Welcome 2016
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BAFTA UK Chair’s Message
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Industry Comment 2016
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Official Photography 2015
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Winners 2015
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Juries 2016
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Nominations 2016
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Outstanding Contribution Awards
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In Memoriam
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Official Partners
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Thank You
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WELCOME 2016 It is an exciting time in Scotland for Film, Television and Games, and BAFTA Scotland remain at the heart of celebrating and promoting excellence in all three disciplines. Excited as I am to be welcoming you to this, the main event in BAFTA Scotland’s calendar, there’s so much more to their work, year round. Their programme of screenings, masterclasses and events continues to expand, with this year’s addition of Career Close Ups with a multitude of experienced screen practitioners taking place to rave reviews from participants. There are some really exciting events lined up for the remainder of this year. As a charity focused on celebrating excellence in the screen industries, BAFTA Scotland rely on the support of membership to help deliver this programme of events, tonight’s awards, and much more besides. There’s never been a better time to join BAFTA Scotland. Earlier this year, BAFTA Scotland also celebrated the very best of emergent screen talent with their New Talent Awards. The high standards of work throughout the categories awarded were yet again of an exceptional standard, and we were delighted to welcome Danny Boyle, taking time out from
directing Trainspotting 2, to present the main award of the evening. I’m proud to be a member of a Committee that values and celebrates creative excellence for those just at the beginning of what will hopefully be hugely successful creative careers. I’ve only had the honour of a few months in the role of BAFTA Scotland Chair, which has coincided with a hugely busy time for Jude MacLaverty and her fantastic BAFTA Scotland team, building up to tonight. 144 jurors judged outstanding work across 18 categories. It’s a detailed but exciting process that brings this fantastic evening together. I’d personally like to thank all of those jurors, our hard-working and passionate committee, our membership and those who were able to vote for entries, and the BAFTA Scotland team in making it all ultimately happen. Huge thanks to our core supporters Creative Scotland, BBC Scotland and Creative Scotland, our category sponsors, and all the team behind the scenes helping to hopefully make tonight memorable for you all. Enjoy the show, and to all nominees, congratulations and good luck! IAN MACKENZIE CHAIR, BAFTA SCOTLAND 05
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BAFTA UK CHAIR’S MESSAGE It gives me great pleasure to welcome you to this year’s British Academy Scotland Awards. Every year, the British Academy Scotland Awards play a vital role in recognising and rewarding the very best of the country’s moving image industries, which have a long history of producing exceptional work. Congratulations in particular to our Special Award honorees for 2016, the brilliantly talented make up artist from Glasgow, Christine Cant, and the team at Sixteen Films - Ken Loach, Paul Laverty and Rebecca O’Brien – who have been a hugely important force within the Scottish film industry, shooting six of their films in Scotland, providing work for countless Scottish crew, and giving a lot of local talent their first break: Martin Compston, Paul Brannigan and Atta Yaqub, to name a few. Beyond tonight’s awards in film, television and games, BAFTA Scotland hosts a year-round, dynamic and varied programme of events across the country. They show our commitment to developing new and emerging talent as well as satisfying the growing appetite of the BAFTA membership, the industry’s experts across film, television and games.
