,and Mason Kanny in honor of Alex and Deanna Tiedtke’s Wedding Kenneth and Ann Murrah Hicks Endowment Paul and Nola Knouse in honor of Dr. John V. Sinclair Yen-Yen Kressel John and Ku Dr. Mubarak Shah and Ms. Becky Lee Gerald and Kay Marin Carol McKelvey

THANK YOU Lois H. Mills Mr. and Mrs. Peter Minderman Ann Hicks Murrah Mark Nevins in honor of Alex and Deanna Tiedtke’s Wedding Perry and Jane Nies Liana and Frederick Pacilli Martin Phillips Roger D. and Rosalind Ray Magdalena & Clemens in honor of Alex and Deanna Tiedtke’s Wedding Joy Roney Dr. Ante Rudez & Giulia Rudez M.J. Schmid in memory of Dr. Don Beyer Vivian Southwell in memory of Sylvia Kurth and Dr. Donald Beyer Jeffrey T. Spoeri Rene Stutzman Dr. and Mrs. James Talcott in honor of Alex and Deanna Tiedtke’s Wedding Beatriz Truax Susan and Michael Tucker in memory of Dr. Donald Beyer Susan and Michael Tucker Barbara L. Turner Rebecca Hull and Jeremy Udell Drs. Jeanine Viau and Ann Gleig Paul and Madeleine Vilmos Cezarina and Ray Vintilla in honor of Stela and Dumitru Toaxen In honor of Peter Schreyer, Crealde’s Executive Director Katy Moss Warner Jane R. White William C. Schwartz Fund Art and Louise Yergey Legacy Charitable Fund Art and Louise Yergey Charitable Fund

CONTRIBUTORS $100–$249 Anonymous (8) Anonymous on behalf of Tim Delcavo Rossana Abate in honor of Alex and Deanna Tiedtke’s Wedding Ruby Abreu in honor of Miguel Abreu Millicent Adams and Michael Anthony Giovanna Adimari in memory of Daniel B. Leonard Stewart Anderson Meg Baldwin

Mary D. Balk Jim D. Beck Jerry Janesick and Cheryl Bollinger Brenda Bullock-Paget in memory of Tom T. Cole Susan J. Burdette Leslie Ann Chiarello Anne Claiborne and William Grisaitis Ellie Clark Guy and Donna Colado Carolyn G. Coleman Martin Collins Francis and Giselle Conway George Dappert and Judy Wixted Edward and Janet Davenport Katie & Ari in honor of Alex and Deanna Tiedtke’s Wedding Janet De Guehery Jason Dewrell in honor of Alex and Deanna Tiedtke’s Wedding Dante Duphorne Sharon K. Dwyer Sharon K. Dwyer in memory of George and Marie Kramer Marjorie and Harold Emmert Mary Frances Emmons and Roger Roy Elizabeth And Philip Eschbach Carolyn M. Fennell Deirdre and Shayne Floyd in memory of Dr. Donald Beyer Larry and Alice Fortunato Nicole Fournier Friend of the Bach Festival Choir Brad & Christina Gant Elicia Garcia Betsy Gardner Eckbert Gary L. Geipel Gail Graham Katherine and Justin Green in honor of Alex and Deanna Tiedtke’s Wedding Scott D. Greenwood Ben and Nancy Grzeslk Lawrie Platt Hall Mr. and Mrs. John Hallenbeck James and Nancy Hannah Kathryn Harbaugh Patricia Higginbotham Barbara Hillerman Lieske Dr. and Mrs. G. Wyckliffe Hoffler Elizabeth Hyden Silvia S. Ibanez BachFestivalFlorida.org

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THANK YOU Mrs. Patricia E. Jenkins Leslie and Sondra Jones Sandy Jordan William and Sue Jordan Donna and Ed Kania Marc and Henrietta Katzen Richard and Martha Kessler Carol Klim Felice Koscinski Phyllis Lachman Lancaster Family Fund Chad LeMeur in honor of Alex and Deanna Tiedtke’s Wedding Dr. Michael and Diane Levine Nancy P. Lewis M.J. Lowitz Chris Ludemann-Davis in honor of Alex and Deanna Tiedtke’s Wedding Elisabeth J. Luke Dr. Ken and Mrs. Trisha Margeson Paul Massimiano Carolyn Maue Justin McGill Drs. Bill and Neva Meek Friend of the Bach Festival Choir Susan Miller Carolyn Minear Karen Morin in honor of Dan and Nancy Sharp Joseph Mundy J. Michael Murphy Augustus Myers in honor of Alex and Deanna Tiedtke’s Wedding Linda Naughtin Roxanne Niles Luke M. Noles Thomas Omeara Dr. Mary Palmer The Mary Palmer Family Foundation M. Carmela Pantano in memory of Dr. Donald Beyer Jolene and Justin Patrou Oliver and Kim Peters Dr. Calvin and Pamela Peters Edwin and Susan Peterson Rose E. Quinlan in memory of Dr. Donald Beyer Shyla Reich in honor of David Albertson Peter Riddleberger in memory of Philip Springer Bradley Roberts Dr. Arnetta Rodgers in honor of Rev. Katrina Jenkins 41

