AUBURN UNIVERSITY T H E AT R E & DA N C E P R E S E N T S
Ride the Cyclone BOOK, MUSIC, AND LYRICS BY
Jacob Richmond & Brooke Maxwell Directed by Andrew Schwartz Music Direction by Brian Osborne | Choreography by Jeri Dickey
November 12-20, 2026 Telfair B. Peet Black Box Theatre
2026–2027
113th Season
Ride the Cyclone BOOK, MUSIC, AND LYRICS BY
Jacob Richmond & Brooke Maxwell
DIRECTOR’S NOTE Welcome to Ride the Cyclone. I’ve been grappling with how to properly introduce this macabre but surprisingly life-affirming successful experiment in musical theatre. How did an indie cabaret in a church basement in Victoria, British Columbia in 2008 become an international sensation and one of the most frequently performed theatrical pieces of the last decade? Well, the answer is the internet. In 2022, a clip of Emily Rohm singing “The Ballad of Jane Doe” from an upcoming Off-Broadway run appeared on TikTok and quickly gained millions of views and over 400,000 reactions. The show became a viral sensation and an instant favorite among Gen Z audiences. Since then, it’s been performed in dozens of countries and has become a particularly popular piece on college campuses across the U.S. I admit that I did not immediately connect with this musical on a first read and listen. (Spoiler: It was probably not written for my generation.) But after spending the last few months diving into its complex themes of identity, belonging, mortality, and grief, and watching the student performers, designers, and managers tackle the story’s cyclonelike twists and turns, I would argue that it is every bit as poignant as Frank Capra’s It’s a Wonderful Life or Thornton Wilder’s Our Town. The musical begins with a tragic loss, but through death, our young heroes discover what it means to truly live. Life, they realize is not a game; it’s just a ride. Thank you so much for joining us on this adventure. Please check your safety harnesses and enjoy the show. Andrew Schwartz Originally Produced by Kevin McCollum and Morris Berchard
Originally Produced in Canada by Atomic Vaudeville Ride the Cyclone is presented by special arrangement with Broadway Licensing, LLC (www.broadwaylicensing.com). Auburn University is an equal opportunity educational institution/employer. NOTE TO AUDIENCE: The videotaping or audio and/or visual recording of this production is a violation of United States Copyright Law and an actionable federal offense.
AU BU RN U NIVER S IT Y THE ATRE & DAN CE
2026-2027
ARTISTIC TEAM
Artistic Director: Tessa Carr Director: Andrew Schwartz Assistant Director: Catherine Govignon Music Director: Brian Osborne Choreographer: Jeri Dickey Assistant Choreographer: Wil Eplett Vocal Director: Charlotte Lee Intimacy Director: Lindsay Rae Taylor Costume Designer: Addie Tripp Scenic and Lighting Designer: Matthew Swindell Sound Designer: Zack Bennett Assistant Sound Designer: Lily Hamilton Track Assistant: Isabella Doyle
PRODUCTION CREWS Scenic Studio:
Lindsey Beam, McKinley Carson, Aiyanna Carter, Cahlin Cheek, JD DeVitt, Harrison Dunn, Nash Gilbert, Grayson Hataway, Fritz Michel, Payton Myers, Lupe Nieto, Kayla Newell, Rivers Rose, Sydney Smith, Cody Woodfin
Costume Studio:
Lily Boyd, Mei Cooper, Mary Graham, Milo Hickman, Hudson Kaak, Em McAlexander, Anna Beth McSpadden, Madyson Millsap, Sam Oliver, Joni Olson, Sawyer Skinner
LEARN MORE Join us after the Thursday, Nov. 19th performance for a talkback session with actors and members of the creative team. Check out the lobby display by Moxxy Forensic Investigations (and read more on the following page).
