British Academy Television Craft Awards in 2021 programme

2021

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CONTENTS WELCOME MESSAGES 2

HRH The Duke of Cambridge, KG KT

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Amanda Berry OBE, Chief Executive of the Academy, & Krishnendu Majumdar, Chair of the Academy THE NOMINATIONS

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Costume Design Director: Factual

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Director: Fiction Director: Multi-camera

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Editing: Factual Editing: Fiction

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Emerging Talent: Factual Emerging Talent: Fiction

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Entertainment Craft Team Make Up & Hair Design

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Original Music Photography: Factual

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Photography & Lighting: Fiction Production Design

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Scripted Casting Sound: Factual

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Sound: Fiction Special, Visual & Graphic Effects

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Titles & Graphic Identity

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Writer: Comedy Writer: Drama

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Juries

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Meet the Sponsors

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Acknowledgements & Thanks

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H R H T H E D U K E O F CA M B R I D G E , KG K T

President of the Academy

WELCOME In what has been such a difficult year for so many – across our industries, at home in the UK and in the wider world – it’s such a joy to be able to play host to a celebration of the remarkable.

To win a BAFTA is always a mark of excellence, but to be nominated in a year like no other, where uncertainty has reigned, is a testament to the talent, creativity and perseverance of our industry.

We congratulate all of this evening’s nominees: they are the very best at what they do. Our Awards remain a unique celebration of all that’s good, moving, provocative and powerful about television, championing talent both in front of and behind the camera.

Covid-19 has created many challenges for the television industry. Productions have undergone multiple stop-starts; cast and crew have had to find new ways of working together, with pre-production often including periods of self-isolation; technology has been both a saviour and a hindrance, when it breaks down; and travel, at home and overseas, has been halted, all impacting on the creative process. Much of our industry is made up of freelancers, too, and job security, as well as finances, have been a huge cause for concern. And yet, as the nominations highlight, the industry has shown incredible resilience and resistance, pulling together like

F O L LOW U S

#BAF TAT V

@BAF TA

never before, to produce stunning works. As we move towards a more open world, we are optimistic about the future.

BAFTA has faced its own challenges during this time. With the generosity and support of our members, our partners, sponsors and donors, the wider industry and our tireless staff, we have continued to deliver spectacular content and vital initiatives under extraordinary circumstances. We invite you to visit our website and follow our social media to stay informed on all that we do to shine a light on the very best talent and creative endeavours in the screen arts. We are moving into a new era at BAFTA, as we head towards our 75th year in 2022, and we hope you will join us on this exciting journey.

We wish you all a wonderful evening and every success for the rest of the year.

Amanda Berry OBE CHIEF EXECUTIVE OF THE ACADEMY

Krishnendu Majumdar CHAIR OF THE ACADEMY

/BAFTA

BAFTA

BAFTAONLINE B A F TA .O R G

For more on sustainability please visit W E A R E A L B E R T.O R G 3

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TA L E N T

BAFTA Rocliffe New Writing Showcase: YA and Children’s Media

S U P P O R T

BAFTA is a registered charity no 216726 and Friends of BAFTA USA is a tax-exempt public charity under Section 501(c)(3) of the Internal Revenue Code (“IRC”).

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At BAFTA, we believe that talent is everywhere but opportunity is not. Our ambitious plans to redevelop our iconic headquarters at 195 Piccadilly will double its capacity and enable us to dramatically increase the year-round work we do to find and support the next generation of talent in film, games and television – both onscreen and behind the camera.

You can play a pivotal role in supporting the creative future of the screen arts by making a donation today.

To find out more, visit bafta.org/about/fundraising or contact Lucy Plaskett on +44 7970 325678 or LucyP@bafta.org

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High-end TV Skills Fund Supporting and sustaining the growth of high-end television production across the UK

Congratulations to all nominated productions who enable the development of the talent working in high-end TV by contributing to our Skills Fund

Small Axe © BBC/McQueen Limited/Will Robson-Scott

COSTUME DESIGN AMY ROBERTS

The Crown Left Bank Pictures in association with Sony Pictures Television/Netflix JACQUELINE DURRAN

Small Axe (Lovers Rock) Turbine Studios, Lammas Park/ BBC One JAMES KEAST

Belgravia Carnival Films, EPIX/ITV ROSA DIAS

Sex Education Eleven Film/Netflix

DEEYAH KHAN

America’s War on Abortion (Exposure) Fuuse Films/ITV JAMES BLUEMEL

Once Upon a Time in Iraq KEO Films/BBC Two TERESA GRIFFITHS

Lee Miller – A Life on the Front Line Erica Starling Productions & Ronachan Films/BBC Two XAVIER ALFORD

