The Summer 2022 International Fine Art Sale

BARRIDOFF AUCTIONS

SUMMER 2022

Front Cover: (Detail) Lot 52 Walt Kuhn Back Cover: Lot 73 William Manning

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Summer 2022 International Fine Art Sale

BERNARD LANGLAIS (AM. 1921-1977), SEAGULL, 1970 A Maine landmark that hung on the facade of 3 Main St., Bar Harbor, Maine for 50 years and restored in 2013.

Acquired by Barridoff in 2020, and now on display at our facility in South Portland.

copyright © 2022

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Summer 2022 International Fine Art Sale

TABLE OF CONTENTS Information About Barridoff Preview Details Meet the Team Terms & Conditions Auction Lots Artist Corner: Katherine Bradford Artist Corner: William (Bill) Manning Artist Corner: William Thon Artist Corner: Stephen Morgan Etnier Index

4 5 6 7-9 10-114 41-43 44-46 70-73 74-77 117

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Summer 2022 International Fine Art Sale

INFORMATION ABOUT BARRIDOFF Barridoff Auctions Bidding Experience Barridoff Auctions conducts live auctions in which a buyer can bid in person, over the telephone, by absentee registration or online through the Barridoff App or on several third-party marketplace websites. Our auctions are simulcast so buyers can bid remotely for convenience or safety reasons, but please be advised online bidding, including on the Barridoff App, is subject to a surcharge. Also, as the auction happens in real time, remote bidders need to pay attention to the progress of the auction.

Referral Program Do you know of any friends or family who may have Fine Art for sale? Barridoff Auctions offers a generous referral program for any new leads of available Fine Art that result in a sale. Please contact us for more information.

Barridoff Mobile App Download our Barridoff App to peruse the catalog, watch the auction live or to bid. Available at the Apple App Store or at the Google Play Store.

Consign With Us Barridoff Auctions is always accepting consignments of fine art. To inquire about submitting works of fine art for an upcoming sale, feel free to call us, email or go to Barridoff.com/sell.

Free Auction Estimates As a service, Barridoff Auctions provides free auction estimates for your artwork so you can know what your art is worth. Barridoff does not require you to consign your art with our auction in order to receive the estimate, but if the piece is appropriate we may offer to put it in our sale. Also, look for our next regularly scheduled Free Appraisal Day announced on our website or through our email messaging.

To sign up for our email list or for more information, please go to Barridoff.com.

QR Code To view the mobile version of this catalog, please scan the QR code (the funny looking black box used to scan items like a bar code) directly below with with your phone’s camera to be taken directly to our online catalog.

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MEET THE TEAM SUMMER 2022

INTERNATIONAL FINE ART SALE Saturday | August 20, 2022 | 1:00pm EDT PREVIEW DATES & HOURS .

AUGUST 15-19, 2022

Monday - Thursday | 10am - 5pm Friday | 10am - 8pm

AUGUST 20, 2022

Saturday | 10am - 1pm

LOCATION 312 Gannett Drive | South Portland, ME 04106 (207) 772-5011

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Summer 2022 International Fine Art Sale

MEET THE TEAM We at Barridoff Auctions seek out and find compelling, beautiful, relevant works of art. For us, it’s never just another auction. It’s an opportunity to help buyers and sellers of Fine Art realize their dreams by establishing that special connection in their appreciation of fine art.

Peter Coccoluto, Auctioneer

Glenn Morin, Accountant

Rhylee Cole, Registrar

Deirdre Nice, Expeditor

Lindsey DeArmond, Graphic Designer

Erica Perkins, Marketing Manager

Jeremy Fogg, Fine Art Consultant

Nick Smith, Production Specialist

William Milliken, Auctioneer 6

Summer 2022 International Fine Art Sale

FINE ART TERMS & CONDITIONS CONDITIONS OF AUCTION SALE

The following Conditions of Sale, including the appended notes and other information, whether printed or online, as they may be amended by any posted notices or oral announcements before or during the auction sale constitute the entire agreement between Barridoff Auctions, representing its consignors, and Bidder relative to the item being sold and the conduct of the sale. Unless the context otherwise indicates, the terms “Barridoff Auctions” and “auctioneer” are interchangeable, “consignor” and “seller” are interchangeable, and “buyer” means the winning bidder. By registering for or participating in the auction sale, all bidders agree to the terms hereof.

1.THE SALE. The contract for sale for any item purchased at auction is between the consignor (seller) and the winning bidder. Barridoff Auctions acts as the consignor’s agent only, unless Barridoff Auctions is selling the item as principal. The sale of every lot of one or multiple items constitutes a separate sale under Maine law and the Uniform Commercial Code. Bidding on a lot starts when the lot is opened for bidding by the auctioneer. Items are sold with reserve and starting bids may start below the reserve price. The auctioneer may reject any bid below the reserve. The auctioneer may bid on behalf of the consignor or of Barridoff Auctions. If an item does not reach its reserve price, the auctioneer may pass the item. Barridoff Auctions may withdraw any item at any time before its actual sale. Bids must be consistent with the standard bidding increments and may be varied only upon permission from the auctioneer. A bid received between two increments may be rejected or reduced to the next lowest increment. Bidder may not make consecutive bids if there is an opposing bidder and there must be at least one increment/other bidder separating Bidder’s bids in that instance, except by permission of the auctioneer.

The auction is a live sale and not a timed sale, and absentee and pre-auction bids submitted prior to the sale are not considered submitted until made by the clerk administering the bid and recognized by the auctioneer. The auctioneer will recognize bids as they are made and does not give preference to either bids made by bidders in the room or remote bids. A clerk administering a remote bid is deemed a bidder present in the room for that bid and will be recognized by the auctioneer equally to all other bidders. The buyer is the highest bidder acknowledged by the auctioneer upon the fall of the hammer, which indicates the completion of the sale. In the event of a tie bid, the first bid recognized by the auctioneer has precedence.

In the event of a bid received as the hammer is falling, it is in the auctioneer’s discretion whether to accept the bid or declare the sale complete. Barridoff Auctions has authority to decide any disputes over the auction process in Barridoff Auctions’ sole discretion, whose decision is final and binding. Bidder understands that any dispute regarding a purchased lot is between the consignor and the buyer unless the dispute concerns the conduct of the sale or other issue within the sole responsibility and control of Barridoff Auctions. The actual results of the sale are not final until confirmed as such by Barridoff Auctions subsequent to the auction.

2. REMOTE BIDDING. As a convenience to clients who cannot attend a sale in person, absentee bidding, telephone bidding and online bidding options are available, but Barridoff Auctions is not responsible for technical difficulties, mistakes or other issue that may occur with those bidding methods. Barridoff Auctions strongly suggests that bidders be present in the room. Remote methods and absentee or other pre-auction bids do not take precedence over bidding in the room. The clerk administering a remote bid is deemed a bidder in the room and bids made by that clerk are subject to recognition by the auctioneer as any other bidder. The auctioneer will not advance an increment for an absentee or pre-auction bid that is currently holding the increment one below the maximum amount authorized by that bidder. Barridoff Auctions strongly recommends remote bidders who wish to bid pre-auction or absentee complete the absentee registration form, not submit the bid through an online bidding platform, and indicate “+1,” which will protect the absentee bidder if another bidder lands on the absentee bidder’s maximum amount by allowing the clerk to bid one increment higher than the maximum.

Each remote bidding platform/method will order tie bids recived within that platform/ method giving the first received bid precedence. This bid will be the bid presented to the auctioneer by the clerk for that platform/method. An absentee or safety bid submitted that is less than half of the low estimate of an item will be rejected by Barridoff Auctions.

Absentee and telephone bidding registration forms may be found on the Barridoff Auctions website. Any pre-auction, absentee or telephone safety bid given that is not consistent with

the published bidding increments may be rejected or rounded down to the next lowest increment. Online bidding may be available on the Barridoff website and one or more online auctioneering websites as announced by Barridoff Auctions, and absentee or pre-auction bids left on those platforms do not take precedence over other bids. Barridoff Auctions is not responsible for errors and omissions made in connection with absentee, telephone, Internet or other remote bidding methods. Mistakes made by Bidder are the responsibility of Bidder and may not be cause to rescind a sale. Online bidding may indicate a winning bid or other confirmation that is erroneous based upon what happens in the room (bid comes after fall of hammer, auctioneer recognizes another bid given simultaneously, mistake made by remote clerk, etc) and the final sale results are the ones confirmed as such by Barridoff Auctions under paragraph 1. Online bidders may have to wait to purchase and retrieve won lots until after confirmation of final sale by Barridoff Auctions.

3. MISTAKES BY BIDDER. Under Maine Law and the Uniform Commercial Code, the bidder with the highest bid recognized by the auctioneer upon the fall of the hammer becomes the owner of the item, even if the bid was made by mistake or otherwise unintentional. Barridoff Auctions takes no responsibility nor will rescind or refund a sale in which the winning bidder claims to have won unintentionally or by mistake. Attention to the item being bid on and the conduct of Bidder’s bidding is the sole responsibility of Bidder. A person who has not registered who bids on and wins an item at the auction sale is deemed to be a bidder and agrees and is subject to these terms and conditions.

4. INFORMATION PROVIDED BY BARRIDOFF AUCTIONS. Provenances are included in the catalog to the extent they are available. Estimates are included with each lot (See note on estimates in paragraph 11). Statements of condition may be provided.

However, these provenances, estimates and statements of condition and any other information provided by Barridoff Auctions or its staff are merely the opinion of Barridoff Auctions and may not be taken as statements of fact to substitute research regarding and inspection of the item by Bidder, more fully described in paragraphs 5 and 6. However, Barridoff Auctions endeavors to provide the most accurate and complete information on an item and to answer to the fullest extent possible any reasonable question, subject to the disclaimers herein. An item may be described as an attribution or “attributed to,” “school of,” or “circle of” indicating that the authenticity of the item cannot be definitively determined (also see Disputes on Grounds of Authenticity in Notes and Other Information, below). Barridoff Auctions and the auctioneer may make corrections and provide additional information as available up to and during the time of sale.

5. DISCLAIMER FOR ERRORS AND OMISSIONS; Items sold AS IS; Bidder responsibility to inspect and perform due diligence. Barridoff Auctions is not responsible for errors or omissions contained in the catalog, provided by Barridoff Auctions or presented by the auctioneer or in any other information detailed in paragraph 4. Barridoff Auctions makes no representation or warranty with respect to and is not responsible for the description, quality, condition or authenticity of any items sold, and makes no warranty as to merchantability or fitness for a particular purpose. All items are sold “AS IS.” Prospective bidders bear sole responsibility to inspect an item before bidding and perform other due diligence to determine the item’s authenticity, condition, size and whether or not the item has been repaired or restored. No representation or warranty is made as to copyright of any item or whether Bidder acquires any reproduction rights of the item.

6. OPPORTUNITY FOR INSPECTION BY BIDDER; No Obligation to Inspect or Test by Barridoff Auctions. Barridoff Auctions offers the opportunity for prospective bidders to examine an item and Barridoff Auctions assumes no obligation to Bidder for Barridoff Auctions to examine, investigate or carry out any tests, either in sufficient depth or at all, to establish the authenticity or accuracy or otherwise of any description or opinion of Barridoff Auctions, whether given orally, in writing, on its website or any published catalog or literature. Bidder should not assume that any such examination, investigation or test has occurred. Barridoff Auctions does not make or agree to make any representation of fact and undertakes no obligation or duty, whether in contract or in tort, with respect to the accuracy or completeness of any statement or representation made by Barridoff Auctions or on Barridoff Auctions’ behalf that is in any way descriptive of any item or as to the anticipated or likely selling price of any item. No statement or representation by Barridoff Auctions or on Barridoff Auctions’ behalf in any way descriptive of any item or any estimate is incorporated into these terms and conditions or agreement for sale with Bidder.

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Summer 2022 International Fine Art Sale 7. BUYER’S PREMIUM. Barridoff Auctions charges the winning bidder a premium to be added to the hammer price on each item purchased. This premium is equal to 22% of a hammer price up to $500,000, and 17% of a hammer price above $500,000. A surcharge above this premium may be assessed for online sales, including on the Barridoff website or the Barridoff app, the amount of which may vary depending on the specific online platform or app on which the bidding is being conducted, which will be noted in the terms for that specific platform. A 2% discount of the premium will be given for any item paid for and removed by the end of auction day.

8. COMPLETION OF SALE; Payment by Bidder. Upon the fall of the auctioneer’s hammer, the sale is complete and title to the item passes to the highest bidder, subject to the terms hereof, who is bound by the sale and assumes full risk and responsibility thereof.

The buyer authorizes Barridoff Auctions to sign a sales record, which is conclusive as to the terms of the sale, on the winning bidder’s behalf. It is expected that the buyer has the funds available to pay for the item upon the completion of sale. Payment is due upon completion of the auction and, unless alternate payment arrangements have been made, Barridoff Auctions reserves the right to charge any credit card or other financial account of the buyer on file with Barridoff Auctions at that time or any time thereafter for any amounts owed. All items must be fully paid for, including any additional amounts owed Barridoff Auctions under paragraph 9 or otherwise, and removed from the premises of the auction by the buyer at the buyer’s expense within 24 hours of the day of sale unless other specific arrangements have been made with Barridoff Auctions. Payment for each item purchased must be made before the item is removed. Only cash, certified check, wire transfer or verified credit card are acceptable as payment methods unless other suitable arrangements have been made with Barridoff Auctions at least five days before the auction. All sales are final and no refunds will be given with the limited exception of circumstances under paragraph 11. Buyer agrees that by registering to bid under these terms and conditions, buyer waives the right to charge back buyer’s credit card or otherwise reverse or stop any payment given, with any violation of this provision resulting in liquidated damages in the amount of double the chargeback or reversed or stopped payment owed Barridoff Auctions by buyer if Barridoff Auctions has to enforce this provision.

9. POST-SALE RESPONSIBILITIES OF BIDDER. Barridoff Auctions is not responsible for any loss by a buyer as a result of the damage, loss or theft of an item subsequent to the completion of the sale for that item and encourages the buyer to pay for and remove purchased items immediately after the sale. If an item won at auction is not paid for and removed from the premises within 4 business days after the sale, additional charges under paragraph 10 may apply. Shipping, packing, storage and any related expense of an item are the sole responsibility of the buyer of the item.

10. BIDDER COMPLIANCE WITH TERMS AND CONDITIONS; Remedies Available to Barridoff Auctions. If Bidder does not comply with an applicable term or condition herein, Barridoff Auctions and the consignor have one or more of the following nonexclusive rights and remedies, in addition any other remedy available at law or in equity: a) to hold the winning bidder liable for the total purchase price plus interest of 1 1⁄2 % per month, compounded monthly; b) to cancel the sale and retain as liquidated damages all payments made by the winning bidder; c) to resell the item, in which case the winning bidder is liable for any deficiency, cost, including handling and storage charges, the expenses of both sales, premiums or commissions on both sales and all other charges and incidental damages; d) to charge 1% of the total purchase price per month, with a minimum charge of 5%, to handle any item not timely removed; e) to exclude the winning bidder and its agents or affiliates from all future auctions; f) to charge a reasonable storage fee; g) to set off any amounts Barridoff or consignor owes the winning bidder; h) to ship items owned by the winning bidder to the winning bidder at winning bidder’s expense; i) to charge winning bidder’s credit card on file with or available to Barridoff Auctions for any amounts owed.

