Ben Morris CV/Works List

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benmorrismusic.com | bmorriscomposer@gmail.com

(+1) 973-722-0460 | 621 Mr Henrys Drive, Nacogdoches TX 75965

EDUCATION

University of Colorado Boulder, Boulder, CO 2022

D.M.A. in Music Composition with ATLAS/Cecil Effinger Technology Fellowship Composition studies with Carter Pann, Annika Socolofsky, and Michael Theodore

Rice University Shepherd School of Music, Houston, TX 2017

M.M. in Music Composition with Brown Fellowship Composition studies with Karim Al-Zand, Anthony Brandt, and Pierre Jalbert

University of Miami Frost School of Music, Miami, FL 2015

B.M. summa cum laude in Music Composition and History with honors

Composition studies with Lansing McLoskey, jazz studies with Gary Lindsay, Bryan Lynch, and Martin Bejerano, film music with Carlos Rafael Rivera

TEACHING EXPERIENCE

Stephen F. Austin State University, Nacogdoches, TX 2022-present

Assistant Professor of Composition

Applied Composition Lessons, Orchestration, Jazz and Pop Analysis, Jazz Piano, Jazz Improvisation, Thesis Advising, Entrepreneurship, and Film Music

University of Colorado Boulder School of Music, Boulder, CO 2019-2022

Instructor of Record

Basic Composition, Aural Skills, Applications of Music Technology, and Film Scoring

Boulder Philharmonic Emerging Composers Program, Broomfield, CO 2020-2022

Individual Mentor for emerging composers at Legacy, Skyline, and Boulder High Schools

Rice University Shepherd School of Music, Houston, TX 2015-2017

Graduate Assistant and Instructor of Record, Brown Teaching Fellow

Michael P. Hammond Preparatory Program, GA for Undergraduate Theory, Cross-cultural Asian Music, and Creativity Up Close, and Electronic Music Lab Assistant

SELECTED FESTIVALS, WORKSHOPS, and ADDITIONAL STUDIES

Source Song Festival MN Song, Minneapolis, MN 2025-2026, 2021

Unheard-of//Ensemble Collaborative Composition Initiative Workshop, San Antonio, TX 2025

BMI Jazz Composers Workshop, New York, NY 2024-present

Boston Singers Resource FUSE: Collaborations in Song Residency, Boston, MA 2024

International Trombone Festival Composers Workshop, Fort Worth, TX 2024

Composing in the Wilderness, Denali National Park, AK 2023

Gene Harris Jazz Festival Clinician and Adjudicator, Boise State University, Boise, ID 2023

Colorado Lullaby Project, Entrepreneurship Center for Music, CU Boulder, CO 2021

CU Boulder New Opera Workshop, mentorship with Gene Scheer and Jake Heggie, CO 2021

Sibelius Academy Creative Dialogue XII Workshop, Santa Fe, NM 2020

Red Note New Music Festival Workshop, Normal, IL 2020

Fulbright Grant, Norwegian Academy of Music, study with Helge Sunde, Oslo, Norway 2017-2018

Aspen Music School, Susan and Ford Schumann Center for Composition Studies, CO 2018

International Gugak Workshop at the National Gugak Center, Seoul, South Korea 2017

University of Nebraska Lincoln Chamber Music Institute, Lincoln, NE 2017

FESTIVALS, WORKSHOPS,

etc. (continued)

highScore Music Festival, Pavia, Italy 2016

American Composers Orchestra Jazz Composers Institute + Reading Sessions, New York, NY 2016

New Music on the Point, Leicester, VT 2014

Imani Winds Chamber Music Festival, New York, NY 2013

ARTIST RESIDENCIES

Yaddo Artist Residency Fellowship, Saratoga Springs, NY 2026

Visby International Centre for Composers Residency, Visby, Sweden 2026

Helene Wurlitzer Foundation Artist Residency, Taos, NM 2025

Soaring Gardens Artist Residency, Laceyville, PA 2024

ATLAS B2 Creative Residency, Boulder, CO 2023, 2022

I-Park Foundation Residency, East Haddam, CT 2021

Westben Digital Performer-Composer Residency, Campbellford, ON 2020

Brush Creek Foundation for the Arts Residency, Saratoga, WY 2019

The CATWALK Institute Residency, Catskill, NY 2019

Kimmel Harding Nelson Center for the Arts Residency, Nebraska City, NE 2018

SELECTED AWARDS and COMMISSIONS

One Ounce Opera’s 5th Annual Fresh Squeezed Ounce of Opera selected composer 2025