Locked In: Breaking the Silence (Storyville) Marble Films/BBC Four

DIRECTOR: FACTUAL 7

PROUD SPONSORS OF DIRECTOR: FICTION AT THE BRITISH ACADEMY TELEVISION CRAFT AWARDS 2021 Congratulations and good luck to all of the nominees

Also sending our best wishes to the nominated TV shows and crews which shot at 3 Mills Studios across the Virgin Media British Academy Television Awards and the Television Craft Awards:

THE GREAT MRC Television/Starzplay

THE THIRD DAY Sky Studios/Plan B Entertainment/ Punchdrunk/HBO/Sky Atlantic

MASTERCHEF: THE PROFESSIONALS Shine TV/BBC One

SPONSORED BY

DIRECTOR: FICTION

BENJAMIN CARON

The Crown (Episode 3) Left Bank Pictures in association with Sony Pictures Television/Netflix LENNY ABRAHAMSON

Normal People (Episode 5) Element Pictures/BBC Three MICHAELA COEL, SAM MILLER

I May Destroy You Various Artists, FALKNA/BBC One STEVE MCQUEEN

Small Axe Turbine Studios, Lammas Park/ BBC One

BRIDGET CALDWELL

The Royal British Legion Festival of Remembrance BBC Studios/BBC One KEN BURTON

Rugby League Challenge Cup Final BBC Sport/BBC One MARCUS VINER

ENO’s Drive & Live: La bohème Somethin’ Else, ENO/Sky Arts NIKKI PARSONS

Strictly Come Dancing BBC Studios/BBC One

DIRECTOR: MULTI-CAMERA 9

Adobe is proud to be the Official Category Sponsor to Editing: Factual and Editing: Fiction categories.

We would like to congratulate the winner and all the nominees.

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EDITING: FACTUAL

SPONSORED BY

ADAM FINCH

Putin: A Russian Spy Story Rogan Productions/Channel 4 ANNA PRICE

Once Upon a Time in Iraq (Episode 3) KEO Films/BBC Two CLAIRE GUILLON

Lee Miller – A Life on the Front Line Erica Starling Productions, Ronachan Films/BBC Two WILL GRAYBURN

Once Upon a Time in Iraq (Episode 2) KEO Films/BBC Two

CHRIS DICKENS, STEVE MCQUEEN

Small Axe Turbine Studios, Lammas Park/ BBC One EDITING TEAM

I May Destroy You Various Artists, FALKNA/BBC One NATHAN NUGENT

Normal People (Episode 5) Element Pictures/BBC Three PIA DI CIAULA

Quiz Left Bank Pictures/ITV SPONSORED BY

EDITING: FICTION 11

SAM JENKINS- SOUND ASSISTANT TRAINEE SCHEME ALUMNI 2020

CHARLOTTE SCOTT-GRAYCAMERA ASSISTANT TRAINEE SCHEME ALUMNI 2014

MARVYN MARQUES- COSTUME ASSISTANT TRAINEE SCHEME ALUMNI 2017

NICK POOLE- CAMERA ASSISTANT TRAINEE SCHEME ALUMNI 2014

EARLEATHA OPPON- PRODUCTION ASSISTANT TRAINEE SCHEME ALUMNI 2019

ZOE ALZAMORA- PRODUCTION ASSISTANT TRAINEE SCHEME ALUMNI 2020

JOSH WARD- SOUND ASSISTANT TRAINEE SCHEME ALUMNI 2014

KATRINA AUST- EDIT ASSISTANT TRAINEE SCHEME ALUMNI 2015

NATHANIEL JACOBS- EDIT ASSISTANT TRAINEE SCHEME ALUMNI 2018

MARK BULL- CAMERA ASSISTANT TRAINEE SCHEME ALUMNI 2015

OUR TRAINEE SCHEME- NURTURING TOMORROW'S TALENT SINCE 2011

EMERGING TALENT: FACTUAL ASHLEY FRANCIS-ROY (Shooting Producer/Director)

Damilola: The Boy Next Door The Real Eastenders Acme Films/Channel 4 JESSICA KELLY (Director)

The Schools that Chain Boys BBC News Arabic Documentaries/BBC iPlayer Silicon Valley’s Online Slave Market BBC News Arabic Documentaries/BBC Two KANDISE ABIOLA (Producer)

Terms & Conditions: A UK Drill Story Century Films/YouTube MARIAN MOHAMED (Director)

Defending Digga D Lambent Productions/BBC Three

GEORGI BANKS-DAVIES (Director)

