BDAV News, October 2018

EDITION 9

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Contents C O V E R S T O R Y – K A L L I S TA 6 INTER VIE W: TODD PEARCE

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PLANNING TOPICS

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MARKE TING TOPICS

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T E C H N O LO G Y 27 INDUSTRY NEWS

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JOB MARKET

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DISCLAIMER Publication of an article or inclusion of an advertisement in this edition does not infer that the BDAV agrees with the views expressed, or message conveyed, nor does it imply endorsement of products. In addition, the BDAV does not accept responsiblity for any errors or omissions. No content may be reproduced without the written permission of the BDAV. Requests should be lodged to The Editor, at info@bdav.org.au.

Cover Story – Kallista

C O V E R S T O R Y – K A L L I S TA

Passive House Breaks the Design Mould •

Passive House design includes innovative design and smart technology to create a ‘future proof’ home

•

Distinctive curved structure enhances fire safety on bushland site

•

Low maintenance and high sustainability hallmark this residence

Maxa Design received two commendations in the BDAV’s 2018 Building Design Awards for their Kallista project in Victoria’s Dandenong Ranges, which has received a lot of media interest, given it is very unusual and eye catching.

The commendations were for Best Energy Efficient Design-Residential and for Excellence in Use of Steel.

That this compact home blends into its environment, and is a stand-out design, is testament to the many constraints that have inspired this creative outcome.

When a client brief specifies a residence that is ‘soft, round and warm’ it is stating the obvious to add they were looking for something a ‘bit different’. The challenge presented to building designer Sven Maxa from Maxa Design was one he was well equipped to handle. Looking locally for inspiration, it was a charred fallen log on the home’s bushland site in the Dandenong Ranges that inspired the eventual design’s striking elliptical form.

To support the client’s desire for an accessible

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“ This entry adopts a unique response to energy efficiency, using its form to help produce a highly efficient building, by using R6 insulation to the ceiling and the floor area. ” DARREN COLE-SINCLAIR J U D G I N G PA N E L

home – a home that accommodates all ages and all abilities – into their retirement, Sven opted for a compact single-level floorplan, a solution that marries curves and pragmatics.

Sven was also working to required bushfire design regulations, as the need to minimise the potential danger of natural disaster was just one of the many constraints that had to be managed. Bushfires are a real threat in the Ranges and Sven’s rounded structure solution prevents leaf litter build up and supports ember shed.

Maximising the view and ambience of the surrounding bush environment was also a key requirement for Sven’s clients. While today the couple can look out any window of the finished residence and feel they are living amongst the treetops, this relative ease of leafy access took much behind-the-scenes activity. Local Council regulations required the established grey gums on the site to be maintained, which, alongside the steep gradient, limited the ground space available for building. Maxa Design’s solution elevates the Continued page 9.....

C over S tory – K allista

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single level home to traverse these challenges. The building projects out from the land’s highest point into the forest, and is supported by steel poles. These had to be anchored to the sub-soil rock to ensure stability in case of land slip – another very real danger given the site’s pitch – but this solution meant the design team could protect the landscape.

The dense overarching tree canopy presented another challenge as it obstructed the sun, limiting solar access to the home and potentially causing condensation issues. Employing Passive House design principles and construction methodologies including a ‘magic box’ heat recovery ventilation/hot water/heating and cooling unit – one of the first in Australia – resolved these issues, explains Sven. Passive house methodologies carefully control insulation and air leakage, building orientation and shading, and recovery and filtration of indoor air to manage temperature and air quality. A certified passive house’s performance can be measured precisely, with air quality and heat loss and gain data tracked over time. The first passive house was built in Austria in 1991.

The project ticks many boxes to achieve a residence that has met council, fire safety, and environmental requirements, as well as the client’s lifestyle and aesthetic needs. The ‘smart technology’ resolves ventilation issues and helps maintain a comfortable and constant ambient temperature through seasonal fluctuations. But what makes Sven happiest about this project is that his clients are “really ecstatic” about their new home, he says.

Designer: Maxa Design Pty Ltd; www.maxadesign.com.au Builder: Owner/Builder Photographer: Chris Neylon Photography

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C over S tory – K allista

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“ Looking locally for inspiration, a charred fallen log on the home’s bushland site in the Dandenong Ranges inspired the eventual design’s striking elliptical form. ” — S— V E N M A X A , M A X A D E S I G N

InterVIEW

I NTER V I E W

Todd Pearce has been contributing a monthly ‘Todd’s Apps’ column since July 2013.

We thought it was time to get to know him a little better…..

What is/are your favourite project/s that you have worked on, and why?

Without doubt my favourite projects are the tight sites with lots of challenges both in terms of structural but also capturing the most amount of space for the given envelope. The two projects that jump to mind were also for good friends, which made it so much more enjoyable as I knew them personally so I was in a really great space to be able to understand what they liked and what they didn’t.

One was a substantial renovation in Middle Park complete with sunken lounge and secret bookcase door into a cellar. We managed to also take out two back-to-back fireplaces without disturbing the chimneys above the ceiling line capturing the floor space but still keeping the heritage guys happy. I was very excited that the clients had the trust in me to go for the rooftop balcony hidden in plain sight within the existing roof area of the double fronted roof structure. Whilst we didn’t quite get it onto the plans, we discussed turning one of the chimneys into a mini pizza oven. Maybe next time…? The other building is a full new build in Northcote; again tight site, heritage, boundary to boundary. It’s a great little design of a house I’d love to live in myself: raised ceilings, void bridges, vaulted spaces and great storage in roof cavities, north facing roof loaded with solar and a swimming pool to boot. Can’t wait for it to be built! The owners took a short break to have a baby – but they’re back on the case and hope to appoint a builder any day now.

the place. However, for 3 months a year I lived in Scandinavia.

We had a holiday house in a sleepy country beachside town in Denmark. Large backyard with tall conifers and wide open lots. Weatherboard with some masonry; very open plan, with wood panelling, high ceilings and a sauna, of course.

I joined the BDAV because?

Having studied industrial design and having an association with the DIA and then a solid stint in retail store planning and design where I was a professional member of the Institute of Store Planners, I already knew the value of being involved in an industry group to share time with like-minded professionals but also the benefit of keeping up to speed with regulations and industry issues. So, when I went back to school to study building design – I was already working in the residential design and construction business anyway – it was a logical step to seek out a representative body building on professional memberships I’d had before. I’m not sure exactly how long I’ve been a member now – over 10 years as a full member but longer than that as a student prior.

To date, my biggest business/design challenge has been?

Anything admin. I would quite honestly work for nothing if I didn’t need the money. As with many people in the design industry, I guess we’d rather be doing the actual work rather than talking about it, doing invoicing, BAS statements and the like. So, just about all the admin tasks I find challenging; more so from a motivation and enjoyment perspective rather than it being particularly difficult.

My favourite Australian building is?

Mike Cleaver’s ‘Batman house’: I really enjoy the way it takes risks, wears its structure on the outside and turns a lot of elements inside out. All whilst maintaining such a nice feel of warmth and an interesting mix of both free form feel but finely balanced against the very deliberate nature of its structure and form.

My favourite finish is?

My favourite international building is?

I really like satin finishes such as Zinc cladding but also have a soft spot for Weathertex particularly the woodsman natural range. I like the texture and feel of both but also the way they weather and their long term durability.

The truth be known I am somewhat of a mid-century tragic – love the vibe, the sense of place and time that these era homes exude.