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Dr. Arnetta Rodgers Holly Rogers Dr. Mark and Leslie Sand Jane and Bruce Scamehorn Denise Barnes Paul Schmalzer Nancy Seaman in loving memory of Hod Seaman Seminole Spokes, Inc. Arthur Shevchenko Mr. and Mrs. Joseph E. Sichler III Susan Slemons Celnah Smith in memory of my husband Leon Smith Dennis Sobeck Sue and Allan Solomon Scott & Nancy Stegall in honor of Alex and Deanna Tiedtke’s Wedding Dawn and George Sumrall Jackie and Rod Sward Vernon Swartsel Amie H. Tishkoff Patricia Torbert in memory of her husband Duke Torbert Connie Trama in loving memory of Dr. Donald Beyer Tamara Trimble Edward and Virginia Ubels Ben and Nicole Vallowe in honor of Alex and Deanna Tiedtke’s Wedding Tye Van Buren Susan Whritenour Laura M. Woodbury Meredith Woodend Clark and Emily Woodsby in honor of Alex and Deanna Tiedtke’s Wedding Ruth Young and Donald Rice Mary Lou Zobel

*Donors recognized for their gifts and pledges received in support of the 2022-2023 Season prior to publication date of this program guide.

GIVE BACH Each gift, no matter the size, has a tremendous impact on the fiscal health of the Bach Festival Society. The Bach Festival Society could not maintain its full schedule of programs without the support of many individuals. For assistance contact Ruby Abreu, Marketing and Development Associate, at RAbreu@BachFestivalFlorida.org or 407.646.2182

ONLINE Visit BachFestivalFlorida.org/giving to make a secure donation using your credit or debit card.

BY MAIL Simply send a check or your credit card information to Bach Festival Society of Winter Park 1000 Holt Ave. #2763 Winter Park, FL 32789

BY PHONE Call the Bach Festival office at 407.646.2182. We can process your credit card donation by phone. Keep in mind that you can spread out your pledge payments in easy monthly or quarterly installments.

STOCK GIFTS To give publicly traded stock or bonds through a bank or brokerage firm, supply the broker with the following electronic transfer (DTC) instructions: Morgan Stanley DTC #0015 Bach Festival Society of Winter Park, Inc. Acct # 508-067049-553 To ensure that the gift is received and acknowledged properly, notify the Society of the pending transfer. Gifts will be credited to Anonymous until we receive your confirmation of transfer.

CHARITABLE IRA ROLLOVER The Individual Retirement Account (IRA) Charitable Rollover legislation allows individuals age 70½ or older to transfer up to $100,000 of tax-free gifts on an annual basis from their IRA directly to their favorite charity.

Distributions can only be made from traditional IRA accounts or Roth IRAs, and the charitable contributions from the IRA must be payable directly from the IRA trustee to an eligible public charity such as the Bach Festival Society.

Donors cannot receive any goods or services in return for their charitable IRA rollover contributions in order to qualify for the tax-free provision and must obtain written substantiation of each rollover contribution from each recipient charity.

To make a Charitable IRA Rollover benefiting the Bach Festival Society, have your IRA trustee make a distribution directly to the Bach Festival Society at the address below.

Bach Festival Society of Winter Park 1000 Holt Ave. Box 2763, Winter Park, FL 32789

We apologize for any errors or omissions.

SPONSORSHIP Sponsoring a Bach Festival Society program or artist is a great way to directly enhance the music with your gift. Choose a specific program or artist, or let us help choose something that aligns with your interest.

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UNITED ARTS DONORS

UNITED ARTS DONORS Corporate and Government Donors ((cont. cont.))

Collaborative Campaign for the Arts & United Arts of Central Florida Donors United Arts of Central Florida is your arts agency uniting the community and fueling the arts. With the help of individual donors, corporations, foundations and public funding, United Arts inspires creativity, builds community and strengthens the economy in Central Florida. United Arts is proud to facilitate arts education programs for all ages and provide critical funding and comprehensive marketing for local art, science, and history organizations and individual artists. Leading one of the largest collaborative fundraising campaigns in the country and uniting the regions cornerstone arts and cultural organizations, United Arts is dedicated to ensuring the arts are for all. United Arts is deeply grateful to its donors and community partners for their investment in and support of Central Florida’s creative community and the enormous impact it has on our lives every day.