The winning bidder is responsible to Barridoff Auctions for the winning bidder’s premium due Barridoff Auctions under paragraph 7 separate and apart from any other remedy listed in this paragraph. A winning bidder is deemed to have granted to Barridoff Auctions or its consignor as collateral for bidder’s obligations hereunder a security interest in any item of the winning bidder purchased at a Barridoff auction sale, and Barridoff Auctions and the consignor have all of the rights of a secured party in Maine and the law of the location of

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the item. Barridoff Auctions has all of the rights of the consignor to pursue all rights and remedies hereunder, and Barridoff Auctions and its consignor are entitled to all of their costs, including reasonable attorney’s fees, in enforcing their rights and remedies hereunder.

Bidder waives any and all rights it may now or in the future have under any Maine law governing unclaimed or abandoned property.

11. DISPUTES ON GROUNDS OF AUTHENTICITY. Disputes on the grounds of authenticity subsequent to sale must be made within 15 days of receipt of the item by the buyer and must be supported by the written testimony of at least one recognized expert of the specific artist involved, or two recognized experts of the general field or genre in which that artist belongs. Only if the disputed item is in the same condition as when sold will a rescission of the sale be considered. In the event Barridoff Auctions agrees to rescind the sale, the decision of which is at Barridoff Auctions’ sole discretion, an amount up to the purchase price, plus sales tax if appropriate, may be refunded to the buyer. Such rescission and refund is exclusive and in lieu of any other remedies which might otherwise be available as a matter of contract or law. In no event does Barridoff Auctions’ or its consignor’s responsibility under this paragraph exceed the purchase price of the item sold. Recission of sale or any refund under this paragraph does not apply to any item listed as “attribution,” “attributed to,” “school of,” “circle of” or any other term qualifying authenticity.

12. ESTIMATES. The high and low estimate given for an item are solely a guideline based upon Barridoff Auctions’ approximation as to the range within which an item may be sold for at auction. An estimate is not a statement of value or selling price of an item and Barridoff Auctions makes no guarantee, representation or agreement as to the value or selling price of an item other than Barridoff Auctions’ opinion of the item’s possible auction price.

13. SALES TAX. All purchases are subject to Maine sales tax (5.5%) unless the buyer is located out-of-state and shipping is arranged by Barridoff Auctions or the buyer possesses a sales tax exemption certificate issued by or acceptable to Maine Revenue Services and a valid, signed copy of which is presented to Barridoff Auctions. Maine sales tax is applicable to the full purchase price, which includes the hammer price plus the buyer’s premium and surcharges under paragraph 7. Purchases made from other states or jurisdictions may be subject to a sales or use tax for that state or jurisdiction.

14. USE OF IMAGES. The images and descriptions used in the catalog may not be reproduced in any manner without the written authorization of Barridoff Auctions.

15. APPLICABLE LAW; JURISDICTION OF DISPUTES. Title 11, Section 2-328 of the Uniform Commercial Code and Title 32, chapter 5-B of the Maine Revised Statutes apply to auction sales conducted by Barridoff Auctions. These terms and conditions of sale are governed by and shall be interpreted under Maine law, and any conflicts hereunder shall be decided in the state and federal courts located in Cumberland County, Maine, and all bidders submit themselves to the jurisdiction thereof. The regulating authority of this auction is the Board of Licensing of Auctioneers, 35 State House Station, Augusta ME 04333-0035.

16. MAINTAIN CURRENT CONTACT INFORMATION AND TIMELY RESPOND TO BARRIDOFF COMMUNICATIONS. Bidder must provide and maintain current contact information that allows Barridoff Auctions to communicate with Bidder and timely respond to Barridoff Auctions inquiries, requests and other communications as required by Barridoff Auctions.

17. FORCE MAJEURE. Notwithstanding anything to the contrary contained herein, Barridoff Auctions is not liable for any delays or failures in performance resulting from acts beyond its reasonable control including, without limitation, acts of God, acts of war or terrorism, shortage of supply, breakdowns or malfunctions, interruptions or malfunction of computer facilities, or loss of data due to power failures or mechanical difficulties with information storage or retrieval systems, labor difficulties or civil unrest. Notwithstanding the foregoing, in the event of such an occurrence, each party agrees to make a good faith effort to perform its obligations hereunder.

18. APPLICATION OF TERMS AND CONDITIONS. Unless agreed otherwise in writing between Barridoff Auctions and Bidder, these terms and conditions, whenever applicable, apply to all private sales, post auction sales and any other transaction between the parties not conducted at the auction sale that occur while these terms and conditions are posted by Barridoff Auctions.

Summer 2022 International Fine Art Sale NOTES AND OTHER INFORMATION

ABBREVIATIONS l.c. lower center l.l. lower left l.r. lower right u.c. upper center u.l. upper left u.r. upper right

b. born c. circa Am. American Br. British Can. Canadian

Chn. Chinese Rus. Russian Eur. European h. height Fr. French w. width Ger. German l. length It. Italian d. depth Jap. Japanese DESCRIPTIONS All descriptions and notes of signatures, titles, dates, labels, inscriptions and other notable features of an item are assumed to be of the front (recto) unless otherwise noted. If a notable feature is described to be on “verso,” that indicates it is on the back or reverse of the item. If a feature is described to be on the stretcher, it is on verso unless otherwise indicated. Signatures, initials, dates and titles, etc. may be noted but not quoted in the description unless there is an unusual or noteworthy characteristic of the signature, initial, date or title, etc. If an item description does not note a signature or that the item is signed, it should be assumed that the item is not signed. If there is an exhibition label but no exhibition listed, that means the label does not identify the exhibition. All paintings on canvas or other fabric are assumed to be stretched unless specifically noted “unstretched.” For items described as “under glass,” the type of glass is unspecified unless otherwise noted. A collateral item mentioned such as a certificate of authenticity, letter referencing or photograph showing the listed item, book or catalog depicting or referencing the listed item, etc., are not part of the description of the item for purposes of sale of that item.

SHIPPING Shipping arrangements and all packing and shipping charges are the responsibility of the buyer. Barridoff Auctions assumes no responsibility of any kind for providing this service. For your convenience, our in-house partner Eastern Art Services would be happy to provide a quote to pack and ship your items purchased at the auction.

If you are not using our in-house partner, once you have made arrangements with the shipping service of your choice, please send an email to fineart@barridoff.com releasing your purchase to be shipped to that shipping service and include the lot number and any additional pertinent details. After we receive your release, we will coordinate the details of pick-up with your designated shipper. You will receive an email confirmation when your item(s) have been retrieved.

FRAMES If a frame is thought to be original to the work of art or of some other particular interest based upon its history, value or beauty, it may be illustrated; but the illustration is in no way to be considered a guarantee of same unless information about the frame is included in the catalog description.

OLD MASTERS Unless otherwise noted, all works by Old Masters, including school, manner and other related information including dates are now by policy offered as attributions because, in the opinion of Barridoff Auctions, there has been too little or no known opportunity for a consensus, extensive research or singular expertise or because such opportunities often result in significant changes and varied opinions. However, all attributions are, in the opinion of Barridoff Auctions, appropriate as cataloged.

CONDITION REPORTS Condition reports may be in the catalog and are available upon request. However, as more fully described in paragraph 4, a condition report is in no way a guarantee, nor should it be considered an expert opinion. All lots should be examined by potential bidders. Because few lots are examined by Barridoff Auctions out of their frames, potential bidders should assume that condition reports only include areas that are clearly visible unless otherwise stated.

SIZE Unless otherwise noted, the size of each item is measured height by width in inches and does not include the frame. Sizes are approximate. The term “actual” means the actual size of the item without any frame or other appendage, “framed” means the size of the item including the frame and “sight” means the visible portion of the item when the actual size is covered or obscured and unable to be determined. All prints (etchings, lithographs, silkscreens, etc.), to the best of Barridoff Auctions’ knowledge, have full margins unless otherwise noted. The terms regarding information in paragraph 4 apply to information regarding sizes provided

by Barridoff Auctions.

LIVE PHONE BIDDING AND ONLINE BIDDING Phone bid registrations are allowed on a limited first-come, first-served basis. Phone bidders must make arrangements in advance. Barridoff Auctions provides phone bidding as a service for bidders who cannot attend the auction, but phones are not the perfect medium for bidding at an auction under any circumstances and cell phones, while useful, can be particularly difficult. Bidders should be mindful of these limitations if choosing to bid by phone, and it is suggested that phone bidders leave a “safety” bid, or emergency absentee bid, in the event the telephone call is disrupted, dropped or otherwise unable to be connected through to the completion of bidding for that lot. Bidding may also be available online in real time at barridoff.com, bidsquare.com, invaluable.com and liveauctioneers.com. Bidders are advised to familiarize themselves with the rules and procedures provided for whatever platform Bidder is using prior to bidding.

Online bidding platforms may charge a surcharge over and above the buyer’s premium for an item. Barridoff Auctions is not responsible for any difficulties, technical or otherwise, that may be experienced through bidding other than in person. Mistakes made by Bidder, including mistakenly bidding on and winning an item not intended by Bidder, is Bidder’s sole responsibility and Barridoff Auctions will not refund or rescind a sale that Bidder claimed was made by mistake or unintentional.

ADDITIONS AND ERRATA. Additions consigned too late to be included in the bound copy of the catalog may be found on a continually updated separate sheet and on the online catalog to the extent possible. All additions will be included on the final sheet available at the auction and be placed sequentially at the end of the sale. Online catalogs are updated daily. Lot numbers correspond with the printed catalog and additions sheets. Errata are also published in the updated sheet listing any corrections of inaccuracies or additional information concerning the original catalog. Online updates may happen without notice by Barridoff Auctions, so Bidder should refer to the most current posted auction information to remained accurately informed. The auctioneer may announce errors, omissions or changes at the commencement of or during the auction sale.

PROVENANCE Provenance is listed insofar as it is known or is allowed to be published by the consignor, who is ultimately responsible for the accuracy of any provenance information given. The conditions regarding information in paragraph 4 apply to any provenance information provided by Barridoff Auctions.

TITLES Titles are provided for most items in the sale. A title bounded by quotation marks indicates that it is the official title of the item. A title not bounded by quotation marks is an unofficial title or a brief description of an untitled item used to identify the item.

OFFERS FOR PREVIOUS SALES Barridoff Auctions accepts offers for items purchased at former auctions on behalf of present or former buyers. An offer for an item from a previous sale that does not exceed the purchase price for that sale will not be considered. If Barridoff Auctions receives and determines suitable a bona fide offer for an item, Barridoff Auctions will relay the offer to the buyer for consideration and rejection, acceptance or counter-offer. If the buyer accepts the offer, a counter-offer or makes a counter-offer that is accepted, the applicable terms and conditions of sale herein apply to the transaction.

MAJOR CREDIT CARDS ACCEPTED Barridoff Auctions accepts as payment the credit cards Visa, Mastercard, Discover or American Express. Bidder acknowledges that all sales are final and for the privilege of paying by credit card, Bidder waives any right to perform a chargeback or otherwise stop or reverse payment for an item for which Bidder was acknowledged as the winner by the auctioneer. For more information, see paragraph 8, above.

DISCOUNT FOR PAYING FOR/REMOVING PURCHASED ITEMS ON AUCTION DAY Barridoff Auctions is offering a discount on the buyer’s premium under paragraph 7 an amount equal to 2% of the hammer price for items paid for and removed from the auction premises the day of the auction.

AUCTIONEER William J. Milliken. ME license number AUC1627

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Summer 2022 International Fine Art Sale

LOT 1 Will Barnet

(Am. 1911-2012) "The Book" 1996 Aquatint on paper, framed under glass Signed and dated l.r., titled l.l., inscribed "Happy Birthday dear Ricky, Elena" l.c.

11" x 7 13/16" sight, 17 13/16" x 14 5/8" framed $300 - $500 Provenance: Private Collection Massachusetts

LOT 2 Neil Welliver

(Am. 1929-2005) Moose, 1981 Etching and aquatint on Rives BFK, framed under glass Pencil signed l.r., numbered "46 / 79" l.l., O'Farrell Gallery label verso 13" x 10 3/8" sight, 19 3/4" x 17" framed $500 - $700 Provenance: Private Collection Portland, Maine

LOT 3 Neil Welliver

(Am. 1929-2005) Deer, 1988 Etching and aquatint on Arches cover, framed under glass Signed in pencil l.r., inscribed "H.C." (hors commerce) and "III / V" l.l.

10 1/4" x 8" sight, 20 11/16" x 16 13/16" framed $900 - $1,200 Provenance: Private Collection Portland, Maine

LOT 4 Neil Welliver

(Am. 1929-2005) Black Bear, 1988 Etching and aquatint on Arches cover, framed under glass Signed in pencil l.r., inscribed "H.C." (hors commerce) and "III / V" l.l.

10 1/8" x 8" sight, 20 3/4" x 16 3/4" framed $900 - $1,200 Provenance: Private Collection Portland, Maine

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Summer 2022 International Fine Art Sale

LOT 5 Rockwell Kent

(Am. 1882-1971) The Boatman Lithograph on paper, framed under glass Signed in pencil l.r.

14 1/4" x 10 1/4" sight, 21" x 16 1/2" framed $1,200 - $1,800 Provenance: Private Collection Michigan

LOT 6 Hyman Bloom

(Am./Latvian 1913-2009) Cadaver Oil pastel on letterhead, framed under glass Initialed l.r.

8" x 5 1/2" sight, 17 1/4" x 13 3/4" framed $800 - $1,200

LOT 7

Provenance: Private Collection Wells, Maine Other Notes: Letterhead used for canvas has the address of artist's studio before it burned down in 1980

Francis Luis Mora

(Am. 1874-1940) Sketchbook Bound book with sketches in pencil Signed inside cover 8 1/8" x 5 1/4" x 1/2" actual $500 - $700 Provenance: Estate of Donald Brenwasser, New Jersey

LOT 8 17th/18th Century Dutch School

Figures by a Village Charcoal on paper, matted 5 1/2" x 7" sight, 15" x 11 1/4" matted $500 - $700

Provenance: Private Collection Wells, Maine

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Summer 2022 International Fine Art Sale

LOT 9 Edward Curtis

(Am. 1868-1952) The Vanishing Race, 1904 Platinum print, framed in original frame under glass Signed in ink l.r., copyright embossed l.l., "The Vanishing Race" poem by Ella Higginson attached to verso 9 5/8" x 12 3/4" sight, 13 1/2" x 16 3/4" framed $7,000 - $10,000 Provenance: Private Collection Cumberland Foreside, Maine

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Summer 2022 International Fine Art Sale

LOT 10 Manuel Álvarez Bravo

(Mexican 1902-2002) El Eclipse, 1933 Gelatin silver print, framed under glass Signed l.r., editioned "23/75" l.l.

7 3/8" x 9 1/2" sight, 16" x 21" framed $4,000 - $6,000 Provenance: Private Collection Cumberland Foreside, Maine

LOT 12 Frank Benson

(Am. b. 1976) Ducks on a Pond Etching on paper, framed under glass Signed l.l.

