The Summer Sale 2020

Barridoff Galleries The Summer Sale

August 15th, 2020

COOL YOU R H E E L S T H I S SU M M E R ...

On August 15th, 2020, Barridoff Galleries will be presenting a sizzling summer sale chock full of fine art by artists from Maine and away, collected from a wide variety of institutions, galleries and collectors in Maine, New England and elsewhere. As we all have been trying to stay safe and secure these past few months, Barridoff Galleries has been staying busy carefully curating a delightful sale to occupy the serious bidder looking to escape the summer heat. The Summer 2020 Fine Art sale will be held outside in a tent, for the first time ever, as well as instituting other safety precautions to accommodate the live audience for a safe and comfortable auction experience.

Artists represented in the sale include: Alfred Chadbourn, William Zorach, Dahlov Ipcar, Lynne Drexler, Maurice Freedman, Charles Woodbury, Neil Welliver, Waldo Peirce, Walt Kuhn, Harrison Bird Brown, Frank Henry Shapleigh, Lois Dodd, Katherine Bradford, Georges Braque, Gertrude Fiske, Montague Dawson, Thomas Sully, Tom Crotty, John Laurent, Robert Laurent, and many many more.

For this sale we are debuting our brand new Barridoff App, available for download at the Apple App Store or Google Play Store, with which bidders can peruse the catalog, watch the auction live or bid

on their device. We have expanded the ways bidders can participate safely and remotely for those who cannot attend in other ways as well, including providing three third party online platforms from which to bid: Invaluable, Live Auctioneers and now Bidsquare. There are also the old-fashioned ways of remote bidding – by telephone or with an absentee bid – to ensure bidders can get the items they want in the safe manner that they most prefer.

Please note, seating is limited for the live audience, with registered bidders as a priority. We ask that you contact Barridoff Galleries for an advance reservation if you wish to attend the auction live. All bidders, whether in person or remotely, should be mindful that the auction starts promptly at 3pm on August 15th.

Thank you for joining us this August, it should be a great sale. Preview times will be extended to two weeks to allow bidders more time to peruse the sale in a safe and distanced manner. Also, be on the lookout for our Winter 2021 Auction, which is already starting to shape up to be another great sale next year.

LIVE AUDIENCE LIMITED SEATING

BARRIDOFF APP

Pursuant to State safety guidelines, our live audience is limited to a 50 person occupancy.

We request anyone wishing to attend to make an advance reservation with Barridoff Galleries, and with registered bidders receiving priority. The auction will be broadcast from a live stream on our website and on the Barridoff App, so if you cannot attend you can still watch the auction as it happens.

EXHIBITION ANNOUNCEMENT

Not included in the sale but exhibited in our lobby is a two-person exhibition of art by Maine artists C. Michael Lewis and Marlene Ekola Gerberick. Please see the announcement on the inside back cover for more information.

Download our new Barridoff App to peruse the catalog, watch the auction live or to bid. Available at the Apple App Store or for Androids at the Google Play Store.

QR CODE

To view the mobile version of this catalog, please scan the QR code (the funny looking black box used to scan items like a bar code) directly below with with your phone’s camera to be taken directly to you our online catalog.

SCAN THIS CODE WITH YOUR PHONE’S CAMERA

REFERRAL PROGRAM

Do you know of any friends or family who may have fine art for sale? Barridoff Galleries offers a generous referral program for any new leads of available fine art that result in a sale. Please contact us for more information.

CONSIGNMENT INQUIRIES

To inquire about submitting works of Fine Art for an upcoming sale, or to receive a free estimate of your art’s worth, feel free to call, email or go to our website www.barridoff.com.

SCAN QR CODE like this...

C ONSIGN W I T H US

Barridoff Galleries is Always Accepting Consignments of Fine Art

Please feel free to call, email or go to www.barridoff.com to inquire about consigning

We also provide...

FREE AU CTION E S TIMATES

Stay Tuned for the Return of Free Appraisal Days or Just Email a Photo of Your Fine Art to: f ineart@barridoff.com (207) 772-5011 | www.barridoff.com

(Cover) Detail of “Pines, South Bristol” By Alfred Chadbourn.

Download the New “Barridoff Galleries” App Today!

BA R R I DOF F GA L L E R I E S H ELL O!

We at Barridoff Galleries seek out and find compelling, beautiful, relevant works of art. For us, it’s never just another auction.

It’s an opportunity to help buyers and sellers of fine art realize their dreams by establishing that special connection in their appreciation of fine art.

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Fine Art Terms & Conditions

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Works in the Auction

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Artist Biographies

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Index

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W HO W E A R E A N D W H AT W E DO W ELL Barridoff Galleries was established in the 70’s in Portland, Maine. Our auctions feature Old Masters, American, European, Russian, Asian, Modernist, and contemporary works, with works by Maine artists, locations and themes a specialty. We pride ourselves in our response time to consignors and buyers alike. We host two live auctions a year and a variety of online, estate and special auctions in between. We're always looking for pieces of art to consider for our auctions!

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A PR E V I E W

AND

A RT I ST S ' E X H I BI T ION W I L L BE OPE N: AUGUST 3 - 14, 2020

M O N D AY- F R I D AY | 1 0 A M - 5 P M

AUGUST 15, 2020 1 0A M -3 P M

A d va n ce d R e s e r va t i o n s a re E n co u ra ge d !

GALLERY

312 Gannett Drive | South Portland, ME 04106 | (207) 772-5011 7

BA RRID OFF G ALLERIES 4. Barridoff Galleries charges the winning bidder a premium to be added to the hammer price on each item purchased. This premium is equal to 22% of the hammer price up to and including $ 500,000.00, plus 17% of the hammer price over $ 500,000.00. The premium when bidding online is an additional 5%. A discount of 2% of the hammer price shall be given to any item paid for and removed from the premises of the auction by the buyer or buyer’s representative on the day of the sale.

5. Upon the fall of the auctioneer’s hammer, title to that item passes to the highest bidder, subject to the terms hereof, who is bound by the sale and assumes full risk and responsibility therefore.

The winning bidder authorizes Barridoff Galleries to sign a sales record, which shall be conclusive as to the terms of the sale, on the winning bidder’s behalf. All items must be fully paid for, including any additional amounts owed under paragraph 6 or otherwise, and removed from the premises of the auction by the winning bidder, at the winning bidder’s expense, within 24 hours of the day of sale unless other specific arrangements have been made with Barridoff Galleries. Barridoff Galleries is not responsible for any loss by the winning bidder as a result of the damage or theft of an item subsequent to the fall of the hammer for that item and encourages bidders to pay for and remove purchased items immediately after the sale. Payment for each item purchased must be made before the item is removed. Only cash, certified check or verified credit card will be acceptable unless other suitable arrangements have been made with Barridoff Galleries at least five days before the auction. If items won at auction are not paid for and removed from the premises within 5 business days after the sale, additional charges may apply. Shipping, packing, storage and any related expense of an item are the sole responsibility of the buyer of the item. All sales are final and no refunds will be given with the limited exception of circumstances under paragraph 7.

6. If the winning bidder does not comply with any applicable conditions herein, Barridoff Galleries and the consignor shall have all of the following nonexclusive rights and remedies, in addition to their other remedies at law or in equity: the right a) to hold the winning bidder liable for the total purchase price plus interest of 1 ½ % per month; b) to cancel the sale and retain as liquidated damages all payments made by the winning bidder; c) to resell the item, in which case the winning bidder shall be liable for any deficiency, cost, including handling charges, the expenses of both sales, commissions on both sales and all other charges and incidental damages; d) to charge 1% of the total purchase price per month, with a minimum charge of 5%, to handle any item not timely removed; e) to exclude the winning bidder and its agents or affiliates from all future auctions; f) to charge a reasonable storage fee or g) to set off any amounts Barridoff or consignor owes the winning bidder. The winning bidder is responsible for the winning bidder’s premium due Barridoff Galleries under paragraph 4 separate and apart from any other remedy listed in this paragraph. A winning bidder shall be deemed to have granted to Barridoff Galleries and its consignor as collateral for bidder’s obligations hereunder a security interest in any item of the winning bidder in the possession of Barridoff Galleries or its consignor, who shall have all of the rights of a secured party in Maine and the law of the location of the item.

Barridoff Galleries shall have all of the rights of the consignor to pursue all rights and remedies hereunder, and Barridoff Galleries and its consignors shall be entitled to all of their costs, including reasonable attorney’s fees, in enforcing their rights and remedies hereunder. Bidder waives any and all rights it may now or in the future have under any Maine law governing unclaimed or abandoned property.

7. Disputes on the grounds of authenticity subsequent to sale must be made within 15 days of the auction and must be supported by the written testimony of at least two recognized experts in the field with respect to the specific artist involved. Only if the disputed article is in the same condition as when sold will a rescission of the sale be considered. In the event Barridoff Galleries agrees to rescind the sale, which decision shall be at Barridoff Galleries’ sole discretion, an amount up to the purchase price, plus sales tax if appropriate, may be refunded to the winning bidder. Such rescission and refund is exclusive and in lieu of any other remedies which might otherwise be available as a matter of law. In no event shall Barridoff Galleries’ or its consignor’s liability exceed the purchase price of the item sold.

8. Estimates. The high and low estimate given for an item are solely a guideline based upon Barridoff Galleries’ approximation as to the range within which an item may be sold for at auction.

An estimate is not a statement of value or selling price of an item and Barridoff Galleries makes

F I N E A RT T E R M S & C ON DI T ION S CONDITIONS OF AUCTION SALE The following Conditions of Sale, including the appended notes and other information, whether printed or online, as they may be amended by any posted notices or oral announcements before or during the auction sale, constitute the entire agreement between Barridoff Galleries, representing its consignors, and the bidder relative to the item being sold and the conduct of the sale. By registering for or participating in the sale, all bidders agree to the terms hereof.

1. The contract for sale for any item purchased at auction is between the consignor and the winning bidder. Barridoff Galleries acts as the consignor’s agent only, unless Barridoff Galleries is selling the item as principal. Barridoff Galleries may reject any bid for any reason. Items are sold with reserve and Barridoff Galleries may reject any bid below the reserve. The auctioneer may bid on behalf of the consignor or of Barridoff Galleries. Barridoff Galleries reserves the right to withdraw any item at any time before its actual sale. The buyer will be the highest bidder acknowledged by the auctioneer. Barridoff Galleries has the authority to decide any disputes over the auction process in its sole discretion, and its decision shall be final and binding. As a convenience to clients who cannot attend a sale in person, absentee/telephone bid forms may be found on the Barridoff Galleries website. Online bidding may also be available on one or more online auctioneering websites as announced by Barridoff Galleries, the conduct of which Barridoff Galleries takes no responsibility. Barridoff Galleries is not responsible for errors and omissions in connection with telephone, Internet or other absentee bidding. Bidder understands that any dispute regarding the auction or a purchased item is between the consignor and the winning bidder unless the dispute concerns the conduct of the sale or other issue within Barridoff Galleries’ sole responsibility and control.

2. Provenances are included in the catalog to the extent they are available. Estimates are included with each lot (See note on estimates in paragraph 8.) Statements of condition may be provided. However, these provenances, estimates and statements of condition and any other information provided by Barridoff Galleries or its staff are merely the opinion of Barridoff Galleries and may not be taken as statements of fact to substitute research regarding and inspection of the item by the bidder, more fully described in paragraph 3. Barridoff Galleries, however, will endeavor to provide the most accurate and complete information on an item and answer to the fullest extent possible any reasonable question, subject to the disclaimers herein. An item may be described as an attribution or “attributed to,” indicating that the authenticity of the item cannot be definitively determined (also see Old Masters in Notes and Other Information, below). The auctioneer may make corrections and provide additional information as available at the time of sale.

3. Barridoff Galleries is not responsible for errors and omissions contained in the catalog, presented by the auctioneer or in any of the information detailed in paragraph 2. Barridoff Galleries makes no representation or warranty with respect to and is not responsible for the description, quality, condition, or authenticity of any items sold, and makes no warranty as to merchantability or fitness for a particular purpose. All items are sold “AS IS.” Prospective bidders bear sole responsibility to inspect an item before bidding to determine the item’s authenticity, condition, size and whether or not is has been repaired or restored. No representation or warranty is made as to copyright of any item or whether the bidder acquires any reproduction rights of the item.

Barridoff Galleries offers the opportunity for prospective bidders to examine an item and Barridoff Galleries undertakes no obligation to bidders for Barridoff Galleries to examine, investigate or carry out any tests, either in sufficient depth or at all, to establish the authenticity or accuracy or otherwise of any description or opinion of Barridoff Galleries, whether given orally, in writing, on its website or any published catalog or literature. Bidders should not assume that any such examination, investigation or test has occurred. Barridoff Galleries does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or in tort) with respect to the accuracy or completeness of any statement or representation made by Barridoff Galleries or on Barridoff Galleries’ behalf that is in any way descriptive of any item or as to the anticipated or likely selling price of any item. No statement or representative

by Barridoff Galleries or on Barridoff Galleries’ behalf in any way descriptive of any item or any estimate is incorporated into these terms and conditions or agreement for sale with bidder.

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no guarantee, representation, or agreement as to the value or selling price of an item more than the Galleries’ opinion of the item’s possible auction price.

9. All purchases are subject to Maine sales tax (5.5%) unless the bidder is located out-of-state and shipping is arranged by Barridoff Galleries or the bidder possesses a sales tax exemption number either from or acceptable to Maine Revenue Services and presents to Barridoff Galleries a valid signed certificate acceptable to Maine Revenue Services stating that Barridoff Galleries does not have to withhold Maine sales tax on the purchase. Maine sales tax is applicable to the full purchase price, which includes the hammer price plus the premium under paragraph 4.

