REVISE: M.ARCH PORTFOLIO

revise

I

RESUME

II

“for those who dare to dream”

MASTER OF ARCHITECTURE : AZRI AZAHAR

01

urban DESIGN

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

super-universe_city

REVITALIZING URBANISE SOCIETY ECOSYSTEM FOR A DIDACTICS INCUBATIVE CITY

how can we envision the quality of urban creation? promoting tourism footprints in unesco cultural city of georgetown project setting

DILLEMMAS & POTENTIAL

GEORGE TOWN IS THE CAPITAL AND THE LARGEST CITY

THE AREA LOCATED INSIDE THE CORE ZONE SECTION, OF UNESCO WORLD HERITAGE SITE. CHARACTERIZED

BY HERITAGE COLONIAL ERA CHINESE SHOP HOUSES AND SEVERAL IMPRESSIVE HISTORICAL BUILDINGS FROM THE BRITISH COLONIAL ERA SUCH AS THE SAINT XAVIER INSTITUTION, CATHEDRAL OF CHURCH OF THE ASSUMPTION, SK & SMK HUTCHINGS ,SAINT GEORGE CHURCH, THE FAMOUSE PENANG STATE MUSEUM AND THE SUPREME COURT LAW.DURING ITS ERA, THIS SITE WERE VERY FAMOUS FOR ITS BUSINESS AND TRADING BETWEEN THE FOREIGNERS AND LOCAL PENANG-NESE WHERE THE PEOPLE ALSO WORK AND LIVE IN THE AREA.

OF THE STATE OF PENANG, MALAYSIA. IT ALSO THE DISTRICT CAPITAL OF NORTH EAST PENANG ISLAND DISTRICT.NAMED AFTER BRITISH’S KING GEORGE III, THIS CITY LOCATED ON THE NORTH EAST CORNER OF PENANG ISLAND. THE INNER CITY HAS A POPULATION OF 510,996, WHILE THE METROPOLITAN AREA, ALSO KNOWN AS THE GEORGWTOWN CORNUBATION, CONSIST OF JELUTONG, SUNGAI PINANG, SUNGAI NIBONG, GELUGOR, AIR ITAM, TANJUNG BUNGAH AND TANJUNG TOKONG WITH A COMBINED POPULATION OF 2.5 MILLION MAKING IT THE SECOND LARGEST METROPOLITAN AREA AND THE BIGGEST NORTHERN METROPOLIS IN MALAYSIA. THE SETTLEMENT WAS DECLARED A CITY IN 1957 BY HER MAJESTY QUEEN ELIZABETH II. IN 2015, PENANG ISLAND, ON WHICH GEORGETOWN IS LOCATED, WA ALSO AWARDED CITY STATUS. THE INNER CITY OF GEORGETOWN IS A UNESCO WORLD HERITAGE SITE. THE ENCLAVE CONSIST OF COLONIAL ARCHITECTURE BUILT

ISSUE: WIDELY RANGE OF INSTITUTIONAL BUILDING BRING UPON PUBLIC RESTRICTION INSIDE YET OUTSIDE. ACTIVITY WERE MORE ACTIVE DURING DAY TIME ONLY AND CAUSING LACK IN CONTRIBUTING TO HARNESS THIS AREA SOCIAL COHESION AND INCREASING THE DENSITY OF THE PLACE. -LACKING OF CREATIVITY IN CONSERVATION ON THE HERITAGE BUILDING IN THE SHOP HOUSES AREA. -AN AREA WHERE THE ONLY ACTIVITIES MOSTLY HAPPEN INSIDE, LEAD TO DECREASE OF URBAN FLEXIBILITY AT THE OUTSDE. -SEGGREGATION OF COMMUNITY IN THE AREA CAUSING IN LACK OF ATTRACTION AND INTERACTION.

DURING THE HEYDAY OF BRITISH RULE OVER STRAITS SETTLEMENTS (PENANG, SINGAPORE, & MALACCA), MIXED WITH CHINESE SHOPHOUSES, FIVE FOOT WAYS AND PLACES OF WORSHIP OF VARIOUS RELIGIONS. THIS SITE STRATEGICALLY SET IN AT THE FARSIDE BEHIND LOVE LANE, ALONG SIDE CHULIA LANE AND LEBUH KAPITAN KELING STRAIGHT TO LEBUH FARQUHAR AND LEBUH MUNTRI. CONSIST OF VARIOUS INSTITUTUIONAL BUILDING , ST XAVIER INSTITUTION, CATHEDRAL OF ASSUMPTION, SK & SMK HUTCHINGS, PENANG STATE MUSEUM, SAINT GEORGE CHURCH AND HIGH COURT OF LAW AND FEW SHOP HOUSES THROUGH LEBUH STEWART OUT TO LEBUH KAPITAN KELING. 1

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

PENANG, MALAYSIA

BUFFER ZONE

CORE ZONE

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

PROJECT HYPOTHESIS THE DESIGN IS AIMED TO CREATE A COMPLETE SCHEME OF EDUCATIONAL HUB FOR STUDENTS OF SPECIFIC AGES AND TO ACHIEVE A CREATIVE & EDUCATIVE DIVERSE COMMUNITY WITH STRONG APPRECIATION TOWARDS HERITAGE VALUE. HE DESIGN CAUTIOUSLY PRESCRIBE THE DEVELOPMENT SO THAT IT CAN LAST AND CONTINUE TO GROW THROUGH A 50 YEARS OF PROJECTION. THE FOCUS OF THIS PROJECT IS TO PRODUCE HORIZONTALLY AND VERTICALLY INTERGRATED NETWORKING OF A NEW ECOSYSTEM, CENTRALIZING & CONNECTING THE STUDENTS AND THEIR SURROUNDING COMMUNITY, DIVERSIFIED OF THE PROGRAMAND ACTIVITIES THAT WILL GENERATE THE ECONOMY AND EXTRACTION OF THE CONTEXT SURROUNDING INTO THE HISTORICAL AND HERITAGE STRUCTURE IN ACHIEVING A SELF SUFFICIENT URBAN STRUCTURE. THE DESIGN APPROACH WILL BE THE INJECTION OF THE THEORY OF AN INCUBATIVE CREATIVE CITY THROUGH THE CONTEXT OF INTERVENTION FROM CURRENT CREATIVE & EDUCATIONAL ECOSYSTEM. THIS WILL ANCHOR A NEW EDUCATIVE+CREATIVE ENVIRONMENT AND NEW INDUSTRY FOR THE LOCAL COMMUNITY AND AT THE SAME TIME UPGRADING THE LIFESTYLE WITHOUT LEAVING ITS ORIGINALITY AND IDENTITY OF THE PLACE.

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legend

1. public square 2. kuan yin temple 3. georgetown townhall 4. green park 5. street art 6. heritage market 7.adaptivereuseshophouse 8. smk hutching’s 9. st george’s church 10.churchofassumption 11.penangsupremecourt 12.penang’sstatemuseum 13.seventerraces** 14.publicamphitheater 15.waterfeature

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

7

7

7

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

SITE ISSUES

ABANDONED BUILDING LOT

PEOPLE MOVING OUT

MANY INSTITUTION BUILDING TOO PRIVATE

LESS ACTIVITY DURING NIGHT TIME

ALL ACTIIVITY MOSTLY HAPPENS INSIDE

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

SITE POTENTIAL

RICH WITH HISTORY

TOURISM AND LODGING SPOT

HERITAGE APPRECIATION TOWARDS HISTORICAL BUILDING

ART,MUSIC, & GASTRONOMICAL ENTHUSIASTS SPOT

INCUBATOR PROGRAMMES TO EDUCATE LOCAL AND TOURIST

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

CAUSED

NON-ATTRACTIVE PROGRAM + LACK OF CREATIVITY IN CONSERVATION+SEGGREGATION COMMUNITY+ NON-GLOBALIZATION AREA

TO TRANSFORM BACK THIS AREA TO BE A LIVEABLE CITY, A VITAL AND ENERGETIC PROGRAM SHOULD BE INJECTED INTO IT. THE PROGRAMS WILL BRING BACK THE PEOPLE TO LIVE IN IT AND TRANSFORM IT INTO A LIVEABLE AND SUSTAINABLE CITY.

1957

2015

6

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

PROGRAM IDEAS

To attract more tourist coming, intorduce new programmes and activity

Injecting intellectual enhancement into & within the community

SMALL PROGRAMMES SUSTAIN THE CITY! YOUNG ASSOCIATES

INCUBATOR PROGRAMMES

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

site analysis

PRIMARY & SECONDARY JUNCTION

CATEGORY 2 BUILDINGS

CATEGORY 1 BUILDINGS

BUILDING VOID

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

site analysis

EDUCATIONAL BUILDINGS

PRIMARY, SECONDARY, & TERTIERY ROAD

RELIGIOUS BUILDING

PROPOSED SITE TO DEVELOP

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SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

Digital Rendering by Author, 2015

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SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

the design theory

SMALL_is beautiful

HIS POINT IS STILL LEGITIMATE BECAUSE THE WELLNESS DEBATE TODAY DEMONSTRATES; IN SPITE OF OUR ACCELERATED WEALTH BECAUSE THE 70S, WE ARE NOT ANY HAPPIER. SCHUMACHER WARNED TOWARDS PRECISELY THE ISSUES WE ARE NOW DEALING WITH AS DEGREES OF INTELLECTUAL INFECTION – MELANCHOLY, TENSION, PANIC ATTACKS, STRESS – UPWARD PUSH AND THE WORLD FITNESS ENTERPRISE PREDICTS THAT DESPAIR CAN BE THE SECOND ONE MOST COMMON HEALTH TROUBLE IN WESTERN DEVELOPED COUNTRIES BY MEANS OF 2020. THIS BECAME WHAT SCHUMACHER FEARED, AND HIS ANSWER WAS “SMALL IS BEAUTIFUL”.

IN TERM OF URBAN, “SMALL IS BEAUTIFUL” COULD BE TRANSLATE ON HOW TO CREATE A SUSTAINABLE CITY BY USING THE EXISTING STRUCTURE WITHOUT DEMOLISHING IT. THIS ALSO COULD BE DEFINE AS CONSERVATION ISSUE TO ABANDONED BUILDING AT OLD TOWN. NOWADAYS, DEVELOPER ARE PREFERABLE TO DESIGN AND BUILD A NEW CITY OUTSIDE THE OLD CITY FOR A NEW URBANIZATION WHICH CAUSES THE HERITAGE BUILDING TO BE ABANDONED AS NO PEOPLE TO ENLIVEN IT. “Any intelligent fool can make things bigger and more complex...

It takes a touch of genius - and a lot of courage to move in the opposite direction,” - Dr. Earnest Frederick SHUMACHER‘founder to the theory of small is beautiful, influential economic thinker, statistician, and an economist in Britain’

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

the design principles

creative city model

UNESCO : CREATIVE CITY 2065

A NETWORK PROGRAM WILL CONNECT GEORGETOWN WITH 6 OTHER CREATIVE CITY LIKE BUENOS AIRES (DESIGN), GLASGOW (MUSIC), BERLIN (DESIGN), YORK (MEDIA ARTS), BOLOGNA (MUSIC) [*1] AND BILBAO (DESIGN) . THEY WILL JOIN GEORGETOWN TO SEEK BUSINESS OPPORTUNITIES, BUILD CREATIVE COLLABORATION, AND LEARN FROM THE BEST PRACTICES. GEORGETOWN WILL BECOME A CENTRAL POINT IN THE FUTURE OF CREATIVE INDUSTRY-BASED ON ECONOMIC DEVELOPMENT. AS FAR AS IT GOES, THE SPRAWL NOT ONLY FOR THE REGION OF MALAYSIA, BUT ALSO FOR EAST ASIA REGION. GEORGETOWN CITY WILL OFFICIALLY SELECTED AS THE PILOT PROJECT FOR DEVELOPMENT AS A CREATIVE CITY FOR EAST ASIA. THE DEVELOPMENT IS A MAGNET FOR CREATIVE ECONOMIC INVENTOR AROUND THE WORLD, SO THAT THROUGH THIS PILOT PROJECT, GEORGETOWN CITY IS EXPECTED TO POPULARIZE THE SPIRIT OF CREATIVE CITIES IN A GLOBAL WORLD, THUS BECOMING THE PROTOTYPE FOR SUCH DEVELOPMENT IN 2090.

