Hallingdal Freylekhs

Ben Morris

for the 2024 Rapido! Competition

Hallingdal Freylekhs

for piano quartet

© February 2024

Ben Morris Music

www.benmorrismusic.com

bmorriscomposer@gmail.com

973-722-0460

Ben Morris

Hallingdal Freylekhs

for piano quartet (violin, viola, cello, piano)

Duration: ca. 6’00”

Program Note:

Hallingdal Freylekhs is a fantastical meeting of musical worlds. My father’s side of the family is Ashkenazi Jewish, and my mother’s part Norwegian. Both settled in the US in the early 20th century. My Ashkenazi great-great grandfather, Louis Morris, owned a dry goods store in Rapid City, South Dakota and was one of the first few Jewish settlers in the region. Rapid City was also a site of many Norwegian settlers, and many living there today trace their heritage to Norway. A thriving culture of Norwegian-American folk music exists in the Dakotas and other Midwest states.

On the other side of my family, my Norwegian great-grandfather, Edvard Johannsen, traveled to Brooklyn, which had (and has) one of the largest populations of Jewish descendants and is a global center for Klezmer music and jazz. The two sides of my family never interacted during this time, nor were they particularly interested in their respective folk music traditions. Norway is also known for having an issue with antiSemitism, and is home to only 2000 Jews, making this meeting even less likely. But like for many Americans of mixed European descent, these cultures coexist in my heritage. What if they had musically met a century before my parents did?

This piece blends American Klezmer and Norwegian-American dance music in an imaginary combination of my family’s musical cultures. Both traditions weave in and out of each other seamlessly with respective ornaments, rhythms, and modes from each musical tradition, creating a third newly invented folk music with flavors of modern jazz influence. The opening music takes one back into the mists of time before settling into an 8/8 groove that blends traits from halling (from the Hallingdal region of Norway) and freylekhs dances.

Performance Notes:

There are few specifically notated Klezmer and Norwegian techniques in this work. The following webpage has a good breakdown of these different idiomatic techniques. The musicians should listen to well-known Klezmer fidl musicians (i.e. Alicia Svigals and H. Steiner) and Norwegian Hardanger fiddlers (i.e. Knut Buen, Olav Mjelva, Ragnhild Furebotten, and Erlend Apneseth).

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