10. The descriptions used in this catalog may not be reproduced in any manner without the written authorization of Barridoff Galleries.

11. The Uniform Commercial Code Title 11, Section 2-328 applies to this auction sale. These conditions of sale are governed by and shall be interpreted under Maine law, and any conflicts hereunder shall be decided in the state and federal courts located in Cumberland County, Maine, and all bidders submit themselves to the jurisdiction thereof. The regulating authority of this auction is the Board of Licensing of Auctioneers, 35 State House Station, Augusta ME 04333-0035.

12. Unless agreed otherwise in writing between Barridoff Galleries and the bidder, these terms and conditions, whenever applicable, apply to all private sales, post auction sales and any other transaction between the parties not conducted at the auction sale that occur while these terms and conditions are posted by Barridoff Galleries.

SIZE

NOT E S A N D OT H E R I N FOR M AT ION

Additions consigned too late to be included in the bound copy of the catalog may be found on a continually updated separate sheet to the extent possible. All additions will be included on the final sheet available at the auction and will be placed sequentially at the end of the sale.

Digital catalogs will be updated daily. Lot numbers will correspond with the printed catalog and additions sheets. Errata will also be published in the updated sheet listing any corrections of inaccuracies or additional information concerning the original catalog. Digital updates may not be noted so Barridoff Galleries urges bidders to refer to the most current posted auction information to remained accurately informed.

ABBREVIATIONS

l.c. l.l. l.r u.c. u.l. u.r.

lower center lower left lower right upper center upper left upper right

b. born c. circa Am. American Br. British Eur. European Fr. French

Ger. It. h. w. l. d.

Unless otherwise noted, the size of each item is measured height by width in inches and does not include the frame. Sizes are approximate. The term “actual” means the actual size of the item without any frame or other appendage, “framed” means the size of the item including the frame and “sight” means the visible portion of the item when the actual size is covered or obscured and unable to be determined. The terms regarding information in paragraph 3 apply to information regarding sizes provided by Barridoff Galleries.

ONLINE CATALOGS, LIVE PHONE BIDDING, AND ONLINE BIDDING Phone bids will be allowed on a limited first-come, first-served basis. Phone bidders must make arrangements in advance. Barridoff Galleries provides phones as a service for bidders who cannot attend the auction, but phones are not the perfect medium for bidding at an auction under any circumstances and cell phones, while useful, can be particularly difficult. Bidders should be mindful of these limitations if choosing to bid by phone. Bidding may also be available online in real time at barridoff.com, bidsquare.com, invaluable.com, and liveauctioneers.com. Bidders are advised to familiarize themselves with the rules and procedures provided thereon prior to bidding. Barridoff Galleries is not responsible for any difficulties, technical or otherwise, that may be experienced through bidding other than in person.

ADDITIONS AND ERRATA.

German Italian height width length depth

PROVENANCE

SHIPPING

Provenance is listed insofar as it is known or is allowed to be published by the owner. The conditions regarding information in paragraph 3 apply to any provenance information provided

by Barridoff Galleries.

For the buyer’s convenience, Barridoff Galleries may arrange for the UPS Store in South Portland to receive, pack and ship items purchased at the auction. Barridoff Galleries would be happy to arrange these services with another shipper at the buyer’s request. All packing and shipping charges are the responsibility of the buyer and Barridoff Galleries assumes no responsibility of any kind for providing this service. Buyers should otherwise make arrangements to collect or ship purchases in a timely manner following the sale.

TITLES Titles are provided for most items in the sale. A title bounded by quotation marks indicates that it is the official title of the item. A title not bounded by quotation marks is an unofficial title or a brief description used to identify the item.

FRAMES If a frame is thought to be original to the work of art or of some other particular interest based upon its history, value or beauty, it may be illustrated; but the illustration is in no way to be considered a guarantee of same and nothing about the frame is included in any catalog entry.

OFFERS FOR PREVIOUS SALES Barridoff Galleries accepts offers for items sold at former auctions at prices at or above the prior hammer price acceptable to participating winning bidders. If Barridoff Galleries receives and determines suitable a bona fide offer for an item, Barridoff Galleries will relay the offer to the winning bidder for consideration and acceptance. If the winning bidder accepts the offer, the applicable standard conditions of sale apply to the transaction.

OLD MASTERS All works by Old Masters, including school, manner and other related information including dates are now by policy offered as attributions because, in the opinion of Barridoff Galleries, there has been too little or no known opportunity for a consensus, extensive research or singular expertise or because such opportunities often result in significant changes and varied opinions.

However, all attributions are, in the opinion of Barridoff Galleries, appropriate as cataloged.

MAJOR CREDIT CARDS ACCEPTED Barridoff Galleries accepts as payment major credit cards. Please contact Barridoff staff to determine if your credit card is accepted by Barridoff Galleries.

CONDITION REPORTS

DISCOUNT FOR PAYING FOR/REMOVING PURCHASED ITEMS ON AUCTION DAY

Condition reports may be in the catalog and are available upon request. However, information provided by Barridoff Galleries pertaining to the condition of any auction lot is for the bidder to use or interpret as the bidder sees fit. As more fully described in paragraph 3, a condition report is in no way a guarantee, nor should it be considered an expert opinion. All prints (etchings, lithographs, silkscreens, etc.), to the best of Barridoff Galleries’ knowledge, have full margins unless otherwise noted. All lots should be examined by potential bidders. Because few lots are examined by Barridoff Galleries out of their frames, potential bidders should assume that condition reports only include areas that are clearly visible unless otherwise stated.

Barridoff Galleries is offering a discount on the bidder’s premium under paragraph 4 an amount equal to 2% of the hammer price for items paid for and removed from the auction premises the day of the auction.

AUCTIONEER William J. Milliken. ME license number AUC1627.

Copyright © July 2020

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BA RRID OFF G ALLERIES

LOT 1 Georges Braque (Fr. 18 8 2 - 19 63) The Bird Lithograph on paper, framed under glass Signed in the plate, from a limited series of 250 8" x 10" sight, 17 1/8" x 17" framed $800-$1,200

Provenance: Private Collection Wiscasset, Maine

LOT 2 S u z a n n e Va l a d o n (Fr. 1865-1938) "Bathers" 1904 Etching and aquatint on BFK Rives paper, framed under glass Signed l.r., signed and dated "S. Valadon, 1904" in reverse in the plate l.r., Gallery at Land's End label on verso 10 1/ 2 " x 10" sight, 9 1/ 4 " x 8 3/ 4 " plate, 22" x 18" framed $800-$1,200

Provenance: Private Collection California

Other Notes: Valadon was the first woman admitted to Societe Nationale des Beaux-Arts, model and confidante to Renoir, Degas, Modigliani, Lautrec etc., mother of Maurice Utrillo, Lover of Eric Satie, unapologetic artist at a pivotal time for women in the arts

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LOT 3 Va t i c a n w o r k s h o p (It . l at e 19t h C ent u r y) "Cave Canem" (Beware of the Dog ) A micromosaic plaque St. Pietro in Vaticano label with date or possibly reference #, artist + and object description inscribed in black ink on verso 7 3/4" x 5 1/2" actual, 10 1/2" x 8 1/2" framed $1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Maine

LOT 4 Charles Emile Jacque (Fr. 18 13 - 18 9 4) Feeding the Sheep, 1848 Oil on canvas Signed and dated l.r., Barridoff Galleries framing label c. 1978 on verso 22" x 34 1/2" actual, 25" x 38" framed $ 3,0 0 0 -$ 5,0 0 0 Provenance: Collection of Barbara DeJoseph Jamestown, New York

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LOT 5 Eugene Galien-Laloue (Fr. 1854-1941) Autumn Street Scene Gouache on paper, framed under glass Signed l.l.

7 1/4" x 12 1/2" sight, 13 1/2" x 18 1/2" framed $ 4,0 0 0 -$ 6,0 0 0

Provenance: Purchased from Associated Galleries LTD January 4, 1966, The Mary Blouin Estate Naples, FL by descent to current owner Other notes: We would like to thank NoĂŠ Willer for kindly confirming the authenticity of this work

LOT 6 Eugene Galien-Laloue (Fr. 1854-1941) Winter Scene Gouache on paper, framed under glass Signed l.l.

7 1/2" x 12" sight, 13 1/2" x 18 1/2" framed $ 4,0 0 0 -$ 6,0 0 0

Provenance: Purchased from Associated Galleries LTD January 4, 1966, The Mary Blouin Estate Naples, FL by descent to current owner Other notes: We would like to thank NoĂŠ Willer for kindly confirming the authenticity of this work

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LOT 7 Georges d'Espagnat (Fr. 1870 -1950) Maison au Paysage Oil on canvas Signed l.l.

10" x 14" actual, 17" x 21 1/2" framed

LOT 8 Rezso Zsombolya Burghardt (Hu n g a r i a n 18 84 - 19 63) Shepherd Oil on canvas, framed Signature l.r., inventory label on verso 23 3/8" x 31 1/2" actual, 28 3/4" x 36 1/2" framed

$ 2,0 0 0 -$ 3,0 0 0

$ 8 0 0-$1,20 0

Provenance: Private Collection Maine

Provenance: Private Collection California

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LOT 9 Jac Martin-Ferrieres (Fr. 1893 -19 7 2) "Basin au Soleil " 1923 Oil on canvas Signed and dated l.r., Dominion Gallery label on verso, Alexander Kahan label on verso 23 1/2" x 29" actual, 33 1/2" x 38 1/2" framed

LOT 10 Arthur Heyer (Hu nga r ia n 1872 -1931) Cats and the Jack in the box Oil on canvas board Signed l.l.

21 1/2" x 29 1/2" sight, 27 3/4" x 35 3/4" framed

$ 4,0 0 0 -$ 6,0 0 0

Provenance: Dominion Gallery, Montreal, purchased from Alexander Kahan Fine Arts, New York February 1998, Private Collection Maine

$70 0-$9 0 0

Provenance: Private Collection Maine

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LOT 11 Dietz Edzard (G e r. 18 9 3 - 19 63) "Vase de Fleurs" Oil on canvas Signed l.r., Hammer Galleries label on verso, Alexander Kahan label on verso 21" x 25 1/2" actual, 32 3/4" x 37" framed

LOT 12 Suzanne Eisendieck (Fr. 19 08 -19 98) "Loge au Theatre Fenice" Oil on canvas Signed l.l., title inscribed on verso 22 1/2" x 15" actual, 27 1/2" x 20" framed

$ 1,0 0 0 -$ 1,5 0 0

Provenance: Private Collection Maine

$ 1,0 0 0 -$ 1,5 0 0

Provenance: Private Collection Maine

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BA RRID OFF G ALLERIES

LOT 13 Remo Michael Farruggio (It. 19 04-1981) Tossed, 1948 Gouache on paper, framed under glass Signed and dated l.l.

19 1/2" x 25" actual, 20 7/8" x 26 3/8" framed $70 0-$9 0 0

Provenance: Private Collection California

LOT 14 Italico Brass (It . 1870 - 1943) 7 Venice Harborside Oil on Canvas Signed l.r., Christie's label on verso, Italian inscription on verso 7 1/4" x 11 1/4" actual, 12 3/8" x16 1/4" framed $70 0-$9 0 0

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Provenance: Private Collection California

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LOT 15 Montague Dawson (Br. 189 0 - 19 7 3) Sailing Day Gouache on paper Signed and Dated l.l., Valejo Gallery on verso 16 1/4" x 25 3/4" sight, 24 3/4" x 30 5/8" framed $8,000-$10,000

Provenance: Private Collection South Portland, Maine

LOT 16 J. Miller (19t h C ent u r y) A Sailing Ship in Distress Oil on canvas Signed and dated l.l., original piece of tacking edge with inscription attached verso, partially obscured Richard Jeffreys print dealer, 88 Bold Street, Liverpool on verso 27" x 38" actual, 51" x 40 1/2" framed $1,000-$2,000

Provenance: Collection of a Private New England Institution

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LOT 17 Charles Paul GruppĂŠ (A m. 186 0 -1940) Fishing Boats off Shore Oil on canvas Signed l.l.

12 1/4" x 24" actual, 17 1/4" x 29" framed $ 5 , 0 0 0 - $ 7, 0 0 0

Provenance: Purchased from Apple and Carpenter Galleries, August 1996, Private Collection Maine

LOT 18 J. Newman (A m. 19t h C ent u r y) Shipwreck off the Coast, c. 1870 Oil on canvas Signed l.r.

22" x 36" actual, 29 1/2" x 44" framed $ 1,0 0 0 -$ 2,0 0 0

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Provenance: Collection of a Private New England Institution

LOT 19 Wa lt K u h n (A m. 1877-1949) Figure Study Gilt cast bronze plaque and original carved wood negative Initialed "W" on bronze panel l.r.

Bronze panel 6" x 4 1/2" x 1/8" wood carving 6 5/8" x 5 5/8" x 3/4" $ 5 0 0-$70 0

Provenance: By descent in the Kuhn family and purchased from small estate sale with other objects from the artist's Cape Neddick home c. 2000

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BA RRID OFF G ALLERIES

LOT 20 Harrison Bird Brown (A m. 1831-1915) "Portland Harbor" Oil on canvas Signed l.l.

