Barridoff Auctions - Spring 2024 International Fine Art Sale

BARRIDOFF AUCTIONS

SPRING 2024

Front Cover: (Detail) Lot 62 Dahlov Ipcar Back Cover: (Detail) Lot 168 Andy Warhol

THE SPRING 2024 INTERNATIONAL FINE ART SALE

OUR GALLERY SOUTH PORTLAND, MAINE

Bernard Langlais (Am. 1921-1977), Seagull, 1970

A MAINE LANDMARK THAT HUNG ON THE FACADE OF 3 MAIN ST., BAR HARBOR, MAINE FOR 50 YEARS AND WAS RESTORED IN 2013.

ACQUIRED BY BARRIDOFF IN 2020, AND NOW ON DISPLAY AT OUR FACILIT Y IN SOUTH PORTLAND.

WWW.BARRIDOFF.COM barridoff auctions

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TA B L E O F C O N T E N T S INFORMATION ABOUT BARRIDOFF...........4 PREVIEW DETAILS...................................... 5 MEET THE TEAM.........................................6 TERMS & CONDITIONS........................... 7-9 AUCTION LOTS BEGIN..............................10 ARTIST CORNER: ROCKWELL KENT.....30 -33 "THE ARTISTS' ISLAND"........................50 -55 ARTIST CORNER: ...................................72-73 JOHN CALVIN STEVENS ARTIST CORNER: EMILY MUIR.............103-105 INDEX........................................................138

barridoff auctions BARRIDOFF AUCTIONS

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THE SPRING 2024

INTERNATIONAL FINE ART SALE

I N F O R M AT I O N ABOUT BARRIDOFF BARRIDOFF AUCTIONS BIDDING EXPERIENCE Barridoff Auctions conducts live auctions in which a buyer can bid in person, over the telephone, by absentee registration or online through the Barridoff App or on several third-party marketplace websites. Our auctions are simulcast so buyers can bid remotely for convenience or safety reasons, but please be advised online bidding, including on the Barridoff App, is subject to a surcharge. Also, as the auction happens in real time, remote bidders need to pay attention to the progress of the auction.

REFERR AL PROGR AM Referral Program Do you know of any friends or family who may have Fine Art for sale?

Barridoff Auctions offers a generous referral program for any new leads of available Fine Art that result in a sale. Please contact us for more information.

FREE AUCTION ESTIMATES

CONSIGN WITH BARRIDOFF

As a service, Barridoff Auctions

Barridoff Auctions is always accepting consignments of Fine Art. To

provides free auction estimates for

inquire about submitting works of Fine Art for an upcoming sale, feel free

your artwork so you can know what

to call us, email or go to Barridoff.com/sell.

your art is worth. Barridoff does not require you to consign your art with our auction in order to receive the estimate, but if the piece is appropriate we may offer to put it in our sale. Also, look for our next regularly scheduled Free Appraisal Day announced on our website or through our email messaging.

To sign up for our email list or for

BARRIDOFF MOBILE APP Download our Barridoff App to peruse the catalog, watch the auction live or to bid. Available at the Apple App Store or at the Google Play Store.

QR Code QR CODE

more information, please go to

To view the mobile version of this catalog,

Barridoff.com.

please scan the QR code (the funny looking black box used to scan items like a bar code) directly below with with your phone’s camera to be taken directly to our online catalog.

barridoff auctions

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THE SPRING 2024

INTERNATIONAL FINE ART SALE

S P R IN G 2024 international fine art sale

SATURDAY, APRIL 13, 2024 1:00PM EDT

PREVIEW DATES & hours APRIL 8 - 12, 2024 MONDAY - THURSDAY | 10AM - 5PM FRIDAY | 10AM - 8PM

APRIL 13, 2024 SATURDAY | 10AM - 1PM

location 312 GANNET T DRIVE SOUTH PORTLAND, MAINE 04106 (207 ) 772-5011

BARRIDOFF AUCTIONS SOUTH PORTLAND, MAINE

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the spring 2024

international fine art sale

MEET THE TEAM We at Barridoff Auctions seek out and find compelling, beautiful, relevant works of art. For us, it’s never just another auction. It’s an opportunity to help buyers and sellers of Fine Art realize their dreams by establishing that special connection in their appreciation of fine art.

Peter Coccoluto, Auctioneer Rhylee R. Cole, Registrar Lindsey DeArmond, Graphic Designer Jeremy Fogg, Owner / Fine Art Consultant Jennifer C. Graham, Preparator Darin R. Leese, Fine Art Specialist William Milliken, Owner / Auctioneer Glenn Morin, Owner / Accountant Deirdre Nice, Owner / Expeditor Kincaid Pearson, Production Specialist Nickolas Smith, Production Specialist / Photographer Travis Wilcox, Production Specialist

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the spring 2024

FINE ART TERMS & CONDITIONS

CONDITIONS OF AUCTION SALE The following Conditions of Sale, including the

appended notes and other information, whether printed or online, as they may be amended by any posted notices or oral announcements before or during the auction sale constitute the entire agreement between Barridoff Auctions, representing its consignors, and Bidder relative to the item being sold and the conduct of the sale. Unless the context otherwise indicates, the terms “Barridoff Auctions” and “auctioneer” are interchangeable, “consignor” and “seller” are interchangeable, and “buyer” means the winning bidder. By registering for or participating in the auction sale, all bidders agree to the terms hereof.

1.THE SALE. The contract for sale for any item purchased at auction is between the consignor (seller) and the winning bidder. Barridoff Auctions acts as the consignor’s agent only, unless Barridoff Auctions is selling the item as principal. The sale of every lot of one or multiple items constitutes a separate sale under Maine law and the Uniform Commercial Code. Bidding on a lot starts when the lot is opened for bidding by the auctioneer. Items are sold with reserve and starting bids may start below the reserve price. The auctioneer may reject any bid below the reserve. The auctioneer may bid on behalf of the consignor or of Barridoff Auctions. If an item does not reach its reserve price, the auctioneer may pass the item. Barridoff Auctions may withdraw any item at any time before its actual sale. Bids must be consistent with the standard bidding increments and may be varied only upon permission from the auctioneer. A bid received between two increments may be rejected or reduced to the next lowest increment at the discretion of the auctioneer. Bidder may not make consecutive bids if there is an opposing bidder and there must be at least one increment/other bidder separating Bidder’s bids in that instance, except by permission of the auctioneer.

The auction is a live sale and not a timed sale, and absentee and pre-auction bids submitted prior to the sale are not considered made until executed by the clerk administering the bid during the bidding for that lot and recognized by the auctioneer. The auctioneer will recognize bids as they are made and does not give preference to either bids made by bidders in the room or remote bids. A clerk administering a remote bid is deemed a bidder present in the room for that bid and will be recognized by the auctioneer equally to all other bidders. The buyer is the highest bidder acknowledged by the auctioneer upon the fall of the hammer, which indicates the completion of the sale. In the event of a tie bid, the first bid recognized by the auctioneer has precedence. In the event of a bid received as the hammer is falling, it is in the auctioneer’s discretion whether to accept the bid or declare the sale complete. Barridoff Auctions has authority to decide any disputes over the auction process in Barridoff Auctions’ sole discretion, whose decision is final and binding. Bidder understands that any dispute regarding a purchased lot is between the consignor and the buyer unless the dispute concerns the conduct of the sale or other issue within the sole responsibility and control of Barridoff Auctions. The actual results of the sale are not final until confirmed as such by Barridoff Auctions subsequent to the auction.

2. REGISTRATION BY BIDDER. Bidder must provide accurate information, including Bidder’s name, residential address (not P.O. Box), proper contact information and credit card information owned or authorized to be used by the bidder. Bidder understands that any credit card information provided may be used to comply with any condition of these terms and conditions, including for payment of items won, if Bidder does not provide another payment method pursuant to these terms and conditions. Barridoff Auctions may require further information regarding Bidder’s financial ability and condition as a condition of registration or at any time prior to the auction, during the auction or subsequent to the auction. Barridoff Auctions reserves the right deny registration, bidding or to cancel a sale and/or seek damages if a Bidder violates the conditions of this paragraph.

3. REMOTE BIDDING. As a convenience to clients who cannot attend a sale in person, absentee bidding, telephone bidding and online bidding options are available, but Barridoff Auctions is not responsible for technical difficulties, mistakes or other issue that may occur with those bidding methods. Barridoff Auctions strongly suggests that bidders be present in the room. Remote methods and absentee or other pre-auction bids do not take precedence over bidding in the room.

The clerk administering a remote bid is deemed a bidder in the room and bids made by that clerk are subject to recognition by the auctioneer as any other bidder. The auctioneer will not advance an increment for an absentee or pre-auction bid that is currently holding the increment one below the maximum amount authorized by that bidder. Barridoff Auctions strongly recommends remote bidders who wish to bid pre-auction or absentee complete the absentee registration form, not submit the bid through an online bidding platform, and indicate “+1,” which will protect the absentee bidder if another bidder lands on the absentee bidder’s maximum amount by allowing

barridoff auctions

international fine art sale the clerk to bid one increment higher than the maximum. 4. Mistakes by Bidder. Under Maine Law and the Uniform Commercial Code, the bidder with the highest bid recognized by the auctioneer upon the fall of the hammer becomes the owner of the item, even if the bid was made by mistake or otherwise unintentional. Barridoff Auctions takes no responsibility nor will rescind or refund a sale in which the winning bidder claims to have won unintentionally or by mistake.

Attention to the item being bid on and the conduct of Bidder’s bidding is the sole responsibility of Bidder. A person who has not registered who bids on and wins an item at the auction sale is deemed to be a bidder and agrees and is subject to these terms and conditions.

Each remote bidding platform/method will order tie bids received within that platform/method giving the first received bid precedence. This bid will be the bid presented to the auctioneer by the clerk for that platform/method. An absentee or pre-auction bid submitted that is less than half of the low estimate of an item will be rejected by Barridoff Auctions.

Absentee and telephone bidding registration forms may be found on the Barridoff Auctions website. Any pre-auction, absentee or telephone safety bid given that is not consistent with the published bidding increments may be rejected or rounded down to the next lowest increment. Online bidding may be available on the Barridoff website and one or more online auctioneering websites as announced by Barridoff Auctions, and absentee or pre-auction bids left on those platforms do not take precedence over other bids. Mistakes made by Bidder are the responsibility of Bidder and may not be cause to rescind a sale. Barridoff Auctions is not responsible for errors and omissions made in connection with absentee, telephone, Internet or other remote bidding methods. Online bidding may indicate a winning bid or other confirmation that is erroneous based upon what happens in the room (bid comes after fall of hammer, auctioneer recognizes another bid given simultaneously, mistake made by remote clerk, etc.) and the official sale results are the results confirmed as such by Barridoff Auctions under paragraph 1. Online bidders may have to wait to purchase and retrieve won lots until after confirmation of official sale by Barridoff Auctions.

4. MISTAKES BY BIDDER. Under Maine Law and the Uniform Commercial Code, the bidder with the highest bid recognized by the auctioneer upon the fall of the hammer becomes the owner of the item, even if the bid was made by mistake or otherwise unintentional. Barridoff Auctions takes no responsibility nor will rescind or refund a sale in which the winning bidder claims to have won unintentionally or by mistake. Attention to the item being bid on and the conduct of Bidder’s bidding is the sole responsibility of Bidder. A person who has not registered who bids on and wins an item at the auction sale is deemed to be a bidder and agrees and is subject to these terms and conditions.

5. INFORMATION PROVIDED BY BARRIDOFF AUCTIONS. Provenances are included in the catalog to the extent they are available. Estimates are included with each lot (See note on estimates in paragraph 13). Statements of condition may be provided. However, these provenances, estimates and statements of condition and any other information provided by Barridoff Auctions or its staff are merely the opinion of Barridoff Auctions and may not be taken as statements of fact to substitute research regarding and inspection of the item by Bidder, more fully described in paragraphs 6 and 7. However, Barridoff Auctions endeavors to provide the most accurate and complete information on an item and to answer to the fullest extent possible any reasonable question, subject to the disclaimers herein. An item may be described as an attribution or “attributed to,” “school of,” or “circle of” indicating that the authenticity of the item cannot be definitively determined (also see Disputes on Grounds of Authenticity in Notes and Other Information, below). Barridoff Auctions and the auctioneer may make corrections and provide additional information as available up to and during the time of sale.

6. DISCLAIMER FOR ERRORS AND OMISSIONS; ITEMS SOLD AS IS; BIDDER RESPONSIBILITY TO INSPECT AND PERFORM DUE DILIGENCE. Barridoff Auctions is not responsible for errors or omissions contained in the catalog, provided

by Barridoff Auctions or presented by the auctioneer or in any other information detailed in paragraph 5. Barridoff Auctions makes no representation or warranty with respect to and is not responsible for the description, quality, condition or authenticity of any items sold, and makes no warranty as to merchantability or fitness for a particular purpose. All items are sold “AS IS.” Prospective bidders bear sole responsibility to inspect an item before bidding and perform other due diligence to determine the item’s authenticity, condition, size and whether or not the item has been repaired or restored. No representation or warranty is made as to copyright of any item or whether Bidder acquires any reproduction rights of the item.

7. OPPORTUNITY FOR INSPECTION BY BIDDER; NO OBLIGATION TO

INSPECT OR TEST BY BARRIDOFF AUCTIONS Barridoff Auctions offers

the opportunity for prospective bidders to examine an item and Barridoff Auctions assumes

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the spring 2024 no obligation to Bidder for Barridoff Auctions to examine, investigate or carry out any tests, either in sufficient depth or at all, to establish the authenticity or accuracy or otherwise of any description or opinion of Barridoff Auctions, whether given orally, in writing, on its website or any published catalog or literature. Bidder should not assume that any such examination, investigation or test has occurred. Barridoff Auctions does not make or agree to make any representation of fact and undertakes no obligation or duty, whether in contract or in tort, with respect to the accuracy or completeness of any statement or representation made by Barridoff Auctions or on Barridoff Auctions’ behalf that is in any way descriptive of any item or as to the anticipated or likely selling price of any item. No statement or representation by Barridoff Auctions or on Barridoff Auctions’ behalf in any way descriptive of any item or any estimate is incorporated into these terms and conditions or agreement for sale with Bidder.

8. BUYER’S PREMIUM. Barridoff Auctions charges the winning bidder a premium to be added to the hammer price on each item purchased. This premium is equal to 22% of a hammer price up to $500,000, and 17% of a hammer price above $500,000. A surcharge above this premium may be assessed for online sales, including on the Barridoff website or the Barridoff app, the amount of which may vary depending on the specific online platform or app on which the bidding is being conducted, which will be noted in the terms for that specific platform. The online surcharge pays for the online service and is not retained by Barridoff Auctions. A 2% discount of the premium will be given for any item paid for and removed by the end of auction day..

9. COMPLETION OF SALE; PAYMENT BY BIDDER. Upon the fall of the auctioneer’s hammer, the sale is complete and title to the item passes to the highest bidder, subject to the terms hereof including payment in full, who is bound by the sale and assumes full risk and responsibility thereof. The buyer authorizes Barridoff Auctions to sign a sales record, which is conclusive as to the terms of the sale, on the winning bidder’s behalf. It is expected that the buyer has the funds available to pay for the item upon the completion of sale. Payment is due upon completion of the auction and, unless alternate payment arrangements have been made and agreed to in writing by Barridoff Auctions, Barridoff Auctions reserves the right to charge any credit card or other financial account of the buyer on file or provided by buyer with Barridoff Auctions at that time or any time thereafter for any amounts owed. All items must be fully paid for, including any additional amounts owed Barridoff Auctions under paragraph 11 or otherwise, and removed from the premises of the auction by the buyer at the buyer’s expense within 24 hours of the day of sale unless other specific arrangements have been made and agreed to in writing by Barridoff Auctions. Barridoff Auctions may cancel a sale and buyer may be deemed to have forfeited a won item if payment or arrangements for payment are not made pursuant to this paragraph. Payment for each item purchased must be made before the item is removed.

Only cash, certified check, wire transfer or verified credit card are acceptable as payment methods unless other suitable arrangements have been made with Barridoff Auctions at least five days before the auction. Barridoff Auctions reserves the right to reject any particular payment method by Bidder. All sales are final and no refunds will be given with the limited exception of circumstances under paragraph 12. Buyer agrees that by registering to bid under these terms and conditions, buyer waives the right to charge back buyer’s credit card or otherwise reverse or stop any payment given, with any violation of this provision resulting in liquidated damages in the amount of double the chargeback or reversed or stopped payment owed Barridoff Auctions by buyer if Barridoff Auctions has to enforce this provision. Credit card payments are limited to purchases of $10,000 or less.

10. POST-SALE RESPONSIBILITIES OF BIDDER. Barridoff Auctions is not responsible for any loss by a buyer as a result of the damage, loss or theft of an item subsequent to the completion of the sale for that item and encourages the buyer to pay for and remove purchased items immediately after the sale. If an item won at auction is not paid for and removed from the premises within 5 business days after the sale, additional charges under paragraph 11 may apply. Shipping, packing, storage and any related expense of an item are the sole responsibility of the buyer of the item.

11. BIDDER COMPLIANCE WITH TERMS AND CONDITIONS; REMEDIES AVAILABLE TO BARRIDOFF AUCTIONS. If Bidder does not comply with an applicable term or condition herein, including not timely making payment or arrangements for payment under paragraph 9, Barridoff Auctions and the consignor have one or more of the following nonexclusive rights and remedies, in addition any other remedy available at law or in equity, without notice: a) to hold the winning bidder liable for the total purchase price plus interest of 1 1⁄2 % per month, compounded monthly; b) to cancel the sale and retain as liquidated damages all payments made by the winning bidder; c) to cancel the

barridoff auctions

international fine art sale sale and resell the item, in which case the winning bidder is liable for any deficiency, cost, including handling and storage charges, the expenses of both sales, premiums or commissions on both sales and all other charges and incidental damages; d) to charge 1% of the total purchase price per month, with a minimum charge of 5%, to handle any item not timely removed; e) to exclude the winning bidder and its agents or affiliates from all future auctions; f) to charge a reasonable storage fee; g) to set off any amounts Barridoff or consignor owes the winning bidder; h) to ship items owned by the winning bidder to the winning bidder at winning bidder’s expense; or i) to charge winning bidder’s credit card on file with or available to Barridoff Auctions for any amounts owed Barridoff Auctions. The winning bidder is responsible to Barridoff Auctions for the winning bidder’s premium due Barridoff Auctions under paragraph 8 separate and apart from any other remedy listed in this paragraph. A winning bidder is deemed to have granted to Barridoff Auctions or its consignor as collateral for bidder’s obligations hereunder a security interest in any item of the winning bidder purchased at a Barridoff auction sale, and Barridoff Auctions and the consignor have all of the rights of a secured party in Maine and the law of the location of the item. Barridoff Auctions has all of the rights of the consignor to pursue all rights and remedies hereunder, and Barridoff Auctions and its consignor are entitled to all of their costs, including reasonable attorney’s fees, court and collection costs, in enforcing their rights and remedies hereunder. Bidder waives any and all rights it may now or in the future have under any Maine law governing unclaimed or abandoned property.