I Hate Suzie Bad Wolf/Sky Atlantic HARRY TULLEY (Dubbing Mixer)

Anthony LA Productions/BBC One STEPHEN S THOMPSON (Writer)

Sitting in Limbo Left Bank Pictures/BBC One WILLIAM STEFAN SMITH (Director)

On the Edge: BBW BlackLight Television/Channel 4

EMERGING TALENT: FICTION

SPONSORED BY

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ENTERTAINMENT CRAFT TEAM

SPONSORED BY

ANDY MILLIGAN, MARK BUSK-COWLEY, GURDIP MAHAL, ROB ASHARD, CLAUDINE TAYLOR

Ant & Dec’s Saturday Night Takeaway ITV Studios, Mitre Television/ITV DAVID BISHOP, ANDY PAYNE, LUCY FOSTER

Last Night of the Proms Livewire Pictures/BBC One DAVID BISHOP, DARREN LOVELL, DAVID NEWTON, RICHARD SILLITTO, ANDY TAPLEY, CATHERINE LAND

Strictly Come Dancing BBC Studios/BBC One MARK BUSK-COWLEY, ROY CALLOW, STEVE KRUGER, ANDY MILLIGAN, JAMES TINSLEY, MATHIEU WEEKES

I’m a Celebrity…Get Me Out of Here!

ITV Studios/ITV BETHANY SWAN

I May Destroy You Various Artists, FALKNA/BBC One CATE HALL, EMILIE YONG-MILLS

The Crown Left Bank Pictures in association with Sony Pictures Television/Netflix JOJO WILLIAMS

Small Axe Turbine Studios, Lammas Park/ BBC One LOUISE COLES, SARAH NUTH, LORRAINE GLYNN, ERIN AYANIAN

The Great MRC Television/STARZPLAY

MAKE UP & HAIR DESIGN 15

Official post production partner to BAFTA.

The Farm Group, a Streamland Media company, with its sister companies Picture Shop, Ghost VFX, Formosa Group and Picture Head, provides post production expertise across the globe.

Wherever, whenever, we ensure you can carry on working.

Congratulations to all of this year’s British Academy Television Craft Awards nominees and winners.

Providing award-winning post production since 1998.

www.farmgroup.tv

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020 7437 6677

@TheFarmGroup

ORIGINAL MUSIC CRISTOBAL TAPIA DE VEER

The Third Day (Episode 3) Sky Studios, Plan B Entertainment, Punchdrunk Entertainment, HBO/ Sky Atlantic H SCOTT SALINAS

Baghdad Central Euston Films/Channel 4 HARRY ESCOTT

Roadkill The Forge Entertainment/BBC One MARTIN PHIPPS

The Crown Left Bank Pictures in association with Sony Pictures Television/Netflix

JOHNNY SHIPLEY, DRONE CAMERA TEAM, JOHN LIVESEY

The Great Mountain Sheep Gather Windfall Films/BBC Four RICHARD KIRBY, SUE GIBSON, MAX KÖLBL, ROBERT HOLLINGWORTH

Tiny World (Island) Plimsoll Productions/Apple TV+ TIM CRAGG

Fear City: New York vs The Mafia RAW and Brillstein Entertainment Partners Production/Netflix WILL EDWARDS, MICHAEL O’HALLORAN

Marina Abramovic Takes Over TV Northern Town/Sky Arts

PHOTOGRAPHY: FACTUAL

SPONSORED BY

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PHOTOGRAPHY & LIGHTING: FICTION

SPONSORED BY

ED RUTHERFORD

Little Birds Warp Films/Sky Atlantic ROB HARDY

Devs FX and FX Productions/BBC Two SHABIER KIRCHNER

Small Axe Turbine Studios, Lammas Park/ BBC One SUZIE LAVELLE

Normal People Element Pictures/BBC Three

HELEN SCOTT

Small Axe Turbine Studios, Lammas Park/ BBC One JOEL COLLINS, ROBYN PAIBA, ROBERT WISCHHUSEN-HAYES, CHARLIE LYNAM

His Dark Materials Bad Wolf/BBC One MATT GANT, MEGAN BOSAW

Gangs of London Pulse Films, SISTER/Sky Atlantic SAMANTHA HARLEY, ALEXANDRA SLADE, MIRA KATZ, SAMANTHA CLIFF

Sex Education Eleven Film/Netflix SPONSORED BY

PRODUCTION DESIGN 19

SPONSORED BY

SCRIPTED CASTING

GARY DAVY

Small Axe Turbine Studios, Lammas Park/ BBC One KATE RHODES JAMES

Baghdad Central Euston Films/Channel 4 LAUREN EVANS

Sex Education Eleven Film/Netflix SHAHEEN BAIG

The Third Day Sky Studios, Plan B Entertainment, Punchdrunk Entertainment, HBO/ Sky Atlantic

