Outdoor Warnings

Page 1

Morris Outdoor Warnings for alto saxophone, horn in F, and fixed media
2020
Morris Music
Ben
© August
Ben
www.benmorrismusic.com bmorriscomposer@gmail.com (+1) 973-722-0460 Commissioned by Dakota Corbliss and Matthew Castner

Outdoor Warnings

for alto saxophone, horn in F, and fixed media

Total Duration: ca. 6’45”

Program Note

Outdoor Warnings is based on a variety of different outdoor warnings from natural to artificial sources, including elk bugles, coyote calls, throat singing, Islamic calls to prayer, bicycle bells, protests, phone calls, and nuclear warning alarms. The horn and alto saxophone interface freely and expressively with these sampled sounds, creating a dark and foreboding sonic landscape. The piece is inspired by two outdoor sounds in particular one is the outdoor warning system alarm in Boulder, Colorado, which woke me up one spring morning at the beginning of the COVID-19 crisis. The second is the haunting call of an elk bull, which I had heard when recently travelling to Rocky Mountain National Park. The sounds reminded me of each other, although the function of each sound is drastically different. I thought that both sounds, when combined, perfectly encapsulated the collective fear everyone was experiencing at the outbreak.

° ¢ ° ¢ ° ¢
FixedMedia pp f
n
FM p mf n
4 p mf p
©2020BenMorrisMusic(ASCAP)|Allrightsreserved
AltoSax Hn FM subp gliss.
A 7 p gliss.
&
3"
OutdoorWarnings BenMorris CommissionedbyDakotaCorblissandMatthewCastner foraltosaxophone,horninF,andfixedmedia & free,smoothhalf-valvegliss U / sirensound elkcall & elksamplepitches(intonationvaries itisyourchoicetomatchorletclash) & 0:16 10" 0:26 10"
4"&& (donkeysample) & 0:40 convib 10" senzavib 0:50 3 10" & Ú half-valvebend & wolfcall elk Ó #œù #œ #w w  #œœ # #œ ˙µ ™ wµ ˙ ˙ #˙ ˙ ¿jû ‰ Œ Ó Y Y Y ¿û #w #w œµ n˙™ #˙ù  #œœ # #˙ ˙™û Œ Ó Ó #œù #œù #w ˙™ Œ ‰bœ™ w ˙B Ó #w œ ˙ ˙™ w #œ œ bœ bœ w #w #˙ #˙˙ #œj#˙™ œ ˙ œ J œ™ œ ˙ œ #œ w ‰ bœ œ J œ nœ b˙ ˙ #˙ ˙ ˙ ˙ ™ #˙™ Œ ¿û ¿û ¿û #˙ #˙ #˙ = =
AltoSaxophone HorninF
gliss. p f Asiren pp f gliss gliss pp gliss.
gliss mf gliss. AltoSax Hn
ppfs.pp f
mf p gliss gliss
benmorrismusic.com
gliss.
gliss
(rhythmsdonotneed tolineupprecisely Rhythmsarerelative) TransposedScore smoothbend,senzavib
0:03 3" 0:06 10"
0:36
° ¢ ° ¢ ° ¢ ° ¢ AltoSax. Hn FM mf p n 9 mf p ppp n AltoSax. Hn. FM n mf n B 12 p mf ppp n mf AltoSax Hn FM mfespress. C 16 cresc,continued AltoSax Hn. FM D 17 ppp & 1:00 10" 1:10 10" 3 1:20 13" & & wolfcall “” & 1:33 7" 1:40 10" 1:50 10" 2:00 Ú U 23" & Ú U ? & (donkeysample) > elk ? wubbing,swellingsynthbass adhan,babysealcall,chirpingsquirrel,etc u & moltovib 2:23 patiently,free 30" ? ∑ U ? etc,interactiveadhan & 2:53 3 3 30" 3 ? multiphonic(singandplay),breatheasrequired Bµ ? throatsingingentering B œ #˙ œ#œ ˙ ˙ œ ˙ w œ #˙™ ˙ Bb œ w ˙ Œ wB #œ ˙˙™ ™ Yù Œ œ nw™ œ Œ ˙ Œ ˙ w™ œj w™ Ó #˙ ˙™ œ#w ˙™ Œ Ó Œ œ œ œ #˙ w ˙ Ó Ó œ œ œ œ œ w w w w ¿û ˙B w + W + + + œ  œœ#w #œjœ œj˙ œ ˙™ #˙™ ù  nœœ b w #œ™nœœ ##˙ #œj˙ + W + + + + W + + + + W + + + ˙ bœJœ b œ Jœœnœœ # œœœ#Jœ # ™ w  œœ n œ  œœw #œœœ  œœœ w ~ W ~ W ~ W + W + + + + W + + + + W + + + = = = 2
