BEATSELECTOR Magazine July/August 2020

EASY MCCOY’S RENEGADE KICKS OFF THE REVIEWS ON PAGE 72

SOMNA Gets Beside You talking the sympatico factor and marriage between Trance music and premier vocalsits, and his new forward thinking album.

//KEN BAUER

STAYING HOME, BINGE WATCHING NETFLIX & MAKING MUSIC.

//JOHN MURPH

CALLED A “TASTEMAKER’S TASTEMAKER” AND “A CULTURAL CUSTODIAN,” “MURPH” IS ONE OF THE MOST BRILLIANT MINDS WORKING TODAY IN MUSIC JOURNALISM.

//WESKA

FOCUSED, AMBITIOUS, AND HUMBLE, WESKA’S JOURNEY THROUGH MUSIC AND WHY HE’S A NAME TO WATCH AMONG THE NEXT GENERATION OF ELECTRONIC ARTISTS.

// LABEL WATCH STREAMIN’ MUSIC GROUP

✜

SHAY DE CASTRO APOSTOLOS ANGELIS COSMO’S DELIGHT MAGDALENA SHADOW CHILD

STREAMIN’ MUSIC GROUP IS THE BRAINCHILD OF NEW DELHI ELECTRONIC DANCE ARTIST KESHAV BHARDWAJ AKA KLIPR.

FAITH In The Product LOYALTY To The Client LOVE For The Consumer

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DESIGN SERVICES FOR THE WORLD OF MUSIC & BEYOND GRAPHIC DESIGN // WEB DESIGN & DEVELOPMENT // ILLUSTRATION // VIDEO PRODUCTION // MOTION DESIGN www.karinhaslinger.com

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Inside JULY/AUGUST 2020

Throughout his production lifetime, SOMNA’s always been in his element when working in synergy with singers and songwriters. That “beside you” connection that can bring voice, message and extra dimensions to his studio creations. That dynamic’s reached a new apex through his debut album(“Beside You”) that - almost without exception - is built around the producer/singer simpatico. Right on time to dig in and discuss is Tim Stark, who gets SOMNA detailing the release’s meaning, personally and musically.

COVER FEATURE

60

Features

JULY/AUGUST 2020

42 KEN BAUER

WITH THE WORLD PUT ON HOLD OVER THE PAST FEW MONTHS, HOLLY ROSCOE CATCHES UP WITH KEN TO FIND OUT WHAT HE’S BEEN GETTING UP TO DURING LOCKDOWN. PLUS KEN GIVES US AN EXCLUSIVE GUEST MIX!

46 JOHN MURPH

OVER THE YEARS, MY PATH AND JOHN’S PATH HAS CROSSED MORE THAN ONCE. IN MY EARLY DAYS WORKING IN RECORD STORES, JOHN WAS A FREQUENT SHOPPER IN THE STORE I MANAGED. A COUPLE OF YEARS LATER, OUR PATHS CROSSED AGAIN, THIS TIME AT THE OFFICES OF JAZZTIMES MAGAZINE. RECENTLY, I READ A PIECE HE CONTRIBUTED TO TIDAL.COM ABOUT LARRY HEARD AND THE ICONIC DISCOTHEQUE PARADISE GARAGE. SEEMED LIKE THE PERFECT OPPORTUNITY TO RECONNECT WITH JOHN. VERY HAPPY THAT I DID.

52 WESKA

PART OF WHAT MAKES TECHNO MUSIC — AND THE PEOPLE THAT FOLLOW IT, DANCE TO IT, AND CREATE IT — SO UNIVERSAL IS WHAT INSPIRES IT. FOR SOME, THEY’RE BORN INTO GLOBAL HOTBEDS LIKE BERLIN, SURROUNDED BY THE MUSIC THAT SPEAKS TO THEM. FOR OTHERS, LIKE WESKA, THEY FIND IT THROUGH A MORE CIRCUITOUS PATH. LEO WEAVER FINDS OUT HOW FOCUSED, AMBITIOUS, AND HUMBLE HIS JOURNEY THROUGH MUSIC HAS BEEN SO FAR AND MAKES THE CASE WHY HE’S A NAME TO WATCH AMONG THE NEXT GENERATION OF ELECTRONIC ARTISTS.

Departments 14 ICYMI A ROUND-UP OF RECENT NEWS FROM AROUND THE WEB.

24 NEW MUSIC PREVIEWS

CONRO, MITEKISS, NOCTURNAL SUNSHINE, RIOT TEN, TRICKY.

34 BUZZ WORTHY/ARTIST PROFILES

SHAY DE CASTRO, APOSTOLOS ANGELIS, COSMO’S MIDNIGHT, MAGDALENA, SHADOW CHILD.

40 LABEL WATCH

STREAMIN’ MUSIC GROUP IS THE BRAINCHILD OF NEW DELHI ELECTRONIC DANCE ARTIST KESHAV BHARDWAJ AKA KLIPR.

72 REVIEWS

EASY MCCOY’S FANTASTIC ALBUM “RENEGADE’ GETS HIGH MARKS. SHOULD YOU GET THE ALBUM? YES, AND WE TELL YOU WHY.

OPENING NOTES

by JOSEPH WENSELL

JULY/AUGUST 2020 Our July/August 2020 Cover Artist, SOMNA, is an expert at combining vocalists with his forward thinking trance music.

In the interview by Tim Stark, the prolific artist goes deep detailing the inner workings of the creative process for his new album “Beside You” and how it relates to today’s societal environment.

This issue’s Buzz Worthy/Artist Profiles include Shay De Castro, Apostolos Angelis, Cosmo’s Midnight, Magdalena and Shadow Child. Our Label Watch column returns with a new exciting label based out of New Dehli. Closing up the summer

Our other feature interviews include Sweden’s Ken Bauer discussing his binge watching habit, Covid 19, and as an added bonus, lays out an exclusive guest mix for our readers.

John Murph has been called a “tastemaker’s tastemaker,” “a cultural custodian” and “one of the most creative minds working today in music journalism.”

“Murph” shares his 30 year journey.

Focused, ambitious, and humble on his journey through music, and looks to prove why WESKA is a name to watch among the next generation of electronic artists.

10 | Beatselector Magazine | July/August 2020

issue, we review Easy McCoy terrific new album and others that need to be in your music libraries. Oh, BTW, we also catch you up with recent ICYMI news, new music previews.

Read, stay safe and be healthy!

B EATSELECTOR Moving Electronic Music Forward

PUBLISHER

JOSEPH WENSELL CONTRIBUTORS Catherine Strickland Cody Miller Cory Royster Erik L. Richardson Holly Roscoe James Arena Joseph Arthur Karin Haslinger Leo Weaver Tim Stark Vladimir Jean-Philippe Zach Miller

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COMING IN FALL 2020

THE GRAMMY GODS SPECIAL EDITION 88-KEYS AARON “FREEDOM” LYLES AYANNA DEPAS BARRY DAFFURN

JEFF VILLANUEVA KEITH CLIZARK KENNY “MONEY” WILSON LESLIE BRATHWAITE

BEATS BILLIONAIRE

RICCO LUMPKINS

BELEN DOUSDEBES

ROCKWILDER

CHRIS JONES DELANTE MURPHY

SHAMEL HUGHES SHAWN PREZ

DON “POOH” CUMMINS TRAVIS CHERRY DRUMMABOY

and more!!!

3X GRAMMY NOMINEE-ENGINEER

LUCA PRETOLESI

ICYMI NEWS FROM AROUND THE WEB nAs this year’s festival summer grinds to a halt,

Amsterdam-based The School of House rises to the occasion with the launch of their international e-learning platform schoolofhouse.com.

Bringing together the expertise of some of Holland’s leading artists and industry experts, they offer a comprehensive curriculum with education and consultancy from industry professionals— including DJs Sunnery James & Ryan Marciano, José Woldring (the PR-manager of Martin Garrix, Charlotte de Witte and Joris Voorn) (The Media Nanny), the social media strategist for Hardwell (NXTLI) and one of ID&T Events’ Brand Directors.

This is the first time The School of House’s content becomes accessible to aspiring and upcoming artists and dance music entrepreneurs around the world. The unique approach integrates video masterclasses, workbook assignments, feedback and consultancy, and covers a multitude of fields: DJ Skill & Performance, Career & Bookings, Music Production, Artist Profile & Social Media, Legal & Business and Press & Public Relations.

A hands-on growth strategy is laid out in a series of useful assignments, arming students with purposeful skills, a broad understanding of dance music culture and a customized career plan for the future. Courses and bundles come in all sizes and levels. Beginning DJ/producers can buy the complete Artist Starter Bundle, while more experienced can opt for the Artist Career Bundle— DIY only, or with added personal consultancy. You can also buy separate courses like Producing Your First Track in Ableton, Signing Your First Record Deal or Creating Content With Impact.

14 | Beatselector Magazine | July/August 2020

Beatselector Magazine | July/August 2020 | 15

ICYMI NEWS FROM AROUND THE WEB

nThe pioneering EPIZODE festival is coming back

This edition will be extended in comparison to previous events, bringing 12 days and nights of non-stop music, magical sunsets, relaxing daytime activities and other unforgettable experiences. With the vision to unite people from around the globe, the festival will bring the best electronic music acts who will be performing at mind-blowing stages placed among the art installations on the beach

Located in Vietnam’s paradise Phú Quốc island, famed for its mix of vibrancy and beauty, it is a truly memorable and unique place to be.

CORSTEN, GOLDIE, LOCO DICE, NINA KRAVIZ, MOODYMANN, PEGGY GOU, RICARDO VILLALOBOS, SETH TROXLER, SONJA MOONEAR and ZIP. Along with the international talent, there is also a focus on the prolific local talents, including DISKONNECTED, HIBIYA LINE, KERRY WALLACE, MARCUS L, OUISSAM, SUNJU HARGUN, ZIG ZACH and many others. Global and internationally recognised club brands like ANTS, Arma, Half Baked and Mdrnty have also made their way onto the festival’s programme.

to bring its first-rate music selection, along with the breathtaking artistic setting and electric atmosphere in Vietnam’s paradise Phú Quốc island. This fifth edition of the festival combines Music & Art into one unique concept entitled EPIZODE5: EPILOGUE. It will be held from December 29th 2020 to January 10th 2021, on the picturesque Sunset Sanato beach.

From lush white beaches to the boutique accommodation and stunning sunsets, the natural charm of the region is matched only by the magical musical spirit that’s helped create such a distinctive festival offering.

Previous EPIZODE editions set the standard by curating some of the most respected artists on the global dance scene, including [A:RPIA:R], FERRY

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Tickets can be purchased online via Epizode’s website: www.epizode.asia.

nSports Entertainment Group (SEG) and The

Media Nanny have announced that they will join forces and continue their business activities as one company. As a result of the merger, a new SEG division will launch, SEG Artists in addition to the existing branches Football, Cycling and Esports.

The Media Nanny will continue to operate as an international PR management agency, but will add sports athletes to its current client base, which consists mainly of international music artists.

SEG Artists will focus on artist management as well as bookings, providing PR and marketing services and creating brand partnerships. The new division within SEG will be set up and run by José Woldring, CEO and founder of The Media Nanny.

“There are many reasons why I am excited about SEG’s collaboration with The Media Nanny, but it is mostly because of the entrepreneurial talent and spirit of José and her team”, says Kees Vos, CEO and founder

of SEG. “The entertainment company José has built over the past decade fits perfectly into SEG’s growth strategy. The PR and marketing expertise of The Media Nanny team will add value to SEG’s array of services.

I can’t wait for us to jointly continue creating new opportunities for all of our clients, both athletes and artists.”

“About a year ago, the idea of further growing the company started playing in my head and it has been on my mind ever since. From the initial conversations I had with Kees and the team at SEG, I knew: this is going to work. SEG is working with an experienced team of agents and staff, with extraordinary expertise on every level. Their unique way of managing talents appeals to me greatly. When it comes to talent management, we share the same vision. From the start I felt such a positive energy flowing between Kees and myself, which is important for me to make this collaboration succeed. I’m really looking forward to the next chapter in my career and the new challenges it will bring,” says José Woldring.

