AYO 2013 Programs & Application Guide FINAL

Australian Youth Orchestra 2013 Programs & Application Guide

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Empowering young people with musical knowledge and imagination, a love of music and a dedication to the highest standards of performance.

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The Australian Youth Orchestra’s study pathway really works.

More than 65% of musicians working in Australian orchestras are AYO alumni. Discover the range of programs below.

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AYO YOUNG SYMPHONISTS

AYO NATIONAL MUSIC CAMP

THE AUSTRALIAN YOUTH ORCHESTRA

Meet other like-minded musicians aged 12–17

Immerse yourself in exhilarating repertoire and performances

Join the internationally renowned Australian Youth Orchestra

Experience orchestral and chamber music making

Benefit from expert tuition

Explore thrilling repertoire led by world-class conductors in prestigious venues

Find support and guidance from Australia’s finest musicians

Discover full orchestral and chamber ensemble experiences Additional programs offered include Arts Administration, Composition, Sound Production and Words About Music

Take pride in this acknowledgment of excellence

AYO PATHWAY

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AYO CHAMBER PLAYERS

AYO REGIONAL RESIDENCIES

AYO ORCHESTRAL CAREER DEVELOPMENT

Study chamber music at an advanced level

Experience ‘life-on-the-road’ as part of a chamber ensemble

Gain unique access to life in a professional orchestra

Perform with inspiring chamber musicians

Receive premier tuition from world class tutors

Find a highly effective stepping stone to a professional career

Focus on ensemble learning

Develop mentoring skills through involvement with community orchestras and musicians

Benefit from partnerships with leading Australian orchestras

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AYO YOUNG SYMPHONISTS THIS PROGRAM IS A GREAT STARTING POINT INTO A WORLD OF OPPORTUNITY IN ORCHESTRAL MUSIC. YOU’LL JOIN WITH THE BEST YOUNG MUSICIANS FROM AROUND AUSTRALIA TO EXPERIENCE THE SATISFACTION OF PLAYING TOGETHER AND TAKING YOUR MUSICAL SKILLS TO A WHOLE NEW LEVEL.

Music Director

Richard Gill Richard Gill is one of Australia’s pre-eminent and most admired conductors specialising in opera, musical theatre and vocal and choral training and is internationally respected as a music educator. He is Music Director of Victorian Opera and Artistic Director of the Education Program for the Sydney Symphony Orchestra. He has been Artistic Director of Oz Opera, Artistic Director and Chief Conductor of the Canberra Symphony Orchestra, and the Adviser for the Musica Viva In Schools program.

Richard has received numerous accolades, including an Order of Australia Medal, the Bernard Heinze Award, Honorary Doctorates from the Edith Cowan UWA and ACU, and the Australia Council’s Don Banks Award.

KEY INFORMATION When / 13 — 21 April Tutors / See www.ayo.com.au for details Where / Kinross Wolaroi School, Orange, NSW Cost / $750. Participants must cover their own transport and instrument freight costs to and from Sydney (or Orange). AYO will provide coach travel from and to Sydney airport Eligibility / ——12–17 years inclusive as at 1 January 2013 ——Minimum standard AMEB Grade 6 or equivalent ——Open to all orchestral instruments including harp (excluding piano)

RAW TALENT TO PERFECT HARMONY

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AYO NATIONAL MUSIC CAMP TOGETHER WITH THE BEST YOUNG PLAYERS FROM ALL OVER AUSTRALIA, YOU WILL PARTICIPATE IN UNFORGETTABLE CONCERTS INSPIRED BY MUSICAL LEADERS OF INTERNATIONAL STANDING PERFORMING MUSIC THAT IS BOTH THRILLING AND DEEPLY SATISFYING. IT’S FULL-ON, BUT SO MANY RESPECTED MUSICIANS RATE AYO NATIONAL MUSIC CAMP AS THE PLACE THAT INSPIRED THEM MOST DEEPLY.

Elizabeth Wallfisch / Music Director ‘A talent, desire to learn, and above all a love of music. This is what brings us all together! We will hear some great music for the first time. Music we know already will become new. At the heart of AYO National Music Camp 2013 is Johann Sebastian Bach, the town of Leipzig and all that has arisen there in music. It will be full of surprises. You will be amazed at who you will meet!’

Elizabeth Wallfisch / Music Director 2013

PROGRAMS Orchestral program

The heart of National Music Camp is the Orchestral Program. For two weeks you will be engaged in an unbelievably thrilling musical pursuit to create memorable performances of superb orchestral music, honing your skills and knowledge of orchestral music-making in combination with other exceptional young musicians.

The program encompasses all aspects of the preparation and rehearsal of full-scale symphonic or chamber orchestra repertoire with inspirational direction from renowned conductors, and specialised guidance from your instrumental tutors. You will perform in one of the two full symphony orchestras or the string chamber orchestra.

The culminating concerts are sure to bring the house down, and the buzz of it will stay with you forever.

