Ben Morris
Newport Fog
for Jazz Septet trumpet in Bb, alto, tenor, guitar, piano, bass, and drums
Š March 2014 Ben Morris Music
www.benjaminmorrismusic.com bmorriscomposer@gmail.com 973-722-0460
Ben MORRIS Newport Fog for Jazz Septet
Duration: Total: ca. 13’40� Instrumentation: Alto Saxophone Tenor Saxophone Trumpet in Bb Electric Guitar Piano Upright Bass Drumset Program Notes: On an overcast, foggy August weekend in 2012, I attended the Newport Jazz Festival in Rhode Island with a good friend to see some of my favorite jazz acts perform. The festival is situated in and around an island fort surrounded on all sides by pristine harbors, historical lighthouses, and monumental bridges. One central bridge crosses from the mainland to the island, which you can see from the field in front of the main concert stage. The grand bridge often would be intermittently veiled by a sheet of fog, often becoming completely invisible. This effect was completely different when driving on the bridge, when nothing was visible but the cars in front of you and the sides of the road. This work is inspired by the bridge appearing and disappearing in the fog, as represented in the piece by the floaty introduction and interludes, and also represents the thunderous architecture of the bridge, with trucks and cars pounding over it in a relentless up-tempo swing. You intermittently leave the mystical world of fog into a zooming cacophony of moving vehicles.
Newport Fog for jazz septet Transposed Score
Ben Morris q=ca. 90
ca. 19" ca. 23" (rim click/ o. hi hat)
Alto Sax
¿o ¿
U Ó
° &
>¿o >¿o ¿ ¿
U ∑
(rim click/ o. hi hat)
ca. 23"
ca. 19"
¿o ¿
U Ó Tenor Sax
¢&
(rim click/ o. hi hat)
ca. 23"
>¿o >¿o ¿ ¿
U ∑
&
(rim click/ o. hi hat)
ca. 23"
ca. 19"
¿o ¿
U Ó Guitar
ca. 19"
¿o ¿
U Ó Trumpet in Bb
>¿o >¿o ¿ ¿
U ∑
>¿o ¿
U ∑
>¿o ¿
&
ca. 19" ca. 23" (rim click/ o. hi hat)
o ¿ ¿
U Ó &
>¿o >¿o ¿ ¿
U ∑
Piano
?
{ (rim click/ o. hi hat)
ca. 19"
ca. 23"
¿o ¿
U ∑
? Upright Bass
œ free rhythms, displace octaves as desired œ ææ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ææ
>¿o >¿o ¿ ¿
n mp
Fade quickly into fast time in hi-hat (q=300), then quickly disintigrate and dissolve away
free cymbal colors Freely explore with skins out of time, begin with lots of space and slowly increase density (snares off, kick is always p)
w/rods
q=ca. 90
On heads
In the cymbal middle
10" On the edge
On rims
ride bell 6"
>O Drum Set
/ œœ
6" 8"
U ∑
œœ œœœœœ
œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
U ∑
3"
>¿o ¿
q=90
>O œœ
3
U ∑
2" o ++o o o +¿ ¿o >¿ q=90 > ¿ ¿ ¿ ¿ U O O Ó >¿¿ >¿¿ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ œ œ
3
3
pp p
f
ff
sub p sub p pp mf
© 2014 Ben Morris Music | All rights reserved. www.benjaminmorrismusic.com
ff
A 20" q=90
#>œ
3 (tom-toms)
2 Alto S.
>O
U ∑
° &
Œ #œ
œ œ 3
3
20" (tom-toms)
>O
U ∑ Ten. S.
>O
œ
¢&
œ
œ
œ 3
Freely, don't line up with guitar Keep durations relative. harmon mute
Tpt.
26"
U & #w
U Œ
n
3
mp
U ˙
n
p
f
U Œ
U w
p
n
U Πmp
n
U ˙ p
f
U Œ
#U ˙
p
p
U Ó f
p
Freely, don't line up with trumpet
26" volume pedal swells, keep duration relative. G13“
Gtr.
U & + n
B¨13“
U +
U Œ
U +
mp
n
n
D¨13(b9“)
U +
U Œ
U +
mp 20"
n
n
F13“
U Ó f
A13(b9“)
U +
U +
U +
n
mp
n
f
b >œ
(tom-toms)
>O
U ∑
œ #œ œ
&
œ 3
3
Piano
mf 3
U ∑
?
{
> bœ
Ó &
#œ œ °
20" (tom-toms)
>O
U ∑
?
>O
œ
U. Bass
œ
œ
œ 3
3
simile, cymbals and skins to sticks very clear q=90
15" On heads On rims
2" q=90
>O œ
Dr.
3 œ œ etc. O ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ œ œ œ œœ œ
U Ó
/ œ
3
>O
>O œœ œ
3
pp sub p
f
ff
= Burning Swing q=300
15"
B <#> w ° &
10"
Alto S.
C 4Ó 4
w
4
U ∑
U ∑
(dr., bs., pno.)
Œ
> V V
n 15" 10" (dr., bs., pno.)
U ∑ Ten. S.
U ∑
4Ó 4
¢&
Œ
> V V
15" 10" Ad-lib single-note swells from concert Bb half-whole diminished scale
Tpt.
& V
V
V
V
Getting busier Any high pitch
V
V
V
V
V
V
V
V
V
V
> Œ ‰ V J
V
4Ó 4
V
4Ó 4
> Œ ‰ V J
4Ó 4
b >œœ Œ ‰ œœJ
4Ó 4
>œ œ b ? Œ ‰ œJ
swells from p to f 15" 10" Ad-lib single-note volume swells from Bb half-whole diminished scale (add delay effect)
Gtr.
U & +
V
V
V
V
Getting busier B¨13(b9“)
(clean)
V
V
V
V
V
V
V
V
V
n swells from p to f 15" 10" F‹13
<b>U w U ∑ &
f Piano
U & <b>w
U ∑
{
15" q=300 Fast, random chromatic walking bassline. Out of time with drums. Ad lib. Example:
etc., continued
10" ...etc.
? U. Bass
F‹13 4 œ bœ œ œ #œ œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ # œ n œ œ 4 n œ œ #œ œ œ > f gradually add swing
15"
time in ride q=300, with bass
(snares on)
10"
Burning Swing q=300 Heads Rims
etc. Freely explore all of kit, out of time Dr.
/ mf
slowly morph into time
Clear, in-time
Lock in! fill ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ > ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 44 V V V V V
7
3 Alto S.
Ten. S.
° &
V
¢&
V
Œ
Ó
∑
∑
∑
∑
∑
Œ
Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
(mute out)
∑ Tpt.
& (volume swell)
, (cut off abruptly) ∑
F‹13
+
∑ Gtr.
,
A13“
+
& p
f
p
f
<b> w w w & w
w w w w
w w nw
˙˙ ˙
A13“ œ. > w ‰ œœ ‰ ###œœœ w J J w
w w w
w w ? <b> w
w w w
w w w
˙˙ ˙
œœ. >œœ ‰ œJ ‰ œJ
w w w
E¨Œ„Š7(#5)
Piano
{
w w w
Lock in! walking A13“ > V V V
E¨Œ„Š7(#5)
? U. Bass
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
œ time A13“ E¨Œ„Š7(#5)
Dr.
/
V
V
V
V
V
V
V
V
V
V
V
V
V
V
> V V
V
V
= Relaxed, floating above rhythm section
D 13
w Alto S.
° &
∑
˙
œ œ #>œ ‰ J
∑
w
> ‰ œJ œ œ
˙
f
∑ Ten. S.
∑
∑
∑
∑
∑
¢& Relaxed, floating above rhythm section open
w ∑ Tpt.
> ‰ œJ œ œ
˙
∑
&
w
‰ œj œ œ >
˙
f
,
E13(b9)
+
∑ Gtr.