12. DISPUTES ON GROUNDS OF AUTHENTICITY. Disputes on the grounds of authenticity subsequent to sale must be made within 15 days of receipt of the item by the buyer and must be supported by the written testimony of at least one recognized expert of the specific artist involved, or two recognized experts of the general field or genre in which that artist belongs. Only if the disputed item is in the same condition as when sold will a rescission of the sale be considered. In the event Barridoff Auctions agrees to rescind the sale, the decision of which is at Barridoff Auctions’ sole discretion, an amount up to the purchase price, plus sales tax if appropriate, may be refunded to the buyer. Such rescission and refund is exclusive and in lieu of any other remedies which might otherwise be available as a matter of contract or law. In no event does Barridoff Auctions’ or its consignor’s responsibility under this paragraph exceed the purchase price and sales tax of the item sold. Recission of sale or any refund under this paragraph does not apply to any item listed as “attribution,” “attributed to,” “school of,” “circle of” or any other term qualifying authenticity.

13. ESTIMATES. The high and low estimate given for an item are solely a guideline based upon Barridoff Auctions’ approximation as to the range within which an item may be purchased at auction. An estimate is not a statement of value or selling price of an item and Barridoff Auctions makes no guarantee, representation or agreement as to the value or selling price of an item other than Barridoff Auctions’ opinion of the item’s possible auction price.

14. SALES TAX. All purchases are subject to Maine sales tax (5.5%) or Massachusetts sales tax (6.25%) unless the buyer is located in another state and shipping is arranged by Barridoff Auctions or the buyer provides a sales tax exemption certificate issued by or acceptable to Maine Revenue Services and a valid, signed copy of which is presented to Barridoff Auctions.

Maine sales tax is applicable to the full purchase price, which includes the hammer price plus the buyer’s premium and surcharges under paragraph 8. Purchases made from other states or jurisdictions may be subject to a sales or use tax for that state or jurisdiction.

15. USE OF IMAGES. The images and descriptions used in the catalog may not be reproduced in any manner without the written authorization of Barridoff Auctions.

16. APPLICABLE LAW; JURISDICTION OF DISPUTES. Title 11, Section 2-328 of the Uniform Commercial Code and Title 32, chapter 5-B of the Maine Revised Statutes apply to auction sales conducted by Barridoff Auctions. These terms and conditions of sale are governed by and shall be interpreted under Maine law, and any conflicts hereunder shall be decided in the state and federal courts located in Cumberland County, Maine, and all bidders submit themselves to the jurisdiction thereof. The regulating authority of this auction is the Board of Licensing of Auctioneers, 35 State House Station, Augusta ME 04333-0035.

17. MAINTAIN CURRENT CONTACT INFORMATION AND TIMELY RESPOND TO BARRIDOFF COMMUNICATIONS. Bidder must provide and maintain current contact information that allows Barridoff Auctions to communicate with Bidder and timely respond to Barridoff Auctions inquiries, requests and other communications as required by Barridoff Auctions. Failure to do so may result in denial of registration, right to bid or the cancellation of the sale subsequent to the auction.

18. FORCE MAJEURE. Notwithstanding anything to the contrary contained herein,

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the spring 2024 Barridoff Auctions is not liable for any delays or failures in performance resulting from acts beyond its reasonable control including, without limitation, acts of God, acts of war or terrorism, shortage of supply, breakdowns or malfunctions, interruptions or malfunction of computer facilities, or loss of data due to power failures or mechanical difficulties with information storage or retrieval systems, labor difficulties or civil unrest. Notwithstanding the foregoing, in the event of such an occurrence, each party agrees to make a good faith effort to perform its obligations hereunder.

19. APPLICATION OF TERMS AND CONDITIONS. Unless agreed otherwise in writing between Barridoff Auctions and Bidder, these terms and conditions, whenever applicable, apply to all private sales, post auction sales and any other transaction between the parties not conducted at the auction sale that occur while these terms and conditions are posted by Barridoff Auctions.

NOTES AND OTHER INFORMATION

ABBREVIATIONS l.c. lower center l.l. lower left l.r. lower right u.c. upper center u.l. upper left u.r. upper right

b. born Eur. European Swe. Sweden c. circa Fr. French Sp. Spanish Am. American Ger. German h. height Br. British It. Italian w. width Can. Canadian Jap. Japanese l. length Rus. Russian d. depth Chn. Chinese DESCRIPTIONS All descriptions and notes of signatures, titles, dates, labels, inscriptions and other notable features of an item are assumed to be of the front (recto) unless otherwise noted. If a notable feature is described to be on “verso,” that indicates it is on the back or reverse of the item.

If a feature is described to be on the stretcher, it is on verso unless otherwise indicated. Signatures, initials, dates and titles, etc. may be noted but not quoted in the description unless there is an unusual or noteworthy characteristic of the signature, initial, date or title, etc. If an item description does not note a signature or that the item is signed, it should be assumed that the item is not signed. If there is an exhibition label but no exhibition listed, that means the label does not identify the exhibition. All paintings on canvas or other fabric are assumed to be stretched unless specifically noted “unstretched.”

For items described as “under glass,” the type of glass is unspecified unless otherwise noted. A collateral item mentioned such as a certificate of authenticity, letter referencing or photograph showing the listed item, book or catalog depicting or referencing the listed item, etc., are not part of the description of the item for purposes of sale of that item unless specifically noted.

SHIPPING Shipping arrangements and all packing and shipping charges are the responsibility of the buyer. Barridoff Auctions assumes no responsibility of any kind for providing this service. For buyer’s convenience, Barridoff’s in-house partner Eastern Art Services would be happy to provide a quote to pack and ship items purchased at the auction. Items shipped with EAS are shipped as-is. Additional services, including unframing, may incur additional charges.

Eastern Art Services provides an art shuttle within a 300 miles radius of the auction facility (to New York City). Buyer should inquire if wishing to use the shuttle services.

If buyer is not using Barridoff’s in-house shipping partner, once arrangements have been made with the shipping service of buyer’s choice, buyer should send an email to fineart@barridoff.com releasing the item to be shipped to that shipping service and include the lot number and any additional pertinent details. After Barridoff receives the release, Barridoff will coordinate the details of pick-up with the designated shipper. Buyer will receive an email confirmation when the item(s) have been retrieved.

FRAMES If a frame is thought to be original to the work of art or of some other particular interest based upon its history, value or beauty, it may be illustrated; but the illustration is in no way to be considered a guarantee of same unless information about the frame is included in the catalog description.

OLD MASTERS Unless otherwise noted, all works by Old Masters, including school, manner and other related information including dates are now by policy offered as attributions because, in the opinion of Barridoff Auctions, there has been too little or no known opportunity for a consensus, extensive research or singular expertise or because such opportunities often result in significant changes and varied opinions. However, all attributions are, in the opinion of Barridoff Auctions, appropriate as cataloged.

CONDITION REPORTS Condition reports may be in the catalog and are available upon request. However, as more fully described in paragraph 5, a condition report is in no way a guarantee, nor should it be considered an expert opinion. All lots should be examined by potential bidders. Because few lots are examined by Barridoff Auctions out of their frames, potential bidders should assume that condition reports only include areas that are clearly visible unless otherwise stated. Barridoff will remove a work from its frame if requested and if removal does not appear to threaten to damage the piece or otherwise present an impracticality or other similar reason.

barridoff auctions

international fine art sale SIZE. Unless otherwise noted, the size of each item is measured height by width in inches and does not include the frame. Sizes are approximate. The term “actual” means the actual size of the artwork without any frame or other appendage, “framed” means the size of the item including the frame and “sight” means the visible portion of the item when the actual size is covered or obscured and unable to be determined. All prints (etchings, lithographs, silkscreens, etc.), to the best of Barridoff Auctions’ knowledge, have full margins unless otherwise noted. The terms regarding information in paragraph 4 apply to information regarding sizes provided by Barridoff Auctions.

LIVE PHONE BIDDING AND ONLINE BIDDING Phone bid registrations are allowed on a limited first-come, first-served basis. Phone bidders must make arrangements in advance.

Barridoff Auctions provides phone bidding as a service for bidders who cannot attend the auction, but phones are not the perfect medium for bidding at an auction under any circumstances and mobile phones, while useful, can be particularly difficult. Bidders should be mindful of these limitations if choosing to bid by phone, and Barridoff suggests that phone bidders leave a “safety” bid, or emergency absentee bid, in the event the telephone call is disrupted, dropped or otherwise unable to be connected through to the completion of bidding for that lot. Bidding may also be available online in real time at barridoff.com, bidsquare.com, invaluable.com and liveauctioneers.com. Bidders are advised to familiarize themselves with the rules and procedures provided for whatever platform Bidder is using prior to bidding. Online bidding platforms may charge a surcharge over and above the buyer’s premium for an item, including bidding through the Barridoff website or APP. Barridoff Auctions is not responsible for any difficulties, technical or otherwise, that may be experienced through bidding other than in person. Mistakes made by Bidder, including mistakenly bidding on and winning an item not intended by Bidder, is Bidder’s sole responsibility and Barridoff Auctions will not refund or rescind a sale that Bidder claimed was made by mistake or unintentional.

ADDITIONS AND ERRATA. Additions consigned or errors discovered too late to be included in the bound copy of the catalog may be found on a continually updated separate sheet and on the online catalog to the extent possible. All additions and errata will be included on the final sheet available at the auction and be placed sequentially at the end of the sale. Online catalogs are updated daily. Lot numbers correspond with the printed catalog and additions sheets.

Errata are also published in the updated sheet listing any corrections of inaccuracies or additional information concerning the original catalog. Online updates may happen without notice by Barridoff Auctions, so Bidder should refer to the most current posted auction information to remained accurately informed. The auctioneer may announce errors, omissions or changes at the commencement of or during the auction sale.

PROVENANCE Provenance is listed insofar as it is known or is allowed to be published by the consignor, who is ultimately responsible for the accuracy of any provenance information given. The conditions regarding information in paragraph 5 apply to any provenance information provided by Barridoff Auctions.

TITLES Titles are provided for most items in the sale. A title bounded by quotation marks indicates that it is the official title of the item. A title not bounded by quotation marks is an unofficial title or a brief description of an untitled item used to identify the item.

OFFERS FOR PREVIOUS SALES Barridoff Auctions accepts offers for items purchased at former auctions on behalf of present or former buyers. An offer for an item from a previous sale that does not exceed the purchase price for that sale will not be considered. If Barridoff Auctions receives and determines suitable a bona fide offer for an item, Barridoff Auctions will relay the offer to the buyer for consideration and rejection, acceptance or counter-offer. If the buyer accepts the offer, a counter-offer or makes a counter-offer that is accepted, the applicable terms and conditions of sale herein apply to the transaction.

MAJOR CREDIT CARDS ACCEPTED Barridoff Auctions accepts as payment the credit cards Visa, Mastercard, Discover or American Express, subject to paragraph 9, but is not obligated to accept any particular credit card presented by Bidder. Bidder acknowledges that all sales are final and for the privilege of paying by credit card, Bidder waives any right to perform a chargeback or otherwise stop or reverse payment for an item for which Bidder was acknowledged as the winner by the auctioneer.

Barridoff Auctions reserves the right to refuse payment by credit card for any particular bidder.

DISCOUNT FOR PAYING FOR/REMOVING PURCHASED ITEMS ON AUCTION DAY Barridoff Auctions is offering a discount on the buyer’s premium under para-

graph 8 an amount equal to 2% of the hammer price for items paid for and removed from the auction premises the day of the auction.

AUCTIONEER William J. Milliken. ME license number AUC1627 Copyright © 2024

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LOT 1 REGINALD MARSH (AM. 1898-1954) Three Works 1] Huber's Museum, 1928 Lithograph with chine collé laid on wove paper, unframed Signed and editioned artist's proof on mount in pencil and initialed in plate l.r., inscribed "35 proofs" in pencil in mount l.l.

12 5/8" x 19 5/8" actual 2] Theatre Palais Royale Lithograph with chine collé laid on wove paper, unframed Signed on mount in pencil and initialed in plate l.r., editioned "30 proofs" in pencil in mount l.l.

11 1/16" x 14 7/8" actual 3] Erie R.R. Yards, 1928 Lithograph with chine collé laid on wove paper, unframed Signed on mount in pencil, signed and dated in plate l.r., editioned "35 proofs" in pencil in mount l.l.

12 5/8" x 18 3/4" actual $700 - $900 Provenance: Gifted by the Artist to Artemas Packard, Professor of Art at Dartmouth College c. 1930-1961. The two and their wives became friends having met and traveled together in Europe in 1928. The prints have since been in possession of Artemas Packard’s descendants.

LOT 2 MORRIS HENRY HOBBS (AM. 1892-1967) "Boats at Plougastel Brittany" Etching, framed under glass Signed in pencil l.r., titled and editioned "ed/50" in pencil l.l.

9 1/8" x 9 3/8" sight, 16 1/16" x 16 1/4" framed $400 - $600 Provenance: Private Collection Maine

LOT 3 MORRIS HENRY HOBBS (AM. 1892-1967) "Morning", "Sun Bathing", "After the Siesta" and "Evening" Etching, framed under glass Each panel: Signed in pencil l.r. and titled in pencil l.l.

Each panel: 2 1/2" x 2" sight, entire piece: 14 7/8" x 14 1/4" framed $500 - $700 Provenance: Private Collection Maine

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LOT 4 MORRIS HENRY HOBBS (AM. 1892-1967) "Mardi Gras on Royal St. Old New Orleans" 1940 Etching, framed under glass Signed in pencil l.r., titled and editioned "Ed/100" in pencil and dated "New Orleans 1940" in plate l.l.

12 11/16" x 9 3/8" sight, 10 9/16" x 16 5/16" framed $600 - $800 Provenance: Private Collection Maine

LOT 5 FRANK WESTON BENSON (AM. 1862-1951) Canvasbacks, 1926 Etching, matted Signed in pencil l.l.

6 1/2" x 12 1/4" sight, 12 9/16" x 18 1/4" matted $300 - $500 Provenance: Private Collection York, Maine Literature: Paff 261

LOT 6 GEORGE TOOKER (AM. 1920-2011) The Window, 1994 Lithograph, framed under glass Signed in pencil l.r., editioned "14/175" in pencil l.l., Charles Adams Gallery verso 25" x 21 1/16" sight, 33 5/16" x 29 3/8" framed $1,000 - $1,500 Provenance: Private Collection Maine

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LOT 7 JEAN-BAPTISTE HUET (FR. 1745-1811) Boys Fishing by the Mill Watercolor on paper, framed under glass 6 1/8" x 8 1/8" sight, 13 1/4" x 14 15/16" framed $800 - $1,200 Provenance: Christie's London to Private Collection Wiscasset, Maine

LOT 8 CHARLES FRANCOIS DAUBIGNY (FR. 1817-1878) By the Water's Edge, c. 1858-1860 Oil on canvas, framed Signed l.l., Newman Galleries labels verso 10 1/8" x 13 3/16" actual, 15 1/8" x 18 1/2" framed $4,000 - $6,000 Provenance: Private Collection Wiscasset, Maine

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LOT 9 BERNARD LAMOTTE (FR. 1903-1983) Bastille Day Gouache and ink on paper, framed under glass Estate stamp l.r., signed by estate representative and Knoke Fine Arts label verso 6 1/8" x 8 1/8" sight, 14" x 16 1/2" framed $200 - $300 Provenance: Private Collection Georgia

LOT 10 BERNARD LAMOTTE (FR. 1903-1983) The Seduction Ink wash on paper, framed under glass Initialed l.r., signed by estate representative verso 8 1/8" x 6 7/16" sight, 15 3/4" x 13 1/2" framed $200 - $300 Provenance: Private Collection Georgia

LOT 11 BERNARD LAMOTTE (FR. 1903-1983) Paris Street Scene Ink wash on paper, framed under glass Estate stamp l.r., estate stamp, signed by estate representative and Knoke Fine Arts label verso 12 5/8" x 10" sight, 21" x 18 3/8" framed $300 - $500 Provenance: Private Collection Georgia

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LOT 12

LOT 13

JEAN CHARLOT (FR./AM. 1898-1979) Nativity Scene, 1943 Watercolor on paper, framed under glass Signed and dated l.r.

11 15/16" x 8 13/16" sight, 14" x 10 7/8" framed

AFTER JEAN-FRANÇOIS MILLET (FR. 1814-1875) Study of The Goose Girl at Gruchy Charcoal on paper, framed under glass Inscribed "Two cows on th hill and (?) and kid - a lot of Geese in water.

Womans cap white shawl plum color waist salmon upper part of dress (?) blue dull lower dull red peticoat brownish. The whole picture a rich amber tone" along lower edge 11" x 7 3/8" actual, 19 3/16" x 16 11/16" framed

$1,200 - $1,800 Provenance: Private Collection Chester, New Hampshire

$300 - $500 Provenance: Private Collection Wiscasset, Maine

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LOT 14 ALBRECHT DURER (GER. 1471-1528) Hercules Killing Eurytos, c. 1496 Woodcut, framed under glass Initialed in plate l.c.

15 1/2" x 11" actual, 28 7/8" x 23 1/2" framed $4,000 - $6,000 Provenance: From the collection of George and Dadee Burk

LOT 15 ALBRECHT DURER (GER. 1471-1528) Virgin and Child with Monkey Etching, framed under glass Initialed in plate l.c.

