Beacon No. 04 — Bag Lady

No. 04 — BAG LADY

A CONTEMPORARY GUIDE FOR THE CREATIVE LIFESTYLE

Untitled — Keanu Narciso

CONTENTS

02

GROCERY LIFE Vee Qian

04

UNTITLED Keanu Narciso

BUILDING BLOCK Stand Up Comedy

BAG LADY Jearlean Taylor

FORGET ME NOT @afashionnerd, @davosgucci

FOREWORD Reid Lopes

10

06 15

16

SLIPPING Blossom

22

28

WHAT'S YOUR BAG

LADIES OF PARADISE Jade Daniels & Harlee Case

33

NOMAD For Suitcase Laundry

No. 04 — BAG LADY

00

L. Rigdon

34

LOVE AND BAGGAGE L. Rigdon

39

RED SUITCASE Chelsea Uniqorn

42

40

CREDITS TIMES SQUARE 2014 Adrian X Sands

GUCCI STORE 2017 Adrian X Sands

43

CREDITS Contributors

44

DELUGE Danica Sullivan 3

I

No. 04 — BAG LADY

BAG LADY JEARLEAN TAYLOR am Jearlean Taylor from Maryland. I am an author, fashion model, motivational speaker, and woman of God. My life has

proven to be a journey of unexpected challenges. I developed a rare form of cancer (Rhabdomysarcoma) at 3 years old. As a result of cancer, multiple surgeries, chemotherapy, and radiation treatments, I was forced to have two permanent ostomy bags for rest of my life.

An ostomy refers to the surgically created opening in the body for the discharge of body waste. An ostomy bag is a pouch that attaches to the abdomen and is fitted over and around the stoma to collect the diverted output, either stool or urine.

7

MY INSECURITIES DIDN'T CHANGE OVERNIGHT, BUT I LEARNED TO BE A SURVIVOR. No one could imagine my difficulties— low self-esteem, disappointments, insecurities, too many surgeries to count, and my problem with loving me, the 'Bag Lady.' My life was a journey of unexpected turns. I was suffering on the inside with self-pity, depression, unhappiness, suicidal thoughts, and my bags. My heart's desire had always been to make a difference in people's lives— how could I cope with what life had dealt me?

Through my journey and faith, I discovered who I could be in spite of my medical circumstances. My insecurities didn't change overnight, but I learned to be a survivor. Our challenges in life build, groom, and grow us to be conquerors.

We have the ability to make a difference, to change lives, to be role models, and to be all that we can be. It is a blessing that my desires and passions have come true.

I have been a fashion model, in editorial and runway, for over 17 years. And yes, with two ostomy bags!

On the outside, no would ever know what I have to deal with on a daily basis. But just because I live with these adversities and have had difficulties in life, doesn’t mean that I can’t make it. This 'bag lady' is bold, beautiful, and making moves! My ostomy bags will not define me.

I’m in awe of the blessings that have happened in my life. Thanks to God, my faith, my family and medical professionals and because I’ve told my story, I am changing lives. I am inspiring cancer survivors and ostomy patients, motivating fashion models, and encouraging those suffering with low self-esteem. I used to say, why me, why cancer, why ostomy bags? Now I say, why not me?

I am not my bags— I am an overcomer and a survivor.

8

No. 04 — BAG LADY

9

BU ILD ING BLO CK FOUND AT STAND UP COMEDY

No. 04 — BAG LADY

11

"...EQUAL PARTS QUALITY PRODUCTION, ELEMENT AND INSPIRATION."

t

e

o

'

a

h

t

I

f

l

o

l

m

g

r

h

w

s

v

o

e

u

o

p

c

i

t

i

b

s

l

s

f

a

n

u

I

a

r

l

e

d

l

i

l

p

p

e

i

l

t

c

d

s

n

i

i

p

e

l

n

u

a

h

m

g

g

n

i

l

g

o

s

e

e

t

p

h

g

n

n

r

u

w

t

g

c

?

