Interior Design
PORT FOLIO Selected work: 2019-2022
By: Aya Bankasli
C O N T E N T S
Wooden room divider, gives more privacy
Acoustic panels with wavy design to show movement in the ceiling
HAND DRAWINGS
ART GALLERY
Area for small meeting with students
Materials lockers multiple storage unit for various materials
COMMUNITY CENTER
INSTITUTIONAL
COMMERCIAL
EDUCATIONAL
Office desk for librarian
Open space, shared desking
W g w
Wooden beams adds visual interest
home. Being a minority is what I can belong to. People tend to think of minority as when you feel being an outsider for whatever reason.
We’rePersonas All In Personas Social Hub
As a child, I felt this word was used to refer to my community as being
We’re All In Social Justice Hub
less than or being an outsider. As an adult, I experienced the word and I started to look at it differently, think of it of being more challenged
P . Oin .this V life, being chosen to define and represent my community P .inOthe. V country I live in. It’s a reason to motivateCommunity, me, a reason to make me want Belonging, Immigration, Minority, Culture Belonging, Immigration, Minority, Community, Culture to shine. . I want to explore ways to create space that are layered We, aswith human beings, belongs to a country that we call home, part we identify ourselves is where we belong to and where we My capstone is designing a community center that ofofwhat diversity, Iproject want people of all backgrounds to take advantage this came from. It might be very easy to find where you belong to for lots provides for active living and recreation in a safe of people, but not for everyone. For a person like me who belong to spaceopportunities to feel belonging. every single country I moved to. When you lived your entire life as an inclusive environment especially for people of color who recently immigrant who moved to lots of countries, it’s not that easy to find moved to a new home. Having a marketplace in the center ishome. a Being a minority is what I can belong to. People tend to think of minority as when you feel being an outsider for whatever reason. very important aspect that is going to be covered in the project As a child, I felt this word was used to refer to my community as being less than or being an outsider. As an adult, I experienced the word and which helps users visit the space more often.
Design Intent
I started to look at it differently, think of it of being more challenged
My design Intent is to celebrate the spatial complexity of in this life, being chosen to define and represent my community in the Design Intent and permanent spaces. A space that tells stories incountry I live in. It’s a reason to motivate me, a reason to make me want temporary which the present the pastthe intertwine. I want to create My design Intent is toand celebrate spatial complexity of a to shine. . I want to explore ways to create space that are layered with diversity, I want people of all backgrounds to take advantage of this space that is layered with diversity, and this will be by creating temporary and permanent spaces. A space that tells stories in space to feel belonging. a connection between people who visit the space through which the present and the past intertwine. I want to create a repetition and movement.
space that is layered with diversity, and this will be by creating Design Intent a connection between people who visit the space through My design Intent is to celebrate the spatial complexity of temporary and permanent spaces. A space that tells stories in repetition and movement. which the present and the past intertwine. I want to create a
Qualifiers
space that is layered with diversity, and this will be by creating
Intertwine
Design Concepts
a connection between people who visit the space through repetition and movement.
Intertwine
Layering
Layering
For my Capstone project, I am planning on designing a community center to provide opportunities for active living and recreation in a safe, inclusive environment especially for people of color and those who recently moved to a new country and feel that they are an outsider in this society. This can happen by creating a positive atmosphere, by creating public and private spaces that everyone feels welcomed in. Gathering spaces and lounge area is one of the main focuses in the project, where these spaces can create a safe and provide for people many opportunities to come together and engage with the community. Having more private relaxing spaces is also as Antonio important as father gathering areas, where it gives people the opportunity to feel Immigrant they are in their comfort zone. Spaces like that can be spa, yoga room, gym, 45 years old conference room, and private dining and lounging area.
Ephemeral
Visual Positioning Visual Positioning
1130 RAINIER AVENUE SOUTH, SEAT
Came to the United States from Venezuela with his wife and
two kids.a community center is relevant to my POV, where it’s a space Designing that everyone is welcomed to be in and it’s for people to gather and create community. a space for gathering that host everyone, people of different Energetic,It’s positive, friendly backgrounds, races and colors, particularly those who moved out of their country the tasteenjoy of culture. Theand space intended Worksand at alost restaurant, gathers loveisto have for group activities, social support, public information, and more uses. I moved a lot connection. throughout my life and that gave me a challenge to find where I belong to, He love to spend his weekends in an open bright space where so for this project I am looking to create space that is layered with diversity, his kids can of make new friends.to take advantage of this space to feel I want people all backgrounds Antonio was challenged finding a market that sells exactly belonging. what he want when he first moved to the US.
Rosa & Juan Antonio’s Kids 6 & 5 years old Love to learn new skills and to go to school. Rosa is a future artist, Juan is a football player.
Personas
Curiosity, positive, kindness
Antonio Immigrant father 45 years old Came to the United States from Venezuela with his wife and two kids. Energetic, positive, friendly
Sophia Works at a restaurant, enjoy gathers and love to have Volunteer member in the center connection. He love to spend his weekends in an open bright space where 29 years old his kids can make new friends. First generation immigrant, her parents moved from Ireland Antonio was challenged finding a market that sells exactly he want when he first moved to the US. and they are Seattle resident what since then. Emotional, Fun, Creative
Rosa & Juan Antonio’s Kids 6 & 5 years old Love to learn new skills and to go to school. Rosa is a future artist, Juan is a football player.