13 1/4" x 25" actual, 19" x 30 3/4" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Maine

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LOT 21 John Whorf (A m. 19 03-1959) "Path of the Moon" Watercolor on very thick paper, framed under glass Signed l.r., title inscribed on verso, framer's label on verso 21 3/8" x 29 3/8" sight, 34" x 41 1/2" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Collection of a Private New England Institution

Exhibitions: Refer to similar compositions titled "Path of the Moon a Sailing Party aboard the Island Girl, Provincetown Harbor" sold at Bonhams in 2006 and "Fisherman's Moon Sailing Party" sold at Christies New York in 2005

LOT 22 Thomas Crotty (A m. 193 4- 2 015) Regatta Oil on masonite Signed l.l.

20" x 30" actual, 26 3/4" x 36 3/4" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Maine

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LOT 24 William Zorach (A m. 1887-19 66) "Gemini (Study For)" c. 1940s Cast bronze with natural patina Signed and numberd "5/6" l.r. along edge 7" height x 3.5" width x 3.5" depth

LOT 23 William Zorach (A m. 1887-19 66) Winter on the Coast Watercolor on paper, framed under glass Signed in pencil l.r.

14 3/4" x 22" sight, 22 1/2" x 29 1/4" framed

$1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Connecticut

$1,20 0-$1,8 0 0

Provenance: Private Collection Michigan

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LOT 25

LOT 26

C h a r l e s H e r b e r t Wo o d b u r y (A m. 1864-1940) Duck Decoys Watercolor on paper, framed under plexiglass Signed l.l.

14 1/4" x 21" sight, 21 1/2" x 28" framed

C h a r l e s H e r b e r t Wo o d b u r y (A m. 1864-1940) Single Tree, 1904 Oil on canvas Signed and dated l.l., signed on verso 21" x 17" actual, 29" x 25 1/ 4" framed

$ 1,0 0 0 -$ 2,0 0 0

$ 3,5 0 0 -$ 4,5 0 0

Provenance: Private Collection Michigan

Provenance: Private Collection Michigan

Literature: Paintings in Motion: The Art of Charles Herbert Woodbury (1864 1940) Vose Galleries Boston

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LOT 27

Gertrude Fiske (A m. 1879 -19 61) Turbat's Creek Oil on canvas Signed on verso 20 1/4" x 27 1/8" actual, 30 143" x 37 7/8" framed $ 1 2,0 0 0 -$ 1 4,0 0 0 Provenance: Estate of the Artist, Tom Veilleux Gallery, Private Collection Michigan Exhibitions: Gertrude Fiske, American Master, Portsmouth, NH 2018

LOT 28

Carl Sprinchorn (A m. 1887-1971) "Haying Time" Monson, Maine 1912 Oil on board Signed, titled and dated on verso 10" x 14" actual, 14 3/4" x 19" framed $ 1,0 0 0 -$ 1,5 0 0 Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 29

Carl Sprinchorn (A m. 1887-1971) "Looking Down Whetstone Falls" 1944 Oil on wood Initialed l.l., artist, title, and date inscribed on verso 9 1/2" x 12 3/4" actual, 12" x 15" framed $ 8 0 0-$1,20 0 Provenance: Estate of Donald Brenwasser, New Jersey

LOT 30

Carl Sprinchorn (A m. 1887-1971) Sleeping Cat, c. 1955 Gouache and charcoal on paper Initialed l.r.

12" x 16 1/2" sight, 18 1/2" x 22 1/2" framed $ 8 0 0-$1,20 0 Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 31

R e u b e n Ta m (A m. 1916 -1991) "Surf and Clouds" 1957 Oil on masonite Signed l.r., The Downtown Gallery label on verso 10" x 14" actual, 17.5" x 21.5" framed $ 2,5 0 0 -$ 3,5 0 0 Provenance: Private Collection Massachusetts

LOT 32

Elena Jahn (A m . 19 3 8 - 2 0 1 4) Moon, Water, Rocks-Monhegan, Maine 1963 Oil on canvas Signed l.r.

46" x 43 1/2" actual, 45 1/2" x 48 1/2" framed $ 3,0 0 0 -$ 5,0 0 0 Provenance: Estate of the Artist

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LOT 33

Ernest Fiene (A m. 2 0t h C ent u r y) "Sunset, Monhegan Island " Oil on canvas, framed Signed l.r., artist's label on verso, title and artist's name inscribed on stretcher bar 16" x 20" actual, 21 3/4" x 25 3/4" frame $ 5 , 0 0 0 - $ 7, 0 0 0 Provenance: Private Collection Cambridge, Massachusetts

LOT 34

Henry Kallem (A m. 191 2 -1985) Houses on Monhegan, 1950 Watercolor on paper, framed under glass Signed and dated u.l.

12 3/4" x 18 1/4" sight, 20 1/8" x 25 3/4" framed $ 8 0 0-$1,20 0 Provenance: Private Collection Harwich Port, Massachusetts

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LOT 35

LOT 36

Emily Muir (A m . 19 04 - 2 0 0 3) Stonington Village Graphite on paper Signed "Emily" l.r.

9" x 12" actual

Elena Jahn (A m . 19 3 8 - 2 0 1 4) P l a y i n g M o n o p o ly -M o n h e ga n , M a i n e 1 9 74 Oil on canvas Signed on verso 40" x 42" actual

$ 3 0 0-$ 5 0 0

$ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Massachusetts

Provenance: Estate of the Artist

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50

LOT 37

Maurice Freedman (A m. 19 04-1985) "Mountain Mist" 1964 Oil on canvas Signed and dated l.l., titled and dated on verso, "Property of Laura Grow" inscribed on verso 24" x 36" actual, 32" x 44" framed $ 1 0,0 0 0 -$ 1 5,0 0 0 Provenance: Private Collection Michigan Exhibitions: Maurice Freedman: A retrospective Exhibition of Paintings, Washington State University, Steinberg Gallery, June 18- July 16, 1972 Cat. No. 35

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Wa lt K u h n (A m. 1877-1949) "Pink Roses in Blue Vase" 1938 50 Oil on canvas Signed and dated l.r., titled and dated upper tacking edge of canvas verso, Kennedy Galleries label on verso, Midtown Payson Galleries label on verso 30" x 25" actual, 38 1/2" x 33 1/2" framed $ 1 0,0 0 0 -1 5,0 0 0 Provenance: Kennedy Galleries, New York, Midtown-Payson Galleries, New York, Private Collection Michigan Exhibitions: Grace Horne Galleries, April 14 - May 3, 1941, Boston, MA Literature: Walt Kuhn "Painter, His Life and Work" , by Philip Rhys Adams, Columbus, Ohio State University Press, 1978, pg. 266, Number 379

LOT 39

Katherine Bradford (A m. b. 1942) Untitled, 1995 Monotype on paper, framed under glass Signed l.r.

27" x 22" sheet size, 30" x 25" framed $ 8 0 0-$1,20 0 Provenance: From the Artist through trade to the collection of James and Lolly Mitchell

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7

LOT 40A

Robert Indiana (A m. 19 2 8 - 2 018) "The American Four" 1970 Colored silkscreen Signed and dated l.r., titled l.l., numbered "10/200" l.l.

25½" x 26" sight, 29¾" x 30" framed $1,5 0 0-$ 2,5 0 0 Provenance: Private Collection Michigan

LOT 40

Robert Indiana (A m. 19 2 8 - 2 018) Two (Numbers Series), 1968 Colored silkscreen, framed under plexiglass Signed and dated l.r., numbered "XVIII/X X XV" l.l.

25½" x 19½" sight $ 2,0 0 0 -$ 3,0 0 0 Provenance: Private Collection Michigan

LOT 41

Robert Indiana ( A m. 19 2 8 - 2 018) "American Dream II " 1987 Etching, dry point, aquatint on arches paper Signed and dated l.r., inscribed "To Dan" l.c., numbered "1/50" l.l.

37½" x 21" sheet size, 39½" x 23" framed $ 5 , 0 0 0 - $ 7, 0 0 0 Provenance: Private Collection Michigan

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LOT 42

Alfred Chadbourn (A m. 19 2 1-1988) "Spanish Eligy" 1981 Oil on canvas Signed l.r., title and date inscribed on tacking edge 30" x 40" actual $ 2,0 0 0 -$ 3,0 0 0 Provenance: The Artist by descent to the Family Collection Norwalk, Connecticut

LOT 43

Jon Imber (A m . 19 50 - 2 0 1 4) "Two Pines" 2005 Oil on wood Signed and dated l.r., signed, titled and dated verso 30" x 30" actual, 32ž" x 32ž" framed $ 4,0 0 0 -$ 6,0 0 0 Provenance: Private Collection Mount Desert Island, Maine

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LOT 45

Connie Hayes (A m. 2 0t h C ent u r y) "Gestural Coast" 1982 Gouache on paper, framed under glass Signed l.l., titled l.c., dated "6-82" l.r.

7" x 7" sight, 15¾" x 15½" framed $ 3 0 0-$ 5 0 0 Provenance: Private Collection Gorham, Maine

LOT 46

LOT 44

Connie Hayes (A m. 2 0t h C ent u r y) Group Lot: 1] "Peaks Island Shallows" 1981 2] "Shore Stratus" 1981 Gouache on paper, framed under glass 1] Signed l.r., titled l.c., dated "7-22-81" l.l.

2] Signed l.r., titled l.c., dated "7-23-81" l.r.

1] 5" x 5" sight, 13½" x 13¼" framed, 2] 5" x 5" sight, 13½" x 13¼" framed

Connie Hayes (A m. 2 0t h C ent u r y) Coastal Scene Oil on canvas Gouache on paper, framed under glass Signed l.l., dated "12-23-81" l.r.

7" x 7" sight, 13½" x 13¼" framed $ 4 0 0-$ 6 0 0 Provenance: Private Collection Gorham, Maine

$ 5 0 0-$70 0 Provenance: Private Collection Gorham, Maine

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50 LOT 47

Chris Huntington (A m. b. 1938) "Morning- Sunrise Valley" 1990 Oil on board Signed and dated l.r., initialed, titled and dated on verso, artist's stamp on verso 14" x 20" actual, 23" x 29" framed $ 8 0 0-$1,20 0 Provenance: Private Collection Michigan

LOT 48

Chris Huntington (Am. b. 1938) Autumn Landscape, 1975 Oil on board Initialed and dated l.r.

19 ½" x 19 ½" sight, 22 1/2" x 22¾" framed $ 8 0 0-$1,20 0 Provenance: Private Collection Michigan

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34

INFINI

50

LOT 49

Alfred Chadbourn (A m. 19 2 1-1988) "Trees, South Bristol " 1978 Oil on canvas Signed l.r., title, artist and date inscribed on upper stretcher bar 30 1/ 4" x 50" actual, 30 7/8" x 50 7/8" framed $ 3,0 0 0 -$ 5,0 0 0 Provenance: Purchased from Barridof f Galleries c. 1980, Private Collection Gorham, Maine

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LOT 50

LOT 51

Fanny Brennan (A m/ Fr. 19 2 1- 2 0 01) "Castle with Pencils" 1981 Oil on board Betty Parsons Galle label on verso with title, artist, date, and medium 3.25" x 2.25" actual,10" x 9.25" framed

Robert Kulicke (A m . 1 9 2 4 - 2 0 0 7) Green Pear Still Life, 1957 Watercolor on paper, framed under glass Signed and dated l.c.

8" x 5 1/4" sight, 15 3/8" x 12 7/8" framed $ 6 0 0-$9 0 0 Provenance: Private Collection Massachusetts

$ 3,5 0 0 -$ 4,5 0 0 Provenance: Private Collection Connecticut

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LOT 52

LOT 53

Gandy Brodie (A m. 19 2 4-19 75) Nest, c. 1966 Oil on board 10" x 9.5" actual, 11" x 11.75" framed

Peter Joyce ( B r. b. 19 64) "Hambledon Amble" 2006 Acrylic on board Signed l.l., signed, titled and dated on verso 10" x 5" actual, 15 5/8" x 10 1/2" framed

$ 2,5 0 0 -$ 3,5 0 0 Provenance: Private Collection New York City

$ 1,0 0 0 -$ 1,5 0 0 Provenance: Private Collection Massachusetts

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LOT 54

Amos Ferguson (Ba ha m ia n 19 2 0 - 2 0 09) Man in Sailboat, Woman Fishing Enamel on cardboard laid to foamcore, framed Signed l.l.

36" x 30 1/2" actual, 41 3/4" x 36" framed $ 8,0 0 0 -$ 1 2,0 0 0 Provenance: Private Collection Connecticut

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Artist's Corner E R IC A HO

E

ric A ho was born in 1966 and grew up in rural New Hampshire.

A fter studying at the Central School of Art and Design in London, A ho received his BFA from the Massachusetts College of Art in Boston. A ho completed his graduate work at the Lahti Art Institute in I M A G E C R E D I T: E R I C A H O Finland supported by a Fulbright Fellowship in 1991–92 and an A merican-Scandinavian Foundation grant in 1993.

A ho has been called "one of the leading painters of landscape and the environment in his generation." Since his earliest projects,A ho has joined historical research, personal inquiry and a close reading of the landscape together with delight in experiencing the natural world reinvigorating what it means to paint the landscape today.

His works have been exhibited and collected widely in the United States and abroad and are included in the permanent collections of the Currier Museum of Art, Manchester, NH; Denver Art Museum, CO; Fine Arts Museums of San Francisco; Hood Museum of Art, Hanover, NH; The Metropolitan Museum of Art, New York; Museum of Fine Arts, Boston, M A; The Neuberger Museum of Art, SU N Y Purchase, New Britain Museum of A merican Art, CT among others.

