Barridoff Auction - Summer 2024 International Fine Art Auction

BARRIDOFF AUCTIONS

SUMMER 2024

Cover: (Detail) Lot 134 Joel Babb

THE SUMMER 2024 INTERNATIONAL FINE ART SALE

OU R GA LLERY SOUTH PORTLAND, MAINE

Bernard Langlais (Am. 1921-1977), Seagull, 1970 A Maine landmark that hung on the facade of 3 Main St., Bar Harbor, Maine for 50 years and was restored in 2013.

Acquired by Barridof f in 2020, and now on display at our facility in South Por tland.

WWW.BARRIDOFF.COM

THE SUMMER 2024 INTERNATIONAL FINE ART SALE

TA BLE OF CONTENTS Information About Barridof f............................4 Preview Details................................................. 5 Meet the Team...................................................6 Terms & Conditions....................................... 7-9 Auction Lots Begin..........................................10 Artist Corner: Stephen Etnier ..................36-37 Artist Corner: The School of the....................66 Museum of Fine Arts, Boston: A Legacy of Excellence Index............................................................... 118

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THE SUMMER 2024 INTERNATIONAL FINE ART SALE

I N FOR M ATION A BOUT BA R R IDOFF BARRIDOFF AUCTIONS BIDDING EXPERIENCE Barridoff Auctions conducts live auctions in which a buyer can bid in person, over the telephone, by absentee registration or online through the Barridoff App or on several third-party marketplace websites. Our auctions are simulcast so buyers can bid remotely for convenience or safety reasons, but please be advised online bidding, including on the Barridoff App, is subject to a surcharge.

Also, as the auction happens in real time, remote bidders need to pay attention to the progress of the auction.

REFERRAL PROGRAM Do you know of any friends or family who may have Fine Art for sale? Barridoff Auctions offers a generous referral program for any new leads of available Fine Art that result in a sale. Please contact us for more information.

CONSIGN WITH BARRIDOFF Barridoff Auctions is always accepting consignments of Fine Art. To inquire about submitting works of Fine Art for an upcoming sale, feel free to call us, email or go to Barridoff.com/sell.

BARRIDOFF MOBILE APP

FREE VALUATION DAY As a service, Barridoff Auctions provides free valuation days for your artwork so you can know what your art is worth. Barridoff does not require you to consign your art with our auction in order to receive the estimate, but if the piece is appropriate we may offer to put it in our sale. Also, look for our next regularly scheduled Free Valuation Day announced on our website or through our email messaging. To sign up for our email list or for more information, please go to Barridoff.com.

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Download our Barridoff App to peruse the catalog, watch the auction live or to bid. Available at the Apple App Store or at the Google Play Store.

QR CODE To view the mobile version of this catalog, please scan the QR code directly to the right with with your phone’s camera to be taken directly to our online catalog.

BARRIDOFF AUCTIONS

SU M M ER 2 024 INTERNATIONAL FINE ART SALE SATU R DAY, AUGUST 17, 2 024 1:00 PM EDT

PR EV I EW DATE S & HOU RS AUGUST 10 - 17, 2024

AUGUST 17, 2024

Monday - Thursday | 10am - 5pm

Saturday | 10am - 1pm

Friday | 10am - 8pm

BARRIDOFF AUCTIONS SOUTH PORTLAND, MAINE

LOCATION BARRIDOFF AUCTION HOUSE 312 Gannett Drive | South Por tland, Maine 04106 | (207 ) 772-5011 BARRIDOFF AUCTIONS

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THE SUMMER 2024 INTERNATIONAL FINE ART SALE

M EET TH E TEA M We at Barridoff Auctions seek out and find compelling, beautiful, relevant works of art. For us, it’s never just another auction. It’s an opportunity to help buyers and sellers of Fine Art realize their dreams by establishing that special connection in their appreciation of Fine Art. Peter Coccoluto, Auctioneer Rhylee R. Cole, Registrar Lindsey DeArmond, Graphic Designer Jeremy Fogg, Owner / Fine Art Consultant Jennifer C. Graham-Famiglietti, Collections Manager Darin R. Leese, Fine Art Specialist William Milliken, Owner / Auctioneer Glenn Morin, Owner / Accountant Deirdre Nice, Owner / Expeditor Kincaid Pearson, Production Specialist Nickolas Smith, Production Specialist / Photographer Travis Wilcox, Logistics Specialist Hannah Day, Production Specialist

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BARRIDOFF AUCTIONS

THE SUMMER 2024 INTERNATIONAL FINE ART SALE

FINE ART TERMS & CONDITIONS

CONDITIONS OF AUCTION SALE The following Conditions of Sale, including the

appended notes and other information, whether printed or online, as they may be amended by any posted notices or oral announcements before or during the auction sale constitute the entire agreement between Barridoff Auctions, representing its consignors, and Bidder relative to the item being sold and the conduct of the sale. Unless the context otherwise indicates, the terms “Barridoff Auctions” and “auctioneer” are interchangeable, “consignor” and “seller” are interchangeable, and “buyer” means the winning bidder. By registering for or participating in the auction sale, all bidders agree to the terms hereof.

1.THE SALE. The contract for sale for any item purchased at auction is between the consignor (seller) and the winning bidder. Barridoff Auctions acts as the consignor’s agent only, unless Barridoff Auctions is selling the item as principal. The sale of every lot of one or multiple items constitutes a separate sale under Maine law and the Uniform Commercial Code. Bidding on a lot starts when the lot is opened for bidding by the auctioneer. Items are sold with reserve and starting bids may start below the reserve price. The auctioneer may reject any bid below the reserve. The auctioneer may bid on behalf of the consignor or of Barridoff Auctions. If an item does not reach its reserve price, the auctioneer may pass the item. Barridoff Auctions may withdraw any item at any time before its actual sale. Bids must be consistent with the standard bidding increments and may be varied only upon permission from the auctioneer. A bid received between two increments may be rejected or reduced to the next lowest increment at the discretion of the auctioneer. Bidder may not make consecutive bids if there is an opposing bidder and there must be at least one increment/other bidder separating Bidder’s bids in that instance, except by permission of the auctioneer.

The auction is a live sale and not a timed sale, and absentee and pre-auction bids submitted prior to the sale are not considered made until executed by the clerk administering the bid during the bidding for that lot and recognized by the auctioneer. The auctioneer will recognize bids as they are made and does not give preference to either bids made by bidders in the room or remote bids. A clerk administering a remote bid is deemed a bidder present in the room for that bid and will be recognized by the auctioneer equally to all other bidders. The buyer is the highest bidder acknowledged by the auctioneer upon the fall of the hammer, which indicates the completion of the sale. In the event of a tie bid, the first bid recognized by the auctioneer has precedence. In the event of a bid received as the hammer is falling, it is in the auctioneer’s discretion whether to accept the bid or declare the sale complete. Barridoff Auctions has authority to decide any disputes over the auction process in Barridoff Auctions’ sole discretion, whose decision is final and binding. Bidder understands that any dispute regarding a purchased lot is between the consignor and the buyer unless the dispute concerns the conduct of the sale or other issue within the sole responsibility and control of Barridoff Auctions. The actual results of the sale are not final until confirmed as such by Barridoff Auctions subsequent to the auction.

2. REGISTRATION BY BIDDER. Bidder must provide accurate information, including Bidder’s name, residential address (not P.O. Box), proper contact information and credit card information owned or authorized to be used by the bidder. Bidder understands that any credit card information provided may be used to comply with any condition of these terms and conditions, including for payment of items won, if Bidder does not provide another payment method pursuant to these terms and conditions. Barridoff Auctions may require further information regarding Bidder’s financial ability and condition as a condition of registration or at any time prior to the auction, during the auction or subsequent to the auction. Barridoff Auctions reserves the right to deny registration, bidding or cancel a sale and/or seek damages if a Bidder violates the conditions of this paragraph. Barridoff Auctions requires bidders who bid over $10,000 on any one item to provide more detailed evidence of their financial capacity.

3. REMOTE BIDDING. As a convenience to clients who cannot attend a sale in person, absentee bidding, telephone bidding and online bidding options are available, but Barridoff Auctions is not responsible for technical difficulties, mistakes or other issue that may occur with those bidding methods. Barridoff Auctions strongly suggests that bidders be present in the room. Remote methods and absentee or other pre-auction bids do not take precedence over bidding in the room. The clerk administering a remote bid is deemed a bidder in the room and bids made by that clerk are subject to recognition by the auctioneer as any other bidder. The auctioneer will not advance an increment for an absentee or pre-auction bid that is currently holding the increment one below the maximum amount authorized by that bidder. Barridoff Auctions strongly recommends remote bidders who wish to bid pre-auction or absentee complete the absentee registration form, not submit the bid through an online bidding platform, and indi-

BARRIDOFF AUCTIONS

cate “+1,” which will protect the absentee bidder if another bidder lands on the absentee bidder’s maximum amount by allowing the clerk to bid one increment higher than the maximum.

Each remote bidding platform/method will order tie bids received within that platform/method giving the first received bid precedence. This bid will be the bid presented to the auctioneer by the clerk for that platform/method. An absentee or pre-auction bid submitted that is less than half of the low estimate of an item will be rejected by Barridoff Auctions.

Absentee and telephone bidding registration forms may be found on the Barridoff Auctions website. Any pre-auction, absentee or telephone safety bid given that is not consistent with the published bidding increments may be rejected or rounded down to the next lowest increment.

Online bidding may be available on the Barridoff website and one or more online auctioneering websites as announced by Barridoff Auctions, and absentee or pre-auction bids left on those platforms do not take precedence over other bids. Mistakes made by Bidder are the responsibility of Bidder and may not be cause to rescind a sale. Barridoff Auctions is not responsible for errors and omissions made in connection with absentee, telephone, Internet or other remote bidding methods. Online bidding may indicate a winning bid or other confirmation that is erroneous based upon what happens in the room (bid comes after fall of hammer, auctioneer recognizes another bid given simultaneously, mistake made by remote clerk, etc.) and the official sale results are the results confirmed as such by Barridoff Auctions under paragraph 1.

Online bidders may have to wait to purchase and retrieve won lots until after confirmation of official sale by Barridoff Auctions.

4. MISTAKES BY BIDDER. Under Maine Law and the Uniform Commercial Code, the bidder with the highest bid recognized by the auctioneer upon the fall of the hammer becomes the owner of the item, even if the bid was made by mistake or otherwise unintentional. Barridoff Auctions takes no responsibility nor will rescind or refund a sale in which the winning bidder claims to have won unintentionally or by mistake. Attention to the item being bid on and the conduct of Bidder’s bidding is the sole responsibility of Bidder. A person who has not registered who bids on and wins an item at the auction sale is deemed to be a bidder and agrees and is subject to these terms and conditions.

5. INFORMATION PROVIDED BY BARRIDOFF AUCTIONS. Provenances are included in the catalog to the extent they are available. Estimates are included with each lot (See note on estimates in paragraph 13). Statements of condition may be provided. However, these provenances, estimates and statements of condition and any other information provided by Barridoff Auctions or its staff are merely the opinion of Barridoff Auctions and may not be taken as statements of fact to substitute research regarding and inspection of the item by Bidder, more fully described in paragraphs 6 and 7. However, Barridoff Auctions endeavors to provide the most accurate and complete information on an item and to answer to the fullest extent possible any reasonable question, subject to the disclaimers herein. An item may be described as an attribution or “attributed to,” “school of,” or “circle of” indicating that the authenticity of the item cannot be definitively determined (also see Disputes on Grounds of Authenticity in Notes and Other Information, below). Barridoff Auctions and the auctioneer may make corrections and provide additional information as available up to and during the time of sale.

6. DISCLAIMER FOR ERRORS AND OMISSIONS; ITEMS SOLD AS IS; BIDDER RESPONSIBILITY TO INSPECT AND PERFORM DUE DILIGENCE.

Barridoff Auctions is not responsible for errors or omissions contained in the catalog, provided

by Barridoff Auctions or presented by the auctioneer or in any other information detailed in paragraph 5. Barridoff Auctions makes no representation or warranty with respect to and is not responsible for the description, quality, condition or authenticity of any items sold, and makes no warranty as to merchantability or fitness for a particular purpose. All items are sold “AS IS.” Prospective bidders bear sole responsibility to inspect an item before bidding and perform other due diligence to determine the item’s authenticity, condition, size and whether or not the item has been repaired or restored. No representation or warranty is made as to copyright of any item or whether Bidder acquires any reproduction rights of the item.

7. OPPORTUNITY FOR INSPECTION BY BIDDER; NO OBLIGATION TO

INSPECT OR TEST BY BARRIDOFF AUCTIONS Barridoff Auctions offers

the opportunity for prospective bidders to examine an item and Barridoff Auctions assumes no obligation to Bidder for Barridoff Auctions to examine, investigate or carry out any tests, either in sufficient depth or at all, to establish the authenticity or accuracy or otherwise of any description or opinion of Barridoff Auctions, whether given orally, in writing, on its website or any published catalog or literature. Bidder should not assume that any such examination,

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THE SUMMER 2024 INTERNATIONAL FINE ART SALE investigation or test has occurred. Barridoff Auctions does not make or agree to make any representation of fact and undertakes no obligation or duty, whether in contract or in tort, with respect to the accuracy or completeness of any statement or representation made by Barridoff Auctions or on Barridoff Auctions’ behalf that is in any way descriptive of any item or as to the anticipated or likely selling price of any item. No statement or representation by Barridoff Auctions or on Barridoff Auctions’ behalf in any way descriptive of any item or any estimate is incorporated into these terms and conditions or agreement for sale with Bidder.

8. BUYER’S PREMIUM. Barridoff Auctions charges the winning bidder a premium to be added to the hammer price on each item purchased. This premium is equal to 22% of a hammer price up to $500,000, and 17% of a hammer price above $500,000. A surcharge above this premium may be assessed for online sales, including on the Barridoff website or the Barridoff app, the amount of which may vary depending on the specific online platform or app on which the bidding is being conducted, which will be noted in the terms for that specific platform. The online surcharge pays for the online service and is not retained by Barridoff Auctions. A 2% discount of the premium will be given for any item paid for and removed by the end of auction day.

9. COMPLETION OF SALE; PAYMENT BY BIDDER. Upon the fall of the auctioneer’s hammer, the sale is complete and title to the item passes to the highest bidder, subject to the terms hereof including payment in full, who is bound by the sale and assumes full risk and responsibility thereof. The buyer authorizes Barridoff Auctions to sign a sales record, which is conclusive as to the terms of the sale, on the winning bidder’s behalf. When the buyer bids on an item, the buyer represents that the buyer has the funds available at that time to pay for the item upon the completion of sale. Payment is due upon completion of the auction and, unless alternate payment arrangements have been made and agreed to in writing by Barridoff Auctions, Barridoff Auctions reserves the right to charge any credit card or other financial account of the buyer on file or provided by buyer with Barridoff Auctions at that time or any time thereafter for any amounts owed. All items must be fully paid for, including any additional amounts owed Barridoff Auctions under paragraph 11 or otherwise, and removed from the premises of the auction by the buyer at the buyer’s expense within 24 hours of the day of sale unless other specific arrangements have been made and agreed to in writing by Barridoff Auctions. Barridoff Auctions may cancel a sale and buyer may be deemed to have forfeited a won item if payment or arrangements for payment are not made pursuant to this paragraph. Payment for each item purchased must be made before the item is removed. Only cash, certified check, wire transfer or verified credit card are acceptable as payment methods unless other suitable arrangements have been made with Barridoff Auctions at least five days before the auction. Barridoff Auctions reserves the right to reject any particular payment method by Bidder. All sales are final and no refunds will be given with the limited exception of circumstances under paragraph 12. Buyer agrees that by registering to bid under these terms and conditions, buyer waives the right to charge back buyer’s credit card or otherwise reverse or stop any payment given, with any violation of this provision resulting in liquidated damages in the amount of double the chargeback or reversed or stopped payment owed Barridoff Auctions by buyer if Barridoff Auctions has to enforce this provision. Sales of over $10,000 may not be paid by credit card.

10. POST-SALE RESPONSIBILITIES OF BIDDER. Barridoff Auctions is not responsible for any loss by a buyer as a result of the damage, loss or theft of an item subsequent to the completion of the sale for that item and encourages the buyer to pay for and remove purchased items immediately after the sale. If an item won at auction is not paid for and removed from the premises within 5 business days after the sale, additional charges under paragraph 11 may apply. Shipping, packing, storage and any related expense of an item are the sole responsibility of the buyer of the item.