Works full time middle school English teacher. She volunteer Curiosity, positive, kindness at the Community Center since 2018. She truly believe in giving something back to the community or make a difference to the people around her. Sophis loves to Sophia Volunteer member in the center spend time in the center’s coffee-shop, she also like to work in 29 years old the private spaces in the center. First generation immigrant, her parents moved from Ireland
BUILDING HISTOR
The Historic 1130 Rainier Build by the Black Manufacturing Co garment factory in 1914—at th the largest factory West of C was designed to maximize the health of factory employees. the building has been extensiv and converted to modern o While paying homage to th original design, its open-plan 1130 RAINIER AVENUE SOUTH, SEATTLE, WA 98144 modern amenities are perfec the requirements of today’s BUILDING HISTORY technology tenants. BUILDING HISTORY The Historic 1130 Rainier Building was built 1130 RAINIER AVENUE SOUTH, SEATT
by the Black Manufacturing Company as a garment factory in 1914—at the time, it was the largest factory West of Chicago and was designed to maximize the comfort and health of factory employees. Since then, the building has been extensively restored • and converted to modern office space. While paying homage to the building’s original design, its open-plan layout and modern amenities are perfectly suited to • the requirements of today’s creative and technology tenants.
BUILDING FEATURES
Emotional, Fun, Creative
•
Exposed metal ducting with classic brick & beam design
Grace Community Center Director 53 years old Possesses an inherent desire to help others and make a difference in the lives of the people they encounter every day. She is always up to date withGrace the operations and activities of Community Center Director their community or facility at53allyears times. old
•
Stunning high-ceiling space
•
Prominent building exterior signage
•
Large commercial kitchen
•
Exercise facility and showers
•
Dock loading and freight area
Happy, Vibrant, Bright
•
Easily divisible to 2,000 RSF
Possesses an inherent desire to help others and make a difference in the lives of the people they encounter every day. She is always up to date with the operations and activities of their community or facility at all times.
The Historic 1130 Rainier Buildin by the Black Manufacturing Com garment factory in 1914—at the the largest factory West of Ch was designed to maximize the c health of factory employees. S the building has been extensive and converted to modern offi While paying homage to the original design, its open-plan modern amenities are perfectly the requirements of today’s cr technology tenants.
BUILDING FEATUR
and they are Seattle resident since then.
Works full time middle school English teacher. She volunteer at the Community Center since 2018. She truly believe in giving something back to the community or make a difference to the people around her. Sophis loves to spend time in the center’s coffee-shop, she also like to work in the private spaces in the center.
Qualifiers
Intertwine Ephemeral Layering Ephemeral
Project Vehicle
Exposed metal ducting with BUILDING FEATURE brick & beam design •
Stunning high-ceiling spac Stunning high-ceiling space
•
Prominent building exterior s
•
Large commercial kitchen
•
Exercise facility and showers
•
Dock loading and freight are
•
Easily divisible to 2,000 RSF
•
Prominent building exterior
•
Large commercial kitchen
•
Exercise facility and showe
•
Dock loading and freight ar
•
Easily divisible to 2,000 RS
Happy, Vibrant, Brightdegree from the Graduated with a Business Administration University of Washington. Works fullwith at the Community Graduated a Business AdministrationCenter degree from the University of Washington. Works full more at the Community Center since 2010. Grace is a multilingual which makes her since 2010. Grace is a multilingual which makes her more interested in getting to knowinterested peoplein getting and their to knowbackgrounds. people and their backgrounds.
Programs used: Revit , Enscape, Adobe Indesign, Adobe Illustralor, Adobe Photoshop
COMMUNITY CENTER
Exposed metal ducting with brick & beam design
•
Aya Bankasli | Portfolio
Building Info
Building Info
Davis Pl S St
Pl
s rle ha
S Bush
Building Info
SC
Davis Pl S
Building Characteristic
The Historic 1130 Rainier Building was built by the Black Manufacturing Company as a garment factory in 1914—at the time, it was the largest factory West of Chicago and was designed to maximize the comfort and health of factory employees. Since then, the building has been extensively restored and converted to modern office space. While paying homage to the building’s original design, its open-plan layout and modern amenities are perfectly suited to the requirements of today’s creative and technology tenants. Total Area: First Floor | 15,496
Hiaawatha Pl S
Easy access to public transportation Exposed metal ducting with classic Street visibility Building information and Square Footage Building Characteristic brick & beam design. Stunning Good amount of natural light high-ceiling space. Prominent The Historic 1130 Rainier Building was built by the Exposed metal ducting with classic building exterior signage. Large connection outdoor space & beam design. Stunning Black Manufacturing Company as Good a garment factory to publicbrick commercial kitchen.the Exercise in 1914—at time, it was the largest West of high-ceiling space. Prominent Highfactory foot traffic facility and showers Chicago and was designed to maximize the comfort and building exterior signage. Large Commercial nearby Internal staircase commercial kitchen. Exercise health of factory employees. Since then, the building needsto community hasstalls been extensively restored andArea converted modern facility and showers 150 parking officeand space. While paying homageOutdoor to the building’s Internal staircase Ample power HVAC capacity space original design, its open-plan layout and modern 150 parking stalls Signage opportunity Private parking