7 3/4" x 9 3/4" sight, 14 3/4" x 17 3/4" framed $300 - $500 Provenance: Private Collection Maine

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Summer 2022 International Fine Art Sale

LOT 13 Pierre-Jules Mene

(Fr. 1810-1879) Elk Bronze Signed l.l. of base verso Approx. 15" x 9 1/2" x 18" actual $400 - $600 Provenance: Private Collection Augusta, Maine

LOT 14 Carl Kauba

(Austrian 1865-1922) Buffalo Bronze Signed l.l. of base Approx. 9" x 6" x 12 1/2" actual $1,000 - $1,500 Provenance: Private Collection Augusta, Maine

LOT 15 William Cooper

(Am. 1853-1942) "Contemplation" Marble bust Signed verso Approx. 27" x 18" x 10" actual $3,000 - $5,000 Provenance: Private Collection Wiscasset, Maine

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Summer 2022 International Fine Art Sale

LOT 16 Etienne-Prosper Berne-Bellecour

(Fr. 1838-1910) Two Works: 1] French Soldier Looking Right, 1903 2] French Soldier Looking Left, 1903 1-2] Oil on panel, framed 1-2] Signed and dated l.r.

1] 14 1/4" x 10 1/4" sight, 23 1/8" x 19" framed 2] 14 1/8" x 10" sight, 23 1/8" x 19" framed $1,200 - $1,800 Provenance: Private Collection Cumberland Foreside, Maine

LOT 17 Antoine Blanchard

(Fr. 1910-1988) Eiffel Tower Oil on canvas, framed Signed l.r.

16" x 20" actual, 25 1/2" x 29 1/2" framed $2,500 - $3,500 Provenance: Private Collection Brookline, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 18 William Lee-Hankey

(Br. 1869-1952) "Mentone" Oil on canvas, framed Signed l.l., titled on F.R. label verso 25 1/8" x 30 1/8" actual, 32 3/4" x 37 3/4" framed $2,500 - $3,500 Provenance: Private Collection Falmouth, Maine

LOT 19 Charles Napier Hemy

(Br. 1841-1917) Emptying the Nets, 1898 Gouache on board, framed under glass Initialed and dated l.r.

13 1/2" x 18 5/8" actual, 18 7/8" x 24" framed $3,000 - $5,000 Provenance: Private Collection Boston, Massachusetts

LOT 20 Charles Napier Hemy

(Br. 1841-1917) Wreck at Low Tide Oil on canvas, framed Signed l.l.

26" x 60 3/8" actual, 36" x 70 1/2" framed $10,000 - $15,000 Provenance: Private Collection Boston, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 21 Rosina Emmet Sherwood

(Am. 1854-1948) Four Works: 1] Decorative Pediment Painting with Blue Muses 2] Decorative Pediment Painting with Red Muses 3] Decorative Pediment Painting with Peacocks, Parrots and Cranes 4] Decorative Pediment Painting with Peacocks, Parrots and Fowl 1-4] Oil on canvas, framed 1-4] 12 1/4" x 44 3/4" actual, 19 7/8" x 51 7/8" framed $2,000 - $3,000 Provenance: Private Collection Far Hills, New Jersey

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Summer 2022 International Fine Art Sale

LOT 22 Ross Turner

(Am. 1847-1915) Two Works: 1] "Cuernavaca, Mexico" 1899 2] "La Ascensión" 1899 1-2] Watercolor on paper, framed under glass 1] Signed and dated l.r., titled l.l.

2] Signed, titled and dated l.r.

1] 18 3/8" x 12 7/8" sight, 27 1/2" x 21 1/2" framed 2] 12 1/2" x 18 1/2" sight, 21 1/4" x 26 3/4" framed $800 - $1,200 Provenance: Private Collection Far Hills, New Jersey

LOT 23 Ross Turner

(Am. 1847-1915) Ships at Dusk, 1886 Oil on canvas, framed Signed and dated l.l.

27 3/8" x 47 1/8" actual, 31 7/8" x 51 5/8" framed $5,000 - $7,000 Provenance: Private Collection Far Hills, New Jersey

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Summer 2022 International Fine Art Sale

LOT 24 Abbott Fuller Graves

(Am. 1859-1936) Lush Peonies Oil on canvas, framed Signed and inscribed "To Ross Turner" l.r.

28 1/8" x 48" actual, 33" x 53" framed $10,000 - $15,000 Provenance: Private Collection Far Hills, New Jersey

LOT 25 John Henry Dolph

(Am. 1835-1903) Cat and Kittens Oil on canvas, framed Signed l.l.

11 1/8" x 20" actual, 18 5/8" x 27 5/8" framed $4,000 - $6,000 Provenance: Private Collection Cumberland Foreside, Maine

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Summer 2022 International Fine Art Sale

LOT 26

LOT 27

Ellen Emmet Rand

Ellen Emmet Rand

(Am. 1875-1941) Child with Cat Oil on canvas, framed 44 1/8" x 29 1/8" actual, 48 1/8" x 33 1/8" framed $4,000 - $5,000 Provenance: Private Collection Far Hills, New Jersey

(Am. 1875-1941) “Grenville with Baseball Bat” Oil on canvas, framed Borghi & Co. label verso, Panama-Pacific International Exposition 1915 label verso 44 1/4" x 29 3/4" actual, 50 3/4" x 37 1/4" framed $5,000 - $7,000 Provenance: Private Collection Far Hills, New Jersey Literature: "The Dream City - It's Art in Story and Symbolism" By Rose V. S. Berry, Walter N. Brunt Publisher, 1915, p. 262-263; "Official Catalogue of the Department of Fine Arts Panama-Pacific International Exposition", The Wahlgreen Company, 1915, p. 61, 173 Exhibited: The Panama- Pacific International Exposition, San Francisco, California, February 20th - December 4th, 1915

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Summer 2022 International Fine Art Sale

LOT 28 Mary Foote

(Am. 1872-1968) Portrait of Ellen Emmet Rand Oil on canvas, framed Signed u.l., estate collection stamp on strainer verso 40" x 30" actual, 47 1/2" x 37 3/8" framed $10,000 - $15,000 Provenance: Private Collection Far Hills, New Jersey Exhibited: The Hotchkiss School, September 4 - October 27, 2007, on loan during the exhibition "The Connecticut Paintings of Ellen Emmet Rand"

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Summer 2022 International Fine Art Sale

LOT 29 Gertrude Fiske

(Am. 1879-1961) Woman Under Trees Oil on board, framed Titled, estate stamp and Vose Galleries of Boston label verso 10 1/4" x 8 1/4" actual, 14 7/8" x 12 5/8" framed $2,500 - $3,500 Provenance: Private Collection Boston, Massachusetts

LOT 30 Edmund C. Tarbell

(Am. 1862-1938) On the Fens, c. 1914 Oil on canvas board, framed Signed l.l.

11 3/4" x 15 3/4" actual, 19 3/4” x 23 3/4” framed $10,000 - $15,000 Provenance: Private Collection Arizona Other Notes: We would like to thank the Tarbell family for their assistance cataloging this lot

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Summer 2022 International Fine Art Sale

LOT 31 Susan Ricker Knox

(Am. 1874-1959) Sailboats Oil on canvas, framed Signed l.l.

10" x 12" actual, 16 1/4" x 18" framed $1,000 - $1,500 Provenance: Private Collection Michigan

LOT 32 Hamilton Easter Field

(Am. 1876-1922) Florence Oil on board, framed Titled “Florence” and inscribed "Museum - Gift of Robert Laurent" on Brooklyn Museum label verso, additional composition verso 12 1/2" x 15 1/4" actual, 16 3/8" x 18 7/8" framed $2,000 - $3,000 Provenance: Gift of Robert Laurent to the Brooklyn Museum October 11, 1922, to Private Collection Michigan Literature: Listed in the Brooklyn Museum American Paintings catalog 1979, p. 49 Other Notes: A copy of the Brooklyn Museum American Paintings catalog where this painting is listed accompanies this lot

LOT 33 Joseph Davol

(Am. 1864-1923) "The Old Jail" Oil on board, framed Signed l.r., titled and inscribed "York Valley, Maine" verso 8 1/8" x 10 1/4" actual, 14 1/8" x 16 1/8" framed $500 - $700 Provenance: Private Collection Michigan

LOT 34 Edith Davol

(Am. 1875-1950) "Winter at Narrow Cove, Ogunquit" 1942 Oil on canvas, framed Signed l.l., signed, titled and dated stretcher verso 24" x 30" actual, 28 3/8" x 34 5/16" framed $700 - $900 Provenance: Private Collection Kennebunk, Maine

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Summer 2022 International Fine Art Sale

LOT 34A Edith Davol

(Am. 1875-1950) Evergreen Trees Oil on canvas, framed Signed l.r., indistinct inscription frame verso 24" x 30 1/8" actual, 31 1/8" x 37 1/4" framed $600 - $800 Provenance: Private Collection Kennebunk, Maine

LOT 35 Charles Woodbury

(Am. 1864-1940) "Three Woman on Cliff" Pencil on paper, framed under glass Titled and dated on The New O'Farrell Gallery label verso 9 1/2" x 13 1/8" sight, 17 1/8" x 21 1/8" framed $400 - $600 Provenance: Private Collection Portland, Maine

LOT 36 Charles Woodbury

(Am. 1864-1940) "Bathers - Front of Studio" Oil on canvas board, framed Titled and Vose Galleries of Boston label verso 10 3/8" x 13 7/8" actual, 17" x 20 1/2" framed $4,000 - $6,000 Provenance: Private Collection Boston, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 37 Charles Woodbury

(Am. 1864-1940) Autumn Landscape Oil on canvas board, framed Signed l.l., inscribed "For Hope" and Barridoff Galleries label verso 8" x 10" actual, 12 1/8" x 14 1/16" framed $800 - $1,200 Provenance: Barridoff Galleries 1983 to Private Collection Kennebunk, Maine Other Notes: This lot is accompanied by original provenance documentation

LOT 38 Attr. to Anne Carlton

(Am. 1878-1968) "Sea Rocks, Ogunquit, ME" 1933 Oil on panel, framed Titled verso, erroneously inscribed "Charles Woodbury" l.l. and verso 12" x 16" actual, 15 1/16" x 19" framed $500 - $700 Provenance: Barridoff Galleries 1983 to Private Collection Kennebunk, Maine Other Notes: This lot is accompanied by original provenance documentation

LOT 39 John Shayn

(Am./Ukrainian 1901-1977) "Ogunquit Maine, Perkins Cove" 1950 Watercolor on paper, framed under glass Signed l.r., signed, titled and dated verso 13 1/4" x 18 7/8" sight, 21 13/16" x 27 1/2" framed $600 - $800 Provenance: Private Collection Massachusetts

LOT 40 John Laurent

(Am. 1921-2005) Coastline Oil on board, framed Initialed l.r.

20" x 29 7/8" actual, 21 1/8" x 31 1/16" framed $2,000 - $3,000 Provenance: Private Collection Maine

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Summer 2022 International Fine Art Sale

LOT 41 John Laurent

(Am. 1921-2005) "Two Oyster Carriers, Prat-Ar-Coum" 1967 Oil on masonite, framed Signed, titled, dated, inscribed "Exchange for 'Jimmie Brown' and Services Rendered" and "Collection of Dr. + Mrs. Arthur DiMambro, Durham, N.H." and The Museum of Art of Ogunquit labels verso 15 3/8" x 9 1/4" sight, 17 3/4" x 11 5/8" framed $1,000 - $1,500 Provenance: Private Collection Portsmouth, New Hampshire

LOT 42 Carl Sprinchorn

(Am. 1887-1971) Two Works: 1] Maine Woods 2] Boatyard 1] Colored pencil on paper, matted 2] Crayon on paper, matted 1] Initialed l.r.

2] Signed l.l.

1] 16 3/4" x 13 7/8" actual, 21 13/16" x 18 1/2" matted 2] 10 7/8" x 14 13/16" actual, 15 5/16" x 18 13/16" matted $800 - $1,200 Provenance: Estate of Donald Brenwasser, New Jersey

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Summer 2022 International Fine Art Sale

LOT 43 Bernard Langlais

(Am. 1921-1977) Feeding Time Mixed media wood assemblage Signature incised l.l.

33 3/4" x 32 5/8" actual $6,000 - $8,000 Provenance: Private Collection Maine

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Summer 2022 International Fine Art Sale

LOT 44 Bernard Langlais

(Am. 1921-1977) Through the Barn Window Wood assemblage 17 1/4" x 35" x 7 1/2" actual $3,000 - $5,000 Provenance: Private Collection Maine

LOT 45 Maurice Freedman

(Am. 1904-1985) "Clouds Over Colden" Oil on canvas, framed Signed l.l., signed and titled verso 20" x 30" actual, 29 3/8" x 39 3/8" framed $12,000 - $18,000 Provenance: Private Collection Michigan Other Notes: Mount Colden is in the Adirondacks mountain range near Lake Placid in New York. This painting depicts the Avalanche Pass and Avalanche Lake. Freedman did another painting titled Avalanche Lake in 1946.

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Summer 2022 International Fine Art Sale

LOT 46 William Zorach

(Am. 1887-1966) The Rose Oil on canvas, framed Signed l.r., inscribed "To WM Holley - Christmas 19[?]" l.l., additional composition verso 23 1/4" x 28 1/2" actual, 27" x 32 1/4" framed $12,000 - $18,000 Provenance: Private Collection Great Neck, New York

LOT 47 William Zorach

(Am. 1887-1966) Lighthouse - Five Island Watercolor on paper, framed under glass Signed l.r., The Downtown Gallery label in envelope attached to verso 13 3/8" x 20 1/8" sight, 22" x 29" framed $4,000 - $6,000 Provenance: Private Collection Michigan

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Summer 2022 International Fine Art Sale

LOT 48 Carl Sprinchorn (Am. 1887-1971) "The North Wind - Summer" Oil on canvas laid to board, framed Signed l.r., signed and titled verso, Barridoff Galleries label and inscribed "Gift of Miss Ettie Stettheimer, New York" on label attached to verso 16" x 28" actual, 21" x 33" framed $6,000 - $8,000 Provenance: MacBeth Gallery, N.Y. to Miss Ettie Stettheimer, N.Y. to Dayton Art Institute (Accession #43-80) to E.W. Ryan to Barridoff Auctions October 2014, Lot 166 to Private Collection Michigan Exhibited: Macbeth Gallery, N.Y., January 4th - January 23rd, 1943 (#17)

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Summer 2022 International Fine Art Sale

LOT 49 Carl Sprinchorn

(Am. 1887-1971) Looking in the Mirror Ink on paper, framed under glass Initialed l.l.