7 1/2" x 4 3/4" actual, 16 7/8" x 12 7/8" framed $2,000 - $3,000 Provenance: From the collection of George and Dadee Burk

LOT 16 LUCAS CRANACH THE ELDER (GER. 1472-1553) Portrait of Hans Sachs, 1545 Woodcut, framed under glass Titled and dated in plate at center of image 15 3/4" x 11 5/16" actual, 28 1/2" x 24 3/4" framed $800 - $1,200 Provenance: From the collection of George and Dadee Burk

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LOT 17 LUCAS VAN LEYDEN (DUTCH 1494-1533) Temptation of Saint Anthony Engraving, framed under glass 7 1/4" x 5 3/4" sight, 18 15/16" x 14 15/16" framed $800 - $1,200 Provenance: From the collection of George and Dadee Burk

LOT 18 SALVADOR DALI (SP. 1904-1989) Hell Canto 32: The Treacherous to their Homeland Wood engraving, framed under glass Signed in pencil l.r., signed in plate l.c., editioned "21/25" in pencil and embossed stamp l.l.

12 15/16" x 10 3/8" actual, 25 7/8" x 23 3/8" framed $600 - $800 Provenance: Private Collection Cape Elizabeth, Maine In 1950, the Italian government commissioned Dali to illustrate a 700th anniversary edition of Dante's Inferno, to be published in 1965. When the Italian public learned that Dali, a Spanish artist, was to illustrate a treasure of Italian literature, the government faced such backlash that they revoked the commission from Dali. Dali continued with the project anyway, and spent the next five years working with French publisher Joseph Forêt to create the 3,500 woodblocks that would be used to illustrate the 100 cantos of Dante's Inferno.

The project was completed and published in 1963. Pictured here is a scene from Hell Canto 32, wherein Dante confronts the traitor Bocca degli Abati, whose body is frozen eternally in the river Cocytus as punishment for his treachery. When Bocca refuses to provide Dante his name, Dante pulls him by the hair until another tortured soul calls out the name.

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LOT 19 ALBERT STERNER (BR./AM. 1863-1946) Portrait of Harold Sterner Charcoal and pastel on paper, framed under glass Signed l.r.

16 1/2" x 11 5/16" sight, 26 1/8" x 20 1/8" framed $500 - $700 Provenance: Private Collection Massachusetts

LOT 20 WILLIAM MORRIS HUNT (AM. 1824-1879) Portrait of a Woman Oil on panel, framed Initialed l.c.

19 3/4" x 12 1/4" actual, 25 1/4" x 18 5/8" framed $1,500 - $2,500 Provenance: Private Collection Massachusetts

LOT 21 CHARLES WILLIAM BARTLETT (BR. 1860-1940) Breton Woman, 1908 Watercolor and charcoal on paperboard, framed Initialed and dated l.r.

20 1/16" x 16 1/8" actual, 26 3/16" x 22 11/16" framed $600 - $800 Provenance: Private Collection Wiscasset, Maine

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LOT 22

LOT 23

FRANCOIS-RAOUL LARCHE (FR. 1860-1912) Bust of a Girl Marble Signature incised on base Approx. 15 1/2" x 16" x 8" actual

LUIGI CORBELLINI (IT. 1901-1968) Les Baigneuses Oil on canvas, framed Signed l.r.

16 1/8" x 12 1/16" actual, 25 1/16" x 20 1/2" framed

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$800 - $1,200

$500 - $700

Provenance: Private Collection Harrison, Maine

Provenance: Private Collection Lakewood Ranch, Florida

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LOT 24 18TH/19TH CENTURY EUROPEAN SCHOOL Weeping Christ Oil on panel, unframed 17 3/8" x 13 1/8" actual $600 - $800 Provenance: Private Collection California

LOT 25 19TH CENTURY BRITISH SCHOOL Una and the Lion Oil on panel, framed Titled verso 12" x 17" actual, 17 3/4" x 22 3/4" framed $1,000 - $1,500 Provenance: Private Collection California The legend of Una and the Lion comes from the epic poem The Faerie Queene by 16th century English poet Edmund Spenser. Una’s tale tells of a young woman who embarks on a quest to free her parents from a dragon. In her travels, she encounters a lion who intends to eat her. However, the lion is so impressed with her purity and beauty that he vows instead to accompany and protect her. The Faerie Queene is in many ways an allegory for the reign of Queen Elizabeth I, and is one of the longest poems in the English language.

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LOT 26 FEDERICO ZANDOMENEGHI (IT. 1841-1917) Violinist, 1917 Oil on canvas, framed Signed l.r., signed and dated on stretcher verso 10 1/4" x 7 1/8" actual, 20 3/16" x 17 1/16" framed $8,000 - $12,000 Provenance: Private Collection California

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LOT 27 LUCILE BLANCH (AM. 1895-1981) Circus Performer Oil on board, framed Signed l.l.

12" x 6 1/16" actual, 15 3/16" x 9 7/16" framed $500 - $700 Provenance: Private Collection Cape Elizabeth, Maine

LOT 28 JAKUB ZUCKER (POLISH/AM. 1900-1981) Portrait of Ann Chidsey Oil on canvas, framed 26" x 20 1/8" actual, 31" x 26 15/16" framed $2,500 - $3,500 Provenance: Private Collection Maine

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LOT 29

LOT 30

ADRIANUS JACOBUS VROLIJK (DUTCH 1834-1862) Country Scene Oil on panel, framed Signed l.l.

11 3/16" x 16 7/16" actual, 20 9/16" x 25 3/4" framed

FREDRIK MARINUS KRUSEMAN (DUTCH 1816-1882) Winter Landscape with Skaters Oil on panel, framed Signed l.r., MacConnal-Mason & Son label verso 9 3/4" x 12 5/8" actual, 14 1/2" x 17 1/2" framed

$700 - $900

$6,000 - $8,000

Provenance: Private Collection Portland, Maine

Provenance: Private Collection Connecticut

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LOT 31 CORNELIS CHRISTIAAN DOMMELSHUIZEN (DUTCH 1842-1928) French Ships on Stormy Sea, 1917 Oil on linen, framed Signed and dated l.r., Bunch Auctions tag verso 31 11/16" x 52 3/16" actual, 41 3/16" x 61 1/8" framed $2,000 - $3,000 Provenance: Private Collection South Portland, Maine

LOT 32 JOHN KORNER (CZECH/CAN. 1913-2014) Landscape with Ship, 1969 Oil on canvas, framed Signed and dated l.r., signed and dated on stretcher verso 31" x 41" actual, 31 3/4" x 41 3/4" framed $800 - $1,200 Provenance: Private Collection Yarmouth, Maine

LOT 33 19TH CENTURY AMERICAN SCHOOL Night Scene Oil on canvas, framed 10" x 14" actual, 17 11/16" x 21 3/4" framed $600 - $800 Provenance: Private Collection Portsmouth, New Hampshire

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LOT 34 19TH CENTURY IRISH SCHOOL Greyhound Race Oil on canvas, framed 35" x 34" actual, 41" x 40" framed $1,000 - $1,500 Provenance: Private Collection California

LOT 35 FREDERICK KOST (AM. 1861-1923) Cow Drinking at Sunset Oil on linen, framed Signed l.r.

24" x 28 1/16" actual, 30 7/8" x 35" framed $1,000 - $1,500 Provenance: Private Collection Cape Elizabeth, Maine

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LOT 36 JOSEPH H. DAVIS (AM. 1811-1865) Portrait of Jonathan and Abigail Hill, 1836 Watercolor on paper, framed under glass Inscribed "Painted at Bow Pond July 2nd 1836 by Joseph H. Davis Left Hand Painter" l.c., inscribed "Jonathan Hill. Aged 73 May 22, 1836" l.l., inscribed "Abigail Hill. Aged 71 July 8th 1836" l.r.

9 5/8" x 14 5/8" sight, 11 1/8" x 16 1/8" framed $10,000 - $15,000 Provenance: Private Collection Connecticut Other Notes: Conservation report available upon request

Throughout his career in the mid-19th century, itinerant artist Joseph H. Davis created around 150 portraits of Maine and New Hampshire residents. As seen here in his 1836 portrait of Jonathan and Abigail Hill, his works consistently show the couple facing each other at a table that is holding objects representative of their careers and lifestyles. Despite his prolific work and distinctive style, the exact identity of Joseph H. Davis, left-handed painter, was a mystery until 1989.

Art historians Arthur and Sybil Kern were able to pinpoint his identity due to the detailed information about his sitters included on each of his works.

By cross-referencing the locations and dates of his sitters with records of artists named Joseph Davis, the painter was found to be a Limington, Maine farmer nicknamed “Pine Hill Joe”. Today, Davis’s work has been exhibited widely throughout New England and is prized by American folk art collectors.

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LOT 37 GEORGE M. HATHAWAY (AM. 1852-1903) Fort Gorges and Portland Breakwater Light Oil on panel, framed Signed l.l., Barridoff Galleries labels and tag verso 8" x 20" actual, 13" x 25 1/8" framed $1,200 - $1,800 Provenance: Barridoff Galleries June 22, 2019, lot 42 to Private Collection Standish, Maine

LOT 37A GEORGE M. HATHAWAY (AM. 1852-1903) Ship on Stormy Sea Oil on canvas, framed Signed l.l.

18 1/8" x 30 1/4" actual, 26 3/8" x 38 3/8" framed $1,200 - $1,800 Provenance: Private Collection Maine

LOT 38 AL BRULÉ (AM. 1917-2001) Piscataqua River Scene Acrylic on masonite, framed Signed l.r.

23 1/8" x 37 7/16" actual, 28 1/8" x 42 3/8" framed $700 - $900 Provenance: Private Collection Wells, Maine

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LOT 39 ATTR. TO ALFRED THOMPSON BRICHER (AM. 1837-1908) Shoreline Watercolor on paper, framed under glass Erroneously signed l.r.

9 1/2" x 19 1/4" sight, 20 3/16" x 30 1/8" framed $800 - $1,200 Provenance: Private Collection Falmouth, Maine

LOT 40 ALFRED THOMPSON BRICHER (AM. 1837-1908) Beach Watercolor on paper, framed under glass Signed l.l.

13 7/8" x 20 7/16" sight, 22 11/16" x 29 13/16" framed $2,000 - $3,000 Provenance: Private Collection Amesbury, Massachusetts

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LOT 41 ELISHA TAYLOR BAKER (AM. 1827-1890) Sailing Along the Coast, June 10, 1889 Oil on panel, framed Initialed l.l., signed and dated verso 8 15/16" x 15 15/16" actual, 12 13/16" x 19 13/16" framed $800 - $1,200 Provenance: Private Collection Wiscasset, Maine

LOT 42 20TH CENTURY AMERICAN SCHOOL New York City Shipyard Oil on canvasboard, framed 11 1/2" x 15 1/2" sight, 17 5/16" x 21 3/16" framed $400 - $600 Provenance: Private Collection Wiscasset, Maine

LOT 43 WILLIAM MATTHEWS HEKKING (AM. 1885-1970) Monhegan Rocks Oil on panel, framed Signed, "My First Sketch in BLK oil from studio door" and "Property of Jim (?)" inscribed verso 12" x 16" actual, 15 3/4" x 19 5/8" framed $500 - $700 Provenance: Private Collection Massachusetts

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LOT 44 FRITZ ROCKWELL (AM. 1917-1997) Pemaquid Lighthouse, 1974 Oil on panel, unframed Signed and dated l.r.

40 5/16" x 71 5/8" actual $800 - $1,200 Provenance: Private Collection Maine

LOT 45 CHARLES CARYL COLEMAN (AM. 1840-1928) "Venezia" Oil on canvas, framed Signed with monogram and titled l.r.

10 7/16" x 15 7/8" actual, 19" x 24 1/2" framed $3,000 - $5,000 Provenance: Private Collection Wiscasset, Maine

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ARTIST CORNER ROCKWELL KENT: PRINTMAKER ( 1882 - 1971 )

R

ockwell Kent was born on July 21, 1882 in Tarrytown Heights, New York. From a young age he exhibited an interest image source: https://rockwellkentjournal.blogspot.com/ in and talent for artistic endeavors, a fascination that was nurtured and encouraged by a loving aunt who was herself an artist.

After graduating from high school, he spent the summer in Shinnecock Hill on Long Island where he attended William Merritt Chase’s summer art school before entering Columbia University, where he studied architecture. He returned for several summers before Chase invited him to study at the New York School of Art, where he was a classmate of Edward Hopper and George Bellows. Always inspired by the natural world, in 1905 Kent moved from New York to Monhegan Island, where he spent five years painting, drawing and making prints.

Although he was married three times and fathered five children, Kent was something of a misanthrope. He traveled extensively, spending long periods of time in Alaska, Newfoundland, Greenland, and Tierra del Fuego. In each of these locales, he produced prints and paintings prolifically. Each of these journeys resulted in the publication of his book-length journals—Wilderness: A Journal of Quiet Adventure in Alaska (1920), Voyaging: Southward from the Strait of Magellan (1924), N by E (1930), and Salamina (1935)—each of which, like his autobiography It’s Me O Lord (1955) he illustrated with his prints.

In addition to adorning his own books, his prints were used to illustrate numerous classic texts, including The Complete Works of William Shakespeare, Walt Whitman’s The Leaves of Grass, Chaucer’s

Canterbury Tales, and Herman Melville’s Moby Dick. He also produced prints for use in advertising, including a series for the American Car and Foundry Company and another for the United States Pipe and Foundry Company.

A lifetime supporter of progressive political causes—including the labor movement and opposition to fascism—he was popular in the post WWII Soviet Union. His 1950 visit to Russia caused tension with the U.S. government during the McCarthy era and his popularity waned.

He died of a heart failure on March 13, 1971 in Plattsburg, New York, and is buried on the grounds of the farm he owned there. The critic Carl Zigrosser noted that “He is an important American printmaker.”

Similarly, his biographer, the artist and critic Dan Burne Jones notes that without regard to their subject matter, Kent’s prints “tell their stories in a forthright manner, with economy and precision of line and tone, with dignity and force.”

Today, Rockwell Kent’s works are represented in museums and private collections across the country including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Smithsonian American Art Museum, Museum of Fine Art Boston, and the Art Institute of Chicago to name but a few. His estate donated a trove of his works to the State University of New York at Plattsburg, which holds perhaps the most representative collection of his prints, paintings and ephemera in the image source: https://www.loc.gov/pictures/resource/hec.47519/ country.

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international fine art sale

LOT 46 ROCKWELL KENT (AM. 1882-1971) "Mal (Danseuse)" Lithograph, matted Signed in pencil l.r.

20 1/2" x 15 3/4" actual, 22 1/8" x 16" matted $300 - $500 Provenance: Collection of Dan Burne Jones (author of The Prints of Rockwell Kent: A Catalogue Raisonne) to Private Collection Ypsilanti, Michigan Literature: Burne Jones 100

LOT 47 ROCKWELL KENT (AM. 1882-1971) "Big Baby (Greenland Mother)" 1933 Wood engraving, matted Signed in pencil l.r., titled, dated and editioned "1/150" in pencil l.l.

11 1/8" x 11 5/8" actual, 19 1/4" x 14 1/16" matted $200 - $400 Provenance: Collection of Dan Burne Jones (author of The Prints of Rockwell Kent: A Catalogue Raisonne) to Private Collection Ypsilanti, Michigan Literature: Burne Jones 101

LOT 48 ROCKWELL KENT (AM. 1882-1971) Almost, 1929 Wood engraving, framed under glass Signed in pencil l.r., collector's label and newspaper obituary attached verso 6 3/8" x 4 1/8" sight, 13 1/16" x 9 7/8" framed $1,200 - $1,800 Provenance: Private Collection Chebeague, Maine Literature: Burne Jones 32

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LOT 49 ROCKWELL KENT (AM. 1882-1971) "Glory Hallelujah" 1944 Lithograph, framed under glass Signed in pencil l.r., titled in pencil l.l.

8 1/4" x 9 1/4" sight, 16 3/4" x 14 3/4" framed $800 - $1,200 Provenance: Private Collection York, Maine Literature: Burne Jones 134

LOT 50 ROCKWELL KENT (AM. 1882-1971) Bowsprit, 1930 Wood engraving, framed under glass Signed in pencil l.r.

5 7/8" x 7 3/8" sight, 12 15/16" x 14 5/16" framed $2,000 - $3,000 Provenance: Private Collection York, Maine Literature: Burne Jones 56

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LOT 51 ROCKWELL KENT (AM. 1882-1971) "Deep Water" Wood engraving, framed under glass Signed in pencil l.r., titled in pencil l.l., inscribed "To Helen and Sasha Affectionately, Sally and Rockwell (?) May 3, 1964" in pencil l.c.

8 13/16" x 11" sight, 13 3/16" x 15 1/2" framed $2,000 - $3,000 Provenance: Private Collection York, Maine Literature: Burne Jones 87

LOT 52 ROCKWELL KENT (AM. 1882-1971) Invitation to a So-Called Tea, 1930 Linocut on woven paper, framed under glass 10 1/4" x 7 1/4" sight, 16 13/16" x 13 13/16" framed $300 - $500 Provenance: Private Collection Maine Literature: Burne Jones 50

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LOT 53 NEIL WELLIVER (AM. 1929-2005) "Ducktrap" 1973 Silkscreen, framed under glass Signed in pencil l.r., editioned " 129/144" in pencil l.l., Cigna Museum and Art Collection label verso 39 11/16" x 39 15/16" sight, 40 1/8" x 40 3/8" framed $3,000 - $5,000 Provenance: Private Collection Ypsilanti, Michigan

LOT 54 NEIL WELLIVER (AM. 1929-2005) "Briggs' Meadow" 1973 Silkscreen, framed under glass Signed in pencil l.r., editioned "21/144" in pencil l.l.

37" x 37" sight, 46" x 46" framed $3,000 - $5,000 Provenance: Private Collection Ypsilanti, Michigan

LOT 55 NEIL WELLIVER (AM. 1929-2005) "Maiden's Cliff" 1973 Silkscreen, framed under glass Signed in pencil l.r., editioned "21/144" in pencil l.l.

37" x 37" sight, 46" x 46" framed $3,000 - $5,000 Provenance: Private Collection Ypsilanti, Michigan

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LOT 56 JOSEPH DE MARTINI (AM. 1896-1984) Rocky Shore, c. 1938-1939 Gouache on paper, framed under glass Signed l.r.

