AVESSA Magazine - What Dreams are Made of | Jun/21 - Year II - Vol 3-A

Jun/21 Year II, Vol. 3-A

WHAT DREAMS ARE MADE OF

IN THIS ISSUE

AMELIA TU PAINTERS SEOUL MENA LOMBARD BADE FUWA

W W W .TA D A S H I S H O J I . C O M @ TA D A S H I S H O J I

COM IN G S OON TO WWW.AV E S S AB AZ AAR .COM

W W W. PA I N T E R S F R O M S E O U L . A R T

@ PA I N T E R S F R O M S E O U L

MADE IN LIBERIA @SHOPAFRICANHIPPIE COMING SOON: SHOPAFRICANHIPPIE.COM

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COMI N G SO O N TO W W W. AV E S S AB AZAAR.C O M

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DEAD POETS SOCIETY

by Ibtissam El Azami

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W H AT D R E A M S A R E M A D E O F featuring Amelia Tu, story by Virginia Mayer

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YO U D O N ’ T C H O O S E YO U R PA S S I O N S ; YO U R PA S S I O N S C H O O S E YO U

by Mena Lombard

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GENDERFLUID

by Erika Ishibashi

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A F R I CA N FA S H I O N M AT T E R S

by Bade Fuwa

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H I G H E X P E C TAT I O N S

by Karo Delgobbo

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SOUL ON FIRE featuring Lenka Nemer and Rosita Hurtado

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T I M E T O E S CA P E

by Tamara Almeida

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C O T TAG E C O R E N O S TA L G I A featuring Luis Aponte

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HOROSCOPE: GEMINI

by Manish Arora

P H OTO C R E D I T S MODEL: AMELIA TU FA S H I O N S T Y L I S T: K A RO D E LG O B B O H A I R & M A K E - U P A RT I S T: A R AC E L I B R AVO P H OTO G R A P H E R : F L Á V I O I RYO DA

EDITOR’S LETTER

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HO DOESN’T DREAM? Who doesn’t think about future steps into your career, next personal objectives, and goals?

In a blink of an eye, here I am past my 40s. And something within kills me each day: I realized I haven’t achieved what I want in my life. While I try not to think about it too heavily, speaking to many friends, they also feel similar frustration. During my journey with AVESSA, I realized many are too insecure to pursue their dreams, afraid to fail, or even dream so big that they don’t know where to start. Some simply don’t have that sense of urgency. Some have such inspiring pitch but fail miserably in the execution.

Perhaps it’s human nature at the end of the day? I might be too naive, but my dream is to create an environment where fashion professionals can work in a synergistic ecosystem that fosters freedom and creativity while being fairly compensated. Sounds utopic? Maybe yes, and at many times, so far to be achieved. But coming from a Japanese family, I still believe in dedication and hard work.

And stupidly enough, I find the motivation to strive in a decadent publishing industry and such competitive market that fashion is well known for. This month, we take another step towards this dream. We integrate AVESSA Magazine into a digital showroom platform: AVESSA Bazaar. Whilst still in its infancy, we’re laying out the foundations of our future.

Will we be successful, or fail miserably? There is no answer and only time will tell. But one thing I am sure: this is definitely what dreams are made of.

O N T H E C OV E R MODEL: AMELIA TU H A I R & M A K E - U P A RT I S T: L I S A O P I E P H OTO G R A P H E R : F R A N Z O R BA N

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FLÁVIO IRYODA Editor-in-Chief

JULY 10 - 13, 2021 MIAMI BEACH CONVENTION CENTER

Good things are ahead….the future is bright…we’re bringing you SwimShow 2021!

The best in swimwear featuring our curated Collection area for trending boutique brands plus resort, beachwear, lifestyle, men’s, children’s and accessories.

We’ve missed you!!

T 305.596.7889

info@swimshow.com

www.swimshow.com

#SeeYouAtSwimShow

ABOUT US

OUR TEAM OF KARO DELGOBBO

@karodelgobbo

A true fashion passionate, Karo is a fashion runway coordinator, fashion buyer, fashion producer, magazine editor and entrepreneur. She approaches fashion in an innovative manner, where luxury brands are mixed with everyday basic pieces, transforming into a fresh, bold and powerful statement, fulfilling one’s heart and soul.

ERIKA ISHIBASHI

@erika_opie

P H OTO C R E D I T S MODEL: AMELIA TU H A I R & M A K E - U P A RT I S T: L I S A O P I E P H OTO G R A P H E R : F R A N Z O R BA N

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After graduating with honors, she moved permanently to Tokyo. Not only is Erika a finalist for Miss Earth Tokyo 2020 but she is also one of the founders for Women of the Earth, a group of women who tackle environmental and social issues in Japan. Erika has also a strong passion for the environment, animal rights and skin positivity.

CONTRIBUTORS

TAMARA ALMEIDA

MENA LOMBARD

BADE FUWA

@tamaraalmeidas

@menalombard

@badefuwa

Journalist and host, Tamara was an international model for 10 years, where she lived abroad in 15 countries. She also achieved Miss Brazil World in 2008. Tamara currently collaborates with Brazilian and international press vehicles as a travel columnist. As a reporter, she covers the biggest beauty pageants and fashion shows throughout the world.

Fashion Designer and Professor, Mena believes that fashion completely transcends the surface and the most important is how one feels rather than anything else. Fashion is really about how empowered one becomes by it.

She channels vibrant flares of vintage fashion and dreams of contemporary twists, inspired by her own life and travels.

My idea of working is to look deeper into the topic, theme or subject and become it, says Bade Fuwa, an independent and published Fashion Designer, Stylist and Writer born in Lagos, Nigeria. He currently works as a creative director and contributor for local and international magazines spanning fashion, music, and lifestyle.

@manishastrologer

MANISH ARORA

@theburnoutbrand

IBTISSAM EL AZAMI

VIRGINIA MAYER

Renowned KP Astrologer, Numerologist, Tarot Reader Vastu Consultant. He has been rendering professional advice to clients with a high degree of success. He has been conferred with the title of Jyotish Varahamihir and Jyotish Aryabhatt. Manish has been writing monthly astrological columns for 40+ international magazines.

Ibtissam, aka Azami or The Burn Out Brand in make-up artistry, is a fashion make-up artist, content and copywriter, and a social media manager. Her attention for detail allows for unique works of art, focused on finesse and graphic shapes. After the conquest of Paris and London, she is now in Rome, where she lets the sun inspire her day in and day out.

Upon learning writers are artists, Virginia wrote a novel called Polaroids and a bunch of stories and opinion pieces published in Colombia, thus becoming an author. She now writes shows with her duo, teaches creative writing and lives with her cat Mandela in Key Biscayne while she falls in love with Miami.

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EDITOR-IN-CHIEF Flávio Iryoda ASSISTANT TO EDITOR-IN-CHIEF Angélique Salcedo EDITORS Fashion & Styling Karo Delgobbo Juanita Crary Mena Lombard Ibtissam El Azami Product Carlos Marrero ASPAC Erika Ishibashi Interviews Virginia Mayer News & Events Silvana Camargo Travel Tamara Almeida Zodiac Manish Arora

DIGITAL

Available year-round at avessamag.com

PRINT

On-demand printing available at www.magcloud.com/user/avessa.

Delivered worldwide at your door.

CONTACT US

ASSOCIATE PRODUCERS Karo Delgobbo Carlos Pardo ART DIRECTOR Xavier Maranon BUSINESS DEVELOPMENT MANAGERS Karo Delgobbo Flávio Iryoda Giu Lima

CONSUMER SERVICES

AVESSA Magazine is a monthly digital and print on-demand publication focused on fashion, beauty, art and culture for the independent, contemporary and influencer woman. Founded in early 2019 with main operations in Miami, FL (Brickell) with a wide network of collaborators distributed across the globe.

PUBLISHER

Questions or comments? info@avessamag.com

AVESSA Media Group LLC Brickell - Miami, FL 33130 United States of America

A PROUD MEMBER OF

© 2020 AVESSA Media Group LLC, a Florida limited liability corporation. All rights reserved.

The information contained herein is of a general nature and is not intended to address the circumstances of any particular individual or entity. Although we endeavor to provide accurate and timely information, there can be no guarantee that such information is accurate as of the date it is received or that it will continue to be accurate in the future.

No one should act on such information without appropriate professional advice after a through examination of the particular situation.