9 5/8" x 6 5/8" sight, 18 1/2" x 15 1/8" framed $300 - $500 Provenance: Private Collection Portland, Maine

LOT 50 Walt Kuhn

(Am. 1877-1949) "Hunting Rabbits" 1929 Watercolor, pen and ink on paper, framed under glass Signed and dated l.r., titled l.l., Salander-O' Reilly Galleries and Doyle New York labels verso 8 3/8" x 7 1/2" sight, 15 1/2" x 14 1/4" framed $1,000 - $1,500 Provenance: Private Collection Michigan

LOT 51 Walt Kuhn

(Am. 1877-1949) "Mexicans" 1936 Watercolor, pen and ink on paper, framed under glass Signed and dated l.l., titled l.c., Salander-O' Reilly Galleries and Doyle New York labels verso 7 1/2" x 6 3/8" sight, 14" x 12 5/8" framed $1,000 - $1,500 Provenance: Private Collection Michigan

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Summer 2022 International Fine Art Sale

LOT 52 Walt Kuhn

(Am. 1877-1949) "Ogunquit Beach" 1924 Oil on canvas, framed Signed l.r., titled and dated verso, Salander-O'Reilly and Bock & Co. gallery labels verso 12" x 16 1/8" actual, 20 3/8" x 24 1/4" framed $12,000 - $18,000 Provenance: Private Collection Cambridge, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 53 Waldo Peirce

(Am. 1884-1970) Two Works: 1] Picnic, 1943 2] Girls on a Park Bench, 1943 1-2] Watercolor on paper, framed under glass 1] Dated l.r., inscribed "For Anna" l.l.

2] Signed, dated and inscribed "For Anna" l.r.

1] 5" x 6 3/4" sight, 10 7/8" x 12 3/8" framed 2] 4 5/8" x 7 1/16" sight, 10 7/8" x 12 7/8" framed $1,000 - $1,500 Provenance: Private Collection Cambridge, New York

LOT 54 Waldo Peirce

(Am. 1884-1970) Violets, 1958 Oil on panel, framed Initialed, dated and inscribed "for Johnny 4 Jan 58" l.r., inscribed "for Johnny Peirce 4 Jan 58 from his old man (Tucson)" and gallery label in envelope attached to verso 11 7/8" x 8 7/8" actual, 14 1/4" x 11 1/4" framed $1,000 - $1,500 Provenance: Private Collection Falmouth, Maine

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Summer 2022 International Fine Art Sale

LOT 55 Waldo Peirce

(Am. 1884-1970) "Butterfly Weed" 1945 Oil on canvas, framed Signed, titled and dated verso, Midtown Galleries label verso 40" x 27" actual, 48 7/8" x 35 5/8" framed $2,000 - $3,000 Provenance: Private Collection Tiburon, California

LOT 56 Zoltan Sepeshy

(Am./Hungarian 1898-1974) Harbor Scene Tempera on masonite, framed 14 1/8" x 20 1/4" actual, 21 1/8" x 27 1/8" framed $3,000 - $5,000 Provenance: Private Collection Cushing, Maine

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Summer 2022 International Fine Art Sale

LOT 57 John R. Grabach

(Am. 1886-1981) "May Blossoms" Oil on panel, framed Signed l.r., titled on Grand Central Art Galleries label verso 11 7/8" x 15 3/4" actual, 18 1/4" x 22 3/8" framed $1,000 - $1,500 Provenance: Private Collection Oregon

LOT 58 John R. Grabach

(Am. 1886-1981) "Trinity Church, Wall St." Oil on panel, framed Signed l.r., titled and exhibition label verso 18 1/8" x 14" actual, 25 1/8" x 21" framed $3,000 - $5,000 Provenance: Private Collection Oregon

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Summer 2022 International Fine Art Sale

LOT 59

LOT 60

Wolf Kahn

Andreas Feininger

$3,000 - $5,000

$2,000 - $3,000

Provenance: Private Collection Boston, Massachusetts

Provenance: Private Collection Cumberland Foreside, Maine

(Am. 1927-2020) Cafe with Figures, 1984 Pastel on paper, framed under glass Signed and dated l.c., indistinct inscription l.r.

14 1/2" x 19 1/4" sight, 22 3/4" x 27 3/4" framed

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(Fr. 1906-1999) "N.Y. Skyline Seen From Foot of Great Notch Mt." 1941 Gelatin silver print, two part panorama, framed under glass Signed, titled, dated and artist stamp verso 9 1/4" x 15 1/4" sight, 15 1/2" x 22 1/4" framed

Summer 2022 International Fine Art Sale

LOT 61 Armin Landeck

(Am. 1905-1984) York Avenue Tenements, 1938 Etching on paper, framed under glass Signed and dated in pencil l.r., inscribed "Ed. 100" l.l.

10 1/2" x 9" sight, 17 3/4" x 16 1/4" framed $1,200 - $1,800 Provenance: Private Collection Cumberland Foreside, Maine

LOT 62 Earl Horter

(Am. 1881-1940) Manhattan Towers, 1930 Drypoint etching on paper, framed under glass Signed in pencil l.r.

13 5/8" x 10 1/4" sight, 22 7/8" x 18 7/8" framed $700 - $1,000 Provenance: Private Collection Cumberland Foreside, Maine

LOT 63 Louis Stettner

(Am. 1922-2016) "Chrysler Building from Times Square, New York", 1987 Gelatin silver print, framed under glass Signed, titled and dated sheet verso 12 1/4" x 8 1/4" sight, 20 1/4" x 16 1/4" framed $2,000 - $3,000 Private Collection Cumberland Foreside, Maine

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Summer 2022 International Fine Art Sale

LOT 64 Todd Webb

(Am. 1905-2000) "3rd Ave. Street Car, 125th Street at Broadway, New York" 1946 Gelatin silver print, unframed Signed l.r., titled and dated l.c., artist's stamp verso 11" x 14" actual $1,500 - $2,000 Provenance: Private Collection Cumberland Foreside, Maine Literature: "I See A City - Todd Webb's New York", by Sean Corcoran and Daniel Okrent, Thames & Hudson, 2017, p. 71

LOT 65 Berenice Abbott

(Am. 1898-1991) El, Sixth Avenue Line, 28th Street Station, Manhattan, 1936 Gelatin silver print, framed under glass Signed and artist's stamp verso 19" x 15" sight, 29 1/8" x 25" framed $3,000 - $4,000 Provenance: Private Collection Cumberland Foreside, Maine

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Summer 2022 International Fine Art Sale

LOT 66

LOT 67

Jean Steubing Maggrett

Louise Nevelson

(Am. 1929-2019) Still Life with Apples, Bottle and Cup Mixed media on panel laid to masonite, framed Signed l.r.

23 7/8" x 32 1/16" actual, 25 5/8" x 33 5/8" framed $3,000 - $5,000 Provenance: Private Collection Massachusetts

(Am. 1899-1988) Night Star, 1981 Cast paper, framed under glass Signed and dated l.r., numbered "70/90" l.l., Pace Editions, Inc. and O'Farrell Gallery labels verso 32" x 36" sight, 34 1/2" x 38 1/2" framed $1,000 - $1,500 Provenance: Private Collection Portland, Maine

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Summer 2022 International Fine Art Sale

LOT 68 Lynne Mapp Drexler

(Am. 1928-1999) Untitled, 1960 Gouache on paper, mounted on mat and framed under glass Signed and dated sheet verso, The American Gallery label verso 14" x 19 7/8" actual, 18 7/8" x 24 7/8" framed $20,000 - $30,000 Provenance: Artist to the collection of Shirley and Grant Jacks by descent to Private Collection Baltimore, Maryland

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Summer 2022 International Fine Art Sale

LOT 69

LOT 70

Katherine Bradford

Katherine Bradford

$1,200 - $1,800

$1,200 - $1,800

Provenance: Private Collection Massachusetts

Provenance: Private Collection Massachusetts

(Am. b. 1942) "Navigator" 2013 Monotype on paper, unframed Signed and dated l.r., editioned "1/1" l.l., titled verso 16" x 18" actual

(Am. b. 1942) "Steamboat GYB" 2013 Monotype on paper, unframed Signed and dated l.r., editioned "1/1" l.l., titled verso 18 1/4" x 15 3/4" actual

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Summer 2022 International Fine Art Sale

Artist Corner Katherine Bradford (Am. b. 1942)

K

atherine Bradford was born in New York in 1942 and raised in Connecticut. She followed a traditional 1960s path, earning a BA at Bryn Mawr College and marrying Peter Bradford in 1968. A year later, she became a mother giving birth to twins, Arthur and Laura. Peter suggested a move to Maine to begin working PHOTO CREDIT: Queens of the Night (2021) as an aide to the governor © Katherine Bradford, NYC Transit 1 Avenue and begin a law career Station. Commissioned by MTA Arts & Design.

Pictured: Katherine Bradford. (Marc A. Hermann with political aspirations. / MTA) Metropolitan Transportation Authority The Bradfords immersed of the State of New York from United States of America, CC BY 2.0 https://creativecommons. themselves in Maine life in the org/licenses/by/2.0, via Wikimedia Commons early 1970s along with other young people who had fled city life as part of the “back to land” movement. It was during this time that she realized that a life spent making art was what she wanted.

“No one in my family, my children, my husband, and especially my parents, could see me in this role. My mother and father were totally against me taking on anything other than being a supportive wife and mother. To them, artists were hard-drinking weirdos with unstable marriages and no hope of making a decent living. My only recourse was to be mostly in the closet about my intense yearning to make art and to be part of that world. After all, I’d already signed up to be the wife of an important political figure and the mother of twins. I felt terribly guilty that I had started out as one kind of partner and had changed into someone my husband didn’t recognize. I think all this is the basis for me once saying that it was much easier for me to come out as a queer person than to come out as an artist.”1

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“My earliest paintings were made in the barn studio next to my farmhouse in Maine. I would dip a brush into a pot of paint and apply the color directly on the canvas. At first, I wasn’t as committed to using acrylic paint as I am now. The deciding factor was that acrylics come in vibrant florescent colors whereas oil paint does not. Moreover, I could make a painting quickly like a kindergarten kid which felt liberating to me as I did not want to pose as an old-time academic painter mixing colors on a palette with small brushes.” 2

Bradford left her life in Maine in 1979, choosing to move back to New York City as a single mother and dedicated to her pursuit of life as an artist. She enrolled at SUNY Purchase to pursue an MFA which she earned in 1987.

Her early work was largely abstract and modest in scale. Her work has seen a shift from abstract shapes to more definitive, bold figures. Her oeuvre has evolved to include simple, ethereal marine imagery, monolithic ships, vulnerable superheroes, whimsical swimmers, ballerinas, and bold, colorful representations of maternal feelings. She is widely recognized for her vibrant palette, eccentric composition, and ability to combine abstraction and gestural figures to create a narrative that is simple, personal, and unexpected.

“I think we’re trying to speak a language, a visual language, and it takes a long time to develop a very personal vocabulary. It certainly took me years and years to find my own voice. And I wouldn’t say it has anything to do with age; it had to do with sticking to it, and doing it a lot, like an athlete. At the same time, it doesn’t mean that you know what you are doing—you just have to trust in being the blind mole.” 3 Katherine currently lives with her spouse, Jane O’Wyatt in New York City.

She works from her studio in Williamsburg, Brooklyn and Brunswick, Maine.

1] 2] Behrendt, S. (n.d.). Katherine Bradford. Curator. Retrieved June 21, 2022, from https://curator.guide/katherine-bradford 3] Martin, P. A. and C. (2007, May 4). Katherine Bradford with Chris Martin and Peter Acheson. The Brooklyn Rail. Retrieved June 21, 2022, from https://brooklynrail.org/2007/05/art/katherine-bradford-with-chris

Summer 2022 International Fine Art Sale

LOT 71

LOT 72

Katherine Bradford

Katherine Bradford

$3,000 - $5,000

$5,000 - $7,000

Provenance: Private Collection Maine

Provenance: CMCA Auction, 2009 to Private Collection Spruce Head, Maine

(Am. b. 1942) "Storm Clouds" 1983 Oil on canvas, framed Signed, titled and dated verso 14 3/8" x 14 3/16" actual, 15 7/16" x 15 1/4" framed

(Am. b. 1942) "Kayaker" 2009 Oil on canvas, framed Signed, titled and dated verso 19" x 17" actual, 19 13/16" x 17 13/16" framed

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Summer 2022 International Fine Art Sale

Artist Corner William (Bill) Manning (Am. b. 1942)

W

illiam (Bill) Manning is undoubtably one of Maine’s master artists and regarded as one of Maine’s foremost abstract painters.

Manning was born in Lewiston, Maine in 1936. Stricken with polio at the age of 8, he spent two years in the hospital using art as an outlet. He moved to Portland in 1954 to study at the Portland School of Art (now known as Maine College of Art & Design.) After graduation, he PHOTO CREDIT: Bill Manning made the decision to go to New York. A move that would be short lived when he was asked to return to Portland to teach at his alma mater. He taught at the Portland School of Art for a decade until philosophical differences in teaching methods resulted in his termination. He went on to co-found Concept, A School of Visual Studies and began an involvement in the New York art scene that would span over 25 years.

Concept was a school born of the zeitgeist of the 1960s. Founded by William Manning and Polly Brown in 1969 to be the antithesis of the traditional educational model establishing dominance at the Portland School of Art. Concept was created with the idea the student’s education would be self-determined and self-directed. Attuned to the art scene in New York City, students were encouraged to experiment.

According to former student, Katherine Bradford, “Everything about Concept was unconventional—no grades, no classes, no requirements whatsoever.”1 Faculty included Maury Colton, Polly Brown, and Manning. In addition to Bradford, former students included: Alice Spencer, Denis Boudreau, Don Voisine, Mark Rockwood, Barbara Sullivan, Susan Beth Smith, and Michael Maltby.

Manning has said of his time at Concept, “Basically, in the ten years that I taught, I really was not a teacher. I was a poor

teacher. The only thing I think that I did, that I thought was really important, was that I made the students aware of what was happening in the art field in New York, and not just in Portland, Maine. Yes, I would criticize works if the students asked me to, but basically as a teacher, I never considered myself a teacher.” 2 In the beginning of his career, Manning was a representational painter, studying under the tutelage of Jim Elliott and Laurence Sisson among others. His work became semi-abstract when he decided that he preferred to paint what he felt instead of what he saw. The true influence of the abstract expressionist movement came when his paintings began to allow the viewer to sense the power and energy in the painting. The paintings themselves began to dictate to Manning what form the composition should take. This is most evident in the work produced with Monhegan Island as his muse. Manning has spent Autumn on Monhegan for decades. The paintings produced from those visits depict the sensory experience of the island and its exquisite light, rugged rocky shores, squawking sea birds, pounding waves, and wind-swept cliffs.

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Summer 2022 International Fine Art Sale He was the first native Maine artist to paint abstractly, and the important influence of cubism and abstract expressionism can be noted. However, Manning considers himself to be a representational painter. He has created a style that transcends any individual label and blends the organic, natural elements with the geometric plane on which they exist. Conversely, he considers artists that paint representationally to be themselves, abstract painters. In his opinion, representational painters are painting what they would like for the viewer to see. It is impossible to recreate the entirety of the view of the artist’s own eyes. They are showing the viewer what they want to have seen. As it is impossible for the artist to depict every detail as it exists; the representation minimizes the view of the expanse which creates an abstraction of the subject for the viewer. The difference in Manning’s own work is that his is a study of the structure of the expanse.

He is depicting what it feels like to be a part of the scene, in essence what the viewer would feel if they were standing in the artist’s place.

