Students' project: Farc101-Dept. Architecture EMU-Fall2022 by:Assoc.Prof.Dr. Badiossadat Hassanpour

BASIC DESIGN STUDIO

Teoman Özgen Std. No. 20000656

Fall Academic Semester 2021-22

FARC101

PHOTO

CONTENT

DESIGNING COMPOSITION

PROJECTS OF ARCHITECTS & SELECTED PROJECT DESIGN PROCESS and STEPS SKETCHUP MODEL of COMPOSITION PHYSICAL MODEL of COMPOSITION

DRAWINGS RESEARCHES

SALTZMAN HOUSE/RICHARD MEIER

PHOTO OF SELECTED PROJECT

PHOTO OF SELECTED PROJECT

1ST PROJECT

American architect Rıchard Meiers Style was rational. He generally designs white facades.

-12000 suqare meters area​ -House have two pieces one of them main building which has three floor and the other one for visiters -These two pieces connect to each other with a bridge.​ -Pilotis principle

PLANS

SECTIONS PHOTO OF SELECTED PROJECT ELEVATIONS

LIBESKIND VILLA/DANIEL LIBESKIND

PHOTO OF SELECTED PROJECT

PHOTO OF SELECTED PROJECT

American architect Daniel Libeskinds styles are Postmodernizm and Dekonstrüktivizm.

2ND PROJECT

PHOTO OF SELECTED PROJECT -It includes seven facades.​ -It is unusual and very geometrical building.​ -515 square meters​ -5000 square meters area

PLANS

SELECTED ARCHITECT AND SELECTED PROJECT

VILLA SAVOYE/LE CORBUSIER

PHOTO OF SELECTED PROJECT

PLANS

PHOTO OF SELECTED PROJECT

French architect Le Corbusiers style was modernism.

PHOTO OF SELECTED PROJECT -Free Front​ -Horizontal Windows​ -Free Plan​ -Pilotis Principle​ -Roof Terrace

SECTIONS

ELEVATIONS

3D DRAWING OF PROJECT AND DESIGN ELEMENTS

NAME OF PROJECT/ARCHITECT

PHOTO OF SELECTED PROJECT

PHOTO OF SELECTED PROJECT

SCREENSHOT 1 OF SKETCHUP MODEL

LINEAR ELEMENTS: Columns, Number: 15, Radius; 400cm Height; 3100cm

PLANAR ELEMENTS: Roof Decorations, Number: 2, Size of Front Part: 4750cm x 16000cm, Size of Back Part: 3000cm x 3000cm VOLUMETRIC ELEMENTS: Second Floor, Number: 1, Sizes of Second Floor: Height; 3800cm, 21500cm x 19000cm

SCREENSHOT 2 OF SKETCHUP MODEL

DESIGN PROCESS AND STEPS

Step 2

Step 1

Step 3 Perspective of your sketch up 3d photo

1

2

3 Without color and without Texture

Color wheel study

Texture

Text: • Emphasis, Contrast, Repetition, Proportion, Balance.

FARC101-Basic Design Studio| Fall Academic Semester 21-22

7

Color

Screen shot of your sketch up 3d photo With color and with Texture

Texture

Text: • Emphasis, Contrast, Repetition, Proportion, Balance.

FARC101-Basic Design Studio| Fall Academic Semester 21-22

8

STEP 1

Sketchup model

Top View

Side Views

Front View

We decided some elemets of Villa Savoye with my teacher to make a new model. I tried to do my own composition with little changes. I mostly tired to do symetrical model and that was the one my mistakes.

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

9

STEP 2

Sketchup model

Top View

Side Views

Front View

My first composition was too symetrical firstly I broke this. Secondly, first model was so complex and we couldn’t see all the parts of model when we look from the one side.

Thirdly, I use solid and void relation.

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

10

STEP 3: WITH COLOUR and TEXTURE

Sketchup model

Top View

Side Views

Front View

About colors I used red shade for emphasis.

I used darker and lighter gray for contrast.

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

11

SKETCHUP MODEL WITH COLOUR

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 12

PHYSICAL MODEL WITH TEXTURE

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 13

Top view Drawing

Photo of your physical model

TOP VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

14

Side view Drawing

Photo of your physical model

SIDE VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

15

Side view 2 Drawing

Photo of your physical model

SIDE VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

16

Isometric Drawing

Photo of your physical model

ISOMETRIC DRAWING Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

17

RESEARCH ON DESIGN ELEMENTS

FORM: Shape is a term that is formed as a result of the relations of line, color and other surface elements with each other, allows us to examine objects in three dimensions by defining volume and mass, and deals with shapes with their placements relative to each other.

COLOR: Color is the visual perceptual property corresponding in humans to the categories called red, blue, yellow, etc. Color derives from the spectrum of light interacting in the eye with the spectral sensitivities of the light receptors TEXTURE: exture is a special quality that has a three-dimensional structure, gives information about both the external structure and the internal structure of the object, has an infinite variety, and manifests itself with the play of shadow and light on the surface and material properties. Texture shows us the roughness of the surface of a continuous pattern or any 3D feeling.

PATTERN: The pattern is the way one approaches the form. In the simple pattern, that is, in the two-dimensional pattern, it is shown with light and shadow, line and contour. In the advanced, that is, three-dimensional pattern, the form gains volume and is designed in this way.