Central Texas SongSlam Competition at Baylor University, 2nd prize 2025

Rapido! Competition Finalist and Performance with Atlanta Chamber Players 2024

Musiqa Catalyst Commission 2024

ASCAP Herb Alpert Jazz Composer Awards and performance at the Newport Jazz Festival 2023, 2019

Dairy Arts Center 30 Under 30 Award 2022

Glimmerglass Opera Commission for The Rip Van Winkles 2022

The American Prize, First Place in Theatre/Film/Opera Division for Las Auténticas 2022

Pro Musica Colorado Chamber Orchestra Prize and Commission 2021

Washington National Opera American Opera Initiative Commission 2020

Playground Ensemble Colorado Collaborators Concert Commission 2020

New York Youth Symphony First Music Jazz Commission, Grand Prize and Honorable Mention 2020, 2016

Downbeat Awards, Best Large Ensemble Jazz Composition, Graduate Division 2020, 2016

Colorado State Music Teachers Association (CSMTA) Commission 2020

David P. and Susan W. Wohlhueter Jazz Composition Contest, Ithaca College, Honorable men. 2019

International Society of Bassists David Walter Composition Competition, Grand Prize 2016

Da Camera and Foundation for Modern Music Commissions for the Houston Museum of Fine Arts 2016

Frost School of Music Orchestra/Festival Miami Composition Competition, Grand Prize Winner 2015

ASCAP Morton Gould Young Composer Award for Stiltsville Concerto 2014

Klezmer Company Orchestra Composition Competition, Prize and Commission 2014, 2013

New Jersey Music Educators Association Young Composers Award 2010

GRANTS

Stephen F. Austin Office of Research Project Grant and Professional Development Grants 2022-2025

Mid-America Arts Alliance (MAAA) Artistic Innovations Grant for commission with Loop38 2023

Stephen F. Austin State University Cole Faculty Excellence Grant 2023

The Allied Arts Denver Grant for Colorado Sky 2022

American-Scandinavian Foundation Grant for dissertation research 2021

Beverly Sears Graduate Student Grant, CU Boulder, for dissertation research 2021

Paul R. Judy Center for Innovation and Research Grant, Eastman School of Music 2020

Fulbright Study/Research Fellowship, Norwegian Academy of Music 2017

PRESENTATIONS, ARTIST TALKS, and CONFERENCES

“Convergent Evolution for Tenor Sax and Fixed Media.” Festival of Contemporary Artists in Music, 2025 Washington State University, Pullman, WA (Feb. 8).

“Longleaf: A Multimedia Ecological Work.” Keynote Talk at Big Thicket 50th Anniversary 2024 Symposium, Big Thicket National Preserve Visitor’s Center, Kountze, TX (Oct. 12).

“Longleaf: A Multimedia Work.” Washington State U. Comp. Seminar, Pullman, WA (Oct. 4). 2024

“Subpar Parks: A New Work for Musiqa ” Rice U. Comp. Seminar, Houston, TX (Sept. 19) 2024

“Genre Blending and National Identity in Norwegian Jazz at the Punkt Festival.” International 2024 Society of Jazz Arrangers and Composers Symposium, Vanderbilt U., Nashville, TN (May 16-18).

International Society of Contemporary Music (ISCM) World Music Days, Delegate for Stephen F. 2024 Austin State University, Tórshavn, Faroe Islands (June 22-30).

“Applying for a Fulbright.” Stephen F. Austin State University Office of International Programs 2024 Study Abroad Workshop, Nacogdoches, TX (Oct 23)

“The Rip Van Winkles and Other Works with Librettist Laura Fuentes.” National Opera 2024 Association New Works Expo, Arizona State University, Tempe, AZ (Jan 3-6).

“Genre Syncretism and Nationalism in Norwegian Jazz, 1970-Present ” New Perspectives 2022 in Popular Music Research Conference, University of Agder, Kristiansand, Norway (June 1-2).