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GO

GRAND ESCAPES STARTS HERE

GRAND G R A N D H YAT T R I O D E J A N E I R O — Surrounded by the exuberant nature of the natural reserve and the ocean, the Grand Hyatt Rio de Janeiro has a complete structure for a stay that combines elegance and comfort in every single detail: spa, beach service and award-winning restaurants. Enjoy the amazing views from your own private balcony; guaranteed in every room. Book now your next stay in the Marvelous City: grandhyattriodejaneiro.com

KIKI L E T ’ S H AV E A

1. The one and only Michelle Guerra @astrogem918, represented by Next Model Modelling Agency @nextlevelmodelingagency.

2. At last, we had a photo with our dear friend and fashion illustrator Carlos Marrero @camarrero and his Colombian muse Alejandra Tamayo @alejandratamayoc. Carlos is our Product Editor well know for his objects of desire and is also the scarf designer for The Marrero Collection.

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3. Serbian model and fitness trainer Bogdan Hygge @island.hygge represented by Posche Models International @poschemodelsintl.

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4. The multi-talented Belarusian artist Natasha Tabunova @beyond.the 5. “Hello cuki!” The Luis Aponte team @luisaponteatelier after another shoot of his new collection. From left to right: Luis Aponte himself, assistant Angelia Castillo @angelalcr and business partner Media Salcedo.

6. Such a pleasure to have Champlevé fashion designer Sara Piedrahita @ champleve_brand directly from Medellín, Colombia with us :-)

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7. After a long pandemic period (and now double vaccinated), we cellebrate this magical moment with our AVESSA team - and COLECTA @ colectamag friends, of course! From top left to right, starting from the top: Alfonso de Hoyos-Acosta @dehoyosa; photographer Alex Korolkovas @ korolkovas; model Alejandra Tamayo @alejandratamayoc; our Product Editor Carlos Marrero @camarrero; fashion designer Sara Piedrahita from Champlevé @champleve_brand; AVESSA Bazaar’s Shop Manager Bruna Amorim @bruna.img; the always gorgeous Runway Editor Karo Delgobbo @karodelgobbo; by the wall, trying to hide from the photo our Editor Virginia Mayer; the talented vegan chef Mariana Tamiozzy @marianatamiozzy; COLECTA Mag Editorin-Chief Giu Brandão @giu_brandao; and our dear Fashion Stylist Juanita @juaniavi and her husband Michael Crary. Apologies Juanita, we love you, but we love Michael more LOL. S H A R E YO U R P H OTO S W I T H A N Y O F O U R P U B L I C AT I O N S !

I N F O @ AV E S S A M AG. C O M

| JUNE 2021

The same creativity that sets you apart can make you part of our creative community. And if you are passionate about Fashion, Miami International University of Art & Design is the place to be.

We'll help you turn your love of Fashion into the pursuit of a career that loves you back.

THE EDUCATION IS HANDS-ON. THE FUTURE IS WIDE OPEN.

We offer a range of associate and bachelor's degree programs including Fashion Design, Fashion Merchandising & Accessory Design. You'll learn by doing-applying the same talent, tools, and techniques used in the industry

Where will your passion take you? Find out.

WWW.MYMIU.EDU AIMIUinternational@aii.edu 1.305.428.5903 Miami International University of Art & Design is one of The Art Institutes, a system of private schools throughout the United States.

Programs, credential levels, technology, and scheduling options vary by school and are subject to change. 1501 Biscayne Boulevard, Suite 100, Miami, FL 33132-1418. © 2020. The Arts Institutes International LLC. All rights reserved.

the ROPE project

by Lisu Vega

WEARABLE ROPE SCULPTURE

lisuvega.com

THE TARGET IDEA

DEAD POETS SOCIETY

PA I N T E R S S E O U L

FA S H I O N W R O N G T U R N S I N T R E N D

To design dreams, emotions, and to link the future and the past with a single colored thread; that is the goal of fashion. Wake up, 2021 trends do not exist anymore. Clothes live with a body to support them, and little more than emotions rule our choice of style nowadays.

BY IBTISSAM EL AZAMI

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VESSA HAS MET WITH PROMISING YOUNG DESIGNER WON JEON, THE MAStermind behind Painters from Seoul, an ultimately concept-oriented brand which genius lies in anti-trend making. Think not of silk slivers and patches of gold yarn; with Dead Poet’s Society, the avant-garde Maison spins fashion and life experiments further beyond the superficial illustration of life on a mannequin.

With an eternally fresh way of seeing life and playing around its rules, Won embraces the newness and instability of fashion as it flows around personalities. In Dead Poet’s Society, the true concepts of sustainability and imagination unfurl in ultimate cuts that lend to anti-beauty and anti-fashion the very meaning of beauty and fashion.

P H O TO C O U RT E S Y: PA I N T E R S

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THE TARGET IDEA

“YOU MUST

TRUST THAT YOUR BELIEFS ARE UNIQUE, YOUR OWN, EVEN THOUGH OTHERS MAY THINK THEM ODD OR UNPOPULAR” - John Keating,

Dead Poets Society

by Peter Weir

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THE TARGET IDEA

HOW DO YOU DEFINE YOUR DESIGNING STYLE? When I was in my final year at London College of Fashion, I found that I like creating various shapes and volumes as experiments. Not only showing the perfect looks and ideal garments on the catwalk, but I was also very inspired by doing the wrong turns too. As a result, I’ve been focusing on every B-SIDE which is not the utmost trend in the fashion industry or in society. Therefore, my every collection in PAINTERS aims at offering a new impact that different and eccentric people could accept within their own level of individual taste and identity.

PAINTERS is putting the underestimated and unwelcomed theme or shapes in the design process and I think it represents clearly my tastes through the brand.

WHAT IS THE APPEAL OF FASHION TO YOU? When it comes to art and fashion, I would define “something new” as the very first draft or try that I would do, or very fine combinations of elements. I think fashion itself has very strong different identities in every individual’s book. To show how people live, and the values they go by in life strongly appeals to me. Not only showing the visual look that people prefer but also the way that fashion conveys the way people think by illustrating their lives.

DO YOU ACCEPT LABELS FOR YOUR WORK OR DO YOU MAKE IT A POINT TO DEVIATE FROM SOCIETY’S STRUCTURES AND RULES? I can say I try to take the routes that are not much selected from others even when they seem tough. It is also related to the background of the brand, as when I was younger, I didn’t follow the typical education that people usually get in my country. I was a home-schooled student and through my teenage years and early twenties, I could think more flexibly. I was able to consider a vast array of looks that can attract or repel, whether they are socially welcomed or not. This freedom in thinking and dressing really transferred to the way I work.

It has led me to create some unique shapes by intentionally using the imperfect parts of the garments or the methodology and fabrics that I failed to use in the past.

WHY DID YOU CHOOSE THE NAME DEAD POET’S SOCIETY? The collection is inspired by the movie called ‘Dead Poet’s society’. The film illustrates a group of students willing to work in socially underrated job areas with unsupportive parents and teachers who undervalue the classic underpaid jobs. I started to concentrate on these jobs and I wanted to present them in my own way. The collection includes a poet, a painter, a writer, and other professions. The goal of this collection was clearly to talk about new ways of looking at these underrated jobs.

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THE TARGET IDEA

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THE TARGET IDEA

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WHAT IS THE BACKGROUND OF PAINTERS FROM SEOUL? I grew up in Seoul and was home-schooled there. It wasn’t the typical pathway that people take for their education, but I was lucky enough to have parents that let me follow an alternative pathway. This allowed me to be in control of what I wore every day, instead of wearing the strict dress code demanded for students in school. That was probably the first time since I was little that I realized how tough it is to express individual identity through style in Seoul. After having the idea to pursue a fashion career, I became a college student in London.

While I was in university, I thought a lot about how individual identity manifested in my work. I started to observe people closely and found out that people who pursue art and design are always seeking new ways of seeing, thinking, and respecting individual identity. It really dawned on me then that I wanted to be surrounded by like-minded people that share my values regarding this topic, and I decided to start the brand Painters in an effort to show different types of beauty in womenswear.

WHAT IS YOUR IDEA, THE MESSAGE BEHIND YOUR WORK? Here is a sentence that speaks to this, ‘different accepted society’. I like the uncommon, weird, and eccentric things. At the same time, I also find accepting and understanding their stories of the utmost importance.

WHAT IS THE FUTURE OF PAINTERS FROM SEOUL, AND YOURSELF, WON, AS AN INDIVIDUAL DESIGNER? I’m hoping and planning to have many experimental and diverse collections that deliver a variety of issues and contemplative stories. I still have a long way to go but I am making it a rule for myself not to just follow the trends or think about the common clothes. I want to create collections that can personify unnoticed, underrated values. I would love for people from all over the world to be able to appreciate those values I have instilled in Painters.