HARNESSINGATHINKINGCULTURE

CATALYSE IN COMMERCIALISATION

INNOVATINGINWAYOF ORGANISATIONS

INNOVATION FOR AND BY SOCIETY

FACILITATE INDUSTRY-ACADEMIA COLLABORATION

TRANSFORMING STRATEGIC SECTORS

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

the design principles

school identity

mood helps to generate ideas creative preservation

+

student artwork preservation preservation funding

creative environment

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SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

the roi concepts

UNIVERSITIES AND COLLEGES AROUND THE WORLD HAVE DONE EXTENSIVE SURVEYS OF THEIR CAMPUS BUILT HERITAGE RESOURCES. A DETAILED DESCRIPTION AND ACCOUNTING OF A CAMPUS’ BUILT HERITAGE, LANDSCAPE HERITAGE AND ARCHEOLOGY, ARE OFTEN USED FOR PREHISTORIC PRESERVATION PLANNING, AND SUSTAINING BUILT CULTURE IS ALSO AN IMPORTANT ASPECT OF A CAMPUS MASTER PLANNING OF FUTURE BUILDINGS.

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

the design parameters

HIGHER EDUCATION

STREETSCAPES

CITY WITHIN THEMSELVES. MANY POST GRADUATES AND EVEN DEGREE GRADUATES HAS COME OUT

THE STREET. IN SHORT, THE AESTHETICS, DOWN TO THE INTIMATE

WITH MANY IDEAS AND RESEARCH?

DETAILS AND DESIGNS. STREET TREES, BIKE RACKS, LAMP POSTS,

WHERE ALL THESE IDEAS HAS GONE THROUGH? AS CAMPUSES GROW AND TRANSFORM INTO

SIGNAGE, BUS STOPS, SIDEWALK CONFIGURATIONS, CURB BUMP

THE FUTURE , THE ENROLLMENT OF THESE YOUNG GRADUATES HAS THE ABILITY TO CREATE AND

OUTS-ALL THE ELEMENTS THAT A GROUND LEVEL USER WILL

DICTATE SMART GROWTH PLAN GROWING BUSINESS ESPECIALLY FOR YOUNG ENTREPENEURS OR

EXPERIENCE. STREETSCAPES TAKE TAKE ASPECT OF WALKABILITY,

YOUNG ASSOCIATES TO START THEIR NEW BUSINESSES.

PLACEMAKING, AND WAYFINDING, AND WRAP THEM UP INTO

IN BIGGER CIITES OR SMALL TOWNS, MANY UNIVERSITY CAMPUS SERVES AS A MANAGE SERVES AS A

A STREETSCAPES IS DEFINED AS THE APPEARANCE OF VIEW OF

ONE PRODUCT TO MAXIMIZE A NEIGHBORHOOD’S VISUAL ATTRACTIVENESS, OFTEN IN THE FORM OF ‘STREETSCAPE DESIGN GUIDELINES’.

PLACEMAKING/POP-UP SPACES

AS FAR AS ALL THE RAGE DURING RECESSION,POP-UP PARKS ARE EXHIBITING STAYING POWER, CULMINATING IN A VERIFIABLE PLACEMAKING TYPOLOGY. WETHER IT IS A PARKLET REPLACING PARKING, A BACKLANE TURNING INTO WALKABLE STREET ART SHOWCASE, OR AN OPEN-AIR HERITAGE MARKET, MANY OF THESE ONE-TEMPORARY INSTALLATION ARE BECOMING PERMENANT

SUSTAINABILITY

SUSTAINABILITY IS ARGUABLY ONE OF THE MOST PREVALENT PRESENT-DAY, AND IN THE WAKE OF CLIMATE CHANGE AND RECORD BREAKING WETHER EVENTS. ITS ROLE IN PLANNING HAS PROVEN MORE THAN A TREND. FLOOD IMITIGATION,

ADAPTABILITY REUSE

WATER MANAGEMENT, PERMEABLE PAVEMENTS, BIOWALES,

AS THE DOMINANT CAR CULTURE IN MANY CITIES DETERIORATES, COUNTLESS VACANTS REMAIN

AND ROOFTOPS GARDEN ARE AMONG THE MANY INNOVATIVE

SURFACE PARKING SPACES AND EMPTY OR UN-USE SHOPLOTS BEGAN TO TRANSFORM INTO ‘GHOST

DEVELOPMENT IN SUSTAINABILITY EFFORTS

HOUSE’. INTENDED TO ACCOMODATE FOR LOCAL AND TOURIST ACTIVITIES, THESE ARE OFTEN SITUATED RIGHT IN THE DOWNTOWN CORE, RATHER THAN DEVELOPMENT OCCURING ON THE OUTSKIRTS OF TOWN, COUNTLESS MUNICIPALITIES ARE FOCUSING INWARDS, TO ADD DENSITY AND VIBRANCY TO THE EXISTING DOWNTOWN THROUGH THE REUSE OF OBSOLETE OR UNDERUTILIZED

WAYFINDING

THE STRIVE FOR CITIES TO BRAND THEMSELVES IS EVIDENT EVEN IN SUCH GRANULAR ELEMENTS AS STREET GRAPHICS. WELL-DESIGNED WAYFINDING NOW PLAYS MAJOR ROLE IN MASTER PLANS, SERVING AS STEP-BY-STEP GUIDES TO CULTURAL, ART, CIVIC, AND OTHER URBAN INSTITUTIONS AND POINT OF INTEREST.

WALKABILITY

“IT’S NOT THE BEER CANS I MIND, IT’S THE ROAD,” EDWARD

ABBEY

(Edward Paul Abbey was an American author and essayist noted for his advocacy of environmental issues, criticism of public land policies, and anarchist political views) AS CAR USAGE AND OWNERSHIP CONTINUES TO DECLINE, AND URBAN POPULATIONS OPT FOR ALTERNATIVES TRANSPORTATION MODES, MANY CITIES ARE WAKING UP TO THE NOTION OF A WALKABLE CITY BEING A DESIREABLE CITY. MORE FEET ON THE STREET IS LEADING TO RENEWED FOCUS ON PEDESTRIAN AMENITIES IN MASTERPLANS SUCH AS SIDEWALKS, STREET FURNITURE, CROSS WALKS, PEDESTRIANS PLAZA AND THE OVERALL ‘HUMAN SCALE’ OF CITIES AT THE GROUND

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

hypothetical programs

ECONOMY TOURISM EDUCATIONAL

PROGRAM IDENTIFICATION eduHUB+TM

REHABILITATION + ADAPTIVE REUSE + INFILL + HERITAGECULTUREPROGRAM + MULTI-ETHNICIMPROVEMENT + COMMUNITYDEVELOPMENT

target users

1995-2012

GEN Z

1980’S-1990’S

GEN Y

2013-2020

2000-2008

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SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

NEW SCENARIOS

EXISTING SCENARIOS

THE SCENARIOS

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

PROGRAMS INTENTION

THE MAIN AGENDA IS TO PROVIDE AN EDUCATIONAL HUB AS CATALYST FOR ART, HERITAGE AND CULTURAL CENTRE. THIS PURPOSE OF THIS HUB IS TO LIVE UP BACK WHAT GEORGETOWN CITY HAS LOST, ITS HERITAGE AND HISTORICAL VALUE BY CONSERVES ABANDONED HERITAGE BUILDING ESPECIALLY COLONIAL SHOP HOUSES AND INSTITUTIONAL BUILDINGS WITH URBAN INFILL AND RE-USE PROGRAM OF EDUCATION. WHETHER CULTURALLY OR HISTORICALLY, MANY EDUCATION HUB SERVE AS A CITY WITHIN THEMSELVES. AS HUB GROW AND TRANSFORM IN THE FUTURE, THE INTENTION AS TO BECOME PART OF LONG TERM ECONOMIC STRATEGY TO DEVELOP THE REGION’S TALENT POOL AND BECOME A KNOWLEDGE-BASED ECONOMY.

ACADEMICIANS RESEARCHERS YOUNG ASSOCIATES TOURISTS ARTISANS LOCAL COMMUNITY BUSINESS ENTREPENUER

R&DLABORATORY WORKSHOP SCHOOL COMPLEX COLLEGE/UNIVERSITY LECTURE HALL STUDIO FOOD COURT MULTI-FUNTION HALL HERITAGE&CULTUREGALLERY HERITAGE MUSEUM ART MUSEUM AMPHITHEATER ANTIQUE MARKET STREET ART PUBLIC ART SPACE CAFE COMMERCIAL KIOSK URBAN GREEN PARK

“CHILDREN MUST BE TAUGHT HOW TO THINK, NOT WHAT TO THINK,” -MARGARET MEAD-

(children , education, judgement, mentoring, reasoning)

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

PROGRAMS framework

EDUCATIONAL INCUBATIVE PROGRAM HELP TO PROMOTES ECONOMIC INCREAMENT BY PROVIDING RESEARCH & DEVELOPMENT

BY LINKING INVESTORS WITH NEW & LOCAL BUSINESS

SCHOOL STUDENTS [eduHUB]tm ACT AS A CENTER FOR RESEARCH & DEVELOPMENT

SCHEDULED USER

COLLEGE STUDENTS

PERSUADING INTERESTED PLAYER TO PARTNER

PROFEsSIONAL RELATIONSHIP

GRADUATESSTUDENTS

NEW PROGRAM FRAMEWORK

MAIN SPONSOR & CONTRIBUTORS

PARTNERS/SUPPORTERS POSTGRADUATES STUDENTS (YOUNG ASSOCIATES)

PARTNERS/SUPPORTERS

INVESTMENT

RESEARCH IDEAS & BUSINESS START-UP

in a way using the application of adaptive re-use onto the

SMALL&MEDIUM-SIZE ENTERPRISE (BUSINESS)

building

OPENBUSINESSWITHIN THE COMMUNITY IN GEORGE TOWN (START-UP)

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SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

ROLE PLAYERS

PROGRAM SUPPORTER:

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

STRATEGIES + ROI FRAMEWORK

ACCESS TO MANPOWER ACCESS TO BASIC & APPLIED NEW RESEARCH UNIVERSITY INDUSTRIAL LINKAGE

ACCESS TO UNIVERSITY FACILITIES ASSISTANCE IN CONTINUING EDUCATION AND TRAINING OBTAINING STANDING OR ENHANCING COMPANY’S IMAGE BEING GOOD LOCAL CITIZENS OR FOSTERING GOOD COMMUNITY RELATIONS

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologyanalyticalstudies

3

m 65

2 STOREY SHOPLOTS

3

2m .5 97 33

m 35 15

m 00 16

3

m 0m 00 8 80

31m

3

3

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3

3

3M SETBACK

10’ 0” FROM BUILDING ONCE REACH 4TH FLOOR

3M SETBACK 10’ 0” FROM BUILDING ONCE REACH 3RD FLOOR

3

m

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5 STOREY SHOPLOTS 5TH FLOOR 4TH FLOOR 3RD FLOOR 2ND FLOOR

39

40

MAXIMUM DEVELOPMENT AT INFILL LOTS TYPE B INFILL DEVELOPMENT

.1 2m

MAINTAINFRONTFACADEADJACENT TO NEAREST BUILDING

5 STOREY X 3.6M = 18M

LENGTH ADJACENTTO NEAREST BUILDING = 37.4 M WIDTH 6 METER 37.4M x 6M x 3.6M = 4039.2 M

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologyanalyticalstudies

EXISTING TYPOLOGIES : MEASUREMENTS

37.4m

37.4m

37.4m 8m

12m

4m 6m

6m

1 STOREY SHOPLOTS

987 M3

2 STOREY SHOPLOTS

1862.52 M3

TYPE A1

37.4m

6m

3 STOREY SHOPLOTS

TYPE A2

2760.12 M3

TYPE A3

37.4m 8m

4m 6m

1 STOREY SHOPLOTS

6m

2 STOREY SHOPLOTS

3 STOREY SHOPLOTS

MAXIMUM DEVELOPMENT AT ADJACENT BUILDING [Regulations For Conservation Areas & Heritage Buildings, Municipal Council of Penang Island] * The height of new development within the curtilage of Category II building may be allowed up to a maximum of 18 meters. Outside the conservation area will be determine by planning regulations.

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

masterplan settings

EXISTING CONDITION

CLEAR UP EVERYTHING EXCEPT CONSERVE BUILDING CATEGORY 1 AND CATEGORY 2.

CONNECTING AXIS FROM NEIGHBORHOOD PARCEL

CONCEPTUALLY INVERTED SITE TO IDENTIFY MAXIMUM BUILT AREA

PUBLIC FROM PADANG KOTA PUBLIC FROM LOVE LANE PUBLIC FROM CHURCH ST.