The following contributions were made to United Arts or the 2022 Collaborative Campaign for the Arts between July 1, 2021 – June 30, 2022. www.UnitedArts.cc | 407.628.0333

Corporate and Government Donors $100,000+

City of Orlando and Employees Darden Restaurants, Inc. and the Darden Restaurants Foundation Dr. Phillips Charities Duke Energy and Duke Energy Foundation and Employees Elizabeth Morse Genius Foundation Inc. The Massey Services Family and Team Members National Endowment for the Arts Orange County, Florida and Employees Orange County Public Schools University of Central Florida Walt Disney World Resort and The Walt Disney Company Foundation

$50,000 – $99,999

Friends of the Orlando Philharmonic Orchestra Florida Department of State

$25,000 – $49,999 Bank of America City of Winter Park Edyth Bush Charitable Foundation Florida Blue Frontline Insurance Orlando Magic

$10,000 – $24,999

Arts Bridge Charity, Inc. The Ballet Academy of Central Florida Charity Challenge, Inc. Donors of the Dr. Phillips Center for the Performing Arts Greater Orlando Aviation Authority John Willis Law Firm Lake County, Florida Lowndes OUC-The Reliable One and Employees Universal Orlando Foundation Window World

$7,500 - $9,999

ABC Fine Wine & Spirits KPMG, LLP and Employees Team Ten 4 Kids, Inc. 43

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$5,000 - $7,499

Crystal Photonics, Inc. Ernst & Young LLP Fairwinds Credit Union Employees Get Off the Bus, LLC Guignard Company In Memory of Shellie-Ann M. Braswell Orlando Health Tampa-Orlando-Pinellas Jewish Foundation, Inc. Upshot

$2,500 - $4,999

77 Trust Me Brand Dean Mead Employees Different Perspective Eric Horner Interiors, Inc. F/X Group IATSE Local 631 Kidsville Pediatrics MSL CPAs & Advisors NFTorium, LLC Orange County Arts & Cultural Affairs RB Advisory LLC Santa Monica Travel & Tourism UCF College of Arts and Humanities

United Arts of Central Florida Employees Wayne Dictor / Dictor Financial LLC Winter Park Publishing Company LLC

$1,000 - $2,499

Akerman LLP AmFund The Balmoral Group, LLC Charities Aid Foundation of

America The Earl and Bettie Fields Automotive Group Foundation, Inc. G R Bridges Jewelry Hubbard Construction Company The Joelson Foundation MatWorkz Pilates Studio Nulman Mediation Services Orchid Medical

Orlando Science Center Employees Pineloch Management Corporation Seay Business Solutions, LLC Spraker West Wealth Management Inc Urban on Plant Kitchen & Bar Valencia College Foundation Westminster Winter Park The Woman’s Club of Winter Park

Individual and Family Foundation Donors $100,000+

Anonymous J. Laurence and Susan K. Costin Ginsburg Family Foundation The Mary Palmer Family Foundation

$50,000 - $99,999

Anonymous The Basel-Kiene Family John and Lee Benz Dick and Betsy DeVos Family Foundation Frank J. Doherty Robert and Melissa Kohn Harold and Rosy Mills Frank Santos Mr. and Mrs. Bob Yarmuth

$25,000 - $49,999

Anonymous David and Judy Albertson Jim and Barbara Caldwell Tom and Kathy Cardwell Dr. Stephen F. Heller Lawrence Kellogg Andrea and Philip Kobrin Rita Lowndes Mr. Alex and The Hon. Cynthia Mackinnon Dr. Ken and Mrs. Trisha Margeson Wayne and Robin Roberts John and Audrey Ruggieri Richard Russell and Thomas Ouellette

Jim and Valeria Shapiro and The J & V Shapiro Family Fund at the Central Florida Foundation Chuck and Margery Pabst Steinmetz Elaine Berol Taylor & Scott Bevan Taylor Foundation The Tiedtke Family Dr. Joe and Sue Warren John and Lisa Westlake Gail and Michael Winn Larry and Laura Zirbel

$10,000 - $24,999

Anonymous Keith and Eleanor Ackermann John W. and Linda Cone Allen Colonel Christian J. Becht and Mrs. Elizabeth M. Becht Joe and Carol Bert Caroline Blydenburgh Susan K. Bright and Lawrence W. Stevenson M. Elizabeth Brothers Chicone Family Foundation Hillary and Jay Cohen Valerie and Paul Collins Elizabeth Nerius Conklin Judy Duda Andrea Eliscu Jeff and June Flowers Giving Fund Marilyn S. Goldman Stephen H. Goldman Charitable Foundation Freddi and Jim Goodrich Sheila Greenspoon Bea Hoelle-Hawes