Since the beginning of the year, BAFTA Scotland has produced 40 events, alongside weekly members’ screenings in both Glasgow and Edinburgh. 2016 has also seen the launch of Career Close-Up, in association with Skills Development Scotland, our monthly session that helps graduates and career starters get into the industry. Thank you to all the outstanding staff - Jude MacLaverty and her dedicated team of Jenna Cunningham, Karen Rosie, Beverley McMillan, Emma Nicholson and Tessa Mae Harris – who work with such skill and energy on behalf of the Academy throughout the year; to the Committee and its new chair, Ian MacKenzie; to our host Edith Bowman; and to BBC Scotland, STV and Creative Scotland for their continued support of our mission. Finally, I would like to congratulate the nominees for their outstanding achievements and for upholding the gold standard that is the British Academy Scotland Awards. Your talent and vision continue to raise the bar for the industry in Scotland. Wishing you a thoroughly enjoyable evening. JANE LUSH CHAIR OF THE ACADEMY
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INDUSTRY COMMENT 2016 30 years ago on 6 December 1986, Reginald Collin, Iain Smith, Graham Benson, Chris MacLean and David Bruce met at the Glasgow Film Theatre for the inaugural BAFTA Scotland screening of The Mission. It is reassuring to consider how far we’ve come this past 30 years or so. Back in the 1970s I was part of a small group of Scottish filmmakers who gathered over numerous pies and pints to plan ways to make ‘real’ films. Making films about whisky distilleries, suspension bridges and sunsets over the Western Isles, devoid of real people, was bad for our collective soul. In those days the notion of having a film industry that made feature length films about things that mattered was little more than a daft wee dream. The two most prominent film organisations at the time, Films of Scotland and The Scottish Film Council, had no energy for such things. They seemed to be resigned to the plodding status quo. We, on the other hand, more in hope than expectation were putting our thrawn suspicions to one side, and were starting to move forward in a collective spirit that had never existed before. It was that spirit that gave rise to events like ‘Filmbang’ in 1976, and the ‘Cinema and the Small Country’ conference in Edinburgh the following year. The participation of filmmakers from other countries, similar in size to our own,
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raised the level of debate, and made us realise that our situation wasn’t so unique after all. And, guess what, we began to realise we might actually be better than we first thought. The most significant change happened, of course, when Bill Forsyth, in sheer frustration having had Gregory’s Girl turned down yet again by the Scottish Film Council, steamed ahead, with no money whatsoever, and made the now legendary That Sinking Feeling. Frustration overcame his native caution, and he jumped into the void. He just started - making a film. In doing so he gave birth to a distinctly Scots point of view that matured in Gregory’s Girl and later in Local Hero. He not only brought our national sense of the absurd to a wider screen audience, he also proved that a Scottish based filmmaker could be seen as a world class talent. He pointed us in a direction that has since been pursued by our most talented people. But above all he showed us that we should sometimes “just get on with it”. So from these hesitant beginnings, the formation of BAFTA Scotland in 1986, was a moment of great significance; proof that our daft wee dream was becoming a reality. Scotland’s filmmakers were at last being recognised, and applauded, for their
risk taking creativity, and for asserting themselves increasingly on the wider cultural landscape. It is an old Hollywood truism that ‘money follows talent’. I have no doubt that the existence of BAFTA Scotland and its celebration of our country’s talent over these many years has already improved the creative and financial fortunes of our people. I have no doubt that BAFTA Scotland through the recognition of homegrown role models, continues to build confidence in our young by bringing their achievements to wider notice and acclaim. BAFTA Scotland has significantly improved their chances of engaging with international opportunity and investment. But alongside that, the development of a sustainable industrial/commercial infrastructure in Scotland must not be forgotten. Without that, our skills and talents will not be sustainable beyond these shores. We need a robust business environment within which our creativity, and culture, can captivate the world. This of course requires continued, and increasing, strategic resourcing from the Scottish Government. But, in the spirit of Bill’s ‘just get on with it’ approach, support from the hard-pressed public purse will never be enough.