11. BIDDER COMPLIANCE WITH TERMS AND CONDITIONS; REMEDIES AVAILABLE TO BARRIDOFF AUCTIONS. If buyer does not

comply with an applicable term or condition herein, including not timely making payment or arrangements for payment under paragraph 9, Barridoff Auctions and the consignor have one or more of the following nonexclusive rights and remedies, in addition any other remedy available at law or in equity, without notice: a) to hold the buyer liable for the total purchase price plus interest of 1 1⁄2 % per month, compounded monthly; b) to cancel the sale and retain as liquidated damages all payments made by the buyer; c) to cancel the sale and resell the item, in which case the buyer is liable for any deficiency, cost, including handling and storage charges, the expenses of both sales, premiums or commissions on both sales and all other charges and incidental damages; d) to charge 1% of the total purchase price per month, with a minimum charge of 5%,

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to handle any item not timely removed; e) to exclude the buyer and buyer’s agents or affiliates from all future auctions; f) to charge a reasonable storage fee; g) to set off any amounts Barridoff or consignor may owe the buyer; h) to ship items owned by the buyer to the buyer at buyer’s expense; or i) to charge buyer’s credit card on file with or available to Barridoff Auctions for any amounts owed Barridoff Auctions. If a purchased item is left and not collected by buyer after six month’s from auction date, Barridoff may declare buyer to have forfeited the item with ownership of the item passing to Barridoff Auctions and no refund or any other recompense due the buyer. A buyer is deemed to have granted to Barridoff Auctions or its consignor as collateral for buyer’s obligations hereunder a security interest in any item of the buyer purchased at a Barridoff auction sale, and Barridoff Auctions and the consignor have all of the rights of a secured party in Maine and the law of the location of the item. Barridoff Auctions has all of the rights of the consignor to pursue all rights and remedies hereunder, and Barridoff Auctions and its consignor are entitled to all of their costs, including reasonable attorney’s fees, court and collection costs, in enforcing their rights and remedies hereunder. Buyer waives any and all rights it may now or in the future have under any Maine law governing unclaimed or abandoned property.

12. DISPUTES ON GROUNDS OF AUTHENTICITY. Disputes on the grounds of authenticity subsequent to sale must be made within 15 days of receipt of the item by the buyer and must be supported by the written testimony of at least one recognized expert of the specific artist involved, or two recognized experts of the general field or genre in which that artist belongs. Only if the disputed item is in the same condition as when sold will a rescission of the sale be considered. In the event Barridoff Auctions agrees to rescind the sale, the decision of which is at Barridoff Auctions’ sole discretion, an amount up to the purchase price, plus sales tax if appropriate, may be refunded to the buyer. Such rescission and refund is exclusive and in lieu of any other remedies which might otherwise be available as a matter of contract or law. In no event does Barridoff Auctions’ or its consignor’s responsibility under this paragraph exceed the purchase price and sales tax of the item sold. Recission of sale or any refund under this paragraph does not apply to any item listed as “attribution,” “attributed to,” “school of,” “circle of” or any other term qualifying authenticity.

13. ESTIMATES. The high and low estimate given for an item are solely a guideline based upon Barridoff Auctions’ approximation as to the range within which an item may be purchased at auction. An estimate is not a statement of value or selling price of an item and Barridoff Auctions makes no guarantee, representation or agreement as to the value or selling price of an item other than Barridoff Auctions’ opinion of the item’s possible auction price.

14. SALES TAX. All purchases are subject to Maine sales tax (5.5%) or Massachusetts sales tax (6.25%) unless the buyer is located in another state and shipping is arranged by Barridoff Auctions or the buyer provides a sales tax exemption certificate issued by or acceptable to Maine Revenue Services or the Commonwealth of Massachusetts, respectively, and a valid, signed copy of which is presented to Barridoff Auctions. Maine or Massachusetts sales tax is applicable to the full purchase price, which includes the hammer price plus the buyer’s premium and surcharges under paragraph 8. Purchases made from other states or jurisdictions may be subject to a sales or use tax for that state or jurisdiction.

15. USE OF IMAGES. The images and descriptions used in the catalog may not be reproduced in any manner without the written authorization of Barridoff Auctions.

16. APPLICABLE LAW; JURISDICTION OF DISPUTES; REGULATORY AUTHORITY. Title 11, Section 2-328 of the Uniform Commercial Code and Title 32, chapter

5-B of the Maine Revised Statutes apply to auction sales conducted by Barridoff Auctions. These terms and conditions of sale are governed by and shall be interpreted under Maine law, and any conflicts hereunder shall be decided in the state and federal courts located in Cumberland County, Maine, and all bidders submit themselves to the jurisdiction thereof. The regulating authority of this auction is the Board of Licensing of Auctioneers, 35 State House Station, Augusta ME 04333-0035.

17. MAINTAIN CURRENT CONTACT INFORMATION AND TIMELY RESPOND TO BARRIDOFF COMMUNICATIONS. Bidder must provide and maintain current contact information that allows Barridoff Auctions to communicate with Bidder and timely respond to Barridoff Auctions inquiries, requests and other communications as required by Barridoff Auctions.

Failure to do so may result in denial of registration, right to bid or the cancellation of the sale subsequent to the auction or other remedies under Section 11..

18. FORCE MAJEURE. Notwithstanding anything to the contrary contained herein, Barridoff Auctions is not liable for any delays or failures in performance resulting from acts be-

BARRIDOFF AUCTIONS

THE SUMMER 2024 INTERNATIONAL FINE ART SALE yond its reasonable control including, without limitation, acts of God, acts of war or terrorism, shortage of supply, breakdowns or malfunctions, interruptions or malfunction of computer facilities, or loss of data due to power failures or mechanical difficulties with information storage or retrieval systems, labor difficulties or civil unrest. Notwithstanding the foregoing, in the event of such an occurrence, each party agrees to make a good faith effort to perform its obligations hereunder.

19. APPLICATION OF TERMS AND CONDITIONS. Unless agreed otherwise in writing between Barridoff Auctions and Bidder, these terms and conditions, whenever applicable, apply to all private sales, post auction sales and any other transaction between the parties not conducted at the auction sale that occur while these terms and conditions are posted by Barridoff Auctions.

NOTES AND OTHER INFORMATION

ABBREVIATIONS l.c. lower center l.l. lower left l.r. lower right u.c. upper center u.l. upper left u.r. upper right

b. born Eur. European Swe. Sweden c. circa Fr. French Sp. Spanish Am. American Ger. German h. height Br. British It. Italian w. width Can. Canadian Jap. Japanese l. length Rus. Russian d. depth Chn. Chinese DESCRIPTIONS ALL DESCRIPTIONS AND NOTES OF SIGNATURES, TITLES, DATES, labels, inscriptions and other notable features of an item are assumed to be of the front “recto” unless otherwise noted. If a notable feature is described to be on “verso,” that indicates it is on the back or reverse of the item. If a feature is described to be on the stretcher, it is on verso unless otherwise indicated. Signatures, initials, dates and titles, etc. may be noted but not quoted in the description unless there is an unusual or noteworthy characteristic of the signature, initial, date or title, etc. If an item description does not note a signature or that the item is signed, it should be assumed that the item is not signed. If there is an exhibition label but no exhibition listed, that means the label does not identify the exhibition. All paintings on canvas or other fabric are assumed to be stretched unless specifically noted “unstretched.” For items described as “under glass,” the type of glass is unspecified unless otherwise noted. A collateral item mentioned such as a certificate of authenticity, letter referencing or photograph showing the listed item, book or catalog depicting or referencing the listed item, etc., are not part of the description of the item for purposes of sale of that item unless specifically noted.

SHIPPING Shipping arrangements and all packing and shipping charges are the responsibility of the buyer. Barridoff Auctions assumes no responsibility of any kind for providing this service.

For buyer’s convenience, Barridoff Auction’s in-house partner Eastern Art Services is available to provide a quote to pack and ship items purchased at the auction.

Eastern Art Services provides an art shuttle within a 300 miles radius of the auction facility (to New York City). Buyer should inquire if buyer is eligible to use the shuttle services.

If buyer is not using Barridoff Auction’s in-house shipping partner and has arranged collection of buyer’s item by a third party or other shipping service, once arrangements have been made with the third party or shipping service of buyer’s choice, buyer should send an email to fineart@ barridoff.com releasing the item to be shipped to the third party or shipping service and include the lot number and any additional pertinent details. After Barridoff receives the release, Barridoff will coordinate the details of pick-up with the third party or designated shipper. Buyer will receive an email confirmation when the item(s) has been retrieved.

FRAMES If a frame is thought to be original to the work of art or of some other particular interest based upon its history, value or beauty, it may be illustrated; but the illustration is in no way to be considered a guarantee of same unless information about the frame is included in the catalog description.

OLD MASTERS Unless otherwise noted, all works by Old Masters, including school, manner and other related information including dates are now by policy offered as attributions because, in the opinion of Barridoff Auctions, there has been too little or no known opportunity for a consensus, extensive research or singular expertise or because such opportunities often result in significant changes and varied opinions. However, all attributions are, in the opinion of Barridoff Auctions, appropriate as cataloged.

CONDITION REPORTS Condition reports may be in the catalog and are available upon request. However, as more fully described in paragraph 5, a condition report is in no way a guarantee, nor should it be considered an expert opinion. All lots should be examined by potential bidders. Because few lots are examined by Barridoff Auctions out of their frames, potential bidders should assume that condition reports only include areas that are clearly visible unless otherwise stated. Barridoff will remove a work from its frame if requested and if removal does not appear BARRIDOFF AUCTIONS

to threaten to damage the piece or otherwise present an impracticality or other similar reason.

SIZE. Unless otherwise noted, the size of each item is measured height by width in inches and does

not include the frame. Sizes are approximate. The term “actual” means the actual size of the artwork without any frame or other appendage, “framed” means the size of the item including the frame and “sight” means the visible portion of the item when the actual size is covered or obscured and unable to be determined. All prints (etchings, lithographs, silkscreens, etc.), to the best of Barridoff Auctions’ knowledge, have full margins unless otherwise noted. The terms regarding information in paragraph 4 apply to information regarding sizes provided by Barridoff Auctions.

LIVE PHONE BIDDING AND ONLINE BIDDING Phone bid registrations are allowed on a limited first-come, first-served basis. Phone bidders must make arrangements in advance.

Barridoff Auctions provides phone bidding as a service for bidders who cannot attend the auction, but phones are not the perfect medium for bidding at an auction under any circumstances and mobile phones, while useful, can be particularly difficult. Bidders should be mindful of these limitations if choosing to bid by phone, and Barridoff suggests that phone bidders leave a “safety” bid, or emergency absentee bid, in the event the telephone call is disrupted, dropped or otherwise unable to be connected through to the completion of bidding for that lot. Bidding may also be available online in real time at barridoff.com, bidsquare.com, invaluable.com and liveauctioneers.com. Bidders are advised to familiarize themselves with the rules and procedures provided for whatever platform Bidder is using prior to bidding. Online bidding platforms may charge a surcharge over and above the buyer’s premium for an item, including bidding through the Barridoff website or App. Barridoff Auctions is not responsible for any difficulties, technical or otherwise, that may be experienced through bidding other than in person. Mistakes made by Bidder, including mistakenly bidding on and winning an item not intended by Bidder, is Bidder’s sole responsibility and Barridoff Auctions will not refund or rescind a sale that Bidder claimed was made by mistake or unintentional.

ADDITIONS AND ERRATA. Additions consigned or errors discovered too late to be included in the bound copy of the catalog may be found on a continually updated separate sheet and on the online catalog to the extent possible. All additions and errata will be included on the final sheet available at the auction and be placed sequentially at the end of the sale. Online catalogs are updated daily. Lot numbers correspond with the printed catalog and additions sheets.

Errata are also published in the updated sheet listing any corrections of inaccuracies or additional information concerning the original catalog. Online updates may happen without notice by Barridoff Auctions, so Bidder should refer to the most current posted auction information to remained accurately informed. The auctioneer may announce errors, omissions or changes at the commencement of or during the auction sale.

PROVENANCE Provenance is listed insofar as it is known or is allowed to be published by the consignor, who is ultimately responsible for the accuracy of any provenance information given. The conditions regarding information in paragraph 5 apply to any provenance information provided by Barridoff Auctions.

TITLES Titles are provided for most items in the sale. A title bounded by quotation marks indicates that it is the official title of the item. A title not bounded by quotation marks is an unofficial title or a brief description of an untitled item used to identify the item.

OFFERS FOR PREVIOUS SALES Barridoff Auctions accepts offers for items purchased at former auctions on behalf of present or former buyers. If Barridoff Auctions receives and determines suitable a bona fide offer for an item, Barridoff Auctions will relay the offer to the buyer for consideration and rejection, acceptance or counter-offer. If the buyer accepts the offer, a counter-offer or makes a counter-offer that is accepted, the applicable terms and conditions of sale herein apply to the transaction.

MAJOR CREDIT CARDS ACCEPTED Barridoff Auctions accepts as payment the credit cards Visa, Mastercard, Discover or American Express, subject to paragraph 9, but is not obligated to accept any particular credit card presented by Bidder. Bidder acknowledges that all sales are final and for the privilege of paying by credit card, Bidder waives any right to perform a chargeback or otherwise stop or reverse payment for an item for which Bidder was acknowledged as the winner by the auctioneer. Barridoff Auctions reserves the right to refuse payment by credit card or a particular credit card by any particular bidder or for sales over $10,000.

DISCOUNT FOR PAYING FOR/REMOVING PURCHASED ITEMS ON AUCTION DAY Barridoff Auctions offers a discount on the buyer’s premium under paragraph

8 an amount equal to 2% of the hammer price for items paid for and removed from the auction premises the day of the auction. For remote buyers, removal includes arranging shipping or delivery by Eastern Art Services prior to the end of auction day.

AUCTIONEER William J. Milliken. ME license number AUC1627 Copyright © 2024

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THE SUMMER 2024 INTERNATIONAL FINE ART SALE

LOT 1 MORRIS HENRY HOBBS (Am. 1892-1967)

Nine Nudes with Floral Names, 1946 Etching, framed under glass Each panel: signed in pencil l.r., titled and dated in pencil l.l.

Each panel: 2 9/16" x 2" sight, entire piece: 19 1/8" x 17 1/8" framed ESTIMATE: $600 - $800 Provenance: Private Collection Cumberland Foreside, Maine

LOT 2 BERNARD LAMOTTE (Fr. 1903-1983)

Paris Street Scene Watercolor and charcoal on paper, framed under glass Estate stamp l.l., Knoke Fine Arts label and signed by estate representative on backing verso 14 7/16" x 10 11/16" sight, 22 1/8" x 18 3/4" framed ESTIMATE: $300 - $500

Provenance: Private Collection Georgia

LOT 3 BERNARD LAMOTTE (Fr. 1903-1983)

Paris Scene with Eiffel Tower Watercolor and graphite on paper, framed under glass Estate stamp l.l., Knoke Fine Arts label on backing verso 10 1/2" x 7 15/16" sight, 18 5/8" x 15 3/4" framed ESTIMATE: $300 - $500 Provenance: Private Collection Georgia

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LOT 4 JEAN-LOUIS FORAIN (Fr. 1852-1931)

Le Lever Ink on paper, framed 12 15/16" x 10 5/8" actual, 18 1/8" x 15 3/4" framed ESTIMATE: $400 - $600 Provenance: The Leroy Collection Other Notes: This piece will be included in the forthcoming catalogue raisonné

LOT 5 JEAN-BAPTISTE-CAMILLE COROT (Fr. 1796-1875)

Personnage de comédie Pencil on paper, framed under glass Vente Corot stamp l.l., Galerie Schmit exhibition and inventory labels on backing verso 5 5/8" x 3 3/8" sight, 10 3/4" x 8 5/8" framed ESTIMATE: $1,000 - $2,000 Provenance: The Leroy Collection Literature: A. Robaut, L'Œuvre de Corot: catalogue raisonné et illustré, Paris 1905, vol. IV, no.

3066, carnet 29, p. 92 (one of 52 sheets).

Exhibited: Paris, Galerie Schmit, Corot dans les collections privées, 24 April - 9 July, 1996

LOT 6 JEAN-BAPTISTE-CAMILLE COROT (Fr. 1796-1875)

Etude de trois ménagères Pencil on paper, framed under glass Vente Corot stamp l.r., Galerie Schmit exhibition and inventory labels on backing verso 3 1/2" x 5 5/8" sight, 8 5/8" x 10 3/4" framed ESTIMATE: $1,000 - $2,000 Provenance: The Leroy Collection Literature: A. Robaut, L'Œuvre de Corot: catalogue raisonné et illustré, Paris 1905, vol. IV, no. 3066, carnet 29, p. 92 (one of 52 sheets).

Exhibited: Paris, Galerie Schmit, Corot dans les collections privées, 24 April - 9 July, 1996

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LOT 7 ODILON REDON (Fr. 1840-1916)

Princess Maleine (The Little Madonna) Drypoint etching, unframed 4 3/4" x 2 1/2" image, 7 1/2" x 5 1/2" sheet ESTIMATE: $400 - $600 Provenance: Private Collection Maine Other Notes: Another instance of this etching is currently on display at the Art Institute of Chicago

LOT 8 ANDERS ZORN (Swe. 1860-1920)

Dal River, 1919 Etching, framed under glass Signed in pencil l.r., dated in plate l.l.

6 5/8" x 4 1/4" image, 21 5/8" x 18 5/8" framed ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Maine

LOT 9 CHILDE HASSAM (Am. 1859-1935)

The Old Mulford House, Easthampton, 1926 Etching, framed under glass Dated and artist's monogram in plate l.r., artist's monogram in pencil l.c.