9 1/2" x 13" sight, 18 7/16" x 23 3/8" framed $600 - $800 Provenance: Private Collection Other Notes: A publication on the artist by Colin Brooks is in preparation

LOT 57 JOSEPH DE MARTINI (AM. 1896-1984) "Surf on Rocks" Portland Head Light, c. 1940-1941 Oil on board, framed under glass Signed l.l., signed and titled verso 11 7/8" x 16 7/8" actual, 18 7/16" x 23 3/8" framed $1,000 - $1,500 Provenance: Private Collection Other Notes: This work depicts Portland Head Light and evokes Marsden Hartley's The Lighthouse from the same period. A publication on the artist by Colin Brooks is in preparation.

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LOT 58

LOT 59

STEPHEN ETNIER (AM. 1903-1984) Tidepool, 1966 Oil on canvas, framed Signed and dated l.r.

22 1/8" x 36 1/8" actual, 28 5/16" x 42 3/16" framed

CHARLES ALLAN WINTER (AM. 1869-1942) Surf and Rocks Oil on linen, framed Signed l.r.

19 3/4" x 24" actual, 25 5/8" x 29 5/8" framed

$3,000 - $5,000

$1,200 - $1,800

Provenance: Private Collection New Castle, New Hampshire

Provenance: Private Collection Massachusetts

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LOT 59A

LOT 59B

STEPHEN ETNIER (AM. 1903-1984) "Autumn on Royal River" 1970 Oil on canvas, framed Signed l.l., signed, titled, dated and "For Timmy Browne" inscribed on stretcher verso 15 7/8" x 32" actual, 25 3/8" x 45 1/4" framed

STEPHEN ETNIER (AM. 1903-1984) "Into the Sun" 1963 Oil on canvas, framed Signed and dated l.c., signed, titled and dated on tacking edge verso 14" x 22 1/8" actual, 18 11/16" x 26 7/8" framed

$4,000 - $6,000

Provenance: Barridoff Galleries April 24, 2013, lot 146 to Private Collection Vermont

$3,000 - $5,000

Provenance: Barridoff Galleries August 4, 2006, lot 125 to Private Collection Vermont

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LOT 59C JAY CONNAWAY (AM. 1893-1970) "The Wanderer" Oil on masonite, framed Signed illegibly l.r., signed and titled verso 12" x 16" actual, 19 1/2" x 23 1/4" framed $2,000 - $3,000 Provenance: Barridoff Galleries October 27, 2018, lot 20 to Private Collection Vermont

LOT 59D HAYLEY LEVER (AUSTRALIAN/AM. 1876-1958) "New Rochelle" 1946 Oil on canvasboard, framed Signed l.r., signed, titled, dated and Christie's label verso 15 1/2" x 19 1/2" sight, 22 1/2" x 26 1/2" framed $8,000 - $12,000 Provenance: Christie's October 28, 2020, lot 137 to Private Collection Vermont

LOT 59E JANE PETERSON (AM. 1876-1965) Miami Oil on canvasboard, framed Signed l.r., American Art label backing verso 17 1/4" x 23 1/4" sight, 24" x 30" framed $8,000 - $12,000 Provenance: Bonhams November 19, 2019, lot 38 to Private Collection Vermont

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LOT 60

LOT 61

HARRY SHOKLER (AM. 1896-1978) Provincetown Waterfront, 1926 Oil on canvas, framed Signed and dated l.l.

20 1/16" x 24 1/8" actual, 23 1/2" x 27 9/16" framed

LYNNE DREXLER (AM. 1928-1999) Chicken, 1987 Colored pencil on paper, framed Signed and dated verso 14" x 17" actual, 21 1/8" x 25 3/16" framed

$800 - $1,200

$5,000 - $7,000

Provenance: Private Collection Ypsilanti, Michigan

Provenance: Private Collection Kennebunk, Maine

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LOT 62 DAHLOV IPCAR (AM. 1917-2017) "Starry Night" 1991 Oil on linen, framed Signed and dated u.r., signed and dated l.l., artist's label verso 34" x 34" actual, 35 1/4" x 35 1/4" framed $20,000 - $25,000 Provenance: From the Artist to Private Collection Maine

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LOT 63 DAHLOV IPCAR (AM. 1917-2017) Horses in the Snow Oil on canvas, framed Signed l.r., artist's label and Sotheby's label verso, partial exhibition label and Sotheby's label on frame verso 20 3/16" x 30 1/8" actual, 25 3/16" x 35 3/16" framed $3,000 - $5,000 Provenance: Private Collection California

LOT 64 JANE PETERSON (AM. 1876-1965) Yellow Tulips Oil on canvas, framed Signed l.l., Schillay & Rehs label, Pen and Brush exhibition label and biographical information attached verso 24 1/8" x 18 3/16" actual, 29 3/4" x 23 3/4" framed $4,000 - $6,000 Provenance: Private Collection California

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LOT 65

LOT 66

SALLY MICHEL AVERY (AM. 1902-2003) "Little Bouquet" 1981 Oil on canvasboard, framed Signed and dated l.r., signed, titled and dated verso 20 1/8" x 24" actual, 21" x 25" framed

LOWELL NESBITT (AM. 1933-1993) "Two White Electric Iris" New York, 1980 Oil on canvas, framed Signed, titled and dated verso 36" x 20 1/8" actual, 37 3/8" x 21 3/8" framed

$6,000 - $8,000

$3,000 - $5,000

Provenance: Private Collection Cumberland Foreside, Maine

Provenance: Private Collection South Portland, Maine

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LOT 66A CARL SPRINCHORN (AM. 1887-1971) Flowers Against a Winter Sky Oil on canvasboard, framed Bertha Shaffer label, Kraushaar Galleries label and Portland Museum of Art label verso 20" x 18 1/16" actual, 25 1/2" x 23 7/16" framed $3,000 - $5,000 Provenance: Bertha Schaefer Gallery New York City, New York to Collection of Ellen and Chris Huntington to Portland Museum of Art Portland, Maine to Kraushaar Galleries New York City, New York to Private Collection Vermont

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LOT 66B IDA TEN EYCK O'KEEFFE (AM. 1889-1961) Roots, 1932 Oil on canvas, framed Signed and dated verso, Christie's label on stretcher verso 20 1/8" x 26" actual, 26 1/8" x 32" framed $8,000 - $12,000 Provenance: Christie's New York November 18, 2021, lot 71 to Private Collection Vermont

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LOT 66C MARGUERITE ZORACH (AM. 1887-1968) Calla Lilies Oil on canvas, framed 33" x 24 1/8" actual, 37 1/16" x 28 1/2" sight $8,000 - $12,000 Provenance: Barridoff Galleries May 5, 2016, lot 186 to Private Collection Vermont

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LOT 67 ROBERT KULICKE (AM. 1924-2007) Bouquet, 1959 Watercolor on paper, framed under glass Signed and dated l.r.

9 7/16" x 7 11/16" sight, 17 5/8" x 15 7/8" framed $600 - $800 Provenance: Private Collection Massachusetts

LOT 68 ROBERT KULICKE (AM. 1924-2007) Red Flowers Watercolor and pastel on paper, framed under glass Initialed l.r.

8 3/4" x 6 3/4" sight, 18 3/16" x 16 1/4" framed $600 - $800 Provenance: Private Collection Massachusetts

LOT 69 HAYLEY LEVER (AUSTRALIAN/AM. 1876-1858) Still Life with Apples Oil on panel, framed Doyle label and Rockport Art Association label verso 13" x 16 3/16" actual, 15 1/16" x 18 3/16" framed $1,200 - $1,800 Provenance: Private Collection Ypsilanti, Michigan

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LOT 70 LEWIS HINE (AM. 1874-1940) Coal Breakers, 1911 Photograph, framed under glass The Witkin Gallery label verso 4 3/16" x 6 1/16" sight, 12 9/16" x 14 9/16" framed $1,200 - $1,800 Provenance: Private Collecton Cumberland Foreside, Maine

LOT 71 LEWIS WICKES HINE (AM. 1874-1940) Housing for Farm Workers, 1910 Photograph, framed under glass Property of National Child Labor Committee stamp and inscribed "105 East 22nd Street New York Room 75, shanty L, Cranberry pickers Paul + (?) + wife live here settlement called Rome on Whites Bay, Brownsville (?) 4 sons live in next room Note the bread + other food lying around unprotected Plenty of flies" verso, The Witkin Gallery label on backing verso 6 15/16" x 5" actual, 14 3/16" x 12 1/8" framed $500 - $700 Provenance: Private Collection Cumberland Foreside, Maine

LOT 72 LEWIS WICKES HINE (AM. 1874-1940) Berry Pickers Leaving for Farm, 1913 Photograph, framed under glass Property of National Child Labor Committee stamp and inscribed "Baltimore immigrants ready to start for the berry farms" verso, The Witkin Gallery label on backing verso 5" x 6 15/16" actual, 12 1/8" x 14 3/16" framed $500 - $700 Provenance: Private Collection Cumberland Foreside, Maine

Lewis Hine was hired by the National Child Labor Committee in 1908 to document the living and working conditions of workers, including child laborers. Often dressed in disguise, Hine was able to enter factories, farms, mines, and other workplaces as well as the living spaces of American laborers to reveal the conditions and abuses they endured. With extensive handwritten notation, Hine’s photographs remain critical research tools in investigating labor rights and reforms at the turn of the century.

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LOT 73 BERENICE ABBOTT (AM. 1898-1991) Newsstand, 32nd Street & Third Avenue, Manhattan, 1935 Gelatin silver print, framed under glass Signed on mount in pencil l.r., artist's stamp on mount verso 15 1/16" x 19 3/8" actual, 23 7/8" x 29 7/8" framed $3,000 - $4,500 Provenance: Private Collection Maine

LOT 74 BERENICE ABBOTT (AM. 1898-1991) Hardware Store, 316-318 Bowery, New York, 1938 Gelatin silver print, matted Signed on mount in pencil l.r., artist's stamp on mount verso 10 1/2" x 13 1/4" actual, 20" x 16" matted $3,000 - $4,500 Provenance: Private Collection Maine

LOT 75 BERENICE ABBOTT (AM. 1898-1991) Stuyvesant Curiosity Shop, 1936 Gelatin silver print, unframed Signed in pencil and artist's stamp verso 10 1/4" x 13 1/2" actual $2,500 - $3,500 Provenance: Private Collection Maine

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LOT 76 JERRY UELSMANN (AM. 1934-2022) "Rock Tree" 1969 Gelatin silver print, framed under glass Signed and dated in pencil on mount l.r., titled in pencil on mount l.l., Light Gallery label verso 12 3/4" x 8 1/2" actual, 20 1/4" x 16 1/4" framed $600 - $800 Provenance: Private Collection Wiscasset, Maine

LOT 77 AARON SISKIND (AM. 1903-1991) "The Tree #36" 1973 Gelatin silver print, framed under glass Signed, titled and dated in pencil verso, Dean Jensen Gallery label on backing verso 12 7/8" x 12 3/4" sight, 23 1/2" x 23 3/16" framed $1,000 - $1,500 Provenance: Private Collection Maine

LOT 78 LUCIEN CLERGUE (FR. 1934-2014) "Pt. Lobos" 1980 Gelatin silver print, framed under glass Signed in pen l.r., titled and dated in pencil l.l., Brentano's Gallery label verso 10 5/8" x 15 1/8" sight, 17 15/16" x 22 1/2" framed $1,000 - $1,500 Provenance: Private Collection Maine

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LOT 79 W. EUGENE SMITH (AM. 1918-1978) Violinist from the Hitachi Symphony, 1961 Gelatin silver print, matted Artist's estate stamp verso, Lowinsky Gallery label on mat verso 10 9/16" x 14 5/8" actual, 16 1/16" x 20" matted $1,000 - $1,500 Provenance: Private Collection Maine

LOT 80 DENIS PIEL (FR. B. 1944) Kelly LeBrock, Eugenie-Les-Bains, 1980 Photograph, framed under glass Signed and dated verso 18 5/16" x 12 1/4" sight, 24 1/4" x 20 3/16" framed $800 - $1,200 Provenance: Private Collection Wiscasset, Maine Other Notes: This photograph was printed and signed in 1984

LOT 81 DENIS PIEL (FR. B. 1944) Suzanne Accosta, Key West, Florida, 1979 Photograph, framed under glass Signed and dated l.r.

14 1/2" x 19 1/2" sight, 20 1/4" x 24 1/4" framed $800 - $1,200 Provenance: Private Collection Wiscasset, Maine Other Notes: This photograph was printed and signed in 1980

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image source: https://rockwellkentjournal.blogspot.com/

“THE ARTISTS' ISLAND" SELECTION OF WORKS CAPTURING THE BEAUT Y OF MONHEGAN ISLAND "Monhegan Island has some wonderful things about it… beautiful coves and grand cliffs rising high out of the sea.”

S

ince the mid-nineteenth century, Monhegan has been a destination for artists and is still an active art colony today. Hudson River School painter Aaron

Draper Shattuck was the first recorded artist to encounter the island while on a tour of lighthouses along the Maine coast. In an 1858 letter, he described that "Monhegan Island has some wonderful things about it… beautiful coves and grand cliffs rising high out of the sea.”

image source: www.historicnewengland.org/explore/collections-access/gusn/354716

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LOT 82 ABRAHAM BOGDANOVE (AM. 1887-1946) Blue House (Monhegan Wharf) Oil on canvas in Newcomb Macklin frame Signed l.r.

30 1/8" x 36 1/8" actual, 36" x 42" framed $6,000 - $8,000 Provenance: Spanierman Gallery New York City, New York to Private Collection Ypsilanti, Michigan

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LOT 83 ABRAHAM BOGDANOVE (AM. 1887-1946) "'Redfield' Painting on Monhegan" Oil on board, framed Signed l.r., titled and Rago label verso 11 3/4" x 16" actual, 21 1/8" x 25 1/8" framed $3,000 - $5,000 Provenance: Private Collection Ypsilanti, Michigan Other Notes: The subject of this painting is most likely the artist Edward Willis Redfield (1869-1965)

LOT 84 EDWARD BETTS (AM. 1920-2008) "Fishing Shacks, Monhegan" 1992 Acrylic on board, framed Signed l.l., signed, titled and dated verso 16" x 20" actual, 20 7/16" x 24 1/2" framed $2,000 - $3,000 Provenance: Private Collection Ypsilanti, Michigan

LOT 85 LEO BROOKS (AM. 1909-1993) Manana Watercolor on paper, framed under glass Bayview Gallery label verso 14 3/4" x 21 3/4" sight, 21 3/4" x 28 1/2" framed $1,200 - $1,800 Provenance: Private Collection Cape Elizabeth, Maine

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LOT 86 LEO BROOKS (AM. 1909-1993) Cleaning Fish, Monhegan, 1984 Watercolor on paper, framed under glass Signed and dated l.c.

21 3/8" x 29" sight, 30 1/2" x 37 7/16" framed $2,000 - $3,000 Provenance: Private Collection Cape Elizabeth, Maine

LOT 87 JAMES FITZGERALD (AM. 1899-1971) Fishing Boats, c. 1940 Watercolor on paper, framed under glass Signed l.r.

18 1/4" x 23 5/8" sight, 26 1/4" x 31 3/4" framed $5,000 - $7,000 Provenance: Private Collection Cape Elizabeth, Maine Literature: James Fitzgerald: The Watercolors, Robert L. Stahl, Page 256, illustrated in color Other Notes: This piece is listed in the James Fitzgerald Legacy Catalogue Raisonne #795

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LOT 88 ROCKWELL KENT (AM. 1882-1971) "Mother and Child at Monhegan" Etching, matted Editioned "3/30" in pencil and estate stamp l.r., titled on mat l.l.

8 1/4" x 8 13/16" actual, 19 11/16" x 14 1/8" matted $600 - $800 Provenance: Collection of Dan Burne Jones (author of The Prints of Rockwell Kent: A Catalogue Raisonne) to Private Collection Ypsilanti, Michigan Literature: Burne Jones 153

LOT 89 LOUIS LOZOWICK (UKRAINIAN/AM. 1892-1973) Monhegan Island, 1946 Lithograph, framed under glass Signed and dated in pencil l.r., editioned "2/20" in pencil l.l., artist's monogram in plate u.r., original sales receipt and additional provenance information attached to verso 13 13/16" x 9 1/4" sight, 19 3/8" x 14 15/16" framed $2,000 - $3,000 Provenance: Private Collection Maine

LOT 90 CHARLES MARTIN (AM. 1910-1995) Lobster Traps, Monhegan, 1979 Watercolor on paper, framed under glass Signed and dated l.r.

15 1/16" x 22" actual, 22" x 29" framed $1,200 - $1,800 Provenance: Private Collection Cumberland Foreside, Maine

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LOT 91

LOT 92

ALISON HILL (AM. 21ST CENTURY) Monhegan, Winter Oil on canvas, framed Signed l.l.

23 15/16" x 35 13/16" actual, 29 3/8" x 41 1/2" framed

JAY CONNAWAY (AM. 1893-1970) Late Winter, Monhegan Oil on panel, framed Signed l.r., additional composition and Milch Gallery label verso 20 1/8" x 29 7/8" actual, 26 1/8" x 36 1/8" framed

$1,000 - $1,500

$3,000 - $5,000

Provenance: Private Collection Cape Elizabeth, Maine

Provenance: Barridoff Auctions October 23, 2013, lot 75 to Private Collection York, Maine

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LOT 93 ALEX MINEWSKI (AM. 1917-1979) Three Fish Oil on canvas, framed Signed l.r.

17" x 30 1/16" actual, 24 13/16" x 37 7/8" framed $800 - $1,200 Provenance: Private Collection Cumberland Foreside, Maine

LOT 94 ALEX MINEWSKI (AM. 1917-1979) Fish Assemblage Patinaed copper, driftwood, glass and bone Approx. 9 1/2" x 33" x 3 1/2" actual $400 - $600 Provenance: Private Collection Cumberland Foreside, Maine

LOT 95 RUTH LOTHROP (AM. 1923-2007) Sunset Harbor Oil on canvas, framed Signed l.r.

23 5/8" x 29 5/8" sight, 25 3/16" x 31 1/8" framed $400 - $600 Provenance: Private Collection Cape Elizabeth, Maine

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LOT 96 ELENA JAHN (AM. 1938-2014) Lobster Cove Charcoal on paper, framed under glass Signed l.r.