Second Floor | 20,496
amenities are perfectly suited to the requirements of Street parking today’s creative and technology tenants. Total Area: First Floor | 15,496
St
Pl
Checklist SOUTH, SEATTLE, WA 98144 1130 RAINIER AVENUE
Building information and Square Footage
S Bush
1130 RAINIER AVENUE SOUTH, SEATTLE, WA 98144
S
es arl Ch
Checklist Easy access to public transportation Street visibility Good amount of natural light Good connection to public outdoor space High foot traffic Commercial nearby Area needs community Outdoor space Private parking Street parking
Ample power and HVAC capacity Signage opportunity
Second Floor | 20,496
1130 RAINIER AVENUE SOUTH, SEATTLE, WA 98144
Hiaawatha Pl S
1130 Ranier Ave S
1130 Ranier Ave S
Progress Sketches
1130 RAINIER AVENUE SOUTH, SEATTLE, WA 98144
Progress Sketches
1130 RAINIER AVENUE SOUTH, SEATTLE, WA 98144 1130 RAINIER AVENUE SOUTH, SEATTLE, WA 98144
BUILDING HISTORY
NUE SOUTH, SEATTLE, WA 98144
G HISTORY WA 98144
1130 RAINIER AVENUE SOUTH, SEATTLE, WA 98144
30 Rainier Building was built anufacturing Company as a y in 1914—at the time, it was ctory West of Chicago and to maximize the comfort and ory employees. Since then, as been extensively restored d to modern office space. Shomage to the building’s assic n, its open-plan layout and ties are perfectly suited to nage of today’s creative and nts ants.
BUILDING HISTORY
was built pany as a me, it was ago and mfort and nce then, restored e space. building’s yout and suited to ative and
The Historic 1130 Rainier Building was built by the Black Manufacturing Company as a garment factory in 1914—at the time, it was the largest factory West of Chicago and was designed to maximize the comfort and health of factory employees. Since then, the building has been extensively restored and converted to modern office space. While paying homage to the building’s original design, its open-plan layout and modern amenities are perfectly suited to the requirements of today’s creative and technology tenants.
BUILDING FEATURES •
Exposed metal ducting with classic brick & beam design
Project Program •
Stunning high-ceiling space
•
Prominent building exterior signage
•
Large commercial kitchen
•
Exercise facility and showers
•
Dock loading and freight area
•
Easily divisible to 2,000 RSF
BUILDING HISTORY
The Historic 1130 Rainier Building was built by the Black Manufacturing Company as a garment factory in 1914—at the time, it was the largest factory west of Chicago and was designed to maximize the comfort and health of factory employees. Since then, the building has been extensively restored and converted to modern office space. While paying homage to the building’s original design, its open-plan layout and modern amenities are perfectly suited to the requirements of today’s creative and technology tenants.
The Historic 1130 Rainier Building was built by the Black Manufacturing Company as a garment factory in 1914—at the time, it was the largest factory west of Chicago and was designed to maximize the comfort and health of factory employees. Since then, the building has been extensively restored and converted to modern office space. While paying homage to the building’s original design, its open-plan layout and modern amenities are perfectly suited to the requirements of today’s creative and technology tenants.
BUILDING FEATURES
BUILDING FEATURES
•
•
Exposed metal ducting with classic brick & beam design
•
Stunning high-ceiling space
Exposed metal ducting with classic brick & beam design
Project Program •
Stunning high-ceiling space
•
Prominent building exterior signage
•
Exercise facility and showers
• Prominent building exterior signage Program square footage:
Level 1
Intertwine, Layering, Ephemeral Intertwine, Layering, Ephemeral
G FEATURES
etal ducting with classic m design
Professionaly managed by Nitze-Stagen
Reception
Restroom
Electrical
Gathering Spaces Office
Office
Office Event Space
Meeting room
Gym and Yoga room Pet Spa
9' - 0"
UP
Dock loading and freight area
340 sf
360 sf 110 sf 1,110 sf
Program square footage: Level 1 Marketplace (interior and exterior)
16,150 sf
Reception
340 sf
Cafe
3,500 sf
Storage
360 sf
Electrical
110 sf
Office
1,110 sf
Event space
680 sf
Event space
680 sf
Gym and yoga room
2,100 sf
Gym and yoga room
2,100 sf
Pet spa
850 sf
Pet spa
850 sf
Gathering space
5,350 sf
Gathering space
5,350 sf
ADA Restroom
700 sf
ADA Restroom
700 sf
Meeting room
Pet Spa Work Area
Event Space
Work Area
Gym and Yoga room
9' - 0"
Reception Area
Reception Area
Gathering Spaces
UP
Storage
Cafe
Restroom
•
3,500 sf Market Place
Cafe
Exercise facility and showers
Marketplace (interior and exterior) 16,150 • Professionaly managed by sf Nitze-Stagen
UP
mercial kitchen
ible to 2,000 RSF
•
Market Place UP
building exterior signage
ng and freight area
Dock loading and freight area
Cafe
gh-ceiling space
cility and showers
•
•
Level 2 Work station
Level 2 Work station Group
800 sf
Individual
264 sf
Lounge
1,200 sf
ADA Restroom
200 sf
Total:
33,715 sf
Group
800 sf
Individual
264 sf
Lounge
1,200 sf
ADA Restroom
200 sf
Total:
33,715 sf
Aya Bankasli | Portfolio
Archetctural Drawings
Aya Bankasli | Portfolio
Design Details Design Details
Perspective Drawings Perspective Drawings
Beige Stone
Cafe Bar
Canopy & Ceiling Element
Reception Area
8' - 2 7/16"
48' - 5 1/2"
20' - 4 9/16"
Wood beams 6' - 3 7/16"
Reception Area From a programmatic perspective, the
3' - 1 19/32"
Stairs & Railing
community center’s main lobby generally affords space for some key functions that express or
White marble
support the facility’s purpose. First and foremost, they are the main point of entry, providing
18' - 3 1/4"
welcome and reception. The space is warm and inviting, have adequate light, and be informative. This was approached through the selection of finishes that are esthetically pleasing.