“Ymir’s Bones: An Original Work for Big Band.” International Society of Jazz Arrangers 2022 and Composers Symposium New Music Workshop, University of Texas, Austin, TX (May 11-15).

“The Fall of Man: A Multimedia Opera ” Texas Tech U Comp Seminar, Lubbock, TX (April 15) 2022

“’A Lost Pair of Kites’ from Pocket Guides. ” Brush Creek Resident Artist Talk, Saratoga, WY 2018- 2019 and Kimmel Harding Nelson Center Resident Artist Talk, Nebraska City, NE (Sept 20, July 17).

“Applying for a Fulbright.” University of Miami Frost School of Music, Coral Gables, FL (May 10). 2018

“Edvard, for Big Band ” Norwegian Academy of Music Jazz Comp Forum, Oslo, Norway (April 25). 2018

PUBLICATIONS

“Longleaf: A Multimedia Musical Composition about Longleaf Pine ” The Longleaf Leader, XVIII 2025 Issue 1, Winter 2025

Music published by Alias Press, an affiliated publisher of Theodore Presser Company 2025 “Beta Drift,” “Bright Light at Russell’s Corners,” “The Hill of Three Wishes,” “Sand Trap,” “Scree Scramble,” “Ymir’s Bones,” “The Myth of Inexhaustibility ”

ACADEMIC SERVICE

Stephen F. Austin State University (University-wide) Boren Scholarship Committee 2025 Rice University Representative for the Investiture Ceremony of President Neal Weaver 2025

ACADEMIC

SERVICE

(continued)

Stephen F. Austin State University (School of Music)

Musicology Search Committee 2025

Thesis Committees (15 to date) 2022-present

Comprehensive Exam Committees (7 to date) 2023-present

Recital Committees (5 to date) 2022-present

Assessment Committee 2023-2025

Undergraduate Curriculum Committee 2022-2024

Graduate Committee 2022-2024

Discipline

Adjudicator, Soaring Gardens Artist Retreat 2025 Judge, Western Washington University Orchestra Composition Contest 2023

PROFESSIONAL EXPERIENCE

Freelance Composer, Producer, Orchestrator, Arranger, Copyist, and Jazz Pianist 2011-present Ben Morris Music, Nacogdoches, TX

Administrative and Musical Assistant

2019-2020 Light and Sound Scoring, New York City, NY

Composer-in-Residence and Teaching Artist

2016-2017 Da Camera Young Artist Program, Houston, TX

Orchestrator, Copyist, and Administrative Assistant

2012-2016 Michael Bacon Film Music Studio, New York City, NY

Archivist, Historian, and Honors Summer Research Fellow

2012-2015 University of Miami Richter Library Cuban Heritage Collection, Coral Gables, FL

SKILLS

Software and Platforms: Logic, ProTools, Cubase, Reason, Digital Performer, Reaper, Studio One, MaxMSP, WWise, FMod, Sibelius, Dorico, MuseScore, Adobe Suite, Avid Media Composer, Final Cut Pro, QLab, Microsoft Teams, Brightspace/D2L, Canvas, Blackboard, Zoom, and Microsoft Office Suite

Languages: Intermediate French and Basic Norwegian

SELECTED WORKS LIST and PERFORMANCES

ORCHESTRA and LARGE ENSEMBLE

New Work (TBD) (sinfonietta)

2025 Commissioned by David Allan Miller and Albany Symphony’s Dogs of Desire (6/26)

The Myth of Inexhaustibility (20’00”) (concerto for soprano sax and wind ensemble)

2025 Consortium commission led by Bob Eason, Tamey Anglley, and the SFA Wind Ensemble (4/25)

Longleaf (60’00”) (trp, hn, tbn, perc, harp, string quintet, audiovisual multimedia)

2024 Commissioned and premiered by Loop38, Houston, TX (3/24)

The Hill of Three Wishes (7’00”) (orchestra – 2222/222/timp/1 perc/strings)

2022 Commissioned by Pro Musica Colorado Orchestra, Boulder, CO. Published by Alias Press (11/22)

Fractal Kennings (7’00”) (orchestra - 3333/4331/timp/3 perc/harp/keys/strings)