KATE HOPKINS, TIM OWENS, GRAHAM WILD, PAUL ACKERMAN, TOM MERCER

Earth at Night in Colour Offspring Films/Apple TV+ NICK FRY, STEVE SPEED, JAMES EVANS, HUGH DWAN

Formula 1: Drive to Survive Box to Box Films/Netflix RICHARD KONDAL, ALEX OUTHWAITE, ADRIAN SANDU

Hitsville: The Making of Motown Fulwell 73, Universal Music Group/ Sky Documentaries SOUND TEAM

Springwatch 2020 BBC Studios Natural History Unit/ BBC Two

SOUND: FACTUAL 21

A golden moment

MADE FOR THE MOMENT. MADE FROM NEW ZEALAND. Our iconic wines are born of the unique terroir of Aotearoa New Zealand. Grown sustainably in wind cooled valleys, between shifting mountains and crashing seas, and bottled at our winery in the crater of a volcano. Passionately crafted without compromise, we proudly share them with the world, to inspire, delight and to elevate the moment.

PROU D PART NE R TO BA F TA SINCE 2009

SOUND: FICTION JON THOMAS, GARETH BULL, JAMES RIDGWAY, DILLON BENNETT, EILAM HOFFMAN, JAMES DRAKE

His Dark Materials (Episode 7) Bad Wolf/BBC One NIALL O’SULLIVAN, STEVE FANAGAN, NIALL BRADY

Normal People Element Pictures/BBC Three PAUL COTTERELL, JAMES HARRISON, RONALD BAILEY, LEWIS MORISON

Small Axe Turbine Studios, Lammas Park/ BBC One SOUND TEAM BEN TURNER, REECE EWING, CHRIS REYNOLDS, ASA SHOUL, FRAMESTORE, UNTOLD STUDIOS

The Crown Left Bank Pictures in association with Sony Pictures Television/Netflix

The Crown Left Bank Pictures in association with Sony Pictures Television/Netflix MICHAEL ILLINGWORTH, OLIVER MILBURN, DANNY HARGREAVES, OLIVIER OGNEUX, LAURA USAITE, PEDROM DADGOSTAR

War of the Worlds Urban Myth Films/FOX MILK VFX, DNEG TV, FREEFOLK, GOODBYE KANSAS STUDIOS, GREG FISHER, DAVE HOUGHTON

Cursed Netflix/Netflix RUSSELL DODGSON, JAMES WHITLAM, JEAN-CLEMENT SORET, ROBERT HARRINGTON, DAN MAY, BRIAN FISHER

His Dark Materials Bad Wolf/BBC One

SPECIAL, VISUAL & GRAPHIC EFFECTS 23

TITLES & GRAPHIC IDENTITY MATT CURTIS

Devs FX and FX Productions/BBC Two NIC BENNS, MIKI KATO

Fear City: New York vs The Mafia A RAW and Brillstein Entertainment Partners Production/Netflix PETER ANDERSON STUDIO

Dracula Hartswood Films/BBC One PETER ANDERSON STUDIO

Roald & Beatrix: The Tail of the Curious Mouse Hartswood Films/Sky One

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WRITER: COMEDY CHARLIE BROOKER

Charlie Brooker’s Antiviral Wipe Broke & Bones, Endemol Shine Group/ BBC Two DAISY MAY COOPER, CHARLIE COOPER

This Country BBC Studios/BBC Three SOPHIE WILLAN

Alma’s Not Normal Expectation/BBC Two WRITING TEAM

Ghosts Monumental Television, Them There/BBC One

ALASTAIR SIDDONS, STEVE MCQUEEN

Small Axe Turbine Studios, Lammas Park/ BBC One LUCY KIRKWOOD

Adult Material Fifty Fathoms Productions/Channel 4 LUCY PREBBLE

I Hate Suzie Bad Wolf/Sky Atlantic MICHAELA COEL

I May Destroy You Various Artists, FALKNA/BBC One

WRITER: DRAMA

Nominations correct at time of press.