PRODUCTION TEAM
Director of Production: Laura Sims Technical Director: Matt Gist PM-Stage Operations: J. Brent Morrison Costume Technology Director: Sam Hawthorne Calling Stage Manager: Lily Sosebee Deck Stage Manager: Faith “AJ” Moss Props Coordinator: Isabella Doyle Drapers: Jeb Bethel, Caroline Brooks Wig Artist: Madyson Millsap Scenic Charge Artist: Matthew Swindell Assistant Scenic Charge Artist: Lindsey Beam Head Electrician: Rivers Rose Wardrobe Supervisor: Caroline Brooks Assistant Wardrobe Supervisor: Jeb Bethel Wardrobe Crew: Aiyanna Carter, Lupe Nieto, Ava Vazquez A1/Audio Mix Engineer: Lily Hamilton A2/Sound Board Operator: Matthew Adams A2: Parker Mitchell Light Board Operator: Tyler Hayes Follow Spot Operator: Lexi Garrett Projections Operator: Mo McKenzie Deck Crew: Cahlin Cheek
SPECIAL THANKS
Auburn University Theatre & Dance gratefully acknowledges the following: Support for our season from Dean Jason Hicks and the College of Liberal Arts
NEXT UP! February 18–27, 2027
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BOX OFFICE: 334.844.4154 theatre@auburn.edu
@auburnuniversitytheatre
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PURCHASE ONLINE:
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SETTING AND TIME
A dilapidated warehouse, storing in it the debris of a once thriving amusement park. One year ago.
The show runs approximately 90 minutes with no intermission.
CAST
The Amazing Karnak . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abigail Johnson Ocean O'Connell Rosenburg . . . . . . . . . . . . . . . . . . . . . . . . . . Alaya Young Mischa Bachinski. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JD DeVitt Noel Gruber. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wil Eplett Ricky Potts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Austin Hamilton Constance Blackwood. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kate Nymark Jane Doe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emma Grace Ramb Karnak/Jane Doe Swing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lily Baker Ocean/Constance Swing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lyla Forgey Mischa/Noel Swing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brandon Mears Ricky U/S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ben Richey
MUSICAL NUMBERS Dream of Life Opening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jane What the World Needs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ocean and Kids Noel’s Lament. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Noel and Kids Every Story’s Got a Lesson. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kids This Song Is Awesome. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mischa and Kids Talia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mischa and Kids Space Age Bachelor Man . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ricky and Kids The Ballad of Jane Doe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jane and Kids Jawbreaker/Sugarcloud . . . . . . . . . . . . . . . . . . . . . . . Constance and Kids It’s Just a Ride . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kids
Moxxy Forensic Investigations: Giving The Unidentified A Name Moxxy Forensic Investigations is a Texas-based nonprofit dedicated to restoring identities to unidentified human remains and perpetrators of violent crimes through investigative genetic genealogy (IGG). On March 7, 2025, the remains of an unidentified woman were recovered in Hinds County, Mississippi. Estimated to be between 26 and 46 years old, she had two distinctive tattoos, including a blue and black heart marked “2018” with “July” written above it. More than a year later, her identity remains unknown. Through The Magnolia Project, a partnership with the Mississippi State Repository for Missing and Unidentified Persons, Moxxy works to identify women whose lives were cut short and whose names remain unknown. Ride the Cyclone explores identity, memory, and what it means to be remembered. For this Jane Doe, those themes are not fiction. She was a real person with a life and a story still waiting to be reclaimed. Through science, research, and collaboration, Moxxy hopes to help restore her name. AU BU RN U NIVER S IT Y THE ATRE & DAN CE
2026-2027
GUEST ARTIST AND CREATOR BIOGRAPHIES