INTERNAL ROAD AND SERVICE ROAD

NEW BUILDING R&D BUILDING BLOCK ACCORDING TO NEW CIRCULATION. PUBLIC PROGRAM ON GROUND AND EDUCATION R&D ACTIVITY ABOVE GROUND.

CONNECTING OTHER SPOT TO THE CENTER

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SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

masterplan settings

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologies setting

EXISTINGTYPOLOGIES :VOLUMES

49

6

M2 TO

26

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94

0

M2 TO

30

5

30

5

M2

1 STOREY SHOPLOTS

M2 TO

M2

64

2

2 STOREY SHOPLOTS

M2

3 STOREY SHOPLOTS

PERCUBIC ALTERATION CONCEPT

-30%

2m 1.75m 1 FIGURE = AVERAGE 1.7M

CIRCULATIONS

1.75m 6.2 M3

[neuferts third edition]*

126 CUBIC\ CAPACITY

[neuferts third edition]*

IDENTIFYING ALL MONO EXISTING PROGRAMMES ON SITE

COUNTERING ALL PROGRAMMES WITH POSITIVE INTERVENTIONS INSIDE THE SHOPLOTS

111 CUBIC\CAPACITY

EXPLODE ALL BIG PROGRAMMES INTO SMALLER PROGRAMMES. SEPARATING IN DIFFERENT CATEGORIES. IDENTIFY NEW PROGRAMMES FOR EMPTY VACANT SHOP LOTS

INSERTING SMALL & REFINE NEW PROGRAMMES IN SHOP LOTS

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologies programs

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

HYPOTHETICAL CONFIGURATIONS [MAXIMUM DEVELOPMENT]

2 STOREY shoplots

USING THE ADAPTIVE REUSE APPROACH, BUILDING WITH NO ACTIVITIES UPSTAIRS OR LEFT ABANDONED BUILDING, NEW ACTIVITES CAN BE INPUT AS NEW ACTIVITIES FOR THE SHOPHOUSE/SHOPLOTS.

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ard m r ty 522 3 u o m en C 345 Gre 3

3

4

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologies configurations

3

3

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our nC

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rd tya

3

m 364 3 m 293

e

Gre

m 332 3 m 288 3 m 214

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2

3

m 513

Staircase Core

3 STOREY shoplots

3

m 364 3 m 293

3

m 332 3 m 288 3 m 214

2 fl 1 fl

3

m 364 3 m 293

oor oor

our nC

3

m 332 3 m 288 3 m 214 rd

tya

e

Gre 3

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

TYPOLOGY PROGRAMS CATALOGUE

CLIENT OR BUSINESS ENTREPENEUR CAN CHOOSE ANY PROGRAMMES TO RUN AS THEIR BUSINESS PROGRAMMES

ARCHITECTURE LABORATORY

3

3

216

m 120

3

m

m 4 4 1

14 4m 3

21 6m 3

12 0m 3

ENGINEERING LABORATORY

14 4m 3

21 6m 3

12 0m 3

ART & PERFORMANCES LABORATORY

30

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

TYPOLOGY PROGRAMS CATALOGUE

CLIENT OR BUSINESS ENTREPENEUR CAN CHOOSE ANY PROGRAMMES TO RUN AS THEIR BUSINESS PROGRAMMES

14 4m 3

21 6m 3

12 0m 3

BUSINESS & FINANCE LABORATORY

14 4m 3

21 6m 3

12 0m 3

BROADCASTING AND JOURNALISM LABORATORY

14 4m 3

21 6m 3

12 0m 3

MULTIMEDIA & ANIMATION LABORATORY

14 4m 3

21 6m 3

12 0m 3

TOURISM & HOSPITALITY LABORATORY

31

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

PROGRAMS CATALOGUE PICK ANY

PICK ANY

3

m 364

WORKSTATION STUDIO LAB 1

3

m 105

ART STUDIO 1

MIX

3

m 293

WORKSTATION STUDIO LAB 2

3

m 630

ART STUDIO 2

m 635

COURTYARD 1

COURTYARD 2

m 345

DISCUSSION AREA

= NEWPROGRAMS

3

3

m 360

m 228

WORKSTATION STUDIO LAB 3

ART MUSEUM

3

m 150

3

m 350

ART STUDIO 3

ART STUDIO 4

3

m 357

3

MATCH

m 325

3

3

+

3

m 370

COURTYARD 3

WORKSHOP

3

m 720

HERITAGE & CULTURE MUSEUM 1

0 160

3

m

HERITAGE & CULTUREMUSEUM2

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

PROGRAMS CATALOGUE CAN BE THISONE?

140 m3

3

KITCHENERIES

3

3

m 842

3

MEETING AREA 1

m 240

MASSAGE&LEISURE2

MASSAGE&LEISURE3

104 m3

3

m 133

MEETING AREA 2

LIBRARY&ARCHIVES1

3

m 120

MASSAGE&LEISURE1

m 410

LECTURE HALLS

3

m 480

m 249

LIBRARY&ARCHIVES2

m 236

COMPUTERLABORATORY

3

3

m 295

3

m 243

PANTRY 1

PANTRY 2

3

3

3

m 364

m 513

m 332

3

m 400

PUBLIC GYMNASIUM 1 PUBLIC GYMNASIUM 2 INTERACTIVE ROOM 1

240

3

m

INTERACTIVE ROOM 2

33

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

programmatic masterplan

1

2

3

4

5

typology variations 34

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

6

7

8

9

35

SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

exploded masterplan

36

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

proposed new typology

NEW BUILDING TYPOLOGY

NEW URBANSCAPES TYPOLOGY

KET AR M E AG RIT HE

EE STR

FUTURE MASTERPLAN

2015

RT

TA

2035

K PAR EEN R NG BA UR

2055

E

B

PU

AR QU

S LIC

2065

37

SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

typologies variation [ADAPTIVE REUSE]

38

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologies variation [ADAPTIVE REUSE]

PROPOSE AREA

d

c

b

Budan’s Brew Coffee Shop

a. SMK Hutchings b. Cathedral of Assumptions c. Penang State Museum d.St.XavierInstitution e. Love lane

You Le Yuen

23 Love Lane

a

e Unproper parking spaces

EXISTING

New additional spaces Performative spaces Take each spaces typologies and re-arrange it inside the shophouse

Using No.1 spatial configuration Apply it to single shophouse

39

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologies variation catalogue [PERFORMATIVE + ARCHITECTURE SPACES]

3

m 770

3

72 m3

m 230

3

m 388

3

3

3

14 0m

895m

41 5m

m 532

3

m 594

m 364

410m 3

m 261

3

3

55 7m

3

3

3

3

3

m 355

m 583

3

3

m 239

3

m 239

3

m 131

m 262 3

m 207

m 131

3

m 239 3 m 9 23

3

m 404

3

m 629

40

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

typologies variation catalogue [PERFORMATIVE + ARCHITECTURE SPACES]

m 452

m 594

3

3

m 566

3

3

m 837

3

m 492

3

m 548

41

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

4

1

2

3

ARGUS LANE

BEHIND THE STORY

5

ZONE 1- The empty and dark back lane [1]. It is located in between the right side of the shophouses and brick gate for the school. Only one bicycle or motocycle that can pass through here. During nigh time no one would allowed to go here as if its next to abandoned houses (shophouse) . The feeling of eerie and dark place created some kind of taboo by the people in here, as if it was a haunted building because of nobody want to live here. There a few motorcycle here [3], they were the non-local who resident themselves here because of the work for the church (Cathedral of Assumption) right in front of the building block. *the story base on site studies, interviewing, and meeting with the locals

42

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

BEHIND THE STORY

PRI V PRI ATE P RO V SEM ATE P GRA IPRI ROG MM VAT RA ES EP M EXI ROGR MES STIN AM GA MES CTI VIT Y

4 2

LOR ONG ARG US

5

VE LO

LAN

E

3

OVE NGL O R LO

AR UH Q R FA UH LEB

43

SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

44

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

IMPLEMENTING PROGRAMME !

ART & PERFORMANCE LABORATORY (INCUBATOR CENTRE) 1

2

3

4

New typology shophouse

5

Proper temporary drop off New parking spaces

APPLYING PROGRAMME !

3

1

m 332 3 m 288 3 m 214

r floo

3

m 513

3

m 364 3 m 3 9 2

t our nC

d yar

2

e

Gre

ARTSTUDIO1 ARTSTUDIO2 LIBRARY&ARCHIVES PANTRY

DONE !

INTERACTIVEROOM ART & PERFORMANCES LAB

M

EU

T S AR & MU

OFOOM R TE E R

N IV CEERACT

INT

45

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

DETAILED PROGRAM

1 2 3

46

MASTER OF ARCHITECTURE : AZRI AZAHAR

SUPER-UNIVERSITY_CITY

DETAILED TYPOLOGIES

E!

E AT E R

R MO

C

FRO

NT

FRO

C

1 ES , C A SP ASIUM

N IO YM TUD P OOL, MGING S C P AM BLI TRE,J U P EN EC G A S S

LI UB

MA

NT

C

AK F P, B ER CA O H T E S HIPS FFE

LI UB

P

O

L, C

C

O PO

BLI

PU

2 ES & C A , SP ERY E

e tag EAR n ro R eF

bl

u Do

STR

EET

e tag

Do

u

bl

ron eF

AR

TW AL LA

SB

UIL

DIN

G’S

AR

TF

EA TU

RE

R REA

47

SUPER-UNIVERSITY_CITY

MASTER OF ARCHITECTURE : AZRI AZAHAR

Digital Rendering by Author, 2015

48

MASTER OF ARCHITECTURE : AZRI AZAHAR

02

highrise DESIGN

49

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

PROPOSED CLIENT

Canon Inc (キヤノン株式会社 Kyanon Kabushiki-gaisha) is a Japanese multinational corporation specialized in the manufacture of imaging and optical products, including cameras, camcorders, photocopiers, steppers, computer printers and medical equipment. It is headquartered in Ōta, Tokyo, Japan.

Canon manufactures consumer imaging products including printers, scanners, binoculars, compact digital cameras, film SLR and digital SLR cameras, lenses, video camcorders and digital visual solutions.

The “Business Solutions” division offers multi-functional printers, black and white and color office printers, calculators, presenters, large format printers, scanners, black and white and color production printers, as well as software to support these products.

Canon has been manufacturing and distributing digital cameras since 1984, starting with the RC-701. The RC series was followed by the PowerShot and Digital IXUS series of digital cameras.

Canon also developed the EOS series of digital single-lens reflex cameras (DSLR) which includes high-end professional models.

Canon’s world headquarters are located at 30-2 Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan. Canon has regional headquarters in America, Europe, Middle East, Africa, Japan, Asia and Oceania (including Australia & New Zealand). Canon Europe has two principal subsidiaries: Canon Europa NV (based in Amstelveen, Netherlands) and Canon Europe Ltd. (based in Uxbridge, UK).

Canon is organised into three principal business segments: the Office Business Unit (the products of which include copying machines, digital production printers, large format inkjet printers, laser printers and multi-function devices); the Consumer Business Unit (the products of which include broadcasting equipment, calculators, compact digital cameras, digital SLR cameras, digital video camcorders, image scanners, interchangeable lenses, inkjet multifunction printers and single function inkjet printers); and the Industry and Others Business Unit (the products of which include computers, handy terminals, LCD lithography equipment, magnetic heads, medical imaging equipment, micromotors, ophthalmic equipment and semiconductor lithography equipment).