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THE JURIES COSTUME DESIGN

DIRECTOR: FACTUAL

DIRECTOR: FICTION

Hannah Wyatt chair Emily Fitch Miller Ian Fulcher Zaldy Goco Sian Jenkins Ruka Johnson Matthew Price Catherine Prior Neeraj Singh Lucienne Suren

Ade Rawcliffe chair Sion Aaron Ben Anthony Jason Bernard Lucy Cohen Simon Frederick Erica Gornall Amelia Hann Emma Hindley Stewart Kyasimire Lucy Wilcox

John Strickland chair Christiana Ebohon-Green Rosalind Eleazar Sarah Harding Jordan Hogg Kayleigh Llewellyn Andrew McClelland Victoria Pile Colin Salmon David Segal Hamilton Andy Wilson

EMERGING TALENT: FACTUAL

EMERGING TALENT: FICTION

Lucy Willis chair Nic Blower Emma Butt Bob Clarke Ana de Moraes Daniel Dewsbury Seth Goolnik David Hodgkinson Bianca Joseph Helen Littleboy Anna Sadowy

Becky Cadman chair Howard Bargroff Danny Brocklehurst Jonny Campbell Gary Dollner Jasmine Dotiwala Luke Dunkley Christine Gernon David Katznelson Caroline Levy Weruche Opia Avril Spary Jude Winstanley

DIRECTOR: MULTI-CAMERA Elizabeth McIntyre chair Del Brown Jonathan Bullen Brenda Emmanus Debbie Howard Alun Jenkins David Kerr Denise Large Helen Scott Jenny Sealey Barbara Wiltshire Matthew Winter

ENTERTAINMENT CRAFT TEAM Nicky Sargent chair Leah Archer Philippa Catt Scarlett Ewens Nick Fry Petrina Good Jazz Gowans Sally Lock Lee McNicholas Southan Morris Sandra Smith Reg Wrench

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MAKE UP & HAIR DESIGN Hilary Rosen chair Joy Adenuga James Aspinall Allison Edwards Neill Gorton Tanya Lodge Susana Mota Richard Muller Dominic Skinner James Spinks Tristan Versluis

ORIGINAL MUSIC Katie Player chair Daisy Coole Nina Humphreys Jules Jackson Tandis Jenhudson Rael Jones Stefano Marchetti Alexander Parsons Jo Whiley Cho Young-Wuk PRODUCTION DESIGN

PHOTOGRAPHY: FACTUAL Fatima Salaria chair Damian Paul Daniel Sophie Darlington Serena Davies Lynda Hall Tania Hoser William Jessop Luke Korzun Martin Evelin Lawford Ben Ryder David Shulman

TITLES & GRAPHIC IDENTITY Adeel Amini chair Kandise Abiola Allison Brownmoore David P Davis Manija Emran Natasha Kalisz Dolores McGinley Richard Morrison Caroline O’Neill David Z Obadiah Andy Tusabe

Claire Zolkwer chair Zoe Belton Indra Bhose Monica Black Stephen Bryce Lucy Fyfe Edward Gibbon Claire Levinson-Gendler Danielle Lux Dominic Tolfts

WRITER: COMEDY Lara Akeju chair Furquan Akhtar Matt Cain Kevin Cecil Peter Davey Jocelyn Jee Esien Jessica Hynes Shappi Khorsandi Lucy Lumsden Jamali Maddix Mark O’Sullivan Ellie White

PHOTOGRAPHY & LIGHTING: FICTION Beryl Richards chair Edward Ames Caroline Bridges Alison Butler Oliver Curtis Adam Etherington Matt Gray Darcia Martin Amy Neil Kelvin Richard Hilda Sealy

SCRIPTED CASTING Sara Putt chair Bryony Arnold Nicolas Brown Kharmel Cochrane David Grindrod Des Hamilton Gillian Hawser Jina Jay Sam Jones Rob Kelly Lara Manwaring Andy Pryor

WRITER: DRAMA Sarah Asante chair Bisha K Ali Amy Annette Joe Barton Marnie Dickens Amira El-Nemr Nick Leather Wunmi Mosaku Laurie Nunn Ben Tagoe

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MEET THE SPONSORS MAD DOG 2020 CASTING OFFICIAL TV CRAFT PARTNER

In an unusual year for the filming industry, Mad Dog 2020 Casting has experienced first-hand how the pandemic has transformed television production.

The pandemic has taught us that we can work miles apart, from home, and still maintain our high standards of supplying supporting artists for incredible productions. Our staff have developed stronger relationships with each other, and we have held more team days, virtual meetings and quizzes than we can count.

When the world stayed home, Mad Dog 2020 Casting used this time to reach out to our supporting artists. We held one-to-one video calls, giving artists guidance and offering a friendly face to talk to at a time when productions came to a halt and the future seemed uncertain. Artists have used technology to their advantage and found creative ways to film self-tapes at home, attend virtual auditions with directors and film roles from home with equipment provided by productions.