∑
∑
∑
∑
& p
f
E13(b9)
C©Ø7
F‹13
nw w & bb w
w w w
w w bnw w
˙˙ ™™™ ˙˙ ™
> ‰ ###œœœœ J
w w w w
w w w w
#w w ? #w
w w w
bw w
˙˙ ™™
>œ ‰ œœJ
w w w
w w w
Piano
{ E13(b9)
F‹13
? U. Bass
V
V
V
V
V
V
V
V
E13(b9)
V
V
V
V
V
V
V
C©Ø7 > V V V
‰
F‹13
V
V
V
V
V
V
V
V
V
V
V
V
V
V
C©Ø7 j
Fill
Dr.
/
V
V
V
V
V
V
V
V
> V
œ
V
V
V
V
V
V
V
V
19
4 Alto S.
° w &
œ
#>œ J
œ #œ #œ ™
˙ w
˙ ˙ ˙ ‰
> œ #œ nœ J
3 3
ff
f
Relaxed, floating above rhythm section
#>œ J
(trp./alto)
œ™ œ #œ œ
n˙
˙
˙ b˙ ˙
nœ ‰ J
˙
‰
˙
∑ Ten. S.
œ >œ
¢& 3
3
f
3
Tpt.
& w
œ
#>œ J
œ™ œ #œ
˙ w
˙ ˙
> j œ œ nœ
3
ff
f clean
∑ Gtr.
∑
∑
∑
Ó
‰
&
j œ œ b>œ f
A¨Œ„Š7(#11)
nw w & bnw w
˙˙˙ ™™™ ˙™
w w ? w
˙˙ ™™ ˙™
E/G© j ‰ #nœœœœ w ww > w
w w ww
w nbw w
>œ ‰ #œœJ
w w w
nw w
E¨Œ„Š7(#11)
Piano
{
w w w
E/G© E¨Œ„Š7(#11) A¨Œ„Š7(#11)
? U. Bass
V
V
V
V
V
V
V
V
> V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
E/G© E¨Œ„Š7(#11)
‰
A¨Œ„Š7(#11)
Dr.
/ V
V
V
V
V
V
V
œj
V
V
V
V
V
V
V
V
V
V
V
= >˙
24
Alto S.
˙ #˙ ˙
° œ &
˙
#˙ ™
#˙ ˙
#˙
‰
> œ J
3
ff
œ b >˙
f
w ˙
b˙ ˙
> ‰ bœJ
n˙ #˙ ™ ˙
Ten. S.
¢& 3
ff
Tpt.
#>˙ œ &
f
b˙ ˙ ˙
˙ ˙
˙
œ #œ #œ n>œ
#œ #˙
˙
3 3
ff
#>˙
˙ ˙
b˙
˙ ˙
Gtr.
f
˙
œ #˙
˙
& <b>œ
œ #œ
> œ bœ
3 3
ff
E13(b9)
DºŒ„Š7
f
F‹13
C(„ˆˆ2)/B
F©‹13
w & ##w w w
nw #w w
w bbw w
w ww
™ ##˙˙˙ ™™
? #w
bw w
bw w
w w
˙˙ ™™
B¨‹6/F
‰ nœj b >œ
Piano
{
‰
b>œœ J etc.
walk 2-feel B¨‹6/F E13(b9)
F‹13
C(„ˆˆ2)/B
F©‹13
DºŒ„Š7
œ ? ˙ U. Bass
V
V
V
V
œ
œ ˙
b˙
#œ
œ œ
˙ œ
#œ
œ > B¨‹6/F
2-feel
E13(b9)
time
+ Dr.
/
V
V
V
V
+
+
‰
+ V
V
V
V
V
V
V
V
œj
bœ œ™ J
29
Alto S.
° w &
#w
œ b œ œ >œ
E #˙ ™
˙ ˙
5
œ. ∑
pp
<b>w
bœ œ™ J
nw
œ b œ œ >œ
˙
#˙ ™
˙
œ. ∑
Ten. S.
¢& pp
Tpt.
bœ œ™ J & w
œ œ œ >œ
˙
#˙ ™
˙
#œ.
w
∑
pp rootless voicings, spacy, relaxed arpeggios FŒ„Š7(#5)
Gtr.
& <b>w
∑ w
∑
∑ V
V
V
V
pp
EØ7
w w
C©‹13
C pedal
‰ & <b>w w
™ ## ˙˙˙˙ ™™™
n#w w
j bn>œœ
∑ ˙˙
## ˙˙˙ mp
Piano
p
? <b>w w
bw w
> ‰ bœœJ
#˙˙ ™™
{
˙˙ #˙˙
∑
∑
(C pedal) light EØ7
C©‹13
˙ ? U. Bass
V
V
V
V
V
V
V
V
V
V
V >œ
V
œ
bœ. ∑
. V
∑
œ ˙™ sub pp
light play as if h=q (half-time)
fill EØ7
C©‹13
‰
œj
+™ Dr.
/ V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V sub pp
= 35
Alto S.
œ.
° #˙ ™ &
#œ.
#˙ ™
#>œ
#˙ ™
∑
w
∑ fp mp
œ.
#˙ ™
œ.
#˙ ™
#>œ
#˙ ™
∑ Ten. S.
w
∑
¢& fp mp
Tpt.
& #˙
nœ.
™
#˙ ™
>œ
#˙ ™
#œ.
∑
w
∑ fp mp ad-lib run
simile
∑ Gtr.
& V
V
V
V
V
V
V
b˙ b˙
˙ V
˙™ w w
œ V
b˙ b˙
œ.
V
˙™
w w
˙™ ˙™
˙ ˙
œ œ
Ó &
w w
Piano
? ∑
{
∑
∑
∑
∑
∑
walk! B7(“4)
bœ.
?
E7(b9)
#œ ∑
œ
∑
U. Bass
œ
˙™ ˙™
œ
#œ.
œ #œ
œ
œ mf
relaxed, half-time cymbal colors q=300 time fill Dr.
> / ˙
> ˙
>O +™
ΠV
V
V
. V
ΠV
V
V
V
V
V
V
V
3
mf
V
V
V
6 Alto S.
41 F ° #˙ &
#œ
œ.
œ.
#œ #œ
#œ.
#˙ ™
œ
œ #>œ
#œ œ
∑
∑
∑ pp
pp
fp
> œ #œ # œ #œ pp
fp
#˙ ™
>œ
pp
fp
sub pp mp
œ.
#œ #˙
#œ #œ
mp
œ. œ
œ.
#˙ ™
∑ Ten. S.
∑
∑
¢& pp sub pp mp mp
Tpt.
œ #œ.
& #˙
bœ
œ.
œ œ
#˙ ™
∑
#œ.
∑
∑ pp mp
mp sub pp
#w
#˙ ™
w ∑
Gtr.
œ.
∑
∑
∑
& p
pp
˙ ˙ ww j
bw bw w
˙ ˙
b˙ b˙
b˙ b˙
w w
#˙ #˙
˙™ ˙™
˙ ˙
n>œ nœ
&œ Piano
?
{
∑
∑
∑
∑
∑
∑
∑
light
bœ.
?
bœ.
∑
#˙ ∑
Ó
˙™
#˙
U. Bass
˙™ ˙™
˙™
#œ.
œ >
3
pp
continuous floating groove over rhythms: light, skittish cymbals and rims h=q (half-time,. straight)
˙™ Dr.
/
V
œ
V
V
. œ
˙™
V
V
V
V
V
V
V
V
. œ
˙™
V
V
V
V
V
V
V
V
˙™
V
V
V
V
V
V
œ
V
V
V
pp
=
G >. nœ
48
Alto S.
° <#>w &
Œ Ó
∑
∑
∑
∑
∑
∑
∑
#>œ. Œ Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
mf
<#> ˙ Ten. S.
#˙
¢& mf
Tpt.