2018 Read by the Aspen Conducting Academy Orchestra, Aspen, CO (6/18)

House of Stairs (6’50”) (orchestra - 2222/221/harp/keys/2 perc/strings)

2017 Performed by the Shepherd School of Music Chamber Orchestra, Houston, TX (3/19)

Beltway 8 (9’00”) (orchestra - 2233/4231/harp/keys/timp/3 perc/strings)

Read by Rice University Orchestra conducted by Jebat Kee, Houston, TX (10/16)

Read by the American Composer’s Orchestra JCOI Readings, NYC, NY (6/16)

2016

Ceiba Pentandra (10’00”) (orchestra - 2222/4231/timp/2 perc/strings)

2014 Performed by the Frost School of Music Symphony Orchestra, Coral Gables, FL (2/15)

Stiltsville Concerto (17’50”)

2013 (double concerto for marimba, piano, and orchestra - 2222/4231/timp/2 perc/strings)

VOICE and OPERA

Two Sanders Songs (8’00”) (soprano and pno)

2025 Commissioned by Maggie Hinchliffe and Rosie Kearin (Premiere 4/25)

The Crone Speaks (10’00”) (mezzo soprano and pno)

2024 Poetry by Katharyn Howd Machan, commissioned by FUSE/Catalyst New Music, MA (Premiere 5/24)

The Rip Van Winkles (60’00”) (opera in one act)

2023 Libretto by Laura Fuentes, commissioned by Glimmerglass Festival, NY (Premiere 8/23)

Colorado Sky (30’00”) (shadow puppet opera for three vocalists and string quartet)

2023 Libretto by Laura Fuentes, premiere with Art Song Colorado, Denver, CO (6/23)

The Fall of Man and Other Tales (60’00”) (multimedia song cycle/music theatre piece)

2022 Libretto by Laura Fuentes, premiere at CU Boulder ATLAS B2 Black Box Theatre, CO (4/22)

Perspective (17’00”) (opera in one act)

2021 Libretto by Nnamdi Nwankwo, premiere at CU NOW (New Opera Workshop), CO (6/21)

Death, Inc. (4’00”) (soprano and pno)

Text by Joyce Sutphen, premiere at Source Song Festival, Minneapolis, MN (8/21)

Las Auténticas (20’30”) (opera in one act)

2021

2021 Libretto by Laura Fuentes, premiere at Washington National Opera, Washington, DC (4/21)

My First Drawing (from The Little Prince) (6’00”) (soprano and vlc)

2020 Commissioned by the Sohap Ensemble (1/21)

If You Give a Moose a Muffin (6’00”) (baritone, bs tbn, cb)

2020 Commissioned by Erich Haller, soprano/cello version premiered by Sohap Ensemble (1/21)

Four Postcards (11’00”) (tenor and gtr)

2020 Commissioned by the Colorado State Music Teachers Association (CSMTA) (8/20)

Routine Surprise (11’00”) (sop and pno)

2020 Performed by Maureen Bailey and Maggie Hinchliffe, Boulder, CO (3/20)

People are Lights (5’20”) (baritone and vlc)

2019 Performed by Tim Wilfong and Laura Jacyna, Montreal, Canada (8/19)

Two Grandfathers (7’00”) (mz. soprano, vln, gtr, harp, pno)

2017 Commissioned by Da Camera Young Artists, Houston Museum of Fine Arts, TX (4/17)

The Very Hungry Caterpillar (5’00”) (soprano and vlc)

2016 Commissioned by the Da Camera Music Encounters program, Houston, TX (2/17)

Hey the Gift, Ho the Gift (8’00”) (countertenor, tenor, 3 tbns, tba, organ)

Performed at New Music for the Season, Houston, TX (12/16)

Bubbles in a River (10’00”) (bass voice, picc/a. fl, bsn, vln, vlc, cb, harp, pno)

2016

2016 Performed by Alex Rosen at Rice University Composer’s Forum, Houston, TX (4/16)

Recurrent (9’00”) (soprano and perc)

2014 Commissioned by Resound Duo, Festival Miami Composers Concert, Miami, FL (10/14)

My Cathedral (4’00”) (SATB choir)