Throughout the pandemic, it has been vital to Mad Dog 2020 Casting to pinpoint what people need to achieve a strong sense of greater well-being.

The past year in the world of television production has taught us just that. In taking a remote working stance, our staff have reduced travel and emissions, which not only contribute to a cleaner environment but benefit productivity and well-being, too. We have identified that flexibility and staying connected both support wider well-being for not just our staff but also our artists and our clients. This is something we are passionate about projecting, in our organisation and throughout the industry.

This year, technology has been an incredible light navigating many of us through an unusual time. More than ever before, we are strongly connected as an organisation, connected with our supporting artists and connected with productions around the world.

VISIT: MADDOG2020CASTING.COM

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3 MILLS STUDIOS CATEGORY SPONSOR FOR DIRECTOR: FICTION

3 Mills Studios is proud to continue its support of the Director: Fiction category at the British Academy Television Craft Awards for the sixth year running in what has been another momentous year for high-end television drama. By partnering with BAFTA on these Awards, we are shining a light on the work of those behind the camera and helping the charity fulfil its remit to bring the very best work in film, games and television to public attention and support the growth of creative talent in the UK and internationally.

At 3 Mills Studios, we provide facilities for a diverse range of productions across independent film, television and theatre, which is reflected in our diverse audience. We are committed to providing opportunities and learning to a wide network of young talent, so our partnership with BAFTA provides real value to our goals of inspiring the next generation of directors and television makers.

We hope the exceptional creative talent in this category will serve as an inspiration to the future directors of British television – and 3 Mills Studios will be here to help those directors bring their stories to our screens.

VISIT: 3MILLS.COM

ADOBE CATEGORY SPONSOR FOR EDITING: FACTUAL AND EDITING: FICTION

Adobe extends its BAFTA partnership with the British Academy Television Craft Awards to help inspire and engage the next generation of creators and video professionals in the UK. Adobe and BAFTA were brought together this year due to their shared mission: to support and drive a more inclusive film, games and television industry.

Adobe’s mission to enable ‘Creativity for All’ is supported by its belief that everyone has a story to tell. Adobe believes that creativity can help nurture all forms of self-expression, especially within the medium of film and video, which have helped so many of us cope with the events and challenges of the past year.

The creativity we have seen through editing, in both the Factual and Fiction categories, has provided escapism to the nation when we needed it most.

For this year’s Television Craft Awards, Adobe is the Official Category Sponsor for both the Editing: Factual and Editing: Fiction categories. Editing is crucial to creative storytelling and with Adobe’s industry-leading video editing software, you can make whatever you want, wherever you want.

VISIT: ADOBE.COM/UK

THE FARM CATEGORY SPONSOR FOR PHOTOGRAPHY: FACTUAL

Founded in 1998, The Farm Group is a multi-awardwinning post-production provider, offering 4K HDR and Dolby Vision picture post, VFX and 5.1, 7.1 and Dolby Atmos mixing studios in London, Bristol, Cardiff, Salford and Manchester.

Nurturing talent lies at the heart of The Farm’s ethos. Our talented creative pool includes editors, colourists, dubbing mixers and VFX artists, as well as post producers working across all genres of television.

The Farm works closely in association with such organisations as Sara Putt Associates and MAMA Youth Project, Iconic Steps and the New Voice Awards at the Edinburgh International Television Festival, to name a few, and we pledge to continue to support the development of industry talent. With the collaboration of industry bodies like these, we help to develop the stars of tomorrow. The Farm shares this mantra with BAFTA, which, as an organisation, galvanises the best creative and entrepreneurial talent and encourages investment of time and resources in the young.

Most recently, The Farm has aligned with the Government Kickstart Scheme to give two unemployed 16 to 24 year olds, through the MAMA Youth graduate scheme, a six-month paid trainee placement within our Farm facilities. This includes mentoring, internal development, career support and advice, reviews, regular check-ins and Action Learning Sets. For further information, please get in touch.

VISIT: FARMGROUP.T V

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HOTCAM CATEGORY SPONSOR FOR ENTERTAINMENT CRAFT TEAM

Hotcam has supported the film and television industries with equipment hire, technical design, engineering, production services and crew for more than 25 years. We are industry leaders in implementing versatile, seamless and cost effective solutions for any size of production, location, venue and budget.

Our team is highly experienced and skilled at mobilising kit and crew to domestic and international locations. We have provided systems for a multitude of highly prestigious, award-winning productions, many of which are recognised by BAFTA year-onyear. Clients consider Hotcam an integral part of their production team, quite simply because we have the know-how, expertise and an unbeatable track record.