CONDUCTORS

Bruno Weil Elizabeth Wallfisch Fabian Russell German born Bruno Weil has received worldwide fame as one of the leading conductors of music of Viennese Classicism. He is principal guest conductor of the Tafelmusik Orchestra and music director of the Cappella Coloniensis, and his conducting engagements have included performances with leading symphony orchestras such as the Berlin Philharmonic, the Vienna Philharmonic, The Dresden Staatskapelle, the Los Angeles Philharmonic Orchestra, and the Boston Symphony Orchestra. From 1992 – 2010, Weil was Music Director of the Carmel Bach Festival, California from 1992 – 2010 and was Artistic Director of the period instrument festival “KLANG & RAUM” (Sound and space) in Irsee, Bavaria from 1993 – 2011. In 2001, he was appointed conducting Professor in Munich at the State Academy for Music and Theatre.

A leading interpreter of music on the baroque and classical violins, Elizabeth Wallfisch is a favourite with both audiences and orchestras. Her appearances are marked by a daring and spontaneous approach to performance that results in electrifying music making. Renowned not only as a prominent interpreter of 17th, 18th and 19th century violin music, she is also an inspiring leader and director. Elizabeth Wallfisch has been a Guest Director/Leader on the violin with many of the world’s orchestras including the Orchestra of the Age of Enlightenment, Netherlands Bach Society, Tafelmusik – Canada, Carmel Bach Festival Orchestra. Her long and impressive discography offers a window onto her expansive musical world from the High Baroque Italian violinist-composers such as Vivaldi, Corelli, and the Classical and Romantic Greats from Mozart to Brahms.

Fabian Russell has been at the forefront of the Australian classical music industry over the last twenty five years as Conductor, Artistic Director, teacher and orchestral musician, holding positions with Sydney Symphony Orchestra, Orchestra Victoria and Melbourne Symphony Orchestra. In 2002 he founded The Orchestra Project - a training orchestra for pre-eminent young Australian musicians. Over the past ten years Fabian has been engaged to conduct AYO, Melbourne Symphony, Sydney Symphony Sinfonia, ANAM and most of Australia’s youth and university orchestras. He was Artistic Director of Melbourne Youth Orchestra and is currently the Principal Conductor of the Monash Academy Orchestra.

He was awarded the Churchill Fellowship in 2011 and is an international adviser to the Australian Music Foundation.

TUTORS Violin / Rachel Beesley, Lachlan Bramble,

Sarah Curro, Aiko Goto, Viola / Caroline Henbest, Stephen King Cello / Sharon Draper, Howard Penny Double Bass / Young-Hee Chan, Max McBride Flute / Alexis Kenny Oboe / Stephen Robinson Clarinet / Frank Celata Bassoon / Mark Gaydon

French Horn / Rachel Silver Trumpet / David Elton Trombone / Tim Dowling Tuba / Thomas Allely Timpani & Percussion / Timothy Constable,

Mark Robinson Harp / TBC Keyboard / Erin Helyard Chamber Music / Howard Penny

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AYO NATIONAL MUSIC CAMP

Arts Administration Program

Words About Music Program

Composition Program

TUTOR

TUTOR

TUTOR

No other course offers the kind of intense practical experience in every aspect of orchestral operations that this program provides. Under the leadership of Lou Oppenheim, Director of Operations, Melbourne Symphony Orchestra, you will be part of the dynamic operations team that is at the centre of all the action of AYO National Music Camp, participating as part of the organisational powerhouse.

The knowledge and experience you gain will equip you with a secure foundation for a successful career in orchestral management.

If you are drawn to communicating your love of music through words, this unique program introduces you to the diverse ways in which music is talked and written about. Words About Music has a great track record of inspiring and setting people up for careers in broadcasting, writing and arts administration. Throughout AYO National Music Camp, the program encompasses program note writing, promotional and copy-writing, interview techniques, website development and radio production. You’ll have a chance to be involved in all of these things, helping to enhance the special atmosphere of Camp through newsletters, blogs and radio broadcasts.

For the young composers themselves, there can be few experiences more powerful than the engagement with the talents gathered at AYO National Music Camp. With its emphasis on practical performance outcomes, the Composition Program provides a fantastic opportunity for the aspiring composer.

Lou Oppenheim

Participants will be eligible for the Kenneth Tribe Arts Administration Scholarship to assist with the cost of participating.

Fellowship opportunities with the Sydney Symphony, Musica Viva and Oz Opera will also be offered to participants. Application details for these fellowships will be available at AYO National Music Camp.

James Koehne & Vincent Ciccarello

Participants will also be eligible for opportunities to take the experience further in fellowship programs with Symphony Services International and the Sydney Symphony. Application details for these programs will be available at AYO National Music Camp.

James Ledger

CORE FUNDAMENTALS TO REFINED SOPHISTICATION Sound Production Program TUTOR

Jim Atkins Started in 2011, this new program looks at music production as well as interview technique and editing associated with broadcasts. The participants will record all National Music Camp concerts and work closely with the ABC for the concert broadcasts.

KEY INFORMATION When / Orchestral Program 6 – 20 January Arts Administration, Words About Music & Sound Production Programs 5 – 20 January Composition Program 6 – 20 January Where / Elder Conservatorium of Music, University of Adelaide, Adelaide, SA Cost / $980. Participants must cover their own transport and instrument freight costs (including harp and double bass) to and from Adelaide Eligibility / Orchestral Program ——14–22 years inclusive, as at 1 January 2013 ——Minimum standard AMEB Grade 6 or equivalent ——Open to all orchestral instrumentalists, including keyboard and harp Arts Administration, Words About Music, Sound Production and Composition Programs ——18–30 years inclusive as at 1 January 2013 ——Previous participants of these programs are ineligible to apply

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NERVOUS ANTICIPATION TO COMPLETE BELONGING Hannah/18 I love the Australian Youth Orchestra for so many reasons. It is so easy to lose sight of what I believe to be one of the truest purposes of music: being afforded the freedom to express emotion which cannot otherwise be expressed in words, and to share this vulnerability, this precious gift, with other people.

