With Maxxi Museum Precedent Studies

Exterior Perspective

My final structure just coincidently looked looked a bit like maxxi museum with the cantilever. My main inspiration is derived from Zaha hadid’s work in general, where she follows a post modernistic style with complex form and fine lines. Her work is always facinating to see and for me as well. I frequently wonder what mindset Zaha Hadid employs in her work. The bend in her structures are prominant in the Zaha hadid style and I wonder what is the function of that form. Realistically speaking no one can decipher that information with just visually seeing the structure. You have to dig deeper to find that information out. My mindset in this project is similar, where I want peoeple to see a facinating structure, that is defragmented and has an interesting form. I want people to be able to question why was the structure built like this. But for the Maxxi Museum itself, it was completed after ten years of construction, the museum was recently finished and previewed by the general public.

Model

Interior

The museum is “not an object-container, but rather a campus for art,” where flows and channels intersect to produce a lively, engaging environment. The project’s primary objective is flexibility of usage, despite the program’s clarity and organization. Its continuity of rooms, free from unnecessary wall divisions or breaks, makes it an ideal location for any type of moving and temporary show.

First floor plan

Second floor plan

Ground view

Birds eye view

Customers desired the most straightforward, sunny, and tranquil home that responded in some manner to the Sun’s movement. They really loved the adaptability of the Safe Home and its systems for interacting with the environment. The starting point was a rectangular, undeveloped land in a suburban neighborhood near typical single-family homes. On top of that, we put a rectangle solid that matched the functional program preferences of the investors. The roof truss was erected using wooden construction, and the walls and ceilings were built using monolithic technology. STO plaster was used to finish the walls, together with white MILANO acrylic filler, and a white TPO FIRESTONE membrane served as the roof covering. The interior is mostly white because to the usage of white epoxy glue on the floors.