Hotcam prides itself on attracting a diverse workforce and training them with skills to use the technological developments that are redefining our industry. We offer passionate people from all backgrounds the opportunity to develop their talents in a safe, nurturing environment where they are encouraged to be the best they can be. Through their commitment to hard work and their inquisitive curiosity, we want to help them along their journey to become the next generation of film and television professionals.

Covid-19 has presented unfathomable challenges for our industry and many creators and technicians have been negatively impacted. Consequently, Hotcam believes that there has never been a more appropriate time to focus on supporting the dedication and loyalty of these unsung behind-the-scenes heroes.

VISIT: HOTCAM.T V

MICROSOFT CATEGORY SPONSOR FOR PRODUCTION DESIGN

Microsoft is proud to be supporting the British Academy Television Craft Awards for the sixth year running. Celebrating the UK television industry’s unsung heroes, the Production Design category is important to us as it not only celebrates the incredible creative talent behind the scenes of our most beloved 30

television programmes, it also raises awareness for the sheer amount of hard work and dedication it takes to bring them to fruition.

This is especially important to highlight over the last year, in which production teams have faced and overcome more challenges than ever before to ensure a Covid-safe working environment to keep the cameras rolling.

In what has been another fantastic year for British television, and in a time where quality content is more important to us than ever, keeping us thoroughly entertained during the Covid-19 lockdowns, the nominated designers in this category have amazed us by creating the most awe-inspiring worlds; allowing us to truly lose ourselves in a character’s journey and indulge in the escapism we all needed. Without them, these incredible stories could not be told. They inspire us with their creativity and innovation.

Over the past year, and many years before that, Microsoft has been hard at work behind the scenes, supporting production designers with prop provisions from our range of Surface and Xbox devices, along with Office 365 software clearances and Microsoft Studios gaming clearances, to enable them to tell a realistic, true-to-life and compelling visual story.

VISIT: MICROSOF T.COM / BEN.PRODUCTPLACEMENT.COM

SARA PUTT ASSOCIATES CATEGORY SPONSOR FOR EMERGING TALENT: FICTION

As agents representing freelance technicians and production personnel, the last year has been the most challenging we have ever known. Over a 10-day period in March 2020, more than 90 percent of our clients lost their jobs and more than 75 percent of them were not covered financially by either of the government support schemes. The industry shut down for several months, and with it the jobs we do as agents. It was a very frightening time.

However, we are incredibly proud of our team and our clients, and how everyone dealt with this unique and hugely difficult set of circumstances. This truly is an industry of resilient and indomitable individuals.

The thing we are most proud of at Sara Putt Associates is being a community, a family; and we have never felt that more strongly than in the last year. We had tea parties on Zoom, a quiz night and we ran a virtual short film competition for our trainees, with a gala

screening evening including a virtual red carpet. We shared recommendations for box sets, sourdough bread and knitting patterns.

We are also very proud of BAFTA’s response to the pandemic. The way it moved events for the freelance community online, the financial support it offered freelancers via the Film and TV Charity and the work that so many BAFTA members, and indeed our own clients, did around the Production Protocols, which allowed the industry to get back to work by the summer – a huge achievement in itself.

Good things have come out of this time. That enhanced sense of community, a little more time to build relationships online, a little more kindness perhaps. Also, many have found incredibly creative solutions to filming during a global pandemic, some of which we see rewarded here this evening.

Looking forward, the television industry is buoyant, busy and employing more freelancers than ever before, and hence it is vital for us to work even harder to nurture new talent and new voices. As sponsors of the Emerging Talent: Fiction category, we are proud to show our commitment to supporting BAFTA’s work in this area.

VISIT: SARAPUT T.CO.UK

SCREENSKILLS HIGH-END TV SKILLS FUND CATEGORY SPONSOR FOR PHOTOGRAPHY & LIGHTING: FICTION

coronavirus basic awareness on production training and offered mental health training to help heads of departments and managers support their crews. Other concerns we were already working to address came to the fore during lockdown, such as the treatment of freelancers. Training, such as our leadership and management programme, is designed to give freelancers tools to be better managers, while everyone can learn from the Tackling Bullying And Harassment At Work e-learning module.

Longstanding pre-Covid-19 concerns haven’t gone away. Creating a more inclusive workforce and developing talent UK-wide is critical. We are running new iterations of successful programmes, such as First Break for those from disadvantaged backgrounds, and our role in building capacity will continue with programmes such as Trainee Finder, with paid placements for new entrants, and Make a Move, to help people step up into a more senior role.

The priority remains on investing in addressing grade shortages in areas including production accounts, line producers and locations as HETV production continues to grow exponentially. You can’t make great television without investing in the people.