Sonya C. Hough Mary F. Kelsh Pat and Audrey Knipe Dr. Mitch and Swantje Levin Melody and Brendan Lynch David and Eydie MacInnis McIntyre and Skaggs Charitable Trust The Melrose Foundation Grant Gribble Jeff and Mindy Moore Whitney Morse William and Kyra Muntan Laurie Nicoletti Paul Oppedisano Fred and Jeanie Raffa Shyla G. Reich Maria Ruiz-Hays Dr. Rick Schell and Mr. Scott Joseph Sally and Jack Schott Ann and Charles Simpson Bosco R. and Beverly J. Slaughter Diane and Robert Smedley Ellen and Simon Snyder Daisy and Jan Staniszkis Rebecca and Blaine Sweatt Marilyn Terborg Kathryn Chicone Ustler Hardy Vaughn and Betty Brady Lance and Patricia Walker Leslie Warrington Bailey Alan Whittaker Lori Pearson Wise and Daniel Wise Wisne Charitable Foundation Gary W. Young BachFestivalFlorida.org

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UNITED ARTS DONORS Individual and Family Foundation Donors (cont. cont.)) $7,500 - $9,999

Anonymous Debbie and Larry Cappleman Brian Carwile Dr. Chris Crotty and Ms. Janie Brownlee Dykes and Lisa Simonton Everett Barbara and Richard Fulton Mrs. Janice Granier Gruber Marc and Henrietta Katzen Francille MacFarland MD Larry Gutter and Debbie Meitin Steven and Kathleen Miller Blair and Diane Murphy Rosemary O’Shea The Rev. Eric and Sarah Ravndal III in honor of Dr. John Sinclair Geanne and Adrian Share

$5,000 - $7,499

Anonymous Lindsay and Dan Abt The Bob Allen Family Foundation John and Catherine Amein Carlos Asse Miguel Asse Jim and Elli Atchison Atchison Family Fund Margaret Atkins Sally Blackmun and Michael Elsberry Kirt and Cheryl Bocox Nicki and Jeff Bromme Bettina Buckley Drs. Lynn Le and Wei-Shen Chin Francie and Wayne Dear Susan M. DeNardis Kristy Doyle and Bob Turner Duane Duncan Linda Ferrone Susan and Randolph Fields Sarah B. Flynn Lillian Garcia Dr. Matt Gay Drs. Lloyd and Pamela Gillet Bruce Gould Dr. David Gurney Don and Mary Ann Harrill Mr. and Mrs. L. P. Herzog 45

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Donna and Bill Hoffman Elizabeth and Justin Horn Jacquelyn Hughes Dr. Diane M. Jacobs Michael and Aimee Kakos George A. Kalogridis and Andrew G. Hardy Cathy Karunaratne in memory of Dr. H. B. Karunaratne Harry and Marcie Katzen Skip Kirst and Eric Hogan John P. Klumph Dr. Susan Cohn Lackman and Dr. Richard D. Knapp Gary Lambert and Shawn Hunt Serein Lambert William and Barbara Lynch Jay and Traci Madara Meghan and Alex Mannella Jody and Craig Maughan Suzanne McGuire The Munro Family Beth and Jack Nagle William Newkirk and Cheryl Tschanz Family Foundation Merlin I. Olson Mark and Jennifer O’Mara Borron and Beppy Owen The Andy Pargh Endowment Fund Christina and Gabriel Preisser Kelly Price and Doug Sealy Chris Ranck John and Monica Rivers John Daniel Ruffier Dr. Richard Sandler Marco J. Santoro and Kimberly Dorsett Philip and Susan Sargent Family Charitable Fund Deede Sharpe and John Parker Paula Shives Drs. John and Gail Sinclair Larry Slung Andrew Snyder and Christopher Nemethy Bryan and Marjorie Thomas Phillip Tischer Joan and Harry Travis Lee and Lindsey Alley Turvey Donna and Keith Van Allen Paul and Madeleine Vilmos

Dr. and Mrs. Lawrence T. Wagers Waggoner Foundation in memory of Robert Waggoner Robert and Nancy Wahl Ann & Bill Wallace Foundation John Webb Louise and Richard Weiner Barbara Weinreich Bill and Alice Weir Al and Brea Weiss Robert B. White and Linda Riley Teresa Williams Bickley C. Wilson Scott H. Wilson Dr. Vonda Wright and Peter Taglianetti

$2,500 - $4,999

Anonymous Rita & Jeffrey Adler Foundation Russell P. Allen Mr. and Mrs. P. Andy and Autumn Ames, In Memory of John M. Tiedtke Jennifer and Phil Anderson George and Leslie Andreae Susan and Gorden Arkin Kim Ashby in honor of Bob and Katy Ashby Aunt Jeanie Andy and Phyllis Ayoob Fund David B. Baer Beth Barnes and John Crocitto Jay H. Berlinsky Kathy Johnson Berlinsky Carol-Lynn and Frank Bevc John and Diane Bishop Carolyn Blice Daniel Patrick Blumberg Albert and Cheryl Bogdanowitsch Dr. and Mrs. Gregory N. Boger Cecelia Bonifay Regine Bonneau and Elyh Saint-Hilaire Jill and Dean Bosco Sara R. Brady Howard Britt Jane and Roger Cheever Yan Chen

UNITED ARTS DONORS Individual and Family Foundation Donors (cont. cont.))