HOW DO EMOTIONS INFLUENCE YOUR WORK; FEAR, PLEASURE, EXCITEMENT? Usually, I start my works from the lines and quotes that impress me personally or get inspired by the situation I’m in at that moment. The Dead poet’s society collection is also dealing with the thoughts and feelings I’ve been having since I started the brand, which is saying “Different is not wrong”. I also visualize the feeling itself, which I showed in my latest 2021 F/W collection ‘LOST’. I represented the feeling of the confusion I had while undertaking this journey with the brand, and I also tried to represent thoughts from others with the same mindset who are having a hard time seeing through the bulky shapes and mass outlines.

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THE TARGET IDEA

EXPRESSING IDENTITY IN FASHION; HOW DO YOU RELATE TO THIS WITH THE DEAD POET’S SOCIETY COLLECTION? In a larger proportion, people tend to be safe, or follow the trends rather than building their own style because they are afraid to seem unusual, different and eccentric.

But I think the sides which are uncommon and not preferable are just as impressive and important. In a similar aspect, from the movie the students don’t just pursue socially valued careers, but hope to work in creative professions. I wanted to show these jobs visually and express the value of underestimated people who work at unseen places. I also used the abandoned fire hose, old book, and recycled materials to share the same theme.

IN THIS LAST COLLECTION, COLORS USED ARE ON THE NEUTRAL SIDE WHY DID YOU CHOOSE THIS COLOR SCHEME? The jobs that I visualized are not socially and typically notable so instead of using vivid and striking colours, I chose neutral tones, because I wanted to represent the reality which I don’t identify with nor go along with.

WHEN YOU FEEL BLOCKED CREATIVELY, HOW DO YOU GET GOING AGAIN? Almost all of my collections and works start from a word or sentence I think is impressive. I just keep making some stories and just casually play around the initial idea without thinking about the final piece.

During that process, I can really elaborate drafts, research and my thoughts freely.

When I don’t know what to do, I try to get to the bottom of that feeling, and use that feeling as an inspiration as well. I think I am good at learning from trials and errors, and I know these improvements in my personality can reflect in my collections, as it has in the past.

K E E P I T U P W I T H PA I N T E R S !

S I T E : W W W. PA I N T E R S F RO M S E O U L . A RT I N S TAG R A M : @ PA I N T E R S F RO M S E O U L E M A I L : PA I N T E R S F RO M S E O U L @ G M A I L . C O M A D D R E S S : 3 , 1 S T F L O O R , 9 2 , S E O B I N G G O - RO 9 1 NA - G I L , YO N G S A N - G U, S E O U L , R E P U B L I C O F KO R E A

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MARREROCOLLECTION.COM

NAKED SOULS

WHAT

DREAMS ARE MADE OF F E A T U R I N G S T O R Y

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A M E L I A B Y

V I R G I N I A

T U M A Y E R

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VERY MORNING YOU HAVE TWO choices: continue to sleep with your dreams, or wake up and chase them. Every day we are bombarded with examples set by many successful businessmen/businesswomen, artists, activists and politicians via social media, TED talks and those trendy coaches or mentors. We are then instantly motivated to chase our own dreams. However, very often we quickly give up simply because we don’t know where to start, we are too afraid to fail, or maybe because we’re too comfortable and change always brings a degree of uncertainty. And, perhaps, because the word DREAM is often associated to sitting back, relaxing and imagining a perfect, unachievable world. But this is not the case of Amelia Tu. This 19 years-old Chinese/Canadian truly believes it’s time to make her dreams come true, and it’s inspiring to see a young woman who is so self-driven, focused, and persistent. Let’s learn about the journey of this Biology and Business student from Vancouver, Canada who started dancing and now plans to live the life of her dreams.

P H O TO C R E D I T S H A I R & M A K E - U P : L I S A O P I E , A R AC E L I B R AVO P H OTO G R A P H Y: F R A N Z O R BA N, F L Á V I O I RYO DA FA S H I O N S T Y L I S T: K A RO D E LG O B B O

TELL US MORE ABOUT YOUR PASSION FOR DANCING! My mom put me in a dance studio when I was three. This has to do with Chinese culture and that my mom wanted me to have a nice form and good posture.

From a young age I just thought it was super fun. Meeting friends and just dancing with them. But as time went on, I became so in love with it. And then I moved to another dance studio when I was seven. And the teacher there had a very great impact on me.

The main forms of dancing I did were ballet and Chinese traditional dance as well as modern. And then at Berkeley, I also joined a dance urban and hip-hop group. It was hard at first because my background is in ballet, which is very uptight and structured, so it’s hard to let loose with urban.

WHAT HAS DANCE TAUGHT YOU? Above all, dance has taught me the importance of persistence and resilience.

It is a prime ex-ample from my life that has shown me that you reap what you sow. On the other hand, dance has also shown me the value behind collaboration and active communication –after all, a chain is only as strong as its weakest link. Dance has helped me find a community in which I feel a sense of belonging. It is also one of my most passionate hobbies and a great de-stressing activity!

FASHION, FOR ME, IS A CONFIDENCE BOOSTER. IT HAS TAUGHT ME SELFEXPRESSION WITHOUT THE FEAR OF OTHER PEOPLE’S JUDGEMENT. AND HOW DID YOU END UP IN THE PAGEANT WORLD VERSUS THE DANCE WORLD? For now, I want to keep dance as a hobby for myself. I don’t want to go into professional dancing because I don’t want it to become something that I stress about, because right now it’s actually my outlet to destress. And then, my dance teacher also pushed us to go into pageants as well. I think it’s a very good challenge that you can put yourself to.

It’s also a space where I can perform my dances as well as show my other skills. I think it’s more of an opportunity to help me grow as a person.

WHY DID YOU ENTER YOUR FIRST BEAUTY PAGEANT? I entered the 2020 Chinese Rose Princess and Queen Pageant because I thought it was an amazing platform for me to spread awareness of the issues I’m passionate about – environmental issues and sustainability.

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LIVE THE >> LIFE OF YOUR DREAMS >>

YOU HAVE TO TELL US MORE ABOUT YOUR ACHIEVEMENTS! In 2019, I won the first place of the IMTA International Model Competition, Dancing Category. In the same year, I was the Co-winner of the International Music Award of the International Davis Film Festival, modeling for New York designer D’ Marsh, and the International Brand Cashmere Song in Nee Year Fashion Week. In 2020, I also won the title of Chinese Rose Princess and Queen Pageant (Oregon, USA). This pageant is one of a few Chinese pageants in the US, it is inclusive to all women of all races and all ages who like to learn more about Chinese culture, history and art.

It is also a platform to raise awareness of global warming and environmental issues.

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HOW WILL WINNING PAGEANTS ADVANCE YOUR CAREER? The biggest way that the pageant would put me at an advantage in terms of what I want to go into in the future is having a platform to speak out on my goals and dreams that’s recognized and also just the personal growth that I would experience from entering these pageants, like interpersonal skills, public speaking. Those are advantages that would help accelerate you as a person in whatever industry I want to go into the future. The most important thing is my personal growth and these interpersonal and soft skills that I would gain as a result. It’s also helped me focus on the issues I’m passionate about and helped me believe that I can do more to improve the world.

HOW DO YOU THINK YOU COULD MAKE AN IMPACT TO THE WORLD? By using my voice and the platforms available to me, I believe I can spread awareness about the issues important to me and influence others in my community to make changes for the better one step at a time.

WHAT COULD YOU TEACH THE WORLD THROUGH THE PAGEANT? There are certain stereotypes surrounding beauty pageants, such as your physical appearance is the only thing that matters, or that the only reward is a crown and a sash. I want people who think this way to know that inner beauty and intelligence is just as important – developing your platform of philanthropic ideas and engaging in

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T N E D I F CON VE I R D F L E S E T T I M M O C R E W O P M E charity events among your community are also a part of pageants. And during this process, you will not only experience personal growth, but you will also make friends, which are much more valuable rewards than a crown and a sash.

IMAGINE YOU END UP WINNING MISS UNIVERSE; WHAT WOULD COME NEXT? The first thing I would do is to see to my new responsibilities and seeing that I live up to my new title would be my first goal.

I KNOW YOU’RE ALSO LOVE FASHION, WHERE DOES YOUR INTEREST COME FROM? I’ve just been super interested in fashion from a young age, the influence was my mom. She also really loves the fashion industry. I remember I’d always pick my outfits when I was younger after my mom gave me a shower and it was a huge thing. But from a young age, I was just very important to me. It’s a way of expressing myself without having to talk. Then I did more research into fashion. I actually went to a summer college camp where we had a lot of good discussions with the fashion industry like social issues, cultural appropriation as well as the pollution within the fashion industry. That sparked my interest with the sustainability industry, because prior to that, I never really gave thought to how my actions as a consumer were affecting the environment within fashion specifically. But after that, because I was really enlightened, I did a lot of research into the environmental implications it had. Then that continued on throughout university. I’m part of the environmental journal called Perennial at Berkeley. And for first year I joined a business club on the Fashion Committee. Fashion, for me, is a confidence booster. It has taught me self-expression without the fear of other people’s judgement.