LİNE: The line, which we perceive as two dimensions, gains volume with the 3D design. Along with its psychological effect, the linear touches used in the design give the objects direction and continuity effect according to the direction and changes in which they are used.

RESEARCH ON DESIGN PRINCIPLES

Design principles Design principles and elements are considered building blocks to create a visual work of art.

CONTRAST EMPHASISES OF DIFFERENT ELEMENTS OF DESIGN AND/OR MAKES THE COMBINATION BETWEEN THESE ELEMENTS. EMPHASIS IN A DESIGN IT MAKES FOCAL POINT. WE TAKES ATTENTIONS WHERE WE ACTUALLY WANT WITH THIS PRINCIPLE. PROPORTION PROPORTION IS THE VISUAL SIZE AND WEIGHT OF ELEMENTS IN A COMPOSITION AND HOW THEY RELATE TO EACH OTHER. BALANCE PLACE THE PIECES ESTHETICALLY WHICH CONSTITUTE TO DESIGN. THESE PIECES CAN BE SYMMETRICAL OR ASYMMETRIC BUT THEY HAVE TO INCLUDE BALANCE

Figure-Ground Indicates to people's vision about seeing objects on front side or back side.

RESEARCH ON GESTALT LAWS

Similarity Making groups that have similar objects, shapes.

Continuity objects that have a continuity seems us related than that don't have.

Closure Filling the spaces abstractly and creating a known shape, object or creature.

Proximity Things that are near each other seems us related than far ones.

Common Region Shows us that we sense objects being group with each other when the objects are in the same closed area.

Focal Point Indicates, every visually featured object is catching people's attention first.

RESEARCH ON COLOUR and TEXTURE

Texture in the painting indicates look and the sense what it gives us of the canvas. It depends on the painting and application or the addition of materials like ribbon, metal, wood, lace, leather, and sand. Texture stimulates two senses; sight and touch. There are five types of texture in art: Actual, Simulated, Abstract, Invented, and Needle Texture.

Actual Texture​

Simulated Texture​

Abstract Texture​

The simulated texture is the illusion of an actual texture.

Simulated texture is creating texture visual effect without including texture.

The abstract texture doesn't represent the object that is connected, but the object's concept is transformed into textural patterns.

ACTUAL TEXTURE IS A COMBINATION OF HOW THE PAINTING LOOKS, AND HOW IT FEELS WHEN YOU TOUCH IT. YOU ACTUALLY CAN TOUCH AND FEEL THE TEXTURE.

Color​ Color what we see because of reflected light.

Color Relations​ Colors diametrically opposite on the color wheel are Complementary Colors in Nature.

CONTENT CASE STUDIES SCENARIO

CRAFTS KIOSK

BUBBLE DIAGRAM + ARCHITECTURAL PROGRAM SELECTED LOCATION + ZONING STEPS AFTER MIDTERM

PERSPECTIVE + ANALYSIS of THE DESIGN SKETCHUP + PHYSICAL MODELS DRAWINGS REFERENCES

CRAFTS KIOSK

Timberland Exhibition stand PLAN

1ST CASE STUDY

3D IMAGE OF THE PROJECT

CIRCULATION FUNCTIONAL RELATIONSHIP

CRAFTS KIOSK

SECTION OF THE PROJECT

HUMAN DIMENSION

SOLID-VOID RELATION

3D IMAGE OF THE PROJECT

COLOUR

1ST CASE STUDY

WOOD LED SCREEN AND MEETING ARE VOID ORANGE SOLID GREEN

LED SCREEN

WOODS COLOR

CRAFTS KIOSK

CIRCULATION

JABRA BOOTH CONCEPT

2ND CASE STUDY

3D IMAGE OF THE PROJECT

PLAN

FUNCTIONAL RELATIONSHIP

CRAFTS KIOSK

SECTION OF THE PROJECT

2ND CASE STUDY

HUMAN DIMENSION

3D IMAGE OF THE PROJECT

SOLID-VOID RELATION

COLOUR

ROOFS AND LITTLE MATERIALS MAIN COLOUR

SOLID

H U M A N

TEXTURE

GROUND BOXES FACADE COLOUR

VOID SIDE COLOUR OF BOXES

CRAFTS KIOSK

"VALOGIN" Exhibition Stand PLAN

3RD CASE STUDY

3D IMAGE OF THE PROJECT

CIRCULATION

CRAFTS KIOSK

SECTION OF THE PROJECT

3RD CASE STUDY

HUMAN DIMENSION

H U M A N

3D IMAGE OF THE PROJECT

COLOUR

TEXTURE

Glass used with yellow to not breaking to harmony between yellow and white.

People or disabled people after entering the kiosk they can take their reservation from the gray part and wait or directly play «JUST DANCE»

SCENARIO

Kiosks game area as you can see red boxes. People if they want can take their drinks from wood box and watch players or they can leave. Kiosks gray part (Reservation) take payments too what services people take doesn’t matter they will come here before leaving for payment. There is a ground (green circle) symbolic that next to our wood box (CAFE) People from outside also can take their drinks and watch players (The ground in the green circle doesn’t including to kiosk.