and risk money. In Scotland we have plenty of one, and not a lot of the other. There is plenty of risk investment in the world, looking to exploit innovation and creativity. It’s just not here - yet. The demand for filmed entertainment is growing worldwide, and if we work hard with an increasing number of delivery systems, our content can reach an ever widening audience like never before. To do this we filmmakers must continue to forage further afield for new markets for our work. It is essential to keep improving our entrepreneurism, to build networks of respect, trust and friendship outwith our homeland. We Scots are internationalist by instinct and we should make the most of that in these disruptive, opportunistic times. Talent begins the process; money enables it, and skills achieve it, but only within a more effective and joined up industrial system. So our daft wee dream is coming yet for a’ that. But at least we’ve proved what it can achieve. IAIN SMITH OBE
A fully functioning and healthy industry cannot be built from protective subsidy alone. It has to come from the uneasy conjunction of risk art
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©BAFTA Scotland/Andy Buchanan / Carlo Paloni / Alan Peebles
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ACTOR TELEVISION KEN STOTT The Missing A C T R E S S F I L M EMMA THOMPSON The Legend of Barney Thomson ACTRESS T E L E V I S I O N SHARON ROONEY My Mad Fat Diary A N I M A T I O N STEMS Ainslie Henderson, Poppy Acroyd, Michael Hughes, Will Anderson CHILDREN’S P R O G R A M M E THE DOG ATE MY HOMEWORK Production Team – BBC Scotland/ CBBC COMEDY/ E N T E R T A I N M E N T M R S B R O W N ' S B O Y S Brendan O'Carroll, Stephen McCrum, Ben Kellett, Martin Delany – BBC Scotland/BBC One C U R R E N T A F F A I R S L O W PA Y B R I T A I N ( D I S PA T C H E S ) Richard Cookson, Nicole Kleeman, Morland Sanders – Firecrest Films/ Channel 4
DIRECTOR FILM/ T E L E V I S I O N DONALD COUTTS Katie Morag F A C T U A L S E R I E S BEING SIXTEEN IN 2014 Natalie Moss, Jude Suggett, Andrew Lockyer, Matt Pinder – BBC Scotland/BBC Two Scotland FEATURE FILM THE LEGEND OF BARNEY THOMSON John G. Lenic, Brian Coffey, Kaleena Kiff, Robert Carlyle – Sigma Films/ Trinity Works Entertainment/Icon Film Distribution FEATURES/FACTUAL E N T E R T A I N M E N T IT WAS ALRIGHT IN THE 70S Production Team – Objective Scotland/Channel 4 G A M E DISTANT STAR: REVENANT FLEET Blazing Griffin S H O R T F I L M MINING POEMS OR ODES Callum Rice, Jack Cocker – Scottish Documentary Institute
SINGLE D O C U M E N T A R Y THE BRIDGE: FIFTY YEARS ACROSS THE FORTH Production Team – TVI Vision/BBC One Scotland T E L E V I S I O N D R A M A GLASGOW GIRLS Brian Welsh, Colin Barr, Kate Cook – Minnow Films/BBC Three WRITER FILM/ T E L E V I S I O N GREGORY BURKE ‘71 OUTSTANDING CONTRIBUTION TO C R A F T A W A R D 2 0 1 5 DAVID BALFOUR OUTSTANDING CONTRIBUTION TO BROADCASTING 2 0 1 5 DOROTHY BYRNE OUTSTANDING CONTRIBUTION TO FILM & TELEVISION 2 0 1 5 B I L L PA T E R S O N
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JURIES 2016 A C T O R F I L M Alex Gaffney (Chair) Lorna Craig Annie Griffin Lee Mason Caroline Stewart Siobhan Synnot ACTOR T E L E V I S I O N David Smith (Chair) Julie Austin Artair Donald Wendy Griffin Carolynne Sinclair Kidd Graeme Virtue Robin Wilson ACTRESS FILM Michael Hines (Chair) John Archer Lisa Baxter Morag Fullarton Grant Lauchlan Andrew Lockyer Martin McCardie Jonny Murray ACTRESS TELEVISION Sarah Walmsley (Chair) Ali De Souza Michael Keillor Clare Kerr Brian McCardie Ben Tagoe Susie Wright Claudia Yusef ANIMATION Ian Mackenzie (Chair) Jessica Armstrong Jessica Ashman Dana Dorian Rachel Everitt David Ferguson Ross Hogg Phillip Vaughan