51

MASTER OF ARCHITECTURE : AZRI AZAHAR

HIGHRISE DEVELOPMENT PROJECT - CANON INC

proposed site

PROPOSED SITE

52

MASTER OF ARCHITECTURE : AZRI AZAHAR

HIGHRISE DEVELOPMENT PROJECT - CANON INC

site analysis

KOMTAR & GEORGETOWN CITY

PENANG BRIDGE

UNESCO WOLRD HERITAGE AREA SEA VIEW (CLAN JETTY HERITAGE SITE)

GREEN AS COOLING METHOD COOLING BUILDING

ADDED CAGELIKE STRUCTURE DECREASE DIRECT SUN FENESTRATION

EAST & WEST SIDE LANDMARK STRUCTURE

TOWER FAR FROM BUSY STREET NOISE

GREEN PODIUM AS RAIN WATER HARVESTING PLATFORM

53

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

Digital Rendering by Author, 2016

54

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

GROUND FLOOR PLAN 55

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

LEVEL 2 BASEMENT PLAN 56

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

LEVEL 1 BASEMENT PLAN 57

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

1ST FLOOR LEVEL 58

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

2ND FLOOR LEVEL 59

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

3RD FLOOR LEVEL 60

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

4TH FLOOR LEVEL 61

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

5TH FLOOR LEVEL 62

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

6TH FLOOR LEVEL 63

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

7TH FLOOR LEVEL 64

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

8TH FLOOR LEVEL 65

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

9TH FLOOR LEVEL 66

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

10TH FLOOR LEVEL 67

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

11TH FLOOR LEVEL 68

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

12TH FLOOR LEVEL 69

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

13TH FLOOR LEVEL 70

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

14TH FLOOR LEVEL 71

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

15TH FLOOR LEVEL 72

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

16TH FLOOR LEVEL 73

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

17TH FLOOR LEVEL 74

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

18TH FLOOR LEVEL 75

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

19TH FLOOR LEVEL 76

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

20TH FLOOR LEVEL [roof ] 77

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

core design

BASEMENT 2 to GROUND FLOOR LEVEL Scale 1:1 0 0 Basement to podium floor core design

78

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

core design

FIRST FLOOR LEVEL to THIRD FLOOR LEVEL

Not To Scale

First floor level to third floor level at tower area

Not To Scale

First floor level to third floor level at podium area

79

MASTER OF ARCHITECTURE : AZRI AZAHAR

HIGHRISE DEVELOPMENT PROJECT - CANON INC

core design

FIRST FLOOR LEVEL to THIRD FLOOR LEVEL Not To Scale

Tower core design from floor level 4th until 19th

80

MASTER OF ARCHITECTURE : AZRI AZAHAR

HIGHRISE DEVELOPMENT PROJECT - CANON INC

PHOTOVOLTAIC PANEL

Used to generate electricity for lighting in the office and podium. Exessive electric will be redirect to the other used electrical appliances for cost saving

NATURAL LIGHTING

Maximizinf the indirect natural lighting inside the interior can reduce the artificial lighting usage. The natural ligting need to be controlled so that the interior is not being heated up overdosely and the can be reduce by having large louvers at entire sun-faced surfaces.

STACK EFFECT Fragmentation of the spaces arrangement and open corridor of the floor could maximize stack effect. It will broaden and smoothen the wind ventilation or movement to pass through the building

CROSS VENTILATION

Large outdoor green open space, flexible windows, substraction of spaces and short building depth promotes air movement and natural ventilations.

MULTIPURPOSE ROOF GARDEN

The sharing of green elements in green roof courtyard and open green spaces (office area) coolen the air quality surronding the building. The purpose of roof garden or green spaces not only for greens, but also for different outdoor functions.

RAINWATER HARVESTING

Rain water collected from floor surfaces and roof top surfaces are transfered (irrigations) to all plants through irrigation pipings, and it also filtered and reuse for domestic purpose. This simple method reduce usage of domestic water consumption.

ENT 1 BASEM ENT 2 M E S BA 81

MASTER OF ARCHITECTURE : AZRI AZAHAR

HIGHRISE DEVELOPMENT PROJECT - CANON INC

GREEN WALL Green wall serve as building passive cooling effect, ventilation, filters and freshen the air quality before passively entering the building spaces.

MULTIPURPOSE COURTYARD

Creating a courtyard at roof top level could maximize outdoor space activities. Giving an opportunity for users to experience outdoor feeling and viewing George Town heritage city from the roof top.

RAINWATER HARVESTING

Rain water collected from floor surfaces and roof top surfaces are transfered (irrigations) to all plants through irrigation pipings, and it also filtered and reuse for domestic purpose. This simple method reduce usage of domestic water consumption.

Offi

ce

Offic

e Irrig a wat tion ered plan

ts

Offic

e

Office LIFT SHAFT

LOW E-GLASS LIFT SHAFT

Admit 55% of visible sun light but reflect 70% of the associated heat, reducing energy use for lighting and space cooling. Though transparent, it coating protects building interiors from unwanted UV rays which can burn skin, fade the carpets and damaging the furnitures.

LIFT SHAFT

SECTIONAL PERSPECTIVE NOT TO SCALE

82

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

detailedSECTIONALPERSPECTIVE 83

MASTER OF ARCHITECTURE : AZRI AZAHAR

HIGHRISE DEVELOPMENT PROJECT - CANON INC

ENERGY EFFICIENCY ENVIRONMENTAL QUALITY SUSTAINABLE SITE PLANNING & MANAGEMENT MATERIAL & RESOURCES WATER EFFIECIENCY INNOVATION

84

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

BUILDING SERVICES

INTERGRATION OF ARCHITECTURAL BUILDING SERVICES & BUILDING CONSTRUCTION TECHNOLOGY

85

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

BUILDING SERVICES

INTERGRATION OF ARCHITECTURAL BUILDING SERVICES & BUILDING CONSTRUCTION TECHNOLOGY

86

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

BUILDING SERVICES

INTERGRATION OF ARCHITECTURAL BUILDING SERVICES & BUILDING CONSTRUCTION TECHNOLOGY

87

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

88

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

89

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

90

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

91

HIGHRISE DEVELOPMENT PROJECT - CANON INC

MASTER OF ARCHITECTURE : AZRI AZAHAR

92

MASTER OF ARCHITECTURE : AZRI AZAHAR

03/04

thesis DESIGN 1 thesis DESIGN 2

93

MASTER OF ARCHITECTURE : AZRI AZAHAR

94

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

GEORGETOWN MUSEUM OF DIGITAL ART THESIS STATEMENT

“What if it’s possible to transform from conventional art museum spaces into high dynamic performative spaces approach to heighten architectural experiences and human interactions inside a public museum via amalgamating of variants of understanding in an urban performative spatial catalogues”

ARCHITECTURE+DIGITAL ART

THE MALAYSIA SCENARIOS

ARCHITECTURE & DIGITAL ART, ARE THE TWO FORMS OF ART WHICH HAS MUCH DIFFERENCES BETWEEN THEM, FROM THEORIES AND PRACTICES. SOMEHOW IT HAS BIT OF SIMILARITIES WHEN IT COMES TO THE WORD ‘ART’. DIGITAL ART IS ONE PART IN THE PRACTICE OF MODERN ART IN THIS ERA. THE DIGITAL ART MEDIUM USES COMPUTER TECHNOLOGY IN ITS CREATION AND IT HAS REVOLUTIONIZED MORE TRADITIONAL ART FORMS LIKE PAINTING, SCULPTURE AND CINEMA. ARTISTS HAVE ALWAYS ENCOUNTERED TECHNOLOGICAL BARRIERS IN THEIR WORK. DIGITAL IS SIMPLY THE NEWEST MEDIUM ARTISTS HAVE DISCOVERED IN THEIR QUEST TO TELL THEIR STORIES CONSTRAINED ONLY BY THE LIMITS OF THEIR IMAGINATION. SINCE THE 1970S, VARIOUS NAMES HAVE BEEN USED TO DESCRIBE THE PROCESS INCLUDING COMPUTER ART AND MULTIMEDIA ART, AND DIGITAL ART IS ITSELF PLACED UNDER THE LARGER UMBRELLA TERM NEW MEDIA ART. IN AN URBAN AND DEVELOPED CITY, ARTISTS USES THE CITY URBANSCAPE AS THEIR PLACE TO IMPLEMENT THEIR ARTWORK WHILST CREATING EXPOSURES TO THE SURROUNDING. THIS IMPORTANT ROLES OF ARCHITECTURE’S SPACES ENHANCE THEIR PRODUCTIVITY AND HELPS THEM TO EXPOSE THEIR ARTWORK TO THE PUBLIC. ART AND ARCHITECTURE ARE SUBJECTIVE BUT IT CAN BE OBJECTIVE IF IT WERE USE MEETLY. IN THE URBEGO PROJECT BY GIULIA MACI FROM COPENHAGEN, THEIR ATTENTION OF REVITALISING NEGATIVE URBAN POCKETS ENGAGES LOCAL COMMUNITIES OF RESIDENTS, HELPING THEM TO TAKE CONTROL OF THE OPEN SPACES AROUND/ BETWEEN THE PLACES WHERE THEY LIVE. THE POINTS IS, THEIR METHOD OF GLOBAL SCALE PROVIDES A PLATFORM FOR SHARING AND TRANSFERRING KNOWLEDGE AND EXPERTISE, ACTING MORE AS AN INTERMEDIARY BETWEEN THEM AND THE PUBLIC.

In a country where art is being cherish everyday yet it still in an obvious dilemma, but it were still close to the heart of every Malaysian. Since late 80’s Malaysia has already being part of the digital art movement (called E-Art Movement) and it was first introduced by the father of digital art, Ismail Zain. We should be grateful to have been able to maintain many inspiring e-art members like Professor Madya Hasnul Jamal Saidon, Niranjan Rajah, Wong Hoy Cheong, Kungyu Lew, Sarah Ameera, Fairuz Sulaiman and others. Since 2010, there are various movement arise to showcase their art to the public.

THE IDEAS OF POSITIVE INTERVENTION CREATE POSITIVE URBAN CATALOGUE OF NEW URBAN AND PERFORMATIVE SPACES. THERE FOR, IT REPRESENT AN EFFECTIVE WAY TO ADDRESS SOME OF THE PROBLEM OF URBAN LIVING, SUCH AS ISOLATION AND SOCIAL EXCLUSION, BY ENHANCING LOCAL IDENTITIES AND SENSE OF BELONGING TO A COMMON PLACE.

The creative industry in digital art movement has inspired artist to in cooperate their work by synchronizing with cultural enrichment and heritage-inspired artwork. The artist’s work and exhibition did not only grew in one places, they need to be expose their selves and their work to local public and art enthusiast. And so, while waiting for another art expo or exhibit, many of them contribute their work in several of showcase and manage to implement their method to many exposure in entertainment businesses.

The art and entertainment business are another great way for them to boost their acknowledgement and at the same time being able to learnt new alternative to showcase their digital art.

In Malaysia itself, we have organisations that helps and manage the artists, in being able to maintain the art industry, they have to get their show publicly expose.

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

Digital Rendering by Author, 2017

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

site analysis

GEORGE TOWN IS THE CAPITAL AND THE LARGEST CITY OF THE STATE OF PENANG, MALAYSIA. IT ALSO THE DISTRICT CAPITAL OF NORTH EAST PENANG ISLAND DISTRICT.NAMED AFTER BRITISH’S KING GEORGE III, THIS CITY LOCATED ON THE NORTH EAST CORNER OF PENANG ISLAND. THE INNER CITY HAS A POPULATION OF 510,996, WHILE THE METROPOLITAN AREA, ALSO KNOWN AS THE GEORGWTOWN CORNUBATION, CONSIST OF JELUTONG, SUNGAI PINANG, SUNGAI NIBONG, GELUGOR, AIR ITAM, TANJUNG BUNGAH AND TANJUNG TOKONG WITH A COMBINED POPULATION OF 2.5 MILLION MAKING IT THE SECOND LARGEST METROPOLITAN AREA AND THE BIGGEST NORTHERN METROPOLIS IN MALAYSIA. THE SETTLEMENT WAS DECLARED A CITY IN 1957 BY HER MAJESTY QUEEN ELIZABETH II. IN 2015, PENANG ISLAND, ON WHICH GEORGETOWN IS LOCATED, WA ALSO AWARDED CITY STATUS. THE INNER CITY OF GEORGETOWN IS A UNESCO WORLD HERITAGE SITE. THE ENCLAVE CONSIST OF COLONIAL ARCHITECTURE BUILT DURING THE HEYDAY OF BRITISH RULE OVER STRAITS SETTLEMENTS (PENANG, SINGAPORE, & MALACCA), MIXED WITH CHINESE SHOPHOUSES, FIVE FOOT WAYS AND PLACES OF WORSHIP OF VARIOUS RELIGIONS.

THE MACALLUM STREET IS THE FIFTH STREET IN THE SEVEN STREETS PRECINCT OF GEORGE TOWN, AS COUNTED FROM THE PRANGIN CANAL. IT IS PRESENTLY A ONE-WAY STREET RUNNING FROM WEST TO EAST, BEGINNING AT THE JUNCTION WITH BRICK KILN ROAD AND ENDING AT THE INTERSECTION WITH BRIDGE STREET, WHERE AN EXTENSION CALLED MACALLUM STREET GHAUT CONTINUES EASTWEARD. IT ALSO FORMS AN INTERSECTION WITH MCNAIR STREET. MACALLUM STREET WAS CREATED IN THE AREA WHICH WAS CALLED KOAY KANGA (“ACROSS THE RIVER”), AND WAS KNOWN IN HOKKIEN AS GOR3 TIAU3 LOR3 (IN FULL, GOH3 TIAU3 LOR3 KOAY1 KANG3A4), MEANING “THE 5TH ROAD (ACROSS THE RIVER)”.