8 1/4" x 10 3/4" image, 14 7/8" x 19 1/8" framed ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Maine

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 10

LOT 5

PETER HURD JOSEPH STELLA IT./AM. 1877-1946 Tree The Sentinel, Santa Fel.r., Trail Conte’ on paper, framed. Signed titled and dated on Lithograph, framed under glass Zabriskie and Far Gallery labels attached to verso Signed in pencil 8 l.r., titled editioned "17/500" in pencil l.l., 1/2” x 4 and 13/16” sight, 15” x 10 15/16” framed informational tag and newspaper article attached verso 13" x 19 3/8" image, 21 5/8" x 27 5/8" framed $600-800 (Am. 1904-1984)

Provenance: Private Collection New Hampshire

ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Maine

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LOT 11 MARSDEN HARTLEY (Am. 1877-1943)

Waxenstein Lithograph, framed under glass Signed and dated in pencil, l.r., titled and editioned "#47" in pencil l.l.

16" x 11 3/8" actual ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Maine

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LOT 12 THOMAS HART BENTON (Am. 1889-1975)

Loading Corn, 1945 Lithograph, framed under glass Signed in pencil l.r., informational label attached verso 10" x 13 1/4" sight, 16 1/4" x 19 1/2" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Maine

LOT 13 THOMAS HART BENTON (Am. 1889-1975) Jesse and Jake

Lithograph, framed under glass Signed in pencil and signed in plate l.r., inscribed "To David and Alfred Olivetti from Jessie P. Benton - 1945" in pencil l.l.

13 1/4" x 9 7/8" image, 21 1/8" x 17 1/8" framed

ESTIMATE: $2,500 - $3,500 Provenance: Private Collection Maine

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LOT 14 THOMAS HART BENTON (Am. 1889-1975)

The Music Lesson, 1943 Lithograph, framed under glass Signed in pencil l.r., signed in plate l.l., biographical article attached to backing verso 10 1/16" x 12 13/16" image, 12 5/8" x 15 1/8" sheet, 17 1/2" x 19 7/8" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Sparr, Florida

LOT 15 THOMAS HART BENTON (Am. 1889-1975)

Slow Train Through Arkansas, 1941 Lithograph, framed under glass Signed in pencil l.r., signed in plate l.l.

9 7/8" x 12 7/8" image, 12" x 15 5/8" sheet, 17 5/8" x 19 7/8" framed ESTIMATE: $3,000 - $5,000 Provenance: Private Collection Sparr, Florida

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 16

LOT 5

WILHELM ALEXANDER MEYERHEIM JOSEPH STELLA IT./AM. 1877-1946 (Ger. 1815-1882)

Tree in Signed the Snow Conte’ on paper,Playing framed. l.r., titled and dated on canvas, framed ZabriskieOil andonFar Gallery labels attached to verso Signed l.l., N.L.xLepke label on stretcher verso framed 8 1/2” 4 13/16” sight, 15” x 10 15/16” 10 1/2" x 13 1/2" actual, 18 1/4" x 21 1/2" framed $600-800 ESTIMATE: - $800 Provenance:$600 Private Collection New Hampshire Provenance: Private Collection Portsmouth, New Hampshire

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LOT 17 19TH CENTURY GERMAN SCHOOL Under Shade on the Docks Oil on board, framed Signed indistinctly l.r., inscribed "Augustin Palme 1808-1897" verso 7 7/8" x 13 3/4" actual, 13 9/16" x 19 3/8" framed ESTIMATE: $400 - $600 Provenance: Private Collection Rye Beach, New Hampshire

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LOT 18 MARK FISHER (Am. 1841-1923)

The Chalk Pit Oil on canvas, framed Signed l.l., partial exhibition label on stretcher verso 30 5/8" x 23 3/4" actual, 34 5/8" x 28" framed ESTIMATE: $1,000 - $1,500 Provenance: From the Collection of Mrs. Charles Churchill, London, United Kingdom to Private Collection New Hampshire

LOT 19 MARK FISHER (Am. 1841-1923)

The Forge, 1899 Oil on canvas, framed Signed and dated l.l., collector's label verso 31 1/8" x 25" actual, 35" x 29" framed ESTIMATE: $800 - $1,200 Provenance: From the Collection of Mrs. Charles Churchill, London, United Kingdom to Private Collection New Hampshire

LOT 20 CHARLES LEICKERT (Belgian 1816-1907)

Riverside Scene Oil on canvas, framed Signed l.r., Lyman Bros. label atached verso 11 1/4" x 14 1/4" actual, 17 1/2" x 20 1/2" framed ESTIMATE: $3,000 - $5,000

BARRIDOFF AUCTIONS

Provenance: Private Collection Portsmouth, New Hampshire Private Collection New Hampshire

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LOT 21 SCHOOL OF BONAVENTURA PEETERS (Belgian 1614-1652)

Port City Oil on canvas, framed 26 1/4" x 34 1/4" actual, 29 3/4" x 37 3/4" framed ESTIMATE: $2,000 - $4,000 Provenance: Private Collection Yarmouth, Maine

LOT 22 LATE 17TH CENTURY EUROPEAN SCHOOL Ships at Port Oil on canvas, framed 25 3/8" x 42 1/8" actual, 30" x 46 7/8" framed ESTIMATE: $2,000 - $4,000 Provenance: Private Collection Yarmouth, Maine

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LOT 23

LOT 25

19TH CENTURY CHINA TRADE SCHOOL (POSSIBLY LAI FONG) The Ship Lyndhurst Under Full Sail Oil on board, framed 16 7/8" x 22 3/8" actual, 20 1/8" x 25 5/8" framed

GORDON GRANT (Am. 1875-1962)

ESTIMATE: $800 - $1,200

LOT 24

Provenance: Private Collection Darien, Connecticut

JOHN CHRISTIAN SCHETKY (Br. 1778-1874)

Two Sailing Ships Oil on panel, framed Signed l.r.

11 1/2" x 15 1/2" sight, 14 5/8" x 18 5/8" framed

Action Between Lively and Glorioso off Caidz Oil on canvas, framed Inscribed "Lively and Glorioso (Spanish) off Cadiz by Shetky" verso 15 7/8" x 24" actual, 19 3/16" x 27" framed

ESTIMATE: $800 - $1,200 Provenance: Private Collection Maine

ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Bedford, Hew Hampshire

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LOT 26 GORDON GRANT (Am. 1875-1962)

Mending the Nets Watercolor on paper, framed under glass Signed l.l.

14 1/8" x 20 3/4" sight, 24 3/4" x 31 1/8" framed ESTIMATE: $500 - $700 Provenance: Private Collection Darien, Connecticut

LOT 27 ANTONIO MATTEI (Am. 1900-1956)

Fishermen on the Cove, 1948 Tempera on paper, framed under glass Signed and dated l.r.

15 1/2" x 23 3/4" actual, 18 7/8" x 27 3/4" framed ESTIMATE: $400 - $600 Provenance: Private Collection Rye Beach, New Hampshire

LOT 28 HAYLEY LEVER (Australian/Am. 1876-1958)

Summer, Breton, France Watercolor on paper, framed under glass Signed l.r.

8 3/4" x 18 1/4" sight, 16" x 25" framed ESTIMATE: $700 - $900 Provenance: Private Collection Darien, Connecticut

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LOT 29 EGBERT CADMUS (Am. 1868-1939) Three Works

1] "Provincetown" 1926 2] "Provincetown" 1927 3] "Provincetown Mass" 1927 1] 2] 3] Watercolors on paper, unframed 1} Signed, titled and dated l.r. 2] Signed l.r., titled and dated verso 3] Signed, titled and dated l.r.

1] 16 1/2" x 20 1/2" actual 2] 16 1/2" x 20 1/2" actual 3] 17 7/8" x 22 1/8" actual ESTIMATE: $800 - $1,200 Provenance: Private Collection Ypsilanti, Michigan

LOT 30 BERENICE ABBOTT (Am. 1898-1991)

Yuban Coffee Warehouse, Water and Dock Streets, Brooklyn, 1936 Gelatin silver print, framed under glass Signed on mount in pencil l.r.

15 1/4" x 17 3/8" actual, 27 1/2" x 28 3/4" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Maine

LOT 31 BERENICE ABBOTT (Am. 1898-1991)

The El, 2nd & 3rd Avenue Lines, Bowery and Division Street, Manhattan, 1936 Gelatin silver print, matted Signed on mount in pencil l.r., editioned "4/40" on mount in pencil l.l., Berenice Abbott Retrospective stamp on backing verso 23 1/8" x 18 1/4" actual, 37 1/8" x 32" matted ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Maine Other Notes: Published by Parasol Press Ltd., 1982

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LOT 32 ELIOT PORTER (Am. 1901-1990) Two Photographs from the China Portfolio

1] Bamboo Forest, 1980 2] Scene in China, 1984 1] 2] Dye transfer prints, framed under glass 1] 2] Signed in pen l.r.

1] 14 1/16" x 11 9/16" image, 21" x 17" framed Dye transfer print, framed under glass Signed in pen l.r.

11" x 14 1/4" image, 18 3/8" x 21 3/4" framed ESTIMATE: $1,500 - $2,500

Provenance: Private Collection Maine

LOT 33 ELIOT PORTER (Am. 1901-1990) Portfolio Two: Iceland Twelve dye transfer prints, framed under glass 1] Tarn and Cotton Grass 8 1/8" x 10 3/8" actual, 21 1/8" x 16 1/16" framed 2] Pinks on Glacial Moraine 10 3/8" x 7 7/8" actual, 21 1/8" x 16 1/16" framed 3] Small Stream in Cinders 10 3/8" x 8 1/8" actual, 21 1/8" x 16 1/16" framed 4] White Flowers in Black Ash Cliff 10 3/8" x 7 7/8" actual, 21 1/8" x 16 1/16" framed 5] Ice in Glacial Lake 10 3/8" x 7 7/8" actual, 21 1/8" x 16 1/16" framed 6] Lichens on River Stones 10 1/2" x 8 1/8" actual, 21 1/8" x 16 1/16" framed 7] Fractured Obsidian 10 3/8" x 8" actual, 21 1/8" x 16 1/16" framed 8] Steam Vent 10 5/16" x 8" actual, 21 1/8" x 16 1/16" framed 9] Sea-weed at Low Tide 10 3/8" x 8" actual, 21 1/8" x 16 1/16" framed 10] Wind Eroded Volcanic Ash 8" x 10 5/8" actual, 21 1/8" x 16 1/16" framed 11] Abandoned Farm 8 1/8" x 10 5/8" actual, 21 1/8" x 16 1/16" framed 12] River Canyon Junction 10 1/2" x 8" actual, 21 1/8" x 16 1/16" framed

LOT 34 ERNST HAAS

ESTIMATE: $4,000 - $6,000 Provenance: Private Collection Vermont Other Notes: This lot is accompanied by the original portfolio sleeve

(Austrian/Am. 1921-1986) Two Photographs from the Creation Portfolio

1] Surtsey Volcano, near Iceland, 1965 2] Lake Huntington, Kenya, 1970 1] 2] Dye transfer prints, framed under glass 1] 2] Signed in pencil l.r.

1] 12 5/8" x 19 3/8" actual, 20 3/4" x 26 3/4" framed 2] 12 1/2" x 19 1/4" actual, 20 5/8" x 26 5/8" framed ESTIMATE: $1,000 - $1,500

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Provenance: Private Collection Maine

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 35LOT 35

LOT 5LOT 36

LOT 36 LOT 36

JOSEPH STELLA IT./AM.EDWARD 1877-1946 WESTON STELLA IT./AM. 1877-1946 EDWARD JOSEPH WESTON STELLA IT./AM. 1877-1946 JOSEPH STELLA IT./AM. JOSEPH 1877-1946 Tree (Am. 1886-1958) Tree (Am. 1886-1958) Tree Tree Conte’ on paper, framed. l.r., framed. titled Shell, and 1927 datedl.r., on Conte’ paper, Signed l.r., titled and dated "Nude" on Conte’ (Charis, on paper, Santa Monica), framed. Signed 1936 l.r., titled and dated on Conte’Signed on paper, Signed titled on and datedframed. on Zabriskie and Far Gallery Gelatin labels silver attached print, framed to verso under Zabriskie glass to and Far Gallery labels attached to Gelatin verso silver Zabriskie print, and framed Far under Galleryglass labels attached to verso Zabriskie and Far Gallery labels attached verso 8 1/2”Titled, x 4 13/16” dated, sight, stamped 15”8 x1/2” 10 "Negative 15/16” framed bysight, Edward 1/2”and x framed 4 signed 13/16” sight, in 15” x Titled, 10 15/16” dated, framed stamped "Negative 8 1/2” xby 4 13/16” Edward sight, Weston" 15” x and 10 15/16” signed framed in x 4 13/16” 15”Weston" x 10815/16” pencil by Cole Weston, the artist's son, on backing verso pencil by Cole Weston, the artist's son, on backing verso $600-800 9 1/4" x 7 1/8" actual, 18" x 13 3/4" framed 9" x 7 1/2" actual, 17 1/8" x 14 1/8" $600-800 framed $600-800 $600-800 Provenance: Private Collection Provenance: New Hampshire Provenance: Private Collection New Hampshire Private Collection New Hampshire

Provenance: Private Collection New Hampshire

ESTIMATE: $1,500 - $2,500

ESTIMATE: $3,000 - $5,000

Provenance: Cole Weston to Private Collection Maine

Provenance: Cole Weston to Private Collection Maine

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LOT 37 ANSEL ADAMS (Am. 1902-1984)

"Mount Williamson from Manzonar" Gelatin silver print, framed under glass Signed in pencil on mount l.r., titled in pen and artist's stamp on mount verso 15 3/8" x 19 1/4" actual, 24 7/8" x 28 3/16" framed ESTIMATE: $25,000 - $35,000

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Provenance: Private Collection Maine

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LOT 38 OSCAR BLUEMNER (Am. 1867-1938)

River View with Aqueducts Crayon on paper, framed under glass Monogrammed l.l., artist's notation verso, Sid Deutsch Gallery, New York City label on backing verso 5 1/16" x 6 3/4" actual, 10 3/4" x 12 9/16" framed ESTIMATE: $400 - $600

Provenance: Private Collection Falmouth, Maine

LOT 39 EDWARD HOPPER (Am. 1882-1967)

Study of Men's Hats and a Window Pencil on paper, framed under glass Berta Walker Gallery label on backing verso 4 1/8" x 6 3/16" actual, 13 1/4" x 15 3/4" framed ESTIMATE: $6,000 - $8,000

Provenance: The Leroy Collection

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 40

LOT 5

ROCKWELL KENT IT./AM. 1877-1946 JOSEPH STELLA (Am. 1882-1971) Tree and Signed Icebergsl.r., titled and dated on Conte’ on paper,Ship framed.

PenZabriskie and ink on paper laid to board, unframedto verso and Far Gallery labels attached Artist's stamp and 8 inscribed l.r., "The 1/2” x 4 "page 13/16” 6" sight, 15” x original 10 15/16”drawing framedremains to property of Rockwell Kent, Ausable Forks, N.Y., and must be returned to him." stamped verso $600-800 4 3/4" x 6" actual, 7 3/16" x 9" laid to board Provenance: Private Collection New Hampshire ESTIMATE: $4,000 - $6,000 Provenance: Private Collection Maine

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LOT 41 ROCKWELL KENT (Am. 1882-1971)

"Alaska Panorama" Pen and ink on paper, framed under glass Signed l.c., titled and additional composition verso 2 1/2" x 7 1/8" sight, 13 1/2" x 18 1/8" framed ESTIMATE: $6,000 - $8,000 Provenance: Tom Veilleux Gallery to Private Collection Maine Other Notes: This lot is accompanied by an exhibition catalog from Tom Veilleux Gallery in which it is illustrated

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 42 ROCKWELL KENT

LOT 5

(Am. 1882-1971)

JOSEPH STELLA IT./AM. 1877-1946 Illustration from the Tales of Tom Thumtack Tree Wood Conte’ engraving with hand lettering and on paper on paper, framed.

Signed l.r.,collage titled and datedlaid on to board, unframed Zabriskie and Far Gallery labels attached to verso stamp l.r.15” x 10 15/16” framed 8 1/2”Artist's x 4 13/16” sight, 4 1/16" x 3 3/8" actual, 6 1/8" x 5 1/16" laid to board $600-800 ESTIMATE: $2,000 - $3,000 Provenance: Private Collection New Hampshire Provenance: Private Collection Maine

LOT 43 ROCKWELL KENT (Am. 1882-1971)

Sermilik Fjord, Greenland Color lithograph, framed under glass Signed in pencil l.r., exhibition label attached to backing verso 13 1/8" x 18 3/4" image, 20 3/8" x 26" framed ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Guilford, Connecticut

Literature: Possibly an unused illustration from Frederic Squires, Architec-Tonis The Tales of Tom Thumbtack (New York: The William T. Comstock Company, 1914).

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LOT 44 WALTER GRIFFIN (Am. 1861-1935)

Dory, Coast of Maine, c. 1889 Graphite on paper, framed under glass Signed l.r., exhibition label verso 8 5/16" x 13 3/8" sight, 14 5/8" x 19 3/4" framed ESTIMATE: $300 - $500

Provenance: Private Collection Brunswick, Maine

LOT 45 CHARLES WOODBURY (Am. 1864-1940)

Dutch Village Pencil on paper, matted Inscribed "Holland" l.r., estate stamp verso 11" x 15" actual, 15 1/2" x 18" matted ESTIMATE: $300 - $500 Provenance: Private Collection York, Maine

LOT 46 WILLIAM ZORACH (Am. 1887-1966)

Portrait, 1934 Pencil on paper, framed under glass Signed and dated l.r.

