Azraf Mohd Rozi Portfolio

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PORTFO PORTFO

Selected works 2021-2024

AZRAF MOHD ROZI

Architectural Portfolio

“Architecture is tiring" is the most common phrase said by me during my architectural journey Yet, it always gives me joy

Throughout this journey, I found out that architecture is not only about designing a series of buildings or spaces It is so powerful that it can dictate how people live their lives It is so powerful that if an architect designs a well-functioning space, the space will enhance the lives of people for many years to come, even after their deaths!

ACTIVITIES

2024

2023

2022

EDUCATION

2021 - 2024

A Z R A F M O H D R O Z I

Date of Birth

Nationality

2020 - 2021

Address

Phone Number

Program Manager | Architecture Heritage Studies 2024 (Khiva, Uzbekistan)

Participant | Segamat Masterplan Competition

Committee | Architecture Department Bonding Day

Participant | IIUM Young Motivator Competition (I-MAC)

Secretary | KAED League 2022 (Faculty Tournament)

International Islamic University Malaysia (IIUM)

Bachelor of Science Architectural Studies (honours)

CGPA | 3.54

Centre for Foundation Studies (CFS IIUM)

Foundation Programme (Architectural & Environmental Design)

CGPA | 3.68

2015 - 2019

Malaysian Ampang, Selangor

+60-135556800

azraf mrozi@gmail com

Email 14/02/2002

INTEREST

3D Printing

DIY

Model Making Videography Video Editing

LANGUAGE

Malay English Arabic Native Fluent Basic

SKILLS

CAD/BIM

Rendering

Adobe CC

MS Office G Suite

REFEREES

Referee I

SMI Al-Amin Gombak

Sijil Pelajaran Malaysia (SPM)

5A | 5B | 1C

Sketchup | Revit | AutoCAD

Endscape | D5 Render

Photoshop | Indesign

Word | Powerpoint | Excel

Docs | Sheets | Slides

Referee II

Assistant Professor Ar. Dr. Srazali Aripin

Head of Department

Phone : +6012-782 8869

Email : srazali@iium edu my

Encik Ihsan Bin Shahril

Academic Lecturer

Phone : +6017-891 0923

Email : muhammadihsan@iium edu my

Project location

Masjid Juma’ | Heritage Studies

Astrow | Writer’s Capsule

Bingkai | Nature Revival RnR

Penglipur Lara | Culture Art Theatre

Erat | Visitor Centre

Twin Flood Centre | Flood Evac. Centre

Box House | Retreat House

Desa Melayu | Lookout Tower

Persis D’ Bali | Segamat Masterplan

Jenjam | Personal Resource Centre

BOX HOUSE

A Retreat House for An Entrepreneur

Box House is a retreat house specifically designed for an entrepreneurial client located in Sekinchan, Malaysia. Its main concept derived from the activity ‘RECHARGE’, inspired by the site, the client, and the project theme itself. With a total floor area of 150 square meters, it is designed to accommodate up to four people at a time. A modern look was chosen, as it was specifically requested by the client.

The design of Box House is inspired by the works of the legendary architect, Mies Van Der Rohe. It is inspired by several of his works, such as Barcelona Pavilion, Farnsworth House, and Brick Country House. While being influenced, Box House still managed to tailor fit into the user’s preference and style, hence making it a unique project.

JalanKualaSelangor -TelukIntan

Ground Floor Plan Not To Scale
First Floor Plan Not To Scale

B O X H O U S E

B I N G K A I

A Nature Revival RnR

Bingkai, a Malay word for "frame,” which was how the initial idea for the project came. It was a very tiring hike to arrive at the site. Yet it was worth it, as the view was very energizing. Hence the name Bingkai, to frame the view and the memories made.

Bingkai is a nature revival RnR located at Pantai Kerachut, Pulau Pinang The project required a design that caters not only for humans but also for sea turtles, as the beach is a nesting site for many sea turtle species Many considerations were taken to accommodate both humans and turtles in order to help us coexist together.

Left Elevation
Front Elevation

ERAT

A Culture Visitor Centre - Education

K u a l a T e r e n g g a n u , M a l a y s i a

I n d i v i d u a l P r o j e c t

S e m e s t e r 1 , Y e a r 3

Erat is a word that needs to be held by every human being, as it is important to know and preserve culture in order to pass it on to the next generation

Erat is a visitor center located in Terengganu, focused on educating visitors. With a built up area of 1,000 square meters, it aims to enlighten the visitors by having amphitheater, gallery, and live workshops, where visitors can learn directly from local people By involving the local people, it creates opportunities for locals to generate income while at the same time preserving their culture.