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NAKED SOULS

WHY BIOLOGY AND NOT FASHION? The biggest thing is that Berkeley doesn’t have very strong courses with fashion. And I knew that. I knew I wanted to sort of go into business, but I felt that just a business degree wouldn’t give me a strong enough foundation. So, I wanted to also bring in biology into the picture because it’s a very strong background to have. And it does still tie in with my interests within sustainability and fashion, because my emphasis is in biology, in cell and developmental biology. That background could really help me to research into sustainable fabrics.

BEING CHINESE, WHAT DO YOU THINK OF THE RECENT HATE CRIMES AGAINST ASIANS? I am a proud member of the Asian community with a loving and supportive family. Growing up I was fortunate enough to have never been ostracized because of my ethnicity and I felt safe walking alone in my neighborhood. This sense of security carried on throughout high school and my freshman year at university. Unfortunately, I’m not really sure the same can be said today. It breaks my heart to see Asian Americans on the receiving end of hate crimes and it makes me both terrified and angry. To those who have experienced hate crimes, you are seen and heard. To those who have family or friends who are Asian American, I hope you listen and become an ally of the Asian American community. Together we can use our diversity as our strength and take action to protect the Asian-American community. As fellow human being on Earth, it is our duty to take action and push this narrative forward.

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l adyco desho p.co m

THE LANGUAGE OF FASHION

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FA S H I O N D E S I G N E R M E NA L O M BA R D

H A I R & M A K E - U P A RT I S T A R AC E L I B R AVO

MODEL K A I T LY N S W I C E G O O D

P RO D U C E R GIU BRANDÃO

SHOES CARRANO

P H OTO G R A P H E R F L Á V I O I RYO DA

MODELING AGENCY POSCHE MODELS

A S S I S TA N T B RU NA A M O R I M

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YOU DON’T CHOOSE YOUR

PASSIONS

YOU YOUR PASSIONS CHOOSE

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M E N A

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E ARE NOT WHAT WE do. We can be moms while we teach, students while we deliver packages, and sons or daughters while we sell houses from 9 to 5 and perform at a comedy club afterward. Thankfully, humans have been blessed with many different interests and aspects. We are multidimensional, each of us with a life as complex as that of our neighbor. The mundane things we do daily are usually regarded, if at all, as just one of the many threads in the tapestry of our lives. If you are an entrepreneur, the weaving that your tapestry follows become even more intricate. Entrepreneurs are a breed with the will, strength, and audacity to start a venture from scratch and the vision to take it to the next level. These people have chosen to create, walk, and lead a path that is driven by a passion and that requires, above all, focus, determination, constant learning, and resilience.

Jeff Bezos once said, “You don’t choose your passions; your passions choose you,” and for entrepreneurs, nothing could be truer. They have a particular calling that manifests itself as something they love to do or in the form of an idea that is so strong, so loud, and so clear that they make it the center of their lives. Passion, for entrepreneurs, is like fuel. It feeds and guides their vision, steering their work, efforts, and decision-making in the right direction. Passion for entrepreneurs is like oxygen.

There is no real entrepreneurship, nor entrepreneur, without it.

That passion comes hand in hand with an extraordinary focus. Entrepreneurs have a laser-precise vision of what they want to accomplish and how they intend to get there. But there is another majorly important aspect of

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being in focus when you are an entrepreneur. It is not just about keeping their passion and their goals at the zenith of their attention. For them, focus also means being able to discern when to say yes and when to say no. Saying yes and saying no are not the same, and they are both equally crucial. Saying yes to one good idea will automatically mean they will have to say no to a thousand other good ones that will come along the way. Understanding and keeping this in mind in every step they take becomes an essential for survival and a subsequent ingredient in the recipe for success. Knowing when and to what to say yes and no come as two different and complemental things.

Choosing wisely and carefully is vital.

That focus gets strictly tested when it faces the brutal reality of scarce resources that most entrepreneurs are forced to endure. That reality requires them to get involved in all aspects of their venture because they cannot afford a team of experts to manage the different elements for them. Entrepreneurs end up having to wear many different hats, metaphorically speaking, which results in several learning opportunities that, although they are part of their passion, are not at its core.

The downside of this is the additional effort required and stress brought upon them.

The upside is a well-informed and complete view of their business, with a variety of perspectives. Their day-to-day reality, one of constant interaction with the full scope of their business environment, exposes them to continuous hands-on learning. And to this day, that approach is still the best way to learn. This is how entrepreneurs become absolute experts of what they do.

“SUCCESS IS WALKING FROM FAILURE TO FAILURE WITH NO LOSS OF ENTHUSIASM” - Winston Churchill

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Just like there is no day without night, passion and focus are incomplete without determination. For entrepreneurs, the concept of determination requires a lot more than just the persistence of going after a goal. One of the best examples of this is Colonel Sanders with his KFC story.

He was 65 years old and had been rejected 1,009 times before securing his first partnership. For entrepreneurs like Colonel Sanders, determination is not just about overcoming failure. It is also about coming to terms with the fact that the path they are creating and have decided to walk will be challenging and will likely require several deviations and adaptations because success is about seeing beyond one’s mistakes and stubbornness. For entrepreneurs, determination is not about sticking indefinitely to a

lows them to adapt quickly and effectively to situations involving stress, adversity, and change. Entrepreneurs become masters at overcoming hardships because how they deal with them can determine their success. Resilience is the secret weapon that gives them the ability to meet challenging situations with courage and flexibility, allowing them to confront, cope, and manage failure.

They do this not only to overcome it, but because by overcoming it they understand how to turn it into a success. Entrepreneurs understand that whatever they do, it must keep taking them forward. “Success is not final, failure is not fatal — it is the courage to continue that counts,” – Winston Churchill.

Every single aspect we just mentioned is challenging for anyone. But if you are a fashion entrepreneur,

FOR ENTREPRENEURS, DETERMINATION IS NOT ABOUT STICKING INDEFINITELY TO A PATH; IT MEANS STICKING TO THE VISION OF GREATNESS THEY MAKE FOR THEMSELVES path; it means sticking to the vision of greatness they make for themselves.

In a world full of uncertainties, entrepreneurs choose to walk a path paved by ambiguity. To lead that journey, they support all their strengths over a seemingly infinite supply of resilience. This al-

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you are also obligated to face a series of additional challenges that, although not exclusive to the fashion sector, are considerably unique, making this industry stand out from the rest in its hardships and complexity. Fashion entrepreneurs must recreate their magic at least

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twice a year while delivering collections that captivate, connect, follow current trends, are aesthetically pleasing, and provide a voice and function to the wearer. In addition to that, each collection must satisfy the customer in terms of quality, responsibility, and hopefully, sustainability. And on top of that, fashion entrepreneurs do this while keeping up with constant social and technological developments. All these different aspects are critical for a fashion entrepreneur to be successful. It is almost as if fashion entrepreneurs are a renaissance type of beings that must combine and balance so many different, and sometimes opposite, aspects and challenges. It is not an

easy path. It is one of successes, failures, complexities, and many difficulties. Perhaps the catchphrase for every fashion entrepreneur should be what was said by Winston Churchill. I do not doubt that those who have not heard it before have surely experienced it.

We are not what we do. We are not just one thing, because we are all complex and intricate beings. We are the sum of so many different elements with several dimensions. To many, what they do is just a job; a means to an end; a profession. But I must admit that after writing this article, I wholeheartedly believe you are not what you do, unless you are an entrepreneur.

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THE RISING FASHION

GENDER I

BY ERIKA ISHIBASHI

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MET KIYOKA ABOUT A YEAR AGO AT A STORE WHERE WE both worked part time. At the time, they seemed like a normal 18 year old girl and they had just moved to Tokyo for school. We had a lot in common and clicked instantly and they felt like a little sister to me. They opened up to me later though that they actually identify as genderfluid and pansexual. I was beyond honored that they trusted me with this, especially when their own family doesn’t even know, but I was more surprised because meeting someone who is open about being a part of the LGBTQ+ community is extremely rare here. It is still very difficult to come out in such a conservative country like Japan, so I would like to introduce you to my beautiful friend Kiyoka Ono and their experience living as a genderfluid individual in Japan.

It started when they were 15. Their twin brother started dating a girl and they began to like her too. This led them to do some research and this was their first time learning about anything LGBTQ+ related and realized that they were in fact genderfluid. Later that school year, she did a presentation about people in the LGBTQ+ community but she continued to keep her identity a secret. They themselves didn’t necessarily care about what would happen after coming out, but their brother was in the same grade and school as well and they didn’t want him to become a target for any bullying that might happen. Japanese school uniforms are very heavily gendered and were a struggle for Kiyoka. Female uniforms are very feminine usually complete with a skirt and male uniforms are masculine and have pants. This had a toll on their young, adolescent mental health, never fully feeling like themselves at school. Their long hair was another struggle. Kiyoka has absolutely beautiful long, black hair but long hair is usually associated with femininity so once during high school, they cut it really short. Everyone around them was very surprised but they didn’t regret it.