>œ. Œ Ó
& <#>w
mf expressivo slide up to pitch
b˙™ Gtr.
bœ
œ bœ œ ˙
b˙ ™
˙™
#w
œ
bw
w
w
& V V V V mf expressivo A¨‹11 E‹13 E¨(„ˆˆ2)/G
D¨13“
D7[âÅ]
F©‹11
F‹7
w & w
œ bœ œ ˙˙ œ bœ œ
b˙ ™ b˙ ™
b˙™ b˙ ™
bœ bœ
˙™ ˙™
#w #w
bw bww
œ œ
˙˙ ™™ ˙™
œ #œ œ ˙ œ #œ œ ˙
mf Piano
b ˙˙
b˙˙˙
?
{
∑
Ó
Ó
b b˙˙ Ó b ˙
bbbw ˙w
## ˙˙
nb ˙˙ ˙
Ad lib, play as if h=q (even-8ths half-time)
#˙
˙
°
°
œ œ #œ œ #w
˙ ˙
E¨(„ˆˆ2)/G F‹7 D7[âÅ] A¨‹11 D¨13“ E‹13 F©‹11
#œ >œ #œ #œ
b˙ ? U. Bass
œ œ œ œ
œ ˙™
b˙
˙
bœ bœ
bœ bœ ˙
nw w
˙ #˙
mf continue groove with rim clicks and light cymbals, softly reinforce melody (pno./gtr.)
b˙ ™
˙™
bœ ˙
œ
#w
œ
b˙ ™
bœ œ
bw
˙™ œ #œ œ
Dr.
˙
/ V V V V mf
H 57
7 Alto S.
° &
œ œ #œ ∑
∑
∑
∑
∑
∑
∑
Ó
Π3
pp
œ œ #œ ∑ Ten. S.
∑
∑
∑
∑
∑
∑
Ó
Œ
¢& 3
pp
∑ Tpt.
∑
∑
∑
∑
∑
∑
Ó
œ #œ œ
Œ
& 3
pp
w ˙ Gtr.
& œ œ œ œ
˙
F(„ˆˆ2)/E
w
˙™
˙
˙™
w
œ œ
#˙ E6/B
FºŒ„Š7
D9/E
A(“4)/C©
G©‹(b6)
Fill
& nnœœ œ œ œ œ œ œ
˙ ˙
˙ ˙
˙ ˙
w w
˙™ ˙™
b˙ ˙
w #w
Ó
#˙ #˙
œ œ
˙™ ˙™
œ œ
w w w V V V V
Piano
w ? ww
#˙˙ ˙
w ww
{ F(„ˆˆ2)/E
E6/B
˙#˙˙
#˙˙
w w w
Ó
FºŒ„Š7
D9/E
w w w
A(“4)/C©
G©‹(b6)
? ˙
˙ ˙™
U. Bass
˙ œ œ
œ #˙ ˙
#˙
#˙ ™
#w #œ
n˙
˙
˙ (fill in space) cymbals
w
Dr.
/ ˙ œ
w
˙™
˙ nœ
œ
œ
w
œ
˙™
˙
œ #˙
=
Alto S.
65 I ° #˙ ™ &
œ.
#˙ ™
nœ.
#˙ ™
∑
>œ.
œ.
∑
Ó
Œ
˙ œ
>œ
œ ˙
Πmf
#˙ ™
œ.
#˙ ™
nœ.
#˙ ™
∑ Ten. S.
>œ.
œ.
∑
Ó
Œ
˙™
>œ
˙™
Œ
¢& mf
Tpt.
& #˙
™
nœ.
#˙ ™
#œ.
#˙ ™
∑
#œ.
∑
Ó
Œ
>. œ
bœ Œ
>œ
œ ˙
˙ mf
high voicings, spacy, relaxed arpeggios FŒ„Š7(#5)
Gtr.
C‹7
& V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
A¨‹6
V +
V
E¨(“4)
V +
>G13 V
pp mf
˙ ˙
b˙ b˙
#˙ #˙
w w
n˙ n˙
& ##w w
High, floaty piano colors, Ab lydian
V V V V
V V V V
V V V V
>œ V V V œ
mp p Piano
? #w
{
∑
∑
∑
∑
∑
∑
∑
light
bœ.
?
bœ.
∑
bœ.
∑
> Œ bœ.
Ó
Œ
U. Bass
˙ bœ
˙™
˙™
sub pp play as if h=q (half-time) light
relaxed, half-time cymbal colors
light fill
simile Dr.
/ +™
. V
+™
ΠV V V
. V
ΠV V V
> ˙
> ˙ 3
sub pp
œ b˙
˙™
>O Œ
>. V V V
> ˙
> œ
> œ
> ˙
œ >
> œ
ΠV V V
V V V V
bœ œ™ J
73
8 Alto S.
° w &
w
w
w
œ b œ œ >œ
˙ ˙
f p
w Ten. S.
w w
bœ œ™ J w
˙ ˙
œ œ œ >œ
˙ ˙
¢& p
˙ Tpt.
œ b œ œ >œ
#˙
f
w w
bœ œ™ J
w
& p f arpeggios F(„ˆˆ2)/E
Gtr.
& +
B¨6/D
A7(b9)
+
∑ V
V
V
V
V
V
V
∑
V
p
f
C©‹13
˙ ˙
˙ & ˙
w w
w w
w w
j ‰ Œ ## œœ. œœ >
Ó bn ˙˙
## ˙˙˙
b˙˙
Piano f
?
{
∑
∑
∑
∑
#>œœ. ‰ Œ J
Ó
#˙˙
Œ
Ó
∑
Œ
Ó
∑
? œ
U. Bass
w #œ
œ
b˙ ˙
w ˙ f Get busier with fill, prepare to return to burning swing
Dr.
/ V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
>. V
V
f
=
Alto S.
J (staggered entrances) 79 > ° #w &
>˙ ™
w ∑
∑
Œ
n
f
(staggered entrances)
>˙
>˙
w
Ten. S. & Ó ¢
∑
∑
Ó
n
f
(staggered entrances)
> w ∑ Tpt.
∑
∑
∑
∑
∑
∑
& n
∑ Gtr.
∑
& chromatic quartal voicings D‹13
& Ó
F‹13
> V
V
V
V
V
V
> V
Œ
Ó
Ó
V
> V
V
‰
j œœ >
w w
Œ
V
V
V
Piano
? Ó
{
∑
∑
Ó
‰
nn>˙˙
j œœ .
D‹13
? Ó U. Bass
>walk (q=300) V V
F‹13
V
V
V
V
drop time suddenly, q=300 Dr.
/ Ó
> V
V
V
> V
Œ
Ó
Ó
‰
>œ J
‰
j œ >
V
V
V
V
> V
V
V
V
V
Solo Fills
V
V
V
V
V
V
V
V
V
V
V
84
9 Alto S.
b>˙
° w &
∑
∑
w
Ó
∑
n
f
n
> bw
w ∑ Ten. S.
∑
∑
∑
¢& n
Tpt.
f
> & w
∑
f
n
w ∑
f
∑ Gtr.
> #w ∑
n
∑
∑
∑
∑
n
∑
∑
∑
&
A¨‹13
& V
V
V
> V V
V
V
V
V
V
V
V
> V
V
Œ
Ó
Piano
?
{
∑
∑
∑
∑
∑
bbw w
∑
∑
Solo bass walking A¨‹13
? U. Bass
V
V
V
V œ >
Dr.
/ V
V
V
> V V
V
V
V
V
V
V
V
V
V
V
V
Ó
V
V
V
V
V
V
V
> V
Œ
V
V
Solo Fills
V
V
V
V
V
V
V
V
= 90
Alto S.
° &
˙™ ∑
w
w
w
w
w
˙
Πn
mp
w
w
˙
˙
˙
∑ Ten. S.
¢& mp n
˙ ∑ Tpt.
w
w
˙
˙
w
Ó
& mp n
∑ Gtr.
∑
∑
∑
∑
∑
&
B¨13“
B¨13(b9“)
∑ &
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
Piano
?