97

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

site analysis

THE ISSUES OF THE PROJECT IS THAT THIS DESIGN IS AN INITIATIVE FOR A HELPFUL FACILITY FOR EXPLORING DIGITAL ART. THE LACK OF PROPER FACILITIES FOR DIGITAL ART, ARTISTS IN LOCAL CONTENT WHERE THE ARTIST HAD TO RENT SPACE AND EXHIBIT AT PRIVATE GALLERY, SCATTERED WITHIN GEORGE TOWN, PENANG HERITAGE AREA.

PENANG, MALAYSIA

DEVELOPMENT PROPOSAL OF ‘PENANG HERITAGE ART DISTRICT’ ALONG FROM LEBUH MACALLUM TO TUN DR LIM CHONG EU EXPRESSWAY OFFERS NEW POSSIBILITIES FOR TRANSFORMATION OF PENANG CULTURAL ART.

98

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

context magnetation

location PLAN NOT TO SCALE 99

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

macro analysis

100

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

micro analysis

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the design theories

THE OBJECTIVES OF THIS PROJECT IS TO INVENT A MODERN FACILITY TO SUPPORT THE DEVELOPMENT OF DIGITAL ART AND TO INTRODUCE IT TO THE PUBLIC. THE DIGITAL ART APPRECIATION INVOLVES INVENTING A MODULAR EXHIBITION SPACE FOR FLEXIBILITY, AN ARCHITECTURAL TECHNOLOGY IN MODERN SPACES, A CREATIVE ART SPATIAL SOLUTIONS, AND ALSO BY PROVIDING WITH CREATIVE WORKSHOPS AND ART STUDIOS. THREE KEY OBJECTIVES OF THE PROJECT ARE TO GIVE AN EXPOSURE ON DIGITAL ART AND CRAFTSMANSHIP AS AN INFORMATION CENTER FOR THE ARTIST AND DIGITAL ART ENTHUSIAST WITH THE INTENTION TO CHANGE PUBLIC PERCEPTIONS TOWARD DIGITAL ART (DIGITAL ART INSPIRATION). THE PROGRAMS TEACH AND INSPIRES A NEW GENERATION ON THE CREATIVITY AND THE TECHNICAL ABILITIES THAT DIGITAL ART CAN HELP TO GROW IN THE NEAR FUTURE.

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the design theories

IN THIS EVER CHANGING ERA, THE PROJECT AIMS TO REPRESENT DIGITAL ART AND THE NEW REVOLUTIONARY MEDIA ART TOWARD THE EDUCATION PURPOSES, NOT ONLY AS A SINGLE FORM OF ART, BUT TO BE AS PART OF MANY NEW MEDIA ART THESE DAYS HAS PRODUCED. THERE ARE MANY FORMS OF ART IN THE DIGITAL ART MOVEMENT AND IT ALWAYS BE PART OF OUR LIVES TODAY OR THE FUTURE TO COME. IN THIS DESIGN, THE PERMEABLE OF SPACES TO ALLOW VISUAL AND PHYSICAL EXPLORATION BETWEEN EXHIBIT SPACES. BY ENABLING THE PERMISSIBILITY IN THE SPACES BETWEEN THE NEIGHBOURHOODS IS TO AVOID SOUNDING COMMOTION THAT COULD DISTURB THE ADJACENT BUILDING.

BY USING THE PERFORMATIVE SPACE APPROACH, THE SPACE IS DIVIDED INTO SMALLER SPACES BY INTRODUCING PORTABLE WALL. THESE ENABLE FRAGMENTATION OF MULTIPLE USE OF OPEN SPACE THAT CAN ACCOMMODATE TWO DIFFERENT KINDS OF EXHIBITION METHOD. THE LARGE OPEN SPACES ARE TO ENABLE FREE CIRCULATION AND MORE VERSATILE AREA.

design thesis statement “WHAT IF IT’S POSSIBLE TO TRANSFORM FROM CONVENTIONAL ART MUSEUM SPACES INTO HIGH DYNAMIC PERFORMATIVE SPACES APPROACH TO HEIGHTEN ARCHITECTURAL EXPERIENCES AND HUMAN INTERACTIONS INSIDE A PUBLIC MUSEUM VIA AMALGAMATING OF VARIANTS OF UNDERSTANDING IN AN URBAN PERFORMATIVE SPATIAL CATALOGUES” .

THE DESIGN IS TO INTRODUCE A DIGITAL ART EXHIBITION HUB AND FACILITIES SUCH AS ART STUDIOS, DIGITAL TECHNOLOGIES, EXPERIMENTAL LAB, SOUND MIXING STUDIO, WORKSHOPS, AND SHARING MEDIUM SPACES WITH THE APPROACH OF PERFORMATIVE SPACES TO SPAWN HUMAN INTERACTIONS AND THEIR INTERVENTION FOR THE USE AND THE DEVELOPMENT OF DIGITAL ART. THE INTERACTIONS AND INTERVENTIONS ACT TO BRING ABOUT THE ARTIST ENTHUSIAST AND DEFINING THEIR APPRECIATION OF ART TOWARDS THE PUBLIC.

103

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

the design theories

the real gems

core

Author, 2017

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MASTER OF ARCHITECTURE : AZRI AZAHAR

the design theories

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MASTER OF ARCHITECTURE : AZRI AZAHAR

Digital Rendering by Author, 2017

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MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

the design theories SPATIAL ANALYSIS

EACH TYPLOGY CAN BE FIT TOGETHER WITH MODA PROGRAMS AND EACH FLEXIBILITY CHALLENGES THE DIGITAL ART PROGRAMS

JUXTAPOSED FORM & SHAPE

+ a form can be transformed by ALTERING ONE OR MORE OF ITS DIMENSIONS and still retain its identity as a member of a family forms

Subtractive Transformation _a cube can RETAIN ITS IDENTITY as a cube even though a portion of it is removed, or be transformed into a series of regular polyhedrons that begin to approximate a sphere_ _forming another family of new form

_new deathyfy spaces

Author, 2017

1

1A

_typologies catalogue

2

2A

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MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

typology of exhibition space mechanism

typologies of mechanism

Type 1

HYPOTHESIS OF SPACE ANALOGY

Type 2

Author, 2017

“an interstitial space is an intermediate space located between regular-use floors..” by combining juxtaposed form with insterstial creates an overwhelming intermediated spaces that rectify new performativity-experienced

analogy studies Type 3 Type 4

Type 5

Type 6

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

design concept & strategies

flexibility spaces properties

the versatility indicates the property of space that allows for multiple uses

versitility and permeable

convertability

the fluidity represent the design of space for flows of individuals, sight, sound and air

modifiability the transformable l-shaped wall dispersed around the building. using these elements create new space via intervention of another spacecharacteristic in space performativity the convertability designates the ease of adapting exhibition of space for new uses

the scaleability describes a property of space for expansion or contraction

109

MASTER OF ARCHITECTURE : AZRI AZAHAR

E AV

C. YC

HO YS

GR ES PR

TR EE

T

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

EE TR TS GA T SE

RV PU IC BL PR E IN IC E IVA GR NG TE ES RE EN S E SS/ GR NG ES RE S SS

/

EO N

G

EU

EX

PR

ES

SW AY

P IN UB L G P RE IC IN RIVA SS/ GR TE ES S

N 0

315

45

225

75

KIBLAT 292°

90

270

180

SITE PLAN NOT TO SCALE

LIM DR

ET

N

RE

TU

ST

FR OM PE NA NG BR ID GE 1/ GE LU GO R

LL UM

CH

M AC A

ALL DRAWINGS WERE RESCALED TO FIT THIS BOOK. ANY DRAWING SHALL REFER THE GRIDLINE GIVEN. ALL GRIDLINE IN 8.5m to 8.5m

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MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

gat le

buh p

resgra ve

4

1

4

4

1

2

G R O U N D F LO O R P L A N NOT TO SCALE

3

5

lebuh macallum

ALL DRAWINGS WERE RESCALED TO FIT THIS BOOK. ANY DRAWING SHALL REFER THE GRIDLINE GIVEN. ALL GRIDLINE IN 8m to 8m

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MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

TACTICAL URBAN STRATEGIES LAND STATUS : SEcTOR 11 SITE AREA : 3.77 ACRE LOCATION : NO, 1, GAT LEBUH MACALLUM, 10300 GEORGETOWN, PULAU PINANG : 5.408460, 100.331733 COORDINATE DISTRICT : TIMUR LAUT LAND OWNER : PENANG STATE GOVERNMENT LAND USE : COMMERCIAL PLOT RATIO : 4:1 (PENANG) EQUALS TO 1:4 WIDTH : 14649.6 SQM SETBACK : 12.2 METER (FACING ROAD) 6.1 METER (COMMON BOUNDRIES)

1

2

PARKING LANE (BEFORE) BIKE CORRAL

3

4

BIORETENTION CELL TEMPORARY BIKE CORRAL

TACTICAL URBAN CATALOGUE Tactical urbanism is an

5

TRANSIT STOP

umbrella term used to describe a collection of low-cost, temporary changes to the built environment, usually in cities, intended to improve local neighbourhoods and city gathering places.

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BASEMENT FLOOR PLAN NOT TO SCALE

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

ALL DRAWINGS WERE RESCALED TO FIT THIS BOOK. ANY DRAWING SHALL REFER THE GRIDLINE GIVEN. ALL GRIDLINE IN 8m to 8m

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MASTER OF ARCHITECTURE : AZRI AZAHAR

FIRST FLOOR PLAN NOT TO SCALE

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

ALL DRAWINGS WERE RESCALED TO FIT THIS BOOK. ANY DRAWING SHALL REFER THE GRIDLINE GIVEN. ALL GRIDLINE IN 8m to 8m

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MASTER OF ARCHITECTURE : AZRI AZAHAR

U P P E R F LO O R L E V E L NOT TO SCALE

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

ALL DRAWINGS WERE RESCALED TO FIT THIS BOOK. ANY DRAWING SHALL REFER THE GRIDLINE GIVEN. ALL GRIDLINE IN 8m to 8m

115

MASTER OF ARCHITECTURE : AZRI AZAHAR

SKYDECK LEVEL NOT TO SCALE

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

ALL DRAWINGS WERE RESCALED TO FIT THIS BOOK. ANY DRAWING SHALL REFER THE GRIDLINE GIVEN. ALL GRIDLINE IN 8m to 8m

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MASTER OF ARCHITECTURE : AZRI AZAHAR

ROOF LEVEL NOT TO SCALE

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

ALL DRAWINGS WERE RESCALED TO FIT THIS BOOK. ANY DRAWING SHALL REFER THE GRIDLINE GIVEN. ALL GRIDLINE IN 8m to 8m

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

CLADDING VMZINC INTERLOCKING PANEL

RED-AQOUSTIC CANVAS

VAULTED PARALLEL CHORD TRUSS

L.E.D INTERACTIVE TRIANGULATED WALL PANEL

exploded sectional diagram auditorium hall structural configuration

Author, 2017

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

The site are owned by the government to redevelop 30 million ringgit Malaysia new ‘Penang Heritage Art District’.

The are surrounded by variety commercial shop houses and a multiple series of service apartments on the south west area. The site sits on a flat land surface uninterrupted by any developments.

Virtual Sphere Dome

Ingress/ Egress

Urban Plaza

aerial view perspective museum of digital art Author, 2017

119

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

Amphitheater Hall

L.E.D Interactive Triangulated Wall Panel

Drop-off

Entrance

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

Author, 2017

ENCASED STEEL ‘i’ COLUMN HIDES THE STRUCTURE OF STEEL ‘I’ COLUMN TO GIVE THE SCAFFOLDING STRUCTURE MORE CLEAN APPEARANCE

M5

Vertical Butt Joint Metal stud Anchor side (fastened to stud) Drop side (Attachment to anchor)

Thin Film Intumescent Coating (90 minutes fire resistance)

CLADDING VMZINC INTERLOCKING PANEL 10’-16’ QUARTZ-VMZinc panel with 1mm thickness bolted to vaulted parallel chord roof steel truss

VAULTED PARALLEL CHORD ROOF TRUSSES

The parallel chord truss consists of two parallel chords that make up the top and bottom of the truss, with diagonal and/ or perpendicular webbing connecting the two parallel chords.

The top parallel chord is usually in compression and the bottom parallel chord is usually in tension.