For me, the Australian Youth Orchestra allowed me to reconnect with my deep and abiding love of music, for music’s own sake.

The AYO places a high value on technical and musical excellence, but within the context of playing amid a vibrant group of young people, whose own passion, determination and ensuing drive for what they do not only spurs you on in your own musical pursuits, but with whom you form immensely supportive friendships.

Playing with the Australian Youth Orchestra has also provided me with countless opportunities to work with conductors, tutors and performers of a formidable calibre, whose professional insight has proved invaluable for my musical education and experience.

Thanks to the AYO, as well as the encouragement in such ventures I have received from my family and my violin teacher, I have been further convinced that music is definitely the path down which I desire to travel, hopefully for the rest of my life.

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THE AUSTRALIAN YOUTH ORCHESTRA In 2013, members of the Australian Youth Orchestra will travel to Europe to perform at prestigious summer festivals under the baton of celebrated conductor Christoph Eschenbach.

The AYO will be joined by virtuoso violinist Joshua Bell in concerts first at the Sydney Opera House and Hamer Hall Melbourne, then in Europe at the Konzerthaus in Berlin and the Concertgebouw in Amsterdam. Following the popular “style workshops” of recent years and in preparation for this tour, the AYO will also convene in February for an intensive chamber music and orchestral summer course. Led by some of the world’s leading string, wind, brass, and percussion players each section of the orchestra will work closely to refine their ensemble skills and come together for a performance and recording of major orchestral works. This really is a ‘once-in-a-lifetime’ opportunity guaranteed to propel your playing to new heights of musicianship and performance.

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THE AUSTRALIAN YOUTH ORCHESTRA

Christoph Eschenbach

REPERTOIRE TO INCLUDE:

Christoph Eschenbach has been acclaimed for his creative insight and dynamic energy, as a conductor, collaborator, and ardent champion of young musicians. He is currently Music Director of the National Symphony Orchestra and the John F. Kennedy Center for the Performing Arts in Washington, D.C. He regularly performs with the Wiener Philharmoniker, the London Philharmonic Orchestra, the Dresden Staatskapelle, and the Boston Symphony amongst many others.

KEY INFORMATION

CONDUCTOR

Mentored by George Szell and Herbert von Karajan, Christoph Eschenbach’s previous appointments include Music Director of the Houston Symphony, the Schleswig-Holstein Music Festival, The Philadelphia Orchestra, the Orchestre de Paris, and the Ravinia Festival, summer home of the Chicago Symphony.

SOLOIST

Joshua Bell Joshua Bell has enchanted audiences worldwide with his breathtaking virtuosity and tone of rare beauty. His restless curiosity and multifaceted musical interests have taken him in exciting new directions which have earned him the rare title of “classical music superstar.” Often referred to as the poet of the violin, Bell is the recipient of the Avery Fisher Prize and is the newly named Music Director of The Academy of St. Martin in the Fields. Today he is equally at home as a soloist, chamber musician, orchestra leader and composer who performs his own cadenzas to several of the major concerto repertoire. “Bell,” Gramophone stated simply, “is dazzling.”

Tchaikovsky Violin Concerto Rimsky-Korsakov Sheherazade Mahler Symphony No.1 Stravinsky The Firebird

When / 8 – 20 February 21 July – 20 August Where / Melbourne & Sydney, Australia Austria Germany The Netherlands Switzerland Cost / February $1050 July / August $4100 AYO will arrange and cover all travel, instrument freight, meals and accommodation costs associated with this program Eligibility / ——25 years or under as at 1 January 2013 ——Minimum standard AMEB Grade 7 or equivalent ——Open to all orchestral instrumentalists, including keyboard and harp ——Participants must be available for both February and July programs

SELF EXPRESSION TO UNITED ENSEMBLE

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AYO CHAMBER PLAYERS ONE OF THE PEAK PROGRAMS FOR PLAYERS SERIOUSLY ENGAGED IN CHAMBER MUSIC, AYO CHAMBER PLAYERS OFFERS YOU THE OPPORTUNITY TO LEARN FROM AND WORK WITH SOME OF THE WORLD’S GREATEST CHAMBER MUSICIANS. INTEGRATED INTO THE MUSICA VIVA FESTIVAL IN 2013 AND DIRECTED

BY CELLIST PIETER WISPELWEY, YOU’LL BE IMMERSED IN AN INTERNATIONAL CELEBRATION OF CHAMBER MUSIC. MUSIC DIRECTOR

Pieter Wispelwey Pieter Wispelwey is among the first of a generation of performers who are equally at ease on the modern or the period cello. His acute stylistic awareness, combined with a truly original interpretation and a phenomenal technical mastery, has won the hearts of critics and public alike in repertoire ranging from JS Bach to Schnittke. Pieter has appeared as soloist with many of the world’s leading orchestras, including the Boston Symphony, London Philharmonic, Hallé orchestra, and the Sydney Symphony. His discography displays an impressive line up of over twenty recordings, six of which attracted major international awards.