10 3/4" x 8 1/8" sight, 17" x 14 1/2" framed ESTIMATE: $500 - $700 Provenance: Private Collection York, Maine

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LOT 47 WILLIAM ZORACH (Am. 1887-1966)

New Hampshire, 1919 Watercolor on paper, framed under glass Signed and dated l.r., J. Whatman blind stamp l.l., Hirschl & Adler Galleries, Inc. label, Tom Veilleux Gallery label and Barridoff Galleries tag verso 15 1/4" x 10 7/8" sight, 26 1/2" x 20 3/8" framed ESTIMATE: $3,000 - $5,000 Provenance: Barridoff Galleries August 4, 2017, lot 91 to Private Collection Vermont

LOT 48 WILLIAM ZORACH (Am. 1887-1966)

Slaughtering a Pig, 1917 Watercolor on paper, unframed Signed and dated l.r.

11" x 8 1/2" actual ESTIMATE: $1,200 - $1,800 Provenance: The Leroy Collection

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LOT 49 WALDO PEIRCE (Am. 1884-1970)

"Becky Hypnotized by TV" 1968 Oil on canvas, unframed Initialed and dated l.r., signed, titled, dated and inscribed "Newburyport" verso 16" x 12" actual ESTIMATE: $400 - $600

Provenance: By descent in the Artist's family to Private Collection Cambridge, New York Other Notes: The subject, Becky, was the sister of Alzira Boehm Peirce, one of the Artist's wives

LOT 50 WALDO PEIRCE (Am. 1884-1970)

Little Alzira Reading a Comic Oil on canvas, unframed Initialed l.r.

12 1/8" x 9 1/16" actual ESTIMATE: $400 - $600 Provenance: By descent in the Artist's family to Private Collection Cambridge, New York Other Notes: The subject, Little Alzira, was a niece of Waldo Peirce

LOT 51 THOMAS NADEAU (Am. 20th Century)

Portrait of a Lady Oil on canvas, framed Signed l.r.

35 1/8" x 25" actual, 39 5/8" x 29 7/16" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Shirley, Maine Portrait of a Lady is a wonderful example of Thomas Nadeau’s meticulous use of visual symbols. The subject of the painting is a personal acquaintance of Nadeau’s who has overcome much hardship and trauma, and the objects in the painting represent her life story and journey of healing. The mountains and bridge over troubled water in the background represent the challenges that the subject has had to face and overcome. She finds her way off the bridge and learns to place herself on a pedestal. The tree behind her shows that even after a long dark winter, the bright green leaves were always there waiting to be let out. As the clouds clear, she is able to find love and friendship, represented by the red and white roses as well as inner peace, represented by the dove. Nadeau’s use of symbols comes from a long standing tradition in portraiture of revealing details about the sitter and their life through other elements in the piece.

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LOT 52 NICOLAI CIKOVSKY (Rus./Am. 1894-1987)

Young Girl in Pink Gouache on paper, framed under glass Signed l.r., Christie's East label on frame verso 22 1/8" x 18" sight, 27 3/8" x 23 1/2" framed ESTIMATE: $700 - $900 Provenance: Private Collection Vermont

LOT 53 PHILIP EVERGOOD (Am. 1901-1973)

Portrait of Richard Carline, Esquire - Painter, 1963 Oil on canvas, framed Signed and dated l.l., inscribed "Richard Carline Esquire - Painter" on stretcher verso, Gallery 63 Inc. label verso, Skinner label on frame verso 44 1/8" x 24 1/8" actual, 52 1/8" x 32 1/8" framed ESTIMATE: $2,000 - $3,000 Provenance: Skinner May 20, 2005, lot 433 to Neal Auction Company July 16, 2016, lot 160 to Private Collection Vermont

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LOT 54 ELLEN EMMET RAND (Am. 1875-1941)

Portrait of Emily Bedford, 1933 Oil on canvas, framed Signed and dated u.r., Red Fox Fine Art label verso 29 1/4" x 20 1/8" actual, 31 5/8" x 22 3/4" framed ESTIMATE: $3,000 - $5,000 Provenance: Mr. E.T.B. Davie Jr., grandson of the sitter, to Mr. Bruce E. McCashin, great-nephew of the sitter, by descent Other Notes: This lot is accompanied by an exhibition catalog in which it is illustrated

LOT 55 JOSEPH GREENLEAF COLE (Am. 1806-1858)

Portrait of Nathaniel Warren, Portland, Maine, 1826 Oil on paper stock, framed Signed, dated and inscribed "Mr. Nat G. Warren to Mrs. Mary Ellen Warren Scott to Mrs. Anna Warren Scott Pearce" verso 28 1/2" x 20 7/8" actual, 34 1/8" x 26 11/16" framed ESTIMATE: $800 - $1,200 Provenance: Private Collection Maine Other Notes: This lot is accompanied by historical and biographical information on the artist and subject

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LOT 56 RUSSELL CHENEY (Am. 1881-1945)

Les Enfants Pendus (The Hung-Up Children), 1927-8 Oil on canvas, framed Signed and artist's insignia l.r.

60 3/4" x 72 1/8" actual, 65 3/16" x 77 1/8" framed ESTIMATE: $8,000 - $10,000 Provenance: Private Collection Portsmouth, New Hampshire Literature: Illustrated in F.O. Matthiessen, Russell Cheney: A Record of His Work (New York: Oxford University Press, 1947) 74.

Exhibited: Russell Cheney: Artist of the Piscataqua, Portsmouth Athenaeum, The Randall Room, June 20 - August 17, 1996

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LOT 57

LOT 58

LOT 59

IRVING RAMSAY WILES

WALT KUHN

GEORGE DE LYRA

(Am. 1861-1948)

(Am. 1877-1949)

ESTIMATE: $2,000 - $3,000

ESTIMATE: $7,000 - $9,000

ESTIMATE: $700 - $900

Provenance: Private Collection California Other Notes: Conservation report available upon request

Provenance: Private Collection Vermont

Provenance: Private Collection Vermont

Woman in Frothy Dress The Clown, 1931 Oil on canvas, framed Tempera on paper laid to board, framed under glass Signed u.r.

Signed and dated c.r.

14 1/8" x 12 1/8" actual, 17 1/8" x 15 1/8" framed 17 1/4" x 12 1/2" actual, 22 1/2" x 17 7/8" framed

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(Am. 1929-1999)

Figure in Brown Oil on panel, framed Signed l.l., exhibition label attached to strainer verso 23" x 31 1/2" actual, 25 1/8" x 34 1/8" framed

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LOT 60 CHRIS HUNTINGTON (Am. b. 1938)

"Oct 1st" Stacyville, ME, 1994 Oil on panel, framed Signed l.r., titled l.l., signed, titled and artist's label verso 12" x 18" actual, 17 3/8" x 23 3/8" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Portsmouth, New Hampshire

LOT 61 CHARLES GOODHUE (Am. 1915-2005)

Lavender Sunset Oil on canvas, framed Signed l.r., estate stamp verso and inventory number "O-154" on stretcher verso 15 7/8" x 20" actual, 18 1/4" x 22 1/4" framed ESTIMATE: $400 - $600 Provenance: Private Collection Yarmouth, Maine

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A RTIST COR N ER S

STEPHEN ETNIER

tephen Morgan Etnier was born on September 11, 1903, into a wealthy family in York, Pennsylvania. His grandfather, S. Morgan Smith, was an industrialist, inventor, and the STEPHEN ETNIER & ALBERT MILCH first president Photo Credit: Courtesy of https://stephenetnier. of the corporation com/cv.html that would become Johnson Controls before founding his own company, one of the early manufacturers of turbines.

Growing up in a privileged household where art was always present, Etnier was particularly influenced by a Hudson River School painting by Fredrick Church that hung in his home. Though his parents expected him to follow his father into the family business, Etnier disliked the idea of being confined to indoor work and often rebelled against authority, leading to his removal from several private preparatory schools. By high school, he was copying paintings in the school library in pen and ink and was exposed to Western art during trips with his mother to the Grand Canyon, Lake Louise, and the 1915 San Francisco Exposition.

After high school, he deferred college to travel to South America with his sister and mother. Upon returning, he enrolled at Yale University to study art but found the program "very stuffy." Outside of class, he painted Western and South American landscapes from memory. A significant moment came when his hockey coach showed him a Van Gogh painting, the first modernist work he had ever seen, which he described as not "stuffy and brown."

Etnier was eventually expelled from Yale due to poor grades and later studied at the Pennsylvania Academy of the Fine Arts. He 36

committed to painting full-time, traveling extensively and studying with Rockwell Kent. Etnier became known as a realist painter, focusing primarily on marine scenes and landscapes.

In 1953, the Farnsworth Art Museum hosted a retrospective of his works. His paintings have been widely exhibited and are held in the permanent collections of the Boston Museum of Fine Arts, the Metropolitan Museum of Art, and the Bowdoin College Art Museum, which awarded him an honorary doctorate in 1969. In 1964, he received the Gold Medal from the National Academy of Design.

Barridoff has sold upwards of 250 paintings by the artist since 1978 and is proud to continue his strong legacy in the art market, particularly in Maine.

STEPHEN ETNIER IS HIS HARPWELL STUDIO Photo Credit: Courtesy of https://maineboats.com/print/issue-187/ david-etnier%E2%80%99s-sense-place-and-people BARRIDOFF AUCTIONS

THE SUMMER 2024 INTERNATIONAL FINE ART SALE

LOT 62 STEPHEN ETNIER (Am. 1903-1984)

Hoisting Sail, Jewell Island Harbor, 1959 Oil on canvas, framed Signed and dated l.c., The Milch Galleries label on backing verso 20" x 36" actual, 30 1/2" x 46 1/2" framed ESTIMATE: $8,000 - $12,000 Provenance: Barridoff Auctions August 6, 2004, lot 52 to Private Collection Vermont

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LOT 63 STEPHEN ETNIER (Am. 1903-1984)

"Low Tide" 1966 Oil on panel, framed Signed and dated l.l., signed, titled and dated verso, signed and titled on backing verso 14" x 24" actual, 23 1/4" x 33 1/4" framed ESTIMATE: $3,000 - $5,000 Provenance: Barridoff Galleries April 25, 2012, lot 255 to Private Collection Vermont

LOT 64 STEPHEN ETNIER (Am. 1903-1984)

"Seiners" 1954 Oil on canvas, framed Signed and dated l.r., signed, titled, dated and Milch Galleries label on stretcher verso 9 7/8" x 14 1/8" actual, 16 3/4" x 20 3/4" framed ESTIMATE: $2,000 - $3,000 Provenance: Barridoff Galleries August 4, 2006, lot 256 to Private Collection Vermont

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LOT 65 WILLIAM THON (Am. 1906-2000)

Harbor Scene Watercolor on paper, matted Estate inventory number verso 12" x 15 3/4" actual, 15 1/2" x 20 1/2" matted ESTIMATE: $300 - $500 Provenance: Private Collection York, Maine

LOT 66 WILLIAM THON (Am. 1906-2000)

Sailboats Watercolor on paper, matted 10" x 13 1/2" sight, 14 3/4" x 18 1/16" matted ESTIMATE: $400 - $600 Provenance: Private Collection York, Maine

LOT 67 WILLIAM THON (Am. 1906-2000)

Sketchbook Pen and ink and watercolor on bound paper sheets Additional information on this lot is available upon request 9 1/16" x 12 3/16" actual ESTIMATE: $500 - $700 Provenance: Private Collection Ypsilanti, Michigan

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 68

LOT 5

WILLIAM THON IT./AM. 1877-1946 JOSEPH STELLA (Am. 1906-2000) Tree SloopSigned Susan l.r., titled and dated on Conte’ on paper, framed.

Watercolor onFar paper, framed under glassto verso Zabriskie and Gallery labels attached Signed l.l., Midtown8Galleries label, Frost Gallery Barridoff 1/2” x 4 13/16” sight, Gully 15” x 10 15/16”label, framed Galleries label and partial Payson Art Enterprise label on backing verso 17 1/2" x 23" sight, 24" x 29 3/8" framed $600-800 Provenance: Private Collection New Hampshire

ESTIMATE: $1,000 - $1,500

Provenance: Barridoff Galleries Ocober 19, 2019, lot 36 to Private Collection Vermont

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LOT 69 WILLIAM THON (Am. 1906-2000)

"Mist in the Trees" Oil on masonite, unframed Signed l.r., titled verso 22 1/16" x 35 7/8" actual ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Ypsilanti, Michigan

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LOT 70 CARL SPRINCHORN (Am. 1887-1971)

Man with Axe Crayon on paper, framed under glass Initialed l.r., William Kelly Simpson label on backing verso 11 7/8" x 8 7/8" actual, 21 3/8" x 17 3/8" framed ESTIMATE: $600 - $800 Provenance: Private Collection New York City, New York

LOT 71 CARL SPRINCHORN (Am. 1887-1971)

The Seduction Ink and brush on paper, framed under glass Signed l.r.

17" x 12" sight, 25 3/4" x 19 5/8" framed ESTIMATE: $600 - $800 Provenance: Private Collection New York City, New York

LOT 72 CARL SPRINCHORN (Am. 1887-1971)

Man with Curly Hair Pastel and ink wash on paper, framed under glass Signed l.r., Tom Veilleux Gallery label on backing verso 8" x 5" actual, 16 1/16" x 12 1/16" framed ESTIMATE: $300 - $500

Provenance: Private Collection New York City, New York

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THE SUMMER 2024 INTERNATIONAL FINE ART SALE

LOT 73 CARL SPRINCHORN (Am. 1887-1971)

Swaggering Laborer Watercolor and pastel on paper, framed under glass Initialed u.r., Swann's label and Helicline Fine Art label on backing verso 12 3/4" x 9 3/4" sight, 19 3/4" x 16 3/4" framed ESTIMATE: $1,500 - $2,000 Provenance: Swann Galleries June 20, 2019, lot 229 to Private Collection New York City, New York

LOT 74 CARL SPRINCHORN (Am. 1887-1971)

Bird Oil on canvas laid to board, framed Signed verso, Heydenryk framing label on frame verso 12 1/4" x 16" actual, 22 3/16" x 25 7/8" framed ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Ypsilanti, Michigan

LOT 75 CARL SPRINCHORN (Am. 1887-1971)

Bridge, 1914 Oil on masonite, framed Signed and dated l.l., additional composition verso 9 3/4" x 12 1/2" actual, 17 3/16" x 20" framed ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Amesbury, Massachusetts

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LOT 76 KATHERINE BRADFORD (Am. b. 1942)

Juggler, 2023 Acrylic on paper, framed Signed, titled and dated verso, original envelope from New York Studio School of Drawing, Painting & Sculpture and photocopy of verso inscription attached to frame verso 5 3/16" x 5" actual, 12 1/4" x 11 15/16" framed ESTIMATE: $3,000 - $5,000 Provenance: Private Collection Maine

LOT 77 KATHERINE BRADFORD (Am. b. 1942)

"Lady by her Pool" 2023 Acrylic on paper, framed Signed, titled and dated verso, original envelope from New York Studio School of Drawing, Painting & Sculpture and photocopy of verso inscription attached to frame verso 5" x 5" actual, 12 1/4" x 12" framed ESTIMATE: $4,000 - $6,000 Provenance: Private Collection Maine

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LOT 78 KATHERINE BRADFORD (Am. b. 1941)

Superman, M Shirt, 2014 Acrylic on wood construction, unframed Signed and dated verso 16 3/16" x 11 5/16" x 2 1/2" actual ESTIMATE: $8,000 - $12,000

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Provenance: Private Collection Maine

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LOT 79 KATHERINE BRADFORD (Am. b. 1942)

"Lights" 1994 Oil on canvas, framed Signed, titled and dated verso, Victoria Munroe Fine Art label on stretcher verso 16 1/8" x 21 15/16" actual, 16 3/4" x 22 1/2" framed ESTIMATE: $4,000 - $6,000 Provenance: Private Collection Ypsilanti, Michigan

LOT 80 ARTHUR DIMAMBRO (Am. 1928-2016)

Trees, 2011 Oil on panel, framed Initialed and dated l.r.

12" x 16" actual, 13" x 17" framed ESTIMATE: $600 - $800 Provenance: Private Collection Portsmouth, New Hampshire

LOT 81 ARTHUR DIMAMBRO (Am. 1928-2016)

Landscape with Orange Fields Oil on panel, framed Initialed l.r.

14" x 18 1/8" actual, 18 3/4" x 22 7/8" framed ESTIMATE: $600 - $800 Provenance: Private Collection Portsmouth, New Hampshire

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THE SUMMER 2024 INTERNATIONAL FINE ART SALE

LOT 82 ARTHUR DIMAMBRO (Am. 1928-2016)

Abstraction in Blue and Orange, 2013 Oil on masonite, unframed Initialed and dated l.r.

36 1/4" x 48" actual ESTIMATE: $800 - $1,200 Provenance: Family of the Artist

LOT 83 ARTHUR DIMAMBRO (Am. 1928-2016)

Abstraction in Red and Black Oil on masonite, unframed Initialed and dated indistinctly l.r.