So much energy and promise of new beginnings, technology and blazing a new path. Almost anything Joseph Eichler works for me. I really enjoy the way the building’s structure are exposed but all within a sense of comfort for the occupants and how they live. The fact that they were fundamentally an economical way to build (Eichler was a developer after all) makes it more interesting to me – as I’ve never subscribed to the view that “good design has to cost a lot of money”; which is of course slightly different to “you get what you pay for”.

The architectural style of the home I grew up in?

That’s a bit of a tough one for me – for 15 years (9 months a year) I lived in one of the busiest cities in Asia: Hong Kong. Part of the time in a house, the balance in an apartment. Pretty much concrete boxes to be fair – not just the house but mostly everything else too around

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Continued on page 15.....

InterVIEW

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I N T E R V I E W ( C O N T I N U E D F R O M PA G E 1 3 )

Empathy in design is critical – projects that have no budget, no brief and no constraints come along infrequently if at all. As a building designer, your role is to interpret and guide people to achieve their goals, consider their budget, their personal situation and their needs. I see building designers as guides to regulation, options and of course well thought-out aesthetically pleasing outcomes. It’s for the most part not about you or your needs, wants or desires (of course they will be aligned in many instances otherwise you are unlikely to have been awarded the project). Judge yourself by your clients’ feedback about how well the project suits their needs/brief and how much you brought to their project and their enjoyment.

spent a year restoring it, I enjoyed working on it so much I actually did all my own vehicle maintenance for decades after and as a young enthusiast I actually worked on my mechanic’s fixing customers cars on the weekends for no pay; other than him letting me use his workshop and all the equipment to fix my own car. I managed to take a few years off about 15 years when I’d had enough of retail design and wasn’t sure what to do next – during that time I worked in a seaside hotel in Europe where I managed a restaurant – I still really like to cook. And well design / architecture – really, I’ve been doing this for my entire working life in one are or another, whether it was industrial design, interior design, retail store planning and visual merchandising to the last 15 plus years in residential design and construction.

When I was a child I wanted to be?

Outside of work, I am passionate about?

I had 3 things that interested me as a child: architecture/design, motor mechanic and chef. I’ve actually managed to fit them all in to me life in one way or another. When I was 17 I bought my first car, a VW beetle, and

Other than my family of course I am a keen martial artist. I study and am also an assistant instructor in a traditional Korean Martial Art little known in Australia called Hapkido.

My words of wisdom for a student building designer are?

I currently hold the rank of 2nd Dan Black Belt and recently competed in Korea and somehow managed to win a gold medal defeating the last year’s champions in the coveted paired self-defence demonstration.

In addition, our Team demonstration walked away with a silver medal. No one was more surprised than me I can assure you. Hapkido is a very technical and traditional martial art and I’m sure I could study it full time for the next 20 years and would still have plenty more to learn.

At the moment I am reading?

I had to laugh at this question – I read a lot but not books these days. Most of my reading leisure time is spent on the iPad reading the news, researching and also using a website called Mix that randomly suggests website, stories and the like based on other things I’ve looked at.

My life in 4 words?

Family, Friends, Work, Renovations.

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I nter V I E W

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I nter V I E W

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Planning Topics

PLANNING TIDBITS

Little bits that can make a big difference to your town planning outcomes

AMENDMENT VC 148 (Part 2)

O U T D AT E D P R O V I S I O N S

In the previous edition we looked in depth at Planning Scheme Amendment VC148, which introduced numerous structural and format changes affecting all of Victoria’s Planning Schemes.

The Amendment was part of the Victorian Government’s Smart Planning program aiming to simplify and modernise planning policy and rules. In addition to the structural and format changes are a number of changes to the rules, which change the operation of Victoria’s Planning Schemes.

Some outdated particular provisions in previous Clauses 52, 53 and 57 have been deleted altogether, including three particular provisions that specified requirements for the use of land for:

In this article we provide a summary of these changes, which include: •

Deleting outdated particular provisions;

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Notice and review provisions for the Development Plan Overlay;

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Changes to Sign provisions;

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Removing notice and review provisions for permits in a Road Zone Category 1;

•

Deleting permit requirements for low-impact uses in industrial zones; and

•

Reducing or varying car parking requirements for uses in commercial areas and for land within walking distance of high-quality public transport.

•

a service station (Clause 52.12),

•

a car wash (Clause 52.13), or

•

motor vehicle, boat or caravan sales (Clause 52.14).

it is considered these provisions were outdated and imposed unnecessary regulatory burden on business. However, to ensure appropriate amenity controls are maintained, the Mixed-Use zone and Industrial 1 zone have been amended to include appropriate amenity controls and decision guidelines for service stations.

D E V E L O P M E N T P L A N O V E R L AY

The Development Plan Overlay (DPO) notice (advertising) and review (appeal) exemptions have now been clarified. The exemption in the DPO has been modified to remove the ‘catch 22’ identified in VCAT decision Saunders v Frankston CC (Red Dot) [2009] VCAT 144 (19 February 2009).

The modification does not change the practical operation of the DPO, but does remove a source of potential confusion. The third purpose of the DPO has also been modified to reflect the change to the notice and review exemption. The notice and review provision of this clause now reads: A permit must not be granted to use or subdivide land, construct a building or construct or carry out works until a development plan

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P lanning T opics

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PLANNING TIDBITS

These tidbits are part of the regular contribution made by Clause:1 Planning to Intersect. For more information visit www.clause1.com.au

has been prepared to the satisfaction of the responsible authority.

This does not apply if a schedule to this overlay specifically states that a permit may be granted before a development plan has been prepared to the satisfaction of the responsible authority and SIGNS

– “sign” has been amended to: include a structure specifically built to support or illuminate a sign.

Provisions that regulate the use and development of land for signs have been amended to modernise, clarify and improve their structure and operation. In particular: •

The term ‘advertising signs’ has been replaced with ‘signs’ throughout planning schemes;

•

A permit is no longer required to use land to display a sign.

An exemption has been included in Clause 62.01 (Uses not requiring a permit).

•

Sign provisions now require a permit to include a condition that provides on expiry of the permit the sign and structures built specifically to support and illuminate it must be removed.

Previously this was only a requirement for ‘major promotion signs’.

•

Definitions of what constitutes:

These last changes clarify the way in which sign areas or heights may be measured and therefore clarifies whether a permit is triggered or not for a sign proposal, or whether a sign is allowed or prohibited.

ROAD ZONE

Clause 52.29 relates to works in a Road Zone, Category 1, or a Public Acquisition Overlay for a Category 1 Road. These are declared highways, or land set aside for that purpose, managed mostly by VicRoads. Many planning permits fronting a Road Zone, Category 1 include a permit trigger where a vehicle crossing is created, altered or removed. These types of applications are now exempt from the notice and third-party review (appeal) requirements.

– “display area” has been amended to: R E M O VA L O F P E R M I T T R I G G E R F O R “ L O W - I M PA C T U S E S ”.

the area of that part of a sign used to display its content, including borders, surrounds and logo boxes. It does not include safety devices, platforms and lighting structures. If the sign does not move or rotate, the area is one side only;

A number of uses considered low-impact have been changed from Section 2 (permit required) to Section 1 uses (permit not required) in the specified industrial zones. A planning permit is no longer required to change the use of land to: Continued page 21....

.

Ph: 03 9370 9599 www.clause1.com.au

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PLANNING TIDBITS

•

Convenience shop in the Industrial 1 Zone.

•

Take away food premises in the Industrial 1 Zone and Industrial 3 Zone.