O’Ann and Pat Christiansen Bonnie and Van Church - In Loving Memory of Dorothy Martin and Rispa Church Michael and Jennifer Coleman Cheryl Collins, CFRE Carol and Ted Conner Steve Coon Kathy K. Cressey Dan and Jill Croom Susan M. Curran Alan and Susan Davis Drs. Ronald and Nancy Davis Curt and Carol DiPasqua Donna Dowless Michael Dwulit Dana and Diana Eagles Jennifer Clark Evins James Farrell and Andrea Massey-Farrell George S. Fender in honor of American military forces Clive Frazier Dr. and Mrs. Charles W. George Jane and Charlie Gibbons Leon and Larissa Glebov Marcia Goodwin Matthew Gorney Kathryn Grammer Jean Grono-Nowry and Ian Robinson Dr. and Mrs. H.E. Gross Barbara Grossman Debbie and Larry Halye Roseann Harrington Jeffrey Hartog Germaine Brugere Haserot Fund Harvey Heller Jim Helsinger and Suzanne O’Donnell Larry Henrichs Rob and Michael HighfillSpradlin Diane and Allan Horowitz Joseph Robert House Dr. Mimi Hull Maen and Michelle Hussein Mimi Hwang Steven Igou Mrs. Patricia E. Jenkins Patricia A. Johnson

Myron R. Johnston Arts Endowment Fund Bette Jore Frank and Etta Jean Juge Eliza and Matt Juliano Eva Krzewinski Karen and Mickey Lane Shelley Lake Dr. Michael and Diane Levine Margaret Lezcano and Rick Hartker James R. Lussier and Nancy C. Jacobson Embry J. Kidd and A. Noni Holmes-Kidd John and Pamela Lyle James and Sarah Martin Paul and Sue Allison Massimiano David R. Mattson Judy and John Mazzotta Community Impact Fund Deborah L. Mead Margaret G. Miller Ann Hicks Murrah Steven D. Nakagawa John Niss and Lisa Mouton Michael A. Nocero, Jr. in memory of Mary Jo Mr. and Mrs. Richard Ott in memory of Richard David Ott Beverly and Glenn Paulk David and Michelle Peck Dr. David and Darbee Percival Celeste Pertz Dr. Gloria Pickar Dr. Daniel and Lesley Podberesky Alexis C. Pugh Bill and Joan Randolph Richard C. Riccardi John and Virginia Rigsby Nicholas Riippa and Dominic Del Brocco Dr. Cheryl Robinson The Roper Family Foundation Corrine K. Roy Joan Ruffier and Edward Manning Steve and Melanie Ruta Joe Sapora and Carol Ducas Ann Saurman Eileen Schein

Winifred J. Sharp and Joel H. Sharp, Jr. Wayne Sheffield Robert T. Shutts Sidhu Family William Slot Dew Smith Dennis Sobeck Dr. Stephen Summers Jackie and Rod Sward Winston Taitt Leslie J. Temmen Cynthia Tomlinson Leila Edgerton Trismen Dr. Jessica Vaught-Aviles and Mr. Juan Aviles Lindsay Vermuth Stacia L. Wake Harold and Libby Ward Neil and Malka Webman Craig and Jeanne Weeks Peter and Frances Weldon John and Amy Wettach Len and Marilyn Williams Tom and Penny Yochum Armand and Alison Zilioli Bob and Janet Ziomek

$1,000 - $2,499

Anonymous Anonymous in memory of Clifford and Marilyn Lee Abernethy Pickar Family Millicent Adams and Michael Anthony Jeanne Bray Ailes Theresa Aleguas Joseph Ales, Jr. and Stephanie Curry Ales Kay Allen Dr. Mike and Janet Loveland Allen Rachel C. Allen Phil and Jennifer Anderson Melinda Antalek Ellen Arnold Tony and Sharon Arroyo Jeffrey Artzi Sandra Asse Maria-Elena Augustin Tom and Lara Baker James and Deborah Balaschak Nathan and Lynda Balint Richard and Nancy Banks BachFestivalFlorida.org

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UNITED ARTS DONORS Individual and Family Foundation Donors (cont. cont.))