Beatselector Magazine | July/August 2020 | 17

ICYMI NEWS FROM AROUND THE WEB

nTracklib (www.tracklib.com), the world’s first and

only service for quickly finding and legally clearing original music for sampling, announced on June 15, 2020, it has raised $4.5M investment from a host of new investors including Eelko van Kooten, Founder of international dance label Spinnin’ Records’s— which he sold to WMG in 2017 for north of $100M EUR—as well as previous investors including Sony Innovation Fund. Tracklib most recently raised $1.7M from Sony Innovation Fund and WndrCo in May 2019. racklib will use these funds to increase its music catalog and user base following a major update of the service last month, which included a completely revamped user interface and an upgrade to a subscription model. Tracklib’s extensive 100k+ catalog of sample-friendly original music ranges from 1928 to 2020 and consists of everything from

18 | Beatselector Magazine | July/August 2020

Mozart to Isaac Hayes. Many artists have released songs with Tracklib samples—including Lil Wayne, DJ Khaled, Phantogram, Mary J. Blige—and J. Cole’s 5x Platinum single “Middle Child” which was built around a sample from Tracklib.

“To have closed this incredible round right on the heels of fully rebuilding and relaunching our service--when we haven’t been in the same room together for months -is as thrilling and exhausting as you can imagine during such a tumultuous time in the world,” said Pär Almqvist, founder and CEO of Tracklib. “None of this could have been achieved without a stellar and tireless team, the outspoken support from the global music community, and the continued confidence of Sony Innovation Fund, Jörg Mohaupt and other supportive investors. We could not be prouder to add Eelko’s experience, strategic insights and expertise to our company.”

“As a former music publisher and label founder, I have witnessed first-hand both the artistic benefits and business challenges of sampling, and long admired Tracklib as they have made automated sample clearance affordable, accessible, legal, and lucrative on a global scale,” said Spinnin’ Records’s Founder Eelko van Kooten. “I am pleased to join Pär and the team at this exciting time in their journey. Tracklib is the perfect place for creatives to get inspired and have samples cleared.”

Tracklib is the world’s first and only digital platform for legally clearing samples, solving a big problem in the music industry: a vast majority of all sampling is done illegally because of the complexities and high cost usually involved with sample clearance.

Tracklib’s library consists of over 100,000 original recordings—everything from Mozart to Isaac Hayes—and can be licensed for sampling for as little as $50.

Tracklib’s revolutionary solution has been embraced by artistic and industry giants such as Ludacris, Questlove, Jazzy Jeff, and Zaytoven, who have publicly praised the company. Artists who have released songs with samples from Tracklib include DJ Khaled, Mary J. Blige, Lil Wayne, BROCKHAMPTON, Phantogram, and J. Cole also used a Tracklib sample for his 5x Platinum single “Middle Child”.

Tracklib launched in 2018 and is headquartered in Stockholm, Sweden, with representation in New York City and London. For more information, visit www. tracklib.com.

nLiveXLive recently announced it will exclusively

produce and live stream Monsta X’s only full-length global performance scheduled for 2020. The Monsta X event is scheduled for Saturday, July 25 at 8 p.m. PT / 11 p.m. ET / Sunday, July 26 at 12 p.m. KT. Since it announced PPV and digital touring in May 2020, LiveXLive has sold over 17,000 PPV tickets in over 96 countries at an average price of $27. LiveXLive’s PPV initiative was created as a revenue-share model to support artists during a time when concerts and touring are at a standstill. LiveXLive’s PPV platform allows artists to go direct-to-consumer and perform full length concerts with unique behind the scenes footage, docureality-style coverage coupled with premium tiered pricing with tickets that include VIP experiences, exclusive merchandise, digital meet-and-greets, and other event-exclusive perks using. Future PPV events include top artists such as Nelly and Jeremih and many more.

The upcoming Monsta X PPV concert follows the success of LiveXLive’s recent 90-minute special in partnership with Live Nation, Lift Every Voice: A Juneteenth Special which garnered over 3 million views, as well as this past weekend’s Shaq’s Fun House vs.

Gronk Beach live stream which garnered over 9 million views.

Since January 1, 2020, LiveXLive has live streamed 59 live music events and 1,200 artists, an increase of over 300% and over 1100%, respectively, as compared to the same time period last year. LiveXLive’s platform has generated over 78 million live stream views and over 5 billion video views on TikTok. LiveXLive paid subscribers has increased to a record 873,000 and has achieved a total potential reach of 7.3 billion between press and social.

LiveXLive’s streams are also available on Amazon, Apple TV, Roku and Samsung TVs. For more information about LiveXLive, visit www.livexlive.com.

Beatselector Magazine | July/August 2020 | 19

ICYMI NEWS FROM AROUND THE WEB

The winning entry displayed a nostalgic, colorful rendering of a boy flying a kite, which was and is one of the little things Sourabh Patil enjoys. “After hearing Little Things, the first thing that came to my mind was flying kites, because as a child I was fascinated by kites, so that was my inspiration.”

The winning entry was created using Autodesk sketchbook, with Adobe Photoshop and iPad/ Procreate also being used by the various artists.

Online entries were submitted from Argentina, Bulgaria, China, Germany, Japan, India, Mexico and the USA. Runner ups from China, India, and the USA received autographed vinyl records of LTC’s hit EP “Kids at Play.”

nLouis the Child announced the winners of the

#KR8atHome digital storytelling event. Mr. Sourabh Patil (IG @shinzooooooo) from Goa, India won the grand prize and will receive an autographed, one-ofa-kind LTC created drawing and a $300 cash prize. “I was shocked when I saw the Instagram notification that Louis the Child mentioned me in their Instagram story!” says Patil. The #KR8atHome paintONE Battle was a collaboration of Louis the Child and top digital avatar company Genies.com. paintONE Battles is a competitive visual storytelling global sport where artists get twenty minutes to create a compelling digital art narrative, based on a random, two-word prompt: the “Little + Things” you appreciate in life right now in this locked down world. Louis the Child encouraged entries from both traditional and digital artists, so paintONE Battles received over 40 entries from all over the world, including traditional hand-drawn, watercolor, photobashing, and graphic design/special effects. “We are floored by the creativity and artistic expression from all of the artists worldwide,” says Freddy Kennett of Louis the Child. Robby Hauldren agreed: “We are talking next level skills. I was moved”!

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For a complete list of winners and prizes, visit www. paintonebattles.com/ltc Louis the Child is a Chicago-bred production duo comprised of Robby Hauldren and Freddy Kennett.

The pair just announced their debut album Here For Now and released brand-new track “Nobody Like You” with up and coming Australian singersongwriter, Vera Blue.

Genies Inc. is the leading avatar technology company (www.genies.com). With their consumer app, SDK and Avatar Agency, Genies has set the foundation for swift, widespread adaptation of avatars in society, business and culture and is pioneering the digital avatar landscape.

Paint.one (www.paintonebattles.com) operates online global visual storytelling competitions called paintONE Battles. Digital artists from 28 countries regularly compete, and winners have come from Argentina, Australia, Belgium, China, Columbia, England, Hong Kong, India, Iran, Iraq, Japan, Morocco, Taiwan, USA and Venezuela.

Follow on Instagram: @paintonebattles

n 25-year-old Dutch star Oliver Heldens, stands

out from the crowd with his own distinctive sound, counting numerous No. 1 hits and over 2 billion cumulative streams to his name.

As well as being one of the most talented producers in the game, he is also officially one of the world’s favorite house DJs, landing at #7 in the 2019 DJ Mag Top 100 DJs pool.

On Friday, June 12, 2020, the internationallyacclaimed DJ/producer performed at the iconic Dutch music institution, The Royal Concertgebouw, as the headliner for the Digital Mirage evening.

The online festival has raised over $27,000 USD so far and more than 110,000 concurrent viewers tuned in to Oliver’s show as he showcased one of the most important concert halls in the world.

Helden’s performance received thousands of comments as he showcased his legendary catalogue, electronic dance classics and premiered new, unreleased music from both himself and his label, Heldeep Records.

“Thank you to everyone who tuned in to the stream and donated”, says Oliver Heldens. “It’s fundamental we continue raising awareness and funds for the Black Lives Matter movement - I’ve made a personal donation and while I acknowledge this is only a starting point I’m committed to continue educating myself on the injustices of racism that exist not only in America but across the world, in order to do better.”

Proceeds from digital mirage will now be donated to the Equal Justice Initiative and Color of Change via their partnership with Plus1.

If you’ve missed the show, you can watch it here.

Beatselector Magazine | July/August 2020 | 21

ICYMI NEWS FROM AROUND THE WEB

n LANDR, the leading creative platform for

musicians who want to create, master and sell music, announced the launch of LANDR Pro Network (https://network.landr.com), a groundbreaking, end-to-end digital marketplace that enables professionals to market and manage every facet of their businesses remotely. n addition to empowering musicians to make great music, LANDR has been offering professional services to major labels such as Atlantic, Warner Music Group, Disney Music Group and more, for years. While providing these pro services, LANDR saw an opportunity to develop a solution that enables professionals to streamline their workflows, including negotiating terms, accepting work, iterating on a project and getting paid systematically and rapidly.

With LANDR Pro Network--which is free for pros to use with their existing customers--professionals can stay organized and connected with clients, never miss a deadline or delay their invoices, and open up

22 | Beatselector Magazine | July/August 2020

new revenue opportunities.

“Today’s professional music services are increasingly being ordered and delivered online, but very few providers are properly equipped to take advantage of this trend in an impactful way,” said Pascal Pilon, founder and CEO, LANDR. “With LANDR Pro Network, we are not only helping professionals earn a better living and keep more of their earnings but also providing more equitable access to established, respected talent while bringing a huge boost of productivity at no extra cost.”

Used by over three million creators, LANDR’s mission is to empower musicians to create and market their work, and the Pro Network offers an industryfirst solution for creators looking to find and hire professionals (including engineers, producers, session musicians, songwriters/composers, designers, etc.) so they can collaborate in-platform and keep their content secure and private.

Visit https://network.landr.com for more details and information.

nManchester-based purveyors of underground

music Distinct take the next step in their journey with the announcement of a new vinyl and digital label series.

With experience booking the likes of Djebali, Cosmjn, Mihai Pol and Fabe, the brand has always placed high importance on cutting edge sounds, and continue that mantra with their latest project.

musicality, paired with the floor trembling house beats which landed him firmly on the Distinct radar.

The second track, “Lion” comes from co-founder Mondé, combining heavily reverbed stabs and pads to create an ethereal soundscape, punctuated by tight, swung drums.

After months of hard work and planning, the boys have made the most of their time in lockdown to dial The first release, Distinct Digital 001(stream it), is out in their aims for the label, with a big emphasis on the music, drafting in experienced names and fresh now via their Bandcamp and features tracks from burgeoning talent alike for upcoming VA’s across the vinyl and Glasgow native Gregg Dunsmore alongside Distinct’s digital space. very own Mondé.

Keep your ears to the ground for future releases and information on the first vinyl drop, as Distinct take The first track on DD001, “Locked In The Groove,” their first strides on this new path. showcases Gregg’s eclectic style of stripped back

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Beatselector Magazine | July/August 2020 | 23

UN REPEAT NEW RELEASE//PREVIEWS

Following a string of hit singles; “Without Your Love”, “Fighters” and “The Small Things,” Conro has released “Level Days,” an album packed with energy, emotion and sing-along favorites. The Canadian producer takes you on a journey with his 12 track project, showcasing his dexterity as a multi-instrumentalist and producer.

Drawing inspiration from his days DJing at the local club, Level, Conro pay homage to his younger years with an intimate album title. Lead single “Therapy,” knocks it out of the park with it’s snappy vocals and upbeat production. Featured as the theme song for Rocket League’s Season 9 Championship Series, Conro will have everyone up on their feet grooving along to “Therapy.” As one chapter comes to an end, we are excited to share with you the future of Conro’s artistic direction!