A ho lives and works in Saxtons R iver, Vermont. DC Moore Gallery in New York represents his work. A new exhibition at the gallery is planned for October 2020.

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LOT 55

Eric Aho (A m. b. 19 66) "May 7th, 2004" (Sky Study, After Constable) Oil on paper, framed under glass Signed and dated r.c.

11" x 11" actual, 20 3/4" x 20 3/4" framed $ 2,5 0 0 -$ 3,5 0 0 Provenance: Private Collection Connecticut

I M A G E C R E D I T: E R I C A H O

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Artist's Corner E R IC A HO

LOT 56

Eric Aho (A m. b. 19 66) "Small Giant" 2007 Oil on linen Signed, titled and dated on stretcher bar, "07037" inscribed on verso 10" x 12" actual $ 3,0 0 0 -$ 4,0 0 0 Provenance: Private Collection Massachusetts

LOT 57

Eric Aho (A m. b. 19 66) "South Kent Valley" 2007 Oil on linen Signed, titled and Pricdated on stretcher bar, "07032" inscribed on verso 10" x 12" actual $ 3,0 0 0 -$ 4,0 0 0 Provenance: Private Collection Connecticut

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Artist's Corner E R IC A HO

LOT 58

Eric Eric ErEric Aho (A m. b. 19 66) "Scarlet Dunes" 1996 Oil on canvas Signature inscribed on stretcher bar verso 20" x 24" actual, 21 1/4" x 25 1/8" framed $ 3,0 0 0 -$ 5,0 0 0 Provenance: Private Collection Cumberland Foreside, Maine

LOT 58A

Eric Aho (A m. b. 19 66) Ballycastle, Ireland, 2002 Oil monotype on paper, framed under glass Signed and dated l.c.

22" x 22" actual, 28ž" x 28Ÿ" framed $ 2,0 0 0 -$ 3,0 0 0 Provenance: Private Collection Massachusetts

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LOT 59 Lois Dodd (A m . b . 1 9 2 7) House in the Night (Sky Study, After Constable) Oil on metal flashing 7" x 5" actual, 8 1/4" x 6 1/4" framed $ 3,0 0 0 -$ 5,0 0 0

Provenance: Private Collection Wiscasset, Maine

LOT 61 Wo l f K a h n (A m. 19 27- 2 0 2 0) Green Grass, Purple Sky Pastel on paper, framed under glass Signed l.r.

8 1/2" x 11" sight, 14 1/2" x 17 1/ 4" framed $ 3,0 0 0 -$ 5,0 0 0

Provenance: Private Collection New York City

LOT 60 Wo l f K a h n (A m. 19 27- 2 0 2 0) Purple and Black Pastel on paper, framed under glass Signed l.l.

8 3/4" x 11 1/4" sight, 14 3/8" x 17 1/4" framed $ 3,0 0 0 -$ 5,0 0 0

Provenance: Private Collection New York City

LOT 62 Wo l f K a h n (A m. 19 27- 2 0 2 0) Vermont Hillside Pastel on paper, framed under glass Signed l.l.

10 1/4" x 13" sight, 16 1/4" x 19" framed $ 4,0 0 0 -$ 6,0 0 0

Provenance: Private Collection New York City

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LOT 63 Marion Huse (A m . 1 8 9 6 - 1 9 6 7) "The Lower Road " (Pownal, V T) Oil on canvas Signed l.l., Southern Vermont Artists label on verso 20" x 30" actual, 24.25" x 34.25" framed $ 8 0 0-$1,20 0

Private Collection Massachusetts

LOT 64 Marion Huse (A m . 1 8 9 6 - 1 9 6 7) Landscape Oil on board Signed l.r., Brockton Art Museum label on verso 10" x 14" actual, 16" x 20" framed $ 8 0 0-$1,20 0

Private Collection Phoenix, Maryland

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LOT 65 Marion Huse (A m . 1 8 9 6 - 1 9 6 7) Sunset Landscape Oil on canvas Signed l.l.

22" x 28" actual, 26.25" x 32" framed $ 8 0 0-$1,20 0

Provenance: Private Collection Massachusetts

LOT 66 Wi l lia m Lu ker Sr. (Br. 182 8 -19 05) "Strathf illan" 1877 Oil on canvas Artist's monogram, titled and dated l.l.

10" x 22" actual, 18" x 30" framed $ 6 0 0-$ 8 0 0

Provenance: Purchased at Apple and Carpenter Galleries February 1997, Private Collection Portland, Maine

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LOT 67 American School (A m. 19t h C ent u r y) Landscape with Lake Oil on canvas Illegibly signed l.l.

22" x 37" actual, 36" x 50" framed $1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Maine

LOT 68 Herbert Cyrus Farnum (A m. 1866 -1926) 7 "Paris" Oil on canvas Signed and titled l.r.

39" x 29" actual, 52" x 42" framed $70 0-$9 0 0

Provenance: Private Collection Waterford, Maine

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INFINI

LOT 69 Dennis Malone Carter (A m. 1827-1881) Long Live The President ( G e o r g e Wa s h i n g t o n ' s I n a u g u r a t i o n ) , 1864 Oil on canvas Signed and dated l.c.

34" x 47" actual, 46" x 59 3/8" framed $4,000-$6,000

Provenance: Private Collection Maine

LOT 70 August Hagborg (Swed ish 185 2 -19 2 1) Fisherman with Net Oil on canvas, lined Signed l.r.

32" x 25 1/ 2 " actual, 40" x 33 1/ 2 " framed $1,500-2,500

Provenance: Private Collection California

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50

LOT 73 Frank Henry Shapleigh (A m. 1842-190 6) "Sunday Morning" 1878 Oil on canvas, framed Signed and dated l.r., artist's name and titled inscribed on verso, 14" x 24" actual, 20 1/ 4" x 30 3/ 4" framed

LOT 71 H e n d r i c k D i r k K r u s e m a n Va n E l t e n ( D u t c h /A m . 1 8 2 9 - 1 9 0 4) Ausable River, New York Oil on canvas Signed l.r.

19" x 22 3/ 4" actual, 34 3/ 4" x 39" framed $1,5 0 0-$ 2,5 0 0

$ 3,0 0 0 -$ 5,0 0 0

Provenance: Purchased from Apple and Carpenter Galleries, Private Collection Portland, Maine Exhibitions: A painting title "Ausable River" was exhibited at the National Academy in 1875, which could possibly be the same work

Provenance: Private Collection Concord, New Hampshire

Other Notes: 1878 Boston Post article referencing this painting attached.

LOT 72

Samuel Griggs (A m . 1 8 2 7 - 1 8 9 7) Landscape with Lake ( l i k e l y N e w H a mp s h i r e) Lake Landscape (likely NH)Oil on canvas, framed

Signed l.r.

26 1/ 4" x 16 1/ 4" actual, 36" x 26 ½ framed $ 8 0 0-$1,20 0

Provenance: Private Collection Concord, New Hampshire

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LOT 74 Charles E. Beckett (A m. 1814-1856) Winter Sleigh Ride, 1856 Oil on canvas Signed and dated l.l.

21 1/2" x 29 3/ 4" actual, 26 1/2" x 34 5/8" framed $ 6,0 0 0 -$ 8,0 0 0 Provenance: Private Collection Portland, Maine

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LOT 75 Abbott Fuller Graves (A m. 1859 -1936) Woman Walking along a Beach, c. 1909 Pastel on colored paper, framed under glass Signed in pencil l.r.

13.5" x 9.5" sight, 23.5" x 19.5" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Florida

LOT 76 Wa r r e n S h e p p a rd (A m . 1 8 5 8 - 1 9 3 7) "Tranquil Sunrise" Oil on canvas Signed l.r.

22" x 36" actual, 29.25" x 43.25" framed $ 5 , 0 0 0 - $ 7, 0 0 0

Provenance: Private Collection Southern Maine

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LOT 79 Richard Langtry Partington (A m. 1868 -19 29) Seascape with lighthouse, 1901 Oil on canvas laid to panel Signed and dated l.r.

10 5/8" x 15 1/2" sight, 12 3/ 4" x 17 5/8" framed LOT 77

$ 8 0 0-$1,20 0

Provenance: Private Collection Maine

Cape Ann School Docked Sailboat Oil on canvas 20 1/2" x 19 3/ 4" sight, 27" x 26" framed $ 3 0 0-$ 5 0 0

Provenance: Private Collection Michigan

LOT 78 Richard Langtry Partington (A m. 1868 -19 29) Beach Scene with Figures Oil on canvas laid to panel Signed l.r.

9 1/ 4" x 16 1/8" actual, 11 1/ 4" x 18 1/ 4" framed $ 1,0 0 0 -$ 1,5 0 0 Provenance: Private Collection Maine

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LOT 80 Charles Frederick Kimball (A m . 183 1 - 19 0 3) "House on Stroudwater" Oil on canvas Illegible inscription on stretcher 12" x 18" actual, 20" x 25 3/ 4" framed

LOT 81 Attr. to Cha rles K imba l l (A m . 183 1 - 19 0 3) "Simonton's Cove" 1884 Oil on canvas Initialed and dated l.l., title and date inscribed on verso, fragmented Portland Society of Artists label on verso 10 x 14 actual, 17 x 21 framed

$ 1,0 0 0 -$ 2,0 0 0

Provenance: Private Collection Maine

$70 0-$9 0 0

Provenance: Private Collection Norway, Maine

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LOT 83 Marion Huse (A m . 1 8 9 6 - 1 9 6 7) Group Lot: 1] New England Landscape 2] "My Stove" 1928 Oil on canvas 1] signed l.r.

2] signed l.l., artist's label with title on verso, "Pownal Studio" and date inscribed on verso 1] 22" x 30" actual, 2] 27.25" x 22" actual, 30.75" x 25.75 framed $ 8 0 0-$1,20 0

LOT 82

Provenance: Private Collection Connecticut

Marion Huse (A m . 1 8 9 6 - 1 9 6 7) Landscape Oil on board Signed l.r.

20" x 23 1/ 4" actual, 23 1/2" x 26 1/2" framed $ 8 0 0-$1,20 0

Provenance: Private Collection Connecticut

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LOT 84

LOT 84A

Alfred Chadbourn (A m. 19 2 1-1988) "Donegal Peninsula" 1983 Oil on canvas Signed l.r., artist's name, title and date inscribed on verso 12" x 12" actual, 13 1/ 4" x 13 1/ 4" framed

Alfed Chadbourn (A m. 19 2 1-1988) "Tuscan Farmhouse" 1988 Oil on canvas Signed l.l.

10" x 19 7/8" sight, 11 1/ 4" x 15 1/8" framed $ 8 0 0-$1,20 0

Provenance: The Artist by descent to the Family Collection Norwalk, Connecticut

$1,20 0-$1,8 0 0

Provenance: The Artist by descent to the Family Collection Norwalk, Connecticut

LOT 85 Morris Shulman (A m. 191 2 -19 78) Abstract with Green, Purple, and Yellow Gouache on paper, framed under glass Signed l.r.

13" x 19" sight, 21 1/ 4" x 27 1/ 4" framed

7

$ 8 0 0-$1,20 0

Provenance: Private Collection Massachusetts

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INFINI

LOT 86 Morris Shulman (A m. 191 2 -19 78) Monhegan Oil on board, framed under glass Signed l.r.

13 1/2" x 21 1/2" sight, 20 1/4" x 28 1/4" framed $1,000-$1,600

Provenance: Private Collection Massachusetts

LOT 87 Gar Sparks (A m . 18 8 8 - 19 5 4) T h r e e Wo m a n Oil on board Signed l.l.

19 1/ 2 " x 23 1/ 2 " sight, 23" x 27" framed $800-$1,200

Provenance: Private Collection Massachusetts

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50

LOT 88 Gar Sparks (A m . 18 8 8 - 19 5 4) Children bathing in a River Oil on canvas Signed l.r.

17 3/ 4" x 19 3/ 4" sight, 21 1/8" x 23 1/8" framed $ 8 0 0-$1,20 0

Provenance: Private Collection Massachusetts

LOT 89 Joseph Gualtieri (A m. 1916 - 2 015) "Fishing Village with Smoke Houses" Oil on canvas Signed l.l., signature and title on stretcher bar.

28" x 36" actual, 29" x 37" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Massachusetts

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LOT 90 Wa l d o Pe i rc e (A m. 1884-19 70) Alzira Peirce (A m. 19 08 - 2 010) Group Lot 1] "Scythe and Axe" 1930 2] Country Side Home, 1931 3] A Village Church Scene, 1930 Watercolor on paper, framed under glass 1] inscribed l.l., dated l.r.

2] inscribed "Merry Xmas Mary, Alzira and Waldo Sept. 17/30" l.l.

3] Inscribed and dated l.r.

1] 7.75" x 9.5" sight, 17.5" x 19.25" framed 2] 14.25" x 17.5" sight, 23.75" x 26.75" framed 3] 13" x 19" sight, 23" x 29" framed $ 1,0 0 0 -$ 1,5 0 0

Provenance: Private Collection Baltimore, Maryland

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Lot 92 LOT 92

Aiden Lassell Ripley (A m.189 6 -19 69) ""Lady in White" 1923" Oil on canvas Signed and dated l.r., title inscribed on stretcher on verso 18" x 21 3/ 4" actual, 24 1/ 4" x 20 3/8" framed $ 1,0 0 0 -$ 2,0 0 0

Provenance: Collection of a Private New England Institution

LOT 91 George Pearse Ennis (A m. 1884-1936) "Mending Boats" Watercolor on paper, framed under U V plexiglass Signed l.l., American Water Color Society and New York Water Color Club label including title, artist's name & address on verso 24" x 30" actual, 25 3/ 4 x 31 3/ 4" framed $ 8 0 0-$1,20 0

Provenance: Private Collection Cambridge, Massachusetts

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LOT 93A Arthur Bowen Davies (A m. 1862 -19 2 8) Female Study Chalk on colored paper, framed under glass Signed l.l.