Acoustic Panels -
2' - 6"
Pine wood Fire blocking
-
-
Wood Timber
-
Soffit
Canvas, durable, sturdy, and heavy
Bended wood handrail
Strip light
3' - 6"
Metal hanger for carriage
Thick wood riser
0' - 2"
0' - 6 9/16"
Slotted wood beams railing
Thick wood tread
Timber wood
Gathering Space
Private Gathering Space These gathering spaces serve to extend small living spaces and providing areas for social interaction and economic activities with all the
Acoustic panel
different seating languages, which improves the development and desirability of a community.
Sofa cotton fabric
The spaces where designed in a way to create Acoustic panel
public open spaces as well as some private quite
Reception Desk
ones. The private spaces can be rented for private gatherings.
3' - 2 15/16"
-
Private workstation
Beige Stone
8' - 0 1/4"
Wood for table 9' - 10"
-
8' - 4"
4' - 3 29/32"
Glass
9’ 10”
Indoor Cafe Space
Outdoor Cafe Space
7' - 2 11/32"
5' - 11 "
Having an indoor and outdoor seating area in
8' - 2"
the community center is a main attraction for bringing users where establishments that serve
7’ 5”
food and drink draw people, especially in pleasant 1’ 11”
areas where they can set out tables on a sidewalk
4’ 3”
or square in good weather. The acoustic ceiling
2’ 5” 7' - 4 11/16" Strip light under bar
2' - 11 1/8"
2' - 11 3/32"
design draw people attention to visit the space
1' - 1 19/32"
which offers lots of different seating areas
2' - 6"
3' - 6"
3' - 5 19/32"
0' - 4"
6’ 4”
4’ 11”
4’ 8”
2’ 6”
20” - 30” Screen height
7’ 6”
Exterior Marketplace
2’ 9” 2’ 3”
Shared Office Space
1’ 9”
3’ 0”
One of the things that makes a space more recognized for immigrants is having a Marketplace that offers what immigrants are looking for.
Materials & Finishes
My goal of using these materials is to bring characteristics of the natural world into built
The space have an intertwining ceiling canvas
Secondary Materials
that provide shelter from rain and sun, used for decorative purpose
spaces, such as water, greenery, and natural light, or elements like wood and stone. Where
A shared Office is a place to discuss creative
encouraging the use of natural systems and processes in design allows for exposure to
ideas, the space is designed to have lounge spaces
nature, and in turn, these design approaches improve health and wellbeing
and meeting room, as well as private one on one meeting area.
Existing Materials
Main Materials
Yoga Room
Pet Spa Having relaxation spaces in the center is a reason for users to spend more time in the center. The center have a yoga studio offers yoga classes and instruction take place. Pet Spa offers grooming needs, as well as providing relaxation therapies and even veterinarian care and rehab for pets
Aya Bankasli | Portfolio
Beacon Hill Art Gallery Project Beacon Hill neighborhood is layered with different zoning spaces, residential and commercial. I choose the design qualifier for this project to be “layering” because the concept of layering is a key ingredient to make the space stand out from the others. A space that is developed by layering individual design elements together to form a cohesive look, the look can be achieved by layering, materials, ceiling elements, lighting, artworks, etc. As well as layering programs in the space. The city is rich with different businesses and cultural spaces that are layered and interchanged to create the diversity that is now the story of the people who live in the neighborhood.
Design Concept
PERSONAS
Kai , Art Agent
Mona , Artist
Description: A 26 years old creative individual majored in Fine and Studio Arts Management. Graduated from Indiana University-Bloomington
Description: A 60 years old talented artist who graduated from School of the Art Institute of Chicago.
Description: Lovely family of a 35 years old mom, with her 8 years old boy.
Backstory: Born and raised in Seattle, Washington. Mona went through 6 years of chronic pain and breast cancer. Now she is cancer free, and she love to express her joy of living and likes to discover new art styles and try new trends.
Backstory: Sienna and Alder are frequent visitors to the gallery. Sienna have moved to the United states 10 years ago from Venezuela. Alder was born in Seattle, Washington. They both have an artistic eye and enjoy visiting art galleries.
Resources: she loves to be around people. Nature inspires her dramatic and exuberant art. She thinks that art and music bring new ways of creative thinking, renew your interest, and even increase your overall enjoyment.