BUBBLE DIAGRAM + ARCHITECTURAL PROGRAM

Space

Definition of the spaces

GAME AREA

SPACE WHERE PEOPLE CAN PLAY JUST DANCE AND FUN.

2

9,5

CAFE/ STORAGES

SPACE WHERE TECHNICAL DEVICES KEPT IN/SPACE WHERE DRINKS KEPT IN/SPACE SELL FOR DRINKS

3

10,865

PAYMENT AND RESERVATIONP OINT

SPACE WHERE PEOPLE GET RESERVATION OR MAKE THEIR PAYMENT

1

2,24

ENTRANCE/ EXIT STAIR

WHERE PEOPLE ENTER AND EXIT THE KIOSK

1

2,2

ENTRANCE/ EXIT RAMP

WHERE DISABLED PEOPLE ENTER AND EXIT

1

5,9

WAITING/ RESTING AREA

PEOPLE FOR WHO WAIT FOR RESERVATIYON OR FOR PEOPLE WHO FINISHED THEIR GAME.

1

0,96

9

47,1

TOTAL

Type of space

9

Number of the Area in M2 spaces

SELECTED LOCATION + ZONING

SHOW SELECTED LOCATION FROM THE MAP-USE COLOURING METHOD

Because the game area must be shown from sides as much as possible.

RESTING/ WAITING AREA ZONING-SHOW

APPLY PRIVATE+PUBLIC CODE OF THAT FUNCTION

GIVE INFORMATION ABOUT THE ZONING

DESIGN PROCESS

Midterm

Step 3

Step 1

Step 4 FARC101-Basic Design Studio| Fall Academic Semester 21-22

Step 2

Step 5 32

PERSPECTIVE OF SKETCHUP MODEL

ANALYSIS OF THE KIOSK DESIGN

As you can see it is elevated.

It is because of pilotis principle and the reason I used the elevated ground. I took the Game Area boxes as red boxes and elevated them too. I took Wood texture from my mid term project as texture and gave it a Cube shape.

I mostly effected from this project while I am using the elements that I took from my mid term project I just want make different thing and I made them angle.

ANALYSIS OF THE KIOSK DESIGN

Placing boxes angle opinion came my mind with this project and as you can see there is a closure in green circle and I used this in my projects roof part too.

For reservation part I used angle shape too effecting by this example but there is a at back side of reservation part because of that I closed with angle shapes around this part.

SKETCHUP MODEL

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 36

PHYSICAL MODEL

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 37

TOP VIEW

PLAN

SECTION

ELEVATION

ISOMETRIC DRAWING

INTERIOR PERSPECTIVE

https://l-e-a-d.pro/portfolio/kiosk/ https://en.wikipedia.org/wiki/Texture_(painting)​ https://l-e-a-d.pro/portfolio/wkcdpavilion/ https://prezi.com/x3tzwcbic5wx/simulated-texture/ https://l-e-a-d.pro/portfolio/yangon-pedestrian-highway/ https://www.nga.gov/learn/teachers/lessonsactivities/elements-of-art/color.html http://sites.isdschools.org/grade3_remote_learning_resources /useruploads/04_06/3rd-Art-Lesson6-Apr10-Southern.pdf https://www.behance.net/gallery/89804873/VALOGINHTTP://WWW.TASARIMGUNLUKLERI.COM/2015/09/17/TASARIM-PRENSIPLERI/ exhibition-stand

REFERENCES

HTTPS://WWW.VERYWELLMIND.COM/WHAT-IS-GESTALT-PSYCHOLOGY-2795808 HTTPS://WWW.MASTERCLASS.COM/ARTICLES/ELEMENTS-OF-DESIGN-EXPLAINED#THE-ELEMENTS-OF-DESIGN HTTPS://99DESIGNS.COM/BLOG/TIPS/PRINCIPLES-OF-DESIGN/ HTTPS://WWW.USERTESTING.COM/BLOG/GESTALT-PRINCIPLES https://www.behance.net/gallery/68915069/JABRA-BOOTHHTTPS://WWW.ARKITEKTUEL.COM/SALTZMAN-EVI/ HTTPS://TR.WIKIPEDIA.ORG/WIKI/VILLA_SAVOYE Concept HTTPS://WWW.ARKITEKTUEL.COM/VILLA-SAVOYE-2/ HTTPS://WANNART.COM/ICERIK/21670-LE-CORBUSIERIN-SINIR-TANIMAYAN-KONUT-PROJESI-VILLA-SAVOYE HTTPS://WWW.ARKITEKTUEL.COM/SALTZMAN-EVI/#JP-CAROUSEL-11871 HTTPS://TR.WIKIPEDIA.ORG/WIKI/RICHARD_MEIER HTTP://MIMDAP.ORG/2013/02/108364/ https://www.arkitektuel.com/saltzman-evi/

https://tr.wikipedia.org/wiki/Villa_Savoye https://www.arkitektuel.com/villa-savoye-2/ https://gmstanddesign.com/portfolio/timberland/ https://wannart.com/icerik/21670-le-corbusierin-sinirtanimayan-konut-projesi-villa-savoye https://www.arkitektuel.com/saltzman-evi/#jp-carousel-11871 https://tr.wikipedia.org/wiki/Richard_Meier http://mimdap.org/2013/02/108364/

BASIC DESIGN STUDIO Fall Academic Semester 2021-22

FARC101

THANK YOU.