CHILDREN’S PROGRAMME Gill Petrie (Chair) Lindy Cameron Joanne Carmichael David Marshall Uzma Mir-Young Julie Wilson Nimmo COMEDY/ ENTERTAINMENT Mick McAvoy (Chair) Harry Bell Susan Calman Helen Cooke Jacqui Hayden Sanjeev Kohli Paul Murray Toby Stevens CURRENT AFFAIRS May Miller (Chair) Ian Lilley Edwina Madden-Egan Denis Mooney Anne-Claire Pilley Roshan Samarasinghe DIRECTOR FILM/ TELEVISION May Miller (Chair) Don Coutts Clara Glynn Saul Metzstein Tom Sayer Morag Tinto Rod White FACTUAL SERIES Alan de Pellette (Chair) Katie Lander Lorraine McKechnie Elspeth O’Hare Tom Porter Sajid Quayum Paul Tucker
FEATURE FILM Andy Murray (Chair) Muriel Gray Gaynor Holmes Allan Hunter Angus Lamont Lou McLoughlan FEATURES/ FACTUAL ENTERTAINMENT Holly Daniel (Chair) Rachel Bell Gerard Costello Ramy El-Bergamy Gillian Pauling Jim Reagan Daniel Twist GAME Brian Baglow (Chair) Colin Anderson Ged Grimes Luci Holland Kirsten Kearney Keza MacDonald Brian McHarg Romana Ramzan SHORT FILM Alan de Pellette (Chair) David Belcher Peter Mackie Burns Jack Cocker Sarah Drummond Colette Magee Rebecca Thompson
SPECIALIST FACTUAL Joanna Dewar Gibb (Chair) Paula Campion Dominic Gallagher Alison Goring Eric Haynes Jane Muirhead Margaret Mary Murray TELEVISION DRAMA Sarah Walmsley (Chair) Sarah Brown Belle Doyle Paul McGuigan Justin Molotnikov Alliea Nazar Margaret Scott Jenny Williams WRITER FILM/ TELEVISION David Smith (Chair) Gregory Burke Becky Lloyd Colin McLaren Denise Mina Jenny Niven Peter Ross
SINGLE DOCUMENTARY Joanna Dewar Gibb (Chair) Dorothy Byrne Nick Higgins Alex McCall Iseabail MacTaggart Louise Say Jo Scott David Street
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COMEDY/ENTERTAINMENT
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T W O D O O RS D O W N Simon Carlyle, Gregor Sharp, Catherine Gosling Fuller, Simon Hynd BBC Studios/BBC Two
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E Ò R PA Angela MacLean, Nina Torrance, Margaret-Jane Mason, Rebecca MacLennan BBC Scotland/BBC Alba
DIRECTOR FILM/TELEVISION SPONSORED BY TAITTINGER
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FACTUAL SERIES SPONSORED BY DELOITTE
INTO THE WILD WITH G O R D O N B U C HA N A N Production Team Hello Halo/BBC Two
SCOTLAND’S HOME MOVIES: MEMORIES ON FILM Production Team BBC Studios/BBC Scotland
THIS FARMING LIFE Production Team BBC Studios/BBC Two
FEATURE FILM SPONSORED BY CINEWORLD
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MOON DOGS
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ANTIQUES ROAD TRIP Chris Greenwood, Matt Jackson, Andrew Robertson, Kirsten Highet STV Productions/BBC Two
GARY: TANK COMMANDER, ELECTION SPECIAL Greg McHugh, Chris Grady, Simon Hynd, Steve Canny BBC Studios/BBC Scotland
S U P E RS H O P P E RS Production Team Firecrest Films/Channel 4
SHORT FILM
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T A K E Y O U R PA R T N E R S
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GAME SPONSORED BY ORACLE ACADEMY
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Production Team Space Budgie
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Michael McAvoy, Stephen Bennett, Stephen McGinty STV Productions, Berriff McGinty Films /BBC One
Mike Day Intrepid Cinema
Amy Hardie, Sonja Henrici SDI Productions/BBC Scotland
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SPECIALIST FACTUAL
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TED HUGHES: S T R O N G E R T HA N D E A T H
Jack Cocker, Alan Yentob, Tanya Hudson, David Arthur BBC Studios/BBC One
Richard Curson Smith, Ross Wilson, Liz Hartford, Lucy Evans Matchlight/BBC Two
THE TRUTH ABOUT DEMENTIA Jane Aldous, Dan Child, Sharon Adam, Mairead Maclean BBC Studios/BBC Two
TELEVISION DRAMA