14" x 10" sight, 23" x 18 1/2" framed

LOT 93 Franic Luis Mora (A m . 1 8 74 - 19 4 0) Woman with Robe Graphite and watercolor on paper, framed under glass Signed l.l.

7 3/ 4" x 10 3/ 4" sight, 18 3/ 4" x 15 1/ 4" framed

$ 6 0 0-$ 8 0 0

$ 5 0 0-$70 0

Provenance: Estate of Donald Brenwasser, New Jersey

Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 94A

LOT 94

Carl Sprinchorn (A m . 1 8 8 7 - 1 9 1 7) "Greta Garbo" Graphite and wash on paper Initialed l.r., "Greta Garbo Carl Sprinchorn" inscribed in pencil on verso, Credit Corporation Commerical Bankers New York letterhead on verso 8" x 11" sight, 15 1/ 4" x 12 1/ 4" framed

Carl Sprinchorn (A m. 1887-1971) Lady at the Opera, c. 1914 Graphite on paper Initialed l.r.

9 3/ 4" x 7 1/2" sight, 17 1/2" x 15" framed $ 4 0 0-$ 6 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

$ 8 0 0-$1,20 0

Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 95 Philip Evergood (A m . 19 0 1 - 19 7 3) "Self Portrait" 1960 Oil on masonite Signed and dated l.r., ACA Galleries label on verso, Kraushaar Galleries label on verso and Tibor De Nagy label on verso 16" x 12" actual, 19 3/4" x 17 1/4" framed

LOT 96 D a v i d Vo n S c h l e g e l l (A m. 19 2 0 -19 9 2) "Hillside in Autumn" Acrylic on masonite, framed Signed, dated l.r., title and name inscribed on verso 27" x 33 3/4"actual, 36 1/2" x 43 5/8" framed

$ 2,0 0 0 -$ 3,0 0 0

$ 3,0 0 0 -$ 5,0 0 0

Provenance: Private Collection Illinois

Provenance: Private Collection Massachusetts

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LOT 97 Robert Laurent (Fr. 189 0 -19 70) Nude Figures Charcoal on paper, framed under glass Signed l.r.

19" x 13" sight, 26 x 20 1/4" framed

LOT 98 20th Century American School Carved wood sculpture Illegible incised signature at base 53" x 13" x 9"

$70 0-$9 0 0

Provenance: Private Collection Exeter, New Hampshire

$ 1,5 0 0 -$ 3,0 0 0

Provenance: Private Collection Massachusetts

LOT 97A Robert Laurent (Fr. 189 0 -19 70) Sculpture of a Woman Carved wood 53" x 13" x 9" $1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Exeter, New Hampshire

LOT 99 C h a r l e s Wo o d b u r y (A m. 1864-1940) "Docks - Grey Day" Oil on board Vose galleries of Boston February 1980 label on verso, Skinner inventory label on verso 5" x 8" actual, 11 3/ 4" x 14 1/ 4" framed $ 1,0 0 0 -$ 2,0 0 0

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Provenance: Private Collection Michigan

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LOT 100 John Laurent (A m. 19 2 1- 2 0 05) "Sketch for January Thaw-York River" 1974 Oil on masonite Initialed l.r., artist's name, title and date inscribed on verso 16" x 20" actual, 16 3/ 4" x 20 3/ 4" framed $1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Milton, Massachusetts

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LOT 101 John Laurent (A m. 19 2 1- 2 0 05) Oysters and Leeks Oil on board Initialed l.l.

18" x 20" actual, 21" x 23" framed $ 2,5 0 0 -$ 3,5 0 0

Provenance: Aquired from the Artist's "Grotto Gallery", Selma Koss Holtz, Waban, MA, Private Collection Michigan

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LOT 102

LOT 103

Joseph Nicoletti (A m. b. 1948) "Isleboro" 1979 Oil on paper, framed under glass Signed and dated l.r., "Barridoff Galleries" label on verso 16" x 20" actual, 23 3/4" x 19 1/8" framed

William Zorach (A m. 1887-19 66) Boothbay Harbor Oil on canvas Watercolor on paper, framed under glass Signed l.r.

12.5" x 19.25" sight, 19.5" x 26" framed

$ 5 0 0-$70 0

$1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Maine

Provenance: Private Collection Florida

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Artist's Corner DA H LOV I PC A R

B

orn in 1917 as daughter to the artists Marguerite and William Zorach, Dahlov Ipcar’s entire life was spent living around or creating art. Her early childhood was spent in bohemian surroundings, living with her parents in Greenwich Village, New York City. While she did not receive art instruction formally or from her parents, she received a progressive education attending schools such as City and Country, Walden and Lincoln School of Teachers College, forming the base from which to develop her own artistic style. At age 19, she married her math tutor, Adolph Ipcar. Together they moved into an extra farmhouse located on her parent’s property in Georgetown, Maine in 1936, becoming subsistence farmers and where she was to spend the rest of her life.

Dahlov’s first solo exhibition of her works was at New York ’s Museum of Modern Art in 1939 at the age of 21, becoming the first woman and youngest artist to hold a solo exhibition at the museum.

Early on, Dahlov’s style was influenced by social realism, depicting farm workers, their draft horses and other farm animals, In 1945, she illustrated her first children’s book, “The Little Fisherman” written by Margaret Wise Brown. Dahlov went on to illustrate over 30 children’s books of her own, and also wrote several fantasy novels and short stories for an older audience. She accomplished all of this while raising her two sons in their Georgetown farmhouse.

The style by which she is known today, the bright, abstract and colorful depictions of jungle scenes and animals, began to develop in the 1960s and 1970s, as evinced by her seminal children’s book “Calico Jungle.” Although not part of the art movement of those times, her art developed in similar ways with lively geometric patterns and vibrant, bright colors, blending them with her love of and life spent in nature. Along with her paintings, she also made three dimensional works of art with fabric, soft sculptures of the animals she loved to paint. By the end of her life, although suffering from I M A G E C R E D I T: macular degeneration, she continued D A H L O V I P C A R A R T. C O M to paint, stating that painting is what Image Description kept her alive. She passed away on Dahlov Ipcar at the Easel February 10, 2017, at the age of 99, 65

continuing to paint right up to the very end.

Dahlov had dozens of solo, two person and group exhibitions across the country over the course of eight decades, with their greatest concentration held in Maine. She also painted many large-scale public murals displayed in post offices in LaFollette, Tennessee and Yukon, Oklahoma, the Patten Free Library in Bath, Maine, a 21-foot mural entitled “Golden Savannah” in the Shriner’s Hospital for Crippled Children in Springield, Massachusetts and in over a half dozen elementary schools in Maine.

She received several honorary degrees and more awards than can be practically listed here. Significantly, in 1972 along with her husband, she received the Maine Governor's Award for "significant contributions to Maine in the broad field of the arts and humanities" and in 2012, the Farnsworth Museum in Rockland, Maine awarded her the Maine In America Award for outstanding contributions to Maine and its role in American Art, joining previous recipients, Alex Katz, Robert Indiana, Andrew Wyeth, Paul Caponigro, John Wilmerding and Will Barnet.

Along with many corporate collections and public collections such as housed in Colby, Bates and Bowdoin Colleges here in Maine, her works are part of the permanent collections at such prominent institutions as the Brooklyn Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art and the Whitney Museum of American Art in New York City.

Artist's Corner DA H LOV I PC A R

LOT 104

Dahlov Ipcar (A m . 1 9 1 7 - 2 0 1 7) "Snow Drops and Grackles" Oil on canvas Signed and dated l.r., artist's label with title and date on verso 17"x30" actual, 18.25"x31.25"framed $ 4,0 0 0 -$ 6,0 0 0 Provenance: Private Collection Maine

LOT 105

Dahlov Ipcar (A m . 1 9 1 7 - 2 0 1 7) "Nightfall - Ngorongoro" 1996 Oil on canvas Signed and dated l.r., artist's label with title and date on verso 24"x40" actual, 21.5"x41.5" framed $1,5 0 0-$ 2,5 0 0 Provenance: Private Collection Scarborough, Maine

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Artist's Corner DA H LOV I PC A R

LOT 106

Dahlov Ipcar (A m . 1 9 1 7 - 2 0 1 7) "Tyger, Tyger Burning Bright" 1962 Oil on linen Signed l.r., artist's label with title, date and medium on verso 28"x20 1/8" actual, 33½" x 25¾" framed $1,5 0 0-$ 2,5 0 0 Provenance: Private Collection Harpswell, Maine

LOT 107

Dahlov Ipcar (A m . 1 9 1 7 - 2 0 1 7) "Zebra Wood " 1968 Oil on canvas Signed l.r., artist's label with title on verso 2 4"x 3 6" a c t u al, 31 ¼"x4 3 ½" fra m e d $ 6,0 0 0 -$ 8,0 0 0 Provenance: Private Collection Maine

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LOT 108 Stephen Etnier (A m . 19 0 3 - 19 8 4) USS Mizpah Oil on panel Signed l.r.

17 3/ 4" x 23 1/2" actual, 27" x 32 3/ 4" framed $1,20 0-$1,8 0 0

Provenance: Private Collection Scarborough, Maine

Other Notes: Portrait of a ship captained by the artist in World War II. Converted from a pleasure yacht into a warship in 1942, the USS Mizpah was commissioned by the United States Navy as a patrol yacht (PY-29) and captained by Lieutenant Stephen P. Etnier escorting convoys between New York City and Key West, Florida until July 1944

LOT 109 Stephen Etnier (A m . 19 0 3 - 19 8 4) "Railroad Bridge, Wiscasett" 1968 Oil on masonite Signed and dated l.l.

15 3/4" x 22 1/2" sight, 19" x 26 3/4" framed $ 1,0 0 0 -$ 2,0 0 0

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Provenance: Private Collection Maine

LOT 110 Stephen Etnier (A m . 19 0 3 - 19 8 4) "Arthur Clayton" 1964 Oil on canvas Signed and dated l.r., signed and titled on verso 23" x 38 1/ 4" actual, 32" x 47 1/ 4" framed $ 1,5 0 0 -2,5 0 0

Provenance: Private Collection Williamsburg, Virginia

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LOT 112 Carl Sprinchorn (A m. 1887-1971) My Land Lady, W. 68th Street, 1906 Brown wash/ink on paper Initialed and dated l.l.

4 1/8" x 3 1/8" actual

LOT 111 Carl Sprinchorn (A m. 1887-1971) Dancer, c. 1916 Ink wash on paper Signed l.l.

8 1/2" x 5 3/ 4" actual

$ 4 0 0-$ 6 0 0

Provenance:Estate of Donald Brenwasser, New Jersey

$ 3 0 0-$ 5 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 113 Carl Sprinchorn (A m. 1887-1971) "Inlet-Atlantic City" 1924 Watercolor on thick paper Signed, titled, and dated in pencil l.l., "Not this side" inscribed in pencil on verso, additional watercolor study on verso 15" x 22" actual $1,20 0-$1,8 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

LOT 113A Carl Sprinchorn (A m. 1887-1971) Winter River-Sweden, 1931 Watercolor on paper Initialed l.r., date inscribed on verso 13" x 20 1/2" actual $ 8 0 0 -$ 1,0 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 114 Carl Sprinchorn (A m. 1887-1971) "Upper Shin Brook Falls-Maine Woods" Oil on artist board SiIe and titled on verso, "Paintings by American Artist's- William Macbeth New York" label on verso, Tomorrow's Masterpieces Inc. label on verso 12" x 16" actual, 16 1/2" x 20 1/ 4" framed $1,20 0-$1,8 0 0

LOT 115

Provenance: Estate of Donald Brenwasser, New Jersey

Carl Sprinchorn (A m. 1887-1971) "Whetstone Falls-Shinpond " 1943 Oil on masonite Signed l.r., title and date inscribed faintly on verso 21"x 29" actual, 26 3/4" x 34 3/4" framed $ 2,5 0 0 -$ 3,5 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 117 Carl Sprinchorn (A m. 1887-1971) Woodland Shore, Maine, 1943 Oil on artist board Signed l.r.

19 7/8" x 23 7/8" actual $ 1,5 0 0 -$ 2,0 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

LOT 116

Carl Sprinchorn (A m. 1887-1971) Woman in Shadow Ink and pen on paper Initialed l.r., "Carl Sprinchorn 1912" inscribed on verso 9 1/2" x 5" actual $ 3 0 0-$ 5 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 118 R o b e r t Pa u l Wa d d i n g t o n (A m. 2 0t h C ent u r y) Modern Diner, 2003 Oil on canvas Signed and dated l.l.

48" x 66" actual, 48 3/ 4" x 66 1/2" framed $ 8 0 0 -1,2 0 0

Provenance: Private Collection Florida

LOT 119 Michael Lewis (A m. b. 1950) "Forty Years" (Miss Portland Diner) Acrylic on wood Initialed "C.M." l.r.