Resources: Sienna’s biggest joy is to see Alder as a grown talented artist. She has a degree in Childhood education and knows how children build their social skills, language skills, and self-control. Alder is a kid who feels good while creating art, art helps him boost self-confidence.
(Visitor Experience Representative)
Backstory: Kai moved to the United states when he was 7 years old from Nigeria. He loves family and he have excellent communication and interpersonal skills and enjoy engaging with new people. Resources: his biggest joy is to help people. He knows how to Engage in dialogue with visitors and answer questions about the exhibitions while working in the gallery spaces. He has been working as an art agent for the last 3 years and he is very good at reminding visitors of museum policies and make sure followed in the galleries and other museum spaces. Emotions: Energetic, positive, bright Goal & Scenario Have worked as part of a team and understand what it means to share responsibility for a common goal. His goal is to create every day and spread the Joy of Creative Play. Whether through educating art gallery visitors or on social media.
Sienna & Alder
( Art Gallery visitors)
Emotions: Emotional, Fun, Creative Goal & Scenario Mona have been working in art for the last 35 years. Her goal is to continue collaboration with other local artists to teach young people in our community. She is always thinking about bringing effective changes in the education system so that art is given as much importance as science and math.
Emotions: Happy, Vibrant, Friendly Goal & Scenario Sienna’s goal is to teach kids to experiment and make mistakes, so they can feel free to invent new ways of thinking, which extends well beyond the craft room. Her goal is to support her child who loves art and drawing. Alder’s goal is to be a famous artist. He also wishes to adopt a dog one day, to play with dog who have high energy as him.
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
SITE ANALYSIS
Layering Creating community with Art... Creates the impression of action in a work..
Based on the site analysis study I have done about Beacon Hill neighborhood, I found that the neighborhood needs more spaces that support local artists, space for artist to do their work and showcase their work. An Art Gallery/Art Studio is the space that will support local artist in the area. The neighborhood is layered with different zoning spaces that can give the project a rich mix of residential and commercial visitors. Based on the analysis I found that the space needs more greenery, so with the design concept layering, I will be layering the spaces with more vegetation.
Programs used: Revit , Enscape, Adobe Indesign, Adobe Illustralor, Adobe Photoshop
Existing green
Existing Context
ART GALLERY
Plaza
Bank
Groceries
Site
Food services
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Aya Bankasli | Portfolio
1
PROJECT VEHICLE & PROGRAM
A102
5' - 6"
Restroom
Beacon Hill has a rich history of being the home to many different people from different backgrounds
Restroom 1 A102
8' - 11 11/16"
16' - 9 1/32"
HVAC
"
“ /32
9 11
'10
61
5/1
6"
"
Galllery/ Art Studio
6"
29' - 11 5/8"
Storage
12' - 5 1/32"
' 10
-6
2"
6'
“ 5/1
7/3
2" “ 21/3 11
'10
1 -6
2"
71
'24
5/3 21
'13
'25
Storage
Art Studio 1 8' - 10 “7/32"
" /32 31
18' - 11 19/32"
8' - 1 11/16"
'27
8' - 10 “7/32"
'26
3' - 1 ''11/16"18' - 5 ''1/32"
Sprinkle room
1/3 51 2"
Restroom
23' - 10 7/32"
Cafe
6" " /1 97
Gallery/ Art studio
2"
2 A102
'53
'32
'10
'10
" 1/3 41
18' - 3 5/16" ''
24' - 2 15/32"
2"
16' - 7 11/16" ''
2" 9/3
'' 1/3 51
1 10
'26
'39
'13
6" " /1 25
UP
'21
9' - 2 ''1/2"
2"
2"
9/3 82
'' 9/3 22
Gallery
6"
12' - 8 ''1/4"
7' - 6"
6"
'21
6"
19' - 7 ''23/32"
3/1 41
'30 '3 4' 1 " /16
22' - 6 29/32"
N 1
1,800 sf
all over the world. It’s also a city that have lots of different cultural activities which brings visitors from all over the area. Based on the site analysis I have
Art Studio
1,620 sf
Cafe
250 sf
come with the decision of deigning an art Gallery and an Art Studio in the space.
Waiting area
100 sf
The gallery space can be used as a spece for hosting events, critique space for schools when students presenting projects, and show case the
Outdoor seaating area
280 sf
Restrooms
170 sf
work of the local artists. There will be a seasonal open studio tour events, where the gallery and
Storage
150 sf
art studios are opened to public. Artist open their studios to public and have opportunity to showcase their art and teach people about what they do. The space will be layered with different programs to create community and bring people together.