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Production Team Tall Ship Productions, Story Mining & Supply Co., Left Bank Pictures, Sony Pictures Television/ Amazon Prime Instant Video
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WRITER FILM/TELEVISION SPONSORED BY CREATIVE SCOTLAND
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TAKE YOUR PLACE CONGRATULATIONS TO ALL THE NOMINEES AT THIS EVENING’S BRITISH ACADEMY SCOTLAND AWARDS Creative Scotland supports the development of Scotland’s arts, screen and creative industries. We champion projects from emerging and established talent, encouraging the creation of distinctive and engaging work. We’re delighted to be continuing our partnership with BAFTA Scotland, celebrating and promoting the Film, Television and Games sectors all year round. www.creativescotland.com
Image: courtesy of Centre for the Moving Image
O U T S T A N D I N G C O N T R I B U T I O N TO CRAFT (IN MEMORY OF ROBERT MCCANN) 2016
CHRISTINE CANT We are pleased to welcome this year’s recipient Christine Cant who has played an integral part in creating some of our best loved comedy characters. Christine’s impressive catalogue of work includes Luxury Comedy which won her an RTS Award and Harry and Paul’s History of the Twos which brought a further RTS nomination. She received a BAFTA nomination for Absolutely Fabulous and won a BAFTA for Poirot. Amongst a long list of other memorable guises are those for Jeeves and Wooster, Spaced, Father Ted, The Mighty Boosh, Alan Partridge, Rock Profiles, The Royle Family, Horrible Histories, Blandings and Beowulf: Return to the Shieldlands.
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She studied painting at Glasgow School of Art followed by a course at Jordanhill College of Education. Before joining the BBC trainee makeup course in Scotland she was an art teacher at Lenzie Academy and Medical Illustrator for the National Centre for Training and Education in Prosthetics and Orthotics at Strathclyde University. She is currently working on Midsomer Murders having recently completed Absolutely Fabulous: The Movie.
O U T S T A N D I N G C O N T R I B U T I O N TO FILM 2016
SIXTEEN FILMS Sixteen Films is the film production company formed by director Ken Loach and producer Rebecca O’Brien after Parallax Pictures dissolved in 2002. Writer Paul Laverty is the Associate Director and the primary function of the company has been to make films written, produced or directed by this team. Ken Loach is one of Britain’s most respected film makers with a career spanning over forty years. He was recruited by the BBC in 1963 as a television director which launched a long career directing films for television and cinema. Paul Laverty was born in Calcutta, to an Irish mother and Scottish father. With degrees in Philosophy and Law, Paul practiced as a lawyer in Glasgow before going on to write a number of screenplays directed by Ken Loach.
Rebecca O’Brien began her film life working at the Edinburgh International Film Festival. After stints and both theatre and film, her producing debut was Friendship’s Death starring Tilda Swinton and Bill Paterson. Her first film with Ken Loach was Hidden Agenda and since then they have gone on to work together on many feature films, documentary and short projects. Sixteen Films is well known for its work in supporting Scotland’s film industry, including crew, production and actors. The same team made Carla’s Song, My Name Is Joe, then, under the banner of Sixteen Films, Sweet Sixteen, The Angels’ Share and Ae Fond Kiss. All of their films have been recognised at major international film festivals, with The Wind That Shakes the Barley and I, Daniel Blake winning the prestigious Palme d’Or at Cannes.