Canada born, Conor Patton, (Conro), developed his passion for music being surrounded by a loving and supportive family with a deep rooted passion for music. Conro quickly developed the itch to channel his creativity and vision to become one of Canada’s top artists. Adopting elements from his early childhood music education, Conro shaped a catchy signature sound in dance music with his upbeat, electro house tracks. As Conro continued to develop his production skills, he integrated his instrumental background cultivating a sound unique to himself. With this intention, Conro rose to release some of his best music to date. Conro received a wave of praise from his electro house and future bass production style. His “Connecting The Dots” EP, Conro unveiled the first of many chart-toppers most noteably the track ”Close;” which hit Billboard’s Dance Airplay Chart at #17. Though this style of music has brought him plenty of success, Conro chose to follow a style that aligned with his core ethos he wanted to convey to a wider audience: a vibrant, funky, and instrumentation driven soundscape while implementing his own impressive vocals. From his newly forged sound, Conro has amassed a collection of hit tracks that display his musical versatility. With the release of “Me,” Conro saw firsthand the impact of his music worldwide. His success continues to grow with “Take Me There” breaking way on radio rising to #12 on Billboard’s Dance Airplay Chart shortly followed by “Trippin” rising to #7. “ “Level Days” expands on his signature style and sound showcasing his versatility across genres from dance, indie pop and everything in between. He continues to embrace all the musical influences while staying true and maintaining his widely loved sound..

24 | Beatselector Magazine | July/August 2020

Beatselector Magazine | July/August 2020 | 25

UN REPEAT NEW RELEASE//PREVIEWS

>> STREAM AT SPOTIFY

After years making his way through the scene with a steady stream of delicate, soulful releases on some of D+B’s most formidable labels, such as Shogun Audio, SGN:LTD, and MTA, Mitekiss returns to Hospital Records with a brand new four track EP titled “Objects To Push.”

Since the release of his debut album “Crate Six Seven,” that received support from liquid pioneers Technimatic, Makoto, Etherwood and BCee, Mitekiss has been cooking up his latest venture with Hospital Records, the “Objects To Push” EP. Consisting of four sublime tracks that explore the soulful, deeper domains of drum & bass. The musicality and versatility of Mitekiss’ production are brought to light once more, drawing for his love of jazz, disco and 174 beats.

“Matter (feat. Vonné)” eases in with elegant melodies, soothing piano flourishes and the eloquent vocal hooks of London based singer-songwriter Vonné. Named after dark matter, “which represents the lyrics ‘gravity pulling me under’”, explains Mitekiss.

Smooth liquid-jazz bubbler “Tonic” follows, as hypnotizing pads and sophisticated piano licks rest delicately upon a blues-style upright bassline and rolling breakbeats.

Teaming up with Bristol’s Ruth Royall, “Magic” adds a touch of undeniable euphoria to the EP. A classic feelgood drum & bass anthem that pays homage to Mitekiss’ love for all things uplifting and heartfelt. Last but certainly not least, “Charter” brings the EP to a close. Darker, spellbinding atmospherics and hard hitting bass stabs are a clear demonstration of the depths of the EP. With “Objects To Push” Mitekiss has continued to develop his soulful, liquid-jazz sound, further cementing his unique standing in drum & bass territory. The successes of his contributions to the scene include his regular “Mitekast” podcast and weekly “Rhythm Roulette” tutorial series, as well as releases on Shogun Audio, Skankandbass and his own imprint Goldfat Records, that have seen Mitekiss appraised as a producer’s producer who is here to stay.

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UN REPEAT NEW RELEASE//PREVIEWS

Back in 2019, Maya Jane Coles and her alter-ego, Nocturnal Sunshine, unleashed “Full Circle,” Nocturnal Sunshine’s sophomore LP. Taking the alias in a new direction and diving into hip-hop influences, Maya also invited a mix of collaborators on board from Peaches and Catnapp to Three Six Mafia’s Gangsta Boo and Young M.A. Coming together with Australian singer-songwriter, Ry X on the brooding ‘Gravity’, the single now finds new forms with three club-centred remixes from the shapeshifting French-Canadian production talent, Jacques Greene, UK drum and bass heavy-weight, Calibre and Berlin-based Cocoon affiliate, Emanuel Satie.

The package stands as yet another moment in the Nocturnal Sunshine journey, following their contribution to the prestigious BBC Radio 1 Essential Mix back in March; the first time for Maya under the Nocturnal Sunshine cloak.

Grabbing the attention of Maya with his ethereal vocals, Ry X partnered with Coles to create a bubbling and deeply emotive cut in “Gravity;” centred around Nocturnal Sunshine’s synonymous downtempo breakbeats and Ry X’s haunting yet mildly soulful vocals.

The swirling and visceral tone set by the original is carried forward in the rework of Jacques Greene. An artist whose career has presented a myriad of moments, his latest also came in 2019 with the arrival of his own sophomore album “Dawn Chorus” on LuckyMe. Taking up the tempo with a bumping kick, Greene allows the vocals of both Ry X and Nocturnal Sunshine to take center stage among added rave grit and flecks of his wellknown ethereal sound.

Jumping into warming drum and bass sensibilities, Calibre switches up the arrangement with heart-tugging strings and keys, all met with body shifting D’n’B wizadry. Meanwhile, Berlin’s Emanuel Satie provides yet another differing take from the hypnotic techno space. An animalistic feel takes hold with the unrelenting 4x4, jagged iterances and ominous droning bass.

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Beatselector Magazine | July/August 2020 | 29

UN REPEAT NEW RELEASE//PREVIEWS

Born and raised in El Paso, TX, Riot Ten exploded into the world of EDM at the young age of 22. Joining the Dim Mak Records family in 2017, with additional music out on Never Say Die, Insomniac, Bassrush and Excision’s “Rottun Records”, Riot Ten blasted off with four #1 top 100 dubstep singles and his music can be heard around the world from the likes of DJ Snake, Zeds Dead, The Chainsmokers, Excision and many more.

Bass heavyweight Riot Ten flexes his versatility on the 7-track EP, “Hype or Die: Emergence.” Featuring a VIP mix of festival anthem “Rail Breaker” and collaborations alongside DIESEL (aka Shaquille O’Neal), Whales, and Bok Nero, the EP presents a mature palette of sounds, blending future bass, hardstyle and Latin instrumentation amongst his signature dubstep drops.

The Emergence EP is Riot Ten’s first multi-track release since his successful “Hype or Die: Nightmares” studio album and the subsequent deluxe package, which followed last year. It arrives off the heels of his recent performance at one of the first car raves in North America last month in Houston, TX. New tracks “Bring It Back” with DirtySnatcha and “Buck” featuring Bok Nero each integrate elements of dubstep and trap, complete with grimy, heavy bass, and serrating mechanical synths. “Ultimate” is a heavy-hitting collaboration with basketball legend DIESEL (aka Shaquille O’Neal) and viral Houston rapper T-Wayne. “Narcos” with Madreckless contains the pulsating tempo of psytrance fused with bass elements. “Save You” sees Riot Ten team up with Whales and his cousin Megan Stokes for a rich, future bass original, showcasing a softer side to his sound. As a special treat, he closes the EP with VIP renditions of “Save You” and “Rail Breaker,” the latter of which remains a fan favorite around the world, boasting over 7 million on-demand streams. Wielding plenty of chaotic bass nuances, the EP lives in the same “Hype or Die” underworld, but with a heightened sense of urgency.

“I wanted to create something that was different from my previous bodies of work, yet still embodied that “Hype Or Die” aura. I named my EP ‘Emergence,’ due to the chaos in the world now coming to light. It is symbolic of how many have felt for some time now..and so we have risen. I stand in solidarity with those fighting injustice.” - Riot Ten

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UN REPEAT NEW RELEASE//PREVIEWS

Tricky announces his 14th studio album, Fall To Pieces, out September 4th on his own label False Idols, and shares its lead single, ‘Fall Please.’ The legendary producer might be over three decades deep into his music career but he’s currently on an especially prolific run. In the last year, he dropped the enchanting ‘20,20’ EP and put out an acclaimed autobiography, ‘Hell Is Round The Corner.’

‘Fall Please’, a song which Tricky likens to Washington DC Go-go, has a strange and twisted accessibility that surprised even the man who wrote it.

“With most of my stuff, there’s nothing else like it around”, he says. “But with ‘Fall Please’ I’ve managed to do something I’ve never been able to before, which is that everyone can feel it - even people who don’t know my music.

It’s my version of pop music, the closest I’ve got to making pop.”

‘Fall To Pieces’ was recorded in Tricky’s Berlin studio in late 2019. Tricky is keen to point out that the tracks on the record can be deceptive; often short, ending abruptly and moving on to the next without warning.

Although instrumentation varies from bursts of tense synths, distorted dial tones, and samples, the song’s lyrics can be dark and dense.

Tricky’s music has always enlisted female vocalists to carry his ideas: the majority of tracks on ‘Fall To Pieces’, including ‘Fall Please’ rely on Marta Złakowska, the singer he discovered during a European tour when he was left without a vocalist on the opening night. She saved the tour from disaster. “I can tell when someone is humble and down to earth,” says Tricky. “Marta doesn’t care about being famous, she just wants to sing.”

The past year in creative flurry has no doubt been a distraction for Tricky, but it’s also been a period of reflection and reassessment. Struck down with grief, he had to ask himself a question: do I fight, or go down with the ship? “You’ve gotta fucking get up and fight,” he concludes. “Right now I’m in fight mode. And I feel really good. I do.”

“Fall To Pieces” releases on September 4, 2020 via False Idols.

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BUZZ WORTHY ARTIST PROFILES

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SHAY DE CASTRO !"

W

ith the sheer oversaturation of DJs and producers today, it’s rare to see a new artist who is something unique. Shay de Castro isn’t just a breath of fresh air, but rather one of those gusts of wind that knocks you off your feet. The young producer and DJ grew up

in the United States, living in some of the best cities for techno music. Playing the guitar and listening to grunge rock since she was a child had a huge influence on her sound today, always making sure to have that “dark” ingredient thrown into the mix. However, it was during her time in the culture-rich Los Angeles, California and Guadalajara, Mexico that took her productions to the next level, mixing her booming, driving aesthetic with deep melodies. 2018 was a big year for Shay, signing to some of the biggest techno labels in the world, such as Funk’N Deep, Unity Records, Frequenza, and Renesanz. As a performer, she’ll take you on a journey you didn’t even know you wanted to go on. Swelling melodies contrast deep kicks, creating a soundscape made to transport you into a different dimension. No set is ever the same, but each is made up of mostly unreleased tracks, combined with older, more obscure selections to create a unique experience each time she performs. Combine that with her infectious energy and ear-to-ear smiles, and you have the Shay de Castro experience. Shay De Castro makes her label debut on Spartaque’s CODEX Recordings, with her ‘Assembly’ EP set for release on June 5th.

The talented techno upstart has seen exponential success as of late, receiving support from the upper echelon of touring DJs including Amelie Lens, Enrico Sangiuliano, UMEK, POPOF & more.

Shay De Castro has made her mark on a variety of discerning labels, with monumental releases on Napoli’s Prospect Records, Amsterdam’s Bitten, Treviso’s Frequenza Records, and now Barcelona’s CODEX Recordings. Having toured the world prior to our current collective catastrophe, the US native shared the stage with the likes of Deborah De Luca and Spektre, igniting crowds with her unique brand of trance-laced techno. With a penchant for uplifting builds and punishing breakdowns, the ‘Assembly’ EP showcases De Castro’s versatility. Opening with the ominous titular track, ‘Assembly’, the listener is taken on a soaring journey, peaking with ‘Incendium’, an unapologetically synth-heavy number, and closing with the pulsating track, ‘She Reigns.’ Fellow DJs can order the extended edits on Beatport. Fans can expect to hear much more from Shay De Castro, with a slew of releases slated for the upcoming months across an ever-diversifying array of labels. Follow her on her socials to stay up to date with her latest productions and eventual tour dates!

—E.D. Beatselector Magazine | July/August 2020 | 35

BUZZ WORTHY ARTIST PROFILES

APOSTOLOS ANGELIS"

A

postolos Angelis is an ElectronicClassical-Orchestral music composer, engineer and producer. His compositions are based in classical music but his sound is mainly electronic with organic feeling. When he was still in high school, Apostolos realized that music is a universal language and music creation for him was a unique, true and creative way to express imagination, thoughts and feelings.

His passion for music led him to become an autodidact composer who doesn’t compose and orchestrate music on paper but in his mind without keeping notes. He has learned the art of music by hearing and even today he doesn’t know music notation. The composer was born in the province of Trikala in central Greece , close to the well known “Meteora” geological formations and “Theopetra Cave” (where one of the oldest known man-made structures on earth was recently discovered). When he finished school, he moved to Thessaloniki Northern Greece where he studied Environmental Engineering at Aristotle University. During these years he didn’t stay away from music and kept experimenting with composition and sound. After finishing his studies, he conceived and created his debut album “Hologram” which was a fusion of electronic and downtempo ambient music.