Office
'30
Art Studio 2
Art Gallery
Level 1 1/8" = 1'-0" 12' - 11“25/32"
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Studio 1 Workspace
Studio 2 Bedroom
Studio 2 Workspace
15' - 0"
Cafe
11' - 10 "9/16"
8' - 0"
14' - 3"1/8"
Gallery
Studio 1 Bedroom
13' - 2 "5/16"
Studio 2 Studio 1
Level 1 0' 0" -
Section 1 1/8" = 1'-0"
15' - 0"
Cafe 13' - 4 "5/16"
Gallery
12' - 0 "9/16"
Outdoor Seating area
14' - 3 "1/8"
1
Aya Bankasli | Portfolio
Level 1 0' 0" -
2
Section 2 1/8" = 1'-0"
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Movable walls to separate an open space in the gallery and gives more exhibition space
GALLERY VIEW Window film to provide privacy and heat or solar control
OUTDOOR VIEW
Circle shaped acoustic ceiling element, absorb sound and created layered element
Ceiling hanging greenery help to reduce noise, and bring color and interest
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Roof on top of the seating area that provides filtered shade and protection rain
Canopy architectural language transfered from Rail Station
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Outdoor seating area to create a vastly different experience than your indoor seating area
Canopy architectural language transfered from Rail Station
GALLERY VIEW Wood slats add texture and warmth with creating new layer to the space
CAFE VIEW
Striplight under bar counter to make the interior environment feel more comfortable
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Wave design wall create a nice visual effect for the wall and add another layer to the design
Storage space
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Aya Bankasli | Portfolio
Floor materials Workspace desk
Bedroom & Restroom area
Shelves for artist tool storing
Lounge space
Concrete used in gallery
Wood used in art studios Natural stone used for outdoor area
ART STUDIO 1 VIEW
Frosted glass window film to create privacy
wooden paneling wall for hanging art
Ceiling and walls material Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
MATERIALS BOARD
Acoustic ceiling in gallery
Layered circular light fixture with the same architectural language of the gallery ceiling element
Floor materials Wood slats
Concrete used in gallery Gypsum wall
Wood slats
ART STUDIO 2 VIEW
Beacon Hill Art Gallery Project | Studio 5 | Aya Bankasli
Wood used in art studios
Aya Bankasli | Portfolio
Quick Coffee Projectstand now fueling up Logan’s Espresso
Inspiration: walkers — and drivers — at E Madisonstand service The walk-up — and Logan’s Espresso nowstation. fueling up walkers — and drive-thru — coffee stand located in the drivers — at E Madison service station. The walk-up — and drive-thru — coffee located the corner corner of thestand parking lot.inThe stand is of the parkingtrying lot. The stand is trying to catch the to catch the attention of foot and attention of foot and car traffic on the corner with its car traffic on the corner with its plant plant wall and neon pink sign. The shop’s other wall and neon pink sign. The framed shop’s oththree wood-panelled walls boast large windows three wood-panelled walls boast by troughs ofer succulents. According to Dabbagh, the large shop’s eye-catching appearance the troughs result of the windows framedis by of succusuccessful application of her experience in staging lents. According to Dabbagh, the shop’s homes. While the stand’s appearance entices customers eye-catching appearance is the result of to its window, Dabaugh believes relationships with the successful application of her experipatrons are maintained through customer satisfaction. in staging homes.toWhile According toence Dabbaugh, attentiveness patronsthe andstand’s allowing customers to personalize drinks sets appearance enticestheir customers to its winLogan’s Espresso from thebelieves multitude of cafe’s on dow,apart Dabaugh relationships the hill. with patrons are maintained through
customer satisfaction. According to Dabname attentiveness Quick Coffee to was chooseand based DesignThen Concept baugh, patrons alon the concept of telling customers what this lowing customers personalize their Golden Ratio is commonly found into nature it is mainly shopharmony is selling not going drinks sets Logan’s Espresso apart fromto used to bring andbecause structurepeople to yourare design. Bringing stop harmony tocars the design linewhat & shape. their just of tothrough find out your busithe multitude cafe’s on the hill. Through lines follow The or repeat each other, linecustomers that ness that is about. name also helps contrast with each other, andbusiness transitional thatyou soften remember your andlines what stand or modify others. In order to produce harmony of line & for. shapes in the project, there should be always an effect of A 10 foot x 10 foot space works perfectly for organization. a drive-thru coffee stand which is an excellent way to get into the coffee business. Since it is Programs used: a fullAdobe sit-down café,Adobe we named it “Quick”. AutoCadnot , Revit, Indesign, It can save you a lot of money in start-up costs Photoshop and generate as much revenue as a full sitdown café. With the right location, it can be the perfect solution for a new coffee business without the capital DESIGN for a brick-and-mortar CONCEPT: shop. Golden Ratio Golden Ratio is commonly found in nature it is mainly used to bring harmony and structure to your design. Bringing harmony to the design through line & shape. Through lines that follow
Logan’s Espresso stand A 10 foot x 10 foot space works perfectly for a drive-thru coffee stand which is an excellent way to get into the coffee business. Since it is not a full sit-down café, we named it “Quick”. It can save you a lot of money in start-up costs and generate as much revenue as a full sitdown café. With the right location, it can be the perfect solution for a new coffee business without the capital for a brickand-mortar shop.
DESIGN CONCEPT: Golden Ratio
Golden Ratio is commonly found in nature it is mainly used to bring harmony and structure to your design. Bringing harmony to the design through line & shape. Through lines that follow or repeat each other, line that contrast with each other, and transitional lines that soften or modify others. In order to produce harmony of line & shapes in the project, there should be always an effect of organization.