NAME SURNAME Onur Babayiğit

BASIC DESIGN STUDIO Fall Academic Semester 2021-22

FARC101

PHOTO

Std. No. : 20001824

CONTENT

DESIGNING COMPOSITION

PROJECTS OF ARCHITECTS & SELECTED PROJECT DESIGN PROCESS and STEPS SKETCHUP MODEL of COMPOSITION PHYSICAL MODEL of COMPOSITION

DRAWINGS RESEARCHES

VILLA MAIREA/ ALVAR AALTO

PHOTO OF SELECTED PROJECT

1ST PROJECT

Alvar Aalto was born on February 3, 1898 and died on May 11, 1976. One of the most important architects of the 20th century, Aalto made designs in the fields of architecture, furniture, textile and glass works.

Villa mairea by Alvor Aalto is annual residence for Harry and mairea gullichen. Villa mairea is a building designed by Aalto after gaining different experience in housing. Mairea gullichsen asked Aalto for the villa to be a building that carries the spirit of today.

PHOTO OF SELECTED PROJECT

PLANS

SECTIONS PHOTO OF SELECTED PROJECT ELEVATIONS

THE RUSSIAN LIBRARY/AlVAR AALTO

PHOTO OF SELECTED PROJECT

2ND PROJECT

Alvar Aalto was born on February 3, 1898 and died on May 11, 1976. One of the most important architects of the 20th century, Aalto made designs in the fields of architecture, furniture, textile and glass works.

Constructed from 1927 to 1935, the building is an internationally acclaimed design by Finnish architect Alvar Aalto and is one of the prime examples of functionalist architectural design of the 1920s. The library is considered one of the first manifestations of "regional modernism".

PLANS

PHOTO OF SELECTED PROJECT

PHOTO OF SELECTED PROJECT

SECTIONS

ELEVATIONS

SELECTED ARCHITECT AND SELECTED PROJECT

THE BARCELONA PAVILION/ MIES VAN DE ROHE

PHOTO OF SELECTED PROJECT

PLANS

PHOTO OF SELECTED PROJECT

Mies van der Rohe was born on March 27, 1886. He is a German architect and designers.

The Barcelona pavilion was designed by mies van der rohe.

As part of the 1929 internetional fair. First called german pavilion the building reflects the character of like World war ı germany.

PHOTO OF SELECTED PROJECT

SECTIONS

ELEVATIONS

3D DRAWING OF PROJECT AND DESIGN ELEMENTS

THE BARCELONA PAVILION/ MIES VAN DE ROHE

PHOTO OF SELECTED PROJECT

PHOTO OF SELECTED PROJECT

SCREENSHOT 1 OF SKETCHUP MODEL

SIZE: 300 cm WIDTH: 20 cm LENGTH: 20 cm SIZE: 300 cm WIDTH: 20 LENGTH: 1860 cm SIZE: 300 cm WIDTH: 20 LENGTH: 1860 cm FARC101-Basic Design Studio| Fall Academic Semester 21-22

SCREENSHOT 2 OF SKETCHUP MODEL

DESIGN PROCESS AND STEPS

Step 2

Step 1

Step 3 Perspective of your sketch up 3d photo

1

2

3 Without color and without Texture

Color wheel study

Texture

Text:

Integrity, Proportion and Hierarchy, Emphasis,Balance, Symmetrical balance

FARC101-Basic Design Studio| Fall Academic Semester 21-22

7

Screen shot of your sketch up 3d photo With color and with Texture

Text: Integrity, Proportion and Hierarchy, Emphasis,Balance, Symmetrical balance

FARC101-Basic Design Studio| Fall Academic Semester 21-22

8

STEP 1

Sketchup model

Top View

Side Views

Front View

Text explaning your first step of your design.

In the first step of my design, I used patterns, shapes, lines and forms.

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

9

STEP 2

Sketchup model

Top View

Side Views

Front View

Text explaning your first step of your design.

I used shape, pattern, space and volumetric elements in my design.

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

10

STEP 3: WITH COLOUR and TEXTURE

Sketchup model

Top View

Side Views

Front View

Text explaning your first step of your design.

I used shape, pattern, space and volumetric elements in my design. I also gave a pattern to the model by adding color and texture.

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

11

SKETCHUP MODEL WITH COLOUR

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 12

PHYSICAL MODEL WITH TEXTURE

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 13

Top view Drawing

Photo of your physical model

TOP VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

14

Side view Drawing

Photo of your physical model

SIDE VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

15

Side view 2 Drawing

Photo of your physical model

SIDE VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

16

Isometric Drawing

Photo of your physical model

ISOMETRIC DRAWING Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

17

RESEARCH ON DESIGN ELEMENTS

FORM: Shape is a term that is formed as a result of the relations of line, color and other surface elements with each other, allows us to examine objects in three dimensions by defining volume and mass, and deals with shapes with their placements relative to each other.

COLOR: Color is the visual perceptual property corresponding in humans to the categories called red, blue, yellow, etc. Color derives from the spectrum of light interacting in the eye with the spectral sensitivities of the light receptors TEXTURE: exture is a special quality that has a three-dimensional structure, gives information about both the external structure and the internal structure of the object, has an infinite variety, and manifests itself with the play of shadow and light on the surface and material properties. Texture shows us the roughness of the surface of a continuous pattern or any 3D feeling.