ADVANTAGES OF VMZINC SOLUTIONS PRODUCTION SUSTAINABLE MANAGEMENT OF RESOURCES RECYCLED MATERIAL CONTENT LOW GREY ENERGY

IMPLEMENTATION DRY PROCESS SCRAP RATE END OF LIFE RECYCLING EASE OF DISASSEMBLY LIFETIME DURABILITY MAINTAINANCE FREE

STEEL BRACING CONNECTION_DETAIL 1

D2

Author, 2017

_STRUCTURAL CONCEPT

M3

‘PLACE AS SCAFFOLDING’ D1

M4

M5

M2

_THE DESIGN is inspired from the creation of GRID architecture design and combining with, in a sense, constructivism of inhabitants within cities to create a ‘temporary’ visibility in order to suit the place of belonging _the purity of skeleton built as architectural armature may have define places, how ever many may define it as temporarely or invisible _scaffolding-like structural design has always been an internationalized vessel, which bring infinite architectural possibilities to many, acting like an imprint, leaving traces of its presence behind Design of a Virtual Reality System for the Study of Diagram Use in Organic Chemistry Andrew T. Stull, Trevor J. Barrett, & Mary Hegarty

Author, 2017

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

structural detailing chs column with roof structure Author, 2017

122

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

EQ6

MR1

THE ENVIRONMENTAL FACTOR INCLUDE T E M P E RAT U R E , R A D I A N T T E M P E RAT U R E , RELATIVE HUMIDITY AND AIR VELOCITY

REUSE BUILDING STEEL STRUCTURE TO REDUCE DEMAND FOR VIRGIN MATERIALS AND REDUCE CREATION OF WASTE

AIR CHANGE EFFECTIVE

MATERIALS REUSE

EQ9

GLARE CONTROL PROVIDE GLARE & HEAT FREE LIGHT INTO THE DEEPER PART OF THE INTERIOR

VIRTUALSPHE DOME

WE3

IRRIGATION/LANDSCAPE

HIGH INDEPENDENCY PLANTS AND LOW NUTRIEN DRAIN

SM5

ENVIRONMENT & COST M.

LUSH GREENERY COLLED THE ENVIRONMENT AND AVOID THE HEAT ISLAND EFFECT

WE1

RAINWATER HARVESTING RAINWATER HARVEST & GREY WATER RECYCLING HELP REDUCE CLEAN WATER FOR SANITARY PURPOSES

BASEMNTLV

sectional perspective section b-b

Author, 2017

123

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

EE4

RENEWABLE ENERGY

PHOTOVOLTAIC PANEL SURFACE INSTALLED ON THE DIGRID STRUCTURE TILT FACING RECEIVING SUN DIRECT IRRIDIATION

IN1

INNOVATION DESIGN

MR2

RECYCLED CONTENT MATERIALS

ANY UN-USED MATERIAL (STEEL) OR DEFECT SHALL BE RECYCLED AND REUSE FOR CONSTRUCTION REPAIRING PROCESS

HERE

SM5

ENVIRONMENT & COST M.

CENTRAL ATRIUM

LIBRARY

LUSH GREENERY COLLED THE ENVIRONMENT AND AVOID THE HEAT ISLAND EFFECT SOUTH PLAZA

GALLERY

124

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

front elevation museum of digital art

Author, 2017

125

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

left elevation museum of digital art

Author, 2017

126

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

Steel structure using recycled-steelMetal recycling conserves natural resources by reducing greenhouse gas emissions and using less energy than making metal from virgin ore

+48.0m

+32.0m SKY-DECK EXHIBITION

VIRTU-SHPERE DOME

VIRTUAL SPHERE

+16.0

VIRTUAL SPHERE

SERVICES AREA

CAFETERIA

section b-b not to scale

127

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

+28.5m

+20.5m

L +12.5m LIBRARY +4.5m CENTRAL ATRIUM

TEMPORARY ART GALLERY

EAST PLAZA BASEMENT PARKING

Author, 2017

128

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

SPECIALSTUDY:RED‘AQOUSTIC’OVATIONREFLECTORPANEL The reflector panel layout, elevation and coverage area is critical to the performance of the space and effectiveness of the overhead reflectors.

A minimum percentage of coverage area would be 50% of the ceiling from the front of the stage to the rear wall of the auditorium.

The maximum recommended coverage would be 70%. Open spaces between reflectors allow for the coupling of the air volume above and below the reflectors.

This maintains the desired effect from the overall room volume of the auditorium. Panel layouts more dense than 70% will not allow for the acoustical coupling and desireable room reverberation will suffer.

Design so the entire surface of each reflector is visible from the stage area. Angle reflectors so that sound reflections are projected to the audience, with emphasis on middle and rear seating areas.

GALVANIZED COATED CABLE CLAMP_an ingenious design that holds any structure with capacity of 150% above its load. connection pulled by 3/8” diameter galvanized coated aircraft cable

For musical performance, the panel sizes should be larger with the minimums in the 10-12 feets range for width and length.The reason for these size requirements is the nature of the various sound frequencies and the size fof the sound waves being reflected.A sound wave of 250Hz is almost 5 ft. in length and will be easily move around smaller panels such as 4’ x 6’s or 4’ x 8’s. This is called sound diffraction and is not desireable where the goal is to reflect the sound with minimal energy loss to the audiance. As sound waves become larger at low frequencies, particularly in music performance , larger panels are desireable.

Acoustic panels called Ovation Hardside may be recommended to control back wall or side wall reflections. The absorptive fiberglass batt on the back side of the reflectors also reduces reverberation levels.

Fire Rated Test Data_ SPECIAL OPTION: class A rated 4’ x 10’ maximum panel size with fire rated core and laminated face.

D5

e.g galvanized cable clamp holds and pull large structure

D6

3/8” THREAT DIA. GALVANIZED TURNBUCKLE source:http://www.clevelandcityforge.com/industrial-fasteners/structural-steel-turnbuckles/

129

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

FIRE RESISTANCE MATERIAL

ASSURANCE QUALITY

EASY MAINTAINANCE

HIGH ACOUSTICAL PERFORMANCES

MECHANICAL ASSEMBLY

3/8” GALVANIZED COATED AIRCRAFT CABLE

D5

1/8” DIA. GALVANIZED AIRCRAFT CABLE

OVATION ACOUSTIC REFLECTOR PANEL

source: KineticsTM http://www.kineticsnoise.com

HARDSIDE ‘AQOUSTIC’ WALL PANEL_a versatile fiberglass acoustical wall panel wrapped in a wide selection of fabrics or vinyls.

Available with hardened shaped edges. Engineered sound control with thickness of 4 inches and size 4’ ft. x 5’ ft (1200mm x 1500mm)

D4

Author, 2017

D4

CABLE CLAMPS

source: author

CABLE CLAMPS TO SPACE FRAME STRUCTURE

source: author

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DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

SPECIAL STUDY : VIRTU-SPHERE DOME [VIRTUAL IMMERSIVE SPHERE DOME] “VIRTUAL SPHERE DOME STRUCTURE”

The structure made from the idea of Schewdler Dome structure. A schwedler steel dome is made up of two sets of struts some that emanate from the poles that look like spokes on a wheel viewed from above, the rest form horizontally rings around the dome at different heights. The vertices are formed by the intersection of these two sets of struts, all the faces are trapezoid except the top ring which is made up of triangle faces.

Digital Rendering by Author, 2017

SPACES IN RELATIVE FORM (SPHERE AND CYLINDER)

CUTTING SMOOTH CYLINDER DEFORM INTO TRAPEZOIDAL SHAPE

CLEAR CUT AND REFORMING SMOOTHER TOP FRAME

CLEAR CUT

FLAT SURFACE AS MEDIUM PLATFORM FOR LIGHT PROJECTION

Author, 2017

131

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

SPECIAL STUDY : VIRTU-SPHERE DOME [VIRTUAL IMMERSIVE SPHERE DOME] 4000mm x 4000mm of 12mm thick insulating triple glazed PV glass panel with solar-energy absorbance

D6

ROOF TOP LEVEL

3600mm x 3800mm stainless VMZinc bolted to 200mm dia CHS steel.

1000mm double layer schwedler dome structure with 200mm dia. Circular Hollow Section CHS

ROOF DECK LEVEL

SkyDeck Exhibition Viewing Tower PLATFORM DECK LEVEL

500mm x 250mm long span castellated beam steel structure welded and bolted to central structure

PLATFORM LEVEL

1000 x 450mm long span castellated beam steel structure

GROUND FLOOR LEVEL

Author, 2017

12mm THICK TRIPLE GLAZED INSULATING PV GLASS PANEL WITH SOLAR-ENERGY ABSORBANCE source:http://www.onyxsolar.com/photovoltaic-triple-glazed-insulating-units

D7

D6

150mm RHS FRAME STRUCTURE WELDED TO 200mm DIA. SCHWEDLER DOME STRUCTURE

Author, 2017

TOP ROOF STRUCTURE_DETAIL 6

Thin Film Intumescent Coating (90 minutes fire resistance)

Author, 2017

STEEL BRACING CONNECTION_DETAIL 7 200mm DIA. CHS STEEL CONNECTED BOLTED & WELDED TO 4-WAY STEEL CONNECTOR _possible of METRO CONNECTION

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MASTER OF ARCHITECTURE : AZRI AZAHAR

SPECIAL STUDY : VIRTU-SPHERE DOME [VIRTUAL IMMERSIVE SPHERE DOME]

main supporting structure

OverallStructuralConfiguration

building canvas

Author, 2017

Author, 2017

133

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

SPECIAL STUDY : VIRTU-SPHERE DOME [VIRTUAL IMMERSIVE SPHERE DOME] VIRTUAL MECHANISM_IMMERSIVE VIRTUAL SPHERE The device includes a large sphere with a platform and 360 large display canvas, rolling bar, button manipulator, movement sensor and immersive virtual software.

Virtusphere is an omni-directional treadmill in the shape of a large sphere within which user is able to walkrun.

An image of virtual space is provided by a computer (console) and HMd combined with data collected by the sensors that track the user movement in real time. source:https://www.esterline.com/simulationvisualsystems/TREALITYProducts/DomeDisplays/RP360Dome.aspx

Author, 2017

Single Unit Display

one unit can accomodate single human figure in each session TREALITY® RP-360 Dome Equiped with TREALITY’s RP-360 is a futureproof response to the ever-growing need for realism, with the most accurate image quality on the market today, and the only system to offer full 360° immersion with rear projection.

TREALITY’s RP-360 is designed from the ground up with TREALITY technology. The powerful design tools allow it to accurately predict the system’s ideal setup and performance, and feedback from the field allows it to improve the process each time.

The dome’s entire mechanical structure, projection and screen technology are all TREALITY-designed, with in-depth know how of simulation setups all over the world.

Author, 2017

134

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

fire protection system

1.

DESIGNATION OF PURPOSE GROUP

Number of Purpose Group

II

VII

Description Title

Institutional

Place of Assembly

BELOW 18.3 M (5 STOREY AND BELOW) 1. EXTERNAL HYDRANT 2. HOSE REEL 3. FIRE ESCAPE STAIRCASE 4. COMPARTMENTATION

Purposes for which compartment is intended to be used

2.

3.

4.

VERTICAL PURPOSE GROUP COMPARTMENTALIZATION FIRE PROTECTION CLASSIFICATION DESIGNATED FLOOR AND TOP MOST FLOOR

Hospital,School or other similar establishment used as living accomodation for, or for treatment, care or maintenance of, persons suffering from disabilities due to illness or old age or other physical or mental disability or under the age of 5 years, where such persons sleep in the premises.

+49.3m

Place, wheter public or private, used for the attendance of persons for or in connection with their social. recreational, educational, business, or other activities, and not comprised within group I to IV.

BELOW 18.3 M (5 STOREY AND BELOW) 1. EXTERNAL HYDRANT 2. HOSE REEL 3. FIRE ESCAPE STAIRCASE 4. COMPARTMENTATION 5. INTERNAL HYDRANT (DRY RISER) 6. FIRE FIGHTING ACCESS LOBBY 7. FIRE FIGHTING STAIRCASE 8. FIRE LIFTS & FIREMAN’S SWITCH 9. DESIGNATED FLOOR

+25.3m

+0.0m 5.

6.

FIRE APPLIANCES ACCESS (BY LAWS 140) FIRE HYDRANT PLACEMENT

BUILDING VOLUME =

6509 SQM X 8M 52072 M3

135

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

fire protection system

7.