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COMMERCIAL
INDES 263 AutoCAD for Interior Design/ Espresso Stand INDES 263Project AutoCAD for Interior Design/ Espresso Stand Project
INSPIRATION:
PROCESS WORK:
Aya Bankasli | Portfolio
Aya Bankasli | Portfolio
Coffeehouse/Social Justice Hub Bellevue College is a public college in Bellevue, Washington. Bellevue College is the largest of the 34 institutions that make up the Washington Community and Technical Colleges system and the thirdlargest institution of higher education overall in the state. We are designing a Coffee Hub located in parking 7 at Bellevue College by putting together a list of wants and must-haves in for the program based on the user needs and the design qualifier. My goal is to create a space that can help create community. A space that can bring people together to socialize and interact. Bellevue College is a space that welcome everybody, includes all communities, a mixture of social, cultural and economic connections between religious, class and ethnic groups, between affluence and poverty and between generations as well.
Interlock Interlock is to become locked together or to intersect toso become and Interlock interconnected. To is connect that the motion or operation of any part is locked together. After working locked togather or at my mind map, I found out that all of the elements I toconnected intersect and covered are and I see them interlocked to create the biginterconnect. picture. The idea of interlock can be an element that connect to another to create one bigger element. Looking at the Coffee-House and Social Justice Hub that is located at the Bellevue College campus, this can be described as a space interlock inside another. The concept of interlocked can be found in primary elements like walls, and can be applied in secondary elements like shelves, materials use and furniture. It can also be used in the idea of interlocking nature and the building.
Programs used: Revit, AutoCad , Sketchup, Enscape, Adobe Indesign, Adobe Photoshop
EDUCATIONA L COMMERCIAL
Join
Intersect
Design Concept Interlock is to become locked together or to intersect and interconnected. To connect so that the motion or operation of any part is locked together. After working at my mind map, I found out that all of the elements I covered are connected and I see them interlocked to create the big picture. The idea of interlock can be an element that connect to another to create one bigger element. Looking at the Coee-House and Social Justice Hub that is located at the Bellevue College campus, this can be described as a space interlock inside another. The concept of interlocked can be found in primary elements like walls, and can be applied in secondary elements like shelves, materials use and furniture. It can also be used in the idea of interlocking nature and the building.
Connect
Unite
C o l o r Engage
S t u d y
Aya Bankasli | | Design Concept AyaINDES Bankasli382 | INDES 382 | Design Concept
Disability Justice relating to the Design Concept
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Designing a public space like a coffee hub, in a high traffic area like a college campus, it’s very important to clearly defin paths of travel, have logic layout that is easy to understand and people feel safe in, and use a good contrast to make it easier for everyone to see clearly. I have reached this goal by: Avoiding tights hallway Use clear signage Use good contrast (mainly with wood)
Aya Bankasli | Portfolio
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S t u d y
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Outdoor seating area
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I would describe this inspirational picture color study as an "interlocked knots"
Aya Bankasli | INDES 382 | Floor Plan Scale : 1/8” = 1’-0”
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C o n c e p t :
Interlock is to become locked together or to intersect and interconnected. To connect so that the motion or operation of any par t is locked together. After working at my mind map, I found out that all of the elements I covered are connected and I see them interlocked to create the big picture. The idea of interlock can be an element that connect to another to create one bigger element. Looking at the Coffee -House and Social Justice Hub that is located at the Bellevue College campus, this can be described as a space interlock inside another. The concept of interlocked can be found in primar y elements like walls, and can be applied in secondar y elements like shelves, materials use and furniture. It can also be used in the idea of interlocking nature and the building.
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Blue: The color of the sky sense of calm, and trust. Green: As the color of balance, and safety.
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Brown is often seen as solid, much like the ear th, and it's a color associated with resilience, dependability, and security, also relates to the wood.
C o m p l e m e n t a r y
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Light brown and dark brown in the color wheel are count as an orange's hue, and orange’s complementar y color is blue, making blue or darker shades of blue brown's complementar y hue. Aya
Bankasli
|
INDES
382
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Color
Study
Ceiling Plan | Scale: 1/8” = 1’-0”
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C o l o r
S t u d y
D e s i g n
C o n c e p t :
I n t e r l o c k
Interlock is to become locked together or to intersect and interconnected. To connect so that the motion or operation of any part is locked together. After working at my mind map, I found out that all of the elements I covered are connected and I see them interlocked to create the big picture. The idea of interlock can be an element that connect to another to create one bigger element. Looking at the Coffee -House and Social Justice Hub that is located at the Bellevue College campus, this can be described as a space interlock inside another. The concept of interlocked can be found in primary elements like walls, and can be applied in secondar y elements like shelves, materials use and furniture. It can also be used in the idea of interlocking nature and the building. I would describe this inspirational picture that I choose for my color study as an "interlocked knots"
Aya Bankasli | INDES 382 | Sections
Blue: The color of the sky and the sea is believed to evoke a sense of calm, and trust. Green: As the color of nature, green symbolizes harmony, balance, and safety. Brown is often seen as solid, much like the earth, and it's a color associated with resilience, dependability, and security, it also relates to the wood.