Zack Bennett (Sound Designer) is an Atlanta-based designer. He completed is BA at the University of Tennessee and his MFA at Purdue University. Zack is an Assistant Professor at the University of North Georgia. Zack’s credits include Regional: Emma, Pericles, An Enemy of the People, Mrs. Dalloway, Macbeth, Mary Shelley’s Frankenstein, Julius Caesar, Wrecking Ball, As You Like It, The Living Dead, The Comedy of Errors (Cincinnati Shakespeare); Girl From the North Country, Hedwig and the Angry Inch (Actors Express); The Little Prince, SWEAT (River & Rail Theatre); A Christmas Carol [Asst] (Guthrie); True West (Seattle Rep); New York: Thoughts of a Colored Man [Asst] (Broadway). zackbennett.com Matthew Swindell (Scenic and Lighting Designer) is a design professional based out of Columbus, GA. While currently serving as the exhibition designer and coordinator for The Columbus Museum, Matthew is a proud theatre generalist — having served as a technician, manager, designer, and director for hundreds of productions, events, and exhibitions. Matthew earned his BFA in theatre technology and design from Columbus State University (go Cougs!) and his MFA in theatre design and technology from the University of Idaho (go Vandals!), focusing on scenic and lighting design. Matthew loves to wear many hats, so he was thrilled at the opportunity to collaborate with the AUTD faculty, staff, and students to design both scenery and lighting for this production. Some of his favorite productions are also ones where he worked double duty, serving as director and scenic designer for Elf: The Musical and Evil Dead: The Musical (Springer Opera House, Columbus, GA). MatthewSwindell.com Jacob Richmond (Music, Book, and Lyrics) has written several plays, including: The Qualities of Zero (Dora Award nomination, Montreal MECCA Award winner for Best Text); Small Returns (Theatre Passe Muraille); Legoland (SummerWorks Award for Best Text, Frigid Festival New York Favorite Production, Vancouver Fringe Favorite Award); From Canada to Canada (CBC Radio One Award, Best Comedy); and The Punch and Judy Show (Caravan Farm Theatre). Born in Saskatoon, Saskatchewan, he majored in history and performance at Concordia University (Montreal) and is co-founder of Atomic Vaudeville, a popular cabaret theatre series in Victoria, BC. Brooke Maxwell (Music, Book, and Lyrics) is a freelance musician, composer, and educator based in Victoria, BC, Canada. In addition to Ride the Cyclone, he has underscored and sound designed several local and national works: Gruff (Puente Theatre), And Slowly Beauty (Belfry Theatre, National Arts Centre, Tarragon Theatre), A Tender Thing (Belfry Theatre) The Glass Menagerie, Long Day’s Journey into Night (Bluebridge Theatre), Joan (Theatre SKAM), Busted Up (Open Pit Theatre). brookemaxwell.com Concord Theatricals is the world’s most significant theatrical company, comprising the catalogs of R&H Theatricals, TamsWitmark, Samuel French, The Andrew Lloyd Webber Collection, Dramatists Play Service and Playscripts, plus over one hundred new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira Gershwin, James Graham, Katori Hall, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Kitt & Yorkey, Marlow & Moss, Lin-Manuel Miranda, Arthur Miller, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder, Tennessee Williams, August Wilson, Harry Potter Theatrical Productions, and thousands more. We are the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording and first-class producing. As a producer and record label, the company has won three Tony Awards and two GRAMMY Awards in the past seven years. Concord Theatricals is a part of BMG. concordtheatricals.com
STUDENT COMPANY BIOGRAPHIES
Lindsey Beam (Assistant Scenic Charge Artist) is a junior BFA theatre design/technology major on the scenic design track from Myrtle Beach, SC. She is minoring in dance and in arts administration. Previous AUTD credits include The Revolutionists (Scenic/Props Supervisor), Men on Boats (Assistant Costume Designer), Sweeney Todd: The Demon Barber of Fleet Street (Props Coordinator), Footprints (Dancer), Small Mouth Sounds (Scenic Designer), Shaina Taub’s As You Like It (Wardrobe Crew), Violet (Assistant Scenic Designer), Flying/Falling (Light Board Operator), Ordinary Days (Dramaturgy Team), and Wellesley Girl (Deck Crew). Lindsey thanks her friends and family for their support and would like to thank the dedicated cast, crew, and management for this opportunity. Lily Baker (Jane Doe and Karnak Swing) is a freshman BFA musical theatre major from Huntingtown, MD. She is so excited to be a part of her very first AUTD