AUTOMATED SPRINKLER 10TH SCHEDULE REQUIREMENT FOR FIRE EXTINGUISHER

GROUND FLOOR nts

BASEMENT FLOOR nts

UPPER FLOOR nts

FIRST FLOOR nts VOLUME OF BUILDING IN CUBIC METRE

MINIMUM PROPORTIONS OF PERIMETER OF BUILDING

7000 TO 28000 28000 TO 56000 56000 TO 84000 84000 TO 112000 112000 TO ABOVE

ROAD COVERAGE PERCENTAGE

ONE-SIXTH ONE-FOURTH ONE - HALF THREE - FOURTH ISLAND STATE

:

ONE FOURTH

FIRE HYDRANT AT THE SITE PERIMETER, MUST NOT MORE THAN 91.5 METRE AWAY FROM EACH OTHER HYDRANT LOCATION -NOT LESS THAN 2 METRE FROM ADJACENT BUIDLINGS AND OVERHANGED. -BETWEEN 0.61 METRE TO 2.4 METRE FROM FIRE APPLIANCES ACCESS. -AWAY FROM RISK OF VEHICULAR DAMAGE. -NOT MORE THAN 91.5 METRE APART FROM EACH OTHER (IN NEW BUILDING, PROVIDE IF THERE IS NO HYDRANT IN 45 METRE RADIUS)

DISTANCE OF FIRE HYDRANTS ON SITE H1 - H2 : 46 METRE H2 - H3 : 38 METRE H3 - H4 : 39 METRE H4 - H5 : 54 METRE H5 - H6 : 57 METRE H6 - H7 : 52 METRE H7 - H8 : 54 METRE H8 - H1 : 52 METRE NO OF FIRE HYDRANT PLACE OF ASSEMBLY POINT

:6 :6

136

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

fire protection system 8.

REQUIREMENT FOR EXTINGUISHER & ALARM 10TH SCHEDULE REQUIREMENT FOR FIRE EXTINGUISHER GROUP PURPOSE : INSTITUTIONAL Occupancy Hazard

Extinguisher System Note 2

Fire Alarm System Note 3

Emergency Lighting Note 4

-

-

-

(iv) Library (a) Single Storey - less than 1,000 sq.m

GROUP PURPOSE : PLACE OF ASSEMBLY Occupancy Hazard

Extinguisher System Note 2

Fire Alarm System Note 3

Emergency Lighting Note 4

A&G

2

b

1.Class A and B below the level of exit discharge

PERFORMANCE BASED FOR FIRE PROTECTION SYSTEM I)SMALL RESIDENTIAL II)INSTITUTIONAL III)OTHER RESIDENTIAL IV)OFFICE V)SHOP VI)FACTORY VII)PLACE OF ASSEMBLY VIII) STORAGE AND GENERAL

9.

Therefore, under 10th schedule this building require: G : Hose Reel A : Automatic Sprinklers 2 : Manual Electric Fire Alarm System b : Central Battery

MAXIMUM TRAVEL DISTANCE (BY-LAW 165) 7th SCHEDULE MAXIMUM TRAVEL DISTANCE

Limits when alternative exits are available Dead End Limit (m)

Unsprinklered (m)

Sprinklered (m)

NR

45

60

shop

15

30

45

place of assembly

NR

45

61

Purpose Group Institutional

10.

REQUIREMENT FOR STAIRCASES & OCCUPANCY LOAD (By-laws 167 (2), 168 (2), 170 (b), (c) and 175) Purpose Group Institutional Workshop & Vocational areas

place of assembly

occupancy load sq.m per

Capacity Exit Doors Outside

Horizontal Exit

Ramp Main Ramp Second Exit Exit

4.5 nett

30

30

30

1.5 nett

100

100

100

Exit

Staircases

30

-

22

75

75

75

137

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

fire protection system 11.

HOSE REEL CALCULATION AND DISTANCE COVERAGE 30 METRE COVERAGE / 1 HOUR FOR 800 SQ.M

15 HOSE REEL L1 BASEMENT = 12793 SQ.M / 800 = 15 HR

BASEMENT FLOOR nts

3 HOSE REEL L2 GROUND FLOOR = 1964 SQ.M / 800 = 3 HR

GROUND FLOOR nts

138

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

fire protection system 5 HOSE REEL L3 FIRST FLOOR = 3611 SQ.M / 800 = 5 HR

5m

24m

34m

20m

10m

FIRST FLOOR nts 1 HOSE REEL L3 UPPER FLOOR = 684 SQ.M / 800 = 1 HR

UPPER FLOOR nts 139

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

WATER CAPACITY CALCULATION

WATER SUPPLY & SANITARY SYSTEM

GROUND FLOOR

ROOF LEVEL

AREA

WC

TAP

URINAL

BASIN

MALE TOILET

5

5

6

3

FEMALE TOILET

5

5

-

3

OKU

1

1

-

1

KITCHEN 1

-

3

-

2

KITCHEN 2

-

2

-

3

CAFETERIA

-

3

-

1

TOTAL

11

19

6

15

FIRST FLOOR AREA

WC

TAP

URINAL

BASIN

MALE TOILET

5

5

6

3

FEMALE TOILET

5

5

-

3

OKU

1

1

-

1

TOTAL

11

11

6

7

TOTAL SANITARY FITTING

UPPER FLOOR WATER SUPPLY DISTRIBUTION PIPE

AREA

WC

TAP

URINAL

BASIN

TOTAL

22

30

12

22

DOMESTIC WATER CAPACITY

RESTROOM/TOILET

FIRST FLOOR

RAINWATER HARVESTING PIPE FOR FLUSHING

AREA

STANDARD CAPACITY

TOTAL

WC

40 GALLON

40 X 22=880 GALL

TAP

20 GALLON

20 X 30=600 GALL

URINAL

20 GALLON

20 X 12=240 GALL

BASIN

40 GALLON

40 X 22=880 GALL

TOTAL

2,600 GALLON

SIZE AND LOCATION OF WATER TANK

WEST PLAZA

WATER SUPPLY NEEDED 1 M3=100 SQ.M GFA=8933 SQ.M = 89.33 M3 89.33 M3 X 200 GALLON = 17,866 GALLON THEREFORE, SUNCTION TANK = 17,866 GALLON

SOUTH PLAZA CAFETERIA KITCHEN

RESTROOM/ TOILET

EAST PLAZA

ONE CUBE MODULE 1 M3=400 GALLON

RAINWATER HARVESTING PIPE

SO, MODULE NEEDED: 17,866 / 400 = 45

CUBES

GROUND FLOOR

LOCATION OF WATER TANK SUNCTION TANK : BASEMENT RAINWATER HARVESTING TANK : BASEMENT FIRE FIGHTING TANK : BASEMENT FIRE SPRINKLER TANK : BASEMENT FRP WATER TANK : 1 AT FIRST FLOOR

BASEMENT FLOOR

140

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

SEWARAGE & SANITARY SYSTEM

SEWERAGEISTHEINFRASTRCTURETHATCONVEYS SEWAGE.ITENCOMPASSESCOMPONENTSSUCHAS RECEIVINGDRAINS,MANHOLES,PUMPINGSTATIONS, STORMOVERFLOWS,ANDSCREENINGCHAMBERS OFTHECOMBINEDSEWERORSANITARYSEWER. SEWERAGEENDSATTHEENTRYTOASEWAGE TREATMENTPLANORATTHEPOINTOFDISCHARGE INTO THE ENVIRONMENT. THESEWERAGETREATMENTPLANFORTHESITEIS LOCATEDATJELUTONGSEWAGETREATMENTPLAN ,2KILOMETERSFROMTHESITE.THISISWHERETHE SEWERAGE ENDS.

FIRST FLOOR

MH1

MH2

MH1

MH1

POPULATION EQUIVALENT 3 PER 100M2 GROSS AREA

MH1

DISCHARGE TO MAIN

GROUND FLOOR

SEWERAGE SYSTEM TOTAL GROSS FLOOR AREA = 8933 SQ.M TOTAL NETT FLOOR AREA = 6600.6 SQ.M

MH1

-

8933 HENCE, 8933 / 100 89.33 X 3= 267.99 PE

1. POPULATION EQUIVALENT, PE

=268 PE

2. PEAK FLOW FACTOR, PF= 4.7 X (PE/100) ^0.11

= 5.238 1/S 3. SEWAGE PRODUCTION AT AVERAGE DAILY FLOW, QF QF=(PEAK FLOW X PE X 225) / (24 X 60 X 60) QF=(PF X PE X 225) / (24 X 60 X 60) QF=(5.238 X 268 X 225) / (24 X 60 X 60) QF=3.66 1/S 4. CHECKING PIPE SIZING FOR FULL CAPACITY 1)DIAMETER OF PIPE, D = 0.3 (MINIMUM 0.225) 2)GRADIENT, S = 1 IN 80, or 80m 3)MANNING’S ROUGHNESS COEFFICIENT, N = 0.014 4)LENGTH = 25.00m (MAX 100m)

BASEMENT FLOOR

PIPE SIZING FULL CAPACITY hydraulic parameter = Πd2/4 = (3.142)(0.3)2/4 = 0.07 m2 Welted Parameter, P = Πd = (3.142)(0.3) = 0.9426 m Hydraulic Parameter, R = A / P = (0.07) / (0.9426) = 0.07426 m Welted Area, A

GROUND LEVEL DEPTH INVERT LEVEL

=60 M =1.30 M (MINIMUM 1.2M) =GROUND LEVEL - DEPTH =60 - 1.3 = 59.7 METRE =INVERT LEVEL 1 - FALL - BACKDROP =60 - 0.3125 - 0.001 =59.6865 METRE

INVERT LEVEL 2

SEWERAGE MANHOLE

TOTAL NUMBER OF MANHOLE ON SITE = 6 MANHOLES

<30m

=(1 / GRADIENT) X LENGTH =(1 / 80) X 25.00) =0.3125 METRE

BACKDROP =0 M 1L

=0.001 M2

REFUSE DISPOSAL CALCULATION

MANHOLE DISTANCE THE DISTANCE BETWEEN MANHOLE MUST BE <30m . THE LAST MANHOLE WHICH IS MH 6 AND MH6 WILL DISCHARGE TO MAIN WHICH ENDS SEWERAGE TREATMENT PLAN (STP) WHICH IS LOCATED AT JELUTONG SEWERAGE TREATMENT PLAN (JSTP) PENANG. IT IS THEN DISCHARGE TO THE PUBLIC DRAINAGE.

MH1

FALL

CALCULATION OF RUBBISH COMPARTMENT : RULE OF THUMB 1CU.m FOR 110 SQ.m NETT BUIDLING AREA = 6600.6/110 = 60.06 CU.M

TOTAL GROSS FLOOR AREA = 8933 SQ.M TOTAL NETT FLOOR AREA= 6600.6 SQ.M

STANDARD SIZE OF RUBBISH COMPARTMENT = 4m x 8m x 4.3m = 137.60 cu.m THEREFORE FOR NOS. OF COMPARTMENT REQUIRED =60.06 / 137.60 =0.533 WHICH EQUALS TO 1 UNIT.

MH2

141

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

AIR CONDITIONING & MECHANICAL VENTILATION SYSTEM

One of the most important considerations in operating digital art galleries is the air quality. The digital art galleries requires proper ventilate air quality and adequete air conditioning. A digital art environments as important as preparing a proper room for digital equipment to properly conduct in a control spaces with proper temperature, humidity control and clean air. When the atmosphere are not according to strict specification, this can result in high damaged of the artists digital equipment. An ever -increasing rate of air pollution is threatening air conditioning system and the buildings they are in. Pollution will not only affect the indoor air quality but also the performance of the air conditioning system. A corroded air coiled heat exhanger causes a higher condensing temperature resulting in higher energy consumption.

VARIABLE REFRIGERANT VOLUME SYSTEM (DAIKIN-VRV) The variable Refrigerant Volume HVAC System is a relatively new technology developed by Daikin, the world’s leading HVAC manfacturer. New VRV systems offer high levels of energy efficiency, as well as flexibility. They operate quitely and provide the user full control of the environmental temperatures.

UPPER FLOOR

While traditional HVAC system are often limited to one condensing unit, one compressor and one evaporator, a VRV system can be designed to specifically meet the needs of the building. One condensing unit can be connected to several evaporators, each of which are individually controlled.

VRV IV HEAT PUMP Daikin’s VRV IV systems integrate advanced technology to provide comfort control with maximum energy efficiency and reliability. Available in both Heat Recovery and Heat Pump configurations, VRV IV provides a complete solution for multi-family residential to large commercial applications desiring heating or cooling.