Dating is where it gets really difficult. They need someone who can accept them in their fluidity but that is hard to find here in Japan. Her first boyfriend said that he accepted and understood their identity but one time in a message called them his “girlfriend” and this made Kiyoka uncomfortable.

RFLUID (僕・私・自分は) 男性でもあり女性でもある性です

Since then, they have dated three other men in Tokyo but Kiyoka knows that these men see her as 100% female and so it never lasts too long. Kiyoka has yet to have their first sexual experience but they can already see how it could be difficult.

Being biologically female, in a sexual space, they’re a woman.

When they feel that expectation to be female, it turns them off. They need someone who sees and accepts Kiyoka and all their fluidity and loves them as a person so much so that they can forget about what gender they are in bed.

As for Kiyoka themselves, looking at their nakes self can still be hard. They remember when they hit puberty and feminine curves started to show, they did what they could to lose weight. Their saving grace was the fact that their breasts didn’t grow a lot so at least their upper body still looked neutral. Another problem that came with hitting puberty was their period. It’s a monthly reminder that their biological gender is female.

Kiyoka does see positive changes happening in society here in Japan. Her current university uniform recently started allowing females to wear pants. There is also a rise in LGBTQ+ based dramas here in Japan so representation is on the rise.

Their mother has started becoming more educated and has said that she would be okay with whoever Kiyoka marries regardless of their gender. However, same-sex marriages are still not legal in Japan so there is still work to do here. They also know that their father would not be accepting of their identity.

Kiyoka recalls being an angsty teenager when they started figuring out their identity and not knowing how to go about everything in their daily life but they have since let go of that pressure and have matured and accepted themselves as they are. They don’t have to understand everything yet because we are all constantly growing and learning more about ourselves on a daily basis. Their message to anyone else struggling with their own identity is that it’s okay to take it slow, you don’t have to have it all figured out now. They hope that one day, asking about someone’s gender identity or sexuality will become as open and common as asking someone what their favorite color is.

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the rising fashion THE FUTURE IS NOW

N A C I R AF N O I H S FA S R E T T MA

A? C I R F A T BOU A W O N K FUWA U E D O A Y B Y O B WHAT D P H OTO C O U RT E S Y I N D I J N ( P H OTO G R A P H Y B Y N U I T S BA L N E A I R E S ) SISTERS OF AFRIKA

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ROM DIANI BEACH, STRETCHING BEYOND the horizont to the majestic Kilimanjaro, towers spiring the entire continent. Africa’s fashion; distinct and authentic has over time become falsely misconstrued as ‘tribal’ or ‘exotic’ and simplified into leopard skins and mud cloths. But times have changed with the digital age as African fashion can now be seen for what it is today – A point of reference on today’s runways. And although it has now over the years become a free market that over the world has birthed a notable list of designers, whose true inspiration remains in the vibrant, never- ending stream of inventiveness and pop of colors in the continent and how it has grown to influence the western world. African fashion story exists as a myriad of societies, its culture, past traditions, and the status of individuals or groups within that community.

In order to understand African Fashion; one would have to understand the reason for the use of its dynamics on bright colors - various prints, and its imagery. Imagery in Africa on clothing or traditional attires wore in most African countries have different meanings. With the current influence of western fashion on African fashion, some of that substance has been lost. What we know today is that the African selection of colors in clothing can be a symbol of creativity, status, and allegiance to African tribal roots. Although the meaning may vary depending on the group of people, culture or, country. The Red color represents a tension in the political or spiritual world and is viewed as the color of blood. In my country Nigeria, Wearing Black and red symbolize a dark occult meaning. While Gold is an extremely popular color as it represents wealth and fertility. White symbolizes purity and spirituality as it is often used in religious gatherings. While Green is a medicinal color that represents prosperity and fruitfulness.

Fashion designer Belinda Compah-Keyeke said in her CNN interview that African print is their first point of contact to their culture as Africans. “When we are born, we are wrapped in a wax print. It is a major part of every African’s heritage and every wax print tells a unique African story.” The uniqueness of African prints amongst its 54 countries holds a personal identity in each line drawn.

Speaking with African designers Indijn, and Sisters of Afrika we learned about their similarities the worlds reckon on African Fashion, creating in Africa and their raison d’être.

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WHERE DO YOU DRAW YOUR INSPIRATION FROM WHEN CREATING IN AFRICA? In Liberia, inspiration is found everywhere! From the bustling streets of Monrovia where you find the market women in their vivid printed lappas, people dress to impress even when running simple errands, to the glamorous events attended throughout the counties. I’m drawn to the scenic nature of my family’s home country. To me, the beaches present an ambiance that could compete with the likes of Bali. The mountains scattered throughout Liberia are a testament to the wonders of the world; nature’s marriage of sienna mud

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clay and lush green forest along with minerals that make the ground appear to be littered in diamonds are awe-inspiring.

The music, food, and textiles handcrafted and worn by our elders and ancestors; all have a part to play in my story- telling through my collection. I have also been fortunate to work with some of the most talented team of photogs, models, and stylists in Cote d’Ivoire, where I shot my first look book.

The most rewarding part of being a designer for me is traveling and meeting other creative that compels me to push the limit with my visions. My dream is to one day visit every country on the continent of Africa!

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WHY DO YOU FEEL AFRICAN FASHION ISN’T AS APPRECIATED AS IT’S SUPPOSED TO? I feel that African fashion is appreciated through Diasporans and Africans, but on a global scale, long ignored and not accessible through inclusive platforms where we could share our story and form of expression.

However, I believe in the past 5 years there has been a massive shift in attention on African designers and we are finally being seen and heard. There is an accession of talented and creative designers throughout Africa and the Diaspora that have been pushing the boundaries in fashion, restoring their communities, and transforming the stereotypical African narrative on a global scale. It’s exciting to be not only a witness but a participant of this moment in history.

WHAT SHOULD PEOPLE KNOW ABOUT AFRICAN FASHION? We are bringing to the world of fashion things that haven’t been done before, evoking a fresh breath of air to the predictable norms of recycling styles and trends in fashion. Our history and cultures are so vast and rich, I believe it sets us apart in regards to what we have and will continue to bring into this industry. I believe it is deeper than garments and

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accessories draped on bodies; fashion can be an effective tool of empowerment, of healing emotionally and mentally through positive representation, messages, and content as well as creating social-economic growth and development that is long-standing. We are not a monolith; each country throughout the continent, every creative has its own unique vision and story to share.

WHAT IS THE MOST BEAUTIFUL PART ABOUT AFRICAN FASHION? Our desire is not to conform but rather, to innovate; our continent in regards to fashion reminds me of the tip of a massive iceberg; the potential of our creativity is limitless!

The techniques and craftsmanship which have been passed down like folklore fables are reminiscent of haute couture, the patterns and colors evoke curiosity and emotion in others to explore more of Africa than what they have been told to believe. African creative are using their designs and platforms to acknowledge and celebrate the traditions of the past, while simultaneously embracing the future. As I learn more about my culture and others throughout the continent, I feel so hopeful about what lies in the future for us. The future of fashion in Africa is now!

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WHERE DO YOU DRAW YOUR INSPIRATION FROM WHEN CREATING IN AFRICA? Everything inspires us, but we can say that nature, the environment, the sun, and colors in Africa are an inexhaustible resource of inspiration? We are of the “Serere” ethnic group of Senegal and our ancestors were kings and queens. We are inspired by their outfits of the time by modernizing them and we give them names of our ancestors to our models.

WHY DO FEEL AFRICAN FASHION ISN’T AS APPRECIATED AS IT IS SUPPOSED TO? African fashion should be recognized worldwide. However, the lack of structures and the lack of investment mean that African designers are faced with difficulties that the rest of the world does not know. African fashion is slow to industrialize and this is hampering it for the moment.

WHAT SHOULD PEOPLE KNOW ABOUT AFRICAN FASHION African fashion is quality; we have so much to share internationally. We have the know-how that is passed on

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from generation to generation. Our artisans work and use the same quality raw materials as the fashion houses.

WHAT IS THE MOST BEAUTIFUL PART ABOUT AFRICAN FASHION? We know how to mix tradition and modernity which gives an original touch to African fashion. The colors, the joy of life of Africans are reflected in African fashion. massive iceberg; the potential of our creativity is limitless! The techniques and craftsmanship which have been passed down like folklore fables are reminiscent of haute couture, the patterns and colors evoke curiosity and emotion in others to explore more of Africa than what they have been told to believe. African creative are using their designs and platforms to acknowledge and celebrate the traditions of the past, while simultaneously embracing the future. As I learn more about my culture and others throughout the continent, I feel so hopeful about what lies in the future for us. The future of fashion in Africa is now!