In 2009, Apostolos and his brother Vasilis, who is also a composer and producer, launched the independent record label Apoapsis Records in order to release their own material including Apostolos’ debut album “Hologram” in October 2009. SInce then, he has released four (4) full length albums: “Phophecy of Heavens (2012);” “The Mad Genius (2013);” “Kinesis (2014)” and his most recent release “Coloring of Life (2020).”

—E.D.

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BUZZ WORTHY ARTIST PROFILES

COSMO’S MIDNIGHT !"

C

osmo’s Midnight continues their sensational ride into the new decade, with their recent and glistening single “Yesteryear,” out via Black Butter Records. The track is infused with 70s pop and a drop of psychedelia, “Yesteryear” lends insight into the burgeoning confidence and trajectory of the twin duo as they continue to evolve from their roots as online-production powerhouses to world-class, multi-skilled live artists. Uplifting lyrics embrace a firm funk bass line and intelligent sonic designs, amplifying falsettos from Pat in his first lead vocal appearance since 2018’s “Polarised.” Laced with complexities and all the sweets from their unmatched style, the track steps forth as their most self-affirming release yet, all the while basking in a moment of nostalgia. “‘Yesteryear’ is a song reflecting back on the years past, the unchanging feelings of youth, growing up and contemplating the future. We tried to blend these feelings into the production by drawing inspiration from older pop records as well some more progressive records. Although it seems a lot of thought went into it, ‘Yesteryear’ came about really quickly and naturally.” Cosmo’s Midnight kicked off 2020 by making their debut in triple j’s highly coveted Hottest 100 countdown with the floor-shaking “C.U.D.I (Can U Dig It)”. The release of “Down For You” with global pop phenomenon Ruel shortly followed, which has since seen over 11 million streams/views to date, strong global playlisting support, a premiere and addition on triple j. 2019 was equally monumental for the duo, with performances at Splendour in the Grass, Australia wide festival tours of St. Jerome’s Laneway Festival and Listen Out, and soldout headline shows in the US, Asia and major Australian venues on a national tour.

—E.D. Beatselector Magazine | July/August 2020 | 37

BUZZ WORTHY

MAGDALENA!

ARTIST PROFILES

M

agdalena’s eyes were opened to the world of electronic music when she was just 15 years old, when her older brother snuck her into a club for the very first time.

Having grown up with the musical influences of her native rural Yugoslavia as a child and later, as a teen, metropolitan Hamburg, the field of electronic music was an exciting discovery for her. Being a perfectionist, she waited until 2016 to release her debut track – “Should I Stay” on the 10 Years Diynamic Anniversary compilation – and until 2017 to release her first full length EP, “Morphosfalter” on Anja Schneider’s Leena Music imprint. Following a number of remixes (most notably Moby’s “Why Does My Heart Feel So Bad”) Magdalena released her first EP on Diynamic, “Elementum’” in the spring of 2018. The lead track “Mountains of Es Cubells” would go on to define Magdalena’s landmark Ibiza 2018 season; after having played on the island and hosted her own show on Ibiza Sonica, she was able to launch her very own branded weekly residency (SHADOWS) in Ibiza. With releases spanning a host of esteemed labels from Anjunadeep, Diynamic, Knee Deep In Sound and many more, Magdalena continues to re-affirm herself as one of the underground’s most innovative names.

From working alongside Solomun and Adriano Trolio to open the Hamburg venue EGO, to inviting industry heavy-weights Miss Kittin, Anja Schneider, Nicole Moudaber just to name a few, to her SHADOWS event series at Ibiza’s Cova Santa and with the unveiling her brand new remix of Brlee’s “Visions,” Magdalena will continue her unstoppable trajectory across the new decade.

—E.D.

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BUZZ WORTHY

SHADOW CHILD !"

ARTIST PROFILES

S

hadow Child has a wholesome and genrebending catalogue of original works and remixe on labels such as Unknown to the Unknown, Ovum, Super Rhythm Trax and now Hot Creations, moving his sound to new territories whilst always staying true to his roots. Famed for his dynamic and carefully curated musical direction, Shadow Child’s signature style has made his DJ sets some of the most individual and positively unpredictable, building an insatiably large and dedicated fan-base in the process. He also shares a Wednesday slot with Mall Grab on Rinse FM, and has graced the airwaves there for over 6 years.The acclaimed “Curated by..” project on his Food Music imprint this year, has so far seen him pull together remasters & brand new reworks of defining classic tracks by Zero B, SL2, Xpansions and Bump, not only by himself but Krystal Klear, Rebūke, Jerome Hill, Chambray, 2 Bad Mice and many, many more. Added to this, he’s recently pulled back the curtains to reveal his ‘Polymod’ moniker, which has released on labels as forward thinking as Dusky’s ‘17 Steps’ & Cats N Dogs’ ‘Pets’ and you would be forgiven for wondering how on earth he’s done it again.. but he has. Shadow Child’s ‘Apollo’ trilogy project on Electronic Elements continues with the second installment. Picking up where it’s predecessor left off, ‘Apollo-2’ reaches further into the melodic and progressive side of the producer’s sound.

Speaking of the project, Shadow Child describes how he was “captivated by the big room sound of labels like R&S, Guerilla, Hard Hands and Sven Väth’s Harthouse” and so wanted to create “a new concept project, spread across 3 EP’s which throw back to the 90’s melodic techno and progressive trance sound.” Shadow Child‘s ‘Apollo-2’ will release on July 31, 2020 via Electronic Elements.

—E.D. Beatselector Magazine | July/August 2020 | 39

LABEL WATCH STREAMIN’ MUSIC GROUP

Steamin’ Music Group is the brainchild of New Delhi electronic dance artist Keshav Bhardwaj aka Klipr, who has made quite the name for himself with releases such as the ‘Teched EP’, ‘Running Back’ and more recently a stunning 6-track ‘Lockdown’ EP. Klipr has used his knowledge of the industry to create his own imprint where he nurtures and releases the music from up and coming artists.

“The idea to start a record label was conceived when I was travelling across Europe.

During this time I met and worked with a few artists, which gave me an insight into the vibe and complexities of the Music Industry. “ — Keshav Bhardwaj Holly Roscoe catches up with Keshav and discusses the why’s, what’s and how’s.

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HR: Tell us a bit about how the idea of Streamin’ Music Group came to light?

Keshav Bhardwaj: The idea to start a record label was conceived when I was traveling across Europe. During my time there I worked with a few artists which gave me a real insight into the vibe and complexities of the music industry.

HR: Do you specialise in a particular genre?

KB: At Streamin’ Music Group we have cultivated an environment which promotes original music that connects with the audience and is not confined to a specific sound or genre.

HR: What do you look for in a track that you think will make a successful release?

KB: Any track that successfully conveys a vibe to the listeners and lets them get in touch with their own self, would be a successful release in our book.

HR: How big is the team at Streamin’ Music Group?

KB: We currently operate from India and

have hired several professionals from Europe.

As of now we have small teams set up that we plan to grow as the business grows.

HR: Which artists have impressed you in the scene recently?

KB: We feel every artist has been further specialising in their own genre. It won’t be fair to name just a few!

HR: What has been your favorite Streamin’ Music Group release?

KB: My favorite Streamin’ Music Group release is ‘Diamond’ by BlareMob. HR: What plans do you have for the label this year?

KB: We plan to diversify our catalogue this year, sign new artists and release music across the Dance Music spectrum.

HR: Finally, How can people get in contact with you to send over demos?

KB: All producers who want to get in touch and submit a demo can do so through our website streaminmusicgroup.com.

soundcloud.com/streaminmusicgroup twitter.com/GroupStreamin instagram.com/streaminmusicgroup Beatselector Magazine | July/August 2020 | 41

KEN BA

MY QUARANT 42 | Beatselector Magazine | July/August 2020

AUER’S

TINE

Ken Bauer has previously seen support from the likes of David Guetta, Nicky Romero and Showtek, his career has gone from strength to strength over the years and has some incredible releases coming up. With the world put on hold over the past couple of months we have caught up with Ken to find out what he’s been getting up to during lockdown.

WRITTEN & INTERVIEWED BY HOLLY ROSCOE

Beatselector Magazine | July/August 2020 | 43

HR: How have you been holding up during this crazy time?

KB: All things considering quite good actually! I wasn’t doing any touring anyway, I have spent a lot of time in my studio creating music.

HR: What have you been doing to pass the time?

KB: I have spent a lot of extra time in the studio. Working both on my music as well as creating presets for my upcoming expansion pack for Vengeance Avenger.

HR: What are your thoughts in regard to Covid-19 and the music industry?

KB: First of all, my thoughts go to all people that have lost someone to the virus.

Second of all I feel for all artists that are struggling at the moment. There is no doubt that this situation has really hurt the economy and the music industry is no exception.

Unfortunately, I think it will still be a while until the industry fully recovers.

HR: Have you picked up any new skills/ hobbies?

KB: Unfortunately, not! Only new bad behaviours such as exercising less and watching more TV. HR: Which TV series have you been bingeing?

KB: I really love Ozark, Queen of the South and Casa de Papel.

HR: Who have you been quarantining with?

KB: My wife and kids.

HR: Can you let us into any exclusives with your music?

KB: I suggest checking out my guest mix on Beatselector Magazine which will feature two upcoming tracks.

HR: How do you think the world being on lockdown will have an effect on you in the future?

KB: Before there is a vaccine available, I will continue to be very careful visiting public places.

HR: Finally, what is the first thing you will do when the world returns to normal?

KB: After taking my wife and kids to dinner I will visit a club with my friends and enjoy some fresh dance music.

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!"

Tracklist: Bliss Ü - X Games Mode (Explicit, Exclusive) Vinai - Rise Up (feat. Vamero) - Extended Mix Ken Bauer - Lone - Extended Mix (Exclusive) Ken Bauer & J-Rob MD - Until You Speak - Extended Mix Jay Hardway - Rollercoaster - Extended Mix Olly James - Amsterdam - Extended Mix Dada Life - This Time Never Be AloneAgain - Extended Mix Above & Beyond - Blue Monday - Extended Mix Nicky Romero, David Guetta, Raye - Stay (Don’t Go Away) ft. Raye - Extended Mix the Giver - Do It - Original Club Mix Sonny Bass & Ken Bauer - Pill of Love - Exclusive Mix (Exclusive) EDX - Adore Me - Original Club Mix N8LIF3 - I’ve Got Some - Extended Mix Ken Bauer - Making - Extended Mix Chico Rose & 71 Digits - Somebody’s Watching Me - Extended Mix Yves V & Ilkay Sencan - Not So Bad (feat. Emie) - Extended Mix

>>STREAM Beatselector Magazine | July/August 2020 | 45

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30 YEAR JOURNEY THE

JOHN MURPH OF AN ACCLAIMED INDIE BEAT WRITER

John Murph has been called a “tastemaker’s tastemaker,” “a cultural custodian” and “one of the most creative minds working today in music journalism.” “Murph,” as he is affectionately known by his friends and colleagues, began to chase his journalism dream while attending Mississippi State University in the early 1990’s. Since then, his first-rate takes and words on culture and music reach an international audience via influential and national media outlets such as The Washington City Paper, The Atlantic Monthly, NPR Music, The Washington Post, JazzTimes, Downbeat and Tidal among others. Over the years, my path and John’s path has crossed more than once. In my early days working in record stores, John was a frequent shopper in the store I managed. A couple of years later, our paths crossed again, this time at the offices of JazzTimes Magazine. Then I saw and read a piece he contributed to Tidal.com about Larry Heard and the iconic discotheque Paradise Garage. Seemed like the perfect opportunity to reconnect with John. Happy that I did.

Written & Interviewed by Joseph Wensell Beatselector Magazine | July/August 2020 | 47

Where, when, and how did you begin your career as a music journalist?

JM: I started my writing career as a music journalist during my sophomore year at Mississippi State University. I started writing LP reviews (mostly jazz) for the school’s weekly newspaper, The Reflector. Later in college, I started writing for the campus’ monthly magazine, The Prism.