15 1/2" x 19 1/2" sight, 23 1/2" x 27 1/2" framed $300 - $500 Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 97 ELENA JAHN (AM. 1938-2014) Moontide, 1990 Pastel on paper, framed under glass Signed l.l., Frick Gallery and O'Farrell Gallery labels verso 8 1/8" x 8 3/4" sight, 16 9/16" x 16 9/16" framed $300 - $500 Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 98 ELENA JAHN (AM. 1938-2014) Path to Lobster Cove #2 Oil pastel on paper, framed under glass Signed l.r.

39 1/4" x 28" actual, 43 1/4" x 31 1/4" framed $800 - $1,200 Provenance: From the Artist to Private Collection South Freeport, Maine

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LOT 99 LEO BROOKS (AM. 1909-1993) Cathedral Woods Watercolor on paper, framed under glass Signed c.r., Bayview Gallery labels verso 14 3/4" x 21 3/4" sight, 21 3/4" x 28 1/2" framed $1,000 - $1,500 Provenance: Private Collection Cape Elizabeth, Maine

LOT 100 LEO BROOKS (AM. 1909-1993) Cliffs and Surf Watercolor on paper, framed under glass Signed l.c.

10 3/4" x 14 5/8" sight, 16 9/16" x 20 1/4" framed $500 - $700 Provenance: Private Collection Cape Elizabeth, Maine

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LOT 101 WILLIAM THON (AM. 1906-2000) Sailboat Ink on paper, framed under glass 10 1/2" x 13 1/4" sight, 16 13/16" x 19 1/2" framed $700 - $900 Provenance: Private Collection York, Maine

LOT 102 WILLIAM THON (AM. 1906-2000) Night Watch Watercolor and ink on paper, framed under glass 5 1/2" x 9" sight, 12 1/2" x 16 5/8" framed $800 - $1,200 Provenance: Private Collection Cape Elizabeth, Maine

LOT 103 WILLIAM THON (AM. 1906-2000) Round Tree Ink on paper, framed under glass Signed l.r.

17 1/2" x 23 1/2" sight, 24 7/8" x 30 7/8" framed $700 - $900 Provenance: Private Collection York, Maine

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LOT 104 WILLIAM THON (AM. 1906-2000) Bear Island, 1966 Watercolor and ink on paper, framed under glass Midtown Payson Galleries labels, Albright-Knox Art Gallery label, The Arts Guild of Old Forge label and the Pulsifer Award attached verso 19 3/4" x 26 1/4" sight, 27 7/8" x 34 1/8" framed $1,000 - $1,500 Provenance: Private Collection Cape Elizabeth, Maine Exhibited: The Adirondacks National Exhibition of American Watercolors, Old Forge, New York, 1993

LOT 105 WILLIAM THON (AM. 1906-2000) Two Sketchbooks Mixed media on paper Sketchbook 1] 5" x 8" actual Sketchbook 2] 5 1/2" x 8 1/4" actual $400 - $600 Provenance: Estate of the Artist to Private Collection Ypsilanti, Michigan Other Notes: Additional details available upon request

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LOT 106 WILLIAM THON (AM. 1906-2000) "Early Snow" Oil on panel, framed Signed l.r., Christie's labels, Midtown Galleries label and Montclair Art Museum label verso 21 1/2" x 28 3/4" sight, 29 5/8" x 36 7/8" framed $3,000 - $5,000 Provenance: Private Collection Rye Beach, New Hampshire Literature: Three Hundred Years of American Painting: The Montclair Art Museum Collection, 1989.

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LOT 107

LOT 108

WILLIAM ZORACH (AM. 1887-1966) Head of a Girl Bronze Signature incised on underside Approx. 5 1/8" x 4 3/4" x 5 1/4" actual, approx. 7 7/8" x 4 3/4" x 5 1/4" including base

WILLIAM ZORACH (AM. 1887-1966) Young Dahlov Bronze Signature incised along base Approx. 13" x 10 1/2" x 9" actual

$1,200 - $1,800

Provenance: Private Collection Farmington, Maine

$4,000 - $6,000

Provenance: Private Collection York, Maine Other Notes: This lot is accompanied by an 11 1/2" x 12 1/2" x 1 1/4" granite base

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LOT 109 ATTR. TO ROBERT LAURENT (AM. 1890-1970) Standing Figure Steel Approx. 11 13/16" x 2 5/8" x 2 1/8" actual $800 - $1,200 Provenance: Private Collection Portsmouth, New Hampshire

LOT 110 JOHN HELIKER (AM. 1909-2000) Self Portrait Oil on masonite, framed 23 15/16" x 31 3/4" actual, 32 1/4" x 40 1/8" framed $800 - $1,200 Provenance: Private Collection Ypsilanti, Michigan

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LOT 111 CHANNING HARE (AM. 1899-1976) Country Boy, 1941 Oil on canvas, framed Signed and dated l.r.

50" x 40" actual, 54 1/8" x 44 1/4" framed $1,000 - $1,500 Provenance: Private Collection Hampton, New Hampshire

LOT 112 BERTRAM HARTMAN (AM. 1882-1960) Still Life with Self Portrait Oil on masonite, framed Skinner label verso 26 1/16" x 50" actual, 41 5/16" x 55 3/16" framed $1,200 - $1,800 Provenance: Private Collection Yarmouthport, Massachusetts

LOT 113 MARY BETH EDELSON (AM. 1933-2021) Still Life with Flowers Oil on canvas, framed 30" x 24 1/16" actual, 33 7/8" x 27 7/8" framed $500 - $700 Provenance: Private Collection Portsmouth, New Hampshire

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LOT 114 BERNARD LANGLAIS (AM. 1921-1977) "Landscape with Fruit" 1953 Oil on linen, framed Signed and dated l.l., titled and Barridoff Galleries label verso 16 3/16" x 12 3/16" actual, 20 9/16" x 16 9/16" framed $3,000 - $5,000 Provenance: Private Collection Hawai'i

LOT 115 BERNARD LANGLAIS (AM. 1921-1977) Trees, c. 1957 Oil on paperboard, framed Skinner label and O'Farrell Gallery label verso 8 15/16" x 12" actual, 10" x 13 1/16" framed $600 - $800 Provenance: Private Collection Ypsilanti, Michigan

LOT 116 BERNARD LANGLAIS (AM. 1921-1977) Octopus Gouache on paper, framed under glass Signed l.r.

12 11/16" x 17 15/16" sight, 19 1/8" x 25 1/8" framed $1,200 - $1,800 Provenance: Private Collection Bethesda, Maryland

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LOT 117 GEORGE HALLOWELL (AM. 1871-1926) Liverpool to London Watercolor on paper, framed under glass Signed l.r., exhibition label verso 5 1/2" x 8 3/8" sight, 13 1/16" x 16" framed $600 - $800 Provenance: Private Collection York, Maine

LOT 118 GEORGE HALLOWELL (AM. 1871-1926) Purple Sky Watercolor on paper, framed under glass Van Ward Gallery label verso 7" x 10 1/8" actual, 11 7/8" x 16" framed $600 - $800 Provenance: Private Collection York, Maine

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LOT 119 GEORGE HALLOWELL (AM. 1871-1926) Autumn Landscape Oil on canvas, framed Signed l.r.

25 1/8" x 30 1/16" actual, 30 1/2" x 35 5/16" framed $3,000 - $5,000 Provenance: Private Collection Ypsilanti, Michigan

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LOT 120 RUPERT LOVEJOY (AM. 1885-1975) "Meandering River" Oil on canvas, framed Signed l.l., titled on stretcher verso 18 1/8" x 22 1/16" actual, 21 5/8" x 25 9/16" framed $700 - $900 Provenance: Private Collection Maine

LOT 121 WILLIAM WENDT (AM. 1865-1946) Fox River, Illinois Oil on canvas, framed 24" x 30" actual, 20 1/2" x 34 1/4" framed $8,000 - $12,000 Provenance: Private Collection Berwick, Maine Depicted here is the Fox River, a tributary of the Illinois river that runs from southeastern Wisconsin to Ottawa, Illinois. The river lies about 40 miles west of Chicago, where Wendt first settled upon immigrating to America. Before putting down roots in the California arts community, Wendt spent 26 years establishing himself on the Chicago scene. He studied briefly at the Art Institute of Chicago and exhibited his landscapes widely in Chicago galleries. With playful brushwork in the foreground and a hazy, sweeping atmosphere, this early example of Wendt’s work reveals the influence of the European Impressionists that becomes less apparent in his later work.

Source: U.S. Department of State, Art in Embassies

LOT 122 WILLIAM EDOUARD SCOTT (AM. 1884-1964) Fishing Boats, Haiti Oil on canvasboard, framed Signed l.r.

5 15/16" x 8" actual, 12 3/8" x 14 3/8" framed $800 - $1,200 Provenance: Private Collection Wiscasset, Maine

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LOT 123 ERNEST FIENE (AM. 1894-1965) "Autumn Road" 1943 Oil on canvas, framed Signed l.r., signed, dated, Doyle label and Gallery of Associated American Artists label on frame verso, titled on stretcher verso, Michael Rosenfeld Gallery label verso 26 1/8" x 22 1/16" actual, 35 1/4" x 31 1/8" framed $2,000 - $3,000 Provenance: Private Collection Ypsilanti, Michigan

LOT 124 ERNEST FIENE (AM. 1894-1965) "Old Connecticut Church" Oil on canvas, framed Signed l.r., signed and titled verso, California Palace of the Legion of Honor exhibition label on frame verso, Midtown Galleries label on stretcher verso 25 1/8" x 32 1/4" actual, 36" x 43" framed $2,000 - $3,000 Provenance: Private Collection Cortlandt Manor, New York

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LOT 125

LOT 126

ALFRED CHADBOURN (AM. 1921-1998) "White House - Stonington" 1987 Oil on canvas, framed Signed l.r., signed, titled and dated verso 10" x 12" actual, 11 3/16" x 13 1/4" framed

ERIC AHO (AM. B. 1966) "Kent's Apple Tree" 1996 Oil on canvas, framed Signed and dated l.r., titled, signed and inscribed "Gallery North Star Graton and Manchester Vermont" and "Property of Sally Smith" on stretcher verso 9" x 11" actual, 11 3/4" x 13 3/4" framed

$1,200 - $1,800 Provenance: From the Artist to Private Collection Topsham, Maine

$1,000 - $1,500 Provenance: Private Collection Roanoke, Virginia

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LOT 127 LINDEN FREDERICK (AM. B. 1935) "White on White" 1998 Oil on panel, framed Signed l.l., signed, titled and dated verso 11 5/8" x 11 5/8" actual, 16 7/16" x 16 7/16" framed $5,000 - $6,000 Provenance: Private Collection Falmouth, Maine

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image source:

image source: https://www.mainememory.net/record/15684

https://library.une.edu/art-galleries/2015/04/21/the-paintings-of-john-calvin-stevens/

ARTIST CORNER JOHN CALVIN STEVENS ( 1855 - 1940 )

B

orn on October 8, 1855, John Calvin Stevens was renowned as an architect of the Maine Coast. He designed some 1000 homes and cottages, nearly 400 in and around Portland.

Although he had aspirations of attending the Massachusetts Institute of Technology’s architecture program upon his graduation from high school, his family was unable to afford the tuition. He instead apprenticed himself to another well-known Portland architect, Francis H. Fassett.

Less well known as an artist, Stevens was nonetheless an active and accomplished painter, an art form he began to practice in childhood.

Founded in 1860, he was a member of “The Brushians & Friends,” a group of some 16 men who created plein air paintings along the coast near Portland, the islands of Casco Bay, and, on occasion, New Hampshire. Two decades later he was active in the Portland

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Society of Art, the precursor to the Portland Museum of Art. Stevens was close to Winslow Homer, and, in exchange for a painting, “The Artist’s Studio in Afternoon Fog” (1894), Stevens designed a rental cottage at Prouts Neck, the location of Homer’s home and studio, which Stevens had designed a decade earlier.

Stevens remained an active architect until his death on January 25, 1940. After his death, his family sold the Homer painting to Rochester University’s Memorial Art Gallery. In 2009 the City of Portland honored the artist and architect by proclaiming October 8, 2009 (the 154th anniversary of his birth) “John Calvin Stevens Day.” In 2015, the University of New England hosted an exhibition of his paintings. Today, his works are held in numerous public collections, including the Portland Museum of Art, Harvard’s Fogg Museum, and Blane House, and the Maine Governor’s residence.

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LOT 128 JOHN CALVIN STEVENS (AM. 1855-1940) Birch, 1903 Oil on canvas, framed Signed with monogram l.r., signed with monogram and dated l.l.

14 1/8" x 10 1/8" actual, 23 3/16" x 19 3/8" framed $2,000 - $3,000 Provenance: Private Collection Portland, Maine

LOT 129 JOHN CALVIN STEVENS (AM. 1855-1940) Seascape, November 26 Oil on canvas, framed Signed and dated l.r., inscribed "To Robert S. Peabody with (?) of John Calvin Stevens May 18 '08" and Morrill's Auctions label on stretcher verso 14" x 20" actual, 16 5/8" x 22 3/4" framed $800 - $1,200 Provenance: Private Collection Scarborough, Maine

LOT 130 JOHN CALVIN STEVENS (AM. 1855-1940) "Falmouth Foreside" c. 1905 Oil on canvas, framed Signed with monogram l.r., titled and dated verso 12 1/8" x 16" actual, 21 1/2" x 25 9/16" framed $2,000 - $3,000 Provenance: Private Collection Portland, Maine

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LOT 131

LOT 132

PABLO PICASSO (SP. 1881-1973) Dance of the Faun Lithograph, framed under glass Signed in plate l.r.

17 1/4" x 21 1/4" sight, 25 3/8" x 29 3/8" framed

PABLO PICASSO (SP. 1881-1973) Medallion Ceramic "Madoura Empreinte Originale de Picasso" stamped verso Approx. 1 7/8" x 1 7/8" x 3/16" actual

$800 - $1,200

$800 - $1,200

Provenance: From the collection of George and Dadee Burk

Provenance: Private Collection Old Westbury, New York

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LOT 133 PABLO PICASSO (SP. 1881-1973) Picador Ceramic "Edition Picasso" incised and Madoura stamp on underside Approx. 6" x 6" x 1 3/8" actual $1,200 - $1,800 Provenance: Private Collection Old Westbury, New York

LOT 134 PABLO PICASSO (SP. 1881-1973) Masque Ramié 310, 1956 Ceramic, framed Numbered K121, editioned "137/300", inscribed "Edition Picasso" and signed by Madoura Pottery Studio verso 7 7/8" x 7 7/8" actual, 11 13/16" x 11 13/16" framed $3,000 - $5,000 Provenance: Private Collection Maine

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LOT 135 FERNAND LÉGER (FR. 1881-1955) "Le Soleil" (Étude pour une sculpture polychrome), 1953 Gouache on paper, framed under glass Initialed and dated l.r., signed, titled, dated and inscribed "Nº G. 41" and "tres amicalement a Carlos" verso 16 1/2" x 13 11/16" sight, 24 15/16" x 21 5/8" framed $30,000 - $50,000 Provenance: Private Collection Maine

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Other Notes: This lot is accompanied by a certificate of authenticity

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LOT 136 PAUL GAUGUIN (FR. 1848-1903) La Orana Maria (Hail Mary), 1984 Lithograph, framed under glass Albert Roullier Art Galleries label verso 15" x 11 1/16" actual, 16 1/2" x 13" framed $1,200 - $1,800 Provenance: Private Collection Cumberland Foreside, Maine

LOT 137 KÄTHE KOLLWITZ (GER. 1867-1945) Self Portrait Etching, framed under glass "Munchen 22" blind stamp l.r., Galerie St. Etienne label and Ferdinand Roten Galleries receipt verso 12 5/8" x 14 1/2" sight, 14 1/8" x 16" framed $800 - $1,200 Provenance: Private Collection Mt. Vernon, Maine

LOT 138 KÄTHE KOLLWITZ (GER. 1867-1945) Gedenblatt fur Karl Liebknecht, 1920 Woodcut, framed under glass Signed in pencil l.r., conservation report attached verso 15 3/4" x 20 7/8" sight, 24 1/8" x 29 1/8" framed $3,000 - $5,000 Provenance: Private Collection Chebeague, Maine

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LOT 139 ERNEST LUDWIG KIRCHNER (GER. 1880-1938) Boy Etching, framed under glass Signed in pencil l.l., titled indistinctly in pencil l.r.

9" x 8" sight, 16 1/16" x 14 13/16" framed $3,000 - $5,000 Provenance: Private Collection Chebeague, Maine

LOT 140 JOSEPH UHL (GER. 1877-1945) Erwachen (Awakening) Etching with aquatint, unframed Signed in pencil l.r., "Heinr. Welleroth München gdr." inscribed in pencil l.l.

16 1/4" x 22 3/4" actual $600 - $800 Provenance: Private Collection Wiscasset, Maine

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LOT 141 JOSEPH UHL (GER. 1877-1945) Woman and Fairy Etching with aquatint, unframed Signed in pencil l.r., editioned "25" and indistinct inscription in pencil l.l.

22 3/4" x 16 3/8" actual $600 - $800 Provenance: Private Collection Wiscasset, Maine

LOT 142 LUIGI KASIMIR (AUSTRIAN/HUNGARIAN 1881-1962 Two Works 1] New York Fog and Mist, 1936 Etching with aquatint, framed under glass Signed in pencil l.c., dated in plate l.l., Kennedy Galleries label verso 13" x 15 1/16" sight, 20 3/16" x 21 7/16" framed 2] "Fulton Market" New York, 1936 Etching with aquatint, framed under glass Signed in pencil l.c., titled in plate l.l., Kennedy Galleries label verso 17 3/4" x 12 3/16" sight, 27" x 19" framed $2,000 - $3,000 Provenance: Private Collection Maine

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LOT 143 ISABEL BISHOP (AM. 1902-1988) Union Square Study Pen and ink on paper, framed under glass Signed l.r.