Complementar y
Hue
Light brown and dark brown in the color wheel are count as an orange's hue, and orange’s complementary color is blue,
Aya Bankasli | Portfolio
Interlocked light fixture
Wooden beams adds visual interest
Book Stations area is located in the front of the building where it craetes an easy acesses for users and it gives the useres a moment to study the building path
Conference area to have small meetings to talk about creative development
The stations are located in a busy area where gathering and lounge area are right next to them
This room can be rented or reserved. (from Christopher Alexander “Patterns”)
C o l o r
C o l o r
S t u d y
D e s i g n
C o n c e p t :
I n t e r l o c k
Interlock is to become locked together or to intersect and interconnected. To connect so that the motion or operation of any part is locked together. After working at my mind map, I found out that all of the elements I covered are connected and I see them interlocked to create the big picture. The idea of interlock can be an element that connect to another to create one bigger element. Looking at the Coffee -House and Social Justice Hub that is located at the Bellevue College campus, this can be described as a space interlock inside another. The concept of interlocked can be found in primary elements like walls, and can be applied in secondar y elements like shelves, materials use and furniture. It can also be used in the idea of interlocking nature and the building. I would describe this inspirational picture that I choose for my color study as an "interlocked knots"
Aya Bankasli | INDES 382 | Book Exchange Station
Green: As the color of nature, green symbolizes harmony, balance, and safety. Brown is often seen as solid, much like the earth, and it's a color associated with resilience, dependability, and security, it also relates to the wood.
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Aya Bankasli | INDES 382 | Meeting room
Blue: The color of the sky and the sea is believed to evoke a sense of calm, and trust.
Complementar y
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S t u d y
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Hue
Light brown and dark brown in the color wheel are count as an orange's hue, and orange’s complementary color is blue, making blue or darker shades of blue brown's complementary hue.
Wooden ceiling element with Interlocked beams
Aya Bankasli | INDES 382 | Color Study
in the center of the building, where all useres get a chance to
Greenary shelf to bring nature into the space
socialize with each other.
World map to show diversity
Custome design coffee bar with sustainable materials
Communal eating spaces Sitting in circles. (from Christopher Alexander “Patterns”)
C o l o r
Custome design tables. Where nature is intelocked in the space and the tree in the middle of the table brings the outside in.
C o l o r
Wooden ceiling element with Interlocked beams
S t u d y
Conceret floor with pattern to create an intelocked look
D e s i g n
C o n c e p t :
I n t e r l o c k
Interlock is to become locked together or to intersect and interconnected. To connect so that the motion or operation of any part is locked together. After working at my mind map, I found out that all of the elements I covered are connected and I see them interlocked to create the big picture. The idea of interlock can be an element that connect to another to create one bigger element. Looking at the Coffee -House and Social Justice Hub that is located at the Bellevue College campus, this can be described as a space interlock inside another. The concept of interlocked can be found in primary elements like walls, and can be applied in secondar y elements like shelves, materials use and furniture. It can also be used in the idea of interlocking nature and the building. I would describe this inspirational picture that I choose for my color study as an "interlocked knots"
Aya Bankasli | INDES 382 | Gathering Space
S t u d y
Aya Bankasli | Portfolio
Aya Bankasli | INDES 382 | Coffee Bar
Blue: The color of the sky and the sea is believed to evoke a sense of calm, and trust. Green: As the color of nature, green symbolizes harmony, balance, and safety. Brown is often seen as solid, much like the earth, and it's a color associated with resilience, dependability, and security, it also relates to the wood.
Complementar y
Hue
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Ceiling heights variety, gathering space and coffee bar are more open spaces with the interlocked ceiling elements, where closed rooms are lower ceiling. Clear restroom signage to help users find restrooms easier
Durable linen micofi-ber upholstery
Concrete floor with pattern to create an intelocked look
Warm palette of materials create a sense of coziness. Rug to absorb sound
Acoustic panels to absorb sound
This space is can be a place to wait. (from Christopher Alexander Half private office. from “Patterns”) Christopher Alexander “Patterns” C o l o r
S t u d y
D e s i g n
Interlock is to interconnecte locked togeth elements I cov the big picture another to cre Social Justice be described a interlocked ca applied in sec can also be us
Furniture arranged like living Areastyle for small room to meeting createwith a sense of student home
I would descri color study as
Aya Bankasli | INDES 382 | Lounge Area
Blue: The colo sense of calm,
Green: As the balance, and s
Brown is often color associate also relates to
Complem
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C o l o r
S t u d y
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D e s i g n
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Light brown a an orange's hu making blue o complementa
Aya Bankasli | Portfolio
C o n c e p t :
I n t e r l o c k
Interlock is to become locked together or to intersect and interconnected. To connect so that the motion or operation of any par locked together. After working at my mind map, I found out that all of elements I covered are connected and I see them interlocked to create the big picture. The idea of interlock can be an element that connect t another to create one bigger element. Looking at the Coffee -House an Social Justice Hub that is located at the Bellevue College campus, this be described as a space interlock inside another. The concept of interlocked can be found in primary elements like walls, and can be applied in secondar y elements like shelves, materials use and furniture
King Street Station project
Floor Plan
King Street Station is a train station in Seattle, Washington, United States. It is served by Amtrak’s Cascades, Coast Starlight, and Empire Builder, as well as Sounder commuter trains run by Sound Transit. Opened: May 10, 1906
Architectural styles Beaux-Arts architecture & Italianate architecture
Objectives: These are hand sketches that were done with pencil, colored pencils, pens, and markers. The project was based on perspective and depth of spaces.
HAND DRAWING
Aya Bankasli | Portfolio
Interior Design
Thank You ! aya.bankasli@bellevuecollege.edu (425)894-4175