production and to be working with this amazing team. She hopes you enjoy the show. JD DeVitt (Mischa Bachinski) is a sophomore BFA musical theatre major from Mobile, AL. He is incredibly grateful to be working on his third AUTD production. JD’s recent AUTD credits include Sweeney Todd: The Demon Barber of Fleet Street (Male Swing, Judge Turpin U/S) and Shaina Taub’s As You Like It (Orlando Standby and Offstage Singer). He would like to thank the whole cast for creating such an amazing experience and Tutti for always being there for him. Huge thanks to his dad for supporting him. “You will soar to great heights.” Isabella Doyle (Props Coordinator, Track Assistant) is a junior BFA musical theatre and music production double major from Nashville, TN. Previous AUTD credits include Men on Boats (John Wesley Powell), The Revolutionists (Sound Design Team and Music Arrangement), Small Mouth Sounds (Joan), Shaina Taub’s As You Like It (Props Coordinator), and Orlando (Sasha). She's excited to help bring this fantastic piece to life and would like to thank Andrew and Brian for allowing her to jump on the ride and have a blast. William “Wil” Eplett (Noel Gruber, Assistant Choreographer) is senior BFA musical theatre major with a minor in arts administration from Lilburn, GA. His previous AUTD credits include Shaina Taub's As You Like It (Touchstone), Sweeney Todd: The Demon Barber of Fleet Street (Bird Seller, Ensemble, Sweeney U/S); Orlando (Archduchess/Archduke, Devising Ensemble), Ordinary Days (Warren), Dare WE Defend (Devising Ensemble), and Fractals: Infinite Movement (Dancer). He is so proud to be presenting this wonderful, wacky show with such close friends, talented performers, and hardworking crew. All the love to his friends and family. He hopes you enjoy the show!
auburnuniversitytheatre.org
STUDENT COMPANY BIOGRAPHIES Lyla Forgey (Ocean/Constance Swing) is a sophomore BFA musical theatre major with minors in dance and arts administration from Nashville, TN. She is thrilled to be working on her second AUTD production, having worked on Sweeney Todd: The Demon Barber of Fleet Street (Ensemble Swing) last spring! Lyla wants to extend her gratitude to the entire crew and cast for their support and hard work. Special shoutouts to her family, her friends (tutti for life!), and her mentors. All glory to God and War Eagle! Catherine Govignon (Assistant Director) is a senior BFA musical theatre major from Calhoun, GA. She is thrilled to be making her assistant director debut. Catherine would like to thank Andrew Schwartz for the opportunity to work together one last time and for his mentorship throughout this process. Previous AUTD stage credits include Men on Boats (Goodman), Sweeney Todd: The Demon Barber of Fleet Street (Ensemble), Small Mouth Sounds (Teacher), Ordinary Days (Claire), and Natasha, Pierre & The Great Comet of 1812 (Orchestra Vocalist). Break legs to the wonderful cast! WDE! Austin Hamilton (Ricky Potts) is a sophomore BFA musical theatre major from Tampa, FL. This is his first production with AUTD. He gives gratitude and thanks to God for making all things possible, as well as to his family; the amazing cast, crew, and directors of this show; teachers and mentors in Auburn and back home; tutti; his great friend Peter McCauley; and all the other friends and figures who have provided endless love, support, and guidance throughout his journey. AMDG! Lily Hamilton (Assistant Sound Designer, A1) is a senior BFA theatre design/tech major with a minor in women’s and gender studies from Auburn, AL. Her AUTD credits include Sweeney Todd: The Demon Barber of Fleet Street (Assistant Sound Designer, A1), Small Mouth Sounds (Assistant Sound Designer), Orlando (Assistant Sound Designer), Ordinary Days (Assistant Sound Designer, A1), Natasha, Pierre & The Great Comet of 1812 (Assistant Sound Designer, A1), and Monstersongs (A2). She would like to thank her family and friends for their continued support as well as an amazing cast and crew for a wonderful experience. War Eagle! Abigail Johnson (The Amazing Karnak) is a senior BFA musical theatre and public relations double major from Muscle Shoals, AL. She is thrilled to be kicking off her senior year with such a fun show. Recent credits include Shaina Taub’s As You Like It (Celia), Footprints (Dancer, “Yes, Indeed!”), and The Miracle Worker (Annie Sullivan). She would like to thank her family for their constant love and support. Don’t forget to ride the Cyclone! Isaiah 41:10. Brandon