36 1/ 4" x 80" actual, 37 1/ 4" x 81 1/ 4" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Florida Other Notes: Artist statement: "This painting depicts the Miss Portland DIner in its former spot across the street on Marginal Way, but includes such elements as the billboard from its original location on Forest Avenue near the United States Post Office. The locomotive in the painting is the train that delivered the diner from Worcester, MA in 1947.

The milk truck is one that delivered the artist for a pre-dawn breakfast on his way to work as a special assistant to his father, the milkman, circa 1960.

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LOT 120 Robert Solotaire (A m. 1930 - 2 0 08) "Holiday Inn View 3" 1981 Oil on canvas Signed and dated l.r.

48" x 20" actual, 26 3/ 4" x 54 3/ 4" framed $ 1,0 0 0 -$ 2,0 0 0

Provenance: Private Collection Maine

LOT 121 Frederick Lynch (A m. 1935-2016) "Westport Island, Maine" 1981 Oil on canvas Signed, titled, and dated on verso 24" x 24" actual, 25 1/ 4" x 25 1/8" framed $ 6 0 0-$9 0 0

Provenance: Private Collection Portland, Maine

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LOT 122 M a r k We t h l i (A m. b. 1949) "Star Chamber" 1979 Acrylic under-painting with oil over-painting on gessoed museum board, framed under glass Signed, titled, and dated on verso 5 7/8" x 8 7/8" sight, 17" x 19" framed $ 1,0 0 0 -$ 1,5 0 0

Provenance: Private Collection Scarborough, Maine

Other Notes: Statement from the artist: "One of a series of black and white paintings on board, that same size. I remember that this one was a conscious reaction to the chairs I usually painted, which were plainer, more platonic, and Shaker style. I chose this one because it was so vernacular, and I made up that zazzy wall paper in the spirit of the LA punk scene--not Goth-y punk but closer to Elvis Costello and power pop--but also like something you might have found in the same vintage as the chair (30's?).

LOT 123 Paul Resika (A m. b. 19 2 8) "Pier" (Black and White Version of the "Rochester Print") 1997 Etching on paper, framed under glass Signed l.r., numbered "5/8" l.l.,Lori Bookstein Fine Art envelope with letter and original invoice attached to verso 7 3/ 4" x 9 3/ 4" sight, 16 1/2" x 20 1/2" framed 7

$ 6 0 0-$ 8 0 0

Provenance: Private Collection Connecticut

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INFINI LOT 124

John Swan (A m. b. 1948) Look Out, 1979 Oil on masonite, framed Signed and dated l.r.

12" x 16 1/2" sight, 15 1/ 4" x 19 3/ 4" framed $ 1,0 0 0 -$ 1,5 0 0 Provenance: Private Collection Florida

LOT 124A

Chet Reneson (A m . b. 19 3 4) Pheasant Hunting, 1977 Watercolor on paper, framed under glass Signed and dated l.r., gallery label on verso 20" x 28" sight, 28 1/2" x 36 1/2" framed $1,5 0 0-$ 2,5 0 0 Provenance: Private Collection Florida

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LOT 125 Attr. to Howa rd Ca r ter (A m . 1 8 74 - 1 9 3 9) Group Lot: 1] Shell Drake Duck 2] Bittern Watercolor on colored paper, framed under glass 2] "Bittern" inscribed l.r.

11 1/2" x 8" sight, 15 1/2" x 12 3/ 4" framed $ 3,0 0 0 -$ 5,0 0 0

Provenance: Private Collection Wiscasset, Maine

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LOT 127 Glen Gunderson (A m. 2 0t h C ent u r y) Bird of Prey with Fish Painted wood relief Signed and dated verso 79" x 50" H x W

LOT 126 Glen Gunderson (A m. 2 0t h C ent u r y) Stork Painted wood relief Signed and dated verso 69 1/2" x 52" H x W

$ 8 0 0-$1,20 0

Provenance: Private Collection Portland, Maine

$ 5 0 0-$70 0

Provenance: Private Collection Portland, Maine

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LOT 128 Glen Gunderson (A m. 2 0t h C ent u r y) Grey Heron Painted wood relief Signed and dated verso 35" x 52" H x W

LOT 129

$ 6 0 0-$ 8 0 0

Beverly Hallam (A m . 19 2 3 - 2 0 13) "Paperwhite's Fairwell I " 1981 Oil pastel on rice paper Signed u.l., artist's label on verso, Hobe Sound Galleries North label on verso 21" x 29" actual, 32 1/2" x 39 3/ 4" framed

Provenance: Private Collection Portland, Maine

$ 2,5 0 0 -$ 3,5 0 0

Provenance: Private Collection Falmouth, Maine

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LOT 130 Beverly Hallam (A m . 19 2 3 - 2 0 13) "Lunar Discovery" Polyvinyl acetate on masonite Signed l.l., title inscribed on verso, Institute of Contemporary Art, Boston label on verso 48" x 71 7/8" actual, 49 1/ 4" x 73 1/8" framed $ 1,0 0 0 -$ 2,0 0 0

Provenance: Private Collection Harpswell, Maine Exhibitions: "Contributions for the Potlatch" March 16-April 11, 1963, Institute for Contemporary Art, Boston MA

LOT 131 Gary Haven Smith (A m . 1 9 4 8 - 2 0 1 7) "Boundaries" Mixed media Signed, titled dated on verso 50" x 24" framed $70 0-$9 0 0 Provenance: The Arthur R . Dimambron 2003 Trust and The Celeste Dimambro 2003 Trust

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LOT 132 Morris Shulman (A m. 191 2 -19 78) Monhegan, 1966 Oil on canvas Signed and dated l.r., "May 1966" inscribed on verso 34" x 44" actual, 38 1/ 4" x 48 1/ 4" framed $1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Massachusetts

LOT 133 Elena Jahn (A m . 19 3 8 - 2 0 1 4) "Isle of Spring, Porch South" 1983 Oil pastel on paper Signed and dated l.r.

28" x 39 actual, 39 x 49 1/2" framed $ 8 0 0-$1,20 0

Provenance: Private Collection Maine

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LOT 134 William Austin Kienbusch (A m. 191 4-198 0) "Lighthouse Bell " 1949 Gouache and pencil on paper, framed Signed and dated l.r., title inscribed on verso 22" x 30 1/2" actual, 25 1/2" x 33 3/4" framed $1,20 0-$1,8 0 0

Provenance: Private Collection Maine

LOT 135 My rl E frem (A m. b. 19 0 2) Coastal Sunset Watercolor on paper, framed under glass Signed l.r.

8" x 10 1/2" sight, 16" x 18 1/2" framed $ 3 0 0-$ 5 0 0

Provenance: Private Collection Connecticut

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LOT 136 Thomas Crotty (A m. 193 4- 2 015) "Gear at West Point" Oil on masonite Signed l.l.

40" x 72" actual, 41 3/ 4" x 73 3/ 4" framed $ 4,0 0 0 -$ 6,0 0 0

Provenance: Private Collection Maine

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LOT 137 Thomas Crotty (A m. 193 4- 2 015) "Owls Head " Oil on masonite Signed l.r., Greenhut Gallery label on verso 17 1/2" x 35 1/2" sight, 26 3/ 4" x 44 3/ 4" framed $ 3,0 0 0 -$ 4,0 0 0

Provenance: Private Collection Maine

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LOT 138 Earle Mitchell (A m. 2 0t h C ent u r y) "Bailey's Island " Oil on masonite Signed u.r.

21 3/ 4" x 71 3/ 4" sight, 25 3/ 4" x 75 1/2" framed $ 8 0 0-$1,20 0

Provenance: Private Collection Maine

LOT 139 Katherine Bradford (A m. b. 1942) "Giant Stacks" 2013 Gouache on handmade paper, framed under glass Signed, titled and dated on verso 12" x 11" sight, 16 1/8" x 15 5/8" framed $ 2,5 0 0 -$ 3,5 0 0

Provenance: Private Collection Massachusetts

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LOT 140 Florence H. Dreyfous (A m. 1868 -1950) Group Lot: 1] Woodland Study 2] Boy's Portrait Watercolor on paper 1] initialed l.r. 2] signed l.l.

14 3/ 4" x 10" actual, 14 1/ 4" x 11 1/ 4" actual $ 4 0 0-$ 6 0 0 Provenance: Estate of Donald Brenwasser, New Jersey

LOT 141 Florence H. Dreyfous (A m. 1868 -1950) Group Lot: 1] Fruit Still Life 2] Oranges on a Tree Watercolor on paper 1] Signed l.r. 2] signed l.r.

11" x 17" actual $ 4 0 0-$ 6 0 0

Provenance: Estate of Donald Brenwasser, New Jersey

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LOT 142

INFINI

Florence H. Dreyfous (A m. 1868 -1950) Female Portrait Watercolor on paper Signed l.r., additional study/flower still life on verso 13 1/4" x 10" actual $300-$500

Provenance: Estate of Donald Brenwasser, New Jersey

LOT 143

LOT 144

Betty-Lou Schlemm (A m . b. 19 3 4) Winter Farm Scene Watercolor on very thick paper Signed "Schlemm AWS" l.l.

22 3/4" x 30 3/4" actual

Howard Rackliffe (A m . 1 9 1 7 - 1 9 8 7) "Winter Nocturne" Acrylic on board Signed l.r.

14" x 14" sight, 23.5" x 23.5" framed

$300-$500

Provenance: Estate of Donald Brenwasser, New Jersey

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$ 2,5 0 0 -$ 3,5 0 0

Provenance: Private Collection Old lyme, Connecticut

LOT 145 Henry Kallem (A m. 191 2 -1985) "Manana (The Island, 2)" Oil on masonite Boston Art Club label on verso 32" x 43 1/ 4"actual, 39 3/8" x 50 1/ 4" framed $1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Massachusetts

LOT 146 Henry Kallem (A m. 191 2 -1985) "4 Phases of Time" Oil on canvas, framed Signed l.r., signed anfd titled on frame verso, National Academy Galleries "Audubon Artists Annual" label on verso 40" x 30" actual, 41 1/ 4" x 30 7/8" framed $ 1,0 0 0 -$ 1,5 0 0

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Provenance: Private Collection Massachusetts

Artist's Corner …

Art Architecture a nd C omposit ion

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I RV I NG B. H AY N E S

P

ost W WII was likely one of the most culturally rich periods for the arts in America. Between “les émigrés,” those artists seeking refuge in the states, and “the Irascibles,” the contrarian group of American painters of the day, Irving Haynes had a rich platform from which to observe, listen and learn. Artists like Ernst, Chagall and Mondrian to Motherwell, De Kooning, Rothko, Sterne and many more helped to form the artistic language of Haynes.

As a composer first, “les émigrés” infused Haynes’ work with new meaning. Their modernist musical mélange augmented Haynes’ classical training, bringing him deeper self-exploration. As a graduate of Rhode Island School of Design, he received his BFA and his BS in Architecture. As a jazz pianist and architect, Haynes found a balance between composition and improvisation that would reflect later in the development of his painting. In 1973, Haynes returned to his alma mater, as a beloved teacher. Throughout, the amalgam of art, architecture and sound remained the mixing board of his work and influence.

*"teaching and painting were dual, driving passions that eventually overtook Haynes’ architectural practice, from which he retired in 1994. But the perspective gained from architecture remained a fecund, lifelong point of reference. Indeed, classical and modern music, architecture and painting constituted a powerfully reinforcing ensemble and stimulus for Irving Haynes. A review of the five decades of Haynes’ fine art production – his paintings on paper from 1960-2005 – charts a trajectory that responds to and distills principles of these reinforcing sister arts.” *I R V I N G B. H AY E S: C O M P O S I N G A N A R T I S T IC L IF E, J U DIT H TO L NICK C H A M PA

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Artist's Corner I RV I NG B . H AY N E S LOT 147

Irving B. Haynes (A m. 19 27- 2 0 05) China Lake, Maine 2003 Acrylic on paper Signed and dated l.r.

11⅛"x15" actual, 12¼"x16" framed $ 4 0 0-$ 6 0 0 Provenance: Private Collection Raymond, Maine

LOT 148

Irving B. Haynes (A m. 19 27- 2 0 05) China Lake, Maine 2003 Acrylic on paper Signed and dated l.r.

11⅛"x15" actual, 12¼"x16" framed $ 4 0 0-$ 6 0 0 Provenance: Private Collection Raymond, Maine 91

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Artist's Corner I RV I NG B . H AY N E S

LOT 149

Irving B. Haynes (A m. 19 27- 2 0 05) Orange and Red Abstract Landscape (Possibly Katadhin) 1971 Pastel on paper, framed under glass Signed and dated l.r., 21½"x28", 30"x36" $ 5 0 0-$70 0 Provenance: Private Collection Raymond, Maine

LOT 150

Irving B. Haynes (A m. 19 27- 2 0 05) Patchwork Abstract Acrylic of Paper, stretched over strainer support Signed l.r.

44” x 30” actual f r a m e d $ 8 0 0-$1,20 0 Provenance: Private Collection Raymond, Maine 92

LOT 151 Melville Price (A m. 19 2 0 -19 70) Untitled Gouache on paper, framed under glass Estate stamped on verso 13 1/2" x 10 1/2" sight, 20 1/2" x 17 1/ 4" framed $ 6 0 0-$9 0 0

Provenance: Private Collection Massachusetts

LOT 152 Robert Kulicke (A m . 1 9 2 4 - 2 0 0 7) Green Pear Gouache on paper, framed under glass Signed l.c.

