“Architecture is tiring" is the most common phrase said by me during my architectural journey Yet, it always gives me joy
Throughout this journey, I found out that architecture is not only about designing a series of buildings or spaces It is so powerful that it can dictate how people live their lives It is so powerful that if an architect designs a well-functioning space, the space will enhance the lives of people for many years to come, even after their deaths!
ACTIVITIES
2024
2023
2022
EDUCATION
2021 - 2024
A Z R A F M O H D R O Z I
Date of Birth
Nationality
2020 - 2021
Address
Phone Number
Program Manager | Architecture Heritage Studies 2024 (Khiva, Uzbekistan)
Participant | Segamat Masterplan Competition
Committee | Architecture Department Bonding Day
Participant | IIUM Young Motivator Competition (I-MAC)
Secretary | KAED League 2022 (Faculty Tournament)
International Islamic University Malaysia (IIUM)
Bachelor of Science Architectural Studies (honours)
CGPA | 3.54
Centre for Foundation Studies (CFS IIUM)
Foundation Programme (Architectural & Environmental Design)
CGPA | 3.68
2015 - 2019
Malaysian Ampang, Selangor
+60-135556800
azraf mrozi@gmail com
Email 14/02/2002
INTEREST
3D Printing
DIY
Model Making Videography Video Editing
LANGUAGE
Malay English Arabic Native Fluent Basic
SKILLS
CAD/BIM
Rendering
Adobe CC
MS Office G Suite
REFEREES
Referee I
SMI Al-Amin Gombak
Sijil Pelajaran Malaysia (SPM)
5A | 5B | 1C
Sketchup | Revit | AutoCAD
Endscape | D5 Render
Photoshop | Indesign
Word | Powerpoint | Excel
Docs | Sheets | Slides
Referee II
Assistant Professor Ar. Dr. Srazali Aripin
Head of Department
Phone : +6012-782 8869
Email : srazali@iium edu my
Encik Ihsan Bin Shahril
Academic Lecturer
Phone : +6017-891 0923
Email : muhammadihsan@iium edu my
Project location
Masjid Juma’ | Heritage Studies
Astrow | Writer’s Capsule
Bingkai | Nature Revival RnR
Penglipur Lara | Culture Art Theatre
Erat | Visitor Centre
Twin Flood Centre | Flood Evac. Centre
Box House | Retreat House
Desa Melayu | Lookout Tower
Persis D’ Bali | Segamat Masterplan
Jenjam | Personal Resource Centre
BOX HOUSE
A Retreat House for An Entrepreneur
Box House is a retreat house specifically designed for an entrepreneurial client located in Sekinchan, Malaysia. Its main concept derived from the activity ‘RECHARGE’, inspired by the site, the client, and the project theme itself. With a total floor area of 150 square meters, it is designed to accommodate up to four people at a time. A modern look was chosen, as it was specifically requested by the client.
The design of Box House is inspired by the works of the legendary architect, Mies Van Der Rohe. It is inspired by several of his works, such as Barcelona Pavilion, Farnsworth House, and Brick Country House. While being influenced, Box House still managed to tailor fit into the user’s preference and style, hence making it a unique project.
JalanKualaSelangor -TelukIntan
Ground Floor Plan Not To Scale
First Floor Plan Not To Scale
B O X H O U S E
B I N G K A I
A Nature Revival RnR
Bingkai, a Malay word for "frame,” which was how the initial idea for the project came. It was a very tiring hike to arrive at the site. Yet it was worth it, as the view was very energizing. Hence the name Bingkai, to frame the view and the memories made.
Bingkai is a nature revival RnR located at Pantai Kerachut, Pulau Pinang The project required a design that caters not only for humans but also for sea turtles, as the beach is a nesting site for many sea turtle species Many considerations were taken to accommodate both humans and turtles in order to help us coexist together.
Left Elevation
Front Elevation
ERAT
A Culture Visitor Centre - Education
K u a l a T e r e n g g a n u , M a l a y s i a
I n d i v i d u a l P r o j e c t
S e m e s t e r 1 , Y e a r 3
Erat is a word that needs to be held by every human being, as it is important to know and preserve culture in order to pass it on to the next generation
Erat is a visitor center located in Terengganu, focused on educating visitors. With a built up area of 1,000 square meters, it aims to enlighten the visitors by having amphitheater, gallery, and live workshops, where visitors can learn directly from local people By involving the local people, it creates opportunities for locals to generate income while at the same time preserving their culture.