Mears (Mischa/Noel Swing) is a freshman BFA musical theatre and hospitality management double major from Canton, GA. He is very excited to be doing his first production with AUTD and would like to thank this amazing cast and crew for making his first show so memorable. He would also like to thank his friends and family for helping him get where he is today! Faith “AJ” Moss (Deck Stage Manager) is a sophomore theatre major with an emphasis in theatre management from Auburn, AL. She is very excited to be working on her third production at AUTD. Previous AUTD credits include Vanya and Sonia and Masha and Spike (Deck Stage Manager) and Shaina Taub’s As You Like It (Deck Stage Manager). She would like to thank the dedicated cast, crew, and management for this wonderful experience, as well as her loving family. Kate Nymark (Constance Blackwood) is a senior BFA musical theatre and economics double major from Maple Grove, MN. She is thrilled to work with this exceptionally talented cast, crew, and management to bring you the wild ride that is Ride the Cyclone! Her previous AUTD credits include Shaina Taub’s As You Like It (Silvia), Orlando (Queen Elizabeth Standby), Dare WE Defend (Devising Ensemble), Ordinary Days (Props Coordinator), and Violet (Props Coordinator). Kate would like to thank her family and friends for their constant support and encouragement. War Eagle! Emma Grace Ramb (Jane Doe) is a senior BFA musical theatre major from Orlando, FL. Recent credits include Matilda (Miss Honey) and Annie (Lily St. Regis) at Parkway Playhouse and AUTD’s Ordinary Days (Claire) and Sweeney Todd: The Demon Barber of Fleet Street (Jonas Fogg, Ensemble). She also works in the TV/film industry, with several projects set to release in 2027. Emma Grace is endlessly grateful for her time at Auburn and extends a huge thank you to the family, friends, and professors who supported her along the way. All glory to God, and War Eagle! Instagram: @emmagraceramb. Ben Richey (Ricky U/S) is a freshman BFA musical theatre major from Northport, AL. He is thrilled to be working on his first ever production with AUTD! Previous credits include The Lightning Thief (Grover), Young Frankenstein (Ziggy/Tap Ensemble), and Bye Bye Birdie (Conrad). Ben would like to thank this wonderful cast and crew for this opportunity and experience, and his family for supporting him through it all and helping him be where he is today! Lily Sosebee (Calling Stage Manager) is a senior BFA theatre management major from Kennesaw, GA. She is thrilled to open her senior season with Ride the Cyclone. Previous AUTD credits include Vanya and Sonia and Masha and Spike (Calling Stage Manager), Footprints (Calling Stage Manager), Violet (Calling Stage Manager), Ordinary Days (Calling Stage Manager), Dare WE Defend (Stage Management Team), Natasha, Pierre & The Great Comet of 1812 (Assistant Stage Manager), and Barbecue (Assistant Stage Manager). She would like to thank the cast, crew, and production team for their wonderful support. War Eagle! Addie Tripp (Costume Designer) is a junior BFA theatre design/technology (on the costume design track) and apparel design double major from Fairhope, AL. She is so excited to design her first show with AUTD! Addie most recently worked on AUTD’s production of Sweeney Todd: The Demon Barber of Fleet Street (Assistant Costume Designer). She would like to thank the artistic team for this wonderful opportunity and for being so accommodating throughout this process, as well as Jenni and Sam for their exceptional guidance. She would also like to thank her loving and supportive family and friends for going on this exciting journey with her. Alaya Young (Ocean O'Connell Rosenberg) is a junior BFA musical theatre major from Columbus, GA. Previous AUTD credits include Men on Boats (Props Coordinator), Vanya and Sonia and Masha and Spike (Props Coordinator), Sweeney Todd: The Demon Barber of Fleet Street (Ensemble), Shaina Taub’s As You Like It (Phoebe), and Violet (Virgil/Lula U/S). She wants to thank her family and friends for their unwavering support. Enjoy the show!
AU BU RN U NIVER S IT Y THE ATRE & DAN CE
2026-2027
Across 5 major degree tracks and 3 different minors, our students engage daily in the rigorous hands-on work of the theatre. They construct sets, A call shows, sew costumes, create designs, analyze texts, choreograph dances, devise new works, build props, focus lights, block scenes, conduct research, score scripts, and everything in between.