Donna Barley Cathy and Carlos Barrios Dick and Andrea Batchelor Mr. Dave Berelsman and Mrs. Lyn Berelsman Jane Berg Cissy Bergman, in loving memory of Rocky Bergman Gina Bernandini Aaron Bert Daniel Betancourt Paul and Collette Beuther Amogh Bhonde and Sukhada Gokhale Christine Billis Jacques D. Blais Ann and Derek Blakeslee Darryl and Mary Bloodworth Lauren and Barry Bloom Theresa and Angelo Boer Lauren and C. Thomas Bolick IV Dr. Rita Bornstein John D. Boulden Carolyn E. Bourne Jacqueline Bozzuto Berl and Katherine Brechner Sherry Bremer Marian and Edward Bromberg Lawrence D. Brown, M.D. Mary A. and Roger D. Brown Randall S. Brown Ted and Ruthanne Brown Dr. and Mrs. William J. Brown Paul F. Bryan Karen G. Buchan Christine and Hans Bucheli Verna Buchs in memory of Dr. Andy Buchs Dale and Patricia Burket Tim and Rhonda Burnham Michael and Mabel Burridge David Buxton, MD Kay and John Cappleman Alexander and Melinda Cartwright James P. Caruso and Christine S. Caruso Charitable Fund Inc Mr. Scott Cassidy and Ms. Trish Titer Rafael Castillo David Caudle and Gil Villalobos 47

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Mahesh Chaddah Amy and Chris Chapman Frank and Ellie Chase Jason Chepenik Jason Chilton Julia Chinnock and Richard Champalbert Dr. Jeff Cohen and Luci Belnick Kelly Cohen Dr. Anthony and Joan Colandrea, Jr. Beryl R. Colbourn Carolyn G. Coleman Teresa Colling Martin and Susan Collins Judith and Richard Conk Tracey Conner Sharon Conway Hal Cooper Robert and Athalia Cope David S. and Carol A. Cowan Fred and Gayle Curtis Mr. and Mrs. Noriko and Tom Davatelis Keith M. Davenport and Jared V. Walker Diane Davey and Dave Wiebe Doug Davis and Jeri Weigandt Silva Deakins in memory of my husband Jim Debby DEM Guys Michelle DeVos Mr. Duncan DeWahl and Dr. Juliet Burry Patty and Jim DeYoung Cara and Alex Dobrev Jim and Gail Downing Dr. Patsy Duphorne Lisa Durant Gontran and Isabelle Durocher Sheldon Dutes Dr. Perry and Eileen Dworkin Bill and Jennifer Dymond Barbara Tiffany and Jerry Eans Ted Edwards and Nikki Seybold Paula and Buddy Eidel Rex and Kathy Elbert Endean Fund - Mr. Jeffrey Endean and Dr. Myrna Endean Catherine M. Engelman

Lee and Carolyn Eubank Dr. Jay and Randye Falk Dr. Adrianne Ferguson Kerry Ferguson Steve Fessler and Randy Lord Laura M. Firth Dr. and Mrs. Robert G. Flick Nancy Ellen Flint Steven and Melanie Forbrick Julia L. Frey and Dr. David J. Carter Dawn Frye Garber/Collins Charitable Gift Fund Rachel and Rob Gebaide Stephanie Ghertner Nancy and Fiona Gibbons Jon Gibbs and Carolyn Salzmann Suzanne E. Gilbert Mike and Vicki Gillett Biff and Kathy Godfrey Neal Goldner Eduardo Gomez Lambert Steven W. Grant Christopher and Pamela Greening Dr. Scott Greenwood and Dr. Pamela Freeman Chuck and Lisa Gregg Christopher Grim and Melissa Queen-Grim Barbara Grodin Jessica and Vance Guthrie Marty and Mike Haddad Rob and Jacki Hale Andrew and Monica Hand Michael and Terri Harding Paul M. Harmon Dave and Nancy Harvey Gary Heath Marty and Jim Heekin Sheri Heitker and Mark Dixon Paul Helfrich and Jessica Hung Marjorie Hill Nathan Hill John and Gale Hillenmeyer Danielle Saba Hollander Bob and Marty Hopkins David Horgan Mike and Kitti Hornreich Allison and Peter Hosbein Andrew and Kara Howell Bonnie Hubbard

UNITED ARTS DONORS Individual and Family Foundation Donors (cont. cont.))

Jacqueline and Vincent Hughes Rebecca Hull Daniel W. Humphress and Enrique J. De La Torre The Hurckes Foundation Ellen S. Hurwitz In honor of Peter Schreyer, Crealde’s Executive Director In memory of Toeknee Caporelli Allen and Dana Irwin Beth and Jack Isler Libby Jackson Eric Jacobsen and Aoife O’Donovan Harvey and Janice Jacoby David and Lisa Jasmund Toni Jennings Darrell and Lynda Jobman Mark and Jessica Jones Les Josephson Daun and Lisa Junkerman Hal Kantor RK Kelley Maureen and Mark Kennedy Richard and Martha Kessler Sheri Kettula and Denise Marra Charles and Olga King Bud Kirk Carol Klim Rachael Kobb Harvey Kobrin and Faye David Christina and George Kotsonis Dr. Les and Mrs. Lynn Kramer Holly M. Kreisler The Labelle Family Alyson and Michael Laderman Deborah and Donald Lake Patricia Lancaster Linda Landman González Rob and Wendy Landry Paul Lartonoix Dr. Sarah Layton Mark and Noreen Levitt Miriam Levy and Dennis Pope Mark K. Lewis Jack Lord Jennifer Lowndes and Tim Boeth Leyse Lowry John MacDougall and Jame Lee Mann