{
∑
∑
∑
∑
B¨13“
∑
∑
B¨13(b9“)
? U. Bass
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
losing steam B¨13“
B¨13(b9“)
∑ Dr.
/
V
V
V
V
V
V
V
V
V
V
15" (including repeats)
K q=90
>- >- #>œ- 3 œ #œ 4
96
10 Alto S.
° í™ w & ™
w
˙
w
˙
w
™™î 44 ˙
∑
L 4 4
∑
q=150
∑
∑
4 4
∑
∑
∑
4 4
∑
∑
#>œ- 3 4
∑
w/delay and chorus 4 #wœ œ œ œ #>œ œ œ œ 4 > pp
#>-œ 3 4
∑
4 4
∑
∑
∑
4 4
∑
∑
∑
4 4
∑
∑
∑
4 4
∑
∑
3
p
pppp
ppp ff
(over the course of the repeats till end of 15")
15" (including repeats)
™˙ Ten. S. & í ™ ¢
w
˙
w
˙
w
>>-œ >-œ # œ 3 4
˙ ™™î 44 #˙
3
p
pppp
ppp ff
(over the course of the repeats till end of 15")
15" (including repeats)
Tpt.
w™ & í ™™
w™
w™
˙
p
> #>œ- 3 œ- -œ 4 > 3
™™î 44 ˙
pppp
ppp ff
(over the course of the repeats till end of 15")
long volume swell 15" B7½ (drs.)
>O
U + Gtr.
4 4
&
œ œ>- >3
œ œ > > 3
pp
f
ff 15" (drs.)
>O
U ∑
4 4
&
œ œ>- >3
œ œ > > 3
ff Piano
U ∑
?
{
3
4Ó 4
3 #œ- 4 œ œ > >- >-
œ œ >. f 15" (drs.)
3
>O
U ∑
?
4 4
U. Bass
>œ f
œ œ > > 3
just ride pattern time, fizzling out into swishy free cymbal work w/soft kick
#>-œ 43 œ œ >- >ff
15"
¿o +¿ ¿ ¿
¿ ¿ ¿ ¿ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Dr.
/
q=90 > > 4 > œ >O > œ >O 3 ÍÍÍÍÍÍÍÍÍÍÍÍÍ 4œ 4 œ œ 3
3
sub ff
sub ff
q=150
n
p
=
M 101
Alto S.
° &
∑
∑
∑
∑
∑
∑
∑
∑
Solo (freely) expressivo
w
˙ œ bœ w
∑ Ten. S.
∑
∑
∑
˙
Œ
œ œ Œ
¢& 3
3
p
∑ Tpt.
∑
∑
∑
∑
∑
∑
∑
& Evolve from C# repeated pitches -arpeggiate, rich and thick, even 8ths, full of motion, folksy, Bill Frisell-esque F©(„ˆˆ9) C©Œ„Š9(#5)
Gtr.
> > & #œ œ œ œ #œ œ œ œ
#œ >œ œ œ #>œ œ œ œ V
V V V
V V V
V
V V V V
V V V
p
˙
w b˙
w
w
j
bw j bœ
&œ
j bœ
w
∑
∑
j bœ
pp Piano
?
{
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
° ? U. Bass
Dr.
/
Ó
Œ æ¿
>¿. J ‰ Œ Ó
V
109
11 Alto S.
° &
∑
∑
∑
∑
™ >œ w œ œ œ œ J
w Ten. S. & ¢
˙ ˙
∑
˙ ˙
∑
∑
> > œ œb œ œ ˙ ˙ ‰ J
3
ù˙
˙
∑
b˙
∑
n˙ b˙
n˙
3
3
mf CŒ„Š7(#5)
∑ Tpt.
Staccato, sparse p single notes from the Bb lydian augmented mode. Stagger randomly
∑
&
G‹11(b6) DºŒ„Š7 D(„ˆˆ2)/C© F‹13
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
p B¨Œ„Š7(#5)
F‹11(b6) CºŒ„Š7 C(„ˆˆ2)/B
F©(„ˆˆ9)
Gtr.
E¨‹13
& V V V V
V V V V
V V V V
V V V V
V V V
V
V V V V
V V V V
V V V V
V V V V
freely use pitch collections for short arpeggiations
C(„ˆˆ2)/B E¨‹13 CºŒ„Š7
High Piano Colors F‹11(b6)
bbœœ nœ
B¨Œ„Š7(#5)
∑
∑
&
V V V V
V V V V
V V V
V
bbœœœ
nnœœœ
V V V V
p
ÍÍÍÍÍÍÍÍÍÍÍÍ
ÍÍÍÍÍÍÍÍÍÍÍÍ
ÍÍÍÍÍÍÍÍÍÍÍÍ
Piano
?
{
∑
∑
∑
∑
∑
bœœ
∑ bbœœ
&
nœœ
? ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
U. Bass
Dr.
/
= 118
Alto S.
U ∑
° &
U ∑
∑
N 4 4
q=150
∑
ca. 15" (continue solo) Fills
#U w
Free solo, Bb lydian concert, cue when to go on
˙
(rim click)
D(„ˆˆ2)/C© GŒ„Š7(#5) G©‹11(b6)
Ten. S.
¢&
V V
V V V V V V V V V V
4¿ ¿ 4 V V
¿
¿
V
V
V V
V V
V V
V V
V V
V V
p p (continue short notes over fermata)
Tpt.
ppp
U U & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
∑
4 4
∑
∑
∑
∑
∑
4 4
∑
∑
∑
∑
bend pitches down slightly
Gtr.
U & +
U +
mp ca. 15" Free, Pretty Bb lydian colors and staccato figures with sustenuto pedal, watch for tenor cue to go on
U
U
(rim click)
Tenor solo
&
V V V V V V V V V V ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
4 4
¿
¿
¿
¿
# œœœ ™™™
jÓ œœœ .
ppp
j œ™ œ Ó # œœ ™™ bn œœœ.
jÓ # œœœ ™™™ n œœœ .
pp Piano
4 4
?
{
&
∑
∑
j œ ™ #œ. œ Ó
bœ. Ó J
œ™ #œj Ó .
∑
ca. 15" Free, Bb lydian, watch for tenor cue to go on
Tenor solo (rim click)
?
U ∑
U. Bass
U w
V V V V V V V V V V
4 4
¿
¿
¿
¿
Ϫ
bœ. Ó J œ™
ppp pp Tenor solo
ca. 15"
U Free, cymbal colors, watch for tenor cue to go on
light fills, out of time
Even 8ths groove
j
U ∑ Dr.
/
V V V V
q=150
V V V V V V V V V V
œ™ œ 4¿ ¿ ¿ ¿ 4 œ œ œ V V V V
ppp pp p
Ϫ
V V
œj
Ϫ
V V
V V
œj
V V
4x
Piano and Alto solo
O 125
12 (rhythm section) 3
Alto S.
° &
∑
V™
∑
VJ
V
V #œ œ œ
>- >> œ™ bœ œ -œ J
œ J
Ϫ >-
°™ C©Œ„Š7(#5) ™V V V V
˙ >-
D‹11(b6)
V V V V
V V V V
mp mp mf EŒ„Š7 (ionian) B¨Œ„Š7 F©Œ„Š7
FŒ„Š7 C©‹7
C©‹11
F©(“4b9) GŒ„Š7(#11)
Ten. S.
¢& V V
V V
V V V V
V V
V V
V V
V V
V
V V V ¢™™
∑
∑
∑
°™ ¢™
∑
∑
∑
°™ ¢™
∑
∑
∑
V V V V
V V V V
(rhythm section) 3
∑ Tpt.
V™
∑
&
VJ
V
V
œ#œ#œ
œ™ nœj œ œ >- >>-
j œ #œ- ™ >
˙ >-
mp mf
∑ Gtr.