•

Service industry in the Industrial 3 Zone (subject to conditions specified in the table of uses, including setbacks from sensitive uses).

C A R PA R K I N G

Amendment VC148 changes Clause 52.06 (Car parking) to reduce car parking requirements for new uses within existing buildings, in commercial areas which are within walking distance of public transport on the Principal Public Transport Network (PPTN). The PPTN is considered to include a network of highquality public transport services based on existing services and committed service upgrades or projects. It includes: •

metropolitan train stations;

•

the tram network;

•

bus services with a high peak service frequency;

•

key interchanges (major shopping centres, Melbourne Airport, some university campuses and major park and ride facilities).

The PPTN encourages forms of development near the network which will provide more people with access to public transport services. The PPTN encourages more diverse and dense development near high-quality public transport to enhance public transport usage.

Amendment VC148 has incorporated the Principal Public Transport Network (PPTN) (State Government of Victoria, 2018). A mapping tool showing the PPTN is available online at this link https:// transport.vic.gov.au/about/planning/ principal-public-transport-network/ Of particular interest to practitioners will be the interactive PPTN area maps which show land within a 400 metre distance

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of the PPTN, available at this link: http:// mapshare.maps.vic.gov.au/vicplan/.

The Car Parking provisions at Clause 52.06 have been amended by VC148 so that the reduced parking rates specified in Column B of Table 1 in Clause 52.06 now apply, if any part of the land is identified as being within 400 metres of the PPTN as shown on the (PPTN Area Maps). Column B in this table has a varied, often lower, requirement than Column A, and recognises the site advantages of being within walking distance of good public transport.

For example: •

The specified rate for car parking to use land for office purposes, outside of the PPTN area, is 3.5 spaces to each 100sqm of net floor area. This rate reduces to 3.0 spaces to each 100sqm of net floor area within the PPTN area.

•

A restaurant has a standard requirement of 0.4 spaces per patron, outside of the PPTN area and a reduced rate of 3.5 to each 100sqm of leasable floor area within it.

Whereas previously this locational advantage was part of the considerations relevant to an application to reduce or waive car parking requirements, it is now an empirical tool that provides a reduced car parking rate in areas well serviced by the PPTN. Where your subject site is within the PPTN area, you may now no-longer need a planning permit for a car parking reduction.

Another significant change to the car parking provision is an exemption from the need for a planning permit for a car parking waiver or reduction for a new use of an existing building if the following requirements are met:

•

The building is not in a Parking Overlay with a schedule that allows a financial contribution to be paid in lieu of the provision of the required car parking spaces for the use

This amendment should reduce permit requirements, time delays and costs associated with establishing a new business in commercial areas, particularly where car parking is/was the only planning permit trigger.

C U R R E N T A P P L I C AT I O N S

If you have current planning permit applications which are affected by these changes, and if these proposals no longer require a planning permit, the Responsible Authority should notify the applicant of this and consider whether a full or partial refund of the application fee is appropriate.

There are no transitional provisions associated with these changes, so they effect all applications as of July 2018.

TO THE FUTURE…

In time we expect there to be further changes to planning schemes, enabled by the new format, as Councils: •

Integrate local planning policy into the Planning Policy Framework;

•

Make greater use of schedules to zones and overlays to include locally relevant requirements and decision guidelines;

•

Provide Statements of Significance for new Heritage Places;

•

Use the new Specific Controls Overlay

We will keep you updated with relevant and significant changes to Victoria’s Planning Provisions as they arise.

•

The building is in the Commercial 1 Zone, Commercial 2 Zone or Activity Centre Zone.

•

The gross floor area of the building is not increased.

As always, should you have any queries regarding the above information please do not hesitate to contact our office.

•

The reduction does not exceed 10 car parking spaces.

www.clause1.com.au

P lanning T opics

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Marketing Tips

Workplaces: Wellness + Wood = Productivity

“Until recently, we’ve really not had a whole lot of evidence to support that common hypothesis that having things like wooden surfaces in the office would be good for your wellbeing.”*

“What I found and got really excited about was that there’s a really strong association between the presence of wood and wellbeing. I’ve rarely seen a data set or a study which has shown such a clear link.”*

“If you’re a worker and you could see no wooden surfaces at all from your workplace, 53% of that type of worker was satisfied with what was going on in their workplace.

When you move that up to having eight or more wooden surfaces - we’re talking things here like wooden chairs, wooden panelling on the walls, wooden floorboards, even quite small wooden items- but if you get to eight or more, then 82% of people were satisfied with their work.”*

“Having wooden surfaces in your workplace is strongly associated with: improved worker wellbeing, workplace satisfaction, and with all the positive things that can flow from that like improved productivity.”* N E W S . B D AV. O R G . AU

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M arketing T ips

24

HOW TO BUILD A BET TER LINKEDIN PROFILE

Verity Campbell helps to clarify your business vision Do you have a vision?

Lately, we’ve been busy helping clients clarify their business vision.

What do we mean by ‘vision’? In a nutshell, an aspirational description of what a business wants to achieve in the mid to long-term future.

The vision is intended to serve as a clear guide for choosing current and future courses of action.

Our clients often fall into the trap of forgetting their “why” – the reason why they went into business in the first place. Perhaps they’ve become bogged down by only the problems they can see – too few clients, lack of revenue, lack of time – rather than focussing on opportunities. Or maybe they’ve struggled to establish a clear picture of how they want their ideal business to look.

Sound familiar? Here’s why it pays to invest time into your vision.

I T M O T I VAT E S A N D E M P O W E R S

When a new staff member comes on board, it’s critical they know what the business stands for and where it’s headed. The vision forms the basis for alignment not only with the owner, but the entire team. Your team will all be on the same page when it comes to what you do and why you do it, which leads to better effectiveness and efficiency.

IT PROVIDES DIRECTION AND PURPOSE

IT ’S FUTURE-FOCUSSED

And if you’re in need of some vision statement inspiration – start with some global big brands. TED: Spread ideas; Tesla: To accelerate the world’s transition to sustainable energy; or Warby Parker: To offer designer eyewear at a revolutionary price, while leading the way for socially conscious businesses. Think Google: To organise the world’s information and make it universally accessible and useful; Instagram: Capture and Share the World’s Moments; or Disney: To make people happy.

Which is why it’s referred to as a “vision” rather than a mission.

The vision is about a preferred future. Where will you be in 1 year? 3 years? 5 years? Whereas the mission tells us what we’re doing to help get us where we want to go in the future.

But remember, there are many different types of vision statements, long, short, qualitative or quantitative – and there is no right or wrong answer – it’s your vision after all!

As you inevitably get caught up in the day-to-day office and project juggling, your vision serves as a useful reminder of why you do what you do. Losing sight of this purpose will affect your path moving forward. A vision statement serves as a reminder of this purpose and will ultimately help direct you (and staff ) towards achieving your goal.

IT GUIDES DECISION-MAKING

A clear vision provides a framework for thinking throughout the business. It helps provide useful boundaries to help you stay on the path to your preferred future.

V E R I T Y C A M P B E L L C O M M U N I C AT I O N S

Writing, marketing and communications for design and related businesses. Join our newsletter for new ideas, tips and advice: www.veritycampbell.com.au/newsletter

I T S H A P E S S T R AT E G Y

Every business needs a strategy. Rather than being reactive to the current market or trying to follow what your competitors are doing, an effective strategy starts with your own authentic vision, and sets out actionable and measurable steps to help achieve it.