l

a

t

t

s

o

,

e

p

y

h

h

h

b

v

d

e

a

a

r

e

t

m

r

e

r

t

e

,

e

z

e

o

c

u

b i

y

m

f

o

t

s

c

a

e

a

r

o

p

h

t

i

e

y

w

y

m

l

n

t

l

i

s

a

s

a

l

o

d

d

o

n

h

r

y

n

t

l

c

r

I

r

r

t

e

t

i

o

t

v

e

s

I

t

i

n

n

e

s

h

a

a

o

c

t

g

s

'

c

e

a

f

l

c

s

m

r

c

h

n

r

l

o

r

a

i

s

e

'

o

u

e

n

t

e

l

-

o

m

m

t

t

n

n

e

t

d h

o

m

c

e

w

e

e

No. 04 — BAG LADY

19

m

f

n

r

i

i

n

h

e

m

b

a

w

s

u

t

e

b

n

t

w

a

e

t

o

e

y

e

g

o

g

i

m i

a

h

h

i

t

r

w

d

b

I

t

t

h

t o

n

o

s

a

s

h

y

n

s

f

h

s

t

k

a

e

e

t

l

f

y

s

w

s

e

e

n t

a

i

i

o

e

h

m

m

i

I

m

o

t

e

n

u

e

a

a

e

i

n

'

a

.

I

t

h

s

d

r

m

t

y

?

n

g

m

a

p

m

i

a

i

c

r

t

m

e

g

e

m a

r

t

i

m

e o

o

o

y m

u

a

t

t

o

f

a

w

n e

e r

h

u

t

m

r

o

r

u

g

d

y

f

y

r

h

e

h

e

m c

f

l o

a

No. 04 — BAG LADY

21

No. 04 — BAG LADY

Jade Daniels and Harlee Case have created a community of women in the cannabis industry who have banded together to uplift and empower each other in a new way.

Ladies of Paradise is where fashion and cannabis go hand in hand. In addition to interviews, the blog features women using cannabis in photo shoots decked out in vintage styles from their online shop.

Their goal is to end the stigma associated with cannabis and inspire women to be whoever the hell they want to be.

25

KEEP YOU HEELS, HEAD, AND STANDARDS HIGH — COCO CHANEL

Te xt by L . R ig do n Il l u str a tio n s by V e e Q i a n

What’s Your Bag?

We hear strange phrases about bags on a regular basis, but what do they all mean?

Are you supposed to tell people about your purse when they ask you, “What’s your bag?” When the cat is out of the bag, are you obligated to go and find the cat?

have become a major part of our everyday speech.

Phrases like these are not meant to be taken literally. They are idioms.

Zyzik argues that there are certain aspects to idioms that allow us to comprehend the figurative meaning and teach it to language learners. As literal translations do not prove useful, we have to go about things a different way. Zyzik made a few observations about how to translate and comprehend idioms. She states that contextual clues can prove useful for getting the general idea, provided there is enough context to derive meaning. Zyzik also focuses on the benefits of discussing idioms by connecting underlying themes.

Idioms are phrases and sayings that fall under the category of figurative language.

These phrases can completely change the meaning of the sentence. For non-native speakers, idioms pose a major problem, because idiomatic phrases are not meant to be translated word-for-word. To understand idioms within a language, you have to have an understanding of their cultural context.

Just because native speakers use idioms doesn’t mean they know that they’re using them at all. In her article, “Teaching and Learning Idioms: The Big Picture,” Eve Zyzik from U.C. Santa Cruz notes that as much as half of the spoken English language is meant figuratively rather than literally. Native speakers often don’t notice the idioms they use, because these idioms

If the meaning of an idiom cannot be easily understood by defining each word, how do idioms have meaning at all?

Therefore, per Zyzik’s advice on how to better understand figurative language, the rest of this article will look at some of the connecting underlying themes of the most common bag-related idioms. Also, we will explore the meaning and origins of these common idioms.

In the Bag

No. 04 — BAG LADY

IDIOM 01

Business professionals often use this idiom to describe how a positive outcome will happen for them concerning a particular situation. According to the Cambridge Academic Content Dictionary, “in the bag” does refer to a certainty of a particular outcome.

Data from “The Phrase Finder” on Phrases.org shows that the origins of this idiom can be traced to the early 20th-century, and that the idiom was most often used in America. In fact, this particular idiom is believed to be the result of a baseball-related superstition.

Back in 1916, the Giants won 26 games in a row. It was said that the reason they won was due to the fact that every time the game reached the top of the ninth inning with the Giants in the lead, the team would have their ball bag carried off of the field. The implication was that they were so certain they were going to win that they had already packed up and were ready to go home, because the game, like their equipment, was in the bag.