PATTERN: The pattern is the way one approaches the form. In the simple pattern, that is, in the two-dimensional pattern, it is shown with light and shadow, line and contour. In the advanced, that is, three-dimensional pattern, the form gains volume and is designed in this way.

LİNE: The line, which we perceive as two dimensions, gains volume with the 3D design. Along with its psychological effect, the linear touches used in the design give the objects direction and continuity effect according to the direction and changes in which they are used.

RESEARCH ON DESIGN PRINCIPLES

Design principles Design principles and elements are considered building blocks to create a visual work of art.

Integrity Integrity is that each piece gains a holistic meaning, not one by one. The first condition of ensuring integrity is to realize that all the elements in the design are related. The principle of integrity enables the viewer to perceive and make sense of the design in unity.

Emphasis Emphasis creates a focal point in a design and highlights the desired element, and determines where the viewer's attention is directed. Emphasis can be achieved with direction, shape, texture, size, color, tone or line contrast.

Visual Continuity

Proportion and Visual Hierarchy One of the important elements that play a role for the designer in the realization of a design is undoubtedly the proportional relations between dimensions.

RESEARCH ON GESTALT LAWS

Visual Detection Perception can be thought of as the process of acquiring environmental information to meet an organism's needs.

Similarity Those with similar characteristics tend to form visual groups.

This similarity; It can have features such as color, shape, shading.

Proximity Elements that are close to each other tend to form visual groups.

Continuity Similarly, elements moving in a particular direction tend to group together.

Closed Forms Lines that complete a surface show the feature of being a unit, that is, the human mind perceives the shapes it sees as objects and letters that it has learned beforehand.

Shape - Ground Relationship The object that the attention is focused on is the shape, the other surfaces are the ground, and the shape and ground change according to the point where the attention is focused.

RESEARCH ON COLOUR and TEXTURE

COLOUR: Color is the visual perceptual property corresponding in humans to the categories called red, blue, yellow, etc. Color derives from the spectrum of light interacting in the eye with the spectral sensitivities of the light receptors. Color categories and phsical specifications of color are also associated with objects or materials based on their physical properties such as light absorption reflection or emission spectra.By defining a color space colors can be identified numerically by their coordinates.

TEXTURE: The surface quality of an object that can be perceived by sight and touch is called texture. Objects are the surface properties of furniture and architectural planes. Texture rough or smooth, glossy or opaque, hard or soft, sparse or tightly porous. the floor of a place when covered (upholstered) with ceramic, wood or carpet depending on the texture used feature may change. To see the texture in many examples in the world we live in. shells etc. in our clothes such as velvet, fabric, linen, spaces walls, window glass, plastered surfaces, painted surfaces, ceramics, marble, wood coated surfaces etc. we can see a very large collection of tissues.

CONTENT CASE STUDIES SCENARIO

CRAFTS KIOSK

BUBBLE DIAGRAM + ARCHITECTURAL PROGRAM SELECTED LOCATION + ZONING STEPS AFTER MIDTERM

PERSPECTIVE + ANALYSIS of THE DESIGN SKETCHUP + PHYSICAL MODELS DRAWINGS REFERENCES

CRAFTS KIOSK

Lakefront Kiosk

PLAN

1ST CASE STUDY

3D IMAGE OF THE PROJECT

CIRCULATION

FUNCTIONAL RELATIONSHIP

CRAFTS KIOSK

SECTION OF THE PROJECT

1ST CASE STUDY

HUMAN DIMENSION

SOLID-VOID RELATION

3D IMAGE OF THE PROJECT

COLOUR

TEXTURE

The void is mostly created in the more public spaces and to allow customers to get their orders or communicate with the stuff in the prepartian are. The solid s used to enclose more private spaces

wood

glass

FAST FOOD KIOSK

PLAN

2ND CASE STUDY

3D IMAGE OF THE PROJECT

CIRCULATION

CIRCULATION Circulation paths these maps the major circulation in the kiosk

FUNCTIONAL RELATIONSHIP

1.Seating for customers 2.WC 3.Preparation / service area 4.Storage / Warehouse

SECTION OF THE PROJECT

2ND CASE STUDY

HUMAN DIMENSION

HUMAN DIMENSION The space above the persons Head is enough to make comfortable

SOLID-VOID RELATION

SOLID-VOID RELATION The void is mostly created in the more public spaces and to allow customers to get their orders or communicate with the stuff in the prepartian are. The solid s used to enclose more private spaces

3D IMAGE OF THE PROJECT

COLOUR

TEXTURE

Chicago Bienali Lakefront Kiosk

PLAN

3RD CASE STUDY

3D IMAGE OF THE PROJECT

CIRCULATION

FUNCTIONAL RELATIONSHIP

SECTION OF THE PROJECT

3RD CASE STUDY

HUMAN DIMENSION

SOLID-VOID RELATION

3D IMAGE OF THE PROJECT

COLOUR

TEXTURE

IMAGE/ SKETCH

SCENARIO

IMAGE/ SKETCH

Can pass through the entrance and then enter the sitting area, exhibition area and workshop.