∑
∑
∑
∑
&
Piano and Alto solo longer, thick comps. simile
F‹11(b6)
j & # œœ ™™ #œœœ ˙˙˙ ™ >œ >
j # œœœ ™™™ #œœœ œœœ œ > >
jÓ # œœœ ™™™ n œœœ .
°™ EŒ„Š7(#5) ™V V V V
j œ ™ j bbbœœ-œ ™™™ bbnœœœœ œœœœ #n œœœ-œ œœœœ###n œœœœ ™™™™ nn ˙˙˙ > >> >>mp
Piano
> ? >œ ™ œœJ ˙˙
{
∑
∑ #œ- ™ >
j œ- œ #œ > >-
j œ
™ ¢™
b˙>
Ϫ >-
Piano and Alto solo simile, but more sustained
U. Bass
? Ϫ >
#>œ ™
bœ. Ó œ™ J
j œ ˙ >
> œ ˙ J
#œ- ™ > mp
j œ- œ >œ>
j œ
EŒ„Š7(#5) bœ bœ °™™ V V V V ¢
>- ™ œ
F‹11(b6)
V V V V
V V V V
Piano and Alto solo busier fill
œj
Ϫ Dr.
/ V V
V V
V V V V
> V ™ VJ +
V™
fill > VJ V V VJ
> V™
°™ EŒ„Š7(#5) ¢™ V V V V
+
F‹11(b6)
V V V V
V V V V
mp
=
P 133 C©(„ˆˆ2)/B© C6/G
D‹11 G©‹7
D©13 E‹6
B(„ˆˆ2)/D©
C©‹7
B(“4)
E‹11
C‹13 B¨7[âÅ]
Alto S.
° C(“4b9) & V V V V
C©Œ„Š7(#5)
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
mf (backgrounds)
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ w œ œ ∑ Ten. S.
∑
∑
∑
∑
∑
Ÿ~~~~~~~~~~~~~~~~~~~ w œ ˙ Œ Ó
Ó
¢& n
mp
n
mp
(backgrounds)
∑ Tpt.
∑
∑
∑
∑
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ w œ œ Œ Ó
Ÿ~~~~~~~~~~~~~~~~~~~ bw œ œ Œ Ó
n
n
& mp
mp
(w/delay)
bœ œ œ œ ∑ Gtr.
∑
∑
∑
∑
∑
∑
∑
∑
& n
F‹11 B‹7
F©13 G‹6
E‹7
E(„ˆˆ2)/D© E¨6/B¨
D(„ˆˆ2)/F©
D(“4)
G‹11
E¨‹13 D¨7[âÅ]
E¨(“4b9) EŒ„Š7(#5)
& V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
mf Piano
?
{ F‹11 B‹7
F©13 G‹6
E‹7
E(„ˆˆ2)/D© E¨6/B¨
D(„ˆˆ2)/F©
D(“4)
G‹11
E¨‹13 D¨7[âÅ]
E¨(“4b9) EŒ„Š7(#5)
? U. Bass
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
mf gradually introduce double-time swing hi-hat fragments: Fill F‹11
smooth G‹11
E¨‹13 D¨7[âÅ]
E¨(“4b9) EŒ„Š7(#5)
Dr.
/ V V V V
V V V V
V V V V
V V V V
V V V V
V V V V mf
V V V V
V V V V
V V V V
V V V V
Q 143
13 E¨(„ˆˆ2)/D
Alto S.
D6/A ° & V V V V
∑ Ten. S.
¢&
F‹6/C E(„ˆˆ2)/D©
F©(„ˆˆ2)/E© D©6/A©
V
V
V
V
V
V
V
V
™™ ü
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # w nœ #w œ ™™ †
#>œ. J ‰ Œ
n
mf
Ó
∑
∑
∑
∑
solo
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ü ™™ #w #œ † #w #œ
∑ Tpt.
&
n
œ œ œ œ Gtr.
G‹11(b6) F©Œ„Š7(#5)
V
V
V V
V V
V V
V V
V V
mf
#œ
œ
œ
œ
#œ
œ
œ
œ
&
™™ ü †
#w
w ∑
mf Trumpet solo G(„ˆˆ2)/F©
F©6/C© A(„ˆˆ2)/G©
A¨‹6/E¨
G¨(„ˆˆ2)/F F6/C EŒ„Š7(#5)
& V V V V
V
V
V
‰ V ‰ V ‰ V ‰ V ™™ ü bœ ™ J J J J b œœ ™™
V
f
j bnbœœœ ™™™ nnn œœœœ œœœœ ™™™™ >
j bbb œœœ ˙˙˙ >
j j bb>œœœ œœœ ™™™ bbbœœœ ˙˙˙ >
mf
Piano
?
™™ †
{
∑
Ó
Œ
> ‰ bœ J
Ϫ
j bœœ ˙˙ >
j bœ >
Ϫ
j œ ˙ >
œj
Ϫ
œj
Trumpet solo G(„ˆˆ2)/F©
F©6/C©
A(„ˆˆ2)/G©
A¨‹6/E¨
EŒ„Š7(#5)
G¨(„ˆˆ2)/F F6/C
‰ V ‰ V ‰ V ‰ V ™™ ü† J J J J
? U. Bass
V V V V
V
V
V
V
> œ ˙ J
Ϫ
j œ œ™ >
Ϫ
mf Trumpet solo
f (slowly introduce
Dr.
/ V V V V
fragments) ¿ ¿ ¿ ¿ ¿ ¿ ¿j ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ™ ü ™† V V V V V V V V
Even 8ths groove, interject with fragments of double-time hi-hat over groove
œj
Ϫ
V
V
V V
‰
œj
Ϫ
V V
V V
V V
V V
f mf
= 149
Alto S.
° &
∑
∑
Œ ‰ œ#œ œ #œ ™ #œJ œ œ
Ó
œ nœ ™ J
#>-œ ™ #>-œ œ >-œ J
œ n>-œ ™ J
#>-œ ™
#˙
j #œ>
œ œ™ J
#˙
#>œ- ™ n>-œ œ n>-œ J
œ >-œ™ J
>- ™ œ
> #-œ J
3
f
∑ Ten. S.
∑
Œ ‰ œ#œ#œ œ™ nœJ œ bœ
Ó
¢&
3
f Crazy chromatic lines and effects!!
C‹7
Tpt.
F(“4b9)
& V V
V V
F©Œ„Š7(#5)
F©(„ˆˆ2)/G©
D©‹(Œ„Š7)
V
V V
V V
V
B(„ˆˆ9)
V V
V V
V V
V
V V V
V V
V V
V
V V V
f
∑ Gtr.
∑
∑
j & bœœ ™™ n œœœ ˙˙˙ b œ™ >
bbœœ ™™
j n#>œœ ˙˙
œ ™ #œj œ > #œ
? bœ ™ bbœœJ ˙˙
b œœ ™™
> #nœœ ˙˙ J
™ nœœ ™
∑
∑
∑
j j n#œœœœ ™™™ n#œœœ œœœ bœœœœ œœœœbnœœœ ™™™ n œœ #œ- # œœ œ ™ # œ- > œ>- ™ n>œ- œ >>> >
j j n#œœœœ ™™™™ œœœ œœœ b œœœœ œœœœbœœœ ™™™™ # ˙˙ nœ œ œ #n ˙˙ f
Piano
{ U. Bass
∑
&
? bœ ™ b>œ ˙ J
> #œ ˙ J
nœ ™
#œ ™
>œ ˙ œ ˙ J
j œ ™ bœ œ œ
j œ bœ ™
#˙
j œ ˙ >
j œ bœ ™
bœ
nœ ™ bœJ œ bœ
bœ
j nœ- ™ n>œ- œ œ > >-
j œ #>œ- ™
nœ ™
j > œ #-œ ™
j œ œ >œ-
#œ- ™ >
j nœ>
Ϫ >-
> n-œ J
f Crazy hi-hat fills in the middle of hits, preparing from double-time swing
œj
Ϫ Dr.