2013 Performed by ACDA (American Choir Directors Association) at Bede Chapel, Miami, FL, (5/15)

JAZZ—LARGE ENSEMBLE and COMBO

Dust Storm (5’00”) (big band)

2025 Read by the BMI Jazz Composers Workshop, performed by SFA Swinging Axes (Premiere 4/25)

Pocket Guides (60’00”) (debut album)

2022 Released on OA2/Origin Records (6/22)

Hadrosaur Patrol (7’00”) (big band and electronics)

2021 Commissioned by the Boise State Jazz Orchestra (Premiere 4/21)

Hvalsang (9’00”) (big band)

2020 Commissioned by the New York Youth Symphony Big Band (Premiere 5/21)

Hongdae After Midnight (6’00”) (jazz combo)

2019 Premiere at the Newport Jazz Festival by the Ben Morris Quintet, Newport, RI (8/19)

Edvard – Bryggen to Brooklyn (10’00”) (extended big band, field recordings, and video)

2018 Premiere by the Mastodont Ensemble at Serendip Music Festival, Oslo, Norway (2/18)

Ymir’s Bones (6’50”) (big band – with combo version)

2017 Read by the NDR Big Band, Hamburg, Germany. Published by Alias Press (3/18)

Hawk Circle (7’00”) (fl, ob, cl, bsn, a. sax, trp, hrn, pno, cb, drums)

2015 Performed at Roe and Penny Stamps Scholarship Concert, Miami, FL (2/15)

200 IM (25’00”) (two dueling jazz septets)

2014 Performed at Frost School of Music Senior Recital, Coral Gables, FL (3/15)

Blue Zemer’l (4’10”) (Klezmer orchestra)

2014 Commissioned by the Klezmer Company Orchestra at FAU in Boca Raton, FL (3/15)

Newport Fog (13’00”) (a. sax, t. sax, trp, gtr, pno, cb, drums)

2014 Performed at Frost School of Music Junior Recital, Coral Gables, FL (4/14)

CHAMBER MUSIC

Subpar Parks (7’00”) (fl, cl, vln, vlc, pno)

2024 Commissioned and performed by Musiqa, Houston, TX (9/24)

Hallingdal Freylekhs (6’00”) (vln, vla, vlc, pno)

2024 Performed by Atlanta Chamber Players, High Museum of Arts, GA (4/24)

Denali Mosquito Dance (6’00”) (fl, b. cl, vln, perc)

Performed by Corvus Ensemble at Composing in the Wilderness, Fairbanks, AK (7/23)

Ghost Figures (8’00”) (pno quintet + perc)

2023

2021 Commissioned by the Playground Ensemble, Denver, CO (5/21)

Hypercoaster (8’00”) (sax quartet)

2021 Commissioned by ~Nois and CU Boulder, Boulder, CO (12/20)

Pando, The Trembling Giant (1’15”) (piano four hands)

2020 Performed by HOCKET, CU Boulder, Boulder, CO (12/20)

Smear Frame (6’00”) (fl, cl, e. gtr, cb, pno)

2020 Performed by NOW Ensemble at Red Note Festival, Normal, IL (2/20)

Colorado Quandary (6’00”) (trp, hn, pno)

2020 Commissioned by Maria Long at Arizona State University, Phoenix, AZ (4/20)

A (Short) Story of Earth (10’20”) (fl/a. fl/picc, cl/b. cl, vln, vlc, perc, pno)

Commissioned by Boulder Altitude Directive (B.A.D.) ensemble in Boulder, CO (10/19)

Jejuholmen (7’30”) (fl/picc, cl/b. cl, vln, vla, vlc, perc, pno)

Commissioned by Aspen Contemporary Ensemble at Aspen Music Festival, CO (7/18)

The Dolphin Moments (9’30”) (narrator, harp, and cb)

Performed at Historiefortelling – Norwegian Academy of Music, Oslo, Norway (4/18)

Hylestad (9’00”) (two narrators, trp, string quartet)

Performed at Musikkbaren – Norwegian Academy of Music, Oslo, Norway (3/18)

Ice on Sand (5’10”) (santoor and pedal steel guitar)