Dr. Jim Madison Sheila Mahone Jim and Wendy Malcolm Fund Maria Manoso Louise M. Manry Kevin and Ditian Dai Martin Hilary and Ming Marx Kyle and Sarah Mattingly Elizabeth Maupin and Jay Yellen Jay and Alison McClelland Donald R. McGee, DMD, PA Daniel and Elizabeth McIntosh Dr. Margaret McMillen Scott R. McMillen John and Rebekah McReynolds Toby Mendelsohn Congressman John L. Mica Mrs. Arthur L. Miller Ryan and Lucas Miller Lois H. Mills Sally Milton Mr. and Mrs. Peter Minderman Dr. Andrew Minear Carolyn Minear Clay and Kim Mitchell in memory of Lucy Lane Mitchell Jan Moss Mari Moye Karla Muniz Mr. Sumanth Neelam Alicia and Jay Nevins Kailey and Robert Newkirk JoAnn Newman Andrea and Van-Tam Nguyen Jessica Nguyen Donna Nickel Walter Ronald Nock David Oigarden Odd-o-Ts’ Entertainment in honor of all those who keep us performing!

Dan and Dana O’Keefe Eric O’Neal Leslie King O’Neal Molly O’Neill Dr. Ron and Nina Oppenheim Jenise Osani Dr. and Mrs. Jonathan O. Partain Dr. Patricia Patterson

Ronald and Carrie Patterson Beth Pendleton Dw Phineas Perkins John and Anne Perry Dr. Calvin and Pamela Peters Peter and Nancy Pfaff Eddie and Melanie Pipkin Lizz and Tony Pittsley Dave Plotkin George Poelker and Judy Black Carol Ann Pohl Michael and Leslie Poole Jennet Pozzuoli Steven and Nancy Price Mark Pulliam and Judy St. Peter Patricia and Bert Ramsay Debby Randall Bruce and LeAnne Rapée James and Beverly Rawlings Roger D. and Rosalind Ray Douglas and Carole Reece Bill “Roto” Reuter Mr. and Mrs. Rice Mr. and Mrs. Mills Riddick Patricia Rixmann Ian D. Robinson Lenore and Howard Roland Dr. F. Robert and Norene Rolle Robert and Tara Rollins Joy Roney Lesley and Barry Rubin Donald Rudolf Judy Russell Ellen C. and Allan W. Ryan Michael and Theresa Ryan Joan E. Sanchez Diane L. Sandquist Maria Isabel Sanquírico Rocky Santomassino The Sanz-Guerro Family Patty Schmidt Frank Schornagle Jim and Pat Schroeder Ryan Scordato Sara and Bill Segal Samuel W. Seymour and Karen Patton Seymour Rebecca Shanahan James G. Shepp Arthur Shevchenko William and Dorothy Silverman Diana Sisley BachFestivalFlorida.org

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UNITED ARTS DONORS Individual and Family Foundation Donors (cont. cont.))

Dr. Paul Skomsky Scott and Tina Skraban Charlie and Becca Sloan Brenda and Stan Smith Keith Smith and Marc Caglia Robert and Janan Smither Mary and Rick Solik Tony and Rebecca Sos Matthew Soss David Spiegel Paula Stuart Carol Studer Rene Stuzman Randall M. Sumner and George B. Mabry Dr. Stella Sung Vernon Swartsel Thomas C. Taffinder Jodi Tassos in memory of John Tassos George R. and Eleanor C. Taylor Patrick Terry Michael Thomas John and Nancy-Lee Thompson Mark E. Thompson Clinton and Renee Thompson James William Tivy Larry Tobin Tamara L. Trimble Anthea M. Turner Jerry and Barbara Twedt Benjamin Urrutia Lee and Judy Van Valkenburgh Bernie Vatter Ms. Sterling S. Vestal Massimo and Louise Villinger Keith Walls Robert Waltman Katy Moss Warner Tim Warzecha and Bill Neighbors David Kevin Weaver Todd C. Weaver Mr. Randy Welsch

Miriam Weston The Honorable David Wheeler George and Cynthia White Michael and Diane White Trudy Wild Jennifer Williams and James Yannucci Jayne and John Willis Betty Jane and Cecil Wilson, MD Bill and Suzy Wilson David and Diane Withee Nancy and Jonathan Wolf Leighton and Phyllis Yates Michael J. Young Edward and Phyllis Zissman JL Zucco

EDUCATION AND OUTREACH The Bach Festival Society offers music-making and educational opportunities for all ages.

The Bach Festival Choir is comprised of auditioned singers, rehearsing year-round.

The Young at Heart Chorale is a volunteer singing group for those 55+ years young performing at local community centers.