/ V V
V V
V
V
fill
V V
V™
VJ +
V™ f
VJ V V
VJ V ™
+
V ™ VJ V V
VJ V ™
V™
VJ
2x
Burning double-time swing q=300
Repeat as many times as desired
S ü™ ™™ ° ™
14
R 156
(1st time only) Alto S.
° j & <#>œ #œ œ nœ ™ >
°™ ™ #w
∑
∑
Trumpet and Guitar Solo
∑
∑
∑
∑
∑
∑
∑
V V V V
V V V V
w n Trumpet and Guitar Solo
(1st time only)
<#>œ œ œj œ ™ Ten. S. & ¢ >
™ ¢™ w
∑
™™ ™™ ¢†
∑
w
∑
n
Solos: Trumpet and Guitar
interact with guitar A13
Tpt.
&
V V V
° V ¢™™ V V V V
V V V V
V V V V
ü° D13“ V V V V ™™ ¢† ™™ V V
V
V
V V V V
ff fff interact with trumpet, solo, with distortion
crazy chromatic fills (distortion, no delay/chorus)
Trumpet Solo, then Roaring Guitar Solo!! C13“
Gtr.
&
V V V
° G13 V ¢™™ V V V V
V V V V
V V V V
ü ° V V V V ™™ ¢† ™™ V V
V
V
V V V V
V V V V
V V V V
w w w w
w w w w
w w w w
w w w w
w w w w
w w w w
V V V V
V V V V
V V V V
fff f Guitar Solo C13“
& <#> œ j <#> œœ n œœ- œœ b œœ- ™™ > >
> ü ™ Œ ‰ œœœœ ˙˙˙˙ ™™ ° ™ J
°™ ™ w
w
w
w fff
Piano
?
{
>>œ œ œJbœœ ™™
™nww ¢™ w
ww w
ww w
>œ ˙ œ ˙ b ™™ ™™ Œ ‰ œœJ ˙˙ †¢
ww w
Guitar Solo
walk G pedal
? U. Bass
œ œ œj œ™ >>-
°™ ¢™ ˙
˙
˙
˙
˙
˙
˙
˙
C13“ ™™ ü°™™ V V V> V ¢†
V
fff Guitar Solo Burning double-time swing q=300
Dr.
/
° V V JV V ™ ¢™™ V V V V
Repeat as many times as desired big fill!, 2x only
V V V V
V V V V
ü°™ C13“ > ™ ™ V V V V ¢† ™ V V V V
V
V V V V
V V V V
V V V V
fff
= 165
Alto S.
Ten. S.
° &
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
V V V V
V V V V
V V V V
V V V V
V V V V
¢& F©‹13
Tpt.
& V V V V
B¨‹13
V
V
V
V
E‹13
Gtr.
& V V V V
C©‹13
V V V V
A¨‹13
V V V V
V V V V
V
V
V
V
V V V V
V V V V
V V V V
V
V
V
V
V V V V
V V V V
B‹13
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
> > > A¨‹13 > ‰ V‰ V‰ V‰ V V V V V J J J J
V V V V
V V V V
>B‹13 V V V VV V V V V
V V V V
> > > A¨‹13 > ‰ V‰ V‰ V‰ V V V V V J J J J
V V V V
> V V V VV V V V V
(comp 3rd time to end) E‹13
& V V V V
A¨‹13
B‹13
V V V V
Piano
?
{ E‹13
? U. Bass
V V V V
B‹13 E‹13
Dr.
/ V V V V
V V V V
V V V V
(Guitarist cues to go on)
174
Alto S.
° &
∑
∑
15
T ™™ ü
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
(Guitarist cues to go on)
∑ Ten. S.
∑
™™ †
∑
¢&
E‹13
leave space in between swells, choose random pitch from chord scale of the the moment. Interact with guitar. w/ plunger mute + ™™ ü + †
(Cue to go on)
Tpt.
& V V V V
V V V V
V
V
V
V
p
G13“
o +
+ +
¯
+ +
fff
p
fff
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
p
fff
incorporate wah-wah pedal to match trumpet plunger sound F13“
(Cue to go on)
D‹13
Gtr.
& V V V V
V V V V
V
V
V
V
™™ ü V V †
V
™™ ü
™™ †
V V V V
V V V V
> V V V V
V V V V
V V V V
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
V V
(Guitarist cues to go on)
& V V V V
V V V V
V
V
V
Piano
?
{ these rhythms last time only (Guitarist cues to go on)
? U. Bass
V V V V
V V V V
D‹13
occasionally bring in and develop q. e motive F13“
™™ ü V V V> V V †
V V V V
V V V V
> V V V V
V V V V
V V V V
> > > > > ‰ V ‰ V ‰ V ‰ V ™™ ü† V V V V V J J J J
V V V V
V V V V
F13“ > V V V V V V V V
V V V V
> > > > ‰ V‰ V‰ V‰ V J J J J these rhythms last time only (Guitarist cues to go on)
Dr.
/ V V V V
V V V V
D‹13
= 183
Alto S.
Ten. S.
° &
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
¢&
B‹13
Tpt.
DŒ„Š7(#11)
& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
A‹13 CŒ„Š7(#11)
Gtr.
& V V V V
> > V V ‰ VJ ‰ VJ V V V V
V V V V
V V V V
V V V V
V V
V V
V
V V V
V V V
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
V V V V
V V V V
V V V V
V
& Piano
?
{
A‹13 CŒ„Š7(#11)
? U. Bass
V V V V
> > V V ‰ VJ ‰ VJ V V V V
Ϫ >-
j œ œ >œ>-
j >œ œ™
>- ™ œ
> j #>-œ œ -œ ™ œ- œ J >
œj œ™
Ϫ
œj
CŒ„Š7(#11) (bass rhythms)
A‹13
Dr.
/ V V V V
> > V V ‰ VJ ‰ VJ V V V V
Ϫ
V V V V
V V V V
V V V V
V V
œj œ
œ
V V
V
V V V
œ
œ
œj œ™
V V V
V
192
16 Alto S.
° &
∑
U random pitch order and rhythms accel. #>œ. #>œ. >œ. >. #œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ fff
# œ. œ. #œ. #œ.
(alto enters)
∑ Ten. S.
∑
∑
∑
∑
∑
∑
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
¢& fff getting busier and more chromatic, but still swelling
Tpt.
& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
Gtr.
& V V V V
shreading!! getting busier and more chromatic
V
V
V V
V V V V
V V V V
V V V V
V V V V
V V V V
V
V
V V
V V V V
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
& Piano
?
{
(breaking down into insanely fast time, almost free)
CŒ„Š7(#11)
U. Bass
? >-œ™ #>-œ œ >-œ J
œ V
V V
V V V V
V V V V
V V V V
V V V V
V V V V
V
V
V V
V V V V
V
V V
V V V V
(breaking down into insanely fast time, almost free) accel. fill with toms Dr.
/ V V V V
V
V
V V
V V V V
V V V V
V V V V
V V V V
V V V V
V
= Free, rubato (even 8ths) q=ca. 96 as fast as you possibly can play!!
201
Alto S.
(drummer cues hit)
V
U >. ° & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ V Œ Ó
w
w
w
5 4
ffff
p
mf
pp
(drummer cues hit)
as fast as you possibly can play!!
Ten. S.
U >. ¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ V Œ Ó
˙™
#˙ ™
p
mf
Œ
Πn
Ÿ~~~~~~~~~~~~~~~~~~~ nw œ 5 4 pp
ffff (drummer cues hit)
Tpt.
U >. & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ V Œ Ó ffff as fast as you possibly can play!! peak of insanity!
Gtr.
& V V V V V V V V V V V V V V V V
∑
∑
∑
5 4
∑
∑
∑
5 4
(drummer cues hit)
U V V V V
>. V Œ Ó
ffff
∑
∑
∑
∑
∑
˙™ b˙ ™ b ˙ ™ Œ
∑
&
œ b œ n #˙˙ ™™ b ˙™
œ nœ ˙˙
œ Œ œ 45 3
Piano p
?