KEY INFORMATION

TUTORS

When / 28 March – 8 April

Pacifica Quartet Goldner Quartet Pieter Wispelwey cello Lambert Orkis piano Sharon Bezaly flute Hector McDonald French horn

Where / Sydney, NSW Cost / $845. AYO will arrange and cover all travel, meals and accommodation costs associated with this program.

Eligibility / ——18–28 years inclusive, as at 1 January 2013 ——Minimum standard AMEB AMusA or equivalent ——Open to individual violin, viola, cello, flute, oboe, clarinet, bassoon, French horn and piano players, as well as established string quartets, wind quintets and piano trios ——Each musician must complete an application form and an individual audition (unless you are applying as an established ensemble, in which case an individual audition is not necessary) ——Established string quartets, wind quintets and piano trios must submit an audiovisual recording and CV (see details page), further information will be sent once your application is received

CREATIVE CHAOS TO ARTISTIC SYNERGY

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FROM EXCITED TO ECSTATIC

AYO REGIONAL RESIDENCIES IF YOUR PROFESSIONAL ASPIRATIONS LIE IN THE DIRECTION OF CHAMBER MUSIC, THE AYO REGIONAL RESIDENCIES OFFER A UNIQUE AND INVALUABLE OPPORTUNITY FOR A STRING QUARTET AND WIND QUINTET TO LIVE THE EXPERIENCE OF A TOURING ENSEMBLE.

AYO String Quartet Central Victoria The string quartet is considered by many to be the pinnacle of chamber music, and something many string players aspire to master. This regional residency offers an intensive period of ‘together’ time for a newly formed or established quartet, in the beautiful surrounds of central Victoria.

This program allows the group to rehearse, practice and perform regularly, as well as reach out to regional communities through leading workshops and master classes with local groups. A specialist string tutor will be selected to mentor the quartet.

AYO Wind Quintet Regional NSW This year, the AYO Wind Quintet will come together to work intensively under the guidance of a specialist wind tutor.

This is your chance to explore challenging repertoire for this ensemble, and share your knowledge and expertise with members of the local community.

KEY INFORMATION AYO String Quartet When / 12 – 25 March Where / Central Victoria Cost / $465 per person. AYO will arrange and cover all travel, meals and accommodation costs associated with this program Eligibility / ——18–28 years inclusive, as at 1 January 2013 ——Minimum standard AMEB AMusA or equivalent ——Open to all violin, viola and cello players as well as established string quartets AYO Wind Quintet When / 30 September – 13 October Where / Regional NSW Cost / $465 per person. AYO will arrange and cover all travel, meals and accommodation costs associated with this program Eligibility / ——18–28 years inclusive, as at 1 January 2013 ——Minimum standard AMEB AMusA or equivalent ——Open to all flute, oboe, clarinet, bassoon and French horn players as well as established wind quintets

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AYO ORCHESTRAL CAREER DEVELOPMENT THE AYO ORCHESTRAL CAREER DEVELOPMENT PROGRAMS PROVIDE YOU WITH THE CRITICAL LINK AND HIGHLY EFFECTIVE STEPPING STONE INTO A PROFESSIONAL MUSIC CAREER. IN THESE SPECIALISED PROGRAMS, YOU WILL WORK CLOSELY WITH PROFESSIONAL MUSICIANS AND GAIN THE INSIGHTS AND CAREER PREPARATION THAT YOU CAN ONLY GET FROM BEING IN A PROFESSIONAL ORCHESTRAL ENVIRONMENT.

Melbourne Symphony Orchestra String Fellowships In two stages, the MSO String Fellowships begin with an intensive week of one-on-one coaching from your MSO mentor, concerto and excerpt workshops and professional development sessions to develop the skills and knowledge you will need to enter the life of a professional orchestra. You will rehearse alongside your mentor and the Fellowship will culminate in an audition for casual engagement with the MSO. Following a successful casual audition selected Fellows will be invited to participate in Stage Two and will be engaged by the MSO for up to three weeks work as a casual musician performing under the close guidance of your mentor.

Tasmanian Symphony Orchestra Wind, Brass and Percussion Fellowships The TSO Wind Brass & Percussion Fellowships are offered in partnership with the Tasmanian Symphony Orchestra. With expert coaching from a TSO musician, you will be guided through the preparation for an audition and at the conclusion of the week undertake a casual audition for the TSO. You’ll receive one-onone assistance in preparing repertoire and attend professional development seminars. In the second week of the Fellowship, you’ll join with other AYO musicians for the special performance project, TSO & AYO In Concert.

TSO & AYO In Concert This annual concert project has become a season highlight in Hobart seeing AYO musicians join with the full Tasmanian Symphony Orchestra to perform exciting works for a large-scale orchestra.