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This is the last in this series of Marketing articles from Verity Campbell, but we thank her contributing to our monthly journal since April 2014.

M arketing T ips

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Technology

Graduates Get designs on your future.

If you’re a Graduate of Building Design or Interior Design, why not consider a Graduate Membership of the Building Designers Association of Victoria. It’s a great pathway to ensure your future career plan or vision comes true.

Amongst other benefits – including free job listings – BDAV Graduate Membership enables you to network with practitioners running their own design practice – who could be your future employers.

To see what your future holds, go to www.bdav.org.au or contact the BDAV at info@bdav.org.au

TODD’S APPS

A monthly review of must have, worthy of looking or just plain interesting apps that are relevant to the design industry. Compiled by Todd Pearce, MBDAV. HUE LABS

WRIKE

ASANA

approaches. There is a good little comparison video on YouTube if you search for Wrike vs Asana. A little more in it than a ‘Ford vs Holden’ debate it would seem. Apart from price differences, their focusses are slightly different and levels of support also. One thing I particularly liked about the YouTube video is that they say the same thing I do about project management – you really need to map your own process first and really understand where the benefit is to you and does a particular piece of software address these needs. There’s no point in adapting your processes to fit the way a program works – you need to find a program that gives you what you need to work the way you want.

So often I get asked whether I know any really good project management tools and/ or apps. My general answer is not really. This isn’t because I don’t think there are any, but mostly

It would appear that Asana is often used as a comparison to Wrike. Both have the same intention at heart from a project management perspective but have different strengths and

If any other members use or know any new or interesting websites, tech or apps, please feel free to drop me a line at info@bdav.org.au and I’ll share it with the other members.

Accessible through the Hue website – navigate through to Hue Labs. Essentially this is an advanced program centre where various recipes can be overlaid onto your existing Hue infrastructure. Being able to multi-press the same button on tap switch to stage its dimming is a handy one to free up the other 2 program buttons for other things. Sensors and switches can operate in different ways depending on the time of day or other programmable variables. Anyone in the Hue ecosystem really should look in to this as it brings quite a lot of extra functionality to already good equipment.

as I haven’t used many in any meaningful way.

The ones I have used take some time to get used to and more time to master. Additionally, I also make the comment that in order to use technology or apps to streamline your project management – you actually need to know how to manage a project (and specifically your type of project) really well before you can then get tech to help carry the load. So, I’ve done a little digging and Wrike seems to come up as one that a lot of people like. So, if you’re one of the many looking for help in this arena – Wrike may be worth a look.

SUSTAINABILITY SOLUTIONS

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Industry News

ENERGY EFFICIENCY

S A F E G U A R D I N G H O M E S O L A R S AV I N G S F R O M OVERSHADOWING Home-owners looking to cut power bills with rooftop solar will have their systems protected from overshadowing by neighbouring developments, under new planning provisions from the Victorian State Government.

The move will safeguard savings on power bills and follows the recent announcement of the Solar Homes program, which will install half-price solar panels on 650,000 homes across Victoria over ten years.

The changes mean overshadowing of existing home solar panels and solar hot water systems must be considered in planning decisions – ensuring the capacity of an existing rooftop solar facility on a neighbouring property in most areas is not unreasonably reduced.

Victoria’s Minister for Planning, Richard Wynne, approved the amendment to the Victoria Planning Provisions and all planning schemes to recognise the contribution of solar energy to the energy efficiency of dwellings. The new provisions were to take effect from late September.

The Government’s Solar Homes program will offer subsidised solar panels with interest free loans, and incentives to upgrade to solar hot water. This will help Victorians save close to $900 a year on power bills – savings further locked in with new planning provisions to consider impacts of overshadowing.

In other measures, the amendment introduces criteria for solar panels in heritage areas – including guidance on appropriate siting, colour and design – which safeguard the aesthetic value of the area.

“We’re backing solar and tackling power prices head on – making it cheaper and easier for more people to generate their own power and protecting their panels from overshowing, said the Minister.

“We’re getting the planning right to protect residents against inappropriate development, tackle climate change and cut the cost of living for Victorian households,” he added.

The new criteria will encourage renewable energy in heritage areas while protecting aesthetic values and are applicable to new systems only.

BUSHFIRE ASSESSMENTS

Keystone Alliance Bushfire Consultancy was born out of the requirements for building design and construction in designated Bushfire Prone Areas as a result of the “Black Saturday” fires of 2009.

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Contact Paul directly via email: paul@keystonealliance.com.au

713 Plenty Road Reservoir Vic 3073 Tel: 9478 8991 Fax: 9478 8997 Email: enquiries@keystonealliance.com.au www.keystonealliance.com.au

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AFFORDABLE HOUSING AND HOTEL ON WORLD TRADE CENTRE SITE

A new development with apartments and a hotel on the former riverside World Trade Centre site will also offer 20 affordable homes offered at 50 per cent below market rents in perpetuity.

Victoria’s Minister for Planning, Richard Wynne, will approve an amended planning permit for the former convention centre site at 7-23 Spencer Street Docklands.

The striking triple-towered Flinders Bank project will include a St Regis hotel with 168 rooms, and hundreds of apartments, boosting city accommodation for residents and tourists.

The inclusion of 20 affordable homes means riverside living will be available for people on low and middle incomes at below 50 per cent market rents, for the life of the building, under an agreement by the developer.

“This will provide new apartments for citydwellers, accommodation for tourists and affordable homes under our new rules that encourage provision of affordable housing as a part of new developments,” said the Minister.

“The Docklands are a great place to live, work and visit, and projects like these are a fantastic way to attract more visitors and families to live in the area,” he said.

The Victorian State Government recently introduced changes to the Planning and Environment Act to support affordable housing agreements between councils and developers, making it easier for parties to negotiate agreements to include affordable homes in residential developments such as this.

The Minister for Planning’s support for an amended planning permit at 7-23 Spencer Street Docklands allows for several additional changes from earlier plans.

The proposed amendment reduces dwellings from 1060 to 700, while a public plaza with landscaping, parking and pedestrian crossings has been introduced on Siddeley Street. Increased overshadowing is considered to be minimal, taking effect only at the middle of the river, and in the middle of winter.

A pedestrian link between Flinders and Siddeley Streets has been added to improve connectivity through the site.

The project is being delivered by Century Group Aus.

This is the first agreement landed since the legislative changes.

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713 Plenty Road Reservoir Vic 3073 Tel: 9478 8991 Fax: 9478 8997 Email: enquiries@keystonealliance.com.au www.keystonealliance.com.au

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BUILDING RECORDS TUMBLE IN VIC TORIA

Victoria recorded its highest-ever number of building permits and highest-ever value of building work in a year during the 12 months to 30 June 2018.

Victorian Building Authority (VBA) data shows that a record 114,803 building permits, for building work valued at $38.4 billion, were reported across the state in the 2017-18 financial year.

At $38.4 billion, the value of building work during the 12 months was 17.3 per cent higher than the $32.8 billion recorded in the previous financial year. The previous highest number of building permits in a financial year was 113,669 reported in 200910, one per cent fewer than this year’s total.

The 2017-18 data shows the cost of building work reported in all building use categories was higher than that reported for the categories in 2016-17. In the Domestic (houses) category, the cost of work reported was a record $19.8 billion, 14.4 per cent higher than the previous financial year and the number of permits jumped by 4.7 per cent to 94,412.