48 3/16" x 23 13/16" actual ESTIMATE: $800 - $1,200 Provenance: Family of the Artist

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LOT 84 ARTHUR DIMAMBRO (Am. 1928-2016)

Bathers in the Sun Oil on masonite, unframed 48" x 48" actual ESTIMATE: $2,500 - $3,500 Provenance: Family of the Artist

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LOT 85 WAYNE BEAM MORRELL (Am. 1923-2013)

Beachscape with Bathers and Sailboats Oil on canvasboard, framed Signed l.l.

17 1/4" x 11 3/4" sight, 22 5/8" x 16 7/8" framed ESTIMATE: $600 - $800 Provenance: Private Collection East Boothbay, Maine

LOT 86 GUSTAVE CIMIOTTI (Am. 1875-1969)

"Monhegan" Oil on canvasboard, framed Signed l.r., signed and titled verso 15 7/8" x 19 7/8" actual, 21 3/16" x 25 1/16" framed ESTIMATE: $900 - $1,200 Provenance: Private Collection Massachusetts

LOT 87 CALEB STONE (Am. 21st Century)

Fish Beach, Monhegan Oil on board, framed Signed l.l., Barridoff Galleries tag verso 12" x 16" actual, 18 13/16" x 22 7/8" framed ESTIMATE: $400 - $600 Provenance: Barridoff Galleries August 4, 2017, lot 183 to Private Collection Vermont

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LOT 88 CALEB STONE (Am. 21st Century)

"Behind the School House" Monhegan, 1996 Oil on canvas laid to panel, framed Signed l.r., titled and dated verso 10 7/8" x 14" actual, 19" x 22 1/2" framed ESTIMATE: $900 - $1,200 Provenance: Private Collection Hallowell, Maine

LOT 89 LEO BROOKS (Am. 1909-1993)

Crashing Surf Watercolor on paper, framed under glass Signed l.r.

17 1/2" x 24 1/8" sight, 23 3/4" x 30" framed ESTIMATE: $800 - $1,200 Provenance: Private Collection Cape Elizabeth, Maine

LOT 90 LEO BROOKS (Am. 1909-1993)

Man with Pink Fish Watercolor on paper, framed under glass Signed l.r.

21 7/8" x 29 1/4" sight, 32 5/8" x 39 1/2" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Cape Elizabeth, Maine

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 91

LOT 5

LEO BROOKS JOSEPH STELLA IT./AM. 1877-1946 (Am. 1909-1993) Tree Gull on the Pier, Monhegan, 1984and dated on Conte’ on paper, framed. Signed l.r., titled Watercolor onGallery paper, labels framedattached under glass Zabriskieand andink Far to verso andsight, dated15” l.r. x 10 15/16” framed 8 1/2”Signed x 4 13/16” 21" x 29" sight, 30 1/8" x 37 11/16" framed $600-800 ESTIMATE: $2,000 $3,000 New Hampshire Provenance: Private-Collection Provenance: Private Collection Cape Elizabeth, Maine

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LOT 92 LEO BROOKS (Am. 1909-1993)

Sunbath Watercolor on paper, framed under glass Signed l.r.

20 1/2" x 28 5/8" sight, 30 1/4" x 37 5/8" framed ESTIMATE: $1,500 - $2,500 Provenance: Private Collection Cape Elizabeth, Maine

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LOT 93 ELENA JAHN (Am. 1938-2014)

Lobster Cove #2 Pastel on paper, framed under glass Signed l.r.

27 3/4" x 40 3/8" actual, 32 1/4" x 45 3/16" framed ESTIMATE: $600 - $800 Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 94 ELENA JAHN (Am. 1938-2014)

Monhegan Sunset (From Sky/Sea Series), 1990 Oil pastel on paper, framed under glass Signed l.r., signed, dated and inscribed "Monhegan Island, ME 04852 Sky/Sea Series" verso 7 3/4" x 8 11/16" sight, 9 7/8" x 12 7/8" sheet, 16 5/8" x 16 9/16" framed ESTIMATE: $300 - $500 Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 95 ALEX MINEWSKI (Am. 1917-1979)

Cliffs, Monhegan Watercolor on paper, unframed Signed l.l., artist's stamp verso 10" x 14 1/16" actual ESTIMATE: $300 - $500 Provenance: Lupine Gallery Monhegan Island, Maine to Private Collection Massachusetts

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LOT 96 ALEX MINEWSKI (Am. 1917-1979)

"Monhegan Cliffs" 1950 Oil on canvas laid to panel, unframed Signed l.l., signed, titled, dated and artist's stamp verso 10 1/4" x 14 1/4" actual ESTIMATE: $600 - $800 Provenance: Estate of the Artist to Private Collection Massachusetts (purchased from Natalie Minewski, the artist's spouse)

LOT 97 ALEX MINEWSKI (Am. 1917-1979)

"Surf" Monhegan Island Oil on panel, unframed Signed l.r., signed and titled verso 12" x 16" actual ESTIMATE: $700 - $900 Provenance: Estate of the Artist to Private Collection Massachusetts (purchased from Natalie Minewski, the artist's spouse)

LOT 98 ALEX MINEWSKI (Am. 1917-1979)

Wreck Fragments, Monhegan Oil on masonite, framed Signed l.l., signed, inscribed "128 E 16th St NYC -3" and "Monhegan Island, Maine" and Barridoff Auctions label verso 11 15/16" x 15 7/8" actual, 15 3/4" x 19 3/4" framed ESTIMATE: $800 - $1,200

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Provenance: Private Collection San Diego, California

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LOT 99 MORRIS SHULMAN (Am. 1912-1978)

Monhegan Abstraction, c. 1955 Casein on paper, framed under glass Signed l.r.

9 7/8" x 13 7/8" sight, 18 1/4" x 22 1/8" framed ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Lawrence, New York

LOT 100 EDMUND FRANKLIN WARD (Am. 1892-1991)

"Squeaker's Cove" The Wreck of the St. Christopher, Monhegan, 1949 Oil on canvasboard, framed Signed l.r., signed, titled, dated and estate stamp verso 12" x 14 1/2" actual, 13 15/16" x 16 5/16" framed ESTIMATE: $400 - $600 Provenance: Private Collection San Diego, California

LOT 101 MORRIS SHULMAN (Am. 1912-1978)

Untitled Abstraction, c. 1958 Casein on paper, framed under glass Signed l.r.

22 1/4" x 30 1/4" actual, 35" x 42 9/16" framed ESTIMATE: $800 - $1,200 Provenance: Private Collection Lawrence, New York

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LOT 102 MORRIS SHULMAN (Am. 1912-1978)

Untitled Abstraction, 1953 Casein on board, framed Signed and dated l.r.

25 1/2" x 35 1/2" sight, 30 7/8" x 40 7/8" framed ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Lawrence, New York

LOT 103 MORRIS SHULMAN (Am. 1912-1978)

View Toward Gull Hill, 1948 Pastel on paper, matted Signed and dated l.r.

18 1/4" x 25 1/4" sight, 23 9/16" x 30 9/16" matted ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Lawrence, New York

LOT 104 MORRIS SHULMAN (Am. 1912-1978)

"Brambles" c. 1949 Watercolor and pastel on paper, framed under glass Signed, titled, dated and Barridoff Galleries tag on backing verso 20 3/4" x 28 1/2" actual, 28 3/8" x 36 1/8" framed ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Lawrence, New York

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LOT 105 ALICE KENT STODDARD (Am. 1884-1976)

Rocky Shore Oil on canvas, unframed Signed l.r., signed l.l., estate stamp and Rago label on stretcher verso 25 1/8" x 30 1/8" actual ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Ypsilanti, Michigan

LOT 106 JACQUELINE HUDSON (Am. 1910-2001)

"Island Cliff" Monoprint, framed under glass Signed in pencil l.r., titled in pencil l.l.

19 1/8" x 13 1/4" image, 27 13/16" x 20 15/16" framed ESTIMATE: $400 - $600 Provenance: Private Collection Hallowell, Maine

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LOT 107 MABEL MAY WOODWARD (Am. 1877-1945)

Summer Day Oil on board, framed Signed l.l.

8 1/4" x 10 1/8" actual, 12 7/8" x 15" framed ESTIMATE: $800 - $1,200 Provenance: Private Collection Darien, Connecticut

LOT 108 PAULINE PALMER (Am. 1867-1938)

The New Model Oil on canvas laid to panel, framed Signed l.l., Chicago Artists Thirty-Fifth Annual Exhibition, 1931 labels attached to and Hindman labels on frame verso 41 7/8" x 35 7/8" actual, 46 3/16" x 40 1/4" framed ESTIMATE: $5,000 - $7,000 Provenance: Private Collection Ypsilanti, Michigan Literature: Catalogue of the Thirty-Fifth Annual Exhibition by Artists of Chicago and Vicinity, The Art Institute of Chicago; p. 36, #145 Exhibited: Thirty-Fifth Annual Exhibition by Artists of Chicago and Vicinity, January 29 - March 1, 1931, The Art Institute of Chicago Other Notes: This work depicts the artist painting outside of her home in Provincetown

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LOT 109 MARCIA OAKES WOODBURY (Am. 1865-1913)

Musicians Oil on canvas, framed Inscribed "Musicians by Marcia Oakes Woodbury" on stretcher verso 8" x 10" actual, 18 5/8" x 20 5/8" framed ESTIMATE: $700 - $900 Provenance: Collection of India Woodbury, wife of the Artist's son David, to Private Collection Farmington, Maine

LOT 110 CHARLES WOODBURY (Am. 1864-1940)

Three Women on the Beach Watercolor on paper, framed under glass Letter to original buyer and Barridoff Galleries tag attached to backing verso 14 3/8" x 9 7/8" sight, 23" x 18 1/2" framed ESTIMATE: $1,500 - $2,500 Provenance: Barridoff Galleries October 19, 2019, lot 89 to Private Collection Vermont

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LOT 111 PABLO PICASSO (Sp. 1881-1973)

Picador et Tareau Ceramic Empreinte Originale de Picasso stamp on underside Approx. 3 3/4" x 3 3/8" x 1/4" actual ESTIMATE: $500 - $700 Provenance: Private Collection New York

LOT 112 PABLO PICASSO (Sp. 1881-1973)

Medallion with Bird Sterling silver Madoura Empreinte Originale Picasso stamp verso Approx. 1 1/2" x 1 1/2" x 1/16" actual ESTIMATE: $1,000 - $1,500 Provenance: Private Collection New York

LOT 113 PABLO PICASSO (Sp. 1881-1973)

Taureau sous l'arbre, 1952 White earthenware ceramic with oxidized paraffin decoration Inscribed "Edition Piccaso" and stamped "Edition Picasso" and "Madoura Plein Feu" on underside 8 1/2" x 8 1/2" x 3/4" actual ESTIMATE: $2,000 - $3,000 Provenance: Private Collection New York Other Notes: This work is an edition of 500

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LOT 114 PABLO PICASSO (Sp. 1881-1973)

Visage d'homme, 1953 Ceramic Madoura Plein Feu stamp and Edition Picasso stamp on underside Approx. 15 1/4" x 12 3/8" x 1 1/2" actual ESTIMATE: $8,000 - $12,000

BARRIDOFF AUCTIONS

Provenance: Private Collection New York

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LOT 115 PABLO PICASSO (Sp. 1881-1973)

"Hibou" A.R. 253 Ceramic Inscribed "Edition Picasso" and "Madoura", "Edition Picasso" and "Madoura Plein Feu" stamps on underside Approx. 9 5/8" x 4 1/2" x 7 1/4" actual ESTIMATE: $5,000 - $7,000 Provenance: Barridoff Galleries August 4, 2017, lot 1 to Private Collection Vermont

LOT 116 AFTER JOAN MIRO (Sp. 1893-1983)

Platter with Figures and Stars Ceramic Inscribed "Miro" near outer edge Approx. 15 1/2" x 15 1/2" x 2 1/2" actual ESTIMATE: $400 - $600 Provenance: Private Collection New York

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LOT 117 AMOS FERGUSON (Bahamian 1920-2009)

Pine Cone Pine cone, enamel, plaster and glitter Signed on underside Approx. 2 1/2" x 1 3/4" 2 1/4" actual ESTIMATE: $500 - $700 Provenance: Property of the Vanguard Museum Collection, Bahamas

LOT 118 AMOS FERGUSON (Bahamian 1920-2009)

Leaf Plaster, enamel and glitter Approx. 13 1/2" x 9 1/2" x 2" actual ESTIMATE: $600 - $800 Provenance: Property of the Vanguard Museum Collection, Bahamas

LOT 119 JOHN BISBEE (Am. b. 1965)

Untitled (Spiral), 1999 Welded nails Approx. 29 1/2" x 14" x 11" actual ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Maine

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 120

LOT 5

RICHARD JOSEPH ESTES STELLA IT./AM. 1877-1946 (Am. b. 1932) Tree Pressing Machinery from Urban Landscapes Portfolio No. 2, 1979 Conte’ on paper, framed. Signed l.r., titled and dated on Screenprint in Far colors, framed under glass to verso Zabriskie and Gallery labels attached Signed in pencil 8 l.r.,1/2” editioned "49/100" in pencil l.l., Domberger x 4 13/16” sight, 15” x 10 15/16” framed Screenprint blind stamp l.l.

19 5/8" x 13" image, 27 7/16" x 19 5/8" sheet, 28 1/2" x$600-800 20 3/8" framed Provenance: Private Collection New Hampshire

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LOT 121 RICHARD ESTES (Am. b. 1932)

Big Diamonds from Urban Landscapes Portfolio No. 2, 1979 Screenprint in colors, framed under glass Signed in pencil l.r., editioned "49/100" in pencil l.l., Domberger Screenprint blind stamp l.l.

19 5/8" x 13" image, 27 7/16" x 19 5/8" sheet, 28 1/2" x 20 3/8" framed

ESTIMATE: $1,200 - $1,800

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Sparr, Florida

Provenance: Private Collection Sparr, Florida

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 122

LOT 5

ADOLPH GOTTLIEB (Am. 1903-1974) JOSEPH STELLA IT./AM. 1877-1946 Two Bars, 1969 Tree Colored lithograph, framed l.r., under glass Conte’ on paper, framed. Signed titled and dated on Signed and dated in pencil l.l.,Far editioned in pencil to l.r.,verso exhibition Zabriskie and Gallery"11/100" labels attached verso 8 1/2” x 4label 13/16” sight, 15” x 10 15/16” framed 29 1/8" x 20 5/8" sight, 29 5/8" x 21 1/4" framed $600-800 ESTIMATE: $1,200 - $1,800 Provenance: Private Collection New Hampshire Provenance: Private Collection Amesbury, Massachusetts

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LOT 123 ANDY WARHOL (Am. 1928-1987)

Birmingham Race Riot from Ten Works by Ten Painters, 1964 Screenprint on Mohawk Superfine paper, unframed 20" x 24" actual, 24" x 28" framed ESTIMATE: $2,000 - $3,000 Provenance: Freemans/Hindman to Private Collection Ypsilanti, Michigan Literature: Feldman & Schellmann II.3 Other Notes: From the edition of 500; this lot is accompanied by pages from the original portfolio, including numbered page.

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LOT 124 FAIRFIELD PORTER (Am. 1907-1975)

6th Avenue I Color lithograph, unframed Signed in pencil l.r., inscribed "A.P." l.l.

21" x 29" image, 23 3/4" x 30 1/2" sheet ESTIMATE: $700 - $900 Provenance: Private Collection Maine

LOT 125 DAHLOV IPCAR (Am. 1917-2017)

"Odalisque" Woodblock print, framed under glass Signed in pencil l.r., titled and editioned "8/100" in pencil l.l.

15 3/8" x 26 1/2" image, 25 3/4" x 36 3/4" framed ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Maine

LOT 126 FRÉDÉRIC BRULY BOUABRÉ (Ivorian 1923-2014)

Collection of 40 Drawings Colored pencil and ink on card Each drawing: Signed and dated verso, inscription along outer edges Each drawing: Approximately 7 1/2" x 5 7/8" actual ESTIMATE: $2,000 - $3,000 Provenance: From the Artist to Private Collection Abidjan, Côte d'Ivoire Other Notes: Please contact fineart@barridoff.com for further information and discussion

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LOT 127 JASON BERGER (Am. 1924-2010)

Street Scene with Palms Watercolor on paper, framed under glass 23 1/2" x 17 3/4" sight, 31 3/16" x 25 9/16" framed ESTIMATE: $700 - $900

Provenance: Private Collection Massachusetts

LOT 128 ABRAHAM WALKOWITZ (Rus./Am. 1878-1965)

Swimmers at the Quarry Watercolor on paper, matted Signed l.c.

16 3/8" x 19 1/4" actual, 20 1/4" x 23 1/2" matted ESTIMATE: $400 - $600 Provenance: Private Collection Freeport, Maine

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A RTIST COR N ER

F

THE SCHOOL OF THE MUSEUM OF FINE ARTS, BOSTON: A LEGACY OF EXCELLENCE

ounded in 1876 as The School of Drawing and Painting, the School of the Museum of Fine Arts (SMFA) in Boston quickly became a cornerstone of the artistic community. Among its early students was the impressionist painter Edmund Tarbell. Together with Frank Benson, Tarbell assumed leadership of the school in 1890, marking the beginning of a highly influential period for the arts in Boston and New England.