I made my way from Mississippi to Washington, D.C. through two consecutive paid internships at the Smithsonian’s National Museum of American History. I was working on the Duke Ellington collection during the summers of 1989 and 1990. After finishing my bachelors, I decided to stay in Washington, D.C. to pursue a career in the arts.

Thank God, I had strong mentors, who looked like me (meaning black) – Willard Jenkins, Rueben Jackson, Suzan Jenkins, Fitzroy Thomas, Spencer Crew, Anthony Brown and Marquette Folley – to help me navigate the worlds of the non-profit arts sector and jazz journalism. It took me a while to recognize that there weren’t too many young black people in jazz journalism.

Eventually, I found a stronger voice as a journalist in the late 1990s when I started writing for The Washington City Paper (the arts editor, Brad McKee and managing editor David Carr were truly amazing and very supportive of my work), The Washington Blade (the editor Greg Varner, again, amazing). That led me to becoming a stringer for The Washington Post and contributor to more national outlets such as JazzTimes, Down Beat, VIBE, NPR Music, The Root, The Atlantic Monthly, and most recently, TIDAL. What is favorite music genre to cover and write about and why?

JM: Well, many people associate my music journalism with jazz. And I will always take that as a badge of honor because I do love the music and how it’s continues to absorb other genres, remain contemporary and inform other idioms. The jazz world also contains many fascinating stories.

For a long time, much of my writing is narrative focus. I love for strong, compelling, and possibly untold stories within the art forms to both highlight the art, itself, and bring out the human elements.

That said, I grew up on funk and R&B; and I love writing about that music too as well as deep house, broken beat, and electronic music. I even enjoy writing about contemporary classical music, which is sometimes called new music.

Are you listening to any electronic music these days?

JM: Wow. Such a big question. I just got Ron Trent’s new single, “The Coming.” I’ve been re-exploring Kraftwerk. I’m loving the new Moodymann album, Taken Away. Other new electronic stuff I’m checking out includes Space Captain, Nikitch and Kuna Maze, Kamaal Williams,

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Beatselector Magazine | July/August 2020 | 49

Mark de Clive-Lowe, Jamael Dean, Sam Gendel, Emma Jean Thackray, and Likwid Continual Space Motion.

With your love of Jazz music, do you hear any correlation or blending of styles with today’s contemporary electronic music scene?

JM: Most certainly, everyone I’ve mentioned above exhibits strong jazz influences. They are either blending their electronic sounds with analog instrumentation, collaborating with jazz musicians, or channeling the rich history of jazz sonic explorers such as Sun Ra, Herbie Hancock, Patrice Rushen, the Mizell Brothers, Weather Report, Chick Corea, Azymuth, and Larry Young.

Then you look at what some of the younger jazz musicians such as Shabaka Hutchins and his groups Son of Kemet are doing or Nubya Garcia, Joe ArmonJones, Angel Bat Dawid, Makaya McCraven, Ben Lamar Gay, Jaimie Branch, Georgia Anne Muldrow, Melanie Charles, Mausiki Scales, and Thundercat are doing. They are all negotiating with electronic music in serious fashions. And that’s just a few names I’m rolling off the top of my head. There are plenty more.

Tell us about your side gig as a DJ and what is in your “crate?”

JM: I started spinning as a radio DJ first – in the early 1990s on WPFW-FM (Pacifica) in Washington, D.C. There I had a Friday night weekly show between 7-9 p.m., where I would connect the dots between jazz and other musics such as hip-hop, soul, funk, drum-nbass, pop, etc. That became a boilerplate for how I DJ. I’m much more effective as a selector than say, a party rocker. And that’s the format I have when I host my radio shows at Eaton Hotel DC. In terms of club DJing, my first was in the late-90s in Washington, D.C. at Escandalo, which was this Latin gay club. There I played a lot of Afro-Latin jazz music.

Much later I started spinning briefly at Marvin (also in Washington, D.C.) at some special gigs then briefly every Tuesday night.

I would say that I was a reluctant DJ. I had peers such as Sam Burns, Adrian Loving, Jamil Hamilton, Rhome Anderson and Nabani Banks – all much better DJs than

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“Well, many people associate my music journalism with jazz.

And I will always take that as a badge of honor because I do love the music and how it’s continues to absorb other genres, remain contemporary and inform other idioms. The jazz world also contains many fascinating stories.

That said, I grew up on funk and R&B;and I love writing about that music too as well as deep house, broken beat, and electronic music.

I even enjoy writing about contemporary classical music, which is sometimes called new music.”

I am – nudging me behind the decks. But I learned how to find my voice among them in the sense that they were looking for me to bring me to the decks instead of me trying to mimic what they did.

In terms of “what’s in my crates?” That’s interchangeable.

Tonight, I need to prepare for a livestreaming vinyl-only DJ gig at Bump N’ Grind, this fantastic coffeeshop and record store in Silver Spring, Maryland. It’ll be a mixture of jazz, rare groove, disco, funk, etc. I start with one record at time. But at this moment, I have no idea what’s going to be in that crate until I start digging my own massive vinyl collection.

What was the first electronic music album you purchased and why did you buy it?

JM: Hmm, that’s such a fascinating question. I was –and still am – a huge Parliament-Funkadelic fan. And the stuff that Bernie Worrell and Junie Morrison were doing on keyboards was so far-out and advanced. I think they deserve their places when it comes to talking about electronic music – the same goes for Herbie Hancock, Stevie Wonder, Patrice Rushen, Prince, Andre Cymone, Gene Harris, and others.

But back to your question, I bought Zapp’s debut LP before I purchased Kraftwerk’s Computer World. Zapp was an extension of P-Funk. And again, it had its own innovations with Roger Troutman’s work on the talkbox.

But it wasn’t considered electronic music in the same fashion as say Kraftwerk or the Yellow Magic Orchestra.

I’ve always had a “what if” fantasy of Roger Troutman collaborating with Kraftwerk.

So, Computer World would be considered my first “electronic” album. “Numbers/Computer World” was a huge hit in the black community, especially the backand-forth cultural exchanges the band had with hip-hop pioneers such as Afrika Bambaataa, Newcleus, and Twilight 22.

If you were to choose five (5) albums deserving of a remix for the EDM community, which would those be, who would be you choices for producers and remixers?

JM: Hmmm.

Mandré’s M3000 remixed by Moodymann, Herbie Hancock’s Manchild remixed by I.G. Culture, Joe Zawinul’s Harvest remixed by Ron Trent, Julian Preister’s Love, Love remixed by Mark de CliveLowe.

What is the one piece of music journalism you are most proud of and why?

JM: Hmmm. That’s a tough question. I tend to like the ones that spurred conversation and were quite scary to write --- in 2010 JazzTimes published my feature, “Rhapsody in Rainbow,” which explored how LGBTQ jazz artists were articulating themes of their sexual orientation through the music. I had people originally hating me for asking the question or exploring the realm.

But a few years later, Philadelphia hosted the first – and sadly only – jazz festival that spotlighted LGBTQ jazz musicians.

In your opinion, have the integrity of music journalism evolved or devolved with the advance of technology?

JM: That’s a hard question. I think you can still find quality, thoughtful, and insightful music journalism today on various platforms. Also, you can read old articles from decades past and they seem quite lackluster.

What are you most looking forward to when global events change for the better?

JM: Hugging the shit out my friends. Dancing and sweating and not feeling worried about brushing against someone’s sweaty body. There’s something very sensual and visceral about touch that no virtual party can replace. I also miss traveling. I’m usually out of the country at least four times a year.

Do you have any words of wisdom to share?

JM: Words of wisdom? Be kind to yourself.

John’s recent and wonderfully insightful piece for Tidal.com—A Place to Dance: Alumni of the Paradise Garage remember the club, and DJ Larry Levan, that redefined the discotheque can be found here.

Jackson 5’s Get It Together remixed by Lil’ Louie, Beatselector Magazine | July/August 2020 | 51

ON THE SLEEVE:

INTERVIEW BY LEO WEAVER

WESKA ON MUSIC, FOOD, EXTREME SPORTS AND MENTAL HEALTH Growing up in midtown Toronto, Weska was first attracted to what he and his friends called electronic music after hearing it used in the bike, skate, and ski/snowboard movies they watched. Artists like Daft Punk, The Chemical Brothers, and M83 buzzed through his speakers as Weska, then a talented mountain biker, snowboarder, and skater, watched the professionals stomp tricks to those enticing sounds. From there, his musical journey quickly brought him past extreme sports (though he still shreds from time to time) and into the more rarefied — and refined world — of what he later discovered as progressive house. By the time he was 16, Weska was focused on the music. His desire to create underlined his discovery, producing sounds through university and onward. He drew inspiration from the melodies from the likes of John Digweed, Steve Angello, and Eric Prydz. Although his sound hasn’t always remained the same, his mission has: to make people dance. First, for his friends at house parties, then in small clubs in the university town of Kingston, Ontario, and on to big rooms in Toronto, and then around the world. Fast forward to 2015, Weska saw his first support from Adam Beyer Live from Space Ibiza on his legendary Drumcode Radio. This was a breaking point for his career, his mindset completely switched, and nothing else mattered but making music. And it paid off - in early 2017 Weska received massive support from the legend himself Eric Prydz, leading him to open for Eric in Toronto, followed by an extended offer to join him at his Creamfields Steel Yard Epic 5.0. show in London later that year.

A strong set generated an even bigger honor to play at Prydz’s Hi Ibiza Residency that summer. This proved to be only the beginning of his success in 2017 with releases on Suara, Kraftek, Odd Recordings and Tronic Records to name a few. A strong 2017 laid the groundwork for his 2018 debut on Sven Väth’s Cocoon Recordings with Kevin De Vries, and the most widely recognized techno compilation to date, Beyer’s A-Sides on Drumcode Records. Determined to cap off 2019 on a high note, Weska committed his “Polarize EP” with longtime friend and mentor Bart Skils to the techno juggernaut, Drumcode Records. He remains focused, ambitious, and humble on his journey through music, and looks to prove why he’s a name to watch as the next generation of electronic artists.

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LW: Tell us a little bit about yourself and what drove you to making music your career choice.

WESKA: I’ve been super into music ever since I could walk, from screaming The Lion King theme song at the TV to playing the piano through my adolescent life.

Music is my ultimate passion and it wouldn’t feel right to me not making music my life. Even though it’s my passion, I love how it always provides new challenges and obstacles, and ways to improve. It’s never ending really, and that’s awesome.

LW: Who are your musical influences and what do they mean to you?

WESKA: I have a lot of influences because I love a lot of different types of music, and it’s ever changing. It’s really hard to choose just a couple but right now I would say one of them is Röyksopp. I’ve been rinsing Melody AM from 2001. The album is full of so many amazing songs, some just instrumentals, some beautiful vocals. It’s got everything. I’m also a huge fan of Kevin Parker of Tame Impala. His music really speaks to me, I really connected with Currents, and I love his new and unique take on the classic psychedelic rock sound. Of course, Eric Prydz - he’s been a motivator and influence to me since before I started making music. His genre crossing music never ceases to amaze me and he’s a super nice guy. Finally, I can’t forget Daft Punk, I feel that’s self-explanatory though.

LW: With previous releases on iconic labels such as Cocoon, Drumcode, Odd Recordings and Suara, among several others, why did you decide to self release your latest EP? WESKA: I have a lot of music and I simply just wanted to

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share it with the world. My ‘Wave’ series of releases is not a label, it’s just simply a platform that allows me to put my music out when I want to. It’s super fun and I’m stoked with all the feedback so far.

LW: Back in February 2020, you shared with ChangeUnderground.com a very personal affliction with ADHD. Why was it important to you to express your experience dealing, coping, and turning it into a positive, creatively speaking?

WESKA: I think it’s important to express your true colors from time to time. Some things are personal, of course, but I wanted to hopefully influence other people with something similar to not be afraid or ashamed of it. ADHD has been with me my entire life and it’s a part of me every day, and I just wanted to shed some light on it and maybe help other people deal with it too.

LW: Early on prior to beginning your career as a music maker, your were listening to Daft Punk, The Chemical Brothers and M83, among others. Choose one track from each of those acts that had the greatest impact on you and how their music makes you feel.

WESKA: Daft Punk - Alive. One of my favorite tracks of all time. The mix and style still holds up to this day, and the most beautiful part about it is how simple it is. They are truly musical genius’ and were way ahead of their time. The entire Homework album is monumental for me, and I think dance music as a whole.