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IN MEMORIAM R O B E R T B A N K S S T E W A R T Writer 16/07/1931 - 14/01/2016
S T E V I E H A N N A N Actor 16/12/1960 - 12/03/2016
RICKY CALLAN Actor 28/12/1961 - 11/10/2016
R O B I N H A R D Y Writer/Director 10/10/1929 - 01/07/2016
FERDINANDO COIA TV executive 19/08/1928 - 26/03/2016
M A R T I N M A C D O N A L D Broadcaster 16/11/1937 -02/02/2016
RONNIE CORBETT Actor, Comedian 04/12/1930 - 31/03/2016
B R I A N J O S E P H M C G L O N E Broadcaster c 1939 - 26/08/2016
ADRIENNE CORRI Actor 13/11/1931 - 13/03/2016
WILLIAM MCILVANNEY Writer 25/11/1936 - 05/12/2015
S T E W A R T C R U I C K S H A N K Music Producer 03/08/1951 -16/11/2015
DAVID MCNIVEN Composer 04/11/1945 - 18/12/2015
J U L I E D O G A N PA, BBC Scotland Children's Department 04/02/1967 – 22/07/2016
GORDON ROSS TV producer c 1948 -06/01/2016
ANN EMERY Actor 12/03/1930 - 29/09/2016
M O R A G S I L L E R Actor 01/11/1969 -15/04/2016
A N N E F I E L D S Singer/Show director 26/10/1932 - 30/07/2016
J O E S P E I R S Editor 17/06/1968 -13/02/2016
L E O N F U L L E R S I N D E N Actor 20/07/1927 - 04/11/2015
M A R I U S V A N D E R W E R F F Production Designer 28/04/1947 -12/02/2016
J I M M Y G I L B E R T TV producer/Director 15/05/1923 - 07/07/2016
PEGGY WALKER Wardrobe Mistress 01/01/1924 - 03/05/2016
R O D E R I C K G R A H A M Producer/Director 11/03/1934 - 20/12/2015
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BAFTA Scotland would like to say a huge thanks to our committee, members and industry colleagues who share our ambitions and have contributed their time, talent and enthusiasm to help us tonight and throughout the year. We would like to give an equally massive thanks to all of our jurors who helped judge this year’s entries with their customary mixture of conviction, dedication and passion for the work submitted. Thanks, as always, to BBC Scotland, STV and Creative Scotland and to Channel 4 for supporting our New Talent initiatives. Also thanks to our year round screening partners: Cineworld and The Grosvenor Cinema.
For their help in putting together the ceremony and production, we would like to thank Susie Paterson and all the staff at the Radisson Blu Hotel and to all our partners and suppliers and our colleagues at BAFTA. An extra special thanks to all of our volunteers. A huge thanks to Laura Phillips at British Airways for donating some sponsored flights. Congratulations once again to all our nominees and a final thank you to our wonderful host, Edith Bowman
BAFTA SCOTLAND COMMITTEE 2016-17 Ian MacKenzie, Chair Sarah Walmsley, Deputy Chair Rosie Crerar Holly Daniel Alan de Pellette
Joanna Dewar Gibb Alex Gaffney Michael Hines Mark Leese May Miller
Mick McAvoy Gill Petrie Romana Ramzan David Smith Jo Street
BAFTA SCOTLAND TEAM Jude MacLaverty, Director Jenna Cunningham, Awards Manager Karen Rosie, Awards Producer Beverley McMillan, Learning & Events Producer Emma Nicholson, Assistant Tessa Mae Harris, Awards Co-ordinator John Smith, Awards Show Director
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Charles Marks, Floor Manager Edit 123, Editing MCL Create, Production and Technical Support Wire Media, Press & PR Material Works, Graphic Design AGFX, Webstream