“When I paint abstractly, myself, I have my own language. Hoping that this language that I have…when somebody looks at it, instead of looking...seeing is the important thing…seeing a painting is standing there or sitting there and really studying the painting and trying to find out what the painting was trying to say and also what they were trying to say. In other words, the painting becomes a mirror of themselves, and they can learn a lot about themselves as they are learning a little bit about what the painting is about.”

Bill Manning has had over 42 solo exhibitions as well as over 70 group shows at museums and galleries around the world including: Stichting Yellow Fellow Museum, The Netherlands; Anita Shapolsky Gallery, New York City; and the Farnsworth Art Museum, Rockland, Maine. His work is in the collections of Colby College Museum of Art, Corcoran Gallery of Art, Portland Museum of Art, and many others.

Manning received the National Endowment for the Arts Grant, 1975; Finalist, Prix de Rome, 1969; and the MacDowell Fellowship, 1965.

LOT 73 William Manning

(Am. b. 1936) "Sea Shift" #33, 2006 Acrylic on masonite, framed Signed, titled and dated verso 23 5/8" x 23 5/8" sight, 24 1/8" x 24 1/8" framed $4,000 - $6,000 Provenance: Private Collection Falmouth, Maine

He currently lives and works in Falmouth, Maine.

1] 2] Tryon, N. (2020, March 5). Remembering concept, a School of Visual Arts in Portland, on its 50th anniversary. The Maine Arts Journal: The UMVA Quarterly. Retrieved July 18, 2022, from https://maineartsjournal.com/remembering-concept-a-school-ofvisual-arts-in-portland-on-its-50th-anniversary/

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Summer 2022 International Fine Art Sale

LOT 74

LOT 75

William Manning

William Manning

$3,000 - $5,000

$3,000 - $5,000

Provenance: Private Collection Spruce Head, Maine Exhibited: The Farnsworth Art Museum

Provenance: Private Collection Falmouth, Maine

(Am. b. 1936) "Atlantic Rim #68" 1993 Painted wood assemblage Signed, titled and dated verso 73" x 2 1/2" x 3" actual

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(Am. b. 1936) Sea Shift #16, No. 1148, 2002 Mixed media on paper, framed under glass Signed l.l.

26 1/2" x 20 1/2" sight, 35 1/2" x 29 1/2" framed

Summer 2022 International Fine Art Sale

LOT 76 Max Kuehne

(Am./Ger. 1880-1968) Train Station Watercolor on paper, framed under glass Signed l.r.

12 1/2" x 17 3/4" sight, 22 7/8" x 29" framed $300 - $500 Provenance: Private Collection Massachusetts

LOT 77 Arthur Beaumont

(Am./Br. 1890-1978) The Shipyard, 1958 Watercolor on paper, framed under glass Signed and dated l.r.

14 7/8" x 18 7/8" sight, 26 7/8" x 30 7/8" framed $1,200 - $1,800 Provenance: Private Collection North Yarmouth, Maine

LOT 78 Dahlov Ipcar

(Am. 1917-2017) "Cats at Night" Watercolor on paper, framed under glass Signed l.r., titled verso 11" x 15 1/2" sight, 20 3/4" x 25" framed $1,200 - $1,800 Provenance: Private Collection Cumberland, Maine

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Summer 2022 International Fine Art Sale

LOT 79 Adolf Dehn

(Am. 1895-1968) Harvest, 1946 Watercolor on board, framed under glass Signed and dated l.r.

9 3/4" x 27 1/2" sight, 16 1/8" x 34" framed $1,500 - $2,500 Provenance: Private Collection Oregon

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Summer 2022 International Fine Art Sale

LOT 81 William Thon

(Am. 1906-2000) Forest Watercolor on paper, matted Signed l.r.

20 3/4" x 38 1/2" actual, 22 1/2" x 41" matted $1,000 - $1,500 Provenance: Private Collection Michigan

LOT 82 William Thon

(Am. 1906-2000) The Overlook Oil on canvas, framed Signed l.r., titled on Midtown Galleries label verso 22" x 36" actual, 32 5/8" x 46 5/8" framed $4,000 - $6,000 Provenance: Private Collection York, Maine

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Summer 2022 International Fine Art Sale

LOT 83 Seymour Remenick

(Am. 1923-1999) Bouquet Oil on canvas board, framed 7 3/4" x 5 5/8" sight, 13" x 11" framed $900 - $1,200 Provenance: Private Collection Massachusetts

LOT 84 Robert Kulicke

(Am. 1924-2007) Flowers in White Vase Gouache on paper, framed under glass Signed l.c.

5 1/2" x 4 1/4" sight, 14 3/16" x 13 1/2" framed $600 - $800 Provenance: Private Collection Massachusetts

LOT 85 Robert Kulicke

(Am. 1924-2007) Pears Oil on board, framed Signed u.r.

4 7/8" x 6 7/8" sight, 8 7/8" x 10 7/8" framed $1,200 - $1,800 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 86 Robert Kulicke

(Am. 1924-2007) "Carnations in Earthenware Jar" 1975 Oil on silk laid to panel, framed Signed and dated l.c., titled on Davis & Long Company label verso 10" x 8 1/8" actual, 10 3/4" x 8 15/16" framed $4,000 - $6,000 Provenance: Private Collection Massachusetts Exhibited: Davis & Long Company, New York, December 1975

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Summer 2022 International Fine Art Sale

LOT 87 Tsingos Thanos

(Greek 1914-1965) "Fleur Bleue, en Bouquet Polychrome sur Fond Noir" No. 12, 1956 Oil on canvas, unframed Signed and dated l.r., signed, titled and dated verso 53 1/8" x 32 7/8" actual $15,000 - $20,000 Provenance: Artist to Leonardos Mendrinos 1956, by descent to Faethon family collection Athens, by descent to current owner Other Notes: Title translation reads "Blue Flower, in Polychrome Bouquet on Black Background", No. 12; an original certificate of authenticity, aesthetic and technical evaluation accompanies this work

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Summer 2022 International Fine Art Sale

LOT 89 Robert McGinnis

(Am. b. 1926) Exit Dying Watercolor and gouache on board, framed under glass Signed l.r.

18 9/16" x 14 1/16" actual, 20 7/8" x 16 1/4" framed $2,000 - $3,000 Provenance: Private Collection Oregon

LOT 90 Robert McGinnis

(Am. b. 1926) "Sound of Gunfire" Watercolor and gouache on board, framed under glass Signed l.r., titled verso 20 3/16" x 14 1/8" actual, 23 1/2" x 17 7/8" framed $2,000 - $3,000 Provenance: Private Collection Oregon

LOT 91 Robert McGinnis

(Am. b. 1926) "Blood on Biscayne Bay" Watercolor and gouache on board, framed under glass Titled verso 18 1/2" x 13 9/16" actual, 21 1/2" x 15 7/8" framed $2,500 - $3,500 Provenance: Private Collection Oregon

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Summer 2022 International Fine Art Sale

LOT 92

LOT 93

Charles Dana Gibson

Charles Dana Gibson

$500 - $700

$500 - $700

Provenance: Private Collection Wiscasset, Maine

Provenance: Private Collection Wiscasset, Maine

(Am. 1867-1944) Courtship Ink on paper, framed under glass Signed l.c.

17" x 15 7/8" sight, 26 1/16" x 25 1/16" framed

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(Am. 1867-1944) At the Party Ink on paper, framed under glass Signed l.r.

21 3/4" x 20 3/4" sight, 31 5/8" x 30 5/8" framed

Summer 2022 International Fine Art Sale

LOT 94 Robert Gwathmey

(Am. 1903-1988) Mother and Child Ink on paper, framed under glass Signed l.l.

11 1/2" x 7 3/8" sight, 18 5/16" x 14 5/16" framed $800 - $1,000 Provenance: Private Collection Wiscasset, Maine

LOT 95 George Pearse Ennis

(Am. 1884-1936) "Resignation" Watercolor on paper, framed under glass Signed l.r., signed and titled verso, Royal Institute of Painters in Water Colours Exhibition label verso 19 5/8" x 23 1/2" sight, 31 1/2" x 35" framed $1,200 - $1,800 Provenance: Private Collection Dallas, Texas Exhibited: Royal Institute of Painters in Water Colours, London

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Summer 2022 International Fine Art Sale

LOT 96 Richard Hayley Lever

(Australian/Am. 1876-1958) Two Works: 1] "Mike" I, 1944 2] "Mike" II, 1944 1-2] Pencil on paper, framed under glass 1] Signed, dated and inscribed "August" l.r., titled l.c.

2] Signed, titled, dated and inscribed "Oct." l.l.

1] 6 9/16" x 10 1/4" sight, 14 1/8" x 18 1/8" framed 2] 12 3/16" x 17 15/16" sight, 19" x 24 9/16" framed $700 - $900 Provenance: Estate of Donald Brenwasser, New Jersey

LOT 97 Anthony Thieme

(Am. 1888-1954) "His Dog" Rockport, 1927 Oil on panel, framed Signed l.r., titled, dated and inscribed "Rockport" verso 9 1/2" x 11 1/2" sight, 13 1/4" x 15 1/4" framed $1,000 - $1,500 Provenance: Private Collection Falmouth, Maine

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Summer 2022 International Fine Art Sale

LOT 98 Anthony Thieme

(Am. 1888-1954) Harbor View Oil on canvas laid to board, framed under glass Signed l.r., "Boston Art Club, Boston" inscribed on Loeser's Gallery label verso, Butterfield & Butterfield label frame verso 7 5/8" x 9 5/8" sight, 11 5/8" x 13 5/8" framed $1,000 - $1,500 Provenance: Private Collection Boston, Massachusetts Exhibited: Loeser's Gallery Thumb Box Exhibition from Members Only of the Salmagundi Club

LOT 99 Frederick Mulhaupt

(Am. 1871-1938) Twilight Oil on canvas, framed Signed l.l., "From the Vincent Price Collection" label verso 24 3/4" x 20 5/8" sight, 28 3/4" x 24 5/8" framed $3,000 - $5,000 Provenance: Private Collection California

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Summer 2022 International Fine Art Sale

LOT 100 Frederick Harer

(Am. 1879-1949) Gold Gilt Frederick Harer Frame Wood, gilded Incised "Harer" on frame verso 24 5/8" x 19 3/8" actual $1,000 - $1,500 Provenance: Collection of Wayne Quimby Scarborough, Maine

LOT 101 Frederick Harer

(Am. 1879-1949) Silver Leaf Harer Frame Wood, gilded Signature “Harer” incised on frame verso, oil on panel painting by Peter Warming (Am. Early 20th Century) enclosed, painting signed l.r.

31 3/8" x 26 3/8" frame actual, 25 5/8" x 20 5/8" painting sight $1,500 - $2,500 Provenance: Collection of Wayne Quimby Scarborough, Maine

LOT 102 Frederick Harer (Am. 1879-1949) Gold Leaf Harer Frame Wood, gilded Signature “Harer” incised on frame verso, painting by Percy N. Woodley (Early 20th Century) enclosed, painting signed and dated “1934” l.r.

18 1/2" x 24 1/2" frame actual, 14 1/8" x 20 1/8" painting sight $1,000 - $1,500 Provenance: Collection of Wayne Quimby Scarborough, Maine

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Summer 2022 International Fine Art Sale

LOT 103 17th/18th Century European School

"Charles XII, King of Sweden, 1682-1718" Oil on panel, framed Signed u.r., titled and inscribed “Peter Lely, Peintre de la Cour de Charles II” verso 38" x 32 7/16" actual, 44 7/8" x 38 3/4" framed $800 - $1,200 Provenance: Private Collection California

LOT 104 18th/19th Century American School

Gazing Woman Oil on canvas, framed 27 1/4" x 21 7/8" actual, 36 1/4" x 31 1/4" framed $800 - $1,200 Provenance: Private Collection California

LOT 105 19th Century American School

Little Marianna Hacker, Salem, Massachusetts Oil on canvas, framed Inscribed "Oct 4/67, Mrs. Greenwood" on piece of original backing paper attached verso 19 1/2" x 15 7/16" sight, 24 1/2" x 20 3/8" framed $800 - $1,200 Provenance: Private Collection Maine Notes: This lot is accompanied by original documentation, correspondence, and treatment records

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Summer 2022 International Fine Art Sale

LOT 106 Martin Jonás

(Serbian 1924-1996) Two Llamas, 1967 Oil on canvas, framed Signed and dated l.r.

17 5/8" x 29 1/4" actual, 18 3/8" x 30" framed $400 - $600 Provenance: Private Collection Mariaville, Maine

LOT 107 Martin Jonás

(Serbian 1924-1996) Tilling the Field, 1968 Oil on canvas, framed Signed and dated l.l.

13 3/4"x 25 5/8" actual, 14 5/8" x 26 3/8" framed $400 - $600 Provenance: Private Collection Mariaville, Maine

LOT 108 Martin Jonás

(Serbian 1924-1996) Sewing Basket, 1966 Oil on canvas, framed Signed and dated l.r.

13 1/2" x 25 1/2" actual, 14 3/8" 26 1/4" framed $400 - $600 Provenance: Private Collection Mariaville, Maine

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Summer 2022 International Fine Art Sale

LOT 109 Amos Ferguson

(Bahamian 1920-2009) Baskets and Bags Enamel on paperboard laid to masonite, framed Signed l.r.

35 7/8" x 29 5/8" sight, 38 7/8" x 32 1/2" framed $4,000 - $6,000 Provenance: Private Collection East Orleans, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 110 Amos Ferguson

(Bahamian 1920-2009) Large Leaf Plaster, steel, enamel and glitter 13 1/4" x 9" x 5/8" actual $1,500 - $2,500 Provenance: Property of the Israel Johnson Bahamas Collection

LOT 111 John Orne Johnson "J.O.J." Frost

(Am. 1852-1928) "Leaving the Grand Banks at Night, Oct. 23rd 1868" Oil on canvas, framed Titled and dated u.c., Childs Gallery and Philadelphia Museum of Art labels verso 11 7/8" x 28 1/2" actual, 16" x 32 5/8" framed

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$3,000 - $5,000 Provenance: Private Collection Somerville, Massachusetts

Summer 2022 International Fine Art Sale

LOT 112 Robert Lee Perry

(Am. 1909-1981) "Gloucester Banks Fishing Schooner, Columbia" Oil on canvas, framed Signed l.r., signed and "Rockport, Mass" inscribed verso, titled stretcher verso 19 5/8" x 23 5/8" sight, 21 1/4" x 31 1/4" framed $700 – $900 Provenance: From Artist to son John Richard Perry to Private Collection Tyngsboro, Massachusetts Other Notes: This lot includes a letter from John Richard Perry describing the history of the Schooner Columbia and an Artist brochure, with envelope to consignor postmarked 2 August, 1976

LOT 113 Philip G. Shumaker

(Am. 1921-1967) Crashing Waves Oil on board, framed Signed l.r.

23 1/2" x 31 1/2" sight, 25 1/2" x 33 1/2" framed $1,000 - $1,500 Provenance: Private Collection Tyngsboro, Massachusetts Other Notes: This lot includes a bill of sale from the Artist to Donald G. Barnett in Artist's hand dated May 19, 1980

LOT 114 Alfred Thompson Bricher

(Am. 1837-1908) Shoreline Boats Watercolor on paper, framed under glass Signed l.l.