The Chemical Brothers - Enjoyed. When I was in my early teens I would listen to this song on my first

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“

I THINK IT’S IMPORTANT TO EXPRESS YOUR TRUE COLORS FROM TIME TO TIME. SOME THINGS ARE PERSONAL, OF COURSE, BUT I WANTED TO HOPEFULLY INFLUENCE OTHER PEOPLE WITH SOMETHING SIMILAR TO NOT BE AFRAID OR ASHAMED OF IT. ADHD HAS BEEN WITH ME MY ENTIRE LIFE AND IT’S A PART OF ME EVERY DAY, AND I JUST WANTED TO SHED SOME LIGHT ON IT AND MAYBE HELP OTHER PEOPLE DEAL WITH IT TOO.” —WESKA

iPod, and I remember feeling intergalactic - like I was literally travelling through space. The synthesizer / club sound was new to me, and I love the huge filtered breakdown. I didn’t know it at the time, but this song was an early gateway for me to the long path of techno.

M83 - Outro. It’s hard to choose one, Outro is a truly epic tune for me though and an entrance to the genius mind of Anthony Gonzalez. It’s incredibly overwhelming but magnificently ethereal at the same time. It’s hard not to cry some sort of tear, joyfully or sad, or feel some sort of butterfly somewhere. A true masterpiece.

LW: When did you first realize that you were on the fast track for success with your music?

WESKA: I’m not sure I’ve ever realized this but if I had to pick a moment it was probably when Adam Beyer first played my music and I heard it on Drumcode Radio. That was a big turning point for me mentally.

LW: How did you end up in Berlin? Was it a career move that drove that decision?

WESKA: I visited Berlin a few months before and thought it would be a sick place to live, so I moved a few months later ha ha. It was a pretty simple and quick decision and I’m happy I made the move.

It’s not home forever but it’s a nice place for now. It was definitely career oriented, it’s a nice place to go out and it’s central Europe. I had just signed with a booking agency here and most of my gigs were in Europe, so it made sense to move.

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LW: We understand that you are vegan. How long and do you prepare your meals from ‘scratch’ or do you follow recipes from cook books and what is your favorite meal?

WESKA: One of my favorite things about being a vegan is how many delicious meals you can cook. I follow cookbooks to change it up sometimes but if you have a few different veggies, a protein, a grain, and a sauce, you can pretty much make anything!

Favorite meal? Oooooof...probably protein pancakes or tacos.

LW: Are you still active in extreme sporting?

Who are your heroes and why?

WESKA: Very active. I’ve been wakeboarding more recently just outside of Berlin and I try to skate all the time. When I can, I’ll snowboard in the winter, and I hope to move to Portugal for part of the year to surf as much as possible! These sports composed my life before music came around, except for surfing. Surfing was a more recent discovery. I don’t really have any sports heroes at the moment, I looked up to different snowboarders and skaters when I was younger, but if I had to pick one now maybe Kelly Slater? That might sound cliché but he’s so dialed in, determined, and driven, and there’s a reason why he’s still one of the best surfers in the world. His attitude and mentality can be admired from all ways of life, not just surfing.

LW: What does the rest of 2020 look like for you, musically and personally?

WESKA: Lots of music making, some camping, hopefully a bit of travelling, and lots of pancakes.

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SOMNA, one of Canada’s leading Trance artists, has released music on the biggest trance labels in the world including Armada Music, Coldharbour Recordings, Garuda Music, Future Sound Of Egypt, AVA Recordings, Black Hole Recordings and Perfecto. He’s also a prolific multi-genre producer, engineer, and co-owner /A&R head of AVA Recordings, has a monthly radio show entitled “Reanimate Music” which broadcasts every second Monday on Afterhours.fm, the #1 trance radio station in the world. Throughout his production lifetime, SOMNA’s always been in his element when working in synergy with singers and songwriters. That “beside you” connection that can bring voice, message and extra dimensions to his studio creations. That dynamic’s reached a new apex through his debut album(“Beside You”) that - almost without exception - is built around the producer/singer simpatico. Right on time to dig in and discuss is Tim Stark who gets SOMNA detailing the release’s meaning, personally and musically.

Interview by

Tim Stark Beatselector Magazine | July/August 2020 | 61

“My sincere wish is darkest times and a co TS: Thanks for joining us Ben – we’re actually talking to you on ‘Beside You’s release day, so, naturally, congrats and guessing there’s no small amount of excitement in the air! How does it feel to have it out?

SOMNA: “Hi guys! I’m doing well and just so excited for my first album that’s out today! It’s been a long journey to get here and I’m so happy it’s finally out! Also a bit nervous and hoping everyone loves it!”

TS: You must be starting to get a first reaction from fans as to which tracks are standing out quickest. What vibes are you picking up there?

SOMNA: “Hmm I think one of the most popular ones is the title track “Beside You” with Noire Lee. It appears to be one of the most popular ones from the album but what’s nice is seeing the love for each of the other tracks too. There isn’t a huge shift towards a certain song so I’m happy that there’s a track for everyone.”

TS: You’ve been production-active for the better part of a decade now. Why have you bided time until now to release a long-player?

SOMNA: “I suppose one of the biggest challenges (and something I’m still working on) was making sure my artist profile gained enough traction to warrant an album. It’d be a hard sell to get people to listen if they didn’t know who I was and to this day I’m still wondering if I’ve got a big enough profile to really propel the album to where it deserves. I did feel like it was the right time for my first album though after spending many years building up my name and I’m so grateful Black Hole Recordings felt the same way.”

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s that this album can be like a light in your onstant companion that is always beside you.”

—SOMNA

TS: How much of a challenge was it, both to get into the swing with it and to complete?

SOMNA: “Surprisingly easy actually. I pretty much live and breathe “studio” so I just committed myself to working on the album and threw myself into it. In the endthere was 21 tracks for the album and one of the hardest tasks I had to do was figuring out which ones would make the cut.”

to be like but there are certainly many I hold in high regard and look up to as songwriters / producers and I’ll draw inspiration from. Andy Moor for example, his vocal manipulation techniques are legendary and I grew up as a producer inspired by what he did in tracks like “Faces” and “Fake Awake”.

TS: Which tracks from it did you find came together quickest and which one’s took the longer time to nail?

TS: Aside from producing music you’re also co-owner and A&R head for AVA, so we guess that a good deal of demo music finds its way to your ears. Does this additional role assist (perhaps perspective-wise) in anyway when working on your own music?

SOMNA: “I think all the tracks came together within a reasonable time, the vocalists and collaborators I worked with are amazing people and we get along so well. The ideas just flowed organically and aside from maybe “Moon & Back” which is a style that is different to what I normally make, the songs all formed pretty quickly. Mixing it down and doing the little tweaks took awhile though but the writing process was pretty fast!.”

SOMNA: “I certainly think having an inside look at how fans respond to certain releases and music helps me as a producer. It allows me to gain insight on what people seem to gravitate towards. There’s also good and bad in going through demos and while I don’t do as much A&R work these days (we have someone helping with that now), listening to so much fresh demo submissions can be an inspiring experience... but also sometimes a grueling process.”

TS: In your words, how – in general - would you describe the tone or feel of the album?

TS: How did you decide which tracks to singles-preface the release of the album with?

SOMNA: “I guess this is up to everyone’s interpretation, but the feeling I really want to create is a collection of music that evokes feelings and memories.

Something that could be with you during the highs & lows and to comfort in tough times. That’s why it’s called “Beside You” and hopefully listeners will feel like the music is a “warm blanket” around you.”

SOMNA: “Many of the singles were picked because I was working with a well-known vocalist and the combined marketing efforts and strength of the track would contribute strongly to it being a single. Also keeping in mind which ones might be the most suited for a club environment.”

TS: Do you have an LP from an artist contemporary within the trance scene that you regard as peerless or faultless? One whose perfection you might seek to emulate with ‘Beside You’ perhaps?

SOMNA: “There isn’t a single producer that I strive

TS: ‘Beside You’ is noticeably vocal-centric with next to no instrumentals on there. When artists go this route it tends to be for specific reasons.

What are yours though?

SOMNA: “Honestly I just love vocals and working with vocalists. It hits me right in the feels. Vocal trance is definitely my favorite!”

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TS: What lies behind ‘Beside You’s title? Is this a reference to its producer / vocalist dynamic maybe?

SOMNA: “I chose “Beside You” as the title for my album because I wanted the music to be something you could take around with you, comfort you and be next to you sharing in the highs and lows of life. I remember feeling lifted in sad times by music and I wanted my album to do the same for others.

The title “Beside

You” felt fitting to convey that and I hope the listeners agree.”

TS: Jennifer Rene is someone you’ve worked with over the longer time (the pair first recorded together in 2014 and have now have five co-productions on their shared discography).

What is it in particular about her voice and songwriting skills that make the partnership so successful?

SOMNA: “Jennifer is such a wonderful

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human being and songwriter.

I honestly got so lucky getting to work with her back in 2014. I think she was just coming out of a hiatus and I was introduced to her by her manager at the time (Shane Halcon) and it became the start of this wonderful collaborative partnership. As you say we’ve done 5 songs now and I absolutely adore working with her.”

TS: You’ve also worked with some local, fellow Canadian talent on the album. Tell us

a little about them and how you connected with them to collaborate on it?

SOMNA: “There are three vocalists on the album who are Canadian, Noire Lee, Michele C and Aloma Steele. They all live in Vancouver and are local to me and while I have worked with Noire and Michele on many occasions, I had the pleasure of working with Aloma for the first time. I wasn’t unfamiliar with Aloma’s work as she’s done some stuff on AVA

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before and she’s super talented. Her vocal idea “Moon & Back” inspired me to try something a little bit different with the style and it’s become one of my favorites from the album. With Noire Lee and Michele C, I record them both in my studio so there’s also that wonderful dynamic of being able to collaborate in person with them, something that’s often missed when most collaborative pieces are done over the internet these days.”

TS: HALIENE is someone whose profile has risen significantly of late.

How did the two of you approach your first collab together? Was it for example a question of music or lyrics/song first?

“I had been really wishing to work with HALIENE for some time now. She’s insanely talented and same with her husband Matthew Steeper (who I also did a track with on Armada). I finally plucked up the courage to ask her manager about doing something together and after discussing ideas and plans, “Secret” was born. In this case, they provided me with a piano and vocal topline they had written already so from there I wrote the instrumental to go around it”.

TS: Completing the music for an album is of course only a way-marker on its road to ultimate release. How has the COVID-19 epidemic impacted the months between its completion and you putting it out?

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“As far as Covid-19’s impact goes on the album release, it didn’t change anything about the release schedule or music plans. However what it did wreck havoc on was my album tour and show plans.

That was very sad and disappointing to have to cancel as it was very much an important part of the album plan but at the end of the day, I’m healthy and able to continue making music and that’s what matters most. There are far more important things to worry about these days than not being on tour and I’m grateful to be able to work on music in these times.

Hopefully someday I’ll be back on tour and can showcase some of this music around the world!”

TS: Finally Ben, what does your gut tell you in terms of ‘the tricky second album’. Should we expect it in the short, medium or long term!!?

“Truth be told, with the whole quarantine life happening right now, I’m actually a good 3/4 way finished a second album.

I don’t know when is the best time to go forward with that and it’s definitely a discussion I plan on having with my manager but for now I’m focusing my energy as much as possible on my first album.”

TS: Many thanks for talking to us and the very best for the album’s onwards journey!

“Thank you for taking the time to chat with me and your support!”

“

“As far as Covid-19’s impact goes on the album release, it didn’t change anything about the release schedule or music plans. However what it did wreck havoc on was my album tour and show plans. That was very sad and disappointing to have to cancel as it was very much an important part of the album plan but at the end of the day, I’m healthy and able to continue making music and that’s what matters most. There are far more important things to worry about these days than not being on tour and I’m grateful to be able to work on music in these times. Hopefully someday I’ll be back on tour and can showcase some of this music around the world!” —SOMNA Beatselector Magazine | July/August 2020 | 67

NEW ALBUM

SIDEBAR

by Tim Stark

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‘Secret’,‘Long Way Down’,‘Stars Collide’and its limitlessly touching Noire Lee-sung HYPERLINK “https:// magikmuzik.complete.me/beside” released-today title single have all blazed a trail for it. The overture’s well and truly over though and it’s main event time: May 8 sees ‘Beside You’ - Somna’s first longplayer - make its big bid for 2020 glory.