The cost of work reported in the Residential category (including apartments) also rose during the financial year to $6.5 billion, up 22.4 per cent on the 2016-17 financial year. The two building use categories with the strongest growth in the cost of works reported were Public Buildings (up 29.7 per cent on 2016-17) and Hospital and Healthcare (up 26.9 per cent).

For the second financial year in a row, percentage growth year-on-year by value of building permits reported in Rural Victoria outstripped that in Metropolitan Melbourne. Gippsland led the growth in the Rural region, with the value of building permits reported jumping almost 27.5 per cent from the previous year.

The value of building permits by building use category in 2017-18 compared with 2016-17 showed: •

Domestic (houses) increased 14.4 per cent to $19.8 billion

•

Residential (including apartments) rose 22.4 per cent to $6.5 billion

•

Commercial increased 13.9 per cent to $4.7 billion

•

Retail rose 17.8 per cent to $2.0 billion

•

Industrial increased 8.8 per cent to $668 million

•

Hospital/Healthcare jumped 26.9 per cent to $1.2 billion

•

Public Buildings increased 29.7 per cent to $3.5 billion.

Municipality Name

No permits

Gippsland increased 27.5 per cent to $1.1 billion

•

North Central rose 23.0 per cent to $1.2 billion

•

North East increased 11.4 per cent to $933 million

•

North West increased 17.2 per cent to $1.1 billion

•

South West increased 20.4 per cent to $2.6 billion.

On a municipality basis, the value of building permits reported in the City of Melbourne in 2017-18 increased by 44.5 per cent compared with 2016-17, while in the City of Greater Geelong the increase year-on-year was 28 per cent. A total of 12 municipalities reported building permit activity of more than $1 billion during the 12 months, with 11 of these in Metropolitan Melbourne.

The below tables show the top ten municipalities in Metropolitan Melbourne and Rural Victoria by value of building permits reported to the VBA in 2017-18:

•

Inner Melbourne increased 18.0 per cent to $17.4 billion

NOTE: The above information is drawn from and reliant upon information provided to the VBA by building surveyors who submit information relating to their building permit functions in accordance with the requirements of the Building Act 1993 and the Building Regulations 2018.

•

Outer Melbourne increased 15.2 per cent to $14.1 billion

For more information visit www.vba.vic.gov.au

The value of building permits by region in 2017-18 compared with 2016-17 showed:

Top 10 Metropolitan municipalities by total reported cost of work Ranking 2017-18

•

Reported Cost of Works $M

Ranking 2016-17

Top 10 Rural municipalities by total reported cost of work Reported Cost of Works $M

Ranking 2017-18

Municipality Name

No permits

Reported Cost of Works $M

Ranking 2016-17

Reported Cost of Works $M

1

Melbourne

3,406

5,691.3

1

3,939.1

1

Greater Geelong

5,928

1,733.0

1

1,355.8

2

Wyndham

7,231

2,292.6

2

1,788.9

2

Ballarat

2,108

495.1

2

430.5

3

Casey

6,852

1,838.6

3

1,608.7

3

Greater Bendigo

2,384

449.0

3

393.4

4

Hume

4,936

1,390.4

6

1,041.0

4

Surf Coast

1,296

335.4

4

265.2

5

Monash

2,976

1,360.9

7

1,011.5

5

Bass Coast

1,485

329.7

6

214.0

6

Boroondara

2,915

1,318.2

5

1,137.6

6

Baw Baw

1,498

263.9

7

213.2

7

Stonnington

1,827

1,206.1

4

1,252.8

7

Mitchell

1,251

249.9

10

162.6

8

Glen Eira

2,231

1,090.8

10

929.0

8

Macedon Ranges

1,212

232.3

9

174.5

9

Mornington Peninsula

4,092

1,062.7

11

910.9

9

Greater Shepparton

1,154

221.4

5

244.3

10

Whittlesea

3,387

1,040.6

8

995.4

10

Wodonga

1,082

211.4

8

210.8

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S U S TA I N A B L E H O U S E D AY 2 0 1 8

by Sasha Shtargot, Renew Sustainable House Day, the national event that throws open the doors of homes designed with sustainability in mind, was held this year on Sunday, September 16.

More than 30,000 people visited a record 224 homes across the country, including 72 in Victoria. This year the line-up included offices, apartment blocks, gardens and community centres as well as residential houses.

Held annually since 2001, the event is run

by Renew, a not-for-profit organisation that promotes sustainable living, formerly known as the Alternative Technology Association. All homes opening their doors have a minimum of four sustainable features, including sustainable lifestyles and energy saving and healthy home practices.

Award-winning sustainable designer Luke Middleton, a member of the BDAV who opened his MM House in Northcote, was a guest on Jon Faine’s Conversation Hour on ABC Radio Melbourne a few days before the event. Quentin Irvine’s Recyclable House at Beaufort, west of Ballarat, which features a ‘cradle to cradle’ approach where every part of the home is recyclable or can be packed up and moved at the end of its life, also attracted media attention. Tiny Footprint’s two tiny houses at Kinglake West were the subject of a story on Radio National’s Life Matters program and were written up in Domain Magazine.

“Sustainable House Day was a great success again this year,” Ms Daily said. “It showed that people are keen to know more about good design, about saving on energy bills and making their homes more comfortable and generally liveable.”

“Those who attended were interested in many things including sustainable building materials, healthy interiors, energy efficient design, batteries with solar and tiny homes.”

Ms Daily said Renew was keen to drive efforts to lift the low energy efficiency of most established homes in Australia.

“People are becoming more and more aware that they can improve their homes from the standard, very low 1-2 stars and they’re hungry to find out what others have done well in their homes. Sustainable House Day provides an opportunity to be inspired.”

“It was wonderful to see that at many homes there was a community presence with stalls for local schools, sustainability projects and community centres. We’re proud of the fact that Sustainable House Day is having an impact fostering good community.”

At each home the owners, and in some places architects and designers, lead visitors on tours of the home, explaining its sustainable features, how they were achieved, and taking questions.

Katy Daily, Renew’s marketing manager, said Sustainable House Day had drawn strong media and community interest.

Images are at Luke Middleton’s MM House in Northcote (courtesy of Renew)

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C I AT A W A R D S 2 0 1 8

The Chartered Institute of Architectural Technologists (CIAT) announced the winners for their annual Architectural Technology Awards last month. The CIAT Awards, which celebrate the latest achievements and highest quality in Architectural Technology, showcased Architectural Technology both in practise and as a key academic discipline, demonstrating its growth and impact within the UK and internationally.

The 2018 CIAT Award winners are: THE CHARTERED ARCHITECTURAL T E C H N O L O G I S T O F T H E Y E A R AWA R D

Winner: Dan Rossiter MCIAT, Chartered Architectural Technologist Dan is young, has achieved much and will achieve much more. He is demonstrably a credit to CIAT with much of what he does open to wide and critical scrutiny.

He is a recognised industry professional commanding respect from CEOs and industry leaders. Through his role at BRE as Senior BIM Communicator, his personal energy and his award-winning Blog, they all combine as a multiplier effect to the benefit of UK construction.

T H E AWA R D F O R E X C E L L E N C E I N A R C H I T E C T U R A L T E C H N O LO G Y

Winner: The Engine Shed, Historic Environment Scotland/Reiach & Hall Architects (images top left + bottom) The Engine Shed is Scotland’s dedicated building conservation centre based in Stirling. Excellent conservation practice is demonstrated through the use of traditional materials, technology and sustainability to demonstrate the adaption and reuse of a historic building for a new life. With sustainability at the heart of the design, the judges were unanimous in their decision that the project is the worthy winner of the 2018 Award.

overseas. A highly competent and well considered solution to create an excellent learning environment for music.