The Bach to the Future initiative provides programs for students from pre-K to high school, including the FreshStARTS program which brings unique musical learning experiences into the classroom featuring the Bach Vocal Artists. The High School Honors Choral Festival invites local groups for workshops with collegiate choral directors from across the country, culminating in the annual selection of the Choir of Distinction.

Master Classes led by world-renowned visiting artists give students and patrons a unique insider’s perspective on the process of fine-tuning classical musical excellence.

To learn more, visit BachFestivalFlorida.org/community

TICKETS PURCHASE TICKETS Online at BachFestivalFlorida.org/tickets Call 407.646.2182 Visit the Box Office 203 East Lyman Avenue, 2nd Floor Winter Park, FL 32789 Monday–Friday, 10:00 a.m.–4:00 p.m.

Tickets for Verdi’s Requiem and A Voctave Christmas available at BachFestivalFlorida.org/Steinmetz

TICKET POLICY Performance details are subject to change.

To learn more, please visit BachFestivalFlorida.org/ticket-policy

DON’T MISS A PERFORMANCE Save up to 30%, access the best seats, and receive promo codes for concerts at Steinmetz Hall when you purchase a subscription.

Learn more at BachFestivalFlorida.com/subscriptions

ACCESSIBILITY The Bach Festival Society is committed to making its programs accessible to all audiences.

Tiedtke Concert Hall and Knowles Memorial Chapel on the Rollins College campus in Winter Park have accessible entrances and parking options available, as does Steinmetz Hall at the Dr. Phillips Performing Arts Center in downtown Orlando. Please call 407.646.2182 for assistance with questions or concerns.

COMMITMENT TO INCLUSION The Bach Festival Society of Winter Park believes that all people deserve equal access and opportunities to participate in a vibrant, creative life. We are committed to policies and practices to increase diversity in the governance and administration of the Society, to deliver programming that illuminates diverse experiences, and to engage the broader community through outreach and education.

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"We can't afford to lose such cultural treasures. And thank goodness we have organizations such as the Bach Festival Society to remind us of

SUCH MAGNIFICENT MUSICAL HERITAGE." Matthew J. Palm, Orlando Sentinel

88 TH SEASON Bach Vocal Artists: Haydn, Hummel, and Hensel Thu, October 6, 2022 at 7:30 p.m.

The King’s Singers Fri, February 10, 2023 at 7:30 p.m.

Insights & Sounds: Sublime Schubert Thu, October 27, 2022 at 7:30 p.m.

JIJI, guitar Sun, October 30, 2022 at 3:00 p.m.

Verdi’s Requiem Sun, November 6, 2022 at 3:00 p.m.

Chuck Seipp, trumpet and Randall Sheets, organ Tue, November 8, 2022 at 7:30 p.m.

Christmas in the Park Thu, December 1, 2022 at 6:15 p.m.

A Classic Christmas Sat, December 10, 2022 at 1:00 p.m. and 4:00 p.m.

Sun, December 11, 2022 at 1:00 p.m. and 4:00 p.m.

A Voctave Christmas Tue, December 20, 2022 at 7:30 p.m.

88TH ANNUAL BACH FESTIVAL

Venus Ascending!

Sat, February 11, 2023 at 7:30 p.m.

Sun, February 12, 2023 at 3:00 p.m.

Concertos by Candlelight Fri, February 17, 2023 at 7:30 p.m.

Sat, February 18, 2023 at 7:30 p.m.

Itamar Zorman, violin and Adam Golka, piano Sun, February 19, 2023 at 3:00 p.m.

Lisa Terry, viola da gamba and Joanne Kong, harpsichord Sat, February 25, 2023 at 3:00 p.m.

J.S. Bach’s St. Matthew Passion Sun, February 26, 2023 at 3:00 p.m.

Insights & Sounds: Aspen Trio with John Harbison, lecturer Thu, March 23, 2023 at 7:30 p.m.

Takács Quartet with Jeremy Denk, piano Sat, March 25, 2023 at 7:30 p.m.

Paul Jacobs, organ Fri, February 3, 2023 at 7:30 p.m.

Insights & Sounds: The Spiritual Thu, April 6, 2023 at 7:30 p.m.

Spiritual Spaces Sat, February 4, 2023 at 3:00 p.m. and 5:00 p.m.

Pursuit of Peace Sat, April 29, 2023 at 7:30 p.m.

Sun, April 30, 2023 at 3:00 p.m.

Bach Vocal Artists: Odes and a Hymn for St. Cecilia by Purcell, Handel, and Britten Sun, February 5, 2023 at 3:00 p.m.

Bach Vocal Artists: Marriage of Music and Poetry Thu, May 18, 2023 at 7:30 p.m.

BachFestivalFlorida.org Follow Bach @BachFestivalWP online: placeholderbf

Photo by Mike Thomas Imagery