7 9/16" x 7 9/16" sight, 8 3/4" x 8 3/4" framed $700 - $900 Provenance: Private Collection Wiscasset, Maine

LOT 144 20TH CENTURY AMERICAN SCHOOL Nude Reclining Oil on canvas, framed 24" x 29 3/4" actual, 29" x 34 3/4" framed $600 - $800 Provenance: Young Fine Arts Auctions March 1, 1997, lot 70 to Private Collection Rye Beach, New Hampshire

LOT 145 FREDERICK BOSLEY (AM. 1881-1942) Portrait of Helen Storrow Oil on canvas, unframed Indistinct inscription verso 29 3/4" x 21 7/8" actual $1,500 - $2,500 Provenance: From the Estate of the Artist by descent to Private Collection Kittery Point, Maine Helen Storrow (1864-1944) was a philanthropist and early Girl Scout leader who embraced and embodied progressive politics in her work and personal life. She was married to James J. Storrow in 1891.

Despite his lineage as part of Boston’s elite, James shared Helen’s progressive outlook. As a successful businessman and banker, Storrow amassed a great fortune. The couple used their wealth and influence for the public good, building playgrounds in poor neighborhoods, supporting education and civil service reform, and campaigning for religious and racial equality. Helen was particularly interested in advancing the welfare and independence of girls and women. She provided Edith Guerrier and the “Saturday Girls” with funding to establish the Paul Revere pottery line, which created enjoyable and sustainable jobs for women. Helen also became highly involved with the Girl Scouts, and in 1932 founded Our Chalet, an international Girl Scouts center in Switzerland. Today, Boston’s Storrow Drive carries James Storrow’s namesake, despite Helen’s public opposition to the roadway in favor of James’s ecological concerns.

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LOT 146 FREDERICK BOSLEY (AM. 1881-1942) Portrait of a Woman in Profile Oil on canvas, framed Indistinct inscription verso 25 1/2" x 20 7/8" actual, 33 1/8" x 29 1/8" framed $2,500 - $3,500 Provenance: Private Collection Kittery Point, Maine

LOT 147 FREDERICK BOSLEY (AM. 1881-1942) Woman and Children with Apples Oil on canvas, unframed 36 15/16" x 42 1/8" actual $2,000 - $4,000 Provenance: Private Collection New Castle, New Hampshire

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LOT 147A JEAN-ANTOINE HOUDON (FR. 1741-1828) Portrait Pencil on paper, framed under glass 9 3/4" x 7 7/8" sight, 15" x 13 1/8" framed $300 - $500 Provenance: Private Collection Dunbarton, New Hampshire

LOT 147B 20TH CENTURY AMERICAN SCHOOL Flapper Girl Pastel on paper laid to board, framed under glass Signed indistinctly l.r.

18 1/2" x 14 1/8" sight, 25 7/16" x 21 15/16" framed $300 - $500 Provenance: Private Collection Dunbarton, New Hampshire

LOT 147C FREDERICK LYNCH (AM. 1935-2016) Two Women, 1976 Watercolor on paper, framed under glass Signed and dated l.c.

22 1/2" x 30" actual, 24 5/8" x 32 1/4" framed $700 - $900 Provenance: Private Collection Maine

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LOT 147D BERNARD KARFIOL (AM. 1886-1952) Christina, Reclining Nude in the Woods Oil on canvas, framed Signed l.r.

35 5/8" x 47 3/4" sight, 40 1/2" x 52 5/8" framed $2,000 - $3,000 Provenance: Barridoff Galleries August 4, 2006, lot 177 to Private Collection Vermont

LOT 147E BERNARD KARFIOL (AM. 1886-1952) An Open Door Oil on canvas, framed Signed l.l.

30 1/4" x 24 1/16" actual, 36 1/2" x 30 5/8" framed $1,200 - $1,800 Provenance: Barridoff Galleries October 23, 2013, lot 136 to Private Collection Vermont

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LOT 148 JOSEPH SOLMAN (AM. 1909-2008) Two Works 1] Prone Figure, 1968 Watercolor on paper laid to canvas, unframed Initialed and dated l.l.

18 1/8" x 22 1/8" actual 2] Face, 1968 Watercolor on paper laid to canvas, unframed Initialed and dated l.r.

22 1/4" x 18" actual $1,000 - $1,500 Provenance: Private Collection Kennebunk, Maine

LOT 149 ABRAHAM WALKOWITZ (AM. 1878-1965) Four Views of Isadora Duncan Watercolor, ink and pencil on paper, framed under glass Each panel: signed l.c., newspaper article attached verso Each panel: 6 5/8" x 2 5/8" sight, entire piece: 17" x 22 1/16" framed $1,200 - $1,800 Provenance: Private Collection Maine

LOT 150 WILLIAM GLACKENS (AM. 1870-1938) Portrait of a Disgruntled Man Ink and brush on paper, framed under glass Signed l.c.

7 1/8" x 4 3/8" sight, 12 1/8" x 9 1/4" framed $600 - $800 Provenance: Private Collection Maine

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LOT 151 LEONARD BASKIN (AM. 1922-2000) Male Nude, 1964 Pen and ink on paper, framed under glass Signed and dated l.r.

15 1/2" x 20" actual, 20 5/8" x 24 7/8" framed $700 - $900 Provenance: Private Collection York, Maine

LOT 152 CHARLES BURCHFIELD (AM. 1893-1967) Study with Sunset and Clouds Pencil on paper, framed under glass Signed l.r., collector's label verso 10 7/8" x 17" actual, 21 1/2" x 27 1/4" framed $500 - $700 Provenance: Private Collection York, Maine

LOT 153 WALT KUHN (AM. 1877-1949) "Drawing for 'Americana'" Pencil on paper, framed under glass Titled l.r.

17" x 22" actual, 25 1/16" x 31 1/4" framed $600 - $800 Provenance: From the collection of George and Dadee Burk

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LOT 154 WALT KUHN (AM. 1877-1949) "The Thinkers" 1930 Watercolor and pen and ink on paper, framed under glass Signed, titled and dated l.r., Doyle label and Salander O'Reilly Galleries label verso 7 5/8" x 12 1/2" sight, 15 1/2" x 20 1/8" framed $1,200 - $1,800 Provenance: Private Collection Ypsilanti, Michigan

LOT 155 WALT KUHN (AM. 1877-1949) "Chop Suey" 1929 Watercolor and pen and ink on paper, framed under glass Signed, dated and copyrighted "1937" l.r., titled l.l., Doyle label and Salander O'Reilly Galleries label verso 8" x 10 7/8" sight, 15 7/16" x 17 7/8" framed $1,200 - $1,800 Provenance: Private Collection Ypsilanti, Michigan

LOT 156 WALTER GRIFFIN (AM. 1861-1935) "New England Village Church" Pencil on paper, framed under glass Signed l.r., titled and Portland Museum of Art stamp verso 8 3/4" x 12 1/2" sight, 14 3/4" x 18 5/8" framed $300 - $500 Provenance: Private Collection Wiscasset, Maine

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LOT 157

LOT 158

HUMBERTO GARAVITO (GUATEMALAN 1897-1970) View of Lake Atitlan Oil on canvas, framed Signed l.l.

21 1/8" x 25 1/2" actual, 27 3/16" x 31 3/8" framed

GRACIELA RODO BOULANGER (BOLIVIAN B. 1935) "Musique a Bord" Paris, 2002 Oil on linen, framed Signed and dated l.r., signed, titled, dated and inscribed "To Lily with love G. Rodo Boulanger San Francisco, October 24, 2003" verso, inscribed "To: Lily" on tacking edge verso 24" x 19 3/4" actual, 34 1/4" x 30" framed

$800 - $1,200 Provenance: Private Collection Harrison, Maine Other Notes: This lot is accompanied by an exhibition catalog

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$3,000 - $5,000 Provenance: Private Collection Hopkinton, Massachusetts

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LOT 159 MARIA IZQUIERDO (MEXICAN 1902-1955) Moonlight Scene, 1936 Tempera on paper, framed Signed and dated l.r.

8 1/8" x 10 3/4" actual, 12 3/16" x 14 7/8" framed $10,000 - $15,000 Provenance: Private Collection Maine Other Notes: This lot is accompanied by documentation of authenticity

“‘Maria’s painting is not born of the mind, but of the flesh.’

T

here was nothing further from the truth. Since 1934 her work reflected an investigation into new subjects beyond the circus characters, the compositions showed feminine nude figures in surroundings of abysmal dimensions, in painful or introspective attitudes, in front of different objects: Christian crosses and coffins; bust and torso sculptures and

dummies; mermaids, chimeras, and horses.”

Q U O T E F R O M T H E E S S AY “ M A R I A I Z Q U I E R D O : R E G A R D I N G M O D E R N M E X I C A N P A I N T I N G ” B Y P R O F. L U I S - M A R T I N L O R Z A N O I N T H E E X H I B I T I O N C A T A L O G U E “ M A R I A I Z Q U I E R D O : 1 9 0 2 -1 9 5 5 ”, M E X I C A N F I N E A R T S M U S E U M , C H I C A G O .

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LOT 159A

LOT 159B

WALT KUHN (AM. 1877-1949) Woman in Red Scarf Near the Seashore Oil on canvasboard, framed Kennedy Galleries label and Christie's labels and tag verso 18" x 22" actual, 24 3/4" x 28 5/8" framed

SALLY MICHEL AVERY (AM. 1902-2003) "Gulls by Pale Green Sea" 1982 Oil on canvas, framed Signed and dated l.r., signed, titled, dated, D. Wigmore Fine Art and Jody Klotz labels verso, The Milton and Sally Avery Arts Foundation stamp stretcher verso 40" x 50" actual, 45 3/4" x 55 3/4" framed

$12,000 - $18,000 Provenance: Christie's New York November 18, 2021, lot 61 to Private Collection Vermont

$20,000 - $30,000 Provenance: Jody Klotz Fine Art to Private Collection Vermont

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LOT 159C RACKSTRAW DOWNES (BR. B. 1939) "80th Street and Broadway" 1976-77 Oil on canvas, framed Initialed l.r., Hirsch & Adler Modern, Bernaducci Meisel Gallery, Betty Cunningham Gallery, Kornblee, and Meyerson + Nowinski labels verso, signed, titled and dated on stretcher verso 19 1/8" x 23 5/8" actual, 20 3/8" x 24 78" framed $20,000 - $30,000 Provenance: Betty Cunningham Gallery New York City, New York to Private Collection Vermont

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LOT 160 BO BARTLETT (AM. B. 1955) Mainline Times, 2001 Gouache on paper, framed under glass Signed l.r., Kristy Stubbs Gallery label verso 14 5/8" x 22" sight, 22 7/8" x 30" framed $4,000 - $6,000 Provenance: Collection of the Artist to Kristy Stubbs Gallery

LOT 161 ANTHONY THIEME (DUTCH/AM. 1888-1954) The Knights Met in Mid Space With a Shock Like a Thunderbolt Oil on canvas, framed Signed l.r., Project MEAC stamp verso 30" x 20" actual, 32 1/2" x 22 1/2" framed $2,000 - $3,000 Provenance: Private Collection Maine Literature: Original illustration for the frontispiece of The Talisman by Sir Walter Scott, Published by Houghton Mifflin Company, Boston and New York, 1927 Other Notes: This lot is accompanied by a copy of the book in which it is illustrated In his early career, Thieme supported himself by working as a stage designer and book illustrator. This work is his original illustration for the frontispiece of The Talisman by Sir Walter Scott, published by Houghton Mifflin Company, Boston and New York, 1927.

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LOT 162

LOT 163

PAUL COLIN (FR. 1892-1985) Bal Negre, a Preliminary Study for the Poster Oil on canvas, framed Indistinct inscription verso 26 1/2" x 20 3/8" actual, 29 3/8" x 23 1/2" framed

PAUL COLIN (FR. 1892-1985) Revue Negre, a Preliminary Study for the Poster Oil on canvas, framed Indistinct inscription on stretcher verso 25" x 17 9/16" actual, 29 3/4" x 22 3/8" framed

$5,000 - $7,000

$4,000 - $6,000

Provenance: Barridoff Auctions August 1, 2008, lot 68 to Private Collection Denver, Colorado

Provenance: Barridoff Auctions August 1, 2008, lot 67 to Private Collection Denver, Colorado

In the years following World War I, Parisian art and nightlife was overtaken by a fascination with the aesthetics of Black culture. African-American performer Josephine Baker settled in Paris in 1925 and quickly became notorious for her roles in performances that parodied the lives of Black Americans and Africans. The most famous of these was La Revue Nègre, for which artist Paul Colin was commissioned to design a poster. The two oil paintings above were made into lithographic posters advertising La Revue Nègre and the nightclub Le Bal Nègre. For the full lot essay discussing these works, visit our online catalog.

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LOT 164 LESTER JOHNSON (AM. 1919-2010) "Still Life in Milford #4" 1965 Oil on canvas, framed Signed, titled, dated and Swann's label verso 40 1/8" x 31 15/16" actual, 42" x 34" framed $2,500 - $3,500 Provenance: Swann's Auctions September 21, 2021, lot 213 to Private Collection Massachusetts

LOT 165 ALLAN CRITE (AM. 1910-2007) Playing Stick Ball, Boston, c. 1936 Oil on canvasboard, framed Signed verso 10" x 7 7/8" actual, 11 3/8" x 9 1/4" framed $2,000 - $3,000 Provenance: Young Fine Arts Gallery, 1998 to Private Collection Rye Beach, New Hampshire

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LOT 166 JOHN HOYLAND (BR. 1934-2011) Vibrant Green and Pink, 1965 Watercolor on paper, framed under glass Signed l.r., dated l.l., The Waddington Galleries label verso 21 3/8" x 29 5/8" sight, 22 3/4" x 31" framed $6,000 - $8,000 Provenance: Private Collection Portsmouth, New Hampshire

LOT 167 FREDERICK LYNCH (AM. 1935-2016) "Division 30" 2002 Oil on canvas laid to panel, framed Signed l.r., signed, titled and dated verso 32" x 24" actual, 32 7/8" x 24 7/8" framed $800 - $1,200 Provenance: Private Collection Wiscasset, Maine

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LOT 168 ANDY WARHOL (AM. 1928-1987) Endangered Species: San Francisco Silverspot Screenprint, framed under glass Signed and editioned "60/150" in pencil l.r.

38" x 38" actual, 45 5/8" x 45 3/4" framed $80,000 - $120,000 Provenance: Los Angeles Modern Auctions February 17, 2019, lot 4 to Private Collection Vermont

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LOT 169 PATRICK HUGHES (BR. B. 1939) In Tents, 2005 3D Lithographical multiple with handcoloring in plexiglass case Signed in pencil l.r., editioned "AP 5/7" in pencil l.l., "To Margaret" inscribed verso 12" x 32 3/8" x 3 3/4" actual, 17 3/8" x 37 7/8" x 6 1/8" in case $2,500 - $3,500 Provenance: Private Collection Hopkinton, Massachusetts

LOT 170 PANOS GHIKAS (GREEK 1917-2012) Equilibrium Egg tempera, silver leaf and gold leaf on masonite, framed Signed, Acme Fine Art and Design label and exhibition label verso 6" x 17 3/4" actual, 15" x 26 7/8" framed $300 - $500 Provenance: Private Collection York, Maine

LOT 171 PANOS GHIKAS (GREEK 1917-2012) Abstraction Oil on canvas, unframed 22 1/16" x 36 1/8" actual $700 - $900 Provenance: Private Collection York, Maine

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LOT 172 NORIKO SAKANISHI (JAP. B. 1939) Two Works 1] November Piece #3, 2001 Acrylic and graphite collage, framed under glass Signed, dated and exhibition label verso 6" x 6" actual, 13 1/8" x 13 1/8" framed 2] November Piece #5, 2001 Acrylic and graphite collage, framed under glass Signed, dated and exhibition label verso 6" x 6" actual, 13 1/8" x 13 1/8" framed $500 - $700 Provenance: Private Collection York, Maine

LOT 173 GREG PARKER (AM. 21ST CENTURY) Untitled Abstraction Mixed media on wood construction, unframed Signed and Skinner label verso 30" x 30" actual $800 - $1,200 Provenance: Private Collection York, Maine

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LOT 174 FRANK STELLA (AM. B. 1936) Untitled (Rabat) from Ten Works by Ten Painters, 1964 Screenprint on Mohawk Superfine paper, unframed in portfolio "FROM THE COLLECTION OF THE WADSWORTH ATHENEUM BY FRANK STELLA" inscribed in pencil verso 24" x 20" actual $2,000 - $3,000 Provenance: Private Collection Ypsilanti, Michigan Other Notes: This lot is accompanied by the original portfolio sleeve

LOT 175 SHEPARD FAIREY (AM. B. 1970) Nouveau Long Play Silkscreen, framed under glass Signed in pencil l.r., editioned "19/40" in pencil l.l.

42 1/4" x 42" actual, 58 5/8" x 51 1/2" framed $1,000 - $1,500 Provenance: Private Collection York, Maine

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LOT 176 WOLF KAHN (AM. 1927-2020) Purple Barn Pastel on paper, framed under glass Signed l.l.

28 1/8" x 40 7/8" sight, 37 1/4" x 49 5/16" framed $15,000 - $20,000 Provenance: Private Collection New York City

LOT 177 WOLF KAHN (AM. 1927-2020) Exuberance Pastel on paper, framed under glass Signed l.l.

28 9/16" x 41 7/16" sight, 37 1/4" x 49 1/4" framed $20,000 - $25,000 Provenance: Private Collection New York City

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LOT 178 KATHERINE BRADFORD (AM. B. 1942) "Lights" 1994 Oil on canvas, framed Signed, titled and dated verso, Victoria Munroe Fine Art label on stretcher verso 16 1/8” x 21 15/16” actual, 16 3/4" x 22 1/2" framed $7,000 - $9,000 Provenance: Private Collection Ypsilanti, Michigan

LOT 179 FRANCES KORNBLUTH (AM. 1920-2014) "Grey Window/Grey Sun" Watercolor and gouache on paper, framed under glass Signed l.l., titled and artist's card verso 17 11/16" x 12 11/16" sight, 27" x 22" framed $400 - $600 Provenance: Private Collection

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LOT 180 FRANCES KORNBLUTH (AM. 1920-2014) "Sunset Stage #1" Gold leaf and tempera on paper, framed under glass Signed l.l., titled and artist's cards verso 22 1/2" x 29 3/4" actual, 31 15/16" x 38 11/16" framed $700 - $900 Provenance: Private Collection Literature: Reproduced in Explorations: Frances Kornbluth by Maire McArdle, p. 14

LOT 181 KARL DRERUP (AM. 1904-2000) Symbolic Painting Enamel on copper, framed Inscribed "Gift of Miriam + Charles Butts", "Enamel on Copper Feb '88

By Karl Drerup and John Sperling" and "JS 83" on collector's labels verso 3 3/8" x 3 5/16" sight, 6 3/4" x 6 3/4" framed $300 - $500 Provenance: Private Collection Maine

LOT 182 MICHAEL LOEW (AM. 1907-1985) Abstraction, 1973 Watercolor on paper, framed under glass Signed and dated l.r.