Performed at Historiefortelling – Norwegian Academy of Music, Oslo, Norway (4/18)

2019

2018

2017

2017

2017

Uncontacted Peoples (6’00”) (five miniatures for brass quintet)

Commissioned by the University of Nebraska-Lincoln Chamber Music Institute (6/17)

Duet for Daegeum and Haegeum (2’00”)

Read at the International Gugak Workshop in Seoul, South Korea (7/17)

Puppies in the Snow (5’00”) (a. sax, cb, koto, gayagŭm, zheng, changgu)

Performed by IIIz+ at Hear and Now, Rice University, Houston, TX (9/16)

Sand Trap (5’00”) (fl and bsn)

Performed by Second Species at Hear and Now, Houston, TX. Published by Alias Press (10/16)

Agreus and Nomios (6’00”) (b. fl and ac. gtr)

Performed by unassisted fold at the Chiesa di Santa Maria di Canepanova, Pavia, Italy (8/16)

Bric-a-Brac (4’30”) (trp, perc, cb)

Performances at Rice Gallery and Miller Outdoor Theater in Hermann Park, Houston, TX (4/16)

Latta at Valhalla (4’00”) (vln and pno)

Commissioned by Giancarlo Latta – The Encores Project: 16 Premieres, Houston, TX (4/16)

Giverny, Sunrise (3’30”) (vln and cl)

2017

2017

2016

2016

2016

2016

2016

2016 Performed at Hear and Now at Rice University, Houston, TX (4/17)

Aromatic (8’00”) (vla and pno)

2015 Performed by Tonya Burton’s masters recital, Houston, TX (2/16)

Pastistio (9’30”) (cl, vcl, perc, pno)

Performed by Cadillac Moon Ensemble at Rice University, Houston, TX (1/16)

Muqarnas Projections (11’30”) (3 vlns)

Composed for Anila Agha’s Intersections exhibition at Rice Gallery, Houston, TX (11/15)

Bright Light at Russell’s Corners (9’00”) (5 cbs)

2015

2015

2015 Performed at Rice University Composers Forum, Houston, TX. Published by Alias Press (11/15)

Olduvai Gorge (6’50”) (vln, vla, vlc, hrn, ob)

2015 Read by Cleveland Orchestra chamber players, Miami, FL (1/15)

Manatee Matinee (5’20”) (e. gtr and perc)

Commissioned by the Living Earth Show for the 12 Nights Festival, Miami, FL (3/15)

Ecotone Mosaic (8’00”) (2 a. saxes, 1 bari. sax)

Performed at Frost School of Music Sax chamber concert, Coral Gables, FL (12/15)

Glassbottom (8’10”) (ob, b. cl, vln, cb, pno)

2014

2014

2014 Performed at New Music on the Point, Middlebury Town Hall Theater, VT (6/14)

Citron et Ail (6’10”) (fl, ob, hn, 2 vlns, vla, vlc, cb)

Performed at the Festival Miami Emerging Composers Concert, Miami, FL (2/14)

Phragmites in the Storm (5’20”) (sax quartet)

Performed at SCI Winter Concert, Coral Gables, FL (2/14)

Orange Sky Silhouette (6’20”) (fl, ob, cl, bsn, pno)

Performed at Imani Winds Chamber Music Festival at Mannes College, NYC, NY (8/13)

Confluence (15’30”) (brass quintet)

Performed by the Stamps Brass Quintet, SCI Miami Concert, Miami, FL (3/14)

Shoreline Textures (12’00”) (cl, vln, pno)

Performed by the Pulse Trio at their Frost School of Music Residency, Miami, FL (4/13)

Cosmography (4’50”) (cl, a. sax, vln, vlc, cb, pno)

Performed by Frost School of Music Other Music Ensemble, Coral Gables, FL (4/13)

Grass, Wood, and Bricks (4’10”) (cl, trp, vln, pno)

Performed by Frost School of Music Other Music Ensemble, Coral Gables, FL (3/13)

Wooden Angel (6’00”) (E.h. and pno)

Performed at SCI Miami Fall Concert, Coral Gables, FL (9/14)

2014

2013

2013

2013

2013

2013

2013

2012

Winding (5’30”) (vlc and pno)