KEEP IT UP WITH SISTERS OF AFRIKA SISTERS OF AFRIKA S I T E : W W W. S I S T E R S O FA F R I K A . F R I N S TAG R A M : @ S I S T E R S O FA F R I K A

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ALEPEL.COM

RUNWAY REPORTER

HIGH

EXPECTATIONS

P H OTO C O U RT E S Y L I L A N I KO L E ; K A RO D E LG O B B O, PA R A I S O M I A M I B E AC H

BY KARO DELGOBBO

Swimweek has always been the most expected event of the year in Miami for the fashion sphere. Each year we see the growing competition of brands, models, producers, generating thousands of jobs and businesses.

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T IS THE MOMENT WHERE MODELS ALL OVER THE WORLD COME TO Miami to participate in the world’s greatest swimwear show. Insane days of long anticipated castings also open many opportunities for multiple body types and colors, becoming a great opportunity to showcase inclusion. The media are euphoric to capture exclusive images and discover new faces, producing a plethora of imagery. For the models, who prepare all year to be in shape for the most disputed brands, it is their moment of glory, harvested with much effort and dedication. Waking up super early, facing the chaotic Miami traffic, the heat, the queues of gigantic castings, the never-ending videos for social media, hours of photos, production and make-up, with the end goal of securing your space at the most disputed shows. And as soon as they succeed, it is celebrated with much hard work and euphoria. The truth of the matter is nobody wants to be left out.

Looking forward to this return after more than one year with no runway. Swimweek makes my heartbeat faster just thinking about the rush and adrenaline of being backstage, which I dearly miss. Even with some borders closed, we can expect that the diversity of before will be slightly reduced, but still present. Especially with mass vaccination and the latest public health announcements, the expectation only increases. Eager to know if what has changed and how the event will happen, one thing I can be sure of: we will work with great passion and dedication.

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SOUL ON FIRE BE FEARLESS IN THE PURSUIT OF WHAT SETS YOUR

LENKA NEMER, THE NEW MISS UNIVERSE BOLIVIA PHOTOGRAPHS EXCLUSIVELY FOR AVESSA WITH SOME OF THE LATEST CREATIONS FROM FASHION DESIGNER ROSITA HURTADO

FA S H ION DE S IG N ER : RO S I TA H U RTA D O MODEL : LE N K A N E M ER H A I R & M A K E - U P A RT I S T : FA BY RO JA S R E T OUC H ER : LAU R A H ER NA N DE Z P HO T O G R A P H ER : FLÁV IO I RYODA

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“EVERY GREAT DREAM BEGINS WITH A SMALL STEP FORWARD”

At the age of 23, Lenka Nemer is an international relations student and passionate about the world of performing arts and fashion. Crowned Miss Universe Bolivia this year, she is an activist for human rights, social justice, and gender equity. and an architect of her own future. Her greatest aspiration is to be able to travel around the world working in cooperation and human rights projects, which is why she also studies languages, speaking English, French and of course Spanish fluently.

She received the Social Impact award during the 69th edition of Miss Universe. After struggling with food security as a child, she created “Huertos Urbanos Bolivia”, an initiative that provides education about urban cultivation and ways to eradicate hunger.

Join Lenka along with fashion designer Rosita Hurtado on her journey of education advocacy with a gender perspective, and much haute couture.

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V IV IANAGABEIRAS .COM

MISS VOYAGER

TIME TO

ESCAPE

BY TAMARA ALMEIDA

Travel has never been more associated with nature than it is now. With still many countries starting the post-pandemic reality or still in lockdown, many are looking for more remote accommodations, preferably far away from the overcrowded urban centers. And I invite each of you to disconnect as safe as possible going off-the-beaten path and discover untapped destinations in your own country! Come and explore the majestic Serra da Mantiqueira, located in the southeast part of Brazil.

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SOLATION TOURISM HAS BEEN A FORCE IN tourism, especially in the luxury sector, for quite a while. But it is undeniable that it has gained unprecedented strength, reaching the level of other tourism niches since the middle of 2020. Traveling through the Serra da Mantiqueira is one of those urban retreat excursions, full of natural beauty. Altogether, there are about 500 km of mountains and forests with typical vegetation from the Mata Atlântica ecosystem, as well as rivers, waterfalls and viewpoints with breathtaking views.

Serra da Mantiqueira is a mountain range that extends across three states in Brazil: São Paulo, Minas Gerais and Rio de Janeiro. The mountain has a geological formation dating from the Archean era that is comprised of a rock massif with a large area of highlands.

“Mantiqueira” is a term of Tupi origin that means “raindrop”, through the combination of the terms amana (rain) and tykyra (drop). Its

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name gives an idea of the great importance of the mountains as a source of drinking water, formed from rivers that supply many cities in the Southeast Region of Brazil.

The Serra da Mantiqueira region has average altitudes of 1,200 to 2,800 meters. The mountain is popular for mountaineering with its high peaks, as well as for several other adventure sports. Due to its altitude, winters in Serra da Mantiqueira have low temperatures for Brazilian standards, ranging from average 18°C / 64°F to minimum of 4°C / 39°F, with fog forming in the early morning and with frequent frost, giving the landscape the appearance of cold weather regions. Serra da Mantiqueira integrates the Mata Atlântica ecosystem and the Araucárias forest, representing some of the remaining fragments of these forests and high-altitude vegetation growing at the highest peaks. A vast number of native fauna can still be found living in this ecosystem.

F RO M L E F T TO R I G H T A R AU C Á R I A T R E E S ; P E D R A DO PEÃO IN THE SAPUCAÍM I R I M R E G I O N ; RU I N S OF MARIA BELA CHAPEL; C AT H E D R A L O F S Ã O B E N TO DO SAPUCAÍ P R E V I O U S PA G E P E D R A D O BA Ú , S E R R A DA M A N T I QU E I R A

PARQUE DA CERVEJA (BEER PARK) Parque da Cerveja Campos do Jordão is located in an area of 240,000 m2 in a protected location within the Serra da Mantiqueira. At the park, you will find a beer factory that was designed to welcome visitors on a guided tour, where visitors can learn about the entire manufacturing process, from the choice of malts to bottling. As visitors pass through the factory, they can also see the barrel room that accommodates the brand’s specialized aged beers. At the end of the visit, visitors can taste 4 different types of draft beer. The complex has stunning green areas, waterfalls, and a stream of crystal-clear water that accompanies the visitor along the trails.

The locale also houses a lookout which was built in the ’60s and has 180º views of the local landscape. With a height of 140m, the lookout was completely renovated to provide beer lovers with a unique experience in the

middle of nature. The Museu da Cerveja (Beer Museum) will soon be inaugurated. It will be an outdoor space with sculptures that tell the history and evolution of beer over time. Each sculpture will have a QR code, where visitors will be able to scan and obtain audio describing each historical stage.

In the “Beernics” area it’s possible to spend some pleasant hours on decks that were carefully installed in the middle of a wide lawn, having a picnic, or tasting your favorite type of bottles or draft beer, which can be purchased at the restaurant in growler pet. The complex’s main partner is Restaurante Alto da Brasa, specializing in delicious grilled cuts, under the control of Brew Chef Michelle Peretti.

NR RESORTS Created 67 years ago by a professor and his wife based on their love of education. In the interior of São Paulo, in July 1953, they created a

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summer camp that has spanned decades proving that people can learn a lot when they have fun. NR Resort is a reference point in its travel segment. With a specialized team that is formed by guides, lecturers, nurses, doctors, psychologists, physiotherapists, cooks, among many others.

They are a true family that lovingly dedicates their time to each visitor that comes to the camp. Resort NR is a partner with educational institutions, families, and companies, offering educational travel programs that favor the personal development of children and young people in social, cognitive aspects.

Resort NR is located between Santo Antônio do Pinhal, Campos do Jordão, São Bento do Sapucaí, Monteiro Lobato and Sapucaí Mirim. One of the most beautiful regions of the Serra da Mantiqueira, having numerous locations for tourism and leisure activities within a radius of up to 50 km. NR Resorts can assist in providing tours and activities, in partnership with the main local suppliers.

EXTRA VIRGIN OLIVE OIL FROM MANTIQUEIRA The passion for cultivating olive trees brought together three producers and friends, who value not only the excellence of the products but also the preservation of Mantiqueira and its culture. Thus, Oliq was born, an extra virgin olive oil produced by hand in São Bento do Sapucaí.