5.5" diameter (sight), 12 3/ 4" x 12 3/ 4" framed $ 6 0 0-$9 0 0

Provenance: Private Collection Massachusetts

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LOT 153 Robert Kulicke (A m . 1 9 2 4 - 2 0 0 7) Red, Purple Flower Still Life Gouache on paper, framed under glass Signed l.c.

5 3/ 4" x 5 3/ 4" sight, 13" x 13 1/ 4" framed $ 6 0 0-$9 0 0

LOT 154

Provenance: Private Collection Massachusetts

Alan Gussow (A m . 1 9 3 1 - 1 9 9 7) "Night Surf " 1961 Oil on masonite Signed and dated l.r., title and date inscribed on verso., Peridot Gallery label on verso 24 3/ 4" x 27 1/2" actual, 28 1/2" x 25 1/2" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Massachusetts

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LOT 155 Morris Shulman (A m. 191 2 -19 78) "Brambles" c. 1949 Mixed media on paper, framed under glass Titled and dated on verso 20 3/4" x 28 1/2" sight, 28 1/2" x 36 1/4" framed $1,20 0-$1,8 0 0

Provenance: Private Collection Massachusetts

LOT 156 Howard Rackliffe (A m . 1 9 1 7 - 1 9 8 7) Camden Hills Acrylic on board Signed l.r.

23 1/2" x 47 3/ 4" sight, 27 1/ 4" x 51 1/2" framed $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Connecticut

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LOT 157 James Bohary (A m. b. 1940) "Drook at Cape Race" 1978 Acrylic on paper, framed under glass Signed, titled and dated u.r., artist's gallery label on verso, Landmark Gallery label on verso 18" x 24" sight, 24 3/8" x 31 1/2" framed $ 2,5 0 0 -$ 3,5 0 0

Provenance: Collection of Elaine de Kooning, Private Collection New York City

LOT 158 Curtis A. Perry (A m. 1864-1931) Mexican Water Carrier Artist's name, title and date on plate lc.c of frame Oil on canvas 24" x 18" actual, 34 1/ 4" x 28 1/8" framed $ 8 0 0-$1,20 0

Provenance: Private collection Portland, Maine

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LOT 159 Thomas Sully ( B r . /A m . 1 7 8 3 - 1 8 7 2 ) Portrait of Three Sisters, 1844 Oil on canvas Label "The Misses Coleman, Margaret, Isabella and Julia. March 6, 1844" on verso 30" x 36" actual, 34" x 41" framed $1,20 0-$1,8 0 0 Exhibitions: Exhibited at Emerson Gallery "Century of Curiosities: Hamilton College Collects" 2005

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LOT 160 M a d g e Te n n e n t (A m. 1889 -19 7 2) Hawaiian Woman from Behind, 1953 Brown ink on paper Signed and dated in pencil l.r.

12 3/ 4" x 19 5/8 sight $ 6 0 0-$ 8 0 0

Provenance: Private collection Waimea, Hawaii.

Private collection Southern Maine

LOT 161 Will Hutchins (A m . 1878 - 19 2 4) Sunset Afterglow Oil on canvas Estate stamp on verso 12" x 18" actual, 18" x 24" framed $1,20 0-$1,8 0 0 Provenance: Private collection Southern Maine

LOT 162 Carl Sprinchorn (A m. 1887-1971) Autumn, Grazing Cows, 1948 Oil on board Watercolor on paper, framed under glass Initialed l.r.

9" x 12" sight, 12 1/ 4" x 15 1/2" framed $ 6 0 0-$ 8 0 0 Provenance: Private Estate of Donald Brenwasser, New Jersey

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LOT 163 Stuart Shils (A m . b. 19 5 4) "City House With Trees, Winter" 2003 Oil on panel Signed, titled and dated on verso 13" x 15" actual, 14" x 16" framed $ 3,0 0 0 -$ 5,0 0 0

Provenance: Private Collection Massachusetts

LOT 164 Katherine Bradford (A m . b. 1943) "Sail Boat" 2011 Oil on canvas Signed, titled and dated on verso 14 1/ 4" x 12 1/ 4" actual, 15 3/ 4" x 13 3/ 4" framed $ 6,0 0 0 -$ 8,0 0 0

Provenance: Private Collection Farmington, Connecticut

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LOT 165 Eric Aho (A m. b. 19 66) "Islesford " Graphite on paper Signed, titled, and dated l.r., artist's name and title inscribed on verso 6" x 8" actual $ 6 0 0-$ 8 0 0 Provenance: Private Collection Massachusetts

LOT 166 Emily Nelligan (A m. 19 2 4- 2 018) "10 Oct '00" Charcoal on paper Faintly signed l.r. and titled on verso in pencil at l.r.

7 1/8" x 10 3/8" actual 17 1/8" x 10 1/8" framed $ 4,0 0 0 -$ 6,0 0 0 Provenance: The Artist Private Collection New York City Private Collection Connecticut

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LOT 167 John Bisbee (A m. b. 19 65) Untitled, 2009 Welded steel nails 28" x 14" actual

INFINI

$2,500-$3,500

Provenance: Private Collection Scarborough, Maine

LOT 168 John Bisbee (A m. b. 19 65) "Bouquet" 2018 Welded steel nails 20" x 15" x 8" actual $8,000-$12,000

Provenance: Private Collection Scarborough, Maine

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LOT 169 John Bisbee (A m. b. 19 65) "Wave" 2017 Polished welded steel nails 4" x 47 1/2" actual $ 3,0 0 0 -$ 4,0 0 0

Provenance: Private Collection Scarborough, Maine

LOT 170 J o h n Wa l k e r (A m. b. 1939) Pearl Lake, 2012 Lake Landscape (likely NH)Monoprint on paper Signed and dated l.r.

16" x 13" actual $ 2,0 0 0 -$ 3,0 0 0

Provenance: Private Collection Massachusetts

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LOT 172

LOT 171

Robert Kulicke (A m . 1 9 2 4 – 2 0 0 7) Daisies in Vase Gouache on paper Signed in pencil u.c.

6 1/ 4 x 7" sight, 12 1/2" x 14 3/8" framed

To d d W e b b (A m. 19 05- 2 0 0 0) "Venice, Italy" 1984 Black and white photograph Signed and dated in pencil l.r., signed on verso, title and date inscribed on verso 11 1/2" x 9" sight, 18 1/ 4" x 14 1/ 4" framed

$ 8 0 0-$1,20 0

Provenance: Private Collection Massachusetts

$ 3 0 0-$ 5 0 0

Provenance: Private Collection Portland, Maine

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LOT 173 Robert Kulicke (A m . 1 9 2 4 - 2 0 0 7) Fruit with Urn Gouache on paper, framed under glass Signed u.c., original Kulicke frame incised "R.M. Kulicke" lower edge 7 1/2" x 9" sight, 11 1/2" x 13 1/ 4" framed $ 8 0 0-$1,20 0

Private Collection Massachusetts

LOT 175 Marlene Ekola Gerberick ( F i n n i s h /A m . 2 0 t h C e n t u r y ) "To Learn Secrets and to Forget them Again" 1994 Mixed media on wood Signed, titled, and dated on verso 16 1/2" x 16 1/2" actual $ 8 0 0-$1,20 0

Estate of Marlene Ekola Gerberick

LOT 174 Marlene Ekola Gerberick ( F i n n i s h /A m . 2 0 t h C e n t u r y ) "Burdock Leaf (Summer)" 2003 Oil on paper laid on canvas Signed and titled on verso, dated upper stretcher bar verso 31" x 19 1/2" actual $ 1,0 0 0 -$ 2,0 0 0

Estate of Marlene Ekola Gerberick

104

LOT 176 Arthur Richard Dimambro (A m. 1928 -2016) Still Life with Fruit, 2016 Oil on masonite Initialed and dated l.r.

36" x 48" actual $ 1,0 0 0 -$ 2,0 0 0

Provenance: The Arthur R DiMambro 2003 Trust and The Celeste DiMambro 2003 Trust

LOT 177 Arthur Richard Dimambro (A m. 1928 -2016) Autumn Picnic Oil on masonite Signed l.r.

48" x 48" actual $ 8 0 0-$1,20 0

Provenance: The Arthur R DiMambro 2003 Trust and The Celeste DiMambro 2003 Trust

105

LOT 178 Lynne Mapp Drexler (A m. 19 28 -1999) "Recalled Green" 1966 Oil on canvas Artist's name, title and date inscribed on back 36" x 30" actual, 36 1/2" x 30 1/2" framed $ 4,0 0 0 -$ 6,0 0 0 Provenance: Estate of Lynne Mapp Drexler

106

LOT 180 William Thon (A m. 19 0 6 - 2 0 0 0) Marshall Light Point Watercolor on paper, framed under glass Signed l.r.

20" x 27" sight, 32 1/2" x 38 1/2" framed $1,5 0 0-$ 2,5 0 0

Private Collection Yarmouth, Maine

LOT 179 William Thon (A m. 19 0 6 - 2 0 0 0) "The Mooring" Ink and watercolor on thick paper Signed l.r.

18" x 24" actual $70 0-$9 0 0

Provenance: Private Collection Michigan

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LOT 182 Alice Spencer (A m . b. 19 4 4) "Circular Sea" 1992 Oil on masonite Signed l.r., artist's label on verso 30"x 20" actual, 32" x 24" framed $600-$800

Provenance: Private Collection Maine

LOT 181 Joseph Gualtieri (A m. 1916 - 2 015) Study for "Prisoner of War" c. 1950 Oil on masonite Signed l.r.

48" x 24" actual, 49 1/4" x 25 1/8" framed $1,5 0 0-$ 2,5 0 0

Provenance: Private Collection Massachusetts

108

LOT 183 Alice Spencer (A m . b. 19 4 4) "Landscape with Red Fir" 1992 Oil on masonite Signed l.r., artist's label on verso 30" x 22" actual, 32" x 24" framed $ 6 0 0-$ 8 0 0

Provenance: Private Collection Maine

LOT 184 Edward Betts (A m. 19 2 0 - 2 0 08) "In Shore" Oil on masonite Signed l.r.

14 1/ 2 " x 29 1/ 2 " sight, 23" x 38" framed $ 8 0 0-$1,20 0 Provenance: Private Collection Maine

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LOT 185 John Calvin Stevens (A m. 1855-1940) Delano Park (Cape Elizabeth) 1909 Oil on canvas Signed and dated l.r., title and date inscribed in pencil on verso 14" x 18" actual, 16 1/2" x 20 1/2" framed $ 1,0 0 0 -$ 1,5 0 0

Provenance: Private Collection Yarmouth, Maine

LOT 186 John Calvin Stevens (A m. 1855-1940) Summer River Landscape, 1906 Oil on canvas Signed and dated l.r.

14" x 18" actual, 15 3/ 4" x 19 3/ 4" framed $ 8 0 0-$1,20 0

Private Collection Yarmouth, Maine

LOT 187 John Calvin Stevens (A m. 1855-1940) Landscape with Trees Oil on panel Initialed and dated l.l.

13 1/2"x17 1/2" sight, 15 3/ 4"x17 3/ 4" frames $70 0-$9 0 0

Provenance: Private Collection Yarmouth, Maine

110

LOT 188 George E . Morgan (A m. 1870 -19 69) Jewett's Mill, Mill Pond and Logs, Gardiner Maine Mixed media on masonite Signed on edge l.r., artist's name, title and date inscribed on verso 18" x 22" actual, 22 1/8" x 26 1/8" framed

LOT 189 Denis Boudreau (A m. b. 1941) "Cape" Acrylic on panel Signed l.r., St. Lawrence Arts and Community Center label on verso 12" x 16" actual, 18" x 22" framed

$ 8,0 0 0 -$ 1 0,0 0 0

Provenance: Private Collection Massachusetts

$ 6 0 0-$9 0 0

Provenance: Private Collection Harpswell, Maine

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LOT 190 Mary Bourke (A m. 2 0t h C ent u r y) Group Lot: 1] "Yellow Hills" 2] "Falling" Mixed media on paper, framed under glass 1] Signed l.r., artist's name and title inscribed on verso 2] signed l.r., artist's name and title inscribed on verso 1] 13 1/2" x 13 1/2" sight, 20" x 20" framed 2] 13 1/2" x 13 1/2" sight, 20" x 20" framed $70 0-$9 0 0

Provenance: Private Collection Portland, Maine

112

LOT 191 George Lloyd (A m. b. 1945) Group Lot: 1] "Table Top" 1985 2] "Tilt Top Table" 1985 Watercolor and pencil on paper, framed under glass 1] Signed and dated l.r.

2] Signed and dated l.r.

1] 18 3/ 4" x 14 7/8" actual, 27 7/8 x 22 7/8" frame, 2] 18 3/ 4" x 14 3/ 4" sight, 28" x 22 7/8" framed $ 6 0 0-$ 8 0 0

Provenance: Private Collection Maine

LOT 192 George Lloyd (A m. b. 1945) Group Lot: 1]"Interior With Door" 1985 2] "Divided Landscape" Mixed media on paper, framed under glass 1] Signed and dated l.r.