Conductor

Mark Wigglesworth

Britten Sinfonia da Requiem Elgar Symphony No. 1

KEY INFORMATION MSO String Fellowships When / 12 – 20 May Where / Melbourne, VIC Cost / $360 Eligibility / ——18–25 years inclusive, as at 1 January 2013 ——Limited places are available for violin, viola, cello and double bass players ——Previous MSO String Fellowship participants are ineligible to apply

TSO Wind, Brass and Percussion Fellowships and TSO & AYO In Concert When / 29 April – 11 May Where / Hobart, TAS Cost / $670 (including TSO & AYO In Concert) Eligibility / ——18–25 years inclusive, as at 1 January 2013 ——Limited places are available for all wind, brass (except bass trombone and tuba) and percussion players ——Previous TSO Wind, Brass and Percussion Fellows are ineligible to apply

TSO & AYO In Concert When / 6 – 11 May Where / Hobart, TAS Cost / $420 (for strings and past TSO Wind, Brass and Percussion Fellows only) Eligibility / ——18–25 years inclusive, as at 1 January 2013 ——Limited places will be offered across a range of orchestral instruments AYO will arrange and cover all travel, instrument freight, meal and accommodation costs associated with these programs

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SCHOLARSHIPS & AWARDS

Financial Assistance The AYO is committed to ensuring Australia’s most talented young musicians have every opportunity to participate. The AYO has a generous financial assistance program which offers scholarships to help participants offset registration fees and travel costs associated with attending AYO programs. These scholarships are provided through the support of the following individuals and organisations: ——Accenture Australia ——Australian Government - Office for the Arts ——Ruth Alexander Memorial Scholarship ——Christine Bishop ——The Bowness Family Foundation ——Angela Chilcott ——The Cybec Foundation ——Dorothy Fraser Scholarship Fund ——Gadens Lawyers ——Louise Gourlay OAM ——Maurice Green AM and Christina Green ——Kenneth Hunt Memorial Fund Scholarship ——Henry Jacono Memorial Fund ——Christopher John ——Andrew and Renata Kaldor ——King & Wood Mallesons ——Dr Barry Landa ——Simon and Leonie Marks ——McCusker Charitable Foundation ——National Music Camp Trust ——Roslyn Renwick ——Peter Seymour Memorial Fund ——The Standish Roberts Trumpet Scholarship ——Friends of the Tasmanian Symphony Orchestra ——Ion Teska ——Kenneth Tribe Arts Administration Scholarship ——Mary Vallentine AO ——Peter Weiss Foundation ——Michael and Mary Whelan Trust Scholarship ——and anonymous donors All applications for financial assistance are means-tested.

Full details of how to apply for financial assistance will be sent out with offers following a successful audition.

If you have any concerns regarding meeting the cost of AYO programs please contact Lucy Papworth, Operations & Planning Manager to discuss this further, email lucypapworth@ayo.com.au

The Ernest V. Llewellyn Memorial Fund Annual Awards for string players Following Ernest Llewellyn’s death in 1982 this Fund was established by a group of his friends and colleagues to honour his life and work, and has as its principal objective the advancement of string playing in Australia.

Annual awards provide support for young string players wishing to undertake advanced studies, or to attend master classes, workshops or seminars such as AYO programs, in Australia and overseas.

The late Ernest Llewellyn CBE had a distinguished musical career as one of Australia’s most notable violinists, as well as a conductor, chamber music performer and teacher. For 16 years he was concertmaster of the Sydney Symphony Orchestra. In 1965 he was appointed founding director of the Canberra School of Music, and musical director of the Canberra Symphony Orchestra, positions he held for the following 15 years. Ernest Llewellyn was involved in programs presented by the Australian Youth Orchestra, in particular as tutor, soloist and director at AYO National Music Camps.

You do not need to be an applicant or participant in AYO programs to apply. Full details of the application process, audition requirements and grant guidelines are available on our website at www.ayo.com.au The Richard Pollett Memorial Award Richard Pollett, a former violinist of the Australian Youth Orchestra, died tragically in a road accident on 27 September 2011.

He was 25.

The Richard Pollett Memorial Award has been established by Richard’s family and close friends in association with the Australian Youth Orchestra to honour his memory.

Discretionary awards will be made annually to provide support and encouragement to young violinists who display outstanding personal and musical attributes.

APPLICATION PROCEDURE

Apply online at www.ayo.com.au or submit the application form on page 31 to apply for one, two, or ALL of the 2013 AYO programs.

Applicants are required to: ——Meet the eligibility criteria as specified for each program; and ——Make themselves available for the full period listed for each program; and ——Be an Australian Citizen or Permanent Resident of Australia Instruments You may audition on the following instruments: flute, piccolo, oboe, cor anglais, clarinet, E flat clarinet, bass clarinet, bassoon, contrabassoon, French horn, trumpet, tenor trombone, bass trombone, tuba, percussion, timpani, harp*, piano*, violin, viola, cello, and double bass.

Wind instrument candidates are encouraged to also audition on their respective doubling instruments – piccolo, cor anglais, E flat clarinet, bass clarinet and contrabassoon. AYO may be able to assist you in sourcing these instruments for the purpose of the audition. * There will be no live auditions for harp, piano or existing chamber ensembles. See recorded audition information on page 28.

Application Fee A non-refundable fee of $82 is charged to each applicant to cover administration and processing costs. Only one application fee is required, regardless of how many programs you wish to apply for or how many instruments you apply on.