9" x 20 1/2" sight, 17 3/4" x 29" framed $1,000 - $1,500 Provenance: Private Collection Cumberland Foreside, Maine

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Summer 2022 International Fine Art Sale

LOT 115 William Trost Richards

(Am. 1833-1905) Waves Crashing Oil on canvas, framed Signed l.l.

20 3/16" x 16 3/16" actual, 27" x 23 1/8" framed $10,000 - $15,000 Provenance: Private Collection Boston, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 116 Childe Hassam

(Am. 1859-1935) "Somewhere in France" 1910 Oil on panel, framed Signed and dated l.l., signed, titled and dated verso 3 3/4" x 5 7/8" sight, 12 3/4" x 14 7/8" framed $10,000 - $15,000 Provenance: Private Collection Cambridge, Massachusetts

LOT 117 Benjamin Tupper Newman

(Am. 1858-1940) Brittany Girl, 1887 Oil on canvas, unframed Signed and dated l.l., titled and dated on artist's label verso 17 7/8" x 12 5/8" actual $1,000 - $1,500 Provenance: Collection of Wayne Quimby, Scarborough, Maine

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Summer 2022 International Fine Art Sale

LOT 118 John Joseph Enneking

(Am. 1841-1916) Twilight Late Autumn - Rocky Brook, 1915 Oil on canvas, framed Signed and dated l.r., titled on Poland Spring Gallery label and Pierce Galleries, Inc label verso 20" x 24" actual, 27" x 30 7/8" framed $10,000 - $15,000 Provenance: Private Collection Yarmouth, Maine

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Summer 2022 International Fine Art Sale

LOT 119 A.Y. Jackson

(Can. 1882-1974) Mountain Landscape, c. 1919-1920 Oil on panel, framed Inscribed “A.C. Redfield, 20 Prescott St, Camb.” verso 8 7/16" x 10 7/16" actual, 12 1/16" x 14 1/16" framed $5,000 - $7,000 Provenance: Private Collection South Berwick, Maine Other Notes: Not long after receiving his doctoral degree from Harvard University in 1917, A.C. Redfield (Alfred Clarence) took a position for one year as an assistant professor of Physiology at the University of Toronto from 1919-1920. Redfield worked just a mile and half away from the studio building at 25 Severn Street in Toronto. The building was financed by Lawren Harris and Dr. James MacCallum. Construction was completed in 1914, the building was made up of a number of studios shared by Jackson and other Group of Seven members.

While in Toronto, Redfield also worked with and under known Group of Seven patron J.J.R. Macleod and likely acquired this work from the artist around that time. While the exact location depicted is unknown, the work is similar to other views the artist painted in Algoma around 1919-1920.

Redfield is listed as an assistant on two editions of a very important publication titled “Physiology and Biochemistry in Modern Medicine” by Macleod. Redfield assisted Macleod on updating his third edition which was likely written around 1919 and eventually published in 1920. Redfield is acknowledged by Macleod in the preface of the third edition and listed as a contributor on the fourth edition published in 1922.

Redfield returned to his alma mater sometime between 1920-1921, accepting the position of assistant professor of Physiology at Harvard University around 1920. The pencil inscription that reads "A.C. Redfield, 20 Prescott St., Camb." matches Redfield's listed University address at the time (see included lot image of the Harvard University Register). The Haley and Steele frame was likely added between 1920 and 1926 when the firm was listed at the 109 St. James Avenue address. The size of the panel is nearly identical to countless known works by the artist including the work sold by Barridoff Auctions in March of 2022. Redfield went on to become a full time professor at Harvard University where he was employed up until his death in 1983. A more detailed history of A.C. Redfield can be found in a publication by the National Academy of Sciences written by Roger Revelle and published in 1995.

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Summer 2022 International Fine Art Sale

LOT 120

LOT 121

Hermann Herzog

Frank Shapleigh

(Am./Ger. 1832-1932) Alpine Landscape Oil on canvas, framed 13" x 16" actual, 22" x 25" framed $2,000 - $3,000 Provenance: Private Collection Wiscasset, Maine

(Am. 1842-1906) Mt. Washington from Ellis River, 1871 Oil on canvas, framed Signed and dated l.r.

20" x 30" actual, 27 3/4" x 38" framed $3,000 - $5,000 Provenance: Collection of Robert Baresel, Hanson, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 122

LOT 123

George McConnell

George McConnell

$800 - $1,200

$1,000 - $1,500

Provenance: Painted as a wedding gift by the Artist for Albert Wayne Quint of Windham to Barridoff Galleries 1982, lot 99 the Private Collection Kennebunk, Maine Other Notes: This lot is accompanied by original provenance documentation

Provenance: Painted as a wedding gift by the Artist for Albert Wayne Quint of Windham to Barridoff Galleries 1982, lot 101 the Private Collection Kennebunk, Maine Other Notes: This lot is accompanied by original provenance documentation

(Am. 1852-1929) Sailboat and White House, 1894 Oil on canvas, framed Signed and dated l.r.

22" x 36" actual, 26 3/4" x 40 5/8" framed

(Am. 1852-1929) Sunset Over Water, 1894 Oil on canvas, framed Signed and dated l.l.

22" x 36" actual, 26 3/4" x 40 5/8" framed

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Summer 2022 International Fine Art Sale

LOT 5 He and his wife, Helen, spent the year in Italy, traveling to Greece, Spain, and Portugal which Thon claimed to be “the most significant happening in my career.” 1

LOT 124 William Thon

(Am. 1906-2000) "Island Shore" Mixed media on paper, framed under glass Signed l.r., Midtown Galleries label and biographical printout attached to verso 20" x 26 3/8" sight, 27 3/4" x 34 1/8" framed $1,500 - $2,500 Provenance: Private Collection Harpswell, Maine

Artist Corner William Thon (Am. 1906-2000)

W

illiam Thon was born in New York

debut in 1939 at the Corcoran Gallery

City in 1906. He studied briefly

Biennial Exhibition and became known for

at the Art Students League in

his oil paintings and watercolors of highly

Manhattan prior to service in the Navy during World War II. He made his professional

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abstracted landscapes, boats, and harbors.

Summer 2022 International Fine Art Sale

PHOTO CREDIT: William Thon, Paul Juley, photographer, © Peter A. Juley & Son Collection, Smithsonian American Art Museum

In December of 1942, Thon’s oil painting,

Thon continued to work throughout

East Wind, was included in the Artists for

“Whereas Thon’s early works were

Victory exhibition at The Metropolitan

primarily dark, moody, representational

Museum of Art. The painting garnered the

oils, the experience in Europe opened

attention of Alan Gruskin, then director of the Midtown Galleries in New York.

Thon would be exclusively represented by Midtown Galleries for 40 years. Gruskin was

shadows, and continued to paint

experiment with watercolors and later

resist technique.”2

Academy in Rome for a fellowship. Thon

claimed to be “the most significant happening in my career.”1

“Although he lost his color vision,

style. In addition, the artist began to

he encouraged to apply to the American

to Greece, Spain, and Portugal which Thon

leaving him legally blind. he could still distinguish light and

developed his trademark watercolor and

wife, Helen, spent the year in Italy, traveling

degeneration. The disease progressed

up the artist’s palette and expressionist

both a friend and advocate to Thon whom

won the Prix de Rome in 1947. He and his

the last years of his life despite macular

watercolors of boats, trees, rocks and landscapes, in black-and-white, until shortly before his death.”3 After his death, a gift of four million dollars was made from his estate to the

Following the war, he purchased land in Port

Portland Museum of Art. The artist's will

Clyde, Maine where he built a home he lived

directed the museum to use the funds

in with his wife, Helen, until her death in

to support its juried biennial exhibit of

November 1999. His death followed at the

Maine art. He also left $100,000 for the

home in December 2000.

Farnsworth Art Museum in Rockland.

1] 2]Larsen, Susan C. (2002). The poetry within: The life and work of William Thon. Portland Museum of Art. 3]Newspaper Obituary and Death Notice, Portland Press Herald (ME), 9 Dec 2000, WILLIAM THON, 94, PROMINENT ARTIST, 'VERY SPECIAL MAN'

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Summer 2022 International Fine Art Sale

LOT 125 William Thon

(Am. 1906-2000) "The Moorings" Mixed media on paper, framed under glass Signed l.r., titled on label verso 17 1/4" x 23 1/2" sight, 25" x 31" framed $1,200 - $1,800 Provenance: Private Collection Falmouth, Maine

LOT 126 William Thon

(Am. 1906-2000) Copse Watercolor and ink on paper, framed under glass Signed l.r.

6" x 4 5/16" sight, 13" x 11 1/2" framed $400 - $600 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 127 William Thon

(Am. 1906-2000) "November" 1943 Oil on canvas, framed Signed l.r., titled and dated verso, Frost Gully Gallery label frame verso 18 1/8" x 32" actual, 26 1/8" x 40 1/8" framed $3,000 - $5,000 Provenance: Private Collection Falmouth, Maine

LOT 128 William Thon

(Am. 1906-2000) "Silent Frost" Oil on masonite, framed Signed l.r., titled and Portland Museum of Art label verso 22" x 36" actual, 28 3/8" x 42 1/2" framed $3,000 - $5,000 Provenance: Estate of the Artist to Private Collection Michigan

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Summer 2022 International Fine Art Sale

Artist Corner Stephen Morgan Etnier (Am. 1903-1984) PHOTO CREDIT: http://stephenetnier.com/photos1.html

S

tephen Etnier was born into a family of privilege in York, Pennsylvania on September 11, 1903 as the first child and only son of Carey and Susan Etnier, and the grandson of famed inventor and industrialist S. Morgan Smith. Carey planned for his son to become an engineer and assume a role in the family business. Having recognized early on that he was not suited for the confinement that office life would bring, he decided instead to pursue art. Throughout a career that spanned six decades and five marriages, his life and art were interwoven in such a way that his paintings became a visual documentation of his journey.

I was very shocked by my father's office and I regarded going to an office somewhat the way you would going to school. I figured if I wasn't careful I'd be trapped in that kind of a life.”1

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Summer 2022 International Fine Art Sale

LOT 5 LOT 129 Stephen Etnier

(Am. 1903-1984) Picnic Tables - Harpswell, 1969 Oil on panel, framed Signed and dated l.l., Temple Beth El Art Festival label verso 16 3/4" x 24 3/4" actual, 25 3/4" x 33 7/8" framed

Joseph Stella It./Am. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

$2,000 - $3,000 Provenance: Private Collection Cape Elizabeth, Maine Exhibited: Temple Beth El Art Festival, Portland, Maine

He attended several prep schools before going on to study at Yale University, Boothbay Art School, Haverford College, and Pennsylvania Academy of Fine Arts. His art education included apprenticeships under Henry Breckinridge, John Carroll, and Rockwell Kent. His early works are an introduction to the themes that would repeat themselves throughout his career: travel, adventure, and a compelling desire to tell the story of the places that captured his mind and imagination. “…the motivation was never for art. It was simply to convey how excited I was about my reactions to various-and-sundry places…At least I found some things that I thought were well worth painting…And that's the way I feel about Maine. The only reason I paint is because this, I think, is wonderful and I want other people to know that it's wonderful. You should paint what you love.” 2

Etnier did indeed paint what he loved. Trips to the western United States, Europe, and South America, wanderings through the Caribbean, and coastal travels throughout the U.S. Etnier’s sense of adventure led him to travel extensively, eventually settling in Harpswell Maine in 1948 where he would choose to spend the last thirty-five years of his life, in a home designed by Portland architect James Saunders.

He learned over time to be highly disciplined. He was known to have risen before dawn and spent the day in his studio. He produced work that is both realist and luminist desiring to paint things how they looked and keenly aware of how the light naturally changes and how that change effected the landscape. His early vibrant and playful palette matured into a palette of natural light, subtle balance, and warm tones all resulting in an elegant depiction of how the subject unites with the environment in which it exists.

Of his career, Etnier said, “The fact is I've done better than I expected to do because most of my life I just couldn't believe what was happening to me. Imagine getting a review in the New York Times as a twenty-two year-old: from that you get a feeling of confidence. This lets you go on and do the things the way you want to do them, without being scared any more. I please myself. That I've had to say may not be too important but at least from my experience and whatever I've seen of life or of the world, I probably could have done a lot more. I could have worked harder. At least I think I got what I had to say said. It's a job almost done. I think from now on I can polish up the pictures. But, if I have had anything to say, it has long since been said.” 3 1] 2] 3] Oral history interview with Stephen Etnier, 1973 Feb. 22. Archives of American Art, Smithsonian Institution.

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Summer 2022 International Fine Art Sale

LOT 130 Stephen Etnier

(Am. 1903-1984) "Moody's Harvest" 1953 Oil on canvas, framed Signed and dated l.l., titled, dated and Levis Fine Art and The Milch Gallery labels verso 20 1/4" x 34 1/8" actual, 30" x 44" framed $4,000 - $6,000 Provenance: Private Collection Boothbay Harbor, Maine

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Summer 2022 International Fine Art Sale

LOT 131 Stephen Etnier

(Am. 1903-1984) "Fishing Boats, Nassau" 1960 Oil on canvas, framed Signed and dated l.r., titled and Webber Hospital Association l etter attached to verso 15 1/2" x 28 1/2" sight, 23 1/2" x 36 1/2" framed $3,000 - $5,000 Provenance: Private Collection, Maine

LOT 132 Alfred Chadbourn

(Am. 1921-1998) "Cat on Radiator with Tray" 1991 Oil on canvas, framed Signed l.r., signed, titled and dated stretcher verso, Frost Gully Gallery and National Academy of Design labels verso 50" x 40 1/4" actual, 50 7/8" x 40 7/8" framed $2,500 - $3,500 Provenance: Private Collection Maine

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Summer 2022 International Fine Art Sale

LOT 133 Alan Magee

(Am. b. 1947) "Envelope" 1981 Watercolor and pencil on paper, framed under glass Signed l.r., signed, titled, dated and Allport Associates Gallery label verso 21 1/4" x 29 1/4" actual, 22" x 30" framed $3,000 - $5,000 Provenance: Collection of Frederich Voelker, South Bristol, Maine

LOT 134 Alfred Leslie

(Am. b. 1927) "Drifting Snow Near Boston Harbor" 1983 Watercolor on paper, framed under glass Copies of original purchase invoices from Oil & Steel Gallery attached to verso 17 5/8" x 23 5/8" sight, 18 3/16" x 24 3/16" framed $3,000 - $5,000 Provenance: Oil & Steel Gallery, New York City 1985 to Private Collection New York City Literature: "100 Views Along the Road, Watercolors by Alfred Leslie", text by Alfred Leslie; Timken Publishers, Inc. New York, 1988; pg. 127 and dust cover Exhibited: Alfred Leslie has had numerous solo exhibitions, including those at the Boston Museum of Fine Arts, The Hirshhorn Museum and the Art Institute of Chicago. "Drifting Snow Near Boston Harbor" is part of "100 Views Along The Road", a series of watercolor landscapes based on drawings from Leslie's road trips during 1981-1983. This work was part of an exhibition that toured nationally in 1983-5, and "Drifting Snow Near Boston Harbor" was shown in eight exhibitions

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Summer 2022 International Fine Art Sale

LOT 135 Alfred DeCredico

(Am. 1944-2009) Floating Wood and metal assemblage in acrylic case 6 3/8" x 2 3/8" x 7 3/8" actual $1,200 - $1,800 Provenance: Private Collection Spruce Head, Maine

LOT 136 Laurence Philip Sisson

(Am. 1928-2015) "Parsons Meadow" Oil on panel, framed Signed l.l., titled verso, Shore Galleries stamp frame verso 15 7/8" x 20 1/8" actual, 21 1/4" x 25 3/8" framed $700 - $900 Provenance: Private Collection Lyme, Connecticut

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Summer 2022 International Fine Art Sale

LOT 137 Laurence Philip Sisson

(Am. 1928-2015) Boats on Frozen Shore Oil on masonite, framed Signed l.r.