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to make a difference AU Theatre and Dance students are some of the hardest working on campus. And every year we must start anew in finding ways to help support their remarkable efforts. Our students depend on scholarship support to keep up rigorous academic and creative schedules, and to balance the various aspects of student life. THANK YOU to all who have donated! Last year, your generous gifts helped us raise our awardable scholarship support by nearly ten thousand dollars. This year, we want to surpass that mark as we continue our Scholarship Benefit Opening Nights. All tickets sales and donations on any opening night will go directly to student scholarships. If you purchase tickets for opening nights, even if your schedule changes, your purchase will still make a meaningful impact and count toward the scholarship fund. To remain a competitive program, we must grow our awardable scholarship dollars. Currently, we award roughly sixty thousand dollars in scholarships each year. Our goal is to raise our available funds to one hundred thousand dollars within the next two years. Meeting this goal will give us the capacity to continue our recruitment of the finest academic, performance, and production students. Please consider becoming an AU Theatre and Dance donor today, or renew your previous gift if you gave in the past.
Students at Work
AJ D DeVitt works during scene shop practicum. B Costume designer Addie Tripp works in the costume shop. Photos by Magalí Zaslabsky
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theatre@auburn.edu
Every opening night ticket goes toward student scholarships!
THANK YOU, DONORS!
We are profoundly grateful to our generous donors. Every gift helps to support the work of our department and our incredible theatre and dance students. Lynsey Bethel London Carlisle Darrell Crutchley Craig & Gabriele Darch Ronda Davis Kate Doyle
Debbie and Scott Enebak Fudd Graham and Patty Tyler Christy Hines Don Hudson Stan Jones Bryan Lee
Philip Lewis and Sandra Clark-Lewis Dr. Catherine R. Perricone Drs. Lane and William Sauser Margaret Wood and Timothy Johnson Steve and Cathy Wright
And all who donated by purchasing opening night tickets! This listing includes all donors who have given as of the time of printing. If your name is missing and you’d like to be included, please contact us to be added to the next program.
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Department Of Theatre & Dance OUR MISSION
Theatre has the potential to foster dialogue, alter perceptions, and inspire social change. The Auburn University Department of Theatre and Dance is dedicated to the education and professional training of theatre artists, scholars, and audiences within a liberal arts environment. The Department champions the interaction between theory and practice and produces citizen artists who advocate for the arts through their own work in local, national, and international communities. Auburn University theatre and dance students think critically, creatively, and collaboratively and carry their knowledge from rehearsal spaces and classrooms to stages, campuses, and communities worldwide. Learn more about our department and degree tracks at:
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AA laya Young as Phoebe in Shaina Taub’s musical version of As You Like It (2025).* B Telfair Peet Theatre.* CM o McKenzie (foreground) and other students in Dr. Scott Phillips’ theatre history class.† Photos by *Henry Eiland and †Magalí Zaslabsky
ADMINISTRATIVE STAFF
Department Chair: Tessa Carr Coordinator, Student and Patron Services: Becky Henderson Office Administrator: Vicki Murtadha Marketing Coordinator: Magalí Zaslabsky Graphic Designer: Ashley Butler
STUDENT STAFF
Event Staff: Lindsey Beam, McKinley Carson, Austin Hamilton, Lily Hamilton, Morgan McKenzie, Anna Beth McSpadden, Faith “AJ” Moss, Kayla Newell, Lupe Nieto, Kate Nymark, Joni Olson, Sarah Schomburg, Sydney Smith, Ava Vazquez, Alaya Young Costume Studio Assistants: Lindsey Beam, Jeb Bethel, Caroline Brooks, Mei Cooper, Catherine Govignon Costume Stock Assistants: Em McAlexander, Addie Tripp Props Assistant: Isabella Doyle Wig Assistant: Madyson Millsap Production Assistant: Lily Sosebee Marketing/Recruitment Assistants: Wil Eplett, Kayla Newell, Sawyer Skinner Outreach Special Projects Assistants: Marianna Richardson, Sydney Smith Scenic Studio Assistants: Lindsey Beam, Connor McNeill, Cody Woodfin Paints Assistant: Kylia Wheeler Sound Assistant: Lily Hamilton Lighting Assistant: Will Johnson Follow @auburnuniversitytheatre on Facebook and Instagram