Program Fees FULL payment of the fee/s is required upon confirmation of acceptance of each program following a successful audition and program offer. Withdrawal from any program after your acceptance, for any reason other than certified medical grounds, will result in the forfeit of fees at the rate of $50 per calendar month, from 30 November 2012 for withdrawal from AYO National Music Camp or 31 December 2012 for all other programs.

If withdrawal occurs less than 4 weeks prior to a program commencing then the full fee may be forfeited.

Payment Plan AYO is able to assist you with paying your fees by setting up a payment plan. Full details will be sent out with program offers following a successful audition.

Important Dates 14 May 2012 2013 Applications open; orchestral excerpts available 8 June 2012 Closing date for all 2013 applications 25 June 2012 Audition dates and times emailed to applicants 1 August 2012 Closing date for receipt of all recorded auditions and portfolios for Composition, Arts Administration, Words About Music and Sound Production programs 3 August – 3 September 2012 Audition period 2 October 2012 Audition results emailed to applicants, first round offers released 19 October 2012 First round offers acceptance period closes 2 November 2012 Second round offers released 16 November 2012 Second round offers acceptance period closes 19 November 2012 Further offers released 23 November 2012 Applications for Financial Assistance close

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AUDITION & INTERVIEW REQUIREMENTS Live Auditions for Performance-based Programs

All applicants please note that:

Each instrumentalist (except piano and harp) is required to attend a live audition in order to be eligible for 2013 AYO programs.

——Approval to submit a recorded audition is at the discretion of the AYO ——Applicants are strongly advised to seek appropriate advice on how best to make an effective & successful recording.

It is in your best interests to provide the highest quality recording possible to ensure you are accurately assessed ——The AYO is not responsible for and cannot waive deadlines for recordings lost or damaged in the mail. Please use adequate packaging and ensure your recording is clearly labeled

All applicants (except percussion and timpani) are required to perform a short piece of their own choice, without an accompanist.

It is recommended that candidates choose a work (or section of a work), which addresses the following points.

——Clearly demonstrates the applicant’s technical proficiency ——Emphasises the applicant’s musicianship ——Perform contrasting musical material ——No more than 5 minutes in length Applicants are not required to perform complete works - a carefully selected passage of a longer piece is acceptable.

Due to time constraints, the audition panel may elect to hear only part of the candidate’s piece. Applicants are strongly advised to check the selection of their piece with their teacher.

Orchestral excerpts – Applicants are required to prepare and perform a set of AYO orchestral excerpts. These excerpts will be available for download from the AYO website upon completion of the application and payment process. The sooner you apply, the sooner you will receive your excerpts!

Sight-reading – Applicants will be asked to sightread a short piece in the audition.

AYO will make an audiovisual recording of all live auditions for archival purposes.

Recorded Auditions Three categories of applicants are eligible to submit recorded auditions.

1. STRING QUARTETS, WIND QUINTETS & PIANO TRIOS applying for AYO Chamber Players and STRING QUARTETS & WIND QUINTETS applying for the AYO Regional Residencies program must submit an audiovisual recording of a recent performance, or a recording made specifically for the AYO audition.

2. All PIANO and HARP applicants must submit an audiovisual recorded audition.

3. Applicants from regional areas, or those who are unable to audition on their scheduled day for certified medical reasons, may submit an audiovisual recorded audition.

Details on how to prepare your recording will be emailed to you once your application has been received. The only acceptable audiovisual recording format is DVD. It is essential that the recording of your own-choice piece is unaccompanied and specifically recorded for the 2013 AYO audition process.

If you are unable to audition on your instruments scheduled day please phone the AYO on 02 9252 3855 or toll free 1300 668 500 as soon as possible to confirm details for submitting a recorded audition.

The final date for the receipt of all recorded auditions is Wednesday 1 August 2012.

Materials received after this date will not be eligible for consideration. Recorded materials will not be returned unless requested.

Non-Instrumental Programs If you wish to apply for Arts Administration, Words About Music, Sound Production or Composition programs at AYO National Music Camp please refer to pages 10 and 11 for details and application requirements.

The Australian Youth Orchestra’s live auditions for 2013 programs will be held by an independent panel of music professionals. Please note all dates are subject to change. The most current audition dates can be found at www.ayo.com.au

AUDITION & INTERVIEW DETAILS String Auditions PANEL: Michele Walsh & Sarah Morse Adelaide

10 August

Armidale

30 August

Brisbane

15, 16, 18 & 19 August

Canberra

23 August

Darwin

20 August

Hobart

8 August

Melbourne

6, 7 Aug & 4, 5 Sept

Orange

2 September

Perth

11 & 12 August

Sydney

25, 26, 27, 29 Aug & 1 Sept

Townsville

17 August

Woodwind & Brass Auditions PANEL: Elizabeth Koch & Dale Truscott Adelaide

18 August

Armidale

13 August

Brisbane

22, 23 & 24 August

Canberra

8 August

Darwin

25 August

Hobart

29 August

Melbourne

31 Aug & 1, 2 September

Orange

7 August

Perth

16 August

Sydney

3, 4, 5 & 12 August

Townsville

21 August

Percussion & Timpani Auditions PANEL: Tracey Patten, Elizabeth Koch & Dale Truscott Adelaide

19 August

Brisbane

26 August

Canberra

9 August

Melbourne

30 August

Perth

17 August

Sydney

11 August

Note: Percussion & timpani applicants from other locations, including Armidale, Darwin, Hobart, Orange and Townsville will be advised of audition date and details once your application has been received.