33 3/4" x 43 3/4" actual, 39 7/8" x 50" framed $1,500 - $2,500 Provenance: Private Collection Holliston, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 138 Alex Minewski

(Am. 1917-1979) "South of France" Oil on canvas, framed Signed l.r., signed and titled on sheet attached to frame verso 23 1/8" x 30 1/8" actual, 30 3/8" x 37 3/16" framed $1,000 - $1,500 Provenance: Private Collection Maine

LOT 139 Alex Minewski

(Am. 1917-1979) "Black Sea with Wave" Casein on paper, framed under glass Signed l.l., signed and titled verso 14 1/8" x 19 7/8" actual, 18 3/8" x 24 1/8" framed $400 - $600 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 140 Elena Jahn

(Am. 1938-2014) Blackhead, c. 1970 Watercolor on paper, framed under glass Signed l.r.

14" x 16 1/2" sight, 21 1/8" x 24" framed $700 - $900 Provenance: Estate of the Artist

LOT 141 Elena Jahn

(Am. 1938-2014) "Lobster Cove, Monhegan" 1958 Oil on canvas board, framed Signed and dated l.r., titled verso 15 1/2" x 19 5/8" sight, 17 3/16" x 21 1/4" framed $2,000 - $2,500 Provenance: Estate of the Artist

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Summer 2022 International Fine Art Sale

LOT 142 Morris Shulman

(Am. 1912-1978) From Horn Hill, 1948 Mixed media on paper, framed under glass Signed and dated u.r.

18 11/16" x 25 1/2" sight, 21 9/16" x 28 7/16" framed $1,200 - $1,800 Provenance: Private Collection Harpswell, Maine

LOT 143 Morris Shulman

(Am. 1912-1978) "Beach - Lobster Cove" 1952 Oil on panel, framed Signed and dated l.r., titled and dated verso 26 3/16" x 39 7/8" actual, 27 3/4" x 41 3/4" framed $2,500 - $3,500 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 144 Michael Loew

(Am. 1907-1985) "Blues Among Greys" Monhegan, 1960 Oil on canvas, framed Signed l.r., signed, titled, dated and estate stamp verso, McCormick Gallery and Stable Gallery labels attached to frame verso 20" x 24" actual, 22 1/8" x 26 1/8" framed $8,000 - $10,000 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 145 Yolanda Fusco

(Czech/Am. 1920-2009) Monhegan Watercolor on paper, framed under glass Signed verso 18 3/4" x 24 1/4" sight, 28" x 33" framed $800 - $1,200 Provenance: Private Collection Massachusetts

LOT 146 William J. McKee

(Am. 1922-2007) "Monhegan Island, ME" Watercolor on paper, framed Signed l.l., titled l.l. of mat 12" x 18" sight, 20 3/4" x 26 13/16" framed $300 - $500 Provenance: Private Collection Massachusetts

LOT 147 Howard Rackliffe

(Am. 1917-1987) Icy Landscape Mixed media on paper, framed under glass Signed l.r.

27 1/2" x 20 3/8" sight, 36 7/8" x 28 7/8" framed $1,200 - $1,800 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 148 Henry Kallem

(Am. 1912-1985) Cathedral Woods, Monhegan Watercolor on paper, framed under glass Estate stamp verso 15 3/4" x 19 3/4" actual, 20 1/4" x 24 1/4" framed $700 - $900 Provenance: Private Collection Massachusetts

LOT 149 Attr. to Andrew Winter

(Am. 1893-1958) Lobster Shacks in Winter Oil on canvas board, framed 17 3/8" x 23 1/4" sight, 23 3/4" x 29 3/4" framed $700 - $900 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 150 Andrew Winter

(Am. 1893-1958) "Winter Chores" Monhegan, Maine Oil on board, framed Signed l.l., signed and titled on sheet attached to verso 20" x 24" actual, 26" x 30" framed $10,000 - $15,000 Provenance: Private Collection Boothbay Harbor, Maine

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Summer 2022 International Fine Art Sale

LOT 151 Chris Huntington

(Am. b. 1938) "Moon and Moon Light" 1991 Oil on board, framed Signed, titled and dated verso 14" x 18" actual, 19 1/8" x 23 1/8" framed $500 - $700 Provenance: Private Collection Michigan

LOT 152 Chris Huntington

(Am. b. 1938) "Granite and Green" Matinicus, 1974 Oil on panel, framed Signed and dated l.r., signed, titled and dated verso 19 5/8" x 24" actual, 20 11/16" x 24 7/8" framed $800 - $1,200 Provenance: Private Collection Kennebunk, Maine

LOT 153 Chris Huntington

(Am. b. 1938) Surf and Ledges Oil on board, framed Initialed l.r., Frost Gully Gallery label verso, additional composition verso 16" x 20" actual, 23 7/8" x 28" framed $1,000 - $1,500 Provenance: Private Collection Portland, Maine

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Summer 2022 International Fine Art Sale

LOT 154 Harold Etter

(Am. 1911-1972) "Rocky Coast" Oil on canvas, framed Signed l.l., signed and titled verso 24" x 28" actual, 28 5/8" x 32 5/8" framed $1,000 - $1,500 Provenance: Private Collection Holliston, Massachusetts

LOT 155 Sally Ladd Cole

(Am. 21st Century) "Waves Against Gull Rocks" Oil on canvas, framed Signed l.l., The Banks Gallery label verso 36" x 48" actual, 41 5/8" x 53 7/16" framed $4,000 - $6,000 Provenance: Private Collection Portsmouth, New Hampshire Exhibitions: "The 18 Miles: Paintings of the New Hampshire Seacoast", Banks Gallery, Portsmouth, New Hampshire

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Summer 2022 International Fine Art Sale

LOT 156 Irving B. Haynes

(Am. 1927-2005) China Lake Series, Maine, 2003 Acrylic on paper, framed under glass Initialed and dated l.r.

11 1/8" x 15" sight, 19 1/4" x 23 1/8" framed $400 - $600 Provenance: Private Collection Wellesley, Massachusetts

LOT 157 Irving B. Haynes

(Am. 1927-2005) Abstraction Acrylic on paper on strainers, framed Initialed l.r., inscription verso 44” x 30” actual, 46” x 32” framed $800 - $1,200 Provenance: Private Collection Wellesley, Massachusetts

LOT 158 Irving B. Haynes

(Am. 1927-2005) China Lake Series, Maine, 2003 Acrylic on paper, framed under glass Initialed and dated l.r.

11" x 14 7/8" sight, 19 5/16" x 23 1/8" framed $400 - $600 Provenance: Private Collection Wellesley, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 159 Philip Barter

(Am. b. 1939) "Girl with Feathered Hat" 1989 Oil on canvas, framed Signed l.r., titled and dated stretcher verso 29 7/8" x 23 3/4" actual, 30 5/8" x 24 3/8" framed $600 - $800 Provenance: Private Collection San Francisco, California

LOT 160 Philip Barter

(Am. b. 1939) "Bay Berries" 1991 Oil on canvas, framed Signed l.r., titled, dated and inscribed "Schoodie Port" verso 24" x 30" actual, 25 1/2" x 31 1/4" framed $1,000 - $1,500 Provenance: Private Collection Maine

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Summer 2022 International Fine Art Sale

LOT 161 Eric Aho

(Am. b. 1966) Moving Rain, 2002 Monotype, unframed Signed and dated l.r.

29 3/4" x 22 1/4" actual $1,500 - $2,500 Provenance: Private Collection Massachusetts

LOT 162 Eric Aho

(Am. b. 1966) Clouds Over Mount Monadnock, 1995 Oil on canvas, unframed Signed and dated l.c.

14" x 24" actual $5,000 - $7,000 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 163 Eric Aho

(Am. b. 1966) Clearing Sky Oil on paper, framed under glass Signed u.c., inscribed "02024 HCP No 21" verso 11" x 11 1/14" actual, 13 1/8" x 13 1/8" framed $1,500 - $2,500 Provenance: Private Collection Massachusetts

LOT 164 Eric Aho

(Am. b. 1966) Gray Sky View Acrylic on paper, framed under glass Signed u.c., inscribed "02018 HCP No. 15" verso 11" x 11" actual, 14 1/4" x 14 1/4" framed $1,500 - $2,500 Provenance: Private Collection Massachusetts

LOT 165 Eric Aho

(Am. b. 1966) Golden Field Oil on paper, framed under glass Signed l.c., inscribed "02023 HCP No 20" verso 10 1/2" x 11" actual, 12 1/2" x 13" framed $1,500 - $2,500 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 166

LOT 167

Hank Virgona

Hank Virgona

$600 - $800

$800 - $1,200

Provenance: Estate of Donald Brenwasser, New Jersey

Provenance: Estate of Donald Brenwasser, New Jersey

(Am. 1929-2019) Blue Bottles, 1979 Watercolor on paper, framed under glass Signed and dated l.r.

8" x 10" sight, 17" x 19" framed

94

(Am. 1929-2019) Colorful Bottles and Jars Watercolor and pastel on paper, framed under glass Signed u.l.

7 7/8" x 9 1/2" sight, 15 7/8" x 17 1/2" framed

Summer 2022 International Fine Art Sale

LOT 168

LOT 169

Hank Virgona

Hank Virgona

$400 - $600

$600 - $800

Provenance: Estate of Donald Brenwasser, New Jersey

Provenance: Estate of Donald Brenwasser, New Jersey

(Am. 1929-2019) Brooklyn Bridge Watercolor on paper, framed under glass Signed l.l.

9 5/8" x 11 7/8" sight, 18 3/4" x 21" framed

(Am. 1929-2019) Vessels Watercolor and charcoal on paper, framed under glass Signed l.l.

9 1/8" x 11 3/4" sight, 17 1/8" x 19 1/4" framed

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Summer 2022 International Fine Art Sale

LOT 170 Charles Reid

(Am. 1937-2019) Joy Oil on canvas, framed Signed l.r.

30" x 23 7/8" actual, 31" x 24 7/8" framed $600 - $800 Provenance: Private Collection Concord, Massachusetts

LOT 171 William Charles Palmer

(Am. 1906-1987) Landscape Oil on canvas, framed Signed l.r., provenance inscribed on Midtown Galleries label verso 40 1/8" x 40 1/8" actual, 46 3/4" x 46 3/4" framed $1,500 - $2,500 Provenance: Private Collection Cushing, Maine

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Summer 2022 International Fine Art Sale

LOT 172 Paul Resika

(Am. b. 1928) House and Trees, Provence Gouache on paper, framed under glass Signed l.r.

9" x 12 3/16" sight, 17 1/4" x 20 3/8" framed $1,200 - $1,800 Provenance: Private Collection Massachusetts

LOT 173 James Lechay

(Am. 1907-2001) Cape Cod Oil on paper, framed under glass Signed l.l.

22" x 29" sight, 31" x 38 3/8" framed $800 - $1,200 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 174 Charles Schucker

(Am. 1908-1998) Untitled, 1975 Oil on paper, framed under glass Signed and dated l.r.

21 5/8" x 29 9/16" sight, 22 1/4" x 30 1/4" framed $600 - $800 Provenance: Private Collection Concord, Massachusetts

LOT 175 Charles Schucker

(Am. 1908-1998) Untitled, 1976 Oil on paper, framed under glass Signed and dated verso 46 1/16" x 45 11/16" sight, 46 3/4" x 46 3/8" framed $800 - $1,200 Provenance: Private Collection Concord, Massachusetts

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Summer 2022 International Fine Art Sale

LOT 176 Stow Wengenroth

(Am. 1906-1978) Carnations Watercolor on paper, framed under glass Signed l.l.

13 3/4" x 9" sight, 22 1/8" x 17 1/4" framed $1,000 - $1,500 Provenance: Private Collection Cumberland Foreside, Maine

LOT 177 Murray Hantman

(Am. 1904-1999) Seascape, Monhegan Watercolor on paper, framed under glass Signed u.l., The Brooklyn Museum Art School Faculty Show label verso 5" x 11 5/8" sight, 13 3/16" x 19" famed $600 - $800 Provenance: Private Collection Massachusetts Exhibited: The Brooklyn Museum Art School Faculty Show, December 9th, 1967 – January 4th, 1968

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Summer 2022 International Fine Art Sale

LOT 178

LOT 179

David Sholl

Marguerite Robichaux

$800 - $1,200

$3,000 - $5,000

Provenance: Private Collection Brunswick, Georgia

Provenance: Private Collection Kennebunk, Maine

(Am. 1949-2011) "Three Chairs" Oil on canvas, unframed Signed l.r., signed and titled on canvas verso 58" x 58 1/8" actual

100

(Am. b. 1950) "Over Yonder" 2004 Oil on linen, framed Signed l.r., titled and dated stretcher verso 56" x 56" actual, 57 1/8" x 57 1/8" framed

Summer 2022 International Fine Art Sale

LOT 180

LOT 181

Frances Kornbluth

Arthur Richard DiMambro

$1,000 - $1,500

$1,000 - $1,500

Provenance: Private Collection Kennebunk, Maine

Provenance: The Arthur R. DiMambro 2003 Trust and The Celeste DiMambro 2003 Trust

(Am. 1876-1960) “Altos Twilight” Mixed media on paper, framed under glass Signed l.r., titled and artist's label verso 23" x 23" sight, 31 1/8" x 31 1/8" framed

(Am. 1928-2016) Landscape, 2002 Oil on board, framed Signed and dated l.r.

23 3/8" x 35 3/4" sight, 29 1/4" x 41 1/2" framed

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Summer 2022 International Fine Art Sale

LOT 182 Arthur Richard DiMambro

(Am. 1928-2016) Still Life, 2013 Oil on masonite, framed Signed and dated l.r., dated verso 23 7/8" x 23 5/8" actual, 24 3/4" x 24 3/8" framed $800 - $1,200 Provenance: The Arthur R. DiMambro 2003 Trust and The Celeste DiMambro 2003 Trust

LOT 183 Arthur Richard DiMambro

(Am. 1928-2016) "Solo Flight" Oil on board, framed Signed l.r., titled verso 47 1/2" x 47 1/2" sight, 49 1/4" x 49 1/4" framed $2,000 - $3,000 Provenance: The Arthur R. DiMambro 2003 Trust and The Celeste DiMambro 2003 Trust

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Summer 2022 International Fine Art Sale

LOT 184 Dozier Bell

(Am. b. 1957) Stacked Clam Shells Oil on canvas, framed Initialed u.l.

