ReCurrent

Ben Morris for the ReSound Duo

ReCurrent

for Percussion and Soprano texts by Stephen Crane and Charlotte Mew

Š!May 2014 Ben Morris Music www.benjaminmorrismusic.com bmorriscomposer@gmail.com 973-722-0460

for the ReSound Duo

Ben MORRIS ReCurrent

for Soprano and Percussion I. Pursuing the Horizon II. Not for that City Duration: ca. 9’00” (total) I. ca. 4’00”

II. ca. 5’00”

Instrument key: • 2 Cymbals (ride and china) • Triangle • Temple Blocks (5) • Snare • 2 Bongos • 2 Congas (or 2 larger bongos) • 2 Small gongs • Crotales • Vibraphone

Texts Pursuing the Horizon (1895)

by Stephen Crane (1871-1900)

by Charlotte Mew (1869-1928)

I saw a man pursuing the horizon; Round and round they sped.

I was disturbed at this; I accosted the man.

“It is futile,” I said, “You can never —” “You lie,” he cried, And ran on.

Not for that City (1913)

Not for that city of the level sun, Its golden streets and glittering gates ablaze— The shadeless, sleepless city of white days, White nights, or nights and days that are as one— We weary, when all is said, all thought, all done.

We strain our eyes beyond this dusk to see What, from the threshold of eternity We shall step into. No, I think we shun The splendor of that everlasting glare, The clamor of that never-ending song.

And if for anything we greatly long, It is for some remote and quiet stair Which winds to silence and a space for sleep Too sound for waking and for dreams too deep.

Program Notes: These two poems are tied narratively in this work. The repetitive, frustrated, argumentative tone of the first movement, conveyed in the pursuant percussion, dry rhythmic gestures, and short vocal phrases, contrasts with the glaring second movement, with vibes and crotales providing a falsely shimmering backdrop of an idealized heaven. The first movement expresses the insane, repeated behavior (hence the title ReCurrent), of the character in his pursuit of the metaphorical, unreachable horizon. The second movement explores the traditional notion of heaven as opposed to a realistic desire for peace and eternal quiet. The image of “strain[ing] our eyes beyond this dusk” suggests the endless pursuit of something unreachable and idealized. The fervent, and perhaps outdated, defense of one particular belief or interpretation of heaven, and the futile effort to fulfill and validate that idea, is challenged by the reality in place of that exaggerated delusion.

for the ReSound Duo

ReCurrent for Soprano and Percussion Ben Morris

I. Pursuing the Horizon Stephen Crane (1871-1900)

10" G.P. 3" q=84

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distant, mellow (snares off) Close to edge of rim

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5

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slight rit.

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q=84

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slightly out of rhythm, but conclusive

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3

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mf

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snare drum

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gong

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72

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china

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lie! you lie!

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˙

slight rit. (an afterthought)

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you lie!

he cried

7"

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emotionless, relentless p decresc.

76 q=112

& Πsnares off

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repeat cycle, don't change rate keep as consistant as possible

repeat ad infinitum, relentless looping

center

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let ring out!

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7

(whisper)

81

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ran on

ran on

pppp

ppp

gradually more wispy

Œ

ran on

¿ #¿ Œ

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ran on

ran on

ran on

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dissolve snare figure into:

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7"

85

3 &4

∑

3 4

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∑

7" high conga sticks in center

3 /4\ \

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Œ

\

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ppp

88

&

G.P. 3"

U ∑

f

G.P. 3"

U ∑ G.P. 3"

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f æ

w æ

Œ

on edges

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∑ 6"

G.P. 3"

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∑ R.B.

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Œ

Œ

II. Not for that City Charlotte Mew (1869-1928)

Patient, Thoughtful q=76 Soprano

4 &4

∑

5 4

∑

∑

simile, with sparse pedal

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5 4

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∑

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4 &4

∑

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4 4

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Œ

3 U 4 4 ∑ 4

∑

3 U ∑&4 4 4 O O

Gongs

4 /4 Ó

pp

q=ca. 84

∑

∑

∑

Vibraphone

sparkling, with warmth and some rubato

Crotales arco

4w & { 4 p

mf

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15

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19

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q=76 lyrical mp

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3

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white nights 3

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or 3

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days and nights that are one

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sub p

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10 39

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5 4˙

said

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mp

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sub f

° 49

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3

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see Ride/susp. cymbal (with mallets)

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what from

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thres-hold of

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f

mf

° 52

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più mf angry interruption

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shall step in - to No! 6

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mp

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° 59

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74

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Crotales Gongs

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pp

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mf

q=ca. 84

mf

accel.

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arco

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