Planting started in 2003 at the Fazenda São José do Coimbra. In 2009, there was a merger with Fazenda Santo Antônio do Bugre. Currently, the orchard, which covers the two farms, adds up to about 13 thousand olive trees of various types, such as arbequina, arbosana, grappolo, maria da fé, koroneiki, coratina, and one that is probably from Galicia, which was nicknamed “bicudinha”. These varieties have adapted well to the soil and climate conditions of the Mantiqueira region, resulting in very tasty varietal oils and blends.

For the pressing of olive oil, the partner-owners invested in machinery and built a mill. It is where olive oil paste is pressured to separate the

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OLIQ EXTRA V I RG I N O L I V E OIL

N R R E S O RT S I N S A N TO A N T Ô N I O DO PINHAL AWA R D - W I N N I N G B R A N D I NA W I N E F RO M V I L L A S A N TA M A R I A W I N E RY

THE MAJESTIC SUNSET OF S E R R A DA M A N T I QU E I R A

liquid oil and vegetation water from the solid material, using all the latest technology to obtain a quality product. In 2014, Oliq had its first extraction of extra virgin olive oil, that is, an oil with less than 0.2% acidity, sensory qualities, and no defects. In addition to olive oils, avocado oils, jams, dulce de leche, and coffee are also produced on the farm. The farm is open for visitors; you can opt for a guided tour to get to know the whole process of cultivating and processing olives, in addition to tasting the vintage oils and purchasing the products produced on-site.

GO ORGANIC EXPERIENCE The Go Organic Experience is an innovative lifestyle concept that combines accommodation, leisure, relaxation, and gastronomy amid the exuberance of the Serra da Mantiqueira mountains and the bucolic nature of Santo Antônio do Pinhal. An organic haven where health and well-being are linked to sustainability and healthy living, providing overnight guests and visitors with magical moments in a unique and picturesque setting.

With an imposing and elegant country architecture, one of the highlights of the complex stands out - the restaurant, equipped with a super modern kitchen, where wonders emerge. With an organic and sophisticated gastronomy to meet even the most demanding palates. With seasonal products rigorously selected from the location’s private garden itself, Chef Allan Azevedo

shines in each culinary creation to provide guests and customers with a surprising sensory gastronomic experience. This locale values local partners and family farms, which aim at organic, sustainable, and pesticide-free cultivation. The Go Organic Experience also has a Spa with the best therapies for an experience of deep relaxation and serenity. With immersive therapies that will help you find your breath and peace. This is a place where you can simply rest and relax.

WINE TOURISM - VILLA SANTA MARIA Villa Santa Maria is an enogastronomic complex, a unique, versatile, and attractive space that brings together wines, gastronomy, tourism, and leisure in the region of São Bento do Sapucaí and Campos do Jordão, in the Serra da Mantiqueira. All in the midst of nature, stunning scenery, pleasant spaces, and sophisticated architecture designed by the partner-owner Célia Pinotti Carbonari. The complex offers tasting of Brandina wines and serves tourists in elegant accommodations at the Villa Bruschetteria restaurant, both in Terrazzo and Giardino. Visitors are invited to try the Gastronomic Menu, an experience that unites Italian and international cuisine, featuring a variety of sophisticated and creative dishes. In an elegant and intimate space, you can taste the Brandina wines, always accompanied by a good conversation and a brief oenological introduction to the winery.

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O N T H I S PA G E , F RO M TO P L E F T TO B OT TO M R I G H T C A BA NA Á G UA NA M ATA ; I N S I D E A C A B I N AT C A BA NA Á G UA NA M ATA ; D O N ’ T M I S S T H E T Y P I C A L P Ã O D E QU E I J O (BRAZILIAN CHEESE BREAD) IN YO U R B R E A K FA S T AT C A S A DA M O N TA N H A ; E N J OY T H E V I E W S AT C A S A DA M O N TA N H A ; G O O RG A N I C E X P E R I E N C E ; N I C O L E & LU I Z A TO L D I S I G NAT U R E H A N D M A D E P O RC E L A I N D E S I G N ; PA RQU E DA C E RV E JA ( B E E R PA R K ) ; E N J OY O N E O F T H E M A N Y WAT E R FA L L S F RO M T H E G O N Ç A LV E S R E G I O N ; O L I V E S F RO M O L I Q ; H A R A S F L A JA H U ; S E R R A DA M A N T I QU E I R A T R E E S

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All production is subject to strict technical rigor, as Mario Augusto Carbonari, responsible for the Wine and Agronomy Sector at Villa Santa Maria and owner of the winery, recalls. After harvested, the grapes are processed at the Agricultural Research Corporation of Minas Gerais (Epamig), in Caldas (MG). The Villa produces seven varietals: Chardonnay, Cabernet Sauvignon, Cabernet Franc, Sauvignon Blanc, Merlot, Syrah and Viognier. The Brandina wine list is robust and skillfully produced. The list includes Assemblage 2019 (white label), Assemblage 2020 red (black label), Sauvignon Blanc 2019, Assemblage Blanc 2019, Extra Brüt Chardonnay Sparkling, Chardonnay 2019, Moscato Colheita Tardia 2019 and Rosé 2020. Among the other delights are the tasty mead, drink of the Vikings, jars of honey, balsamic vinegar, and white and red grape juices.

The winery has an on-site store and e-commerce site.

It also offers guided tours through the vineyards. Altogether there are 90 hectares with gardens, a waterfall, lawns, and a lake.

NICOLE & LUIZA TOLDI HANDMADE PORCELAIN From the need to design and create, Nicole and Luiza Toldi found personal achievement in art. Nicole started her professional career as a landscaper, which allowed her to create an intimate relationship with nature. In a unique and singular way, Nicole translates this entire experience into porcelain pieces. Luiza, Nicole’s daughter, with her artistic background, develops the brand’s visual identity and creates, together with her mother, the concepts of the new collections.

They live high in the mountains of the Serra da Mantiqueira, in the midst of century-old trees and springs. This full immersion in nature is what awakens the ceramist’s senses.

The final result is just one step in a long process. Controlling expectations and enjoying the journey is the challenge. With unusual shapes and textures, in order to exalt the singularities that exist in each one of us.

They use a process that allows an interpretation of an object that already exists in nature.

With this, unique pieces are created, with unusual and unconventional shapes.

O N T H I S PA G E , F RO M TO P L E F T TO B OT TO M R I G H T B E LV E D E R E S E R R A N O V I E W S I N S Ã O B E N TO D O S A P U C A Í ; C A S A DA C AC H O E I R A C A B I N ; B R A N D I NA W I N E S F RO M V I L L A S A N TA MARIA; HANG-GLIDING WITH R A D I C A I S L I V R E ; S Ã O B E N TO D O S A P U C A Í ; S C E N E S F RO M S E R R A DA M A N T I QU E I R A

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P E D R A DA M I NA , HIGHEST POINT AT S E R R A DA M A N T I QU E I R A

WHERE TO STAY Cabanas Águas da Mata: strategically positioned between São Bento do Sapucaí - SP and São Francisco Xavier, there are 5 wooden huts, with a large lawn and fire pit at the foot of the highest peak in the region (Pedra do Campestre), located in a special microclimate that offers contact with the mountains and countryside.

Casa da Montanha: Walking around the property can take the keenest tourists to a small exclusive waterfall.

And there is Wi-Fi for those who want to conduct an “anywhere office”. It is located at an elevation of 1600 meters in the Sapucaí-Mirim Rural Zone and has an incredible sunrise view.

Casa da Cachoeira: located in the region of Pedra do Baú and Campos do Jordão, it is in the middle of the Mata Atlântica and araucaria woods, with a charming and stylish house truly a unique setting. All locations are quiet and safe (and have caretakers for any emergency). All houses have surrounding trails and streams with fireplaces,

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internet, and mineral water. In addition, they offer the ability for guests to independently cook their own meals. They are also local partners with restaurants and allow for delivery from dairies, supermarkets, and agricultural producers, encouraging regional commerce. agnaldorubensneto@gmail.com +55 (35) 99922-6449 @casasmantiqueira @turismomantiqueira DON’T MISS THESE Hang-Gliding: Radicais Livre Paraisópolis, Minas Gerais www.radicaislivresaventura.com.br radicaislivresaventura@gmail.com @radicallivresaventura Sightseeing: Ecomanti Turismo Sapucaí-Mirim, Minas Gerais ecomantituruismo@gmail.com @ecomantiturismo Horseback Riding: Haras Flajahu Sapucaí-Mirim, Minas Gerais julianapupio@gmai.com Rappelling: Campo Escola de Mon-

tanhismo Monteiro Lobato, São Paulo campoescola@gmail.com @campoescolademontanhismo Fondue: Suisse Chocolat Campos do Jordão, São Paulo www.suiessechocolat.com.br @suissechocolat LINKS Parque da Cerveja (Beer Park) Campos do Jordão, São Paulo www.cervejacamposdojordao.com.br NR Resorts www.nr.com.br Oliq www. oliq.com.br Go Organic Experience www.goorganicexperience.com Villa Santa Maria www.villasantamaria.com.br Nicole & Luiza Toldi contato@nicoletoldi.com.br

Located in the Serra da Mantiqueira, the winery provides an unforgettable enogastronomic experience, combining moments of sophistication, contact with nature and a wealth of flavors.