20" x 16" actual, 21" x 16 7/8" framed $700 - $900 Provenance: Purchased from the Artist to Private Collection Kennebunk, Maine Other Notes: This lot is accompanied by original provenance documentation

LOT 185 Dozier Bell

(Am. b. 1957) Surf Clam, 1981 Oil on canvas, framed Signed and dated l.r.

36" x 24" actual, 36 1/2" x 24 1/2" framed $1,000 - $1,500 Provenance: Purchased from the Artist ca. 1981 to Private Collection Kennebunk, Maine Other Notes: This lot is accompanied by original provenance documentation

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Summer 2022 International Fine Art Sale

LOT 186 William Wegman

(Am. b. 1943) "Rangely, Maine" 1981 Dye transfer print, framed under glass Signed, titled, dated and editioned "73/75" l.r.

19 1/4" x 18 7/8" sight, 28 1/4" x 24 3/8" framed $2,000 – $3,000 Provenance: Private Collection Cumberland Foreside, Maine

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Summer 2022 International Fine Art Sale

LOT 187

LOT 188

Brett Weston

Brett Weston

$2,500 - $3,500

$2,000 - $3,000

Provenance: Private Collection Cumberland Foreside, Maine

Provenance: Private Collection Cumberland Foreside, Maine

(Am. 1911-1993) Seated Nude, 1975 Gelatin silver print, framed under glass Signed and dated l.r.

13 1/2" x 10 3/8" sight, 21 1/2" x 17 1/2" framed

(Am. 1911-1993) California Hills, 1951 Gelatin silver print, framed under glass Signed and dated verso, inscribed "CA 98" verso 7 1/2" x 9 1/4" sight, 16" x 20" framed

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Summer 2022 International Fine Art Sale

LOT 189 Ruth Bernhard

(Ger./Am. 1905-2006) "Veiled Black" 1974 Gelatin silver print, framed under glass Signed l.r., signed, titled, dated and artist's stamp verso 13 3/8" x 10 3/8" sight, 23 5/8" x 19 5/8" framed $3,000 - $5,000 Provenance: Private Collection Cumberland Foreside, Maine

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Summer 2022 International Fine Art Sale

LOT 190

LOT 191

Ruth Bernhard

Dean Mitchell

$5,000 - $7,000

$2,500 - $3,500

Provenance: Private Collection Cumberland Foreside, Maine

Provenance: Private Collection Augusta, Maine

(Ger./Am. 1905-2006) "Folding" 1962 Gelatin silver print, framed under glass Signed l.r., signed, titled, dated and artist's stamp verso 9 5/8" x 13" sight, 19 3/8" x 23 1/2" framed

(Am. b. 1957) Boarding House Window, 2004 Watercolor on paper, framed under glass Signed, dated and inscribed "AWS" l.r.

7 1/2" x 12" sight, 18 1/2" x 22 1/2" framed

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Summer 2022 International Fine Art Sale

LOT 192 Mary Heilmann

(Am. b. 1940) "Garden Study" 1998 Aquatint and etching on paper, framed under glass Signed and dated l.r., numbered "26/30" l.l., titled verso 21" x 17" actual, 25 3/8" x 21 1/4" framed $1,200 - $1,800 Provenance: Private Collection Massachusetts

LOT 193 Cynthia Knott

(Am. b. 1952) Sea Horizon, 2001 Mixed media on canvas, unframed Signed, dated and indistinct inscription verso 36" x 54 1/4" actual $2,000 - $3,000 Provenance: Private Collection Falmouth, Maine

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Summer 2022 International Fine Art Sale

LOT 194 Seymour Fogel

(Am. 1911-1984) Untitled, 1979 Pencil on board, framed under glass Signed and dated l.r., receipt of sale from Graham Modern Gallery attached to verso 39 3/4" x 59 5/8" sight, 40 5/8" x 60 1/2" framed $800 - $1,200 Provenance: Graham Modern (James Graham & Sons), New York City to John I. H. Baur, acquired in 1985 to Private Collection New York City Other Notes: Art historian John I. H. "Jack" Baur (1909-1987) served as Director of the Whitney Museum from 1968-1974

LOT 195 Paul Zimmerman

(Am. 1921-2007) "Vendor of Ices" 1953 Oil on canvas, framed Signed l.l., signed, titled and dated verso 40 15/16" x 22 5/8" sight, 41 7/8" x 23 3/4" framed $900 - $1,200 Provenance: Private Collection Massachusetts

LOT 195A John Paulus Semple

(Am. 1930-2015) Still Life with Violin and Pitcher, 1954 Oil on panel, framed Signed and dated l.r.

27" x 35 1/2" actual, 30 1/4" x 38 1/4" framed $800 - $1,200 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 196 Vaclav Vytlacil

(Am. 1892-1984) Abstract Figure Mixed media on paper attached to canvas, framed Signed and dated l.r.

44 15/16" x 28 1/2" actual, 45 1/2" x 29 3/16" framed $1,000 - $1,500 Provenance: Private Collection California

LOT 197 Vaclav Vytlacil

(Am. 1892-1984) Abstract Dancing Figure Mixed media on paper, framed under glass Signed l.r.

35" x 22 1/2" sight, 45 1/8" x 32 1/2" framed $1,000 - $1,500 Provenance: Private Collection California

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Summer 2022 International Fine Art Sale

LOT 198 John Chin Young

(Am. 1909-1977) Untitled (Abstraction) Oil on canvas, framed Signed l.r.

36" x 44" actual, 40 1/8" x 48 1/4" framed $1,000 - $1,500 Provenance: Private Collection California

LOT 199 John Chin Young

(Am. 1909-1977) Untitled (Abstraction) Oil on canvas, framed Signed l.r.

40" x 36" actual, 41 1/2" x 37 1/2" framed $1,000 - $1,500 Provenance: Private Collection California

LOT 200 John Chin Young

(Am. 1909-1977) Untitled (Abstraction) Oil on canvas, framed Signed l.r.

36" x 24" actual, 37" x 25" framed $800 - $1,200 Provenance: Private Collection California

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Summer 2022 International Fine Art Sale

LOT 201 Charles Harsanyi

(Am./Hungarian 1905-1973) "Storm Over Wic Wac" Monhegan, 1951 Oil on masonite, framed Signed l.r., signed, titled, dated and The Salmagundi Club Certificate of Merit attached to verso, inscribed "O'Halloran Dam, Wic Wac Reservoir, Santa Loco, Sierra del Oro Mountains Borders Palm Springs, Cal" on frame verso 22" x 30" actual, 32 1/8" x 40" framed $1,200 - $1,800 Provenance: Private Collection Massachusetts

LOT 202 Raphael Mazzucco

(It. b. 1970) “Love” 2003 Mixed media on panel, framed under glass Titled l.c., dated verso 37 1/2" x 25 7/16" actual $1,500 - $2,500 Provenance: Private Collection California

LOT 203 Ellen Carey

(Am. b. 1952) Untitled, 1987 Polaroid print, framed under glass University of Hartford and exhibition labels verso 23 5/8" x 19 7/8" sight, 34 3/4" x 31 5/16" framed $600 - $800 Provenance: Private Collection Massachusetts

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Summer 2022 International Fine Art Sale

LOT 204 Osvaldo Salas

(Cuban 1914-1992) Five Works: 1] "New York" 1955 2] "New York" 1959 3] Smoking, 1964 4] Commander, 2002 5] "La Habana" 1965 1-5] Gelatin silver print, matted 1] Titled, dated and copyright embosed l.l., signed l.r., signed, estate stamp and inscribed "Negative by Osvaldo Salas, printed by Robert Salas, Limited edition Cuba" verso 2] Titled, dated and copyright embossed l.l., signed l.r.

3-4] Dated, indistinct inscription and copyright embossed l.l., signed l.r.

5] Copyright embossed l.l., signed, estate stamp and inscribed "Limited edition, Cuba" verso 1] 16" x 20" actual, 19 7/8" x 24" matted 2-3] 13" x 19" actual, 19 7/8" x 24" matted 4-5] 19" x 13" actual, 24" x 19 7/8" matted $600 - $800 Provenance: Private Collection California

LOT 205 Adrian Daintry

(Br. 1902-1988) Hedgerow Oil on canvas, framed Initialed l.l.

12" x 16" actual, 17" x 20 7/8" framed $600 - $800 Provenance: Private Collection Massachusetts

LOT 206 Horace Brown

(Am. 1876-1949) "Shadows" Vermont Oil on panel, unframed Signed l.l., signed, titled and inscribed "N.C.G.", "Sold to Mr. Redfield Proctor" and "Reserved for Redfield Proctor" verso 10 11/16" x 14 11/16" actual $800 - $1,200 Provenance: Private Collection Massachusetts Notes: Redfield Proctor is a former Governor of Vermont

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Summer 2022 International Fine Art Sale

LOT 207

LOT 208

Edward Betts

Stuart Shils

(Am. 1920-2008) Abstract Harbor Casein on panel, framed Signed l.r.

11 7/16" x 19 3/4" sight, 22 15/16" x 30 7/16" framed $600 - $800 Private Collection Holliston, Massachusetts

114

(Am. b. 1954) Irish Landscape Monotype, framed under glass 10 3/4" x 10 3/4" sight, 20 13/16" x 19 7/8" framed $800 - $1,200 Provenance: Private Collection Massachusetts

Summer 2022 International Fine Art Sale

NOTES _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________ _________________________________________________________________________________________________________________________________

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INDEX

By Lot Number 17th/18th Century Dutch School.............. 8 17th/18th Century European School....103 18th/19th Century American School... 104 19th Century American School.............105 Abbott, Berenice......................................... 65 Aho, Eric..................... 161, 162, 163, 164, 165 Barnet, Will..................................................... 1 Barter, Philip...................................... 159, 160 Beaumont, Arthur...................................... 77 Bell, Dozier......................................... 184, 185 Benson, Frank Weston................................ 12 Berne-Bellecour, Etienne-Prosper...........16 Bernhard, Ruth..................................189, 190 Betts, Edward............................................. 207 Blanchard, Antoine.....................................17 Bloom, Hyman............................................... 6 Bradford, Katherine................69, 70, 71, 72 Bravo, Manuel Álvarez...............................10 Bricher, Alfred Thompson....................... 114 Brown, Horace........................................... 206 Carey, Ellen................................................ 203 Carlton, Attr. to Anne.............................. 38 Chadbourn, Alfred.................................... 132 Cole, Sally Ladd.........................................155 Cooper, William...........................................15 Curtis, Edward.............................................. 9 Daintry, Adrian......................................... 205 Davol, Joseph.................................................33 Davol, Edith.........................................34, 34A DeCredico, Alfred..................................... 135 Dehn, Adolf.................................................. 79 DiMambro, .................................181, 182, 183 Arthur Richard................................................

Dolph, John Henry......................................25 Drexler, Lynne Mapp.................................68 Enneking, John Joseph..............................118 Ennis, George Pearse.................................. 95 Etnier, Stephen........................... 129, 130, 131 Etter, Harold...............................................154 Feininger, Andreas.....................................60 Ferguson, Amos................................. 109, 110 Field, Hamilton Easter...............................32 Fiske, Gertrude............................................ 29 Fogel, Seymour.......................................... 194 Foote, Mary.................................................. 28 Freedman, Maurice..................................... 45 Frost, John Orne Johnson “J.O.J”............111 Fusco, Yolanda............................................145 Gibson, Charles Dana..........................92, 93 Grabach, John R....................................57, 58 Graves, Abbott Fuller................................ 24 Gwathmey, Robert..................................... 94

Remenick, Seymour................................... 83 Hantman, Murray......................................177 Resika, Paul.................................................172 Harer, Frederick........................ 100, 101, 102 Richards, William Trost.......................... 115 Harsanyi, Charles......................................201 Robichaux, Marguerite............................179 Hassam, Childe........................................... 116 Salas, Osvaldo............................................ 204 Haynes, Irving B.........................156, 157, 158 Schucker, Charles..............................174, 175 Heilmann, Mary.........................................192 Semple, John Paulus.............................. 195A Hemy, Charles Napier......................... 19, 20 Sepeshy, Zoltan........................................... 56 Herzog, Hermann......................................120 Shapleigh, Frank........................................ 121 Horter, Earl.................................................. 62 Shayn, John................................................... 39 Huntington, Chris......................151, 152, 153 Sherwood, Rosina Emmet.........................21 Ipcar, Dahlov................................................ 78 Shils, Stuart................................................208 Jackson, A.Y................................................. 119 Sholl, David................................................ 178 Jahn, Elena...........................................140, 141 Shulman, Morris................................142, 143 Jonás, Martin..............................106, 107, 108 Shumaker, Philip G................................... 113 Kahn, Wolf.................................................... 59 Sisson, Laurence Philip....................136, 137 Kallem, Henry............................................ 148 Sprinchorn, Carl............................42, 48, 49 Kauba, Carl....................................................14 Stettner, Louis............................................. 63 Kent, Rockwell...............................................5 Tarbell, Edmund C..................................... 30 Knott, Cynthia...........................................193 Thanos, Tsingos........................................... 87 Knox, Susan Ricker..................................... 31 Thieme, Anthony................................. 97, 98 Kornbluth, Frances................................... 180 Thon, William.81, 82, 124, 125, 126, 127, 128 Kuehne, Max................................................. 76 Turner, Ross........................................... 22, 23 Kuhn, Walt........................................ 50, 51, 52 Virgona, Hank.................. 166, 167, 168, 169 Kulicke, Robert............................. 84, 85, 86 Vytlacil, Vaclav.................................. 196, 197 Landeck, Armin...........................................61 Webb, Todd.................................................. 64 Langlais, Bernard..................................43, 44 Wegman, William..................................... 186 Laurent, John.........................................40, 41 Welliver, Neil.........................................2, 3, 4 Lechay, James..............................................173 Wengenroth, Stow.....................................176 Lee-Hankey, William..................................18 Leslie, Alfred...............................................134 Weston, Brett.....................................187, 188 Lever, Richard Hayley............................... 96 Winter, Attr. to Andrew......................... 149 Loew, Michael.............................................144 Winter, Andrew.........................................150 Magee, Alan................................................. 133 Woodbury, Charles.........................35, 36, 37 Maggrett, Jean Steubing........................... 66 Young, John Chin.....................198, 199, 200 Manning, William...........................73, 74, 75 Zimmerman, Paul......................................195 Mazzucco, Raphael................................... 202 Zorach, William....................................46, 47 McConnell, George........................... 122, 123 McGinnis, Robert..........................89, 90, 91 McKee, William J...................................... 146 Mene, Pierre-Jules....................................... 13 Minewski, Alex...................................138, 139 Mitchell, Dean............................................ 191 Mora, Francis Luis.........................................7 Mulhaupt, Frederick.................................. 99 Nevelson, Louise......................................... 67 Newman, Benjamin Tupper.................... 117 Palmer, William Charles.......................... 171 Peirce, Waldo...................................53, 54, 55 Perry, Robert Lee....................................... 112 Rackliffe, Howard.....................................147 Rand, Ellen Emmet.............................. 26, 27 Reid, Charles...............................................170

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