{
∑
∑
∑
∑
∑
∑ &
bw ww
# ˙˙ °
(drummer cues hit) random chromatic walking bassline
5 4
bbbw w w
as fast as you possibly can play!!
? U. Bass
˙
V V V V V V V V V V V V V V V V
U V V V V
>. V Œ Ó
∑
∑
∑
5 4
∑
5 4
ffff (cue hit) (let cymbals ring)
as fast as you possibly can play!! Dr.
/ V V V V V V V V V V V V V V V V ffff
U V V V V
Free, rubato (even 8ths) q=ca. 96
>. V Œ Ó
∑
∑
b œ.
210
Alto S.
° 5 #w &4
n˙ pp
mp
4 w 4
˙™ Œ mp
pp
mp
5 #w Ten. S. & 4 ¢
w Π44
5œ ˙ 4
4 Ó 4
mp
17
˙ ˙
Œ
pp
ppp
b œ.
5œ ˙ 4
#œ pp
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ #w
w mf
w Π44
pp
ppp
n
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ #w #w
˙ ˙
∑
mf
pp
harmon mute Tpt.
5 &4
4 4
∑
∑
5 4
∑
∑
4 w 4
w
pp
mf
#>œ. ‰ Œ Ó J
˙ #˙
pp
clean volume swells E/G©
Gtr.
A¨/D
5 U &4 +
Œ
n
4 4
∑
5U 4+
∑
mp
Π44
n
∑
∑
∑
∑
mp
High. fast runs arpeggiating harmony
3
simile runs
b˙ œ œ bœb ˙˙
œ œ 44 ˙ ™ ˙™
nœ ˙ 4 bœ b ˙ ™ 4
œœ ™™™ œ 5 bU œ œ 4 nœ b w w w
bœ œ w˙w
Œ #˙ w w
˙
œ #œ œ b ˙ bb˙˙˙
∏∏∏∏∏
U 5 w &4 w
n#˙˙˙˙
3
Piano
{
Œ
? 4 bbw w
U w 5 4Πw
nnw w
4
4 w & 4 bw w
?
w ##w w
∏∏∏∏∏
5 U & 4n nw w #w
˙ ˙
n˙ n˙
w nw
? 45
∑
4 4
∑
∑
5 4
∑
4 4
∑
∑
∑
∑
U. Bass
5 /4
∑
4 4
∑
∑
5 4
∑
4 4
∑
∑
∑
∑
Dr.
= Ÿ~~~~~~~~~~~~~~ ˙ ˙ œ
218
Alto S.
° &
q=300 accel. > W > > nœ#>œ#œ œ œ # w 3 3 >- #>-œ #>œ- >-œ >-œ # -œ #œ œ# œ œ#œ#œ œ #>œ œ#>œ > nœ nœnœ #œ#œ#œ œ œ œ œ#œnœ > > 3 3 3 3 3 fff 3
bU w ˙
Ó pp
p
mf
#˙
U w
ff
Ÿ~~~~~~~~~~~~~~~~~~~~~~~ # w #œ
> >>œ 3 > œnœnœ >œ œ œ œ w >-œ >-œ # œ >-œ #>-œ œ #œ œ œ œ œ œ #>œ œ >œ œ > > œ nœ œ œ#œ œ œ œ 3 3 3 3 3 3 > 3 fff
#˙ Ten. S.
¢& p
mf
ff
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ nw#w #œ Tpt.
> 3 œ > 3 3 > #>-œ >- >- #>-œ > nœnœ œ#œ œ œ w #œ œ œ œ#œ œ #œ œ œnœnœ #œ œ #œ œ œ- -œ œ œ œ > 3 > > >œ#œ >œ 3 3 3 3 fff ff
#U w
& p
pp
mf
FŒ„Š7(#5)
∑ Gtr.
∑
U +
∑
∑
(hrns.) > œ œ œ œ œ œ bœ œ >
Ó
& n
Œ
œ > >˙
mp
ff
3
simile runs
∏∏∏∏∏
n˙ œ ™ nœbœ ˙ bb˙˙˙ n##˙˙˙˙˙ # œ w & n##ww
w #n#U w w w
(hrns.)
∑
∑
> œ œ œ œ œ œ bœ œ >
Ó
∑
mf
?
{
w #w
b˙ & bb ˙˙
∏∏∏∏
Piano
#n˙˙
U nw nw
?
j œœ ‰ Œ .>
Ó
∑
∑
Œ œ > >˙ ff
(hrns.)
? ∑
∑
∑
U. Bass
>. œ ‰ Œ J
Ó
∑
> œ œ œ œ œ œ bœ œ >
Ó
œ Œ ˙ ff
f accel.
>o >. Y V Œ ˙ >
q=300 Fill, ghost horns >(hrns.)
∑ Dr.
/
∑
∑
>. V f
Œ
Ó
∑ V
V
> œ œ œ œ œ œ bœ œ
ff
225
X 18 Alto S.
° <#> w &
>- >- #>˙˙ #˙
w ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
3
mf ff
w
>>˙- >-˙ # ˙
w ∑
Ten. S.
∑
∑
∑
¢& 3
mf ff
> #>˙˙- -˙ > 3
(mute out)
w
open
w ∑
Tpt.
∑
∑
∑
& mf
ff
˙ Gtr.
& œ
œ >
œ
œ >
>˙
œ
>˙
‰ œJ bœ œ ˙ >
œ > >˙
∑
w
‰ œj œ œ >
w
3 Œ œ œ ™ œj œ >
∑
˙ b˙ ˙ 3
ff
˙ ∑
‰ œj œ œ >
‰ œJ bœ œ ˙ >
∑
&
3 Œ œ œ ™ œj œ >
∑
˙ b˙ ˙ 3
ff Piano A¨Œ„Š7(#11) C©Ø7
F‹13
˙™ bbb˙˙˙ ™™™
?
{
œ
œ >
œ
œ >
>˙
œ
>˙
? œ
œ
> ## œœ ‰ nnœœJ
>œ
˙˙ ™™™ ˙˙™
b>œ w ‰nœœJ ww
∑
œœ ™™™ #œ>œ ww #œ œ w J
Ó
>˙
œ
œ
œ
œ
>. œ Œ Ó
∑
>. V Œ Ó
∑
∑
∑
∑
∑
U. Bass
˙ >o Y / ˙ >
Dr.
˙ >o Y ˙ >
>o Y ˙ >
˙ >o Y ˙ >
>o Y ˙ >
>o Y ˙ >
Fill
>. V Œ
> > > + + + V
V V V
Ó
∑
3
= #>˙-
234
Alto S.
° &
˙ #˙ #>-˙
∑
>˙
∑
>-˙
>-˙ #>-˙
∑ 3
3
>#>-œ >- > #>œ- > > n>œ- > -œ n-œ -œ nœ œ œ œ #-œ -> >-3 3 3 3
œ >-
>œ>>>#>-œ >-œ # œ >œ- >-œ n œ >-œ n>-œ b œ >-œ
> b-œ
f
#>-˙ >-˙
∑ Ten. S.
b >-˙
w >˙-
∑
>˙- n>-˙
∑
¢& 3
3
3
3 3 3
f
#>˙∑ Tpt.
˙ >˙
&
∑
˙ >-
b˙ >-˙
>-˙
>-˙
∑ 3
3
>-œ 3 #>-œ >- >- #>œ- >n>œ#œ œ œ nœœ- nœ œ > >3 >>3 3
œ >-
f
Gtr.
‰ œ™ >
#>˙ œ œ œ bœ œ > 3
˙
∑
‰ œ™ >
#>˙ œ œ œ bœ œ > 3
˙
∑ & w >
> ? #w w
>œ ™™ œ ‰ œ™
& w >
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
E¨Œ„Š7(#11) E13(b9)
Piano
{
∑
œœ ™™ œ™
>œ w #œœ w w J
˙ >˙
b >˙˙
>˙
b>˙
bb>˙˙ b>˙
? ∑
∑
∑
∑
∑
b >˙˙
∑
U. Bass
b>˙
Big fill until Y Fill
> > > + + + Dr.