3 hour drive from the city of São Paulo Helipad authorized by Anac Wines awarded by national and international competitions

Reservations are required and booked exclusively through WhatsApp +55 (12) 99649-2728 @vinicolavillasantamaria www.villasantamaria.com.br

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COTTAGE CORE

NOSTALGIA For this collection Luis Aponte was inspired by the foliage, nature, romance, and simple living. Going back to the basics sustainably. This inspiration evolved into the perfect Cottage Core collection with a twist of street fashion making it aesthetically pleasing to the eye. Surrounded by nature, this collection is bringing us back to our daily reality incorporating organic styles and classic silhouettes in every design. Luis Aponte evokes emotions of a calming fairytale fantasy lifestyle by using soft, breezy, floral cottons in most of the garments. Organic curves and tailored details are the are highlighted in every piece. The craftsmanship and the luxury of the materials are the perfect match to indulge your senses into our Cottage Core Nostalgia.

Fashion Desiger LUIS APONTE Models: JAC MAURO, JEAN PIERRE GODINEAUX, LESLIE NIEVES BOGDAN HYGGE @ POSCHE MODELS INTERNATIONAL, MICHELLE GUERRA @ NEXT LEVEL MODELING AGENCY Hair & Make-up Artist ARACELI BRAVO Assitant ANGELA CASTILLO PhotographyNATASHA TABUNOVA, FLÁVIO IRYODA

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2190 SW 22ND TERR - MIAMI, FL 33145 +1 (305) 860.3839 Y O LY M U N O Z C O U T U R E . C O M

HOROSCOPE

GEMINI 21 MAY – 20 JUNE

BY MANISH ARORA

You will be one step closer to knowing where you are headed, and you will have re-built faith in yourself. Ideally, you adopt a more mature attitude towards adventure and facing the unknown. You’ll have a new attitude toward your coworkers and will find ways to squeeze extra work out of anyone. Tiredness and boredom might dampen your spirits for which you ought to take occasional retreats. A good balance between food, exercise and work shall see you in the pink of your health soon. Favorable Dates: June 3, 9, 12, 18, 21, 27. Favorable Colors: White & Grey.

CANCER

21 JUNE – 22 JULY You have a strong interest in broadening your mental experiences in general, and finding expression of your personality through them.

Your vision is all the more realistic now, but pleasingly so. You work steadily and determinedly towards your goals. Authority figures and elders tend to look favorably upon you.

You’ll be after true intimacy on all levels, and you won’t stop until you have it. By month end quantity in the relationship department will get replaced with quality, and this process involves time, soul-searching, frustration, and eventual fulfillment. Favorable Dates: June 1, 2, 10, 11, 19, 20. Favorable Colors: White & Blue.

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LEO

23 JULY - 22 AUGUST You are forced to begin seeing others as individuals, and to improve the manner in which you relate to and with them. Relationships are seen now as serious matters! Responsibilities to partners, the need to compromise, and the realities of the needs of others become clear.

You are more attracted to unusual ideas, fields, and concepts. Exposure to new ideas open up new worlds to you. Working hard at self-improvement ultimately leads to replacing your old spirit with a regenerated one.

Appreciation for your efforts is forthcoming now. Favorable Dates: June 2, 4, 11, 13, 20, 22.

Favorable Colors: Red & Green.

VIRGO

23 AUGUST - 22 SEPTEMBER This month marks a new phase in your life, when you will take your appearance much more seriously, and begin working as hard as possible. New relationships, career changes, financial revamps and health concerns are in for this month. Stirring in you is the desire to make radical changes to the manner in which you go after you want in life. The best advice for increasing your earning power now is to nurture your future-oriented talents. You are now treated to a realistic look at what you have built and achieved. Favorable Dates: June 1, 2, 10, 11, 19, 20. Favorable Colors: White & Yellow.

LIBRA 23 SEPTEMBER – 22 OCTOBER It’s time to start fresh with regards to how you go about satisfying your needs for security and comfort, as well as to take charge of your life by taking the necessary steps to make yourself feel good and secure. Getting in touch with your needs for personal stability is important, as the positive effects in so doing will come back into your intimate life.

You may also be just as inclined to splurge on yourself, plumping up your nest. Monetary problems from the past may clear up during this period. Favorable Dates: June 1, 3, 10, 12, 19, 21. Favorable Colors: White & Blue.

SCORPIO

23 OCTOBER – 21 NOVEMBER You feel considerably more free to be yourself, and others tend to accept you more readily. Exposure to new ideas open up new worlds to you. You might need to guard against becoming too full of yourself or overly self-interested. You could experience some distinct mood swings. There is also a risk of overindulgence and other forms of extreme behavior. You tend to be more helpful to others and spiritually inclined now. A healthy perspective on your life helps to keep everyday stresses from getting to you too much.

Favorable Dates: June 3, 5, 12, 12, 19, 21. Favorable Colors: White & Blue.

SAGITTARIUS

22 NOVEMBER – 21 DECEMBER You become more attuned to the subtleties in your environment and in everyday activities. You absorb the mood of those around you quite easily now. This transit can add a mysterious aura to the way you project yourself to others. It is time for building a solid foundation. Understand that moderation right now is necessary for your spiritual growth and your physical body as well. The need to re-structure and re-organize your life will become glaringly apparent. You feel considerably more free to be yourself, and others tend to accept you more readily. Fa-

vorable Dates: June 5, 7, 14, 16, 23, 25. Favorable Colors: Green & Grey.

CAPRICORN

22 DECEMBER – 19 JANUARY You are likely to be more sensitive to what seem like outer world pressures that force you to examine some of your deepest desires and attachments. These include your sexual relationships, your finances, and your need for control. The last week of the month brings powerful intuition for work, the chance to turn losses into gains, and opportunities to deal with past problems. Don’t forget to take a break from monotony in work. To keep your love alive and kicking, expect the unexpected at all times, and try to go with the flow.

Favorable Dates: June 2, 7, 11, 16, 20, 25. Favorable Colors: Green & Blue.

AQUARIUS

20 JANUARY – 18 FEBRUARY A more free-spirited and faithful attitude towards life is with you in this month. Your intuition is heightened to possibly even uncanny levels. You enjoy an increasing feeling of hope, optimism, and spiritual protection. You are building your resources, getting your finances straightened out, and learning a great deal about what makes you, and the people around you, tick. You are willingly taking the lead and others have your best interests at heart. A lover or partner is paying a lot of attention to you, and it feels fabulous. Favorable Dates: June 2, 6, 11, 15, 20, 24. Favorable Colors : Green & Red.

PISCES

19 FEBRUARY – 20 MARCH You are noticed and recognized for your natural talents on the job, and you could be busy re-investing money into your career. Some of you will be making money from esoteric endeavors or through work behind the scenes.

Watching out for scams or risky speculative investments has been necessary and continues to be a concern this month. You will take expert financial advice or deal with fi-

nancial people. It’s important to control your spending and focus on accumulation. The goal is to finish in a better position than you started at pocket level. Favorable Dates: June 3, 8, 12, 17, 21, 26. Favorable Colors: Blue & White.

ARIES

21 MARCH – 19 APRIL Your sights are set high, but several circumstances help to bring you back down to earth. You can successfully combine practical matters and more fanciful ones this month.

Career offers come now, and money owed to you could also arrive. This is the perfect time to move your love life into a new area and forget traditional ideas you might have about love and commitment. Unusual alternatives like speed dating, online relationships, and other rule-breaking experiments will make you glad. Passionate romance without any strings or expectations might be the answer.

Favorable Dates: June 4, 5, 13, 14, 22, 23. Favorable Colors: Yellow & Grey.

TAURUS

20 APRIL – 20 MAY This is an important period for managing your mind, body and spirit. If a crucial health issue is already on your agenda, keep life simple by working patiently with financial realities. A healthy perspective on your life helps to keep everyday stresses from getting to you too much. You’ll be in for some testing tussles and tumultuous attractions and it may be that others will initiate the interaction or move in close to press a point. Someone from your past may contact you, possibly seeking a recommendation or renewed partnership.

Favorable Dates: June 3, 8, 12, 17, 21, 26. Favorable Colors: Yellow & Blue.

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