Commended: AgriSTEM, Maber Architects The AgriSTEM Academy was the third and final part of the development at South Staffordshire College and is a building that the college can be proud of.

T H E A L A N K I N G AWA R D F O R E X C E L L E N C E I N A R C H I T E C T U R A L T E C H N O LO G Y

(for projects valued £750k or under) Winner: Old Gale Farm, Ambleside, John Coward Architects Ltd (images top right + centre right) A c.17th Century farmhouse renovated and modernised as a peaceful retreat for a retired couple. Careful consideration of the breathability of existing structures shows an excellent understanding of how to combine traditional methods of construction to meet the demands of modern living. Highly Commended: Alterations and extension to The Grange, Stuart Davidson Architecture The aim of the project was to reinvigorate a dated traditional dwelling house and create a contemporary ‘family hub’ section.

The entrant clearly understood the judging criteria and addressed each of the categories in a well-considered manner.

Commended: The David Lloyd Lymington Sports Village, Tristan Salkeld, Solent University S T U D E N T AWA R D F O R E X C E L L E N C E I N A R C H I T E C T U R A L T E C H N O LO G Y ( R E P O R T )

(recognising outstanding research achievement in Architectural Technology from a dissertation assignment) Winner: In Situ Reinforcement of Timber Beams in a Conservation Setting, Darren Nelson, University of Central Lancashire An experimental study was undertaken to determine the strength of reinforced timber joists using the near surface mount method.

A research area that is topical and important for Architectural Technology, retrofit design, conservation and sustainability.

Highly Commended: Special Educational Needs Facilities — An Analysis of the Necessities for Inclusion, Simone Gray, City College Plymouth This research focused upon inclusivity and wellbeing linked to special needs facilities and the design of spaces for people who would benefit from such an environment.

Commended: Stead Street, Eckington, France and Associates

Commended: Mind the (Performance) Gap — Embracing Technology to Enhance On-site Performance, Erin O’Kane, Ulster University

A bespoke two-storey home accessible for the client and to the form the basis of continued rehabilitation after an accident that left her severely visually impaired. A lifetime home was created and delivered.

Identifying the problems between designed performance and as built performance alongside the lifespan characteristics.

S T U D E N T AWA R D F O R E X C E L L E N C E I N A R C H I T E C T U R A L T E C H N O LO G Y ( P R O J E C T )

Highly Commended: Gresham’s School Britten Building, LSI Architects

(recognising outstanding design achievement in Architectural Technology based upon a university/college assignment)

Gresham’s School is a co-educational school accommodating day pupils and boarders from across the UK and

Winner: School of Architectural Technology, Elizabete Jakobsone, Institute of Technology Carlow

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A design of a new school of Architectural Technology with a creative, innovative design solution underpinned by the application of science and engineering. An exemplary winner.

The Chartered Institute of Architectural Technologists (CIAT) is the lead qualifying body for Architectural Technology and represents those practising and studying within the discipline. CIAT qualifies Chartered Architectural Technologists, MCIAT, and professionally qualified Architectural Technicians, TCIAT. BDAV entered into a Collaborative Arrangement with CIAT in July 2017.

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B D AV S C A N D I N AV I A S T U DY TO U R 2018 – O V E R V I E W

by Hayden Blucher, Impact Events The start of August saw a group of 22 building designers and architects head to Scandinavia for the BDAV study tour of Sweden, Finland and Denmark. Known for its stunning landscapes, must-see natural attractions and relaxed way of life, the group was set to experience the unique architectural attractions each of these destinations had to offer.

The tour began with four nights in the Swedish capital city of Stockholm, where the group toured through the old town of Gamla Stan, visited the world-famous Vasa museum and Skansen Park and took a trip out to the Swedish countryside. One highlight in Stockholm was the group dinner held at ‘Fem Sma Hus’ which is a restaurant serving classic Swedish food in nine separate tiled cellar vaults extending through five buildings. The visit to the UNESCO world heritage listed ‘Drottningholm Palace’ was a fine example of European architecture from the 1600s! After four nights in Stockholm the group travelled by ferry through the Stockholm Archipelago to Helsinki. The perfect weather allowed the group to sit out on the deck as we travelled through the cluster of 30,000 islands, skerries and rocks while enjoying a glass or two of wine.

The arrival into Finland marked what was to be a busy few days looking at architecture, especially that of Alvar Aalto. Two nights in Helsinki, followed by a night in Tampere and two nights in the Finnish lake district at Jyvaskyla, had the group visiting some of Alvar Aalto’s most famous works including Finlandia Hall, Aalto House, Alvar Studio and the Muuratsalo Experimental House. In between the busy schedule a few members of the group even managed to squeeze in a game of golf set amidst the most delightful Finnish landscape.

The tour the concluded with four nights in Copenhagen, where the group was staying in a heritage-listed 1780’s building located on the waterfront. The group visited the three central palaces, went through the canals on a boat tour, had lunch at the hippie town of Christiania and spent a day exploring the architectural district of Copenhagen called Copenhagen S. Here you will find the award-winning residential buildings VM Mountain and 8Tallet designed by architect Bjarke Ingels (BIG).

Overall the trip showcased the amazing architecture that can be found in Scandinavia; however, more than anything it created friendships, life-long memories and renewed enthusiasm after what was a fantastic two weeks abroad. Highlights include: – Ric Castricum singing karaoke onboard the overnight ferry from Stockholm to Helsinki; – The group visit we had to Villa Kokkonen on the outskirts of Helsinki, where the owners treated our group to a mini opera concert followed by homemade cake, tea and coffee.

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Amongst the feedback are the following: “What a blast we had with you and the team on the 2018 BDAV Scandi tour. You were fantastic to deal with, always with our interest at heart, professional and great at asking for/ adapting to feedback. With you and Impact on board, I’m happy to recommend to all I know in the design network.”

“I really enjoyed Scandinavia with you and the group; everybody was very inclusive and the organisation was just right, structured but with sufficient flexibility.”

“Yes was a great trip and all who came thoroughly enjoyed themselves (and your company too).”

“We thoroughly enjoyed the trip. Will definitely do another, if not South America maybe the year after. You’re a credit to Impact, so adding in the awesome BDAV crew, it will be very easy to say “I’m in” again in future”.

The countdown is on to the next study tour in May 2019 to South America. For more information on this, visit the event website at www.bdavsouthamerica.com.au.

(Photos courtesy Impact Events)

L S Planning Pty Ltd offers experience and expertise across a broad range of planning issues, such as:  Planning permit application preparation and management  Planning reports  Representation at VCAT  Expert witness advice and representation  Planning Scheme amendments  Strategic planning  Residential development concept preparation Town Planning is a complex field which is constantly evolving and requires a level of expertise to achieve a successful outcome.

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ENERGY RATER INSURANCE ALSO AVAILABLE

As a building industry professional, you need to ensure that your activities and advice are covered by an insurance policy that is recognised by the Building Practitioners Board or a relevant government registered body.

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CO N T R A C T S A N D AV O I D I N G D I S P U T E S

•

Intellectual property

•

Insurances and liabilities;

•

Client and designer obligations – do you require the client to provide you with input or to make selections or determinations? The rights and obligations should be fair, appropriate, reasonably able to be met, and clearly explained.