A decade after Tarbell and Benson’s directorship began, Fredrick Bosley enrolled at SMFA. An exemplary student, Bosley’s talent was recognized in 1904 when he won the Sears Prize for Portraiture. Three years later, he was awarded the Paige Traveling Fellowship, enabling two years of study in Europe.

Alice Ruggles Sohier, another distinguished student of Tarbell and Benson, joined SMFA in 1904 after studying under Lucius THE SCHOOL OF THE MUSEUM OF FINE ARTS, BOSTON Wolcott Hitchcock at the Art Students League in Buffalo, New Photo Credit: Courtesy of https://maineboats.com/print/issue-187/davidYork. She won the Sears Prize in 1905 and the Paige Traveling Fel- etnier%E2%80%99s-sense-place-and-people lowship in 1907. By 1910, Sohier exhibited at the Museum of Fine Arts, Boston, and went on to have nearly 30 exhibitions nationwide, including at the Pennsylvania Academy of Fine Art, the Art Institute of Chicago, and the Corcoran Gallery in Washington, D.C. She held solo shows at the Guild of Boston Artists in 1916, 1922, and 1925. In 1992, the Butler Institute of American Art in Youngstown, Ohio, hosted a retrospective of her work, which is now part of the permanent collections of the Massachusetts State House and the Metropolitan Opera House in New York.

BOSLEY, STUDENTS AND CLASS, In 1912, Bosley succeeded Tarbell as the Director of SMFA, a role AT THE MUSUEM SCHOOL. CIRCA 1925 Photo Credit: Courtesy of William he held for eighteen years. Following World War I, the school’s Brewster enrollment surged. In the 1940s, SMFA partnered with Tufts University to broaden its academic offerings, and in the 1950s, it beteach painting and drawing gan awarding bachelor’s degrees. By 1960, SMFA introduced Master of there, and several Boston area Fine Arts degrees. schools, for three decades. He SMFA PAINTING CLASS IN 1908.

Bosley’s accolades include a bronze medal from the 1915 Pan-Pacific Exnow has works in numerous Photo Credit: Courtesy of https://smfa. tufts.edu/about/our-history hibition in San Francisco and the 1915 Locust Club gold medal from the private and public collections, Pennsylvania Academy. Today, his paintings are held in the permanent including the Museum of Fine collections of the Museum of Fine Arts, Boston, and the Farnsworth Art Arts, Boston, and the Portland Museum of Art. Museum, among others.

With its commitment to providing comprehensive education and fosterThe School of the Museum of Fine Arts continues to thrive, building ing creativity, SMFA remains a pivotal institution in the art world, dedion its rich history of nurturing artistic talent with contemporary artists cated to shaping the future of fine arts through its innovative programs like Joel Babb. Babb completed his MFA at the school and went on to and distinguished alumni.

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LOT 129 FREDERICK BOSLEY (Am. 1881-1942)

Portrait of a Woman Oil on canvas, framed 21 1/16" x 17 1/8" actual ESTIMATE: $2,000 - $3,000

Provenance: From the Estate of Elizabeth Bosley Brewster

LOT 130 FREDERICK BOSLEY (Am. 1881-1942)

Woman with Hat, 1904 Oil on canvas, framed Signed on School of the Museum of Fine Arts label l.l., signed, dated and School of the Museum of Fine Arts labels verso 30" x 22" actual, 33 1/2" x 25 1/2" framed ESTIMATE: $2,000 - $3,000

Provenance: From the Estate of Elizabeth Bosley Brewster

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LOT 131 ALICE RUGGLES SOHIER (Am. 1880-1969)

Nude with Bracelet Oil on canvas, unframed Signed and inscribed "Handle with Care" "Deliver to Miss Alice Ruggles 3 Draker St. Dorchester Mass." verso 35 7/8" x 48 1/8" actual ESTIMATE: $2,500 - $3,500 Provenance: From the Estate of Elizabeth Bosley Brewster

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LOT 132 GERTRUDE FISKE (Am. 1879-1961)

Country Church Oil on canvas, framed Initialed "AFW" verso (most likely by the Artist's nephew Andrew Fiske Willis), Michael Johnson Gallery label and exhibition and sale information attached to backing verso 10 1/4" x 14 1/8" actual, 13 5/8" x 17 5/8" framed ESTIMATE: $3,000 - $5,000 Provenance: Francis Bealey Gallery, Essex, Connecticut to Private Collection Ypsilanti, Michigan

LOT 133 GERTRUDE FISKE (Am. 1879-1961)

Turbat's Creek Oil on canvas, framed Signed and collector's labels on backing verso 20 1/2" x 27 1/8" actual, 30 1/4" x 37" framed ESTIMATE: $15,000 - $25,000 Provenance: Estate of the Artist to Tom Veilleux Gallery to Private Collection Michigan to Barridoff Galleries August 15, 2020, lot 27 to Private Collection Vermont Exhibited: Gertrude Fiske: American Master, Portsmouth Historical Society, April 6 - September 30, 2018

LOT 134 JOEL BABB (Am. 20th/21st Century)

Port Clyde: (Harbor at Low Tide), 2001 Oil on canvas laid to panel on strainer, framed Signed l.l., Intimate Wilderness: Maine Landscapes by Joel Babb exhibition label attached verso 10" x 24" actual, 15 1/8" x 29 1/8" framed ESTIMATE: $3,000 - $5,000

Provenance: Collection of Bob and Jackie Laskoff to Private Collection Vermont Literature: Intimate Wilderness: Maine Landscapes by Joel Babb, Bates College Museum of Art, 2002, illustrated on the back cover Exhibited: Intimate Wilderness: Maine Landscapes by Joel Babb, Bates College Museum of Art, Olin Arts Center, October 25 - December 29, 2002 Other Notes: We would like to thank Christopher Schiff of the Bates College George and Helen Ladd Library for his assistance in cataloging this lot; this lot is accompanied by a copy of the exhibition catalog within which it is illustrated.

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LOT 135 JOHN LAURENT (Am. 1921-2005)

Men with Horses Oil on canvas, framed Signed l.r., collector's label on stretcher verso 23 7/8" x 29 1/2" actual, 31 1/8" x 37" framed ESTIMATE: $2,000 - $3,000 Provenance: Barridoff Galleries February 22, 2020, lot 67 to Private Collection Vermont

LOT 136 JOHN LAURENT (Am. 1921-2005)

"Lobster Buoy" Oil on masonite, framed Initialed l.r., Kraushaar Galleries label verso, artist's label on frame verso 24" x 12 1/2" actual, 28 1/4" x 16 3/4" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Maine Exhibited: Kraushaar Galleries, New York City, New York, January - February, 1956; John Laurent, Ogunquit Museum of American Art, May 2 - June 22, 2014

LOT 137 JOHN LAURENT (Am. 1921-2005)

"Underwood" Duco paint and sand on masonite, unframed Initialed l.l., titled in composition 20" x 36" actual ESTIMATE: $2,500 - $3,500 Provenance: Private Collection Maine Exhibited: John Laurent, Ogunquit Museum of American Art, May 2 - June 22, 2014

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LOT 138 HAMILTON EASTER FIELD (Am. 1873-1922)

Fishing at Chase's Pond Oil on canvas, unframed Initials and "Chase's Pond" incised on strainer verso 12 1/16" x 16 1/8" actual ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Maine

LOT 139 HAMILTON EASTER FIELD (Am. 1873-1922)

Moonlight on Chase's Pond Oil on canvas, framed Collector's label on strainer verso 12 1/8" x 16" actual, 15 1/2" x 19 1/2" framed ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Maine

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LOT 140 JAMES FITZGERALD (Am. 1899-1971)

Old Tree, c. 1930 Watercolor on paper, framed under glass Signed l.l.

18 1/4" x 24 5/8" sight, 27 9/16" x 33 11/16" framed ESTIMATE: $4,000 - $6,000 Provenance: Private Collection Sutton, Massachusetts Literature: James Fitzgerald Legacy Catalogue Raisonné, #1223

LOT 141 JAMES FITZGERALD (Am. 1899-1971)

Morning, Katahdin, c. 1960 Watercolor and Chinese ink with charcoal on paper, framed under glass Signed l.l.

19 5/16" x 24 5/16" sight, 27 7/16" x 32 7/16" framed ESTIMATE: $4,000 - $6,000 Provenance: Estate of the Artist by descent to Anne M. & Edgar F. Hubert to Private Collection Massachusetts Literature: James Fitzgerald Legacy Catalogue Raisonné, #0680

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LOT 142 MAURICE FREEDMAN (Am. 1904-1985)

"Fisherman's Return" Oil on canvas, framed Signed l.l., titled on stretcher verso 30" x 20" actual, 36" x 26" framed ESTIMATE: $8,000 - $12,000 Provenance: Margie Wolcott May of St. Louis (married to Morton D. May, head of May Department Stores and friend/collector of Freedman) by descent to her daughter; purchased from the Estate of Laura G. Bramlette

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LOT 143 MAURICE FREEDMAN (Am. 1904-1984)

"Gray Sea" 1959 Oil on panel, framed Signed and dated l.l., signed, titled and dated verso 30 1/8" x 16" actual, 38 3/8" x 24 3/8" framed ESTIMATE: $5,000 - $7,000 Provenance: Eldred's to Private Collection Maine

LOT 144 CLARENCE CHATTERTON (Am. 1880-1973)

Nubble Lighthouse, c. 1930 Oil on canvas, framed Signed l.l., exhibition label on frame verso 16 1/8" x 20 1/8" actual, 22" x 26 1/8" framed ESTIMATE: $3,000 - $5,000 Provenance: Private Collection Maine

LOT 145 EDWARD BETTS (Am. 1920-2008)

Offshore Light Gouache on paper, framed under glass Signed l.l.

11 3/4" x 16 1/2" sight, 19 7/8" x 24 1/8" framed ESTIMATE: $600 - $800 Provenance: Barridoff Galleries October 19, 2019, lot 85 to Privae Collection Vermont

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LOT 146 EDWARD BETTS (Am. 1920-2008)

High Terrain Lacquer on masonite, framed Signed l.l., Art Lending Service of the Museum of Modern Art NYC label and partial Midtown Galleries label verso 22 1/2" x 32 1/4" actual, 25 1/2" x 35 1/4" framed ESTIMATE: $1,500 - $2,500 Provenance: Private Collection New York City, New York

LOT 147 EDWARD BETTS (Am. 1920-2008)

"Sea Flow" Oil, wax and fiber on masonite, framed Signed l.r., signed and titled verso 35 1/2" x 59 3/8" sight, 37 3/16" x 60 7/8" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection South Portland, Maine Literature: Illustrated in Edward Betts, Master Class in Water Media (New York: Watson-Guptill Publications, 2003) 50.

LOT 148 EDWARD BETTS (Am. 1920-2008)

Two Works; 1] Camp Site 2] Street in France, 1945 1] 2] Watercolors on paper, framed under glass 1] Signed l.l. 2] Signed and dated l.r.

1] 7 1/2" x 11 1/2" sight, 13 1/2" x 17 1/2" framed 2] 7 1/2" x 11 1/2" sight, 13 1/2" x 17 1/2" framed ESTIMATE: $400 - $600 Provenance: Private Collection Ypsilanti, Michigan

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 149

LOT 5

LEON KROLL JOSEPH STELLA IT./AM. 1877-1946 Tree Rocks, Monhegan Conte’ on paper, framed. Signed l.r., titled and dated on panel, framed Zabriskie Oil andon Far Gallery labels attached to verso Card inscribed8"Matthew Christmas attached verso 1/2” x 4 13/16” sight,1987" 15” x 10 15/16” framed 18 7/8" x 14 1/4" sight, 24" x 19 3/8" framed (Am. 1884-1974)

$600-800 ESTIMATE: $4,000 - $6,000 Provenance: Private Collection New Hampshire Provenance: Private Collection Vermont

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LOT 150 WILL HUTCHINS (Am. 1878-1949)

Maine Coast Oil on panel, framed Estate stamp and Barridoff Galleries tag verso 12" x 18" actual, 19 1/2" x 25 9/16" framed ESTIMATE: $1,200 - $1,800 Provenance: Barridoff Galleries May 17, 2018, lot 156 to Private Collection Vermont

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 151

LOT 5

WILL HUTCHINS JOSEPH STELLA IT./AM. 1877-1946 (Am. 1878-1949) Tree "Cape Rosier" 1938 Conte’ on paper, framed. Signed l.r., titled and dated on board, framed Zabriskie Oil andon Far Gallery labels attached to verso Signed, titled, dated, Barridoff tag verso 8 estate 1/2” x 4stamp 13/16”and sight, 15” x 10Galleries 15/16” framed 11 7/8" x 24 1/16" actual, 18 1/8" x 30 1/8" framed $600-800 ESTIMATE: $1,500 - $2,500 Provenance: Private Collection New Hampshire Provenance: Barridoff Galleries August 4, 2017, lot 67 to Private Collection Vermont

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LOT 152 WILL HUTCHINS (Am. 1878-1949)

Sunset Afterglow Oil on canvas, framed Estate stamp attached verso 12" x 18" actual, 18" x 24 1/16" framed ESTIMATE: $800 - $1,200 Provenance: Barridoff Galleries August 15, 2020, lot 161 to Private Collection

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LOT 153 RALPH EUGENE CAHOON JR. (Am. 1910-1982)

Hong Kong, Three Miles Oil on masonite, framed Signed l.r.

16" x 20" actual, ESTIMATE: $800 - $12,000 Provenance: Bonhams Skinner Inc. September 22, 1995 lot 414 to Private Collection New Hampshire to Northeast Auctions August 16, 2014 lot 232 to Private Collection Massachusetts to Private Collection Maine

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LOT 154 ANTHONY THIEME (Dutch/Am. 1888-1954)

"New England Seacoast Town" Oil on canvas, framed Signed l.l., titled and Barridoff Galleries tag verso, Rockport Art Association exhibition label on stretcher verso 25" x 30" actual, 34" x 39" framed ESTIMATE: $8,000 - $12,000 Provenance: Private Collection Vermont

LOT 155 IRMA KOEN (Am. 1883-1975)

Boats in Harbor Oil on board, framed Signed l.l.

12 1/4" x 12 1/4" actual, 17 3/4" x 17 3/4" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Ypsilanti, Michigan

LOT 156 JOHN DE MARTELLY (Am. 1903-1979)

Boats Oil on canvas, framed Signed verso 16" x 20 1/16" actual, 21 3/4" x 25 3/4" framed ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Ypsilanti, Michigan

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LOT 157 CLAUDE MONTGOMERY (Am. 1912-1990)

Harbor at Low Tide Oil on canvas, framed Signed l.l.

21 3/16" x 37 5/16" sight, 27 3/4" x 43 3/4" framed ESTIMATE: $1,000 - $2,000 Provenance: Private Collection Maine

LOT 158 WILLIAM IRVINE (Am./Scottish b. 1931)

Harbor Oil on panel, framed Signed l.r.

17 7/8" x 23 3/4" actual, 23 9/16" x 29 5/8" framed ESTIMATE: $1,200 - $1,800 Provenance: Barridoff Galleries February 22, 2020, lot 63 to Private Collection Vermont

LOT 159 FREDERICK WAUGH (Am. 1861-1940)

Caribbean Shore, 1920 Oil on panel, framed Signed and initialed "C.W." (Coulton Waugh) l.r., inscribed "This picture was painted by my father, Frederck J. Waugh, during a trip to the West Indies in 1920 -- Coulton Waugh" verso, Bernard Black Gallery on backing verso 11 3/4" x 15 1/2" sight, 18 3/4" x 22 1/2" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Darien, Connecticut

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LOT 160 SCOTT MOORE (Am. 20th/21st Century)

"Indian Creek, Inlet" (Vinalhaven) Oil on linen, framed Signed l.r., titled on tacking edge verso 28 1/8" x 42" actual, 34 1/16" x 48 1/8" framed ESTIMATE: $1,500 - $2,500

Provenance: Private Collection Cumberland Foreside, Maine

LOT 161 KARL KNATHS (Am. 1891-1971)

Beachcomber's Return Pastel on paper, framed under glass Everson Museum of Art label on backing verso 17" x 15 1/8" actual, 25 5/16" x 22 7/16" framed ESTIMATE: $500 - $700

Provenance: Private Collection New York City, New York

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LOT 162 HOWARD RUSSELL BUTLER (Am. 1856-1934)

Sunset, York, ME Pastel on paper, framed under glass Signed l.r.

6 5/8" x 9 5/8" sight, 12 1/4" x 15 3/8" framed ESTIMATE: $500 - $700 Provenance: Private Collection Darien, Connecticut

LOT 163 GEORGE M. HATHAWAY (Am. 1852-1903)

Whitehead, Cushing Island, ME Oil on canvas, framed Signed l.r., titled on frame verso 14" x 22" actual, 16 3/8" x 24 5/16" framed ESTIMATE: $1,500 - $2,500 Provenance: Private Collection Virginia

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LOT 164 WILLIAM TROST RICHARDS (Am. 1833-1905)

Crashing Surf, 1903 Oil on canvas, framed Signed and dated l.r.