Painting area for children

IMAGE/ SKETCH

IMAGE/ SKETCH

Customers can view the exhibits and paint.

Work shop for customers to receive pictures.

SCENARIO

IMAGE/ SKETCH

customers can sit in the sitting area to relax.

IMAGE/ SKETCH

people can use the walking areas to walk more comfortably

IMAGE/ SKETCH

painting exhibition area and painting painting area

IMAGE/ SKETCH

exhibition space for people.

BUBBLE DIAGRAM + ARCHITECTURAL PROGRAM

SELECTED LOCATION + ZONING

SHOW SELECTED LOCATION FROM THE MAP-USE COLOURING METHOD

I choose the corner plot. because I thought the design of the open space on two sides would be nice

DESIGN PROCESS

Midterm

Step 3

Step 1

Step 4 FARC101-Basic Design Studio| Fall Academic Semester 21-22

Step 2

Step 5 33

PERSPECTIVE OF SKETCHUP MODEL

SCENARIO

IMAGE/ SKETCH

customers can sit in the sitting area to relax.

IMAGE/ SKETCH

people can use the walking areas to walk more comfortably

IMAGE/ SKETCH

painting exhibition area and painting painting area

IMAGE/ SKETCH

exhibition space for people.

SKETCHUP MODEL

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 36

PHYSICAL MODEL

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 37

TOP VIEW

PLAN

SECTION

SECTION/ELEVATION

ELEVATION

ISOMETRIC DRAWING

INTERIOR PERSPECTIVE

https://www.pointeriorblog.com/post/gestalt-kurami-ve-tasarim-i-lkeleri https://tr.wikipedia.org/wiki/Barselona_Pavyon http://www.tasarimgunlukleri.com/2015/09/17/tasarim-prensipleri/ https://www.arkitera.com/proje/kozina-house/ https://www.archdaily.com/949757/r-micro-housing-simple-projects-architecture https://www.archdaily.com/951692/monohouse-chapter-imonostudio/5fb57b4b63c0172395000088-monohouse-chapter-i-monostudio-photo

REFERENCES

http://andrew-bernheimer.squarespace.com/chicagolakefrontkiosk http://biblus.accasoftware.com/en/how-to-design-a-kiosk-bar-the-technical-guide/ http://www.radar-amsterdam.com/chicago.html

BASIC DESIGN STUDIO Fall Academic Semester 2021-22

FARC101

THANK YOU.

MELİH AVRAN

BASIC DESIGN STUDIO

20000650

Fall Academic Semester 2021-22

FARC101

PHOTO

CONTENT

DESIGNING COMPOSITION

PROJECTS OF ARCHITECTS & SELECTED PROJECT

DESIGN PROCESS and STEPS SKETCHUP MODEL of COMPOSITION

PHYSICAL MODEL of COMPOSITION DRAWINGS

RESEARCHES

FALLING WATER/FRANK LLOYD WRIGHT

PHOTO OF SELECTED PROJECT

PHOTO OF SELECTED PROJECT

- BORN : 8 JUNE 1867 /

1ST PROJECT

WISCONSIN , ABD - 20TH CENTURY ARCHITECTURE - PREFERS HORIZONTAL ARCHITECTURE

SECTIONS

PHOTO OF SELECTED PROJECT

- BUILT IN 1939 - LOCATION : PENNSYLVANIA - THE COST : 155.000 DOLARS FRANK LLOYD WRIGHT BUILT THIS BUILDING IN HIS OWN BELIEFS AND UNORTHODOX

ELEVATIONS

TOWER OF HEARST/NORMAN FOSTER

PHOTO OF SELECTED PROJECT

PHOTO OF SELECTED PROJECT

- BORN:1935 / ENGLAND

2ND PROJECT

- ADOPTED DYNAMISM - AND STRIKINGESS - PRIORITIZIED - AWARENESS IN ITS - STRUCTURES

- OPENING DATE : 2006 - TYPE : OFFICE -

USED TAPERING AND TRIANGULAR FORMS

PHOTO OF SELECTED PROJECT

ELEVATIONS

SELECTED ARCHITECT AND SELECTED PROJECT

4X4 HOUSE/TADAO ANDO

- BORN: 1941 /OSAKA - PRIORITIZED SIMPLICITY - HE THINK THAT , NATURE AND STRUCTURE SHOULD BE IN HARMONY

- BUILT :2003 - LOCATION : KOBE HYGO , JAPAN

- ROOMS AND DESIGN ; CONTRUCTED WITH CONCRETE SIMPLICITY IN THE DESIGN OF THE ROOMS

3D DRAWING OF PROJECT AND DESIGN ELEMENTS

NAME OF PROJECT/ARCHITECT

Window frames , columns

SCREENSHOT 2 OF SKETCHUP MODEL

DESIGN PROCESS AND STEPS

Step 2

Step 1

1

2

primary red and grey

Step 3

3

I used foggy glass as texture in my composition.

Repetition ( with linear and planer elements ) Contrast ( by using color , location ) Harmony ( with color and similarity )

FARC101-Basic Design Studio| Fall Academic Semester 21-22

Emphasis Dominance ( by using color ,texture and location ) Proportion Balance

FARC101-Basic Design Studio| Fall Academic Semester 21-22

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STEP 1

Sketchup model

Top View

Side Views

Front View

First of all , ı wanted to show the relationship between solid and void in my composition .