22 1/8" x 29 1/8" sight, 24 7/8" x 32 3/8" framed $600 - $800 Provenance: Private Collection Massachusetts

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LOT 183 MODERN SCHOOL Rhythm, 1924 Gouache on paper laid to board, framed Signed "Robert Delaunay" and dated l.r., signed "Robert Delaunay" and dated verso 23 1/2" x 17 9/16" actual, 25" x 19" framed $800 - $1,200 Provenance: Private Collection North Berwick, Maine

LOT 184 EMILY NELLIGAN (AM. 1924-2018) "23 July '00" Charcoal on paper, framed under glass Signed l.r., titled verso 7 1/4" x 10 3/8" actual, 16 3/16" x 20 1/4" framed $3,000 - $5,000 Provenance: Private Collection Fort Lauderdale, Florida

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image source: https://courthousegallery.com/artist/emily-muir/#biography

ARTIST CORNER EMILY MUIR: A LIFE OF CREATIVIT Y AND CONSERVATION ( 1904 - 2003 )

E

mily Lansingh Muir was born in Chicago in 1904, but grew up in New York where she attended Vassar College. She then attended The Art Students League of New York, where she studied with Richard Lahey and also met her future husband, the artist William Muir. Lahey would become a major influence on her art. Emily married Bill in 1928 and spent the depression as successful commercial artists designing dioramas for the Moore-McCormick steamship line.

Even with no formal architecture training her parents asked Emily to design them a home for their newly purchased property on Deer Isle, Maine. They fell in love with the area and would settle down in Stonington in 1939. She would go on to design over 40 cottages around Stonington and Crockett Cove. Her concern for the environment led to thoughtful designs that paid special attention to their surroundings and earned her an award from Design International and an honorary doctorate from the University of Maine in 1969. She would go on to donate nearly 100 acres of woods to the Nature Conservancy in 1975, now known as the Crockett Cove Woods Preserve.

After painting the official portrait of Senator Margaret Chase Smith, the Senator appointed her to serve on President Dwight D. Eisenhower’s U.S. Commission of Fine Arts in 1955, the first woman to be so honored. President Nixon would later appoint her to the advisory committee for the Kennedy Center for the Performing Arts.

Emily died in Stonington in 2003 at the age of 99. In addition to her many accomplishments, she published two books including her autobiography, “The Time of My Life”, in 2002. Muir’s paintings are in the collections of the Brooklyn Museum, the Portland Museum of Art, the University of Maine, and the Farnsworth Art Museum.

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LOT 185 EMILY MUIR (AM. 1904-2003) Sketchbook Charcoal, pencil and pastel on paper in bound sketchbook Muir Studios stamp on each page 9 3/16" x 11 9/16" actual $600 - $800 Provenance: From the Collection of Two Old Goats Antiques, Trenton, Maine

LOT 186 EMILY MUIR (AM. 1904-2003) Carousel Oil on canvas, framed Signed l.l.

19" x 28" actual, 20 11/16" x 29 3/4" framed $1,200 - $1,800 Provenance: Private Collection Cape Elizabeth, Maine

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LOT 187 EMILY MUIR (AM. 1904-2003) Fishermen Oil on canvas, framed Signed l.l.

22" x 27 7/8" actual, 27 1/16" x 33 1/16" framed $2,000 - $3,000 Provenance: Private Collection Cape Elizabeth, Maine

LOT 187A EMILY MUIR (AM. 1904-2003) Goats Eating Hay Oil on canvas, unframed Signed l.l.

28" x 32 1/4" actual $1,200 - $1,800 Provenance: Private Collection Maine

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LOT 188 MORRIS SHULMAN (AM. 1912-1978) Colorful Abstraction, c. 1958 Casein on paper, framed under glass Signed l.l.

15 1/2" x 22 1/2" actual, 24" x 31 1/8" framed $600 - $800 Provenance: Private Collection Lawrence, New York

LOT 189 MORRIS SHULMAN (AM. 1912-1978) Abstraction in Red, c. 1955 Oil on canvasboard, unframed Signed l.r.

15 15/16" x 19 15/16" actual $500 - $700 Provenance: Private Collection Lawrence, New York

LOT 190 MORRIS SHULMAN (AM. 1912-1978) Abstraction, c. 1958 Casein on board, framed Signed l.r.

13" x 21 3/8" sight, 19 1/2" x 28" framed $1,000 - $1,500 Provenance: Private Collection Lawrence, New York

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LOT 191 MORRIS SHULMAN (AM. 1912-1978) Abstraction, 1949 Casein on paper, framed under glass Signed and dated l.r.

20 5/8" x 28 5/8" sight, 29 7/8" x 37 3/4" framed $1,200 - $1,800 Provenance: Private Collection Lawrence, New York

LOT 192 MORRIS SHULMAN (AM. 1912-1978) "Fallen Tree and Sea" Casein and pastel on paper, framed under glass Titled verso 20 1/4" x 27" actual, 24 5/8" x 30 9/16" framed $800 - $1,200 Provenance: Private Collection Massachusetts

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LOT 193 CARL SAMMONS (AM. 1883-1968) Desert View Oil on canvasboard, framed Signed l.r.

11 5/8" x 15 1/2" sight, 13 3/4" x 17 3/4" framed $600 - $800 Provenance: Private Collection Connecticut

LOT 194 CADWALLADER LINCOLN WASHBURN (AM. 1866-1965) Two Works 1] Desert Foliage Oil on canvas, framed Signed l.r., Barridoff Galleries label verso 15 1/2" x 19 9/16" sight, 18 3/4" x 22 3/4" framed 2] Desert Scene Oil on canvas, framed Barridoff Galleries label verso 15 1/2" x 19 9/16" sight, 18 3/4" x 22 3/4" framed $1,200 - $1,800 Provenance: Barridoff Galleries June 22, 2019, lot 176 to Private Collection Rye Beach, New Hampshire

LOT 195 ELIOT CLARK (AM. 1883-1980) Autumn in the Foothills Oil on linen, framed Signed with monogram l.r., indistinct inscription verso 8 1/4" x 10 1/4" actual, 10 5/8" x 12 9/16" framed $300 - $500 Provenance: Private Collection Wiscasset, Maine

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LOT 196 JOHN JOSEPH ENNEKING (AM. 1841-1916) "Autumn on a Branch of the Seine" Oil on panel, framed Initialed l.l., titled verso 6 7/16" x 9 1/4" actual, 11 13/16" x 14 13/16" framed $2,000 - $4,000 Provenance: Private Collection Connecticut

LOT 197 RUSSELL SMITH (AM. 1812-1896) Chocorua Peak, 1848 Oil on panel, framed Informational notes attached and Barridoff Galleries label verso 7 15/16" x 12 1/8" sight, 11 11/16" x 15 15/16" framed $2,000 - $3,000 Provenance: Barridoff Galleries May 11, 1985, lot 15 to Private Collection Brunswick, Maine

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109

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LOT 198 CARL SPRINCHORN (AM. 1887-1971) Landscape Watercolor, pencil and crayon on paper, framed under glass Initialed l.r.

8 5/16" x 11 7/16" sight, 15 5/8" x 19 9/16" framed $600 - $800 Provenance: Private Collection Wyckoff, New Jersey

LOT 199 FRANCIS ORVILLE LIBBY (AM. 1883-1961) Mt. Mansfield, Evening Oil on canvas, framed Signed l.r., Christopher Queen Galleries label verso 14" x 16 1/4" actual, 20 1/16" x 22 9/16" framed $800 - $1,200 Provenance: Private Collection Massachusetts

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LOT 200 JAMES FITZGERALD (AM. 1899-1971) Cutting Capers in Vermont, 1944-45 Watercolor and Chinese ink on paper, framed under glass Artist's stamp and E.F. Hubert Company Inc. label verso 19 1/4" x 24" sight, 27 1/4" x 32" framed $3,000 - $5,000 Provenance: Private Collection Cape Elizabeth, Maine Exhibited: Robert C. Vose Galleries 1945; Fitchburg Art Center 1948; Dartmouth Hood Museum; 1974 Literature: James Fitzgerald: The Watercolors, Robert L. Stahl, Page 220, illustrated in color Other Notes: This piece is listed in the James Fitzgerald Legacy Catalogue Raisonne #792

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111

the spring 2024

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LOT 201 JOHN FELSING (AM. B. 1954) Two Works 1] Bull Moose in Water Pen and ink on paper, framed under glass Signed l.r.

16 1/4" x 20 9/16" actual, 17 9/16" x 23 5/16" framed 2] Bull and Cow Moose Oil on canvas, framed Signed l.r.

11 7/8" x 16" actual, 17" x 21 1/8" framed $600 - $800 Provenance: From the Artist to Private Collection Maine

LOT 202 JOHN FELSING (AM. B. 1954) Bull Moose with Orange Sky Oil on canvas, framed Signed l.r.

20" x 16" actual, 27 1/8" x 23 1/16" framed $1,000 - $1,500 Provenance: From the Artist to Private Collection Maine

LOT 203 JOHN FELSING (AM. B. 1954) Puffins, 1982 Watercolor on paper, framed under glass Signed and dated l.r.

20 1/2" x 26" sight, 29 9/16" x 34 1/2" framed $800 - $1,200 Provenance: From the Artist to Private Collection Maine

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LOT 204 JOHN FELSING (AM. B. 1954) Puffins, 1984 Oil on canvas, framed Signed and dated l.l.

19 1/2" x 15 1/2" sight, 24 7/16" x 20 3/8" framed $1,000 - $1,500 Provenance: From the Artist to Private Collection Maine

LOT 205 ARTHUR DIMAMBRO (AM. 1928-2016) Great Bay Smelts, 2003 Acrylic on panel, framed Initialed l.r., exhibition label verso 21 3/4" x 24" actual, 22 13/16" x 25 1/16" framed $1,200 - $1,800 Provenance: Private Collection New Hampshire

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113

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LOT 206 ARTHUR DIMAMBRO (AM. 1928-2016) Off Fox Point #7 Acrylic on panel, framed Initialed l.r., titled verso 12 1/2" x 19 1/4" sight, 16 1/2" x 23 1/4" framed $800 - $1,200 Provenance: Private Collection New Hampshire

LOT 207 ARTHUR DIMAMBRO (AM. 1928-2016) "Salmon Penobscot River" 1984 Oil on canvas, framed Initialed l.r., initialed, titled and dated verso 24 1/16" x 27 7/8" actual, 25 5/16" x 29 1/8" framed $1,200 - $1,800 Provenance: Private Collection New Hampshire

LOT 208 ARTHUR DIMAMBRO (AM. 1928-2016) River Rapids, 2013 Acrylic on panel, framed Initialed and dated l.r.

24" x 31" actual, 25 1/4" x 33 1/4" framed $800 - $1,200 Provenance: Private Collection New Hampshire

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LOT 209

LOT 210

DAVID VON SCHLEGELL (AM. 1920-1992) "Hillside in Autumn" 1953 Oil on masonite, framed Signed and dated l.r., signed, titled and Barridoff Galleries tag attached verso 27" x 34" actual, 36 5/8" x 43 5/8" framed

MARGUERITE ROBICHAUX (AM. B. 1950) "Over Yonder" 2004 Oil on linen, framed Signed, titled, dated and Élan Fine Arts label on stretcher verso 56" x 56" actual, 57 3/16" x 57 3/16" framed

$2,000 - $3,000

Provenance: Private Collection Kennebunk, Maine

$2,000 - $3,000

Provenance: Barridoff Auctions August 15, 2020, lot 96 to Private Collection Lititz, Pennsylvania

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the spring 2024

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LOT 211 MARION HUSE (AM. 1896-1967) Sunset Landscape Oil on canvas, framed Signed l.l., Barridoff Galleries tag attached verso 22 1/8" x 27 7/8" actual, 26 1/4" x 32" framed $800 - $1,200 Provenance: Barridoff Auctions August 15, 2020, lot 65 to Private Collection Lititz, Pennsylvania

LOT 212 HENRY KALLEM (AM. 1912-1985) Seagulls Acrylic on panel, framed Signed l.r.

19 3/16" x 25 3/8" actual, 23 5/8" x 29 9/16" framed $600 - $900 Provenance: Private Collection Cape Elizabeth, Maine

LOT 213 CHRIS HUNTINGTON (AM. B. 1938) "Birches" West Bethel, Maine, 1991 Oil on linen, framed Signed l.l., signed, titled, dated and biographical information attached verso 16" x 20 1/8" actual, 23 3/4" x 27 3/4" framed $800 - $1,200 Provenance: Private Collection Cumberland Foreside, Maine

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116

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LOT 214 CLAUDE MONTGOMERY (AM. 1912-1990) Country Road Oil on canvas, framed Signed l.l.

32" x 41" actual, 34 13/16" x 43 7/8" framed $800 - $1,200 Provenance: From the Artist to Private Collection North Yarmouth, Maine by descent

LOT 215 FRANK HOWARD KIDDER (AM. B. 1886) Harbor Hill Oil on canvas, framed Signed l.l., exhibition label verso 15 5/8" x 19 1/2" sight, 23 7/8" x 27 13/16" framed $600 - $800 Provenance: Private Collection Maine

LOT 216 PAUL SAMPLE (AM. 1896-1974) "Manuring the Field" Watercolor on paper, framed under glass Signed l.l., biographical information, newspaper obituary and letter from the Artist attached verso 10 11/16" x 14 1/2" sight, 17 1/2" x 21 9/16" framed $1,000 - $1,500 Provenance: Private Collection Maine

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117

the spring 2024

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LOT 217 STUART SHILS (AM. B. 1954) Country Road, 1989 Oil on panel, framed Signed and dated l.l.

6 9/16" x 10 3/8" actual, 9 1/2" x 13 3/8" framed $800 - $1,200 Provenance: Private Collection Massachusetts

LOT 218 CHARLES REID (AM. 1937-2019) Breakfast Bacaro Oil on panel, framed Signed l.r.

18" x 22" actual, 25" x 29" framed $600 - $800 Provenance: Private Collection Lakewood Ranch, Florida

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118

the spring 2024

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LOT 219 FRÉDÉRIC BRULY BOUABRÉ (IVORIAN 1923-2014) Collection of 33 Drawings Colored pencil and ink on card Each drawing: Signed and dated verso, inscription along outer edges Each drawing: Approximately 7" x 4 1/2" actual $3,000 - $5,000 Provenance: From the Artist to Private Collection Abidjan, Côte d'Ivoire

Bouabré’s work depicts scenes and symbols of the daily life, folklore, mythology, and spirituality of the Bété people.

The Bété are a group that comprise 93 subgroups throughout Côte d’Ivoire. Each card in this lot is bordered by text describing the scene within. Transcriptions of the text with English translations are available in our online catalog.

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LOT 220 EDMOND MARIE PETITJEAN (FR. 1844-1925) Hillside Village Oil on board, framed Exhibition label verso 9 5/8" x 14 7/8" actual, 13 5/8" x 18 7/8" framed $1,000 - $1,500 Provenance: Private Collection California

LOT 221 ATTR. TO ANTOINE BLANCHARD (FR. 1910-1988) Steeple Oil on canvas, framed Erroneously signed l.r.

20 1/8" x 24 3/16" actual, 22 15/16" x 26 15/16" framed $800 - $1,200 Provenance: Private Collection Concord, Massachusetts

LOT 222 ATTR. TO ANTOINE BLANCHARD (FR. 1910-1988) Arc de Triomphe Oil on canvas, framed Erroneously signed l.r.

20" x 24" actual, 24 1/4" x 28 1/4" framed $800 - $1,200 Provenance: Private Collection Concord, Massachusetts

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LOT 223 ANTOINE BLANCHARD (FR. 1910-1988) "Place du Tertre, Montmartre" 1900 Oil on canvas, framed Signed l.l., signed, titled, dated and artist's stamp verso, Burlington Paintings label stretcher verso 18" x 21 1/2" actual, 24 1/2" x 28" framed $2,000 - $3,000 Provenance: Private Collection Concord, Massachusetts

LOT 224 ANTOINE BLANCHARD (FR. 1910-1988) "Notre Dame, Place St. Michel" Oil on canvas, framed Signed l.r., signed and titled verso, Burlington Paintings label stretcher verso 18" x 21 1/2" actual, 24 1/2" x 28" framed $4,000 - $6,000 Provenance: Private Collection Concord, Massachusetts

LOT 225 ANTOINE BLANCHARD (FR. 1910-1988) Madeleine, Rue Royale Oil on canvas, framed Signed l.r., Burlington Paintings label verso 13 1/8" x 18" actual, 18 3/4" x 23 7/8" framed $3,000 - $5,000 Provenance: Private Collection Concord, Massachusetts

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the spring 2024

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LOT 226 CARL WALTERS (AM. 1883-1955) Hippopotamus, 1938 Ceramic Signature, date and monogram incised on underside Approx. 5" x 3" x 11 1/4" actual $2,000 - $3,000 Provenance: Private Collection Maine

LOT 227 UTAGAWA HIROSHIGE (JAP. 1797-1858) Shikishiban Surimono Woodblock print, framed under glass Exhibition label verso 7 11/16" x 7 3/16" sight, 14 7/16" x 13 7/8" framed $1,500 - $2,500 Provenance: Private Collection Harrison, Maine

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LOT 228 CHRISTOPHER THOMPSON (BR. B. 1969) "Towards the Night" Oil on linen, framed Initialed l.r., signed, titled and Eleanor Ettinger label on stretcher verso 48" x 36" actual, 56 1/16" x 44 1/16" framed $1,500 - $2,500 Provenance: Private Collection Westbrook, Maine

LOT 229 GREGORY WELCH (AM. 20TH/21ST CENTURY) "Winter Mountains" Oil on canvas, framed Signed l.r., exhibition label verso, signed and dated on stretcher verso 39 15/16" x 30 1/16" actual, 41" x 31" framed $800 - $1,200 Provenance: Private Collection South Portland, Maine

LOT 230 GREGORY WELCH (AM. 20TH/21ST CENTURY) Dirigible in Purple Sky Acrylic collage on panel, unframed Signed verso 35 7/8" x 23 7/8" actual $700 - $900 Provenance: Private Collection South Portland, Maine

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LOT 231 J.H. GALLAGHER (AM. 20TH CENTURY) Weeping Christ Pencil on paper, framed under glass Signed verso 24 5/8" x 16 1/2" sight, 36 5/16" x 28 5/16" framed $300 - $500 Provenance: Private Collection Cape Elizabeth, Maine

LOT 232 TOM CRAIG (AM. 1909-1969) Central Park, New York Watercolor "For Alan Chidsey from Tom Craig" inscribed l.r.