2012 Performed at SCI Miami Spring Concert, Coral Gables, FL (3/12)

The Failed Method (3’50”) (sop. sax, vln, pno)

2011 Performed by Kookaburra Trio, Coral Gables, FL (4/12)

SOLO

Scree Scramble (4’00”) (solo contrabass)

2020 Commissioned by the Robert Black Foundation and NMOP. Published by Alias Press (Premiere 7/20)

Map of My Room (2’00”) (solo guitar)

2020 Commissioned by the Sounding Board Project (Premiere 7/20)

Órnes Carvings (3’30”) (solo violoncello)

2020 Performed at the Sibelius Academy Creative Dialogue XII (Premiere 7/20)

Secaucus Junction (10’00”) (solo piano)

2020 Commissioned by Wesley Ducote, Miami, FL. Performance at New World Symphony Hall (4/22)

Pandemic Poems and Pieces (weekly 1’-2’ solo piano miniatures)

2020 Virtual premieres by Maggie Hinchliffe, Glen Ridge, NJ (3/20)

Nautilus Chambers (3’20”) (solo a. sax)

2013 Performed by Eliot Gattegno for his Frost residency, Coral Gables, FL (11/13)

Three Miniatures (9’35”) (solo piano)

2012 Performed at Festival Miami Emerging Composers Concert, Miami, FL (10/12)

ELECTROACOUSTIC, INSTALLATIONS, and MULTIMEDIA

Stomping Ground (TBD) (cl, vln, vlc, perc, fixed media)

2025 Composed for Unheard-of//Ensemble at McNay Art Museum, San Antonio, TX (8/25)

Longleaf (60’00”) (trp, hn, tbn, perc, harp, string quintet, audiovisual multimedia)

2024 Commissioned and premiered by Loop38, Houston, TX (3/24)

Convergent Evolution (7’00”) (t. sax and fixed media)

2024 Commissioned and premiered by David Bernot, University of Northern Colorado, Greeley, CO (4/24)

Double Brood Invasion (6’00”) (bsn and fixed media)

2024 Commissioned and premiered by Cody Hunter, IDRS Conference, Flagstaff, AZ (7/24)

Gallantries (12’00”) (tuba and fixed media)

2024 Commissioned and premiered by Sam Ambrose, Appalachian State University, NC (2/24)

Explosions on a Sun 80 billion Light Years from Earth (7’00”) (horn and fixed media)

2023 Commissioned and premiered by Dakota Corbliss, Southeast Missouri State University, MO (2/24)

clear and calm pools of tremendous depth (8’00”) (percussion and fixed media)

2021 Commissioned and premiered by Christopher Eagles, recorded by Dr. Brad Meyer (3/22)

Communicating Gratitude (15’00”) (fixed video, t. sax, cl/bs cl/fl, trp/flglh, melodica/pno)

2020 Collaborative video for Westben Digital Residency (6/20)

Outdoor Warnings (7’00”) (horn, a. sax, and fixed media)

2020 Commissioned by PIVOT Duo, Premiere @ USC, Columbia, SC (10/20)

Teen of the Aughts (8’00”) (drum set and fixed media)

2019 Commissioned by Brady Spitz, Rice University, Houston, TX (3/19)

Beta Drift (6’30”) (trp in C, fixed media)

2017 Commissioned by Derek Ganong and Fredericksburg Brass Institute, VA. Published by Alias Press (6/17)

My Dog Ate It (7’00”) (wind ensemble and video)

2017 Commissioned by the HSPVA Wind Ensemble, Houston, TX (Premiere 4/17)

Refuge for the Rain (0’00”) (site-specific installation - single channel video, stereo audio, props)

2017 Exhibition at the Moody Center for the Arts, Houston, TX (5/17)

Mensis Exolvuntur Mundana (8’00”) (bass-baritone, soprano, live-processed trp and tbn, fixed media)

2016 Composed for the James Turrell Skyspace at Rice University, Houston, TX (4/16)

Einstein on South Beach (5’00”) (brass quintet and fixed media)

2016 Commissioned by Vice City Brass, Fredericksburg, VA (6/16)

Second Avenue Saturdays (7’00”) (brass quintet and fixed media)