Piano & Harp Recorded Auditions PANEL: Janis Cook (piano) & Genevieve Lang (harp) Arts Administration Interviews PANEL: Lou Oppenheim & Lucy Papworth Applicants for this program will be interviewed by telephone on 17 & 18 September 2012. Written Arts Administration applications are due to AYO by 1 August 2012.

Words About Music Interviews PANEL: James Koehne & Vincent Ciccarello Applicants for this program will be interviewed by telephone in September 2012. Words About Music portfolios are due to AYO by 1 August 2012.

Sound Production Program PANEL: Jim Atkins Applicants for this program will be assessed in September 2012. Applications are due to AYO by 1 August 2012.

Composition Program PANEL: James Ledger Applicants for this program will be assessed in September 2012. Composition portfolios are due to AYO by 1 August 2012.

All decisions of the audition/interview panels are final and no correspondence will be entered into. Applicants will be notified of audition/interview results by email, from 2 October 2012.

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AYO SUPPORTERS Principal Sponsor

The Australian Youth Orchestra is supported by the Australian Government

Major Program Partner

AYO National Music Camp Partners

Corporate Music Partners

COLLIER CHARITABLE FUND

AYO Regional Residencies Partner and Legal Partner

Venue Partner

Honorary Auditor

Commissioning Partners

Logistics Partner

Brand Consultant Partner

Scholarship Partners

Media Supporter

AYO is supported by the NSW Government through Arts NSW

The Australian Youth Orchestra is grateful to all the many donors and volunteers who contribute so generously to all its programs

2013 APPLICATION FORM / 01

Applicant Details (please print clearly)

Instrument Details

Last Name:

Only list the instrument(s) on which you will be auditioning. If you wish to audition on more than one instrument, write each one on a separate line.

First Name: Home Address: Home Suburb: Home State:

Home Postcode:

Mailing Address (if different from home): Mailing Suburb: Mailing State:

Note: Wind instrument applicants are encouraged to also audition on their respective doubling instruments – piccolo, cor anglais, E flat clarinet, bass clarinet and contrabassoon. AYO may be able to assist you in sourcing an instrument for the purpose of the audition.

Instrument: Instrument:

Mailing Postcode:

Home Phone:

Instrument: Music Education History

Applicant Mobile:

Most recent exam or qualification completed e.g. AMEB Grade or Degree:

Applicant Email: Gender Male / Female

Instrument:

Citizenship (Australian or other)

Year:

Applicants must be an Australian Citizen or Permanent Resident of Australia to apply for AYO programs.

Result:

Are you of Aboriginal or Torres Strait Islander descent?

Yes / No

Previous school or institution (if no longer studying):

Date of birth: Age at 1/1/2013 Years :

Months:

Please note that proof of age, Citizenship/Permanent Resident status, AMEB or equivalent level achieved or qualification may be requested at Australian Youth Orchestra's discretion.

Current school or institution: Current/most recent teacher’s contact details Name: Address: Suburb: State: Postcode:

If the applicant is under 18 years of age, please provide details for parent/guardian as Next of Kin (NoK)

Phone:

NoK Last Name:

Do you play in a state-based youth orchestra? If so, which one(s)?

Mobile:

NoK First Name: Relationship to the applicant: NoK Home Phone: NoK Mobile: NoK Work Phone: NoK Email: Please note that all correspondence will also be emailed to the Next of Kin if an applicant is under 18 years.

Do you play in other orchestra(s) or ensemble(s)? If so, which one(s)?

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2013 APPLICATION FORM / 02 I want to apply for the following AYO programs in 2013 (please tick) AYO recommends that you apply for all programs that you are eligible for.

Audition excerpts Apply online and receive your audition excerpts today! I would like to receive my excerpts:

AYO Young Symphonists

Electronically (will be available for download from the AYO website immediately upon application and payment receipt)

AYO National Music Camp Orchestral

Mail (will take a minimum of 5 working days for processing)

AYO National Music Camp Arts Administration

Payment

AYO National Music Camp Words About Music

$82 Application Fee (one off non-refundable fee, regardless of how many programs you apply for)

AYO National Music Camp Composition AYO National Music Camp Sound Production

Option 1 Credit Card Mastercard

The Australian Youth Orchestra

Visa

Card No

AYO Chamber Players Individual application

Expiry date

Established String Quartet, Wind Quintet or Piano Trio

Amount: $82

/

CVC

Ensemble name

Cardholder’s name:

Ensemble contact person

Cardholder’s signature:

AYO Regional Residencies: AYO String Quartet or AYO Wind Quintet

Option 2 Direct Bank Transfer Bank Name: Commonwealth Bank of Australia Account Name: Australian Youth Orchestra BSB Number: 06 2243 Account Number: 1003 6255 Please put the Applicant’s Name as reference

Individual application Established String Quartet or Wind Quintet Ensemble name Ensemble contact person

Option 3 Cheque/Money Order

AYO Orchestral Career Development

Payable to The Australian Youth Orchestra

MSO String Fellowships TSO Wind, Brass & Percussion Fellowships and TSO & AYO In Concert TSO & AYO In Concert

Applications close: Friday 8 June 2012 Apply online at www.ayo.com.au, pay instantly via credit card or direct transfer and receive your audition excerpts today!