10 11/16" x 14 1/2" sight, 17 5/8" x 21 5/8" framed $1,000 - $1,500 Provenance: Private Collection Maine

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LOT 233 PAUL BRANSOM (AM. 1885-1979) Battle on the Ledge Watercolor and charcoal on paper, framed under glass Signed l.r.

8" x 11 7/8" sight, 14 13/16" x 18 13/16" framed $300 - $500 Provenance: Private Collection Wiscasset, Maine

LOT 234 DON STONE (AM. 1929-2015) "Chopping Wood" 1962 Watercolor on paper, framed under glass Signed and dated l.l., titled and artist's stamp verso 14 1/8" x 20" actual, 22 9/16" x 28 1/2" framed $400 - $600 Provenance: From the Artist to Private Collection Falmouth, Maine

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the spring 2024

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LOT 235 SABRA FIELD (AM. B. 1935) "Church Interior, East Barnard" Woodcut, framed under glass Signed in pencil l.r., titled in pencil l.l., editioned "26/100" in pencil l.c.

16 1/8" x 25 7/8" sight, 24 3/8" x 33 13/16" framed $800 - $1,200 Provenance: Private Collection Ypsilanti, Michigan

LOT 236 CHARLES MARTIN (AM. 1910-1995) Laundry Line Gouache on paper, framed under glass Signed l.l.

13 1/2" x 9" sight, 20 1/8" x 15 5/8" framed $800 - $1,200 Provenance: Private Collection Cumberland Foreside, Maine

LOT 237 AFTER EDWARD HOPPER (AM. 1882-1967) Early Sunday Morning Oil on panel, framed 9 5/8" x 22" actual, 16 5/8" x 29 1/4" framed $800 - $1,200 Provenance: Private Collection California

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the spring 2024

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LOT 238 ROBERT SOLOTAIRE (AM. 1930-2008) Chinatown, Boston Montage, 1988 Oil on canvas, framed Signed and dated l.r., Gleason Fine Arts label and Barridoff Galleries label verso 16" x 40" actual, 17" x 41 1/4" framed $1,200 - $1,800 Provenance: Private Collection Brooklyn, New York

LOT 239 ROBERT SOLOTAIRE (AM. 1930-2008) Stone Quarry Oil on canvas laid to panel, framed 30 1/8" x 60 1/8" actual, 31 1/4" x 62 1/8" framed $1,200 - $1,800 Provenance: Private Collection Brooklyn, New York

LOT 240 JOHN O'NEILL (AM. 20TH CENTURY) Still Life with Magnolia Tree Oil on paper laid to board, framed Signed l.r.

40" x 30" actual, 40 7/8" x 31 1/8" framed $300 - $500 Provenance: Barridoff Galleries October 19, 2019, lot 209 to Private Collection Vermont

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the spring 2024

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LOT 241 CONNIE HAYES (AM. 20TH/21ST CENTURY) Red Truck, Chebeague Island, Maine Oil on canvas, framed Signed l.l.

15 15/16" x 16" actual, 16 3/4" x 16 13/16" framed $2,000 - $3,000 Provenance: Private Collection Fort Lauderdale, Florida

LOT 242 ERIK KOEPPEL (AM. B. 1980) "Autumn Storm in Pinkham Notch" 2016 Oil on panel, framed Signed l.r., signed, titled, dated and artist's label verso, titled and NH Antique Co-op label on frame verso 18" x 14" actual, 26 3/16" x 22 1/8" framed $1,200 - $1,800 Provenance: Private Collection Bedford, Hew Hampshire

LOT 243 JOHN WILLIAMSON (AM. 1826-1885) View of Mt. Washington c. 1870 Oil on canvas, framed "Lancaster, N. Hamp. J.W." Inscribed verso 16 1/16" x 27 1/8" actual, 22 7/8" x 33 7/8" framed $3,000 - $5,000 Provenance: Private Collection Bedford, Hew Hampshire

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the spring 2024

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LOT 244 BENJAMIN CHAMPNEY (AM. 1817-1907) Mount Washington Valley Oil on canvas, framed Signed l.r., Museum of New Hampshire History exhibition label backing verso 9 3/4" x 15 1/2" actual, 14 15/16" x 20 5/8" framed $2,000 - $3,000 Provenance: Private Collection Bedford, Hew Hampshire Exhibited: "Beauty Caught and Kept: Benjamin Champney in the White Mountains" Museum of New Hampshire History, March 1, 1997 - January 4, 1998

LOT 245 WILLIAM BOARDMAN (AM. 1815-1895) Mt. Chocorua Oil on canvas, framed NH Antique Co-op label verso 20 1/16" x 16" actual, 23 5/8" x 19 9/16" framed $1,000 - $1,500 Provenance: Private Collection Bedford, Hew Hampshire

LOT 246 JOHN WHITE ALLEN SCOTT (AM. 1815-1907) New England Valley Oil on canvas, framed Vose Gallery label verso 38 3/8" x 50 1/8" actual, 49 1/8" x 61 1/4" framed $2,000 - $3,000 Provenance: Private Collection Bedford, Hew Hampshire

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the spring 2024

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LOT 247 FRANK HENRY SHAPLEIGH (AM. 1842-1906) "Mt. Washington and Ellis River, Jackson N.H." 1886 Oil on canvas, framed Signed and dated l.r., signed, titled and informational sheet attached verso, Grogan label frame verso 14 1/16" x 23 3/4" actual, 20 1/4" x 28 1/8" framed $3,000 - $5,000 Provenance: Private Collection Bedford, Hew Hampshire

LOT 248 JOHN KNOX (BR. 1778-1845) Shepherdess Oil on canvas, framed Signed l.l.

20 1/8" x 16 5/8" actual, 27 11/16" x 23 7/8" framed $3,000 - $5,000 Provenance: Private Collection New Hampshir

LOT 249 SAMUEL LANCASTER GERRY (AM. 1813-1891) Cows Wading in a Stream, 1857 Oil on canvas, framed Signed and dated l.r.

26" x 36" actual, 33 3/4" x 43 11/16" framed $2,000 - $3,000 Provenance: Private Collection Bedford, Hew Hampshire

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LOT 250 SAMUEL COLMAN (AM. 1832-1920) Cows at Pasture by the Water Oil on canvas, framed Estate stamp l.l., Barridoff Galleries labels and tag verso, "Study of Cows (?)" inscribed on stretcher verso 8 7/8" x 16" actual, 14 1/8" x 21 1/8" framed $2,000 - $3,000 Provenance: Private Collection Bedford, Hew Hampshire

LOT 252 ABRAHAM RATTNER (AM. 1893-1978) Mother and Baby Acrylic on masonite, framed Signed l.r., signed verso 23 3/8" x 17 7/8" actual, 33" x 27" framed $800 - $1,200 Provenance: Private Collection Portsmouth, New Hampshire

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LOT 253 STEPHEN SCOTT YOUNG (AM. B. 1957) Sunday on the Corner Watercolor on paper, framed under glass Signed l.l., John H. Surovek label and Norton Gallery label verso 15 3/4" x 28 1/2" sight, 28 7/8" x 41 1/2" framed $12,000 - $18,000 Provenance: Barridoff Galleries October 24, 2012, lot 68 to Private Collection Vermont

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LOT 254 CARROLL THAYER BERRY (AM. 1886-1978) "Bay Islands, Maine Coast" Woodblock print, framed under glass Signed in pen l.r., titled in pen and signed in plate l.l.

11 1/4" x 13" sight, 18" x 19 1/4" framed $300 - $500 Provenance: Private Collection Fort Lauderdale, Florida

LOT 255 ERIC SLOANE (AM. 1905-1985) Skiers in the White Mountains Oil on canvas, framed Signed l.l.

33 1/16" x 45" actual, 34 3/4" x 46 3/4" framed $6,000 - $8,000 Provenance: Private Collection Dunbarton, New Hampshire

LOT 256 FREDERICK WAUGH (AM. 1861-1940) Crashing Wave Oil on canvas, framed Signed l.r.

25 1/8" x 30" actual, 30 1/4" x 35 1/4" framed $5,000 - $7,000 Provenance: Private Collection New York City, New York

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LOT 257 WOOD GAYLOR (AM. 1884-1957) At the Beach, 1917 Watercolor and ink on paperboard, framed under glass Signed and dated l.r.

10 5/8" x 14 1/2" sight, 16 9/16" x 21" framed $500 - $700 Provenance: Tom Veilleux Gallery to Private Collection Vermont

LOT 258 KURT SELIGMANN (SWISS/AM. 1900-1962) Smoky Mountains Watercolor on board, framed Signed l.r.

6 9/16" x 11 1/8" actual, 7 1/4" x 11 3/4" framed $2,000 - $3,000 Provenance: Private Collection Portsmouth, New Hampshire

LOT 259 ETIENNE ADOLPH PIOT (FR. 1831-1910) Girl with Roses Oil on canvas, framed Signed l.l.

29 9/16" x 23 3/8" actual, 38 5/16" x 32 3/8" framed $3,000 - $5,000 Provenance: Private Collection Dunbarton, New Hampshire

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LOT 260 DALE CHIHULY (AM. B. 1941) Free Float Lithograph with hand work, framed under glass Signed in plate l.c., editioned "80/175" in pencil l.r., print documentation attached verso 37" x 25" actual, 41 9/16" x 29 9/16" framed $1,000 - $1,500 Provenance: Private Collection South Freeport, Maine

LOT 261 AMOS FERGUSON (BAHAMIAN 1920-2009) Woman with Fruit Bowl Enamel on paper laid to board, framed 18 1/2" x 23 13/16" actual $3,000 - $5,000 Provenance: Property of the Vanguard Museum Collection, Bahamas

LOT 262 OSBERT LANCASTER (BR. 1908-1986) Four Dresses, 1952 Gouache and pencil on paper, framed under glass Signed l.r., Wright Hepburn Gallery label verso 10 3/4" x 15" sight, 15 1/2" x 19 1/2" framed $500 - $700 Provenance: Private Collection Portsmouth, New Hampshire

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the spring 2024

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LOT 263 MARTHA GROOME (AM. 20TH/21ST CENTURY) It Was A Book Of Songs Oil on canvas, framed Signed verso 24 1/8" 24 1/8" actual, 24 13/16" x 24 13/16" framed $1,000 - $1,500 Provenance: Estate of the Artist

LOT 264 ERIC HOPKINS (AM. B. 1951) "Fish #2" 2006 Hand painted print, framed under glass Signed and dated in pencil l.r, titled in pencil l.l., editioned "5/20" in pencil l.c.

22" x 27" sight, 29 1/2" x 34 1/4" framed $800 - $1,200 Provenance: Private Collection Edgecomb, Maine

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the spring 2024

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LOT 265 ERIC HOPKINS (AM. B. 1951) "Gray Clouds, Pink Sky" 1991 Watercolor on paper, framed under glass Signed l.r., titled l.l., dated l.c.

5 9/16" x 8 1/8" sight, 10 1/4" x 10 1/4" framed $800 - $1,200 Provenance: Private Collection Maine

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137

the spring 2024

18th/19th Century European School 19th Century British School 19th Century American School 19th Century Irish School 20th Century American School 20th Century American School 20th Century American School Modern School Abbott, Berenice Aho, Eric Baker, Elisha Taylor Bartlett, Charles William Bartlett, Bo Baskin, Leonard Benson, Frank Weston Berry, Carroll Thayer Betts, Edward Bishop, Isabel Blanch, Lucile Blanchard, Attr. to Antoine Blanchard, Antoine Boardman,William Bogdanove, Abraham Bosley, Frederick Bouabré, Frédéric Bruly Boulanger, Graciela Rodo Bradford, Katherine Bransom, Paul Bricher, Attr. to Alfred Thompson Bricher, Alfred Thompson Brooks, Leo Brulé, Al Burchfield, Charles Chadbourn, Alfred Champney, Benjamin Charlot, Jean Chihuly, Dale Clark, Eliot Clergue, Lucien Coleman, Charles Caryl Colin, Paul Colman, Samuel Connaway, Jay Corbellini, Luigi Craig,Tom Cranach the Elder, Lucas Crite, Allan Dali, Salvador Daubigny, Charles Francois Davis, Joseph H. De Martini, Joseph

barridoff auctions

INDEX 24 DiMambro, Arthur 205, 206, 207, 208 Karfiol, Bernard 25 Dommelshuizen, Cornelis Christiaan 31 Kasimir, Luigi 33 Downes, Rackstraw 159C Kent, Rockwell 34 Drerup, Karl 181 42 Drexler, Lynne 61 Kidder, Frank Howard 144 Durer, Albrecht 14, 15 Kirchner, Ernest Ludwig 147B Edelson, Mary Beth 113 Knox, John 183 Enneking, John Joseph 196 Koeppel, Erik 73, 74, 75 Etnier, Stephen 58, 59A, 59B Kollwitz, Käthe 126 Fairey, Shepard 175 Kornbluth, Frances 41 Felsing, John 201, 202, 203, 204 Korner, John 21 Ferguson, Amos 261 Kost, Frederick 160 Field, Sabra 235 Kruseman, Fredrik Marinus 151 Fiene, Ernest 123, 124 Kuehne, Max 5 Fitzgerald, James 87, 200 Kuhn,Walt 254 Frederick, Linden 127 Kulicke, Robert 84 Gallagher, J.H. 231 LaMotte, Bernard 143 Garavito, Humberto 157 Lancaster, Osbert 27 Gauguin, Paul 136 Langlais, Bernard 221, 222 Gaylor,Wood 257 Larche, Francois-Raoul 223, 224, 225 Gerry, Samuel Lancaster 249 Laurent, Attr. to Robert 245 Ghikas, Panos 170, 171 Léger, Fernand 82, 83 Glackens,William 150 Lever, Hayley 145, 146, 147 Griffin,Walter 156 Libby, Francis Orville 219 Groome, Martha 263 Loew, Michael 158 Hallowell, George 117, 118, 119 Lothrop, Ruth 178 Hare, Channing 111 Lovejoy, Rupert 233 Hartman, Bertram 112 Lozowick, Louis 39 Hathaway, George M. 37, 37A Lynch, Frederick 40 Hayes, Connie 241 Marsh, Reginald 85, 86, 99, 100 Hekking,William Matthews 43 Martin, Charles 38 Heliker, John 110 Michel Avery, Sally 152 Hill, Alison 91 Millet, After Jean-François 125 Hine, Lewis Wickes 70, 71, 72 Minewski, Alex 244 Hiroshige, Utagawa 227 Montgomery, Claude 12 Hobbs, Morris Henry 2, 3, 4 Muir, Emily 260 Hopkins, Eric 264, 265 Nelligan, Emily 195 Hopper, After Edward 237 Nesbitt, Lowell 78 Houdon, Jean-Antoine 147A O'Keeffe, Ida Ten Eyck 45 Hoyland, John 166 O'Neill, John 162, 163 Huet, Jean-Baptiste 7 Parker, Greg 250 Hughes, Patrick 169 Peterson, Jane 59C, 92 Hunt,William Morris 20 Petitjean, Edmond Marie 23 Huntington, Chris 213 Picasso, Pablo 232 Huse, Marion 211 Piel, Denis 16 Ipcar, Dahlov 62, 63 Piot, Etienne Adolph 165 Izquierdo, Maria 159 Rattner, Abraham 18 Jahn, Elena 96, 97, 98 Reid, Charles 8 Johnson, Lester 164 Robichaux, Marguerite 36 Kahn,Wolf 176, 177 Rockwell, Fritz 56, 57 Kallem, Henry 212 Sakanishi, Noriko

international fine art sale

147D, 147E Sammons, Carl 193 142 Sample, Paul 216 46, 47, 48, 49, 50, 51, Scott,William Edouard 122 52, 88 Scott, John White Allen 246 215 Seligmann, Kurt 258 139 Shapleigh, Frank Henry 247 248 Shils, Stuart 217 242 Shokler, Harry 60 137, 138 Shulman, Morris 188, 189, 190, 191, 179, 180 192 32 Siskind, Aaron 77 35 Sloane, Eric 255 30 Smith,W. Eugene 79 Smith, Russell 197 153, 154, 155, 159A Solman, Joseph 148 67, 68 Solotaire, Robert 238, 239 9, 10, 11 Sprinchorn, Carl 66A, 198 262 Stella, Frank 174 114, 115, 116 Sterner, Albert 19 22 Stevens, John Calvin 128, 129, 130 109 Stone, Don 234 135 Thieme, Anthony 161 59D, 69 Thompson, Christopher 228 199 Thon,William 101, 102, 103, 104, 105, 106 182 Tooker, George 6 95 Uelsmann, Jerry 76 120 Uhl, Joseph 140, 141 89 van Leyden, Lucas 17 147C, 167 von Schlegell, David 209 1 Vrolijk, Adrianus Jacobus 29 90, 236 Walkowitz, Abraham 149 65, 159B Walters, Carl 226 13 Warhol, Andy 168 93, 94 Washburn, Cadwallader Lincoln 194 214 Waugh, Frederick 256 185, 186, 187, 187A Welch, Gregory 229, 230 184 Welliver, Neil 53, 54, 55 66 Wendt,William 121 66B Williamson, John 243 240 Winter, Charles Allan 59 173 Young, Stephen Scott 253 59E, 64 Zandomeneghi, Federico 26 220 Zorach, Marguerite 66C 131, 132, 133, 134 Zorach,William 107, 108 80, 81 Zucker, Jakub 28 259 252 218 210 44 172

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