° ¢ ° ¢ ° ¢ ° ¢ AltoSax Hn FM f E 18 f AltoSax. Hn FM ff gesturesasfastaspossible,withgaps p ff p ffp ff ffp Pointillistic,afranticriot,asuddenburstofactivityF 19 gesturesasfastaspossible,withgaps ff ffp AltoSax. Hn FM ff p ff p ff accel. G 20 ff p ff p ff AltoSax. Hn. FM ffp fff n ff H 21 ffp fff & 3:23 . 16" 3:39 U ?Bµ U ? B throatsingingentering U / & 3:42 . > . > . > 10" Ÿ~~~~~~ > . > > 7 3 ? > > 3 & . > . >. > . > 3 . . . Ÿ~~~~~~~~ 5 3 / > loudprotest > > etc & 3:52 > > 3 6" & > . > 3 / & > 3:58 6" cutoffabruptly withtrack 4:04 Ú U Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ 7" 4:11breatheasrequired senzavib 30" moltovib & > Ÿ~~~~~~~~~~~~~~~~~~~~~~ cutoffabruptly withtrack Ú U ∑ U / accel,gettingmoreintensew/teakettle teapotfx elkcall(reiterated) cellphonecacophonybuildingunderneath # nw  nœœnœ™ œœœ™  œœ n œ J w œjœ œj˙™ #œ™nœœ ##˙™ œj˙ œ J û ‰Œ ~ W ~ W ~ w Ojû œ‰Œ Jû + W + + + + W + + + + w™ + + Vû œû Œ œ #œœ # ≈ #œR‰#œœ ##œnœœ #nœœ n ‰ nœœ # œ œœ # #œ ≈ œ #œ™ J œœ n#œœ ##œœœ ##œœ n J ‰ œ J‰bœ J bœ bœ Œ ≈ œ œ#œ ‰#œ J ‰ ≈œ # œ nœœ n ‰ nœœ # nœ ‰ #œ™nœ ¿ ¿ ¿ œ nœ nœ œnœ œnœ ‰ œnœnœnœ#œ#œ#œ#œ Œ #œ#œ#œ ≈ #œ œ#œ#œ ‰ nœnœnœnœ ≈ Œ œ nœ #Wnœ œj#w nœj#w™ œj˙™ #œjw œjw™ #Wœ Y ∑ w V V V V w V V V V w V V V V w V V V V w V V V V ˙ V V V = = = 3
° ¢ ° ¢ ° ¢ ° ¢ AltoSax. Hn FM ffsempreespress ffp ff ffp Freely,withabitingforceq=ca60 I 24 mf ffcuivre,sempreespress. gliss. ffp ff ffp AltoSax Hn FM ff ffp ff ffp ff ffp J 26 ff ffp ff ffp ff ffp gliss. AltoSax Hn FM p rit. K 27 p AltoSax. Hn FM pp mf wispy,pinched gliss n 28 pp mf p n n mf n & 4:41 4:46 Ÿ~~~~~~~~~~~ > 30" > > & free,smoothhalf-valvegliss > > > / # >crashandkickdrum,sirens,riot,bassnotes > > & 5:16 > 3 > 3 > 30">>> 3 & > 3 > 3 >>>> 3 / > > & 5:46 20" senzavib. & . / alarms,sirensfadingout & & 6:06 11" 6:17 10" 6:27 U breatheasrequired 10" 6:37 Ú U (end) 6:54 & breatheasrequired U Ú U & highelknotes fadingcoyotenotes #w #œ œ  #œœ # #w bœjbœ œj˙ œ bœ œ œ ˙™ ù  œœœbœnœ œ œ™#œœn˙ nœj˙ wµ #œ #w œjœ œj˙ œ ˙ #˙ù  nœœ b w #œœ ##œ˙ nœj˙ w V V V V nœ ¿ + + + + + œ ¿ + + + œ ¿ + + V ˙ œ JœœJœœbœœœœœJœ b nœ#œ œ œ™  œœ b œ  œœw nœœœ  œœœ w ˙ #œJœœJœœnœœœœœJœ™ w  œœ n œ  œœw #œœœ  œœœ#œ#œ ˙ + + + œ ¿ + + + + œ ¿ + + + nw  nœœn˙ œ™  œœ n œ J w œ œj˙™ #œ#˙™ œjnw nw  bœœb˙ bœ  œœ b bœ J œbœ œnœ œjnœ œj˙ #œ nœnœ nœ nœjbœnœ nœnœ + + + + + + + + + + + + ˙™ œb˙™ œ #˙ ˙µ ˙ W nœ#œ#œ #˙ ˙™ ˙ #w™ W #W W ˙ ˙™ ˙ ˙ W W W ¿û ¿ù ¿û = = = 4

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
Outdoor Warnings by Ben Morris - Issuu