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

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STEP 2

Sketchup model

Top View

Side Views

Front View

Second of all , by adding linear and planar elements to my composition , I emphasized design principles such as balance , proportion , dominance and harmony .

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

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STEP 3: WITH COLOUR and TEXTURE

Sketchup model

Top View

Side Views

Front View

Finally , ı emphasized the areas I want to dominate by using colors and texture in my composition .

Perspective Views FARC101-Basic Design Studio| Fall Academic Semester 21-22

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SKETCHUP MODEL WITH TEXTURE

FARC101-Basic Design Studio| Fall Academic Semester 21-22

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PHYSICAL MODEL WITH TEXTURE

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 13

Top view Drawing

Photo of your physical model

TOP VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

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Side view Drawing

Photo of your physical model

SIDE VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

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Side view 2 Drawing

Photo of your physical model

SIDE VIEW Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

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Isometric Drawing

Photo of your physical model

ISOMETRIC DRAWING Scale 1:1 FARC101-Basic Design Studio| Fall Academic Semester 21-22

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COLOR

RESEARCH ON DESIGN ELEMENTS

LINE

•

Condition of the eye caused by the reflection of light

A point extended in any direction will constitute a line and can be vertical,horizontal . For example ; columns ,towers ,bridges ..

FORM (3D)

SHAPE (2D,3D)

VOLUME

PLANE

: is the area occupied by an object in space or physical environment.

Also can be solid and void For example ; furniture For example ; Roof slabs , floor , window panes and walls …

Why We Should Use Design Principles ?

RESEARCH ON DESIGN PRINCIPLES

•

The princples of design are the rules needed to create an effective and attractive composition also it gives messages for our design

EMPHASIS BALANCE

Balance is the distrubtion of the visual weight of objects ,colors and space .

CONTRAST

Highlights the differences such as locations,colors ,size ..

REPETITION

Refers to the repeating of elements on a pages .

PROPORTION HARMONY

Proportion is the visual size and weight of elements in a composition .

Elements have some common traits .

RESEARCH ON COLOUR and TEXTURE

What is color ?

The property possessed by an object of producing different sensations on the eye as a result of the way it reflects or emits lights .

In short ; Condition of the eye caused by the reflection of light .

Color In Archıtecture ; Light color ; purity , cleanliness and peace .

Dark color ; formality , more cooler .

Something that shows the relationship with the colors around a circle .

Also , color wheel contains primary colors and secondary colors and lots of like these color steps .

Texture is one of the most importance factors that make the something or structure visualy more beautiful ,qualified and aesthetic . We can use texture for example any stone maybe used in its natural , irregular state or it may be chiselled an in rough or smooth texture .

Types Of Texture ; 1)Simulated Texture

2)Actual Texture

3)Abstract Texture

4)Organic Texture

FRANK LLOYD WRIGHT https://franklloydwright.org https://www.archdaily.com/60022/ad-classics-fallingwaterfrank-lloyd-wright NORMAN FOSTER https://www.britannica.com/biography/Lord-Norman-Foster https://www.archdaily.com/tag/norman-foster TADAO ANDO 4 x 4 HOUSE (architecture-history.org) 15 Projects by Tadao Ando - RTF | Rethinking The Future (rethinkingthefuture.com) GESTALT LAWS https://www.interaction-design.org/literature/topics/gestaltprinciples https://www.usertesting.com/blog/gestalt-principles DESIGN PRINCIPLES https://99designs.com/blog/tips/principles-of-design/ https://www.adobe.com/express/learn/blog/8-basic-designprinciples-to-help-you-create-better-graphics DESIGN ELEMENTS https://www.masterclass.com/articles/elements-of-designexplained

CONTENT CASE STUDIES SCENARIO

CRAFTS KIOSK

BUBBLE DIAGRAM + ARCHITECTURAL PROGRAM SELECTED LOCATION + ZONING STEPS AFTER MIDTERM PERSPECTIVE + ANALYSIS of THE DESIGN SKETCHUP + PHYSICAL MODELS DRAWINGS REFERENCES

Cafe kiosk

1ST CASE STUDY

CIRCULATION

FUNCTIONAL RELATIONSHIP

Cafe Seating /

Costumers Circulation Workers Circulation

Public Space

Toilets / Semi Space Bakery / Kitchen / Semi space Food counter Storage

/ Private Space

SECTION OF THE PROJECT

1ST CASE STUDY

HUMAN DIMENSION

SOLID-VOID RELATION

3D IMAGE OF THE PROJECT

COLOUR

TEXTURE

Since the kiosk is in a natural environment , natural stone and wood are used .

Man : about 175

FLOWER KIOSK

PLAN

2ND CASE STUDY

CIRCULATION

FUNCTIONAL RELATIONSHIP

Workers Circulation

Showroom

Costumers Circulation

Payment point / semi area

Cold Zone / Private area

3D IMAGE OF THE PROJECT

2ND CASE STUDY

HUMAN DIMENSION

SOLID-VOID RELATION

COLOUR

The interior color solution is built on the interaction of Mirage Norr’s gray porcelain stoneware , warm and light natural veneer and details in bronze shades.