VRV SYSTEM COMPONENTS

Outdoor Units

Dimension ( H x W x D )

=

(1,600 x 1,240 x 765 ) + (1,600 x 1,240 x 765 ) + (1,600 x 1,240 x 765 ) 3 phase, 380-415 V, 50 Hz

=

Power Supply

1 unit = 48 HP =378 / 48 Total outdoor unit required

=8 units

SYSTEM CONTROLLER

FIRST FLOOR Ceiling Mounted Cassette Type

Wall Mounted Cassette Type Centralized Remote Control

This central remote controller can operate and stop machines by either group or zone. Batch operation and batch stop functions are also available.

When used in combination with the schedule timer (optional accessory), timer operation and stop functions are available Slim Mounted Cassette Type

VENTILATORS

Floor Diffuser Type

Daikin’s energy recovery ventilator is designed to maintain good indoor air quality by providing sufficient levels of outside air and recover waste heat from exhaust air leaving the conditioned zone.

-

Provides energy saving heat recover ventilation Superior performance with a high efficiency fan Temperature recovery efficiency up to 74%

Energy Recovery Ventilator

CENTRALISED CONTROL SYSTEM CENTRAL REMOTE CONTROL

GROUND FLOOR

LEGEND

- max 64 groups [128 indoor unit controllable - max 128 groups are controllable by using 2 central remote controllers which can control from 2 different places, - combination with Unified ON/OFF controller, schedule timer and BMS system.

LVL

L1

AIR CONDITIONED AREA MECHANICAL VENTILATED AREA OUTDOOR UNIT SUPPLY COOL AIR RETURN AIR

L2

L3

USAGE

NETT (M2)

HP REQUIRED (NETT/15M)

MAIN LOBBY TEMPORARY EXHIBITION GALLERY 1 TEMPORARY EXHIBITION GALLERY 2 TEMPORARY EXHIBITION GALLERY 3 MUSEUM OFFICE MODA CAFETERIA TOTAL LIBRARY RESEARCH LABS

213

14.200

AHU REQUIRED (HP/60HP) 0.237

312

20.800

0.347

268

17.867

183

12.200

0.203

374 368

24.933 24.533

692 505

46.133 33.667

0.416 0.409 1.909 0.769 0.561

VIRTUAL SPHERE DOME

796

53.067

0.884

AMPHITHEATER HALL

602

40.133

0.669

DYNAMIX ART GALLERY

672

44.800

0.747

TOTAL SOUNDBATH ELYSIUM TOTAL OVERALL TOTAL

684

45.600 377.933

TOTAL AHU PROVIDED)

0.298

3.63 0.760 0.760 1

2

4 1 1

BASEMENT FLOOR

142

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

VERTICAL TRANSPORTATION SYSTEM An elevator is a type of vertical transport that efficiently moves people or goofs between floors (level,decks) of a building. Elevators are generally powered by electric motors that either drive traction cables or counterweight like a hoist.

UPPER FLOOR

LIFT CALCULATION Estimating Population to estimate: 1_Elevator 2_Escalator Requirement PLACE OF ASSEMBLY+INSTITUTIONAL 75%-> x(MAX GFA)=60%x76283= N.F.A=45769 sqm

=25%x76283=S.F.A=19070 sqm _1 45,769 sqm estimated population = 1person/15m2

=45769/15 = 3045.3 pax_3

HANDLING CAPACITY =pax capacity (max) = 12-28 = 12 pax =n ormal liad/trip (P) =10-22= 10 pax =5 minute standard, I= interval = 30second P= car loading (pax/car) [HC] 300P/I Percentage of handling capacity (PHC) where the population of the building :3045.3 pax_3

FIRST FLOOR

min % building population under 5 minute (10-15) : 15% min building population moved in 5 minute :

(15x 3045.3)/100 = 456.8 pax_4 TRAVEL TIME (lobby wait +travel time to median floor) P=POPxHCP/(300p/i) 456.8/10p =456.8/10p P=45.6=46 pax =46 pax / trip (P)=4.6 ____5 =number of passanger lifts = 5 lifts + 1

GROUND FLOOR LEGEND LIFTS SHAFT POSITION SERVICE LIFTS POSITION

LIFT LOBBY

FIRE FIGHTING LIFT POSITION VERTICAL STAIRCASES

slope

slope

slope

ESCALATOR

slope 6

7

10

5

9

4

8

14

13

3

11

15

2

UP

ICT

12

16

1

18

17

19

20

FIRE LIFT LOBBY

STAIRCASE 1 ER

SERVICE ROOM

BASEMENT FLOOR

MDF

143

MASTER OF ARCHITECTURE : AZRI AZAHAR

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

ELECTRICAL, COMMUNICATION AND POWER SUPPLY SYSTEM Consumer Group

Coincident Factor

residential 0.90 commercial

0.87

Calculation : Demand Estimation

=Gross Floor Area (GFA)x80/0.87 =8933 sqmx80/0.87 =821425.3 =821.4 kVa

SUPPLY VOLTAGE OPTIONS

UPPER FLOOR

Suplly may be provided at any of the declared voltages :275 Kv, 132 Kv, 33Kv*, 11kV, 6.6 kV* and 415/240V. Generally, supplies to domestic premises are given at single hase 2-wire or three phase 3-wire.

However the actual supply voltage provided depends on the magnitude of the individual applicant’s load requirements :Low Voltage i.

Single-phase, two-wire, 240V, up to 12 kVA maximum demand ii.

Three-phase, four-wire, 415V up to 45 kVA maximum demand iii.

Three-phase, four-wire, C.T metered, 415V, up to 1,000 kVA maximum demand Medium Voltage & High Voltage

FIRST FLOOR

i.

Three-phase, three-wire, and 11kV for load of 1,000 kVA maximum demand and above ii.

Three-phase, three-wire, 22kV or 33kV for load of 5,000 kVA maximum demand and above iii.

Three-phase, three-wire, 66kV, 132kV and 275 kV for exceptionally large load of above 25 MVA maximum demand it should be noted that voltages other than the above classifications couldn’t be provided by TNB. However, consumers can make their own transformation arrangements where necessery.

CONTROL ROOM

M.D Ranges of individual consumers

Supply Voltage

Minimum Supply Scheme

11kV

Directly fed thorugh TNB 11kV switching station. An additional PPU land may need to be allocated subject

TNB SUBSTATION ELECTRIC ROOM TELECOMMUNICATION ROOM

GROUND FLOOR

1000kVA up to <5000kVA

M.D Ranges of single development

Substation requirement

1000kVA up to <5000kVA

11 / 0.4 kV and/or 11kV substation is required. A new PPU may be required, subject to system capability study by TNB

MSB:MAIN SWITCH BOARD

FROM PMU MAIN INTAKE

Provided to a group main disconnect switch and circuit breaker.

The size is:-

LEGEND BUILDING AUTOMATIC SYSTEM TELECOMMUNICATION ELECTRIC

POWER SUPPLY SYSTEM COMPONENT 1.

ELECTRIC ROOM TELECOMMUNICATION ROOM CONTROL ROOM

2.

3.

4.

5.

6.

TENAGA NASIONAL BERHAD substation a) Transformer Gear b) Switch Gear Room Main Switch Board Room (MSB) Generator Set Sub Distribution Board (SDB) Electrical Riser Distribution Board (DB)

Total Gross Floor Area=8933 sqm Total MSB area required=(8933 / 1000) x 2 sqm

=17.87 sqm Therefore, Total Main Switch Board room size provided

=5m x 4m

=20 sqm

GENSET:GENERATOR SET ROOM

2sqm for 1000 sqm floor area. Thus, the size of generator set room is:Total Gross Floor Area =8933 sqm Total GENSET area required =(8933 / 1000) x 2 sqm

=17.87 sqm

ELECTRICAL INNOVATION

Therefore, Total Main Switch Board room size provided=5m x 4m

=20 sqm

BASEMENT FLOOR

PHOTOVOLTAIC WALKABLE FLOOR_NEW ENERGY GENERATION ONYX SOLAR has using the walkable PV Floor as another innovation solution for intergrating solar energy into buildings. The photovoltaic solution comes with the hightes quality standards: it complies with the anti-slip regulation, it supports up to 400kg in point load test and reaches almost the same efficiency levels than any other photovoltaic building material

The PV pavement is a really appealing product for architect as it can be intergrated in any project and environment without renouncing design and aestheticism. What’s more, it combines elements (avoided CO2 emissions) with active elements (power generation), greatly reducing the building’s environmental impact.

144

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

Author, 2017

MASTER OF ARCHITECTURE : AZRI AZAHAR

145

DESIGN THESIS I/II- MODA (MUSEUM OF DIGITAL ART)

MASTER OF ARCHITECTURE : AZRI AZAHAR

146

INDIA

MASTER OF ARCHITECTURE : AZRI AZAHAR

5 TO 18 NOVEMBER 2015

IN SEARCH OF MARCO POLO

80584.85 km

The educational trip to India is to focused on the study of urban planning, heritage, culture and the real environment of hectic life in India. Our aim is to practice urban cataloguing and to investigate new alternatives to city development and planning as discussed in the syllabus.It is also to strengthen our understanding and to discussed the scope of research related to phenomena and interpretation through architectural experience during the visits.The educational trip was another platform for us in experiencing “hands-on” with tough and rough situation rather than just only to refer from books, magazine or the internets.

DIRECTOR ASSOCIATE PROFESSOR DR. AHMAD RIDZWAN OTHMAN (HEAD OF ARCHITECTURE DEPARTMENT) sTUDIO LEADER MR. FAIRUZ REZA RAZALI LECTURERS ASSOCIATE PROFESSOR SYED SOBRI SYED ZUBIR AR. EMBONG MOHAMAD

SPECIAL THANKS TO: MOHD KHAIRUDDIN MOHD ISA KHAIRIL NIZAM IBRAHIM NOOR IZZANI MOHD RAWI AL AZIM NOOR AZMI IZZAH HAZIRAH HAMIDIN NUR ATIQAH HUSAINI TAKHTA STUDIO

AMBER PALACE, JAIPUR, RAJASTHAN, INDIA

Credit Irfan Ahmad Suhaimi

147

INDONESIA

MASTER OF ARCHITECTURE : AZRI AZAHAR

19 TO 26 FEBRUARY 2017

URBAN SALVAGE: REVITALIZE BACK ALLEY AS PUBLIC SPACES IN EXPERIENCING THE HISTORICAL KAMPOENG LAWAS MASPATI

2458.49 km

Alley revitalization is becoming more widely recognise as a viable urban redevelopment scheme project in the various country for such, Indonesia. Currently most alleys in the big city for this case, Surabaya are underutilised and they excite a number of negative images-fearful places, waste-strewn, revolting, etc. The successful revitalization of alleys pose many benefits, such as economic reimbursement, enhanced walkability, visual enhancement and the reduction of misconduct. In fact, Kota Surabaya has long utilised alleys as places where many aspects of humdrum routine of the city take place. Many alleys are being repurposed into pedestrian-friendly, economically viable public spaces that promote walkability and community. The local governments seek ways to hike declining revenues, these urban-artery are now viewed as potential nodes of economic activity. This article presents urban salvage of reclaiming and revitalising back alleys mainly focus in Surabaya city. Based on the analysis of these cases, potentials, and challenges and strategies to achieving the desired characteristic in each type of alley presented. This article attention is to provide a point of view for decision makers who interested in implementing alley revitalization projects.

Keywords: Revitalizing, Back Alley, Urban Salvage, Cultural, Heritage

STUDIO LEADER ASSOCIATE PROFESSOR SYED SOBRI SYED ZUBIR LECTURERS MS. KARTINI KASMURI

SPECIAL THANKS TO: AFIQ AFFANDI ABDUL RAHMAN AL AZIM NOOR AZMI TAKHTA STUDIO

CHANDI BOROBUDUR, JL. BADRAWATI, MAGELANG, JAWA TENGAH, INDONESIA

author, 2017

148

Mr. Fairuz Reza Bin Razali (Lecturer/supervisor) Centre of Studies for Architecture, Faculty of Architecture, Planning, and Survey, Universiti Teknologi Mara Puncak Alam, Bandar Puncak Alam, Kuala Selangor +60 14 338 7375 frrazali@gmail.com Prof. Madya Syed Sobri Bin Syed Zubir (Lecturer) Centre of Studies for Architecture, Faculty of Architecture, Planning, and Survey, Universiti Teknologi Mara Puncak Alam, Bandar Puncak Alam, Kuala Selangor +60 12 210 7313 Prof. Madya Ar. Faridah binti Adnan (a.p.a.m) (Lecturer) Centre of Studies for Architecture, Faculty of Architecture, Planning, and Survey, Universiti Teknologi Mara Puncak Alam, Bandar Puncak Alam, Kuala Selangor +60 19 2203095 adfarie@gmail.com

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