2015 Commissioned by Vice City Brass, Fredericksburg, VA (1/16)

Noon Indian (9’10”) (multiple winds performer [bsn and s. sax] and fixed media)

2015 Performed by Keith Petersen at his master’s Recital, Coral Gables, FL (12/15)

Blue Spruce (8’10”) (2 perc and fixed media)

2015 Performed by the Scuffed Shoe Duet at Electric LaTex Festival, Houston, TX (11/15)

Oval BA (8’00”) (vlc and fixed media)

2015 Performed at the Frost School of Music Cello Studio Recital, Coral Gables, FL (4/15)

Psammosere (6’50”) (e. gtr and fixed media)

2014 Performed by Jonah Udall at Wynwood Arts Festival, Miami, FL (12/14)

FILM, THEATRE, and DANCE

American River (90’00”) (documentary film score – 3 vln, vla, vlc, cl, mandolin, shakuhachi, gtr, cb, pno)

2021 Premiere at the Montclair Film Festival, Montclair, NJ (10/21)

Don Juan Comes Back from the War (120’00”) (incidental music)

Premiere at Lenfest Center for the Arts at Columbia University, NYC, NY (3/18)

Inside out, outside in (5’00”) (site specific theater piece – 5 actors and audience)

Premiere at Norwegian Academy of Music, Oslo, Norway (1/18)

North Pond (75’00”) (one-act chamber musical)

Premiere at MATCH Theater, sponsored by Musiqa, Houston, TX (4/17)

Saving the Great Swamp (60’00”) (documentary film score – 2 vln, vla, vlc, cl, trp, pno)

Premiere at the MAYO Performing Arts Center, Morristown, NJ (12/16)

An Iliad (60’00”) (solo harp incidental music)

Premiere at the Moody Center for the Arts, Houston, TX (3/17)

ARRANGEMENTS and ORCHESTRATIONS

2018

2018

2017

2016

2016

John Coltrane: Legacy (60’00”) (orchestra - 2222/233/3 saxes/timp/2 perc/harp/rhythm section/strings) 2024

Three arrangements performed by Toronto Symphony and Joe Lovano, Toronto, ON. Additional performances by Boston Symphony, BBC, Nashville Symphony, and St. Louis Symphony (5/24)

Swinging into Spring with Frank Shiner (60’00”) (orchestra – 2 trps/2 tbns/3 saxes/ rhythm section/strings) 2022

Arrangements of “It Had to Be You,” “All of Me,” “Luck be a Lady,” etc. Performance with Orchestra 914 and Russell Ger, Chappaqua, NY (5/22)

Brad Ross with Orchestra 914 (60’00”) (orchestra - 2222/221/harp/2 perc/strings) 2019

Selected arrangements of Brad Ross compositions. Performances with Orchestra 914, Chappaqua, NY (4/19-7/22)

DISCOGRAPHY

American River Original Motion Picture Soundtrack 2024

Colorado Sky cast album with Art Song Colorado 2023

Pocket Guides debut album on OA2/Origin Records 2022

Teleconference with Vice City Brass 2021 terraform with PIVOT Duo (Dakota Corbliss and Matt Castner) 2021

North Pond: A Chamber Musical original cast album 2021

16x16: The Rice Encores Project with Giancarlo Latta and Wesley Ducote 2016

REFERENCES

Dr. Stephen Lias

Dean’s Circle Endowed Professor of Composition

Stephen F. Austin State University slias@sfasu.edu (936) 615-1665

Dr. Carter Pann Chair of Music Composition University of Colorado Boulder Carter.Pann@colorado.edu (303) 492-2173

Michael Bacon Film Composer

Michael Bacon Music michael@michaelbaconmusic.com -0055 (212) 595

Dr. Anthony Brandt Professor of Music Composition and Theory Rice University abrandt@rice.edu (713) 348-2192

Dr. Karim Al-Zand Professor of Composition and Theory Rice University alzand@rice.edu (713) 348-3740

Dr. Lansing McLoskey Professor of Composition and Theory University of Miami lmcloskey@miami.edu (305) 284-4522

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Ben Morris CV/Works List by Ben Morris - Issuu