Man : About 170

TEXTURE

These two textures are used at the end of both walls in the kiosk to indicate the area .

This concrete texture has been used on columns , making the environment stronger

FLOWER/COFFEE KIOSK

PLAN

3RD CASE STUDY

CIRCULATION

FUNCTIONAL RELATIONSHIP

Flowers fridge

Workers Circulation Costumers Circulation

Cafe seating area Flowers design /decor

Payment point storage

3RD CASE STUDY

HUMAN DIMENSION

SOLID-VOID RELATION

In ınteriour design there are no real solid void relation .

COLOUR

TEXTURE

Pink pink tones and beige so this made like a harmony .

This vertical texture emphasizes the height of the space .

FLOWER / Cafe KIOSK

Users : All age groups including teenagers , adults and elderlies who are interested in flowers and want to drink coffee .

People need to see the flowers ,plants to choose how to be decorated .

In this kiosk , I would provide opportunity for user to participate in decorating part called as workshop .

SCENARIO

In this kiosk , I also added an additional cafe to the florist section , which is the main section of this kiosk ,so that people can sit and do activities when they come .

I placed a table with the entrance element in workshop area , giving people the opportunity to design their own style flowers .

Thanks to the exhibition area in the main part of the kiosk , people entering from both entrances will be able to browse and purchase flowers and designs

CAFE KIOSK SCENARIO

When people enter from the entrance section , they will be greeted with two separate sections .

The cafe section is separated by vertical glass elements , so that people can do activities with flowers .

With boxes I made a workshop area and I also used red boxes for special flowers and gray toned boxes for tall flowers .

Those purchased from the main section or the cafe can be paid from the cash register , which is the common point .

With this black element ı set the entrance and also I made a table for my workshop area so when people come to this area they can desıgn their flowers and write notes on the table .

CRAFTS KIOSK ARCHITECTURAL PROGRAM

Space

Definition of the spaces

EXHIBITIO N

GLASS EXHIBITION AREA WITH FLOWERS

1

9,66

WORKSHO P/ STORAGE

SPACE WHERE PEOPLE COME TAKE AND SOME FLOWERS OR MATERİALS ARE KEPT

1

12,25

PAYMENT POINT

PURCHASING AREA

1

7,48

ENTRANCE 1

WHERE PEOPLE ENTER THE KIOSK

1

5,5

ENTRANCE 2

WHERE PEOPLE ENTER THE KIOSK

1

9,25

COFFEE SPACE

COFFEE SALES PART

1

4,32

6

48,46

TOTAL

Type of space

6

Number of Area in M2 the spaces

CRAFTS KIOSK

Cafe ENTRANCE

BUBBLE DIAGRAM

Payment Point

MAIN EXHIBITION AREA

Workshop Area

ENTRANCE

CRAFTS KIOSK SELECTED LOCATION-ZONING

SHOW SELECTED LOCATION FROM THE MAP-USE COLOURING METHOD

I chose the A4 part for the kiosk because ı don’t want lots of neighbourds for the kiosk .

Exhibiton area Workshop , payment point Entrance

Sitting area Coffee kiosk Studio ,activity area

DESIGN PROCESS

Midterm

Step 3

Step 1

Step 4 FARC101-Basic Design Studio| Fall Academic Semester 21-22

Step 2

Step 5 34

PERSPECTIVE OF SKETCHUP MODEL

ANALYSIS OF THE KIOSK DESIGN

I divided the kiosk model into two parts , the k part is coffee , the 2 k part is flower exhibiton and sale , and I also expanded my exhibiton by separating these two parts with two vertical glass boxes .

I created an exhibition space by designing a vertical glass exhibition . I inspired this design from the first picture and created a more dominant and long vertical exhibiton area .

IMAGE/ SKETCH

Second of all , I divided the kiosk into 2 parts and ı designed k part is depressed place because my main part is the big part.

I set the entrance of my kiosk with these continuousblack elements .

While you can enter the main kiosk area and coffee service area section on both sides from the entrance with the big black element , the entrance starts with the exhibition from the section with the small element .

SKETCHUP MODEL

Top view

LEFT view

FRONT view

RIGHT view FARC101-Basic Design Studio| Fall Academic Semester 21-22

BACK view

Perspective 37

PHYSICAL MODEL

Top view

Side view

Side view

Side view FARC101-Basic Design Studio| Fall Academic Semester 21-22

Side view

Perspective 38

TOP VIEW

PLAN

SECTION

SECTION/ELEVATION

ISOMETRIC DRAWING

INTERIOR PERSPECTIVE

https://www.archdaily.com/963751/mon-parnasse-flowershop-canobardin

REFERENCES

https://www.archdaily.com/958076/arka-flower-shop-malykrasota-design https://www.archdaily.com/906860/five-flowers-nottdesign https://www.archdaily.com/906860/five-flowersnottdesign/5c0042ab08a5e56b33000045-five-flowersnottdesign-photo?next_project=no https://tr.pinterest.com/pin/54043264264524116/ https://tr.pinterest.com/pin/44824958781359582/

BASIC DESIGN STUDIO Fall Academic Semester 2021-22

FARC101

THANK YOU.