IDIOM 02

What’s Your Bag? Information from Urban Dictionary.com implies that this particular idiom became popular during the 1960s. This idiomatic question was usually asked during moments of conflict. For instance, if someone was being aggressive toward you without due cause, and they told you to shut up or to get out, you might say, “What’s your bag?” What you are really asking them was to explain what was their problem with you and why were they acting aggressively.

A similar idiom would be “That’s not my bag.” Per McGraw-Hill's Dictionary of American Slang and Colloquial Expressions, accessed through The Free Dictionary.com, when something is “not your bag,” the idiom is in reference to not being your preference or your area of expertise.

One possible connecting thread between these two specific idioms may have to do with an individual’s sense of control. “Your bag” is what you have control over to do for yourself, and someone else’s bag is their sense of control over themselves and their surroundings.

29

IDIOM 03

Let the Cat Out of the Bag One of the older idioms, dating back to as early as the 15th century, per information on TheIdioms.com, this idiom is all about secrets.

Back in this earlier era, people would purchase piglets, and those piglets would be placed in a bag for sale. Sometimes, sneaky and/or mischievous merchants would put cats in the bag instead of piglets, either trying to dupe the customer, or they were trying to perform a practical joke. Thus, when the bag was opened, and a cat came out, so too did the truth about the missing piglets.

In today’s speech, we often use this idiom to denote when a secret has been revealed, particularly when the revealed secret has come out by accident. Sometimes people use this idiom to reference secrets being forced out.

For example, let’s say Juan has become engaged, but Juan hasn’t told his friends and family members yet. Juan is waiting for the right moment, such as at a party or on a special date. Since Juan’s friends and family members do not know the secret, they might be hassling Juan about his life choices and relationship status. Instead of waiting for the preferred moment, Juan might feel so much pressure that he just lets the cat out of the bag by telling everyone the truth of the engagement.

IDIOM 04

Left Holding the Bag This particular idiom often confuses non-native speakers, because it doesn’t look like figurative speech. There is some literal meaning involved with this figurative idiom, though. It all has to do with the purpose of a bag. A bag is used to hold items. A bag by itself, however, is just an empty bag. The idea of emptiness is a major clue to the real meaning of this idiom.

Looking deeper into the idea of emptiness, Samantha Enslen analyzed this idiom in her article, “Left Holding the Bag,” which was posted on QuickandDirtyTips.com, an educational website. Enslen’s research indicated that the idiom could be traced all the way back to the 1600s. In this earlier era, the idiom was almost always in reference to an empty bag, usually implying that everything valuable had been removed. Thus, whoever was left holding the empty bag, was left with nothing.

No. 04 — BAG LADY

In her article, Enslen points out a few historical references of this idiom, including a story that dates back to 1897, when a group of Kansas farmers paid a large amount of money to a person claiming to be a “rain-maker.” Unbeknownst to the farmers at the time, the rainmaker was a con artist, and when the rain didn’t fall, the rain-maker left town with the money. In a newspaper clipping about the event, which Enslen cited, a reporter wrote the following line: “The parties who put up the cash were left holding the bag.”

Per Enslen’s analysis of the use of this idiom over time, the idiom has marginally changed, particularly in relation to whether the figurative bag is considered full of empty. If it is empty, as in the examples above, it implies someone has lost out, because everything valuable has been removed from the bag.

In contrast, if the bag is full of valuable items, one might think that being left holding the bag of riches would be a good thing.

Unfortunately, that is not always the case. When someone says, “they were left holding the bag,” and it references a full bag, the meaning of the idiom takes on a negative connotation that is worse than being left with nothing, as would be implied with an empty bag. For example, if the bag is full of stolen merchandise, whoever is left holding the bag is the one who will get arrested, as they are the one with stolen merchandise in their possession.

Much like Enslen points out in her article, it doesn’t matter what is or is not in the bag. The contextual meaning of the idiom focuses on the themes of loss and betrayal. In the end, whoever is left holding the bag, regardless of the implied contents of the bag, or lack thereof, the figurative possession of the bag will almost always lead to undesirable outcomes.

31

32

Nomad — For Suitcase Laundry

No. 04 — BAG LADY

Finding love can feel like an epic quest, a roller coaster ride, and a shopping trip all rolled into one. Society compels us to pair up, as if living single were some horrible existence in which we must do everything to escape. But even though we’re on a planet filled to the brim with other humans, finding someone else with whom we connect seems like a monumental task full of ups and downs. To aid us in this task, we have all been given a shopping list of ingredients that we are told will make up the “perfect partner” for us. If we can find all of the ingredients, we are made to believe that true love will be our reward.