1] 14 3/ 4" x 17" actual, 25 3/ 4" x 22 3/8" framed 2] 15" x 19" sight, 22 7/8" x 26 7/8" framed $ 6 0 0-$ 8 0 0

Provenance: Private Collection Maine

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LOT 193 Douglas Smith (A m. 2 0t h C ent u r y) "Birch Tree, Beech Hill " 2004 Oil on canvas Signed l.r., title, artist, and date inscribed on verso, Dowling Walsh Gallery label on verso 30" x 26" actual, 33 3/ 4" x 29" framed

LOT 194 Don Stone (A m. 19 29 - 2 015) "Ebb Tide" Oil on masonite Signed l.r., Greenhut Gallery label on verso 11 1/2" x 15 1/ 4" sight, 16 x 19 3/ 4" framed

$1,20 0-$1,8 0 0

Provenance: Private Collection Rockland, Maine

$ 5 0 0-$70 0

Provenance: Private Collection Maine

114

LOT 195 LOT 196

Wa lt e r B r i g ht we l l (A m. 1919 - 2 0 05) "Ogunquit Surf " 1983 Oil on canvas Signed and dated l.r., Greenhut Gallery label on verso 23 1/2" x 35 3/4" sight, 29 1/2" x 42" framed

H. Marcus (A m. 2 0t h C ent u r y) From a New England Window Oil on canvas Signed l.l.

30 1/ 4" x 25" actual, 39 3/ 4" x 34 3/ 4" framed

$70 0-$9 0 0

Provenance: Collection of a Private New England Institution

$ 1,0 0 0 -$ 2,0 0 0

Provenance: Private Collection Maine

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LOT 197 N e i l We l l i ve r (A m. 19 29 - 2 0 05) "Little Marsh" Color woodblock print, framed under glass Signed in pencil l.r., numbered "80/100" l.l.

31 1/ 4" x 31 1/ 4" sight, 42 1/ 4" x 42 3/ 4" framed $1,20 0-$1,8 0 0

Provenance: Private Collection Maine

LOT 198 N e i l We l l i ve r (A m. 19 29 - 2 0 05) "Maiden's Cliff " 1973 Silkscreen on paper, framed under glass Signed l.r., numbered "122/144" l.l.

40" x 40" sight, 45 1/2" x 44 3/ 4" framed $1,5 0 0-$ 2,5 0 0 Provenance: Private Collection California

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LOT 199 Leonard Baskin (A m. 19 2 2 - 2 0 0 0) "Portrait of an Optimistic Artist" 1990 Watercolor on thick paper, framed under glass Signed l.r., dated l.l.

30" x 22 1/2" sight, 37 1/ 4" x 29 1/2" framed $ 1,0 0 0 -$ 2,0 0 0 Provenance: Private Collection Wiscasset, Maine

LOT 200 Vincent Hartgen (A m. 19 1 4 - 2 0 0 2) "Acadian Headland, Maine" 7 Watercolor on paper, framed under glass Signed l.l., artist's label with name, title and location on verso, collector's label on verso 23 1/ 4" x 35 1/ 4" sight, 26" x 38" framed $ 6 0 0-$ 8 0 0 Provenance: Private Collection Massachusetts

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LOT 201 Vivian Akers (A m. 1886 -19 66) Group Lot: 1] "Bird Brook" 1944 2] "Afternoon Sunlight" 1949 Oil on panel 1] Titled and signed and dated on verso, illegible inscription on verso.

2] Signed, titled, and dated on verso, "Ordways Grove - Norway Maine" and date inscribed on verso 1] 6 1/8" x 5 7/ 8 " actual 2] 6" x 5" actual $1,500-$2,500

Provenance: Private Collection Norway, Maine

LOT 202 Eric Hopkins (A m. b. 1951) "Aerial View #1" 1998 Watercolor on paper, framed under glass Signed l.r., titled, l.l., dated l.c.

14 1/ 2 " x 21 1/ 2 " sight, 19 1/ 2 " x 26 1/ 2 " framed $1,500-$2,500

Provenance: Private Collection Santa Fe, New Mexico

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LOT 203 Carl Sprinchorn (A m. 1887-1971) "Shin Pond, Winter" 1944 Gouache on paper, framed under glass 18 1/2" x 24" actual, 27� x 32 1/8� framed $1,200 - $1,800

Provenance: The estate of the artist; Private Collection Chicago

LOT 204 Carl Sprinchorn (A m. 1887-1971) "Mount Chase" Gouache on paper, framed under glass 18 1/2"x 24" actual, 27" x 32 1/8" framed $1,200 - $1,800

Provenance: The estate of the artist; Private Collection Chicago

119

Index

By Lot Number 19th Century American School....... 67 20th Century American School...... 98 Akers, Vivian................................... 201 Aho, Eric.......................................... 55, 56, 57, 58, 58A, 165 Baskin, Leonard............................... 199 Beckett, Charles E............................ 74 Betts, Edward................................... 184 Bisbee, John..................................... 167, 168, 169 Bohary, James.................................. 157 Boudreau, Denis.............................. 189 Bourke, Mary................................... 190 Braque, Georges.............................. 1 Bradford, Katherine........................ 39, 139, 164 Brass, Italico..................................... 14 Brennan, Fanny............................... 50 Brightwell, Walter............................ 195 Brodie, Gandy................................. 52 Brown, Harrison Bird..................... 20 Burghardt, Rezso Zsombolya......... 8 Cape Ann School............................ 77 Carter, Dennis Malone.................... 69 Carter, Howard Attributed to........ 125 Chadbourn, Alfred......................... 42, 49, 84, 84A Crotty, Thomas............................... 22, 136, 137 Davies, Arthur Bowen.................... 93A Dawson, Montague......................... 15 d’Espagnat, Georges........................ 7 Dimambro, Arthur Richard........... 176, 177 Dodd, Lois....................................... 59 Drexler, Lynne Mapp...................... 178 Dreyfous, Florence H...................... 140, 141, 142 Edzard, Dietz................................... 11 Efrem, Myrl..................................... 135 Eisendieck, Suzanne........................ 12 Ennis, George Pearse....................... 91 Etnier, Stephen................................ 108, 109, 110 Evergood, Philip.............................. 95 Farnum, Herbert Cyrus.................. 68 Farruggio, Remo Michael............... 13 Ferguson, Amos.............................. 54 Fiene, Ernest.................................... 33 Fiske, Gertrude................................ 27 Freedman, Maurice......................... 37 Galien-Laloue, Eugene.................... 5, 6 Gerberick, Marlene Ekola............... 174, 175 Graves, Abbott Fuller...................... 75

Griggs, Samuel................................. 72 Gruppe, Charles Paul...................... 17 Gualtieri, Joseph.............................. 89, 181 Gunderson, Glen............................ 126, 127, 128 Gussow, Alan................................... 154 Hagborg, August............................. 70 Hallam, Beverly............................... 129, 130 Hartgen, Vincent............................ 200 Hayes, Connie................................. 44, 45, 46 Haynes, Irving B.............................. 147, 148, 149, 150 Heyer, Arthur.................................. 10 Hopkins, Eric.................................. 202 Huntington, Chris.......................... 47, 48 Huse, Marion.................................. 63, 64, 65, 82, 83 Hutchins, Will................................. 161 Imber, Jon........................................ 43 Indiana, Robert............................... 40, 40A, 41 Ipcar, Dahlov................................... 104, 105, 106, 107 Jacque, Charles Emile...................... 4 Jahn, Elena....................................... 32, 36, 133 Joyce, Peter....................................... 53 Kahn, Wolf...................................... 60, 61, 62 Kallem, Henry................................. 34, 145, 146 Kienbusch, William Austin............ 134 Kimball, Charles Frederick.............. 80 Kimball, Charles Attributed to....... 81 Van Elten, ........................................ 71 Hendrick-Dirk Kruseman Kuhn, Walt...................................... 19, 38 Kulicke, Robert............................... 51, 152, 153, 172, 173 Laurent, John Lewis........................ 100, 101 Laurent, Robert.............................. 97, 97A Lewis, Michael C............................. 119 Lloyd, George.................................. 191, 192 Luker Sr., William........................... 66 Lynch, Frederick.............................. 121 Marcus, H........................................ 196 Martin-Ferrieres, Jac........................ 9 Miller, J............................................ 16 Mitchell, Earle................................. 138 Mora, Francis Luis........................... 93 Morgan, George E........................... 188 Muir, Emily..................................... 35 Nelligan, Emily................................ 166 Newman, J....................................... 18 Nicoletti, Joseph.............................. 102

121

Partington, Richard Langtry.......... 78, 79 Peirce, Waldo and Alzira................. 90 Perry, Curtis A................................. 158 Price, Melville.................................. 151 Rackliffe, Howard........................... 144, 156 Reneson, Chet................................. 124A Resika, Paul..................................... 123 Ripley, Aiden Lassell....................... 92 Schlemm, Betty-Lou....................... 143 Shapleigh, Frank Henry.................. 73 Sheppard, Warren............................ 76 Shils, Stuart...................................... 163 Shulman, Morris............................. 85, 86, 132, 155 Smith, Douglas................................ 193 Smith, Gary Haven......................... 131 Sparks, Gar...................................... 87, 88 Spencer, Alice.................................. 182, 183 Sprinchorn, Carl.............................. 28, 29, 30, 94, 94A, 111, 112, 113, 113A, 114, 115, 116, 117, 162, 203, 204 Solotaire, Robert............................. 120 Stevens, John Calvin........................ 185, 186, 187 Stone, Don...................................... 194 Sully, Thomas.................................. 159 Swan, John....................................... 124 Tam, Reuben................................... 31 Tennent, Madge.............................. 160 Thon, William................................. 179, 180 Valadon, Suzanne............................ 2 Vatican Workshop........................... 3 Von Schlegell, David....................... 96 Waddington, Robert Paul............... 118 Walker, John.................................... 170 Webb, Todd..................................... 171 Welliver, Neil................................... 197, 198 Wethli, Mark.................................... 122 Whorf, John.................................... 21 Woodbury, Charles Herbert........... 25, 26, 99 Zorach, William.............................. 23, 24, 103

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JOINT EXHIBITION Summer 2020 Two-Person Exhibition R e a l i sm and the C yc le o f L ife

The Barridoff Galleries 2020 Summer Art Exhibition presents two accomplished Maine artists, Marlene Ekola Gerberick and C. Michael Lewis, each with their own perspectives of life and its cycles. Both paint realistically but from very different perspectives – Gerberick using objects from nature as her subject matter and Lewis preferring architectural and industrial subjects. Both contemplate death and the passing of things, whether bones of an animal or the deconstruction of long gone structures and landmarks. This exhibition creates an interesting juxtaposition between the two approaches to a universal theme.

M A R L E N E E KOL A GE R BE R IC K

MARLENE EKOLA GERBERICK, 1935-2018 FROM THE LIBRARY OF THE SOUL

Marlene Ekola Gerberick’s work begs contemplation. It is both thought provoking and dream-like. Some pieces are serene while others are jarring. Gerberick’s work suggests an array of human experience and offers a glimpse into the artist’s inner world: sometimes tormented, other times joyful and grateful. All the while, she presents us with extraordinary detail, guiding the viewer to a place of reflection.

In her own words Gerberick says, “I think that the work of the artist is to be receptive to deep inner material. Allowing the unconscious to become known to the conscious

through the studio process…..that is my job, I think. Dreams play an important role in this process.”

Gerberick earned her MFA from City University of NY, with additional studies at the New York Art Student’s League. Her work can be found in numerous publications. She has exhibited, both nationally and internationally, from 1966-2005. And she taught and lectured from 1957-2000. Her life was a testament to art. It appears that Gerberick existed through it and it springs so completely from her.

C. M I CH A E L L EWI S C. Michael Lewis is a freelance illustrator, designer and painter in Portland, Maine. While architectural renderings have been the mainstay of his career, his paintings, for the most part, have been about the history of his native Portland’s built environment: buildings, bridges, factories, and machines, going up, coming down, sometimes thriving, often abandoned, forgotten, or gone. Along with the architectural and industrial subject matter, Lewis incorporates complex geometric patterns and linear perspectives and often vivid colors giving a realistic, and sometimes surrealistic, feel. He has also been IMAGE CREDIT: CMICHAELLEWIS.COM involved with creating art on buildings, including the former “Tommy’s Park” mural, and the former “Peeling Blueprint” mural on 48 Free Street in Portland.

Many of the subjects of his paintings no longer exist, such as the old Million Dollar Bridge connecting Portland and South Portland, Portland Stove Foundry, Crosby Laughlin Hoist or Jordan’s Meats, marking his work as a record of Portland’s industrial past. He also is well known for his depictions of future architecture, such as his watercolor renderings of Portland Public Library, Portland City Hall Merrill Auditorium, Maine College of Art, The Portland Company, Gulf of Maine Research Institute, Maine State Pier, St. Lawrence Arts & Community Center and Casco Bay Lines Terminal.

Lewis’ piece in the Summer 2020 auction, “Forty Years”, depicts the Miss Portland Diner in its former spot across the street on Marginal Way, but includes such elements as the billboard from its original location on Forest Avenue near the United States Post Office. The locomotive in the painting is the one that delivered the diner from Worcester, MA in 1947. The milk truck is one that delivered the artist for a pre-dawn breakfast on his way to work as special assistant to his father, the milkman, circa 1960.

Several other pieces in this exhibition, including the Grand Trunk Railroad grain elevators, which dominated Portland’s waterfront until the early 1970s, and the Nabisco cookie factory, now the USM Glickman Family Library, are representative of the historical nature of his work.

Lewis has held many solo and group exhibitions since the mid-80s, including at esteemed institutions such as the Portland Museum of Art, Portland Public Library, the Farnsworth Art Museum and the Owl’s Head Transportation Museum. He has also exhibited extensively at galleries such as Greenhut Gallery, Frost Gully Gallery and even our own Barridoff Galleries way back in the 1980s when we were still a physical arts and antiques gallery. His career includes commissions for private collectors and public institutions, and his works are also part of many private and corporate collections throughout the state.