U N D E R S TA N D I N G Y O U R C O N T R A C T

•

General conditions;

Often, disputes stem from misunderstandings about the exact scope of work that is being performed or delivered, and when key things are meant to happen. Ensuring that your client understands upfront exactly what is included in your quote or scope of works is one thing, but it’s equally important for your own business to ensure that this is accurately reflected in the contractual documents that both parties sign.

•

Dispute resolution;

•

Termination clauses – are there triggers for termination?

What about by mutual agreement?

by Jessica Kerr, Sinclair + May Many of the most common disputes that arise between building designers and their clients could be avoided, or managed in a much less damaging way, with a contract that clearly outlines the scope of works and requirements of both parties.

A solid contract that you both understand and use to your advantage will be a great help, even in the face of the most difficult and demanding client. Contracts aren’t necessarily the most enthralling documents to read and review, but they are crucial to your business. Ensuring that you have the right one, and that it covers everything in the way that you need, is a relatively simple way of keeping your business on the right track.

Always ensure that everything you have discussed with the client is reflected in the contract that you have in place. If things have been agreed or discussed verbally, unless they are reduced to writing, it becomes very difficult to prove or rely on them in the event of a dispute.

Continued page 46.....

The type or form of contract that you use may be informed by the particular work that you are doing for each client, or the registration that you hold. It is important that you are familiar with the contracts that you use and are aware of what they require of you. In addition to outlining your own responsibilities, understanding its terms will enable you to keep on top of what you can contractually require from your client at various points. It’s surprising how many large, costly and time consuming disputes stem from an initial misunderstanding of one party’s contractual responsibility. If at least you are familiar with your documents, you can prevent disputes getting out of control early on.

G E T YO U CO N T R AC T R I G H T

Your contract should at the very least cover the following things: •

The core design (and other) services that you are going to provide;

•

Any additional services that may be necessary, depending on the project;

•

A cost outline – what is payable, and when? Are there billing triggers that need to be highlighted?

• Fees – what are you going to charge, and how is this to be calculated?

•

Time and due dates;

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Dulux Colour Forecast 2019 Wholeself Palette

Dulux Colour Forecast 2019 Legacy Palette

Dulux Colour Forecast 2019 Repair Palette

Dulux Colour Forecast 2019 Identity Palette

DULUX COLOUR FOREC AST 2019

Dulux’s 2019 colour palettes have been devised through a prism of wellness, rejuvenation and environmental consciousness. The four palettes set the colour spectrums for the coming year. With the capacity to transform spaces with a range of effects, each palette celebrates the individual, acknowledges our past and embraces the natural world.

Stylist: Bree Leech Photographer: Mike Baker

disparate influences united by the idea of non-conformism, which rejects labels and embraces self-expression.

“Identity is all about unique ideas and having the courage to flaunt them boldly,” explains Lucena-Orr, who highlights GAN’s Op Art-inspired rugs, Kartell’s spirited Double J project and Moroso’s ‘Mono Mania Mexico’ fabrics as exemplars of the theme.

The result of extensive global research undertaken by Dulux Colour and Communications Manager Andrea Lucena-Orr and trend forecaster Bree Leech, the new-season collection reflects key influences driving current trends across a range of diverse design industries. This has been fine-tuned through dialogue with the global colour authority, Colour Marketing Group.

Enabled by pops of brightness in this palette of saturated blues, purples and oranges, spontaneity and experimentation are encouraged. Clashing patterns, contrasts of texture and gloss and block colours invite brave applications, as they call to mind the ‘80s era of youthful celebration and confidence.

“We discuss what is on people’s minds, what factors affect where design and colour is going and what’s happening from a technical and pigment perspective,” says Lucena-Orr of the process. The team’s observations at Milan’s annual Salone del Mobile have also been carefully considered.

By contrast, the theme of Repair turns to the shifting fortunes of our natural world and draws inspiration from the dichotomy of its strength and fragility. “Repair is not only about using and reusing what we have, but also about respecting our environment and celebrating what it entrusts us with,” explains Lucena-Orr. Continued page 46.....

Town Planning Consultants

Thus, a diversity of influences, fed by technology and the information age, a focus on self-care and an increasing social consciousness have informed the resulting palettes. The overarching theme is titled ‘Filter’, which Lucena-Orr explains as a multipronged approach to finding the essence of life and favouring the natural and holistic over what is superficial and fleeting.

“This theme highlights the aim to hone in on what is meaningful and to mindfully tune into what we care about,” says Lucena-Orr. “Whether it’s filtering our smart device usage and longer working hours, filtering our consumption of the new and shiny, or simply filtering out the noise of life - we strive to focus on what really matters.”

Within this framework showcases four key palettes: Wholeself, Identity, Repair, and Legacy. Embodying themes of timelessness, simplicity, individuality and optimism, the colours represent the essence of current social trends and global movements.

Of these, the most dominant is the Wholeself palette, a theme that calls to mind undulating forms and smooth surfaces, such as those embodied in the new Arflex sofas or Se Milan side tables and is typified by light muted shades uninterrupted by superfluous detail.

The rise of wellness and awareness of the benefits of connectivity and mindfulness are reflected in the warmth of neutrals and sweetness of pinks, balanced with the opulent golds. There is a softness and subtle tactility in this range, encouraging calmness and wellbeing.

Continuing the focus on self, however with a shift in emphasis, the Identity palette encourages individuality and imagination.

More playful than its predecessor, it draws upon a host of

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Where Your Vision is Our Purpose 435 Nepean Highway Frankston Victoria 3199 03 8765 2455 info@townplanningco.com.au townplanningco.com.au

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Job Market

J OB M ARKET

L EA D D E S I G N ER / AR C H I TE C T W I T H E X C E L L E N T RE V I T S K I L L S

This is a great opportunity for a creative lead designer/architect who is as passionate about sustainable design as we are, to join our Gruen Eco Design family. This role is for someone who is committed to their longterm career and is also committed to see our young company grow with us and help us shape the build environment and design beautiful energy efficient and sustainable homes for future generations. Take ownership of your projects and manage them from start to finish across a range of diverse projects from small renovations and energy efficiency upgrades, extensions, new homes and town houses to certified passive homes.

For more information, CLICK HERE. To apply, email simone@gruenecodesign.com.au.

A TREE C H A N G E H A S N E V ER L OOKE D S O G OO D !

B U I L D I N G D E S I G N ER / C O N TRA C T A D M I N I S TRATOR ; F U L L T I M E P O S I T I O N

Are you looking to live in a place where housing is affordable and lifestyle is paramount? Located in the thriving tourist town of Echuca, Ecotecture Design Group is seeking a highly motivated Building Designer/ Contract Administrator to join our passionate design team. This senior role involves leading the team in unique projects with a strong focus on sustainable design. Based in regional Victoria, we service clients all over the state.

The successful candidate will possess a minimum 2 years’ experience in building design or architecture, as well as being a competent Revit operator. Contract administration or project management will be advantageous; further training will be provided. Salary negotiable. Do you have the passion, flair and drive to join our team? Contact us now, at admin@ edg.space.

V I C TOR I A U N I V ER S I T Y S EEK S B U I L D I N G D E S I G N ER TEA C H ER S

Victoria University (VU) is keen to hear from any designers who would like to add TAFE teaching to their skillset and begin studies in the TAE40116 with a view to commencing teaching duties at VU campuses in 2019.

VU would be willing to negotiate subsidised/ sponsored training fees in return for a small commitment to train at its facilities (main

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campus is at Sunshine, but there are potential teaching sites at Werribee and Geelong). A Building Designer tutor should be well versed in all facets of the industry, but designers at any stage of their career would be welcome.