LOVE AND BAGGAGE L. RIGDON

Of course, there’s one more factor to consider in this search for love– ourselves.

No matter how much we may desire companionship, we all have hang-ups that often get in our way. For some of us, our hang-ups are about our potential partners. We say things like, “I don’t want to deal with someone who has a bunch of baggage.” Or, for those of us who prefer self-deprecation, we avoid companionship, because we feel no one could ever possibly put up with our own baggage.

To these thoughts, one is reminded of the words from Jonathan Larson’s musical, Rent: “Life's too short, babe / Time is flying / I'm looking for baggage that goes with mine.”

35

Mimi, the character who sings this quote in the musical, has a seizethe-day mentality, as she is both a drug addict and a person living with a fatal disease. Although her story is tragic, her line makes an interesting point, namely that baggage is something in which we all possess, so there is no point in trying to find someone who is baggage-free.

Ron Dow’s article “Excess Baggage,” defines emotional baggage as “emotional wounds” that often occur as a result of relationship experiences. Individuals receive such wounds when promises are not kept, when trust is broken, and when relationships fall apart.

In Dr. Janet Hibbs’ book, Try to See It My Way, she states, "everybody brings baggage to a relationship. The trouble is sorting [that baggage] into

piles of yours, mine, and ours, and then figuring out what to do with it".

Hibbs points out that these wounds do not only occur during romantic relationships. In fact, her theory is that the bulk of the emotional wounds we carry as adults can be traced back to childhood, as they are the wounds resulting directly from the relationships we developed with our caregivers.

Hibbs explains how the term emotional baggage is synonymous with unresolved issues. One of the ways we continue not to deal with our unresolved issues is by creating and believing in a set of particular myths. For example, someone might say that they had a pleasant childhood, even if it was not pleasant all the time. It is easier to believe the myth than to deal with the emotions of challenging the truth. These

...OF COURSE, THERE'S ALWAYS ONE MORE FACTOR TO CONSIDER IN THIS SEARCH FOR LOVE:

OURSELVES

Hibbs emphasizes the importance of self-awareness in relationship to handling your own emotional baggage. In fact, she and Dow both seem to be in agreement about how individuals cannot expect to be successful in their relationships if they are unwilling or unable to unpack their emotional baggage and find ways to resolve it.

Dow discusses how some people may feel the urge to simply “ditch” their baggage. There is the belief that you can move to a new place, reinvent yourself, and no longer be burdened by the baggage of your former life. While it is possible to disassociate yourself from some of the individuals who emotionally wounded you, Dow points out that those wounds are always with you, and therefore so too is your emotional baggage. It is never truly gone, and simply remains in your mind until the wounds are triggered.

Dealing with the real problem of ourselves involves being vulnerable. Not only do we need to be vulnerable, but we must dig into our past. Hibbs points out that many people who try to uncover the roots of broken trust patterns may experience difficulties, as they may feel an overwhelming sense of disloyalty. For example, if you believe the myth that you had a pleasant childhood, looking into your past and questioning the validity of the myth puts your caregivers under the microscope, making you feel as if you are betraying those who raised you. Hibbs remarks that if you are emotionally wounded, you have to accept that those wounds

came from somewhere, and in some cases from someone. If that someone is a parental figure, it does not mean that that parental figure is completely bad. No one is completely good or bad, and it is possible to simultaneously love someone for being your caregiver while you hate them for how they broke your trust.

No. 04 — BAG LADY

myths are what Hibbs identifies as coping devices.

As you break your myths and fight past coping devices to identify the patterns of broken trust, you can begin to unpack your emotional baggage. Handling that baggage might require the help of an expert, as Hibbs recognizes, and such experts could include a therapist, a religious counselor, or even a trusted friend. Hibbs explains that individuals may also need to have confrontations with those who emotionally wounded them. While such confrontations may involve difficult emotions, unpacking and handling your emotional baggage means that you must identify where trust was broken in order to recognize how that betrayal of trust is influencing the decisions and actions of your current life.

In a blog post entitled, “Wisdom from RENT, aka Baggage Reframe,” Katie Ashley echoes this idea of healing by changing our perceptions on how we look at our own emotional baggage.