We congratulate all the Photography & Lighting: Fiction nominees and thank all the nominated productions, across all categories, who contribute to the High-end TV Skills Fund.

VISIT: SCREENSKILLS.COM

SPOTLIGHT CATEGORY SPONSOR FOR SCRIPTED CASTING ScreenSkills is the industry-led skills body for the UK’s screen industries. We help find, develop and sustain the skilled and inclusive workforce that is critical to the UK’s global screen success.

The High-end TV Skills Fund, managed

by ScreenSkills, supports career development opportunities for talent working at all levels in high-end television (HETV), from new entrants to executives. Since the fund was established in 2013 alongside the tax credit, more than £20m has been contributed by productions and invested in identifying current and future skills needs and practical training programmes to address them – developing the behindthe-camera talent who make the outstanding content celebrated by BAFTA. Virtually all training was moved online during the pandemic and that accessibility to all means online will remain important in the future. We developed

With a mission to connect the best acting talent with great roles, Spotlight has always recognised that every successful film or television show relies on the expertise of a team of professionals, both in front and behind the camera.

Spotlight has campaigned for the recognition of casting directors for almost 20 years, so we’re delighted to be sponsoring the 2021 Scripted Casting category at the British Academy Television Craft Awards and to support BAFTA and the industry in this way. We’re well aware how crucial this craft is to the industry – casting directors bring characters to life on screen with their choices, so it’s important to celebrate this skill.

VISIT: SPOTLIGHT.COM

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ACKNOWLEDGEMENTS Host Gbemisola Ikumelo Scriptwriters Gbemisola Ikumelo Akemnji Ndifornyen Offline Editors Kieran Coyle Jamie Rowland Online Editor Daniel Dalton Graphics & Titles Peter Anderson Studio Directors of Photography Kieran Coyle Darren Lovell Photographer Scott Garfitt Studio Facilities Kennington Film Studios Technical Facilities Hotcam PR Multitude Media

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OFFICIAL TV CRAFT PARTNER Mad Dog 2020 Casting CATEGORY SPONSORS 3 Mills Studios Adobe The Farm Hotcam Microsoft Sara Putt Associates ScreenSkills High-end Television Skills Fund Spotlight ACADEMY PARTNERS Acqua Panna Champagne Taittinger Deloitte S.Pellegrino Villa Maria TELEVISION COMMITTEE Hannah Wyatt (Chair) Sara Putt (Deputy Chair) Lara Akeju Adeel Amini Sarah Asante Becky Cadman Paul Gilbert Daniel Maynard Elizabeth McIntyre Katie Player Ade Rawcliffe Beryl Richards Hilary Rosen Fatima Salaria Nicky Sargent John Strickland Lucy Willis Claire Zolkwer

WITH THANKS TO...

AT BAFTA Executive Director of Awards and Content Emma Baehr Head of Awards Kelly Smith Television Officer Harriet Humphries Television Officer Natalie Gurney Television Coordinator Jessica Rogers Executive Producer Cassandra Hybel Producer/Director Laura Rees Assistant Producer Harry Balmforth

BAFTA Productions Olivia Comer, Ella Coveney, Georgina Cunningham, Kylie McCarroll, Joe Okell, Ciara Teggart, Amy Wilson Awards Team Sam D’Elia, Imogen Faris, Lisa Gault, Deirdre Hopkins, Lewis Peet

Executive Director of Partnerships and Fundraising Louise Robertson Partnerships Team Natalie Moss, Amy Elton, Emma Tarcy

Executive Director of PR and Communications Donna Mathews

Line Producer Jude Winstanley

Communications Team Nick Williams, Fiona Simpson, Sophie Dudhill, Ashley McKay, Emma Wellwood, Dana Thompson, Ben Smart, Molly Diver

BROCHURE

PUBLISHED BY

Photography Director Claire Rees Photography Coordinator Jordan Anderson Cover Illustration Lucy Shephard Graphic Designer Abigail Bills Editor Toby Weidmann

British Academy of Film and Television Arts 195 Piccadilly London W1J 9LN T: +44 (0)20 7734 0022 E: reception@bafta.org bafta.org All nominees imagery used with kind permission from the nominees, production companies and broadcasters. Executive portraits: Harry Richards Photography (Krishnendu Majumdar), BAFTA/ Jonathan Birch (Amanda Berry).

Although every effort has been made to ensure the accuracy of the information contained in this publication, the Publishers cannot accept liability for errors or omissions. No part of this publication may be reproduced without the written permission of BAFTA. © BAFTA 2021 33

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