The first block-release collection from the DJ, producer & AVA Recordings co-owner has been one long sought by fans. Throughout his production lifetime, Somna’s always been in his element when working in synergy with singers and songwriters. That ‘beside you’ connection that can bring voice, message and extra dimensions to his studio creations. That dynamic’s reached a new apex through his debut album that - almost without exception - is built around the producer/singer simpatico.

In pursuit of it Ben’s tapped the talents of many a remarkable songstress. Some he’s worked with previously (and one, notably, to an almost muselike degree), whereas others mark first time artist/ singer unions. There are those who Ben is essentially introducing to the electronic music scene, whilst others will already be known-names to ‘Beside You’s audience. Their single common denominator however is the ability to articulate Ben’s music into words and vocalise his innermost. Amongst the album’s coproduction coterie you’ll find the inimitable likes of

HALIENE, Jennifer Rene and Roxanne Emery – singers whose renown is already foundation deep in dance music. Newer-to-most names that Ben’s engaged for the album include gifted local talent like (fellow Canadians) Noire Lee and Emoiryah, and from those from further afield, including Sally Oh and BLÜ EYES. While trance runs true through ‘Beside You’s veins, stylistically it explores the genre to its furthest reaches.

Indeed if the album had one hash above all others, it’d be #contrast. Through the likes of ‘Rebels’, ‘White Noise’, HALIENE collab ‘Secret’ and ‘Constant Fire’, high altitude uplifters arrive thick & fast. Offering a sharp distinction are those of a more melancholic beauty, not least the album’s title track and its former single ‘Long Way Down.’ Equally there’s also more pumping floor-minded fare - ‘Morse Code’, ‘Stars Collide’ and the LTN-paired ‘Dreamcatcher’ to pinpoint just three.

On occasion the album also becomes simply more trance channelling, with cooler, more downtempo creations like ‘More’, ‘The First Year’ and ‘Moon & Back’ adding context.

Of his motivations to write his first longplayer, Ben commented: “Beside You are two simple words that speak volumes. When I set out to write this, I really wanted to capture the emotions and feelings that encompass trance music to me - the warmth of that beautiful melody at the right time. Transporting us to a moment in our lives where you can remember

every little detail, the feelings, location and even the sights and smells. I remember, having moved across the world from Canada to the UK, travelling on the train between Bournemouth and Manchester on my own and feeling very alone. I would listen to a certain Oceanlab song and in that moment, everything would melt away and I felt peaceful. My sincere wish is that this album can be like a light in your darkest times and a constant companion that is always beside you.”

To celebrate Somna’s ‘Beside You’ May 8 album release you can win an exclusive all-expenses-paid trip to a Somna event of choice. Get yourself the chance to score VIP treatment with a flight, 1 night in a hotel, meet & greet and VIP tickets.

Full details of how to enter to win this once-in-alifetime, money-can’t-buy experience you can find here: HYPERLINK “http://bit.ly/winsomna” http://bit. ly/winsomna !!

‘Beside You’ the album is available through all good stores and streaming platforms. In its new Extended Mix form, its namesake single featuring Noire Lee is also available.

www.somnamusic.com ! " Beatselector Magazine | July/August 2020 | 69

REVIEWS

ALBUMS

{

Indispensable      Essential     Good    Fair   Poor 

}

EASY McCOY RENEGADE POSITION MUSIC 

For a over a decade, Seattle born rap artist Easy McCoy has been releasing some of the freshest hip-hop track in recent years. In my opinion good music is just good music. For me personally, it is all about how I feel when I hear a good song, no matter the classification or the genre. Case in point, the first time I listened to The Stone Roses self titled

across the world,being resigned to Work From Home, takes self-discipline. That’s a fact. We all, I’m certain, have had momentary lapses and have caught ourselves 6 hours deep into our favorite Netflix or Hulu program, me included. It was during one of those days on Hulu where I first learned about Easy McCoy. You see, his recent single

debut way back in 1989, it was music that instantly stuck and impactfully so. There were many other records that left similar impressions and I won’t go in to those, I’d rather focus on a recent discovery, “Renegade” by Easy McCoy. Just like many of you

“Rule The World” is featured in an Old Navy TV commercial that is running on the airwaves. Upon learning about the song and doing the proverbial Google search, the song’s official Youtube video link popped up. Checking it out a couple of days

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REVIEWS ALBUMS later on Spotify, I was instantly hooked (again).

The entire album.”Renegade” features eleven crafty songs of positivity, spiritual and selfempowerment. Kicking it all off is “Do You Know My Name.” The music is garguantuan, booming and climatic.

“Legend Is Born” continues with massive sonic backgrounds leading to the third track in, “Overcome,” which spills over with a personal story of rising up, overcoming, and surviving, complimented by piano, strings, booming beats and a powerful chorus featuring vocalist Dita. Next up is “Born For This.” A real surprise! Harmonica, blues styled guitars, and spitting lyrics make this particular track completely unique and showcases Easy McCoy’s musical diversity. The lyrics rock too!

Now we’re about at the half point. Slowing the pace a bit, “Wanted Man” reverts back to the opening tracks feel and theme. Track six, “Justice” is a song with a message that is certainly appropriate for the times we currently live in. Music wise, like the other tracks, simply put, powerful.

Track seven, “Rule The World” is an instant attention grabber with a simple piano riff, a subtle bouncy bass beat, hot drums, electronics and perfectly placed percussion are the musical ingredients. The real highlights are the effortless and remarkably smooth vocals and a glorious chorus. As soon as the piano bit comes in, you are hooked and then the silky smooth vocals drop leading to a glorious sing-a-long chorus completing a recipe for an international smash hit! Easily, the best track on the LP. “I Am Legend” kicks in a with a epic piano melody, harmonious vocals, and marching drums delivered you in an anthemic style. Coming to the close of

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“Renegade’ begins with climatic vesre and singing on “What’s my Name.” The track “Renegade” spells the meaning of the title all out, “revolution, evolution, make way, for renegade.” Awesome! The closing track is similar to “Born For This” in that it is a track that uniquely stands out, stylistically wise.

Fast paced, exploding with great electronics and spit-fire vocals.

“Renegade’” is 11 tracks deep that will leave you hitting repeat more than once. Throughout the songs flow with great melody hooks, high caliber musicianship, versitility and diversity.

While the messages expressed in th songs are words of strength, positivity, social and poltical slants, the music is just as powerful. The entire album is rock solid with great songwriting, which is well thought out and composed with pristine and highly polished production values.

Like I mentioned in the beginning of this review, I was first turned on to Easy McCoy through the licensing deal of “Rule The World’ for an Old Navy commercial. I was hooked right then, even if it was only a 30 second clip of the track. It had an immediate impact on my determination to search for the creator. It took a little time, but alas, I did find Easy McCoy, “Renegade” needs to be heard. Easy McCoy deserves to be recognized with a greater reach.

With this new album, it just may happen. I for one am a new fan. I encourage you to take a moment and look him up. Learn and hear his music. He’s an artist that has a talent that easily crosses genres and has the potential for international appeal and acclaim.

—Joseph Arthur

REVIEWS ALBUMS He’s taken the “groundbreaking” term to new heights with stellar guest performances by JMan, Polly Yates, Pendulum’s Ben Verse.

Highlights include the tracks: “All Seeing Eye” and“Junction.” The music crafting by Seven on “R-Evolution” is unparalled in the unique way he presents dubstep that is contemporary and cutting edge at the same time. Powerful, artistic, expansive, and low rumbling are just a few descriptives, but know that there is a lot of activity and expert song making going on behind the scenes.

EDDY SEVEN R-EVOLUTION HATCHED

 ddy Seven is known in certain circles as a master dubstep producer, tastemaker and curator with releases on Ram Records, Wheel & Deal, Subway, Philly Blunt, Tempo, Black Box and his own label Uprise Audio. He’s appeared on Rinse FM with Youngsta and N-Type, has performed breakout sets at Fabric and Outlook and has had his original music premiered to fans the world over.

Prior full-length album releases include the 2012 critically praised debut “Evolution” (Black Box), 2014’s “Seven” and 2017’s “11:11” (Uprise). Now, Eddy Seven has released his latest long-player, “R-Evolution” (Hatched).

Get it? He’s decided to revert back to his groundbreaking formula that resulted in the LP that broke him out, “Evolution.”

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It’s one thing to write a song, it’s entirely a different skill set that brings it to completion, which showcases and displays Eddy Seven’s mastery of the technology and instrumentation throughout the album.

One thing is consistent with Eddy Seven and the music he creates. Quality and outside the mainstream imagination of what the dubstep sound can encapsulate and ultimately realizing that sound. It appears that while “R-Evolution” is a re-visit of sorts to Seven’s debut, it really is a bit more than that. It’s an album that showcases the artist’s natural progression in musical advancement and growth. Those that know his music will surely agree. With this release, Eddy Seven has unleashed his biggest body of work to date on one of the leading dubstep record labels, which has time and time again presented the very best of what the genre has to offer and this latest LP into its catalogue will reinforce this fact.

—Leo Weaver

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REVIEWS ALBUMS with original compositions was back in 1993 (Testament). The current Inner City project relaunched in Spring 2019, with Kevin, Dantiez and Steffanie creating a major buzz cross the globe with fresh and exciting new music taken from “We Move Together” over one year prior to the official release date, deemed the “ultimate road test” and proved as a success. Their tour included headlining slots at Kala Festival followed by shows at Glastonbury, Lost Village Festival, Electrico Festival, Moovin Festival, Three Mills Island, and Castlefield Bowl.

INNER CITY WE ALL MOVE TOGETHER ARMADA MUSIC



The new album was proudced over a span of eighteen months touring. At the sessions were Idris Elba contributing spoken word on the opening title “We All Move Together” and Detroit vocalist ZebrAOctobrA on three tracks: “SoundwavZ”; “Your Love On Me” and “I’m A Believer.”

Inner City’s legendary history goes way back to 1987 with Kevin Saunderson and Paris Gray. During the three decade long lifespan of Inner City, the core lineup has included at one time or another Tommy Onyx, Static Revenger and Ann Saunderson to the current trio configuration with Kevin’s youngest son Dantiez and vocalist Steffanie Christ’an.

Highlights on We Move Together inlcude “I Need Your Love,” “Save Me” and “Living A Dream”, all loved at their “live” shows, has as also enjoyed major airwave support from some of today’s top influencers such as Annie Mac, MistaJam, and Danny Howard among others.

Within the Inner City musical canon are five (5) number one US Billboard Dance Chart songs, nine (9) top 40 hits on the UK charts ranging from dance floor and pop cross-over hits to blending techno, jazz and swing beats with soul, in the vein of Soul II Soul and Massive Attack.

The new LP, twelve songs deep, represents Kevin Saunderson’s desire to elevate humanity through music. This is a trait that he has expressed for decades. Uplifting, powerful, and unity driven, plus love and positive messages, Inner City’s “We All Move Together” has reached its ultimate goal. It’s good to have new music from one of Electronic Music’s most celebrated bands,

It’s a rarity for Kevin Saunderson and company to release a full-length album. The last one

—Joseph Arthur

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REVIEWS ALBUMS are on the opposite end of the spectrum when it comes to the marriage of words and music. While you can easily be absorbed by any particular track via it’s lyrical content, the music backdrop consistently balances the scales with upbeat and dance floor bangers.

Official single releases include the lead single and top 5 charting “Stupid Love” followed by the Ariana Grande joint “Rain On Me” and “Sour Candy” featuring K-Pop band Blackpink.

Among the remaining thirteen tracks, the potential breakout of more singles is right

LADY GAGA GRAMATICA UNIVERSAL MUSIC

 Chromatica is the sixth studio album from Lady Gaga. Three years in the making, the new LP features guest appearances by K-Pop group Blackpink, Ariana Grande and Sir Elton John as well as some of EDMs most prominent music makers including Madeon, Tchami, Axwell, and Skrillex.