Because we carry our unresolved issues with us from childhood up into adulthood, as Hibbs argues, Ashley explains how that action of carrying often puts us in the victim position. By owning your emotional baggage, or unpacking it, as Hibbs would say, Ashley points out that instead of being the victim, you can reframe your perspective of your emotional baggage to grow

37

and become stronger. Thus, she argues that the quote, “I’m looking for baggage that goes with mine,” could imply that someone is looking for others who have gone through immense emotional pain, but who have survived it and who have become better people by reframing, or resolving, those issues.

When it comes to emotional baggage, it is essential that we come to the understanding that everyone has baggage, and that everyone’s baggage is unique. We must also accept that a large portion of our emotional baggage has been with us for the majority of our lives, dating all the way back to childhood. If we as adults notice negative patterns in our romantic relationships, it may be time to look inward and determine if the unresolved issues from our emotional wounds are affecting the way that we interact with other people, especially in regards to trust and fairness. By gaining a better comprehension of our own emotional baggage, we may be more skilled at identifying the emotional baggage of others, thus giving us the ability to find baggage that complements our own, as well as finding ways to help ourselves and those we love unpack our baggage and heal our wounds.

Illustration by Peter Litster

I'M LOOKING FOR BAGGAGE

THAT GOES WITH MINE

39

Red Suitcase — Chelsea Uniqorn

BEACON QUARTERLY

CRIB DESIGN CHACHA HOUSE SANDS

@beaconquarterly

cribdesignhouse.com @cribdesignhouse

Magazine

A printed and digital magazine of inspired ideas from creatives around the world.

Publisher

Crib Design House is a multidivisional creative firm breaking boundaries and experimenting with the unexpected.

Editor-in-Chief & Creative Director @chachasands

Chacha is the owner of Crib Design House and creator of Beacon Quarterly. She is passionate about bringing creativity and originality to every project and strives to empower others to do the same.

ZACH WESTERMAN

VEE QIAN

zachwesterman.com @holy_macro_ @sixsides

veeqian.com @yioneon

Director of Design

Zach is a forwardthinking, creative dude based in the Chicago area. Dedicated to communicating great ideas, daily through all things audio/visual.

Guest Editor & Illustrator

Vee Chenting Qian is a designer and illustrator from Wuxi, China currently living in Portland, Oregon. She always experiments with different design approaches to find the most suitable and fun solution for the project.

She loves creating work that leaves an impression on people and being weird.

PETER LITSTER

Graphic Design, Intern peterlitster.com @peterlitsterillustration

Peter is a budding graphic designer and illustrator from Portland, Oregon. He's driven by a passion for elegance, simplicity, and creating order from chaos­— in life as well as in art.

Crib Design House 126 SW Stark St. Portland, OR 97204 / Short Run Printing, LTD. 3128 W Thomas Rd. #201 Phoenix, AZ 85017 Copyright 2018 Beacon Magazine. All rights reserved. Reproduction in whole or in part without written permission is prohibited.

ISSN 2472-2529

Adrian X Sands

Photographer: Amanda Adam @adamandaa Model: Iona Catherine Small @ionacatherine Styling & Art Direction: Holly Hoover @hollyhoover_ Wardrobe: Afrodisiac @afrodisiacgoods, Red Wolf @redwolfodx, Solstice Intimates @solsticeintimates Location: Portland, Oregon Website: amandaadam.xyz

00 GROCERY LIFE Vee Qian @yioneon

02 UNTITLED Keanu Narciso @keanunarciso_

04 FOREWORD

Reid Lopes @junior_lopes14

06 BAG LADY

Text & Model: Jearlean Taylor @msjearleantaylor Photographer: Epic Media Photography Producer: Andre Dunston MUA: Takia Ross Location: Baltimore, Maryland

10 BUILDING BLOCK

Found at Stand Up Comedy @standupcomedytoo Feat. iPhone Sling by Building Block Photographer & Stylist: Iamthatshop @iamthat_shop Location: Portland, Oregon Website: standupcomedytoo.com

15 FORGET ME NOT

Feat. Pet Carrier by CloverPet @cloverpet.us Photographer & Model: Amy Roiland @afashionnerd Model: Davos Gucci @davosgucci Location: Los Angeles, California

16 SLIPPING

Model & Lyrics: Blossom @bamb00banga Art Direction & Photographer: Christine Taylor @christinetaylorcreative Styling: Willyum Beck @willyumbeck Wardrobe: Boots, Yeezy / Mouth Jewelry, Karen Wolf / Floral Dress, Brunello Cucinelli / Metallic Jacket, Maison Margiela / Lace Socks, Stance / Fur Bikini Top, Flea Madonna / Lace Blouse, M. Essential Location: Black Book, Portland, Oregon