/ V V V V
∑
> > > + + +
∑ V V V V
3
V 3
V
V
V
V
V
V
V
Y > > > > ° œ œ œ œ œ œ œ >œ œ œ >œ œ œ œ œ œ ˙ ™ & œ œ œnœ œ œ œ œ > 3 3 > 3 3 3 3
>œ œ ˙
242
3
3
Alto S.
œ
œ œ ˙
˙ b˙ ˙
19
˙
w Π3
sub mf
fff
fff
b˙ > w Ten. S. & ¢
w ∑
∑
#œ œ œ nœ œ œ bœ
bœ nœ
˙
∑
Π3
fp
3
fff ff
˙™ 3 3 3 > œ > > œ n˙ ™ & œ œ œ œ œ œ œ œbœ œ œ œ œbœ œ œ#œ œ œ œ œ œ > > > 3 3 > > 3 3
fff
bœ >œ œ ˙
3
Tpt.
œ
˙™ bw
sub mf
fff D7[âÅ]
b˙™ b˙ ™ ∑ Gtr.
bœ
w
E7[âÅ]
bœ
œ b>œ œ ˙
> +
bw
∑
Ó
Ó
> +
& sub mf
F‹9
∑
E¨/G
A¨‹11
∑
&
w w bbw w
E¨/B¨
bw bbbb w w ww
w bw w ww
D7[âÅ]
E7[âÅ]
Ó bbnw w ˙
Ó ##˙˙˙ >
n˙
n#>˙˙˙
fff Piano
sub mf
#>˙˙˙
?
{
bw w
bb>˙˙
n˙˙ >
Ó
Ó
#>˙˙˙
w bb >˙˙
˙ >˙
bbw w bw
ff (ad-lib, freely embelish) F‹9
E¨/G
A¨‹11
E¨/B¨
D7[âÅ]
b>˙
? >˙
b>˙
>˙
œ ˙™ w
E7[âÅ]
>˙
>˙
Ó
U. Bass
Ó
bw bw
sub mf
fff
ff Keep up double-time, skittish swing, busy under melody. Reinforce melody slightly with toms
>œ ˙™
œ b˙
bœ Dr.
/ V
V
V
V
V
V
V
> Y œ nœ œ ˙
b˙ b˙
Ó
bw
V sub mf
> +
fff 3
=
Z Alto S.
250 b w ° ù &
w w
w
w b˙
œ bœ. ‰ >œJ
f
Ten. S.
nw
> w
w
˙
w bw b˙
b œ œ.
b >œ ‰ J
f
w
˙
> œ b œ. ‰ J ‰ J
fp
w
f
w bw bw ˙ &
> bœ œ. ‰ œJ
f
fp
˙
w
˙
. #>œ ‰ œJ ‰ J
E¨‹13
> & +
> +
˙
œ
> ‰ V J
Ó
Œ
> ‰ bœœ J
Ó ˙ >
˙ >
˙
˙ >
DŒ„Š7(#5)
+
+™
> ‰ V J
w w
˙˙™™
DŒ„Š7(#5) j ‰ #œœ w > w
b >œœ w w ‰bbœœJ ww
˙™ ˙˙˙ ™™™
E¨‹13 E¨‹9(b6)
F Phrygian
& w w bw
w w bb w
? bw bw w
bbbw w w
w bbbnw ww
ww w
ww w
w
f
E¨‹9(b6)
Gtr.
w
¢& f
Tpt.
œ. #>œ ‰ J ‰ J
fp
bw ù# w
w
+
Piano f
{
Ó ˙
# >œ ‰ ##œœJ
w w w
w
˙
˙ >
˙
˙ >
˙
œ œ bœ œ ™
˙ >
˙
˙ >
˙
œ
bœ œ >
w
˙
> œ J
o ¿ fill œ V V
> V V
V V V V
V V V
> V V
E¨‹(b6)
F Phrygian
? bw U. Bass
bw
>˙
˙ >
f small fill
bw ù Dr.
/
w
o nY Œ ˙ f
o ¿ œ
o o ¿ Y œ ˙
o ¿ œ
o o ¿ Y œ ˙
o ¿ œ
V V V V
AA bw
259
20
bw
<#> w Alto S.
w
° &
bw
w
w
w
w
w
w
w
˙
‰ bœj ‰ j . bœ w >
mp
w bw bw w
w w
Ten. S.
¢& mp
<#>w
nw bw w
Tpt.
w bw
& mp
A¨‹11 D¨13(“4)
BŒ„Š9
+ Gtr.
+
+
+
+
& bw mp A¨‹11
<#>w w
&
D¨13(“4)
Bb major triad, high colors and figures
w w w
V V V V
BŒ„Š9
bw w bw
w w w
w bbbw w
V V
V
V
V V V V
mp Piano
w ? <#><#><#>w w
bb w bw w
w w w
bbww
w
w bw
ww
{
bbw w
w w
bw
˙
? ‰ bœj ‰ œj w . >
bw #w
U. Bass
mp gradually break down time, dissolve ride pattern
Dr.
/
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ¿ ¿ ¿ ¿ ‰ ‰ VJ VJ V V V V > >
= fills around previous pitch BB whispy E¨
267
Alto S.
° & <b>w
w
∑ w
∑ V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
+
+
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
n
mp
p whispy fills around previous pitch
A¨
w Ten. S.
w
w
w
w
¢&
V V V V p whispy fills around previous pitch
A¨
Tpt.
& <b>w
w
w
∑
w
V V V V p volume swells (ionian) G¨
Gtr.
& <b> ˙
‰ bœj ‰ j . bœ w >
˙
‰ bœj ‰ j . bœ w >
bw n
(continue high colors) B¨ G¨
& V V V
V
V V V V
V V V
V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
Piano p
?
{ G¨ tonality, solo fills
? U. Bass
<b>˙
‰ bœj ‰ œj w . >
˙
‰ bœj ‰ œj w . >
V V V V
V V V V
bw p
Dr.
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ >. > >. > / V V ‰ VJ ‰ VJ V V V V V V ‰ VJ ‰ VJ V V V V V V V V V V V V V V V V V V V V V V V V p
276 gradually become sparser/break down
Alto S.
° & V V V V
21
V V V V
V V V V
V V V V
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
V V V V n
gradually become sparser/break down
Ten. S.
¢& V V V V
V V V V
V V V V
V V V V n
gradually become sparser/break down
Tpt.
& V V V V
V V V V
V V V V
V V V V n
Gtr.
& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ n
& V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
V V V V
Piano
?
{ keep solo figures going
? U. Bass
V V V V
(leave space, switch to brushes)
(almost completely dissolved)
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ / V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V
Dr.
=
CC 10" 10" 5"
q=90 284
Alto S.
U ∑
° &
U ∑
U ∑
4 4
∑
4 4
∑
4 4
∑
4 4
∑
4 4
∑
4 4
∑
4 4
∑
10" 10" 5"
U ∑ Ten. S.
U ∑
U ∑
¢& 10" 10" 5"
U ∑ Tpt.
U ∑
U ∑
& 10" 10" 5"
U ∑ Gtr.
U ∑
U ∑
& 10" 10" 5" E¨‹7
High colors, fading
U ∑
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
U ∑
& n Piano
?
{ 10" 10" 5" E¨‹7 free solo fills, harmonics, etc.
U ∑
? U. Bass
V V V V V V V V V V V V V V V V V V V V
V V V V V V V V V V
pp n 10" free cymbal colors, with brushes
10" 5"
+¿ ¿ ¿ ¿o Dr.
/
(scrape) o q=90 > ¿ ¿ ¿ Ó 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ4 3
ppp pp pp