25 1/8" x 20 3/16" actual, 33 1/2" x 28 5/8" framed ESTIMATE: $12,000 - $18,000 Provenance: Sotheby's March 17, 1988, lot 41 to Private Collection Maine

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LOT 165 WILLIAM TROST RICHARDS (Am. 1833-1905)

Seascape, 1900 Oil on panel laid to panel, framed Signed and dated l.l.

9" x 16" actual, 20 3/8" x 27 7/16" framed ESTIMATE: $8,000 - $12,000 Provenance: Purchsaed Portsmouth, New Hampshire c. 1980 to Private Collection Barrington, New Hampshire to the Carolyn S. Bedford Revocable Trust to Private Collection Maine

LOT 166 GEORGE S. WASSON (Am. 1855-1932)

"Mouth of the Harbor" Isle au Haut, Maine Oil on carved wooden panel, unframed Signed l.l., titled verso 4 15/16" x 9 1/2" image, 10 3/16" x 15" panel ESTIMATE: $1,500 - $2,500 Provenance: Private Collection New Hampshire

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LOT 167 LLAURENCE SISSON (Am. b. 1928)

Shoreline Watercolor on paper, framed under glass Signed l.l.

21 3/8" x 28 7/8" sight, 29 1/8" x 36 1/4" framed ESTIMATE: $500 - $700 Provenance: Private Collection Cape Elizabeth, Maine

LOT 168 LAURENCE SISSON (Am. b. 1928)

Light Watercolor on paper, framed under glass Signed l.l., Guido stamp on frame verso 22" x 29" sight, 28 5/8" x 35 11/16" framed ESTIMATE: $500 - $700 Provenance: Private Collection Cape Elizabeth, Maine

LOT 169 JAY CONNAWAY (Am. 1893-1970)

"Sea Power" 1960 Oil on masonite, framed Signed and dated l.r., signed, titled and additional composition verso 25" x 30" actual, 32 1/2" x 37 1/2" framed ESTIMATE: $3,000 - $5,000 Provenance: Private Collection South Portland, Maine

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LOT 170 GEORGE HALLOWELL (Am. 1871-1926)

"Grand Pitch" Oil on canvas, framed Signed l.r., Vose Galleries label and Memorial Exhibition of Works by George Hallowell, St. Botolph Club label verso, titled and artist's label on stretcher verso, "R.C. Vose Boston" incised on frame verso 29 1/4" x 36 1/4" actual, 33" x 39 3/4" framed ESTIMATE: $6,000 - $8,000

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Provenance: Private Collection South Portland, Maine

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LOT 171 DWIGHT WILLIAM TRYON (Am. 1849-1925)

Morning Light Oil on panel, framed Signature incised verso 6 1/4" x 9 9/16" actual, 8 13/16" x 12" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection East Boothbay, Maine

LOT 172 MARGARET GERDING (Am. 20th/21st Century)

Color Bands Oil on linen, framed Greenhut Galleries label verso 30" x 60" actual, 32 3/8" x 62 1/4" framed ESTIMATE: $1,500 - $2,500 Provenance: Private Collection Cumberland Foreside, Maine

LOT 173 JOHN HELIKER (Am. 1909-2000)

Cat on Bedspread Oil on canvas, framed Signed l.r., Kraushaar Galleries label and Barridoff Galleries label on backing verso 20 1/8" x 24 1/8" actual, 21 1/2" x 25 1/2" framed ESTIMATE: $2,000 - $3,000 Provenance: Purchased directly from Kraushaar Galleries in New York, New York on October 4, 1988 to Barridoff Galleries October 19, 2019, lot 3 to Private Collection Vermont

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LOT 174 JON IMBER (Am. 1950-2014)

"View of Grog Island" Oil on panel, framed Signed l.r., signed, titled, dated and Greenhut Galleries label verso 38" x 38" actual, 39 9/16" x 39 9/16" framed ESTIMATE: $2,500 - $3,500

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Provenance: Private Collection Cumberland Foreside, Maine

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LOT 175 EMILY MUIR (Am. 1904-2003)

Sailors Sketching Pencil on paper, framed Signed l.r.

9" x 11 7/8" actual, 12 1/8" x 15 3/16" framed ESTIMATE: $300 - $500 Provenance: Private Collection Maine

LOT 176 EMILY MUIR (Am. 1904-2003)

Seagulls on Beach Oil on masonite, framed Signed l.l.

12" x 35 3/4" actual, 16 3/4" x 40 1/8" framed ESTIMATE: $2,000 - $3,000 Provenance: Barridoff Galleries February 22, 2020, lot 123 to Private Collection Vermont

LOT 177 MARGUERITE ROBICHAUX (Am. b. 1950)

"The Katahdin Triptych" 1999 Oil on hinged birch panels, unframed Signed, titled and dated verso 36" x 36" closed, 36" x 72" open ESTIMATE: $2,000 - $3,000 Provenance: Private Collection South Portland, Maine

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LOT 178 ALFRED CHADBOURN (Am. 1921-1998)

"Marginal Way - Portland" 1979 Oil on canvas, framed Signed l.l., signed, titled, dated and Barridoff label on stretcher verso 12" x 16" actual, 13 3/16" x 17 1/8" framed ESTIMATE: $1,500 - $2,500 Provenance: Collection of Mr. Paul A. Plante to Barridoff Galleries October 28, 2016, lot 78 to Private Collection Falmouth, Maine Literature: Illustrated and discussed in Painting with a Fresh Eye (copyright 1987) by Alfred C. Chadbourn, pp. 124-125 Other Notes: This lot is accompanied by a copy of the book in which it is illustrated

LOT 179 ALFRED CHADBOURN (Am. 1921-1998)

"Main St. Stonington" 1991 Oil on linen, framed Signed l.r., signed, titled, dated and Frost Gully Gallery label on stretcher verso 16" x 16" actual, 17 1/8" x 17 1/8" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Falmouth, Maine

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LOT 180 ROBERT SOLOTAIRE (Am. 1930-2008)

Boulevard Florist II Oil on paper, framed Signed and inscribed "DW" l.r.

18" x 24" actual, 23" x 26 3/4" framed ESTIMATE: $1,200 - $1,800

Provenance: Private Collection New York City, New York

LOT 181 ROBERT SOLOTAIRE (Am. 1930-2008)

"'82 Granada" 1987 Oil on canvas, framed Signed and dated l.r., titled l.c., Barridoff label and Scarboro Used Auto Parts business card attached to backing verso 30 3/16" x 32 1/8" actual, 31 1/8" x 33 1/8" framed ESTIMATE: $1,200 - $1,800 Provenance: Private Collection New York City, New York Exhibited: Robert Solotaire: Recent Work, September 11-30, 1987, Barridoff Galleries

LOT 182 ROBERT SOLOTAIRE (Am. 1930-2008)

Crane V Oil on panel, framed "Courtesy of Gleason Fine Art" label on backing verso 30 5/16" x 35 3/4" sight, 32 3/8" x 37 13/16" framed ESTIMATE: $1,200 - $1,800 Provenance: Private Collection New York City, New York

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LOT 183 NEIL WELLIVER (Am. 1929-2005)

Nudes on the Grass Oil on canvas, unframed Signed l.r.

75 1/4" x 76 1/8" actual ESTIMATE: $8,000 - $12,000 Provenance: Yasuyo Kawasaki, wife of the male subject, to Private Collection Belfast, Maine

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LOT 184 MASATOYO KISHI (Am. 1924-2017)

"Opus No. 66-H-3" 1966 Oil on canvas, framed Signed, titled and dated verso, Gump's Gallery label on frame verso 35 5/8" x 70" actual, 37 7/8" x 72 1/8" framed ESTIMATE: $1,500 - $2,500

Provenance: Private Collection Kennebunkport, Maine

LOT 185 C. MICHAEL LEWIS (Am. b. 1950)

Forty Years (Miss Portland Diner) Acrylic on wood, framed Initialed l.r.

36 1/4" x 80" actual, 37 1/4" x 81 1/4" framed ESTIMATE: $4,000 - $6,000 Provenance: Private Collection Florida to Barridoff Galleries August 15, 2020, lot 119 to Private Collection Vermont

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LOT 186 GREGORY WELCH (Am. 20th/21st Century)

"Ascension XI" 1997 Acrylic and collage on paper, framed under glass Signed l.r., signed, titled and dated verso, signed and titled on backing verso 11 1/4" x 8 1/8" actual, 17 3/16" x 15 1/4" framed ESTIMATE: $300 - $500 Provenance: Private Collection South Portland, Maine

LOT 187 GREGORY WELCH (Am. 20th/21st Century)

Drift Oil on canvas, framed Signed l.l.

39 1/2" x 30" actual, 40 1/8" x 30 5/8" framed ESTIMATE: $600 - $800 Provenance: Private Collection South Portland, Maine

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LOT 188 DONALD TRAVER (Am. b. 1957)

Skeleton (Self Portrait), 2014 Oil on canvasboard, unframed Signed and dated c.l.

24" x 19 15/16" actual, 25" x 21" framed ESTIMATE: $600 - $800

Provenance: Private Collection Massachusetts

LOT 189 BOB DUNCAN (Am. 20th Century)

Rain, 1970 Oil on canvas, framed Signed and dated l.r., signed and Barridoff Galleries label on frame verso 11 7/8" x 18" actual, 16 3/16" x 22 1/4" framed ESTIMATE: $300 - $500 Provenance: Barridoff Galleries October 19, 2019, lot 60 to Private Collection Vermont

LOT 190 JON LEGERE (Am. 1944-1996)

Norm's Pantry, 1980 Oil on board, framed Signed and dated l.r.

36" x 60" actual, 42 3/4" x 66 1/2" framed ESTIMATE: $1,000 - $1,500

Provenance: Private Collection Portsmouth, New Hampshire

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LOT 192 WILLIAM HART (Am. 1823-1894)

Mountain Landscape with Cows Oil on canvas, framed Signed l.r., Shannon's label on frame verso 21" x 17" actual, 33 7/8" x 30" framed ESTIMATE: $3,000 - $5,000 Provenance: Collection of Charles Henry Hulburd Chicago, Illinois, descended in the family to Winter Auctions Plainville, Connecticut June 9, 2014, lot 192 to Shannon's May 2, 2019, lot 91 to Private Collection Bedford, Hew Hampshire

LOT 193 ATTR. TO BENJAMIN CHAMPNEY (Am. 1817-1907)

Mt. Washington View from North Conway Oil on canvas, framed Inscribed "Champney - N. Conway" on strainer verso 20 1/16" x 24 1/8" actual, 27" x 31" framed Estimate: $500 - $700 Provenance: Private Collection Bedford, Hew Hampshire

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LOT 194 19TH CENTURY AMERICAN SCHOOL Leading Cattle Oil on masonite, framed 17 1/8" x 22 1/4" actual, 25 3/16" x 30 3/8" framed ESTIMATE: $400 - $600 Provenance: Private Collection Cape Elizabeth, Maine

LOT 195 GEORGE M. HATHAWAY (Am. 1852-1903)

"Newbury Meadows" 1895 Oil on canvas, framed Signed and dated l.l.

16" x 20" actual, 21 5/8" x 25 3/4" framed ESTIMATE: $800 - $1,200 Provenance: Private Collection East Boothbay, Maine

LOT 196 SAMUEL LANCASTER GERRY (Am. 1813-1891)

Horse Ride Through the Valley Oil on canvas, framed Signed l.c.

14 1/8" x 20 1/8" actual, 19 9/16" x 25 1/4" framed ESTIMATE: $1,200 - $1,800 Provenance: Private Collection Bedford, New Hampshire

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LOT 197 WILLIAM MASON BROWN (Am. 1828-1898)

Two Works: 1] A Day on the River 2] Cattle Grazing in the Valley 1] 2] Oisl on canvas, framed 1] Barridoff Galleries label on frame verso 2] Initialed and dated l.r., Barridoff Galleries label and A.A. Childs & Co. label on frame verso 1] 8" x 10" actual, 13 1/4" x 14 7/8" framed 2] 8" x 10" actual, 13 1/2" x 15 3/16" framed ESTIMATE: $2,000 - $3,000 Provenance: Private Collection Bedford, New Hampshire

LOT 198 GEORGE RIECKE (Am. 1848-1930)

Cows at Rest Oil on canvas, framed Signed l.l.

22" x 36" actual, 25 1/2" x 39 1/2" framed ESTIMATE: $700 - $900 Provenance: Private Collection Wells, Maine

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LOT 199 DENNIS SHEEHAN (Am. b. 1950)

Evening Light Oil on canvas, framed Signed l.l.

11 7/8" x 16" actual, 20 5/8" x 24 9/16" framed ESTIMATE: $700 - $900 Provenance: Private Collection Manchester, New Hampshire

LOT 200 JAMES PATTISON (Am. 1844-1915)

A Calm Night Oil on canvas, framed Signed l.l., James Graham & Sons label, Pennsylvania Academy of the Fine Arts One Hundred and Third Annual Exhibition 1908 label and partial collector's label on frame verso, The Greenwich Gallery label on backing verso 26" x 31" actual, 36 1/4" x 41 1/2" framed ESTIMATE: $2,000 - $3,000 Provenance: Barridoff Galleries August 6, 2004 lot 135 to Private Collection Vermont Literature: Catalogue of the One-Hundred-Third Annual Exhibition of the Pennsylvania Academy of the Fine Arts Exhibited: Pennsylvania Academy of the Fine Arts One Hundred and Third Annual Exhibition, January 20 - February 29, 1908

LOT 201 DENNIS SHEEHAN (Am. b. 1950)

Into the Sunset Oil on canvas, unframed Signed l.r.

18" x 24" actual ESTIMATE: $800 - $1,200 Provenance: Private Collection Manchester, New Hampshire

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LOT 202 20TH CENTURY AMERICAN SCHOOL Approach, 1968 Oil on canvas, framed Signed indistinctly l.r., exhibition label on stretcher verso 24" x 26" actual, 24 11/16" x 26 7/8" framed ESTIMATE: $600 - $800 Provenance: Private Collection Massachusetts

LOT 203 JOHN STEPHAN (Am. 1906-1995)

Abstract Gouache on paper, framed under glass 19" x 26" actual, 21" x 28" framed ESTIMATE: $600 - $900 Provenance: Private Collection Massachusetts

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LOT 204 ROBERT KULICKE (Am. 1924-2007)

Blue Bouquet, 1961 Watercolor on paper, framed under glass Signed and dated u.c.

7 1/2" x 8 1/2" sight, 15 3/8" x 16 3/8" framed ESTIMATE: $400 - $600 Provenance: Private Collection Massachusetts

LOT 205 ROBERT KULICKE (Am. 1924-2007)

Pear Watercolor on paper, framed under glass Signed l.c.

8 1/4" x 5 3/8" actual, 13 7/8" x 11 3/4" framed ESTIMATE: $300 - $500 Provenance: Private Collection Massachusetts

LOT 206 ROBERT KULICKE (Am. 1924-2007)

Fruit Watercolor on paper, framed Initialed c.r.

6 3/4" x 9 1/8" actual, 11 7/8" x 14 3/8" framed ESTIMATE: $300 - $500 Provenance: Private Collection Massachusetts

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 207

LOT 5

HENRY KALLEM JOSEPH STELLA IT./AM. 1877-1946 (Am. 1912-1985) Tree Flowers Conte’ on paper, framed. Signed l.r., titled and dated on Acrylic on Gallery panel, framed Zabriskie and Far labels attached to verso l.r. 15” x 10 15/16” framed 8 1/2” x 4Signed 13/16” sight, 17 1/2" x 23 3/8" sight, 22 1/8" x 27 15/16" framed $600-800 ESTIMATE: - $700 Provenance:$500 Private Collection New Hampshire Provenance: Private Collection Cape Elizabeth, Maine

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LOT 208 RATISLAW RAKOFF (Rus. 1904-1982)

"Nature Morte" 1953 Oil on masonite, framed Signed and dated l.r., signed, titled, dated and inscribed "103" verso 13 3/4" x 10 3/8" actual, 17 1/8" x 14" framed ESTIMATE: $400 - $600 Provenance: Private Collection Yarmouth, Maine

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LOT 209

LOT 211

FRANCES KORNBLUTH

FRANCES KORNBLUTH

(Am. 1920-2014)

"The Rush of Summer #5" Acrylic and collage on paper, framed under glass Signed, titled and artist's card attached to backing verso Approx. 19 3/8" x 18" actual, 27 7/8" x 27 7/8" framed ESTIMATE: $700 - $900 Provenance: Private Collection

(Am. 1920-2014)

LOT 210

"Lavender Light" Acrylic, watercolor and pastel on paper, framed under glass Signed l.r., titled on artist's card verso 11 1/2" x 8 1/2" sight, 18 1/2" x 15 1/2" framed

FRANCES KORNBLUTH (Am. 1920-2014)

"Bouquet" Watercolor and collage on paper, framed under glass Signed l.l., titled on artist's card on backing verso 14 3/8" x 6 3/4" sight, 21 3/8" x 13 5/8" framed

ESTIMATE: $300 - $500 Provenance: Estate of Frances Kornbluth

ESTIMATE: $400 - $600 Provenance: Estate of Frances Kornbluth

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LOT 212 DOZIER BELL (Am. b. 1957)

Map #8 Ink wash and collage on paper, framed under glass Titled on backing verso 11" x 15" actual, 18 3/8" x 21 5/8" framed ESTIMATE: $500 - $700 Provenance: Gleason Fine Art to Private Collection Scarborough, Maine Other Notes: This lot is accompanied by an original sales receipt and a copy of Portland Magazine featuring Dozier Bell

LOT 213 MICHAEL TRACY (Am. 1943-2024)

De Sangre Acrylic and gouache on paper, framed under glass 23" x 31 3/8" actual, 26 5/8" x 34 3/4" framed ESTIMATE: $400 - $600 Provenance: From the Artist to Private Collection Scarborough, Maine Other Notes: This lot is accompanied by a postcard from the Artist

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LOT 214 PANOS GHIKAS (Greek/Am. 1917-2012)

ICON - Caryatid Gold leaf and egg tempera on primed canvas laid to wood block, unframed Artist's labels verso 7 1/16" x 7 5/8" actual ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Portsmouth, New Hampshire

LOT 215 PANOS GHIKAS (Greek/Am. 1917-2012)

Six Panels Gouache on paper, framed under glass Exhibition label verso 8" x 17 7/8" sight, 14 1/4" x 24 1/4" framed ESTIMATE: $300 - $500 Provenance: Private Collection York, Maine

LOT 216 PANOS GHIKAS (Greek/Am. 1917-2012)

Abstraction, 1964 Oil on canvas, unframed Signed and dated l.r.