Weaving; The People & Culture
Local People Tourist
To ensure culture survives throughout time, both locals and tourists need to play their part. If only the local people practice their culture without any interest from other perople, the culture may not survive
Culture started from human activities. It started from a small group of people doing any activities repeatedly Over time, these activities may evolved into what we know as the culture.
“Mixing pot” of cultures
Focal point
Front Elevation Not To Scale
Left Elevation
To Scale
MASJID JUMA’ ITCHAN KALA
TEGUH | The Epistemology of Golden Era of Architecture & Unyielding Islamic Heritage
Building Overview
Located centrally along the pathway connecting the eastern and western entrances of Itchan Kala, Masjid Juma’ is a historic structure. Originally a one-story building with a flat roof, it has entrances on all four sides, with the main entrance to the north featuring a grand two-tiered gate adorned with Arabic inscriptions and elegant suls script hadith.
Project Overview
The course BAAR 3102 Heritage Studies is a groupbased course where students conduct heritage studies on preselected buildings under the supervision of a lecturer. The duration of the fieldwork depends on the building’s size and complexity, typically taking an average of two weeks. Students will then hold an exhibition to showcase their findings and reports of the building, history and culture.
Masjid Juma’|
Key Plan Uzbekistan
Location Plan Itchan Kala
Site Plan (2023) Not to scale
The Mas id was nitia ly constructed in the 9th century The construction of the Masjid during 1788 A D was bui t by the Khanate Rule at that t me with around 30 to 40 columns
During 1979 A D was the b ggest renovation under the state government where Masjid Juma has been comp eted with 213 columns and 118 timber was added for the beam and roof system for support (Begzod, 2023)
From 2011 unt l now the skyl ght was added and it serves as walking museum that open for public also as main tourist attraction at Itchan Kala Kh va The prayer space is now only segmented to the northern part of the masjid, only accessib e for those who want to pray
Exploded Axonometric Not to scale
ROOF LAYER WITH DOMES
CLAY BRICK WALL LAYER
FLOOR AND GROUND LAYER COLUMN LAYER CONNECTED WITH BEAM
Floor Plan (2023)
Reflected Ceiling Plan (2023)
North Elevation (2023) Not to scale
East Elevation (2023) Not to scale
South Elevation (2023) Not to scale
MASJID JUMA’ ITCHAN KALA
The Epistemology of Golden Era of Architecture & Unyielding Islamic Heritage
ADVISOR
Asst. Prof. Ar. Dr. Srazali Bin Aripin
Assoc. Pro. Dr. Zuraini Binti Denan
Asst Prof Dr Nayeem Asif
PROJECT MANAGER
Azraf Bin Mohd Rozi
TECHNICAL TEAM
Luqman Hakim Bin Damiri
Faris Irsyad Bin Mohd Kassim
Kamilah Binti Mohd Johari
Muayad Ali Abdo Saif
Iznina Binti Mohd Hariffin
Aisyah Binti Mohd Rizzal
Danish Irfan Bin Rostam Affandi
Siti Batrisyia Asyiqeen Binti Sheiklh Mohd Amir
Sofiah Hanani
Wan Ahmad Adib Bin Wan Abdul Malek
MULTIMEDIA TEAM
Muhammad Fakhrul Adli Bin Wafli
Mohammad Akmal Bin Mohd Daud
Mohamed Tarek Khattab
Nor Huda Farheen Binti Abdul Rahman
Nor Farah Aleeysha
REPORT TEAM
Nur Adriana Binti Shahabuddin
Mohammad Afizul Bin Mohd Sukiman
Ayra Zahra Binti Azahar
Dina Kamilia Binti Rozilan
Wafa Leslous
CATALOGUE TEAM
Nur Aisyah Sofea Binti Azmi
Hanani Azrita Binti Yusuf
Nur Irdina Binti Mohd Rizal
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