Produced by Lady Gaga and BloodPop, the two have unveiled an pretty impressive three part concept album that encompasses a modern take on 9às styled house, disco and synth-pop sounds guaranteeing global mass appeal. Throughout, the superstar’s messaging and lyrics tell stories rooted in mental health ranging from depression and loneliness to finding love through hardship to determining one’s self-worth. The contrast of the writing verses the music is dramatic and

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on the cusp. In particular, the tracks “Sine From Above” with Elton John, the Euro-dance inspired “Free Woman” and “Fun Tonight.”

Personally, I found the intros to the individual segmented parts, Chromatica, Chromatica II and Chromatica III completely unique and well used setting moods of the music that would follow. Many international press outlets have already covered and opined on this new album, considering it released worldwide on May 22, 2020, and the majority consensus is positive. I am in that camp and agree.

While Chromatica may not be Lady Gaga’s most adventurous project to some listeners, you do have appreciate the new musical direction she has chosen to display with inChromatica-- a futuristic, otherworldly vision of electo-pop music in a courageous and positive way. For years, Lady Gaga has been pushing the envelope and setting new music trends and Chromatica, to most, will satisfy.

Embrace her latest forward thinking music project.

—Catherine Strickland

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REVIEWS ALBUMS

SOUND QUELLE TRAIT COLORIZE

 Valery Lebedev also known as Sound Quelle is a Russian producer gaining the attention from the likes as Diplo, Nora En Pure and Above & Beyond among others for his deep and melodic house music. Over the past few years his tracks have been included and streamed millions of times via Spotify play lists Deep House Relax, Chill Tracks, and Night Rider as well as Sirius XM’s Chill program.

“Trait” is being characterized as a defining album for Sound Quelle, one that embodies him as a person and as a musician. Typically known for creating beautiful harmonious music with aggressive bass-lines, Lebedev does not stray from that winning formula, that becomes obvious right from the beginning.

This whopping collection of fifteen songs are bold and perfectly produced as heard, for

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example, on the track “My Heart” featuring delicate arpeggios and grabs the attention of the listener in a gripping fashion. Other highlights include the tracks “Virol,” “Znan,” and “Chernobo” all of which are exciting songs that are highly polished, driving and melodic.

For the album, Sound Quelle recruited an a-list of exciting collaborators bringing their own ideas to the sessions. Brandon Mignacca delivers high energy on “I Want To Know” and “Let Go Let Live,” whereas in contrast, Diana Miro brings a softer approach and delicacy to the track “Summer Rain.” Also noteworthy are the contributions of Run Rivers on ‘Rise’ and Gunnva’s vocal performance on “My Heart.”

They both create a glorious and spiritual feel for the album’s opening track. Alex Holmes’ vocal harmonies on “Erupt” also stands out as an album highlight moment. Producers Referna and Reskide contribute on three of the album’s tracks; most memorable being the serene album closer “Radioman” with Reskide accentuating the use of live drums and Russian voice-overs to conclude the album.

“Trait” is a sprawling fifteen-track album exploring deep and melodic house music.

Throughout, the music is bold, and engaging gripping featuring Lebedevl melodic compositions and production skills that showcase runs throughout, as described in the aforementioned tracks like “My Heart,” “Virol” and “Znan.”

Sound Quelle’s highly focused attention to creating massive melodies makes this a remarkable listen. Mixed with driving and polished percussion that provides the fuel, making each track all the more powerful, generates an irresistible album of exciting textures. “ —Leo Weaver

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REVIEWS

EPs

{

Indispensable      Essential     Good    Fair   Poor 

}

THE ARCTURIANS

NICE TO SEE YOU AGAIN CIRCUS RECORDS  For the last three years, self-described Star children Alicia, Kalvin & Eric, known as The Acrturians, have been creating dubstep, drum & bass and heavy trap music that has impressed many influential tastemakers in the electronic music scene. Their releases can be found on Disciple, Dim Mak, Spinnin’ Records, Kannibalen, Rottun and UKF, among others. “Nice To See You Again,” the debut EP, features five futuristic dubstep tracks with guest appearances from Clockvice on the title track, Whales and JOOL on the closer “She Can Never” and Hyukari right smack

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in the middle. “Nice To See You Again” is energetic, heavy and hauntingly beautiful music that transcends darker electronic music genres and doesn’t get pigeon holed into one particular genre. High marks and kudos for the awesome production value and the overall presentation of their unique sound. It’s no wonder that they are gaining the attention of 12th Planet, Zeds Dead, Noisia, Zomboy, SPL and the list is and will definitely continue to grow.

—Leo Weaver

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REVIEWS EPs

MIDNIGHT KIDS THE LOST YOUTH RCA RECORDINGS

 Midnight Kids, is the production duo made up of Tommy Lee and Pamela Anderson’s son, Dylan Jagger Lee, and Kyle Girard. The music they create is characterized as a combination of dreamy 80’s synthwave, anthemic dance productions alà Avicii and The Chainsmokers, with a touch of indie energy and fantasias similar to Passion Pit. Whoa! That’s quite a sales pitch! I do have to admit that I was intrigued as soon as I read “son of Tommy Lee and Pamela Anderson part. The duo have released three previous singles leading up the the EPs official release: “Monsters,” “Last Time,” and the #1 hit “Run It” featuring Annika Wells. The remaining tracks include: “Everything That You Are”; “Break Away” featuring Lisa Goe; “Bad For You” (featuring 90’s Kids); “Higher” featuring Opposite The Other and intro track “Innocence.”

—Catherine Strickland

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REVIEWS EPs

PAUL KALKBRENNER SPEAK UP SONY MUSIC

 For twenty years Paul Kalkbrenner has released a multitude of Techno, Minimal, Electronica and Downbeat releases creating a wellrounded and diverse discography. Adding to the list is an new four-track EP titled “Speak Up.” Throughout, the music harks back to the Kalkbrenner’s early rave roots and features lots of drums, hard-hitting and explosive beats, distortion and vocals.“Laser In” opens it up with lots of drums and distortion segues to the opposite spectrum in “Eyes Open,” featuring dark, squelchy and warm synths and melodies that envelop you and pull you in deeper. “Check Yourself” is pure techno, propulsive, percussive, frantic and big. The EP closes with “Speak Up,” a simple, haunting and beautiful, full of melody and warmth. Paul has definitely built one for the dance-floor with “Speak Up.” —Leo Weaver Beatselector Magazine | July/August 2020 | 87

REVIEWS EPs

PSYCHO WEAZEL MELODRAMA À TABLE

 Psycho Weazel latest EP Melodrama is a direct flashback to the 80s electro-pop scene, make no mistake. Backstory goes, following a workshop with Juan Atkins, Ivo Roxo and Léo Besso, Psycho Weazel, were inspired to create a track on which drums were created solely through the mythical Korg Ms-10 synthesizer.

The EP is a four-track take on one song, “Melodrama,” two of which feature the talents of Garance and Curses. The opening and closing tracks are courtesy of Psycho Weazel themselves. “Melodrama” and its different variations blast out high-energy synth music that is intense and risky (Curse’s Remix) to the Garance’s powerhouse beats surreal and gorgeous sounds capes of Garance.

“Melodrama” represents what is called retrofuturism, a hybrid of disco and high energy.

That it is.

—Joseph Arthur

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REVIEWS EPs

QUENUM VALLEY OF TRUE PEOPLE REBELLION

 Quenum marks his long-awaited return to Crosstown Rebels sister label Rebellion on the diverse “Valley of True People” EP, following his last release on the label in 2012. Opening up the new EP is the title track “Valley Of True People” featuring exquisite flamenco guitar playing that evolves into an irresistible melody and groove. Brilliant.“Rebellion” on the other hand represents a dancefloor direction aiming to hypnotise through a distorted looping vocal sample that builds with intensity. Mission accomplished. “Tek Me” brings out and spotlights Quenum’s electronics chops and features a killer bass line and a tribalistic drum loop and the closer, the melodic, multi-layered “Nightmare Dream” comes sprinkled with bursts of colorful tones.This new four-track EP by Quenum is elegant, deep, colorful, that transcends most styles.

—Joseph Arthur Beatselector Magazine | July/August 2020 | 89

REVIEWS

SINGLES

{

Indispensable      Essential     Good    Fair   Poor 

}

SOFIA CARSON & R3HAB MISS U MORE THAN U KNOW HOLLYWOOD RECORDS 

Sofia Carson and R3HAB are back with their third track together, a radio-friendly dance-pop fusion single titled “Miss U More Than U Know.” Carson’s and R3HAB’s musical history goes back just a couple of years with joint releases “I Luv U” (2019) and “Rumors” (2018). The prolific producer and his muse or vice versa have once again spun a reflective and melancholic love song into an island peppered bouncy pop song. The music’s positive and happy “feels” perfectly

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counters Sofia’s achingly sad, love stricken verse. The song is described, as an emotive gem that delivers breezy melodies and an instrumental-driven bass line perfect for easy listening. “Miss U More Than You Know,” by these two musical talents conveys that message brilliantly through a beautiful voice, meaningful verse and pristine music production. Heartstings pulled. Body movin’.

—Catherine Strickland

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REVIEWS SINGLES

LARI LUKE FEATURING ALIDA OUT OF THIS TOWN FAMOUZ RECORDS

 Larissa Rieß, also known as LARI LUKE has dipped her toes in various entertainment sectors including television, radio and as a DJ, remixer and producer. She’s said to a household name in her native Germany and has previously worked with the likes of Rita Ora, KP Saxe and Julia Michaels, among others. Larissa recently signed her first major label contract with Sony Music’s Famouz Records and has kicked out a some “ear candy” for you with the debut single “Out of This Town.” Larissa invited Norwegian Singer-songwriter Alida, known for her vocal performance on Robin Shultz’ Top 5 hit, “In Your Eyes,” to contribute a gives a very fine vocal performance on “Out of this Town.”

This is an impressive track and with Sony’s long reach, the single should hit and dazzle listeners across the globe.

—Catherine Strickland

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REVIEWS SINGLES

PURPLE HAZE ROSY ANJUNABEATS

 Sander van Doorn is a tech-trance innovator, prolific creator, and in-demand DJ. For years Sander is without a doubt one of the most recognizable and versatile artists in the electronic music scene. Well known for his high-energy records, early on Sander van Doorn was instrumental in the evolution of trance and progressive house music in the early 2000s. Additionally, his very own Doorn imprint is home to some of the biggest names in dance music today. Sander’s Purple Haze alias represents a deeper, darker end of his own creative spectrum most notably the club hits “Bliksem,” “The Hymn 2.0” and “Bergen.” On this Anjunabeats debut, “Rosy” continues the evolutionary journey of van Doorn’s cutting edge musical direction and is worthy of a classic modern track classification.

—Joseph Arthur Beatselector Magazine | July/August 2020 | 93

REVIEWS SINGLES

THE SHAPESHIFTERS FEATURING BILLY PORTER FINALLY READY GLITTERBOX

 The Shapeshifters’ rich relationship with Glitterbox has yielded instant classics like “Try My Love” and “Life Is A Dancefloor,” songs that lyrically and musically epitomise the label’s ethos for preserving disco’s mission to uplift and empower. “Finally Ready” is the latest offering featuring Grammy, Tony and Emmy Award-winning singer, actor, director, composer and playwright Billy Porter. The track features cinematic strings, live horns and Billy’s unmistakable voice. The emotional, yet joyful, lyrical message easily inspires and with the disco tinged musical backdrop, “Finally Ready” delivers the song’s core goal-one of acceptance and hope, specifically on the dance-floor. The songwriting craftiness and the brilliant idea of inviting Billy Porter to the date proves again that they remain big-league players when it comes to creating iconic dance music.

—Catherine Strickland

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REVIEWS SINGLES

SINEGO DUELE ORIANNA

 ORIANNA, meaning “rising sun” was born out of a passion to create a Latin lifestyle label focused on delivering organic electronic and experimental music. It represents the new mindset of nurturing the soul, adhering to a meditative state, all the while living fully and dancing till dawn. Sinego is a Colombian/ Mexican, multi-instrumentalist, DJ and producer and the first to release on Sony’s new imprint with the gorgeous “Duele” featuring Leonardo La Croix. The track is Inspired by traditional Bolero, the romantic Latin music developed in Spain during the 18th century, and features deep house underpinnings, horns and a beautiful melody. Vocalist Leonardo La Croix delivers the story through his heartstring tugging and mesmerizing verse while Sinego keeps to the tradition of revered music style intact while at the same time puts a modern touch the 18th century art form.

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