22 1/8" x 41 15/16" actual ESTIMATE: $800 - $1,200 Provenance: Private Collection York, Maine

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LOT 217 JOHNNIE WINONA ROSS (Am. b. 1949)

"Tonight at Noon" 1984 Acrylic and wax on paper laid to canvas, unframed Signed, titled and dated verso, Adams-Middleton Gallery label and Barridoff Galleries tag on stretcher verso Approx. 51" x 60" actual ESTIMATE: $2,000 - $3,000 Provenance: Barridoff Galleries February 22, 2020, lot 29 to Private Collection Vermont

LOT 218 FREDERICK LYNCH (Am. 1935-2016)

The Guitar, 1985 Acrylic on wood construction Signed u.r., signed and dated verso Approx. 43" x 14" x 2 1/2" actual ESTIMATE: $600 - $800 Provenance: Private Collection New York

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LOT 219 JAMES L. HUNTINGTON (Am. b. 1941)

"Lone Diamond" 1965 Oil on canvas, framed Signed, titled and dated verso 36 1/16" x 36 1/16" actual, 37 7/16" x 37 7/16" framed ESTIMATE: $500 - $800 Provenance: Private Collection Yarmouth, Maine

LOT 220 JOHNNIE WINONA ROSS (Am. b. 1949)

Untitled (Portal), 1990-91 Acrylic on linen, unframed Signed, dated and inscribed "Paris N.D." verso, partial exhibition label on stretcher verso 21 5/8" x 18 1/8" actual ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Saugerties, New York

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LOT 221 TIM NICHOLS (Am. b. 1931)

"Loopy Rake" 2001 Acrylic and latex on canvas, unframed Signed, titled and dated verso 42 1/16" x 46 1/4" actual ESTIMATE: $800 - $1,200 Provenance: Private Collection Massachusetts

LOT 222 AHRON BEN-SHMUEL (Am. 1903-1984)

Abstraction in Primary Colors, 1953 Oil on canvas, framed Initialed and dated l.r.

29 7/8" x 33 7/8" actual, 30 1/2" x 34 1/2" framed ESTIMATE: $600 - $800

Provenance: Private Collection Rhode Island

LOT 223 PETER BUSA (Am. 1914-1985)

Abstraction Oil on canvas, framed Signed l.r.

10" x 8" actual, 17 3/4" x 15 1/2" framed ESTIMATE: $1,000 - $1,500 Provenance: Private Collection Lawrence, New York

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LOT 224 JOHN KIMBALL (Am. 1929-2021)

"Pucka Trebetta" 2007 Acrylic, gouache and collage on paper, framed under glass Titled in piece l.c., signed and dated l.r.

36" x 23 1/8" sight, 51 5/8" x 35 3/4" framed ESTIMATE: $500 - $700

Provenance: Private Collection Denver, Colorado

LOT 225 JOHN KIMBALL (Am. 1929-2021)

"End of Summer" 2005 Acrylic, found object and collage on wood panel, framed under glass Signed and dated l.l., titled on artist's label verso 42 7/8" x 24" actual, 45" x 26 1/8" framed ESTIMATE: $500 - $700 Provenance: Private Collection Denver, Colorado

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LOT 226 ANTOINE BLANCHARD (Fr. 1910-1988)

Rue Royale, Madeleine Oil on canvas, framed Signed l.r.

13" x 18 1/8" actual, 19 3/16" x 24 1/8" framed ESTIMATE: $3,000 - $5,000 Provenance: Private Collection Concord, Massachusetts Other Notes: This lot is accompanied by a certificate of authenticity

LOT 227 ANTOINE BLANCHARD (Fr. 1910-1988)

"Le Café de la Paix" Paris Oil on canvas, framed Signed l.r., signed, titled, inscribed "Paris" and Burlington Paintings label verso 18 3/16" x 21 5/8" actual, 24 1/2" x 28" framed ESTIMATE: $3,000 - $5,000 Provenance: Private Collection Concord, Massachusetts Other Notes: This lot is accompanied by a certificate of authenticity

LOT 228 ATTR. TO ANTOINE BLANCHARD (Fr. 1910-1988)

Paris Street Scene Oil on canvas, framed Erroneously signed l.r., partial exhibition label verso 20" x 24" actual, 27 13/16" x 31 13/16" framed ESTIMATE: $800 - $1,200 Provenance: Private Collection Concord, Massachusetts

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LOT 229 WOLF KAHN (Am. 1927-2020)

Maine Cove Pastel on paper, framed under glass Signed l.c.

10 5/8" x 13 1/4" sight, 17 1/2" x 20 1/8" framed ESTIMATE: $4,000 - $6,000 Provenance: Private Collection New York

LOT 230 WOLF KAHN (Am. 1927-2020)

Barn Pastel on paper, framed under glass Signed l.c.

13 1/2" x 16 3/4" sight, 20 3/8" x 23 1/2" framed ESTIMATE: $6,000 - $8,000 Provenance: Private Collection New York

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 231

LOT 5

STUART JOSEPHSHILS STELLA IT./AM. 1877-1946 (Am. b. 1954) Tree Night House Conte’ on paper, framed. Signed l.r., titled and dated on Monotype, framed under glass Zabriskie and Far Gallery labels attached to verso l.c. 15” x 10 15/16” framed 8 1/2” x 4Signed 13/16” sight, 22 1/8" x 15" actual, 23 15/16" x 16 11/16" framed $600-800 ESTIMATE: - $600 Provenance:$400 Private Collection New Hampshire Provenance: Private Collection Massachusetts

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LOT 232 STUART SHILS (Am. b. 1954)

"Brownington Fields From a Distance" 2002 Oil on panel, framed Signed and dated l.l., signed, titled and dated verso 9" x 10" actual, 10" x 11" framed ESTIMATE: $2,500 - $3,500 Provenance: Private Collection New York

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LOT 5 JOSEPH STELLA IT./AM. 1877-1946 Tree Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed $600-800 Provenance: Private Collection New Hampshire

LOT 233

LOT 5

FAIRFIELD JOSEPHPORTER STELLA IT./AM. 1877-1946 (Am. 1907-1975) Tree "Rose, Where Did You Get That Red?" Conte’ on paper, framed. Signed l.r., titled and dated on Watercolor paper,labels framed Zabriskie and Faron Gallery attached to verso Estate stamp composition versoframed 8 1/2”and x 4alternate 13/16” sight, 15” x 10 15/16” 11" x 14" actual, 13" x 16 1/16" framed $600-800 ESTIMATE: $2,000 - $4,000 Provenance: Private Collection New Hampshire Provenance: Private Collection Connecticut Other Notes: This is a preliminary study for the cover art for Rose, Where Did You Get That Red?: Teaching Great Poetry to Children by Kenneth Koch, Vintage Books, 1974.

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LOT 234 FAIRFIELD PORTER (Am. 1907-1975)

"Domes" Watercolor on paper, framed Estate stamp verso 11 3/16" x 18 1/8" actual, 15 5/8" x 20 7/16" framed ESTIMATE: $3,000 - $5,000 Provenance: Private Collection Connecticut Other Notes: This piece is a study for the cover art for Domes by John Koethe published for the Frank O'Hara Foundation at Columbia University Press; First Edition, 1973.

The lot is accompanied by a copy of the book.

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LOT 235 ERIC AHO (Am. b. 1966)

"Townsend No. 2" 2003 Oil on paper, framed Signed and dated u.c., titled verso 10 3/16" x 11 1/8" actual ESTIMATE: $2,000 - $4,000 Provenance: Private Collection Vermont

LOT 236 ERIC AHO (Am. b. 1966)

"HCP No. 22" Oil on paper, framed Signed u.c., titled verso 11" x 11 1/8" actual ESTIMATE: $2,000 - $4,000 Provenance: Private Collection Vermont

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LOT 237 ERIC AHO (Am. b. 1966)

"Near Sienna" 2005 Oil on canvas, unframed Signed u.c., signed, titled and dated on stretcher verso 12 1/16" x 24 1/16" actual ESTIMATE: $4,000 - $6,000 Provenance: Private Collection Vermont

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LOT 238 SABRA FIELD (Am. b. 1935)

"Sea Dune" Woodcut, framed under glass Signed in pencil l.r., titled in pencil l.l., editioned "27/100" in pencil l.c.

11 15/16" x 11 15/16" image, 14" x 14" sight, 21 1/8" x 21" framed ESTIMATE: $800 - $1,200 Provenance: Private Collection Ypsilanti, Michigan

LOT 239 WILLIAM LESTER STEVENS (Am. 1888-1969)

Winter Stream Watercolor on paper, framed under glass Signed l.r., artist's obituary attached verso 8 3/4" x 10 3/4" sight, 15 5/8" x 17 3/4" framed ESTIMATE: $700 - $900 Provenance: Private Collection Massachusetts

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LOT 240 ERIC HOPKINS (Am. b. 1951)

"Bar Island" 1993 Watercolor on paper, framed under glass Signed l.r., titled l.l.

20 3/4" x 28 7/8" sight, 32" x 39 1/2" framed ESTIMATE: $4,000 - $6,000 Provenance: Collection of Scott Vile, Brunswick, Maine

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Abbott, Berenice 30, 31 Adams, Ansel 37 Aho, Eric 235, 236, 237 American School, 19th Century 194 American School, 20th Century 202 Babb, Joel 134 Bell, Dozier 212 Ben-Shmuel, Ahron 222 Benton, Thomas Hart 12, 13, 14, 15 Berger, Jason 127 Betts, Edward 145, 146, 147, 148 Bisbee, John 119 Blanchard, Antoine 226, 227 Blanchard, Antoine (Attributed) 228 Bluemner, Oscar 038 Bosley, Frederick 129, 130 Bouabré, Frédéric Bruly 126 Bradford, Katherine 76, 77, 78, 79 Brooks, Leo 89, 90, 91, 92 Brown, William Mason 197 Busa, Peter 223 Butler, Howard Russell 162 Cadmus, Egbert 29 Cahoon, Ralph 153 Chadbourn, Alfred 178, 179 Champney, Benjamin (Attributed) 193 Chatterton, Clarence 144 Cheney, Russell 56 China Trade School (Possibly Lai Fong),19th Century 23 Cikovsky, Nicolai 52 Cimiotti, Gustave 86 Cole, Joseph Greenleaf 55 Connaway, Jay 169 Corot, Jean-Baptiste-Camille 5, 6 de Lyra, George 59 De Martelly, John 156 DiMambro, Arthur 80, 81, 82, 83, 84 Duncan, Bob 189 Estes, Richard 120, 121 Etnier, Stephen 62, 63, 64 European School, Late 17th Century 22 Evergood, Philip 53 Ferguson, Amos 117, 118 Field, Sabra 238 Field, Hamilton Easter 138, 139 Fisher, Mark 18, 19 Fiske, Gertrude 132, 133 Fitzgerald, James 140, 141 Forain, Jean-Louis 4 Freedman, Maurice 142, 143 Gerding, Margaret 172 118

I N DEX

German School,19th Century Gerry, Samuel Lancaster Ghikas, Panos Gifford, Robert Swain Goodhue, Charles Gottlieb, Adolph Grant, Gordon Griffin, Walter Haas, Ernst Hallowell, George Hart, William Hartley, Marsden Hassam, Childe Hathaway, George M. Heliker, John Hobbs, Morris Henry Hopkins, Eric Hopper, Edward Hudson, Jacqueline Huntington, James L. Huntington, Chris Hurd, Peter Hutchins, Will Imber, Jon Ipcar, Dahlov Irvine, William Jahn, Elena Kahn, Wolf Kallem, Henry Kent, Rockwell Kimball, John Kishi, Masatoyo Knaths, Karl Koen, Irma Kornbluth, Frances Kroll, Leon Kuhn, Walt Kulicke, Robert LaMotte, Bernard Laurent, John Legere, Jon Leickert, Charles Lever, Hayley Lewis, C. Michael Lynch, Frederick Mattei, Antonio Meyerheim, Wilhelm Alexander Minewski, Alex Miro, Joan (After) Montgomery, Claude Moore, Scott

17 196 214, 215, 216 191 61 122 25, 26 44 34 170 192 11 9 163, 195 173 001 240 39 106 219 60 10 150, 151, 152 174 125 158 93, 94 229, 230 207 40, 41, 42, 43 224, 225 184 161 155 209, 210, 211 149 58 204, 205, 206 2, 3 135, 136, 137 190 020 028 185 218 27 16 95, 96, 97, 98 116 157 160

Morrell, Wayne Beam 85 Muir, Emily 175, 176 Nadeau, Thomas 51 Nichols, Tim 221 Palmer, Pauline 108 Pattison, James 200 Peeters, Bonaventura (School of) 021 Peirce, Waldo 49, 50 Picasso, Pablo 111, 112, 113, 114, 115 Porter, Eliot 32, 33 Porter, Fairfield 124, 233, 234 Rakoff, Ratislaw 208 Rand, Ellen Emmet 54 Redon, Odilon 7 Richards, William Trost 164, 165 Riecke, George 198 Robichaux, Marguerite 177 Ross, Johnnie Winona 217, 220 Schetky, John Christian 24 Sheehan, Dennis 199, 201 Shils, Stuart 231, 232 Shulman, Morris 99, 101, 102, 103, 104 Sisson, Laurence 167, 168 Sohier, Alice Ruggles 131 Solotaire, Robert 180, 181, 182 Sprinchorn, Carl 70, 71, 72, 73, 74, 75 Stephan, John 203 Stevens, William Lester 239 Stoddard, Alice Kent 105 Stone, Caleb 87, 88 Thieme, Anthony 154 Thon, William 65, 66, 67, 68, 69 Tracy, Michael 213 Traver, Donald 188 Tryon, Dwight William 171 Walkowitz, Abraham 128 Ward, Edmund Franklin 100 Warhol, Andy 123 Wasson, George S. 166 Waugh, Frederick 159 Welch, Gregory 186, 187 Welliver, Neil 183 Weston, Edward 35, 36 Wiles, Irving Ramsay 57 Woodbury, Marcia Oakes 109 Woodbury, Charles 45, 110 Woodward, Mabel May 107 Zorach, William 46, 47, 48 Zorn, Anders 8

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THE SUMMER 2024 INTERNATIONAL FINE ART SALE

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- Ba r r i d of f Auc t ion s h a s pa rt n e r e d w i t h Vo s e G a l l e r i e s -

The Inaugural

Violet behind Locusts, Wolf Kahn, pastel on paper, 29 5/8 x 43 inches Barridoff Auctions of South Portland, Maine is partnering with Vose Galleries of Boston, to present the Inaugural Vose|Barridoff American Fine Art Auction, featuring works by distinguished American artists, including Charles Woodbury, Grandma Moses, Winslow Homer, Wolf Kahn, and many more. The auction will take place on Sunday, October 13th, from 5-8pm, at the Lenox Hotel Ballroom in Boston’s Back Bay.

Register to bid at:

www.vosebarridoffauction.com Scan the QR Code for more information on the auction or to register to bid Vose Galleries Barridoff Auctions

238 Newbury Street 312 Gannett Drive

The Yellow Umbrella, Charles Woodbury oil on canvas, 20 1/4 x 27 1/8 inches Boston MA 02116 South Portland ME 04106

617.536.6176 207.772.5011

EASTERN ART SERVICES Offering Comprehensive Art Services for Maine & New England Fine Art Storage

With regular shuttles to Boston and New York City

Art Collection Transportation Packing Shipping

EastErn • art • sErvicEs 100 innovation Way scarborough, MainE 04074 (207) 815-8960

air-ride equipped

Crating Photography Cataloging Inventorying Auction Estimates & Appraisals

Air-Ride Equipped | Climate Controlled

CONTACT US FOR AN ESTIMATE info@easternartservices.com | (207) 815-8960 100 Innovation Way #6, Scarborough, ME 04074