Weaving; The People & Culture

Local People Tourist

To ensure culture survives throughout time, both locals and tourists need to play their part. If only the local people practice their culture without any interest from other perople, the culture may not survive

Culture started from human activities. It started from a small group of people doing any activities repeatedly Over time, these activities may evolved into what we know as the culture.

“Mixing pot” of cultures

Focal point

Front Elevation Not To Scale
Left Elevation
To Scale

MASJID JUMA’ ITCHAN KALA

TEGUH | The Epistemology of Golden Era of Architecture & Unyielding Islamic Heritage

Building Overview

Located centrally along the pathway connecting the eastern and western entrances of Itchan Kala, Masjid Juma’ is a historic structure. Originally a one-story building with a flat roof, it has entrances on all four sides, with the main entrance to the north featuring a grand two-tiered gate adorned with Arabic inscriptions and elegant suls script hadith.

Project Overview

The course BAAR 3102 Heritage Studies is a groupbased course where students conduct heritage studies on preselected buildings under the supervision of a lecturer. The duration of the fieldwork depends on the building’s size and complexity, typically taking an average of two weeks. Students will then hold an exhibition to showcase their findings and reports of the building, history and culture.

Masjid Juma’|

Key Plan Uzbekistan

Location Plan Itchan Kala

Site Plan (2023) Not to scale

The Mas id was nitia ly constructed in the 9th century The construction of the Masjid during 1788 A D was bui t by the Khanate Rule at that t me with around 30 to 40 columns

During 1979 A D was the b ggest renovation under the state government where Masjid Juma has been comp eted with 213 columns and 118 timber was added for the beam and roof system for support (Begzod, 2023)

From 2011 unt l now the skyl ght was added and it serves as walking museum that open for public also as main tourist attraction at Itchan Kala Kh va The prayer space is now only segmented to the northern part of the masjid, only accessib e for those who want to pray

Exploded Axonometric Not to scale

ROOF LAYER WITH DOMES
CLAY BRICK WALL LAYER
FLOOR AND GROUND LAYER COLUMN LAYER CONNECTED WITH BEAM

Floor Plan (2023)

Reflected Ceiling Plan (2023)

North Elevation (2023) Not to scale
East Elevation (2023) Not to scale
South Elevation (2023) Not to scale

MASJID JUMA’ ITCHAN KALA

The Epistemology of Golden Era of Architecture & Unyielding Islamic Heritage

ADVISOR

Asst. Prof. Ar. Dr. Srazali Bin Aripin

Assoc. Pro. Dr. Zuraini Binti Denan

Asst Prof Dr Nayeem Asif

PROJECT MANAGER

Azraf Bin Mohd Rozi

TECHNICAL TEAM

Luqman Hakim Bin Damiri

Faris Irsyad Bin Mohd Kassim

Kamilah Binti Mohd Johari

Muayad Ali Abdo Saif

Iznina Binti Mohd Hariffin

Aisyah Binti Mohd Rizzal

Danish Irfan Bin Rostam Affandi

Siti Batrisyia Asyiqeen Binti Sheiklh Mohd Amir

Sofiah Hanani

Wan Ahmad Adib Bin Wan Abdul Malek

MULTIMEDIA TEAM

Muhammad Fakhrul Adli Bin Wafli

Mohammad Akmal Bin Mohd Daud

Mohamed Tarek Khattab

Nor Huda Farheen Binti Abdul Rahman

Nor Farah Aleeysha

REPORT TEAM

Nur Adriana Binti Shahabuddin

Mohammad Afizul Bin Mohd Sukiman

Ayra Zahra Binti Azahar

Dina Kamilia Binti Rozilan

Wafa Leslous

CATALOGUE TEAM

Nur Aisyah Sofea Binti Azmi

Hanani Azrita Binti Yusuf

Nur Irdina Binti Mohd Rizal

https://issuu.com/azrafrozi

+6013-555-6800

www.linkedin.com/in/azrafrozi

All right reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publish.

AZRAF ROZI

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