Or fax application form to: 02 9252 8033

Preferred Audition Location If you are applying for AYO National Music Camp’s non instrumental programs please tick ‘Interview’.

Adelaide

Armidale

Brisbane

Canberra

Darwin

Hobart

Melbourne

Orange

Perth

Sydney

Townsville

Interview (non-instrumental programs only) Recorded Note: There will be no Live Auditions for Piano, Harp or established chamber ensembles. (See page 28 for recorded audition requirements)

Or post application form to: 2013 AYO Auditions The Australian Youth Orchestra Level 1, The Arts Exchange 10 Hickson Road Millers Point NSW 2000 For enquiries call the AYO toll free: 1300 668 500 Note: Avoid delays in paper application processing by paying online at www.ayo.com.au. Paper applications may take up to five days to process and can only be processed following the receipt of your payment. Audition excerpts will then be sent to you.

I certify that all information supplied on this form is true and correct: Applicant Name: Signed: Date:

THE AUSTRALIAN YOUTH ORCHESTRA

Sydney Level 1, The Arts Exchange 10 Hickson Road Millers Point NSW 2000 Phone 61 2 9252 3855 Melbourne Arts House, Suite 3 204 St Kilda Road Southbank VIC 3006 Phone 61 3 9699 9281 Toll free 1300 668 500 Facsimile 61 2 9252 8033 Email info@ayo.com.au Web www.ayo.com.au Founders Professor John Bishop OBE Ruth D Alexander Patron Emeritus Professor Di Yerbury AO Board of Directors Mary Vallentine AO, Chairman Peter Grant, Deputy Chair Ron Ogden, Treasurer/Company Secretary Kellie Benda Monica Curro Erin Flaherty Luke Nestorowicz Shefali Pryor Clare Pullar Frank Zipfinger Foundation Members Ron Maslyn Williams Honorary Life Members Leonard Amadio AO Margaret Greene Donald Hazelwood AO OBE Emeritus Professor John Hopkins OBE J Leonard Porter Professor Peter Sculthorpe AO OBE Maureen White Graham Wood OAM

Management Colin Cornish Chief Executive Officer Lucy Papworth Operations & Planning Manager Samuel Torrens Production Coordinator Michelle Zarb Operations Coordinator Genevieve Lang Artistic Administrator Meredith Potts Program Administrator Katie Priddis Business Manager Howie Huang Financial Accountant Rossy Yang Assistant Accountant Antonia Brownlee Development Director Alice Green Development Manager Caterina Savoca Individual Giving Manager Sarah Howell Alumni Development Coordinator Sarah Gilchrist Marketing & Comms Manager Aleisha Conlay Marketing Coordinator Sally Quinn Publicist Artistic Advisory Committee Shefali Pryor, Chair Keith Crellin OAM Monica Curro Elizabeth Koch OAM Siobhan Lenihan Tim Matthies Marshall McGuire Michele Walsh AYO Council Mr Leonard Amadio AO Mr Vladimir Ashkenazy Ms Lin Bender AM Mr Patrick Brislan Mr Andrew Brookes Mr Tim Calnin Ms Annabelle Chaplain Associate Professor Carl Crossin OAM Ms Diana Doherty Mr Michael Elwood Mr Anthony Fogg Ms Nancy Fox Ms Jenny Garber

Mrs Cass George Mr Richard Gill OAM Professor Malcolm Gillies Ms Virginia Gordon Mrs Deirdre Greatorex Mrs Christina Green Mr Trevor Green Mr Antony Grybowski Mr Donald Hazelwood AO OBE Ms Virginia Henderson AM Emeritus Professor John Hopkins OBE Mr Lawrence Jacks Mrs Daniele Kemp Mr Arthur Koumoukelis Associate Professor Dr Geoffrey Lancaster AM Mr Janis Laurs Mr William Lyne CBE, AM The Hon Jane Mathews AO Mr Donald McDonald AC Mr Marshall McGuire Mr Jonathan Mills Dr Richard Mills AM Mr Dene Olding Associate Professor Patricia Pollett Ms Helena Rathbone Mr Simon Rogers Mr Clive Scott Professor Peter Sculthorpe AO OBE Professor Margaret Seares AO Mr Yosi Tal Ms Pamela Thornton Mr Sheldon Trainor Ms Michele Walsh Mr Peter Waters Her Excellency Penelope Wensley AC Mr John Williams AO OBE Mr Ray Wilson OAM Mr Bruce Wolfe Emeritus Professor Di Yerbury AO

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“In youth orchestras now we take technical brilliance and galloping energy for granted. Yet the AYO revealed qualities much more unusual. A succulent refinement of tone and touch. An adult grasp of emotions and cultural worlds usually thought beyond any teenager, in any hemisphere�

THE TIMES, LONDON

Accenture is proud to serve as the Principal Sponsor of the Australian Youth Orchestra.

Here’s to high performance.

Since its first performance more than 60 years ago, the Australian Youth Orchestra has been a showcase of artistic excellence and high performance. Accenture celebrates the orchestra’s myriad achievements and we are pleased to contribute to the development of the arts and young musicians in Australia. www.accenture.com.au