22 LADIES OF PARADISE

Text: Jade Daniels & Harlee Case Photographer: Harlee Case @harleecase Model: Jade Daniels @heyjadehey Styling: Ladies of Paradise @ladiesofparadise Wardrobe: Backpack, Versace / Purse, YSL / Bag, Chanel Website: ladiesofparadise.com

28 WHAT'S YOUR BAG Text: L. Rigdon Illustration: Vee Qian @yioneon Website: lrigdon.com

33 NOMAD

Art Direction & Set Styling: Chacha Sands @chachasands Photographer: Allegra Villella @photosbyallegra Model: Devinity Robertson @devvinitty Producer: Nic Porter @nicportland For: Suitcase Laundry @suitcaselaundry MUA: Lorena Belloso @Makeupbylorebell Wardrobe Styling: Brittanee Wright @Brittaneenicole

No. 04 — BAG LADY

COVER: DESTROYER

Set Decor: Trove @trovecuratedhome Location: Portland, Oregon

34 LOVE AND BAGGAGE

Text: L. Rigdon Illustration: Peter Litster @peterlitsterillustration Website: lrigdon.com

39 RED SUITCASE Chelsea Uniqorn @chelsea_uniqorn Website: chelseauniqorn.com

40 TIMES SQUARE 2014 Adrian X Sands @adrianxsands Location: New York, New York

42 GUCCI STORE 2017 Adrian X Sands @adrianxsands Location: Chicago, Illinois

44 DELUGE

Danica Sullivan, @danicarosull Website: danicarose.com

BACK: UNTITLED

Photographer: Fitch J @the.architxct Model: Stephen Harper @stvndoes Wardrobe: Trunks, Forever21 / Fanny Pack, (no label) Location: Los Angeles, California

43

r te ly @ b a o n u rt er ly u e a q u r er ly @ c b a t e r q a co n qu ar te rly @ be @ b a t r q e r y n qu a rte rl y@ b ea co n qu ar te rly @ b u a te rl @ b a co n u ar e ly @ n q co on qu uar rte rly y@ be ea co nq qu art ter rly @ n q a rte rl y@ b ea co n qu ar te rly c o ea ac on qu ua rte erl ly@ b ea co on qu ar rte r c on q ua rt r y@ b ea c n qu a te e a b e c n q a te rl @ b ea co n u ar t @ b ea co n qu ar te rly @ b a co nq u ar o n u ar te ly @ be a o nq u a @ b c e y @ b a o nq u r er ly e ac o q ua @ c b a t e lr y @ b ea co nq u ar ter rly @ be ac on nq ly @ b ea co nq u ar te rly @ be ac o nq r te erly y@ b ea co onq qu ar te rly @ be eac co n t erl y@ b ea c on qu ar te rly @ b ea co r a rt rl y@ b ea c n qu ar te rly @ b ea c e rl @ b ea co n u ar te ly @ b a a t r r qu ua rte erly ly@ b ea aco onq qu uar rte rly y@ be e q ua rt er ly@ b e ac on q ua rte rl y@ b n o nq ua art ter ly@@b be ac on nq ua rte erl ly@ r q @ co on qu uar rte rly y@ be eac co nq qua art ter rly c on q ua rte rl y@ b ea co n qu ar te rly a e ac on q ua rte erl ly@ b ea co on qu ar rte r n q a rt r y@ b ea c n qu a te c e o b ea c n qu a te rl @ b ea co n u ar t @ b ea co n qu ar te rly @ b a co nq u ar o n u ar te ly @ be a o nq u a @ b c e y @ b a o nq u r er ly c o q ua e a @ c b a t e n rly ly@ b ea aco onq qu ar rter rly y@ be eac co nq q @ b e c n qu a te rl @ b a co n r y e rl @ b ea co n u ar te ly @ be a o t r te ly @ b a o nq u r er ly c o e a r @ c b a r te ly @ be a o nq u rt er ly e ac a r @ c b a t e r r y u a te rl @ b a co nq u ar e ly @ be ac r te ly @ be a o nq u rt er ly u e a q u r er ly @ c b a t e r q a co n qu ar te rly @ be @ b a t r q e r y u e on nq ua art terl ly@@b bea aco on nqu uar rte erly ly@ e c o q u r r y q a t r @