Good skills in compliance (NCC/regulatory knowledge and application), and digital applications (AutoCAD, Revit, ArchiCAD, Photoshop, Lumion etc) are always welcome.

Anyone interested should contact Rhys Davies in the first instance, at rhys.davies@ supernaturalgroup.com.au.

A U TO C A D TE C H N I C I A N / D O C U M E N TER RE Q U I RE D

Seeking candidates who have the same energy, autonomy, cultural values and work ethics to join an upcoming architectural and interiors firm based in Queens Road, Melbourne. Currently open position for an AutoCAD Technician/Documenter with 1) Min. 3-5 years’ practical experience using AutoCAD on residential and commercial projects; 2) deep knowledge of Australian Standards and BCAs; 3) understanding of contract documentation; 4) constructability and ability to resolve construction problems and design construction details; and 5) Exposure to small (single large dwellings to 3-6 townhouses) to medium (10+ townhouses to 5 level apartment) scale projects. Applications to ilya@studiomint.com.au.

Industry recruitment specialists for Architects, Building Designers, Property Developers and Interior Designers

A U TO C A D - RE V I T D E S I G N ER & D O C U M E N TER

SAC Building Workshop, based on St Kilda Road, Melbourne, seeks a talented AutoCAD - Revit Designer & Documenter. Candidates must be motivated and able to work autonomously, as well as part of a team. You will work on all stages of a project including concept design, design development and construction documentation; and preparing accurate detailed and fit-for-purpose documentation. Applicants must have a tertiary qualification; minimum 3 years’ local experience across residential, multi-residential and industrial-commercial; proficient knowledge in Revit, AutoCAD and 3D software; an understanding of planning and building codes.

Please send your resume and covering letter to inquiries@sacbw.com.

Remuneration advice, market updates, expert knowledge, permanent, temporary and contract recruitment.

Phone 03 9349 1055 www/bloomfieldtremayne.com.au Job Market

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CO N T R A C T S A N D AV O I D I N G D I S P U T E S

(Continued from page 41)

S E E K H E L P E A R LY

Also, as far as possible, reduce or resolve any ambiguities in the scope of works and specifications. The less ambiguous and ‘to be determined’, the less room for misinterpretation, time and cost blow outs, and a breakdown in relations between the parties.

Many disputes and disagreements could be avoided by checking the terms of the contract before acting or communicating with the other party. If you are uncertain as to your obligations, or whether you have the right to act in a particular way, it is much better to seek advice early. Often contracts and relationships can be salvaged if you step back and consider your position, or have a lawyer or other adviser assist you to do this. It is not uncommon for a designer, architect or other professional to inadvertently prejudice their own position by acting too soon or too definitively, for example to terminate a contract. If you would like any assistance to review your existing documents, draft a custom agreement, or provide any other assistance or insight, please don’t hesitate to contact us for a free initial consultation.

MAKE THE CONTRAC T MOVE WITH THE WORK

Whenever there are any changes or variations, either to the scope of work, timelines, or even minor amendments to specifications, make sure these are documented and confirmed in writing. There may be additional legislative requirements to comply with (for example, if you are covered by the Domestic Building Contracts Act), but it is best practice to ensure that all changes are documented. When there are numerous iterations and version of documents, and emails or text messages going back and forth making changes, it can be extremely difficult to keep on top of the exact agreement and scope of works as it changes. It is also dangerous to assume that everybody has the same understanding of where things are at, when lots of changes are made.

Jessica Kerr is Director of Clifton-Hill-based law firm Sinclair + May, a new Corporate Member of BDAV. They were announced as Boutique Law Firm of the Year Finalist 2018 in Lawyers Weekly Australian Law Awards.

D U LU X CO LO U R F O R E C A S T 2019 (Continued from page 43) In design terms, the global call to rethink our relationship with nature is expressed in a continued acceptance of imperfection and effort to embrace sustainable methods and materials.

Finishes are more textured and hues derived from nature, with earthy cinnamons and siennas complemented by warm greens and lively yellows.

Continuing this thread of awareness and responsibility, considering what we leave behind underpins the theme of Legacy.

Particularly in a fast-paced world, wisdom and tradition become cherished and this palette is directly influenced by a respect for craftsmanship, timelessness and the marriage of old and new.

This is encapsulated in a look best described as elegant eclecticism, a trend which wove its way through the Milan Fair in contemporary takes on Art Deco, new applications for traditional fabrics, like velvet and inspired deconstruction of classical forms, such as Dimore Studio’s ‘Limited Editions’ exhibit.

Warm pinks and shades of lilac and mauve, with rich highlights of reds, blues and greens, ooze classic sophistication.

Overall, the four palettes of the Dulux Colour Forecast 2019 present a colour spectrum of globally trending hues with the depth and diversity to create spaces to empower and nurture. They celebrate the individual, acknowledge our past and embrace the natural world.

To learn more about Dulux’s 2019 Colour Forecast or to view the eMag visit: www.dulux.com.au/specifier/colourforecast2019

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For more information on BDAV News, Events, CPD Courses and Awards, visit news.bdav.org.au.

BUILDING DESIGNERS A S S O C AT I O N O F V I C T O R I A

PO Box 174 Carlton South Vic 3053

PHONE

(03) 9416 0227

WEB

www.bdav.org.au

EMAIL

info@bdav.org.au

EDITOR

Giselle Grynbaum

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BDAV membership is the ultimate designers ‘must have’.

Membership Benefits include: • Belong to a true non-profit Association • Discounts on industry and business tools/services • Monthly Journal: BDAV News • Weekly eNews • Annual Awarded Magazine • Member updates • Continuing Professional Development: comprehensive program of seminars, workshops, webinars, and regional meetings • Documents for building projects: – project specifications – engagement agreements – indemnity documents – standard form contracts for residential and non-residential projects • Reference material, including a great suite of Practice Notes, Advisory Notes, and much more • Free* advice on matters including copyright, contracts, wages and conditions, legislative and regulatory requirements, etc • Access to Professional Indemnity Insurance through our preferred insurance agent • Accreditation for Thermal Performance Assessors • Lobbying and Representation • Annual Building Design Awards to promote your skills as a designer • Annual 10 Star Sustainable Design Challenge to promote knowledge of energy efficiency principles • Free website listing to generate referrals for your business in Find a Building Designer/Energy Rater

One look inside tells you that being a Member of the Building Designers Association of Victoria entitles you to many member benefits. Advantages such as important information to help you to promote your business, advice* for greater efficiencies, and especially our comprehensive Continuing Professional Development program, will assist you to reap the rewards.

• Free Job Listings for Members seeking staff or Members looking for work

Being a BDAV Member is a sound investment for your business – especially for sole-practitioners, who often work ‘in a vacuum’ and value peer support for advice and guidance.

• Help Desk

Phone: (03) 9416 0227 Fax: (03) 9416 0115 Email: info@bdav.org.au www.bdav.org.au *Advice is of an elementary nature. Anything significantly complex should be referred to an appropriate professional advisor.

BDAV is an approved CPD Provider for the Victorian building industry, as administered by Victoria’s Building Commission.

• Student Scholarships/Grants/ Awards

• Online Member Forum • Access to latest information from the nation’s leading suppliers • Networking • Use of BDAV logo: provides recognition on your website and business stationery and much more!

designing amazing spaces

Building Designers can offer an incredible range of design skills to your project To get in touch with a BDAV building designer, go to www.bdav.org.au